Podcasts about Yakima Canutt

Charles Bronson does it again....this time as a Federal Agent on a train full of trouble...think Murder On The Orient Express only with less expensive cutlery.YAKIMA CANUTT works on this, his final picture as 2nd Unit Director.EnjoyIf you've enjoyed this episode then why not follow us on Twitter, Instagram and Facebook using the following linkhttps://linktr.ee/behindthestunts

Soundside host Libby Denkmann sits down with Mossback's Northwest host Knute Berger to talk about the Colfax, WA man who made "Stuntman" a profession - Yakima Canutt.

The Duke, John Wayne is a formidable thrower of the screen punch.In the words of the great Nosher Powell, "When I hit em they stay bloody hit".John Wayne made a career from being the American lawman who made everything right in the end. His ability to throw a cracking screen punch was second to none and thanks to stunt guys like YAKIMA CANUTT and CHUCK ROBERSON Duke was able to continue throwing these belters right up until the end.Lets explore a bit about the JW screen punch together shall we?If you've enjoyed this episode then why not follow us on Twitter, Instagram and Facebook using the following linkhttps://linktr.ee/behindthestunts

Heute reden, lachen und fachsimpeln Evel Knievel, Yakima Canutt und Colt Seavers wieder über die schönste Sache der Welt. Der Zauberkunst. Ob am kleinen Computer, in waghalsigen Kartenstunds oder mit Tipps, die das Bühnenleben erheblich erleichtern, es lohnt sich immer diesen Podcast zu hören. Profis wissen: alle Infos in den Show Notes, die besten Zaubertricks im Secret Magic Store.

Yakima Canutt, the most famous stuntman in Hollywood and a trailblazer in the second unit director area, was born on a ranch in the Snake River Hills, 16 miles from Colfax, on Penewawa Creek. Canutt rode and roped as a child. He entered his first rodeo at 16 and proved to be a natural bucking-bronc rider and bulldogger. He continued his record-breaking career as a saddle-bronc rider after serving a brief time in the US navy during the first World War. He also adopted the nickname "Yakima," which, despite being Native American, actually refers to the town he was born in at the time and was not given because he was Native American, as has been incorrectly stated elsewhere. His ancestry is exclusively European. He met Tom Mix at a Los Angeles rodeo, and Tom helped him land a job as a cowboy extra. Canutt's prowess as a stunt combatant and rider earned him a role as the star of several western silent films. But a bout of the illness had injured his vocal cords, and his scratchy voice was not appropriate for the heroics of sound-film cowboys when sound became popular. Despite continuing to perform roles as a heavie, he concentrated on stunt work and became renowned as Hollywood's top stuntman in the 1930s. Together with John Wayne, he invented a new method for filming screen fights that looked more realistic, and Canutt spent years developing or perfecting the majority of the stunts seen in westerns and action movies.After suffering serious injuries while performing stunts for Boom Town and In Old Oklahoma, Canutt stopped doing stunts professionally and focused on directing second units—crews that filmed action scenes, stunts, and other scenes that didn't necessarily need the main cast members. He directed some of the most exciting and iconic action scenes in movie history, which culminated in Ben-Hur's renowned chariot race. In 1966, he received a special Oscar for his contributions to cinema. Joe Canutt and Tap Canutt, two of his children, followed him into the stunt industry. Yakima Canutt, the most renowned and esteemed stuntman in history, passed away in 1986.Listen now to learn more about this famous Evergreen State born stuntman!A special thank you goes out to Al Hirsch for providing the music for the podcast, check him out on YouTube.Find merchandise for the podcast now available at:     https://washington-history-by-jon-c.creator-spring.comIf you enjoy the podcast and would like to contribute, please visit: https://www.buymeacoffee.com/EvergreenpodIf you have any questions, episode ideas you'd like to see explored, or just have a general comment, please reach out at Historyoftheevergreenstatepod@gmail.comTo keep up on news for the podcast and other related announcements, please like and follow:https://www.facebook.com/HistoryoftheevergreenstatepodcastFind the podcast over on Instagram as well: @HISTORY_EVERGREENSTATEPODCASTYou can also find the podcast over on YouTube:http://www.youtube.com/@historyoftheevergreenstatepodThank you for listening to another episode of the History of the Evergreen State Podcast!

"We're the victims of a foul disease called social prejudice, my child."REBROADCASTFord Delivers A Classic WesternWhen John Ford decided to helm Stagecoach in 1939, he hadn't done a western since his days in the silent film era. Yet it was this film, along with his relationship with John Wayne, that would lead to him making arguably some of the greatest westerns in cinema. Yet with this film, it was really more of a chance to make a western that could be a bit more serious, not just another b-level shoot-em-up, while still making a movie that was pretty light and entertaining. Join us – Pete Wright and Andy Nelson – as we continue our series on films from 1939 with Ford's Stagecoach. Here's a Hint at Our ConversationWe talk about John Ford as a director and what he was trying to do with this film, pointing out some Ford-isms along with debating his strength as a filmmaker. We chat about Dudley Nichols' script adapted from Ernest Haycox's short story, enjoying what he did with the nine principal characters in the film, even if there were some pacing issues throughout. We discuss the cinematography of Bert Glennon and the way he and Ford shot the action sequences. We chat about stuntman and stunt coordinator Yakima Canutt, marveling at the amazing stunts he performs in the film while also feeling pretty horrified at the methods he devised to get the horses to fall on camera. And we touch on the cast, touching on what each of them bring to their roles. It's a fun film, even if not one of our favorites, but still gives us a great movie to talk about. So check it out then tune in!Film SundriesListen to the Original Episode From Season Five HereWatch this film: iTunes • Amazon • HuluScript TranscriptOriginal theatrical trailerOriginal poster artworkThe Stage to Lordsburg by Ernest HaycoxFlickchartStagecoach Location Shooting BreakdownStagecoach & the Ned Scott Still Photographs(00:00) - 1940 Academy Awards • Best Picture Intro(01:11) - Welcome to The Next Reel • Stagecoach(01:13:15) - Wrap UpThis show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/5640170/advertisement

