Podcasts about The Dead Milkmen

On daytime MTV, Bon Jovi was becoming the biggest pop-rock act on the planet. Poison was setting the blueprint for everything pop culture now calls hair metal. At the same time, Metallica, Slayer, and Megadeth: were building massive and devoted audiences. These two worlds shared MTV, shared tour bills, and shared fans who were being asked to pick a side. That tension is what makes 1986 unlike any other year in metal history.The Glam Explosion That Broke Daytime MTVHere's what happened between 1984 and 1986: metal expanded beyond just being scary.After Quiet Riot became the first hard rock band to score a number-one album in 1984, the genre broke into mainstream consciousness. Then the PMRC Senate hearings of 1985 gave the music a problem: it needed to stop being threatening. By 1986, the solution was in the videos. Make them colorful. Make them fun. Start somewhere relatable: a bedroom, a garage, a studio. Then escalate into an idealized fantasy of concert performance. Replace leather and skulls with neon and teased hair. What had been relegated to late-night Headbangers Ball slots now fit the 3 PM MTV daypart. The music and the medium found each other.Bon Jovi's Slippery When Wet is the commercial monument to that shift. Released August 18, 1986, it rolled out singles for nearly a full year after release: “You Give Love a Bad Name” in July, “Livin' on a Prayer” in October, “Wanted Dead or Alive” the following March, “Never Say Goodbye” in June of 1987. Each one was bigger than the last. The year before, Bon Jovi had been opening for Billy Squier. The key differentiator from their earlier work: the arrival of Desmond Child as co-writer on the two biggest singles, bringing professional hit-making infrastructure to what was already a committed band.Poison's Look What the Cat Dragged In was doing the same thing with less money. Their starting address was Enigma Records, home to They Might Be Giants, The Cramps, Dead Milkmen, and Devo. An underground punk label, not a hair metal machine. Capitol entered the picture later, which explains why “Cry Tough” barely moved and “Talk Dirty to Me” became an MTV staple. Poison didn't just succeed with this blueprint; they franchised it.Van Halen's 5150 added keyboards and landed the best Sammy Hagar-era album in the process. David Lee Roth's Eat ‘Em and Smile amplified the campy fun of his Van Halen years into a career highlight. Cinderella's Night Songs made the sharpest glam debut of the year: darker and more concise than anything they'd produce later, before the bluesy detours took over. Jon Bon Jovi helped them record it. That's how fast the food chain was moving in 1986.The Thrash Revolution Running in ParallelHere's the thing about thrash in 1986: it wasn't hidden. Headbangers Ball existed. The magazines covered it. Metallica opened for Ozzy on the Ultimate Sin arena tour. But in the daytime MTV ecosystem, thrash was not the default. If you wanted it, you had to find itMaster of Puppets is eight songs long, 54 minutes, and sounded like nothing on daytime MTV or rock radio. It is heavy and precise and expansive in equal measure: a record where the title track alone runs over eight minutes and earns every second. It was Metallica's third album, the last one with Cliff Burton, and it was recorded without a single thought given to MTV rotation or radio airplay. No videos. No singles. Just the record, and the word that spread through tape trading, zines, college radio metal shows, and the underground networks that thrash metal relied on before the internet existed.What makes 1986 extraordinary is that Metallica wasn't alone. Slayer's Reign in Blood came out the same year: 29 minutes of something faster and more extreme than Master of Puppets, an album that even people who don't follow Slayer know by reputation. Megadeth's Peace Sells... But Who's Buying? completed what might be the single most concentrated year of output from the Big Four of thrash metal: three of the four bands releasing arguably their best records in a twelve-month span. Anthrax didn't have an album in 1986. If they had, it would have been a clean sweep.From the German side of the Atlantic, Kreator's Pleasure