Podcasts about literary agents

In this week's episode we are joined by Regina Brooks!Ms. Regina Brooks is the founder and CEO of Serendipity Literary Agency in New York, New York. Her agency is the largest African American owned agency in the country and has represented and established a diverse base of award-winning clients in adult and young adult fiction, nonfiction, and children's literature. Her authors have appeared in USA Today, the New York Times, and the Washington Post as well as on Oprah, ABC, NBC, CBS, CNN, FOX, MSBNC, TV One, BET, and a host of others. In 2015, Publishers Weekly nominated Regina Brooks as a PW Star Watch Finalist, and she was honored with a Stevie Award in Business. Writer's Digest Magazine named Serendipity Literary Agency as one of the top 25 literary agencies. She is currently the President of the Association of American Literary Agents (AALA) and co-chair of its Communications Committee, co-producer of the U.S. Book Show, a founding member and board member of Literary Agents of Change (LAOC), and a board member of the Association of Writers & Writing Programs (AWP). Formerly, she held senior editorial positions at John Wiley and Sons (where she was not only the youngest but also the first African American editor in their college division) and McGraw-Hill.Prior to her publishing career, she worked as an aerospace engineer and made history as the first African American woman to receive a Bachelor of Science degree in Aerospace Engineering from The Ohio State University. She is a graduate of The School of the Arts High School in Rochester, NY.She is the author of Essence Magazine's quick pick children's book, Never Finished, Never Done (Scholastic), Writing Great Books for Young Adults: Everything You Need to Know, from Crafting the Idea to Getting Published, 2e (Sourcebooks), and You Should Really Write a Book: How to Write, Sell, and Market Your Memoir and is a well-received blogger for the Huffington Post. Brooks is also on the faculty of the Harvard University publishing program, Western Connecticut MFA low residency programs, and Writer's Digest University and teaches annually at more than twenty worldwide conferences. She has been highlighted in several national and international magazines and periodicals, including Publishers Weekly, Forbes, Media Bistro, Writers and Poets, Essence Magazine, Ebony, Jet, Women on Writing, Writer's Digest Magazine, The Writer, The Network Journal, and Rolling Out.She was named Woman of the Year by The National Association of Professional Women, A New York Urban League Rising Star Award winner, and a finalist for the StevieTM Award for Women Entrepreneurs. Regina Brooks is featured in books such as Guide to Literary Agents and the NAACP-nominated Down to Business: The First 10 Steps for Women Entrepreneurs, How to Build a Platform, and Bill Duke's Dark Girls. She is also listed in International Who's Who under the categories of Professional Management, Technology, Entrepreneurs, and Engineering. In 2010, Brooks partnered with Marie Brown of Marie Brown and Associates and Marva Allen of Hue Man Bookstore to launch a new publishing imprint with Johnny Temple's Akashic Books called Open Lens.Further, Possibiliteas is the brainchild of the literary agent and tea enthusiast, Regina Brooks, who believed that tea—the world's oldest performance-enhancing beverage—could have a beneficial effect on her clients—writers, artists, and other creative professionals who were looking for fuel for their creative fire.She is a pilot and cofounder of Brooklyn Aviation as well as a member of New York Women in Film and Television.Ms. Brooks is the founder and Co-Executive Director of Y.B. Literary Foundation, Inc., a not-for-profit organization designed to kindle a passion for literature within high school students and an appreciation for the possibilities and opportunities that reading can provide.When Regina's not agenting, she's gardening, fishing, and flying her own plane (always in a dress).Buy her latest book here: https://bookshop.org/a/19191/9781402293528Check out her website here: www.serendipitylit.comFollow Serendipity Lit on IG here: www.instagram.com/serendipitylit/Support the show

Send me a Text Message!What actually happens when you talk to an editor who has read your manuscript?In this episode, I talk to editor and author Demi Michelle Schwartz to go through the notes she gave me on my manuscript. Demi shares what worked and where it needed work. Then I share the three lessons I took from her feedback so you can apply it to your own writing.@demimschwartz on Instagramdemimschwartz.comEpisodes I think you'll love:Developmental Editor and Former Literary Agent, Mary Kole Shares Her Top Revision StrategiesEditor Turned Literary Agent, Shelly Romero Shares Important Insights on Traditional Publishing150 Writing a Complex Mystery Novel with Bianca Marais Get the list of 125+ Literary Agents who rep Thriller, Mystery, Suspense, and Crime FictionStudy the Opening Paragraphs of the Top Authors Writing Thrillers Right Now

CAA literary agent Rachel Mann on what makes her say yes to a manuscript, how to navigate the submissions process without losing control of your career, and why cutting is the work that makes prose land. You'll learn Why the recognition an agent needs is physical rather than analytical. What to do when you're not sure your manuscript is ready to send out. How to buy more time after a full manuscript request without killing the momentum. Why telling other agents about your requests works in your favour, even if it feels grubby. The realistic rhythm for chasing an agent who has gone quiet. Whether refusing to use social media can cost a writer representation. A question worth answering before you sign with anyone, and why the answer shapes the edit. The edit most manuscripts need before submission, and why it rarely means adding. How poetry's distillation applies to prose, whatever you write. What still gives an agent hope in a market where people are reading less. Resources & Links Rachel's Website Marianne Dreams by Catherine Storr Waterstones Puffin Jo Unwin Literary Agency Karolina Sutton agent Harriet Poland agent Sarah Harvey agent John Ash agent Boy Parts by Eliza Clark Ottessa Moshfegh author Society of Authors The Arvon Foundation To Query Rachel: Email her at rachel.mann@caa.com. To submit, please send a cover email, one-page synopsis and the first three chapters of your work, or the rough equivalent. About Rachel Mann Rachel Mann is a Literary Agent at CAA and represents a broad range of work – largely fiction, with some non-fiction — from commercial to literary, in adult, young adult, and middle-grade markets. Her clients include Eliza Clark, Caleb Femi, Jade LB and Aisling Rawle, and have won and been listed for major prizes, including the Granta Best Young British Novelist, the Forward Prize for Poetry, the Rathbones Folio Prize, the Jhalak Prize, the Waterstone's Children's Book Prize, the YA Book Prize, The Bookseller Discover Prize, and the Carnegie Medal. She spent ten years editing and commissioning fiction for young people at houses including Penguin Random House and Simon & Schuster, and was global publishing director at the Roald Dahl Story Company. She became an agent in 2018 and joined CAA in 2023. For show notes, transcripts and to attend our live podcasts visit: podcast.londonwriterssalon.com.For free writing sessions, join free Writers' Hours: writershour.com.*FOLLOW LONDON WRITERS' SALONTwitter: twitter.com/​​WritersSalonInstagram: instagram.com/londonwriterssalonFacebook: facebook.com/LondonWritersSalonIf you're enjoying this show, please rate and review this show!

Watch as a full video interview on YouTubeOli Munson is a leading literary agent with AM Heath in London. He has a list of bestselling authors including Mari Hannah and Nadine Matheson, and is always on the look out for new and exciting commercial fiction.We had a great time chatting with Oli about how he became an agent, hearing about how it has changed since he first joined, and why it's so important to make a good first impression with your query letter. We also chat about the state of the market, and why he thinks data-led decisions have made publishers very risk-averse.Links:Query Oli nowOur Drafting Notes episodes on querying:Writing Your Query LetterHow to Write a Great SynopsisThe Agent Call - What do you ask?Support us on Patreon and get the podcast early and ad-free, along with other great benefits, including a bonus episodes: https://www.patreon.com/ukpageoneListen to authors telling stories together on our sister show, Narrative DamagePage One - The Writer's Podcast is brought to you by Write Gear, creators of Page One - the Writer's Notebook. Learn more and order yours now: https://www.writegear.co.uk/page-oneFollow us on FacebookFollow us on InstagramFollow us on BlueskyFollow us on ThreadsPage One - The Writer's Podcast is part of STET Podcasts - the one stop shop for all your writing and publishing podcast needs! Follow STET Podcasts on Instagram and Bluesky Hosted on Acast. See acast.com/privacy for more information.