"We're the victims of a foul disease called social prejudice, my child."REBROADCASTFord Delivers A Classic WesternWhen John Ford decided to helm Stagecoach in 1939, he hadn't done a western since his days in the silent film era. Yet it was this film, along with his relationship with John Wayne, that would lead to him making arguably some of the greatest westerns in cinema. Yet with this film, it was really more of a chance to make a western that could be a bit more serious, not just another b-level shoot-em-up, while still making a movie that was pretty light and entertaining. Join us – Pete Wright and Andy Nelson – as we continue our series on films from 1939 with Ford's Stagecoach. Here's a Hint at Our ConversationWe talk about John Ford as a director and what he was trying to do with this film, pointing out some Ford-isms along with debating his strength as a filmmaker. We chat about Dudley Nichols' script adapted from Ernest Haycox's short story, enjoying what he did with the nine principal characters in the film, even if there were some pacing issues throughout. We discuss the cinematography of Bert Glennon and the way he and Ford shot the action sequences. We chat about stuntman and stunt coordinator Yakima Canutt, marveling at the amazing stunts he performs in the film while also feeling pretty horrified at the methods he devised to get the horses to fall on camera. And we touch on the cast, touching on what each of them bring to their roles. It's a fun film, even if not one of our favorites, but still gives us a great movie to talk about. So check it out then tune in!Film SundriesListen to the Original Episode From Season Five HereWatch this film: iTunes • Amazon • HuluScript TranscriptOriginal theatrical trailerOriginal poster artworkThe Stage to Lordsburg by Ernest HaycoxFlickchartStagecoach Location Shooting BreakdownStagecoach & the Ned Scott Still Photographs(00:00) - 1940 Academy Awards • Best Picture Intro(01:11) - Welcome to The Next Reel • Stagecoach(01:13:15) - Wrap UpThis show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/5640170/advertisement

See the list for our entire lineup for SEASON 13 on our Letterboxd page!“Frankly, my dear, I don't give a damn."REBROADCASTFinding Rhett and Scarlet Less RelevantConsidering the racially-charged climate of the US right now, it's oddly perfect timing that we're starting our 1939 series with Gone With The Wind, a film as technically brilliant to look at as it is hard to watch because of it's portrayal of slavery and the ‘lost cause' Southern view of the Civil War. It certainly gives us a lot to talk about in this episode! Join us — Pete Wright and Andy Nelson — as we dive into Victor Fleming's Gone With The Wind. Here's What We Chat AboutWe talk at length about the position of the film in cinematic history and how that contrasts with what it's portraying and how we feel about that, noting that perhaps this film is one that should be considered in the same camp as Song of the South. And we look at what problems we have with the story and why it makes us feel uncomfortable, even if the story itself can be enjoyed when taken out of historical context. Focusing more on the film itself, we look at the actors – Vivien Leigh, Clark Gable, Olivia de Havilland, Leslie Howard, Thomas Mitchell, Hattie McDaniel and more – how they got their parts and how well they work for us. We look at lots of bit players and talk about where they've since popped up. We talk about the context of 1939 and how the studio system worked. We talk about the three directors who contributed to this film – George Cukor, Victor Fleming and Sam Wood – as well as the producing kingpin who really is the one responsible for getting this film made the way he wanted: David O. Selznick. We chat about other key crew who helped bring this film to life, including Max Steiner, Yakima Canutt, William Cameron Menzies and Walter Plunkett. And we marvel at how much money this film has taken in over its lifetime and deliberate over whether it should still be able to make money or if it should be locked away now due to its painful portrayal of the period. It's a long film but a film well worth discussing because of these factors. Tune in!Film SundriesOriginal Release of This Episode in Season 5ScreenplayOriginal theatrical trailerOriginal poster artworkGone With The Wind by Margaret MitchellFlickchartHuffPost Politics Blog: Yes, You're a Racist — and a Traitor(00:00) - 1940 Academy Awards • Best Picture Intro(01:53) - Welcome to The Next Reel • Gone With the Wind(01:20:49) - Wrap UpThis show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/5640170/advertisement

See the list for our entire lineup for SEASON 13 on our Letterboxd page!“Frankly, my dear, I don't give a damn."REBROADCASTFinding Rhett and Scarlet Less RelevantConsidering the racially-charged climate of the US right now, it's oddly perfect timing that we're starting our 1939 series with Gone With The Wind, a film as technically brilliant to look at as it is hard to watch because of it's portrayal of slavery and the ‘lost cause' Southern view of the Civil War. It certainly gives us a lot to talk about in this episode! Join us — Pete Wright and Andy Nelson — as we dive into Victor Fleming's Gone With The Wind. Here's What We Chat AboutWe talk at length about the position of the film in cinematic history and how that contrasts with what it's portraying and how we feel about that, noting that perhaps this film is one that should be considered in the same camp as Song of the South. And we look at what problems we have with the story and why it makes us feel uncomfortable, even if the story itself can be enjoyed when taken out of historical context. Focusing more on the film itself, we look at the actors – Vivien Leigh, Clark Gable, Olivia de Havilland, Leslie Howard, Thomas Mitchell, Hattie McDaniel and more – how they got their parts and how well they work for us. We look at lots of bit players and talk about where they've since popped up. We talk about the context of 1939 and how the studio system worked. We talk about the three directors who contributed to this film – George Cukor, Victor Fleming and Sam Wood – as well as the producing kingpin who really is the one responsible for getting this film made the way he wanted: David O. Selznick. We chat about other key crew who helped bring this film to life, including Max Steiner, Yakima Canutt, William Cameron Menzies and Walter Plunkett. And we marvel at how much money this film has taken in over its lifetime and deliberate over whether it should still be able to make money or if it should be locked away now due to its painful portrayal of the period. It's a long film but a film well worth discussing because of these factors. Tune in!Film SundriesOriginal Release of This Episode in Season 5ScreenplayOriginal theatrical trailerOriginal poster artworkGone With The Wind by Margaret MitchellFlickchartHuffPost Politics Blog: Yes, You're a Racist — and a Traitor(00:00) - 1940 Academy Awards • Best Picture Intro(01:53) - Welcome to The Next Reel • Gone With the Wind(01:20:49) - Wrap UpThis show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/5640170/advertisement

"Broadsword calling Danny Boy"Growing up, the only Danny Boy I was familiar with was the song sung by the family at special occasions like funerals. Before I knew it, sure wasn't it the calling card for this Richard Burton classic.A classic on so many levels, firstly the cast. Bringing together Burton and Eastwood was a stroke of genius. Mary Ure was another excellent casting decision alongside Ingrid Pitt. The score by Ron Goodwin so easily recognisable and the action. Coordinated by JOE POWELL with 2nd Unit Directed by YAKIMA CANUTT.Here I discuss the action with stuntwoman GILLIAN ALDAM who doubled Mary Ure and JIM DOWDALL who worked for Bapty, the armourers at the time, but got himself involved on the picture.EnjoyIf you've enjoyed this episode then why not follow us on Twitter, Instagram and Facebook using the following linkhttps://linktr.ee/behindthestunts

We're back in the Vancouver Rehearsal Tapes Division this week where Coleen, Liz, and returning player Glenn will duke it out across three round of pop culture trivia. After a social game of My Champion, we'll celebrate the practical stunts that make us gasp at the movies before diving into the Best Supporting Actress category at the Academy Awards. Then, if you have a problem, if no one else can help, and if you can find it, maybe you can hire…The Lightning Round! All this and more, this week on The Great American Pop Culture Quiz Show! NOTES ⚠️ Inline notes below may be truncated due to podcast feed character limits. Full notes are always on the episode page.