to Kill was happening simultaneously: the Teutonic thrash scene developing its own parallel lineage that would eventually be recognized as a pioneer of death and black metal. These weren't crossover acts. They weren't on MTV. But they were building the foundation that would outlast nearly everything in the charts.The thrash revolution of 1986 wasn't a secret, but it was a deliberate choice. Headbangers Ball ran late. Daytime belonged to Poison and Bon Jovi. You could be into both, but at school you were expected to pick a jersey. Admitting you preferred Master of Puppets over Slippery When Wet was a statement, and not everyone in 1986 was ready to make it out loud.Legacy Bands: Update or Resist?Every established metal act in 1986 faced the same question: how much do you change?Judas Priest's Turbo is the case study in what too much looks like. Their tenth album added synthesizer guitars and chased the MTV aesthetic in ways that have remained controversial ever since. Some decent songs are buried in there, but Turbo is the canonical example of a decade-spanning band trying on a new identity because the culture demanded it, and not quite threading the needle.Ozzy Osbourne's The Ultimate Sin represents a different calculation. The image got teased and colorful. The videos fit the 3 PM slot. But the album had Jake E. Lee playing with a flashy intensity that gave it a musical spine the presentation didn't undercut. Ozzy reportedly hated it. Others call it his best solo record: a bridge between his 1970s legacy and the glam-era present that actually holds together. When Metallica opened for Ozzy on the Ultimate Sin arena tour, the lineup said everything about where the genre stood. The scariest band in the underground, opening for a legacy act who'd made himself MTV-friendly. The irony runs deep.Black Sabbath's Seventh Star was never supposed to be a Black Sabbath album. Tony Iommi assembled it as a solo project with Glenn Hughes on vocals, Eric Singer on drums, and Dave Spitz on bass. The label insisted the Sabbath name go on it. The video for “No Stranger to Love” is keyboard-driven and barely resembles Sabbath because, structurally, it isn't. What it is, divorced from its title and backstory, is a genuinely interesting record with a remarkable cast. It has been submitted to multiple DMO polls. It has not yet won. It keeps getting submitted.Iron Maiden's Somewhere in Time added keyboards lightly and reads today as the last album before the tinkering accelerated. Europe's The Final Countdown produced one of the most inescapable songs of the decade and an album none of us heard past the singles. The legacy-band class of 1986 is full of acts choosing between integrity and relevance. The ones who chose wrong are instructive.The Deep Cuts That Shaped Everything (and Nobody Witnessed)Here's the version of 1986 that doesn't show up on year-end lists.In June of that year, a Swedish doom metal band called Candlemass released their debut album, Epicus Doomicus Metallicus, on a label called Black Dragon Records. It did not sell. It did not chart. It was not played on the radio or shown on MTV. It was, by most measurable standards, invisible. What it was doing, quietly and without witnesses, was inventing doom metal as a genre. Every band that has worked in that sonic territory for the past forty years carries a Candlemass debt, whether they know it or not.Guns N' Roses' Live ?!@ Like a Suicide is a different kind of deep cut: a 1986 self-released EP on GN'R's own Uzi Suicide label, predating Appetite for Destruction by a full year. Some people had it. They read about the band in Hit Parader and Circus, bought the cassette, and wrote the band's name on their textbook covers. Then they came home from college and the cassette was gone, lost in a couch cushion somewhere, probably worth a lot of money now. That cassette is a small but perfect metaphor for 1986: the thing you knew about first, the object you can no longer find.The Transformers: The Movie soundtrack connects 1986 to something else entirely: the year metal started showing up in animated children's films, delivered by Stan Bush, Lion, and members of Kick Axe performing as Spectre General. For