Podcasts about In Between Days

Steven Mills has reached a crossroads. His wife and son have left, and they may not return. Which leaves him determined to find out what happened to his own father, a brilliant, charismatic professor who disappeared in 1984 when Steve was twelve, on a wave of ignominy.As Steve drives up the coast of California, seeking out his father's friends, family members, and former colleagues, the novel offers us tantalizing glimpses into Steve's childhood—his parents' legendary pool parties, the black-and-white films on the backyard projector, secrets shared with his closest friend. Each conversation in the present reveals another layer of his father's past, another insight into his disappearance. Yet with every revelation, his father becomes more difficult to recognize. And, with every insight, Steve must confront truths about his own life.Rich in atmosphere, and with a stunningly sure-footed emotional compass, The Imagined Life: A Novel (Knopf, 2025) is a probing, nostalgic novel about the impossibility of understanding one's parents, about first loves and failures, about lost innocence, about the unbreakable bonds between a father and a son. Andrew Porter is the author of the short story collections The Disappeared and The Theory of Light and Matter and a previous novel, In Between Days. A graduate of the Iowa Writers' Workshop, he has received a Pushcart Prize, a James Michener/Copernicus Fellowship, and the Flannery O'Connor Award for short fiction. His work has appeared in One Story, Ploughshares, American Short Fiction, Narrative, and elsewhere. He currently teaches fiction writing and directs the creative writing program at Trinity University in San Antonio, Texas. Recommended Books: Paul. Lisicky, Songs So Wild and Blue Kirsten Sundberg Lunstrum, Elita Chris Holmes is Chair of Literatures in English and Associate Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro as World Literature is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

Steven Mills has reached a crossroads. His wife and son have left, and they may not return. Which leaves him determined to find out what happened to his own father, a brilliant, charismatic professor who disappeared in 1984 when Steve was twelve, on a wave of ignominy.As Steve drives up the coast of California, seeking out his father's friends, family members, and former colleagues, the novel offers us tantalizing glimpses into Steve's childhood—his parents' legendary pool parties, the black-and-white films on the backyard projector, secrets shared with his closest friend. Each conversation in the present reveals another layer of his father's past, another insight into his disappearance. Yet with every revelation, his father becomes more difficult to recognize. And, with every insight, Steve must confront truths about his own life.Rich in atmosphere, and with a stunningly sure-footed emotional compass, The Imagined Life: A Novel (Knopf, 2025) is a probing, nostalgic novel about the impossibility of understanding one's parents, about first loves and failures, about lost innocence, about the unbreakable bonds between a father and a son. Andrew Porter is the author of the short story collections The Disappeared and The Theory of Light and Matter and a previous novel, In Between Days. A graduate of the Iowa Writers' Workshop, he has received a Pushcart Prize, a James Michener/Copernicus Fellowship, and the Flannery O'Connor Award for short fiction. His work has appeared in One Story, Ploughshares, American Short Fiction, Narrative, and elsewhere. He currently teaches fiction writing and directs the creative writing program at Trinity University in San Antonio, Texas. Recommended Books: Paul. Lisicky, Songs So Wild and Blue Kirsten Sundberg Lunstrum, Elita Chris Holmes is Chair of Literatures in English and Associate Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro as World Literature is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices

Steven Mills has reached a crossroads. His wife and son have left, and they may not return. Which leaves him determined to find out what happened to his own father, a brilliant, charismatic professor who disappeared in 1984 when Steve was twelve, on a wave of ignominy.As Steve drives up the coast of California, seeking out his father's friends, family members, and former colleagues, the novel offers us tantalizing glimpses into Steve's childhood—his parents' legendary pool parties, the black-and-white films on the backyard projector, secrets shared with his closest friend. Each conversation in the present reveals another layer of his father's past, another insight into his disappearance. Yet with every revelation, his father becomes more difficult to recognize. And, with every insight, Steve must confront truths about his own life.Rich in atmosphere, and with a stunningly sure-footed emotional compass, The Imagined Life: A Novel (Knopf, 2025) is a probing, nostalgic novel about the impossibility of understanding one's parents, about first loves and failures, about lost innocence, about the unbreakable bonds between a father and a son. Andrew Porter is the author of the short story collections The Disappeared and The Theory of Light and Matter and a previous novel, In Between Days. A graduate of the Iowa Writers' Workshop, he has received a Pushcart Prize, a James Michener/Copernicus Fellowship, and the Flannery O'Connor Award for short fiction. His work has appeared in One Story, Ploughshares, American Short Fiction, Narrative, and elsewhere. He currently teaches fiction writing and directs the creative writing program at Trinity University in San Antonio, Texas. Recommended Books: Paul. Lisicky, Songs So Wild and Blue Kirsten Sundberg Lunstrum, Elita Chris Holmes is Chair of Literatures in English and Associate Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro as World Literature is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Andrew Porter is the author of two story collections, The Disappeared and The Theory of Light and Matter. He's also the author of the novel In Between Days. His latest, out this month, is The Imagined Life and it treads on some familiar territory as the others. Andrew joins Marrie Stone to talk about it. His work has been compared to Richard Yates and John Cheever. He talks about those influences and his hyper-focus on the domestic realm. He also talks about the impacts his former professor, Marilynne Robinson, has on his work. They talk about writerly choices — point of view, structure, revision, and character development. And they discuss larger themes of men, boys, marriage, and sexuality in today's culture and how literature reflects those struggles. For more information on Writers on Writing and to become a supporter, visit our Patreon page. For a one-time donation, visit Ko-fi. You can find hundreds of past interviews on our website. You'll help out the show and indie bookstores by buying books at our bookstore on bookshop.org. It's stocked with titles by our guest authors, as well as our personal favorites. And on Spotify, you'll find an album's worth of typewriter music like what you hear on the show. Look for the artist, Just My Type. Email the show at writersonwritingpodcast@gmail.com. We love to hear from our listeners! (Recorded on April 16, 2025) Host: Barbara DeMarco-Barrett Host: Marrie Stone Music: Travis Barrett (Stream his music on Spotify, Apple Music, Etc.)

¡¡Music Non-Stop Sessions!!!Sintonía: "Tales of Girls, Boys & Marsupials" - The Wombats"Don´t Let The Stars Keep Us Tangled Up" (Ewan Pearson´s Objects In Space Remix) - Courtney Tidwell; "Wortkabular" (Luciano Remix) - Robag Wruhme; "Timbuktu" (Ame Main Mix) - Ferrer & Sydenham Inc.; "In White Rooms" (Neo Mix) - Booka Shade; "Moan" (Radioslave´s Remix For K) - Trentemoller; "In Between Days" - Sascha Funke; "Dancing & Confused" - MouseUp; "Floordance Pt. 1" - D.A.R.Y.L.; "Closer" (Nathan Fake Remix) - PercTodas las músicas seleccionadas y mezcladas por StainboyTodas las músicas extraídas de la sesión (1xCD) "Creamfields Andalucia 2007" (Sinnamon Records, 2007)  Escuchar audio

Nos situamos en "Macondo" junto a Juan Carlos Iragorri para abordar la actualidad de Perú. Nos acompaña desde Washington María McFarland, abogada de la ONG estadounidense Human Rights Watch. En "Antropoturismo", con Paula Ginés, retomamos la figura de la escritora Elena Fortún (1886-1952), pero esta vez nos centramos en su personaje más emblemático y querido: Celia. Y ya es jueves y, con Pancho Varona, escuchamos más "Música para los pájaros": Johnny and Mary (Robert Palmer), Sunday Papers (Joe Jackson), El día de la mujer mundial (Andrés Calamaro), In Between Days (The Cure), Campus (Vampire Weekend) y Figurantes (Vetusta Morla).Escuchar audio

Es jueves y, con Pancho Varona, escuchamos más "Música para los pájaros": Johnny and Mary (Robert Palmer), Sunday Papers (Joe Jackson), El día de la mujer mundial (Andrés Calamaro), In Between Days (The Cure), Campus (Vampire Weekend) y Figurantes (Vetusta Morla).Escuchar audio

Step into the captivating world of timeless music with our podcast, where we delve deep into the iconic albums that have shaped the landscape of rock and alternative music. This month, we turn our spotlight on "The Head on the Door" by The Cure, a seminal album that has left an indelible mark on generations of music lovers. Join us as we dissect each track, exploring the album's innovative soundscapes, poignant lyrics, and enduring influence on the music industry. From the infectious hooks of "In Between Days" to the haunting melodies of "A Night Like This," we provide insightful commentary and analysis, offering listeners a fresh perspective on this classic record. Whether you're a die-hard fan or new to The Cure's discography, our podcast promises to take you on a captivating journey through the rich tapestry of "The Head on the Door," celebrating its legacy as a cornerstone of alternative rock. Tune in and discover why this album continues to resonate with audiences worldwide, standing the test of time as a true musical masterpiece.

