Podcasts about Windus

In this episode, Adam Biles is joined in the bookshop's writing studio by Anna Whitwham, author of Soft Tissue Damage, a raw and electrifying memoir of grief, boxing, and womanhood. Following her mother's death, Whitwham trained and fought competitively as a boxer—an act of both healing and reckoning. She discusses how physical pain can become a language for emotional anguish, how class and family history shaped her connection to the sport, and how boxing offered a surprising community of tenderness and care. A conversation about loss, rage, strength, and the power of being witnessed.Buy Soft Tissue Damage: https://roughtradebooks.com/collections/books/products/soft-tissue-damage-anna-whitwham*Anna Whitwham was born in 1981 in London, where she still lives. She studied Drama and English at the University of California, Los Angeles, Queens University Belfast and at Royal Holloway, London where she teaches a course called ‘Writing Men: The Burden of Masculinity'.She is the author of Boxer Handsome (Chatto&Windus). Her latest book, Soft Tissue Damage is published by Rough Trade Books.Adam Biles is Literary Director at Shakespeare and Company. His latest novel, Beasts of England, a sequel to Animal Farm, is available now. Buy a signed copy here: https://www.shakespeareandcompany.com/books/beasts-of-englandListen to Alex Freiman's latest EP, In The Beginning: https://open.spotify.com/album/5iZYPMCUnG7xiCtsFCBlVa?si=h5x3FK1URq6SwH9Kb_SO3w Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

In this podcast Miles is joined by Michela Dianetti and Lucy Elvis (both from Galway University, Ireland) discusses the role Murdoch's work can play in public philosophy. They discuss working with her philosophy, her radio play 'The One Alone', her novel 'The Unicorn', the Quartet biography 'Metaphysical Animals' and much more. Dr Michela Dianetti is a post-doctoral researcher at the University of Galway and a CPI (Community of philosophical inquiry) facilitator. Her PhD research developed a literary ethics of attention grounded in the philosophies of Simone Weil and Iris Murdoch, applying them to the literary work of Elsa Morante. She is currently researching the influence of Weil's and Murdoch's philosophies on Ann Margaret Sharp's theorization of P4C and the role of attention in CPI. mdianetti@universityofgalway.ie Dr. Lucy Elvis teaches and researches on issues in the Philosophy of Art and Culture and the Community of Philosophical Inquiry (CPI) as a faculty member at the University of Galway. She is a founding director of Curo Thinking for Communities and has practised philosophical thinking with communities in schools, libraries, galleries, and music festivals. Currently, she is researching the CPI as a forum for practising and developing attention as described by Iris Murdoch, Simone Weil and Hans-Georg Gadamer. lucy.elvis@universityofgalway.ie Some of the texts mentioned: Sharp, Ann Margaret, “Self-transformation in the community of inquiry” in Gregory, Maughn, and Megan Laverty, eds. 2019. In Community of Inquiry with Ann Margaret Sharp: Childhood, Philosophy and Education. 1st edition. London New York (N.Y.): Routledge. Mac Cumhaill, Clare, and Rachael Wiseman. 2022. Metaphysical Animals: How Four Women Brought Philosophy Back to Life. London: Chatto & Windus. White, Frances. 2012. “A Post-Christian Concept of Martyrdom and the Murdochian Chorus: The One Alone and T.S. Eliot's Murder in the Cathedral.” In Iris Murdoch: Texts and Contexts, edited by Anne Rowe and Avril Horner, 177–91. London: Palgrave Macmillan UK. And some websites to check out: https://aireinquiryandenvironment.wordpress.com/ https://www.universityofgalway.ie/colleges-and-schools/arts-social-sciences-and-celtic-studies/history-philosophy/disciplines-centres/philosophy/

In this special live recording we dive into The Seers, the mesmerising new novel by Sulaiman Addonia. In conversation with Adam Biles, Addonia shares the story behind his bold, unfiltered novel—written as a single, unbroken paragraph—through the voice of Hannah, an Eritrean refugee navigating love, loss, sexuality, and identity on the streets of London. Three powerful readings by Liya Kebede, bringing Hannah's world vividly to lifeThe Seers is a novel that defies definition—sensual, poetic, and politically charged. Addonia's reflections on storytelling, migration, and the search for home will stay with you long after you listen.Buy The Seers: https://www.shakespeareandcompany.com/books/the-seers*Sulaiman Addonia is an Eritrean-Ethiopian-British novelist. He spent his early life in a refugee camp in Sudan, and his early teens in Jeddah, Saudi Arabia. He arrived in London as an underage unaccompanied refugee without a word of English and went on to earn an MA in Development Studies from SOAS and a BSc in Economics from UCL.His first novel, The Consequences of Love (Chatto & Windus, 2008), was shortlisted for the Commonwealth Writers' Prize and translated into more than 20 languages. His second novel, Silence Is My Mother Tongue (Indigo Press, 2019; Graywolf Press, 2020), was a finalist for the 2021 Lambda Literary Awards. His essays appear in LitHub, Granta, Freeman's, The New York Times, De Standaard and Sulaiman Addonia is an Eritrean-Ethiopian-British novelist .Addonia currently lives in Brussels where he founded the Creative Writing Academy for Refugees & Asylum Seekers and the Asmara-Addis Literary Festival In Exile.Liya Kebede is a pioneering model, actress, entrepreneur, and philanthropist. She has worked with top fashion brands like Chanel, Gucci, Yves Saint Laurent, and Estée Lauder, promoting inclusivity in the industry. In 2007, she launched lemlem, a sustainable fashion brand supporting Ethiopian Artisans. Kebede is also a WHO Goodwill Ambassador and founded the lemlem Foundation to improve healthcare and economic opportunities for African women. She promotes literature through her latest endeavour "Liyabraire" and introduced the BB Bookbags collection.Adam Biles is Literary Director at Shakespeare and Company. His latest novel, Beasts of England, a to Animal Farm, is available now. Buy a signed copy here: https://www.shakespeareandcompany.com/books/beasts-of-englandListen to Alex Freiman's latest EP, In The Beginning: https://open.spotify.com/album/5iZYPMCUnG7xiCtsFCBlVa?si=h5x3FK1URq6SwH9Kb_SO3w Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Govert Buijs speaks to Carmody Grey about Integral Ecology and the Encyclical Laudato Si', by Pope Francis (2015). Carmody Grey is the newly appointed special professor in Integral Ecology at the Radboud University Nijmegen in the Netherlands. The chair is part of the Laudato Si' Institute for Integral Ecology in cooperation with Socires, the independent think tank in The Hague. Carmody Grey's doctoral thesis Theology, Science and Life (2019) was published by T&T Clark in 2023 and is available in paperback, hardback and e-book. Govert Buijs is philosopher and professor at the VU University Amsterdam in Political Philosophy, Worldview and Economics-- Support De Nieuwe Wereld by joining our year-end's rally: http://gofundme.com/dnw2024. Prefer direct transfer? Then you can transfer your donation to NL61 RABO 0357 5828 61 under the name Stichting De Nieuwe Wereld. You can become a patron via http://www.petjeaf.com/denieuwewereld. -- 00:00 Personal introduction 01:28 Laudato Si' and Catholic Social Teaching 09:10 How a social encyclical like Laudato Si' comes about 14:57 Ecological concern is native to the Christian tradition 17:08 Distinct focus, intertwinement and scope of Laudato Si' 18:20 Has Christian anthropology caused the ecological crisis? (Lynn White) 22:25 Estrangement from nature as our common home (Günther Anders) 25:34 Unequal responsibility for ecological destruction 28:20 Integral ecology unifies environmental and social justice 30:30 Carmody's personal journey towards integral ecology 35:42 Remaining hopeful in spite of the climate crisis (Václav Havel, Rowan Williams) 42:00 Hope as the condition for action (Pope Benedict XVI, Bryan Stevenson, MLK) 44:50 Bridging the divide between a Christian hope and a secular world (Thomas Merton) 50:23 The human sense of identity, meaning, purpose and value 55:00 Interpreting the turning political tide against ecological concern -- Mentioned resources (chronological order) Encyclical Letter Laudato Si' of the Holy Father Francis on Care for our Common Home (2015) https://www.vatican.va/content/francesco/en/encyclicals/documents/papa-francesco_20150524_enciclica-laudato-si.html Lynn T. White. "The Historical Roots of Our Ecological Crisis." Science, Vol 155, Issue 3767 (March 10, 1967) https://www.science.org/doi/10.1126/science.155.3767.1203. Günther Anders. Die Antiquiertheit des Menschen. Volume 1. München: Beck, 1956. English translation: https://libcom.org/book/export/html/51647. And Volume 2. München: Beck, 1980. English translation: https://files.libcom.org/files/ObsolescenceofManVol%20IIGunther%20Anders.pdf. Hannah Ritchie. Not the End of the World: How We Can Be the First Generation to Build a Sustainable Planet. London: Chatto & Windus, 2024. "Hope is not the conviction that something will turn out well but the certainty that something makes sense, regardless of how it turns out." From Havel, Václav. "Never Hope against Hope" Esquire Magazine (October1, 1993) https://www.esquire.com/news-politics/news/a12135/vaclav-havel-hope-6619552/. Rowan Williams. The Tragic Imagination: The Literary Agenda. Oxford: Oxford University Press, 2015. Encyclical Letter Spe Salvi of the Supreme Pontiff Benedict XVI to the Bishops, Priests and Deacons, men and women religious, and all the lay faithful on Christian Hope (2007) https://www.vatican.va/content/benedict-xvi/en/encyclicals/documents/hf_ben-xvi_enc_20071130_spe-salvi.html Equal Justice Initiative founded by Bryan Stevenson (JD): https://eji.org Martin Luther King. "I Have a Dream" (1963) http://news.bbc.co.uk/2/hi/americas/3170387.stm. David Foster Wallace. "This is Water" (2005) https://fs.blog/david-foster-wallace-this-is-water/.

Melvyn Bragg and guests discuss the poet George Herbert (1593-1633) who, according to the French philosopher Simone Weil, wrote ‘the most beautiful poem in the world'. Herbert gave his poems on his relationship with God to a friend, to be published after his death if they offered comfort to any 'dejected pour soul' but otherwise be burned. They became so popular across the range of Christians in the 17th Century that they were printed several times, somehow uniting those who disliked each other but found a common admiration for Herbert; Charles I read them before his execution, as did his enemies. Herbert also wrote poems prolifically and brilliantly in Latin and these he shared during his lifetime both when he worked as orator at Cambridge University and as a parish priest in Bemerton near Salisbury. He went on to influence poets from Coleridge to Heaney and, in parish churches today, congregations regularly sing his poems set to music as hymns. WithHelen Wilcox Professor Emerita of English Literature at Bangor UniversityVictoria Moul Formerly Professor of Early Modern Latin and English at UCLAndSimon Jackson Director of Music and Director of Studies in English at Peterhouse, University of CambridgeProducer: Simon TillotsonReading list: Amy Charles, A Life of George Herbert (Cornell University Press, 1977)Thomas M. Corns, The Cambridge Companion to English Poetry: Donne to Marvell (Cambridge University Press, 1993) John Drury, Music at Midnight: The Life and Poetry of George Herbert (Penguin, 2014)George Herbert (eds. John Drury and Victoria Moul), The Complete Poetry (Penguin, 2015)George Herbert (ed. Helen Wilcox), The English Poems of George Herbert (Cambridge University Press, 2007)Simon Jackson, George Herbert and Early Modern Musical Culture (Cambridge University Press, 2022)Gary Kuchar, George Herbert and the Mystery of the Word (Palgrave Macmillan, 2017)Cristina Malcolmson, George Herbert: A Literary Life (Palgrave Macmillan, 2004)Victoria Moul, A Literary History of Latin and English Poetry: Bilingual Literary Culture in Early Modern England (Cambridge University Press, 2022)Joseph H. Summers, George Herbert: His Religion and Art (first published by Chatto and Windus, 1954; Center for Medieval and Renaissance Studies, New York, 1981)Helen Vendler, The Poetry of George Herbert (Harvard University Press, 1975)James Boyd White, This Book of Starres: Learning to Read George Herbert (University of Michigan Press, 1995)Helen Wilcox (ed.), George Herbert. 100 Poems (Cambridge University Press, 2021) In Our Time is a BBC Studios Audio production

Charles Farrar Browne is often called the first standup comedian. He was, in the 1860s, wildly famous, but his early death, and the soaring career of one of his friends, have contributed to Browne fading from the spotlight in history. Research: “Born 1834; Married 1835. Artemus Ward's Alleged Widow Claims His Estate.” The Savannah Morning News. April 15, 1891. https://www.newspapers.com/image/852548808/?match=1&terms=artemus%20ward Britannica, The Editors of Encyclopaedia. "Artemus Ward". Encyclopedia Britannica, 22 Apr. 2024, https://www.britannica.com/biography/Artemus-Ward Dahl, Curtis. “Artemus Ward: Comic Panoramist.” The New England Quarterly, vol. 32, no. 4, 1959, pp. 476–85. JSTOR, https://doi.org/10.2307/362502 Hingston, Edward P. “The Genial Showman, Reminiscences of the Life of Artemus Ward.” London: Chatto and Windus. 1881. https://archive.org/details/genialshowmanrem00hingiala/page/n5/mode/2up Hofferth, Micah. “Charles Farrar Browne, the Sometimes-racist Father of Standup Comedy.” Vulture. Feb. 28, 2012. https://www.vulture.com/2012/02/charles-farrar-browne-the-sometimes-racist-father-of-standup-comedy.html “Mark Twain on Artemus Ward.” The Albany Evening Journal. Nov. 29, 1871. https://twain.lib.virginia.edu/roughingit/lecture/awlectaj.html Reed, John Q. “Artemus Ward's First Lecture.” American Literature, vol. 32, no. 3, 1960, pp. 317–19. JSTOR, http://www.jstor.org/stable/2922080 Seitz, Don C. “Artemus Ward.” Harper & Brothers. 1919. Accessed online: https://archive.org/stream/artemuswardchar00seituoft/artemuswardchar00seituoft_djvu.txt “Ward, Artemus (1834-1867).” The Vault at Pfaff's, Lehigh University. https://pfaffs.web.lehigh.edu/node/54123 Ward, Artemus. “The Complete Works of Artemus Ward.” https://www.gutenberg.org/files/6946/6946-h/6946-h.htm#bio      See omnystudio.com/listener for privacy information.