kids who saw the movie it was a first exposure to the genre. Our Picks, Three Different ArgumentsEvery roundtable eventually comes down to someone having to choose.Poison's Look What the Cat Dragged In. The blueprint for hair metal as a cultural phenomenon. The DIY machine that started on a punk indie label and franchised itself across the next four years. It is not the deepest record of 1986. But it is the one that most completely captures what the year felt like at 3 PM on a Tuesday when MTV was on. That counts for something.Metallica's Master of Puppets is the credibility anchor. The last Cliff Burton record. The document of everything Metallica was before the first video and the commercial pivot. Every move they have made since gets measured against this one, and most of them come up short. The underground case, closed.Ozzy Osbourne's The Ultimate Sin is the legacy act threading the needle correctly, or at least fascinatingly. Jake E. Lee at full power. Ozzy navigating from his 1970s origin into 1986 accessibility in a way that doesn't fully betray either. An album Ozzy reportedly hated. A pick none of us saw coming.That's 1986.Episode Highlights* 0:00: Intro. Why we went back to 1986: the year we were all buying cassettes and picking sides.* 1:52: The Transformers: The Movie soundtrack as a metal gateway. Stan Bush, Lion, and a very upsetting death for 11-year-olds.* 4:07: Cassette-buying memories. Where we each were, financially and musically, in 1986.* 8:08: The PMRC timeline and how hair metal broke onto daytime MTV in 1986, colorful videos replacing darker imagery.* 11:36: Judas Priest's Turbo as the prime example of a legacy band adding keyboards and chasing the MTV moment.* 14:08: 1986 as the greatest single year in thrash metal history. Master of Puppets, Reign in Blood, and Peace Sells all released within months of each other.* 15:02: Walking into Richfield Coliseum for the last 30 seconds of Metallica opening for Ozzy, and genuinely not caring at the time.* 16:04: Listening to Master of Puppets in secret on the school bus while claiming to listen to Bon Jovi or Night Ranger.* 17:28: Why Cinderella's Night Songs holds up: darker and tighter than later work, no big ballad epics, Jon Bon Jovi's behind-the-scenes role.* 20:03: Bon Jovi's rocket-ship year. The full single timeline from You Give Love a Bad Name through Never Say Goodbye, and Desmond Child's co-writing role.* 22:49: Seeing Poison open for Quiet Riot at the Cleveland Agora reopening. Studying the Look What the Cat Dragged In album cover beforehand. Expecting at least one woman in the band.* 25:22: Poison's DIY punk ethic and their unlikely starting home on Enigma Records alongside They Might Be Giants and The Minutemen.* 27:56: Candlemass's Epicus Doomicus Metallicus: doom metal's invisible ground zero, released June 1986, heard by almost nobody.* 30:07: The Guns N' Roses Live ?!*@ Like a Suicide EP story. Buying it before anyone knew who they were, writing GN'R on textbooks, and losing the cassette after college.* 32:11: Queensryche's Rage for Order as a musicians' landmark, more influential among players than general audiences.* 34:43: Black Sabbath's Seventh Star. The Tony Iommi solo album the label forced into being a Sabbath record, and the DMO poll it keeps losing.* 37:44: Vinnie Vincent Invasion: Poison taken to its extreme. Pink guitars, pop DNA at maximum volume, and a singer switcheroo from Robert Fleischman to Mark Slaughter.* 45:08: Buying King Diamond's Fatal Portrait out of sheer fear, based only on a magazine photo with no MTV and no internet.* 52:30: AC/DC's Who Made Who: three new songs, six repackaged tracks, Maximum Overdrive tie-in, and the question of whether it needed to be a full album.* 56:13: The connections bands bucket. Hurricane, London, M.A.R.S., White Tiger, Rough Cutt, Black ‘N Blue: albums bought for who was in them, not what was on them.* 1:03:36: Rough Cutt's “Take a Chance” as an all-time genre standout hiding inside a mediocre album.* 1:07:29: We each name the one album that defines 1986. Three picks, no overlap.* 1:21:07: Chip's poll plug for CJSS's Praise the Loud. Cincinnati power metal. David T. Chastain. Still waiting for its DMO moment.* 1:24:07: Outro. Have a lost or forgotten album that deserves the spotlight? Suggest it here. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.digmeoutpodcast.com/subscribe

