Podcasts about 1939

Songs include: Moonlight Serenade by Glenn Miller, My Heart Belongs to Daddy by Mary Martin, Body and Soul by Coleman Hawkins, Deep Purple by Larry Clinton and God Bless America by Kate Smith. 

durée : 01:02:32 - Les Nuits de France Culture - par : Albane Penaranda, Mathias Le Gargasson, Antoine Dhulster - Face à l'obstination de Hitler qui entend poursuivre sa politique d'expansion vers l'est, la France et la Grande-Bretagne déclarent la guerre à l'Allemagne le 3 septembre 1939. En 1982, cet épisode de la série sur la Seconde guerre mondiale en analyse les circonstances et évènements. - réalisation : Massimo Bellini, Vincent Abouchar - invités : Jean-Baptiste Duroselle Historien

durée : 01:02:15 - Les Nuits de France Culture - par : Albane Penaranda, Mathias Le Gargasson, Antoine Dhulster - L'historien Marc Ferro nous donne une analyse éclairante sur la signature du pacte de non-agression entre l'Allemagne nazie et l'URSS, en 1939. Un entretien illustré par des archives, dans le 6e épisode de la série sur la Deuxième Guerre Mondiale, produite en 1982 par Gilbert Pilleul. - réalisation : Massimo Bellini, Vincent Abouchar - invités : Marc Ferro Historien spécialiste de la Russie et de l'Union Soviétique

durée : 01:02:00 - Les Nuits de France Culture - par : Albane Penaranda, Mathias Le Gargasson, Antoine Dhulster - Comment le chancelier allemand Adolf Hitler a t'il pu mener, entre 1936 et 1939, une politique expansionniste sans susciter des réactions de la part des démocraties occidentales ? C'est ce qu'analyse ce 4e épisode, diffusé en 1982, de la série de Gilbert Pilleul sur la Seconde Guerre mondiale. - réalisation : Massimo Bellini, Vincent Abouchar

Every choice we make moves us either toward God or away from Him—there is no neutral ground. In this thought-provoking episode, we explore the dangerous illusion of moral neutrality in our personal lives, marriages, and national institutions.When facing overwhelming challenges, a Navy SEAL instructor's wisdom offers surprising spiritual insight: don't focus on the entire journey—just make it to the next milestone. This powerful mindset can transform how we approach seemingly insurmountable obstacles in our faith journey.Diving into Titus 1, we examine God's requirements for church leadership and discover universal principles that apply to all believers: living blamelessly, loving what is good, and maintaining spiritual discipline. Just as athletes understand the necessity of consistent training even when they don't feel like it, our spiritual lives demand the same commitment and dedication.Churchill's fateful decision to ally with Stalin's Soviet Union serves as a sobering historical lesson about compromising with evil. This parallel illuminates our current cultural crossroads in America and Western civilization. Are we willing to sacrifice our principles for temporary peace?Reagan's timeless "Time for Choosing" speech delivers the powerful conclusion that appeasement only leads to greater demands from those who oppose freedom. "If nothing in life is worth dying for, when did this begin? Should Christ have refused the cross?" The choice is never between peace and war but between fighting for what's right or surrendering to what's wrong.Ready to strengthen your spiritual resilience? Subscribe now and join our community of believers committed to standing firm in faith rather than surrendering to the false promise of neutrality.Support the showThe American Soul Podcasthttps://www.buzzsprout.com/1791934/subscribe

It was a celebration of hate, but it was also a Nazi rally unlike any others.Show website: www.truestoriespodcast.comBecome a Patreon Supporter: https://bit.ly/3XLR99vBecome a supporter of this podcast: https://www.spreaker.com/podcast/true-stories-with-seth-andrews--5621867/support.

Discover the timeless wisdom woven into the fabric of faith, family, and community as we unravel profound lessons from history and scripture. Reflecting on FDR's 1939 Christmas message, we explore the urgency of prioritizing spiritual and communal values in today's rapidly changing world. Journey with us through pivotal scriptures such as 1 Corinthians 7 and Ephesians 5, as we challenge contemporary societal norms and offer insights into the true roles and responsibilities within marriage. With a lens on historical reluctance, we draw parallels between the threats of the past and the challenges we face today, encouraging a proactive embrace of faith and family values.Step into the virtues of humility and neighborliness inspired by the Sermon on the Mount, where true humility is born from strength and not weakness. We question the effectiveness of modern welfare systems, advocating for genuine kindness through personal involvement and sacrifice. By sharing stories from local church communities, we highlight the impact of personal contribution in transforming lives. The episode closes by affirming the necessity of re-centering God in every aspect of American life, from the personal to the institutional, reinforcing a spiritual foundation that can withstand challenging times. Join us in this heartfelt exploration of faith as we bless families, marriages, and the nation, setting the stage for continued conversations in future episodes.Support the showThe American Soul Podcasthttps://www.buzzsprout.com/1791934/subscribe

Can spiritual alignment be the key to national prosperity? Join us as we unravel the intricate ties between faith and the well-being of our nation in the latest episode of the American Soul Podcast. We embark on a profound journey exploring how placing God at the center of our lives can dramatically transform both personal and national landscapes. Drawing from historical moments like Franklin Roosevelt's correspondence with Pope Pius XII, we reflect on enduring lessons of faith and peace in turbulent times. We'll also tackle the modern-day distractions that pull us away from what truly matters, and why it's essential to renew our spiritual commitments, much like nurturing a marriage.Our conversation doesn't shy away from the heavy realities faced by Christians globally and the spiritual challenges within American society. We ponder whether a new Great Awakening could be the answer to preserving our cherished freedoms. The episode emphasizes the need for a harmonious relationship between faith and governance, suggesting that our successes, both individually and collectively, are deeply rooted in spiritual values. As we close, we offer heartfelt blessings and a hopeful vision for a united America that thrives under divine grace. Listen in and discover how aligning our principles with divine guidance might just be the spark we need for true prosperity.Support the showThe American Soul Podcasthttps://www.buzzsprout.com/1791934/subscribe

Ihr Name stand für eine beispiellose Karriere mit allen Höhen und Tiefen. Er war Symbol für sechs Jahrzehnte "Durchhalten" im schnelllebigen Musikgeschäft und ein Stück Musikgeschichte, das nur sie so schreiben konnte: Tina Turner! Von Thomas Steinberg.

