Podcasts about Al Haig

Sintonía: "Taking a Chance on Love" - Al Haig"Haditouni" - Douaa; "Music de carnaval" - Magdy Al Husseini (Egipto); "Ahl Jedba" - Fadoul (Marruecos); "Heik ha nishtghil?" - Munir Khauli (Marruecos); "Zina" - Ouiness (Marruecos); "Ya aen daly" (Stayin´ Alive/Bee Gees) - Najib Alhoush (Libia); "Bandala Zamana" - Zohra (Argelia); "Casbah" - Ahmed Malek (Argelia); "Reet" - Hamid El Shaeri (Libia); "Free Blow" (Dub Version) - Tony Benn Feghaly (Líbano); "Aït meslayen" - El Fen (Argelia)Todas las músicas extraídas de la recopilación (2xLP) "Habibi Funk - Part 2: An Eclectic Selection Of Music From The Arab World" (Habibi Funk, 2021)Escuchar audio

Sintonía: "Liza" - Al Haig"Hold On", "Come Touch The Sun", "Walk Into Space-Pt.1 & 11" y "Brazil" (Ary Barroso), extraídas del primer disco de los alemanes, titulado "Come Touch The Sun" (Stereo Deluxe, 1999)"Cha Cha Cha", "Bossahannover", "Hit The Road Jack (pé na éstrada)" (Ray Charles), "Remember Tomorrow" y "Soho Vibes", extraídas del 2º LP, "Remember Tomorrow" (Stereo Deluxe, 2001)Todas las músicas compuestas e interpretadas por Mo´ Horizons (mientras no se diga lo contrario)Escuchar audio

Sintonía: "Opus Caprice" - Al Haig"Nice Day To Go To The Pub", "Battlewitch", "Hoon", "Enmore Backender", "3rd Strike", "Watchbox Road (Fucked In The Truck)" y "Tossing The Kaber", extraídas del LP "Glorius Barsteds" (Missing Link/Junkyard Records, 2011)"Accountant Song", "Beep", "Dickson", "Bleeding Knuckles", "Dunny Seat", ", "Sin Bin", "Too Old To Drink In Pubs" y "Unreal", extraídas de "Mountain of Piss" (Subway Records/Go The Hack, 2021)Todas las canciones compuestas e interpretadas por Cosmic PsychosRelación de emisión de los tres programas anteriores dedicados a repasar lo mejor de la discografía de estudio del trío australiano: 1.- El primer álbum de título homónimo (1987) y la primera parte del 2º LP, "Go The Hack" (1989), emitido el 11/12/2024 2.- "Go The Hack" (2ª Pt) (1989), "Blokes You Can Trust" (1991) y "Palomino Pizza" (1993), emitido el 29/01/2025 3.- "Self Totalled" (1995), "Oh What A Lovely Pie" (1997), "Off Ya Cruet!" (2005) y "Dung Australia" (2008), emitido el 11/03/2025Escuchar audio

CHARLIE PARKERV.O.A. BROADCAST “CARNEGIE HALL” Los Angeles, August 29, 1952New York, December 25, 1949OrnithologyRed Rodney (tp) Charlie Parker (as) Al Haig (p) Tommy Potter (b) Roy Haynes (d) STORYVILLE CLUB – 1953OrnithologyCharlie Parker Charlie Parker (as) Red Garland (p) Bernie Griggs (b) Roy Haynes (d) MILES DAVIS “SEXTET” New York, January 17, 1951Down, The blue room (bg,sr out)Miles Davis (tp) Bennie Green (tb) Sonny Rollins (ts) John Lewis (p) Percy Heath (b) Roy Haynes (d) SARAH VAUGHAN WITH CLIFFORD BROWN” New York, December 16, 1954Lullaby of BirdlandSarah Vaughan (vcl) acc by Clifford Brown (tp) Herbie Mann (fl) Paul Quinichette (ts) Jimmy Jones (p) Joe Benjamin (b) Roy Haynes (d) THELONIOUS MONK LIVE “FIVE SPOT CAFE” New York, September 11, 1958EpistrophyJohn Coltrane (ts) Thelonious Monk (p) Ahmed Abdul-Malik (b) Roy Haynes (d) ERIC DOLPHY “OUTWARD BOUND” New York, April 1, 1960G.W. Continue reading Puro Jazz 3 de diciembre, 2024 at PuroJazz.

CHARLIE PARKERV.O.A. BROADCAST “CARNEGIE HALL” Los Angeles, August 29, 1952New York, December 25, 1949OrnithologyRed Rodney (tp) Charlie Parker (as) Al Haig (p) Tommy Potter (b) Roy Haynes (d) STORYVILLE CLUB – 1953OrnithologyCharlie Parker Charlie Parker (as) Red Garland (p) Bernie Griggs (b) Roy Haynes (d) MILES DAVIS “SEXTET” New York, January 17, 1951Down, The blue room (bg,sr out)Miles Davis (tp) Bennie Green (tb) Sonny Rollins (ts) John Lewis (p) Percy Heath (b) Roy Haynes (d) SARAH VAUGHAN WITH CLIFFORD BROWN” New York, December 16, 1954Lullaby of BirdlandSarah Vaughan (vcl) acc by Clifford Brown (tp) Herbie Mann (fl) Paul Quinichette (ts) Jimmy Jones (p) Joe Benjamin (b) Roy Haynes (d) THELONIOUS MONK LIVE “FIVE SPOT CAFE” New York, September 11, 1958EpistrophyJohn Coltrane (ts) Thelonious Monk (p) Ahmed Abdul-Malik (b) Roy Haynes (d) ERIC DOLPHY “OUTWARD BOUND” New York, April 1, 1960G.W. Continue reading Puro Jazz 3 de diciembre, 2024 at PuroJazz.

CLAUDE THORNHILL AND HIS ORCHESTRA “SNOWFALL” New York, November 6, 1947Snowfall, Puttin' And Talkin', AnthropologyEd Zandy, Louis Mucci, Red Rodney (tp) Tak Takvorian, Allan Langstaff, John Torick (tb) Walt Weschler, Sandy Siegelstein (fhr) Bill Barber (tu) Danny Polo, Lee Konitz (cl,as) Mickey Folus (b-cl,ts) Babe Fresk (cl,ts) Billy Bushey (cl,b-cl,bar) Claude Thornhill (p,arr) Barry Galbraith (g) Joe Shulman (b) Billy Exiner (d) Fran Warren, Gene Williams (vcl) Bill Borden, Gerry Mulligan, Eddie Herzog, Gil Evans (arr) LENNIE TRISTANO “TRISTANO TRIO” New York, October 8, 1946I can't get started, I surrender dearLennie Tristano (p) Billy Bauer (g) Clyde Lombardi (b) New York, 1955 Turkish mamboLennie Tristano (p) (d- desconocido) THE MODERN JAZZ QUARTET (MJQ) “NO SUN IN VENICE” New York, April 4, 1957 The golden striker, Three WindowsMilt Jackson (vib) John Lewis (p) Percy Heath (b) Connie Kay (d) MILES DAVIS NONET “BIRTH OF THE COOL” New York, January 21, 1949 Jeru (gm arr) Move (jl arr) Budo (jl arr)Miles Davis (tp) Kai Winding (tb) Junior Collins (fhr) Bill Barber (tu) Lee Konitz (as) Gerry Mulligan (bar,arr) Al Haig (p) Joe Shulman (b) Max Roach (d) John Lewis (arr) New York, April 22, 1949 Boplicity (ge arr) Israel (jc arr)Miles Davis (tp) J.J. Continue reading Puro Jazz 11 de noviembre, 2024 at PuroJazz.