We have another absolutely badass literary agent/author interview for you, with the absolute ICON that is THE Jennifer Herrera!We can't wait for you all to tune in and hear all the amazing things she had to say, but first, here's more about Jennifer!Jennifer Michelle Herrera was born in northwest Ohio and has lived in Missouri, California, Michigan, New York, and Pennsylvania. She studied philosophy in graduate school before moving to New York City, where she became literary agent. She went on to represent New York Times bestsellers, IndieBound bestsellers, and winners of multiple prestigious awards.Jennifer lives in Philadelphia (go Birds!) with her husband, children, and two rambunctious kittens. She loves karaoke, making outlandish assumptions based on people's charts, and, of course, taking care of her many plants.Find Jennifer: Website: https://www.jenniferherrerabooks.com/Agency Website: https://www.davidblackagency.com/jennifer-herreraIG: https://www.instagram.com/jennifer_herrera_books/

Christopher Hitchens remains one of the most influential and controversial writers of his generation. But before the books, the television appearances, the Oxford Union debates and the reputation as one of the great polemicists of his age, he was a young journalist finding his voice. Steve Wasserman knew that Christopher Hitchens. Wasserman is a writer, editor, publisher and literary agent who has spent decades at the center of American literary and intellectual life. Over the course of his career, he has worked with and known some of the most important writers and thinkers of the past half-century. In this episode of Eyewitness History, Steve takes us inside that world. We discuss Hitchens, including what he was like before he became famous, his extraordinary gifts as a writer and conversationalist, and the qualities that made him such a compelling intellectual figure. But the conversation goes far beyond Hitchens. Steve and Josh also discuss the craft of writing, the art of editing, the relationship between writers and editors, and the changing world of literary journalism. Steve also discusses his memoir, Tell Me Something, Tell Me Anything, Even If It's a Lie, and why he chose to tell the story of his life through essays and memories rather than a conventional autobiography. And Josh discusses his own book, William F. Buckley Jr.'s Guide to Friendship in a Polarized Era, and the enduring importance of intellectual friendships across political and ideological divides. Topics include: Christopher Hitchens before he became famous Hitchens as a young journalist What made Hitchens such a remarkable writer Hitchens's approach to writing and argument The relationship between writers and editors Steve Wasserman's career in publishing and literary journalism The art of recognizing great writing Tell Me Something, Tell Me Anything, Even If It's a Lie Steve's memories of the literary world The importance of intellectual curiosity Writing, friendship and ideological disagreement Steve's Book: https://www.heydaybooks.com/catalog/tell-me-something-tell-me-anything-even-if-its-a-lie/ HeyDay Festival: https://www.heydaybooks.com/harvest/ Josh's Book: https://www.amazon.com/William-Buckley-Guide-Friendship-Polarized/dp/1956454926See omnystudio.com/listener for privacy information.

Jeff Kopstein, Professor of Political Science at the University of California, Irvine, talks with us about putting together a compelling application for academic jobs. We talk not only about assistant professorship applications, but about the shift in tone and content for associate and full professorship applications. Don't forget to rate and review our show and follow us on all social media platforms here: https://linktr.ee/writingitpodcast Contact us with questions, possible future topics/guests, or comments here: https://writingit.fireside.fm/contact

Watch as a full video interview on YouTubeLudo Cinelli is an Agent and the Managing Director at Eve White Literary Agency. He joined the company in 2017 and has an MA in Creative Writing from Royal Holloway, University of London. He represents fiction, non-fiction and children's authors across genres and was shortlisted as British Book Awards Literary Agent of the Year in 2022 and 2026.We had an interesting chat with Ludo about how he got into agenting (and chat about the variety of paths people can take to become an agent), and what catches his attention in queries. We also chat about some bad habits in queries, and discuss why the market is difficult at the moment. Plus, Ludo offers his advice to writers out there who are looking to query soon.Links:Submit to Eve White nowFollow Ludo on InstagramSupport us on Patreon and get the podcast early and ad-free, along with other great benefits, including a bonus episodes: https://www.patreon.com/ukpageoneListen to authors telling stories together on our sister show, Narrative DamagePage One - The Writer's Podcast is brought to you by Write Gear, creators of Page One - the Writer's Notebook. Learn more and order yours now: https://www.writegear.co.uk/page-oneFollow us on FacebookFollow us on InstagramFollow us on BlueskyFollow us on ThreadsPage One - The Writer's Podcast is part of STET Podcasts - the one stop shop for all your writing and publishing podcast needs! Follow STET Podcasts on Instagram and Bluesky Hosted on Acast. See acast.com/privacy for more information.

We had the best time chatting with the incredible human that is Danai Christopoulou! Author and Associate Literary Agent at The Tobias Literary Agency!We can't wait for you to tune in and hear all about Danai's incredible journey and wise words! But first, here's more about Danai:Danai Christopoulou is a Pushcart Prize nominated SFF author and editor. After a long career as a journalist and copyeditor (their articles and opinion pieces have featured in magazines such as Glamour, House & Garden and Marie Claire since 2004), Danai has been a freelance editor and new talent mentor for mentorships such as QueeryFest. Danai edits for Hugo-nominated magazine khōréō, and reviews short fiction for HavenSpec.Danai loves speculative fiction of all flavors, from horror and thriller to sci-fi, fantasy and romance, especially from marginalized voices. They are mostly focused on adult fiction, but are interested in Young Adult fiction with crossover appeal. Danai likes their fiction upmarket with nuanced plots, particularly from BIPOC, queer, neurodivergent and other traditionally marginalized groups.Originally from Greece, Danai currently resides in Sweden.Website: https://chronovoros.com/Agency website: https://www.thetobiasagency.com/danai-christopoulouInstagram: https://www.instagram.com/danaiwrites/?hl=en

Rachel and Simon speak to the literary agent Amanda Harris. Amanda started her publishing career in publicity, first at Pan Macmillan, then at Simon and Schuster. She switched to editorial and worked with authors including David Baldacci and Jackie Collins before moving to Orion, where she launched two imprints, Orion Spring and Seven Dials. In 2019 Amanda joined YMU, a global talent agency, and set up their literary division, selling almost 100 books, many in six- or seven-figure deals. In 2025 Amanda founded Maven Literary Management, a “modern literary agency” which represents fiction and non-fiction authors. Amanda has agented over 50 Sunday Times bestsellers - including books by Claudia Winkleman, Matt Lucas and Graham Norton - and has been nominated four times for Literary Agent of the Year at the British Book Awards, winning in 2025. We spoke to Amanda about moving from publicity to editorial to agenting, the process of setting up Maven, and working with celebrity authors (and ghostwriters). We've also made (yet) another update for those ⁠⁠⁠⁠⁠⁠⁠⁠who support the podcast on the crowdfunding site Patreon⁠⁠⁠⁠⁠⁠⁠⁠. We've added a further 70 pages of new material to the package of successful article pitches that goes to anyone who supports the show with $5 per month or more, including new pitches to the New Yorker, Bloomberg Businessweek, and the Guardian Long Read. The whole compendium now runs to a magisterial 230 pages. For Patreons who contribute $10/month we're now also releasing bonus mini-episodes. Other Patreon rewards include signed copies of the podcast book and the opportunity to take part in a call with Simon and Rachel. A new edition of “Always Take Notes: Advice From Some Of The World's Greatest Writers” - a book drawing on our podcast interviews - is available now. The updated version now includes insights from over 100 past guests on the podcast, with new contributions from Harlan Coben, Victoria Hislop, Lee Child, Megan Nolan, Jhumpa Lahiri, Philippa Gregory, Jo Nesbø, Paul Theroux, Hisham Matar and Bettany Hughes. You can order it via ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Amazon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ or ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Waterstones⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.  Learn more about your ad choices. Visit podcastchoices.com/adchoices

 Diverse Voices Book Review host Hopeton Hay interviewed Laura B. McGrath, author of MIDDLEMEN: Literary Agents and the Making of American Fiction, a revealing study of how literary agents have shaped American fiction, publishing markets, and the literary canon from the 1950s to today. In the conversation, McGrath explains why agents are far more than behind-the-scenes dealmakers. Drawing on archival research, data analysis, and interviews with more than 75 agents and publishing professionals, she describes agents as advocates, matchmakers, negotiators, tastemakers, and career strategists who help determine which books reach readers—and how writers build sustainable literary lives.  McGrath is an assistant professor of English at Temple University. Her writing has appeared in The Atlantic, The Nation, and the Los Angeles Review of Books. Before joining Temple, she was associate director of the Literary Lab at Stanford University. Follow Laura B. McGrath on Social Media:Instagram - @laurabmcgrathBluesky - @lbmcgrath

