Podcasts about 3cd

Pop Talk etc... #3 For almost 40 years, English musician Terry Edwards has been taking his talent and adventurous spirit to the heart of the rock scene ... Whether it's for his personal projects or during his many collaborations, the work of this multi-instrumentalist is a manifesto for breaking down musical borders, and all this while keeping an unfailing integrity ... A visceral love of music that transpires here behind each of his words and that must be (re)discovered on the 3CD "The Very Best of Very Terry Edwards" released in 2020 by Sartorial Records... Unique and exemplary Depuis près de 40 ans, le musicien anglais Terry Edwards promène son talent et son esprit aventureux au coeur de la scène rock ... Que ce soit pour ses projets plus personnels ou lors de ses multiples collaborations, le travail de ce multi-instrumentiste est un manifeste pour abattre les frontières musicales, et tout cela en gardant une intégrité à toute épreuve ... Un amour de la musique viscéral qui transpire ici derrière chacune de ses paroles et qu'il faut à tout prix (re) découvrir sur les 3CD de "The Very Best of Very Terry Edwards" sorti en 2020 chez Sartorial Records ... Unique et exemplaire Support us!

Support Burning Ambulance on Patreon • Get the Burning Ambulance email newsletterThis is an episode I have been hoping to present since this podcast began. I've been requesting interviews with Braxton for years, but never gotten the okay until this month. And you know what? In retrospect, I'm glad it took as long as it did. You know the saying “When the student is ready, the master appears”? Bill Dixon said that to me when I interviewed him for The Wire, and I feel like it's absolutely true in the case of the conversation you're about to listen to. I was not ready to interview Anthony Braxton when I first started asking. As it is, we probably could have talked for at least another hour, and maybe longer; we got along very, very well. Which was frankly not guaranteed going in. This interview didn't just take years to set up, it also fell through the first time we tried to do it, and I'm not 100 percent sure why but I have some suspicions. I do know that when I was working on re-scheduling it, I sent over my list of proposed questions in advance, which Braxton mentions right at the beginning, when he starts talking about the late Bob Koester from Delmark Records. I first started listening to Braxton's music about 20 years ago, and I feel like I've had a few major breakthroughs with it in that time, where it kind of made a little more sense to me afterward than it had before. Because it really is a learning process. You hear other things differently after you've grappled with his work for a while.The first big breakthrough for me was the album Quintet (Basel) 1977, which wasn't released until 2000; it's a live album that features George Lewis on trombone and Muhal Richard Abrams on piano. It was maybe the second or third thing I'd ever heard by him, so I mostly knew him by reputation still, as someone who made extremely advanced "weird" jazz that didn't really swing, but it wasn't free, either. Well, what I heard was not any of those things. It was a nonstop flow of energy, extremely creative but also swinging hard as hell, and the compositions were absolutely recognizable as such. It made perfect sense to me as jazz. The second breakthrough was when Mosaic Records put out a box set of his Arista albums, which I reviewed for Jazziz. Some of that music was difficult and alienating to my ear, but a lot of it was even more immediately accessible than I had expected it to be. If you've never listened to Braxton at all, you could do a whole lot worse than to start with New York, Fall 1974 or Five Pieces 1975, which were two of his first Arista releases and really do seem like his attempts to make music that would catch people's ear right away. The third and final breakthrough moment wasn't an album, it was a book – Forces In Motion, by Graham Lock. Lock went on tour with Braxton's quartet in England in the mid-80s, watching all the gigs, and interviewing all the group members repeatedly, and he gives you a 360 degree portrait of all of them as musicians and as human beings. It's one of the best books about music and musicians I've ever read, I recommend it unequivocally.When I was writing this intro, I looked on the hard drive where I keep most of my music, and I was surprised to find that I only actually own about 40 Anthony Braxton releases, including the individual albums that are contained in the Mosaic box and another box of his Black Saint albums from the 1980s. I honestly thought I had more. But among the others are a 3CD set of large ensemble pieces, a 12CD set of pieces for an a cappella ensemble, a 4CD set of improvisations for quartet, and a 4CD opera, all of which feature one long track per CD. I also have a 7CD set of the music of Lennie Tristano, Warne Marsh and other related musicians, an 11CD set of Charlie Parker tunes, a 13CD set of live recordings of standards, and an audio Blu-Ray containing 12 pieces ranging in length from 40 to 70 minutes. All told, I probably have around 80 hours' worth of Anthony Braxton's music in my house. If I wanted to, I could spend a long weekend listening to nothing but his work. And that's probably about ten percent of his total recorded output, maybe less. The man's catalog could fill a room.He's put out two mega releases just this month. The first is that audio Blu-Ray, which is called 12 Comp (ZIM) 2017 and features several different ensembles of between six and nine musicians including harp, cello, accordion, and horns, playing as I said long single pieces composed and then improvised upon using a highly specific and codified musical language of Braxton's own devising.The second is Quartet (Standards) 2020, the 13CD collection of live recordings from January 2020, when he played nine concerts in three cities: Warsaw, Poland, London, England, and Wels Austria, with a conventionally structured quartet: saxophone, piano, bass, drums. As its title suggests, they played standards. There are 67 songs on the box, with no repeats. There are tunes by Thelonious Monk, by Sonny Rollins, by Wayne Shorter, by Andrew Hill, but there are also several songs by Paul Simon, including the really excellent version of “Bridge Over Troubled Water” that you hear at the beginning of this episode, which if I'm being honest reminds me of Aretha Franklin's version.In this interview, we talk about both of those releases, as well as the larger issues they reflect. We talk about his compositional languages, the demands he places on the musicians he works with, his relationship to the jazz tradition, Wadada Leo Smith, Bill Dixon, Max Roach, Louis Armstrong, Duke Ellington, Cecil Taylor, and much, much more. It's one of my favorite interviews I've ever done, and I'm thrilled to share it with you.If you enjoy this podcast, please consider visiting patreon.com/burningambulance and becoming a subscriber. For just $5 a month, you can help keep this show and Burning Ambulance as a whole active and thriving. Thanks!Music featured in this episode:Anthony Braxton, “Bridge Over Troubled Water” (Quartet (Standards) 2020)Anthony Braxton, “Opus 23B” (New York, Fall 1974)