Episode 87 features Scott, Larry, & Keith taking turns drafting and discussing the greatest songs of 1985. Link to Spotify playlist for this episode: ⁠⁠⁠⁠⁠https://open.spotify.com/playlist/2HL9Am0PC7aVNidxyxABaQ?si=12dcc1f3fe544393     ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Link to Spotify honorable mentions playlist for this episode: ⁠https://open.spotify.com/playlist/79WdwHjUvAzkAyvCWEGd8g?si=7bad66bf2c0c41ef  ⁠  Link to Spotify playlist that includes all of our song draft picks so far: ⁠⁠⁠⁠https://open.spotify.com/playlist/5TwJXXESiyIPNy0Vdg7OR4?si=a169a297c91a491f⁠⁠⁠ Note: A big reason why Hüsker Dü was able to release two great albums in 1985 was because they had two great songwriters. We should've talked about Grant Hart as well as Bob Mould. It is probably noticeable anyway, but we want to mention that two separate parts of "Running Up That Hill," "In Between Days," "Primitive Painters," and "She Sells Sanctuary" were grafted together for the clips we played.

Existem histórias e historinhas. Novelas e contos. Aqui no Resuminho eu aproveito para contar apenas as curtinhas.  O Resuminho fala das músicas que não vão virar um episódios completos do Resumo do Som por um dos seguintes motivos: ou eu não encontrei informações suficientes, ou o artista não revelou muita coisa sobre como a canção surgiu, ou simplesmente porque a canção não tinha uma história interessante. Quando isso acontece, eu junto três dessas músicas em uma única edição. Esse é o Resuminho do Som, e hoje eu vou contar pra vocês um pouco dos sucessos In-Between Days, do The Cure, Hold me Now do Thompson Twins e Somebody's Watching Me, do Rockwell. O próximo episódio vai sair quando eu juntar mais três pedidos, então não perca tempo, mande a sua sugestão clicando no link que está na descrição deste episódio. CLIQUE AQUI PARA PEDIR A SUA MÚSICA  Ouça as três músicas no YouTube Music       In-Between Days foi escrita por Robert Smith - © 1985 Fiction Records Hold Me Now foi escrita por Tom Bailey, Alannah Currie e Joe Leeway - © 1983 Arista Somebody's Watching Me foi escrita por Rockwell - © 1984 Motown Músicas de fundo Music by Artur Aravidi from Pixabay Agradecimentos aos produtores virtuais pelo apoio: Danilo de Almeida (Doublecast, Já Ouviu Esse Disco) Fabiano F. M. Cordeiro (Fab 97,4 FM) Marcelo Machado (Podcast de Garagem) Marcos Coluci Ricardo Bunnyman (AutoRadio Podcast) William Floyd (Fermata podcast) Gostaria de apoiar o 80 WATTS? É só escolher a plataforma de sua preferência.     This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License. Background vector created by freepik - www.freepik.com

Scott Strode, sober for over 25 years, is the Executive Director of The Phoenix, a transformational nonprofit he founded in 2006. The Phoenix harnesses the power of connection to ignite a movement that's changing how society looks at addiction and recovery. The Phoenix provides free programs both in-person and virtually, across the globe, including yoga, climbing, music, CrossFit, art, and more. The only cost to participate is 48 hours of sobriety. Scott says, “It might be the activity that brings someone in, but it's the community of sober friendships that keeps them coming back.” This spark of hope for recovery, that Scott himself experienced, has continued to grow and help thousands rise from addiction. Not limited to those in recovery, The Phoenix movement is for anyone who has been impacted by substance use disorder — because the solution to the addiction crisis lives in all of us. This is our movement! To learn more, or to connect with our community, volunteer, or donate, please go to thephoenix.org.  The Phoenix is a national sober active community that provides free, active, and meaningful programming—ranging from yoga and rock climbing to CrossFit and art—to individuals impacted by substance use. The Phoenix fosters a welcoming and safe community where participants, with a minimum of 48 hours of sobriety, can heal and grow together. The organization has achieved remarkable results: 83% of members report sustained sobriety after three months of participation. In 2022, The Phoenix realized a gap in recovery support in the music industry despite the fact that addiction disproportionately affects the music industry – 56% of music industry professionals cite problematic substance use (Source: Tulane University School of Social Work 2022), so they partnered with Stand Together Music and Stand Together Foundation to launch 1 Million Strong—an impact initiative to support one million people impacted by substance use, starting in the music industry. Over the past year, 1MS has hosted sober-supportive retreats at over a dozen renowned music festivals, supporting hundreds of thousands of fans. Positioned strategically amid the festival's heart, these retreats offer a VIP-like experience with mocktails, The Phoenix programming (like guided meditations and yoga) and a supportive atmosphere to meet other likeminded people. The impact of these events are undeniable: Since the launch of 1MS in September 2022, The Phoenix has had nearly 140,000 new members join the community. We're not slowing down the tempo – 1 Million Strong will be hosting sober-supportive retreats at In Between Days, Park City Song Sumit, Bourbon & Beyond, Telluride Blues & Brews, Louder than Life, and Camp Flog Gnaw between now and the end of the year and planning for a festival-filled 2024! The Phoenix and 1 Million Strong are transforming how America approaches addiction, so those in recovery can go from surviving to truly living. Scott's personal story and work with The Phoenix and 1 Million Strong could offer your listeners a fresh perspective on the power of connection in overcoming addiction. thephoenix.org 1millionstrong.com The Phoenix - A Sober Community (app)   HELP SUPPORT OUR FIGHT AGAINST ADDICTION. DONATE HERE: https://bit.ly/Fightdrugs   PART OF THE GOOD NEWS PODCAST NETWORK. AUDIO VERSIONS OF ALL OUR EPISODES: https://theaddictionpodcast.com CONTACT US: The Addiction Podcast - Point of No Return theaddictionpodcast@yahoo.com Intro and Outro music by: Decisions by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Source: http://incompetech.com/music/royalty-free/index.html?isrc=USUAN1100756 Artist: http://incompetech.com/  