Maria Whelan is an agent at Mushens Entertainment, in London. Prior to that, for more than 8 years she worked as an assistant and agent at InkWell Management in New York. She began her career in publishing as a Foreign Rights Assistant at Janklow & Nesbit in New York. Maria graduated from University College Dublin with a BA in English and Drama, then obtained her Master's in Literature and Modernity from the University of Edinburgh. Maria represents both fiction and nonfiction writers, including USA TODAY bestsellers, a Lammy Finalist, a Discoveries Women's Prize shortlist winner, a PEN/Robert W. Bingham Finalist, a Simon & Schuster Books Like Us first novel winner, NPR's Best Books of The Year authors, a James Beard Award winner, Barnes & Noble picks authors, and MacDowell Fellows.  Maria joins Barbara DeMarco-Barrett to talk about how she finds her clients, query letters, hands on agenting, comparison titles, submitting to editors, ageism in publishing, the difference in agents in NY vs the UK, selling memoirs, and more. For more information on Writers on Writing and to become a supporter, visit our Patreon page. For a one-time donation, visit Ko-fi. You can help out the show and indie bookstores by buying books at our bookstore on bookshop.org. It's stocked with titles by our guest authors, as well as our personal favorites. And on Spotify, you'll find an album's worth of typewriter music like what you hear on the show. It's perfect for writing. Look for the artist, Just My Type. You can find hundreds of past interviews on our website. (Recorded on 7, 2026) Host: Barbara DeMarco-Barrett Host: Marrie Stone Music: Travis Barrett (Stream his music on Spotify, Apple Music, Etc.)  

Welcome back to Chats and Chapters! This week we have a VERY exciting author interview!I had the absolute pleasure of sitting down with Jennifer to discuss her journey from writing a debut thriller novel to pivoting to a lush and magical fantasy.In this episode we talk about:- Jennifer's origin story from small-town Ohio to New York City literary agent- Writing her debut thriller The Hunter vs. writing botanical magic fantasy- The Celtic myth of Mish that inspired Siren Says- How grief shaped the writing of this book in the most unexpected ways- Getting a blurb from Diana Gabaldon (yes, really)- Switching from thriller to fantasy worldbuilding and how she overcame the struggle - Traditional publishing tips and playing the long game- Why talent is a myth and persistence is everythingSiren Says is available wherever books are sold on August 18th, 2026. ABOUT JENNIFER:Jennifer Herrera is the author of The Hunter. She studied philosophy in graduate school before moving to New York City, where she became a literary agent. She has gone on to represent New York Times Bestsellers, IndieBound bestsellers, and winners of multiple awards. She now lives in Philadelphia with her husband, children, and cats.Find Jennifer at jenniferherrerabooks.com and @jennifer_herrera_books on Instagram and TikTok.

The Page One Podcast, produced and hosted by author Holly Lynn Payne, celebrates the craft that goes into writing the first sentence, first paragraph and first page of your favorite books. The first page is often the most rewritten page of any book because it has to work so hard to do so much—hook the reader. We interview master storytellers on the struggles and stories behind the first page of their books. About the guest author: Margrét Ann Thors is an Icelandic-American writer based in Reykjavík, Iceland. She received her MFA from Columbia University and teaches at the University of Iceland. Her writing has appeared in Glamour, Creative Nonfiction, Ós Pressan, Storychord, and other outlets. Freyja is her debut novel. About the host: Holly Lynn Payne is an award-winning novelist and writing coach, and the former CEO and founder of Booxby, a startup that built an AI book discovery platform with a grant from the National Science Foundation. She is an internationally published author of four historical fiction novels. Her debut, The Virgin's Knot, was a Barnes & Noble Discover Great New Writers book. Her latest book, Rose Girl: A Story of Resilience and Rumi, a medieval, mystical thriller was awarded a Kirkus (starred) review and named Editors Choice from the Historical Novel Society. Holly lives on a houseboat near the Golden Gate Bridge with her daughter and Labrador retriever, and enjoys mountain biking, hiking, swimming and pretending to surf. To learn more about her books and writing coaching services, please visit her at hollylynnpayne.com  and subscribe to her FREE weekly mini-masterclass, Power of Page One, a FREE newsletter on Substack, offering insights on becoming a better storyteller and tips on hooking readers from page one! (And bonus: discover some great new books!) Tune in and reach out: If you're an aspiring writer or a book lover, this episode of Page One offers a treasure trove of inspiration and practical advice. I offer these conversations as a testament to the magic that happens when master storytellers share their secrets and experiences. We hope you are inspired to tune into the full episode for more insights. Keep writing, keep reading, and remember—the world needs your stories.  If I can help you tell your own story, or help improve your first page, please reach out @hollylynnpayne or visithollylynnpayne.com.  You can listen to Page One on Apple podcasts, Spotify, Pandora, Stitcher and all your favorite podcast players. Hear past episodes. If you're interested in getting writing tips and the latest podcast episode updates with the world's beloved master storytellers, please sign up for my very short monthly newsletter at hollylynnpayne.com and follow me @hollylynnpayne on Instagram, Twitter, Goodreads, and Facebook. Your email address is always private and you can always unsubscribe anytime.  The Page One Podcast is created near the Golden Gate Bridge, California, as a labor of love in service to writers and book lovers. My intention is to inspire, educate and celebrate. Thank you for being a part of my creative community!  Be well and keep reading, Holly @hollylynnpayne on IG Thank you for listening to the Page One Podcast! I hope you enjoyed this episode as much as I loved hosting, producing, and editing it. If you liked it too, here are three ways to share the love:Please share it on social and tag @hollylynnpayne.Leave a review on your favorite podcast players. Tell your friends. Please keep in touch by signing up to receive my Substack newsletter with the latest episodes each month. Delivered to your inbox with a smile. You can contact me at @hollylynnpayne on IG or send me a message on my website, hollylynnpayne.com.For the love of books and writers,Holly Lynn Payne@hollylynnpaynehost, author, writing coachwww.hollylynnpayne.com

Today on the program, a trip into the archive and a return to Episode 381, my conversation with Bill Clegg, esteemed literary agent and author of several books, including the debut novel Did You Ever Have a Family? (Scout Books). Air date: September 23, 2015. Bill Clegg is a literary agent in New York and the author of the bestselling memoirs Portrait of an Addict as a Young Man and Ninety Days, and another novel called The End of the Day. He has written for the New York Times, Lapham's Quarterly, New York magazine, The Guardian, and Harper's Bazaar. *** Today's episode is brought to you by Rula. Thousands of people are already using Rula to get affordable, high-quality therapy that's actually covered by insurance. Visit ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.rula.com/otherppl⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ to get started. *** ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Otherppl with Brad Listi⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ is a weekly podcast featuring in-depth interviews with today's leading writers. Available where podcasts are available: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Apple Podcasts⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Spotify⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, etc. Get ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠How to Write a Novel,⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ the debut audio course from DeepDive. 50+ hours of never-before-heard insight, inspiration, and instruction from dozens of today's most celebrated contemporary authors. Subscribe to ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Brad's email newsletter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Support the show on Patreon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Merch⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠  ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Bluesky⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Email the show: letters [at] otherppl [dot] com The podcast is a ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠proud affiliate partner of Bookshop⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, working to support local, independent bookstores. Learn more about your ad choices. Visit megaphone.fm/adchoices

Sally Ekus has been inside the cookbook business since before she could walk—literally stuffing press kits for her mother's culinary PR firm as a kid. Now a senior literary agent at Jean V. Naggar Literary Agency leading the Ekus Group, she's brokered hundreds of book deals and become one of publishing's most transparent voices on how cookbooks actually get made. She's behind the terrific Substack Not So Secret Agent, and Matt speaks with her about what agents really do for authors day to day, why a book deal is rarely a retirement plan, and some favorite books from years past. Also on the show we have a great conversation about Rebecca Eisenberg, author of the terrific new book Small-Batch Breads. Subscribe to This Is TASTE: ⁠⁠Apple Podcasts⁠⁠, ⁠⁠Spotify⁠⁠, ⁠⁠YouTube⁠⁠  Learn more about your ad choices. Visit megaphone.fm/adchoices

On this episode of Self-Publishing with ALLi, Dan Holloway covers a turbulent week for AI and publishing: the Association of American Literary Agents updating their Canon of Ethics to allow closer work with indie authors; a seven-figure publishing deal shelved within hours of an AI allegation; and a peer-reviewed study of 14,419 self-published Amazon titles finding that AI-generated books are commercially viable but outsold by human authors — while the number of titles grows twice as fast as revenue. Sponsor Self-Publishing News is proudly sponsored by PublishMe—helping indie authors succeed globally with expert translation, tailored marketing, and publishing support. From first draft to international launch, PublishMe ensures your book reaches readers everywhere. Visit publishme.me. Find more author advice, tips, and tools at our Self-publishing Author Advice Center, with a huge archive of nearly 2,000 blog posts and a handy search box to find key info on the topic you need. About the Host Dan Holloway is a novelist, poet, and spoken word artist. He is the MC of the performance arts show The New Libertines, He competed at the National Poetry Slam final at the Royal Albert Hall. His latest collection, The Transparency of Sutures, is  available on Kindle.

