Book by Elizabeth Strout
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6 episodes with Olive Kitteridge
4 episodes with Olive Kitteridge
4 episodes with Olive Kitteridge
3 episodes with Olive Kitteridge
3 episodes with Olive Kitteridge
3 episodes with Olive Kitteridge
2 episodes with Olive Kitteridge
2 episodes with Olive Kitteridge
2 episodes with Olive Kitteridge
Kimberly Farr has had a long and distinguished career as an actor on stage and screen and as a celebrated audiobook narrator. A gifted performer with an impressive range, Kimberly has brought characters and stories to life, in fiction and nonfiction alike. Whether it's Elizabeth Strout's Olive Kitteridge novels, Joan Didion's essays, the biography of Julia Child, or the poetry of Mary Oliver, Kimberly captures their voices with rare clarity, nuance, and a deep understanding of language. So it's no surprise that AudioFile named her a 2025 Golden Voice narrator. In this bonus episode, host Jo Reed and Kimberly Farr speak about Kimberly's path to audiobook work and what it means to inhabit every voice on the page. Read reviews of Kimberly Farr's audiobooks on AudioFile's website Support for AudioFile's Behind the Mic comes from HarperCollins Focus, and HarperCollins Christian Publishing , publishers of some of your favorite audiobooks and authors, including Reba McEntire, Bob Goff, Kathie Lee Gifford, Max Lucado, Lysa TerKeurst, and so many more! Learn more about your ad choices. Visit megaphone.fm/adchoices
Questo episodio è sostenuto da San Carlo Veggy Good - Provali ora
¿Te cuesta decir simplemente "ya no quiero esto" esta relación, este trabajo, estas dinámicas sin buscar mil justificaciones? ¿Sueles postergar tus deseos porque no los consideras "necesidades urgentes"? ¿Te resulta difícil identificar qué es lo que realmente quieres en tu vida?Si has respondido afirmativamente a alguna de estas preguntas, este episodio es para ti.Mi descubrimiento de esta semana es un libro de Elizabeth Strout, “Olive Kitteridge” . Aquí puedes escuchar el segundo episodio de este podcast, en el que te hablo de dos frases que pueden cambiarte la vida. https://open.spotify.com/episode/1ddsiur3wZTUGFFST00iq6?si=b7d1789150954e11 Y aquí el episodio sobre "Decidir y actuar desde la adulta que somos": https://open.spotify.com/episode/37GH9K8ZtLPyzSwd1N2YRs?si=7332626fca8f4b74 En este enlace puedes descargar un PDF con ejercicios prácticos para reconectar con vuestra voluntad: https://www.lasclavesdesol.com/honrando-nuestra-voluntad/?source=SpotifyEncuentras mis libros aquí: https://www.lasclavesdesol.com/tienda/ Puedes suscribirte a mi Newsletter #TresMinutos y recibir una reflexión en forma de artículo breve cada sábado: https://lasclavesdesol.substack.com/ Me encuentras en @lasclavesdesol y en lasclavesdesol.com
Send us a textOn this episode we talk about this year's International Literature Festival Dublin which runs from 16-25 May, and where Enda will be interviewing novelists Gethan Dick and Patrick Holloway. We also talk to Karin-Lin Greenberg about Your Are Here, her novel set in a dying mall in upstate New York."Lin-Greenberg's web of characters illustrate the complex lives of ordinary people." —Laura Zornosa, Time"Like Elizabeth Strout's Olive Kitteridge, the charm of Lin-Greenberg's engaging story lies in the sweetness of the characters' everyday lives." —Becky Meloan, The Washington Post"Charming . . . The small lies woven into a lifelong marriage, the petty resentments harbored by polite neighbors and, above all, the comic discrepancy between a character's outer and inner life—all emerge unforced and unadorned in this multifaceted narrative . . . But the everyday reality that Ms. Lin-Greenberg so memorably creates is not easily eclipsed. Compassion and wry understatement remain her strengths, and in You Are Here she captures not only the frayed texture of suburban existence but also the turbulent emotions, immediate and long buried, of protagonists who are ultimately far more than stereotypes." —Anna Mundow, The Wall Street Journal"Beautifully written and radically sympathetic . . . Among its achievements, You Are Here is a breathtaking depiction of a community—even one at the mall." —Jeffrey Condran, Pittsburgh Post-Gazette"Absolutely irresistible." —PeopleIntro/outro music: Colm Mac Con Iomaire, ‘Thou Shalt Not Carry' from The Hare's Corner, 2008, with thanks to Colm for permission to use it. Logo designed by Freya Sirr.Support the show
In Ep. 194, Catherine (@GilmoreGuide) and Sarah head back to the year 2017 in the book world with this second annual special retrospective episode! They share big bookish highlights for that year, including book news, award winners, and what was going on in the world outside of reading. They also talk about how their own 2017 reading shook out, including their favorite 2017 releases. Plus, a quick run-down of listener-submitted favorites! This episode is overflowing with great backlist titles to add to your TBR! This post contains affiliate links through which I make a small commission when you make a purchase (at no cost to you!). CLICK HERE for the full episode Show Notes on the blog. Highlights The big news that was going on outside the book world. The book stories and trends that dominated 2017. How similar 2017 and 2025 are. The 2017 books that have had staying power. Was this as dismal a year in books as Sarah remembers? Sarah's and Catherine's personal 2017 reading stats. Listener-submitted favorites from 2017. Bookish Time Capsule (2017) [2:12] The World Beyond Books No books mentioned in this segment. The Book Industry Wonder by R. J. Palacio (2012) | Amazon | Bookshop.org [9:59] Milk and Honey by Rupi Kaur (2015) | Amazon | Bookshop.org [10:04] A Gentleman in Moscow by Amor Towles (2016) | Amazon | Bookshop.org[10:40] The Underground Railroad by Colson Whitehead (2016) | Amazon | Bookshop.org [10:44] Uncommon Type by Tom Hanks (2017) | Amazon | Bookshop.org [12:08] My Absolute Darling by Gabriel Tallent (2017) | Amazon | Bookshop.org [12:18] The Hate U Give by Angie Thomas (2017) | Amazon | Bookshop.org [13:03] If We Were Villains by M. L. Rio (2017) | Amazon | Bookshop.org [13:13] We Were the Lucky Ones by Georgia Hunter (2017) | Amazon | Bookshop.org [13:23] Sweetbitter by Stephanie Danler (2016) | Amazon | Bookshop.org [13:46] Homegoing by Yaa Gyasi (2016) | Amazon | Bookshop.org [13:48] The Nest by Cynthia D'Aprix Sweeney (2016) | Amazon | Bookshop.org [13:50] Broken Country by Clare Leslie Hall (2025) | Amazon | Bookshop.org [14:57] Martyr! by Kaveh Akbar (2024) | Amazon | Bookshop.org [15:03] James by Percival Everett (2024) | Amazon | Bookshop.org [15:04] Bookish Headlines and Trends Becoming by Michelle Obama (2018) | Amazon | Bookshop.org [20:41] A Promised Land by Barack Obama (2020) | Amazon | Bookshop.org [20:43] The Audacity of Hope by Barack Obama (2006) | Amazon | Bookshop.org [20:48] My Brilliant Friend by Elena Ferrante (2011) | Amazon | Bookshop.org [23:04] The Road to Dalton by Shannon Bowring (2023) | Amazon | Bookshop.org [23:31] Big Books and Award Winners of 2017 A Man Called Ove by Fredrik Backman (2012) | Amazon | Bookshop.org [26:01] Beartown by Fredrik Backman (2017) | Amazon | Bookshop.org [26:06] The Handmaid's Tale by Margaret Atwood (1985) | Amazon | Bookshop.org [26:21] Hillbilly Elegy by J. D. Vance (2016) | Amazon | Bookshop.org [26:27] The Seven Husbands of Evelyn Hugo by Taylor Jenkins Reid (2017) | Amazon | Bookshop.org [26:48] Lessons in Chemistry by Bonnie Garmus (2022) | Amazon | Bookshop.org [28:09] The Hate U Give by Angie Thomas (2017) | Amazon | Bookshop.org [28:39] Little Fires Everywhere by Celeste Ng (2017) | Amazon | Bookshop.org [29:23] Everything I Never Told You by Celeste Ng (2014) | Amazon | Bookshop.org [29:40] Eleanor Oliphant is Completely Fine by Gail Honeyman (2017) | Amazon | Bookshop.org [31:31] Olive Kitteridge by Elizabeth Strout (2008) | Amazon | Bookshop.org [32:09] Pachinko by Min Jin Lee (2017) | Amazon | Bookshop.org [32:51] Conversations with Friends by Sally Rooney (2017) | Amazon | Bookshop.org [33:16] Normal People by Sally Rooney (2018) | Amazon | Bookshop.org [33:41] Sing, Unburied, Sing by Jesmyn Ward (2017) | Amazon | Bookshop.org [34:32] Salvage the Bones by Jesmyn Ward (2011) | Amazon | Bookshop.org [34:38] Lincoln in the Bardo by George Saunders (2017) | Amazon | Bookshop.org [35:09] The Sellout by Paul Beatty (2015) | Amazon | Bookshop.org [35:52] What Happened by Hillary Rodham Clinton (2017) | Amazon | Bookshop.org [36:56] Killers of the Flower Moon by David Grann (2017) | Amazon | Bookshop.org [37:21] The Underground Railroad by Colson Whitehead (2016) | Amazon | Bookshop.org [37:45] Before the Fall by Noah Hawley (2016) | Amazon | Bookshop.org [38:04] The Stone Sky (The Broken Earth, 3) by N. K. Jemisin (2017) | Amazon | Bookshop.org [38:30] Our Top Books of 2017 The Heart's Invisible Furies by John Boyne (2017) | Amazon | Bookshop.org [40:46] Beartown by Fredrik Backman (2017) | Amazon | Bookshop.org [41:20] Dead Letters by Caite Dolan-Leach (2017) | Amazon | Bookshop.org [41:22] Emma in the Night by Wendy Walker (2017) | Amazon | Bookshop.org [42:02] If We Were Villains by M. L. Rio (2017) | Amazon | Bookshop.org [42:16] Quicksand by Malin Persson Giolitio (2017) | Amazon | Bookshop.org [42:23] The Seven Husbands of Evelyn Hugo by Taylor Jenkins Reid (2017) | Amazon | Bookshop.org [42:36] This Is How It Always Is by Laurie Frankel (2017) | Amazon | Bookshop.org [42:38] Trophy Son by Douglas Brunt (2017) | Amazon | Bookshop.org [42:48] White Fur by Jardine Libaire (2017) | Amazon | Bookshop.org [43:05] Final Girls by Riley Sager (2017) | Amazon | Bookshop.org [46:38] Sing, Unburied, Sing by Jesmyn Ward (2017) | Amazon | Bookshop.org [46:44] Eleanor Oliphant is Completely Fine by Gail Honeyman (2017) | Amazon | Bookshop.org [46:46] Young Jane Young by Gabrielle Zevin (2017) | Amazon | Bookshop.org [46:49] The Rules of Magic by Alice Hoffman (2017) | Amazon | Bookshop.org [47:10] Practical Magic by Alice Hoffman (1995) | Amazon | Bookshop.org [47:15] Goodbye, Vitamin by Rachel Khong (2017) | Amazon | Bookshop.org [47:19] The Heirs by Susan Rieger (2017) | Amazon | Bookshop.org [47:34] The Takedown by Corrie Wang (2017) | Amazon | Bookshop.org [47:53] Feast of Sorrow by Crystal King (2017) | Amazon | Bookshop.org [48:01] Girl in Snow by Danya Kukafka (2017) | Amazon | Bookshop.org [48:09] Everything I Never Told You by Celeste Ng (2014) | Amazon | Bookshop.org [48:17] Lincoln in the Bardo by George Saunders (2017) | Amazon | Bookshop.org [48:28] The Hate U Give by Angie Thomas (2017) | Amazon | Bookshop.org [48:33] Listeners' Top Books of 2017 Pachinko by Min Jin Lee (2017) | Amazon | Bookshop.org [49:33] Eleanor Oliphant is Completely Fine by Gail Honeyman (2017) | Amazon | Bookshop.org [49:51] The Seven Husbands of Evelyn Hugo by Taylor Jenkins Reid (2017) | Amazon | Bookshop.org [50:03] The Heart's Invisible Furies by John Boyne (2017) | Amazon | Bookshop.org[50:07] Beartown by Fredrik Backman (2017) | Amazon | Bookshop.org [50:13] Little Fires Everywhere by Celeste Ng (2017) | Amazon | Bookshop.org [50:15] The Hate U Give by Angie Thomas (2017) | Amazon | Bookshop.org [50:18] The Alice Network by Kate Quinn (2017) | Amazon | Bookshop.org [50:24] This Is How It Always Is by Laurie Frankel (2017) | Amazon | Bookshop.org [50:25] Goodbye, Vitamin by Rachel Khong (2017) | Amazon | Bookshop.org [50:27]
What a privilege to be able to interview one of my favorite authors and introduce her to fans and potential readers. And also to learn about some of her favorite readings. If you enjoy it even half as much as I did, it will have been worth it.Que privilégio poder entrevistar uma das minhas autoras favoritas e dá-la a conhecer aos fãs e potenciais leitores. E conhecer também algumas das suas leituras favoritas. Se gostarem metade do que gostei, já valeu a pena.4 books Elisabeth chose/4 livros que escolheu:The Collected Stories of William Trevor;The Magic Mountain/A Montanha Mágica, Thomas Mann;Anna Karenina, Tolstoy;Mrs. Dalloway, Virginia Woolf.Other recommendations/Outras referências:William Trevor:Mrs Silly;Felicia's Journey/A Viagem de Felicia;My house in Umbria.Some of the books Elisabeth wrote/Alguns dos livros que escreveu:Amy and Isabelle;Olive Kitteridge;Olive, Again/A 2ª vida de Olive Kitteridge;My Name Is Lucy Barton/O Meu Nome é Lucy Barton;Anything is possible/Tudo é possível;Oh William!Lucy by the Sea/Lucy à Beira Mar;Tell Me everything/Conta-me tudo.I recommended/Recomendei:The selected Poems: Devotions, Mary Oliver;Marriage Portrait/O Retrato de Casamento, Maggie O'Farrel;The convenant of water/O pacto da água, Abraham Verghese;Shrines of Gaiety/Templos da Alegria, Kate Atkinson;The Secret History/A História Secreta, Donna Tartt;Amor Towles:Lincoln Highway;A Gentleman in Moscow/Um Gentleman em Moscovo.I gave her/Ofereci-lhe:Demon Copperhead, Barbara Kingsolver.Os livros aqui:www.wook.pt
Maribeth's casting work includes the feature films: First Match, Skin, A Quiet Place, Late Night, Brittany Runs A Marathon, Sharper, Bottoms, and A Different Man. Maribeth's television work includes: Mildred Pierce, Olive Kitteridge, and Bridge and Tunnel.
After a lengthy absence, The Playa UNplugged makes a triumphant return! Join Benny "The Playa" Scala as he interviews writer, filmmaker, podcaster, and professional wrestling historian Mike Messier. The audio version of Mike's latest book “Fight or Play Basketball” recently dropped on Audible. Mike has won 84 awards in the entertainment industry. As an actor, Messier has shared scenes with Meryl Streep & Elisabeth Shue (in Hope Springs), Wesley Snipes, Cybill Shepherd & Mario Van Peebles (in Hard Luck), and Richard Jenkins & Frances McDormand (in Olive Kitteridge). Mike contributed as a screenwriter to the horror film The Manor (2018) and as a script consultant to Lennox Lewis - The Untold Story (2020). The screenplay version of Fight or Play Basketball and Disregard the Vampire - A Mike Messier Documentary are two of Mike's more popular projects. Mike's passion for writing has led him to write stage plays, screenplays, poetry, and novels. Mike is also the creator of the Avalonia Festival of Short Films etc., and the Avalonia Photography Competition. Mike is on TikTok as “artistmikemessier”, and his YouTube Channels are “1 Pro Wrestling & Sports Fan” as well as “1 Mike Messier.” His website is www.mikemessier.com. #fightorplaybasketball #playaunplugged #mikemessier
Summary “I think imperfection is something that you can deal with.” This week we watch the new documentary Martha and reconsider everything we know about the lifestyle icon. Also discussed: Olive Kitteridge, My Old Ass, and the appropriate time to start Christmas. Show notes: Martha Stewart and Snoop Dogg's Friendship Timeline (People) Recommendations: Lisa: The books of Elizabeth Strout Andrea G.: My Old Ass (Apple TV+) Andrea W.: Full Rainbow of Light by Tim Baker (music) Music credits "Electrodoodle" by Kevin MacLeod From: incompetech.com Licensed under Creative Commons: By Attribution 3.0 License Theme song "Pyro Flow" by Kevin Macleod From: incompetech.com Licensed under Creative Commons: By Attribution 3.0 License "Good Times" by Podington Bear From: Free Music Archive Licensed under Creative Commons: By Attribution 3.0 License Pop This! Links: Pop This! on TumblrPop This! on iTunes (please consider reviewing and rating us!) Pop This! on Stitcher (please consider reviewing and rating us!) Pop This! on Google PlayPop This! on TuneIn radioPop This! on TwitterPop This! on Instagram Logo design by Samantha Smith Intro voiced by Morgan Brayton Pop This! is a podcast featuring three women talking about pop culture. Lisa Christiansen is a broadcaster, journalist and longtime metal head. Andrea Warner is a music critic, author and former horoscopes columnist. Andrea Gin is a producer and an avid figure skating fan. Press play and come hang out with your new best friends. Pop This! podcast is produced by Andrea Gin.
We talk to prize-winning author Elizabeth Strout about her acclaimed new novel, “Tell Me Everything.” In it, Lucy Barton, Olive Kitteridge, and other characters return in connected stories of murder, marriage, parents and children, and love. This novel is thought-provoking and compulsively readable. Resources and links related to this episode: Tell Me Everything by Elizabeth Strout Gift Giving Quiz: gretchenrubin.com/quiz Little Happier episode Elizabeth is reading: Swan Song by Elin Hilderbrand (Amazon, Bookshop) Gretchen is reading: Martyr! by Kaveh Akbar (Amazon, Bookshop) Get in touch: podcast@gretchenrubin.com Visit Gretchen's website to learn more about Gretchen's best-selling books, products from The Happiness Project Collection, and the Happier app. Find the transcript for this episode on the episode details page in the Apple Podcasts app. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices
In 2009, Elizabeth Strout won the Pulitzer Prize for her wonderful novel about a famously cantankerous and compelling character, Olive Kitteridge. Since then, in books like The Burgess Boys and My Name is Lucy Barton, Strout introduced readers to more of her engaging, vivacious characters. And with her latest book, published last month, Strout brings all of these characters together. Tell Me Everything is a quiet, masterful, beautiful peroration on love and loyalty that doesn't shy away from life's big questions. Strout joins us to talk about her compelling and complicated characters.Email us at midday@wypr.org, tweet us: @MiddayWYPR, or call us at 410-662-8780.