一年前想要做填空题专栏的时候，我的出发点之一便是放大女性的个体经验，通过具体的时代文本，无论是影像的、还是文学的，来谈论和反思我们的当下生活。距离上一次圈圈儿、严偲予和我一起录播客，已经过去了一年，从《弗兰西斯·哈》（不需要男人的女人们，弗兰西斯·哈与我们的大都会生活｜填空题）到《芭比》（与女导演一起聊《芭比》，这首先是一部爆米花电影 | 填空题），我们共同喜爱的格雷塔·葛韦格已经从呢喃核缪斯成长为全球瞩目的导演。我们一直会跟彼此分享这些对我们起到激励作用的女性创作者以及她们的作品，也为这些杰出代表所体现的跨媒介影响力感到欣悦。正值Miu Miu“女人的故事”（Women's Tales）短片系列第26部《STANE》推出，短片于2023年9月3日在威尼斯国际电影节首映。自2011年开始，品牌便邀请在各自领域杰出而先锋的女性人物执导电影短片。众多现今具有影响力和原创精神的女性导演参与其中，深入探索21世纪的浮华表象与女性本质。品牌还在今年正式成立了Miu Miu女人的故事委员会，旨在进一步扩大这个项目的影响力，深化其意义并培养新人，委员会创始成员是Miuccia Prada和Verde Visconti，第一批加入的成员分别是第五部的导演艾娃·德约列，设计师Catherine Martin（《了不起的盖茨比》服装设计师）还有演员玛吉·吉伦哈尔。玛吉·吉伦哈尔也从幕前走到了幕后，去年凭借改编自费兰特同名小说的长片电影《暗处的女儿》入围威尼斯国际电影节主竞赛单元，并拿到了最佳剧本奖。“Tale”在英文语境里，带有传奇和卓越的色彩，我很喜欢这里隐含的寓意，因为每一则女人的故事，每一段经历，都有不寻常或值得被讲述的部分。越来越多的女性故事跃然银幕之上，背后的创造者也越来越向女性自身回归。我们从这些色彩迥异的短片散漫聊去，然后发现，我们有时会无法安置我们的自身经历，有时不知该如何评述身为女性的体验，这源于“模板”的缺失（书写方式和评论体系的双重缺失），而与此同时，也意味着巨大的、令人振奋的、开创的可能。 —淼《STANE》剧照本期嘉宾：圈圈儿独立编剧/青年小说家豆瓣/小红书 @圈圈儿严偲予青年导演微博 @rainraingoawayy王诗淼制片人，经纪人，深焦负责人豆瓣/小红书 @走神王《STANE》剧照时间轴：本期播客总时长：82:51「00:03:27」Miu Miu短片中的当代女性形象「00:15:27」女性获得权力后如何应对和维持「00:22:39」女性身份在当下社会中的处境没有一个可以被讨论和书写的范本，依然需要依附在传统男性话语体系里。「00:29:39」作为领导者，女性对于感性和身体劳动的思考「00:37:35」女性导演给作品带来的性别意识「00:53:53」《女人的故事》系列短片名字的含义「00:55:19」女性和她们所选择的衣服的关系，如何通过影像表达这种关系世俗的观点依然会左右女性的穿衣选择，穿衣的选择依然被身份和权力绑定「01:05:36」给衣服找应用场景的过程：思辨与打破刻板印象的方式「01:11:39」如何以衣服为主要元素创作一部作品想象是什么样的人会穿这些衣服，然后想象发生在这些人身份的故事。《STANE》剧照提及电影《STANE》（Antoneta Alamat Kusijanović，2023）《火花与光(Spark and Light)》（金素英，2014）《彷徨尘世间(In Between Days)》（金素英，2007）《礼服(De Djess)》（爱丽丝·洛尔瓦彻，2015）《奇美拉》（爱丽丝·洛尔瓦彻，2023）《幸福的拉扎罗》（爱丽丝·洛尔瓦彻，2015）《我的天才女友》（美剧，2018-2022）《春宵苦短，少女前进吧！》（汤浅政明，2017）《暗处的女儿》（玛吉·吉伦哈尔，2021）《我，花滑女王》（克雷格·吉勒斯佩，2017）《蜂鸟》（金宝拉，2018）《可怜的东西》（ 欧格斯·兰斯莫斯，2023）《芭比》（格蕾塔·葛韦格 ，2023）《弗兰西丝·哈》（诺亚·鲍姆巴赫，2012）《托尼·厄德曼》（玛伦·阿德 ，2016）《了不起的麦瑟尔夫人》（美剧，2017-2023）《寄生虫》（奉俊昊，2019）本期使用音乐开头 � Shania Twain——Not Just A Girl结尾 �Tamara——Proud制作团队监制：Peter Cat统筹：王诗淼策划：王诗淼剪辑：黄哲成编辑：王诗淼

We're live from In Between Days Music Festival with Yoke Lore, the talented independent folk pop artist originally hailing from Katonah, New York. In this episode, Yoke Lore, previously a member of Walk the Moon and the mastermind behind their breakout hit "Anna Sun," sits down with Music You're Missing host Brendan Jeannetti to dive into his remarkable musical journey.Currently on the US leg of The Holy Havoc Tour, Yoke Lore is gearing up for the release of his highly anticipated debut album, "Toward a Never Ending New Beginning."In this engaging conversation recorded outside his green room at In Between Days, Yoke Lore opens up about the festival experience, shares insights about his upcoming album, and even recounts a hilarious encounter with comedian Nick Kroll.Don't miss out on Yoke Lore's music – listen now on the Music You're Missing Spotify Playlist: https://open.spotify.com/playlist/5Uj5cxuTitTFGwxI9RPCwT?si=76719a8c19b24240Follow Yoke Lore's musical journey:https://www.yokelore.com/Stay tuned to Music You're Missing for more artist interviews and music recommendations:https://www.musicyouremissing.org/Connect with host Brendan Jeannetti:https://www.instagram.com/brendanjeannetti/ https://www.linkedin.com/in/brendanjeannetti/Music You're Missing is a top music podcast based in Boston Massachusetts.

On today's episode of The Lives of Writers, Aaron Burch interviews Andrew Porter.Andrew Porter is the author of the novel In Between Days and two short story collections, The Theory of Light and Matter and, most recently, The Disappeared. Porter's short stories have appeared in One Story, Ploughshares, The Threepenny Review, The Missouri Review, and Prairie Schooner, among others. Aaron Burch is the author of the essay collection A Kind of In-Between and editor of How to Write a Novel: An Anthology of 20 Craft Essays About Writing, None of Which Ever Mention Writing, both from Autofocus Books. He's also the author of several other books, including the novel, Year of the Buffalo. He is currently the editor of Short Story, Long and the co-editor of WAS (Words & Sports) and HAD. ____________PART ONE, topics include:-- finishing up summer-- writing longhand-- teaching intro to creative writing-- discovering writing as an undergrad-- relationships with rejection-- early jobs and time in an MFA-- Twitter as a kind of MFA-- the decision to teach____________PART TWO, topics include:-- Andrew's new story collection, THE DISAPPEARED-- guilt about not writing much during early fatherhood-- writing the first story in the collection-- spinning a classic story in a new direction-- nostalgia as life and writing theme-- the line of sentimentality-- stories as self-contained moments in time____________PART THREE, topics include:-- short story gut punch moments-- knowing when a long story isn't a novel-- mixing the longer and short forms in a collection-- story collection order as album order-- quiet-loud-quiet-- work on a next novel____________Podcast theme music provided by Mike Nagel, author of Duplex. Here's more of his project: Yeah Yeah Cool Cool.The Lives of Writers is edited and produced by Michael Wheaton.

Welcome to Music You're Missing's Music Industry Experts, a special series of 1:1 interviews with the most influential thought leaders in the music industry. In an exclusive interview with host Brendan Jeannetti, Alex Magleby, co-founder and CEO of the New England Free Jacks and founder of the In Between Days Music Festival, shared his insights on using musical performances to grow the audience for the New England Free Jacks, the founding of the In Between Days Festival, and the significance of fostering community.The Birth of the New England Free JacksBefore diving into the exciting world of the In Between Days Music Festival, Alex Magleby reflects on the origins of the New England Free Jacks. Founded in 2018, the professional rugby team was driven by a desire to build community through sports and music. Magleby's passion for rugby, having been involved with the sport for much of his life, led him to envision a platform where people could come together, regardless of age or background, to enjoy a visceral and emotional game.Creating Community Through Rugby and MusicMagleby emphasizes the importance of building an audience and creating a compelling experience. Rugby, being relatively unfamiliar to many in the United States, posed a challenge in terms of exposure. However, Magleby's team embarked on a journey to share the sport's magic with people, leading them to fall in love with rugby and become part of the community. By combining rugby matches with live music performances, the New England Free Jacks revolutionized the sports entertainment landscape and have built a sustainable fan base.In Between Days Music FestivalIn Between Days Music Festival was conceived as a natural extension of the New England Free Jacks' vision to bring the community together. Magleby explains that the festival's name captures the feeling of being in an in-between space, not fully in summer but not yet in fall, where people can come together and celebrate. The festival's unique incorporation of music with art, vintage, and local vendors create a compelling and immersive experience for attendees.Curating the Festival LineupMagleby sheds light on the meticulous curation process for the festival's musical acts. The team strives to include a diverse set of artists that align thematically with the indie vibe. The focus on local and independent artists allows the festival to support up-and-coming talents and provide them with exposure. Magleby encourages artists to reach out, share their music, and build relationships with festival organizers to increase their chances of being part of the lineup.Expanding the In Between Days: A Growth MindsetThe success of the inaugural In Between Days Music Festival laid the groundwork for expansion. While taking care not to grow too big too fast, Magleby envisions future editions of the festival featuring more days and opportunities for local artists and the community. The ultimate goal is to provide more people with the chance to experience the festival's magic and foster a sense of togetherness.A Transparent Experience: Eliminating Ticket FeesOne notable aspect of the festival is the decision to eliminate ticket fees, ensuring transparency and providing a straightforward experience for attendees. Magleby believes that such openness fosters trust between the festival and its audience, enhancing the overall sense of community.In conclusion, Alex Magleby's vision for the In Between Days Music Festival goes beyond just a music event. It represents a powerful concept of community building through shared experiences and accessible opportunities. As the festival continues to evolve and grow, its core values of inclusivity and celebration of diverse talent will remain at the heart of the In Between Days experience.FOLLOW ALEX MAGLEBY: https://www.linkedin.com/in/alexmagleby/FOLLOW IN BETWEEN DAYS MUSIC FESTIVAL:https://www.instagram.com/inbetweendaysfestival/FOLLOW MUSIC YOU'RE MISSING:https://www.musicyouremissing.org/FOLLOW BRENDAN JEANNETTI: https://www.instagram.com/brendanjeannetti/https://www.linkedin.com/in/brendanjeannetti/

Now in its 2nd year, In Between Days has emerged as one of the Boston area's best curated festivals. We sat down with founder Alex Magelby to get some insight into the genesis of the festival as well as give you all a little preview of this year's iteration, headlined by Modest Mouse, Sunny Day Real Estate, and more.