Jordan and Brooke go over the rainbow for this 1939 classic that changed filmmaking forever, and may or may not have inspired the modern day pride flag! We rank every main character by canonical queerness (shoutout high femme lesbian Glinda truthers), discuss the very inclusive Oz books, ignore all other movie spin-offs (Wicked, you're on thin ice...), and get a bit emotional about how much this move means both to us and to the gay community. Follow us on Twitter and IG! (And Jordan's Letterboxd / Brooke's Letterboxd)This episode is sponsored by Super Yaki! Use code: SUPERQQ for 10% off

Eine der beliebtesten deutschen Schauspielerinnen wäre heute 85 Jahre alt geworden: Heide Keller. Die Düsseldorferin liebte das Theater. Aber Kultstatus erlangte sie durch ihre Rolle auf dem "Traumschiff". Von Martina Meißner.

historia #podcasthistoryczny Jak Manstein opisywał Polskę i Polaków? Posłuchajcie!

In this episode of Overlapping Dialogue, we take a look at two well-crafted antiques of cinematic yesteryear, one being a genuine article of the past and another as a vibrant reinvention of a dead artform, with 1939's The Four Feathers and 2015's The Forbidden Room. But before we dig into our double feature, we recognize there's no time like the present to indulge in a Blue Plate Special slate that celebrates the life and legacy of Donald Sutherland, speculates on what exactly the prospects of the "experiential attractions" Netflix House intends to offer, catches up on X and Pearl ahead of the trilogy-capping MaXXXine's release, warms up the half-baked yet edible tastes of Unfrosted, and takes comfort in the subtle pleasures of the newly released The Bikeriders. After ascending to hog heaven, we delight in our retro double feature: listen as we place Zoltan Korda's film into the larger canon of British adventure stories and marvel at Guy Maddin and Evan Johnson's truly transformational experiment in the lost craft, beauty, and perversity of silent cinema. As always, please like, subscribe, rate, and review us on all of our channels, which include Apple Podcasts, Spotify, and YouTube! Contact us at huffmanbrothersproductions@gmail.com with your questions, comments, and requests. https://thebigwblog.wordpress.com/2024/06/22/talkin-bout-my-generation-the-bikeriders-is-passing-through-your-town/

historia #podcasthistoryczny Jak Guderian opisywał Polskę i Polaków? Posłuchajcie

Ben Stein and cohost Judah Friedman discuss, can we survive as a nation and a world for another 6 months.

Jak włoscy żołnierze opisywali inwazję na Francję? Posłuchajcie! #historia #podcasthistoryczny

Jak przebiegała włoska inwazja na Francję w 1940 r.? Posłuchajcie! #historia #podcasthistoryczny

Grigore Gafencu był rumuńskim politykiem, a od 1938 roku ministrem spraw zagranicznych. W marcu 1939 r. wybrał się z misją dyplomatyczną do Warszawy. Jak ona przebiegała? Posłuchajcie!historia #podcasthistoryczny

durée : 00:02:46 - Les 80'' - par : Nicolas Demorand - Le délégué général du festival de Cannes, Thierry Frémeaux, dévoilait hier la sélection du prochain festival de Cannes. 77ème édition du plus grand festival de cinéma au monde qu'il annonce "pacifique, pacifié, joyeux, généreux".

Singers include: Judy Garland, Billie Holiday, Louise Tobin, Vera Lynn, Ella Fitzgerald, Helen Forest, the Andrews Sisters, Carmen Miranda, and Kate Smith.  Songs include: We'll Meet Again, Somewhere Over the Rainbow, Beer Barrel Polka, Undecided, What's New, Strange Fruit and God Bless America.

On this day in 1939, a crowd of 20,000 Nazi sympathizers staged a rally in Madison Square Garden in New York City.See omnystudio.com/listener for privacy information.

durée : 00:55:33 - Affaires sensibles - Second volet de l'histoire tragique du Saint-Louis, ce paquebot avec à son bord 907 réfugiés juifs allemands qui espéraient fuir le 3ième Reich d'Hitler. Invité Bernard Benyamin, auteur d'une formidable enquête intitulée "L' Odyssée de la peur" avec le témoignage de nombreux survivants.

durée : 00:55:21 - Affaires sensibles - Aujourd'hui dans Affaires sensibles, l'histoire d'un paquebot chargé de réfugiés qui erre en mer à la recherche d'un pays d'accueil. Pour évoquer cette histoire de l'Allemagne à Cuba, nous recevrons en direct de Washington, l'historienne Diane Afoumado auteur de deux ouvrages sur cette tragédie.

#historia #podcasthistoryczny Mitteleuropa to pojęcie polityczno-geograficzne, które odnosi się do koncepcji politycznej z XIX i początku XX wieku. Termin ten odnosił się do planu politycznego, który zakładał ekonomiczne i polityczne zjednoczenie Europy Środkowej pod hegemonią Niemiec. Idea Mitteleuropy była rozwijana głównie w Niemczech pod koniec XIX wieku i na początku XX wieku. Zakładała ona stworzenie federacji państw Europy Środkowej, które miałyby współpracować w celu rozwoju gospodarczego i politycznego regionu. Jednakże, często była to koncepcja wykorzystywana do umocnienia dominacji Niemiec nad innymi krajami w regionie. Chcesz dowiedzieć się więcej? Posłuchaj!