Elizabeth Strout is the #1 New York Times bestselling author of Lucy by the Sea; Oh William!, which was shortlisted for the Booker Prize; Olive, Again; Anything Is Possible, winner of the Story Prize; My Name Is Lucy Barton; The Burgess Boys; Olive Kitteridge, winner of the Pulitzer Prize; Abide with Me; and Amy and Isabelle, winner of the Los Angeles Times Art Seidenbaum Award for First Fiction and the Chicago Tribune Heartland Prize. She has also been a finalist for the PEN/Faulkner Award and the Orange Prize in London. She lives in Maine. Her new novel is Tell Me Everything. Learn more about your ad choices. Visit megaphone.fm/adchoices
Hopefully we will have Stuart back with us next week, but in the meantime we are delighted to have two of Scotland's best commentators on the show - welcome back Angela Haggerty and hot from the Labour Party Conference - Catriona Stewart . Recommendations: Eamonn The Seige - Book - Ben Macintyre On April 30, 1980, six heavily armed gunmen burst into the Iranian embassy on Princes Gate, overlooking Hyde Park in London. There they took 26 hostages, including embassy staff, visitors, and three British citizens. A tense six-day siege ensued as millions gathered around screens across the country to witness the longest news flash in British television history, in which police negotiators and psychiatrists sought a bloodless end to the standoff, while the SAS – hitherto an organisation shrouded in secrecy – laid plans for a daring rescue mission: Operation Nimrod. Drawing on unpublished source material, exclusive interviews with the SAS, and testimony from witnesses including hostages, negotiators, intelligence officers and the on-site psychiatrist, bestselling historian Ben Macintyre takes readers on a gripping journey from the years and weeks of build-up on both sides, to the minute-by-minute account of the siege and rescue. Recreating the dramatic conversations between negotiators and hostages, the cutting-edge intelligence work happening behind-the-scenes, and the media frenzy around this moment of international significance, The Siege is the remarkable story of what really happened on those fateful six days, and the first full account of a moment that forever changed the way the nation thought about the SAS – and itself. Angela Monsters: The Lyle and Erik Menendez Story: This riveting true-crime drama probes the lives of the Menendez brothers, convicted of the brutal 1989 murders of their parents in Beverly Hills. Catriona Tell Me Everything - book - Elizabeth Strout Tell Me Everything is a hopeful, healing novel about new friendships, old loves, and the very human desire to leave a mark on the world. It's autumn in Maine, and the town lawyer Bob Burgess has become enmeshed in an unfolding murder investigation, defending a lonely, isolated man accused of killing his mother. He has also fallen into a deep and abiding friendship with the acclaimed writer, Lucy Barton, who lives down the road in a house by the sea with her ex-husband, William. Together, Lucy and Bob go on walks and talk about their lives, their fears and regrets, and what might have been. Lucy, meanwhile, is finally introduced to the iconic Olive Kitteridge, now living in a retirement community on the edge of town. Together, they spend afternoons in Olive's apartment, telling each other stories. Stories about people they have known – “unrecorded lives,” Olive calls them – reanimating them, and, in the process, imbuing their lives with meaning. Brimming with empathy and pathos, Tell Me Everything is Elizabeth Strout operating at the height of her powers, illuminating the ways in which our relationships keep us afloat. As Lucy says, “Love comes in so many different forms, but it is always love."
On this month's edition of Gabfest Reads, Political Gabfest host David Plotz talks with author Elizabeth Strout about her new book, Tell Me Everything. They discuss how Strout conceives of interconnected stories and characters across her work, including the return of beloved characters like Olive Kitteridge. They also dig into the importance of listening and the ways ordinary lives can be extraordinary. Tweet us your questions @SlateGabfest or email us at gabfest@slate.com. (Messages could be quoted by name unless the writer stipulates otherwise.) Podcast production by Cheyna Roth. Learn more about your ad choices. Visit megaphone.fm/adchoices
Chancellor Rachel Reeves has told the BBC it's "right" not to accept donations for clothing now she's in government. This is following reports that she took £7,500 from a donor for clothing between January 2023 to May 2024. Keir Starmer, his wife Lady Victoria Starmer and the Deputy Prime Minister Angela Rayner have also accepted money for clothes, and on Friday, Downing Street said that would no longer continue. To discuss the issue of women and donations, Kylie Pentelow is joined by political journalists Rachel Sylvester from the Times and Eleni Courea from the Guardian.The Sundance award-winning film, Girls Will Be Girls, follows the journey of 16-year-old Mira, who discovers desire and romance whilst attending a strict boarding school nestled in the Himalayas. But her rebellious sexual awakening is disrupted by her mother, who never got to come of age herself. Kylie discusses the film with the writer and director, Shuchi Talati, and actress Preeti Panigrahi who plays Mira.The Labour Party conference is underway in Liverpool. A topic likely to feature heavily in tomorrow's speech by Home Secretary Yvette Cooper is women's safety. Joining Kylie to give us their views on what they think needs to be prioritised by this government is director and founder of the Centre for Women's Justice, Harriet Wistrich, and the campaigner Georgia Harrison. Elizabeth Strout is the Pulitzer prize-winning author of many novels including Olive Kitteridge and the Lucy Barton books. Tell Me Everything is her latest novel where she revisits several of the characters who appear in her previous work. She joins Kylie live in the Woman's Hour studio to talk about her characters and themes of friendship.Presented by Kylie Pentelow Producer: Louise Corley
On this month's edition of Gabfest Reads, Political Gabfest host David Plotz talks with author Elizabeth Strout about her new book, Tell Me Everything. They discuss how Strout conceives of interconnected stories and characters across her work, including the return of beloved characters like Olive Kitteridge. They also dig into the importance of listening and the ways ordinary lives can be extraordinary. Tweet us your questions @SlateGabfest or email us at gabfest@slate.com. (Messages could be quoted by name unless the writer stipulates otherwise.) Podcast production by Cheyna Roth. Learn more about your ad choices. Visit megaphone.fm/adchoices
On this month's edition of Gabfest Reads, Political Gabfest host David Plotz talks with author Elizabeth Strout about her new book, Tell Me Everything. They discuss how Strout conceives of interconnected stories and characters across her work, including the return of beloved characters like Olive Kitteridge. They also dig into the importance of listening and the ways ordinary lives can be extraordinary. Tweet us your questions @SlateGabfest or email us at gabfest@slate.com. (Messages could be quoted by name unless the writer stipulates otherwise.) Podcast production by Cheyna Roth. Learn more about your ad choices. Visit megaphone.fm/adchoices
On this month's edition of Gabfest Reads, Political Gabfest host David Plotz talks with author Elizabeth Strout about her new book, Tell Me Everything. They discuss how Strout conceives of interconnected stories and characters across her work, including the return of beloved characters like Olive Kitteridge. They also dig into the importance of listening and the ways ordinary lives can be extraordinary. Tweet us your questions @SlateGabfest or email us at gabfest@slate.com. (Messages could be quoted by name unless the writer stipulates otherwise.) Podcast production by Cheyna Roth. Learn more about your ad choices. Visit megaphone.fm/adchoices
If you aren't an Elizabeth Strout fan yet, Tell me Everything, her newest novel, is going to wow you. If you are already devoted fans, like we are, then you are in for a real treat. In Tell Me Everything, she brings together two beloved characters: Lucy Barton and Olive Kitteridge. The results are truly magical. Our bookstore this week is Snowbound Books in Marquette, Michigan. Books mentioned in this week's episode: Tell Me Everything by Elizabeth Strout Amy and Isabelle by Elizabeth Strout Olive Kitteridge by Elizabeth Strout Olive, Again by Elizabeth Strout Abide With Me by Elizabeth Strout Lucy by the Sea by Elizabeth Strout Oh William! By Elizabeth Strout The Burgess Boys by Elizabeth Strout My Name Is Lucy Barton by Elizabeth Strout Anything Is Possible by Elizabeth Strout Learn more about your ad choices. Visit megaphone.fm/adchoices
Elizabeth Strout is the author of the novel Tell Me Everything, available from Random House. Strout is the #1 New York Times bestselling author of Lucy by the Sea; Oh William!, which was shortlisted for the Booker Prize; Olive, Again; Anything Is Possible, winner of the Story Prize; My Name Is Lucy Barton; The Burgess Boys; Olive Kitteridge, winner of the Pulitzer Prize; Abide with Me; and Amy and Isabelle, winner of the Los Angeles Times Art Seidenbaum Award for First Fiction and the Chicago Tribune Heartland Prize. She has also been a finalist for the PEN/Faulkner Award and the Orange Prize in London. She lives in Maine. *** Otherppl with Brad Listi is a weekly podcast featuring in-depth interviews with today's leading writers. Available where podcasts are available: Apple Podcasts, Spotify, YouTube, etc. Subscribe to Brad Listi's email newsletter. Support the show on Patreon Merch Twitter Instagram TikTok Bluesky Email the show: letters [at] otherppl [dot] com The podcast is a proud affiliate partner of Bookshop, working to support local, independent bookstores. Learn more about your ad choices. Visit megaphone.fm/adchoices
Elizabeth Strout's latest novel, Tell Me Everything, brings together her whole cast of characters to Crosby, Maine. Olive Kitteridge and Lucy Barton finally meet. Lucy continues her intense friendship with Bob Burgess. And, along the way, there's a murder investigation, separations, and struggles with addiction. The book asks the big questions — what gives our lives meaning, what is love, what's the difference between being evil and being broken, and what does forgiveness really look like? Liz joins Marrie Stone for her 7th appearance on the podcast. She shares some thoughts about Alice Munro and the revelations about her life in the aftermath of her death. She talks about what playing the piano has brought to her writing. She discloses the one writing exercise she always does with her characters, what's currently on her reading stack, and so much more. For more information on Writers on Writing and extra writing perks, visit our Patreon page. To listen to past interviews, visit our website. Support the show by buying books at our bookstore on bookshop.org. We've stocked it with titles from our guests (including all of Liz Strout's titles), as well as some of our personal favorites. You'll support independent bookstores and our show by purchasing through the store. Finally, on Spotify listen to an album's worth of typewriter music like what you hear on the show. Look for the artist, Just My Type. Email the show at writersonwritingpodcast@gmail.com. We love to hear from our listeners. (Recorded on September 5, 2024) Host: Barbara DeMarco-Barrett Host: Marrie Stone Music and sound editing: Travis Barrett (Stream his music on Spotify, Apple Music, Etc.)