Melvyn Bragg and guests discuss one of the major figures in Victorian British politics. Disraeli (1804 -1881) served both as Prime Minister twice and, for long periods, as leader of the opposition. Born a Jew, he was only permitted to enter Parliament as his father had him baptised into the Church of England when he was twelve. Disraeli was a gifted orator and, outside Parliament, he shared his views widely through several popular novels including Sybil or The Two Nations, which was to inspire the idea of One Nation Conservatism. He became close to Queen Victoria and she mourned his death with a primrose wreath, an event marked for years after by annual processions celebrating his life in politics.WithLawrence Goldman Emeritus Fellow in History at St Peter's College, University of OxfordEmily Jones Lecturer in Modern British History at the University of ManchesterAnd Daisy Hay Professor of English Literature and Life Writing at the University of ExeterProducer: Simon TillotsonReading list:Robert Blake, Disraeli (first published 1966; Faber & Faber, 2010)M. Dent, ‘Disraeli and the Bible' (Journal of Victorian Culture 29, 2024)Benjamin Disraeli (ed. N. Shrimpton), Sybil; or, The Two Nations (Oxford University Press, 2017)Daisy Hay, Mr and Mrs Disraeli: A Strange Romance (Chatto & Windus, 2015)Douglas Hurd and Edward Young, Disraeli: or, The Two Lives (W&N, 2014)Emily Jones, ‘Impressions of Disraeli: Mythmaking and the History of One Nation Conservatism, 1881-1940' (French Journal of British Studies 28, 2023)William Kuhn, The Politics of Pleasure: A Portrait of Benjamin Disraeli (Simon & Schuster, 2007)Robert O'Kell, Disraeli: The Romance of Politics (University of Toronto Press, 2013)J.P. Parry, ‘Disraeli and England' (Historical Journal 43, 2000)J.P. Parry, ‘Disraeli, the East and Religion: Tancred in Context' (English Historical Review 132, 2017)Cecil Roth, Benjamin Disraeli, Earl of Beaconsfield (New York Philosophical library, 1952)Paul Smith, Disraelian Conservatism and Social Reform (Routledge & Kegan Paul PLC, 1967)John Vincent, Disraeli (Oxford University Press, 1990)P.J. Waller (ed.), Politics and Social Change in Modern Britain (Prentice Hall / Harvester Wheatsheaf, 1987), especially the chapter ‘Style and Substance in Disraelian Social Reform' by P. GhoshIn Our Time is a BBC Studios Audio Production

Melvyn Bragg and guests discuss one of the major figures in Victorian British politics. Disraeli (1804 -1881) served both as Prime Minister twice and, for long periods, as leader of the opposition. Born a Jew, he was only permitted to enter Parliament as his father had him baptised into the Church of England when he was twelve. Disraeli was a gifted orator and, outside Parliament, he shared his views widely through several popular novels including Sybil or The Two Nations, which was to inspire the idea of One Nation Conservatism. He became close to Queen Victoria and she mourned his death with a primrose wreath, an event marked for years after by annual processions celebrating his life in politics.WithLawrence Goldman Emeritus Fellow in History at St Peter's College, University of OxfordEmily Jones Lecturer in Modern British History at the University of ManchesterAnd Daisy Hay Professor of English Literature and Life Writing at the University of ExeterProducer: Simon TillotsonReading list:Robert Blake, Disraeli (first published 1966; Faber & Faber, 2010)M. Dent, ‘Disraeli and the Bible' (Journal of Victorian Culture 29, 2024)Benjamin Disraeli (ed. N. Shrimpton), Sybil; or, The Two Nations (Oxford University Press, 2017)Daisy Hay, Mr and Mrs Disraeli: A Strange Romance (Chatto & Windus, 2015)Douglas Hurd and Edward Young, Disraeli: or, The Two Lives (W&N, 2014)Emily Jones, ‘Impressions of Disraeli: Mythmaking and the History of One Nation Conservatism, 1881-1940' (French Journal of British Studies 28, 2023)William Kuhn, The Politics of Pleasure: A Portrait of Benjamin Disraeli (Simon & Schuster, 2007)Robert O'Kell, Disraeli: The Romance of Politics (University of Toronto Press, 2013)J.P. Parry, ‘Disraeli and England' (Historical Journal 43, 2000)J.P. Parry, ‘Disraeli, the East and Religion: Tancred in Context' (English Historical Review 132, 2017)Cecil Roth, Benjamin Disraeli, Earl of Beaconsfield (New York Philosophical library, 1952)Paul Smith, Disraelian Conservatism and Social Reform (Routledge & Kegan Paul PLC, 1967)John Vincent, Disraeli (Oxford University Press, 1990)P.J. Waller (ed.), Politics and Social Change in Modern Britain (Prentice Hall / Harvester Wheatsheaf, 1987), especially the chapter ‘Style and Substance in Disraelian Social Reform' by P. GhoshIn Our Time is a BBC Studios Audio Production

Lisa Finucane reviews Welcome to Glorious Tuga by Francesca Segal published by Chatto and Windus.

Listen to author and critic Erica Wagner in conversation with Lauren Elkin, writer of “Scaffolding”, her first novel published by Chatto & Windus in 2024 which raises questions about marriage, fidelity and abortion. Through this conversation with Erica Wagner, Lauren Elkin discusses her writing process and the influence of her experience as a researcher on her work as a novelist. Together, they also talk about Paris, the city where the story takes place and where Lauren Elkin lived for many years, the feminist movements that inspired her as well as her conception of love.As part of the Rendez-vous littéraires rue Cambon [Literary Rendezvous at Rue Cambon], the podcast "les Rencontres" highlights the birth of a writer in a series imagined by CHANEL and House ambassador and spokesperson Charlotte Casiraghi.Lauren Elkin, Scaffolding © Lauren Elkin, 2024.Excerpt from Scaffolding by Lauren Elkin. Copyright © 2024 by Lauren Elkin. Used by permission of Farrar, Straus and Giroux. All Rights ReservedLauren Elkin, Flâneuse: Women Walk the City in Paris, New York, Tokyo, Venice, and London, © Lauren Elkin, 2016. Vintage, 2017Lauren Elkin, Flaneuse: Women Walk the City in Paris, New Yok, Tokyo, Venice and London by Lauren Elkin. Copyright © 2016 by Lauren Elkin. Used by permission of Farrar, Straus and Giroux. All Rights Reserved© PEN/Diamonstein-Spielvogel Award for the Art of the EssayMichelle Perrot The Bedroom, An Intimate History, Translation by Lauren Elkin, © Yale University Press, 2018Histoire de chambres, Michelle Perrot © Éditions du Seuil, 2009, Points, 2018Claude Arnaud, Jean Cocteau: A Life, Translation by Lauren Elkin and Charlotte Mandell, © Yale University Press, 2016Claude Arnaud, Jean Cocteau © Éditions Gallimard, 2003© French-American Foundation – United States Translation PrizeLauren Elkin, No 91/92: notes on a Parisian commute, published by Les Fugitives, London, in 2021Lauren Elkin, Art Monsters: Unruly Bodies in Feminist Art, © Lauren Elkin 2023Victor Hugo, Les Misérables, 1862Elizabeth Bowen, The House in Paris, © Elizabeth Cameron, 1935, Copyright © renewed by Elizabeth D. C. Cameron 1963Georges Perrec, Ellis Island, P.O.L, 1995Mayra Davey, Index Cards: Selected Essays, © New Directions, 2020Mary Beard, Women & Power: A Manifesto, © Profile Books, 2017James Wood, How Fiction Works, © Wylie AgencyHow Fiction Works by James Wood, Copyright © 2008 by James Wood. Used by permission of Farrar, Straus and Giroux. All Rights Reserved

Listen to author and critic Erica Wagner in conversation with Lauren Elkin, writer of “Scaffolding”, her first novel published by Chatto & Windus in 2024 which raises questions about marriage, fidelity and abortion. Through this conversation with Erica Wagner, Lauren Elkin discusses her writing process and the influence of her experience as a researcher on her work as a novelist. Together, they also talk about Paris, the city where the story takes place and where Lauren Elkin lived for many years, the feminist movements that inspired her as well as her conception of love.As part of the Rendez-vous littéraires rue Cambon [Literary Rendezvous at Rue Cambon], the podcast "les Rencontres" highlights the birth of a writer in a series imagined by CHANEL and House ambassador and spokesperson Charlotte Casiraghi.Lauren Elkin, Scaffolding © Lauren Elkin, 2024.Excerpt from Scaffolding by Lauren Elkin. Copyright © 2024 by Lauren Elkin. Used by permission of Farrar, Straus and Giroux. All Rights ReservedLauren Elkin, Flâneuse: Women Walk the City in Paris, New York, Tokyo, Venice, and London, © Lauren Elkin, 2016. Vintage, 2017Lauren Elkin, Flaneuse: Women Walk the City in Paris, New Yok, Tokyo, Venice and London by Lauren Elkin. Copyright © 2016 by Lauren Elkin. Used by permission of Farrar, Straus and Giroux. All Rights Reserved© PEN/Diamonstein-Spielvogel Award for the Art of the EssayMichelle Perrot The Bedroom, An Intimate History, Translation by Lauren Elkin, © Yale University Press, 2018Histoire de chambres, Michelle Perrot © Éditions du Seuil, 2009, Points, 2018Claude Arnaud, Jean Cocteau: A Life, Translation by Lauren Elkin and Charlotte Mandell, © Yale University Press, 2016Claude Arnaud, Jean Cocteau © Éditions Gallimard, 2003© French-American Foundation – United States Translation PrizeLauren Elkin, No 91/92: notes on a Parisian commute, published by Les Fugitives, London, in 2021Lauren Elkin, Art Monsters: Unruly Bodies in Feminist Art, © Lauren Elkin 2023Victor Hugo, Les Misérables, 1862Elizabeth Bowen, The House in Paris, © Elizabeth Cameron, 1935, Copyright © renewed by Elizabeth D. C. Cameron 1963Georges Perrec, Ellis Island, P.O.L, 1995Mayra Davey, Index Cards: Selected Essays, © New Directions, 2020Mary Beard, Women & Power: A Manifesto, © Profile Books, 2017James Wood, How Fiction Works, © Wylie AgencyHow Fiction Works by James Wood, Copyright © 2008 by James Wood. Used by permission of Farrar, Straus and Giroux. All Rights Reserved

So much has been written about the imminent transformation that Artificial Intelligence will bring to our world. But it is often hard to get much of a sense of what that will mean on a personal level—for our work, for our leisure and, perhaps most importantly of all, for our families. What improvements will result? What new tensions will arise? What devastation will be wrought? In HUM, Helen Phillips takes these questions and masterfully dramatises them in the lives of a financially struggling family of four. As we spend time with mother May, father Jem, and kids Lu and Cy, we not only experience the very real, very claustrophobic presence of this invasive, dehumanising technology, but are also forced to reckon with the truly thorny question of whether some of the gifts it offers—foremost among them reassurance concerning the wellbeing of those we love—are a worthy altar upon which to sacrifice…well, pretty everything else. Just as with her much celebrated 2019 novel THE NEED, in HUM Helen Phillips has once again used the lens of deeply compelling speculative fiction to help us better understand the world as it changes around us. *Helen Phillips is the author of six books, including the novel The Need (Simon & Schuster, 2019; Chatto & Windus, 2019), which was long-listed for the National Book Award and named a New York Times Notable Book of 2019. Her novel HUM is forthcoming in August 2024 (Simon & Schuster/Marysue Rucci Books). Helen's short story collection Some Possible Solutions (Henry Holt, 2016) received the 2017 John Gardner Fiction Book Award. Her novel The Beautiful Bureaucrat (Henry Holt, 2015), a New York Times Notable Book of 2015, was a finalist for the New York Public Library's Young Lions Award and the Los Angeles Times Book Prize. Her collection And Yet They Were Happy (Leapfrog Press, 2011) was named a notable collection by The Story Prize and was re-released in 2023. She is also the author of the children's eco-adventure book Here Where the Sunbeams Are Green (Delacorte Press, 2012).Helen has received a Guggenheim Foundation Fellowship, a Rona Jaffe Foundation Writer's Award, the Italo Calvino Prize in Fabulist Fiction, the Iowa Review Nonfiction Award, and the DIAGRAM Innovative Fiction Award.Her work has been featured on Selected Shorts, at the Brooklyn Museum, and in the Atlantic Monthly and the New York Times, among others. Her books have been translated into Chinese, French, German, Italian, Korean, Lithuanian, Polish, and Spanish.A graduate of Yale and the Brooklyn College MFA program, she is an associate professor at Brooklyn College. Born and raised in Colorado, she lives in Brooklyn with artist/cartoonist Adam Douglas Thompson, their children, and their dog.Adam Biles is Literary Director at Shakespeare and Company. His latest novel, Beasts of England, a sequel of sorts to Animal Farm, is available now. Buy a signed copy here: https://www.shakespeareandcompany.com/books/beasts-of-englandListen to Alex Freiman's latest EP, In The Beginning: https://open.spotify.com/album/5iZYPMCUnG7xiCtsFCBlVa?si=h5x3FK1URq6SwH9Kb_SO3w Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

We meet Mary McCartney, world renowned photographer, film-maker and sustainable food pioneer. As a leading British creative, her work covers multiple disciplines, but is always rooted in her passion for impactful storytelling. We meet at Claridges Art Space in London to explore her joint show 'Double Exposure' with photography legend David Bailey. Unfolding like a conversation between two friends, Double Exposure: David Bailey & Mary McCartney brings two era-defining British photographers into dialogue for the first time. Curated by Brandei Estes, this striking series of works spans the 1960s to the present day – exploring a shared aesthetic of reinvention, play and the art of portraiture itself.Mary McCartney's insightful gaze reveals enigmatic and evocative portraits of celebrity icons, from Kate Moss to Harry Styles. Like Bailey, there's a dash of the theatrical and performative in her photographs. But set alongside everyday moments – a ballet dancer ‘off pointe' or a woman hailing a taxi – she conjures the sense that anything, or anyone, could be a subject. As a portrait and fine art photographer, McCartney's work has been featured globally, with exhibitions taking place in London, New York, France and in 2015 was invited by Buckingham Palace to take the official photograph to mark Queen Elizabeth II becoming the longest reigning Monarch. Her work is held in major private and public permanent collections including the Victoria and Albert Museum, London; the National Portrait Gallery, London; The Royal Academy, London; and the Fondation d'entreprise Hermès, Paris, and has been commissioned by leading publications including National Geographic, British Vogue and GQ. In 2023, McCartney's first feature documentary If These Walls Could Sing, the untold story of the Abbey Road Studios 90 year history, was selected to premiere at The Telluride Film Festival. Streaming globally on Disney, and was nominated for a Critics Choice Documentary Award. McCartney has also been at the forefront of food sustainability for over 25 years, with a history and heritage rooted in her mother's pioneering work and creation of one of the first meat free brands Linda McCartney Food in 1991. In 2009, Mary co-founded the global collective Meat Free Monday with her father and sister, and is a global ambassador for Green Common Foods, a food tech brand in Asia that is focused on plant based meat substitute products. McCartney has also executive produced and presented three seasons of her EMMY nominated plant based cooking show, “Mary McCartney Serves It Up!” for Discovery+.McCartney is a multi-published author, with a range of fine art photography books available from globally renowned publishers including, HENI and Chatto & Windus. Combining her passion for food and publishing, her latest book Feeding Creativity, published by TASCHEN is a unique hybrid coffee table, portrait and recipe book, featuring favourite recipes for friends, family, and members of the creative community.Follow @MaryMcCartneyDouble Exposure: David Bailey & Mary McCartney is open to all, and will run in Claridge's ArtSpace until 19 July 2024. Visit: https://www.claridges.co.uk/claridges-artspace/Thanks to Katy Wick and The Wick. Hosted on Acast. See acast.com/privacy for more information.