Support Burning Ambulance on Patreon • Get the Burning Ambulance email newsletterThis is an episode I have been hoping to present since this podcast began. I've been requesting interviews with Braxton for years, but never gotten the okay until this month. And you know what? In retrospect, I'm glad it took as long as it did. You know the saying “When the student is ready, the master appears”? Bill Dixon said that to me when I interviewed him for The Wire, and I feel like it's absolutely true in the case of the conversation you're about to listen to. I was not ready to interview Anthony Braxton when I first started asking. As it is, we probably could have talked for at least another hour, and maybe longer; we got along very, very well. Which was frankly not guaranteed going in. This interview didn't just take years to set up, it also fell through the first time we tried to do it, and I'm not 100 percent sure why but I have some suspicions. I do know that when I was working on re-scheduling it, I sent over my list of proposed questions in advance, which Braxton mentions right at the beginning, when he starts talking about the late Bob Koester from Delmark Records. I first started listening to Braxton's music about 20 years ago, and I feel like I've had a few major breakthroughs with it in that time, where it kind of made a little more sense to me afterward than it had before. Because it really is a learning process. You hear other things differently after you've grappled with his work for a while.The first big breakthrough for me was the album Quintet (Basel) 1977, which wasn't released until 2000; it's a live album that features George Lewis on trombone and Muhal Richard Abrams on piano. It was maybe the second or third thing I'd ever heard by him, so I mostly knew him by reputation still, as someone who made extremely advanced "weird" jazz that didn't really swing, but it wasn't free, either. Well, what I heard was not any of those things. It was a nonstop flow of energy, extremely creative but also swinging hard as hell, and the compositions were absolutely recognizable as such. It made perfect sense to me as jazz. The second breakthrough was when Mosaic Records put out a box set of his Arista albums, which I reviewed for Jazziz. Some of that music was difficult and alienating to my ear, but a lot of it was even more immediately accessible than I had expected it to be. If you've never listened to Braxton at all, you could do a whole lot worse than to start with New York, Fall 1974 or Five Pieces 1975, which were two of his first Arista releases and really do seem like his attempts to make music that would catch people's ear right away. The third and final breakthrough moment wasn't an album, it was a book – Forces In Motion, by Graham Lock. Lock went on tour with Braxton's quartet in England in the mid-80s, watching all the gigs, and interviewing all the group members repeatedly, and he gives you a 360 degree portrait of all of them as musicians and as human beings. It's one of the best books about music and musicians I've ever read, I recommend it unequivocally.When I was writing this intro, I looked on the hard drive where I keep most of my music, and I was surprised to find that I only actually own about 40 Anthony Braxton releases, including the individual albums that are contained in the Mosaic box and another box of his Black Saint albums from the 1980s. I honestly thought I had more. But among the others are a 3CD set of large ensemble pieces, a 12CD set of pieces for an a cappella ensemble, a 4CD set of improvisations for quartet, and a 4CD opera, all of which feature one long track per CD. I also have a 7CD set of the music of Lennie Tristano, Warne Marsh and other related musicians, an 11CD set of Charlie Parker tunes, a 13CD set of live recordings of standards, and an audio Blu-Ray containing 12 pieces ranging in length from 40 to 70 minutes. All told, I probably have around 80 hours' worth of Anthony Braxton's music in my house. If I wanted to, I could spend a long weekend listening to nothing but his work. And that's probably about ten percent of his total recorded output, maybe less. The man's catalog could fill a room.He's put out two mega releases just this month. The first is that audio Blu-Ray, which is called 12 Comp (ZIM) 2017 and features several different ensembles of between six and nine musicians including harp, cello, accordion, and horns, playing as I said long single pieces composed and then improvised upon using a highly specific and codified musical language of Braxton's own devising.The second is Quartet (Standards) 2020, the 13CD collection of live recordings from January 2020, when he played nine concerts in three cities: Warsaw, Poland, London, England, and Wels Austria, with a conventionally structured quartet: saxophone, piano, bass, drums. As its title suggests, they played standards. There are 67 songs on the box, with no repeats. There are tunes by Thelonious Monk, by Sonny Rollins, by Wayne Shorter, by Andrew Hill, but there are also several songs by Paul Simon, including the really excellent version of “Bridge Over Troubled Water” that you hear at the beginning of this episode, which if I'm being honest reminds me of Aretha Franklin's version.In this interview, we talk about both of those releases, as well as the larger issues they reflect. We talk about his compositional languages, the demands he places on the musicians he works with, his relationship to the jazz tradition, Wadada Leo Smith, Bill Dixon, Max Roach, Louis Armstrong, Duke Ellington, Cecil Taylor, and much, much more. It's one of my favorite interviews I've ever done, and I'm thrilled to share it with you.If you enjoy this podcast, please consider visiting patreon.com/burningambulance and becoming a subscriber. For just $5 a month, you can help keep this show and Burning Ambulance as a whole active and thriving. Thanks!Music featured in this episode:Anthony Braxton, “Bridge Over Troubled Water” (Quartet (Standards) 2020)Anthony Braxton, “Opus 23B” (New York, Fall 1974)

This week on the Off the Road series , HPR All Things Considered Host Dave Lawrence concludes with legendary musician, co-founder of A & M Records , and sometime Hawaii resident Herb Alpert . Browse and listen to the entire Off the Road series here . Subscribe to the latest episodes on Apple and Spotify podcasts. The 85-year old music superstar recently released Herb Alpert Is , both a music compilation (found streaming, on 5LP vinyl and as a 3CD set), as well as a documentary with the same name. Released during the pandemic, Herb has also been busy recording new music, composing, creating his signature paintings and sculpture, and supporting those in need, as Herb is also a noted philanthropist. His Herb Alpert Award in the Arts (HAAIA) Awards are coming up virtually May 20th, for ten recipients, and increase of five. It’s the 27th year of the awards for mid-career artists, each awarded $75,000. Herb and his wife/musical partner Lani Hall established the Herb Alpert Foundation in

This week on the Off the Road series , HPR All Things Considered Host Dave Lawrence welcomes legendary musician, co-founder of A & M Records , and sometime Hawaii resident Herb Alpert . Browse and listen to the entire Off the Road series here . Subscribe to the latest episodes on Apple and Spotify podcasts. The 85-year old music superstar recently released Herb Alpert Is , both a music compilation (found streaming, on 5LP vinyl and as a 3CD set), as well as a documentary with the same name. Released during the pandemic, Herb has also been busy recording new music, composing, creating his signature paintings and sculpture, and supporting those in need, as Herb is also a noted philanthropist. His Herb Alpert Award in the Arts (HAAIA) Awards are coming up virtually May 20 th , for ten recipients, and increase of five. It’s the 27 th year of the awards for mid-career artists, each awarded $75,000. Herb and his wife/musical partner Lani Hall established the Herb Alpert Foundation in

Solemnity of the Immaculate Conception of the Blessed Virgin Mary GN 3:9-15, 20 PS 98:1, 2-3AB, 3CD-4 EPH 1:3-6, 11-12 LK 1:26-38