On this day in 1939, a German carpenter tried to kill Adolf Hitler. See omnystudio.com/listener for privacy information.

historia #podcasthistoryczny Donosy to ciekawa, ale niezwykle skomplikowana kwestia. W tym odcinku spróbujemy omówić treść przykładowych denuncjacji i ocenić ich znaczenie.

historia #podcasthistoryczny Wojna obronna Polski została opisana w licznych publikacjach naukowych. Rzadko kiedy jednak autorzy poruszają w nich zagadnienia dotyczące wizji na ten konflikt z perspektywy ludzi mieszkających pod sowiecką okupacją. Jak opisywali oni swoje losy? Posłuchajcie!

historia #podcasthistoryczny Kampania wrześniowa została opisana w licznych publikacjach naukowych. Rzadko kiedy jednak autorzy poruszają w nich zagadnienia dotyczące wizji na ten konflikt z punktu widzenia innych państw. Na temat relacji polsko-fińskich porozmawiamy w dzisiejszym ocinku.

Als een curator van haar eigen leven stelde Isabel Wachenheimer een compleet familiearchief samen. Met daarin dagboeken, fotoalbums en een kampjas, die ze aankreeg in een Oostenrijks concentratiekamp. Op deze manier pakte ze de regie terug over het tragische verleden van haar familie en haarzelf. Wat is haar verhaal en hoe belandde de jas in het Rijksmuseum. Janine Abbring spreekt erover met conservator geschiedenis Harm Stevens.Wil je weten hoe deze jas eruitziet? Ga dan naar: https://www.rijksmuseum.nl/nl/collectie/NG-2011-97-1In het Rijksmuseum is powered by ING.

”No matter what I ever do or say, Heathcliff, this is me – now – standing on this hill with you. This is me, forever.”My, My, My... Those Heights, They Are A-Wuthering...Adapting Emily Brontë's novel for the big screen isn't an easy task, but it's one that many people have taken on as “Wuthering Heights” has been adapted for the big or small screen over 30 times. And that doesn't even take into account the operas, plays, musicals, radio adaptations, and more. As popular as the novel is, it's a challenging one, and that's certainly on display with William Wyler's 1939 adaptation. It used less than half the chapters and hence modified many elements for the ending. Still, it works. In fact, we might even feel it works better than the novel. Join us – Pete Wright and Andy Nelson – as we wrap up our 1940 Academy Award Best Picture Nominee series with a conversation about Wyler's 1939 film Wuthering Heights.Here's a hint at what we talk about.There's a lot left out, but the book is a challenging read and we feel that this adaptation captures the essence of the tragic romance, leaving out a lot of the more complex elements that work well on the page but not so much on the big screen. It's still not our favorite, but with director Wyler helming it, we find plenty to connect to.The performers are all delivering big but portrayals that work well with this big romance. Laurence Olivier and Merle Oberon may not have gotten along on set but they work well as Heathcliff and Cathy. We also love David Niven and Geraldine Fitzgerald. In the scope of adaptation, the film leaves in some of the framing device that's quite important for the novel. Here, we're not so sure it's needed. In fact, it largely feels like an unnecessary appendage. The cinematography by Gregg Toland paired with Wyler's effective direction bring life to the film. The black-and-white cinematography is full of darks and lights. It certainly deserved its Oscar win. And Alfred Newman's beautiful score brings the tragic romance elements to the story right to the forefront. These elements all buoy the film for us, which otherwise may not be our cup of tea as much as some of the other Best Picture nominees. Speaking of, we do walk through the 10 nominees and debate which we'd pick to win. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins!Join the conversation with movie lovers from around the world on The Next Reel's Discord channel!Film SundriesLearn more about supporting The Next Reel Film Podcast through your own membership.Watch this on Apple or Amazon, or find other places at JustWatchTranscriptTheatrical trailerPoster artworkFlickchartLetterboxd(00:00) - Welcome to The Next Reel • Wuthering Heights(01:34) - Wuthering(02:38) - The Book(04:09) - Brontë Sisters(05:00) - Initial Thoughts(09:11) - Adapting It(11:56) - Laurence Olivier as Heathcliff(15:44) - Cathy and Isabella(18:21) - Framing Device(22:22) - William Wyler(28:52) - Scripting(32:45) - Who's Our Protagonist?(33:51) - Merle Oberon(35:11) - Geraldine Fitzgerald(36:11) - Flora Robson(36:48) - David Niven(39:24) - Gregg Toland(45:36) - Alfred Newman's Score(47:15) - 1940 Academy Awards(58:17) - Credits(59:13) - Other Adaptations(01:01:49) - Awards(01:03:33) - The Box Office(01:04:16) - Last Thoughts(01:04:38) - Coming Next Week • Anna and the King of Siam(01:07:38) - Letterboxd(01:09:09) - Wrap UpThis show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/5640170/advertisement