Thomas James Wise was well-respected among the rare book fanatics of 1930s London as a consummate collector. But when he began to uncover a surprising amount of valuable first editions in mint condition, things began to look a bit fishy. Speaking to Ellie Cawthorne, academic and author Joseph Hone transports listeners back to the eccentric world of 1930s book collecting, to explore the audacious crimes of an ingenious forger. (Ad) Joseph Hone is the author of The Book Forger: The true story of a literary crime that fooled the world (Chatto & Windus, 2024). Buy it now from Amazon: https://www.amazon.co.uk/Book-Forger-story-literary-fooled/dp/1784744670/ref=tmm_hrd_swatch_0?_encoding=UTF8&qid=&sr=&tag=bbchistory045-21&ascsubtag=historyextra-social-histboty. The HistoryExtra podcast is produced by the team behind BBC History Magazine. Learn more about your ad choices. Visit podcastchoices.com/adchoices

As a teenager in Shetland, Jen Stout fell in love with Russia and, later, Ukraine – their languages, cultures, and histories. Although life kept getting in the way, she eventually managed to pause her BBC career and take up a nine-month scholarship to live and work in Russia. Unfortunately, this dream only came true in November 2021, as Russian troops massed on Ukraine's borders. Three months later, she left Russia but only got as far as Vienna before heading back into Ukraine via Romania with a rucksack and a handful of freelance contracts. In Night Train to Odesa: Covering the Cost of Russia's War (Polygon, 2024), we experience Europe's biggest land war since 1945 through the eyes of a war reporter, photographer, and cultural observer during tours in Kyiv, Kharkiv, Odesa, Lviv, and close to the frontline in Donbas.  Via railway workers, soldiers, writers, activists, and old women sleeping in bunkers, we encounter stoical resistance. Stout writes: "I was finding warmth and determination all over the place when what editors expected was fear and despair. I tried to explain that the resilience I described wasn't an individual phenomenon but society-wide. The more Russia attacked Ukrainian society; the less inclined people were to anything remotely resembling despair. They only got angrier". A freelance journalist, Jen Stout was a reporter at CommonSpace in Glasgow and for the Stranraer & Wigtownshire Free Press before joining BBC Scotland in 2018. *The author's book recommendations are The Face of War: Writings from the Frontline 1937-1985 by Martha Gellhorn (Eland, 2016 - first published in 1959), The Letters Of Martha Gellhorn selected and edited by Caroline Moorehead (Chatto & Windus, 2006), and Island by Aldous Huxley (Vintage Classics, 2005). Tim Gwynn Jones is an economic and political-risk analyst at Medley Advisors, who also writes the twenty4two newsletter on Substack and hosts the In The Room podcast series. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

As a teenager in Shetland, Jen Stout fell in love with Russia and, later, Ukraine – their languages, cultures, and histories. Although life kept getting in the way, she eventually managed to pause her BBC career and take up a nine-month scholarship to live and work in Russia. Unfortunately, this dream only came true in November 2021, as Russian troops massed on Ukraine's borders. Three months later, she left Russia but only got as far as Vienna before heading back into Ukraine via Romania with a rucksack and a handful of freelance contracts. In Night Train to Odesa: Covering the Cost of Russia's War (Polygon, 2024), we experience Europe's biggest land war since 1945 through the eyes of a war reporter, photographer, and cultural observer during tours in Kyiv, Kharkiv, Odesa, Lviv, and close to the frontline in Donbas.  Via railway workers, soldiers, writers, activists, and old women sleeping in bunkers, we encounter stoical resistance. Stout writes: "I was finding warmth and determination all over the place when what editors expected was fear and despair. I tried to explain that the resilience I described wasn't an individual phenomenon but society-wide. The more Russia attacked Ukrainian society; the less inclined people were to anything remotely resembling despair. They only got angrier". A freelance journalist, Jen Stout was a reporter at CommonSpace in Glasgow and for the Stranraer & Wigtownshire Free Press before joining BBC Scotland in 2018. *The author's book recommendations are The Face of War: Writings from the Frontline 1937-1985 by Martha Gellhorn (Eland, 2016 - first published in 1959), The Letters Of Martha Gellhorn selected and edited by Caroline Moorehead (Chatto & Windus, 2006), and Island by Aldous Huxley (Vintage Classics, 2005). Tim Gwynn Jones is an economic and political-risk analyst at Medley Advisors, who also writes the twenty4two newsletter on Substack and hosts the In The Room podcast series. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/military-history

As a teenager in Shetland, Jen Stout fell in love with Russia and, later, Ukraine – their languages, cultures, and histories. Although life kept getting in the way, she eventually managed to pause her BBC career and take up a nine-month scholarship to live and work in Russia. Unfortunately, this dream only came true in November 2021, as Russian troops massed on Ukraine's borders. Three months later, she left Russia but only got as far as Vienna before heading back into Ukraine via Romania with a rucksack and a handful of freelance contracts. In Night Train to Odesa: Covering the Cost of Russia's War (Polygon, 2024), we experience Europe's biggest land war since 1945 through the eyes of a war reporter, photographer, and cultural observer during tours in Kyiv, Kharkiv, Odesa, Lviv, and close to the frontline in Donbas.  Via railway workers, soldiers, writers, activists, and old women sleeping in bunkers, we encounter stoical resistance. Stout writes: "I was finding warmth and determination all over the place when what editors expected was fear and despair. I tried to explain that the resilience I described wasn't an individual phenomenon but society-wide. The more Russia attacked Ukrainian society; the less inclined people were to anything remotely resembling despair. They only got angrier". A freelance journalist, Jen Stout was a reporter at CommonSpace in Glasgow and for the Stranraer & Wigtownshire Free Press before joining BBC Scotland in 2018. *The author's book recommendations are The Face of War: Writings from the Frontline 1937-1985 by Martha Gellhorn (Eland, 2016 - first published in 1959), The Letters Of Martha Gellhorn selected and edited by Caroline Moorehead (Chatto & Windus, 2006), and Island by Aldous Huxley (Vintage Classics, 2005). Tim Gwynn Jones is an economic and political-risk analyst at Medley Advisors, who also writes the twenty4two newsletter on Substack and hosts the In The Room podcast series. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/russian-studies

As a teenager in Shetland, Jen Stout fell in love with Russia and, later, Ukraine – their languages, cultures, and histories. Although life kept getting in the way, she eventually managed to pause her BBC career and take up a nine-month scholarship to live and work in Russia. Unfortunately, this dream only came true in November 2021, as Russian troops massed on Ukraine's borders. Three months later, she left Russia but only got as far as Vienna before heading back into Ukraine via Romania with a rucksack and a handful of freelance contracts. In Night Train to Odesa: Covering the Cost of Russia's War (Polygon, 2024), we experience Europe's biggest land war since 1945 through the eyes of a war reporter, photographer, and cultural observer during tours in Kyiv, Kharkiv, Odesa, Lviv, and close to the frontline in Donbas.  Via railway workers, soldiers, writers, activists, and old women sleeping in bunkers, we encounter stoical resistance. Stout writes: "I was finding warmth and determination all over the place when what editors expected was fear and despair. I tried to explain that the resilience I described wasn't an individual phenomenon but society-wide. The more Russia attacked Ukrainian society; the less inclined people were to anything remotely resembling despair. They only got angrier". A freelance journalist, Jen Stout was a reporter at CommonSpace in Glasgow and for the Stranraer & Wigtownshire Free Press before joining BBC Scotland in 2018. *The author's book recommendations are The Face of War: Writings from the Frontline 1937-1985 by Martha Gellhorn (Eland, 2016 - first published in 1959), The Letters Of Martha Gellhorn selected and edited by Caroline Moorehead (Chatto & Windus, 2006), and Island by Aldous Huxley (Vintage Classics, 2005). Tim Gwynn Jones is an economic and political-risk analyst at Medley Advisors, who also writes the twenty4two newsletter on Substack and hosts the In The Room podcast series. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/eastern-european-studies

As a teenager in Shetland, Jen Stout fell in love with Russia and, later, Ukraine – their languages, cultures, and histories. Although life kept getting in the way, she eventually managed to pause her BBC career and take up a nine-month scholarship to live and work in Russia. Unfortunately, this dream only came true in November 2021, as Russian troops massed on Ukraine's borders. Three months later, she left Russia but only got as far as Vienna before heading back into Ukraine via Romania with a rucksack and a handful of freelance contracts. In Night Train to Odesa: Covering the Cost of Russia's War (Polygon, 2024), we experience Europe's biggest land war since 1945 through the eyes of a war reporter, photographer, and cultural observer during tours in Kyiv, Kharkiv, Odesa, Lviv, and close to the frontline in Donbas.  Via railway workers, soldiers, writers, activists, and old women sleeping in bunkers, we encounter stoical resistance. Stout writes: "I was finding warmth and determination all over the place when what editors expected was fear and despair. I tried to explain that the resilience I described wasn't an individual phenomenon but society-wide. The more Russia attacked Ukrainian society; the less inclined people were to anything remotely resembling despair. They only got angrier". A freelance journalist, Jen Stout was a reporter at CommonSpace in Glasgow and for the Stranraer & Wigtownshire Free Press before joining BBC Scotland in 2018. *The author's book recommendations are The Face of War: Writings from the Frontline 1937-1985 by Martha Gellhorn (Eland, 2016 - first published in 1959), The Letters Of Martha Gellhorn selected and edited by Caroline Moorehead (Chatto & Windus, 2006), and Island by Aldous Huxley (Vintage Classics, 2005). Tim Gwynn Jones is an economic and political-risk analyst at Medley Advisors, who also writes the twenty4two newsletter on Substack and hosts the In The Room podcast series. Learn more about your ad choices. Visit megaphone.fm/adchoices

As a teenager in Shetland, Jen Stout fell in love with Russia and, later, Ukraine – their languages, cultures, and histories. Although life kept getting in the way, she eventually managed to pause her BBC career and take up a nine-month scholarship to live and work in Russia. Unfortunately, this dream only came true in November 2021, as Russian troops massed on Ukraine's borders. Three months later, she left Russia but only got as far as Vienna before heading back into Ukraine via Romania with a rucksack and a handful of freelance contracts. In Night Train to Odesa: Covering the Cost of Russia's War (Polygon, 2024), we experience Europe's biggest land war since 1945 through the eyes of a war reporter, photographer, and cultural observer during tours in Kyiv, Kharkiv, Odesa, Lviv, and close to the frontline in Donbas.  Via railway workers, soldiers, writers, activists, and old women sleeping in bunkers, we encounter stoical resistance. Stout writes: "I was finding warmth and determination all over the place when what editors expected was fear and despair. I tried to explain that the resilience I described wasn't an individual phenomenon but society-wide. The more Russia attacked Ukrainian society; the less inclined people were to anything remotely resembling despair. They only got angrier". A freelance journalist, Jen Stout was a reporter at CommonSpace in Glasgow and for the Stranraer & Wigtownshire Free Press before joining BBC Scotland in 2018. *The author's book recommendations are The Face of War: Writings from the Frontline 1937-1985 by Martha Gellhorn (Eland, 2016 - first published in 1959), The Letters Of Martha Gellhorn selected and edited by Caroline Moorehead (Chatto & Windus, 2006), and Island by Aldous Huxley (Vintage Classics, 2005). Tim Gwynn Jones is an economic and political-risk analyst at Medley Advisors, who also writes the twenty4two newsletter on Substack and hosts the In The Room podcast series. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/journalism

As a teenager in Shetland, Jen Stout fell in love with Russia and, later, Ukraine – their languages, cultures, and histories. Although life kept getting in the way, she eventually managed to pause her BBC career and take up a nine-month scholarship to live and work in Russia. Unfortunately, this dream only came true in November 2021, as Russian troops massed on Ukraine's borders. Three months later, she left Russia but only got as far as Vienna before heading back into Ukraine via Romania with a rucksack and a handful of freelance contracts. In Night Train to Odesa: Covering the Cost of Russia's War (Polygon, 2024), we experience Europe's biggest land war since 1945 through the eyes of a war reporter, photographer, and cultural observer during tours in Kyiv, Kharkiv, Odesa, Lviv, and close to the frontline in Donbas.  Via railway workers, soldiers, writers, activists, and old women sleeping in bunkers, we encounter stoical resistance. Stout writes: "I was finding warmth and determination all over the place when what editors expected was fear and despair. I tried to explain that the resilience I described wasn't an individual phenomenon but society-wide. The more Russia attacked Ukrainian society; the less inclined people were to anything remotely resembling despair. They only got angrier". A freelance journalist, Jen Stout was a reporter at CommonSpace in Glasgow and for the Stranraer & Wigtownshire Free Press before joining BBC Scotland in 2018. *The author's book recommendations are The Face of War: Writings from the Frontline 1937-1985 by Martha Gellhorn (Eland, 2016 - first published in 1959), The Letters Of Martha Gellhorn selected and edited by Caroline Moorehead (Chatto & Windus, 2006), and Island by Aldous Huxley (Vintage Classics, 2005). Tim Gwynn Jones is an economic and political-risk analyst at Medley Advisors, who also writes the twenty4two newsletter on Substack and hosts the In The Room podcast series. Learn more about your ad choices. Visit megaphone.fm/adchoices

#paganism #pagan #paganhistory The Top 5 Biggest Misconceptions in Paganism, providing a critical, academic perspective based on peer-reviewed sources. This video is a must-watch for anyone interested in Pagan studies, religious studies, or seeking to understand the true nature of modern Pagan practices and beliefs. 1 - The Ancient Religion Hypothesis 2 - The Great Witch Hunt and Pagan Martyrdom 3 - Christian Holidays and Pagan Origins 4 - The Universal Triple Goddess 5 - The Primordial Mother Goddess Archetype 00:00 Support Angela's Symposium 00:24 Introduction: Historical Misconceptions of Paganism 01:45 The Historicity of Paganism 03:17 Margaret Murray – the pagans' survival myth 05:01 The Great Witchhunt 06:01 Feminist Pagan Theology 09:41 The myth that Christians coopted Pagan Festivals for their Holidays 10:25 The History of Samhain 14:02 Complex syncretism between Pagan and Christian religions 15:37 The origins of Christmas and Pagan misconceptions about it 17:41 The origins of the name of Easter from Eostre and Pagan misconceptions 20:53 The concept of the Triple Goddess 23:22 The idea of the Primordial Goddess 25:20 The idea of a Mother Goddess may be patriarchal 28:20 Myth and History in Individual Practice 30:52 The concept of Perennialism 34:47 The importance of differentiating history and mythology in Paganism CONNECT & SUPPORT