CLAUDE THORNHILL AND HIS ORCHESTRA “SNOWFALL” New York, November 6, 1947Snowfall, Puttin' And Talkin', AnthropologyEd Zandy, Louis Mucci, Red Rodney (tp) Tak Takvorian, Allan Langstaff, John Torick (tb) Walt Weschler, Sandy Siegelstein (fhr) Bill Barber (tu) Danny Polo, Lee Konitz (cl,as) Mickey Folus (b-cl,ts) Babe Fresk (cl,ts) Billy Bushey (cl,b-cl,bar) Claude Thornhill (p,arr) Barry Galbraith (g) Joe Shulman (b) Billy Exiner (d) Fran Warren, Gene Williams (vcl) Bill Borden, Gerry Mulligan, Eddie Herzog, Gil Evans (arr) LENNIE TRISTANO “TRISTANO TRIO” New York, October 8, 1946I can't get started, I surrender dearLennie Tristano (p) Billy Bauer (g) Clyde Lombardi (b) New York, 1955 Turkish mamboLennie Tristano (p) (d- desconocido) THE MODERN JAZZ QUARTET (MJQ) “NO SUN IN VENICE” New York, April 4, 1957 The golden striker, Three WindowsMilt Jackson (vib) John Lewis (p) Percy Heath (b) Connie Kay (d) MILES DAVIS NONET “BIRTH OF THE COOL” New York, January 21, 1949 Jeru (gm arr) Move (jl arr) Budo (jl arr)Miles Davis (tp) Kai Winding (tb) Junior Collins (fhr) Bill Barber (tu) Lee Konitz (as) Gerry Mulligan (bar,arr) Al Haig (p) Joe Shulman (b) Max Roach (d) John Lewis (arr) New York, April 22, 1949 Boplicity (ge arr) Israel (jc arr)Miles Davis (tp) J.J. Continue reading Puro Jazz 11 de noviembre, 2024 at PuroJazz.

CHARLIE PARKER “Charlie Parker's Reboppers” – New York, November 26, 1945Ko-ko (2,3), Billie's bounce (1,3), Now's the time (1,3)Miles Davis (tp-1) Dizzy Gillespie (tp-2,p-3) Charlie Parker (as) Argonne Thornton (p-4) “Charlie Parker All Stars” – New York, May 8, 1947Donna LeeMiles Davis (tp) Charlie Parker (as) Bud Powell (p) Tommy Potter (b) Max Roach (d) “CHICAGO RHYTHMDIZZY GILLESPIEKINGS” “Dizzy Gillespie Sextet” – New York, February 28, 1945Groovin' high, Dizzy atmosphereDizzy Gillespie (tp) Charlie Parker (as) Clyde Hart (p) Remo Palmieri (g) Slam Stewart (b) Cozy Cole (d) “Dizzy Gillespie And His All Star Quintet” – New York, May 11, 1945Salt peanuts (dg,ens vcl),Dizzy Gillespie (tp,vcl) Charlie Parker (as) Al Haig (p) Curly Russell (b) Sidney Catlett “Shaw ‘Nuff” – New York, May 15, 1946Oop Bop Sha BamDizzy Gillespie (tp, vo) Sonny Stitt (as) Milt Jackson (vib) Al Haig (p) Ray Brown (b) Kenny Clarke (d) Gil Fuller, Alice Roberts (vo) THELONIOUS MONK “Thelonious Monk Trio” – New York, October 24, 1947Ruby my dear, Well you needn't, Off minorThelonious Monk (p) Gene Ramey (b) Art Blakey (d) “Thelonious Monk Quintet” – New York, November 21, 1947Monk's mood, ‘Round midnight George Tait (tp) Sahib Shihab (as) [aka Edmund Gregory (as) ] Thelonious Monk (p) Bob Paige (b) Art Blakey (d) “BUD POWELL TRIO” Linden, NJ, August 1949I'll remember April, Somebody loves me, I should careBud Powell (p) Curly Russell (b) Max Roach (d) New York, May 1, 1951Un poco locoBud Powell (p) Curly Russell (b) Max Roach (d) Continue reading Puro Jazz 04 de noviembre, 2024 at PuroJazz.

CHARLIE PARKER “Charlie Parker's Reboppers” – New York, November 26, 1945Ko-ko (2,3), Billie's bounce (1,3), Now's the time (1,3)Miles Davis (tp-1) Dizzy Gillespie (tp-2,p-3) Charlie Parker (as) Argonne Thornton (p-4) “Charlie Parker All Stars” – New York, May 8, 1947Donna LeeMiles Davis (tp) Charlie Parker (as) Bud Powell (p) Tommy Potter (b) Max Roach (d) “CHICAGO RHYTHMDIZZY GILLESPIEKINGS” “Dizzy Gillespie Sextet” – New York, February 28, 1945Groovin' high, Dizzy atmosphereDizzy Gillespie (tp) Charlie Parker (as) Clyde Hart (p) Remo Palmieri (g) Slam Stewart (b) Cozy Cole (d) “Dizzy Gillespie And His All Star Quintet” – New York, May 11, 1945Salt peanuts (dg,ens vcl),Dizzy Gillespie (tp,vcl) Charlie Parker (as) Al Haig (p) Curly Russell (b) Sidney Catlett “Shaw ‘Nuff” – New York, May 15, 1946Oop Bop Sha BamDizzy Gillespie (tp, vo) Sonny Stitt (as) Milt Jackson (vib) Al Haig (p) Ray Brown (b) Kenny Clarke (d) Gil Fuller, Alice Roberts (vo) THELONIOUS MONK “Thelonious Monk Trio” – New York, October 24, 1947Ruby my dear, Well you needn't, Off minorThelonious Monk (p) Gene Ramey (b) Art Blakey (d) “Thelonious Monk Quintet” – New York, November 21, 1947Monk's mood, ‘Round midnight George Tait (tp) Sahib Shihab (as) [aka Edmund Gregory (as) ] Thelonious Monk (p) Bob Paige (b) Art Blakey (d) “BUD POWELL TRIO” Linden, NJ, August 1949I'll remember April, Somebody loves me, I should careBud Powell (p) Curly Russell (b) Max Roach (d) New York, May 1, 1951Un poco locoBud Powell (p) Curly Russell (b) Max Roach (d) Continue reading Puro Jazz 04 de noviembre, 2024 at PuroJazz.

