Podcasts about TVT Records

Shaping the sound of industrial music for decades, Frankfurt-born and world-traveled En Esch is perhaps best known for his contributions to KMFDM, PIG and Pigface, just to name a few. The artist's distinctive vocals, skillful musicianship and charismatic stage presence have propelled him to the highest echelons of industrial-metal, earning him a devoted fan base and a legacy of pioneering music. Aside from his own group Slick Idiot with Günter Schulz, across his storied career, En Esch has collaborated with artists such as Rammstein, FM Einheit of Einstürzende Neubauten, Mona Mur, My Life With The Thrill Kill Kult, Sister Machine Gun, and so much more.Maintaining a steady output of solo work, beginning with 1993's Cheesy on TVT Records, En Esch's highly anticipated new LP Dance Hall Putsch – his first in eight years – is available now.To Watch The Interview :  https://www.youtube.com/@DJNocturnaPlease Like, Subscribe and Sharehttps://givetake.life/en-eschhttps://enesch-official.bandcamp.com

Adam Lewis is the head of Planetary Group, an artist development firm based in Los Angeles that helps emerging musicians gain exposure through radio, online PR, and social media. In addition, Adam also currently handles all publicity, promotion and media buying for Great Northeast Productions and has previously worked with TVT Records, managing artists like Sevendust and Snoop Dogg. He brings a wealth of knowledge in artist management, tour production, and music promotion.In this episode, Adam dives deep into the evolving landscape of the music industry, discussing how AI, digital marketing, and human creativity are reshaping artists' paths to success. Key TakeawaysDiscover the essential strategies for building a sustainable artist career in today's industry.Learn how AI and digital tools are transforming music production, while raising questions of authenticity.Explore the importance of human connections and live performances in an increasingly digital world.----To learn more about Adam Lewis and his work at Planetary Group, visit their website: https://www.planetarygroup.com/Apply for an Artist Breakthrough Session with our team: https://apply.modernmusician.me/podcast

Nine Inch Nails' second studio album, The Downward Spiral, is Trent Reznor's chronicle of self-destruction through themes of addiction, depression, and existential despair. Free from the interference of TVT Records, it marked a significant recording and songwriting evolution for Reznor, building upon the . While the industrial rock genre had already combined heavy guitar riffs with electronic elements, Reznor's innovative production techniques combined with his ear for melody helped launch the album and band from the underground world to dance charts, daily MTV play, and global recognition.   Songs In This Episode Intro - Mr. Self Destruct 33:07 - Piggy 36:42 - I Do Not Want This 40:58 - The Becoming 46:02 - Heresy 58:39 - Closer To God (single) Outro - Hurt   Support the podcast, join the DMO UNION at Patreon. Listen to the episode archive at DigMeOutPodcast.com.

Nine Inch Nails' second studio album, The Downward Spiral, is Trent Reznor's chronicle of self-destruction through themes of addiction, depression, and existential despair. Free from the interference of TVT Records, it marked a significant recording and songwriting evolution for Reznor, building upon the . While the industrial rock genre had already combined heavy guitar riffs with electronic elements, Reznor's innovative production techniques combined with his ear for melody helped launch the album and band from the underground world to dance charts, daily MTV play, and global recognition.   Songs In This Episode Intro - Mr. Self Destruct 33:07 - Piggy 36:42 - I Do Not Want This 40:58 - The Becoming 46:02 - Heresy 58:39 - Closer To God (single) Outro - Hurt   Support the podcast, join the DMO UNION at Patreon. Listen to the episode archive at DigMeOutPodcast.com.

This week we have the privilege of speaking with Ian Wright of the band The Jack Rubies! The band first hit the scene in the mid-80s with a series of British singles. After signing to TVT Records, they released two full-length albums, Fascinatin' Vacation in 1988 and See The Money in My Smile in 1990. They're now back, 34 years later, with their new album Clocks Are Out of Time on Big Stir Records. We talk with Ian about the band's history, the new deal with Big Stir, the journey to regain control of their masters from TVT, and how the new album was put together across two continents in the middle of a global pandemic.  Connect with the Jack Rubies: www.facebook.com/TheJackRubies www.twitter.com/TheJackRubies www.instagram.com/thejackrubies   We hope you enjoyed our discussion with Ian Wright! Email us at modernmusicology1@gmail.com  and tell us all about it, or leave a comment wherever you find our episode and let us know! And don't forget to rate us on your favorite podcast app!  Find us on Facebook: https://www.facebook.com/ModernMusicology  Check us out on Instagram: https://www.instagram.com/modernmusicologypodcast/  Follow us on Twitter: https://twitter.com/ModrnMusicology  Subscribe to our YouTube Channel: https://www.youtube.com/channel/UCk-MlcGy5u3fK1j4bVty1Kw  Modern Musicology is part of the ESO Podcast Network. https://esonetwork.com/  Find more about us: Rob Levy: https://kdhx.org/shows/show/juxtaposition  Stephanie Seymour: www.therearebirds.com   R. Alan Siler: www.kozmiccreative.com   Anthony Williams: https://watchers4d.podbean.com/

Show #1040 The Cork An episode dedicated to the loyal friends of Bandana Blues who keep the labor of love afloat. 01. JW Jones - Thank You (3:58) (Belmont Boulevard, Blind Pig Records, 2014) 02. James Cotton - Dealin' With The Devil (3:36) (Deep In The Blues, Verve Records, 1996) 03. Slo Leak - Man Who Gave Himself The Blues (4:51) (When The Clock Strikes 12, TVT Records, 1999) 04. Goodnight Texas - Dry Heat (3:59) (Single, 2 Cent Bank Check Records, 2024) 05. Andy J. Forest - Tongue In Groove (3:16) (Letter From Hell, Appaloosa Records, 1998) 06. Dana Gillespie - Tongue In Cheek (4:54) (Blues It Up, Ace Records, 1990) 07. Chris O'Leary - No Rest (4:33) (The Hard Line, Alligator Records, 2024) 08. Beaucoup Blue - Bluer Than The Midnight Sky (3:05) (Free To Fall, self-release, 2009) 09. Andrew Alli - Hard Workin' Man (3:24) (Hard Workin' Man, EllerSoul Records, 2020) 10. John Clifton - Broke Down Fool (4:06) (Too Much To Pay, self-release, 2024) 11. Ben Hemming - The End (3:59) (Darkness Before Dawn, self-release, 2024) 12. Sean Costello - Can't Let Go (4:39) (We Can Get Together, Delta Groove Records, 2008) 13. Gary Cain - Attitude (4:22) (Outside The Lines, self-release, 2024) 14. Paul Butterfield Blues Band - Just To Be With You (3:23) (The Original Lost Elektra Sessions, Electra Records, 1995) 15. Jimmy Rogers' All Stars - Blow Wind Blow (5:00) (Blues Blues Blues, Atlantic Records, 1999) 16. The Tibbs - Last Train (3:31) (Keep It To Yourself, Record Kicks, 2024) 17. Otis Rush - Gambler's Blues (9:02) (Tops, Blind Pig Records, 1988) 18. Kenny Neal - The Real Thing (4:38) (Hoodoo Moon, Alligator Records, 1994) 19. The Nighthawks - The Cheap Stuff (3:16) (Tryin' To Get To You, EllerSoul Records, 2020) 20. Treasa Levasseur - Truth Will Set You Free (4:30) (Low Fidelity, Slim Chicken Records, 2010) 21. Big George Jackson - Fat's Jump (5:11) (Beggin' Ain't For Me, Black And Tan Records, 1998) Bandana Blues is and will always be a labor of love. Please help Spinner deal with the costs of hosting & bandwidth. Visit www.bandanablues.com and hit the tipjar. Any amount is much appreciated, no matter how small. Thank you.