Memorial of Saint Teresa of Jesus, Virgin and Doctor of the Church Reading 1 EPH 1:1-10 Paul, an Apostle of Christ Jesus by the will of God, to the holy ones who are in Ephesus and faithful in Christ Jesus: grace to you and peace from God our Father and the Lord Jesus Christ. Blessed be the God and Father of our Lord Jesus Christ, who has blessed us in Christ with every spiritual blessing in the heavens, as he chose us in him, before the foundation of the world, to be holy and without blemish before him. In love he destined us for adoption to himself through Jesus Christ, in accord with the favor of his will, for the praise of the glory of his grace that he granted us in the beloved. In Christ we have redemption by his Blood, the forgiveness of transgressions, in accord with the riches of his grace that he lavished upon us. In all wisdom and insight, he has made known to us the mystery of his will in accord with his favor that he set forth in him as a plan for the fullness of times, to sum up all things in Christ, in heaven and on earth. Responsorial Psalm PS 98:1, 2-3AB, 3CD-4, 5-6 R. (2a) The Lord has made known his salvation. Sing to the LORD a new song, for he has done wondrous deeds; His right hand has won victory for him, his holy arm. R. The Lord has made known his salvation. The LORD has made his salvation known: in the sight of the nations he has revealed his justice. He has remembered his kindness and his faithfulness toward the house of Israel. R. The Lord has made known his salvation. All the ends of the earth have seen the salvation by our God. Sing joyfully to the LORD, all you lands; break into song; sing praise. R. The Lord has made known his salvation. Sing praise to the LORD with the harp, with the harp and melodious song. With trumpets and the sound of the horn sing joyfully before the King, the LORD. R. The Lord has made known his salvation. Alleluia JN 14:16 R. Alleluia, alleluia. I am the way and the truth and the life, says the Lord; no one comes to the Father except through me. R. Alleluia, alleluia. Gospel LK 11:47-54 The Lord said: “Woe to you who build the memorials of the prophets whom your fathers killed. Consequently, you bear witness and give consent to the deeds of your ancestors, for they killed them and you do the building. Therefore, the wisdom of God said, ‘I will send to them prophets and Apostles; some of them they will kill and persecute' in order that this generation might be charged with the blood of all the prophets shed since the foundation of the world, from the blood of Abel to the blood of Zechariah who died between the altar and the temple building. Yes, I tell you, this generation will be charged with their blood! Woe to you, scholars of the law! You have taken away the key of knowledge. You yourselves did not enter and you stopped those trying to enter.” When Jesus left, the scribes and Pharisees began to act with hostility toward him and to interrogate him about many things, for they were plotting to catch him at something he might say. --- Send in a voice message: https://anchor.fm/sofia-fonseca7/message Support this podcast: https://anchor.fm/sofia-fonseca7/support

2 King 19 - Pray like Hezekiah Ps 48 - learn to name emotions Mt 7 - enter the narrow gate 2 KGS 19: 9B-11, 14-21, 31-35A, 36 Sennacherib, king of Assyria, sent envoys to Hezekiah with this message: “Thus shall you say to Hezekiah, king of Judah: ‘Do not let your God on whom you rely deceive you by saying that Jerusalem will not be handed over to the king of Assyria. You have heard what the kings of Assyria have done to all other countries: they doomed them! Will you, then, be saved?'” Hezekiah took the letter from the hand of the messengers and read it; then he went up to the temple of the LORD, and spreading it out before him, he prayed in the LORD's presence: “O LORD, God of Israel, enthroned upon the cherubim! You alone are God over all the kingdoms of the earth. You have made the heavens and the earth. Incline your ear, O LORD, and listen! Open your eyes, O LORD, and see! Hear the words of Sennacherib which he sent to taunt the living God. Truly, O LORD, the kings of Assyria have laid waste the nations and their lands, and cast their gods into the fire; they destroyed them because they were not gods, but the work of human hands, wood and stone. Therefore, O LORD, our God, save us from the power of this man, that all the kingdoms of the earth may know that you alone, O LORD, are God.” Then Isaiah, son of Amoz, sent this message to Hezekiah: “Thus says the LORD, the God of Israel, in answer to your prayer for help against Sennacherib, king of Assyria: I have listened! This is the word the LORD has spoken concerning him: “‘She despises you, laughs you to scorn, the virgin daughter Zion! Behind you she wags her head, daughter Jerusalem. “‘For out of Jerusalem shall come a remnant, and from Mount Zion, survivors. The zeal of the LORD of hosts shall do this.' “Therefore, thus says the LORD concerning the king of Assyria: He shall not reach this city, nor shoot an arrow at it, nor come before it with a shield, nor cast up siege-works against it.  He shall return by the same way he came, without entering the city, says the LORD. I will shield and save this city for my own sake, and for the sake of my servant David.'” That night the angel of the LORD went forth and struck down one hundred and eighty-five thousand men in the Assyrian camp. So Sennacherib, the king of Assyria, broke camp, and went back home to Nineveh. Psalm 48:2-3AB, 3CD-4, 10-11 R. God upholds his city for ever. Great is the LORD and wholly to be praised in the city of our God. His holy mountain, fairest of heights, is the joy of all the earth. R. Mount Zion, “the recesses of the North,” is the city of the great King. God is with her castles; renowned is he as a stronghold. R. O God, we ponder your mercy within your temple. As your name, O God, so also your praise reaches to the ends of the earth. Of justice your right hand is full. MT 7:6, 12-14 Jesus said to his disciples: “Do not give what is holy to dogs, or throw your pearls before swine, lest they trample them underfoot, and turn and tear you to pieces. “Do to others whatever you would have them do to you. This is the Law and the Prophets. “Enter through the narrow gate; for the gate is wide and the road broad that leads to destruction, and those who enter through it are many. How narrow the gate and constricted the road that leads to life. And those who find it are few.”  --- Send in a voice message: https://anchor.fm/sofia-fonseca7/message Support this podcast: https://anchor.fm/sofia-fonseca7/support

Lamb Of God - 2020 Memento Mori. Magnus Karlsson's Free Fall - We Are the Night (Japanese Edition) (2020) We Are the Night. Alcatrazz London 1666. HAMLET - Berlín- Héroe EvethPuerta ÁureaGuerreros de Odín BPMD Toys in the Attic. Predicador In Tenebris en orden Imperio del Metal. DEATH PULL THE PLUG. In Flames Clayman (Re-Recorded) REEPER-Get Your Ecstasy-UNDER MY SKIN Area 55 - One Ocean (2020) - Motions of the Storm Alestorm - Curse of the Crystal Coconut (Deluxe) (2020) Zombies Ate My Pirate Ship Vizzard - Alterego (EP) (2020) Es Tiempo ENTREVISTA BUENA REBECA 4 BAJO ZERO. Mad Hatter - Pieces of Reality (2020) - Ignite Firewind (2020)10 - Space Cowboy. House Of Lords - New World - New Eyes (2020) - The Both of Us SIN RETORNO exclavo VITROL.Enemigo. Tokyo Blade - Dark Revolution (2020)- The Lights of Soho Metal Church - The Elektra Years 1984 - 1989 (3CD) (2020)CD2 - The Dark Intense - Songs of a Broken Future (2020 - The Social Elite Lovebites - Electric Pentagram (2020)11 The Unbroken

Area 55 - One Ocean (2020) Into the Void. 4 BAJO ZERO 1 ANTIHEROE DAME LA RESPUESTA. Shortino - Make A Wish (2020) Bluff Her Chariot Awaits - Her Chariot Awaits (2020)- Say No. Vader - Solitude in Madness (2020) 4. Incineration of the Gods. VITROL13.Sufrimiento Eterno. Skull - No Bones About It 3. I Like My Music Loud!. Vandenberg - 2020 (2020) Ride Like The Wind. Pretty Maids - Maid in Japan - Future World Live 30 Anniversary (2020). Yellow Rain (Live). Aurium The Second Sun1. Asylum. Aran prog Project Modern Era. Destruction - Born to Thrash (Live in Germany) (2020) - The Butcher Strikes Back (Live in Germany). HELLOWEEN 1998 - Better Than Raw (VICP-60235) 4 Hey Lord!. Testament - Titans of Creation (2020) Symptoms. jose andrea uroboros bienvenido al medievo. Matar al Rey. Kansas - 2020 - The Absence Of Presence The Song The River Sang. Paradise Lost - Obsidian10. Hear The Night. Xeria Tierra. BONFIRE - Fistful Of Fire (2020) Bonfire Gloryland.2019 Metal Church - The Elektra Years 1984 - 1989 (3CD) (2020)CD1 - Metal Church 9 - Highway Star.mp3 Nightwish - Human. II Nature 2020CD 1 1 Music. Firewind - Firewind (2020) - Rising Fire. DISCO DEL MES Cydonia 2003 - The Dark Flower 2.Voices. REEPER-Get Your Ecstasy-6-SATURDAY NIGHT. Grave Digger - Fields of Blood (2020) - Barbarian. Powerwolf - The Symphony of Sin (2020) - The Sacrament of Sin (Orchestral Version).