L'epidemia di Covid che ha sconvolto il mondo nel 2020 è al centro del romanzo "Lucy davanti al mare" di Elizabeth Strout (Einaudi - traduz. Susanna Basso). La scrittrice americana, Premio Pulitzer 2009 per la raccolta di racconti "Olive Kitteridge", torna a raccontarci la vita di Lucy Barton, già protagonista di altri libri. Stavolta siamo nel 2020 e Lucy deve fare i conti come il resto del mondo con la pandemia. Il secondo marito è morto da un anno e il primo marito William le chiede di andare con lui in una casa nel Maine, lasciare dunque New York per cercare di evitare il contagio. Questa insolita convivenza sarà l'occasione per Lucy per una serie di riflessioni sulla sua vita e sul suo passato.
Elizabeth Strout har etablert seg som en av den amerikanske samtidslitteraturens mest egenartede stemmer, elsket av lesere og kritikere. Det internasjonale gjennombruddet kom med romanen Olive Kitteridge, som Strout vant Pulitzerprisen for i 2009, og som også ble adaptert til en prisbelønt miniserie. Siden har hun skrevet fire bøker i Lucy Barton-serien, Jeg heter Lucy Barton, Hva som helst er mulig, Åh, William! og Lucy ved havet, alle oversatt av Hilde Rød-Larsen.Romanene om Lucy forteller om utsatthet, fattigdom, sorg og barndomstraumer – men også om verdien av håp, kunst og kjærlighet. Lucy vokser opp i en fattig og dysfunksjonell familie på landsbygda i Illinois, men klarer å bli forfatter mot alle odds. Romanene sirkler inn småbylivet og ulike epoker i Lucys liv, fra den langsomme oppvåkningen mot å bli forfatter, en som forteller, en som gir mening til verden med ord.Det er i det stillferdige, hverdagslige livet at de store dramaene utspiller seg i Strout sine romaner og noveller, med dybde, varme og kompleksitet skildres vanlige folks følelsesliv, samtidig som hun har et skarpt blikk for større samfunnsstrukturer og systemer som mennesket bevisst og ubevisst inngår i.Strout møter forfatter Kjersti Annesdatter Skomsvold til samtale om felleskap, familie og forandring.Samtalen foregår på engelsk. Hosted on Acast. See acast.com/privacy for more information.
Elizabeth Strout er en av de fremste stemmene i amerikansk samtidslitteratur, og både leserne og kritikerne setter henne høyt. Hun begynte å skrive i ung alder, men det kom til å ta mange år før hun fikk noe utgitt. Den gangen var mantraet hennes «ikke gi deg.»I år er Strouts debutroman, Amy og Isabelle, endelig tilgjengelig på norsk (oversatt av Hilde Rød-Larsen). Det internasjonale gjennombruddet kom med romanen Olive Kitteridge, som hun ble tildelt Pulitzerprisen for i 2009, og som senere ble adaptert til en prisvinnende miniserie med samme navn. Siden da har hun skrevet fire bøker i serien om Lucy Barton: Mitt navn er Lucy Barton, Hva som helst er mulig, Lucy ved havet og Åh, William! – og gjennom disse har Strout vist seg som en både uredd og dypt empatisk forfatter.«Du kan ikke skrive litteratur og ta forbehold,» har Strout sagt. I likhet med hennes romankarakter Lucy Barton, vokste Strout opp på et lite tettsted i en streng familie. Da var bøker mirakler og tilfluktssteder, der hun forsto at hun ikke var alene.I dette personlige foredraget vil Strout snakke om sin vei fra tidlige skriverier til å bli en publisert forfatter, og underveis vil hun trekke fram noen av forfatterne og bøkene som har formet og påvirket henne underveis, deriblant Alice Munro, Eudora Welty og Ernest Hemingway. Strout har alltid observert menneskene rundt seg, og i foredraget vil hun snakke om hvor hun finner inspirasjon til romankarakterene sine, og hvordan hun klarte å gi slipp på forbeholdene.Foredraget er på engelsk. Hosted on Acast. See acast.com/privacy for more information.
Elizabeth Strout is one of the most distinct voices in contemporary American literature, and beloved by readers and critics alike. She started writing at an early age, but it would take her many years to finally get published. Back then, her mantra was “just keep going”.This year, Strout's debut novel, Amy and Isabelle, is finally available in Norwegian (translated by Hilde Rød-Larsen). Her international breakthrough came with the novel Olive Kitteridge, which earned her the 2009 Pulitzer Prize, and which was later adapted into the award-winning mini series of the same name. Since then, she has written four books in her Lucy Barton series; My Name Is Lucy Barton, Anything Is Possible, Lucy by the Sea and Oh, William! – which have earned Strout a reputation of an unafraid and deeply thoughtful writer.«You can't write fiction and be careful,» Strout has said. Growing up in a small, rural town with a strict family – similarly to her beloved character Lucy Barton – books were miracles and refuges – places in which she realized she was not alone.In this personal lecture, Strout will talk about her journey from when she first started to write, and to becoming a published author, highlighting some of the authors and books that have shaped and influenced her along the way, such as Alice Munro, Eudora Welty and Ernest Hemingway. A constant observer of those around her, she will talk about where she finds inspiration for her characters and how she learned to throw caution to the wind. Hosted on Acast. See acast.com/privacy for more information.
Elizabeth Strout is one of the most distinct voices in contemporary American literature, and beloved by readers and critics alike. Her international breakthrough came with the novel Olive Kitteridge, which earned her the 2009 Pulitzer Prize, and which was later adapted into the award winning mini series of the same name. Since then, she has written four books in her Lucy Barton series; My Name Is Lucy Barton, Anything Is Possible, Oh, William! and Lucy by the Sea.Her Lucy novels tell stories about exposedness, poverty, grief and childhood trauma, but also about the value of hope, art and love. Lucy grows up in a poor and dysfunctional family in the Illinois countryside and becomes a writer against all odds. Through her village upbringing and different periods in Lucy's life, the novels depicts her slow awakening as a writer, someone who tells stories, who gives the world meaning through language.In Strout's novels and short stories, the great drama unfolds within unassuming everyday life. The emotional lives of ordinary people are portrayed with depth, warmth and complexity, while she simultaneously shows a keen eye for the larger societal structures and systems of which we, consciously or unconsciously, are part.At the House of Literature, Strout is joined by writer Kjersti Annesdatter Skomsvold for a conversation about family, community and change. Hosted on Acast. See acast.com/privacy for more information.
L'epidemia di Covid che ha sconvolto il mondo nel 2020 è al centro del romanzo "Lucy davanti al mare" di Elizabeth Strout (Einaudi - traduz. Susanna Basso). La scrittrice americana, Premio Pulitzer 2009 per la raccolta di racconti "Olive Kitteridge", torna a raccontarci la vita di Lucy Barton, già protagonista di altri libri. Stavolta siamo nel 2020 e Lucy deve fare i conti come il resto del mondo con la pandemia. Il secondo marito è morto da un anno e il primo marito William le chiede di andare con lui in una casa nel Maine, lasciare dunque New York per cercare di evitare il contagio. Questa insolita convivenza sarà l'occasione per Lucy per una serie di riflessioni sulla sua vita e sul suo passato. Nella seconda parte parliamo di "Non farti fottere" di Lilli Gruber (Rizzoli). La pornografia è un mercato che esiste da tempo ed è esplosa per quanto riguarda i film soprattutto negli anni '70. Negli ultimi tempi è cambiata a causa del web e dei social. E' sempre più bassa l'età di chi consapevolmente o meno si imbatte in immagini o in video pornografici. Su questi temi Lilli Gruber ha scritto il libro "Non farti fottere - Come il supermercato del porno on line ti ruba fantasia, desiderio e dati personali" (Rizzoli). Un libro che analizza il presente del mercato del porno e le ripercussioni sulla sessualità degli adulti, con un focus sulle conseguenze sull'educazione sessuale dei giovani.