On this week-in-review, Crystal is joined by Chair of Sierra Club Seattle, long time communications and political strategist, Robert Cruickshank! Robert fills Crystal in on dismaying news about Seattle Public Schools - how the district provoked parent fury by removing teachers and splitting classes after they screwed up enrollment projections, as well as their proposal for an austerity plan that includes school closures and anti-union financial policies. They then switch gears to discuss the conservative National Association of Realtors pouring money into the Seattle City Council races, Sara Nelson's penchant for campaign stunts rather than governing, and right-wingers using high gas prices to take aim at carbon pricing. As always, a full text transcript of the show is available below and at officialhacksandwonks.com. Find the host, Crystal Fincher, on Twitter at @finchfrii and find today's co-host, Robert Cruickshank, at @cruickshank.   Resources “ChrisTiana ObeySumner, Candidate for Seattle City Council District 5” from Hacks & Wonks   “Pete Hanning, Candidate for Seattle City Council District 6” from Hacks & Wonks   “A ‘routine' reconfiguration of Seattle schools brings tears, concerns” by Claire Bryan from The Seattle Times   “‘Please don't break our hearts,' Seattle parents, teachers protest widespread classroom shuffles” by Sami West from KUOW   “Seattle parents raise concerns over classroom size miscalculations by school district” by Denise Whitaker from KOMO   “‘The board needs to make this right'; Parents concerned over SPS restructuring” by Dave Detling from Fox 13   “Seattle Public Schools Unveil Plans for Sweeping Cuts and Lasting Austerity” by Robert Cruickshank from The Urbanist   “National realtors group drops $659k in Seattle, Spokane elections” by Josh Cohen from Crosscut   “Burien Mayor Sees No Issue With Distribution of Homeless People's Private Info, Council Member Blames Her Colleague for Fentanyl Deaths” from PubliCola   “Will high gas prices derail WA's climate policy?” by Conrad Swanson from The Seattle Times   “Don't let the oil industry gaslight us about high prices at the pump” by Leah Missik for The Seattle Times   Find stories that Crystal is reading here   Listen on your favorite podcast app to all our episodes here   Transcript [00:00:00] Crystal Fincher: Welcome to Hacks & Wonks. I'm Crystal Fincher, and I'm a political consultant and your host. On this show, we talk with policy wonks and political hacks to gather insight into local politics and policy in Washington State through the lens of those doing the work with behind-the-scenes perspectives on what's happening, why it's happening, and what you can do about it. Be sure to subscribe to the podcast to get the full versions of our Tuesday topical show and Friday week-in-review delivered to your podcast feed. If you like us, the most helpful thing you can do is leave a review wherever you listen to Hacks & Wonks. Full transcripts and resources referenced in the show are always available at officialhacksandwonks.com and in our episode notes. If you missed this week's topical shows, we continued our series of Seattle City Council candidate interviews. All 14 candidates for 7 positions were invited, and we had in-depth conversations with many of them. This week, we presented District 5 candidate, ChrisTiana ObeySumner, and District 6 candidate, Pete Hanning. We did not talk with their opponents - Cathy Moore in D5 cancelled and Dan Strauss in D6 declined. Have a listen and stay tuned over the coming weeks - we hope these interviews will help you better understand who these candidates are and inform their choices for the November 7th general election. Today, we're continuing our Friday week-in-review shows where we review the news of the week with a co-host. Welcome back to the program, friend of the show, and today's co-host: Chair of Sierra Club Seattle, longtime communications and political strategist, Robert Cruickshank. [00:01:46] Robert Cruickshank: Hey - thanks for having me back again, Crystal. [00:01:48] Crystal Fincher: Hey, absolutely - thanks for being back. Well, there's a lot of news this week - a lot about everything. We're going to start off by talking about Seattle Public Schools and them really provoking parent fury, once again, by removing teachers and splitting up classes after the district screwed up enrollment projections. What's going on here? [00:02:11] Robert Cruickshank: Yeah, there was a board meeting last night that was packed with parents from across Seattle, and huge media turnout - all four TV stations were there, The Seattle Times was there, KUOW was there - covering this. And what happened is - over the summer, the school district administrators told principals at schools different ratios and rules and projections for enrollments they had to use in determining how many teachers they would have and how many students they could have to a teacher. And there are rules coming from the state about needing to have small class sizes at elementary schools - it's a good thing, we want that. And so the principals went forth with what the district told them, made the assignments, school began in early September - everything's going great. Then all of a sudden, at the beginning of October, just a week ago, the district realized - oops, they screwed up the calculation. And that if they don't fix it, they could lose a $3.6 million grant from the state. Now the state Office of the Superintendent of Public Instruction has said that Seattle's actually fine - we don't see an issue yet - but the district claims that they needed to take proactive steps. And so the district did - rather than say, Okay, here's some money to bring on additional teachers so we don't have to remove teachers from schools, so we don't have to take kids away from their classroom a month into the year - the district instead said, No, we're not gonna spend any extra money, we're just gonna move everyone around at 40 different schools, remove some teachers from the classroom entirely, create a bunch of split classes where a bunch of third graders now are gonna go into a room with a bunch of second graders, for example. And parents are furious, and they should be. I can give you a personal story. I have a fourth grader at Adams Elementary in Ballard, and he was in kindergarten when the pandemic hit and schools closed. So he lost half of kindergarten, and then first grade was mostly online. By the time he and his classmates get to second grade, they had any number of problems in the classroom for the full year. Second grade was a disaster for my kid, who had a ton of behavioral issues, and a lot of other kids in the class. Get to third grade, and his teacher at Adams Elementary, Ms. Windus, is excellent and she puts in a ton of work with these kids to get them back on track - helping them get back not just academically, but socially, emotionally. Third grade was great - not just for my kid, but for all the others in the class. Fourth grade's been going great so far. Well, because of these district-mandated cuts, the school has to get rid of Ms. Windus who's like this excellent teacher. And last night at the board meeting, we heard similar stories from across the city, including some really gut-wrenching stories from Southeast Seattle - Orca K-8 and Dunlap Elementaries - teachers of color, parents of color coming up and saying, Look, for the first time in years, I feel like there are teachers who get my kid and you're gonna remove them? One teacher got up and said, Tell me which student I should kick out of my class - the one who is homeless, the one who doesn't get enough to eat, the one who has behavioral issues that I've been able to help correct, the one who didn't think they could learn how to read but now they can? People were furious and rightly so, because what is happening here is the district is trying to make kids pay the price for an adult screw-up, rather than the district figuring out how to make this right without disrupting classrooms in the middle of the year. They've just said - Eh, you all can deal with it, kids can suffer the consequences. And a lot of the kids are ones - like I said earlier, not just like mine - who suffered through the pandemic and all that disruption - but necessary disruption, to be honest - because of the public health needs. But now you wanna make sure that you've got stability for these kids, that once they're bonded to a teacher in a good classroom they stay there - that's the thing they need - is stability. And this district just doesn't care. There are deeper issues, which we should talk about in a moment, but what you saw last night was an outpouring of anger and frustration at a district administration that didn't care, and a school board that just kind of sat there and didn't really make any promises to fix it. [00:06:20] Crystal Fincher: Well, and this seems to be a continuing problem, particularly with that feedback of not feeling like the district is as invested in the success of kids as a primary objective, and not really being responsive to the feedback that parents have. Does this feel like this is a continuation of this issue? [00:06:41] Robert Cruickshank: It's exactly it. The district has made it very clear that they don't care about public feedback - they don't believe that they should be answerable to the public. They don't think that the needs of students is a priority - you see in the media coverage and in the superintendent's words last night - that financial responsibility is their top priority. Well, that sounds pretty neoliberal. This is - let's put money first ahead of the needs of kids. There were a number of teachers who were there last night - and parents said similar things - who were like, We're in the richest city in the richest country in the history of the world with some of the wealthiest billionaires here, some of the largest companies here. Surely we can figure out how to solve this by working with the Legislature to tax the rich rather than making kids pay the price. The point I made last night at the board meeting is - Even if we can't get legislative money right now because they're not in session, why don't we take money from something else, like Central Office? We should be taking money away from administrator salaries - and they can do with less - rather than decide the first way to take money is to take out of the classroom. [00:07:51] Crystal Fincher: Well, and I guess that's a question that I have, that I've heard asked - what are the actual remedies here? Is this a situation where there are no good options or are there, is there a way to move forward without creating this type of disruption? [00:08:05] Robert Cruickshank: So Seattle's kids are stuck between two bad actors. On the one hand, the school district, which is deeply mismanaged. And a number of candidates for the board, like Debbie Carlsen, and a number of parents last night have been calling for an independent forensic audit of the school - of the district - and its spending. I've heard similar things from legislators who say - Hey, we're giving the district money, we don't know where it goes. So an independent audit and management reforms are necessary. On the other hand, our kids are also being hurt by the State Legislature and a Democratic majority that has not made it a priority to fund our public schools. So what do you do in the meantime? Like I said, I think the answer has to be for the district to figure out - where can they pull money from right now? If you need to lay off administrators, highly-paid assistant superintendents or something in the middle of the year, do it. These folks make a fair amount of money - you save teachers here and there. Parents have also raised questions about the new calculations that are being used to determine which schools lose teachers. In fact, a number of schools - including the one my kid attends - have seen enrollment go up. So this isn't a case of declining enrollment causing problems. At some of these schools, they've been adding kids back, which is great - you want to see that - and now they're getting punished for it. So you've got to take a look at - do we need to make mid-year cuts in the Central Office to free up money? Do we need to have some independent auditors come in and figure out what's going wrong? District administrators and most board members don't seem to want to do any of that, even though kids are paying the price. [00:09:34] Crystal Fincher: And I guess that leads me into a question about the long-term finances and outlook of the district, which is troubling. They're looking at deficits, as are many districts in the state, and we've talked about that before. Seattle Public Schools is proposing an austerity plan. What does that mean, and what kind of impact will that have? [00:09:57] Robert Cruickshank: Yeah, so to be clear, districts across the state are facing financial problems because of the Legislature. In fact, there are at least three districts north of Everett that are under financial monitoring by the Office of the Superintendent of Public Instruction. So the question is - how do you respond to this? What Seattle Public Schools is proposing, and this came up last night after parents had vented their anger - the board went on to talk about a new financial policy that they're proposing, which is essentially permanent austerity. It would involve locking the district in at a budget level that is $200 million below where it was at last spring. They would have multi-year budget planning - an idea that was initially introduced to the State Legislature by Republicans - which would mean that you have a low baseline and you have very strict rules about how you can add money back. So if we succeed in getting the Legislature to pass a wealth tax, for example, and more money comes to the public schools, this financial policy would make it very hard for the district to go back and add because they could say - Oh, well, this isn't in our four-year fiscal plan, we don't know where we can put this money. There are also some interesting parts of the policy - and this came up for heated debate last night among board members - that are pretty obviously anti-union. I had an article at the Urbanist yesterday about this - and there are provisions that are clearly trying to undo the Seattle Education Association's gains in the contract last year during the strike. And in fact, one board member, Chandra Hampson - very neoliberal board member - openly said, Well, maybe we should look at reopening the collective bargaining agreement. - which a lot of people's eyes went wide, and jaws dropped, and made it clear we can't really do that. Teachers were there last night also to protest against this. There are other provisions in there which seem designed to hold down teacher salaries - it's all pretty neoliberal austerity-type stuff. And what's interesting to me is the contrast to what's going on at City Hall. I think a lot of our listeners probably saw an op-ed in The Seattle Times from about two weeks ago, by Rachel Smith of the Chamber of Commerce and Jon Scholes of the Downtown Seattle Association, saying that City Hall shouldn't raise taxes on corporations and the rich. Instead, you need to cut your spending and just focus on outcomes. And now you're seeing some of the conservative candidates, like Maritza Rivera and others, saying that same thing on the campaign trail now. Well, Seattle Public Schools is about to adopt that exact strategy - of slashing spending, saying - Oh, we're focusing on outcomes, even though the effects on kids are clearly devastating. What this is leading up to - and this is starting to get discussed among parents last night at the board meeting - the district has said for months now they want to close a bunch of schools in the district next year. And if you think moving a couple of kids around and teachers around in the middle of October is disruptive, wait until you close an entire school. The effect of school closures is devastating on kids. People may remember 10 years ago in Chicago when Rahm Emanuel closed 50 schools there - it was devastating for the community. Research made it extremely clear that kids whose schools were closed did more poorly academically than kids whose schools remained open. I mentioned that to the board and the superintendent last night - we'll see if they paid any attention to it. But it's clear that the school district is on a trajectory where they are embracing huge cuts - they want to spend less on our kids, regardless of the consequences. And it's gonna take parents rising up against that here in the district, and also us going to Olympia and making sure the Democratic majority there finally takes its paramount duty responsibility under the Constitution seriously and fully funds our schools. [00:13:38] Crystal Fincher: If the Legislature doesn't, is the district gonna have much of a choice but to close these schools? [00:13:45] Robert Cruickshank: They do. I think what is happening is the district initially said earlier this year that they needed to close schools to save money. But in articles that have come out since, district leaders have been saying - Well, actually, it's not really about money. There is a article in The Seattle Times in late August where they quoted the superintendent, Brent Jones, who said - We're not gonna see any savings from closing schools next year when there's a $100 million budget deficit, we might see savings two to five years out. The district closed schools in the late 2000s, only to learn a few years later that they had completely missed their enrollment projections - and by the early 2010s, they had to spend $50 to $60 million to reopen schools they had just closed a few years earlier. So it's not clear that closing schools is gonna help them. Finally, there's the issue of - if you've been moving kids around and making clear that their needs aren't as important as meeting a couple of financial projections in the middle of school year and then you close their schools, parents aren't gonna sit for that. A lot of them are just gonna walk away - they might move to a suburban district, they may put their kids in some private school. So closing schools sets in motion potentially a spiral of declining enrollment, which means less money coming to the school district. [00:15:05] Crystal Fincher: Now, it seems like that's a problem that they're destined to run into again, with as volatile as enrollment can be - but it does seem to be cyclical. There are lots of times - oh, enrollment is just down. Well, it doesn't ever seem to just stay down. It doesn't ever seem to just stay up. So it seems like the decision of opening and closing schools - and the tremendous expense that comes with opening and closing schools, in addition to the disruption that comes from it - is an extreme response to something that we know is likely to be, has always been a temporary condition. Has this been discussed at all from the board level? Have they responded to that? [00:15:50] Robert Cruickshank: Not really. And I think what you saw last night and with this current issue of the class sizes and allocations in the elementary schools, it's not clear that the district really has a handle on an ability to project enrollment at all. Ultimately, there's no need for the school district to do anything just yet. The legislative session begins in January. Typically, a school district does not approve its budget until late in the spring or even early in the summer. The Legislature was very close to passing a wealth tax last year - there were 43 out of 58 Democrats in the House who co-sponsored the wealth tax bill, certainly more would have voted for it. 20 of 29 state senators voted for the wealth tax. And significantly, there's been major change in the state Senate Democratic caucus - the previous chair of the Senate Ways and Means Committee, Christine Rolfes, a Democrat from Bainbridge Island, did not give the wealth tax a vote. She begrudgingly held a hearing on it in the 2023 session, but wouldn't bring it up for a vote - has blocked efforts to add more funding for our schools. Well, she left the Legislature over the summer to become a Kitsap County Commissioner. Her replacement as chair of the Ways and Means Committee, which handles all the budget bills for the Senate, is June Robinson from Everett - much more progressive. She was a leader in getting the capital gains tax done. The new vice-chair of the Senate Ways and Means Committee is Seattle's own Joe Nguyen from West Seattle, who is a champion of various wealth taxes - and has said he wants to fight to fund our schools. So I think there are real opportunities for our schools and for families in Olympia in January - we need to fight for those. We also need to make sure that the district doesn't prematurely embrace an austerity plan that will hurt our kids even further. [00:17:34] Crystal Fincher: Absolutely. We'll definitely keep an eye on this. And thank you for being so steadfast and following this - and advocating for not only your kid, but all of the kids in the district. I wanna talk about investment in Seattle City Council races - these campaigns are running hot and heavy right now, less than a month until Election Day, ballots are going to be mailed next week. So we have a lot that's happening and a lot of outside spending is beginning to show itself, including a very large investment from the National Association of Realtors. What are they doing? [00:18:13] Robert Cruickshank: So the National Association of Realtors has dumped about a quarter of a million dollars into campaigns to try to elect Tanya Woo in District 2, Joy Hollingsworth in District 3, Maritza Rivera in District 4, Bob Kettle in District 7. And there's been some good discussion online about this - well, why would the National Association of Realtors support candidates who are less friendly to building new housing in Seattle? And some speculation is that - oh, they wanna have less supply of housing so the price of housing stays high. That might be part of it. But if folks have been paying attention to either the National Association of Realtors or their Washington state arm, the nut of this is they're a right-wing conservative organization. They hate taxes. The fight for the capital gains tax in State Legislature involved strong, determined, long-term opposition from the realtors - they were some of the biggest opponents of a capital gains tax to fund our schools. The National Association of Realtors is in fact mired in scandal right now. Redfin, Seattle-based Redfin, recently left the National Association of Realtors because there are a series of sexual harassment allegations, antitrust lawsuits against the National Association of Realtors. Similar spending has come in in some of these races in Seattle City Council as well, for the same candidates, from the Master Builders. And so again, people wondering why - people like Ron Davis or Alex Hudson are really strong supporters of building more housing. So is Andrew Lewis. But again, this is just conservative politics - they don't want higher taxes. These people who run these organizations are Sara Nelson types - law and order, crackdown on crime, darn the consequences, and by the way, don't raise taxes. That's what this is really about. In fact, they're willing to undermine their stated goals of building more housing, selling more homes in order to achieve their real objective, which is right-wing ideologies. [00:20:18] Crystal Fincher: Yeah, this is a troubling trend, unfortunately. We have seen realtors engage in elections in Washington across the state in several previous cycles - and some very controversially. And to your point, usually they have been seen in these candidate races recently, engaging in ways that are very inflammatory, that are targeting candidates that are not conservative - usually running against conservatives - where issues such as taxes are on the ballot, but then being willing to use a number of social wedge issues to intervene here. So this is quite a significant investment in these races that they're making - not only Seattle City Council races, there is also a Spokane race - they have engaged in Spokane in this similar way before in prior cycles. In fact, I'm recalling one from 2021 right now - I think with Councilmember Zack Zappone out there. So it is not shocking to see them engage in this way, but once again, we're seeing the influence of big money in these elections. And this is something that Seattle has had a very negative reaction to before in these races. And so do you think this is gonna see the kind of reaction that we saw like in 2017 - when Amazon was so influential in spending money in those races? [00:21:44] Robert Cruickshank: I don't know. I would like to think so, but I'm not sure. Amazon is the colossus of big corporations, especially here in Seattle. And everyone knows throughout the 2010s that Amazon grew dramatically, the city filled up with people working at Amazon - most of them are good progressive people who don't share the company's politics. But there's a sense that Amazon was distorting the way Seattle was growing and that Amazon was a bad corporate actor - in fact, the Biden administration just sued them over antitrust allegations a few weeks back. So everyone knows Amazon. Everyone knows Amazon is a villain - at least the corporate leadership. The National Association of Realtors and Master Builders are not nearly as well-known. They are right-wing interests, but the narrative isn't the same. It's interesting to me that Amazon is not playing overtly and publicly in these elections - I think they learned their lesson from 2019 when it blew up in their face. They're probably happy to see that burden, especially the financial burden, taken up by the Realtors and the Master Builders. But I think ultimately people are gonna wonder why all this money is coming in. Seattle is a city that supports clean elections - it's a city that pioneered the Democracy Voucher. It's a city that if we could, if the US Supreme Court would allow it, we'd probably ban all of these super PACs and corporate contributions - we can't because of federal rulings at the Supreme Court level. So I think while the Realtors and the Builders have a lower profile than Amazon, I think there is a chance the public will see this massive spending and think - Eh, I don't know if I like that. Seattle voters, especially those in the middle - that 20% of the electorate in the middle that can swing back and forth between a more conservative and a more progressive candidate - they don't like powerful, wealthy, private and corporate business interests telling them how to vote. [00:23:40] Crystal Fincher: Yeah, it'll be