In this episode we discuss Who's Afraid of Virginia Woolf?, Elizabeth Taylor's second Best Actress win, Mike Nichols' first film after several successful Broadway shows, and the first film to receive an age warning in theaters. We also discuss the history of stunts in Hollywood, the Watering Hole, the need for safety protocols and procedures, and Yakima Canutt and his innumerable contributions to stunt work in the film industry. -- Instagram: https://www.instagram.com/thanktheacademypodcast Twitter: https://www.twitter.com/thankacademypod Email us your thoughts: thanktheacademypod@gmail.com --- Support this podcast: https://anchor.fm/thank-the-academy/support

Scott McGee,  senior director of Original Productions at Turner Classic Movies, joins the podcast to discuss his new book "Danger on the Silver Screen: 50 Films Celebrating Cinema's Greatest Stunts."  We start with the earliest stunts of silent film stars Douglas Fairbanks, Tom Mix, Yakima Canutt, and Buster Keaton before highlighting the chariot race in "Ben Hur," likely the most spectacular stunt ever created.  And then we talk about cars, motorcycles, and the development of James Bond.  With the '80s came "Mad Max," "Raider of the Lost Ark," "Romancing the Stone," and more James Bond.  Ultimately "The Matrix" brings the discussion up to the modern era with a mix of CGI and practical stunts.  And we end with a discussion of some of the top action franchises of the last twenty years and action stars Charlize Theron, Matt Damon, Keanu Reeves, Daniel Craig, and Tom Cruise.Purchase Danger on the Silver ScreenFollow Scott on Twitter @jscottmcgee

Hold it! This episode of Film Frontier is all about one of the greatest films, not to mention Westerns, of all time: Stagecoach from 1939. It's the film that brought John Ford and John Wayne together at last. We talk about these two legends, the impact of the film on directors like Kurosawa and Spielberg, and the immense contributions of stunt pioneer Yakima Canutt. Thanks for listening and please be sure to rate, subscribe, and check out our other episodes. Also be sure to follow the show on social media!

In 1939 YAKIMA CANUTT performed a stunt in the film 'Stagecoach' which changed action cinema forever.It is the one stunt that is loved universally by stunt professionals. But why?We discuss this with the one man who has plenty of experience in this very gag. The magnificent TERRY LEONARD who has had two bites of this fast moving cherry. So sit back and enjoy the big man talk us through everything that involves lying on your back under six horses.https://linktr.ee/behindthestuntsIf you've enjoyed this episode then why not follow us on Twitter, Instagram and Facebook using the following linkhttps://linktr.ee/behindthestunts

Paradise Canyon er en b-western fra 1935 med bl.a. John Wayne, Yakima Canutt, Marion Burns og Reed Howes. Den er instrueret af Carl Pierson. Det er den sidste film, som John Wayne lavede for Monogram Pictures. Spilletiden er 52 minutter. Find ud af, hvad far og søn-værterne synes om filmen, efterfulgt af en lille snak om andre film/serier, de har set i fritiden. Giv os en anmeldelse på iTunes, Podimo, Spotify eller hvor du ellers lytter til podcasts. Skriv til os via mail på johnwaynepod@hotmail.com. Meld dig ind i vores facebook-gruppe: "På jagt efter... John Wayne". Vi er også på instagram: johnwaynepodcasting. Find out more at https://p-jagt-efter-john-wayne.pinecast.co This podcast is powered by Pinecast.

"The Dawn Rider" fra 1935 handler om et ærefuldt venskab, et farligt trekantsdrama og om skurke, hvor den ene er farligere end den anden. Steen og Teddy ser en b-western, som har knivskarp dialog og et plot der er værd at prale af. Men bedst af alt så er Yakima Canutt tilbage i hans hidtil mest infamøse rolle: Saloon Owner! Giv os en anmeldelse på iTunes, Podimo, Spotify eller hvor du ellers lytter til podcasts. Skriv til os via mail på johnwaynepod@hotmail.com. Meld dig ind i vores facebook-gruppe: "På jagt efter... John Wayne". Vi er også på instagram: johnwaynepodcasting. Find out more at https://p-jagt-efter-john-wayne.pinecast.co This podcast is powered by Pinecast.

Steen og Teddy kaster deres kritiske blik på "'Neath the Arizona Skies" fra 1934, også kendt som "Under Arizonas himmel" med John Wayne, Sheila Terry, Shirley Jean Rickert, Earl Dwire, Yakima Canutt, Jay Wilsey og Gabby Hayes i hovedrollerne. Denne gang skal Wayne beskytte en lille indianerpige, som mange forsøger at kidnappe, fordi hun er arving til et stort oliefelt. Giv os en anmeldelse på iTunes, Podimo, Spotify eller hvor du ellers lytter til podcasts. Skriv til os via mail på johnwaynepod@hotmail.com. Meld dig ind i vores facebook-gruppe: "På jagt efter... John Wayne". Vi er også på instagram: johnwaynepodcasting. Find out more at https://p-jagt-efter-john-wayne.pinecast.co This podcast is powered by Pinecast.

John Wayne spiller Tobin, som er på jagt efter storforbryderen Zanti i "The Lawless Frontier" fra 1934 (aka "Præriens blodhunde"). Zanti slog Tobins familie ihjel, men bliver standset, lige inden han slår Sheila Terry og Gabby Hayes ihjel. Det er en film, som byder på mange stunts i bedste Yakima Canutt-stil. Lyt med og find ud af, hvad far og søn-værterne synes om filmen! Giv os en anmeldelse på iTunes, Podimo, Spotify eller hvor du ellers lytter til podcasts. Skriv til os via mail på johnwaynepod@hotmail.com. Meld dig ind i vores facebook-gruppe: "På jagt efter... John Wayne". Vi er også på instagram: johnwaynepodcasting. Find out more at https://p-jagt-efter-john-wayne.pinecast.co This podcast is powered by Pinecast.

Steen og Teddy snakker om "De lovløses samfund" fra 1934 med the man himself i hovedrollen: John Wayne. Han er igen sammen med Yakima Canutt, Gabby Hayes og Verna Hillie. Wayne og Yak spiller et makkerpar, som forsøger at finde frem til den mystiske kriminel, The Shadow. Bagefter snakker far og søn-værterne om Yakima og hans stunt-karriere. Giv os en anmeldelse på iTunes, Podimo, Spotify eller hvor du ellers lytter til podcasts. Skriv til os via mail på johnwaynepod@hotmail.com. Meld dig ind i vores facebook-gruppe: "På jagt efter... John Wayne". Vi er også på instagram: johnwaynepodcasting. Find out more at https://p-jagt-efter-john-wayne.pinecast.co This podcast is powered by Pinecast.