Libri: Paul Auster, Trilogia di New York (trad. M. Bocchiola, Einaudi); Elizabeth Strout, Olive Kitteridge (trad. S. Castoldi, Fazi). Musica: Lou Reed, Teddy Wilson, Bruce Springsteen, Bob Dylan
No Podcast do PublishNews desta semana, vamos conversar sobre a escrita de Ficção. Conversamos com Noemi Jaffe, escritora e professora de escrita criativa. Ela usou a experiência ministrando oficinas literárias para sintetizar sete princípios fundamentais que buscam fornecer informações para uma jornada de desenvolvimento da voz literária de cada autor ou autora. Essa conscientização dos próprios processos condensados está no livro Escrita em movimento, editado pela Companhia das Letras. Conversamos com Noemi sobre o livro, sua experiência e sobre os princípios: Palavras, Simplicidade, Consciência Narrativa, Originalidade, Estranhamento, Detalhes e Experimentação. A proposta do livro é ser uma reflexão sobre o próprio processo de escrever. e O volume também tem pequenos textos de autores de destaque, como Beatriz Bracher, Milton Hatoum, Eliana Alves Cruz, entre outros, para oferecer variados pontos de vista a respeito dos princípios que estruturam o texto. Este podcast é um oferecimento da MVB Brasil, empresa que traz soluções em tecnologia para o mercado do livro. Além da Metabooks, reconhecida plataforma de metadados, a MVB oferece para o mercado brasileiro o único serviço de EDI exclusivo para o negócio do livro. Com a Pubnet, o seu processo de pedidos ganha mais eficiência. https://brasil.mvb-online.com/home e também com o apoio da CBL A Câmara Brasileira do Livro representa editores, livreiros, distribuidores e demais profissionais do setor e atua para promover o acesso ao livro e a democratização da leitura no Brasil. É a Agência Brasileira do ISBN e possui uma plataforma digital que oferece serviços como: ISBN, Código de Barras, Ficha Catalográfica, Registro de Direito Autoral e Carta de Exclusividade. https://cbl.org.br E corra: não fique de fora do processo que quer trazer pro mercado editorial brasileiro uma maior conscientização sobre a gestão de pessoas. O Ranking As Melhores Empresas Pra Trabalhar – Mercado Editorial 2024 é uma iniciativa do PublishNews e do Great Place To Work - consultoria global cuja missão é construir uma sociedade melhor transformando cada organização em um ótimo ambiente de trabalho pra todos. Pra participar do processo, é preciso certificar sua empresa o quanto antes. Antes de passar para o episódio de hoje, vamos ouvir o que a diretora-executiva do GPTW Brasil, a Marina Sobral, tem a nos dizer: indicações: Livro: Pensando fora da caixa: https://metabooks.com/servicos/pensando-fora-da-capa Jogo para PS4: Last of Us 2: https://store.playstation.com/pt-br/product/UP9000-CUSA07820_00-THELASTOFUSPART2 Série: Olive Kitteridge: https://www.hbomax.com/br/pt/series/urn:hbo:series:GVU22vArU1FFvjSoJAVxO Série: O Método Kominsky: https://www.netflix.com/title/80201680 Série: Fleabag https://www.primevideo.com/dp/amzn1.dv.gti.64b55200-c545-6a79-0c43-e6246e9a15fd?autoplay=0&ref_=atv_cf_strg_wb Série White Lotus: https://play.hbomax.com/series/urn:hbo:series:GYLD3_ArixL1sggEAAAHk?source=googleHBOMAX&action=open Filme: Anatomia da queda https://www.youtube.com/watch?v=wUcOD9f4Dvo Filme: Vidas passadas: https://www.youtube.com/watch?v=kA244xewjcI Série Last of Us: https://www.hbomax.com/br/pt/series/urn:hbo:series:GYyofRQHeuJ6fiQEAAAEy Série documental: Brawn: Uma História Incrível da F1 : https://www.starplus.com/pt-br/series/brawn-the-impossible-formula-1-story/7G5zxICkLOJ8?distributionPartner=google Livro: Meu destino é ser onça -Meu destino é ser onça, Alberto Mussa (Civilização Brasieleira) https://www.record.com.br/produto/meu-destino-e-ser-onca-3/ Livro: Um defeito de cor - Ana Maria Gonçalves (Record) https://www.record.com.br/produto/um-defeito-de-cor/ Escolas de samba apresentam enredos inspirados em livros no Carnaval 2024: https://www.publishnews.com.br/materias/2024/01/24/escolas-de-samba-apresentam-enredos-inspirados-em-livros-no-carnaval-2024 --- Send in a voice message: https://podcasters.spotify.com/pod/show/podcast-do-publishnews/message
Happy New Year! Michelle is back with a hot take on Tom Hanks's charisma. Read this week: Shark Heart by Emily Habeck, Ordinary Human Failings by Megan Nolan and Chain Gang All Stars by Nana Kwame Adeji-Brenyah, Children of Time by Adrian Tchaikovsky, Speedboat by Renata Adler, The Maid by Nita Prowse, Better Left Unsaid by Tufayel Ahmed.This week's deep dive book is the best-selling Good Material by Dolly Alderton, ‘this generation's Nora Ephron'. This week's listener recommendation request comes from Aimée who is looking for light hearted reads, but not Bill Bryson. Sapphire recommends The Dog of the North by Elizabeth Mckenzie, Romantic Comedy by Curtis Sittenfeld and Where'd you go Bernadette? by Maria Semple. Michelle recommends The No 1 Ladies' Detective Agency series by Alexander McCall Smith. Joseph recommends Olive Kitteridge by Elizabeth Strout. Also mentioned in this episode:The Skeleton Key by Erin Kelly‘You've Got Mail'‘The Shop Around The Corner'Ghosts by Dolly AldertonFoundation by Isaac Asimov Hosted on Acast. See acast.com/privacy for more information.
HAPPY TOM HANKSGIVING!!! Giving a Tom Hanks movie on Thanksgiving is a great deed! I encourage you all to complete this symbolic gesture ( you don't actually have to give up a movie to someone if you don't want to.) But it's a really fun way to celebrate by giving Tom Hanks and taking a photo to go with it. Generally, a guest of honor is selected and an announcement and symbolic giving commence. FRUMESS is POWERED by www.riotstickers.com/frumess GET 1000 STICKERS FOR $79 RIGHT HERE - NO PROMO CODE NEED! JOIN THE PATREON FOR LESS THAN A $2 CUP OF COFFEE!! https://www.patreon.com/Frumess
Free Masterclass About Maribeth Fox: Maribeth Fox has worked with Laura Rosenthal Casting for fifteen years and has had the privilege of working alongside major talents like Todd Haynes, Paolo Sorrentino, Oren Moverman, Joachim Trier, Ed Burns, Mindy Kaling, Anton Corbijn, and Lisa Cholodenko as well as up and coming feature directors, Guy Nattiv, Olivia Newman, & Paul Downs Colaizzo. Favorite credits include Olive Kitteridge and Mildred Pierce both for HBO, Jay-Z's music video for Smile, Wonderstruck with Todd Haynes, A Quiet Place, Modern Love for Amazon and Liz Garbus' narrative feature debut, Lost Girls. Two of her three films at the 2018 Sundance Film Festival broke sales records, Late Night and Brittany Runs A Marathon. Most recent credits include Sharper for Apple TV, directed by Benjamin Caron, Bottoms, produced by Elizabeth Banks, Murder Mystery 2 with Happy Madison, and the upcoming A Different Man from Killer Films and A24. How did you become a casting director? I learned how to work with actors, what they need you to tell them, and what they don't need you to tell them about ego. And I just decided to spend five to seven minutes with actors instead of a career with them. So I switched to casting, and I worked for CBS primetime casting for two and a half years, which was a really good learning experience, but corporate wasn't for me. I wanted to do more film, and I wanted to be freelance so my eight-week job with Laura turned into 16 years. How does a casting director get a film job? So oftentimes, we are one of the first people hired and production companies hire us, producers that know us, that know what The material is that we're drawn to. Sometimes we're hired by our directors who you hope to get repeat business if you've worked with them before. The first thing we'll do is read a script to make sure we're creatively aligned and feel like we strategically know how to cast the job. And then we're offered one of two situations. The first situation is. Attach names to this to green-light the rest of the financing. So we do that side, and then sometimes people come attached to a film, which is wonderful news. And they're like, “We just want you to cast this movie if you like it. And this is who's doing it.” So we're normally found by producers and directors, and we're one of the first hires. So, just a question I have: if you are asked to attach a name talent, and let's say it's one part, let's make this real simple, Sure. How long does it generally take to cast a film, would you say, to attach that kind of name talent if it's a good script? It's a long time. It's a long time, so much so that Laura has received producorial credit on quite a few of her features because of the time, attention, and effort it takes to get those attachments in place. You think about somebody, let's say you're offering something to somebody like Julianne Moore. It could take a month for her to read it. Not because she doesn't read quickly but she's got a lot going on. And somebody of that ilk, their whole team, has to read it. She has to read it. Everybody has to have an opinion. They have to have a discussion about it. And so we try our best to set respectful boundaries with agents and managers to say, “We really need this to be read by this time.” But if a creative team is invested in a certain person, oftentimes, that deadline will stretch. So you could be with one actor for a month or more. We try to get them sometimes to line up like their top three for each part if we're doing more than one part so that if there is a pass, it's not an utterly crushing situation. The producers knew that a writer strike was imminent, and I was a little shocked to hear what you said, that you stopped getting calls about six months before. Can you talk about that and what that was like? It's helpful to know just in terms of our similarity to what actors go through that a lot of our business is independent film and that really continued. That was not a problem. We were still getting calls. We were still getting pings for that, but in terms of the book of business that would streamers and network, which is a lot of people's businesses, they anticipated the strike. And normally, we have no shortage of things to read, think about, sign on to, or not sign on to. And I think all casting directors experienced a similar shut-off. That was very different than the strike in 2008 where we were out of work for a little while, but no big deal. But yes, like the work has been. It's been different this time around. How has it been different, do you feel? So I think a lot of people feel, there's a lot of feelings this time around. Where, as there should be, right? I obviously heartily support the actors and what they're going through, and it's, it's time, right? It's time to do this and ensure everybody gets what they're owed fairly. And also, I think there is, within the SAG interim agreement, there's some stuff where I think we all need to work together in community to understand what everybody does and what everybody is going through and maybe have a little bit of empathy and open conversation and understanding because right now, it has felt a little bit of an angrier time and I understand it. Also, It's hard to think about what life will be like after the strike ends, and I don't know. I think a backlog of projects stopped right before the strike or started to shoot, not believing the strike would fully happen. And those are the things that are going to start to go first. And those things are already crewed up. So, from my perspective, could it be an influx of new work? Maybe. I sure hope so. But also, we have to think about all the stuff that got interim agreements is stuff that mostly was already staffed. And so I wonder how much the huge influx, or if it's just going to be figuring out what's actually going to shoot now and what's going to be put to the side. The great news is that I think you're right about the flood. And actors will feel it. And start to work and self-tape again. And hopefully, it'll get back to business as usual. And I think what's very important for actors to understand is it's not only you who is on strike, it's everybody. I'm so proud to stand with the actors that I love and support in my day to day. And absolutely, we are with you a thousand percent. And also, it's real, right? Many people have turned to survival jobs that they haven't had since they were 22. Everybody's done. Employment is out. And you live in an industry town, so every business is thoroughly affected by the lack of availability of income for people. The actors are the ones who are fighting and are going to get the benefits but do remember when you get on the set, there were a bunch of other people who were fighting right along with you, who are not going to get necessarily, the benefits that you were fighting for. They were supporting you, but the hairdressers aren't going to get any more pay, or hair stylists, the grips aren't going to get anything. I think that AI is an existential crisis for actors, and I don't think that is something I cannot give up my voice and my likeness and have you pay me once and that be okay, so I do think it's a worthy fight and as you said, it's a definite fight. I also think it's in the forefront of what humanity will be dealing with. Bartenders will be dealing with it, taxi drivers will be dealing with it, it just has come. Not here first, but here. We don't do any background casting, and I don't know what that life is. But I do think about that entire loss of an industry. That will go first, right? And it already has started to go. They take your picture; they can pump you in if they need an arena full of people. I've had many family and friends during this time try to like talk in a fun way about chat GPT and those types of services. And they're like, have you played around with it? I'm like, no, I don't want to help it get smarter. And I think it will have real ramifications, and it already is having ramifications for our industry. No, I'm not going to hang out on that service, but thank you so much for asking. What do you want actors to know [00:18:00] about self-tapes? So many things. The first thing is it's a grocery store sample. If you're at Costco, yep, that's exactly right. If you're at Costco and the old woman is serving you pizza, you're not going to steal the whole pizza. You're going to take your sample of a square. We do not expect a fully baked moment for a self-tape. I think artists are artists, and folks are getting bored. And so