Podcasts about loose lucy

Music News: Pink Floyd and Joni MitchellIn this episode of the Deadhead Cannabis Show, Larry Mishkin reflects on the intersection of music and cannabis in the wake of the recent elections. He delves into the Grateful Dead's legacy, highlighting a notable performance from 1973, and explores the lyrical depth of 'To Lay Me Down.' The conversation also touches on music news, including Pink Floyd's 'Dark Side of the Moon' and Joni Mitchell's recent birthday. The episode concludes with a discussion on recent research indicating that cannabis may serve as a substitute for more dangerous substances. This conversation explores the complex relationship between cannabis use and substance consumption among young adults, the implications of Florida's failed marijuana legalization initiative, and the potential of cannabis as a harm reduction tool for opioid use. It also highlights popular cannabis strains and their effects, alongside a cultural reflection on the Grateful Dead's music. Chapters00:00 Post-Election Reflections: Music and Cannabis08:29 The Grateful Dead's Musical Legacy14:48 Exploring the Lyrics: To Lay Me Down21:59 Music News: Pink Floyd and Joni Mitchell37:06 Weather Report Suite: A Musical Journey43:10 Second Set Highlights: Mississippi Half-Step and Beyond49:36 Marijuana Research: Substitution Effects51:24 Cannabis Use Among Young Adults56:13 Florida's Marijuana Legalization Initiative01:05:01 Cannabis as a Tool for Opioid Harm Reduction01:11:10 Strains of the Week and Cannabis Culture Larry's Notes:Grateful DeadNovember 11, 1973 (51 years ago)Winterland ArenaSan Francisco, CAGrateful Dead Live at Winterland Arena on 1973-11-11 : Free Borrow & Streaming : Internet Archive Happy Veteran's Day  A very famous show from a very famous year.  Many feel 1973 was the peak of the band's post psychedelic era.  Certainly right up there with 1977 as top years for the band, even by November they were still in full stride during a three night run at Winterland, this being the third and final night of the run.  In 2008 the Dead released the box set:  “Winterland 1973: The complete recordings” featuring shows from Nov. 9, 10 and 11, 1973.  This was the Dead's second “complete recordings” release featuring all of the nights of a single run. The first was “Fillmore West, 1969, the Complete Recordings” from Feb. 27, 28 and March 1 and 2 (IMHO the best collection of live music ever released by the band).  The band later released a follow up, Winterland 1977: The Complete Recordings a three night run June 7, 8 and 9, 1977 that is also an outstanding box set. Today's show has a 16 song first set, a six song second set and a three song encore, a true rarity for a Dead show of any era (other than NYE shows). The second set consists of ½ Step, Big River, Dark Star with MLBJ, Eyes of the World, China Doll and Sugar Magnolia and is as well played as any set ever played by the band.  They were on fire for these three days.  A great collection of music and killer three night run for those lucky enough to have snagged a ticket for any or all of the nights. Patrick Carr wrote in the NY Times that: “The Dead had learned how to conceive and perform a music which often induced something closely akin to the psychedelic experience; they were and are experts in the art and science of showing people another world, or a temporary altering (raising) of world consciousness.  It sounds pseudomystical pretentious perhaps, but the fact is that it happens and it is intentional.”  INTRO:                                 Promised Land                (show opener into Bertha/Greatest Story/Sugaree/Black Throated Wind)                                                Track #1                                                0 – 2:10 "Promised Land" is a song lyric written by Chuck Berry to the melody of "Wabash Cannonball", an American folk song. The song was first recorded in this version by Berry in 1964 for his album St. Louis to Liverpool. Released in December 1964, it was Berry's fourth single issued following his prison term for a Mann Act conviction. The record peaked at #41 in the Billboard charts on January 16, 1965. Berry wrote the song while in prison, and borrowed an atlas from the prison library to plot the itinerary. In the lyrics, the singer (who refers to himself as "the poor boy") tells of his journey from Norfolk, Virginia, to the "Promised Land", Los Angeles, California, mentioning various cities in Southern states that he passes through on his journey. Describing himself as a "poor boy," the protagonist boards a Greyhound bus in Norfolk, Virginia that passes Raleigh, N.C., stops in Charlotte, North Carolina, and bypasses Rock Hill, South Carolina. The bus rolls out of Atlanta but breaks down, leaving him stranded in downtown Birmingham, Alabama. He then takes a train "across Mississippi clean" to New Orleans. From there, he goes to Houston, where "the people there who care a bit about me" buy him a silk suit, luggage and a plane ticket to Los Angeles. Upon landing in Los Angeles, he calls Norfolk, Virginia ("Tidewater four, ten-oh-nine") to tell the folks back home he made it to the "promised land." The lyric: "Swing low, sweet chariot, come down easy/Taxi to the terminal zone" refers to the gospel lyric: "Swing low, sweet Chariot, coming for to carry me Home" since both refer to a common destination, "The Promised Land," which in this case is California, reportedly a heaven on earth. Billboard called the song a "true blue Berry rocker with plenty of get up and go," adding that "rinky piano and wailing Berry electric guitar fills all in neatly."[2]Cash Box described it as "a 'pull-out-all-the-stops' rocker that Chuck pounds out solid sales authority" and "a real mover that should head out for hit territory in no time flat."[3] In 2021, it was listed at No. 342 on Rolling Stone's "Top 500 Greatest Songs of All Time". Apparently played by the Warlocks and the Grateful Dead in their earliest days, Bob Weir started playing this with the Dead in 1971, and it remained a regular right through to the band's last show ever in 1995.  Among those deeply touched by Chuck's genius were Jerry Garcia and the Grateful Dead. They often paid homage to Chuck by weaving his songs into their performances, breathing new life into his timeless melodies. "Promised Land," with its relentless drive, became an anthem of journey and aspiration. Their electrifying renditions of "Johnny B. Goode" were not mere covers but jubilant celebrations of a narrative that resonated with the dreamer in all of us. The Grateful Dead's performances of "Around and Around" echoed Chuck's mastery of capturing life's cyclical rhythms—a dance of beginnings and endings, joy and sorrow. And when they took on "Run Rudolph Run," they infused the festive classic with their own psychedelic flair, bridging the gap between tradition and innovation. A moment etched in musical history was when Chuck Berry shared the stage with the Grateful Dead during their induction into the Rock and Roll Hall of Fame in 1994. The air was thick with reverence and electricity—a meeting of titans where the past, present, and future of rock converged in harmonious resonance. Again, in May 1995, Chuck opened for the Grateful Dead in Portland, Oregon. It was a night where legends collided, and the music swirled like a tempest, leaving a lasting impression on all who were fortunate enough to witness it. This version really rocks out.  I especially love Keith's piano which is featured prominently in this clip. Played:  430 timesFirst:  May 28, 1971 at Winterland Arena, San Francisco, CA, USALast:  July 9, 1995 at Soldier Field, Chicago, IL, USA  SHOW No. 1:                    To Lay Me Down  (out of Black Throated Wind/into El Paso/Ramble On Rose/Me and Bobby McGee                                                Track #6                                                2:21 – 4:20 David Dodd:  “To Lay Me Down” is one of the magical trio of lyrics composed in a single afternoon in 1970 in London, “over a half-bottle of retsina,” according to Robert Hunter. The other two were “Ripple” and “Brokedown Palace.” Well, first—wouldn't we all like to have a day like that! And, second—what unites these three lyrics, aside from the fact that they were all written on the same day? Hunter wrote, in his foreword to The Complete Annotated Grateful Dead Lyrics:”And I wrote reams of bad songs, bitching about everything under the sun, which I kept to myself: Cast not thy swines before pearls. And once in a while something would sort of pop out of nowhere. The sunny London afternoon I wrote ‘Brokedown Palace,' ‘To Lay Me Down,' and ‘Ripple,' all keepers, was in no way typical, but it remains in my mind as the personal quintessence of the union between writer and Muse, a promising past and bright future prospects melding into one great glowing apocatastasis.” “‘To Lay me Down' was written a while before the others [on the Garcia album], on the same day as the lyrics to ‘Brokedown Palace' and ‘Ripple'—the second day of my first visit to England. I found myself left alone in Alan Trists's flat on Devonshire Terrace in West Kensington, with a supply of very nice thick linen paper, sun shining brightly through the window, a bottle of Greek Retsina wine at my elbow. The songs flowed like molten gold onto the page and stand as written. The images for ‘To Lay Me Down' were inspired at Hampstead Heath (the original title to the song) the day before—lying on the grass and clover on a day of swallowtailed clouds, across from Jack Straw's Castle [a pub, now closed and converted into flats--dd], reunited with the girlfriend of my youth, after a long separation.” Garcia's setting for the words is, like his music for those other two songs, perfect. The three-quarter time (notated as having a nine-eight feel), coupled with the gospel style of the melody and chords, makes for a dreamy, beauty-soaked song. I heard it on the radio today (yes, on the radio, yes, today—and no, not on a Grateful Dead Hour, but just in the course of regular programming), and it struck me that it was a gorgeous vehicle for Garcia's voice. By which I mean: for that strongly emotive, sweet but not sappy, rough but not unschooled instrument that was Garcia's alone. I have started to think that my usual recitation of where a song was first played, where it was last played, and where it was recorded by the band borders on pointless. All that info is readily available. What's interesting about the performance history of “To Lay Me Down” is that it was dropped from the rotation for more than 200 shows three times, and that its final performance, in 1992, came 125 shows after the penultimate one. The reappearance of the song, in the 1980 acoustic shows, came nearly six years after the previous performances in 1974. “Ripple” had a similar pattern, reappearing in those 1980 acoustic sets after 550 performances, or nearly ten years. Of the magical trio from that day of molten gold in West Kensington, “Brokedown Palace” had the most solid place in the Dead's performance rotation, with only one huge gap in its appearances—165 shows between 1977 and 1979. So, in terms of story, what can be discerned? The short version, for me: even if it's just for a day, even if it's just once more, even if it's just one last time—it's worth it. It's golden. It's home. This version is really great to listen to.  