DJ Jesse Luscious celebrates Jello Biafra's birthday by checking out 4 current Alternative Tentacles Records bands: Wheelchair Sports Camp, Spindrift, Vic Bondi And His Issues, & Crisis Actor, talks about No Peeling's record release show, spins new songs from Star Carr, Round Eye, PLAIINS, James Kennedy & The Underdogs, Joy Thieves, Taxi Girls, 64 Funnycars, Battlesnake, & Cryptkeeper Five, and plays classics from Hank 3, Dead Milkmen, Hot Nun, Green Day, Kitty And The Manges, Manowar, Alkaline Trio, Iowaska, Nomeansno, Pansy Division, The Gr'ups, Mischief Brew, Hi-Fives, Screeching Weasel, and Jello Biafra With The Melvins! Roundeye- Little Lan Lan PLAIINS- Look Ma, I'm A Don Hot Nun- Brave New World Green Day- Christie Road No Peeling- Can I Pet That Dog No Peeling- Pink Flamingos Kitty And The Manges- Goonies 'R' Good Enough Taxi Girls- Secret Handshake Screeching Weasel- Dingbat James Kennedy And The Underdogs- Us And Them Hi-Fives- It's Up To You 64 Funnycars- Arc Weldin' Son Of A Gun Dead Milkmen- Serrated Edge (edit) Mischief Brew- Save A City (edit) Hank Williams III- Satan Is Real/Straight To Hell (edit) Gr'ups- Kali Is Yer Bad Ass Mutha (edit) Pansy Division- He Whipped My Ass In Tennis (radio edit) Vic Bondi And His Issues- Demolition Days Spindrift- Il Chase Della Morte Wheelchair Sports Camp- Bring Some Room (edit) Crisis Actor- Pusherman Joy Thieves- Knife Fight Nihilism (edit) Nomeansno- Self Pity Star Carr- Can You Keep A Secret Iowaska- Mother Earth Battlesnake- I Killed Satan Manowar- The Gods Made Heavy Metal Cryptkeeper Five- The Big Picture Alkaline Trio- All On Black Jello Biafra With The Melvins- Lighter Side Of Global Terrorism (Extended Space Melt Version)

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This week, I'm joined by actor, author, magician, mentalist, and songwriter Rob Zabrecky (Zabrecky, Possum Dixon & author of Strange Cures), who chose to discuss a music TV series close to both of our hearts: NEW WAVE THEATER. We also talk about the fantastical stories from Rob's life including his F.B.I. impersonating Uncle and convincing Sherman Hemsley of The Jeffersons to buy Black Flag's TV Party single, how truth will always out-weird fiction, going out on the road with Dead Milkmen, how it was not unusual to see Drew Barrymore making coffee while Ann Magnuson performed at the legendary L.A. art-weirdo venue Pick Me Up, trying to get Wall Of Voodoo's Stan Ridgway to produced Possum Dixon, Rob walking into Kenzo's Yogi Magic Mart in Baltimore and it changing his trajectory from music towards magic, the disappearing condom magic stage act of Possum Dixon and Peter Buck's take on seeing it live, performing in front of Penn & Teller, discovering New Wave Theater, Night Flight, Fear, Suburban Lawns, the weirdo bands that appeared on NWT who never made a record, the incredible life of host Peter Ivers, Peter opening for Fleetwood Mac in only a diaper, Peter Ivers super fan Jello Biafra, Peter writing the music for and singing "In Heaven" for David Lynch's Eraserhead, the dark world of NWT producer/director David Jove, the unsolved murder of Peter Ivers, Circle Jerks, the performance of "The Film We Never Made", the one-act play Rob wrote about Peter Ivers, who should be cast to play Peter Ivers, NWT's opening monologues and the Chris Genkle commercials, 45 Grave and more!So let's cut to the Ghost Host and hope they don't get beat up by a band on this week's Revolutions Per Movie!!!ROB ZABRECKY:https://www.officialzabrecky.com/https://www.youtube.com/channel/UCdkww86deyo5VU20uDJ3uvQREVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.Revolutions Per Movie releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!PATREON:The show is also a completely independent affair, so the best way to support it at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods that I send out to you. It helps the show to keep going and is greatly appreciated!TIP JAR:ko-fi.com/revolutionspermovieSOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.