It's Literary Agent season on the pod! And we are coming in HOT with the absolutely iconic queen that is THE Kiana (Kiki) Nguyen!Kiana (Kiki) Nguyen is a literary agent at Donald Maass Literary Agency.Kiki Nguyen started in publishing in 2015 with an internship with Wunderkind PR, independent book publishing PR company, working on campaigns with authors such as Ernest Cline. There, she discovered a practical industry for her codependent love of fiction. She joined Donald Maass Literary Agency in 2016 as an intern and is now an agent building her own list.Kiki represents young adult and adult fiction across genres, with a particular hunger for Horror and genre-Thrillers and a focus on queer and BIPOC authors. She has represented New York Times, USA Today, Sunday Times bestsellers, and award winning titles.We were obsessed with all the incredible things Kiki had to say, and we know you will be too. The episode is out now! On YouTube, Spotify, Apple podcasts and more! We can't wait for you all to tune in, But first, here's more about Kiki:Find Kiki:IG: knguyenbooksAgency Website: https://maassagency.com/kiana-nguyen/substack: kiananguyen.substack.com - Have A Little Kiki On...an inconsistent, snack sized series where Literary Agent Kiana Nguyen shares her highly opinionated and unsolicited thoughts on the publishing industry, books, and tv/film.

Watch as a full video interview on YouTubeCorissa Hollenbeck is an associate agent with Janklow & Nesbit. She grew up in Massachusetts and attended Phillips Academy Andover, King's College London, the University of Freiburg, and the Columbia Publishing Course. She has worked at VICE, Marie Claire, and The Guardian. Corissa has worked with a broad range of prize-winning and bestselling authors whilst assisting literary agent and Managing Director Will Francis, and is now building her own list of authors.We had a really interesting chat with Corissa, hearing about how she first got into agenting, and how every part of the query package is important when submitting to agents. She also tells us about how she sometimes works with authors BEFORE she signs them, and talks about the impact of AI on the amount of queries and what that means for the future.Links:Query Corissa nowSupport us on Patreon and get the podcast early and ad-free, along with other great benefits, including a bonus episodes: https://www.patreon.com/ukpageonePage One - The Writer's Podcast is brought to you by Write Gear, creators of Page One - the Writer's Notebook. Learn more and order yours now: https://www.writegear.co.uk/page-oneFollow us on FacebookFollow us on InstagramFollow us on BlueskyFollow us on ThreadsPage One - The Writer's Podcast is part of STET Podcasts - the one stop shop for all your writing and publishing podcast needs! Follow STET Podcasts on Instagram and Bluesky Hosted on Acast. See acast.com/privacy for more information.

Watch as a full video interview on YouTubeCamilla Bolton is a literary agent at Darley Anderson, having joined the Agency in 2007 and was named as a publishing Rising Star by The Bookseller in 2013 and shortlisted for Literary Agent of the Year in 2022. She has built the fastest growing new commercial brands in the thriller market with five of her authors having sold over a million copies in the UK alone. Her list includes many Sunday Times, New York Times and No.1 ebook global bestsellers. Her authors have been picked for Reese Witherspoon's Hello Sunshine Book Club, BBC 2 Between the Covers Book Club and she's had five Richard & Judy Book Club Picks. Multiple of her books have been adapted for the screen and shown on BBC 1, Channel 5 and Netflix.We loved having the chance to speak with Camilla about her career as an agent, hearing about how she deals with so many queries (over 200 a week), what matters and doesn't matter to her in a query package, and whether authors should write to market when trying to find an agent.Links:Query Camilla nowFollow Camilla on InstagramSupport us on Patreon and get the podcast early and ad-free, along with other great benefits, including a bonus episodes: https://www.patreon.com/ukpageonePage One - The Writer's Podcast is brought to you by Write Gear, creators of Page One - the Writer's Notebook. Learn more and order yours now: https://www.writegear.co.uk/page-oneFollow us on FacebookFollow us on InstagramFollow us on BlueskyFollow us on ThreadsPage One - The Writer's Podcast is part of STET Podcasts - the one stop shop for all your writing and publishing podcast needs! Follow STET Podcasts on Instagram and Bluesky Hosted on Acast. See acast.com/privacy for more information.

Season 10 is on hold because the rules for literary agents just changed, and not necessarily in the author's favor. This episode tells you exactly what questions to ask before you sign (or pay for) anything.

In the spotlight is Kate McKean, literary agent at the Howard Morhaim Literary Agency in Brooklyn, New York. She earned her master's degree in fiction writing at the University of Southern Mississippi, and her work has appeared in Poets & Writers, Electric Literature, and Catapult. She recently published her first book. The title is Write Through It: An Insider's Guide to Publishing and the Creative Life. She also writes the Agents & Books newsletter at agentsandbooks.com.   Learn more about Kate McKean here: https://www.katemckean.com/  McKean's book, Write Through It: An Insider's Guide to Publishing and the Creative Life, can be purchased here: https://snip.ly/nccjn7  Novelist Spotlight is produced and hosted by Mike Consol. Check out his novels here: https://snip.ly/yz18no     Write to Mike Consol at novelistspotlight@gmail.com 

In this episode of Risky Conversations, I interviewed my good friend and literary agent Kat Kerr about her unconventional path from Florida state government to championing marginalized voices in publishing. Kat shares how her childhood love of books, early encounters with racism, and a mid-career pivot led her into advocacy-driven literary agenting and involvement with programs like We Need Diverse Books. Together, we talk about some of our favorite Asian American authors, why representation in literature matters, the realities of the publishing industry (including agents, querying, and self-publishing), and what it really takes to take bold risks for your career, your values, and your family.You'll learn: Why diverse representation of marginalized voices is not a luxury, but foundational to empathy, identity, and genuine human connectionHow advocacy and self-advocacy are learned, practiced skills—and what mindsets make it possible to speak up when it feels riskyHow Kat's decision to speak up boldly against bigoted remarks in high school created a ripple effect that emboldened other students of color to advocate for themselvesHow traditional publishing, self-publishing, and hybrid models are different and how authors can make informed business choices that fit their goals and resourcesHow taking big, values-aligned risks (for your family, identity, and justice) reshape your career and your life, even when success isn't guaranteedWhy building or joining supportive communities—like We Need Diverse Books or identity-centered indie bookstores—matter so much for writers and readers from marginalized backgroundsFeatured: Kat's agency, Donald Maass Literary Agency: https://maassagency.com/Yu & Me Bookstore in NYC: https://yuandmebooks.com/Jamie's coaching practice https://www.JamieLeeCoach.com/Text me your thoughts on this episode!Enjoy the show? Don't miss an episode, listen and subscribe via Apple Podcasts or Spotify.  Leave me a review in Apple Podcasts. Connect with meBook a free hour-long consultation with me. You'll leave with your custom blueprint to confidence, and we'll ensure it's a slam-dunk fit for you before you commit to working with me 1:1. Connect with me on LinkedIn Email me at jamie@jamieleecoach.com 

Rachel and Simon speak with the literary agent Vicki Willden-Lebrecht. Vicki set up The Bright Agency in 2003; today the company represents authors and artists from across the world. Its clients include Benji Davies (the creator of the "Storm Whale" series and the illustrator of the "Bizzy Bear" books), David Litchfield (the author and illustrator of the "The Bear & the Piano" series) and the estate of Shirley Hughes (whose books have sold more than 11.5 million copies). For the past 22 years, Vicki has been the agency's principal author/illustrator agent and she has been nominated for Literary Agent of the Year at the British Book Awards three times - in 2016, 2021 and 2025. We spoke to Vicki about her early entrepreneurial efforts and setting up Bright in her 20s, representing children's authors and illustrators and the importance of getting youngsters to read. In addition to the standard audio format, the podcast is now available in video. You can check us out on YouTube under Always Take Notes.   We've also made (yet) another update for those ⁠⁠⁠⁠⁠⁠⁠⁠who support the podcast on the crowdfunding site Patreon⁠⁠⁠⁠⁠⁠⁠⁠. We've added a further 70 pages of new material to the package of successful article pitches that goes to anyone who supports the show with $5 per month or more, including new pitches to the New Yorker, Bloomberg Businessweek, and the Guardian Long Read. The whole compendium now runs to a magisterial 230 pages. For Patreons who contribute $10/month we're now also releasing bonus mini-episodes. Other Patreon rewards include signed copies of the podcast book and the opportunity to take part in a call with Simon and Rachel. A new edition of “Always Take Notes: Advice From Some Of The World's Greatest Writers” - a book drawing on our podcast interviews - is available now. The updated version now includes insights from over 100 past guests on the podcast, with new contributions from Harlan Coben, Victoria Hislop, Lee Child, Megan Nolan, Jhumpa Lahiri, Philippa Gregory, Jo Nesbø, Paul Theroux, Hisham Matar and Bettany Hughes. You can order it via ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Amazon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ or ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Waterstones⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.  Learn more about your ad choices. Visit podcastchoices.com/adchoices