CHARLES TOLLIVER “THE RINGER” London, England, June 2, 1969Plight, The ringer, SpurCharles Tolliver (tp) Stanley Cowell (p) Steve Novosel (b) Jimmy Hopps (d) CHET BAKER “IN NEW YORK” New York, September, 1958Hotel 49, Blue thoughts, SolarChet Baker (tp) Johnny Griffin (ts) Al Haig (p) Paul Chambers (b) Philly Joe Jones (d) EMMET COHEN “VIBE PROVIDER” New York ?, c. Continue reading Puro Jazz 02 de octubre, 2024 at PuroJazz.

CHARLES TOLLIVER “THE RINGER” London, England, June 2, 1969Plight, The ringer, SpurCharles Tolliver (tp) Stanley Cowell (p) Steve Novosel (b) Jimmy Hopps (d) CHET BAKER “IN NEW YORK” New York, September, 1958Hotel 49, Blue thoughts, SolarChet Baker (tp) Johnny Griffin (ts) Al Haig (p) Paul Chambers (b) Philly Joe Jones (d) EMMET COHEN “VIBE PROVIDER” New York ?, c. Continue reading Puro Jazz 02 de octubre, 2024 at PuroJazz.

STAN GETZ STAN GETZ – 1950 out of a dream, The lady in red Stan Getz (ts) Tony Aless (p) Percy Heath (b) Don Lamond (d) New York, January 6, 1950 What's new ?Stan Getz (ts) Al Haig (p) Tommy Potter (b) Roy Haynes (d) Junior Parker (vcl) 1950 – New York, May 17, 1950 Sweetie pieStan Getz (ts) Al Haig (p) Tommy Potter (b) Roy Haynes (d) New York, December 10, 1950 Out of nowhereStan Getz (ts) Horace Silver (p) Joe Calloway (b) Walter Bolden (d) MILT JACKSON THE BIG THREE Los Angeles, August 25, 1975Nuages, Come Sunday, Moonglow, You stepped out of a dreamMilt Jackson (vib) Joe Pass (g) Ray Brown (b) VIC DICKENSON VIC'S BOSTON STORY Boston, MA, 1956In a sentimental mood, Love me or leave me, Yesterdays, All too soon (1) A cottage for sale (1)Vic Dickenson (tb,vcl) George Wein (p) Jimmy Woode (b) Arvell Shaw (b-1) Buzzy Drootin (d) Continue reading Puro Jazz 18 de junio 2024 at PuroJazz.

STAN GETZ STAN GETZ – 1950 out of a dream, The lady in red Stan Getz (ts) Tony Aless (p) Percy Heath (b) Don Lamond (d) New York, January 6, 1950 What's new ?Stan Getz (ts) Al Haig (p) Tommy Potter (b) Roy Haynes (d) Junior Parker (vcl) 1950 – New York, May 17, 1950 Sweetie pieStan Getz (ts) Al Haig (p) Tommy Potter (b) Roy Haynes (d) New York, December 10, 1950 Out of nowhereStan Getz (ts) Horace Silver (p) Joe Calloway (b) Walter Bolden (d) MILT JACKSON THE BIG THREE Los Angeles, August 25, 1975Nuages, Come Sunday, Moonglow, You stepped out of a dreamMilt Jackson (vib) Joe Pass (g) Ray Brown (b) VIC DICKENSON VIC'S BOSTON STORY Boston, MA, 1956In a sentimental mood, Love me or leave me, Yesterdays, All too soon (1) A cottage for sale (1)Vic Dickenson (tb,vcl) George Wein (p) Jimmy Woode (b) Arvell Shaw (b-1) Buzzy Drootin (d) Continue reading Puro Jazz 18 de junio 2024 at PuroJazz.

2:29:53 – Frank in New Jersey, plus the Other Side. Topics include: Phish at Sphere in Las Vegas in April 2024, Henry Kissinger dead at 100, Nixon tapes, Al Haig, Quecto Dorado, new metric prefixes, estate sale, knowing, Joyshticks, Agatha Crumm, The Heights (TV Series 1992), Togetherness, piercing, and much more… plus the Other Side (at 1:49:12)… […]

2:29:53 – Frank in New Jersey, plus the Other Side. Topics include: Phish at Sphere in Las Vegas in April 2024, Henry Kissinger dead at 100, Nixon tapes, Al Haig, Quecto Dorado, new metric prefixes, estate sale, knowing, Joyshticks, Agatha Crumm, The Heights (TV Series 1992), Togetherness, piercing, and much more… plus the Other Side (at 1:49:12)… […]

It's that happy, happy time again - voting season! Since many of us hit the polls last week to do the whole democracy thing, we figured it's a perfect time to re-air one of our earliest political episodes when the American political system encountered a crisis of epic proportions. Good to know things have changed, right? Enjoy!~~~You are a new country. You have a constitution. If anything goes wrong, don't worry, the constitution will tell us what to do.......or will it?Learn about the death of President William Henry Harrison, the first time a President died in office, and the forgotten constitutional crisis that followed, as well as a deep dive into the 25th Amendment that tried to correct those errors.Rob gives Ray a lesson in the history of the all too brief Presidency of William Henry Harrison, the controversial elections that got him into office, The Curse of Tippecanoe, the gentleman's agreement between Eisenhower and Nixon, why it is difficult to invoke the 25th Amendment, the wisdom of Al Haig, and tons of The West Wing examples.If you like what we're doing, please support us on Patreon, or you can subscribe to our bonus content on Apple Podcasts. And we'd love to find even more listeners, so if you have time, please leave us a rating or review on Apple Podcasts, Spotify, or wherever you listen to podcasts. And if you have any other thoughts or feedback you'd like to share with us, we'd love to hear from you - feel free to email us or send us a message on social media. TEAMRay HebelRobert W. SchneiderMark SchroederBilly RecceDaniel SchwartzbergGabe CrawfordNatalie DeSaviaARTICLESHis AccidencyHow The Shortest Presidency Spurred A Brief Constitutional CrisisPublic Announcement of Harrison's DeathDid William Henry Harrison Really Die of Pneumonia