Part 1 of my conversation with guest Phil Stacey as we pick our favorite underrated albums.  Show notes: First episode of the year! Recorded right after the gold medal men's hockey game What is underrated? A well-known artist's less popular release or lesser-known artists Phil: Neil Young has a few underrated albums among his vast catalog Other Phil honorable mentions: Big Star, Bob Mould, Best Coast, Kaiser Chiefs, Bettie Serveert, Built to Spill, Keith Richards, N. Mississippi All-Stars, Ben Folds Five, Until the End of the World soundtrack, Til Tuesday, Neko Case, Passengers, Big Head Todd, Paul Butterfield Blues Band, Fela Kuti, Dead Milkmen, Shuggie Otis, Uncle Tupelo, Waterboys Jay's honorable mentions: Trail of Dead, Material Issue, Peter Gabriel, The Church, PiL, Afghan Whigs, QOTSA, Smashing Pumpkins, Blind Melon, Elliot Easton, Pearl Jam, Elvis Costello, Matthew Sweet Phil's #10: Cracker's debut album Lowery's first post-Camper Van Beethoven release Jay's #10: Keith Richards releases a stripped-down solo album Was pissed at Jagger, created the antithesis to his flashy style Phil's #9: Prince creates a new band in the early '90s No more Revolution, going for more of a hip hop sound Jay's #9: Only release from David + David Studio musicians who teamed up to release atmospheric story songs Phil's #8: Indie supergroup comprised of members of Sleater-Kinney and Helium Only released one album Jay's #8: Living Colour's third album was criminally overlooked Introduced industrial elements but was lost in the wave of grunge Phil's #7: Jerry Harrison goes solo More pop than what Talking Heads were doing Jay's #7: Sebadoh unleashes ripping indie rock masterpiece Contributions from two songwriters Phil's #6: Self-assured debut from Elastica Waited too long to release their next album To be continued Completely Conspicuous is available through wherever you get podcasts. Subscribe and write a review! The opening and closing theme of Completely Conspicuous is "Theme to Big F'in Pants" by Jay Breitling. Voiceover work is courtesy of James Gralian.

This week I'm joined by comedian/podcaster/director Scott Aukerman (Comedy Bang Bang, Between Two Ferns, R U Talkin' R.E.M. RE: ME? w/ Adam Scott) as we delve into the recent David Bowie documentary, Moonage Daydream.We also discuss Scott's parents searching his teenage room for dangerous music, Frankie Goes To Hollywood and Prince, Scott's divisive (but beloved) U2 and R.E.M. podcasts with Adam Scott (Parks And Recreation; Severance), when we've felt like an artist has spat in our face, Dick Cavett, R.E.M.'s Dead Letter Office, The Dead Milkmen, meeting Bono, how we both first got obsessed with Bowie, getting scammed by compilations and bootlegs, the interview style of David Bowie, chaos in Scott's work, watching Bowie on endless escalators, The Sparks Brothers doc, the jaw-dropping performance of "Cracked Actor" in this film, seeing Bowie live, Nine Inch Nails, Bowie's feelings on the Let's Dance era of his life, The Glass Spider tour, Bowie's final album Blackstar, the occasional difficulties in continuing to follow an artist when they want to change artistically and more!So let's watch in awe as David drinks milk in the back of a Rolls-Royce on this week's episode of Revolutions Per MovieSCOTT AUKERMAN:comedybangbangworld.comBETWEEN TWO FERNS:youtube.com/watch?v=UnW3xkHxIEQREVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.Revolutions Per Movie releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!PATREON:The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods. It helps the show to keep going and is greatly appreciated!TIP JAR:ko-fi.com/revolutionspermovieSOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.