Turning a lifelong dream into a published reality.Marketing-consultant-turned-thriller-writer Michael Wendroff shares his fascinating journey of being raised within a literary family – surrounded by manuscripts and legendary authors like Robert Ludlum – before carving out his own successful career in marketing. He discusses how the pandemic finally provided the opportunity to overcome a lifetime of procrastination and pen his debut novel, What Goes Around. Michael offers invaluable insight into the traditional publishing process, the essential role of literary agents, and the importance of perseverance when receiving editorial feedback. We explore the 'self-actualising' power of fulfilling a lifelong creative dream and the positive impact it has on mental and physical wellbeing, while Michael also provides practical advice for aspiring writers, from exercising the 'writing muscle' daily to the necessity of self-promotion in the modern publishing landscape.Connect with Michael here.Buy books by Creativity Found guests here.You might also like:From Nomad to Novelist with Douglas RobbinsBlending Fact and Fiction with Shirley NovackMedicine and Mysteries with Tammy EulianoSupport the showFollow @CreativityFoundPodcast on InstagramWant to be a guest on Creativity Found? Send me a message on PodMatch, herePodcast recorded with Riverside and hosted by Buzzsprout

In this interview, we speak with Laura B. McGrath, an Assistant Professor of English at Temple University and the author of Middlemen: Literary Agents and the Making of American Fiction (Princeton University Press, 2026). Her writings have appeared in the Los Angeles Review of Books and The Atlantic. Middlemen rewrites literary history from the perspective of one of its most important but least visible figures: the literary agent. Chronicling the story of agents in the United States from the 1950s to today, Laura McGrath uncovers their critical role in the making of American literature. From the famed three-martini lunch to the Frankfurt Book Fair, Middlemen takes readers behind the scenes to show how agents influence what we read. Along the way, it explains why many debut novelists never publish another book, why agents champion short story collections even though they sell poorly, how agents advocate for writers of color in a system that values whiteness, and why there are so many New York novels. Weaving together original archival research, data analysis, and interviews with scores of agents and other publishing professionals, Middlemen demonstrates that agents—eighty percent of whom are in fact women—are much more than “middlemen.” As intermediaries between author and publisher, agents act as advocates, matchmakers, negotiators, and tastemakers, and they must balance artistic values with the commercial imperatives of publishing conglomerates. The book describes the decisive role agents have played in celebrated novels—from Jack Kerouac's On the Road to Colson Whitehead's The Intuitionist—but also in the creation of entire literary categories like the debut novel, the story collection, postmodernism, multiethnic fiction, and world literature. Featuring profiles of agents past and present such as Sterling Lord, Lynn Nesbit, Candida Donadio, Marie Brown, and Andrew Wylie, along with perspectives from agents at all stages of their careers, Middlemen is an entertaining and eye-opening account of how literary fiction—and the literary canon—is made. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In this interview, we speak with Laura B. McGrath, an Assistant Professor of English at Temple University and the author of Middlemen: Literary Agents and the Making of American Fiction (Princeton University Press, 2026). Her writings have appeared in the Los Angeles Review of Books and The Atlantic. Middlemen rewrites literary history from the perspective of one of its most important but least visible figures: the literary agent. Chronicling the story of agents in the United States from the 1950s to today, Laura McGrath uncovers their critical role in the making of American literature. From the famed three-martini lunch to the Frankfurt Book Fair, Middlemen takes readers behind the scenes to show how agents influence what we read. Along the way, it explains why many debut novelists never publish another book, why agents champion short story collections even though they sell poorly, how agents advocate for writers of color in a system that values whiteness, and why there are so many New York novels. Weaving together original archival research, data analysis, and interviews with scores of agents and other publishing professionals, Middlemen demonstrates that agents—eighty percent of whom are in fact women—are much more than “middlemen.” As intermediaries between author and publisher, agents act as advocates, matchmakers, negotiators, and tastemakers, and they must balance artistic values with the commercial imperatives of publishing conglomerates. The book describes the decisive role agents have played in celebrated novels—from Jack Kerouac's On the Road to Colson Whitehead's The Intuitionist—but also in the creation of entire literary categories like the debut novel, the story collection, postmodernism, multiethnic fiction, and world literature. Featuring profiles of agents past and present such as Sterling Lord, Lynn Nesbit, Candida Donadio, Marie Brown, and Andrew Wylie, along with perspectives from agents at all stages of their careers, Middlemen is an entertaining and eye-opening account of how literary fiction—and the literary canon—is made. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In this interview, we speak with Laura B. McGrath, an Assistant Professor of English at Temple University and the author of Middlemen: Literary Agents and the Making of American Fiction (Princeton University Press, 2026). Her writings have appeared in the Los Angeles Review of Books and The Atlantic. Middlemen rewrites literary history from the perspective of one of its most important but least visible figures: the literary agent. Chronicling the story of agents in the United States from the 1950s to today, Laura McGrath uncovers their critical role in the making of American literature. From the famed three-martini lunch to the Frankfurt Book Fair, Middlemen takes readers behind the scenes to show how agents influence what we read. Along the way, it explains why many debut novelists never publish another book, why agents champion short story collections even though they sell poorly, how agents advocate for writers of color in a system that values whiteness, and why there are so many New York novels. Weaving together original archival research, data analysis, and interviews with scores of agents and other publishing professionals, Middlemen demonstrates that agents—eighty percent of whom are in fact women—are much more than “middlemen.” As intermediaries between author and publisher, agents act as advocates, matchmakers, negotiators, and tastemakers, and they must balance artistic values with the commercial imperatives of publishing conglomerates. The book describes the decisive role agents have played in celebrated novels—from Jack Kerouac's On the Road to Colson Whitehead's The Intuitionist—but also in the creation of entire literary categories like the debut novel, the story collection, postmodernism, multiethnic fiction, and world literature. Featuring profiles of agents past and present such as Sterling Lord, Lynn Nesbit, Candida Donadio, Marie Brown, and Andrew Wylie, along with perspectives from agents at all stages of their careers, Middlemen is an entertaining and eye-opening account of how literary fiction—and the literary canon—is made. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

In this interview, we speak with Laura B. McGrath, an Assistant Professor of English at Temple University and the author of Middlemen: Literary Agents and the Making of American Fiction (Princeton University Press, 2026). Her writings have appeared in the Los Angeles Review of Books and The Atlantic. Middlemen rewrites literary history from the perspective of one of its most important but least visible figures: the literary agent. Chronicling the story of agents in the United States from the 1950s to today, Laura McGrath uncovers their critical role in the making of American literature. From the famed three-martini lunch to the Frankfurt Book Fair, Middlemen takes readers behind the scenes to show how agents influence what we read. Along the way, it explains why many debut novelists never publish another book, why agents champion short story collections even though they sell poorly, how agents advocate for writers of color in a system that values whiteness, and why there are so many New York novels. Weaving together original archival research, data analysis, and interviews with scores of agents and other publishing professionals, Middlemen demonstrates that agents—eighty percent of whom are in fact women—are much more than “middlemen.” As intermediaries between author and publisher, agents act as advocates, matchmakers, negotiators, and tastemakers, and they must balance artistic values with the commercial imperatives of publishing conglomerates. The book describes the decisive role agents have played in celebrated novels—from Jack Kerouac's On the Road to Colson Whitehead's The Intuitionist—but also in the creation of entire literary categories like the debut novel, the story collection, postmodernism, multiethnic fiction, and world literature. Featuring profiles of agents past and present such as Sterling Lord, Lynn Nesbit, Candida Donadio, Marie Brown, and Andrew Wylie, along with perspectives from agents at all stages of their careers, Middlemen is an entertaining and eye-opening account of how literary fiction—and the literary canon—is made.