The industrial rock band Nine Inch Nails is the creation of singer-songwriter and multi-instrumentalist Trent Reznor.  While living in Cleveland in 1987, Reznor worked as an assistant engineer and janitor at Right Track Studios.  He had free access to the studio between bookings, and took inspiration from Prince to play all instruments himself to produce his material.  The name Nine Inch Nails comes from a quote by Al Jourgensen, lead singer of the metal band Ministry - "Listening to Ministry is like having a nine inch nail hammered into your head like a hole."  The debut studio album entitled Pretty Hate Machine was released by TVT Records in October 1989.  It has an industrial synth feel, with dark lyrics driven by angst, despair, and betrayal.  Unlike much of the industrial rock of the time, songs on Pretty Hate Machine feature catchy riffs and hooks, and the song structure employs a traditional verse and chorus approach rather than continually repeating electronics.  The result would prove to be both a commercial and critical success, reaching number 75 on the US album charts.Although Reznor produced and performed all the instrumentation on the album, he soon found himself in need of a touring band, particularly when he was brought in to open for Guns N' Roses on their European Tour.  Many musicians have been brought into the Nine Inch Nails over the years, but Reznor remained the only permanent member until his frequent collaborator, Atticus Ross, was brought in as a member in 2016.Lynch brings us this pioneering industrial rock album for this week's podcast. Head Like a HoleThe opening track to the album was the second and most commercially successful single, reaching number 28 on the US Alternative Airplay charts.   It also took inspiration from the quote from Al Jourgensen of Ministry.  The song is about the control that money has over people and the pain and suffering associated with it.  Terrible LieThis song reflects the anger and despair of a person going through a bad time in their life and blaming it on God.  "(Hey god) why are you doing this to me?  Am I not living up to what I'm supposed to be?  Why am I seething with this animosity?  (Hey god) I think you owe me a great big apology."SinWhen we give in to our darker impulses, perhaps driven by desire or betrayal, we can find ourselves in a spiral of self-destruction and sabotage.  The song is about the pain and destructiveness that can lurk below the surface.Down In ItThis is the debut single from the album.  During the making of the video, a camera attached to a weather balloon became detached and flew 200 miles away.  When found in a farmer's field the FBI was called in to investigate what appeared to be a gang or cult slaying of Reznor. ENTERTAINMENT TRACK:Main theme from the motion picture "Christmas Vacation 3" The success of "Christmas Vacation" inspired a number of sequels. STAFF PICKS:Higher Ground by the Red Hot Chili PeppersRob's staff pick is  a cover of a song Stevie Wonder originally released in 1973.  While the original went to number 4 on the Billboard Hot 100, the energetic remake by the Red Hot Chili Peppers also achieved commercial success, reaching number 26 on the US Mainstream Rock chart.  It was the first RHCP song to chart.Bad Love by Eric ClaptonBruce brings us the second single from Clapton's eleventh solo studio album.  This is a comeback album, as Clapton had recently become sober after dealing with alcoholism.  It hit number 16 on the Billboard 200 albums chart.  This song features Phil Collins on percussion and backing vocals.  and would be awarded the Grammy for Best male Rock Vocal Performance in 1990. Good Work by the BoDeansWayne features a rockabilly party song from a Wisconsin group.  The BoDeans have been called roots rock, heartland rock, and alternative, but their retro 50's sound and driving live performance makes them a great band to see.  They performed extensively with U2 on The Joshua Tree tour, and remain popular in the US Midwest.The Last Worthless Evening by Don HenleyLynch closes out the staff picks with a hit from Henley's album "The End of the Innocence" that went to number 21 on the Billboard Hot 100 chart.  The lyrics are a plea from an ex to just move on.   INSTRUMENTAL TRACK:Pacific 202 by 808 StateThis Manchester electronic music group takes its name from the Roland TR 808 drum machine.

No matter where you are in your career, you'll benefit from listening to 3Q. 3Q provides a window into the careers of some of the best in the music business. Every episode is an insider's view of the realities of life as a music executive. Topics include issues of empowerment, uncertainty, trust, finances, etc; issues that will impact you both personally and professionally. The executives we interview represent every aspect of the industry including but not limited to A&R, Marketing, Music Supervision, Artist Management, Promotion, and more. About Nick: Nick Gordon is a senior music executive, brand strategist and public speaker with over 20 years of diverse experience working at the intersection of media distribution, retail, and social commerce, developing influential B2B and consumer brands and leading multimillion dollar, global companies through rapid growth and radical change. As an innovation-focused operating executive, Nick has served in executive roles at Symphonic, The Orchard, and Caroline Distribution and has guided his firms through challenging marketplaces by using advanced technology, optimally targeted brand strategy, and engaging user experiences to create inventive and scalable approaches to connecting rights holders with customers. Currently, Nick is Chief Partnership Officer of music distributor and label services company Symphonic Distribution. Prior to Symphonic, Nick was Vice President, Client Services at The Orchard, a $2billion market leader in the music distribution industry. He joined the company in the early stages of a critical turnaround as its 28th employee. Over his 8-year tenure, he served on the executive management team that grew the firm from $5 million in revenue to an acquisition by Sony. Nick served as general manager of multiple business units and served as a key operator during the acquisitions of TVT Records, IRIS Distribution, and their sector-defining, $65 million merger with IODA and Sony Music, which created the single largest music distributor in history. He also guided record label clients through seismic marketplace changes and helmed the build and launch of The Orchard Workstation, a first-of-its-kind digital asset distribution platform now ubiquitous in the music and film world. Earlier in his career, Nick spent five years as Distributed Labels Manager at EMI-owned Caroline Distribution (now Virgin), working with labels including Astralwerks, Blue Note, Warp, Def Jux, Arts & Crafts, Stones Throw and Ultra. He was also the founder of early direct-to-fan commerce engine Artist Workshop, ultimately sold