"Randy Rides Alone" er fra 1934 og blev kaldt for "Mystikken i Præriekroen" på dansk. I rollerne ser vi John Wayne, Yakima Canutt, Gabby Hayes, Alberta Vaughn og Earl Dwire. Den varer 53 minutter og er instrueret af Harry L. Fraser, udgivet af Monogram Pictures. Steen og Teddy giver deres besyv på, hvordan filmen er. Men først starter Steen ud med at tale om en ny bog, han har fået, som omhandler John Wayne, John Ford og Ward Bond. Bogen hedder "3 Bad Men" og han er helt hooked på den. Den kan klart anbefales. Giv os en anmeldelse på iTunes, Podimo, Spotify, eller hvor du ellers lytter til podcasts. Skriv til os via johnwaynepod@hotmail.com. Meld dig ind i vores facebook-gruppe: "På jagt efter... John Wayne". Vi er også på instagram: johnwaynepodcasting. Find out more at https://p-jagt-efter-john-wayne.pinecast.co This podcast is powered by Pinecast.

"Manden fra Utah" fra 1934 blev udgivet af Monogram Pictures og har John Wayne, Gabby Hayes, Polly Ann Young, Anita Campillo og Yakima Canutt i hovedrollerne. Den er skrevet af Lindsley Parsons og instrueret af en gammel kending: Robert N. Bradbury. Steen og Teddy tager på eventyr med Wayne og prøver at finde ud af, hvem der er bagmændene bag et korrupt rodeoshow. Giv os en anmeldelse på iTunes, Podimo, Spotify, eller hvor du ellers lytter til dine podcasts. Skriv til os via johnwaynepod@hotmail.com. Meld dig ind i vores facebookgruppe: "På jagt efter... John Wayne". Vi er også på instagram: "johnwaynepodcasting". Find out more at https://p-jagt-efter-john-wayne.pinecast.co This podcast is powered by Pinecast.

A discussion about and look into the stories, the history and personalities that came together to make the silent film, "The Devil Horse" in 1926. Directed by Fred Jackman, Sr. and starring Rex, Yakima Canutt, Gladys McConnell and Bob Kortman.

Steen og Teddy ser endnu en b-western fra 1934, instrueret af Robert Bradbury og med John Wayne, Gabby Hayes og Yakima Canutt i rollerne. John Wayne spiller en U. S. Marshal, som forsøger at fange Polka Dot Banditten. Filmen blev senere udgivet som "Stolen Goods" i en farvet version. Giv os en anmeldelse på iTunes, Podimo, Spotify eller hvor du ellers lytter til podcasts. Skriv til os via mail på johnwaynepod@hotmail.com. Meld dig ind i vores facebook-gruppe: "På jagt efter... John Wayne". Vi er også på instagram: johnwaynepodcasting. Find out more at https://p-jagt-efter-john-wayne.pinecast.co This podcast is powered by Pinecast.

"The Lucky Texan" er en b-western fra 1934 med John Wayne i hovedrollen, sammen med Barbara Sheldon, Gabby Hayes og den legendariske stuntman Yakima Canutt. Den er skrevet og instrueret af Robert N. Bradbury. Filmen indeholder et tidligt blik på, hvordan Gabby Hayes vil udvikle sin karakter i senere film. Filmens titel var oprindelig "Gold Strike River" og den blev senere genudgivet i farver med lige præcis den titel. Plottet omhandler John Wayne, som finder guld og stoler på en mand, der ikke er værd at stole på. Giv os en anmeldelse på iTunes, Podimo, Spotify eller hvor du ellers lytter til podcasts. Skriv til os via mail på johnwaynepod@hotmail.com. Meld dig ind i vores facebook-gruppe: "På jagt efter... John Wayne". Vi er også på instagram: johnwaynepodcasting. Find out more at https://p-jagt-efter-john-wayne.pinecast.co This podcast is powered by Pinecast.

The town of Yakima is not only the self-proclaimed "Palm Springs of Washington State" - but it's also the hometown of some remarkable and famous people. A partial list includes the late Supreme Court Justice William O. Douglas. The great short story writer and poet, Raymond Carver, grew up there. One of the most-admired writers for kids spent time in Yakima - and was the author of Pat Cashman's favorite books about Henry Huggins and his dog, Ribsy. She was Beverly Cleary… who died in 2021 at the age of 105. Perhaps one of the most underrated pop vocalists of all time is from Yakima: Gary Puckett. He named his band after the nearby town of Union Gap. Remember the big Indian guy from the movie "One Flew Over the Cuckoo's Nest"? His name was Will Sampson… he grew up in Yakima - and, frankly, could have cashed in on his gum endorsement in that ‘Cuckoo' movie. ("Juicy Fruit") Believe it or not, the great standup comic, Sam Kinison - grew up in Yakima. The legendary movie stuntman and actor, Yakima Canutt, took his first name from the Yakima River Valley where he grew up. The skiiers, Phil and Steve Mahre are from Yakima. So was Pete Rademacher… the one-time heavyweight boxer who got knocked out by Floyd Patterson at Sick's Stadium in Seattle in 1957. And perhaps… most notable of all… Floyd Paxton was from Yakima. Who is Floyd Paxton? Only the inventor of the Kwik Lok Bread Clip. But there's another Yakima native whose name you might not know… but should. She was, after all, the very first executive producer of Almost Live! She's Dana Dwinell. After high school in Yakima, she graduated from the University of Washington… from which other Almost Live! alum like John Keister, Nancy Guppy, Bob Nelson and Joel McHale also graduated. It is considered a super easy college. But after Dana graduated, she soon got her first TV gig at KING in Seattle as a part-time production assistant - eventually working her way up to be the associate producer of KING's longtime morning show, Seattle Today. She got stuck in that gig until a new station program director came along with some new ideas. One idea was a local music video show called REV - an acronym that stood for ‘Rock Entertainment Videos. Dana became the co-producer of that - a show that introduced a new face to TV in a recurring segment called The Rocket Report. That new face? A guy named John Keister. But the new program director had another big idea: Starting up a never-before-tried local comedy show. After a couple of not-so-good pilot shows… it eventually became Almost Live! Dana Dwinell was tapped to be the executive producer. A couple of years later, she moved on. Really moved. To produce a morning show in Philadelphia - staying for three years. Later she went on to San Francisco for another TV opportunity. There were other stops along the way - but she and her husband eventually made the decision to move back… to Yakima. It would be a new career - in advertising. Today, she runs her own very successful company: D2 Communications. D2, see? Because her name starts with two D's? That's a cool idea using the first letter of your first and last name to form a business acronym. Unless your name is Pete Peterson. Find out more about the journey of the remarkable Dana Dwinell - as Pat talks to her from the D2 offices - in the Palm Springs of Washington state - Yakima. Not far from Ellensburg - the Oxnard of Washington state...