In this interview, we speak with Laura B. McGrath, an Assistant Professor of English at Temple University and the author of Middlemen: Literary Agents and the Making of American Fiction (Princeton University Press, 2026). Her writings have appeared in the Los Angeles Review of Books and The Atlantic. Middlemen rewrites literary history from the perspective of one of its most important but least visible figures: the literary agent. Chronicling the story of agents in the United States from the 1950s to today, Laura McGrath uncovers their critical role in the making of American literature. From the famed three-martini lunch to the Frankfurt Book Fair, Middlemen takes readers behind the scenes to show how agents influence what we read. Along the way, it explains why many debut novelists never publish another book, why agents champion short story collections even though they sell poorly, how agents advocate for writers of color in a system that values whiteness, and why there are so many New York novels. Weaving together original archival research, data analysis, and interviews with scores of agents and other publishing professionals, Middlemen demonstrates that agents—eighty percent of whom are in fact women—are much more than “middlemen.” As intermediaries between author and publisher, agents act as advocates, matchmakers, negotiators, and tastemakers, and they must balance artistic values with the commercial imperatives of publishing conglomerates. The book describes the decisive role agents have played in celebrated novels—from Jack Kerouac's On the Road to Colson Whitehead's The Intuitionist—but also in the creation of entire literary categories like the debut novel, the story collection, postmodernism, multiethnic fiction, and world literature. Featuring profiles of agents past and present such as Sterling Lord, Lynn Nesbit, Candida Donadio, Marie Brown, and Andrew Wylie, along with perspectives from agents at all stages of their careers, Middlemen is an entertaining and eye-opening account of how literary fiction—and the literary canon—is made. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

In this interview, we speak with Laura B. McGrath, an Assistant Professor of English at Temple University and the author of Middlemen: Literary Agents and the Making of American Fiction (Princeton University Press, 2026). Her writings have appeared in the Los Angeles Review of Books and The Atlantic. Middlemen rewrites literary history from the perspective of one of its most important but least visible figures: the literary agent. Chronicling the story of agents in the United States from the 1950s to today, Laura McGrath uncovers their critical role in the making of American literature. From the famed three-martini lunch to the Frankfurt Book Fair, Middlemen takes readers behind the scenes to show how agents influence what we read. Along the way, it explains why many debut novelists never publish another book, why agents champion short story collections even though they sell poorly, how agents advocate for writers of color in a system that values whiteness, and why there are so many New York novels. Weaving together original archival research, data analysis, and interviews with scores of agents and other publishing professionals, Middlemen demonstrates that agents—eighty percent of whom are in fact women—are much more than “middlemen.” As intermediaries between author and publisher, agents act as advocates, matchmakers, negotiators, and tastemakers, and they must balance artistic values with the commercial imperatives of publishing conglomerates. The book describes the decisive role agents have played in celebrated novels—from Jack Kerouac's On the Road to Colson Whitehead's The Intuitionist—but also in the creation of entire literary categories like the debut novel, the story collection, postmodernism, multiethnic fiction, and world literature. Featuring profiles of agents past and present such as Sterling Lord, Lynn Nesbit, Candida Donadio, Marie Brown, and Andrew Wylie, along with perspectives from agents at all stages of their careers, Middlemen is an entertaining and eye-opening account of how literary fiction—and the literary canon—is made. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Episode 229, Sarah talks with Laura B. McGrath about her new book, Middlemen, and the behind-the-scenes role literary agents play in publishing. They discuss what agents actually do, how they shape an author's career, the hype surrounding debut novels, and what Laura learned while researching one of publishing's least visible professions. Plus, Laura shares her book recommendations. This post contains affiliate links through which I make a small commission when you make a purchase (at no cost to you!). CLICK HERE for the full episode Show Notes on the blog. Highlights Middlemen by Laura B. McGrath (April 28) | Amazon | Bookshop.org  Why a literary agent's most important job isn't what most readers think. What agents are really looking for when they decide to represent an author. The surprising amount of homework agents do before signing a new client. The hype surrounding debut novels — and some of the downsides that come with it. Why the publishing industry was initially wary of public book sales data. Laura's Book Recommendations Two OLD Books She Loves Housekeeping by Marilynne Robinson (1980) | Amazon | Bookshop.org [45:12]  Franny and Zooey by J. D. Salinger (1961) | Amazon | Bookshop.org  [47:59]  Other Books Mentioned   Gilead by Marilynne Robinson (2004) [46:36]  Two NEW Books She Loves London Falling by Patrick Radden Keefe (April 7) | Amazon | Bookshop.org[49:25]  Discipline by Larissa Pham (Jan 20) | Amazon | Bookshop.org [51:42]  Other Books Mentioned  Say Nothing by Patrick Radden Keefe (2018) [50:31]  One Book She DIDN'T Love The Ending Writes Itself by Evelyn Clarke (April 7) | Amazon | Bookshop.org[53:14]  Other Books Mentioned Erasure by Percival Everett (2001) [53:30]  The Wife by Meg Wolitzer (2003) [53:32]  And Then There Were None by Agatha Christie (1939) [54:16] The Mousetrap by Agatha Christie (1947/1952) [54:19]   Yellowface by R. F. Kuang (2023) [55:34]  One NEW RELEASE She's Excited About Music Against the Night by Yiyun Li (October 13, 2026) | Amazon | Bookshop.org [57:04] Sneak Pick: Miss Lambert Steps Aboard Danger by Kazuo Ishiguro (March 9, 2027) | Amazon | Bookshop.org  [57:04]  Other Books Mentioned Things in Nature Merely Grow by Yiyun Li (2025) [57:39]  The Unconsoled by Kazuo Ishiguro (1995) [58:43]  The Remains of the Day by Kazuo Ishiguro (1989) [59:27]  Books From the Discussion The Middle Man by Paul R. Reynolds (1972) [3:09] Talking at Night by Claire Daverley (2023) [10:40] Zone One by Colson Whitehead (2011) [11:20] Catch-22 by Joseph Heller (1961)  [12:36]  Mila 18 by Leon Uris (1961) [13:33] The Intuitionist by Colson Whitehead (1999) [14:18] Station Eleven by Emily St. John Mandel (2014) [33:52]  Tomorrow, and Tomorrow, and Tomorrow by Gabrielle Zevin (2022) [34:28]  The God of the Woods by Liz Moore (2024) [34:34]  Long Bright River by Liz Moore (2020) [34:36]  The Unseen World by Liz Moore (2016) [34:39] 

What's the key to choosing comp (comparative) titles that pique an agent's curiosity? Should you use films or tv shows? What about huge bestsellers — would those make good comps, and if so, in which circumstances? In today's episode, Kathleen and I discuss an upmarket speculative thriller and discuss comp title choices, killer opening lines and, you guessed it ... exposition! And if you want to read the query letters and first 10 pages writing samples we discuss in these Hook Your Reader episodes, be sure to subscribe to my mailing list. -V. Submit your query letter and first 10 pages writing sample at storynerd.ca.For access to writing templates and worksheets, and more than 70 hours of training (all for free), subscribe to Valerie's Inner Circle.To learn to read like a writer, visit Melanie's website.To subscribe to Kat's Keynotes (Substack), click here.Watch us on YouTube!