there's a lot of Heavy wardrobe, heavy movement choice the ability and the time to make almost like a short film. It's not the job. A self-tape should look different than how you would behave if you're on a set with a DP. I think the other thing that I've noticed that I've started to see as self-taping goes on and on, as a public service announcement for actors, is... You're getting too good at them, and I'm going to explain more. I think actors are really great at self-taping now, and it can almost feel robotic at times. Because they've gotten so good at knowing and thinking about, their mentality has shifted from what I want to put forward as an artist that's unique to how can I get this job by thinking about what they might want. And so then they know what pace to do. They know what tone it is. They've done their research and all of those brave, bold choices start to get ironed out and it's safe acting work. It's still beautiful work, but it's safe because they're so good at it. They know exactly what they might want instead of infusing their own artistic uniqueness in the mix. And I think casting directors hear the plight of actors, and I think something great that's going to come out of the strike is, I think there's going to be more options offered. So some actors love the self-tape process and bless, please, if that's how you feel comfortable, wonderful. I will still take time to adjust you via Zoom. If you need an adjustment, if I get your self-tape and there's something close to there, I will still take time for you on Zoom and say, hey, and we'll workshop it together. But then there's, we really do hear actors that they want more of us again. I do think that in-person chem reads and callbacks will start to come back. In the meantime, I think casting directors are far more open to reopening Zoom rooms, to make sure that we're available in some tech-helpful live way so that we can make better connections with actors. I still get lovely, vibrant self-tapes on everything that I do. But generally, I think, there's a mindset that I've been thinking a lot about that actors carry that is, I think trained into a lot of people that it's just a scarcity mindset. And so you come out of school and you're told that your job is so hard. There are so many people competing. You're in constant competition. There's not a ton to go around. SAG releases their statistics that only 3 percent of actors are working. And it creates this mindset that can be helpfully hungry and eager. And it can also really destroy the artistic spirit of what an artist has to offer. I think within that scarcity mindset, the goal of this is how I feed my family. This is how I gain health insurance, pension, and welfare. And I can't make that brave, bold choice because we don't have a casting director anymore. You don't have us in the room to be like, “Okay, let's just do that a little bit faster here. I know the director wants this. Let's just clip it up.” Or give you a simple redirect that could really change your performance. Now, a lot of us are doing that. We are adjusting people who give great self-tapes. Actors feel like I've got one shot at this. I'm sending it off into the void. It better be exactly what I think they want. The one thing that I have always stood by is that it's one audition in a lifetime of auditions. I am going to get the opportunity to audition again, and there is enough work for everyone. What's important for me is what's going on in the work. People ask me, “what do you look for in an actor?” And I'm like I'm looking for the actor who shows up a bit early, not too early. Knows they are, knows themselves. They are good at their job and I'm also looking for someone who when the work starts, they're focused on the work and not what I think of their work. Actors do have it tough in the sense that, it's the only art form where you have nothing to stand behind. You're not painting a picture to show me. You're not singing a song, which is separate from your acting. You're not doing a dance, which is your body and your emotions. But it's just you; it's just your subjective raw emotion. And I think what a lot of actors specifically, I love my New York actors in our market, they've all been to school. They're all crafty, great actors. And I think that a lot of actors think, “Gosh, I must be doing something wrong.” And so much of film and television is just subjective look-based. If you're in an audition with me, you're probably a well-trained, good actor. And so it's not about someone being such a better actor than you are. It's about the dinner party atmosphere we're trying to create. And somebody was a better fit. So we invited that person to the dinner party and not you this time. And that's hard. You can be the most talented actor in the world. You get the opportunity, but ultimately it does come down to who doesn't blink at the end. And I also feel that it's the person who knows they are good at their job. And what I want to give actors the perspective of is, you know what? Maybe you're doing everything right. Maybe you're doing everything right. And you just need to keep doing that. Because a lot of times, it's about what's being written. Are there roles for you right now that really fit your marketing package and your type? Do you fit the world? With our eyeballs. And so that has nothing to do with your craft a lot of the time. You do have to think about this as a business. And so you think about putting somebody on set, and when we get to cast somebody and it's their first job on a set like that's a great day. There is like buoyancy and adaptability that we're looking for in people to be able in that callback setting to turn something on their head if needed, to be able to take direction quickly. And if they're not understanding what we mean or what the director means, ask a question. Nobody's going to think you're stupid. Nobody's going to think you can't hear it well, or like that you don't agree. It's okay. We all have days when we're not that great at our jobs. If I give an actor a direction that's not clear, I don't want them to yes to me and nod their head. I want them to ask me a question and follow it up. If you're not understanding, then the two takes are going to look exactly the same. Read the directions out loud. I think it's really important that when you get a breakdown and, they say, submit it this way and, specifically, do your slate at the end. One of the things that I encourage the actors I work with is to really, read the directions out loud, then you know you've heard it, and highlight anything that's specific. Speaking of breakdowns, I think. A lot of times, people's focus on the breakdown will be the small adjective-filled description that we write instead of knowing that if you've got the audition, the breakdown has already done its job, that part of your job has already been done, your agent or manager or you submitted yourself based on the breakdown. I saw your headshot. I selected you. Now it's done. So you briefly look at the breakdown and ensure you're in the realm, but actors often get old breakdowns. And it's not because we're lazy. It's because we don't want to resubmit a breakdown with a subtle change to hundreds of agents and managers. So if an actor gets a breakdown and they're 55, the breakdown says 30 to 40, they freak out or they think their manager or agent isn't doing a good job. It's you just got an old breakdown; you don't have to worry about that anymore. Focus on the work.
Welcome to Season 4 of What's My Frame!! We have an extra special conversation to kick off the season; today I'm joined by New York Casting Director, Maribeth Fox. Maribeth has been a part of the Laura Rosenthal Casting office for over fifteen years; working alongside major talents like Todd Haynes, Paolo Sorrentino, Oren Moverman, Joachim Trier, Ed Burns, Mindy Kaling, Anton Corbijn, and Lisa Cholodenko as well as up and coming feature directors, Guy Nattiv, Olivia Newman, & Paul Downs Colaizzo. Some of Maribeth's favorite credits include Olive Kitteridge and Mildred Pierce both for HBO, Jay-Z's music video for Smile, Wonderstruck with Todd Haynes, A Quiet Place, Modern Love for Amazon and Liz Garbus' narrative feature debut, Lost Girls. Two of her three films at the 2018 Sundance Film Festival broke sales records, Late Night and Brittany Runs A Marathon. Most recent credits include Sharper for Apple TV, directed by Benjamin Caron, Bottoms, produced by Elizabeth Banks, Murder Mystery 2 with Happy Madison, and the upcoming A Different Man from Killer Films and A24. When I say today's conversation fed my soul as an actor, I'm not exaggerating! It was pure joy to listen to Maribeth's stories, experiences casting and compassionate understanding of actor's work... Now let's get to the conversation!! Additional links: Millicent Simmonds, Wonderstruck's interview Millicent Simmonds shares the role that changed her life Bottom's Trailer // premiering August '23 -- Hosted by Laura Linda Bradley Join the WMF creative community now! Instagram: @whatsmyframe TikTok: @whatsmyframe IMDb What's My Frame? official site Join our monthly newsletter! What's My Frame? merch; Coming soon!! --- Support this podcast: https://podcasters.spotify.com/pod/show/whats-my-frame/support
Maine, with its picturesque landscapes and charming small towns, has been a source of inspiration for numerous authors throughout history. From Pulitzer Prize-winning novels to chilling horror stories, the state of Maine has served as a rich backdrop for literary exploration. In this blog post, we will delve into five captivating books that take place in Maine, each offering a unique perspective on the state and its people. "Empire Falls" by Richard Russo:Set in the fictional town of Empire Falls, this Pulitzer Prize-winning novel introduces readers to Miles Roby, the manager of a local diner. Through Roby's eyes, we witness the intricacies of small-town life, the complexities of family relationships, and the struggles of the working class. Richard Russo skillfully portrays the charm and idiosyncrasies of Maine's inhabitants while delving into themes of identity, love, and redemption. "The Country of the Pointed Firs" by Sarah Orne Jewett:Regarded as a masterpiece of regional literature, this classic novella is set in a small coastal town in Maine. The story revolves around a woman who spends her summer in the town, immersing herself in its culture and forming connections with the locals. Sarah Orne Jewett's evocative prose captures the essence of Maine's coastal beauty and paints a vivid portrait of the community that inhabits it. "Pet Sematary" by Stephen King:No exploration of Maine literature would be complete without mentioning the master of horror himself, Stephen King. "Pet Sematary" takes readers to a small town in Maine, where a doctor and his family move to start a new life. They soon stumble upon a pet cemetery with a dark secret, leading to a chilling chain of events. Stephen King's ability to blend supernatural elements with human emotions creates a captivating and spine-tingling tale that will keep readers on the edge of their seats. "Olive Kitteridge" by Elizabeth Strout:Winner of the Pulitzer Prize, "Olive Kitteridge" is a collection of interconnected stories set in the fictional town of Crosby, Maine. Elizabeth Strout weaves together the lives of various characters, with Olive Kitteridge, a retired schoolteacher, serving as a central figure. Through these narratives, Strout explores themes of love, loss, and the complexities of human relationships. The book offers a poignant and intimate portrait of small-town life in Maine, highlighting the joys and sorrows that shape its inhabitants. "The Cider House Rules" by John Irving:This thought-provoking novel is set in rural Maine and follows the life of Homer Wells, an orphan who grows up in an orphanage run by Dr. Wilbur Larch. As Homer grapples with his own identity and morality, the book delves into sensitive topics such as abortion and the complexities of family dynamics. John Irving's vivid descriptions of the Maine countryside serve as a backdrop for a compelling exploration of societal norms, personal choices, and the search for one's place in the world. These five books offer a diverse range of narratives set in the enchanting state of Maine. From introspective character studies to haunting tales of horror, each story captures a unique facet of Maine's landscapes, communities, and people. Whether you're seeking a heartwarming tale or a chilling read, these books will transport you to the captivating world of Maine and leave a lasting impression. View the blog post on my website... https://www.makemaineyourhome.com/5-books-that-are-set-in-maine/ To checkout listings all over southern Maine visit: https://www.makemaineyourhome.realestate/ Check out our Facebook: www.Facebook.com/MakeMaineYourHome You can listen to the audio podcast on any podcast app. Just search for Make Maine Your Home. Be sure to subscribe, like, share and tell your friends. To contact Doug you can call or text to 207-838-5593, email to doug@makemaineyourhome.com or check out http://www.MakeMaineYourHome.com. 00:00-00:33 5 books that are set in Maine00:33-00:59 Empire Falls00:59-01:23 The Country of the Pointed Firs01:23-01:55 Pet Sematary01:55-02:20 Olive Kitteridge02:20-03:12 Cider House Rules
Today, our stack of books is tied together with a common theme of seasons. This stack will include both figurative and literal seasons. We will also share our books in hand. To everything there is a season!Featured Books:Ninth House by Leigh Bardugo (LH)Lucy By the Sea by Elizabeth Strout(LP)Books In Hand:One-By-One by Ruth Ware (LH)Coronation Year by Jennifer Robson (LP)Additional Books That Go Along With Our Theme:Wintering by Katherine MayChief Inspector Gamache Novels by Louise PennyThe Collected Regrets of Clover by Mikki BrammerThe Seed Keeper by Diane WilsonOther Books Mentioned In This Episode:My Name is Lucy Barton, Anything is Possible, Oh William!, Olive Kitteridge all by Elizabeth Strout Hell Bent, Shadow and Bone by Leigh BardugoHarry Potter by JK RowlingWays to contact us:Follow us on Instagram - @thebookbumbleFacebook: Book BumbleOur website: https://thebookbumble.buzzsprout.comEmail: bookbumblepodcast@gmail.comHey Friends, please rate and review us!