This is the first episode in a four episode special series looking back at the life of General Alexander Haig.  Haig served several Presidents, working most closely with Presidents Nixon, Ford and Reagan. He has been a major player throughout the time periods we have been covering throughout the entire storyline of our podcast. He has been such a large player throughout the run of our series and  we thought here at what will be his last major appearance in our timeline that now was a time to look back at Al Haig, so that you could get a full picture of this man who played such a major role in four major historic moments in our nation's history: The Vietnam War, Watergate, the Nixon Pardon by Ford, and The Reagan State Department. To say Alexander Haig was a major player in all of these events would be a major understatement. All three of these Presidents relied on Haig for advice an understanding of the World. Over the final months of the Vietnam War, Haig helped guide the President to the conclusion, as we shall see in this special series, and it is alleged he may have also later helped guide Richard Nixon out of the Presidency.  Haig's role in the Nixon years, especially, is not without controversy, some of which I was unaware of when I started this podcast several years ago. In this episode we will look back at several historic moments from the life of Alexander Haig.  We start first at the moment that most likely ended his political life when he stepped up to the cameras and insisted he was incharge of the government after the assassination attempt on President Reagan.  We will hear from the man himself, from an interview he gave while attempting to run for President in his own right in 1988. We will hear of his role in the pardon of Richard Nixon from Gerald Ford, and we will hear of his successes as Secretary of State including his role in trying to prevent the Falklands War. But it is his role at the end of Vietnam, and at the end of the Nixon Administration itself that has engendered the most controversy, including accusations that at some point he may have been involved in a spy ring against the President from the Joints Chiefs of Staff, and also that he may have been a secret source for the Washington Post's journalistic team of Bob Woodward and Carl Bernstein, while also managing the Nixon White House as its Chief of Staff.  We will examine it all here in this first of four episodes on General Alexander Haig.  Questions or comments at , Randalrgw1@aol.com , https://twitter.com/randal_wallace , and http://www.randalwallace.com/Please Leave us a review at wherever you get your podcastsThanks for listening!!

Other than being a cracker-jack Scrabble word that utilizes some high-point tiles and stretches across some valuable board territory (Triple Word Score, baby), the word “optimization” is tough to deal with, define, understand or turn into a jokey, pop-culture laden opening paragraph for podcast notes, per our writing staff's usual schtick here at The Overlap Podcast… especially when all the movies and TV shows with “optimization” listed as a subject are all either educational economics films, one episode of The Big Bang Theory and an upcoming documentary about former US Secretary of Defense Robert McNamara (and nobody can make McNamara funny … Kissinger, sure. Al Haig, of course. But McNamara … hard pass).   So, as you may have surmised from the writing staff's previous winding rant of a paragraph, this week our boys Sid and Keith will opine on optimization, in all its many facets, forms and functions - and it's not just for business any more, listeners. Yes, our brand new Optimal Optimization Outline can do just about anything you want it to do - align your short and long-term goals, build business initiatives, prioritize your personal life, enliven your endeavors, make Julienne fries, and create up-to-date odds for who becomes the first Space Pope (we're betting $5 on a thawed-out, re-alived Ted Williams at 27:1).   Well, it'll do some of those things… probably… we hope. But, there's only one way to find out, so tune in to this week's Overlap Podcast to see what Optimization can really do for you. For more of our content and to learn more about us, visit www.overlaplife.com

CHARLIE PARKER CHARLIE PARKER HI FI  – New York, December 30, 1952 The song is you, Laird Baird, Kim, Cosmic rays Charlie Parker (as) Hank Jones (p) Teddy Kotick (b) Max Roach (d)  – New York,July 30, 1953 Now’s the time, I remember you, Confirmation, Chi Chi Charlie Parker (as) Al Haig (p) Percy Heath […]

Le prime registrazioni che documentano il bebop - il nuovo, audace linguaggio che irrompe sulla scena del jazz negli anni quaranta - sono effettuate dal vivo fra il '41 e il '43 nei locali di New York in cui i giovani boppers si ritrovano e maturano la fisionomia della loro nuova musica. Le prime registrazioni formali, di studio, di questa tendenza sono invece effettuate nel '44, e - per una serie di motivi - non sono realizzate dalle case discografiche più grandi, ma da etichette più piccole, agili e coraggiose. Diverse delle primissime registrazioni di studio ascrivibili al bebop effettuate nel '44 sono realizzate da un'etichetta nata nel '42, la Savoy, che poi nel corso degli anni quaranta continua a condurre importanti registrazioni di musicisti di ambito bebop. Nei primi anni cinquanta la Savoy pubblica una scelta delle registrazioni bebop effettuate negli anni quaranta in cinque album 10 pollici, con l'intestazione The birth of bop. Adesso la Craft Recordings (Universal) ha ripubblicato la serie dei cinque volumi di The birth of bop della Savoy in altrettanti 10 pollici che riprendono la grafica originaria e mantengono l'identica successione dei brani degli album degli anni cinquanta. The birth of bop, disponibile anche come doppio cd, è una miniera di brani meravigliosi, che ci comunicano l'ebbrezza di una musica straordinariamente innovativa colta nel momento del suo farsi: tra i musicisti che compaiono Charlie Parker, Tiny Grimes, Budd Johnson, un ventiduenne Dexter Gordon, un diciannovenne Stan Getz (sia Gordon che Getz alla loro prima seduta di incisione a proprio nome), Don Byas, Kai Winding, J.J. Johnson, Bud Powell, Max Roach, Fats Navarro, Al Haig, Eddie Lockjaw Davis, Leo Parker, Serge Chaloff, Allen Eager...

Tonight's Jazz Feature is a bit different as this is our Fundrive Edition of The Jazz Show and I wanted to have a shorter Jazz Feature interspersed with reminders to donate to CITR's Fundrive by going to www.cirt.ca/donate. For the Jazz Feature we present four classic recording sessions with the great alto saxophonist and pioneer of Modern Jazz. We will hear these four sessions spanning 1947 to 1953. Charlie Parker will be heard with trumpeter Miles Davis, pianists Bud Powell, Duke Jordan, John Lewis and Al Haig and bassists Tommy Potter, Curley Russell and Percy Heath and master drummer Max Roach. That will be tonight's Jazz Feature : a small tribute to Bird.

 It's not as though guitarist Bobby Broom hasn't had meaningful encounters with pianists during his long and distinguished career. Still in his teens, the Harlem native got his startas a performing artist playing clubs with Charlie Parker alumni Al Haig and Walter Bishop, Jr. Dave Grusin contributed keyboardsto (and produced) Broom's first two albums. And James Williams was instrumental in advancing his career, while Dr. John provided six years of meaningful employment. Then there were Chicago greats Willie Pickens, Jodie Christian, Earma Thompson, and Ramsey Lewis, who all supported him through the years.But it had been many years leading up to his revelatory new album, Keyed Up – a tribute to great pianists featuring a future great in Justin Dillard – that Broom hooked up with a keyboardist on one of his recordings. Having established himself as one of the day's great guitarists in bass and drum trio settings, why did he expand to a quartet this time around? Have a listen and find out!Support the show

Recordamos a May Lou Williams, Teddy Wilson y su swing, Art Tatum, Billy Taylor, Martial Solal, Hank Jones, Erroll Garner, Jimmy Rowles, Oscar Peterson, Bud Powell y Al Haig, ya en el bop. Hosted on Acast. See acast.com/privacy for more information.