Send Kevin a Text MessageBob Bookman, one of Hollywood's most respected literary agents, managers, and producers, joins host Kevin Goetz for a masterclass on the art of discovering stories that successfully make the leap from page to screen. Over a remarkable career, Bookman has represented authors and filmmakers including Michael Crichton, John Irving, Thomas Harris, Jonathan Demme, Cameron Crowe, and Tom Stoppard, helping bring to the screen films like Jurassic Park, The Silence of the Lambs, Hannibal, The Cider House Rules, A Beautiful Mind, and Jerry Maguire. In recent years he's brought that same eye for material to producing, including the Best Picture nominee A Complete Unknown.Running the Yale Law School Film Society (06:54): Bookman recalls building an underground film education out of 16mm prints borrowed from historian Bill Everson, bringing legends like Frank Capra, Fritz Lang, and Miloš Forman to campus for free screenings.Landing the Job, and Skipping the Mailroom (18:26): Bookman shares how a chance introduction from agent Jack Gilardi led to interviews with legends like Abe Lastfogel and David Begelman, before he landed at IFA and bypassed the mailroom.Becoming "The Book Guy" (23:24): Bookman describes how agency head Marvin Josephson handed him ICM's entire literary publications franchise,launching his decades-long reputation as Hollywood's go-to book agent.What Makes a Book Cinematic (27:09): Bookman breaks down why great novels rarely make great films, and what he actually looks for: three-act structure, character conflict, and a story that takes audiences somewhere new.The Secret to a Great Adaptation (29:15): Using John Irving's Oscar-winning adaptation of his own novel The Cider House Rules as the gold standard, Bookman explains why most authors shouldn't adapt their own books, and why Irving was the exception.The Best Adaptations, and a Hawks-Hemingway Bet (33:00): Bookman names The Silence of the Lambs and A Beautiful Mind among the best adaptations he's seen, then tells the story of how Howard Hawks turned Ernest Hemingway's self-described worst book into To Have and Have Not.Rapid-Fire on the Legends (37:43): Bookman gives quick, candid impressions of the writers and directors he's worked with — Michael Crichton, Jonathan Demme (including his own cameo in The Silence of the Lambs), Cameron Crowe, Tom Stoppard, and Paul Greengrass.Originality, AI, and What's Next (40:24): Bookman argues that algorithms can imitate stories but not replicate the human heart, and discusses his new venture producing low-budget original films.Host: Kevin GoetzGuest: Bob BookmanProducer: Kari CampanoWriters: Kevin Goetz, Darlene Hayman, and Kari CampanoAudio Engineer: Gary Forbes (DG Entertainment)For more information about Bob Bookman:IMDb: https://www.imdb.com/name/nm1023283/Website: https://www.bobbookman.com/For more information about Kevin Goetz:- Website: www.KevinGoetz360.com- Audienceology Book: https://www.simonandschuster.com/books/Audience-ology/Kevin-Goetz/9781982186678- How to Score in Hollywood: https://www.amazon.com/How-Score-Hollywood-Secrets-Business/dp/198218986X/- Facebook, X, Instagram, TikTok, YouTube, Substack: @KevinGoetz360- LinkedIn @Kevin Goetz- Screen Engine/ASI Website: www.ScreenEngineASI.com

Send us Fan MailLiterary agent Ann Rose (Marsal Lyon Literary Agency) returns to Writers With Wrinkles for a candid, funny, and reassuring conversation with Beth and Lisa about the current state of publishing—and how writers can keep going anyway. Ann is also the author of The Seemingly Impossible Love Life of Amanda Dean and A Hexcellent Chance to Fall in Love.The episode opens with a frank look at an industry in flux. Ann and the hosts dig into why publishers have grown so risk-averse, why "branded" and name-recognition titles are crowding out fresh voices, and why debut authors and previously published writers alike are finding the trenches tougher than ever. They also tackle the hard truth that marketing has largely shifted onto authors' shoulders—and that, post-Twitter, no one has cracked the code on selling books online.From there, the conversation turns practical and hopeful. Ann shares exactly what hooks her in a first chapter, what makes her stop reading, and how to push past the "messy middle" of a draft. If you're querying, pivoting genres, or rebuilding after a book that didn't sell, this one's for you.In this episode:Why publishers are playing it safe—and what that means for debuts and option booksHow the marketing burden has shifted to authors, and why there's no magic bulletThe two things Ann needs in a first chapter: voice and character agencyWhy "starting with action" can backfire if we don't yet care about the characterThe power of the unexpected: write down your first idea, then find your seventhRed flags that make Ann stop reading, and the "and then" trap that kills momentumTrusting the reader and leaving space on the page (a lesson from Brian Selznick)Advice for authors dropped after a disappointing option—and how to shake off imposter syndromePivoting genres and riding the pendulum: why what's "dead" always comes backAnn's midpoint challenge: move your ending to the middle and raise the stakesHer #1 piece of advice for writers: stay in your own lane and stop comparingWhat's at the top of her wish list: feminine rage, women doing bad things for good reasons, and gripping, feminist-leaning suspenseWhether you're a debut writer, a seasoned author starting over, or somewhere in the messy middle, Ann's message is one to hold onto: control what you can—your writing—and don't be afraid to get gritty.Learn more about Ann and find the full blog at writerswithwrinkles.net. Next time: an Ask Beth and Lisa episode—send us your questions! Until then, happy reading, writing, and listening. Support the show Visit the WebsiteFind Full Episodes on YouTube!Writers with Wrinkles Link Tree for socials and more!

“Just 25 literary agents represent more than half of all prizewinning novelists in the 21st century. The agent is the unacknowledged legislator of the literary field.” — Laura McGrath We think of publishers and editors as the ultimate tastemakers. As those godlike gatekeepers controlling what we read. But if you're looking for literary gods, Laura McGrath argues, then you need to look at literary agents rather than publishers or editors. Her ten-year project, Middlemen: Literary Agents and the Making of American Fiction, is the first serious scholarly account of the literary agent's astonishingly powerful role in shaping what America reads. Except, of course, the Middlemen are actually Middlewomen — since 80% of literary agents are women. The numbers are striking. Just 25 literary agents represent more than half of all prizewinning novelists in the 21st century. McGrath interviewed 75 of them over ten years. Shelley called poets the unacknowledged legislators of the world. McGrath's agents are the unacknowledged legislators of the literary field. They shaped postmodernism (Candida Donadio and Pynchon, Heller, Gaddis). They launched the debut novel as a literary form. They made the short story collection viable. And 25 of them control more than half of the prizes. So will AI replace the agent? In operations, perhaps, McGrath acknowledges — the slush pile is overwhelming and smart machine assistance is welcome. But in creative work — in the business of writing, editing, translation, cover design, and above all taste — she thinks not. No algorithm will ever learn the Catch-22 of publishing — separating the Thomas Pynchon or Joseph Heller from all the dross. And no bot (male or female) is ever going to host a three-martini lunch in Manhattan. Five Takeaways •       The Literary Agent as the New Gatekeeper: Replacing the Publisher: In the early 20th century, publishing was shaped by the taste of individual publishers: Bennett Cerf at Random House, Alfred and Blanche Knopf at their imprint, Max Perkins at Scribner's. Those days are over. Publishers are now conglomerates where individual editors may have excellent taste but no single figure shapes the house. Into that vacuum has come the literary agent — who now operates, McGrath argues, exactly as the great publishers once did: as the primary tastemaker, the person whose aesthetic and commercial judgment shapes what America reads. •       25 Agents, Half the Prizes, 80% Women: The Numbers: McGrath's most striking statistical finding: just 25 literary agents represent more than half of all prizewinning novelists in the 21st century. Twenty-five people. The field is 80% women — hence the tongue-in-cheek title — and 73% white. Agents tend, McGrath found, to represent authors who resemble themselves. One answer to the question “why is contemporary literary fiction so white?” is: because agents are. And agents, because they work on contingency fees rather than salaries, face severe financial pressures that concentrate power at the top of the profession. •       The Unacknowledged Legislators: Agents Shaped American Literary History: McGrath's book is full of literary history rewritten from the agent's perspective. Sterling Lord persisted past dozens of rejections to place On the Road for Kerouac. Candida Donadio — Pynchon's, Heller's, Gaddis's, and early Philip Roth's agent — championed maximalist, experimental writers whom no one was interested in, and built the social network of editor relationships that made postmodernism possible. The debut novel as a cultural form, the persistence of the short story collection despite poor sales, the rise of the New York novel — all are, in McGrath's account, partly agent-made. •       Can White Male Writers Not Get Published? No: Andrew raises the complaint he hears from white male writers: that they can no longer get published because of diversity initiatives. McGrath's answer is flat. No. She thinks it's silly. The number of books published each week is staggering. Being able to see some success on the part of writers of colour does not diminish the work white men are doing. The complaint, she notes, circulates every ten years, typically after a boom in support for writers of colour. We are in another round of this cycle. There will be another one in a decade. •       Will AI Replace the Literary Agent? In Operations, Maybe. In Taste, No: Andrew's closing question: will AI replace the middlemen? McGrath draws the distinction she heard at the US Book Show: AI in operations (slush pile management, contract tracking), yes, possibly. AI in creative work — writing, editing, translation, cover design, and above all taste — she hopes not. An algorithm is built on priors. It narrows the window of possibility endlessly, replicating itself. That is not what a good literary agent does. A good literary agent is looking for books that surprise, frustrate, and thrill. No algorithm has learned to take an author out for a three-martini lunch. About the Guest Laura McGrath is an assistant professor of English at Temple University and a National Endowment for the Humanities Fellow. She was formerly the associate director of the Literary Lab at Stanford University. She is the author of Middlemen: Literary Agents and the Making of American Fiction (Princeton University Press, April 28, 2026). She writes the textCrunch Substack on literary and publishing culture. References: •       Middlemen: Literary Agents and the Making of American Fiction by Laura McGrath (Princeton University Press, April 28, 2026). •       Earlier on KOA: Gayle Feldman on Nothing Random: Bennett Cerf and the Publishing House He Built — the companion episode referenced at the opening. •       Sterling Lord (agent for Kerouac), Candida Donadio (Pynchon, Heller, Gaddis, Roth), Andrew Wylie — agents profiled in the book. •       Andrew Keen, Cult of the Amateur (2007) — referenced as Andrew's own defence of gatekeepers. About Keen On America Nobody asks more awkward questions than the Anglo-American writer and filmmaker Andrew Keen. In Keen On America, Andrew brings his pointed Transatlantic wit to making sense of the United States — hosting daily interviews about the history and future of this now venerable Republic. With nearly 3,000 episodes since the show launched on TechCrunch in 2010, Keen On America is the most prolific intellectual interview show in the history of podcasting. WebsiteSubstackYouTube