Andrew Porter is the author of the short story collection The Theory of Light and Matter, which won the Flannery O'Connor Award for Short Fiction, the novel In Between Days, which was a Barnes & Noble “Discover Great New Writers” selection and an IndieBound “Indie Next” selection, and the short story collection The Disappeared, which was published in April 2023. Andrew's short stories have appeared in One Story, Ploughshares, The Southern Review, The Threepenny Review, and Prairie Schooner, among others. He has had his work read on NPR's Selected Shorts and twice selected as one of the Distinguished Stories of the Year by Best American Short Stories. A graduate of the Iowa Writers' Workshop, Andrew is currently a Professor of English and Director of the Creative Writing Program at Trinity University in San Antonio. Andrew joins Marrie Stone to talk about The Disappeared. He talks about the state of the short story in contemporary fiction (with references to Rebecca Makkai's article about why we should be reading short stories), and what short stories can do for readers that novels cannot. He shares insights from his former professor, Marilynne Robinson, about endings. He talks about how he approaches flash fiction. He discusses why three is such a magical number of characters for a story, and much more. For more information on Writers on Writing and additional writing tips, visit our Patreon page. To listen to past interviews, visit our website. (Recorded on June 13, 2023) Host: Barbara DeMarco-Barrett Co-Host: Marrie Stone Music and sound editing: Travis Barrett

A husband and wife hear a mysterious bump in the night. A father mourns the closeness he has lost with his son. A friendship with a married couple turns into a dangerous codependency. With gorgeous sensitivity, assurance, and a propulsive sense of menace, these stories center on disappearances both literal and figurative--lives and loves that are cut short, the vanishing of one's youthful self. From San Antonio to Austin, from the clamor of a crowded restaurant to the cigarette at a lonely kitchen table, Andrew Porter captures each of these relationships mid-flight, every individual life punctuated by loss and beauty and need. The Disappeared (Knopf, 2023) reaffirms the undeniable artistry of a contemporary master of the form. ANDREW PORTER is the author of the story collection The Theory of Light and Matter and the novel In Between Days. A graduate of the Iowa Writers' Workshop, he has received a Pushcart Prize, a James Michener/Copernicus Fellowship, and the Flannery O'Connor Award for Short Fiction. His work has appeared in One Story, The Threepenny Review, and Ploughshares, and on public radio's Selected Shorts. Currently, he teaches fiction writing and directs the creative writing program at Trinity University in San Antonio, Texas. Recommended Books: Sarah Majka, Cities I've Never Lived In Cara Blue Adams, You Never Get It Back Stuart Dybek, The Coast of Chicago  Chris Holmes is Chair of Literatures in English and Associate Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro as World Literature, is under contract with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices

A husband and wife hear a mysterious bump in the night. A father mourns the closeness he has lost with his son. A friendship with a married couple turns into a dangerous codependency. With gorgeous sensitivity, assurance, and a propulsive sense of menace, these stories center on disappearances both literal and figurative--lives and loves that are cut short, the vanishing of one's youthful self. From San Antonio to Austin, from the clamor of a crowded restaurant to the cigarette at a lonely kitchen table, Andrew Porter captures each of these relationships mid-flight, every individual life punctuated by loss and beauty and need. The Disappeared (Knopf, 2023) reaffirms the undeniable artistry of a contemporary master of the form. ANDREW PORTER is the author of the story collection The Theory of Light and Matter and the novel In Between Days. A graduate of the Iowa Writers' Workshop, he has received a Pushcart Prize, a James Michener/Copernicus Fellowship, and the Flannery O'Connor Award for Short Fiction. His work has appeared in One Story, The Threepenny Review, and Ploughshares, and on public radio's Selected Shorts. Currently, he teaches fiction writing and directs the creative writing program at Trinity University in San Antonio, Texas. Recommended Books: Sarah Majka, Cities I've Never Lived In Cara Blue Adams, You Never Get It Back Stuart Dybek, The Coast of Chicago  Chris Holmes is Chair of Literatures in English and Associate Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro as World Literature, is under contract with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

A husband and wife hear a mysterious bump in the night. A father mourns the closeness he has lost with his son. A friendship with a married couple turns into a dangerous codependency. With gorgeous sensitivity, assurance, and a propulsive sense of menace, these stories center on disappearances both literal and figurative--lives and loves that are cut short, the vanishing of one's youthful self. From San Antonio to Austin, from the clamor of a crowded restaurant to the cigarette at a lonely kitchen table, Andrew Porter captures each of these relationships mid-flight, every individual life punctuated by loss and beauty and need. The Disappeared (Knopf, 2023) reaffirms the undeniable artistry of a contemporary master of the form. ANDREW PORTER is the author of the story collection The Theory of Light and Matter and the novel In Between Days. A graduate of the Iowa Writers' Workshop, he has received a Pushcart Prize, a James Michener/Copernicus Fellowship, and the Flannery O'Connor Award for Short Fiction. His work has appeared in One Story, The Threepenny Review, and Ploughshares, and on public radio's Selected Shorts. Currently, he teaches fiction writing and directs the creative writing program at Trinity University in San Antonio, Texas. Recommended Books: Sarah Majka, Cities I've Never Lived In Cara Blue Adams, You Never Get It Back Stuart Dybek, The Coast of Chicago  Chris Holmes is Chair of Literatures in English and Associate Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro as World Literature, is under contract with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

A husband and wife hear a mysterious bump in the night. A father mourns the closeness he has lost with his son. A friendship with a married couple turns into a dangerous codependency. With gorgeous sensitivity, assurance, and a propulsive sense of menace, these stories center on disappearances both literal and figurative--lives and loves that are cut short, the vanishing of one's youthful self. From San Antonio to Austin, from the clamor of a crowded restaurant to the cigarette at a lonely kitchen table, Andrew Porter captures each of these relationships mid-flight, every individual life punctuated by loss and beauty and need. The Disappeared (Knopf, 2023) reaffirms the undeniable artistry of a contemporary master of the form. ANDREW PORTER is the author of the story collection The Theory of Light and Matter and the novel In Between Days. A graduate of the Iowa Writers' Workshop, he has received a Pushcart Prize, a James Michener/Copernicus Fellowship, and the Flannery O'Connor Award for Short Fiction. His work has appeared in One Story, The Threepenny Review, and Ploughshares, and on public radio's Selected Shorts. Currently, he teaches fiction writing and directs the creative writing program at Trinity University in San Antonio, Texas. Recommended Books: Sarah Majka, Cities I've Never Lived In Cara Blue Adams, You Never Get It Back Stuart Dybek, The Coast of Chicago  Chris Holmes is Chair of Literatures in English and Associate Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro as World Literature, is under contract with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

Andrew Porter is the author of the short story collection The Theory of Light and Matter, which won the Flannery O'Connor Award for Short Fiction, the novel In Between Days, which was a Barnes & Noble “Discover Great New Writers” selection and an IndieBound “Indie Next” selection, and the short story collection The Disappeared. A graduate of the Iowa Writers' Workshop, Porter is currently a Professor of English and Director of the Creative Writing Program at Trinity University in San Antonio. Learn more about your ad choices. Visit megaphone.fm/adchoices