Jane Anderson is an award-winning writer of plays, television, and movies, with over three decades of produced material, some of which she herself directed. Jane's work is known for its rich and complicated depictions of female life, with films like THE WIFE, which was Oscar-nominated, and shows like OLIVE KITTERIDGE, which won multiple Emmys, including two for Jane. ANNE LAMOTT EPISODE: https://podcasts.apple.com/us/podcast/33-anne-lamott-make-your-writing-fears-work-for-you/id1501641442?i=1000510993110 JOIN OUR PATREON: www.patreon.com/thescreenwritinglife --- Support this podcast: https://podcasters.spotify.com/pod/show/thescreenwritinglife/support
2月总结录制完毕后，我们才后知后觉地发现，这一期推荐的好几本书，都是围绕爱，围绕对爱的“解构”，围绕爱的政治学的书。虽然已经3月份了，但希望今天大家度过了一个radical的情人节
Hafta sonu öncesi dijitalde ve vizyonda öne çıkan filmler ve yeni çıkan kitaplar bu bölümde. Birkaç sene önce çok konuşulan Midsommar bu hafta MUBİ'ye geliyor, filme dair kafa karışıklığımızı bölümde konuşuyoruz. Hakkı Kurtuluş ve Melik Saraçoğlu'nun "Birlikte Öleceğiz" filmi ile Yorgos Lanthimos'un ilk filmi "Kinetta" da MUBİ'de önerdiklerimizden. Vizyonun en dikkat çekeni Filmekimi'nde görüp çok da sevmediğimiz Nicholas Bedos filmi "Maskeli Balo", ayrıca Neslican Tay'ın hayat hikayesini anlatan Demirkadın: Neslican da bugünden itibaren sinemalarda. Haftanın yeni çıkan kitapları arasında bizi en heyecanlandıran ise Elisa Shua Dusapin imzalı "Sokço'da Kış". Ayrıca vaktiyle mini dizi uyarlaması da yapılan Elizabeth Strout kitabı "Olive Kitteridge" da bu hafta yeni çıkanlar arasında öne çıkıyor. Devamı ve daha fazlası bu bölümde! 1 Kitap 1 Film podcast'i sosyal medyada takip etmeyi unutmayın!https://www.instagram.com/1kitap1film.us/ Reklam ve iş birlikleri için:merhaba@wandnetwork.comaysegul.turker@wandnetwork.comWand Media Network
Jenny Eagan, costume designer for the new star-studded Glass Onion: A Knives Out Mystery, has a career path defined by opportunities taken. Although she did not formally study costume design, her many award-winning projects feature characters who leap off the screen, thanks in no small part to her costumes. Who would have thought a girl from Independence, Missouri would end up in this profession? “Certainly not my Mom,” laughs Eagan. “I wanted to be a middle-school teacher to make a difference. Halfway through college, I switched to textile marketing and merchandising because I love clothes, but never knew that could lead to working in the entertainment industry.” Post-graduation, Eagan drove cross country to live in San Diego, where she became ‘excellent on rollerblades' before following friends to Los Angeles. She joined a temp agency and her first interview was for a low budget film. As fate would have it, Mary Zophres was the costume designer on her second temp job. Eagan shadowed her on weekends, getting coffee and grabbing lunches. She observed and absorbed everything, until Zophres invited her to join the team on Any Given Sunday, her first job as a production assistant. Six months at Western Costume Company gained her entry into the Union. She spent over a decade with Zophres, progressing from production assistant to assistant costume designer. “Mary hates when I say she was an amazing mentor, but I didn't know anything and she taught me everything.” Her first feature as a costume designer was Contraband, with Mark Wahlberg and director Baltasar Kormákur, but the project that launched her career was the first season of True Detective for HBO. The show garnered her the Costume Designers Guild Award for Best Contemporary Television Series in 2015. “It was an amazing experience and a confidence builder for me.” Eagan moved on to design several small but critically acclaimed films and television series including Olive Kitteridge which won her an Emmy, Widows, and the celebrated Beasts of No Nation. The first iteration of the Knives Out trilogy, written and directed by Rian Johnson, was an unmitigated hit. “Because of our limited shoot time, we had all guns blazing,” she says. “I feel like I fit every single one of the cast members the week before. Thankfully, Rian wrote well-defined characters and chose seasoned actors. We were all in sync.” She was awarded her third CDGA for her efforts. Johnson wanted everyone to ratchet it up for the sequel, Glass Onion: A Knives Out Mystery. Eagan decided early on that most of the costumes would be custom made. Shooting on a remote island off Greece and in Serbia during Covid, she knew she could not count on shopping. She prepped in Los Angeles, anticipating multiples for principals and stunt doubles, then brought extra fabrics to cover her back. While designing the first Knives Out, Eagan forged great relationships with Johnson and producer Ram Bergman. They agreed that travel during the pandemic could be problematic and allowed her to bring her union team from Los Angeles. She brought ACD Jessica Albertson, supervisor Emily Egge, set costumer Claire Sandrin, and cutter/fitter Erica Ciaglia. “Claire, Emily, and I first worked together on No Country for Old Men (designed by Mary Zophres) and have collaborated as much as possible since. I was thankful for this luxury. I'm not a one-man show, we are a team.” Learn more about your ad choices. Visit megaphone.fm/adchoices
Elizabeth Strout is the author of the New York Times bestseller Olive Kitteridge, for which she was awarded the Pulitzer Prize; the national bestseller Abide with Me; and Amy and Isabelle, winner of the Los Angeles Times Art Seidenbaum Award and the Chicago Tribune Heartland Prize. She has also been a finalist for the PEN/Faulkner Award and the Orange Prize in London. She lives in Maine and New York City. Learn more about your ad choices. Visit megaphone.fm/adchoices
Elizabeth Strout is the Pulitzer Prize-winning author of the novel Lucy by the Sea, available from Random House. Strout is the #1 New York Times bestselling author of Oh William!; Olive, Again; Anything Is Possible, winner of the Story Prize; My Name Is Lucy Barton; The Burgess Boys; Olive Kitteridge, winner of the Pulitzer Prize; Abide with Me; and Amy and Isabelle, winner of the Los Angeles Times Art Seidenbaum Award for First Fiction and the Chicago Tribune Heartland Prize. She has also been a finalist for the PEN/Faulkner Award and the Orange Prize in London. She lives in Maine. *** Otherppl with Brad Listi is a weekly literary podcast featuring in-depth interviews with today's leading writers. Launched in 2011. Books. Literature. Writing. Publishing. Authors. Screenwriters. Etc. Available where podcasts are available: Apple Podcasts, Google Podcasts, Spotify, Stitcher, iHeart Radio, etc. Subscribe to Brad Listi's email newsletter. Support the show on Patreon Merch @otherppl Instagram YouTube Email the show: letters [at] otherppl [dot] com The podcast is a proud affiliate partner of Bookshop, working to support local, independent bookstores. Learn more about your ad choices. Visit megaphone.fm/adchoices
We are delighted today to welcome back to Midday the writer Elizabeth Strout. She is the best-selling author of nine novels and many short stories. In 2009, she won the Pulitzer Prize for a terrific book, Olive Kitteridge. A film adaption of that book on HBO starred Frances McDormand and won eight Emmy Awards. Elizabeth Strout has revisited two of her iconic characters in subsequent books. We met Olive Kitteridge once more in Olive Again, and Olive makes an appearance in Elizabeth Strout's latest novel, too. In this new book, Strout keeps us current with another one of her magnificent characters, Lucy Barton. It's the fourth novel in which Lucy figures prominently. Like her book, Oh William! from last year, Strout centers this one on Lucy's friendship with her first husband, a successful scientist named William Gerhardt. The setting is a small town in Maine, where Lucy and William have sequestered themselves at the beginning of the COVID pandemic. Lucy is a rich, wonderful character, and Elizabeth Strout is a wonderful writer who brings us into Lucy's loving and insightful mind with grace and compassion. The new novel is out today. It's called Lucy by the Sea. Elizabeth Strout joins us on Zoom from New York City.See omnystudio.com/listener for privacy information.