Jerry's voice is still so young and strong.  And the group singing works really well.  Jerry's also kills it with his lead guitar jamming. Released on “Garcia” in 1972 Played:  64 timesFirst:  July 30, 1970 at The Matrix, San Francisco, CA, USALast: June 28, 1992 at Deer Creek Music Center, Noblesville, IN, USA MUSIC NEWS:                                                           Music Intro:                       Brain Damage                                                                                    Pink Floyd                                                                                    Pink Floyd - Brain Damage (2023 Remaster)                                                                                    0:00 – 1:47             "Brain Damage" is the ninth track[nb 1] from English rock band Pink Floyd's 1973 album The Dark Side of the Moon.[2][3] It was sung on record by Roger Waters (with harmonies by David Gilmour), who would continue to sing it on his solo tours. Gilmour sang the lead vocal when Pink Floyd performed it live on their 1994 tour (as can be heard on Pulse). The band originally called this track "Lunatic" during live performances and recording sessions. "Brain Damage" was released as a digital single on 19 January 2023 to promote The Dark Side of the Moon 50th Anniversary box set.[4]             The uncredited manic laughter is that of Pink Floyd's then-road manager, Peter Watts.             The Dark Side of the Moon is the eighth studio album by the English rock band Pink Floyd, released on 1 March 1973, by Harvest Records in the UK and Capitol Records in the US. Developed during live performances before recording began, it was conceived as a concept album that would focus on the pressures faced by the band during their arduous lifestyle, and also deal with the mental health problems of the former band member Syd Barrett, who had departed the group in 1968. New material was recorded in two sessions in 1972 and 1973 at EMI Studios (now Abbey Road Studios) in London.             The Dark Side of the Moon is among the most critically acclaimed albums and often features in professional listings of the greatest of all time. It brought Pink Floyd international fame, wealth and plaudits to all four band members. A blockbuster release of the album era, it also propelled record sales throughout the music industry during the 1970s. The Dark Side of the Moon is certified 14x platinum in the United Kingdom, and topped the US Billboard Top LPs & Tape chart, where it has charted for 990 weeks. By 2013, The Dark Side of the Moon had sold over 45 million copies worldwide, making it the band's best-selling release, the best-selling album of the 1970s, and the fourth-best-selling album in history.[3] In 2012, the album was selected for preservation in the United States National Recording Registry by the Library of Congress as being "culturally, historically, or aesthetically significant". It was inducted into the Grammy Hall of Fame in 1999. David Gilmour Addresses Synchronicity Theory Between ‘The Dark Side of the Moon' and ‘Wizard of Oz'On Thursday, November 7, 2024, Pink Floyd's David Gilmour appeared on The Tonight Show Starring Jimmy Fallon amid his extensive run at New York's Madison Square Garden, where he is supporting his latest solo release, Luck and Strange. During the music industry legend's stop by the late-night talk show, he spoke with the program's host, who questioned the theory of synchronicity between TheDark Side of the Moon and The Wizard of Oz, commonly referred to as the Dark Side of the Rainbow.“You said that you think it's your best work since Dark Side of the Moon,” Fallon questioned at the top of the segment, comparing Gilmour's comments regarding his latest release, and the Pink Floyd classic. “When we finished Dark Side, there was a lot of crossfades and stuff between all the tracks. They had all to be done separately and then they all have to be edited in the old days before Pro Tools. When we finally finished, we sat down in the control room at Abbey Road and listened to it all the way through. And, wow. I–I guess all of us–have the feeling that it was something quite amazing–that we got it, and at the same point on this album, I had a very similar feeling, which is why I said that.” Fallon stewed on Luck and Strange during a series of follow-up questions that assisted in painting a portrait of familial involvement during the making of Gilmour's 2024 release–harnessing the conversation to the artist's preferred homebred approach before they segued into the realm of the Emerald City. Fallon landed on the topic of Oz during a bit aimed at busting rumors that have populated throughout the musician's 60-year tenure in the spotlight.“The Pink Floyd album, Dark Side of the Moon, was written to synchronize with the movie Wizard of Oz,” Fallon suggested. Prompting Gilmour's humor-tinged response, “Well, of course it was.” Fallon threw his hands up in response, acting on the comedic angle, before the musician clarified, “No, no. We listened to it, Polly and I, years ago–” Fallon stopped the artist to ask, “There's no planning that out?” Gilmour continued, “No. No, I mean, I only heard about it years later. Somebody said you put the needle on–vinyl that is– and on the third–you know you got the film running somehow–and on the third roar of the MGM lion, you put the needle on for the beginning of Dark Side, and there's these strange synchronicities that happen.” Fallon asked if Gilmour had ever tested the theory, to which he exclaimed, “Yeah!” He went on to admit, “And there are these strange coincidences–I'll call them coincidences.”  Joni Mitchell turns 81 - Joni Mitchell was born on Nov. 7th in 1943, making her 81 this past Thursday. Mitchell began her career in small nightclubs in Saskatoon, Saskatchewan, Canada, and grew to become one of the most influential singer-songwriters in modern music history. Rising to fame during the 1960s, Mitchell became a key narrator in the folk music movement, alongside others like Bob Dylan. Over the decades, she has released 19 studio albums, including the seminal “Blue,” which was rated the third best album ever made in Rolling Stone's 2020 list of the "500 Greatest Albums of All Time.” In 2023, Joni Mitchell at Newport was released, a live album of her 2022 performance at the Newport Folk Festival.  More recently she was the featured performer at the Joni Jam at the Gorge in George, WA in June, 2023 3.    Dan “Lebo” Lebowitz to Celebrate 50th Birthday at Sweetwater Music Hall with Members of ALO, Tea Leaf Green and More Sweetwater Music Hall (in Mill Valley, CA) has announced details pertaining to Dan “Lebo” Lebowitz's 50th Birthday Bash. The event is slated to take place on Saturday, November 23, 2024, and functions as a celebratory occasion to honor the jam stalwart and beloved member of the Bay Area music scene's five decade ride.  The six-string virtuoso, known for his work with Animal Liberation Orchestra (ALO), Phil Lesh & Friends, and his own self-titled Friends project, has tapped an all-star group of regional talent to assist during the live show. Appearing on the birthday lineup, in addition to the bandleader are Vicki Randle (percussion, vocals; The Tonight Show Band), Steve Adams (bass; ALO), Trevor Garrod (keys; Tea Leaf Green) and Scott Rager (drums; Tea Leaf Green).  “Possessing a signature tone, the vehicle for his fluid, buttery sound is a flat top acoustic guitar that he has personally sliced and diced into an electric flat top, with a vintage style humbucker pickup. Inherently committed to an improvisational approach, Lebo embodies the realm of melodic and soulful sounds,” the press release includes, drawing on the unique factors which have made Lebo a standout amongst his musical contemporaries. As an added distinction, and play into the birthday angle of event's surprise and celebration, special guest appearances are slated to occur, as referenced via press release and the artist's post on Instagram, where he noted additional inclusions as TBA.   SHOW No. 2:                    Weather Report Suite Prelude  (out of China >Rider/Me & My Uncle/Loose Lucy                                                Track #14                                                3:10 – end                                                   INTO                                                 Weather Report Suite Part I  (out of WRS Prelude/ into WRS Part II (Let It Grow)/Set break  - 16 songs                                                Track #15                                                0:00 – 1:03 David Dodd:  This week, by request, we're looking at “Weather Report Suite,” (Prelude, Part 1, and Part 2). For a short time, the three pieces that comprise the Suite were played as such, but that was relatively short-lived by Grateful Dead standards. The Prelude debuted in November 1972, originally as a separate piece from its eventual companions. The Dead played it, according to DeadBase, four more times in the spring of 1973 before it was first matched up with Weather Report Suite Parts 1 & 2, in September of that year. It was played regularly through October of 1974, and then dropped from the repertoire. The instrumental “Prelude,” composed by Weir, sets the stage for the two pieces to follow. I think it's one of the most beautiful little pieces of music I know—I have never once skipped through it over years of listening. I just let it wash over me and know that its simplicity and beauty are preparing me for the melancholy of Part 1, and the sometimes epic grandeur of Part 2. Part 1 is a song co-written with Eric Andersen, a well-known singer-songwriter who wrote the classic “Thirsty Boots.” He was on the Festival Express Tour (of “Might As Well” fame) across Canada along with the Dead, and I'm guessing that's where Weir and he met and concocted this piece. Happy to be corrected on that by anyone who knows better. Andersen and Weir share the lyric credit, and the music is credited to Weir. Once it appeared in the rotation, in September 1973, it stayed in the repertoire only as long as the Prelude did, dropping entirely in October 1974. The song addresses the seasons, and their changing mirrors the the singer's state of mind as he reflects on the coming of love, and maybe its going, too: a circle of seasons, and the blooming and fading of roses. I particularly like the line “And seasons will end in tumbled rhyme and little change, the wind and rain.” There's something very hopeful buried in the song's melancholy. Is that melancholy just a projection of mine? I think there's something about Weir's singing that gets at that emotion. Loss, and the hope that there might be new love. Weather Report Suite, Part 2 (“Let It Grow”) is a very different beast. It remained steadily in the rotation for the next 21 years after its debut, and the band played it 276 times. Its season of rarity was 1979, when it was played only three times, but otherwise, it was not far from the rotation. It could be stretched into a lengthy jamming tune (clocking at over 15 minutes several times), building to a thundering crescendo. And the “Weather Report” aspect of the song is what was really the most fun many times. Released on Wake of The Flood in 1973. WRS Prelude and Part I:Played:         46 timesFirst:  September 8, 1973 at Nassau Veterans Memorial Coliseum, Uniondale, NY, USALast:  October 18, 1974 at Winterland Arena, San Francisco, CA, USA SHOW No. 3:                     Mississippi Half Step Uptown Toodeloo  (Second Set Opener/into Big River/Dark Star)                                    Track #17                                    3:17 – 4:55 Released on Wake of the Flood in 1973. Mississippi Half-Step Uptown Toodeloo was first performed live by the Grateful Dead on July 16, 1972. It was a frequent part of the repertoire through to 1974. From 1976 onward it was played less frequently with usually between 5 and 15 performances each year. It was not played at all in 1983 and 1984. The last performance was in July 1995. In total it was performed around 236 times. The majority of performances from 1978 onward were as the opening song of a show. Huner/Garcia special.  