Los tips que los buenos vendedores conocen para la retención de un cliente y el manejo de situación tensas en el intercambio comercial. Como desactivar el enfado y transformar la frustración en satisfacción. ECDQEMSD podcast episodio 5424 Experto En Ventas Conducen: El Pirata y El Sr. Lagartija https://canaltrans.com Noticias Del Mundo:  El 2021 fue el año de la Vacunas - La esperanza y la oscuridad - Los amigos de Trump entrando a Capitolio - Todos expertos en la industria farmacéutica - Cruella, Lucca, Matrix y otra Spider-Man - El año que Atlas rompió el maleficio. Historias Desintegradas:  Conflictos con clientes difíciles - Buscando en el almacén - la pantomima necesaria - Mi viejo coche - Un Renault 12 con personalidad - Regresando la solidaridad recibida - Siempre empujando - Crónica de una gloria deportiva - Mi lugar en el campo de juego - Desde el arco - Atajando balones - In Between Days del álbum The Head on The Door de The Cure https://www.canaltrans.com/ecdqemsd_podcast_2022/5424_experto_en_ventas.html En Caso De Que El Mundo Se Desintegre Podcast no tiene publicidad, sponsors ni organizaciones que aporten para mantenerlo al aire. Solo el sistema cooperativo de los que aportan a través de las suscripciones hacen posible que todo esto siga siendo una realidad. Gracias Dragones Dorados: https://www.canaltrans.com/radio/suscripciones.html

durée : 00:04:16 - Tubes N' Co - par : Rebecca Manzoni, Ilinca Negulesco - La chanson "In between days" est écrite et composée par Robert Smith et c'est le premier extrait de l'album "The Head on the Door". En 1985, ce titre permet au groupe The Cure de véritablement se faire connaître dans le monde entier. Nous étions en 1986 et on pensait vivre le zénith de la rébellion. Parce qu'on défilait dans la rue en gueulant le slogan : "Devaquet au piquet !". Devaquet c'était le Blanquer de l'époque. Il proposait une énième réforme de l'éducation nationale dont on ne comprenait pas tout mais une chose était sûre : on était contre. Et c'était bon. Cette chanson de The Cure était diffusée à toc pendant les manifs C'était la bande son de notre connivence. La bande son de notre élan. L'intro du morceau durait longtemps. Et ça ne faisait qu'attiser l'excitation de l'attente. L'attente de cette mélodie, là, à fredonner. Dans la presse, on parlait de Curemania. Nous avions 13-14 ans et les boomers n'avaient rien compris, évidemment. Cette chanson "In between days" est sortie quelques mois avant notre indignation. En 1985, donc. Cette année-là, on apprenait qu'une star hollywoodienne du nom de Rock Hudson était morte du sida. On ignorait qui c'était mais on flippait. Les chiffres du chômage étaient partout. Alors au milieu de ce champ de ruines vers qui se tourner pour célébrer nos adolescences ? Peter et Sloane ? Numéro 1 avec "Besoin de rien envie de toi". Philippe Lavil ? Qui chantait "elle préfère l'amour en mer". En deux mots : La purge. Mais il y avait eux : The Cure Des Anglais venus de Crawley, un bled pas beau, comme le nôtre, et inventeurs d'une musique que si peu de choses reliaient au passé de papa et maman. Robert Smith, auteur, compositeur, interprète y fait touloulou et ça nous aurait suffi. Du texte on ne chopait que 2-3 mots comme "Without you" - sans toi -, donc ça parlait d'un chagrin d'amour. On découvrirait plus tard que cette chanson commençait par ces mots : Hier, j'ai tellement vieilli, que c'était comme si je pouvais mourir. En 1965, donc 20 ans plus tôt exactement, le groupe The Who gueulait au contraire : "j'aimerais mourir avant d'être vieux." En deux chansons que deux décennies séparent, on a le condensé de ce que le monde est devenu. Au milieu des années 1960, la jeunesse est puissante et rebelle. 20 ans plus tard, elle se sent déjà vieille et abattue. Qu'à cela ne tienne. Avec The Cure, les gamins allaient célébrer le désenchantement. Et même qu'on danserait dessus. "In Between Days" figure sur l'album "The Head on the door" et pour le groupe, c'est une renaissance. Leurs disques précédents les avaient menés au bord de l'explosion et tout droit dans les drogues et l'alcool. Tout ça n'était pas totalement terminé mais le groupe sera désormais connu dans le monde entier et le personnage de Robert Smith s'imposera en icône pop avec ses cheveux en pétard et son rouge à lèvres qui déborde. Nos pères levaient les yeux au ciel devant, je cite "cette dégaine de pas possible". Ces chansons étaient pourtant l'asile idéal pour nos cours chamboulés. - réalisé par : Khoï NGUYEN

Finally, you can hear the long held secrets of how we met each other and started the podcast, followed by a quick recap of the five records we talked about before we decided to start recording our chats: Depeche Mode-Black Celebration, The Cure-Head On The Door, INXS-Kick, Tears For Fears-Songs From The Big Chair and the Pretty In Pink soundtrack. Our abridged life stories are fascinating but when we tackle the best and worst songs of five 1980s classics in an hour, sparks FLY. Please tell us how YOU would rank tonight's tunes on Instagram, Facebook and Twitter @wewillrankyoupod ! FILE UNDER/SPOILERS: Depeche Mode, Robert Smith, Never Tear Us Apart, Roland Orzabal, But Not Tonight, Pretty In Pink, Dave Gahan, Push, the one guy who stands behind a keyboard but doesn't play it, INXS, Songs From The Big Chair, New Dress, John Hughes, Black Celebration, In Between Days, Michael Hutchence, Left Of Center, Tears For Fears, Please Please Please Let Me Get What I Want, Martin Gore, Head On The Door, New Sensation, Curt Smith, the Smiths, Here Is The House, Kick, Mothers Talk, Need You Tonight, Echo and the Bunnymen, Alan Wilder, Bring on the Dancing Horses, the Cure, Everybody Wants To Rule The World. US: http://www.WeWillRankYouPod.com wewillrankyoupod@gmail.com http://www.facebook.com/WeWillRankYouPod http://www.instagram.com/WeWillRankYouPod http://www.twitter.com/WeWillRankYouPo http://www.YourOlderBrother.com (Sam's music page) http://www.YerDoinGreat.com (Adam's music page) https://open.spotify.com/playlist/4OFTIda46Di4HkS0CDvM7L (Dan's top 100 songs of 2020) THEM: https://www.TheCure.com https://www.DepecheMode.com https://www.TearsForFears.com https://www.INXS.com https://en.wikipedia.org/wiki/Pretty_in_Pink END CREDITS SONG: Try A Little Tenderness by Otis Redding

On this week’s podcast, Tom, Paul and Ben are joined by the BBC’s Matt Allwright takes on the Abba Cover Version Challenge and Paul eats a Walls Viennetta on a stick. Artist “Track” [Album] GospelbeacH “Albotross Baby” [JAM JAM EP] Fontaines DC “A Hero’s Death (Soulwax mix)” [Single] Ben Folds Five “In Between Days” [Supersunnyspeedgraphic]...

In her short story In Between Days, poet and novelist Merrie Joy Williams was inspired by the local community, who she spoke to discover this vibrant corner of London. Her story explores the rich history of Woolwich through the eyes of its teenage resident, Karim. You can download the ebook of all the stories at https://historicengland.org.uk/highstreettales  Made in conjunction with New Writing North and Spread the Word, and the series was produced by Sonderbug Productions with thanks to Darren Hayman for use of his song Pram Town.  High Street Tales is part of Historic England's high street cultural programme; four years of nationwide cultural activity helping to make high streets more attractive, engaging and vibrant places for people to live, work and spend time. The programme is run by Historic England, in partnership with Heritage Lottery Fund and Arts Council England. Follow us on social @HistoricEngland, using the hashtag #HighStreetTales.