“I remember about the rabbits, George.”Capturing Steinbeck and Americana on the Big ScreenHaving been writing novels for 10 years, it made sense that eventually, Hollywood would turn to John Steinbeck's novels as a source for the silver screen. The first film to make the transition was Of Mice and Men, a novella he originally wrote as a ‘playable novel' and then as a play itself. To that end, it was already the perfect size for adapting. And to that end, the film works just as well as the story. Join us – Pete Wright and Andy Nelson – as we continue our series on 1940 Academy Award Best Picture nominees with a conversation about Lewis Milestone's 1939 film Of Mice and Men.Here's a hint at what we talk about.For a relatively simple story, a lot happens and the story works through a variety of topics. How does the story handle a character with an intellectual disability and what does it say about those who take care of others, whether it's this character or an aging dog? What about race relations? (To that end, it may be less pointed than the book but the film still feels like it handles race better than Gone With The Wind does.) The script changes how Mae – the only female character in the book and the only one with any real presence in the film – fits into the story. Here, we get a sense of the tragedy of this character, which does a lot to paint the gender differences in this place at this time. There's also the moralistic, religious, and humanistic angles we discuss. The casting is fantastic. Burgess Meredith and Lon Chaney, Jr. play our two leads and deliver complex, compassionate performances that are the beating heart of this film. Betty Field plays Mae and rounds the character out with resonance and depth that never were on Steinbeck's pages, even if possibly inferred. The rest of the cast fits impeccably into their roles. Lewis Milestone directs and handles the story effectively and efficiently. And having Aaron Copeland score the film only enhances its feel of Americana.This film stands strong as a version of this film that's worth remembering. It's definitely one of the best films of the year and certainly worthy of its Best Picture nomination. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins!Join the conversation with movie lovers from around the world on The Next Reel's Discord channel!Film SundriesLearn more about supporting The Next Reel Film Podcast through your own membership.Find places to watch this at JustWatchTranscriptTheatrical trailerPoster artworkLetterboxd(00:00) - Welcome to The Next Reel • Of Mice and Men(01:10) - 1940 Academy Award Best Picture Nominees Series Continued(02:15) - Revisiting the Novella(03:51) - Deceptively Small Story(05:09) - Initial Thoughts, Play, and Expanding Story(09:02) - Big Issues(12:48) - Caretaking(18:32) - More on the Dog(22:21) - Comparison to Lenny(23:34) - Good Deed?(24:20) - Parallel Issues(25:18) - Lenny as Sympathetic Character(26:21) - Race(32:29) - Gender Issues and Mae(35:30) - Kindness to Mae?(38:45) - Lewis Milestone(41:54) - Cast(47:55) - Title Origins(49:29) - Credits(50:25) - Other Versions(51:54) - Awards(55:24) - The Box Office(56:28) - Last Thoughts(56:52) - Coming Next Week • Wuthering Heights(58:18) - Letterboxd(01:00:23) - Wrap UpThis show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/5640170/advertisement

“We're heading into rough seas, Michel.”A Love Story That Stands the Test of TimeIt's interesting that Leo McCarey's 1939 film Love Affair largely fell into obscurity due to both slipping into the public domain and to McCarey's own remake in 1957 as An Affair to Remember. It largely was thanks to Nora Ephron including mention of both films in her 1993 classic Sleepless in Seattle that interest in this original rose again. Now, thanks to a stunning restoration in 2020, the film looks brand new and is certainly worth discovery, or re-discovery. Join us – Pete Wright and Andy Nelson – as we continue our series on the 1940 Academy Awards • Best Picture nominees with a conversation about McCarey's 1939 film Love Affair.Here's a hint at what we talk about.We both were more familiar with the story from McCarey's 1957 remake An Affair to Remember starring Cary Grant and Deborah Kerr, but the core of the story remains largely unchanged. That even holds true in Warren Beatty's mess of a remake in 1994 (also called Love Affair), which says something about the strength in the story. We have a few issues with the story, however – the need to wait six months before seeing each other again to prove they're able to survive on their own seems a bit plotted, and Terry's desire to not tell Michel about her accident until she's able to walk to him seems thin. But are they? There's clearly meaning behind their motivations in both cases. Is it just that we actually want it spelled out more, which we rarely actually want? Or is it that we don't quite feel they sell it? It's hard to gauge, so in the end these points don't break things for us. They just give us pause. It's hard to get past that ending though. It's perfect and just rips your heart out before putting it right back. Amazing stuff. There's a reason it's become iconic. And how great are Irene Dunne and Charles Boyer? We discuss them a bit in relation to Grant and Kerr. Who works better for us? Leo McCarey was stepping away from his comedies. How does he do with this material? We also talk about the controversies with the script and why the production code wouldn't pass it initially. And let's not forget the songs!It's a great film and easily one to fall in love with. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins!Join the conversation with movie lovers from around the world on The Next Reel's Discord channel!Film SundriesLearn more about supporting The Next Reel Film Podcast through your own membership.Watch this on Amazon, or find other places at JustWatchScript OptionsTheatrical trailerPoster artworkFlickchartLetterboxd(00:00) - Welcome to The Next Reel • Love Affair(01:07) - WC Fields In-Joke(01:51) - Initial Thoughts(04:19) - Getting Swept Up?(06:40) - Story Issues(14:50) - Comparisons to Remakes(19:35) - Charles Boyer(23:06) - Maria Ouspenskaya(26:04) - Irene Dunne(29:10) - Comedy Beats – Romantic Comedy?(30:46) - Leo McCarey(33:53) - Story Origins(35:34) - Boyer and Dunne(36:29) - Initial Rejection(38:54) - Credits(39:50) - Remakes, Etc.(42:21) - Awards(43:05) - The Music(43:53) - The Box Office(44:58) - Last Thoughts(45:46) - Coming Next Week • Of Mice and Men(47:48) - Letterboxd(50:05) - Wrap UpThis show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/5640170/advertisement