interesting - in my opinion - to see how this shakes out because this is not a situation like Amazon or where the Chamber essentially overplayed their hand and saying, Well, we're just gonna buy these elections. And you're right - Seattle typically doesn't have a - doesn't respond well to that. So I think in this situation, to your point, it is different in that we don't see the concentration of that spending coming from one source, but I think we are seeing it kind of trickling in from these different sources. And it'll be interesting to see at the end of the day what that amount of spending winds up being and how influential that is. Money is influential in politics, unfortunately. And Seattle has taken steps to try and equalize the playing field, allow more access to people running to be credible candidates - especially with the Democracy Voucher program - but there still is not a cap on spending in any kind of way when it comes to independent expenditures. And these big corporate-focused organizations who are spending in these races - know and understand that and aren't afraid to use it. And are feeling the heat right now because they're seeing popular sentiment - we keep seeing these polls of people in Seattle that they keep trying to explain away, but this is where the people are at. So this is really their recourse and they're fighting against the majority of people being in support of things like a wealth tax, like a capital gains tax, like an income tax, really. And so they're freaking out behind the scenes, realistically, and this is the manifestation of that. This is how they feel they can fight back - in these independent expenditures from corporate entities in these elections. So it's a dynamic that they used to feel much more comfortable, I think, in knowing that - hey, especially citywide elections, these elections, we're gonna be able to get our person in. We know that we can spend enough to get them into the general and we can control the narrative. We know that a lot of times, the Times editorial board has a similar narrative to their interests - that that will carry the day. But between elections being districted now in Seattle, which that's a relatively recent development, and some more candidates having access to get on the ballot now, and that just the demographics and the impacts of income inequality and everything that we see flow from that being so present in our communities today - people are looking at that differently than they did, say, 10 years ago. So this is gonna be really interesting to see how this shakes out. [00:26:32] Robert Cruickshank: I think that's right. And I think that the big spending matters - it helps drive a narrative and a conversation, but it has to resonate with people. And as you're explaining this, my mind immediately went back to Green Jacket Lady. If you remember from a couple of weeks ago, Fox News came to Seattle and tried to show that - oh, people are really worried about public safety - and they got a totally different response, including a woman in a green jacket who said, What are you talking about? Like, I don't feel unsafe in the city at all. You saw somebody using drugs from the safety of your car and you're scared? And that's a real response from real Seattleite voters. All this fear-mongering that The Seattle Times, and these corporate interests, and Sara Nelson and her crew are trying to stoke doesn't resonate. And if you look at the election outcomes from the primary, a lot of those candidates who were trying to run on those fears - they were trailing their more progressive opponents. We'll see what happens - ballots are in the mail next week - I don't wanna take anything for granted. At the same time, there's a substantial number of voters in Seattle who do not buy that narrative at all. They want smart solutions - doesn't mean they are totally happy with open public drug use, they're not concerned about break-ins - they are. But they also want smart solutions to those and they're not gonna be fear-mongered into actually not doing anything - they're not gonna be fear-mongered into supporting right-wing candidates as a result. [00:28:02] Crystal Fincher: Yeah, and I think you're absolutely right about that. I think there's a misconception - it's just like, Well, some people just aren't concerned - but the majority of people are concerned. I think almost everybody is very concerned and unhappy with what they see out there - unhappy with what I see out there. Do I want people sleeping on the streets? Do I want people battling addiction and behavioral health issues that there's no one there to address? Absolutely not. But I think the misread is that - therefore we need to continue doing the same things that we've been talking about, for a decade really, and seeing things get worse while we do that. I think people have grown impatient with doing the same thing and getting the same failed result. And wanting meaningful investment in behavioral health treatment and addiction treatment, in housing, right - and really meaningfully solving these problems. And it seems like the issue here is that we have a number of candidates - candidates on one side - who seem like they want to continue largely with the status quo. And that status quo has been kind of a carceral focus - well, we can jail people, we can sweep them - but not doing the things that we know have been successful to really solve these problems in the longterm and not just move people from one area to another, have people go just in this revolving door in and out of jail - because jail can't address the problems that they're ultimately dealing with. I think people right now are saying - I'm fed up with this, but I actually want someone who will do something different that has a chance to fix this. [00:29:41] Robert Cruickshank: That's exactly right. Polls continue to show several things consistently - Yes, the public is concerned about homelessness. Yes, the public is concerned about public safety. That doesn't mean they're concerned about it in the ways the right-wingers are, as you just explained. Those polls also show the public wants an alternative to armed policing - that is extremely popular across polls since 2020 - and they also want to tax the rich to fund it. That is incredibly strong, and that shows up in all the polls as well. And so these candidates who oppose those things are trying to stoke the fears and concerns, and the progressive candidates have to be smart about this - you don't dismiss public concerns, you explain why your answer is better. And that does resonate - that is resonating across the campaign trail, you see it at town halls, you see it when candidates are at the doors - their message gets a good response. [00:30:32] Crystal Fincher: Absolutely, and this reminds me of an ad that I saw this morning that is really - for Seattle - a really inflammatory ad. And it was an ad from Bob Kettle, who is the candidate running against Andrew Lewis in Seattle's District 7, which covers the downtown area. And it's Bob Kettle and one of his big supporters, Sara Nelson - the most conservative member on the city council, I think most would say. And in this ad, Bob basically says - Hey, I'm running because of crime, and because this problem has gotten bad, and we need to crack down, basically. And Sara Nelson explicitly saying - Hey, Andrew Lewis didn't vote for my drug bill, and he is responsible for the deaths of people from fentanyl overdose, which is a wild accusation - for a couple of reasons. One, Andrew actually ultimately ended up voting for that bill. Two, just to say that not cracking down on a carceral solution is responsible for people's deaths - flies in the face of data, flies in the face of all available evidence that we know and that we have here, especially since incarceration has proven to be extremely ineffective. And risk after incarceration of overdose is the highest there - because people haven't been using for a while, their tolerance has gone down, but they're going back into the same environment they were with no additional tools of support - and are most likely to overdose in that situation. What do you think of an accusation like this? [00:32:12] Robert Cruickshank: I think it's absurd. And it shows the lengths to which - not just Bob Kettle, but Sara Nelson in particular, will go to try to defeat progressives. 'Cause that's what Sara Nelson's really about - you watch her on the council - she's not a data-driven elected official at all. Her positions are often inconsistent and certainly inconsistent with data. But what she really wants to do is defeat progressives - defeat progressive candidates and progressive ideas. And it's kind of shocking - you and I both worked in the McGinn administration 10 years ago, and Sara Nelson was a lead staffer for then-Council President Richard Conlin. And at the time, my interactions with Sara Nelson were great. She seemed - I don't know about progressive necessarily, but certainly left of center - really forward thinking, interested in sustainability, really smart, knowledgeable, thoughtful staffer. Somewhere in the 10 years since, she made a hard right turn. Now, a lot of people have done that, especially in the late 2010s in reaction to movements for Black lives and efforts to reform police. And as the city becomes more progressive, there's a certain type of Seattleite react really negatively to that. A small business owner like Sara Nelson, who owns Fremont Brewing, certainly seems to be one of those. And the City Councilmember Sara Nelson - a totally different animal from the Council staffer Sara Nelson we saw 10 years ago - is primarily driven by a desire to beat progressives. And here she sees an opportunity not to solve the problem of fentanyl addiction, not to solve a problem of public safety, but to beat an enemy. And in order to do that, she's willing to go to just absurd lengths. To accuse Andrew Lewis of being personally responsible for the death of drug addicts is a really awful thing to say about one of your own colleagues. But Sara Nelson thinks she can get away with it because again, she's clearly uninterested in having good relations with someone who's highly likely to get reelected. If Andrew Lewis wins, she's gonna have to work with him. She doesn't seem to care about any of that - she's not interested in building a strong relationship with a colleague. She's willing to just, you know, scorch the earth to try to get him defeated. Now there is a type of voter in Seattle who will respond to that, but it's not a majority of the electorate by any means - certainly in District 7, it's not the majority. [00:34:27] Crystal Fincher: Yeah, it definitely doesn't appear to be the majority there. And this is not the first time that we have seen this come from Sara Nelson, or candidates that Sara Nelson supports. We saw a media stunt earlier in the cycle - it was about a month ago - where she was with the District 2 candidate there and in a really cynical response and really tried to turn it into a photo-op, talking about crime or public safety, something like that, saying - Where is Tammy Morales? Well, Tammy Morales was literally doing her job that the taxpayers pay her for - she was at a meeting of the city council where they were discussing the Transportation Plan - a meeting that Sara Nelson wasn't at, that she used as a stunt to call out her colleague actually doing the work that they're paid to do, that Sara Nelson wasn't doing. So it's just like - it seems like Sara Nelson is uninterested in the governing part of the job, which is the job, but very interested in these stunts and this inflammatory rhetoric and running against councilmembers, really regardless of ideology, but that disagree with her, right? Because I don't think many people are - you know, would say Tammy Morales and Andrew Lewis are the same on every issue. I think it's fair to say most people consider Tammy Morales to be more progressive than Andrew Lewis, not that Andrew Lewis is not progressive. But it's - in that situation, it's just like - what are you even talking about? And are you working with these colleagues? Are you engaging with data? Are you working towards a solution? Are you just trying to inflame people with rhetoric, and these stunts, and going on conservative talk radio and doing this? And now we see this really inflammatory ad land. It just seems like Sara Nelson is really uninterested in governing. [00:36:17] Robert Cruickshank: That's exactly right. And, you know, again, I think of Green Jacket Lady and Fox News because those are stunts that the national Republicans are really good at. You see it in Congress, right - the fight over the speakership - it's all about stunts to win the news cycle and defeat their opponents. Sara Nelson is engaging in the exact same stuff. She doesn't govern, she's not interested in data, very lightly interested in policy - it's all about stunts. That's all she knows how to do, that's all she really cares about because that's how she thinks she wins her actual objective, which is to defeat anyone she thinks as being progressive. We'll see what happens - like I said, there is a group of voters in Seattle that responds well to that. I don't think it's a majority of voters, even in District 7, but a lot of this comes down to turnout. We have elections here in Seattle in odd years - a lot of cities across the country have been moving their local elections to even-numbered years to make sure that more voters are participating in the process of choosing who represents them in City Hall. Seattle hasn't gone down that path yet - I think we should. We all know that there is much higher turnout in even-year elections in Seattle than odd-year elections. So this is not going to be so much a question of - can Sara Nelson convince more progressive Seattleites to turn on Andrew Lewis, and are more progressive Seattleites gonna show up and vote? [00:37:38] Crystal Fincher: Yeah, and it's challenging. The one thing that the people who love stunts - traditionally conservatives, Republicans - have done well for years is really, for their audience, connecting every single policy to a politician, to an issue at the ballot box. And really over the year, over the years in between these elections, really saying - This is the fault of this person. It was Kshama Sawant for a while while she was on the council, now they're trying to find a new person that they can blame this on. But that seems to be the MO there - it's the fault of this person - and they're constantly hearing that in their media ecosystems. It's not the same on the left - we don't talk about issues to that degree. Now there's more facts involved in a lot of these discussions than those - kind of in those right echo chambers - but still the connection isn't constantly being made. So when it comes time for people to turn out in these elections, you have a group that - based on, again, a lot of data that does not turn out to be true - that is missing tons of context, but they're eager to get voting. Which is why we see kind of in - because we do voting by mail - we can see those really eager voters, those getting their ballots in immediately, skew more conservative - they're ready to vote. Where people on the more progressive side need more information to vote - the communication does make a difference, which is part of the reason why you see spending on communication and them throwing so much money in there because they know that is influential and impactful in today's political world. So the job is really for progressives to communicate about the stakes of this election, to communicate and share with your friends and family. There's a lot of people online - I am a chronically online person also - but it's like, I've seen people over the years kind of focus on advocacy online and skip their friends, their cousins, their family, all the people that they're surrounded with in their lives, people you talk to at work. Those are the people who most need to hear from you - Hey, you voting? You voting for this person? 'Cause like these policies that we've talked about, this issue that I know makes you upset, that I know you're frustrated about is really at stake in this election, especially in local elections that don't get the kind of national attention that our federal elections do. So I am just impressing upon everybody listening to make sure you talk about how important these local city council races are to people in your lives - and whether it's school board, city council - all of these positions are critically important. And it takes you getting engaged with people in your life to get the kind of turnout to win these elections. [00:40:34] Robert Cruickshank: That's exactly right. I remember in 2019 - during that city council election that Amazon was trying to buy - being on the bus going downtown from my home in Greenwood, and just getting my phone out and going through my list of contacts - in text, Facebook Messenger, whatever it was - whatever the last communication I had with them, I went to that medium and sent them a message saying, Hey, have you voted yet? You got your ballot in? Here's a deadline, here's the nearest dropbox. And I was actually surprised the number of people who hadn't yet voted and were thankful for the reminder - and these are often people who are politically aware and engaged. So it makes a huge difference to talk to your networks, your friends, your family, your neighbors. Those are some of the people you can be the most influential with, and it is worth taking the time to do that when ballots arrive next week. [00:41:25] Crystal Fincher: Absolutely. I wanna talk about something incredibly important that is happening right now that seems to consistently fly under the radar, but is tremendously impactful for all of our lives. And this situation taking shape - in that right-wingers really are trying to use gas prices to take aim at carbon pricing, especially here in our state. What's happening with this? [00:41:51] Robert Cruickshank: Yeah, so over the course of 2023, as gas prices rise - and they're rising across the country for many reasons, which we'll talk about in a moment - there's been a clear effort here in Washington State to blame that on the Climate Commitment Act, which the Legislature adopted in 2021, which creates a carbon pricing system. And has been raising more than a billion dollars a year to fund important projects to reduce carbon emissions. Their arguments are - and you see this in The Seattle Times all the time - that, Oh my gosh, gas prices in Washington are some of the nation's highest because we passed the Climate Commitment Act. This is not true. We all knew that going into this, passing the Climate Commitment Act could, as it did in California, add maybe five, seven cents a gallon to the price of gas - which would be dwarfed and has been by global trends. Gas prices are sky high right now in part because of demand for driving, in part because of oil company shenanigans with how they manage refineries to try to keep the price high. And in particular, the number one reason why gas prices are high is because of OPEC, geopolitics, and the Saudi government deliberately cutting production to try to squeeze Joe Biden to get what they want out of him or to help elect Trump. This has all been reported in the news, this is no secret. And yet these right-wingers - backed by the Western States Petroleum Association, the oil company lobbying arm - continue to try to put out a media narrative, and you saw it again in The Seattle Times over the weekend, trying to blame the Climate Commitment Act for high gas prices. This is not an idle threat. Tim Eyman has been defanged - he's gone bankrupt, he's pretty much out of the initiative business - but there are new people trying to take his place. Guy named Brian Heywood has raised a whole bunch of money to try and qualify six right-wing ballot initiatives for the state ballot in 2024 - one of which would repeal the capital gains tax, another which would repeal the Climate Commitment Act. And so that's what the backstory is here - there is a effort backed by the right-wing to try to go after Washington State's effort to tackle the climate crisis. I think voters understand if you explain to them that - No, this is not why our gas prices are high. We can get rid of the Climate Commitment Act tomorrow and you're still gonna pay $5.50 a gallon for gas. We need to do other things to address transportation costs, including spending billions of dollars a year to give people the opportunity to get around their community without having to burn fossil fuel - that's what people want - that's our goal as environmentalists is not to make people pay a lot of money. Our goal is to give people alternatives that are affordable - that's a story, a message we can win with, but we have to fight a lot of oil company money and The Seattle Times, which is not as interested in telling the story. I will say a colleague of mine at the Sierra Club, Leah Missik, who also works for Climate Solutions, had an excellent op-ed - I think we can link it in the show notes - in the Seattle Times of all places over the summer, really just debunking all these arguments against the Climate Commitment Act, pointing out that the real reasons why gas prices are high, and pointing out that the oil companies are behind all of this. [00:45:00] Crystal Fincher: Absolutely. And it's no secret - I have had my issues with the Climate Commitment Act, but one thing that is clear is that the revenue from the Climate Commitment Act is absolutely critical in addressing our infrastructure, and making the kinds of changes - and having the chance to make those changes in a just and equitable way - in order to make this transition to a clean energy future, to reduce fossil fuel emissions. And this is not an option that we have, right? We have to get this done. And the opportunity for progress, right, is here. And we're talking about the elimination of that opportunity for something that everyone but climate deniers understand is absolutely critical and necessary. And we're really seeing that element getting engaged here in this fight against the Climate Commitment Act - this is a chance for progress right here, and we need to move forward with this and several other things, right? But just blaming that for gas prices is completely disingenuous - it flies counter to facts. And it's always rich to me that people who are engaging in this conversation for gas prices, which absolutely do impact people's budgets and eat into their discretionary income if they have any, but that pales in comparison to the cost of housing, to the cost of childcare, to even the increasing cost of groceries, right? These things that we don't hear these conservative elements get engaged with in any kind of way, but something that they feel that they can use as a wedge issue here is one that we're seeing. So it's just very cynical - it is really unfortunate that they're not engaging in good faith with this. And I think we see most of the time voters reject these kinds of efforts, but it really is going to take a continued effort to explain that - No, this isn't the fault of gas prices and repealing the Climate Commitment Act isn't gonna do anything with gas prices, which by all accounts are going to get more volatile as we go on with time. So we need to stand up alternatives to just needing to purchase gas constantly all the time - whether it's through EVs, investing in transit, investing in safe, walkable, bikeable communities - we shouldn't force people to burn gas to earn a living and to build a life. [00:47:33] Robert Cruickshank: I was talking with my wife about this and remembering in the 1970s, late 1970s, when Carter was president and there was another energy crisis. And Carter was trying to invest in getting us off of oil. Reagan becomes president, says - No, no, no, no, no. We're just gonna double down on oil and fossil fuels. For the 40 years since, anytime we have an opportunity to try to get off of dependence on fossil fuels, this country finds a way to not do it. And the only outcome has been gas prices get more and more expensive and we have no alternative but to pay it. Those of us who live in Seattle have some option for not having to pay for gas to drive - you can walk, you can bike more easily, you can take transit, more and more people have electric cars but those are expensive. But if you live outside Seattle, you have virtually no ability to get around, to get to school, to get to work, to get to shopping without paying for gas. It shouldn't have to be that way, and there are groups, environmentalists, who have been trying to fix this for decades. And we keep running into the same problems - oil companies like to make money off of this, they don't care about the consequences as long as the money keeps rolling in. We finally got a Climate Commitment Act. And as you say, it's not perfect. In fact, Sierra Club was neutral on it because of concerns about where the money would go. But we also believe that that can be fixed in a legislative process and certainly wouldn't support a repeal. And so this is where we can move forward and make sure this is done correctly. Or we just quit again, as we have every time for the last 45 years, and then we'll be complaining the gas prices are at $7 a gallon, $8 a gallon. We know that that's coming if we don't act now to give people the option to stop having to buy gas, stop having to spend so much money, and keep more of that money in their pocket and get around the communities sustainably. [00:49:25] Crystal Fincher: Absolutely. And with that, we thank you for listening to Hacks & Wonks on this Friday, October 13th, 2023. The producer of Hacks & Wonks is Shannon Cheng. Our insightful co-host today was Chair of Sierra Club Seattle, longtime communications and political strategist, Robert Cruickshank. You can find Robert on Twitter @cruickshank. You can follow Hacks & Wonks on Twitter @HacksWonks. You can find me on Twitter and most other platforms - Robert also on other platforms - I'm @finchfrii with two I's at the end. You can catch Hacks & Wonks on Apple Podcasts, Spotify, wherever you get your podcasts - just type "Hacks and Wonks" into the search bar - I love using Overcast for mine. Be sure to subscribe to the podcast to get the full versions of our Friday week-in-review shows and our Tuesday topical shows delivered to your podcast feed. If you like us, leave a review wherever you listen. You can also get a full transcript of this episode and links to the resources referenced in the show at officialhacksandwonks.com and in the podcast episode notes. Thanks for tuning in - talk to you next time.