Great story.  Great lyrics:  “what's the point of calling shots, this cue ain't straight in line.  Cue ball is made of Styrofoam and no one's got the time” Always one of my favorite songs to hear in concert.  ½ Step>Franklin's were especially fun as a one two show opener punch. Played:  236 timesFirst:  July 16, 1972 at Dillon Stadium, Hartford, CT, USALast:  July 6, 1995 at the Riverport Amphitheatre in Maryland Heights (St. Louis), MO MJ NEWS:                 INTRO MUSIC:       Willin'                                                Little Feat                                                Little Feat - Willin' sung by Lowell George Live 1977. HQ Video.                                                0:10 – 1:32                                                1977 "Willin'" is a song written by American musician Lowell George, and first recorded with his group Little Feat on their 1971 debut album. The song has since been performed by a variety of artists.          George wrote the song while he was a member of the Mothers of Invention. When George sang an early version of the song for bandleader Frank Zappa, Zappa suggested that the guitarist form his own band rather than continue under Zappa's tutelage.[1] He did just that, and the song was subsequently recorded by Lowell's band Little Feat. The song was included on Little Feat's 1971 self-titled debut album. The band re-recorded the song at a slower tempo to much greater success on their 1972 Sailin' Shoes album. A live version recorded in 1977 appears on their 1978 album Waiting for Columbus. The lyrics are from the point of view of a truck driver who has driven from Tucson to Tucumcari (NM), Tehachapi (CA) to Tonopah (AZ)" and "smuggled some smokes and folks from Mexico"; the song has become a trucker anthem.  And of course, he asks for “weed, whites (speed) and wine” to get him through his drive. 1.      Using Marijuana Is Tied To Lower Consumption Of Alcohol, Opioids And Other Drugs, New Study Reveals 2.     Why Florida's Marijuana Legalization Ballot Initiative Failed Despite Trump Endorsement, Historic Funding And Majority Voter Support 3.     Marijuana Has ‘Great Deal Of Potential' To Treat Opioid Use Disorder, Study Finds, Predicting It'll Become More Common In Treatment 4.     Colorado Springs Voters Approve Two Contradictory Marijuana Ballot Measures To Both Allow And Ban Recreational Sales Strains of the week: Sub Zero - Sub Zero is a potent Indica-dominanthybrid cannabis strain that combines the robust genetics of Afghan, Colombian, and Mexican origins. This marijuana strain offers a complex flavor profile with notes of apple, menthol, chestnut, lime, and berry, providing a unique and refreshing sensory experience. The aroma of Sub Zero is as intriguing as its flavor, characterized by a rich combination of woody, earthy, and citrus notes, thanks to a terpene profile rich in Humulene, Limonene, Linalool, and Carene. These terpenes not only enhance the flavor but also contribute to the strain's therapeutic properties. Apple Fritter - Apple Fritter, also known as “Apple Fritters,” is a rare evenly balanced hybrid strain (50% indica/50% sativa) created through crossing the classic Sour Apple X Animal Cookies strains. Best known for making the High Times' 2016 “World's Strongest Strains” List, this baby brings on a hard-hitting high and super delicious flavor that will have you begging for more after just one taste. Extract:             Dulce Limon – hyrbrid sativa dominant            Pineapple Fizz – slightly indica dominant hybrid strain SHOW No. 4:                    Dark Star  (Mind Left Body Jam)                                                Track #18                                                34:45 – end This is the name given to a 4-chord sequence played as a jam by the Grateful Dead. It is thought by some to be related to the Paul Kantner song "Your Mind Has Left Your Body." The title "Mind Left Body Jam" was originally used by DeadBase. The first Grateful Dead CD to include a version was "Dozin' At The Knick", where the title was "Mud Love Buddy Jam" in a humorous reference to the DeadBase/taper title. But subsequent releases have adopted the "Mind Left Body Jam" title.Here, it comes out of a 36 minute Dark Star that many say is one of the best ever and links it to an excellent Eyes of the World.Fun to feature one of the band's thematic jams every now and then.  The truly improvisational side of the Dead and their live performances.  Played:  9 timesFirst:  October 19, 1973 at Jim Norick Arena, Oklahoma City, OK, USALast:  March 24, 1990 at Knickerbocker Arena, Albany, NY, USA                                                 INTO                                                 Eyes of the World  (into China Doll/Sugar Mag as second set closer)                                                Track #19                                                0:00 – 2:25 David Dodd:  “Eyes of the World” is a Robert Hunter lyric set by Jerry Garcia. It appeared in concert for the first time in that same show on February 9, 1973, at the Maples Pavilion at Stanford University, along with “They Love Each Other,” “China Doll,” “Here Comes Sunshine,” “Loose Lucy,” “Row Jimmy,” and “Wave That Flag.” Its final performance by the Dead was on July 6, 1995, at Riverport Amphitheatre, in Maryland Heights, Missouri, when it opened the second set, and led into “Unbroken Chain.” It was performed 381 times, with 49 of those performances occurring in 1973. It was released on “Wake of the Flood” in November, 1973. (I have begun to notice something I never saw before in the song statistics in Deadbase—the 49 performances in 1973 made me look twice at the song-by-song table of performances broken out by year in DeadBase X, which clearly shows the pattern of new songs being played in heavy rotation when they are first broken out, and then either falling away entirely, or settling into a more steady, less frequent pattern as the years go by. Makes absolute sense!) Sometimes criticized, lyrically, as being a bit too hippy-dippy for its own good, “Eyes of the World” might be heard as conveying a message of hope, viewing human consciousness as having value for the planet as a whole. There are echoes in the song of a wide range of literary and musical influences, from Blaise Pascal to (perhaps) Ken Kesey; from talk of a redeemer to the title of the song itself. In an interview, Hunter made an interesting statement about the “songs of our own,” which appear twice in “Eyes of the World.” He said that he thinks it's possible each of us may have some tune, or song, that we hum or sing to ourselves, nothing particularly amazing or fine, necessarily, that is our own song. Our song.  The song leaves plenty of room for our own interpretation of certain lines and sections. The verse about the redeemer fading away, being followed by a clay-laden wagon. The myriad of images of birds, beeches, flowers, seeds, horses.... One of my all time favorite songs, Dead or otherwise.  A perfect jam tune.  Great lyrics, fun sing along chorus and some of the finest music you will ever hear between the verses.  First really fell for it while at a small show one night my junior year at Michigan in the Michigan Union, a Cleveland based dead cover band call Oroboros.  We were all dancing and this tune just seemed to go on forever, it might have been whatever we were on at the time, but regardless, this tune really caught my attention.  I then did the standard Dead dive to find as many versions of the song as I could on the limited live Dead releases at that time and via show tapes.  Often followed Estimated Prophet in the first part of the second set, china/rider/estimated/eyes or scarlet/fire/estimated/eyes and sometimes even Help/Slip/Frank/Estimated/Eyes.  Regardless of where it appeared, hearing the opening notes was magical because you knew that for the next 10 – 12 minutes Jerry had you in the palm of his hand. This is just a great version, coming out of the Dark Star/Mind Left Body Jam and then continuing on into China Doll (two great Jerry tunes in a row!) and a standout Sugar Mag to close out the second set.  Any '73 Eyes will leave you in awe and this one is one of the best. Played:  382 timesFirst:  February 9, 1973 at Maples Pavilion, Stanford University, Stanford, CA, USALast:  July 6, 1995 at Riverport Amphitheatre, Maryland Heights (St. Louis), MO  OUTRO:                               And We Bid You Goodnight  (encore out of Uncle John's Band/Johnny B. Goode) 3 song encore!!                                                Track #25                                                :40 – 3:03 The Grateful Dead performed the song a number of times in the 1968-1970 and 1989-1990 periods but infrequently during the rest of their performing career. On Grateful Dead recordings the title used is either And We Bid You Goodnight or We Bid You Goodnight. The Grateful Dead version of this traditional 'lowering down' funeral song originates from a recording by Joseph Spence and the Pindar Family which was released in 1965. The title used on that recording, as on many others, is I Bid You Good Night. This song appears to share a common ancestry with the song Sleep On Beloved from North East England. I got to see it the first night at Alpine Valley in 1989 (the Dead's last year at Alpine) and it really caught the crowd off guard.  Great reaction from the Deadheads.  Kind of a chills down your spine thing.  I was with One armed Lary and Alex, both had been with us at Deer Creek right before.  Lary stayed for all three nights but Alex had to take off after the first show.  Great times.  Played:  69 timesFirst:  January 26, 1968 at Eagles Auditorium, Seattle, WA, USALast:  September 26, 1991 at Boston Garden, Boston, MA, USA  Thank you for listening.  Join us again next week for more music news, marijuana news and another featured Grateful Dead show. Have a great week, have fun, be safe and as always, enjoy your cannabis responsibly.   .Produced by PodConx Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast

The Grateful Deadcast welcomes back Donna Jean Godchaux-MacKay for the season finale, digs into “Ship of Fools,” and visits the set for the Grateful Dead Movie, aka the Dead's five “retirement” shows at Winterland in 1974, with heads who attended.Guests: Donna Jean Godchaux-MacKay, Ron Rakow, Ned Lagin, David Grisman, Elvis Costello, Steve Brown, Richie Pechner, Jerry Pompili, Jim Sullivan, John Perry, Gary Lambert, Geoff Gould, Joan Brown, Michael Parrish, Corry Arnold, Strider Brown, Jay Kerley, Rita Fiedler, Rene Tinner, Lee Ranaldo, Gregory Barette, Ron Long, David Lemieux, Brian Anderson, Shaugn O'Donnell, Brian KehewSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

 It sure feels like summertime here, and one of my favorite summer time tours was back in 1990.. this week we go back to Eugene for a fine show that took place on June 24, 1990 at Autzen Stadium at the University of Oregon.  The first set starts with a fine Help>Slip>Frank - Jerry has some great leads here.. Masterpiece follows and Bob does the vocals just right. Loose Lucy made its reappearance in the Spring of 90, and Jerry breaks it out here for the sixth time since 1974.  Brent shines 'Just A Little Light'.. a personal favorite of mine. Picasso Moon and Candyman follow and the set closes with an excellent 'Let It Grow'...    Grateful Dead Autzen Stadium - University of Oregon Eugene, OR 6/24/1990 - Sunday One     Help On The Way > Slipknot! > Franklin's Tower When I Paint My Masterpiece Loose Lucy Just A Little Light Picasso Moon Candyman Let It Grow   You can listen to this week's Deadpod here:  http://traffic.libsyn.com/deadshow/deadpod062124.mp3    I'll be bopping at the Sphere tonight.. hope you have a wonderful week!