As we find ourselves longing for the Eucharist in these unusual times, I invite everyone to listen to this week's homily series in which Fr. Hamilton unpacks John 6.Reading 1 ACTS 7:51—8:1AResponsorial Psalm 31:3CD-4, 6 AND 7B AND 8A, 17 AND 21ABAlleluia JN 6:35ABGospel JN 6:30-35

Today's guest is Tim Wheeler. Tim is a singer, songwriter, musician and guitarist for the Northern Irish alternative rock band Ash. In this fun and deep conversation Tim shares stories of traveling the world with his music, his creative process, training in the martial arts, steering clear of rock star lifestyle pitfalls and "the troubles" of Northern Ireland. ASH celebrate a career spanning 25 years and two number one albums with the release of a specially compiled Best Of Teenage Wildlife: 25 Years of Ash. Available as limited lenticular vinyl edition, 2LP, 2CD and special 3CD set including 18 track rarities CD. Visit ash-official.com  Episodes are available on Apple Podcasts, Stitcher, Google Play, Spotify & thegentleartpodcast.com Please Share, Rate and Review. Thank you. Kimurasoap.com use promo code: LOVE for 10% off at checkout.

Dear DCIS Parents, With Christmas just around the corner, and at the end of another busy term, it seems the perfect time to reflect on what has been happening in the Primary School. We returned from our restful half term break straight into our busy UN Day preparations which saw the children busily researching the country assigned to their class, as well as making and collecting artefacts for their displays. The culmination of the week was UN Day itself with our annual parade and spectacular country displays down on the field. A big thank you to the teachers who supported to the children with their work, the parents who also helped to set up the displays and of course the Mrs Gray and Mrs Hyland who once again came up with the grand plan for the day! We have had several other celebrations this term. Our Deepavali cultural dress-up day saw 2RB and 2SL, and 3CD and 3AS present their assemblies to staff, children and parents, sharing some interesting facts and stories with us all. Thank you to the students and staff for their collaboration and hard work on this. The DCA treated us to a spooky affair for Halloween, the school looked truly terrifying thanks to the creative decorations and gruesome costumes around the place. Thank you to the DCA for frightening us even more than last year! This year, we raised awareness of Remembrance Day across the school too. You may have noticed the sea of poppies in the corridors; our first ever red and black day was a huge success and we were proud to hand over a financial contribution to the British Legion. Kindness Week, which linked with House Day, got us all thinking of ways to look after each other and was a thoroughly thought-provoking week for us all. Thank you also to Miss Sanderson and Miss Lindars for planning World Children’s Day for us. It was fantastic to see the children take a lead with their learning as they became the teachers and shared skills with their friends in other classes. Our trips continued this term with Year 1 taking part in drama workshops at Centre Stage and Year 2 visiting the National Gallery. There was great excitement as Year 5 headed off to Telunas for their annual residential, with Mr Odey and the Year 5 team. We were delighted to also send a group of children off to Ho Chi Min City for the South-East Asia NAE games led by Mr Carswell and Miss Hughes. As well as this, Mr Baines and Mr Northridge chaperoned a party of Y6 and Y7 students to the NAE STEAM festival in Bangkok. I know the children loved it – they were praised for their innovation, creativity and their impeccable behavior. Trips such as these take a great deal of preparation and planning – a special mention goes to Mr Odey for his work on the Telunas trip and to Mr Carswell for planning the NAE games and to Mr Baines for all the prep with the STEAM trip. A great number of staff have given up their time to support the children – a great big thank you to each and every one of them for their dedication to the school. We were delighted to invite our Year 6 parents into school for an Open Morning in which they found out about the transition to Secondary School. Our Year 6 children thoroughly enjoyed a day in Secondary, meeting the teachers and having a taste of secondary lessons and life as a secondary student. Christmas crept up on us and once again the DCA sprang into action with reindeer, elves and some very familiar faced gingerbread people popping up around the campus! The lower primary nativities were amazing and well-enjoyed by children, parents and some lucky grandparents too. Both nativities were absolute bonanzas and certainly got us all into the Christmas spirit! Wishing happy holidays to you all and for those who celebrate Christmas, I hope you enjoy the festivities.

Por Pachi Tapiz. “Mandrake”. Eric Dolphy: Musical Prophet (Resonance Records. 3CD. Reed.) Eric Dolphy, William “Prince” Lasha, Huey “Sonny” Simmons, Clifford Jordan, Woody Shaw, Garvin Bushell, Bobby Hutcherson, Richard Davis, J.C. Moses © Pachi Tapiz, 2019 JazzX5 es un minipodcast de HDO de la Factoría Tomajazz presentado, editado y producido por Pachi Tapiz. JazzX5 comenzó su andadura el 24 de junio de 2019. Todas las entregas de JazzX5 están disponibles en https://www.tomajazz.com/web/?cat=23120

FlightOfIcarus interviews charismatic frontman Carson Pace of Atlanta, Georgia mathcore band The Callous Daoboys (FFO: The Dillinger Escape Plan, Every Time I Die, The Number 12 Looks Like You). We discuss their incredible, AOTY-worthy upcoming release Die On Mars and bond over our shared love of The Number 12 Looks Like You, Say Anything, and Red Letter Media. Preorder the album from...Digital: https://thecallousdaoboys.bandcamp.com/album/die-on-mars-2Vinyl: https://www.thecallousdaoboys.com/new-page-3CD: https://darktrailrecords.bandcamp.com/album/die-on-marsCassette: https://www.thecallousdaoboys.com/new-page-3Become a Patron! https://www.patreon.com/metaltrenchesSUBSCRIBE TO OUR NEWSLETTER: http://eepurl.com/dogQCDDon't forget to SUBSCRIBE, like, comment, rate, etc. Find more over at MetalTrenches.com. Podcast also available on iTunes, BitChute, and CastBox.Connect:https://metaltrenches.comhttps://www.minds.com/metaltrencheshttps://www.facebook.com/metaltrenches/https://metaltrenches.bandcamp.com/https://twitter.com/MetalTrencheshttps://www.instagram.com/metal.trenchesPodcast Theme Song: The Hudson Horror – “What The Moon Brings”Background art thanks in part to Kim Holm: https://denungeherrholm.smugmug.com/I do not own the rights to the song clips featured on this podcast. All credit to the artists and labels with specific permission granted. Clips are for promotional purposes only in the hopes that their use will further encourage listeners to purchase the albums.Support the show (https://www.patreon.com/metaltrenches/creators)