I "Efterlyst af politiet" fra 1933 spiller John Wayne en mand, der er dømt for et mord, han ikke har begået. På flugt fra politiet søger han ly hos en kriminel bande, hvor han bliver gode venner med Lane Chandler, men ikke så meget med bandelederen, spillet af Yakima Canutt. På engelsk hedder filmen "Sagebrush Trail". Før de snakker om filmen, gennemgår Steen og Teddy nogle af de samleobjekter, som Steen har i sin John Wayne-samling. Giv os en anmeldelse på iTunes, Podimo, Spotify, eller hvor du ellers lytter til dine podcasts. Skriv til os via johnwaynepod@hotmail.com. Meld dig ind i vores facebookgruppe: "På jagt efter... John Wayne". Vi er også på instagram: "johnwaynepodcasting". Find out more at https://p-jagt-efter-john-wayne.pinecast.co This podcast is powered by Pinecast.

I "The Telegraph Trail" møder far og søn-værterne John Wayne i en intens kamp mod indianere, som overfalder telegraf-arbejdere. Den efterhånden velkendte stuntman, Yakima Canutt, spiller Chief Howling Wolf, som er i ledtog med den egentlige skurk, Gus Lynch (Frank McHugh). Sammen med Alice Keller (Marceline Day) og hesten Duke må John Trent (Wayne) kæmpe mod forræderi, angreb og den åh så svære kærlighed. Giv os en anmeldelse på iTunes, Podimo, Spotify eller hvor du ellers lytter til podcasts. Skriv til os via mail på johnwaynepod@hotmail.com. Meld dig ind i vores facebook-gruppe: "På jagt efter... John Wayne". Vi er også på instagram: johnwaynepodcasting. Find out more at https://p-jagt-efter-john-wayne.pinecast.co This podcast is powered by Pinecast.

Dennis talks about spending a couple weeks away in the mountains, his late manager Bernie Brillstein, Brad Pitt's career, how entertaining he finds Chet Hanks, how Trump is the last guy holding the country up now and what he expects from the debates -- if they happen. He also evaluates two joke submissions from a listener, recounts trying to watch a 7 hour Hungarian film called "Sátántangó" with his son, Yakima Canutt, the genius of Norm MacDonald, Lorne Michaels, Dennis's performance on the golf course at Sandpiper, Jay Cutler, "Ben Hur", the film "Blow Up", a film called "The Heiress", and much more! This episode is brought to you by our sponsors: Omax Health (Code: Miller) Draft Kings App (Code: Miller) Lucy Nicotene (Code: Miller)

Yeehaw! Pod Hard is finally trampling all over the western genre and starts off in the best possible way - by watching one of the all-time greats, John Ford's Stagecoach. Jonas Högberg & Anders Hultqvist are instantly smitten with the iconic stock characters that share a ride through Apache territory in 1880 and applaud Ford for his flawless tension building. Orson Welles saw Stagecoach 40 times before directing Citizen Kane. This film was his film school! John Wayne is the original Arnold Schwarzenegger, Donald Meek plays his own name, Monumental Valley is all that and legendary stunt man and stunt coordinator Yakima Canutt is showing off. Stagecoach is Michael Curtiz-approved, geezer-approved and Pod Hard-approved. "Well, I guess you can't break out of prison and into society in the same week."

History Riders Radio Podcast HRR 2220 for Week 22 of 2020 – Saturday 05/23/2020 to Friday 05/29/2020. History Riders, ride this Week’s Memory Trail with Doc Boyle to discover an event from Western History for each day of the week; all rounded up from the pages of Old West Daily Reader. Subjects Include: Father Pierre-Jean DeSmet; Yakima Canutt; Cury Bill Brocius; Kid Curry; Jedediah Smith; The Virginian; Audie Leon Murphy; Camp Sacrifice. (00:06:31)Please leave a FaceBook “Like” and share our link with a friend. Thanks for the visit! - oldwestdailyreader.comSupport the show (http://oldwestdailyreader.com)

Recordamos a dos leyendas de Hollywood, el actor Robert Mitchum y el especialista Yakima Canutt. “Belle epoque” y el Oscar de Fernando Trueba. Visitamos el Teatro Chino de Grauman y su patio de las huellas.

Recordamos a dos leyendas de Hollywood, el actor Robert Mitchum y el especialista Yakima Canutt. “Belle epoque” y el Oscar de Fernando Trueba. Visitamos el Teatro Chino de Grauman y su patio de las huellas.

Reivindicamos el día a día del especialista de riesgo, el stuntman, una de las profesiones que más admiramos y repasamos la vida de un buen puñado de hombres y mujeres que se dejan literalmente la piel en los rodajes de cine. En los inicios del mundo del cine, ya encontramos dobles que compartían todo tipo de hazañas con actores como Buster Keaton y Harold Lloyd y así acróbatas, cowboys, conductores o temerarios de todo tipo se convirtieron en una de las profesiones más ingratas del celuloide. Desde tipos que procedían del rodeo como Yakima Canutt, que coordinó Ben Hur, hasta tipos duros como Hal Needham que literalmente rebasaban la velocidad del sonido, películas clásicas de cine de acción como la saga Indiana le debe casi todo a profesionales como Vic Armstrong o Patrick Leonard. No podemos dejar de mencionar a las stuntwomen, mujeres como Zoe Bell, que han peleado por la igualdad en un sector mayoritariamente masculino. Ni tampoco a esos actores especialmente temerarios como Jackie Chan o Tom Cruise que incluso han llegado a prescindir de dobles. En España tenemos grandes profesionales del stunt que participan en grandes superproducciones. Es el caso del canario Dacio Caballero, un auténtico maestro a pesar de su juventud, con el que tuvimos el placer de charlar. Finalizamos el programa con nuestra sección Vídeoclub Vanessa, recuperando la más seria de las películas de "la Disney de la caja blanca". Fuga de Noche, basada en un hecho real, nos contaba una historia que sucedió en plena guerra fría con el recientemente fallecido John Hurt y un enfoque bastante inusual para lo que nos tenía acostumbrado la compañía de Mickey Mouse.  

Reivindicamos el día a día del especialista de riesgo, el stuntman, una de las profesiones que más admiramos y repasamos la vida de un buen puñado de hombres y mujeres que se dejan literalmente la piel en los rodajes de cine. En los inicios del mundo del cine, ya encontramos dobles que compartían todo tipo de hazañas con actores como Buster Keaton y Harold Lloyd y así acróbatas, cowboys, conductores o temerarios de todo tipo se convirtieron en una de las profesiones más ingratas del celuloide. Desde tipos que procedían del rodeo como Yakima Canutt, que coordinó Ben Hur, hasta tipos duros como Hal Needham que literalmente rebasaban la velocidad del sonido, películas clásicas de cine de acción como la saga Indiana le debe casi todo a profesionales como Vic Armstrong o Patrick Leonard. No podemos dejar de mencionar a las stuntwomen, mujeres como Zoe Bell, que han peleado por la igualdad en un sector mayoritariamente masculino. Ni tampoco a esos actores especialmente temerarios como Jackie Chan o Tom Cruise que incluso han llegado a prescindir de dobles. En España tenemos grandes profesionales del stunt que participan en grandes superproducciones. Es el caso del canario Dacio Caballero, un auténtico maestro a pesar de su juventud, con el que tuvimos el placer de charlar. Finalizamos el programa con nuestra sección Vídeoclub Vanessa, recuperando la más seria de las películas de "la Disney de la caja blanca". Fuga de Noche, basada en un hecho real, nos contaba una historia que sucedió en plena guerra fría con el recientemente fallecido John Hurt y un enfoque bastante inusual para lo que nos tenía acostumbrado la compañía de Mickey Mouse.  