This week, Steve brings a new and improved version of a previously unreleased late 70s/early 80s punk rock episode of Suburban Underground, which was created during the pandemic but put on a shelf.  These artists are in this show: The Clash, The Ramones, Sex Pistols, The Dead Milkmen, Buzzcocks, Stiff Little Fingers, Dead Kennedys, Descendents, G.B.H., Hüsker Dü, Dead Boys, Channel 3, Eighth Route Army, The Vibrators, Fear, The Adverts, Bad Religion, U.K. Subs, The Damned, Agent Orange, The Adolescents, D.O.A., The Freeze, Black Flag, Pajama Slave Dancers.   Download on most podcast platforms. AI-free since 2016! Facebook: SuburbanUndergroundRadio     Instagram: SuburbanUnderground     #newwave #altrock #alternativerock #punkrock #indierock

We're back with another AFTN Soccer Show packed full of Vancouver Whitecaps and Major League Soccer chat, and it's our 2025 Christmas special so there's lots of added festive fun, cheer, music, and games along the way. Even with Christmas approaching the news didn't let up in Whitecapsland as Jayden Nelson was traded to Austin, Yohei Takaoka re-signed with the club, and there were some fresh additions to the roster from WFC2 and the MLS SuperDraft. We delve into all of the week's big talking points and we get thoughts on all of them from Whitecaps GM and Sporting Director Axel Schuster. It's also finally time to hand out our AFTN Whitecaps awards for the year. What were the best game and best goal? Who were the best players and the ones to watch across the Whitecaps teams at all levels? What was the best save of the year? We chat about all of those and more! Let us know if you agree! Our Christmas chats this year sees us find out what the festive period is like in the Jesper Sorensen, Emmanuel Sabbi, Tate Johnson, and Jayden Nelson households, and we talk Whitecaps Secret Santa and Christmas dinner invites with Brian White and Sebastian Berhalter. Music-wise, it's December, so you know what that means - the return of AFTN's Festive Fifteen! Our countdown of our favourite tracks of the year continues with the songs at positions 4 to 6, plus we have a Christmas themed football song in Wavelength and our favourite Christmas song of the year rounds off the show. Here's the rundown for the main segments from the episode: 01.31: Intro - ready for Christmas? Let us know what football gifts you get 11.10: A Jesper Sørensen Christmas 18.05: Whitecaps News - Takaoka re-signs, Nelson traded, thoughts of Axel 45.15: Whitecaps Secret Santa - Brian White 48.30: 2025 Festive Fifteen - #6 Pulp - Spike Island 55.28: Christmas Countdown - round one 61.55: Whitecaps add two from WFC2 to a stacked defence (+ thoughts from Axel) 70.50: Whitecaps add four in MLS draft (+ thoughts from Axel) 83.23: A Tate Johnson Christmas 86.45: Axel Schuster talks more on Whitecaps' stadium issues 94.00: Whitecaps will play 2026 Leagues Cup - Axel explains it's to reward players 101.45: Whitecaps Secret Santa - Sebastian Berhalter 105.20: 2025 Festive Fifteen - #5 Strange Neighbors - Hate Me Less 109.15: Christmas Countdown - round two 114.30: AFTN 2025 Whitecaps awards - Player, Young Player, WFC2, Academy Player of the Year 131.45: An Emmanuel Sabbi Christmas 133.25: AFTN 2025 Whitecaps awards - Best Addition, Unsung Hero, One to Watch 145.40: 2025 Festive Fifteen - #4 Camille Schmidt - Cult In Denver 148.55: Christmas Countdown - round three 154.10: AFTN 2025 Whitecaps awards - Game, Goal, and Save of the Year 169.50: A Jayden Nelson Christmas 171.27: AFTN 2025 Whitecaps awards - Haircut, International Performance, Quote, and Awayday of the Year 181.30: Wavelength - Lions Out Loud - Christmas Tree Formation 183.51: A Christmas Goodbye and The Dead Milkmen

Lee and Daniel continue their look at some Robert Redford this episode, covering Alan J. Pakula's paranoid thriller based on the book about the Watergate investigation, "All the President's Men" (1976), and Barry Levinson's slice of American baseball mythology, "The Natural" (1984). One of these films does the leg work and checks it sources, while the other strikes out badly. The hosts also talk about what they've watched recently. Batter up! "All the President's Men" IMDB  "The Natural" IMDB  Lee on Bluesky, Instagram, and Letterboxd.    Listen to Daniel punch Nazis on the I Don't Speak German podcast. Catch Daniel on Bluesky and support his Patreon.    Mentioned in the episode: Patrick (H) Willems on movies about research.  Featured Music: "The Conspiracy Song" by The Dead Milkmen; "Here's to the State of Richard Nixon" by Phil Ochs; and "Centerfield" by John Fogerty.