Welcome to the new edition, hope all of you are enjoying the Easter break, especially our friends and family in the UK with some warm unseasonal weather there. Here in the Sunshine Coast, it’s very wet & warm. Quite a lineup we have that spans many aspects of electronic music, it certainly opens up a varied sound world. Mihail Doman’s second album, ‘Neptune’, delving deeper into contemporary orchestral music, with a minimalist string score, thoughtful, dark, experimental with light flourishes from John 3:16. Heart-centered sonic meditation from veteran transformative, shamanic practitioners Byron Metcalf and Mark Seelig. Elizabeth Joan Kelly, a New Orleans-based experimental, ambient/industrial, electronic composer, audio tone poems that explore darkness and light by Fabio Keiner, John Novak addictive ambiances, interspersed with addictive melodies., breathtaking, rich, complex and beautiful structured soundscapes of Tom Eaton. Michael Neil’s excursions into Berlin School retro music under the guise of Maria Warner and the list goes on with twenty-one musicians showing us their Imaginative, creative side, composing music that has no boundaries & limitless in the world of sound. Blast from the past ‘Last Train To Bayreuth’ comes from Spyra’s 3CD set, ‘Elevator To Heaven’, a personal interpretation of the ‘Bayreuth Return’, a theme dedicated to Klaus Schulze. Playlist No 149 02.26 Mihail Doman ’Neptune II’ (album Neptune) www.mihaildoman.bandcamp.com 05.22 Mihail Doman ’Neptune III’ 08.30 Spyra ‘Last Train To Bayreuth’ (album Elevator To Heaven) http://www.derspyra.de 19.04 John Novak ‘Visitors From The Outer Planets’ (album The Moon Is A Strange God) www.kahvicollective.bandcamp.com 23.38 John Novak ‘Memories Of A Forgotten Future’ 30.47 Fabio Keiner ‘Incantation Of Archontes’ (album Orphic Hymns) www.auralfilms.bandcamp.com 37.31 Marconi Union ‘Weightless (253 Edit)’ www.ambientzone.com 41.30 Rob Lewis ‘Roots Ambient Zone Mix’ (album Momentum) www.ambientzone.com 45.03 Rob Lewis ‘Roots Ambient Zone Piano’ 47.47 John 3:16 ‘Therion‘ (album Million Horsemen) www.john316.bandcamp.com 53.30 Maria Warner ‘Curb Crawlers’ (album Last Songs From Earth) www.mariawarner.bandcamp.com 01.04.37 Elizabeth Joan Kelly ‘Departure’ (album Departure 2019 (live Set For Phantom Circuit) www.elizabethjoankelly.bandcamp.com 01.10.47 Kamarius ‘Rise To Paradise’ (album Enigmatic Traveler) https://kamarius.bandcamp.com/album/enigmatic-traveler 01.15.00 Kamarius ‘Ancient Kingdoms’ 01.20.48 Doug Blair ‘Odyssey’ (album Horizon) www.heartdancerecords.com 01.24.59 Doug Blair ‘Dreamtrip’ 01.30.00 Bryon Metcalf & Mark Seelig ‘Vision 1’ (album Persistent Visions) www. projektrecords.bandcamp.com 01.40.05 Steve Jolliffe ‘Ra’ (album RA) *** https://stevejolliffe.wixsite.com/steve-jolliffe 01.49.27Jaguna ‘Out Of Grid’ (album Archetypes) www.projektrecords.bandcamp.com 01.58.11 Jim Ottaway ‘Birth Of A Violet Quasar’ (album Beyond the Purple Sun) http://jimottaway.com 02.07.35 Seetyca ’Solid Ease’ (album Trances) www.winter-light.com 02.10.20 Seetyca ‘Your Soul Telling Your Secrets’ 02.15.22 Construction ’Talk, Rinneradio Remix’ www.theambientzone.co.uk 02.21.25 Tom Eaton ‘Unexpected Opening’ (album How It Happened) www.spottedpeccary.com 02.28.34 Tom Eaton ‘Until Her Eyelids Flutter Open’ *** 02.38.07 Ava Felsenstein ‘Hydrolux part V’ (album Hydrolux) www.avafelsenstein.bandcamp.com 02.44.34 Brent Gibson ‘Clouds In Space’ ***www.brentagibson.bandcamp.com 02.53.04 Unearth Noise ’Disappearing’ www.theambientzone.co.uk Edit ***

Journalist Neil Taylor in conversation - alongside Roy Carr & Adrian Thrills compiled the original NME cassette. C86 is a cassette compilation released by the British music magazine NME in 1986, featuring new bands licensed from British independent record labels of the time. As a term, C86 quickly evolved into shorthand for a guitar-based musical genre characterized by jangling guitars and melodic power pop song structures, although other musical styles were represented on the tape. In its time, it became a pejorative term for its associations with so-called "shambling" (a John Peel-coined description celebrating the self-conscious primitive approach of some of the music) and underachievement. The C86 scene is now recognized as a pivotal moment for independent music in the UK, as was recognized in the subtitle of the compilation's 2006 CD issue: CD86: 48 Tracks from the Birth of Indie Pop. 2014 saw the original compilation reissued in a 3CD expanded edition from Cherry Red Records; the 2014 box-set came with an 11,500-word book of sleevenotes by one of the tape's original curators, former NME journalist Neil Taylor. The C86 name was a play on the labelling and length of blank compact cassettes—commonly C60, C90 and C120—combined with 1986.