“When you get inside my head, see if you can find any sense in it.”Bette Davis Dealing with and Dying From GliomaThere's a strength in storytelling that can exist in disease films because we're following a person as they're going through a very difficult period in their life that could very well end in death. That's one of the elements that drew Bette Davis to the play “Dark Victory,” of which she had a hard time convincing Jack Warner that audiences would love it. He was wrong and she proved correctly, however, that a tragic story with your protagonist dying from the disease could draw in the audience. It clearly worked in this case as it lead to several Academy Award nominations including Best Picture. Join us – Pete Wright and Andy Nelson – as we kick off our 13th season of the podcast with a full year looking at various awards categories through the decades, starting right here in our series on the 1940 Academy Awards • Best Picture as we discuss Edmund Goulding's 1939 film Dark Victory.Here's a hint at what we talk about.At the heart of this film, it's really Bette Davis and she fully delivers. She's very much playing the headstrong socialite we'd see often in her films, though the difference here is right out of the gate, she's diagnosed with glioma, a form of brain tumor. Through her performance, we see her go through many of the stages of grief as she first fights against the fact that she's sick and finally comes to terms and accepts it. It's quite a ride, and it works because of Davis.She couldn't get there without the script, however, and its structure allows this film to be about her battling the disease, not as a side element in the story. From the start, she's suffering from her glioma. It plays in unexpected ways, and lets us take the journey with her. Of course the journey wouldn't be complete without the rest of the players, and they deliver. Geraldine Fitzgerald, George Brent, Ronald Reagan. Only Humphrey Bogart seems out of place here.It's a strong entry into the big studio year of 1939 that saw a lot of successful films of all genres stand out, and this one deservedly was nominated for Best Picture. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins!Join the conversation with movie lovers from around the world on The Next Reel's Discord channel!Film SundriesLearn more about supporting The Next Reel Film Podcast through your own membership.Watch this on Apple or Amazon, or find other places at JustWatchTranscriptOriginal MaterialTheatrical trailerPoster artworkFlickchartLetterboxd(00:00) - Welcome to The Next Reel • Dark Victory(01:32) - 1940 Academy Awards • Best Picture Nominees(03:00) - Initial Thoughts(04:10) - Bette Davis(09:35) - Judy and Dr. Steele(11:52) - Figuring Out the Disease(14:56) - Obligation to Inform... or Not(19:03) - Developing Relationships(20:51) - Structure(24:36) - Her Final Moments and the Decision(32:54) - Geraldine Fitzgerald as Anne(36:20) - Judy's Socialite World(38:00) - Horses and Bogey(41:06) - Ronald Reagan(42:30) - The Production(44:53) - Edmund Goulding(48:04) - Credits(48:59) - Remakes(50:41) - Awards(52:04) - The Box Office(53:10) - Last Thoughts(53:33) - Coming Next Week • Love Affair(54:29) - Letterboxd(55:25) - Wrap UpThis show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/5640170/advertisement

Na zdjęciu: Delegacja Spisza i Orawy w rozszerzonym składzie przed wyjazdem do Paryża. ks. Ferdynand Machay, Wojciech Halczyn i Piotr Borowy, Warszawa 1919 r. Ze zbiorów Muzeum Tatrzańskiego.Zapomniane Kresy. Czym były? Dlaczego są ważne dzisiaj? Posłuchaj!Tereny Spisza i Orawy przynależały już do państwa Bolesława Chrobrego, które jak wiemy zajął całą Słowację. Stanowiły wtedy jednak głównie pustkę osadniczą oraz systematycznie kolejne fragmenty tych krain odpadały od Polski. By całkowicie znaleźć się w graniach węgierskich. Jedynym wyjątkiem był tutaj Spisz i obszar tzw. zastawu spiskiego, który na mocy umowy między Zygmuntem Luksemburskim i Władysławem Jagiełło oddał Polsce jako zabezpieczenie pożyczki udzielonej Zygmuntowie, obszar tzw. starostwa spiskiego. Tereny te, ze względu na zawieruchę dziejową na Węgrzech związaną z ekspansją osmańską, były przy Polsce aż do 1769 roku, czyli właściwie do przedednia I rozbioru Polski, kiedy to Habsburgowie zajęli je oraz Podhale w czasie konfederacji barskiej, a później oficjalnie stały się te tereny częścią Austrii po I rozbiorze. Ofensywa bolszewicka, która zwiastowała rychły upadek państwa polskiego tak naprawdę przypieczętował los tych terenów, bowiem strona polska przyparta do muru musiała zgodzić się na anulowanie plebiscytu, w którym była faworytem i zgodzić się na arbitralną decyzje mocarstw w Spa. I tak dla Polski przypadła tylko bardzo mały fragment Spisza i Orawy, fragment który jest w granicach naszego państwa do dzisiaj. W części polskiej elity politycznej i polskiej opinii publicznej nie zapomniano jednak o Spiszu i Orawie, a także Śląsku cieszyńskim i ziemi czadeckiej. Pierwszymi takimi przejawami były próby korekty granicznej z Czechosłowacją w latach 1920-1925, a ostatecznym siłowa rewindykacja tych terenów w 1938 razem z kolapsem państwa czechosłowackiego po konferencji w Monachium.