Stagecoach (1939) is John Ford Directed western that set the bar for all future westerns. This movie turned John Wayne into a star and featured a fantastic cast consisting of Claire Trevor, John Carradine, Andy Devine and Tim Holt. The stunts from Yakima Canutt are amazing.     We would love to get your feedback! Email HELP US SPREAD THE WORD! If you liked this episode head on over to iTunes and kindly leave us a rating, a review and subscribe! Ways to subscribe to Classic Movie Reviews with Snark  Click here to subscribe via iTunes Click here to subscribe via RSS You can also subscribe via Stitcher Read more at snarkymoviereviews.com

When John Ford decided to helm “Stagecoach” in 1939, he hadn't done a western since his days in the silent film era. Yet it was this film, along with his relationship with John Wayne, that would lead to him making arguably some of the greatest westerns in cinema. Yet with this film, it was really more of a chance to make a western that could be a bit more serious, not just another b-level shoot-em-up, while still making a movie that was pretty light and entertaining. Join us – Pete Wright and Andy Nelson – as we continue our series on films from 1939 with Ford's “Stagecoach.” We talk about John Ford as a director and what he was trying to do with this film, pointing out some Ford-isms along with debating his strength as a filmmaker. We chat about Dudley Nichols' script adapted from Ernest Haycox's short story, enjoying what he did with the nine principal characters in the film, even if there were some pacing issues throughout. We discuss the cinematography of Bert Glennon and the way he and Ford shot the action sequences. We chat about stuntman and stunt coordinator Yakima Canutt, marveling at the amazing stunts he performs in the film while also feeling pretty horrified at the methods he devised to get the horses to fall on camera. And we touch on the cast, touching on what each of them bring to their roles. It's a fun film, even if not one of our favorites, but still gives us a great movie to talk about. So check it out then tune in!

When John Ford decided to helm “Stagecoach” in 1939, he hadn't done a western since his days in the silent film era. Yet it was this film, along with his relationship with John Wayne, that would lead to him making arguably some of the greatest westerns in cinema. Yet with this film, it was really more of a chance to make a western that could be a bit more serious, not just another b-level shoot-em-up, while still making a movie that was pretty light and entertaining. Join us – Pete Wright and Andy Nelson – as we continue our series on films from 1939 with Ford's “Stagecoach.” We talk about John Ford as a director and what he was trying to do with this film, pointing out some Ford-isms along with debating his strength as a filmmaker. We chat about Dudley Nichols' script adapted from Ernest Haycox's short story, enjoying what he did with the nine principal characters in the film, even if there were some pacing issues throughout. We discuss the cinematography of Bert Glennon and the way he and Ford shot the action sequences. We chat about stuntman and stunt coordinator Yakima Canutt, marveling at the amazing stunts he performs in the film while also feeling pretty horrified at the methods he devised to get the horses to fall on camera. And we touch on the cast, touching on what each of them bring to their roles. It's a fun film, even if not one of our favorites, but still gives us a great movie to talk about. So check it out then tune in!

"We’re the victims of a foul disease called social prejudice, my child." When John Ford decided to helm “Stagecoach” in 1939, he hadn’t done a western since his days in the silent film era. Yet it was this film, along with his relationship with John Wayne, that would lead to him making arguably some of the greatest westerns in cinema. Yet with this film, it was really more of a chance to make a western that could be a bit more serious, not just another b-level shoot-em-up, while still making a movie that was pretty light and entertaining. Join us – Pete Wright and Andy Nelson – as we continue our series on films from 1939 with Ford’s “Stagecoach.” We talk about John Ford as a director and what he was trying to do with this film, pointing out some Ford-isms along with debating his strength as a filmmaker. We chat about Dudley Nichols’ script adapted from Ernest Haycox’s short story, enjoying what he did with the nine principal characters in the film, even if there were some pacing issues throughout. We discuss the cinematography of Bert Glennon and the way he and Ford shot the action sequences. We chat about stuntman and stunt coordinator Yakima Canutt, marveling at the amazing stunts he performs in the film while also feeling pretty horrified at the methods he devised to get the horses to fall on camera. And we touch on the cast, touching on what each of them bring to their roles. It’s a fun film, even if not one of our favorites, but still gives us a great movie to talk about. So check it out then tune in! Film Sundries Watch this film: iTunes • Amazon • Hulu Script Transcript Original theatrical trailer Original poster artwork The Stage to Lordsburg by Ernest Haycox Flickchart Stagecoach Location Shooting Breakdown Stagecoach & the Ned Scott Still Photographs Trailers of the Week Andy's Trailer: Popstar — "I don’t know if I’ll ever watch this one, but this red band trailer makes me laugh more than it probably should. Andy Samberg as a Justin Bieber-esque pop star on the decline? It could actually be funny. Or it could be utter garbage. Still, they got Martin Sheen to be in it so I’ve gotta give it points for that." Pete's Trailer: Captain America: Civil War — "I know, I know. We’ve talked about this one already. But seriously, have you checked out how smart the marketing is on this thing? The art, the trailers, the placement are just pitch perfect. Whoever loses in the film, the Russos absolutely crush."

"We're the victims of a foul disease called social prejudice, my child." When John Ford decided to helm “Stagecoach” in 1939, he hadn't done a western since his days in the silent film era. Yet it was this film, along with his relationship with John Wayne, that would lead to him making arguably some of the greatest westerns in cinema. Yet with this film, it was really more of a chance to make a western that could be a bit more serious, not just another b-level shoot-em-up, while still making a movie that was pretty light and entertaining. Join us – Pete Wright and Andy Nelson – as we continue our series on films from 1939 with Ford's “Stagecoach.” We talk about John Ford as a director and what he was trying to do with this film, pointing out some Ford-isms along with debating his strength as a filmmaker. We chat about Dudley Nichols' script adapted from Ernest Haycox's short story, enjoying what he did with the nine principal characters in the film, even if there were some pacing issues throughout. We discuss the cinematography of Bert Glennon and the way he and Ford shot the action sequences. We chat about stuntman and stunt coordinator Yakima Canutt, marveling at the amazing stunts he performs in the film while also feeling pretty horrified at the methods he devised to get the horses to fall on camera. And we touch on the cast, touching on what each of them bring to their roles. It's a fun film, even if not one of our favorites, but still gives us a great movie to talk about. So check it out then tune in! Film Sundries Watch this film: iTunes • Amazon • Hulu Script Transcript Original theatrical trailer Original poster artwork The Stage to Lordsburg by Ernest Haycox Flickchart Stagecoach Location Shooting Breakdown Stagecoach & the Ned Scott Still Photographs Trailers of the Week Andy's Trailer: Popstar — "I don't know if I'll ever watch this one, but this red band trailer makes me laugh more than it probably should. Andy Samberg as a Justin Bieber-esque pop star on the decline? It could actually be funny. Or it could be utter garbage. Still, they got Martin Sheen to be in it so I've gotta give it points for that." Pete's Trailer: Captain America: Civil War — "I know, I know. We've talked about this one already. But seriously, have you checked out how smart the marketing is on this thing? The art, the trailers, the placement are just pitch perfect. Whoever loses in the film, the Russos absolutely crush."