Wax Trax ! a été fondé par Jim Nash et Dannie Flesher, un couple gay. Ils se rencontrent en 71 au Kansas le duo déménage d’abord pour la Californie puis pour Denver, afin de vivre au grand jour leur homosexualité. Leur amour pour la musique psychédélique et étrange les amène rapidement à ouvrir Wax Tracks, un nouveau magasin de disques qu’ils fondent en travaillant comme menuisiers et en vendant de la drogue. Après une visite à Londres, ils envisagent de faire du magasin de Denver un endroit où l’on ferait plus qu’acheter des disques, un endroit où trainer, où il se passe quelque chose. En 78, ils décident que l’isolement géographique de Denver les empêche de se plonger pour de bon dans l’énergie culturelle et musicale du punk et de la new wave. Ils déménagent alors à Chicago Leur boutique rebaptisée Wax Trax devient rapidement l’un des endroits les plus courus du pays où acheter du post-punk et de l’expérimental. Un lieu de prédilection de la contre culture de Chicago fait par et pour des passionnées. Le magasin étend ses activités en ajoutant label : Wax Trax ! Records. Les quartiers généraux du label se trouvent à l’arrière du magasin. Flesher et Nash connus pour leur comptabilité désinvolte et leurs légèretés quant aux licences ou aux droits sortent leur 1er disque en 79 « Lion Sleeps Tonight » de Brian Eno, un nouveau pressage totalement illégal. Très impliqué dans la scène de Chicago, ils aident alors certains des jeunes artistes qui fréquentaient le magasin comme Al Jourgensen de Ministry. Wax Trax ! finança notamment leur 1er single. Wax Trax négociera aussi des contrats avec des groupes européens comme Front242 parce qu’ils vendaient tellement d’imports qu’il était plus intéressant de leur assurer un nouveau pressage au USA que d’en payer le transport. Parmi les artistes ayant fait l’histoire du label en plus de ceux que l’on a présenté on peut cité bien évidemment Ministry mais aussi KMFDM, Pig, Meat Beat Manifesto, Front Line Assembly, Sister Machine Gun, Coil, Chris and Cosey, Laibach et bien d’autres. À la suite d'une grave crise financière, Wax Trax! est racheté en 92 par TVT Records, Nash et Flesher gardant le contrôle créatif sur le label. TVT continua d’utiliser le nom de Wax Trax ! pendant des années même après le décès en 95 de Jim Nash à la suite de complications de santé lié au SIDA. Wax Trax ! fut un label et un magasin culte. Une sorte de mecque de l’indus, un lieu de pèlerinage pour les fans, qui sortit la musique industrielle de l’underground pour la présenter au reste du monde. En 94 TVT a commercialisé Black Box – Wax Trax ! Records. Il s’agit d’une compilation de 3CD recensant les plus grands succès du label occultant Front242 pour des problèmes de contrats. Pour aller plus loin je conseille la lecture de la biographie d’Al Jourgensen : The Lost Gospels qui regorge d’anecdotes savoureuses notamment sur sa période chez Wax Trax !. Je conseille également le livre [Assimilate : Une histoire critique de la musique industrielle. Deux livres paru aux éditions Camion Blanc qui nous ont grandement inspirés pour préparer cette émission. The Young Gods/Envoyé Pailhead/Ballad Suicide/Devastation Front 242/Headhunter Revolting Cocks/Beers Steers and Queers Acid Horse/No Name, No Slogan Ajax/One World Underworld/Born Slippy.NUXX Laibach/Opus Dei

Stephen SPAZ Schnee interviews British singer/songwriter and comedian Tony De Meur (AKA Ronnie Golden), the guitarist and vocalist from the legendary FABULOUS POODLES. They discuss the history of the band and the release of the new 3CD set MIRROR STARS: THE COMPLETE PYE RECORDINGS on Cherry Red Records.

Episode 17 of the Burning Ambulance podcast features an interview with bassist William Parker, whose latest album, the 3CD set Voices Fall from the Sky, is out now, and his wife Patricia Nicholson, who runs Arts For Art, the organization that has put on the Vision Festival every year since 1996 and has recently expanded to running additional concert series during the fall and winter. William Parker has been a crucial figure on the international avant-garde jazz scene since the 1970s. His first recorded appearance was in 1973, backing saxophonist Frank Lowe on the album Black Beings, and he’s made literally hundreds of records since then. He was the bassist in the David S. Ware Quartet for something like 20 years, and continued working with Ware until the saxophonist's death in 2012. He played with Cecil Taylor in the 1980s and 1990s, he was the bassist in Matthew Shipp’s trio for decades, and has played with almost everyone else you’ve ever heard of in this genre of music. As a leader, he’s done everything from solo bass albums to massive orchestral projects. Voices Fall from the Sky showcases his work with vocalists. Patricia Nicholson is also a hugely important figure to the New York avant-garde jazz scene, because she runs the annual Vision Festival, a massive, weeklong event that gathers amazing musicians from all across the spectrum, from players who’ve been around since the 1960s to people who’ve just made their debut in the last few years and are keeping the spirit of free music alive. She’s also a dancer and choreographer who performs at the festival every year, and she’s just made her debut as a spoken word performer on the album Hope Cries for Justice, a duo performance with Parker. In this interview, I’m talking to William about what he’s doing musically, and I’m talking to Patricia about her thoughts on dance, and what it takes to run the Vision Festival and all the other programs that the nonprofit Arts For Art, which she leads, put on every year. They’re an extremely ambitious organization working in a city and a cultural environment that offers equal parts apathy and hostility, but what they do is pretty amazing, so I hope you’ll find this conversation as interesting and inspiring as I did.

SPAZ is joined by Jeff Murphy (Shoes) to continue their discussion about the Present Tense album. Translator's Steve Barton stops by to discuss his lates 3CD solo album. The Blanket Fort Pow Wow panel discusses Power Pop. Music from Club Wow, Lannie Flowers and The Cherry Bluestorms. Last but not least, Spaz presents But Is It Power Pop? featuring the debut album by The Scooters!

La edición 240 de HDO del 18 de febrero de 2017, es la correspondiente al primero de los programas sabatinos especiales dedicados al saxofonista Stan Getz. El programa se centra en parte de sus grabaciones para el sello Roost, realizadas entre 1950 y 1952, y registradas tanto en estudio como en directo. En el programa suenan temas incluidos en el recopilatorio The Complete Roost Recordings (Roost – Blue Note – EMI, 1997, 3CD), aparecidos con anterioridad en las grabaciones The Sound, The Getz Age, y los dos volúmenes de Stan Getz At Storyville. Acompañan a Stan Getz los músicos Horace Silver, Roy Haynes, Jimmy Raney, Bill Crow, Duke Jordan, Al Haig, Tommy Potter, Joe Gallaway, Walter Bolden, Teddy Kotick, Tiny Kahn, Leonard Gaskin y Frank Isola. Tomajazz: © Pachi Tapiz, 2017 HDO es un podcast -unos días de jazz, otros días de improvisación, otros días quién sabe de qué-, que está presentado, producido, editado, ideado, soñado, imaginado y sufrido por Pachi Tapiz “keep on jazzing in the free World” Toda la información de HDO 240 en http://www.tomajazz.com/web/?p=29367. Toda la información de HDO en http://www.tomajazz.com/web/?cat=13298

This week's slice of “premier league culture punditry” (cheers, The Guardian) sees Supplement magazine editor Justin Quirk plus Joel Morris (top comedy writer and co-creator of the grown-up Ladybird books) join Andrew and Matt. They revisit the hubristic heights of Britpop with the 3CD reissue of ‘Be Here Now’, admit to records they love by bands they hate, and talk about some new tunes too. Click to listen. See acast.com/privacy for privacy and opt-out information.