"Toto, I've a feeling we're not in Kansas anymore!"REBROADCASTStill a ClassicVictor Fleming didn't just direct two movies in 1939, he directed two of what many consider to be the greatest films made – Gone With the Wind and The Wizard of Oz. Where the former, though, has more problems to contend with in today's society, what with its depiction of slavery and race in the South during the Civil War, the latter is nothing but pure cinematic joy. Seen by more people than any other movie, The Wizard of Oz has become infused in who we are. Quotes from the movie can pop up in everyday conversation without people even realizing they're quoting it. The songs – particularly “Over the Rainbow” – have been burned into our brains at an early age. It truly is a shining example of what cinema can be. Join us – Pete Wright and Andy Nelson – as we continue our ‘films of 1939' series with one of the great cinema achievements, Flemings' The Wizard of Oz. Here's a Look Into Our ConversationWe talk about what makes this film so great and why it's lasted so long, looking at everything from the story to the music to Judy Garland as Dorothy Gale. We discuss Fleming as the main director putting the film together, the 14 writers tasked with bringing this script to life, and L. Frank Baum, the author of the original Oz stories. We chat about the actors – Garland, Ray Bolger, Jack Haley, Bert Lahr, Frank Morgan, Margaret Hamilton, Jerry Maren, the Singer Midgets and more (not to mention Terry the dog as Toto) – and look at what they all bring to the table here. We chat about Buddy Gillespie's special effects, Adrian's costumes, Harold Rosson's cinematography, Herbert Stothart's music adaptation, Harold Arlen's & Yip Harberg's songs and Mervyn LeRoy's & Arthur Freed's producing, tying together all the elements they each were responsible for. And we comment on the popularity of the film, chat about it being a gay icon, and look at how it started at a loss but ended up making bank over the decades. It's one of the greats and certainly one we have a lot of passion about discussing. Check it out!Film SundriesFind the Original Episode From Season Five HereWatch this film: iTunes • AmazonScreenplayOriginal theatrical trailerOriginal poster artworkArt of the TitleThe Wonderful Wizard of Oz by L. Frank BaumFlickchartImaginary Worlds Podcast — Why They FightThe Alphabetical Wizard of OzThe Dark Side of OzThe Slippers DocumentaryBert Lahr's Lay's Potato Chip Commercials (& here)(00:00) - 1940 Academy Awards • Best Picture Intro(01:11) - Welcome to The Next Reel • The Wizard of Oz(01:40:43) - Wrap UpThis show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/5640170/advertisement

Il primo settembre 1939 la Germania nazista invade la Polonia, dando inizio alle ostilità che porteranno alla seconda guerra mondiale. L'Italia di Mussolini scende in campo il dieci giugno dell'anno successivo a fianco dei tedeschi. Pasolini vede il padre richiamato in servizio in Africa, sarà costretto alla fuga con la madre, finché la guerra busserà realmente alla sua porta...Aderisci alla pagina PATREON e sostieni i miei progetti e il mio lavoro: http://patreon.com/massimopolidoroPartecipa e sostieni su TIPEEE il progetto del mio Tour 2022 in tutta Italia: https://it.tipeee.com/massimopolidoroScopri il mio Corso online di Psicologia dell'insolito:https://www.massimopolidorostudio.comRicevi l'Avviso ai Naviganti, la mia newsletter settimanale: https://mailchi.mp/massimopolidoro/avvisoainavigantie partecipa alle scelte della mia communitySeguimi:Instagram: https://www.instagram.com/massimopolidoro/Gruppo FB: https://www.facebook.com/groups/MassimoPolidoroFanClubPagina FB: https://www.facebook.com/Official.Massimo.PolidoroTwitter: https://twitter.com/massimopolidoroSito e blog: http://www.massimopolidoro.comIscriviti al mio canale youtube: https://goo.gl/Xkzh8A

"We're the victims of a foul disease called social prejudice, my child."REBROADCASTFord Delivers A Classic WesternWhen John Ford decided to helm Stagecoach in 1939, he hadn't done a western since his days in the silent film era. Yet it was this film, along with his relationship with John Wayne, that would lead to him making arguably some of the greatest westerns in cinema. Yet with this film, it was really more of a chance to make a western that could be a bit more serious, not just another b-level shoot-em-up, while still making a movie that was pretty light and entertaining. Join us – Pete Wright and Andy Nelson – as we continue our series on films from 1939 with Ford's Stagecoach. Here's a Hint at Our ConversationWe talk about John Ford as a director and what he was trying to do with this film, pointing out some Ford-isms along with debating his strength as a filmmaker. We chat about Dudley Nichols' script adapted from Ernest Haycox's short story, enjoying what he did with the nine principal characters in the film, even if there were some pacing issues throughout. We discuss the cinematography of Bert Glennon and the way he and Ford shot the action sequences. We chat about stuntman and stunt coordinator Yakima Canutt, marveling at the amazing stunts he performs in the film while also feeling pretty horrified at the methods he devised to get the horses to fall on camera. And we touch on the cast, touching on what each of them bring to their roles. It's a fun film, even if not one of our favorites, but still gives us a great movie to talk about. So check it out then tune in!Film SundriesListen to the Original Episode From Season Five HereWatch this film: iTunes • Amazon • HuluScript TranscriptOriginal theatrical trailerOriginal poster artworkThe Stage to Lordsburg by Ernest HaycoxFlickchartStagecoach Location Shooting BreakdownStagecoach & the Ned Scott Still Photographs(00:00) - 1940 Academy Awards • Best Picture Intro(01:11) - Welcome to The Next Reel • Stagecoach(01:13:15) - Wrap UpThis show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/5640170/advertisement

Kampania wrześniowa została opisana w licznych publikacjach naukowych. Rzadko kiedy jednak autorzy poruszają w nich zagadnienia dotyczące wizji na ten konflikt z punktu widzenia armii słowackiej, a właściwie wspomnień w polskiej historiografii próżno szukać.Jak dowódcy słowaccy opisywali te wydarzenia? Posłuchajcie!