CLICK TO SUBSCRIBE ON YOUR FAVORITE PODCATCHER CONTENT WARNING: Discussion of murder, alcohol, drinking, racism, antisemitism, fascism, Nazis, gunshots. We continue our Oscars ‘91 series this week with yet another dark movie about Hollywood. Though this version has a twist: it's the Coen brothers, and they're making things incredibly weird, as they're known to do. For a movie written about writer's block by two writers dealing with writer's block, it happens to be a fairly decent movie. It's just that the Coens hadn't struck that balance of digging up obscure references and making them instantly relatable. John Turturro and John Goodman give truly incredibly performances, but the Coens seem to have internalized the story a bit too much. Roll in some paper and get to typing as we watch Barton Fink on Macintosh & Maud Haven't Seen What?! You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on Instagram, Twitter and Facebook. Also please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive. Excerpt taken from “Fade Out - The End” from the soundtrack to the motion picture Barton Fink, composed by Carter Burwell. Copyright 1991, 1996 TVT Records. Excerpts taken from the film Barton Fink, © 1991 Circle Films, Inc. Excerpt taken from “The Red Knight Suite” from the soundtrack to the motion picture The Fisher King, composed by George Fenton. Copyright 1991 Tri-Star Pictures, Inc.; MCA Records, Inc.

CLICK TO SUBSCRIBE ON YOUR FAVORITE PODCATCHER CONTENT WARNING: Discussion of murder, gun violence, gangs, racism, police, gang violence, crime, death. Oscars ‘91 continues this week with a movie that lives up to the title of the show, because we really should have seen this movie already. John Singleton, right out of film school, created a narrative that was so authentic and poignant that it didn't matter how predictable the story arc was. The plot isn't complicated, the characters are relatively simple, but it's the reality of life in South Central LA that makes this movie so incredibly powerful. That, and incredible performances from a cast of rising stars, all poised to become household names in the wake of the movie. Grab some barbecue and settle in for Boyz n The Hood on Macintosh & Maud Haven't Seen What?! You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on Instagram, Twitter and Facebook. Also please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive. Excerpt taken from “How to Survive in South Central,” written and performed by Ice Cube and produced by Ice Cube and Sir Jinx. © 1991 Columbia Pictures Industries, Inc.; Qwest Records. Excerpts taken from the film Boyz n The Hood, © 1991, 1992 Columbia Pictures Industries, Inc. All Rights Reserved. Excerpt taken from “Fade Out - The End” from the soundtrack to the motion picture Barton Fink, composed by Carter Burwell. Copyright 1991, 1996 TVT Records.

  We've done the maths: Episode 138 is filled with a whopping (and quite coincidental) 138 minutes of "enjoyable weirdness."   Joining us to discuss the Top 5 Albums of 1989 is the singer/songwriter/guitarist from London's The Jack Rubies, Ian Wright. From 1986 to 1990, The Jack Rubies released a clutch of singles and two albums on TVT Records - 1988's comp Fascinatin' Vacation and 1990's See The Money In My Smile - balancing the band's indie pop hooks and penchant for "cowboy songs" that explored the darker side of life. They amassed a following through tours with The Triffids, They Might Be Giants and Modern English, college radio airplay and videos in rotation on MTV's 120 Minutes. In 2022, The Jack Rubies are back with their first new material in 32 years, the single "Hidey Hole." Listen wherever you stream music or at https://thejackrubies.bandcamp.com.   Plus: Uncle Gregg witnesses live executions! Brett reveals his bad boy side with record club alter egos and overdue library fines! Ian visits Weird America! Food, food and more food (including NY pizza)! Debating the merits of U2, The Boss and the latter-day Stones! Tastes great...or less filling? Mlah!   #musicpodcast #musicpodcasts #classicalternative #alternativerock #punkrock #newwave #1stwave #powerpop #80smusic #indierock #indiepop

Lu Diaz is a Miami-based multi-platinum, grammy award-winning music producer, executive producer, and mix engineer. He started his first record label at the age of eighteen. Lu and his brother Hugo Diaz better known as "The Diaz Brothers" are considered architects of the modern-day Miami music movement. Lu earned many credits for recording and mixing with the likes of The Baha-Men, P Diddy, 50 Cent, Juvenile, Beenie Man, Trick Daddy, Lil Jon, Beyoncé, Toni Braxton, Mary J Blige, Lauryn Hill, and the list goes on. As a result, Lu Diaz and his brother "The Diaz Brothers" scored remix jobs for several major artists, namely The Rolling Stones and later Wyclef Jean. In the span of five years Lu Diaz was awarded with many platinum and gold awards and was credited with two grammy awards for his work on The Bahamen's "Who Let The Dogs Out" and Beenie Man's "Art and Life" album. Lu and his brother served as Executive Producers and Music Producers for Pitbull's debut album titled M.I.A.M.I. (Money is a major issue) which was released on their Diaz Brothers Music Group label distributed by TVT Records. The M.I.A.M.I. album went on to sell more than 700,000 copies and Pitbull was awarded his first Gold Album Award. Lu and Hugo went on to serve as executive producers for the next three consecutive album. To this day Lu has continued mixing and producing. Lu is a down-to-earth great person. Check out Lu Diaz: https://www.ludiaz.net ➔Please check out our Sponsors ➔Horome levels falling? Use MSCSMEDIA to get 25% off home test: https://trylgc.com/MSCSMEDIA Ty LetsGetChecked. ➔Fiji: https://Fijiwater.com/mscs $5 off free shipping Unleash ➔Monster Energy: https://www.monsterenergy.com/us/mscs ➔Aura: See if any of your passwords have been compromised. Try 14 days for free: https://aura.com/MSCS Thank you to Aura ➔ Stay Connected With MSCS MEDIA on Spotify Exclusive: Watch all Mscs Media Video Podcasts UNCENSORED and UNCUT.: ► https://spoti.fi/3zathAe (1st time watching a video podcast on Spotify when you hit play a settings pop-up will show, tap under the settings pop-up to watch the video playing.) ► All Links to MSCS MEDIA:https://allmylinks.com/mscsmedia

The Daleks – Part 1   21 December 1963 – 1 February 1964   Episode 1 – 4: ​ The Dead Planet The Survivors The Escape The Ambush   The First Doctor, his granddaughter Susan Foreman and her teachers Ian Chesterton and Barbara Wright land in an alien jungle and are captured by the Daleks, a race of mutated creatures who survive off the radiation that remains in the atmosphere after a nuclear war with their enemies. As the group attempt to escape the Daleks, they discover more about the planet and the ensuing war, and attempt to broker a peace.   Opening Credits; Introduction (1.29(); The Daleks Part 1: Plot Synopsis (12.14); Let's Discuss (15.01); Amazing Designs Advertisement (52.48); Favourite Character, Least Favourite Character (54.00); Let's Rate (1:11.24); Tune In Next Time (1:15.36); Closing Credits (1:18.03)   Opening Credits– Doctor Who Theme. composer Ron Grainer and realised by Delia Derbyshire at the BBC Radiophonic Workshop. Copyright 1963 BBC World Music.   Closing Credits:  Doctorin' The Tardis by The Timelords – taken from the album The KLF – History of the JAM aka The Timelords.  1988 copyright TVT Records. ​ Original Music copyrighted 2020 Dan Hughes Music and the Literary License Podcast.    All rights reserved.  Used with Kind Permission.   All songs available through Amazon Music.