Bob Mover is a virtuosic saxophonist who performed with Chet Baker, Charles Mingus, Lee Konitz and countless others over a long career. Visit https://www.bobmoverjazz.com/ to sign up for Bob Mover's weekly online masterclass sessions every Saturday. List of names mentioned: Charlie Parker, Roland Kirk, Bill Evans, Roy Eldridge, Richie Kamuca, Ira Sullivan, Walter Piston, Gerry Mulligan, Chet Baker, Stan Getz, Zoot Sims, Wynton Kelly, Kenny Dorham, Sonny Rollins, Lee Konitz, Jaki Byard, Al Cohn, Phil Woods, Bud Powell, Thelonius Monk, Jimmy Lyons, Cecil Taylor, Saul Frompkin, Don Byas, Coleman Hawkins, Art Tatum, Bud Powell, Hank Jones, Al Haig, Dodo Marmarosa, Joe Albany, Albert Dailey, Kenny Barron, Warne Marsh, Lennie Tristano, Lester Young, Count Basie, Jerry Coker, Allen Rock, Duffy Jackson, Bill Pierce, Mark Colby, Melton Mustafa, Ramblerny Music camp, Roger Rosenberg, Mike Brecker, Randy Brecker, Eddie Cleanhead Vinson, Shelly Manne, Brooks Kerr, Tony Castellano, Mulgrew Miller, Walter Davis Junior, John Bennett, Bernie Senensky, Cory Weeds, Sam Noto, Isaac Raz, Antoine Drye, Steve Kenyon, Emily Mover, Danny Kaye

Sintonía: “Taking a Chance on Love” - Al Haig “Fine and Dandy” y “I Didn’t Know What Time It Was” - George Wallington; “Bop-Kick” - Nat King Cole; “There Will Never Be Another You” - Wynton Kelly; “Bop’s Your Uncle” - George Shearing; “Bopmatism” - Dodo Marmarosa; “Nameless” - Oscar Peterson; “Opus Caprice” y “Liza” - Al Haig; “Safari” - Horace Silver; “Trinkle Tinkle”, “Sweet and y “Bye Ya” - Thelonious Monk; “Un poco loco”, “Tempus Fugue It” y “Parisian Thoroughfare” - Bud Powell Todas las músicas extraídas del número 32 de la serie gala de cds “Saga Jazz”, dedicado a pianistas de Bebop (“Bebop Piano”, Saga Jazz 2003) Escuchar audio

Accanto a Thelonious Monk e Bud Powell altri pianisti - oggi meno ricordati, ma non per questo meno importanti musicalmente - hanno contribuito negli anni '40 alla definizione dello specifico linguaggio del pianoforte be-bop. Maurizio Franco in questa serie di Birdland passa in rassegna le peculiarità di alcune figure del pianismo bop quali George Wallington, Dodo Marmarosa, Al Haig, Duke Jordan e Tadd Dameron.

Accanto a Thelonious Monk e Bud Powell altri pianisti - oggi meno ricordati, ma non per questo meno importanti musicalmente - hanno contribuito negli anni '40 alla definizione dello specifico linguaggio del pianoforte be-bop. Maurizio Franco in questa serie di Birdland passa in rassegna le peculiarità di alcune figure del pianismo bop quali George Wallington, Dodo Marmarosa, Al Haig, Duke Jordan e Tadd Dameron.

Accanto a Thelonious Monk e Bud Powell altri pianisti - oggi meno ricordati, ma non per questo meno importanti musicalmente - hanno contribuito negli anni '40 alla definizione dello specifico linguaggio del pianoforte be-bop. Maurizio Franco in questa serie di Birdland passa in rassegna le peculiarità di alcune figure del pianismo bop quali George Wallington, Dodo Marmarosa, Al Haig, Duke Jordan e Tadd Dameron.

Accanto a Thelonious Monk e Bud Powell altri pianisti - oggi meno ricordati, ma non per questo meno importanti musicalmente - hanno contribuito negli anni '40 alla definizione dello specifico linguaggio del pianoforte be-bop. Maurizio Franco in questa serie di Birdland passa in rassegna le peculiarità di alcune figure del pianismo bop quali George Wallington, Dodo Marmarosa, Al Haig, Duke Jordan e Tadd Dameron.

Accanto a Thelonious Monk e Bud Powell altri pianisti - oggi meno ricordati, ma non per questo meno importanti musicalmente - hanno contribuito negli anni '40 alla definizione dello specifico linguaggio del pianoforte be-bop. Maurizio Franco in questa serie di Birdland passa in rassegna le peculiarità di alcune figure del pianismo bop quali George Wallington, Dodo Marmarosa, Al Haig, Duke Jordan e Tadd Dameron.

Lucky Thompson - sides recorded by the great and largely forgotten tenor sax man from 1944-54 with Hot Lips Page, Dizzy Gillespie, Charlie Parker, Freddie Green, Clark Terry, Slim Gaillard, Marshall Royal, Buck Clayton, Karl George, Dickie Wells, Urbie Green, Milt Jackson, Al Haig, Willie Smith, Howard McGhee . . --- Support this podcast: https://anchor.fm/john-clark49/support

If our last episode was one of the saddest we will ever cover on our podcast, this was one of the happiest.On May 24, 1973, underneath an enormous tent on the grounds of the White House, the largest state dinner and event ever held occured in honor of the Vietnam Prisoners of War.  It was a star-studded event.  Bob Hope hosted with guests the New Christy Minstrels, Phyllis Diller, Joey Harrington, Vic Damone, Edgar Bergman,  Ricardo Montalban,  Jimmy Stewart, Roy Acuff and the Smokey Mountain Boys, Irving Berlin and the Legendary Actor John Wayne. All of whom played tribute to the soldiers of Vietnam.The event was the visionary idea of one famous entertainer, Sammy Davis Jr. , and he will come on and sing a few songs including an incredibly moving moment with Irving Berlin singing his song " God Bless America". It was a night like no other and when it was over we listen in on a call between President Richard Nixon and his new Chief of Staff, a former General and assistant National Security Advisor during the Vietnam War, Alexander Haig. In it they talk about the power of this night and how no matter what was to come, this night and the honoring of our now free, former POW's had made it all worth it. The call ends with a very powerful moment between the two men as Al Haig ends the call with some powerful words for a discouraged President as Nixon steals himself for the horrible days he knows are sure to be coming at the hands of a rabid conglomeration of enemies. On a side note, this is so far my favorite episode because it brings so many legendary figures into one episode honoring some of our greatest Americans and we get to see Richard Nixon at his best, in one of his finest hours,  as one of our greatest American Leaders. 