“I should hate to see our country endangered by my underwear."REBROADCASTGreta Garbo Smiles! And It's a Delight!Taking a completely different turn from last week's Civil War epic, Ninotchka is a very light comedy by Ernst Lubitch dealing with Russians in their post-Revolution society. Join us — Pete Wright and Andy Nelson — as we continue our film about the great films of 1939 with Lubitch's Ninotchka. Here's a Hint at What We DiscussWe talk about the wonderfully funny script by Charles Brackett, Billy Wilder and Walter Reisch based on the original story by Melchior Lengyel, and look at why the comedy works so well in a film like this. We chat about Greta Garbo as the titular character and how wonderful she is, and we look at the rest of the brilliant cast – Melvyn Douglas, Ina Claire, Bela Lugosi, Sig Ruman, Felis Bressart, Alexander Granach and others – as we discuss what they bring to the table. We also touch on Garbo and her retirement from the business. And we chat about Lubitsch and his “Lubitsch Touch” and what that means in context of this film. It's a fun film that's very easy to watch. Check it out then tune in!Film SundriesFind the Original Episode From Season Five HereScriptOriginal theatrical trailerOriginal poster artworkFlickchartThe WETA Effect(00:00) - 1940 Academy Awards • Best Picture Intro(01:11) - Welcome to The Next Reel • Ninotchka(47:15) - Wrap UpThis show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/5640170/advertisement

“You're not a Senator, you're an honorary stooge."REBROADCASTCapra's Film Stands As Strong As EverIt's rare to find a film from 75 years ago that feels relevant still in today's world, but Frank Capra's 1939 Mr. Smith Goes to Washington is one of those films. Corruption in the Senate? Check. Corporate interests secretly working their own machinations behind the scenes to get their political puppets to do their bidding? Check. Cynical office staff who are only interested in making a buck? Check. Sad to say that the only thing that doesn't feel modern is that a politician like James Stewart's titular character could actually exist. Or at least survive in today's political world. Join us — Pete Wright and Andy Nelson — as we continue with our great films from 1939 series with Capra's fantastic film Mr. Smith Goes to Washington. Here's What We Chat AboutWe talk about how much we love this film and why, highlighting everything aforementioned. We chat about Stewart and Jean Arthur as the perfect leads for this film, aided by the wonderful supporting cast including Edward Arnold, Harry Carey, Claude Rains, Thomas Mitchell and more. We discuss how the Washington, D.C. press and the real Senators received the film compared with the general public. And we discuss the people behind the cameras with Capra and what they bring to the table – Joseph Walker, Lionel Banks, Dimitri Tiomkin, Sidney Buchman, Lewis R. Foster and more. It's a top notch film that still speaks to its audiences, all while avoiding being cheesy while full of honesty. We love it. Make sure you watch this one and then tune in! Film SundriesFind the Original Episode From Season Five HereScript TranscriptOriginal theatrical trailerOriginal poster artworkFlickchart(00:00) - 1940 Academy Awards • Best Picture Intro(01:11) - Welcome to The Next Reel • Mr. Smith Goes to Washington(59:34) - Wrap UpThis show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/5640170/advertisement

"Give a boy a sense of humor and a sense of proportion and he'll stand up to anything."REBROADCASTLearning Lessons That Last a Lifetime With Mr. ChipsRobert Donat defied the odds and beat both Clark Gable and Jimmy Stewart for the Best Actor Oscar in the 1940 Academy Awards with his portrayal of Mr. Chips in Sam Wood's Goodbye, Mr. Chips. It's a movie that celebrates school heroes everyone had (or should've) and connects in its ability to reflect back on the nostalgia of one's life. Join us – Pete Wright and Andy Nelson – as we continue our series on films from 1939 with Wood's film. Here's What We Chat AboutWe talk about how we felt about the film and, despite any issues we had, still found it affecting. We chat about Robert Donat and Greer Garson, both of whom really give touching and honest performances. We touch on Wood as the director and what he brings to the table. We discuss the story and why stories about teachers can work so well, and why they work on us in particular. And we look at the magnificent work Jack Dawn did with the hair and makeup to bring Mr. Chips to life over the course of his 60+ years, from new hire to headmaster. It's a touching film that works to connect us with this character and reminds us what we love about the best ‘great teacher' movies. Check it out!Film SundriesFind the Original Episode HereWatch this film: iTunes • AmazonScript TranscriptOriginal theatrical trailerOriginal poster artworkGoodbye, Mr. Chips by James HiltonFlickchartTo You, Mr. Chips, the follow-up book by James Hilton(00:00) - 1940 Academy Awards • Best Picture Intro(01:11) - Welcome to The Next Reel • Goodbye, Mr. Chips(01:02:42) - Wrap UpThis show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/5640170/advertisement

See the list for our entire lineup for SEASON 13 on our Letterboxd page!“Frankly, my dear, I don't give a damn."REBROADCASTFinding Rhett and Scarlet Less RelevantConsidering the racially-charged climate of the US right now, it's oddly perfect timing that we're starting our 1939 series with Gone With The Wind, a film as technically brilliant to look at as it is hard to watch because of it's portrayal of slavery and the ‘lost cause' Southern view of the Civil War. It certainly gives us a lot to talk about in this episode! Join us — Pete Wright and Andy Nelson — as we dive into Victor Fleming's Gone With The Wind. Here's What We Chat AboutWe talk at length about the position of the film in cinematic history and how that contrasts with what it's portraying and how we feel about that, noting that perhaps this film is one that should be considered in the same camp as Song of the South. And we look at what problems we have with the story and why it makes us feel uncomfortable, even if the story itself can be enjoyed when taken out of historical context. Focusing more on the film itself, we look at the actors – Vivien Leigh, Clark Gable, Olivia de Havilland, Leslie Howard, Thomas Mitchell, Hattie McDaniel and more – how they got their parts and how well they work for us. We look at lots of bit players and talk about where they've since popped up. We talk about the context of 1939 and how the studio system worked. We talk about the three directors who contributed to this film – George Cukor, Victor Fleming and Sam Wood – as well as the producing kingpin who really is the one responsible for getting this film made the way he wanted: David O. Selznick. We chat about other key crew who helped bring this film to life, including Max Steiner, Yakima Canutt, William Cameron Menzies and Walter Plunkett. And we marvel at how much money this film has taken in over its lifetime and deliberate over whether it should still be able to make money or if it should be locked away now due to its painful portrayal of the period. It's a long film but a film well worth discussing because of these factors. Tune in!Film SundriesOriginal Release of This Episode in Season 5ScreenplayOriginal theatrical trailerOriginal poster artworkGone With The Wind by Margaret MitchellFlickchartHuffPost Politics Blog: Yes, You're a Racist — and a Traitor(00:00) - 1940 Academy Awards • Best Picture Intro(01:53) - Welcome to The Next Reel • Gone With the Wind(01:20:49) - Wrap UpThis show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/5640170/advertisement