“Frankly, my dear, I don’t give a damn." Considering the racially-charged climate of the US right now, it’s oddly perfect timing that we’re starting our 1939 series with “Gone With The Wind,” a film as technically brilliant to look at as it is hard to watch because of it’s portrayal of slavery and the ‘lost cause’ Southern view of the Civil War. It certainly gives us a lot to talk about in this episode! Join us — Pete Wright and Andy Nelson — as we dive into Victor Fleming’s “Gone With The Wind.” We talk at length about the position of the film in cinematic history and how that contrasts with what it’s portraying and how we feel about that, noting that perhaps this film is one that should be considered in the same camp as ‘Song of the South.’ And we look at what problems we have with the story and why it makes us feel uncomfortable, even if the story itself can be enjoyed when taken out of historical context. Focusing more on the film itself, we look at the actors — Vivien Leigh, Clark Gable, Olivia de Havilland, Leslie Howard, Thomas Mitchell, Hattie McDaniel and more — how they got their parts and how well they work for us. We look at lots of bit players and talk about where they’ve since popped up. We talk about the context of 1939 and how the studio system worked. We talk about the three directors who contributed to this film — George Cukor, Victor Fleming and Sam Wood — as well as the producing kingpin who really is the one responsible for getting this film made the way he wanted: David O. Selznick. We chat about other key crew who helped bring this film to life, including Max Steiner, Yakima Canutt, William Cameron Menzies and Walter Plunkett. And we marvel at how much money this film has taken in over its lifetime and deliberate over whether it should still be able to make money or if it should be locked away now due to its painful portrayal of the period. It’s a long film but a film well worth discussing because of these factors. Tune in! Film Sundries Screenplay Original theatrical trailer Original poster artwork Gone With The Wind by Margaret Mitchell Flickchart HuffPost Politics Blog: Yes, You’re a Racist — and a Traitor Trailers of the Week Andy’s Trailer: Sicario — “Denis Villeneuve wowed me with ‘Prisoners’ and ‘Incendies.’ This story along the US/Mexico border looks like he’s back with another strong film and I’m quite excited to see it. Plus Emily Blunt kicking butt again." Pete’s Trailer: Dragon Blade — “This is a mystery to me: Jackie Chan with Adrien Brody and John Cusack? Apparently it’s doing well in China, so I’ll probably give it a shot, but it’s tonally confusing to my eye and Brody as the Big Bad? I don’t buy it." Hey! You know what would be awesome? If you would drop us a positive rating on iTunes! If you like what we’re doing here on TNR, it really is the best way to make sure that this show appears when others search for it, plus, it’s just a nice thing to do. Thanks!! The Next Reel on iTunes The Next Reel on Facebook The Next Reel on Twitter The Next Reel on Flickchart The Next Reel on Letterboxd Guess the Movie with The Next Reel on Instagram Check out the Posters with The Next Reel on Pinterest And for anyone interested in our fine bouquet of show hosts: Follow Andy Nelson on Twitter Follow Pete Wright on Twitter Follow Steve Sarmento on Twitter Check out Tom Metz on IMDB Justin "JJ" Jaeger Chadd Stoops Follow Steven Smart on Letterboxd

“Frankly, my dear, I don't give a damn." Considering the racially-charged climate of the US right now, it's oddly perfect timing that we're starting our 1939 series with “Gone With The Wind,” a film as technically brilliant to look at as it is hard to watch because of it's portrayal of slavery and the ‘lost cause' Southern view of the Civil War. It certainly gives us a lot to talk about in this episode! Join us — Pete Wright and Andy Nelson — as we dive into Victor Fleming's “Gone With The Wind.” We talk at length about the position of the film in cinematic history and how that contrasts with what it's portraying and how we feel about that, noting that perhaps this film is one that should be considered in the same camp as ‘Song of the South.' And we look at what problems we have with the story and why it makes us feel uncomfortable, even if the story itself can be enjoyed when taken out of historical context. Focusing more on the film itself, we look at the actors — Vivien Leigh, Clark Gable, Olivia de Havilland, Leslie Howard, Thomas Mitchell, Hattie McDaniel and more — how they got their parts and how well they work for us. We look at lots of bit players and talk about where they've since popped up. We talk about the context of 1939 and how the studio system worked. We talk about the three directors who contributed to this film — George Cukor, Victor Fleming and Sam Wood — as well as the producing kingpin who really is the one responsible for getting this film made the way he wanted: David O. Selznick. We chat about other key crew who helped bring this film to life, including Max Steiner, Yakima Canutt, William Cameron Menzies and Walter Plunkett. And we marvel at how much money this film has taken in over its lifetime and deliberate over whether it should still be able to make money or if it should be locked away now due to its painful portrayal of the period. It's a long film but a film well worth discussing because of these factors. Tune in! Film Sundries Screenplay Original theatrical trailer Original poster artwork Gone With The Wind by Margaret Mitchell Flickchart HuffPost Politics Blog: Yes, You're a Racist — and a Traitor Trailers of the Week Andy's Trailer: Sicario — “Denis Villeneuve wowed me with ‘Prisoners' and ‘Incendies.' This story along the US/Mexico border looks like he's back with another strong film and I'm quite excited to see it. Plus Emily Blunt kicking butt again." Pete's Trailer: Dragon Blade — “This is a mystery to me: Jackie Chan with Adrien Brody and John Cusack? Apparently it's doing well in China, so I'll probably give it a shot, but it's tonally confusing to my eye and Brody as the Big Bad? I don't buy it." Hey! You know what would be awesome? If you would drop us a positive rating on iTunes! If you like what we're doing here on TNR, it really is the best way to make sure that this show appears when others search for it, plus, it's just a nice thing to do. Thanks!! The Next Reel on iTunes The Next Reel on Facebook The Next Reel on Twitter The Next Reel on Flickchart The Next Reel on Letterboxd Guess the Movie with The Next Reel on Instagram Check out the Posters with The Next Reel on Pinterest And for anyone interested in our fine bouquet of show hosts: Follow Andy Nelson on Twitter Follow Pete Wright on Twitter Follow Steve Sarmento on Twitter Check out Tom Metz on IMDB Justin "JJ" Jaeger Chadd Stoops Follow Steven Smart on Letterboxd