The Deadcast explores the Mars Hotel obscurity “Money Money” & goes on the Dead's mayhem-filled Europe ‘74 tour, including a long look at the extended jams & Seastones sets performed with Ned Lagin.Guests: Ned Lagin, Elvis Costello, Andy Leonard, Richard Loren, Steve Brown, John Perry, Ben Haller, Andy Childs, Uli Teute, Paul Matulic, David Lemieux, Brian Kehew, Rebecca Adams, Shaugn O'Donnell, Brian Anderson, Michael KalerSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The Deadcast joyously welcomes the 50th anniversary reissue of Robert Hunter's solo debut Tales of the Great Rum Runners, uncovering stories of two early drafts of the album, a mostly-lost book of poetry, and Hunter's secret performing career as Lefty Banks.Guests: Mickey Hart, Barry Melton, John Perry, Ted Claire, Ron Rakow, Steve Brown, Robbie Stokes, Nicholas MeriwetherSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The Deadcast explores Phil Lesh & Bobby Petersen's “Pride of Cucamonga” (featuring lost lyrics & session pedal steel player John McFee), the Dead's August ‘74 east coast trip (with Ned Lagin & an extended stop at Roosevelt Stadium), & the band's decision to take a road hiatus.Guests: Ron Rakow, Ned Lagin, Alan Trist, Richard Loren, Richie Pechner, Andy Leonard, Steve Brown, John McFee, Ira Kaplan, Gary Lambert, Steve Silberman, Ihor Slabicky, Todd Ellenberg, John Potenza, David Lemieux, Brian Kehew, Nicholas MeriwetherSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

From the Mars Hotel 50: Scarlet BegoniasExplore “Scarlet Begonias,” from its trans-Atlantic origins (including the Dead's surprising Bob Marley connection) to Cornell '77 & beyond, featuring the Wall of Sound's stop at the Hollywood Bowl (with more unheard Owsley Stanley) & a visit from Vampire Weekend's Chris Tomson.Guests: Chris Tomson, Donna Jean Godchaux MacKay, Trey Anastasio, Alan Trist, Ron Rakow, Lee Jaffe, Courtenay Pollack, Andy Leonard, Steve Brown, Richie Pechner, Jim Sullivan, Geoff Gould, David Lemieux, Brian Kehew, Nicholas Meriwether, Steve Silberman, Nick Paumgarten, Brian Anderson, Shaugn O'Donnell, Michael Kaler, Steve Hurlburt, Andrew Shields, Nick RubinSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

From “Loose Lucy,” the Deadcast jumps onto Dead tour in June ‘74, going under the hood of Phil Lesh's new quad bass, behind the scenes at the tie-dye information booth, a private lunch at the Bank of Boston, & on a Mars Hotel-soundtracked summer road trip with Sonic Youth's Lee Ranaldo.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The Deadcast explores Phil Lesh's masterpiece “Unbroken Chain,” its mysterious lyricist Bobby Petersen, & digs into the luminous synth with Ned Lagin himself; plus, the story of the album title & art with the Grateful Dead Records crew & a visit from Animal Collective's Avey Tare.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The Deadcast explores “China Doll,” perhaps the most delicate Dead song, the innovative studio techniques pioneered for From The Mars Hotel, the formation of Round Records (& the making of Jerry Garcia's sophomore solo album), & the infamous Wall of Sound test at the Cow Palace.Guests: Elvis Costello, Ron Rakow, Richard Loren, Andy Leonard, Richie Pechner, Steve Brown, Michael Parrish, David Gans, Steve Beck, David Lemieux, Brian Kehew, Shaugn O'Donnell, Brian Anderson See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The Grateful Deadcast begins the epic story of the Dead in 1974 with the writing of From the Mars Hotel's album-opening “U.S. Blues” & the multiple debuts of the innovative Wall of Sound, featuring new interviews & never-heard archival audio. Guests: Ron Rakow, Richie Pechner, Sam Cutler, Steve Brown, Sally Mann Romano, David Lemieux, Brian Kehew, David Gans, Michael Parrish, Brian Anderson See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The Good Ol' Grateful Deadcast is back for its 9th season of high adventure and historical storytelling, unlocking the secrets of From the Mars Hotel and going on tour with the Wall of Sound. Tune in starting March 28th wherever you get your podcasts.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

 This week the Deadpod goes back 51 years to February 15, 1973 when the Grateful Dead played a massive show in Madison Wisconsin. this first set clocks in at about 100 minute... it starts with a song they debuted about a week earlier 'Loose Lucy'. They are still warming up when they then 'Beat It On Down The Line'. Several favorites follow, but things really get rolling with a fine, up tempo 'Row Jimmy'. The highlights of the set follow, with a wonderful 'China Cat >I Know You Rider' and a jamming 'Playing In The Band'. Bobby really steps it up in the last third of this first set..      Grateful Dead Dane County Coliseum Madison, WI 2/15/1973 passes & laminates One - 1:40:00     Loose Lucy [6:34][0:46] Beat It On Down The Line [3:27][0:08]%[0:27] Brown Eyed Women [4:56][0:05]%[0:06] Mexicali Blues [3:27][0:09]%[0:06] Tennessee Jed [7:53][0:07]%[0:12] Looks Like Rain [6:30] Box Of Rain [4:50] Row Jimmy [7:49] Jack Straw [4:45] China Cat Sunflower [5:58] > I Know You Rider [5:35] Me And My Uncle [2:46] Bertha [5:18] Playing In The Band [15:36] Casey Jones [6:41]  You can listen to this week's Deadpod here:  http://traffic.libsyn.com/deadshow/deadpod021624.mp3  I hope you enjoy this week's Deadpod.. thanks for listening and your support.. 

In this week's episode, our Season 3 Finale, we wrap things up in December 1992 in Oakland, CA, with a show from the larger returning run following Jerry's health crisis during the summer/fall. Featuring a unique setlist filled with songs of every era, the lone Vince solo show of the series, and perhaps the most bizarre song pairing in Dick's Picks history, it's a wild and fitting closure to S3 of our show.Disc One opens with the song we've all been waiting for since the series began: “Feel Like A Stranger.” While we don't get the Brent growl throughout, we get the silky silky reprise all the same, and it leads to a larger conversation within the show. Elsewhere we hear an updated take on “The Main Thing,” where Bob's “De Men's” line clashes heavily with the barroom swirl of Pigpen. “Loose Lucy” makes its DP debut in a sultry groove before a fantastic “Let It Grow” closes it out. In Disc Two we hear some of the 90's jamming applied to “Shakedown Street” before Bob's grunge inspired guitar tones take over “Ship Of Fools.” More 90's jamming invades “Playing” which moves into an inspired “Drums -> Space.” Finally, in Disc Three, we get a rare 90's “Dark Star” alongside the groove of “Throwing Stones” from 12/17. The volume ends with the most bizarre pairing of songs in DP history with “Baba O'Rielly -> Tomorrow Never Knows.” Vince takes the lead here and the band somehow stumbles through the Boomer Anthem pairing. There's truly nothing like it, and it's a perfect way to close the volume and Season 3 of 36 From The Vault.36 from the Vault is a production of Osiris Media. It is edited, produced and mastered by Brian Brinkman. All music composed by Amar Sastry, unless otherwise noted. Logo design by Liz Bee Art & Design. The executive producer of 36 from the Vault is RJ Bee. ---We're thrilled to be sponsored by Grady's Cold Brew. Use Promo Code: VAULTCheck out Green Future Wealth and mention OSIRIS to get a free report on your existing investmentsVisit Sunset Lake CBD and use promo code VAULT for 20% off your purchaseWe're thrilled to be sponsored by Melophy. Use Promo Code VAULT to save 20% on virtual music lessons.We're grateful to be sponsored by Garcia Cannabis. Discover Garcia Hand Picked at GarciaHandPicked.com, and connect with Fellow Fans at @garciahandpicked on Instagram---Please consider reviewing this podcast on Apple Podcasts, or wherever you get your podcasts. We invite you to listen to Dick's Picks Vol. 28 in anticipation of our next episode, OUR SEASON FOUR DEBUT which will drop in the near future! See acast.com/privacy for privacy and opt-out information.