Today, we'll begin a two-part podcast about Taiwan and the People's Republic of China by hearing Ronald Reagan's thoughts in the 70's and 80's. Governor Ronald Reagan was a vocal supporter of Taiwan and was first introduced to the country in 1971 when he traveled there at the request of President Nixon. His task was to reassure Chiang Kai-shek that the United States remained committed to U.S.-Taiwan relations, even though Henry Kissinger was holding secret meetings in the People's Republic of China. Ronald Reagan regarded Taiwan as a loyal, democratic, longtime ally to whom we owed unqualified support and he was concerned how Al Haig and others in the state department were so eager to improve relations with the Peoples Republic of China, that, ultimately as president, tried to press him back from this pledge of support.

It was the best of times and it was the worst of times. On June 12, 1971, the daughter of President and Mrs. Nixon, Tricia Nixon married Edward Cox at a White House ceremony in the Rose Garden. It was a wedding celebrated by not only the Nixon and Cox families but by the entire nation. President Nixon said of the day "It was a day we were all just very happy" It was a truly magical event and one of five such weddings at the White House in the 20th Century. The next day in a small article on the front page of the New York Times was a little story about a leak of confidential papers from a secret Pentagon study on the history of the Vietnam War. That little story was about an enormous leak of monumental proportions for our nation and its foreign policy. The thief, Daniel Ellsberg, had as good a secret clearance as anyone in Washington, he was married to an influential toy maker's daughter, and no one had any idea what else he had stolen. While the papers themselves did not mention the Nixon Administration in any of the documents it did have appendices full of documents that the communist enemies around the world had intercepted coded versions of and now that the real ones were readily available they could match up and break our secret codes. That was a fact that could get people killed and was a fact the press either willfully ignored or flat out did not care about. In either case, they also did not report that information to the public.  Here was Richard Nixon and Henry Kissinger, with a strategic plan that included negotiating with the Soviet Union, the Communist Chinese, and we were at war and trying to negotiate with the North Vietnamese, and we were dealing with communist regimes in Romania, Czechoslovakia and Poland, plus dictatorships in Pakistan and other areas of the world in order to get their strategy in place and their plans to come to fruition. The release of the Pentagon Papers made  it appear to all of these secretive, totalitarian regimes that we could not keep our secrets from the New York Times or, even worse, The Washington Post. Nixon was red hot mad and had damn good reason to be. All the staff that worked at the White House called this the moment in which the Nixon Administration felt it had to take matters in hand to deal with leaks, subversives, and riotous protesters  to keep our country from coming apart in a wave of violent upheaval similar to 1968. It was extraordinary times and it would lead to events that would bring the Nixon Administration crashing down and leave our nation with a true question mark.Is it right to remove one of our truly greatest leaders, in extraordinary times, because he may have broken the law in order to save the nation?For a half century that question has still lingered and its consequence has set the nation on a calamitous course of extremism, cynicism, the criminalization of politics and the rise of widespread conspiracy theories that now 50 years later threaten the very foundation and core of the great American experiment in self governance.   

You are a new country. You have a constitution. If anything goes wrong, don't worry, the constitution will tell us what to do.......or will it?   Learn about the death of President William Henry Harrison, the first time a President died in office, and the forgotten constitutional crisis that followed, as well as a deep dive into the 25th Amendment that tried to correct those errors. Rob gives Ray a lesson in the history of the all too brief Presidency of William Henry Harrison, the controversial elections that got him into office, The Curse of Tippecanoe, the gentleman's agreement between Eisenhower and Nixon, why it is difficult to invoke the 25th Amendment, the wisdom of Al Haig, and tons of The West Wing examples.   If you like what we are doing, please support us on Patreon    TEAM: Ray Hebel Robert W Schneider Mark Schroeder Billy Recce Daniel Schwartzberg Gabe Crawford Natalie DeSavia     ARTICLES His Accidency How The Shortest Presidency Spurred A Brief Constitutional Crisis Public Announcement of Harrison's Death Did William Henry Harrison Really Die of Pneumonia Did Tecumseh's Curse Kill Seven Presidents What Really Killed The First President To Die In Office Remembering William Henry Harrison 25th Amendment: Three Questions   What Is The 25th Amendment Who's In Charge? Reagan Aides Once Raised The Possibility Of Invoking The 25th Amendment AUDIO/VISUAL AL HAIG            Learn more about your ad choices. Visit megaphone.fm/adchoices

Wednesday, September 30, 2021, Mt. Airy, Philadelphia: I had the privilege to sit down and chat with drum legend, Mr. Jimmy Wormworth!  Jimmy is best known for playing drums with the groundbreaking vocal jazz ensemble, Lambert, Hendricks and Ross, plus his work with Al Haig, Lou Donaldson and for being house drummer at the Five Spot in 1959. This edition of Backstage at The Enharmonic is very special, it's the first interview that I've conducted live and in person, and would like to thank bassist Mike Merritt for suggesting that I interview Jimmy, and a big thank you to James Wormworth, Jimmy's son, for helping to coordinate this session. The range of topics that we discuss are as varied as Jimmy's career: Lambert Hendricks and Ross blatant inequities in network television in the late 50s and early 60s. early influences and what inspired him to become a musician. the calling card of every jazz drummer, their ride cymbal sound. his opinions and thoughts about new music. words of wisdom for young and aspiring drummers of all ages Our interview begins in the late 50s with Jimmy's recollections of meeting Kenny Clark...

Stadiumwide mass weddings! Questionable claims about organ harvesting! Richard Nixon! Al Haig! SHEN YUN!!! This episode's got it all, folks. The Rev. Sun Myung Moon and his absolutely third-grade-boy ideas about gay people fight for the elite eight against Falun Going, a relative newcomer with an omnipresent troupe of acrobats and a massive compound in the U.S. that you are not invited to. Also we would like to go on record as saying that this matchup was 100% picked by the automatic bracket creator, and that we didn't just throw the two Asian cults in a ring to duke it out.