NEW FOR JANUARY 15, 2021 The Music Will Save Us - Rick's Picks 2020 And so it is says, by those who sayeth such things, the middle of January is the time we turn the show over to Rick From New York, who has a go thru of all the tracks played the previous year on The Best Radio You Have Never Heard and gives us a highlight reel of the BRYHNH year in review. This year being the notorious 2020, as important a show as Rick has been tasked with, Rick pulls no punches and has had his ear to the grind stone these past twelve months, and finds the light, where it had been mostly darkness. As per usual Rick has risen to the task and delivered a white hot list, as welcoming as that first Covid vaccination shot. We now join RIck in progress: Because... 2020. Enough said. We get it. Something went wrong. Something got fucked up. Life is a drag. Everybody's making quarantine playlists on Spotify or lip syncing to "M to the B" on Tik Tok. Even your dad is making covid-19 mixtapes. Well, let's turn this battleship around and head into the waters of 2021 in a positive manner. This year, Rick's Picks is mining positive music from 2020's BRYHNH to bring you music that will save you. Enjoy and stay positive! -Rick from NY 1. In A Big Country (live) - Big Country 2. They Call It Rock (live) - Rockpile 3. Girls Talk (live unplugged) - Aimee Mann 4. In Between Days (live unplugged) - The Cure 5. Bigmouth Strikes Again (live) - Johnny Marr 6. Open You Eyes (live) - Todd Rundgren 7. This Is The Day - The The 8. Nineteen Hundred and Eighty Five (alt) Wings 9. Papa Was A Rolling Stone (live) - David Lindley 10. Dance This Mess Around (live) - The B52s 11. Burning With Optimisms Flame (live) - XTC 12. Good Feeling - Jules and The Polar Bears 13. So Alive - Love and Rockets 14. Left Of The Dial - The Replacements 15. The New World (live) - X 16. Route 66 (alt) - Depeche Mode 17. Dixie Chicken (live unplugged) - Little Feat 18. Trouble No More (live) - Muddy Waters The Best Radio You Have Never Heard Never lost sight of the light. Accept No Substitute Click to join the conversation on the Facebook page.

Diversão garantida com um repertório repleto de sucessos! A banda The Cure Cover Brasil faz um tributo ao The Cure, uma experiência inesquecível, reproduzindo no palco o estilo, a imagem e o som da banda inglesa que marcou época nos anos 80 com seu som pop gótico, e que até hoje é sucesso em todas as rádios. The Cure Cover Brasil – Um show sensacional, emocionante, dinâmico, vibrante e divertido que vai empolgar o público com sucessos como: Boys Don´t Cry, Close To Me, In Between Days, Friday I´m In Love, Lovesong, Just Like Heaven, entre muitos outros hits que conquistaram o mundo. The Cure Cover Brasil oferece um retorno ao passado, relembrando todos os hits desta banda mundialmente conhecida. Formada por músicos experientes o The Cure Cover Brasil garante uma excelente qualidade sonora, reproduz o som fiel dos arranjos das canções originais do The Cure. Formação da banda: Andrei Bunnyman – Guitarra e Vocal. Alexandre Mazza– Baixo. Max Mccoy – Guitarra. Dener Donis – Bateria. Jodiney Wildison – Teclado.

Programa nº 193 de El podcast de Cinoscar & Rarities. Seguimos la temporada de estrenos y premios con las reseñas sin spoilers de "Nomadland", "Los chicos de la banda", "El juicio de los 7 de Chicago", "Falling", "Antebellum", "Rebeca" y "Verano del 85". Participan Mayra Meza, Guillermo Navarro, Ronnie Valencia, Dionar Hidalgo, Raúl Artiaga y Xavier Vidal. ¡Gracias por darle al play! Guía del programa: 0' Presentación - 2' Nomadland - 7' Los chicos de la banda - 11' El juicio de los 7 de Chicago - 14' Falling - 18' Antebellum - 22' Rebeca - 27' Verano del 85 - 31' Despedida y canción: "In Between Days", de The Cure Redes sociales: @CinoscaRarities Blog: https://cachecine.blogspot.com.es/ Correo: cinoscararities@gmail.com Escúchanos en Spotify, Ivoox y Itunes ¡Buscamos colaboradores! ¡Contacta con nosotros!

NEW FOR MAY 1, 2020 Wiped clean musical mayhem . . . Essential Provisions - The Best Radio You Have Never Heard Vol. 386 1. Snack Attack - Godley & Creme 2. Liar - Queen 3. Harmony In My Head - Buzzcocks 4. In Between Days (unplugged) - The Cure 5. Deutscher Girls - Adam And The Ants 6. Living In A Ghost Town - The Rolling Stones 7. Isolation - Johnny Depp and Jeff Beck 8. Starship Trooper (unplugged) - Jon Anderson 9. Silently Falling - Chris Squire 10. Biko - Simple Minds 11. Chelsea Monday (live) - Marillion 12. The Ikon (live) - Todd Rundgren's Utopia 13. Golden Slumbers - Al DiMeola 14. The End - The Beatles The Best Radio You Have Never Heard. Rolling two-ply since 2004 . . . Accept No Substitute. Click to join the conversation on the Facebook page.

1. Black Rebel Motorcycle Club（黑色叛逆者摩托车俱乐部），歌名是Spread Your Love《散播你的爱》，非常好听，老派摇滚风，听起来有点儿像Led Zeppelin或者类似的乐队。2. Gloria Jones（格劳丽亚*琼斯）这首《被玷污的爱》（Tainted Love）。很多人都熟知Soft Cell（软细胞）乐队的版本，但这个才是原版，节奏感强，带有Northern Soul的感觉，每次放这首歌总是能让人跳起舞来，人声也唱得特别好。3. The Cure（治愈）乐队的A Forest《一片森林》，我从十几岁就是他们的超级乐迷，虽然我喜欢他们更晚期的作品，譬如Disintegration《瓦解》和Bloodflowers《血花》那样的作品，但这首是他们非常早期的作品，非常简单，奇怪的是有点儿像是一首舞曲作品，非常棒的歌曲。4. 我播放的另一首The Cure（治愈）乐队的歌是In Between Days《彷徨的日子》, 听起来就能激动人心，而且还朗朗上口，原音吉他的部分非常好听，律动滚滚向前。5. Yeah Yeah Yeahs乐队的Heads Will Roll，他们有很多歌我都想放，每次看他们的现场，女主唱都特别投入，他们总是充满活力，令人振奋，而且这首歌也总是能赢得听众。6. Beck（贝克）是另一个我能播放他上百首歌中的任何一首歌的艺术家，Sexx Laws《性诱法则》这首歌太有趣了，这种虚张声势的灵魂乐作品真是做到了极致，歌词荒谬可笑，管乐的使用也不可思议，但就很好听。7. Cat's Eyes（猫眼）乐队演唱的同名歌曲Cat's Eyes《猫眼》，主唱Faris是之前The Horrors（恐怖），他是一位接受过古典音乐训练的歌手，这首歌带着些60年代女声流行曲的味道，我太喜欢这首了，他们将这种风格演绎得非常好。

1. Black Rebel Motorcycle Club（黑色叛逆者摩托车俱乐部），歌名是Spread Your Love《散播你的爱》，非常好听，老派摇滚风，听起来有点儿像Led Zeppelin或者类似的乐队。2. Gloria Jones（格劳丽亚*琼斯）这首《被玷污的爱》（Tainted Love）。很多人都熟知Soft Cell（软细胞）乐队的版本，但这个才是原版，节奏感强，带有Northern Soul的感觉，每次放这首歌总是能让人跳起舞来，人声也唱得特别好。3. The Cure（治愈）乐队的A Forest《一片森林》，我从十几岁就是他们的超级乐迷，虽然我喜欢他们更晚期的作品，譬如Disintegration《瓦解》和Bloodflowers《血花》那样的作品，但这首是他们非常早期的作品，非常简单，奇怪的是有点儿像是一首舞曲作品，非常棒的歌曲。4. 我播放的另一首The Cure（治愈）乐队的歌是In Between Days《彷徨的日子》, 听起来就能激动人心，而且还朗朗上口，原音吉他的部分非常好听，律动滚滚向前。5. Yeah Yeah Yeahs乐队的Heads Will Roll，他们有很多歌我都想放，每次看他们的现场，女主唱都特别投入，他们总是充满活力，令人振奋，而且这首歌也总是能赢得听众。6. Beck（贝克）是另一个我能播放他上百首歌中的任何一首歌的艺术家，Sexx Laws《性诱法则》这首歌太有趣了，这种虚张声势的灵魂乐作品真是做到了极致，歌词荒谬可笑，管乐的使用也不可思议，但就很好听。7. Cat's Eyes（猫眼）乐队演唱的同名歌曲Cat's Eyes《猫眼》，主唱Faris是之前The Horrors（恐怖），他是一位接受过古典音乐训练的歌手，这首歌带着些60年代女声流行曲的味道，我太喜欢这首了，他们将这种风格演绎得非常好。