Wilhelm Keitel był niemieckim feldmarszałkiem (od lipca 1940 roku) wojskowym i jednym z głównych dowódców Wehrmachtu w czasie II wojny światowej. Był również szefem Oberkommando der Wehrmacht (OKW), czyli Naczelnego Dowództwa Wojskowego, od 1938 roku aż do końca wojny. Został uznany za winnego licznych zbrodni wojennych i zbrodni przeciwko ludzkości i skazany na karę śmierci przez powieszenie. Wyrok wykonano 16 października 1946 roku. W okresie od sierpnia 1945 roku do 16 października 1946 roku Wilhelm Keitel, przebywający w celi nr 46 norymberskiego więzienia, spisał na kilkuset stronach 'Notatniki dotyczące historii mego życia' . Jak opisywał Polskę i Polaków? Posłuchajcie

Dzienniki Goebbelsa to jedno z najlepszych źródeł do badania losów III Rzeszy podczas II wojny światowej. Co autor pisał w nich o Polsce i Polakach podczas powstania warszawskiego? Posłuchajcie!

Całość TYLKO w aplikacji Onet Audio. Subskrybuj pakiet Onet Premium i słuchaj bez limitu.    Raport międzynarodowy znajdziesz tutaj: https://onetaudio.app.link/RaportMiedzynarodowy  Czy międzynarodowe gwarancje bezpieczeństwa to tylko puste deklaracje? Teorie o „zdradzie Zachodu” we wrześniu 1939 roku dr Krzysztof Rak nazywa „mitem o zdradzie Zachodu”. W rozmowie z Witoldem Juraszem dyrektor Fundacji Współpracy Polsko-Niemieckiej tłumaczy: „To w interesie państw środkowo-europejskich było to, żeby Hitlera trzymać z daleka (…). To państwa środkowo-europejskie w pierwszej kolejności powinny dbać o swoją niezależność i dogadać się, a oni tego nie potrafili. I tutaj widzimy tę pewną mityczność Zachodu. Ta nasza pewna niezdolność do dogadania się… szukamy kozła ofiarnego”. W „Raporcie międzynarodowym” m.in. o tym, kto był najważniejszym sojusznikiem Polski we wrześniu 1939 roku i dlaczego Warszawa nie otrzymała wówczas oczekiwanej pomocy. „Porównując obecną sytuację (Ukrainy – red.) do września 1939 roku widzimy, jak ważne jest to, żeby armia nie dała się szybko rozbić, żeby kierownictwo polityczne siedziało w stolicy, bo im dłużej my się bronimy, tym trudniej jest naszym sojusznikom powiedzieć: »Mamy was w nosie, bo wy tę wojnę już przegraliście«” - mówi dr Krzysztof Rak, wskazując, że Polska poniosła porażkę już w pierwszych dniach II wojny światowej. „Ta wojna była już przegrana, głównodowodzący nie panował już nad sytuacją (…), część generałów nie zdała egzaminu i zachowała się haniebnie” – opowiada gość Witolda Jurasza. Co było gwarancją bezpieczeństwa po Traktacie Wersalskim? A co jest nią dziś? Czy jest nią NATO? „W większości tego typu umów nie ma automatycznego wejścia drugiej strony do wojny (...). W artykule 5. (Traktatu Północnoatlantyckiego – red.) też nie ma automatyzmu. Oni są zobowiązani do pomocy, ale niesprecyzowanej (…). Jeśli nas ktoś zaatakuje, w ramach NATO nie ma takiej sytuacji, że nasi partnerzy są zobowiązani do wystąpienia zbrojnego przeciwko naszemu wrogowi” – wyjaśnia dr Krzysztof Rak i dodaje, że druga strona „poczuje się zobowiązana w jednym wypadku - gdy będzie w tym widziała swój własny, dobrze pojęty interes. Wszystkie układy, za którymi nie stoją interesy, są nic niewarte”.

durée : 00:54:34 - Les Nuits de France Culture - par : Albane Penaranda - En 2007, "La Fabrique de l'histoire" propose d'évoquer la période communiste sur le thème "L'Est, l'église, et l'utilisation de la mémoire" et un retour sur les pillages des Nazis, avec une archive de Rose Valland qui raconte le périple des œuvres d'art volées durant la Seconde guerre mondiale. - invités : Rose Valland Conservatrice de musée et résistante française; Muriel Blaive; Sophie Coeuré Professeur d'histoire contemporaine à l'Université Paris Diderot Paris 7

We continue our time with Nick and Nora Charles, this time with the 1939 film ‘Another Thin Man,' the third in the Thin Man series. Now, they have a baby and they're back in New York! What do we think of the story? The characters? The mystery? The comedy? The drinking? Tune in!

Glinda the Good Witch? Oh, really? Re-watching 1939's "The Wizard of Oz" through a middle-aged lens is quite an experience. How many times must a dog bite someone before notifying the authorities? Is giving your sister's murderer an hour to live too generous? The Tin Man has a heart, but what about a penis? The Old Roommates follow the yellow brick road to get the answers to these questions raised by the Judy Garland classic. Listen to this.Bonus content including a lost recording of Judy Garland singing a reprise of “Somewhere Over the Rainbow” available at patreon.com/oldroommates! Follow Old Roommates on social media @OldRoommates. Email us at oldroommatespod@gmail.com and please give us a rating or review! #JudyGarland #MargaretHamilton #VictorFleming #RayBolger #DorothyGale