This week we bring you a fine recording of an often overlooked gem from the Summer of 1973. This comes to us from RFK Stadium in Washington DC on Saturday, June 9, 1973. This date is often overlooked in favor of the next day (which we played back in '08). On both dates, the band shared the bill with the Allman Brothers. On this very hot day, the Dead opened, and played two excellent sets.  The first set, which we'll hear this week, while not featuring any extended jams, nevertheless delivers some fantastic versions of many of their favorites. As with most shows from '73 there are too many treats to mention here, however I would advise you to listen in particular to the 'Loose Lucy'. With a flub on the last verse, Garcia leads the boys on an excellent blues flavored jam, which for me is the highlight  of the set. Phil delivers a wonderful vocal performance on 'Box of Rain' as well.   Grateful Dead RFK Stadium Washington, DC 6/9/73 - Saturday  One      The Promised Land ; Deal ; Looks Like Rain ; They Love Each Other ; Jack Straw ; Loose Lucy ; Mexicali Blues ; Row Jimmy ; El Paso ; Box Of Rain ; Sugaree ; Beat It On Down The Line ; Tennessee Jed  You can listen to this week's Deadpod here:  http://traffic.libsyn.com/deadshow/deadpod061121.mp3  A great example of the wonders of the Wall of Sound!  thank you for your kind support of the Deadpod. itu

In this episode our hosts discuss life hacks, have an existential crisis and listen to a bunch of great versions of Loose Lucy.   2/9/1973 Roscoe Maples Pavilion (Palo Alto) 4/2/1973 Boston Garden 5/17/1974 PNE Coliseum (Vancouver) 6/18/1974 Freedom Hall (Louisville) 3/14/1990 Capital Centre (Landover, MD) 6/17/1991 Giants Stadium 12/16/1992 Oakland Alameda County Coliseum

  The Dead opened up 1974 with this week's show from Winterland on February 22, 1974. They picked up where they left off in 1973 with a long smoker of a show - we'll hear set 1 this week and set 2 next week. Notable moments include a 22 beat start to 'Beat It On Down The Line', some great Keith throughout, a lovely 'It Must Have Been The Roses', the elusive 'Loose Lucy' and to top everything off, a very long and spacy 'Playin' In the Band' which closes the set and is punctuated with Garcia teasing the 'Slipknot!' jam in several spots.      Grateful Dead Winterland Arena San Francisco, CA 2/22/74 - Friday     One   U.S. Blues [5:27] ; Beat It On Down The Line [3:22] ; Brown Eyed Women [4:52] ; Mexicali Blues [3:36] ; It Must Have Been The Roses [4:43] ; Black Throated Wind [6:53] ; They Love Each Other [5:39] ; Big River [5:08] ; Loose Lucy [6:35] ; El Paso [4:33] ; Row Jimmy [8:30] ; Playing In The Band [20:55] You can listen to this week's Deadpod here:  http://traffic.libsyn.com/deadshow/deadpod022621.mp3    thanks for your kind support

This months podcast takes us back to the Spring of 1973... this era of the band shows them jamming with a very jazzy approach, and its a lot of fun.   At halftime, Bob delivers some great Clapton.  We sure hope you are enjoying the summer! GRATEFUL DEAD   March 19, 1973   Nassau Coliseum   Uniondale, NY   SET 1:   Promised Land, He's Gone, Mexicali Blues, They Love Each Other, Looks Like Rain, Wave That Flag, Box of Rain, Race Is On, Row Jimmy, El Paso, China Cat Sunflower > I Know You Rider, Around and Around, Tennessee Jed, Playin' in The Band   HALF TIME:   Eric Clapton  (Uraguay  10/3/90)   SET 2:   Loose Lucy, Me & My Uncle, Brown Eyed Women, Big River, Mississippi Half Step > Stella Blue, Jack Straw, Truckin > Drums > Other One > Eyes of the World > China Doll, Johnny B Goode   ENCORE:   Casey Jones SOURCE:   Soundboard / Analog Master

This months's podcast takes us back to The Grateful Dead, and Little Feat, in Eugene, OR during the Summer of 1990.   This show is Brent Mydland's last show on the West Coast and it is a whole lotta fun.   Little Feat was the opening act, and we give you a healthy dose of them at half-time.   Keep on enjoyin' the ride! GRATEFUL DEAD   June 24, 1990   Autzen Stadium  Eugene, OR    SET 1:   Help on the Way > Slipknot! > Franklins Tower, When I Paint My Masterpiece, Loose Lucy, Just a Little Light, Picasso Moon, Candyman, Let it Grow   HALF TIME:   Little Feat  (Eugene, OR  6/24/90)    SET 2:   Foolish Heart, Women Are Smarter, Standing on the Moon, Box of Rain, Estimated Prophet > He's Gone > Drums > Space > Other One > Wharf Rat> Sugar Magnolia   ENCORE:  Brokedown Palace SOURCE:   Ultra Matrix / Analog Master

This week another super long set from 1974 - this of course is the second set from August 6th, 1974 at Roosevelt Stadium in Jersey City New Jersey. What a way to start - a wonderful 'Uncle John's Band' with a great jammy intro.. other great highlights from this set include a personal favorite - a nice 'Black Peter', an excellent 'Loose Lucy' and 'Ship Of Fools' - a bit more uptempo which I think suits the song well. Again here in this set you'll see no dedicated 'drums->space' segment, but there is plenty of jamming here, especially in the long closing segment which features 'Sugar Mag' into 'He's Gone', a long jammed out 'Truckin' (where Bobby fugs up the lyrics :) then a nice 'Spanish Jam' into an  unusual 'Other One' jam.. they go out with a nice 'Goin' Down the Road Feelin' Bad' and top off the sandwich with 'Sunshine Daydream'. US Blues follows as the encore of a most wonderful show.   Grateful Dead Roosevelt Stadium Jersey City, NJ 8/6/74 - Tuesday   Two   Uncle John's Band [10:25] ; El Paso [4:09] ; Black Peter [10:20] ; Loose Lucy [4:58] ; Big River [4:43] ; Ship Of Fools [6:24] ; Me And My Uncle [2:43] ; Row Jimmy [8:05] ; Sugar Magnolia [6:34] > He's Gone [11:#21] > Truckin' [16:19] > Spanish Jam > The Other One [12:08] > Goin' Down The Road Feeling Bad [5:38] > Sunshine Daydream [2:22] Encore U.S. Blues [5:36]   You can listen to this week's Deadpod here: http://traffic.libsyn.com/deadshow/deadpod081718.mp3   hope this fine set of magic helps you hang onto summer just a little bit longer....   thanks so much for your kind support of the Deadpod!

A year ago I played what many would consider the 'big brother' to this week's Deadpod selection - 6/23/74. This week I'm going to begin to feature the night before - 6/22/74 Miami Florida. This band may stumble on occasion here.. the levels take a bit to get 'just exactly perfect', but remember it was a 'wall of sound' show, and overall this is a great recording. The first set which we will hear this week has more 'studio' type versions than long jammed out pieces, however there is still plenty here to sink your teeth into. Some very unusual and fine jamming in 'Greatest Story', a fine 'Jack Straw' and stand-alone 'Scarlet'. 'The Race is On' is always a joy to hear, and the set closing 'Playin' in the Band' is fabulous; I'm especially fond of Phil here..   Grateful Dead Jai-Alai Fronton Miami, FL 6/22/74 - Saturday One The Promised Land [3:18] > Bertha [5:24] ; Greatest Story Ever Told [5:34] ; Deal [4:42] ; Me And Bobby McGee [5:33] ; Scarlet Begonias [6:45] ; Jack Straw [4:40] ; Loose Lucy [4:43] ; Mexicali Blues [3:22] ; Sugaree [6:56] ; The Race Is On [3:07] ; It Must Have Been The Roses [5:23] ; Playing In The Band [29:14]   You can listen to this week's Deadpod here: http://traffic.libsyn.com/deadshow/deadpod062918.mp3     Let me be the first to wish you a very happy 4th of July! Be safe and have fun!   thank you for your support of the Deadpod which keeps us running each week!  