Andrew Nash is Reader in Book History at the Institute of English Studies, University of London (a leading book history scholar in other words) and Director of the London Rare Books School. We sat down in the stacks at the Mark Longman "Books about Books" Library at the University of Reading (well, actually the Museum of English Rural Life in Reading which is somehow connected to the University and its publishers' archives collections) to talk about a course Andrew teaches ​at the London Rare Book School on how to use/work with publishers' archives. Th​ough this topic may sound a ​tad niche, even for this podcast, it's not. Andrew makes the convincing ​c​ase that publishers' archives are in fact ​of interest to many scholars, and have valu​e precisely because they can be studied from many​ different economic, social, ​and cultural​ perspectives. Publishers' archives​ yield, among other things, fascinating, detailed information about how knowledge and "culture" is “made public” in society. They're not just about author-publisher correspondence​s, though these in themselves are justly recognized and valued as essential documents of cultural heritage, no, they're about providing scholars, and the world at large, with rich source documentation, from which all of us can better understand...yes, everything! Archives referenced during our conversation include those of Allen & Unwin, Chatto and Windus, Longmans, John Murray, George Routledge, and The Hogarth Press.

On how to come back from the dead.Anonymous (2002). Meditations on the Tarot: A Journey into Christian Hermeticism. New York: Tarcher.Ludwig van Beethoven (1825). String Quartet Op. 132 in A Minor III Molto adagio, https://tinyurl.com/mw4c9nk5 (spotify.com). Accessed September 2023.Aldous Huxley (1928). Point Counter Point: A Novel. London: Chatto & Windus.Edna St. Vincent Millay (1921). Spring, https://tinyurl.com/2s3daw6c (poetryfoundation.org). Accessed September 2023.Wachowski, Lana & Lilly Wachowski, directors (1999). The Matrix. Warner Bros.Support the podcast and access additional content at: https://patreon.com/oeith. Buy me a coffee at https://ko-fi.com/oeith or https://www.buymeacoffee.com/dbarfordG. Or you could send me a lovely book from https://www.amazon.co.uk/hz/wishlist/ls/1IQ3BVWY3L5L5?ref_=wl_share. Hosted on Acast. See acast.com/privacy for more information.

We've made it to the end of a gruelling, terrifying, emotional journey through London's East End in the Autumn of Terror of 1888. Thank you so much for joining me as we explored each of the Jack the Ripper murders and the historical context of the time. Now, we conclude by reviewing some of the key suspects in this mini-series wrap-up. Can we ever uncover who the perplexing, outrageous, shadowy figure really was – that killer whose nickname everyone knows, but whose real identity remains a mystery?If you'd like to read more about Jack the Ripper, then please check out my book Jack the Ripper: Straight for the Jugular available on Amazon in Kindle, paperback and hardcover formats. It contains extra information and illustrations which are not in the podcast series.Click here for Jack The Ripper: Straight for the JugularHere's how you can get in touch with comments , suggestions and donations:Twitter: @PrashsMurderMapFacebook Podcast: fb.me/prashsmapFacebook Author Page: https://www.facebook.com/prashganen/ My Website: https://www.prashganendran.comInstagram: https://www.instagram.com/prash_ganendran/ Email: prashsmurdermap@gmail.com Want to listen to Murder Casebook Volume 1 : 12 Shocking True Crime Cases narrated by actor Mark Rice-Oxley? Check out the Audible Links to .COM AND .UK. Cases include Betsy Aardsma, Deborah Linsley, Cody Johnson, Donna Perry and many more AUDIBLE.COMAUDIBLE.CO.UKOne off donations gratefully receivedCredits: Research, writing, narration and audio editing by PrashThanks to Peter Bleksley, Philip Hutchinson, Carl Koppack, Erik Rivenes, Emily G. Thompson, Eileen and Charlie, Jenny, and Adam. No part of this episode may be reproduced or copied in any form without the written permission of Prash's Murder Map. Sources: Ackroyd, P & other contributors, 2008, “Jack the Ripper and the East End”, Chatto & Windus, in association with the Museum in Docklands & Museum of London Adam, David, March 2019, “Does a new genetic analysis finally reveal the identity of Jack the Ripper?”, Science Mag, https://www.sciencemag.org/news/2019/03/does-new-genetic-analysis-finally-reveal-identity-jack-ripper “A Victorian Mental Asylum”, June 2018, Science Museum London, https://www.sciencemuseum.org.uk/objects-and-stories/medicine/victorian-mental-asylum Clack, Robert & Hutchinson, Philip, 2009, “The London of Jack the Ripper Then and Now”, The Breedon Books Publishing Company Limited, DerbyDaley, Jason, March 2019, “No, We Still Cannot Confirm the Identity of Jack the Ripper”, Smithsonian Mag, https://www.smithsonianmag.com/smart-news/jack-rippers-dna-collected-shawl-though-doubts-linger-180971726/“Dr Francis Tumblety”, Jack The Ripper Tour, https://www.jack-the-ripper-tour.com/francis-tumblety/ Evans, Stewart P., “Ex-Detective Inspector Edmund Reid and Jack the Ripper”, Casebook, https://www.casebook.org/dissertations/spe3.html Evans, Stewart P., & Rumbelow, D, 2006, “Jack the Ripper – Scotland Yard Investigates”, Sutton Publishing Ltd, GloucestershireEvans, Stewart P., & Skinner, K, 2001, “The Ultimate Jack the Ripper Sourcebook An Illustrated Encyclopedia”, Robinson London Hannaford, Scott, “Anderson and the Swanson Marginalia”, Casebook, https://www.casebook.org/dissertations/dst-andr.html Jones, Richard, “Aaron Kosminski”, JacktheRipper.org, https://www.jack-the-ripper.org/kosminski.htm Jones, Richard, “Donald Sutherland Swanson”, JacktheRipper.org, https://www.jack-the-ripper.org/swanson.htm Jones, Richard, “Frances Coles – Murdered 13th February 1891”, JacktheRipper.org, https://www.jack-the-ripper.org/frances-coles.htm Jones, Richard, “Montague John Druitt”, JacktheRipper.org, https://www.jack-the-ripper.org/druitt.htm Jones, Richard, “The Pinchin Street Torso”, JacktheRipper.org, https://www.jack-the-ripper.org/pinchin-street-torso.htm Jones, Richard, “The Suicide of Dr Thomas Bond”, Jack The Ripper Tour, https://www.jack-the-ripper-tour.com/generalnews/the-suicide-of-dr-thomas-bond/ “Melville Macnaghten”, Wikipedia, https://en.wikipedia.org/wiki/Melville_Macnaghten Osborne, Derek F., “The Man Who Shielded Jack the Ripper – George Hutchinson and his Statement: An Analysis”, Casebook, https://www.casebook.org/dissertations/ripperoo-hutch.html “Suspects”, Casebook, https://www.casebook.org/suspects/

Welcome back to Silhouettes! A Fashion History Podcast all about the importance of he clothes we wear. In this very exciting episode, myself and dress historian Kate Strasdin continue our conversation, now turning our attention to the wider world of Fashion History. It's importance, the misconceptions and stereotypes of the subject and ways people interested in the field can get their foot in the door. Kate Strasdin is a dress historian who has been fascinated by old clothes since she was a child. She is a lecturer in Cultural Studies at Falmouth University and is a freelance consultant for dress and textile exhibitions and has appeared as an expert on The Great British Sewing Bee. In 2016 she was given an anonymous album full of annotated dress swatches that had been kept in a trunk for over fifty years, its original keeper unknown... She spent the next six years unlocking its secrets. In this episode we discuss: The importance, misconceptions and stereotypes of Fashion History. Being treated as a 'novelty act' when lecturing on the subject. How Kate got her start in working in the world of fashion history. Advice on how to get engaged and more involved. The moment Kate realised she wanted to learn as much as she could about the history of clothes. How and why Fashion History should never be considered 'just for women'. More on Kate's new book The Dress Diary of Mrs Anne Sykes: Secrets from a Victorian Woman's Wardrobe. A bit more info on the future of this podcast. Memorable quotes: "If we were all wearing the same thing or if we're all wearing nothing at all you might say it doesn't matter, but we don't and it does." Thanks for listening, and stay fab everyone. Follow the show on Instagram @Silhouettespodcast for more updates -- "The hidden fabric of a Victorian woman's life - from family and friends to industry and Empire - told through her unique textile scrapbook. In 1838, a young woman was given a diary on her wedding day. Collecting snippets of fabric from a range of garments she carefully annotated each one, creating a unique record of her life and times. Her name was Mrs Anne Sykes. Nearly two hundred years later, the diary fell into the hands of Kate Strasdin, a fashion historian and museum curator. Strasdin spent the next six years unraveling the secrets contained within the album's pages. Piece by piece, she charts Anne's journey from the mills of Lancashire to the port of Singapore before tracing her return to England in later years. Fragments of cloth become windows into Victorian life: pirates in Borneo, the complicated etiquette of mourning, poisonous dyes, the British Empire in full swing, rioting over working conditions and the terrible human cost of Britain's cotton industry. This is life writing that celebrates ordinary people: the hidden figures, the participants in everyday life. Through the evidence of waistcoats, ball gowns and mourning outfits, Strasdin lays bare the whole of human experience in the most intimate of mediums: the clothes we choose to wear." The Dress Diary of Mrs Anne Sykes: Secrets from a Victorian Woman's Wardrobe is available to buy now (Penguin Vintage/ Chatto & Windus)