Toda la información acerca de HDO en http://www.tomajazz.com/web/?cat=13298. En 2015 el sello francés JMS ha celebrado su 40º Aniversario. Con motivo de esta efemérides puso en circulación un triple CD, "40eme Anversaire JMS", en el que incluía 40 temas extraídos de su catálogo. En el programa suenan algunas de estas propuestas que sirven para dar unas pinceladas sobre ese catálogo -muy pegado a los tiempos en que le ha tocado existir-, y con ello a una importante parte del jazz hecho en Francia a lo largo de esos 40 años. Didier Lockwood, Marial Solal, Henri Texier, Mathias Levy, Jean-Paul Celea, François Couturier, Christian Escoudé y Jean-Louis Matinier son algunos de los músicos que suenan. Pachi Tapiz, 2016 HDO es un podcast de la factoría Tomajazz que está editado, producido y presentado por Pachi Tapiz La grabación Varios autores: 40eme Anniversaire JMS (JMS, 2015; 3CD)

This week's Deadpod takes us back to Dijon France for the second set of the band's amazing performance which took place back on 9/18/74. I have however, taken some liberties with this presentation however, as I omitted the first two songs of set 2, Loose Lucy and Big River, because the vocals in these two are hopelessly lost and cannot be heard. In place of those, I decided to include the 3 songs done as a soundcheck for this show - something titled  'Jerry's Space', as well as Cumberland Blues and Brokedown Palace. I'm not always a fan of soundchecks but I do think you'll enjoy these.  The remainder of the second set retains the audio clarity found in set 1, and while this set probably doesn't reach the musical heights of set 1 there is plenty here to enjoy.  The Eyes->China Doll->He's Gone->Truckin' is as all those titles read, quite pleasing, if not mind-blowing. The most interesting jam of the set probably comes out of drums, when Phil leads them in a most interesting Caution jam. Johnny B. Goode to close the set is quite unusual and shows that the boys thought it had been a good days' work, I think.          Grateful DeadSeptember 18th, 1974Parc des ExpositionsDijon, FranceWednesday   soundcheck:  Jerry's Space Cumberland Blues Brokedown Palace   from set 2:  Peggy-O Me and My Uncle Eyes of the World China Doll He's Gone Truckin' drums Caution Jam Ship of Fools Johnny B. Goode U.S. Blues   you can listen to this week's Deadpod here: http://traffic.libsyn.com/deadshow/deadpod091914.mp3       Finally, a quick fundraising word.. I've received several copies of the new Rhino/GD release: Wake Up To Find Out, the spectacular recording of the famous March 29th, 1990 show that featured the Dead's collaboration with jazz virtuoso Wynton Marsallis.  I'd love to send out a copy of this 3CD set to anyone who could support the Deadpod with a $50 donation.  Please consider clicking on our contribute button or drop me a note about how to receive this fine thank you gift for your support of the Deadpod! 

Эта промо-микс компилляция из 3CD предназначена для прослушивания в любое время года, в любом месте и под любое настроение !!! 

Эта промо-микс компилляция из 3CD предназначена для прослушивания в любое время года, в любом месте и под любое настроение !!! 

Эта промо-микс компилляция из 3CD предназначена для прослушивания в любое время года, в любом месте и под любое настроение !!! 

This is the Drum&BassArena Anthology 2 TV advert. Out now on 3CD & Download at all good music stores.

Record-Лэйбл Fashion Music Records представляет новую подарочную CD-Компиляцию "Exclusive Remixes 2012" (3CD) сезона "Осень-Зима 2012" с миксами в формате mp3 резидентов Fashion Music Records - DJ Favorite и DJ Kharitonov! В компиляции можно услышать лучшие совместные ремиксы этого тандема ремиксеров и house-продюсеров, включая официальные релизы, а также эксклюзивные неизданные работы в стилях club house и progressive house! Подарочные диски вручаются гостям ночных клубов в городах России на гастрольных выступлениях! Свободное скачивание в отличном качестве! Приятного Прослушивания!================================================================OFFICIAL: www.fashion-records.com FACEBOOK: www.facebook.com/fashionmusicr… VKONTAKTE: www.vk.com/fashionmusicrecords TWITTER: www.twitter.com/fashionmusicRE… SOUNDCLOUD: www.soundcloud.com/fashionmusi… YOUTUBE: www.youtube.com/fashionrecords… - подписываемся! JUNO: www.junodownload.com/labels/Fa… TRAXSOURCE: www.traxsource.com/Fashion_Mus… DJ TUNES: www.djtunes.com/label/fashion-… BOOKING: +7 915 085 1110 ================================================================

Record-Лэйбл Fashion Music Records представляет новую подарочную CD-Компиляцию "Exclusive Remixes 2012" (3CD) сезона "Осень-Зима 2012" с миксами в формате mp3 резидентов Fashion Music Records - DJ Favorite и DJ Kharitonov! В компиляции можно услышать лучшие совместные ремиксы этого тандема ремиксеров и house-продюсеров, включая официальные релизы, а также эксклюзивные неизданные работы в стилях club house и progressive house! Подарочные диски вручаются гостям ночных клубов в городах России на гастрольных выступлениях! Свободное скачивание в отличном качестве! Приятного Прослушивания!================================================================OFFICIAL: www.fashion-records.com FACEBOOK: www.facebook.com/fashionmusicr… VKONTAKTE: www.vk.com/fashionmusicrecords TWITTER: www.twitter.com/fashionmusicRE… SOUNDCLOUD: www.soundcloud.com/fashionmusi… YOUTUBE: www.youtube.com/fashionrecords… - подписываемся! JUNO: www.junodownload.com/labels/Fa… TRAXSOURCE: www.traxsource.com/Fashion_Mus… DJ TUNES: www.djtunes.com/label/fashion-… BOOKING: +7 915 085 1110 ================================================================

Record-Лэйбл Fashion Music Records представляет новую подарочную CD-Компиляцию "Exclusive Remixes 2012" (3CD) сезона "Осень-Зима 2012" с миксами в формате mp3 резидентов Fashion Music Records - DJ Favorite и DJ Kharitonov! В компиляции можно услышать лучшие совместные ремиксы этого тандема ремиксеров и house-продюсеров, включая официальные релизы, а также эксклюзивные неизданные работы в стилях club house и progressive house! Подарочные диски вручаются гостям ночных клубов в городах России на гастрольных выступлениях! Свободное скачивание в отличном качестве! Приятного Прослушивания!================================================================OFFICIAL: www.fashion-records.com FACEBOOK: www.facebook.com/fashionmusicr… VKONTAKTE: www.vk.com/fashionmusicrecords TWITTER: www.twitter.com/fashionmusicRE… SOUNDCLOUD: www.soundcloud.com/fashionmusi… YOUTUBE: www.youtube.com/fashionrecords… - подписываемся! JUNO: www.junodownload.com/labels/Fa… TRAXSOURCE: www.traxsource.com/Fashion_Mus… DJ TUNES: www.djtunes.com/label/fashion-… BOOKING: +7 915 085 1110 ================================================================

Record-Лэйбл Fashion Music Records представляет новую подарочную CD-Компиляцию "Exclusive Remixes 2012" (3CD) сезона "Осень-Зима 2012" с миксами в формате mp3 резидентов Fashion Music Records - DJ Favorite и DJ Kharitonov! В компиляции можно услышать лучшие совместные ремиксы этого тандема ремиксеров и house-продюсеров, включая официальные релизы, а также эксклюзивные неизданные работы в стилях club house и progressive house! Подарочные диски вручаются гостям ночных клубов в городах России на гастрольных выступлениях! Свободное скачивание в отличном качестве! Приятного Прослушивания!================================================================OFFICIAL: www.fashion-records.com FACEBOOK: www.facebook.com/fashionmusicr… VKONTAKTE: www.vk.com/fashionmusicrecords TWITTER: www.twitter.com/fashionmusicRE… SOUNDCLOUD: www.soundcloud.com/fashionmusi… YOUTUBE: www.youtube.com/fashionrecords… - подписываемся! JUNO: www.junodownload.com/labels/Fa… TRAXSOURCE: www.traxsource.com/Fashion_Mus… DJ TUNES: www.djtunes.com/label/fashion-… BOOKING: +7 915 085 1110 ================================================================