Considering the racially-charged climate of the US right now, it's oddly perfect timing that we're starting our 1939 series with “Gone With The Wind,” a film as technically brilliant to look at as it is hard to watch because of it's portrayal of slavery and the ‘lost cause' Southern view of the Civil War. It certainly gives us a lot to talk about in this episode! Join us — Pete Wright and Andy Nelson — as we dive into Victor Fleming's “Gone With The Wind.” We talk at length about the position of the film in cinematic history and how that contrasts with what it's portraying and how we feel about that, noting that perhaps this film is one that should be considered in the same camp as ‘Song of the South.' And we look at what problems we have with the story and why it makes us feel uncomfortable, even if the story itself can be enjoyed when taken out of historical context. Focusing more on the film itself, we look at the actors — Vivien Leigh, Clark Gable, Olivia de Havilland, Leslie Howard, Thomas Mitchell, Hattie McDaniel and more — how they got their parts and how well they work for us. We look at lots of bit players and talk about where they've since popped up. We talk about the context of 1939 and how the studio system worked. We talk about the three directors who contributed to this film — George Cukor, Victor Fleming and Sam Wood — as well as the producing kingpin who really is the one responsible for getting this film made the way he wanted: David O. Selznick. We chat about other key crew who helped bring this film to life, including Max Steiner, Yakima Canutt, William Cameron Menzies and Walter Plunkett. And we marvel at how much money this film has taken in over its lifetime and deliberate over whether it should still be able to make money or if it should be locked away now due to its painful portrayal of the period. It's a long film but a film well worth discussing because of these factors. Tune in!

Considering the racially-charged climate of the US right now, it's oddly perfect timing that we're starting our 1939 series with “Gone With The Wind,” a film as technically brilliant to look at as it is hard to watch because of it's portrayal of slavery and the ‘lost cause' Southern view of the Civil War. It certainly gives us a lot to talk about in this episode! Join us — Pete Wright and Andy Nelson — as we dive into Victor Fleming's “Gone With The Wind.” We talk at length about the position of the film in cinematic history and how that contrasts with what it's portraying and how we feel about that, noting that perhaps this film is one that should be considered in the same camp as ‘Song of the South.' And we look at what problems we have with the story and why it makes us feel uncomfortable, even if the story itself can be enjoyed when taken out of historical context. Focusing more on the film itself, we look at the actors — Vivien Leigh, Clark Gable, Olivia de Havilland, Leslie Howard, Thomas Mitchell, Hattie McDaniel and more — how they got their parts and how well they work for us. We look at lots of bit players and talk about where they've since popped up. We talk about the context of 1939 and how the studio system worked. We talk about the three directors who contributed to this film — George Cukor, Victor Fleming and Sam Wood — as well as the producing kingpin who really is the one responsible for getting this film made the way he wanted: David O. Selznick. We chat about other key crew who helped bring this film to life, including Max Steiner, Yakima Canutt, William Cameron Menzies and Walter Plunkett. And we marvel at how much money this film has taken in over its lifetime and deliberate over whether it should still be able to make money or if it should be locked away now due to its painful portrayal of the period. It's a long film but a film well worth discussing because of these factors. Tune in!

Movie Meltdown - Episode 244 This week we bring you a wrap up of our last convention of the year... Scarefest. While there we talk to actor Bruce Davison. We catch up with one of our favorite guests... Miss Danielle Harris. And maybe... just maybe there's a special appearance by none other then cinematic legend - Malcolm McDowell!  Plus we feature a special bonus interview with genre favorite... Gerrit Graham! And more stories of our run-ins with Dana Ashbrook, Barry Bostwick and Sherilyn Fenn.  And while we cruise in comfort down those wide aisles, we also discuss... Casa de Lucy, Brian Singer, Used Cars, 99 cent burgers, wearing a safari suit at all times, he put a big rat on my shoulder, Roseanne, gold records, an open clown workshop, Shivers, Ewan McGregor, Judge Dredd, Holliston, the politics of film distribution, it's green o'clock, Chloe Sevigny, Bud T. Chud, The Little Mermaid, Brian De Palma, playing Beef, everything is foleyed, Zach Galligan, vampire Fabio, moving into directing, a clean port-o-potty, he looked at her... like he wanted to murder her, Paul Williams, stealing and doing drugs, can we just discuss Patti and how adorable she is?, If, Winnie the Pooh, I've been hit in the head a lot, Amber Heard, Hallows Eve, Greetings, BSA motorcycles, a virtual convention, easy peasy lemon squeezy - I'm gonna end up punching that guy, Adam Green, poor Hoyt, hanging out with Corey Feldman, sweet dreams with cancer and what-not, The Lucy Lair of Lusciousness, I thought he was gonna make this one girl cry, I was young and dumb, Yakima Canutt, Leland hair, clowns and child abuse, Victor Crowley, grav3yardgirl, a ghost-hunting Care Bear, Suck, a French Lit major, pimping out genre stars, improvised for three days, I used to be beautiful!, Brad Pitt, a big Gremlins geek, port-o-pussy, Mother, Jugs and Speed, lazy criticism, Ghost of Goodnight Lane, Bob Weir, the mom/clown subplot, the gift shop's in the garage, charming with his streak of cruelty, Robert De Niro, All the Real Girls, Hatchet 3 and being adorably attacked. "...but if your going to be told how wrong you are - who better to tell you then Malcolm McDowell."  For more on ScareFest go to:  http://thescarefest.com/

Harrison Ford breathes life into another icon when he picks up the whip and fedora offered by George Lucas, Steven Spielberg, and Lawrence Kasdan. I talk about the film's origins and episodic nature, call it "nearly perfect," and point out its various imperfections. I ponder the nature of the triple villain and the character arc that Indy travels. I compare it to romantic comedies and serials of the 1930s and '40s, and to the other Indiana Jones films. I say 1935 a couple of times when I mean 1936. I say Martin Scorsese directed Tucker when I mean Francis Ford Coppola. And I squeeze in a reference to Yakima Canutt.

On the death of Roy Rogers (1911 -1998), the singing cowboy, Cooke considers the great film cowboys, Bruce Wayne, William S. Hart, Gary Cooper and the stuntman Yakima Canutt.

In praise of the little-known name behind the thrilling stunts of many big-name movie stars. This archive edition of Letter from America was recorded by one of two listeners, who between them taped and labelled over 650 Letter From America programmes from 1973 to 1989. It was restored by the BBC in 2014.

In praise of the little-known name behind the thrilling stunts of many big-name movie stars. This archive edition of Letter from America was recorded by one of two listeners, who between them taped and labelled over 650 Letter From America programmes from 1973 to 1989. It was restored by the BBC in 2014.