Steve Gottlieb is founder and CEO of Shindig, a platform for online video chat events. Prior to Shindig, Gottlieb founded the independent record label TVT Records and its publishing arm TVT Music.

Steve Gottlieb is founder and CEO of Shindig, a platform for online video chat events. Prior to Shindig, Gottlieb founded the independent record label TVT Records and its publishing arm TVT Music.

Prior to running her own business, Fiona has overseen many careers, including her time at EMI Records, where she ran marketing campaigns for Digable Planets,  Gang Starr, Shara Nelson, The Solsonics, Eternal, and others.She co-owned Sub Verse Music and 3-2-1 Records, where she signed and marketed Blackalicious, MF Doom, C-Rayz Walz, Skeme Team, and more.At the parent company Zero Hour Records, she spearheaded the publicity department and ran campaigns for The Notwist, Varnarline, Swervedriver, Space Needle, Steve Wynn, John Wesley Harding, Threadwaxing Space, just to name a few.As talent booker for Joe's Pub, she developed the highly popular Late Night Series, then went on to run the International Department at TVT Records.She also showcased and gave NY debuts to some of the hottest indie acts on the scene including Slum Village, Saian Supa Crew, Spank Rock, TTC, Loop Troop, Eternia, Timbuktu, Zion I, Atmosphere, Aloe Blacc, Swollen Members, Dub Inc, etc.Before her record Industry work, she was a radio personality in Atlanta with a widely popular urban show on WRFG 89.3FM, a party promoter, freelance publicist, and a voice-over talent.And before that:  A Concert Pianist in England where she grew up!Learn more about Lyte.

Prior to running her own business, Fiona has overseen many careers, including her time at EMI Records, where she ran marketing campaigns for Digable Planets,  Gang Starr, Shara Nelson, The Solsonics, Eternal, and others.She co-owned Sub Verse Music and 3-2-1 Records, where she signed and marketed Blackalicious, MF Doom, C-Rayz Walz, Skeme Team, and more.At the parent company Zero Hour Records, she spearheaded the publicity department and ran campaigns for The Notwist, Varnarline, Swervedriver, Space Needle, Steve Wynn, John Wesley Harding, Threadwaxing Space, just to name a few.As talent booker for Joe's Pub, she developed the highly popular Late Night Series, then went on to run the International Department at TVT Records.She also showcased and gave NY debuts to some of the hottest indie acts on the scene including Slum Village, Saian Supa Crew, Spank Rock, TTC, Loop Troop, Eternia, Timbuktu, Zion I, Atmosphere, Aloe Blacc, Swollen Members, Dub Inc, etc.Before her record Industry work, she was a radio personality in Atlanta with a widely popular urban show on WRFG 89.3FM, a party promoter, freelance publicist, and a voice-over talent.And before that:  A Concert Pianist in England where she grew up!Learn more about Lyte. Hosted on Acast. See acast.com/privacy for more information.

Brought To You By: https://www.2linedmusichutstore.com | Enter promo code ERP20 at check out to receive 20% off your first purchase.Legendary producer and distributor JOHNNY WONDER pulled up to the Entertainment Report Podcast for an EPICCC conversation about his 30+ year career in the music business. Johnny Wonder spoke about growing up in Brooklyn, owning a few records stores, Bunny 'Striker' Lee introducing him to King Jammys, his early work with Risto Benji, Mad Cobra, Pinchers, Red Dragon, Pan Head, Junior Cat and a few more artists.Johnny Wonder also spoke about working extensively with Bounty Killer early in his career and breaking 'Copper Shot' in Brooklyn, being the connect between TVT Records and VP Records, working with Super Cat and Nicodemus, working with Mavado early in his career, connecting with Skillibeng to record his smash hit and album 'Crocodile Teeth', his issue with Shenseea and soooo much more.THIS IS A MUST WATCH!!! Don't Forget To Subscribe. Enjoy!

“Really Great” Since 1984 The Connells have been crafting some of the most compelling, infectious and riveting pop music around. The North Carolina outfit have just put out their first new album in 20 years. Called Steadman's Wake, the album is another winning entry into an already winning discography. The band sounds reinvigorated and the songs are brimming with intelligence, grace and some of the catchiest hooks of the year. Singer Doug MacMillan sounds as youthful as ever and he sings with some of the most inventive phrasing you'll ever hear. The tracks jangle away mightily and the Connells are at the top of their game. In this chat, Doug talks to Alex about TVT Records, The Replacements, and how being a collegiate athlete informed his life in a rock and roll band. www.theconnells.com www.bombshellradio.com Stereo Embers: The Podcast Twitter: @emberseditor Instagram: @emberspodcast Email: editor@stereoembersmagazine.com

Steve Gottlieb is the Founder & CEO of Shindig, a video chat platform for large-scale online events. Prior to Shindig, Steve was the Founder & President of TVT Records, an independent record label that helped launch the careers of Nine Inch Nails, Ja Rule, Lil Jon, Pitbull, and other popular artists. Steve was also a founding member of the American Association of Independent Music and has been an active angel investor and advisor to several companies over the years. In this episode, Steve and I discuss the future of online events, from industry conferences to music festivals. We explore the rise of participatory entertainment, such as Twitch live streams and HG Trivia, and Steve shares Shindig's mission to reinvent virtual events to give the audience more of a voice. Finally, we examine how the pandemic accelerated digital trends around content creation and consumption, and Steve predicts this will lead to even greater interactivity for both virtual and hybrid events going forward. Host: James Creech LEAVE US A REVIEW! If you enjoyed this episode, please leave us a review! https://ratethispodcast.com/allthingsvideo LISTENER SUPPORT If you'd like to make a small monthly donation to help support future episodes, please visit https://anchor.fm/allthingsvideopodcast/support ABOUT THE SHOW All Things Video is a podcast dedicated to uncovering the past and charting the future of the online video ecosystem. Listen to interviews with founders, executives, and thought leaders from the world's leading media companies and engage in thought-provoking debates about the issues shaping the next generation of entertainment. From the short-form content revolution to the fragmentation of video viewership in an always-on world, All Things Video reveals the key trends and insights from the world of digital media. Follow All Things Video on Facebook, Twitter, and LinkedIn for new episodes and updates! ABOUT THE HOST James Creech is an entrepreneur focused on technology, online video, and digital media. He is the Co-Founder & CEO of Measure Studio (next-gen social media analytics) and Paladin (the essential influencer marketing platform).