45 years ago today the Dead premiered the 'Wall of Sound'.. they also premiered the following classic songs: China Doll, Eyes of the World, Here Comes Sunshine, Loose Lucy, They Love Each Other, Row Jimmy, Wave That Flag (Later US Blues).. this week we'll listen to the first set from this spectacular show, from February 9th, 1973 at the Roscoe Maples Pavilion at Stanford University, Palo Alto California. I can't believe I never played this before on the Deadpod but it appears I have not.. my thanks to Steve for the suggestion for this week!      Roscoe Maples Pavilion (Stanford U), Palo Alto, CA (2/9/73) Promised Land Row Jimmy Black Throated Wind Deal Me and My Uncle Sugaree Looks Like Rain Loose Lucy Mexicali Blues Brown Eyed Women El Paso Here Comes Sunshine Playing in the Band You can listen to this week's Deadpod here: http://traffic.libsyn.com/deadshow/deadpod020918.mp3 Enjoy.. and thanks for your support!

Episode 045 - September 2016 Set 1Bird Song (1973-09-07)Let Me Sing Your Blues Away[1] (1973-09-08)Weather Report Suite-> Let It Grow (1973-09-11)Loose Lucy (1973-09-12)Row Jimmy (1973-09-15)Looks Like Rain (1973-09-17)Greatest Story Ever Told (1973-09-20)The Other One (1973-09-21)Truckin' (1973-09-24)China Doll (1973-09-26)Eyes Of The World (1973-09-07)[1] Dead Fantasy Debut

Episode 023 - November 2015 Set 1Hell In A BucketWalkin' BluesStagger LeeGreatest Story Ever ToldIt's All Over Now[1]They Love Each OtherMe & My UncleLoose LucyMississippi Half-Step Uptown Toodeloo ->It Must Have Been The Roses[1]Picasso Moon[1]Victim Or The Crime[1]AltheaLooks Like RainPeggy-OUncle John's Band[1] Dead Fantasy Debut

On this Blue Moon Friday, we present the 2nd installment of the Grateful Dead's performance at Watkins Glen Speedway on July 28th, 1973. We start with the last song of the 1st set, but arguably the highlight of the show, a classic 'Playin' In the Band'. This one is in my opinion, on a par with the famous soundcheck of the previous day. It doesn't take them long to jump off on a psychedelic musical exploration here. Garcia's leads us on a fantastic voyage here, with a sound that at times I've heard described as a 'swarm of hornets', he leads us way out there. While this jam perhaps doesn't last as long as the day before, I would argue its clearly top shelf jazz improvisation. The second set starts with an 'Around and Around' patched from an audience copy, but we're back to the soundboard for a unique, funky, Loose Lucy. He's Gone develops nicely but transitions rather abruptly into Truckin'. This one suffers some audio problems but nothing to detract from the nice jam that follows the chorus.. where Jerry winds into a "Nobody's Fault' line .. the last minute or so they get a bit lost before going into .... 'El Paso'! .. like coming out of a dark room into the sunshine.. :) Our trip back to the summer of '73 closes this week with a China->Rider.. ahhh that sweet waterfall coming from Jerry's Guitar.. then that engine rolling down the track :) . see you in August!    Grateful Dead Grand Prix Racecourse, Watkins Glen, NY (7/28/73) end of set 1: Playing in the Band set 2: (partial) Around and Around Loose Lucy Big River He's Gone Truckin' Nobody's Jam El Paso China Cat Sunflower I Know You Rider You can listen to this week's Deadpod here: http://traffic.libsyn.com/deadshow/deadpod073115.mp3   I really appreciate the support of those friends who can contribute to keep the Deadpod on the air.. thank YOU! Hope you're 'dancin' in the moonlight' tonight!  

All the snowy weather this week reminded me of a show I saw out in Denver at McNichols one year.. this is a great show, I think, and I decided that it would be fun to share it with you. This one highlights the rejuvenation I think Hornsby sparked in the Dead, and especially in Garcia. He's all over this one and lots of fun throughout.. This first set is marked by a fine Candyman, a crazy Mexicalli->Maggie's Farm, a simply rocking Loose Lucy and a fantastic Deal.    McNichols Arena, Denver, CO (12/12/90) Touch of Grey Greatest Story Ever Told Candyman Walkin' Blues Loose Lucy Mexicali Blues Maggie's Farm Queen Jane Approximately Deal   You can listen to this week's Deadpod here: http://traffic.libsyn.com/deadshow/deadpod112114.mp3   I hope you enjoy it!   Thanks to everyone who has supported the Deadpod. I really appreciate the help and support.. one love.      

This week's Deadpod takes us back to Dijon France for the second set of the band's amazing performance which took place back on 9/18/74. I have however, taken some liberties with this presentation however, as I omitted the first two songs of set 2, Loose Lucy and Big River, because the vocals in these two are hopelessly lost and cannot be heard. In place of those, I decided to include the 3 songs done as a soundcheck for this show - something titled  'Jerry's Space', as well as Cumberland Blues and Brokedown Palace. I'm not always a fan of soundchecks but I do think you'll enjoy these.  The remainder of the second set retains the audio clarity found in set 1, and while this set probably doesn't reach the musical heights of set 1 there is plenty here to enjoy.  The Eyes->China Doll->He's Gone->Truckin' is as all those titles read, quite pleasing, if not mind-blowing. The most interesting jam of the set probably comes out of drums, when Phil leads them in a most interesting Caution jam. Johnny B. Goode to close the set is quite unusual and shows that the boys thought it had been a good days' work, I think.          Grateful DeadSeptember 18th, 1974Parc des ExpositionsDijon, FranceWednesday   soundcheck:  Jerry's Space Cumberland Blues Brokedown Palace   from set 2:  Peggy-O Me and My Uncle Eyes of the World China Doll He's Gone Truckin' drums Caution Jam Ship of Fools Johnny B. Goode U.S. Blues   you can listen to this week's Deadpod here: http://traffic.libsyn.com/deadshow/deadpod091914.mp3       Finally, a quick fundraising word.. I've received several copies of the new Rhino/GD release: Wake Up To Find Out, the spectacular recording of the famous March 29th, 1990 show that featured the Dead's collaboration with jazz virtuoso Wynton Marsallis.  I'd love to send out a copy of this 3CD set to anyone who could support the Deadpod with a $50 donation.  Please consider clicking on our contribute button or drop me a note about how to receive this fine thank you gift for your support of the Deadpod! 

For this Good Friday edition of the Deadpod I've picked out a show from the 1991.. this was the first of what would become a regular stop in Las Vegas for the boys in the 90s. April 27th, 1991 at the Sam Boyd Silver Bowl. This is a fun first set, and I think that comes through in the band's playing and on the recording.  The weather from all accounts was perfect, unlike later years, and Santana provided a strong opening act.  The boys opened with an uptempo Touch, and while Healy had his problems mixing in this first set, I think you'll enjoy the band's enthusiasm. I quite enjoy Maggie's Farm, a song I was happy they boys put into the rotation, and Loose Lucy was always fun. Don't give up on that closing Might As Well, it has quite a nice jam in it! Stay tuned for a very good set 2 next week...    The Sam Boyd Silver Bowl, Las Vegas, NV (4/27/91) Comments: Carlos Santana and his band opened Touch of Grey Walkin' Blues Friend of the Devil Mexicali Blues Maggie's Farm Loose Lucy Cassidy Might as Well   You can listen to this week's Deadpod here: http://traffic.libsyn.com/deadshow/deadpod041814.mp3   Enjoy the music, enjoy life and be grateful for all we have!  