In 2016, fashion historian Kate Strasdin was given an extraordinary object – an album of richly coloured and brightly patterned fabric scraps, all collected by one woman across the Victorian age. Speaking to Ellie Cawthorne, Kate reveals what Anne Sykes' dress diary can tell us about style, culture and the experiences of ordinary women in the era – and how it led her to poisonous stockings and pirates in Borneo. (Ad) Kate Strasdin is the author of The Dress Diary of Mrs Anne Sykes: Secrets from a Victorian Woman's Wardrobe (Chatto & Windus, 2023). Buy it now from Amazon: https://www.amazon.co.uk/Dress-Diary-Mrs-Anne-Sykes/dp/178474381X/?tag=bbchistory045-21&ascsubtag=historyextra-social-histboty Learn more about your ad choices. Visit podcastchoices.com/adchoices

Become a subscriber to support the podcast & access bonus episodes: https://podcasters.spotify.com/pod/show/silhouettes/subscribe Welcome back to Silhouettes! A Fashion History Podcast all about the importance of he clothes we wear. In this very exciting episode, myself and dress historian Kate Strasdin delve deep and explore the secrets of a Victorian woman's wardrobe through the autobiographical pieces of fabric she left behind in a mysterious scrap book over 200 years ago... Kate Strasdin is a dress historian who has been fascinated by old clothes since she was a child. She is a lecturer in Cultural Studies at Falmouth University and is a freelance consultant for dress and textile exhibitions and has appeared as an expert on The Great British Sewing Bee. In 2016 she was given an anonymous album full of annotated dress swatches that had been kept in a trunk for over fifty years, its original keeper unknown... She spent the next six years unlocking its secrets. In this episode we discuss: Kate's reaction on first being handed the book and knowing she had found something magical. The moment Kate realised she needed to find out who the book belonged to. The power fabric has to tell us about people of the past, class, geography and so much more. Writing a book through the pandemic while raising kids. How she tackled writing the book and the challenges faced during research. The misconceptions surrounding Victorian fashion. Fast fashion then and now. The similarities and differences in wedding traditions between the Victorian Era and now. and much, much more. Thanks for listening, and stay fab everyone. Follow the show on Instagram @Silhouettespodcast for more updates -- "The hidden fabric of a Victorian woman's life - from family and friends to industry and Empire - told through her unique textile scrapbook. In 1838, a young woman was given a diary on her wedding day. Collecting snippets of fabric from a range of garments she carefully annotated each one, creating a unique record of her life and times. Her name was Mrs Anne Sykes. Nearly two hundred years later, the diary fell into the hands of Kate Strasdin, a fashion historian and museum curator. Strasdin spent the next six years unravelling the secrets contained within the album's pages. Piece by piece, she charts Anne's journey from the mills of Lancashire to the port of Singapore before tracing her return to England in later years. Fragments of cloth become windows into Victorian life: pirates in Borneo, the complicated etiquette of mourning, poisonous dyes, the British Empire in full swing, rioting over working conditions and the terrible human cost of Britain's cotton industry. This is life writing that celebrates ordinary people: the hidden figures, the participants in everyday life. Through the evidence of waistcoats, ball gowns and mourning outfits, Strasdin lays bare the whole of human experience in the most intimate of mediums: the clothes we choose to wear." The Dress Diary of Mrs Anne Sykes: Secrets from a Victorian Woman's Wardrobe is available to buy now (Penguin Vintage/ Chatto & Windus)

C'est un thème qui nous trottait dans la tête depuis un moment : pour cet épisode on avait envie d'évoquer avec vous des livres qui parlent de livres mais aussi de librairies, de bibliothèques et tout ce qui s'en rapproche. Et le moins que l'on puisse dire, c'est que le choix est vaste ! Dans ce Bruit des Pages numéro 23, on vous parle donc de :La collectionneuse de mots oubliés, de Pip Williams (Editions Fleuve en VF - Chatto and Windus en VO)La Librairie de Téhéran, de Marjan Kamali (Editions Hauteville)La bibliothèque de minuit, de Matt Haig (Editions Mazarine en VF - Canongate en VO)La revanche des bibliothécaires, de Tom Gauld (Editions 2024) En bonus :Les passeurs de livres de Daraya, une bibliothèque secrète en Syrie de Delphine Mimouni.Une soif de livres et de liberté, de Janet Skeslien CharlesAna Ana et les doudous libraires, de Alexis Dormal et Dominique RoquesLa bibliothèque des rêves secrets, de Michiko AoyamaL'étrange bibliothèque, d'Haruki Murakami,La cité des nuages et des oiseaux, d'Anthony DoerrLa petite librairie de Riverside Drive, de Frida Skyback.L'ombre du vent, de Carlos Ruiz Zafon Et aussi :Soufi mon amour, d'Elif ShafakLe club des incorrigibles optimistes, de Jean-Michel Guenassia

In memory of the great Carmen Callil, we are replaying the first of her two appearances on Backlisted. Joining Andy and John in this episode is Carmen Callil, the legendary publisher and writer, who is best know for founding the Virago Press in 1972. Once described by the Guardian as ‘part-Lebanese, part-Irish and wholly Australian', Carmen settled in London in 1964 advertising herself in The Times as ‘Australian, B.A. wants job in book publishing'. After changing a generation's taste through her publishing at Virago, and in particular the Virago Modern Classics, which continues to bring back into print hundreds of neglected women writers, Carmen went on to run Chatto & Windus and became a global Editor-at-Large for Random House. In 2006 she published Bad Faith: A History of Family & Fatherland, which Hilary Spurling called ‘a work of phenomenally thorough, generous and humane scholarship'. Appointed DBE in 2017, she was also awarded the Benson Medal in the same year, awarded to mark ‘meritorious works in poetry, fiction, history and belles-lettres'. The book under discussion is one of her favourite novels, The Tortoise & the Hare by Elizabeth Jenkins, first published by Gollancz in 1954 and triumphantly reissued by Virago Modern Classics in 1983. Also in this episode we explore the new audio version of one our favourite writer's best novels - The Unfortunates by B.S. Johnson, famously published in a box containing 27 randomly ordered sections in 1969. And last but very much not least: this episode also features our very first canine guest - Effie, Carmen's extremely well-behaved border terrier. Timings: (may differ due to variable advert length) 8'10 - The Unfortunates by B.S.Johnson 21'16 - The Tortoise and the Hare by Elizabeth Jenkins * To purchase any of the books mentioned in this episode please visit our bookshop at uk.bookshop.org/shop/backlisted where all profits help to sustain this podcast and UK independent bookshops. * For information about everything mentioned in this episode visit www.backlisted.fm *If you'd like to support the show, listen without adverts, receive the show early and with extra bonus fortnightly episodes, become a Patreon at www.patreon.com/backlisted

During the Second World War, around 60,000 people in Britain registered as conscientious objectors, seeking an exemption from military service on the grounds of their religious conviction, political stance or moral conscience. Speaking with Ellie Cawthorne, Professor Tobias Kelly shares the stories of five such people and discusses the challenges they faced.(Ad) Tobias Kelly is the author of Battles of Conscience: British Pacifists and the Second World War (Chatto & Windus, 2022). Buy it now from Amazon:https://www.amazon.co.uk/Battles-Conscience-British-Pacifists-Second/dp/1784743941/ref=sr_1_1?crid=21E6JEFFK6ZJV&keywords=tobias+kelly&qid=1657276881&s=books&sprefix=tobias+kelly%2Cstripbooks%2C64&sr=1-1&tag=bbchistory045-21&ascsubtag=historyextra-social-histboty Hosted on Acast. See acast.com/privacy for more information.

In this episode of the podcast, we talk with Jennifer Windus. Jennifer is a Career Center Executive Coach, and she is the newest member of the Career team that supports Darden's Professional Degree Program students. We talk with Jennifer about her background, what led her to career coaching, what she enjoys about working with students on their professional goals as well as her advice for prospective students as they consider next steps along their career path.

Elizabeth and John talk with Brandeis linguistic anthropologist Janet McIntosh about the language of US alt-right movements. Janet's current book project on language in the military has prompted thoughts about the "implausible deniability" of "Let's Go Brandon"--a phrase that "mocks the idea we have to mince words." The three of them unpack the "regimentation" of the phrase, the way it rubs off on associated signs, and discusses what drill sergeants on Parris Island really do say. They speculates on the creepy, Dark Mirror-esque similarity between the deciphering of "Q-drops" and academic critique. Turning back to her work on basic training, Janet unpacks the power of "semiotic callousing." Mentioned in this episode: "Code Words and Crumbs," Brandeis Magazine "Crybabies and Snowflakes," Download from Language in the Trump Era: Scandals and Emergencies, edited by Janet McIntosh and Norma Mendoza-Denton, Cambridge University Press, 2020. Theodor Adorno, The Stars Down to Earth. Hofstadter, Richard The paranoid style in American politics." 1964. Lepselter, Susan, The Resonance of Unseen Things: Poetics, Power, Captivity, and UFOs in the American Uncanny. University of Michigan, 2016 Trollope, Anthony. Marion Fay: a Novel. Vol. 29. Chatto and Windus, Piccadilly, 1883. Silverstein, Michael. "Language and the culture of gender: At the intersection of structure, usage, and ideology." In Semiotic mediation, pp. 219-259. Academic Press, 1985. Listen to the episode here Read the transcript here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Elizabeth and John talk with Brandeis linguistic anthropologist Janet McIntosh about the language of US alt-right movements. Janet's current book project on language in the military has prompted thoughts about the "implausible deniability" of "Let's Go Brandon"--a phrase that "mocks the idea we have to mince words." The three of them unpack the "regimentation" of the phrase, the way it rubs off on associated signs, and discusses what drill sergeants on Parris Island really do say. They speculates on the creepy, Dark Mirror-esque similarity between the deciphering of "Q-drops" and academic critique. Turning back to her work on basic training, Janet unpacks the power of "semiotic callousing." Mentioned in this episode: "Code Words and Crumbs," Brandeis Magazine "Crybabies and Snowflakes," Download from Language in the Trump Era: Scandals and Emergencies, edited by Janet McIntosh and Norma Mendoza-Denton, Cambridge University Press, 2020. Theodor Adorno, The Stars Down to Earth. Hofstadter, Richard The paranoid style in American politics." 1964. Lepselter, Susan, The Resonance of Unseen Things: Poetics, Power, Captivity, and UFOs in the American Uncanny. University of Michigan, 2016 Trollope, Anthony. Marion Fay: a Novel. Vol. 29. Chatto and Windus, Piccadilly, 1883. Silverstein, Michael. "Language and the culture of gender: At the intersection of structure, usage, and ideology." In Semiotic mediation, pp. 219-259. Academic Press, 1985. Listen to the episode here Read the transcript here. Learn more about your ad choices. Visit megaphone.fm/adchoices

Elizabeth and John talk with Brandeis linguistic anthropologist Janet McIntosh about the language of US alt-right movements. Janet's current book project on language in the military has prompted thoughts about the "implausible deniability" of "Let's Go Brandon"--a phrase that "mocks the idea we have to mince words." The three of them unpack the "regimentation" of the phrase, the way it rubs off on associated signs, and discusses what drill sergeants on Parris Island really do say. They speculates on the creepy, Dark Mirror-esque similarity between the deciphering of "Q-drops" and academic critique. Turning back to her work on basic training, Janet unpacks the power of "semiotic callousing." Mentioned in this episode: "Code Words and Crumbs," Brandeis Magazine "Crybabies and Snowflakes," Download from Language in the Trump Era: Scandals and Emergencies, edited by Janet McIntosh and Norma Mendoza-Denton, Cambridge University Press, 2020. Theodor Adorno, The Stars Down to Earth. Hofstadter, Richard The paranoid style in American politics." 1964. Lepselter, Susan, The Resonance of Unseen Things: Poetics, Power, Captivity, and UFOs in the American Uncanny. University of Michigan, 2016 Trollope, Anthony. Marion Fay: a Novel. Vol. 29. Chatto and Windus, Piccadilly, 1883. Silverstein, Michael. "Language and the culture of gender: At the intersection of structure, usage, and ideology." In Semiotic mediation, pp. 219-259. Academic Press, 1985. Listen to the episode here Read the transcript here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Elizabeth and John talk with Brandeis linguistic anthropologist Janet McIntosh about the language of US alt-right movements. Janet's current book project on language in the military has prompted thoughts about the "implausible deniability" of "Let's Go Brandon"--a phrase that "mocks the idea we have to mince words." The three of them unpack the "regimentation" of the phrase, the way it rubs off on associated signs, and discusses what drill sergeants on Parris Island really do say. They speculates on the creepy, Dark Mirror-esque similarity between the deciphering of "Q-drops" and academic critique. Turning back to her work on basic training, Janet unpacks the power of "semiotic callousing." Mentioned in this episode: "Code Words and Crumbs," Brandeis Magazine "Crybabies and Snowflakes," Download from Language in the Trump Era: Scandals and Emergencies, edited by Janet McIntosh and Norma Mendoza-Denton, Cambridge University Press, 2020. Theodor Adorno, The Stars Down to Earth. Hofstadter, Richard The paranoid style in American politics." 1964. Lepselter, Susan, The Resonance of Unseen Things: Poetics, Power, Captivity, and UFOs in the American Uncanny. University of Michigan, 2016 Trollope, Anthony. Marion Fay: a Novel. Vol. 29. Chatto and Windus, Piccadilly, 1883. Silverstein, Michael. "Language and the culture of gender: At the intersection of structure, usage, and ideology." In Semiotic mediation, pp. 219-259. Academic Press, 1985. Listen to the episode here Read the transcript here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/anthropology