In this episode, we bring you part 4 of "The Roots of the Demon," tracing the lineage and musical pedigree of each member through various precursor bands predating Night Demon. As the story resumes, Jarvis found an outlet for his love of horror-punk by joining Hybrid Moments, essentially a Misfits cover band with original songs, and gigging locally during downtime from No Motiv.  Meanwhile, Armand became heavily immersed in recording work following the split-up of From Satellite. One of the bands he recorded was Le Meu Le Purr, a quirky, experimental, indie noise rock band that signed to TVT Records.  After being cornered at the bar late one night, Armand agreed to join the band. Other members of Le Meu Le Purr eventually helped him build the recording studio now known as The Captains Quarters. At that time, Jarvis was feeling lost following the dissolution of No Motiv. He resolved never to be an expendable band member again, but always to lead from that moment forward. On a lark, Jarvis wrote and recorded a doo wop / rockabilly / roots rock song that led to him forming Jeff Hershey & The Heartbeats for what was intended to be a single one-off performance. Elsewhere, a talented new guitarist to the Ventura area named Brent Woodward was recruited to join a stoner-meets-hardcore outfit called The Fucking Wrath. The band, which also featured drummer John Crerar, evolved into a more metallic beast with the infusion of Brent's NWOBHM-inspired riffs and writing. Listen in next week as these disparate threads of narrative continue to coalesce into the birth of Night Demon.Become a subscriber today at nightdemon.net/subscriber. This week, subscribers have access to the bonus content below:Hybrid Moments streaming audio tracksLe Meu Le Purr streaming audio tracks & videoShane Mac streaming audio trackNew Liberty streaming audio tracks & videoJeff Hershey and the Heartbeats streaming audio tracks Hybrid Moments "Cold Dead Hands" - https://www.youtube.com/watch?v=IWxfWCsshfoLe Meu Le Purr - https://www.facebook.com/lmlpisdeadLe Meu Le Purr "Pulses" - https://www.youtube.com/watch?v=0XuBUvW2OrwJeff Hershey & The Heartbeats - https://www.facebook.com/jeffhersheyandtheheartbeatsJeff Hershey & The Heartbeats "When Our Eyes First Met" - https://www.youtube.com/watch?v=yEYsH2CFpVIThe Fucking Wrath - https://www.reverbnation.com/thefuckingwrathGet Heavy Podcast - https://www.facebook.com/Getheavypodcast/New Liberty - https://www.facebook.com/newlibertyband/To unlock massive amounts of bonus content, become a subscriber at nightdemon.net/subscriber

Native Records with Kevin Donoghue in conversation with David Eastaugh The label was founded by Kevin Donoghue in 1985, after he left RCA Records and during his time at the Music Factory where he was a sound engineer.[1][2][3] In January 1989, Native signed Nine Inch Nails but later released them from their contract when TVT Records offered a better deal. The label was originally distributed via the Cartel and Red Rhino Records, with Rough Trade distributing in Germany and Radical distributing in Spain. After the collapse of the Cartel in 1989, distribution moved to Polydor Records and subsequently Pinnacle Records. The label is now distributed by Code 7 & and Plastic Head Distribution in the UK. In 2006, Native formed its own distribution company Indie distribution.

Welcome to the Today is the Day Changemakers Podcast, episode 22, 'The Power of Music' with Jason Spiewak, Founder & CEO of JLS Artist Management & Noble Steed Music. JLS Artist Management: a full-service entertainment management company, built to represent a music-centric client base that is active worldwide.   Noble Steed Music: a record label with distribution through DashGo, as well as an artist services company offering world-class service to independent artists.In this episode Jason shares how he connected to music early on in his life. He started with piano lessons when he was just 11 years old.  Jason says, "music has given him everything". He also plays the drums. Jason moved forward and took the stage and the road playing in a band. After 5 years of playing in the band, he then moved on to be an assistant at a record label. You will hear more about this part of his journey. During this time he was then mentored by several who really helped him launch his career.  Jason learned the music business on the independent side of the record company world, with early work experience at Artemis Records, Studio E Records and TVT Records.    He was  co-founded the Warner Music distributed-label Rock Ridge Music in 2004, later to be named that company's President.  Under Jason's leadership, the label enjoyed the success of high-charting releases by Sister Hazel, Rachel Platten, Five.Bolt.Main, and a #1 jazz record by former baseball great Bernie Williams to name a few.He currently manages artists including: Constantine Maroulis, Toby Lightman, and many more that you can view on www.noblesteedmusic.com. The passing of Jason's Dad made him really look at things a bit differently. Jason says, "if there is something that has arisen in you, don't let that be fleeting. Act on the impulse. Too many of us get the signal, ignore it, and than the flare is gone". Jason shares that he is just Dad with his kids, but that the gold records he has are somewhat cool to them. Additionally, Jason donates his time to the Music Is Love Exchange, a charitable organization that leads groups of musicians and fans to Guatemala annually for week-long service trips. Listen in to hear how Jason became a Grammy voting member and his answer for the question, if you knew then what you know now, what would that be?Please subscribe on the Today is the Day Changemakers YouTube Channel and stream on all popular sites. I hope you enjoy this episode as much as I enjoyed having this conversation. Next week I welcome Sloane, Core Belief Consultant. Sloane has a lot to share with our listening audience. Have a fabulous week!

Kia Shine aka Kinfolk himself joins The Super Facts Show for an overview of his life and career. In no particular order, we discuss his coffee themed podcast with his wife, making a 2009 song with Maino and Young Dro, not being credited for writing on Drake's "Best I Ever Had", fighting for and receiving 25% of the songwriting credit, releasing Yo Gotti's first album on his independent label, his time on the infamously legendary TVT Records, his acting career, doing a voice role for Red Dead Redemption 2, appearing in Atlanta, how he embraced positivity, his upcoming lead role in a Netflix movie which also stars Jamie Foxx & John Boyega, and much more. Watch the episode here Stream "Respectfully (Yessirski) Follow Kia Shine on IG www.coffeewithkinfolk.com/shop

We're joined by songwriter, producer, and legendary indie rock guitar slinger, Doug Gillard, known most widely as the longtime guitarist for Robert Pollard's Guided by Voices. Crucial matters discussed include: growing up in Ohio and why that state has produced so many incredible rock bands; the bizarre ritual of the audiences in Florida showering Guided by Voices with beer at shows; Doug's sidework with Nada Surf, Neko Case, The Hold Steady, and Oranges Band, among others; the astonishing productivity of Guided by Voices and their amazing new record, Earth Man Blues; working with Ric Okasek from The Cars on GBV's Do the Collapse and Rob Schnapf on Isolation Drills; and so much more. 