What kind of story are you writing? That question is actually much trickier to answer than it seems, and that's because writers and agents look at genre differently. What happens if, after reading the query letter, an agent isn't clear on your story's genre? What role do comp titles play in explaining genre? We answer these questions and many more in today's Hook Your Reader episode. Enjoy! -V. Submit your query letter and first 10 pages writing sample at storynerd.ca.For access to writing templates and worksheets, and more than 70 hours of training (all for free), subscribe to Valerie's Inner Circle.To learn to read like a writer, visit Melanie's website.To subscribe to Kat's Keynotes (Substack), click here.Watch us on YouTube!

My humble plea for representation.

Reviewing the latest Sherlock & Co., casting an adaptation of "Speckled Band," seeing what Watson's Literary Agent was doing in 1896, and trying to drum up engagement, it's the Watsonian Weekly for July 15, 2026. 

Want to get your short stories published? In this episode of The Fantasy Writers' Toolshed, host Richie Billing sits down with Benjamin Davis, co-founder of Chill Subs, for a comprehensive, no-nonsense guide to submitting short fiction to literary magazines, navigating the submissions process, and using it as a genuine route toward landing a literary agent.Chill Subs is the platform 50,000+ writers use to discover, track and submit to literary magazines, contests and agents — so Ben sees the short-fiction publishing world from the inside. He shares the latest shifts and trends in the literary magazine market, then gives honest, insider answers to the questions writers agonise over most:Do cover letters actually matter — and what should (and shouldn't) go in them?How should you format a short story submission?Are simultaneous submissions acceptable, and how do you keep track of them?Can you submit reprints, and where will editors accept them?How do short story credits actually help you get a literary agent?Where are the best places to submit right now, and how do you find them?Whether you're submitting your first short story or trying to build a publication history that opens doors to agents and book deals, this is a practical, market-leader's view of how short fiction publishing really works in 2026.In this episode, you'll learn:How to find the right literary magazines for your work using Chill SubsWhat editors really think about cover letters and formattingThe rules (and etiquette) around simultaneous submissions and reprintsHow short-story publication credits feed into querying literary agentsThe current trends reshaping the literary magazine and submissions marketAbout Benjamin Davis: Benjamin Davis is a writer and the co-founder of Chill Subs, a submissions platform used by over 50,000 writers to discover and track literary magazines, contests and agents. He also runs Sub Club, a top-selling Substack newsletter on literary publishing opportunities, and is connected with Write or Die Magazine. His own fiction and poetry have appeared in journals including Booth, Hobart and Maudlin House, and he's the author of The King of FU and Things We Do While Waiting to Die.

What happens when a story is pitched in the query letter as a mystery, but doesn't read like one in the opening pages? Where did the confusion creep in and how can you avoid a genre mismatch? We discuss this and much more (including writing unnamed protagonists and passive characters) in today's Hook Your Reader episode. Enjoy! -V. Submit your query letter and first 10 pages writing sample at storynerd.ca.For access to writing templates and worksheets, and more than 70 hours of training (all for free), subscribe to Valerie's Inner Circle.To learn to read like a writer, visit Melanie's website.To subscribe to Kat's Keynotes (Substack), click here.Watch us on YouTube!

In this episode of Hope Prose, Tara has the joy of speaking with one of her favourite literary citizens: not a writer, but a voracious reader, friend, husband to Ruth, father, and her beloved agent, Don Pape. Don is the founder of Pape Commons, a collaborative and creative community that leans into each other and embraces one another's gifts. Bringing over thirty years of experience from publishers such as Doubleday, the Random House imprint, and WaterBrook, Don pairs his passion for excellent stories and ideas with a mission to bring those voices to the readers who need them. Listen in as they discuss what makes a story stand the test of time, which stories have resonated most closely with Don, how stories can serve different purposes for us across our lifespan, and why we need to continue creating. You can find out more about Pape Commons at www. papecommons.comA Reading List of books Don mentioned: Whale Island, Mary Beth KeaneStone Angel, Margaret Lawrence What the Fireflines Knew, Kai HarrisThe Hobbit, C.S. LewisThe Hope Prose Podcast's InstagramAlex's Instagram Tara's Instagram

Since Sherlock & Co. introduced its Mycroft Holmes this week, we're all about that, and joined by Johanna Draper Carlson to discuss her favorite Sherlockian character. And if you hold on for all of that, get ready to turn off the podcast, as Watson's Literary Agent gets a bit naughty . . . or does he?

Stephen Fraser is senior literary agent with The Jennifer De Chiara Literary Agency, after having worked as an editor for over 25 years before becoming an agent. He represents children's books in a wide range of genres. We talked about his experiences in the worlds of editing and agenting, his do's and don'ts for submissions, his thoughts on the current state of children's literature, and the importance of the story. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Stephen Fraser is senior literary agent with The Jennifer De Chiara Literary Agency, after having worked as an editor for over 25 years before becoming an agent. He represents children's books in a wide range of genres. We talked about his experiences in the worlds of editing and agenting, his do's and don'ts for submissions, his thoughts on the current state of children's literature, and the importance of the story. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Stephen Fraser is senior literary agent with The Jennifer De Chiara Literary Agency, after having worked as an editor for over 25 years before becoming an agent. He represents children's books in a wide range of genres. We talked about his experiences in the worlds of editing and agenting, his do's and don'ts for submissions, his thoughts on the current state of children's literature, and the importance of the story. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

Stephen Fraser is senior literary agent with The Jennifer De Chiara Literary Agency, after having worked as an editor for over 25 years before becoming an agent. He represents children's books in a wide range of genres. We talked about his experiences in the worlds of editing and agenting, his do's and don'ts for submissions, his thoughts on the current state of children's literature, and the importance of the story. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

Can you write a killer opening line? Can you define what a killer opening line is? In this week's episode, we give our professional advice on the opening pages of a story described as upmarket with suspense elements, starting with a debate about the opening line. Don't get me wrong ... the first 10 pages are quite good, but we've got suggestions for how to make them great! Don't miss this episode! -V. Submit your query letter and first 10 pages writing sample at storynerd.ca.For access to writing templates and worksheets, and more than 70 hours of training (all for free), subscribe to Valerie's Inner Circle.To learn to read like a writer, visit Melanie's website.To subscribe to Kat's Keynotes (Substack), click here.Watch us on YouTube!

Steve Laube and Thomas Umstattd, Jr. answer questions from authors about publishing and discuss Steve's new book for writers called Sacred Margins.Support the show

Prof. Laura McGrath joins Jeff to talk about her new book, Middlemen: Literary Agents and the Making of American Fiction. Literary agents try to stay out of the spotlight, but they shape what you read. We talk about why agents came into being, how they have developed over time, and how American fiction wouldn't be the same without them. Follow the podcast via RSS, Apple Podcasts, and Spotify. Join The Book Riot Podcast Patreon for bonus content and ad-free listening. Subscribe to The Book Riot Newsletter for regular updates to get the most out of your reading life. The Book Riot Podcast is a proud member of the Airwave Podcast Network. This content contains affiliate links. When you buy through these links, we may earn an affiliate commission. Use code THEBOOKS for 20% off at Cozy Earth. Go to quince.com/bookriot for free shipping and 365-day returns. Learn more about your ad choices. Visit megaphone.fm/adchoices