While this week's Deadpod may be one of the shorter 2nd sets of the year in 1973, there is still plenty to love in this week's setlist. The set opens with a wonderfully crafted Playin' in the Band, which leads into Row Jimmy and El Paso.. the Loose Lucy that follows has drawn complaints due to its slow tempo.. I also think this song works best when it bouncy, but the boys go into a pretty good Truckin' followed by a fabulous Other One.. that jam goes into a first-rate Wharf Rat.. wow.. when this song is done right there is nothing that comes close... the Me & Bobby McGee that comes out of it is a pleasant surprise.. The boys close with a rather perfunctory Casey Jones, but I'm left quite satisfied with this second set from a stellar year.. the fact that this is a first-rate recording adds to the pleasure. I hope you enjoy it as well..     Universal Amphitheatre, Universal City, CA (7/1/73) set 2 Playing in the Band Row Jimmy El Paso Loose Lucy Truckin' The Other One Wharf Rat Me and Bobby McGee Casey Jones   You can listen to this week's Deadpod here: http://traffic.libsyn.com/deadshow/deadpod022814.mp3   Thanks for picking us up, and for your support of the Deadpod!! The Deadpod is made possible from the donations of the kind folks who support us.. thanks you!  

This week's Deadpod has been a often requested show for some time.. I think I hesitated in putting it on the Deadpod because it was such a well-known show, and it had been broadcast back in the day on TV. Still its probably one of the finest shows of 1991, and since its anniversary was coming up, I decided it would be a great time to break it out here on the Deadpod.  This show occurred back on June 17th, 1991 at Giants Stadium in East Rutherford NJ. They blow out of the gate with a spot on Eyes of the World.. I really loved seeing this on TV as you could tell how much Jerry and Bruce were enjoying the interplay on this song, and you can clearly hear it in their playing. This is only the first first-set Eyes of the World since 1975... they follow with a very good Walkin' Blues, then a very good Brown-Eyed Women, with a fine Hornsby lead in it.. what follows is quite unusual, as Jerry breaks out the Dark Star motif, which the band picks up on, and while they don't actually play Dark Star (until set 2) the thematic is present throughout the night, and adds another element of excitement to the already interesting playing.. Weir follows with a Masterpiece, then we get a fun Loose Lucy.. Cassidy and a rockin' Might As Well close out set 1.. We'll listen to set 2 next week..  Giants Stadium, East Rutherford, NJ (6/17/91) Eyes of the World Walkin' Blues Brown Eyed Women Masterpiece Loose Lucy Cassidy Might as Well You can listen to this week's Deadpod here:  http://traffic.libsyn.com/deadshow/deadpod061513.mp3

Oh the glorious month of May! I'm sure its one of everyone's favorite times of the year, and of course one of the great traditions in the first weekend of May is the Kentucky Derby.. this week's Deadpod features a show that paid tribute, as the band often did, to that grand event, by playing the late George Jones' "The Race Is On".. and a fine version it is .. I really felt I needed to play it this year especially in light of the recent passing of George Jones, a true country treasure. This show however is far from a one-trick pony... it features a first set  "Help->Slip->Franklin's' A fine Loser, and even a Loose Lucy! I think the One More Saturday Night that closes set one is a treat too, and a chance for me to send out my wishes to Bobby for a very speedy recovery..  I'm hoping you have a fine Spring weekend - (no snow!) and that you enjoy this week's Deadpod as much as I do..  Cal State Dominguez Hills, Carson, CA (5/5/90) Good Time Blues The Race is On Help on the Way Slipknot! Franklin's Tower Queen Jane Approximately Loser Me and My Uncle Mexicali Blues Loose Lucy One More Saturday Night You can listen to the Deadpod here: http://traffic.libsyn.com/deadshow/deadpod050313.mp3 The Deadpod can use your support - if you can contribute to the Deadpod I very much appreciate it!  If you have or know of someone who owns a business who'd like to sponsor the Deadpod I'd love it if you could ask them to contact me..  Thanks my friends! 

On the heels of an acclaimed tour of east and south, Furthur has just announced dates for their summer tour. It seemed to me to be only fitting to feature the band this week for those of you who may not have been fortunate enough to catch them so far this year, as well as those of you lucky enough to have seen them. This week I'm going to feature music from two of their recent shows, first from a show in Pittsburgh, then from Phil Lesh's birthday show in New York City. I encourage you to visit http://www.furthur.net"> where you can read about their tour plans, and purchase recordings of all their recent shows.   Furthur2011-03-30Peterson Events CenterPittsburgh, PAFrom Set 1:Feel Like A Stranger(12:04)Till The Morning Comes(5:58)Loose Lucy(7:52)Pride of Cucamonga(6:30)Colors Of The Rain(9:03) FurthurBest Buy TheaterNew York City, NY2011-03-15 You Never Give Me Your Money (1) > Sun King (1) > Mean Mr. Mustard (1) > Polythene Pam (1) > She Came in Through the Bathroom Window (1) > Golden Slumbers (1) > Carry That Weight (1) > The End (1) Built to Last1) Beatles cover, first time played (completes the sequential performance of the Abbey Road album that started on the first night of this tour in Boston; this was Phil Lesh's 71st birthday)  You can listen to this week's Deadpod http://traffic.libsyn.com/deadshow/deadpod0401511.mp3">here:http://traffic.libsyn.com/deadshow/deadpod041511.mp3">http://traffic.libsyn.com/deadshow/deadpod041511.mp3 Thanks for listening and for your SUPPORT!

This was quite a week in the Dead community, some fine Furthur shows, Phil's 71st birthday, but overshadowing everything, for me, was the loss of Augustus Owsley Stanley. Owsley was of course instrumental in the formation and development of the Grateful Dead, of the 'big sound' that really defined the concert experience for the Dead, and of course, as a world renowned chemist. This week, thanks to the efforts of Jamie over at Lossless Legs, I'm playing one of Bear's recordings, from the famous Winterland run of October 74. Fare thee well, Bear - give Jerry our love... Grateful Dead Winterland, San Francisco, CA10/19/74 from set 1: Beat It On Down The Line [3:10] ;It Must Have Been The Roses [6:11] ;El Paso [4:11] ;Loose Lucy [4:50] ;Black Throated Wind [7:19] ;Scarlet Begonias [11:49] ;To Lay Me Down [7:59] ;Mama Tried [2:28] ;Eyes Of The World [18:14] >China Doll [5:49] ;Big River [4:47] from 10/20/74? Good Lovin' You can listen to this week's Deadpod here: http://traffic.libsyn.com/deadshow/deadpod031811.mp3 thanks for your support..  

 This week a truly great show suggested by one of my wonderful listeners in honor of the passing of Martin Fierro - The Spectrum, September 21st, 1973. Although Martin doesn't play sax until the second set I couldn't bare to not play the entire show so we will get to his performance next week. This week, I hope you enjoy the wonderful and well-played first set, including such gems as "Here Comes Sunshine", and "Black Peter". Jerry and Keith in particular shine in this first set..... Grateful Dead The Spectrum Philadelphia, PA Date 9/21/73 - Friday One Big Railroad Blues ; Me And My Uncle ; Brown Eyed Women ; Beat It On Down The Line ; Sugaree ; Big River ; Here Comes Sunshine ; El Paso ; Loose Lucy ; Jack Straw ; Black Peter ; Playing In The Band As always you can listen to this week's deadpod here:http://media.libsyn.com/media/deadshow/deadpod032808.mp3

I had a different show in mind until I discovered that this show had become available - this is one of the greatest shows of one of the greatest years in the history of the Grateful Dead.. While I often try to bring you "lesser-known" moments in GD history, this show merits an extended listening.... Grateful Dead Winterland Arena San Francisco, CA11/11/73 - Sunday One The Promised Land > Bertha > Greatest Story Ever Told ; Sugaree ; Black Throated Wind ; To Lay Me Down ; El Paso ; Ramble On Rose ; Me And Bobby McGee ; China Cat Sunflower > I Know You Rider ; Me And My Uncle ; Loose Lucy ; Weather Report Suite Prelude [1:18] > Weather Report Suite Part 1 [4:18] > Let It Grow [8:49]As always you can listen to the podcast here:http://www.libsyn.com/media/deadshow/deadpod031607.mp3Enjoy!!