Steve Gottlieb, founder of TVT Records, the independent label that gave a big leg-up to the likes of Nine Inch Nails, Ja Rule, Lil Jon, Pitbull, Sevendust, Brian Jonestown Massacre and KMFDM, launched online events platform Shindig in 2010. With a focus on attendee/delegate interaction, Shindig replicates the ‘mingling’ aspect of live events, so people can come across others with similar interests, start conversations, meet and join groups and so on. This episode see host Adam Parry leave the comforts of Zoom to put Shindig through its paces and to ask Steve about his history in and around events, the motivations behind Shindig, how clients as illustrious as Amazon, Netflix and Mary J Blige are using it and what the future holds.

Doc welcomes SiriusXM satellite radio programmer and host, Jose Mangin, to the show and they talk about how he got started in college radio while going to school to become a pharmacist, his first gig in the music industry working for TVT Records, how he got the job at Sirius, what drives his authentic passion for heavy metal, using his platform to become more vocal about social issues, why he is so supportive of up and coming bands, how the two have maintained a relationship for over a decade, his thoughts on the evolution of the radio industry, where he gets his drive and positive attitude, how he got his job as an artist rep for Affliction, and starting his life anew by moving back west to Southern California. This episode features the songs "Genocide Winds" by Deadcheck and "Ride Into The Light" by Spirit Adrift. Follow Jose on Instagram and Twitter @JoseMangin Follow Doc on Instagram and Twitter @DocCoyle Please support this episode's sponsor Deadcheck at https://www.facebook.com/Deadcheck/ Buy the official Ex-Man Podcast T-shirt at doccoyle.net/shop/ Listen to more great podcasts like this at soundtalentmedia.com/ Learn more about your ad choices. Visit megaphone.fm/adchoices

Monday's Bombshell (Bombshell Radio) Generating Steam Heat Bombshell Radio 4pm EST 9pm BST 1pm PDT bombshellradio.com #GeneratingSteamHeat, #Postpunk, #punk, #newmusic, #60sClassics, #Ska, #60sGarage, #StitcherRadio, #Itunes, #BombshellRadioBilly Nomates-No (Invada Records digital single 2020)Terry-Bureau (From the Upset The Rhythm Records album ‘I’m Terry’ 2018)Barb Wire Dolls-Blind To Your Misery (From the UDR Music Records album ‘Desperate’ 2016)Ignite-Veteran (From the TVT Records album ‘A Place Called Home’ 2000)The Vibrators-Just Another Day (From the Cleopatra Records album ‘Past, Present and into the Future’ 2018)Alex Story-Suicide Kingdom (From the Slugcult Records album ‘Puling The Plug’ 2014)Cop Shoot Cop-Everybody Loves You (From the Cleopatra Records album ‘Ask Questions Later’ 2014)Star Industry-Nineties (From the Alfa Records album ‘Last Crusades’ 2007)The Merry Thoughts-Pale Empress (From the album ‘New Alternatives II’ 1994)Annex-Nostalgia (From the Mass Media Records album ‘Despues De VI’ 2016)Otzi-Ballad Of OivaParty Day-Rabbit PieDILK-Pluto (From the Cold Transmission Music album ‘Hardship’ 2020)Marika Hackman-I’m Not Where You Are (From the AMF Records album ‘Any Human Friend’ 2019)Mark Lanegan-Night Flight To Kabul (From the Heavenly Records album ‘Somebody’s Knocking’ 2019)The Ninth Wave-The Broken Design (From the Distiller Records album ‘Infancy’ 2019)Ritual Howls-Final Service (From the Felte Records album ‘Turkish Leather’ 2014)

Morgan Rose of Sevendust joins Scott this week for an in-depth, revealing discussion. They start at the beginning; covering Morgan's early musical roots including run-ins, as a fan, with icons such as Sting and Andy Summers (The Police), Steve Harris (Iron Maiden) and others. Additionally, Morgan reflects on his pre-Sevendust bands and how the circle of musicians from these bands would play into the formation of Sevendust. As always, Scott takes this week's guest through their discography. As Morgan recounts the making behind each album and subsequent tours, he offers an inside glimpse into the music industry not seen in most interviews. From their early days managed by Twisted Sister's JJ French to their signing with TVT Records and how they broke the band in an unconventional way, you'll hear how the band began getting attention. Also, you'll get inside stories on their change in record labels, producers, and much more. If you're a fan of Sevendust you'll definitely enjoy this talk.We hope you enjoy Scott's conversation with Morgan Rose of Sevendust and SHARE with a friend!

Originally posted on December 10, 2017. J-Bunny sits down with Marty McCoy to discuss the nearly 20 year career of the band Bobaflex. We talk about their initial formation, their time with Eclipse Records and TVT Records, and their decision to become independent. We also talk about cover songs, booking agents, and guitarists getting girlfriends and leaving the band. We are joined later in the interview by bassist Jymmy Tolland, and he and Marty give me recommendations of other bands I should check out.Podcast intro "Rock Intro 3" courtesy of audionautix.com. "I Am a Nightmare" and "Off with Your Head" both appear on Bobaflex's album Eloquent Demons. Both songs were included with the permission of Marty McCoy. 

Julia Nash and husband Mark Skillicorn join me this week to talk about their superb documentary film,"Industrial Accident: The Story of Wax Trax! Records." The cultural contributions of Wax Trax! can't be measured (nor can I adequately summarize them here). The best I can do is share some descriptive words about the store and label: Groundbreaking, dangerous, liberating, inclusive, edgy, pulsating, throbbing, relentless... what were we talking about again? Julia is more than qualified to have written and directed the documentary; she's the daughter of late Wax Trax! co-owner Jim Nash. The history of Wax Trax! Records (the store and the label) and its celebrated co-owners, Jim Nash and Dannie Flesher. What was it like growing up around Wax Trax!? The "Retrospectacle" 3-day event at Metro that first gave Julia a hint of how big the Wax Trax! footprint was. TVT Records and the end of Wax Trax! The fundamental differences between Nash and Dannie ("You need that balance; you need that excitement"). How important was Ministry to Wax Trax!? Is Chris Connelly the Wax Trax! MVP? The mainstream artists in the documentary who voice their love and appreciation for Wax Trax!, including Dave Grohl and Trent Reznor. The super cool Wax Trax! Black Box set and Trent Reznor's involvement. Julia Nash is now the "Indiana Jones" of industrial music. Where does Julia go to next with the Wax Trax! brand? What would Jim have thought about having a documentary made about Wax Trax!? Car Con Carne is presented by The Autobarn Mazda of Evanston.