In this 2019 episode, John interviews the celebrated British writer Zadie Smith. The conversation quickly moves through Brexit (oh, the inhumanity!) and what it means to be a London–no, a Northwest London–writer before arriving at her case against identity politics. That case is bolstered by a discussion of Hannah Arendt on the difference between who and what a person is. Zadie and John also touch on the purpose of criticism and why it gets harder to hate as you (middle) age. She reveals an affection for “talkies” (as a “90's kid,” she can't help her fondness for Quentin Tarantino); asks whether young novelists in England need to write a book about Henry VIII just to break into bookstores; hears Hegel talking to Kierkegaard, and Jane Austen failing to talk to Jean Genet. Lastly, in Recallable Books, Zadie recommends Jean-Philippe Toussaint's The Bathroom. Transcript of the episode here. Mentioned: Zadie Smith, White Teeth, NW, Swing Time, “Two Paths for the Novel” “Embassy of Cambodia,” Joni Mitchell: Some Notes on Attunement” “Zadie Smith on J G Ballard's Crash“ Willa Cather, Song of the Lark (1915, revised 1932) Elif Batuman, The Idiot Charlotte Bronte, The Professor and Villette George Eliot, Middlemarch Pauline Kael, various film reviews Quentin Tarantino, Once Upon a Time…In Hollywood Ursula Le Guin, “The Story's Where I Go: An Interview” Doris Lessing, The Fifth Child Hilary Mantel, Beyond Black and Wolf Hall Dexter Filkins, “The Moral Logic of Humanitarian Intervention” (on Samantha Power) Patti Smith, Just Kids Elizabeth Strout, Olive Kitteridge, Olive Again Gary Winick (dir.), Thirteen Going on Thirty (starring Jennifer Garner, not Anne Hathaway) Sally Rooney, Normal People Toyin Ojih Odutola Matthew Lopez, The Inheritance Jean-Philippe Toussaint, The Bathroom Elizabeth Ferry is Professor of Anthropology at Brandeis University. Email: ferry@brandeis.edu. John Plotz is Barbara Mandel Professor of the Humanities at Brandeis University and co-founder of the Brandeis Educational Justice Initiative. Email: plotz@brandeis.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature
CW: Mentions of suicide. Kate and Carl revisit this meditative HBO miniseries from 2014. Directed by Lisa Cholodenko, based on the novel by Elizabeth Strout, Frances McDormand stars as a complicated Maine woman trying to find some meaning in this life as she navigates marriage, motherhood, and mental illness across 25 years in her seaside town.
Crabb talks about her holiday reading and watching. (4.00) Spider-Man: No Way Home | Trailer (6.20) I Love You But I've Chosen Darkness by Claire Vaye Watkins (8.00) The Plot by Jean Hanff Korelitz (10.50) Misery by Stephen King (13.00) The Latinist by Mark Prins (15.00) Love and Virtue by Diana Reid (16.00) Malibu Rising by Taylor Jenkins Reid (17.30) The Husbands by Chandler Baker (20.00) The Push by Ashley Audrain (20.40) Leave The World Behind by Rumaan Alam (23.40) Olive Kitteridge by Elizabeth Strout (23.00) Olive Kitteridge | Binge | Trailer (26.30) Oh William! by Elizabeth Strout (28.00) Short Cuts | Trailer (29.40) Crossroads by Jonathan Franzen (34.00) Death to Jar Sauce Rad Recipes for Champions by Nats What I Reckon (35.40) Morning Wars S2 | Trailer | Apple TV+ Produced by DM Podcasts See omnystudio.com/listener for privacy information.
In this world premiere and podcast-exclusive episode, we start Season 4 with a bang by welcoming Pulitzer Prize-winning author Elizabeth Strout to A Mighty Blaze Podcast! Elizabeth talks with fellow NYT bestselling author Caroline Leavitt about a career that includes such notable books as OLIVE KITTERIDGE, OLIVE AGAIN, MY NAME IS LUCY BARTON, and her latest, OH WILLIAM! Hosted by Trisha Blanchet
Mike knew he needed to make a change. While he had connections and was working on his movies, something felt off and he decided to follow his wanderlust and move south. He talks about his movies, his move, and his love of wrestling. *******I have won 41 awards in film Direction, TV production, Screenwriting, Acting, and play-writing and have recently released my first novel "A Distance from Avalon" on Amazon in paperback and Kindle. As an Actor, I have shared scenes with Meryl Streep & Elisabeth Shue (in Hope Springs), Wesley Snipes, Cybill Shepherd & Mario Van Peebles (in Hard Luck), and Richard Jenkins & Frances McDormand (in Olive Kitteridge). I also run the Avalonia Festival of Short Film, Theater, and Photography. Website: https://mikemessier.comFilm Festival: https://avaloniafestival.comBook: https://www.amazon.com/Distance-Avalon-When-Dying-Reunite-ebook/dp/B08SQ6SQ48YouTube: https://www.youtube.com/channel/UCSx8RE_a4Nh_Fq-BpUq7ghwFacebook: https://www.facebook.com/mikey.messier.777Twitter: https://twitter.com/MikeyMessier*******If you would like to contact the show about being a guest please email us at Dauna@betertopodcast.comFollow us on Social MediaYouTube: https://www.youtube.com/channel/UCX0ETs2wpOHbCuhUNr0XFTw?view_as=subscriberInstagram: https://www.instagram.com/author_d.m.needom/Twitter: https://twitter.com/DaunaD1Facebook: https://www.facebook.com/bettertopodcastwithdmneedomVideo of the interview is available here: https://youtu.be/-mCozELLvsEHave a question or want to be a guest on the podcast email: dauna@bettertopodcast.comTo see upcoming guests click here: https://www.dmneedom.com/better-topodcastSupport the podcast here: https://www.patreon.com/bettertopodcastwithdmneedom©2021 Better To...Podcast with D. M.NeedomSupport the show
Zdá sa, že ceny bytov, domov a celkovo nehnuteľností sú voči pandémii, a teda novej kríze odolné. Vlani pokračovali v raste a nič nenasvedčuje tomu, že by sa to malo v tomto roku zmeniť. Nehnuteľnosti vo veľkých mestách sa stávajú čoraz nedostupnejšie a postupne čelíme aj otázke nedostatku nového bývania. Ako je na tom realitný trh rok od začiatku pandémie? Jana Maťková sa pýtala Tomáša Vašutu, ekonomického redaktora magazínu Index denníka SME. Zdroj zvukov: TV Markíza - tvnoviny.sk Odporúčanie: Možno ste o nej už počuli a možno ste ju už aj čítali. Mne sa do rúk dostala až teraz a ak doteraz obchádzala aj vás, mali by ste jej dať šancu. Reč je o novele Olive Kitteridge od americkej spisovateľky Elizabeth Strout. Ide o spleť príbehov postáv z malého mestečka v americkom Maine, ktorých spoločným menovateľom je práve Olive. Niekde sa objavuje ako takmer neviditeľná vedľajšia postava, inde je hlavnou predstaviteľkou príbehu, pri ktorom spoznávame jej prísnu povahu. Knižka Olive Kitteridge je sondou do ľudských osudov, každodenných problém a útrap aj radostí duší. Prednedávnom vyšlo aj pokračovanie s názvom Znova Olive. – Ak máte pre nás spätnú väzbu, odkaz alebo nápad, napíšte nám na dobrerano@sme.sk – Všetky podcasty denníka SME nájdete na sme.sk/podcasty – Podporte vznik podcastu Dobré ráno a kúpte si digitálne predplatné SME.sk na sme.sk/podcast – Odoberajte aj denný newsletter SME.sk s najdôležitejšími správami na sme.sk/suhrnsme – Ďakujeme, že počúvate podcast Dobré ráno.
Sales has a new celebrity crush while Crabb's fandom when it comes to men of note remains firmly rooted in 1980s London. (0.40) The Picture of Dorian Gray by Sydney Theatre Company (3.20) Brideshead Revisited by Evelyn Waugh on Audible (4.10) The Alan Clark Diaries - In Power 1983-1992 by Alan Clark on Audible (5.40) Greenlights by Matthew McConaughey on Audible (11.00) Blowing The Bloody Doors Off by Michael Caine (11.30) Alfie Trailer (13.20) Lolita by Vladimir Nabokov on Audible (14.10) Inside Story by Martin Amis (16.20) The Child In Time by Ian McEwen (18.20) Sorrow and Bliss by Meg Mason (20.00) You Be Mother by Meg Mason (21.00) Olive Again by Elizabeth Strout (21.30) Olive Kitteridge | Binge | Trailer (21.45) Olive Kitteridge by Elizabeth Strout (22.40) A Fraction of the Whole by Steve Toltz (23.50) Lightseekers by Femi Kayode (26.50) Americanah by Chimamanda Ngozi Adichie (27.30) His Only Wife by Peace Adzo Medie (28.00) Life After Truth by Ceridwen Dovey (28.50) A Little Life by Hanya Yanagihara (30.00) The Undoing | Binge | Trailer (30.30) Based on the Book You Should Have Known by Jean Hanff Korelitz (31.00) Your Honor | Stan | Trailer A DM Media Production See omnystudio.com/listener for privacy information.
Olive is growing old and reflecting on her life.
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