Record-Лэйбл Fashion Music Records представляет новую подарочную CD-Компиляцию "Exclusive Remixes 2012" (3CD) сезона "Осень-Зима 2012" с миксами в формате mp3 резидентов Fashion Music Records - DJ Favorite и DJ Kharitonov! В компиляции можно услышать лучшие совместные ремиксы этого тандема ремиксеров и house-продюсеров, включая официальные релизы, а также эксклюзивные неизданные работы в стилях club house и progressive house! Подарочные диски вручаются гостям ночных клубов в городах России на гастрольных выступлениях! Свободное скачивание в отличном качестве! Приятного Прослушивания!================================================================OFFICIAL: www.fashion-records.com FACEBOOK: www.facebook.com/fashionmusicr… VKONTAKTE: www.vk.com/fashionmusicrecords TWITTER: www.twitter.com/fashionmusicRE… SOUNDCLOUD: www.soundcloud.com/fashionmusi… YOUTUBE: www.youtube.com/fashionrecords… - подписываемся! JUNO: www.junodownload.com/labels/Fa… TRAXSOURCE: www.traxsource.com/Fashion_Mus… DJ TUNES: www.djtunes.com/label/fashion-… BOOKING: +7 915 085 1110 ================================================================

Record-Лэйбл Fashion Music Records представляет новую подарочную CD-Компиляцию "Exclusive Remixes 2012" (3CD) сезона "Осень-Зима 2012" с миксами в формате mp3 резидентов Fashion Music Records - DJ Favorite и DJ Kharitonov! В компиляции можно услышать лучшие совместные ремиксы этого тандема ремиксеров и house-продюсеров, включая официальные релизы, а также эксклюзивные неизданные работы в стилях club house и progressive house! Подарочные диски вручаются гостям ночных клубов в городах России на гастрольных выступлениях! Свободное скачивание в отличном качестве! Приятного Прослушивания!================================================================OFFICIAL: www.fashion-records.com FACEBOOK: www.facebook.com/fashionmusicr… VKONTAKTE: www.vk.com/fashionmusicrecords TWITTER: www.twitter.com/fashionmusicRE… SOUNDCLOUD: www.soundcloud.com/fashionmusi… YOUTUBE: www.youtube.com/fashionrecords… - подписываемся! JUNO: www.junodownload.com/labels/Fa… TRAXSOURCE: www.traxsource.com/Fashion_Mus… DJ TUNES: www.djtunes.com/label/fashion-… BOOKING: +7 915 085 1110 ================================================================

The third and final new Ben Folds Five track on the new compilation is “Stumblin’ Home Winter Blues” In stores now from Legacy Recordings – Ben Folds: The Best Imitation of Myself – 3CD career spanning compilation includes hits, live tracks and rarities from his years with Ben Folds Five and as a solo artist. […]

Ben Folds discusses “Tell Me What I Did,” another brand-new Ben Folds Five track that the band actually played live in one of their final shows together in Spring 2000 at Scranton University. In stores now from Legacy Recordings – Ben Folds: The Best Imitation of Myself – 3CD career spanning compilation includes hits, live […]

The Ben Folds – Best Imitation of Myself podcast series launches with Ben’s comments on “House” – one of three brand-new Ben Folds Five reunion tracks on the new 3CD compilation. In stores now from Legacy Recordings – Ben Folds: The Best Imitation of Myself – 3CD career spanning compilation includes hits, live tracks and […]

**TO LISTEN OR DOWNLOAD SEE THE END OF THE SHOW DESCRIPTION!** **JOIN OUR NEW SOCIAL NETWORK TODAY AT http://www.conspiracyuk.com** On this six hour episode of Conspiracy Worldwide Radio: Canibus steps away from the battlefield for an epic, 70 minute feature, directly addressing the recent, heavily publicized events such as his on-wax friction with Slaughterhouse, Royce Da 5' 9", Joe Budden and the much-hyped DJ Premier situation. Canibus is an artist with one of the biggest,hip hop fueled hearts and this feature is as much a reminder of his complete devotion to our beautiful craft, as it is a revelation of the Truth behind the past few months of endless confrontation. But here lies the conclusion and this energy-laden, rare insight into the emotions of a HRSMN needs to be heard by every single hip hop fan around the world. Witness the beginning... Pre-order the 3CD album "Lyrical Law" now from http://www.canibuscatalogue.com and follow the real Canibus on Twitter @darealcanibus Luther "Luke" Campbell is known for pointing at women's bottoms and smiling. He has entertained and excited millions throughout his musical career, both as an advocate of free speech and through the bare-faced notoriety of his group, The 2 Live Crew. But now he is set for change and as his campaign for Mayor of Miami heats up, we hear about the artists that have turned their back on him and his society - from millionaires like P Diddy to the unjustifiably rich Cash Money Records label owners, Luke stands on his own now and is determined to be victorious in his visions. Essential listening. ** WARNING - PARENTAL DISCRETION IS NOT ADVISED** Elzhi steps onto the show, moments away from a European tour to promote his latest dope release "Elmatic". We discuss the creative process behind recreating such a timeless classic as "Illmatic", including building every track form scratch with a live band, selecting guest features and more. The future for Elzhi looks exciting - colabs with Madlib, Crooked I,MF Doom are all discussed here as well as the possibility of an Elzhi and Eminem collaboration. Vast Aire pounces onto the show to discuss his new album "OX 2010 Street Odyssey", including the multi-layered concepts behind each track, the many guest features and the creative process itself.He reveals the reason why Vordul Mega stepped away from music, citing one violent event involving a crazed fan as the main cause of Mega's back step, as well as discussing his current relationship with EL-P, Cage and Def Jux's closure. New Cannibal Ox music could happen but for now it is the album and his new book which both take the center stage for Vast Aire. Cappo & Styly Cee are set to release one of the UK's best albums of this year.They join us on the eve of their launch night to explain the creative process behind the album's adventurous creation, including a track by track analysis and their hopes for 2011. It is time for UK artists to sit on the same blogs and music sites as their US counterparts and this album will begin that process. Get the lead single here now - http://cappohq.com/album/the-fallout-single AND THAT'S NOT ALL! Creative Juices' I Am Many joins us for a frank and enjoyable interview regarding his new mixtape and subsequent album. One of the most insanely creative artists in hip hop, I Am Many breaks down the lack of unplanned genius behind his recordings and delivers one of the most unique live acapellas since Tonedef was on the show. Enjoy our pushing! Contact us at conspiracyworldwide@gmail.com Blackberry Messenger: 22192BE3 Mista Montana - http://www.montanauk.com Menace - http://messengermenace.blogspot.com