Fellow comrade Shelby joins us this week to talk In Control and try to figure out what the hell Al Haig thought he was in control of! It's the episode where Reagan gets shot and people go crazy. Nooners! Jodie Foster! Men who can't talk to their wives! The ominous beginnings of the 24-hour news cycle! Tune in! Follow us on Twitter: twitter.com/bestofamericans

Episode 033 Chicago Music Revealed with Mike Jeffers and special guest Bobby Broom talking about his upcoming performance as part of the Jazz Foundation of America Musicians' Emergency Fund Concert 5/14 Featuring: Sheryl Crow, Robert Cray, Milton Nascimento, Anjelique Kidjo, Stanley Jordan, Ivan Neville and many more. Watch Live Tonight at 8pm EST and 10pm EST. https://www.youtube.com/watch?v=WYoeS...   #bobbybroom #jazzfoundationofamerica #chicagomusicrevealed   About Bobby Broom By 16, Broom had a regular gig with bebop pianist Al Haig when the saxophone colossus himself, Sonny Rollins, invited him to go on tour. Broom declined, though he did perform with Rollins at Carnegie Hall later that year. Five years later, including one at Berklee, Broom at last joined Rollins’s touring band, ultimately spending two five-year stints with him. Prior to joining Rollins, Broom declined yet another prestigious gig—a spot in Art Blakey’s Jazz Messengers—to instead sign with GRP Records and make his crossover jazz debut, 1981’s Clean Sweep. That record and its follow-up, 1984’s Livin’ for the Beat (Arista), attracted a following and promised a career in what would soon be known as smooth jazz. Broom, ever independent-minded, though, instead jumped ship for Chicago, where he concentrated on straight-ahead jazz. He continued with Rollins, joined Kenny Burrell’s Jazz Guitar Band, and worked with Miles Davis, Stanley Turrentine, and his early idol Charles Earland. In the 1990s Broom formed two trios: The eponymous Bobby Broom Trio and the Deep Blue Organ Trio. Deep Blue recorded four albums before its dissolution in 2013. Broom also made three quartet records (No Hype Blues, Waitin’ and Waitin’, and Modern Man) before deciding to focus on his guitar- bass-drums trio as his primary outlet, beginning in 2001 with Stand! (Premonition). He solidified a lineup with bassist Dennis Carroll and drummer Kobie Watkins with 2006’s Song and Dance, which was also Broom’s first recording for Origin. That trio also scored with the vibrant 2008 live date The Way I Play and the 2009 Bobby Broom Plays for Monk, which Allmusic’s Rick Anderson called “a warm and wonderful tribute to one of America’s finest composers.” Makaya McCraven was introduced on drums for Upper West Side Story (2012), Broom’s first collection of all original compositions, and My Shining Hour (2014), his first standards album. The Organi-Sation was born from the ashes of the Deep Blue Organ Trio, which had been a regular touring opener for Steely Dan. Unaware of their 2013 disbanding, the Dan once again called Broom in 2014 to book his “organ group” for their summer tour. Broom was reluctant to throw together another organ combo when he wanted to focus on his working trio, but McCraven wouldn’t hear of it. “He said, ‘Man, you can’t not do this,’” Broom recalls. “He said, ‘Let’s sit down, go through our rolodexes, and figure this out.’” When they reached the name of organist Ben Paterson, Broom thought he might be on to something. As Paterson was about to begin an extended stay in Chicago, he agreed to join the band. McCraven took a leave midway through the tour, with Watkins replacing him. The Organi-Sation quickly jelled as such: “I thought after the Deep Blue Organ Trio that I would never feel anything quite like that chemistry again,” Broom says. “And boy, was I wrong.” If Soul Fingers was the product of that chemistry, it’s also a natural outgrowth of Broom’s personal artistic values. “The interpretation of popular songs doesn’t seem to be the mode du jour for jazz players, but I have to play music and a style that suits me, one that I want to hear,” he says. “This record—these songs, this presentation—is how I want to engage with the world.”

This is a look at the sessions Dizzy Gillespie led in 1945 -46 without Charlie Parker. The Diz and Bird sides have received a lot of attention, but the recording dates that Parker wasn't hired (or just didn't show up) for are fascinating as well. Gillespie leads and is heavily featured on tunes with Don Byas, Lucky Thompson, Dexter Gordon, Trummy Young, Clyde Hart, Al Haig and someone who may or may not be Thelonious Monk. --- Support this podcast: https://anchor.fm/john-clark49/support

MARV Live at the HBO Plot Against America Premiere Party | March 4th 2020 at the Metropolitan Club Thank you, HBO Let's Get Away From It All (Feat. Connie Haines, Frank Sinatra, the Pied Piper) - Tommy Dorsey Blue Skies - Frank Sinatra Broadway - Dakota Staton The Freedom Train - The Pied Pipers & Margaret Whiting & Johnny Mercer & Peggy Lee & Benny Goodman Flyin' Home (Live At Carnegie Hall, New York / 1949) - Ella Fitzgerald Straighten Up and Fly Right [Feat. Vic Schoen & His Orchestra] - The Andrews Sisters Everything Is Jumpin' - Artie Shaw and His Orchestra In The Mood - Glenn Miller Puttin’ On the Ritz - Bing Crosby They All Laughed - The Rko Orchestra I've Got You Under My Skin - Charlie Parker Sing Sing Sing Pt - The Big Band Orchestra What Is This Thing Called Love? - Charlie Parker J.P. Vanderbilt IV - Marjorie Hyams, Charlie Shavers & Herbie Fields Salt Peanuts (Feat. Charlie Parker, Sidney Catlett, Al Haig, Curly Russel) - Dizzy Gillespie I Got Rhythm - Red Nichols & His Orchestra Mister Sandman - The Chordettes The Happy Feeling - Bert Kaempfert Matilda - Harry Belafonte Jock-A-Mo - Sugar Boy Crawford At The Hop - Danny & the Juniors Rock Around The Clock - Bill Haley & His Comets I'm Ready - Fats Domino Back In the USA - Chuck Berry Ain't Got No Home - Clarence “Frogman” Henry Hit the Road Jack - Ray Charles Fortune Teller - Benny Spellman Let It Rock - Chuck Berry The Twist - Chubby Checker I Got You - James Brown On Broadway - Lou Rawls Pastime Paradise - Stevie Wonder Let the Good Times Roll - Ray Charles Come On (Let the Good Times Roll) - Jimi Hendrix Proud Mary - Tina Turner R.O.C.K. In The U.S.A. (A Salute To 60'S Rock) - John Mellencamp What I Like About You - The Romantics Kids in America - Kim Wilde Danger Zone - Giorgio Moroder; Kenny Loggins; Thomas Whitlock The Tears of a Clown - The English Beat One Way or Another - Blondie Holding Out For A Hero (Club Mix) - Bonnie Tyler Love Will Tear Us Apart - Joy Division Tainted Love – Soft Cell Think – Aretha Franklin Can't Take My Eyes off You – Frankie Valli Ain't No Mountain High Enough – Marvin Gaye & Tammi Terrell Say A Little Prayer - Aretha Franklin Rescue Me - Fontella Bass Nowhere to Run – Martha and the Vandellas Some Body to Love - Jefferson Airplane Time Has Come Today - The Chambers Brothers Everybody Wants To Rule the World – Tears for Fears Sweet Freedom – Michael McDonald I Only Have Eyes for You - Frank Sinatra with the Ken Lane Singers Moonlight Serenade - The BBC Big Band Orchestra God Bless the Child - Billie Holiday https://www.hbo.com/the-plot-against-america https://djqoolmarvsounds.podomatic.com/ + https://www.mixcloud.com/qooldjmarv/ + https://www.facebook.com/QoolMarv/ + https://www.instagram.com/qooldjmarv/