Julia Nash and husband Mark Skillicorn join me this week to talk about their superb documentary film,"Industrial Accident: The Story of Wax Trax! Records." The cultural contributions of Wax Trax! can't be measured (nor can I adequately summarize them here). The best I can do is share some descriptive words about the store and label: Groundbreaking, dangerous, liberating, inclusive, edgy, pulsating, throbbing, relentless... what were we talking about again? Julia is more than qualified to have written and directed the documentary; she's the daughter of late Wax Trax! co-owner Jim Nash. The history of Wax Trax! Records (the store and the label) and its celebrated co-owners, Jim Nash and Dannie Flesher. What was it like growing up around Wax Trax!? The "Retrospectacle" 3-day event at Metro that first gave Julia a hint of how big the Wax Trax! footprint was. TVT Records and the end of Wax Trax! The fundamental differences between Nash and Dannie ("You need that balance; you need that excitement"). How important was Ministry to Wax Trax!? Is Chris Connelly the Wax Trax! MVP? The mainstream artists in the documentary who voice their love and appreciation for Wax Trax!, including Dave Grohl and Trent Reznor. The super cool Wax Trax! Black Box set and Trent Reznor's involvement. Julia Nash is now the "Indiana Jones" of industrial music. Where does Julia go to next with the Wax Trax! brand? What would Jim have thought about having a documentary made about Wax Trax!? Car Con Carne is presented by The Autobarn Mazda of Evanston.

- The Buggles - The Age of Plastic (Island Records, 1980) - Video Killed The Radio Star - Television's Greatest Hits: 65 TV Themes! From the 50's and 60's (TVT Records, 1985) - Test of the Emergency Broadcast System

Wax Trax ! a été fondé par Jim Nash et Dannie Flesher, un couple gay. Ils se rencontrent en 71 au Kansas le duo déménage d’abord pour la Californie puis pour Denver, afin de vivre au grand jour leur homosexualité. Leur amour pour la musique psychédélique et étrange les amène rapidement à ouvrir Wax Tracks, un nouveau magasin de disques qu’ils fondent en travaillant comme menuisiers et en vendant de la drogue. Après une visite à Londres, ils envisagent de faire du magasin de Denver un endroit où l’on ferait plus qu’acheter des disques, un endroit où trainer, où il se passe quelque chose. En 78, ils décident que l’isolement géographique de Denver les empêche de se plonger pour de bon dans l’énergie culturelle et musicale du punk et de la new wave. Ils déménagent alors à Chicago Leur boutique rebaptisée Wax Trax devient rapidement l’un des endroits les plus courus du pays où acheter du post-punk et de l’expérimental. Un lieu de prédilection de la contre culture de Chicago fait par et pour des passionnées. Le magasin étend ses activités en ajoutant label : Wax Trax ! Records. Les quartiers généraux du label se trouvent à l’arrière du magasin. Flesher et Nash connus pour leur comptabilité désinvolte et leurs légèretés quant aux licences ou aux droits sortent leur 1er disque en 79 « Lion Sleeps Tonight » de Brian Eno, un nouveau pressage totalement illégal. Très impliqué dans la scène de Chicago, ils aident alors certains des jeunes artistes qui fréquentaient le magasin comme Al Jourgensen de Ministry. Wax Trax ! finança notamment leur 1er single. Wax Trax négociera aussi des contrats avec des groupes européens comme Front242 parce qu’ils vendaient tellement d’imports qu’il était plus intéressant de leur assurer un nouveau pressage au USA que d’en payer le transport. Parmi les artistes ayant fait l’histoire du label en plus de ceux que l’on a présenté on peut cité bien évidemment Ministry mais aussi KMFDM, Pig, Meat Beat Manifesto, Front Line Assembly, Sister Machine Gun, Coil, Chris and Cosey, Laibach et bien d’autres. À la suite d'une grave crise financière, Wax Trax! est racheté en 92 par TVT Records, Nash et Flesher gardant le contrôle créatif sur le label. TVT continua d’utiliser le nom de Wax Trax ! pendant des années même après le décès en 95 de Jim Nash à la suite de complications de santé lié au SIDA. Wax Trax ! fut un label et un magasin culte. Une sorte de mecque de l’indus, un lieu de pèlerinage pour les fans, qui sortit la musique industrielle de l’underground pour la présenter au reste du monde. En 94 TVT a commercialisé Black Box – Wax Trax ! Records. Il s’agit d’une compilation de 3CD recensant les plus grands succès du label occultant Front242 pour des problèmes de contrats. Pour aller plus loin je conseille la lecture de la biographie d’Al Jourgensen : The Lost Gospels qui regorge d’anecdotes savoureuses notamment sur sa période chez Wax Trax !. Je conseille également le livre [Assimilate : Une histoire critique de la musique industrielle. Deux livres paru aux éditions Camion Blanc qui nous ont grandement inspirés pour préparer cette émission. The Young Gods/Envoyé Pailhead/Ballad Suicide/Devastation Front 242/Headhunter Revolting Cocks/Beers Steers and Queers Acid Horse/No Name, No Slogan Ajax/One World Underworld/Born Slippy.NUXX Laibach/Opus Dei

heyall….. This weeks episode features some of my 45's, 78's and LP's.....starting off with our opening salvo.....followed by the cut we faded out on the last show Gabor Szabo - Spellbinder off of the LP of the same name / Impulse 1966...….A Scoop Nisker audio file from an LP called CURRENT...….followed by the Rolling Stones - Miss Amanda Jones...great rhythm guitar from the Keith-ster on this one......The Rationals chime in with a cover of Eddie Holland's - Leavin' Here. The Rationals 3rd 45 and possibly one of their best? Don't get it confused with the rerecorded version which falls pretty flat...…..Bobby "Blue" Bland the triple B of the blues with Loan A Helping Hand from a 78rpm on the Duke Label / 1958. Set 2 - Frankie Lee Sims - She likes to boogie real low / Vin 1957..just what the f**k was he talkin about?.....Brian Jonestown Massacre [what an inspired name for Anton Newcome's band of merry pranksters] - Going to hell / 1998 / TVT Records...….Kinks - Love me till the sun shines / Reprise 1967. Ray's brother gots chops! ……. Jeff Beck Group - Becks Bolero / Epic 1968 / Mono courtesy of Sundazed Rekids…..From the Pretenders Box we finish off the set with Precious / Regent Park Demo. Set 3 Spirit - Uncle Jack / Ode 1968. Their 1st LP shows what a terrific songwriter Jay Ferguson was...WTF happened? Jo Jo Gunne? Really?...….Charlie Rich the silver fox busts in with "Another place that I can't go" on Sam Phillip's "Phillips International" label / 1962. Find it, cherish it, it won't be expensive......The Butterfield Blues Band - I got a mind to give up living and go shopping instead...pick me up a tombstone and be pronounced dead....wow and woo woo! …..Mighty Baby - Egyptian Tomb / Head 1969. Great record / terrible cover art = a keeper. The late great Martin Stone on guitar...they rose out of the ashes of 60's beat band The Action. Set 4 This could be a forgotten 45 / The Troggs - Feels like a woman / Pye 1972. I got this killer 45 from Miss Jennifer Taboo a DJ goddess from Spain. L8erG8ters.....