1. Black Rebel Motorcycle Club（黑色叛逆者摩托车俱乐部），歌名是Spread Your Love《散播你的爱》，非常好听，老派摇滚风，听起来有点儿像Led Zeppelin或者类似的乐队。2. Gloria Jones（格劳丽亚*琼斯）这首《被玷污的爱》（Tainted Love）。很多人都熟知Soft Cell（软细胞）乐队的版本，但这个才是原版，节奏感强，带有Northern Soul的感觉，每次放这首歌总是能让人跳起舞来，人声也唱得特别好。3. The Cure（治愈）乐队的A Forest《一片森林》，我从十几岁就是他们的超级乐迷，虽然我喜欢他们更晚期的作品，譬如Disintegration《瓦解》和Bloodflowers《血花》那样的作品，但这首是他们非常早期的作品，非常简单，奇怪的是有点儿像是一首舞曲作品，非常棒的歌曲。4. 我播放的另一首The Cure（治愈）乐队的歌是In Between Days《彷徨的日子》, 听起来就能激动人心，而且还朗朗上口，原音吉他的部分非常好听，律动滚滚向前。5. Yeah Yeah Yeahs乐队的Heads Will Roll，他们有很多歌我都想放，每次看他们的现场，女主唱都特别投入，他们总是充满活力，令人振奋，而且这首歌也总是能赢得听众。6. Beck（贝克）是另一个我能播放他上百首歌中的任何一首歌的艺术家，Sexx Laws《性诱法则》这首歌太有趣了，这种虚张声势的灵魂乐作品真是做到了极致，歌词荒谬可笑，管乐的使用也不可思议，但就很好听。7. Cat's Eyes（猫眼）乐队演唱的同名歌曲Cat's Eyes《猫眼》，主唱Faris是之前The Horrors（恐怖），他是一位接受过古典音乐训练的歌手，这首歌带着些60年代女声流行曲的味道，我太喜欢这首了，他们将这种风格演绎得非常好。

We listen back to a conversation with Oregon native Teva Harrison. In her memoir “In-Between Days,” she blended her drawings and graphics with prose to tell the story of her stage 4 breast cancer diagnosis at age 37, her subsequent treatment, and her struggle to find meaning and joy in her day-to-day life. We spoke with Harrison in 2017. She died over the weekend at the age of 42.

Part one of a two-part series on 2019 Rock & Roll Hall of Fame inductees The Cure traces back to the band's UK roots in 1973 followed by the their rise to world-wide fame in 1988 with stories behind classic Cure albums like "Pornography" and "Kiss Me, Kiss Me, Kiss Me" along with classic Cure tracks like "Boys Don't Cry", "The Forest", "Let's Go To Bed", "In Between Days", "Just Like Heaven" and more.Find DISCovery on Facebook at www.facebook.com/TheDISCoverypodcasthome

The guys talk about the 1985 masterpiece "Head on the Door" from the Cure. Which song will get the top score? Will it be Close To Me, In Between Days, A Night Like This or Kyoto Song? And, is eclecticism a word?

Moderated by Brita McVeigh.  “An exquisite, beautifully shot meditation on love clouded by fear and doubt.” LOVESONG REVIEW, New York Times, Stephen Holden Experienced independent director So Yong Kim is known for creating intimacy and atmosphere in her critically acclaimed films IN BETWEEN DAYS, TREELESS MOUNTAIN, FOR ELLEN and LOVESONG. In this session she talks about working with the actors to create this mood, and cultivating an individual voice when directing feature films. As a sought after episodic director for leading series TRANSPARENT, AMERICAN CRIME, QUEEN SUGAR and ROOM 104, So Yong will contrast her feature film experience to directing episodic television using someone else’s blueprint. So Yong Kim's session took place on Sunday 1st October, 11:10am  at the Big Screen Symposium 2017 in Auckland, NZ. The Big Screen Symposium is New Zealand's annual premiere film event, proudly brought to you by Script to Screen and J&A Productions. Presented by Images and Sound                      

Some days are Thursday. Sometimes, Monday. Others, the Days of our Lives. Very rarely, you can be In Between Days. But there's only one, DAY OF THE DEAD. Thankfully, there's two Koski brothers, Dustin and Adam and we got 'em both to talk about George Romero's third entry in his dead series. Make sure and check out the Koski's new podcast, The Vanishing Point, on ITunes. And you can find more We Love to Watch episodes on ITunes, Google Play, Stitcher, Soundcloud, doing scientifically dubious experiments on corpses, and TuneIn.

My guest this week is Laura Jean Truman. She blogs over at her blog, In/Between, which can be found at laurajeantruman.com. Laura Jean and I talk about her life, how the way we view our past changes over time, her experience being queer in a non-affirming church, and why she remains engaged with Christianity. It's a great conversation. My audio is rougher b/c my mic didn't record properly. Sorry. Read Laura Jean's blog In/Between at laurajeantruman.com, and follow her on Twitter @laurajeantruman. Support the podcast at patreon.com/exvangelicalpod, follow me on Twitter @brchastain & the show @exvangelicalpod, and join the Exvangelical fb group! Intro: "Night Owl" by Broke for Free Interlude 1: "I am here" by P!nk Interlude 2: "Down to the River to Pray" by Alison Krauss Outro: "In Between Days" by The Cure

Episode 37: The Cure - The Head on the Door (1985) Part 1 After 36 episodes, Brian and Sarah decide it's finally time to discuss one of alternative rock's most long-lived and influential bands, The Cure. The album they select is the sixth release from Robert Smith and company, 1985's "The Head on the Door."  And, they've brought in friend of the show and guest co-host Colby Zell to join in the discussion, since this album is near and dear to him as well. A lengthy and lively conversation ensues! Part 1: Album History "The Head on the Door" is the first album by what many consider to be the classic Cure lineup. Brian provides us with details on how this incarnation of the band came to be, as well as what other things Robert Smith had going on in the time immediately beforehand.  Sarah shares the release and chart information for the album, explains where the album title came from, and also prompts an interesting and somewhat humorous discussion about the album cover art. Part 2: Personal History Colby explains how he came to acquire "The Head on the Door" and expresses his frustration in being unable to get other friends interested in The Cure at the time. Brian, ever the rebel, reveals how he engaged in an activity forbidden by his parents in order to obtain his copy of the cassette. Sarah says her first exposure to The Cure came via a mixtape, which contained some song titles that caused her to raise her eyebrows. Part 3: Track by Track The trio finally get down to the business of exploring the tracks on side one of the album. The Cure is hailed by many as goth-rock pioneers, but our hosts encounter a variety of musical styles and influences as they progress through the songs. Brian discloses a traumatic experience he had involving the video for the first single, to which Colby provides no sympathy. Robert Smith's unique voice is discussed, with Sarah mentioning an easily-won argument she had in college about that topic.  Colby provides tips for binge drinking on a budget in Portugal.  Also covered are such diverse topics as misheard lyrics, habitual lying, New Order, and Epcot Center.  In Between Days Kyoto Song The Blood Six Different Ways Push  See the video we discuss here: In Between Days    Read more at http://permanentrecordpodcast.com/ Visit us at https://www.facebook.com/permrecordpodcast Follow us at https://twitter.com/permrecordpod  

Episode 42 of The Towers Underground Podcast!  This week, following a delay in recording caused by an intense FAST RMX session, the guys discuss the state of gaming as well as give a plug for "In-Between Days" which is on Kickstarter for publication funding.  Check it out!