2:48:34 – Frank in New Jersey and New York City, plus the Other Side. Topics include: PB Max, Train Crap & Blood, The Motor Excursion Ruffians, philosophy of zaniness, Tape Land, weird perceptions, phone company hijinks, old train service, Al Haig, blinds hassles, Lackawanna Avenue, gun range, Orange Crush, Cosmic Crisp apples, Gentle Giant – In a [&hellip

Author Geoff Shepard is back with S.T Patrick to continue their discussion of Watergate. In tonight's episode, Shepard covers, in depth, the problems of the Watergate-era biographies, how and why the Nixon tapes are misunderstood so often, the infamous 18 1/2-minute gap, the "smoking gun" tape, why Dean accused Nixon of stonewalling after Dean himself had encouraged Nixon to stonewall throughout the process, the pre-Watergate history of John Dean, the origin of "Deep Throat" and how and why the character of "Deep Throat" evolved throughout the decades after Watergate, the role of Al Haig after H.R. Haldeman and John Ehrlichman resign, the real history of the Ford pardon, the Watergate Road Map and why it should be made public, and much more. For our FREE archives, go to www.MidnightWriterNews.com.

At 17, Bobby played with Sonny Rollins at Carnegie Hall. He then wound up touring with Sonny for 10 years, and playing on 5 of his records. Bobby’s also played with Kenny Burrell, Stanley Turrentine, Charles Earland, Miles Davis, Kenny Garrett , Dr. John, and trumpeters Tom Browne and Hugh Masakela, pianists Weldon Irvine and Dave Grusin, Charlie Parker pianists: Al Haig and Walter Bishop, Jr. Stories GALORE: How he hooked up with Sonny Rollins (at 16)... how he accidentally wound up playing with Kenny Burrell (& 3 lessons Kenny taught him), why he turned down the gig playing for Art Blakey & The Jazz Messengers… opening up for Steely Dan on a national tour and the ups and downs of this… playing gigs down in the East Village in NYC at 16… surviving divorce… moving across the country to “start fresh” in the midst of a career crisis, the highs and lows of a career that includes 14 solo records, a Masters Degree and a successful gig as an elite academic college professor. Some touching moments with a brilliant guy: Subscribe https://www.everyonelovesguitar.com/subscribe/ Facebook: https://www.facebook.com/EveryoneLovesGuitar/ Instagram: https://www.instagram.com/everyonelovesguitar/ Twitter: https://twitter.com/ELovesGuitar

This week it's Andy Kindler - hilarious comedian, co-host of the podcast 'Though Spiral', and former Stephanie Miller late night show guest. We hit the ground running and then it's all over the place! Duelling Tom Leykis's! Marcus Welby MD! Al Haig! Stupid Hitler! And MORE!

La edición 240 de HDO del 18 de febrero de 2017, es la correspondiente al primero de los programas sabatinos especiales dedicados al saxofonista Stan Getz. El programa se centra en parte de sus grabaciones para el sello Roost, realizadas entre 1950 y 1952, y registradas tanto en estudio como en directo. En el programa suenan temas incluidos en el recopilatorio The Complete Roost Recordings (Roost – Blue Note – EMI, 1997, 3CD), aparecidos con anterioridad en las grabaciones The Sound, The Getz Age, y los dos volúmenes de Stan Getz At Storyville. Acompañan a Stan Getz los músicos Horace Silver, Roy Haynes, Jimmy Raney, Bill Crow, Duke Jordan, Al Haig, Tommy Potter, Joe Gallaway, Walter Bolden, Teddy Kotick, Tiny Kahn, Leonard Gaskin y Frank Isola. Tomajazz: © Pachi Tapiz, 2017 HDO es un podcast -unos días de jazz, otros días de improvisación, otros días quién sabe de qué-, que está presentado, producido, editado, ideado, soñado, imaginado y sufrido por Pachi Tapiz “keep on jazzing in the free World” Toda la información de HDO 240 en http://www.tomajazz.com/web/?p=29367. Toda la información de HDO en http://www.tomajazz.com/web/?cat=13298

Pat and Mike discuss some used records Pat picked up, with some familiar faces and some new ones in the mix. Stay tuned for shocking allegations against one of the artists. Art Farmer – SING ME SOFTLY OF THE BLUES; Don Pullen/George Adams – LIVE AT MONTMARTRE; Kenny Wheeler – DOUBLE DOUBLE YOU; Al Haig – PIANO INTERPRETATIONS.

Luke Nichter and Douglas Brinkley are the editors of The Nixon Tapes: 1973 (Houghton, Mifflin, Harcourt 2015). Nichter is associate professor of history at Texas A&M University and Brinkley is professor of history at Rice University. For students of the Nixon presidency, this book offers a treasure trove of gems. Nichter and Brinkley have followed up on their earlier volume with new transcripts of the taped Oval Office recordings from 1973. Nixon talks with Henry Kissinger, H.R. Halderman, and John Dean. He talks on New Year’s Day with Charles Colson about bombings in Vietnam and with Al Haig about a White House welcome-home celebration attended by Jimmy Stewart and John Wayne. Learn more about your ad choices. Visit megaphone.fm/adchoices

Luke Nichter and Douglas Brinkley are the editors of The Nixon Tapes: 1973 (Houghton, Mifflin, Harcourt 2015). Nichter is associate professor of history at Texas A&M University and Brinkley is professor of history at Rice University. For students of the Nixon presidency, this book offers a treasure trove of gems. Nichter and Brinkley have followed up on their earlier volume with new transcripts of the taped Oval Office recordings from 1973. Nixon talks with Henry Kissinger, H.R. Halderman, and John Dean. He talks on New Year’s Day with Charles Colson about bombings in Vietnam and with Al Haig about a White House welcome-home celebration attended by Jimmy Stewart and John Wayne. Learn more about your ad choices. Visit megaphone.fm/adchoices

Tonight's Jazz Feature are two of Charlie Parker's last great studio recordings.They were done in 1953 when Bird's creative energy was burning. His last studio recordings from 1954 were not as good but there are many broadcast and concert recordings from Bird's last year that were much better than his studio recording of "Charlie Parker Plays Cole Porter" However these recordings from 1953 featured not only Bird at his best but with high recording quality too that captured his great sound and mastery. The first is from January 1953 with Hank Jones on piano, Teddy Kotick on bass and Max Roach on drums. The second is from July 30,1953 with Al Haig on piano, Percy Heath on bass and again Max Roach on drums. Both these sessions are superb and an excellent way of introducing anyone who has not heard Charlie Parker before to his music.The Quartets of Charlie Parker are considered by many his last great studio recordings and I would agree! This is tonight's Jazz Feature.