Tom Sarig is a music business veteran of over two decades, who has helped a number of acclaimed music artists sell millions of records, either as their manager or as a label A&R, in genres ranging from electronic to rock, pop, and hip hop. Prior to launching the AntiFragile Music label, Tom has run Esther Creative Group, where he's managed the careers of artists such as Lou Reed, Bryan Ferry/Roxy Music, Rickie Lee Jones, CAKE, Against Me!, Blonde Redhead, and many others. For the 11 years prior to starting ECG, Tom served as a Grammy-winning Senior A&R executive at various major labels including Universal Records, Arista Records, MCA Records, A&M Records, and TVT Records, working with the likes of The Roots, Nine Inch Nails, Erykah Badu, Blink-182, Annie Lennox, Mos Def, Imogen Heap, DJ Shadow, Aphex Twin, Squarepusher, and so many others. Tom has also produced several feature films, having served as Film Producer for two acclaimed features, Red Shirley and Lou Reed’s “Berlin”, and as a Producer for MTV’s annual television special on his Shortlist Music Prize. AntiFragile Music was established as "a reaction against some of the established big labels who are not doing enough for artists anymore." On this Music Growth Talks episode, Tom Sarig explained how their approach to working with artists is different, mentioned how he discovers new talent, shared an interesting artist success story, and outlined terms of a typical AntiFragile's record deal. We also talked about the impact which placements in popular Apple and Spotify playlists have on the label, and how those placements alone never "break" an artist – it's the job of an artist's team to develop them, and turn passive listeners into fans. Listen to the show in full to learn what Tom is looking for in a music act besides the music, hear his excellent content marketing advice, and a lot more. ⏯ Go to http://dottedmusic.com/2018/podcast/mgt113-tomsarig/ for the show notes and http://musicgrowthtalks.com to subscribe to the podcast. Become a patron to access a secret podcast feed with patron-only episodes at https://www.patreon.com/andrewapanov

Adam Shore, the man who signed GBV to TVT, talks about working with the band, getting kicked out of the Pine Club, and why going to see the band play live is like going to church.

This week Paul sits down with his old friend Steve W. Lauden, a rock drummer turned crime fiction writer. Steve was signed A&M Records in 1998 with his band Ridel High, for the album Emotional Rollercoaster. He was then signed to Hollywood Records with his band Tsar, whose eponymous debut came out in 2000. Tsar's sophomore release, Band Girls Money, was recorded while they were on Hollywood, and was later released on TVT Records in 2005, after Lauden had left the band. Tsar reformed in 2010 to release the Dark Stuff EP, featuring the original lineup. Steve continues to play and record with Tsar and a number of other musical projects. Most recently, Lauden began writing crime fiction. His debut novel "Bad Citizen Corporation" will be published by Rare Bird Books in October, 2015. His novella "Crosswise" will be released in 2016 by Down & Out Books. Paul sat down with Steve after his reading at The Last Bookstore in Los Angeles to talk about rock, drumming, dead bodies, screenplays, and other awesome subjects.

  Jamaican born, Sheldon Senior debut his career as lead singer of his Primary School Choir. He was exposed to an array of musical genre Ska, Reggae, R&B, Jazz, Old Negro Spiritual, and of course, Gospel Music. Sheldon's strong influences came from artists like Beres Hammond, Marcia Griffiths and Bob Marley, Dennis Brown who revolutionized Reggae music on the International stage. Sheldon worked with producers/ musicians such as Danny Ray (Jet Star), Mafia ,Fluxy, Tony Tuff (Jet Star). Sheldon Performed live at the Stratford Rex in London and Reggae Festivals in multi-cultural London. Num H.S. Amun Tehu celebrates culture versatility, gift of ancestors.. Num plays Drums and Percussion instruments ranging from African, Latin, Caribbean, Asian, Classical, Jazz, R & B, Blues, Gospel. Funk, Rock, Reggae, Hip-Hop Spiritual Meditative Techniques; Native American Rhythms. Num performed sampled on Naughty by Natures, 2001 album “Icons,” TVT Records. Num was featured with Kanye West on Commons 2006 Grammy Nominated Album “Be,” Geffen/Good Music.. Num is featured on Burning Spears, 2006 Grammy nominated Album “Our Music,” Burning Music Records. In 2004 Num recorded with India Arie, Toni Braxton and Maci Gray, for the Childrens TV Show “Blues Clues,” episode “Bluestock” on Nickelodeon. Nums music is also featured in the movie, “King Leopalds Ghost,” Linden Productions winner of “Best Documentary” 2006 Santa Barbara Film Festival. While working with Comedian Tommy Davidsons Variety show “TOMEDY” Num performed with Gerald Albright, Al Jarreau, Cameo, Brian McKnight, Sheila E and Pete Escovedo, Stevie Wonder, Jamie Fox. Num is featured as a vocalist on the 2007, CONSEQUENCE album “Don't quit your day job” Num recorded with funk legends BOOTSY COLLINS AND BERNIE WORRELL on Reggae Artist Burning Spears upcoming album.

[Show Notes Link]Direct Download Link | | Direct download link NewsBits, numbers stations, and hockey, oh my! A gorgeous day in Vancouver, B.C., this episode takes a look at a couple of Canadian news items relating back to life on the west coast. I also make good on a promise I made on my blog about highlighting the phenomenon known as “number stations”. We’ll wrap up this episode with some brief HockeyTalk, followed by another installment of Learning Hockey. NewsBits Vancouver Sun: Training lapses linked to ferry sinking GlobeandMail.com: Plot targeted Peace Tower, sources say Vancouver Sun: Lawyer drops bombshell in media scrum outside courthouse Wikipedia: Numbers Station, The Conet ProjectArchive.org: The Conet Project – Recording of Shortwave Number StationsSlashdot.org: Numbers Stations Move From Shortwave To VoIPYahoo! Sports: Stanley Cup Coverage Artist Links He’s Hers – vanity pressJoan of Arc – eventually, all at onceAmbulance LTD – sugar pillProject Polaroid – space 8000 TOMC3 Kool Keith IODA Promonet Links Project Polaroid – Threshold Recordings, LLC Buy at iTunes Music Store Download “Space 8000” (MP3, 192kbps) Joan Of Arc – Flameshovel Records Buy at iTunes Music Store Download “Eventually, All At Once” (MP3, 192kbps) Ambulance LTD – TVT Records Download “Sugar Pill (Demo)” (MP3, 192kbps) Buy This Album 49:58 minutesradiozoom.net Subscribe: RSS Podcast Feed Subscribe on iTunes © Copyright Creative Commons: Attribution-NonCommercial 4.0 International (CC BY-NC 4.0), RadioZoom (John Bollwitt)