As he prepares to follow up his novels A LAND MORE KIND THAN HOME and THIS DARK ROAD TO MERCY, Wiley Cash tells James how touring, independent booksellers, and sales reps worked together to make him a success. They talk about Southern fiction, writing about place, and the subject of his next book, due out Fall 2017. Then, past guests give recommendations for 2016.     Wiley and James discuss: The Odyssey Bookshop BEAUTIFUL RUINS by Jess Walter  BILLY LYNN'S LONG HALFTIME WALK by Ben Fountain  BRIEF ENCOUNTERS WITH CHE GUEVARA by Ben Fountain  Thomas Wolfe  Charles Chesnutt  Nat Sobel (agent)  CRAB ORCHARD REVIEW  ELLEN FOSTER by Kaye Gibbons  TO KILL A MOCKINGBIRD by Harper Lee  I AM ONE OF YOU FOREVER by Fred Chappell  Ernest Gaines  Clyde Edgerton  Jill McCorkle  Woody Guthrie  Ella May Wiggins  Pete Seeger  James Fenimore Cooper  Frank Norris  - Sarah Domet Recommends:  SHOUTING WON'T HELP by Katherine Bouton  THE NIX by Nathan Hill  THIS IS HOW IT ALWAYS IS by Laurie Frankel  - Gabrielle Lucille Fuentes Recommends:  QUEEN OF THE NIGHT by Alexander Chee  HERE COMES THE SUN by Nicole Dennis-Benn  THE WINTERLINGS by Cristina Sanchez-Andrade  LAND OF LOVE AND RUINS by Oddny Eir  MARGARET THE FIRST by Danielle Dutton  -  Jesse Donaldson Recommends:  THE FAR EMPTY by J. Todd Scott BUTCHER'S CROSSING by John Williams LONESOME DOVE by Larry McMurtry  HOMEGOING by Yaa Gyasi BORN TO RUN by Bruce Springsteen  THE GIFT by Lewis Hyde  - Howard Axelrod Recommends:  MOBY DICK by Herman Melville  THE WEST WING (tv show)  - Laura van den Berg Recommends:  WHAT IS YOURS IS NOT YOURS by Helen Oyeyemi  WE SHOW WHAT WE HAVE LEARNED by Clare Beams  THE UNFINISHED WORLD by Amber Sparks  - Mona Awad Recommends:  HAGSEED by Margaret Atwood  IN-BETWEEN DAYS by Teva Harrison  THE VEGETARIAN by Han Kang  - Daniel Torday Recommends:  Rebecca Curtis's short stories including "The Christmas Miracle"  GET IN TROUBLE by Kelly Link  FOR THE TIME BEING by Annie Dillard  - http://tkpod.com / tkwithjs@gmail.com / Twitter: @JamesScottTK Instagram: tkwithjs / Facebook: https://www.facebook.com/tkwithjs/  

Noah Richler talks to Anosh Irani, whose novel The Parcel has been nominated for the Governor-General's and Writers' Trust Awards; to Teva Harrison, author of In-Between Days, a memoir of her cancer in words and pictures; and to Patti Laboucane-Benson at the Edmonton centre for the rehabilitation of indigenous offenders that was the inspiration of her prize-winning graphic novel (with Kelly Mellings), The Outside Circle, winner of this year's CODE Burt Award for First Nations, Inuit and Métis Literature. The writer is an artist with "A Foot in Two Worlds."

Are 'Friends' Electric? - Episode 21 - In Between Days by Oliver Rockside

"I felt that I'd taken the easy road. Never one to set up camp in regret, I found myself face to face with giant, seemingly insurmountable, regret. I suddenly realized I had been wasting time." In this CreativeMornings/Toronto talk from December 2015, writer and artist Teva Harrison shares with us the lessons she's learned since being diagnosed with metastatic cancer. Among her biggest realization is the concept of time and how to seize it. Since her diagnosis, Teva has written and illustrated the critically acclaimed graphic memoir, In-Between Days, about her experience living with cancer. Honest and pragmatic, this talk inspires us to stop waiting and start living for today. This episode was made possible by our friends at MailChimp and InVision.

The Great Simones who have supported the Riptide Movement, the Lost Brothers and Alabama 3 are an up and coming alternative blues rock group from Naas county Kildare. There is a good taste of folk in their new LP that they have been working on for the past two years and we play their new single ‘In Between Days' off the LP. The Great Simones also play ‘Tumbleweed Row' Live in Studio. Listen back here for interviews live performances and more …See omnystudio.com/listener for privacy information.

An interview with SO YONG KIM the director of TREELESS MOUNTAIN. When their mother needs to leave in order to find their estranged father, seven-year-old Jin and her younger siste, Bin, are left to live with their Big Aunt for the summer. With only a small piggy bank and their mother's promise to return when it is full, the two young girls are forced to acclimate to changes in their family life. Counting the days, and the coins, the two bright-eyed young girls eagerly anticipate their mother's homecoming. But when the bank fills up, and with their mother still not back, Big Aunt decides that she can no longer tend to the children. Taken to live on their grandparent's farm, it is here that Jin comes to learn the importance of familybonds in this beautiful, meditative, and thought-provoking second feature from So Yong Kim, the acclaimed director of IN BETWEEN DAYS.

Colin Marshall talks to So Yong Kim, director of In Between Days, winner of the 2006 Sundance Film Festival’s Special Jury Prize for Independent Vision, and more recently Treeless Mountain, which is now available on DVD. The story of two very young sisters in Seoul left with their distant aunt while their mother searches for their absent father, the film belongs solidly to the realist tradition while evoking the scale, perspective and feel of childhood. The New York Times‘ A.O. Scott calls Treeless Mountain one of the “vital, urgent and timely” vanguard members of the new genre of “neo-neorealism.”

A saga fiction writer, Avah LaReaux has a talent for penning stories that focus on the lives of everyday people while conveying messages of empowerment, optimism, and inspiration. Beginning her writing career as a poet, Avah first realized her love for the craft as a youth. Since that time, Avah has transitioned from poetry to novels and yet maintains the same passion for writing as she had as an elementary school poet. In 2002, Avah began writing her first novel, Bastards, and found the characters of the novel to have "lives" of the own. From this novel, Avah's debut release, What's Done In the Dark, as well as what has become the Lost & Found saga series was born. In April 2008, What's Done In the Dark breathed its first breath and was subsequently re-released with an alternate ending in May 2009. Currently, Avah is preparing for the October release of the third installment to the Lost & Found series, Bastards, as well as the December release of Sugar and Spice: An Anthology for the Grown & Sexy. Publishing under Blue Planet Publishing, the imprint owned by her and her husband, Avah strives to produce works that are relevant as well as entertaining. Avah's work and prose has been featured in various anthologies including In-Between Days and Under A Quick Silver Moon in the United States and abroad in the United Kingdom in the anthology Theatre of the Mind. Information about Avah LaReaux and her works as well as her blog forum can be found at www.avahlareaux.com.

A saga fiction writer, Avah LaReaux has a talent for penning stories that focus on the lives of everyday people while conveying messages of empowerment, optimism, and inspiration. Beginning her writing career as a poet, Avah first realized her love for the craft as a youth. Since that time, Avah has transitioned from poetry to novels and yet maintains the same passion for writing as she had as an elementary school poet. In 2002, Avah began writing her first novel, Bastards, and found the characters of the novel to have "lives" of the own. From this novel, Avah's debut release, What's Done In the Dark, as well as what has become the Lost & Found saga series was born. In April 2008, What's Done In the Dark breathed its first breath and was subsequently re-released with an alternate ending in May 2009. Currently, Avah is preparing for the October release of the third installment to the Lost & Found series, Bastards, as well as the December release of Sugar and Spice: An Anthology for the Grown & Sexy. Publishing under Blue Planet Publishing, the imprint owned by her and her husband, Avah strives to produce works that are relevant as well as entertaining. Avah's work and prose has been featured in various anthologies including In-Between Days and Under A Quick Silver Moon in the United States and abroad in the United Kingdom in the anthology Theatre of the Mind. Information about Avah LaReaux and her works as well as her blog forum can be found at www.avahlareaux.com.

An interview with director and screenwriter So Yong Kim and screenwriter Bradley Rust Gray directors of In Between Days. Winner of Los Angeles Film Critics Association Independent / Experimental Film and Video Award and Independent Spirit Someone to Watch Award, In Between Days follows a Korean immigrant as she falls in love with her best friend while navigating her way through the challenges of living in a new country.

Liberated from the vault. Please Return To Your Seats was recorded as I watched the 25th Anniversary broadcast documentary of the infamous Disco Demolition at Chicago's Comiskey Park in 1979. The title is derived from the hilarity of the text on the scoreboard urging about 10,000 maniacs to "please return to their seats" I was turned away from "Sox Park" about a block away by Chicago's Finest on horseback dressed in their classic baby powder blue riot gear that night. Baby blue has never looked so scary. Although this podcast was inspired by those moments in title and intro only, contained in its grooves are classic "Best Radio You Have Never Heard" tracks . . . 1. The Boy In The Bubble (Remix) - Paul Simon 2. Pride (in The Name Of Love) (live) - U2 3. Bad (live) - U2 4. It's My Life (remix) - Talk Talk 5. In Between Days (extended 12") - The Cure 6. Aladdin Sane - David Bowie 7. Hungry Like A Wolf (unplugged) - Duran Duran 8. The Beautiful People - Marilyn Manson 9. Hot With Fleas (remix) - Severed Heads 10. Slither - Velvet Revolver 11. Seattle - Public Image Ltd 12. Soul Survivor - Rolling Stones 13. Talk To Ya Later - The Tubes 14. The Way You Are - Tears For Fears 15. Twin Peaks - Angelo Badalamenti