Elizabeth and John talk with Brandeis linguistic anthropologist Janet McIntosh about the language of US alt-right movements. Janet's current book project on language in the military has prompted thoughts about the "implausible deniability" of "Let's Go Brandon"--a phrase that "mocks the idea we have to mince words." The three of them unpack the "regimentation" of the phrase, the way it rubs off on associated signs, and discusses what drill sergeants on Parris Island really do say. They speculates on the creepy, Dark Mirror-esque similarity between the deciphering of "Q-drops" and academic critique. Turning back to her work on basic training, Janet unpacks the power of "semiotic callousing." Mentioned in this episode: "Code Words and Crumbs," Brandeis Magazine "Crybabies and Snowflakes," Download from Language in the Trump Era: Scandals and Emergencies, edited by Janet McIntosh and Norma Mendoza-Denton, Cambridge University Press, 2020. Theodor Adorno, The Stars Down to Earth. Hofstadter, Richard The paranoid style in American politics." 1964. Lepselter, Susan, The Resonance of Unseen Things: Poetics, Power, Captivity, and UFOs in the American Uncanny. University of Michigan, 2016 Trollope, Anthony. Marion Fay: a Novel. Vol. 29. Chatto and Windus, Piccadilly, 1883. Silverstein, Michael. "Language and the culture of gender: At the intersection of structure, usage, and ideology." In Semiotic mediation, pp. 219-259. Academic Press, 1985. Listen to the episode here Read the transcript here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Elizabeth and John talk with Brandeis linguistic anthropologist Janet McIntosh about the language of US alt-right movements. Janet's current book project on language in the military has prompted thoughts about the "implausible deniability" of "Let's Go Brandon"--a phrase that "mocks the idea we have to mince words." The three of them unpack the "regimentation" of the phrase, the way it rubs off on associated signs, and discusses what drill sergeants on Parris Island really do say. They speculates on the creepy, Dark Mirror-esque similarity between the deciphering of "Q-drops" and academic critique. Turning back to her work on basic training, Janet unpacks the power of "semiotic callousing." Mentioned in this episode: "Code Words and Crumbs," Brandeis Magazine "Crybabies and Snowflakes," Download from Language in the Trump Era: Scandals and Emergencies, edited by Janet McIntosh and Norma Mendoza-Denton, Cambridge University Press, 2020. Theodor Adorno, The Stars Down to Earth. Hofstadter, Richard The paranoid style in American politics." 1964. Lepselter, Susan, The Resonance of Unseen Things: Poetics, Power, Captivity, and UFOs in the American Uncanny. University of Michigan, 2016 Trollope, Anthony. Marion Fay: a Novel. Vol. 29. Chatto and Windus, Piccadilly, 1883. Silverstein, Michael. "Language and the culture of gender: At the intersection of structure, usage, and ideology." In Semiotic mediation, pp. 219-259. Academic Press, 1985. Listen to the episode here Read the transcript here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/language

Elizabeth and John talk with Brandeis linguistic anthropologist Janet McIntosh about the language of US alt-right movements. Janet's current book project on language in the military has prompted thoughts about the "implausible deniability" of "Let's Go Brandon"--a phrase that "mocks the idea we have to mince words." The three of them unpack the "regimentation" of the phrase, the way it rubs off on associated signs, and discusses what drill sergeants on Parris Island really do say. They speculates on the creepy, Dark Mirror-esque similarity between the deciphering of "Q-drops" and academic critique. Turning back to her work on basic training, Janet unpacks the power of "semiotic callousing." Mentioned in this episode: "Code Words and Crumbs," Brandeis Magazine "Crybabies and Snowflakes," Download from Language in the Trump Era: Scandals and Emergencies, edited by Janet McIntosh and Norma Mendoza-Denton, Cambridge University Press, 2020. Theodor Adorno, The Stars Down to Earth. Hofstadter, Richard The paranoid style in American politics." 1964. Lepselter, Susan, The Resonance of Unseen Things: Poetics, Power, Captivity, and UFOs in the American Uncanny. University of Michigan, 2016 Trollope, Anthony. Marion Fay: a Novel. Vol. 29. Chatto and Windus, Piccadilly, 1883. Silverstein, Michael. "Language and the culture of gender: At the intersection of structure, usage, and ideology." In Semiotic mediation, pp. 219-259. Academic Press, 1985. Listen to the episode here Read the transcript here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/politics-and-polemics

On the podcast this week, Matt Rowland Hill talks to Sarah Meyrick about his critically acclaimed memoir, Original Sins. The book tells the story of growing up as the son of an Evangelical Baptist minister in South Wales and then Leighton Buzzard, fraught with bitter family conflict and fear of damnation. After rejecting religion in his late teens , he became addicted to crack and heroin, eventually being set on the path to recovery with the help of a Christian rehab charity. “They had a different style of Christianity to my parents',” he says. “They felt that they were helping me because they were expressing God's love, and that just blew my mind. . . “Did I then become the prodigal son and come back to Christianity? It would have made a very nice story if I had.” Original Sins is published by Chatto & Windus at £16.99 (Church Times Bookshop £15.29) Picture credit: Laura Lewis Music for the podcast is by Twisterium Try 10 issues of the Church Times for £10 or get two months access to our website and apps, also for £10. Go to churchtimes.co.uk/new-reader.

Today was Part 2 with IBCLC, Naturopath and Midwife, Joelleen Winduss Paye to discuss what to expect and how to best prepare for those Golden Hours of Breastfeeding. We explore antenatal expressing, what to expect in those first few hours, is nipple pain normal and how to best nourish your body to support your breastfeeding journey.Learn more about Dr Renee White and Fill Your Cup Postpartum Doulas:Want to be nurtured and nourished after the birth of your baby, have a peek at our doula offerings.If you want to gobble up of famous Chocolate + Goji lactation cookies, look no further. Oh and our Creamy Coconut dahl mix is to die for, just sayin'.Learn more about Joelleen Winduss Paye

Gerry Windus sings in Stand Still https://dazestyle.bandcamp.com/album/in-a-moments-notice

As the wife of Charles I, Henrietta Maria was in the firing line of the parliamentary propaganda machine. The Stuart queen was known as the “popish brat of France”, a “whore” and “the wife who wore the britches”. But does she deserve this rotten reputation? Emily Briffett spoke to Leanda de Lisle to bust some myths surrounding the reviled queen. (Ad) Leanda de Lisle is the author of Henrietta Maria: Conspirator, Warrior, Phoenix Queen (Chatto & Windus, 2022). Buy it now from Waterstones https://go.skimresources.com?id=71026X1535947&xcust=historyextra-social-histboty&xs=1&url=https%3A%2F%2Fwww.waterstones.com%2Fbook%2Fhenrietta-maria%2Fleanda-de-lisle%2F9781784742966 See acast.com/privacy for privacy and opt-out information.

We are at the start of a time when humans will be able to program cells and organisms in analogous ways to which we now program computers. Our technology and understanding of the basic structures of life, augmented by computer simulations driven by AI, are driving breakthrough innovations at an ever-increasing rate.What will this mean for us all? It could mean the end of most diseases and the actual process of aging. I could mean that the current existential risks of climate change and bio-diversity collapse could be removed. It could also mean that our exposure to the existential risks of bioterrorism grows exponentially. I could mean a radical new social class structure based on different access to, and use of human ability enhancements will generate political upheaval and violence. What is inarguably true, is that advances in our understanding and ability to manipulate biological systems will disrupt business, governance, culture and geopolitics in fundamental ways. This may not happen this year, or next, but make no mistake, the challenges are coming.Amy Webb, my guest for this episode, believes we desperately need to start these conversations now, while we still have some time to shape what the future will hold. Amy's, and her co-author Andrew Hessel's book, The Genesis Machine: Our Quest to Rewrite Life in the Ague of Synthetic Biology, is a wonderful, guided tour of synthetic biology's past, present, and likely future. It is also a catalyst to the discussion about how we balance the risks and amazing promise of these innovations. As Amy says, the best way to understand this technology is that it gives us options which we have never had – how we choose amongst those options is what we need to think about now.Amy is a quantitative futurist and is an Adjunct Assistant Professor at the New York University Stern School of Business. Her research focuses on strategic foresight and using data to model probable, plausible and possible scenarios for the future. She was named to the Thinkers50 Radar list of the 30 management thinkers most likely to shape the future of how organizations are managed and won the prestigious 2017 Thinkers50 RADAR Award for her research and work in strategic foresight. She is also the CEO and founder of the Future Today Institute, a leading strategic foresight and future forecasting firm that researches emerging technology on behalf of Fortune 500 and Global 1000 companies, government agencies and financial institutions around the world. In addition to being a best-selling author of multiple books, Amy's future forecasting work has been featured in the New York Times, Harvard Business Review, MIT Sloan Management Review and more.It was an absolute pleasure to discuss with Amy the issues raised in her book. It is unsurprising that so many people and organisations turn to her when they want a view of what our possible futures may be! Her knowledge is deep and her ability to communicate is exceptional – I hope you enjoy the conversation! Citations Bostrom, N. (2019) ‘The Vulnerable World Hypothesis,' Global Policy 10:4.The Boys. Developed the Amazon Prime Video by Eric Kripke, based on a comic book of the same name, written by Garth Ennis and Darick Roberson.Huxley, A. (1932) Brave New World. Chatto and Windus.Niccol, A.(Director) (1998) Gattaca. Columbia Pictures and Jersey Films.Severance. Created by Dan Erickson, Apple TV+Webb, A. (2019) The Big Nine: How Tech Titans and Their Thinking Machines Could Warp Humanity. New York: Public Affairs.Webb, A. (2022) The Genesis Machine: Our Quest to Rewrite Life in the Age of Synthetic Biology. New York: Public Affairs. Our GDPR privacy policy was updated on August 8, 2022. Visit acast.com/privacy for more information.

Doon Mackichan joins Nikki Bedi and Rev Richard Coles. The actor, writer and comedian – and double Emmy winner - be talking about her latest comedy role set in a suburban street in Glasgow, how she did impressions to avoid the school bullies and her love of wild swimming. Loree Draude is one of the first women to fly combat jets in the U.S. Navy. She switched to start-ups in Silicon Valley, rediscovered her love of theatre and now has a one-woman show. Matt Rowland Hill grew up the son of a minister in an evangelical Christian church in South Wales, then lost his faith in his late teens and began his search for salvation elsewhere, turning to books and then to alcohol and drugs. Carol Kirkwood shares her Inheritance Tracks – Surfin' USA by The Beach Boys and Love Will Keep Us Alive by The Eagles. Mike Gayle was the first man to win Romantic Fiction's top award and was an Agony Uncle for girls' teen magazine Bliss before becoming a novelist. Two Doors Down is BBC Two on Tuesday nights at 10pm, and all five series are available to watch on the BBC iplayer. Loree Draude's show, I Feel the Need runs from 4th to 27th August at the Assembly Rooms - Powder Room in Edinburgh. Matt Rowland Hill's memoir, Original Sins is published by Chatto & Windus. Mike Gayle's book, The Museum of Ordinary People is published by Hodder & Stoughton.  Producer: Annette Wells Editor: Richard Hooper

Elizabeth Bishop was born on February 8, 1911, in Worcester, Massachusetts. When she was less than a year old, her father died, and shortly thereafter, her mother was committed to an asylum. Bishop was first sent to live with her maternal grandparents in Nova Scotia and later lived with paternal relatives in Worcester and South Boston. She earned a bachelor's degree from Vassar College in Poughkeepsie, New York, in 1934.Bishop was independently wealthy, and from 1935 to 1937 she spent time traveling to France, Spain, North Africa, Ireland, and Italy and then settled in Key West, Florida, for four years. Her poetry is filled with descriptions of her travels and the scenery that surrounded her, as with the Florida poems in her first book of verse, North & South (Houghton Mifflin), published in 1946.She was influenced by the poet Marianne Moore, who was a close friend, mentor, and stabilizing force in her life. Unlike her contemporary and good friend Robert Lowell, who wrote in the Confessional style, Bishop's poetry avoids explicit accounts of her personal life and focuses instead with great subtlety on her impressions of the physical world.Her images are precise and true to life, and they reflect her own sharp wit and moral sense. She lived for many years in Brazil, communicating with friends and colleagues in America only by letter. She published sparingly, and her work is often praised for its technical brilliance and formal variety. She received the 1956 Pulitzer Prize for her collection Poems: North & South/A Cold Spring (Houghton Mifflin, 1955). Her Complete Poems (Farrar, Straus and Giroux, 1969), won the National Book Award in 1970. That same year, Bishop began teaching at Harvard University, where she worked for seven years. For years she was considered a “poet's poet,” but with the 1977 publication of her last book, Geography III (Chatto and Windus), Bishop was finally established as a major force in contemporary literature. Elizabeth Bishop was awarded an Academy Fellowship in 1964 for distinguished poetic achievement, and served as a Chancellor from 1966 to 1979. She died in her apartment at Lewis Wharf in Boston on October 6, 1979.From https://poets.org/poet/elizabeth-bishop. For more information about Elizabeth Bishop:Previously on The Quarantine Tapes:Wayne Koestenbaum about Bishop, at 03:40: https://quarantine-tapes.simplecast.com/episodes/the-quarantine-tapes-166-wayne-koestenbaum“Elizabeth Bishop”: https://www.poetryfoundation.org/poets/elizabeth-bishopWords in Air: https://us.macmillan.com/books/9780374531898/wordsinair“Elizabeth Bishop on Why Everyone Should Experience at Least One Long Period of Solitude in Life”: https://www.themarginalian.org/2016/02/08/elizabeth-bishop-solitude/

Our guest interviewee is airline pilot and travel writer, Mark Vanhoenacker. He talks about his new book, Imagine a City, recently published in the UK by Chatto and Windus and also shares some trade secrets. Would you have guessed that the first things he packs is a spork? Thanks to Mark for his photo of Cairo by night

For our first podcast of 2022 we leave the bookshop and take to the buses of Paris for a conversation with Lauren Elkin, author of No. 91/92: notes on a Parisian commute.Buy No. 91/92: notes on a Parisian commute here: https://shakespeareandcompany.com/I/9781838014186/no-9192-notes-on-a-parisian-commute*SUBSCRIBE NOW FOR BONUS FEATURESIf you want to spend even more time at Shakespeare and Company, you can now subscribe for regular bonus episodes including: An initiation into the world of rare book collecting; The chance to expand your reading horizons as our passionate booksellers recommend their favourite titles; Handpicked classic interviews from our archive; And an insight into what makes your favourite writers tick as they answer searching questions from our Café's Proust questionnaire.Subscribe on Spotify here: https://anchor.fm/sandcoSubscribe on Patreon here: https://www.patreon.com/sandcoSubscribe on Apple Podcasts here: https://podcasts.apple.com/fr/podcast/shakespeare-and-company-writers-books-and-paris/id1040121937?l=enAll money raised goes to supporting “Friends of Shakespeare and Company” the bookshop's non-profit, created to fund our noncommercial activities—from the upstairs reading library, to the writers-in-residence program, to our charitable collaborations, and our free events.*Commuting between English and French, Lauren Elkin chronicles a life in transit. From musings on Virginia Woolf and Georges Perec, to her first impressions in the aftermath of the Charlie Hebdo attacks, to the discovery of her ectopic pregnancy, her diary sketches a portrait of the author, not as an artist, but as a pregnant woman on a Parisian bus. In the troubling intimacy of public transport, Elkin queries the lines between togetherness and being apart, between the everyday and the eventful, registering the ordinary makings of a city and its people.Lauren Elkin is a Franco-American writer and translator. Her last book, Flâneuse: Women Walk the City was a finalist for the PEN/Diamonstein-Spielvogel Award for the Art of the Essay, a New York Times Notable Book of 2017, and a BBC Radio 4 Book of the Week. Her translation, with Charlotte Mandell, of Claude Arnaud's biography of Jean Cocteau, won the 2017 French-American Foundation's Translation Prize. Her next book, Art Monsters: on Beauty and Excess, is to be published by Chatto & Windus. She currently lives in London, with her partner and son.Adam Biles is Literary Director at Shakespeare and Company. Buy a signed copy of his novel FEEDING TIME here: https://shakespeareandcompany.com/S/9781910296684/feeding-timeListen to Alex Freiman's Play It Gentle here: https://open.spotify.com/album/4gfkDcG32HYlXnBqI0xgQX?si=mf0Vw-kuRS-ai15aL9kLNA&dl_branch=1 Get bonus content on Patreon See acast.com/privacy for privacy and opt-out information.

Support this podcast! https://anchor.fm/cauldronofburgers/support Patreon.com/cauldronofburgers Cauldronofburgers.com @cauldronofburgers @thecauldronofburgerspodcast --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/dreamdialogue/support