DJ Jesse Luscious spotlights guitarist & singer Sarah Kirsch 13 years after her death with tunes from Fuel & Pinhead Gunpowder, showcases 2 new Damaged Goods Records X-mas tunes from Thee Headcoatees & Indignation Meeting, plays new tunes from Spanish Love Songs, Triers, Rich Hope, God Bullies, Beta Void, & Pale Horse Ritual, spins classic tunes from Kremlin Korps, Slayer, Flipper, More Fiends, Billy No Mates (Snuff side band), The Pathogens, The Nuns, The Dead Milkmen, Snuff, MC5, Sweet Baby, Charger, Metallica, 偏執症者 (PARANOID), Motörhead, The Explosion, Flipper, Dayglo Abortions, & Fishbone, & reveals the Luscious Listener's Choice! Kremlin Korps- Holier Than Thou More Fiends- Time-Warp Bio-Feedback Amphetamine Nightmare Pinhead Gunpowder- Freedom Is… Fuel- The Name Is (Edit) Beta Void- M-O-T-H-E-R Billy No Mates- Slaptop Snuff- The Bells Of Hell Triers- Home Fishbone- Hellhounds On My Trail Explosion- Sick Of Modern Art Spanish Love Songs- Lifers Too (feat. Wonder Years) Sweet Baby- This Talk About The Girl Rich Hope- The Ballad Of Black Eyed Suzy Dash Rip Rock- Chariots Of Hell Fire (with Mojo Nixon) (Edit) Dead Milkmen- Punk Rock Girl MC5- Shakin' Street Indignation Meeting- Murder On The Santa Express Thee Headcoatees- Santa Claus Charger- Running Out Of Time Motorhead- Built For Speed Metallica- Disposable Heroes Slayer- Altar Of Sacrifice Dayglo Abortions- Stupid Songs Paranoid 偏執症者- Sensou Nanimo Oshimazu Pathogens- Polk And Hemlock Nuns- Media Control Flipper- Nothing God Bullies- How Many Times Pale Horse Ritual- A Beautiful End

DJ Jesse Luscious presents the World Debut of an unreleased Rites of Hadda tune from their upcoming "Inevitable Machete" release & adds Alt Blk Era, Big Audio Dynamite, Mikey Dread, & Rankin Roger (both with The Clash) to his Black Punk celebration (see last week for the full Black Punk show). He spins new tracks from Kicked In The Teeth, Wolfbrigade, The Noise, Phantom Corporation, The Wytches, London Clay, DFMK, Alkemia, Beauty (Philly), Superfang, Gimic, Dollar Store, Your Heterosexual Violence, Scene Killers, & KUTE, classics from Mudhoney, The Dwarves, War On Women, Henry Rollins, Maid Of Ace, The Dead Milkmen, Crazy & The Brains, Buzzcocks, Gang Of Four, Camper Van Beethoven, & The Rezillos, and the Luscious Listener's Choice!  Kicked In The Teeth- Wooden Gun Gimic- Irrational Demographic (edit) DFMK- Playa Nuclear Crazy And The Brains- Saturday Night Live Buzzcocks- Breakdown Rezillos- Top Of The Pops Rites Of Hadda- Middle England, Mate (edit) Dollar Store- At Such A Cost Wytches- Talking Machine Scene Killers- Mind Waste Your Heterosexual Violence- I Could Be With You Kute- Man On The Street Superfang- Sleeping Dogs Gang Of Four- Ether Alt Blk Era- Upstairs Neighbours Big Audio Dynamite- E=MC2 Clash (feat. Mikey Dread)- Rockers Galore UK Tour Clash (feat. Ranking Roger)- Rock The Casbah Dead Milkmen- Beach Party Vietnam Camper Van Beethoven- Take The Skinheads Bowling Noise- Have You Seen The Sun? Dwarves- Demonica Alkemia- 1+1 Mudhoney- Touch Me I'm Sick (edit) Henry Rollins- Followed Around Maid Of Ace- Energy Beauty- Enforced Phantom Corporation- Pound Of Flesh Wolfbrigade- Hostile Wasteland War On Women- Dick Pics London Clay- The Obelisk

Welcome to the Nothing Shocking Podcast episode 300 with our guest Joe Jack Talcum of the Dead Milkmen (The Low Budgets).  We discuss their new quarterly singles releases, bringing back the b-sides, and their plans for a free concert Sep 27 at Philadelphia's Spruce Harbor Park. We also discuss the 40th anniversary of Big Lizard In My Backyard, his solo career, and more!   For More Information: http://www.deadmilkmen.com/ https://thelowbudgets.bandcamp.com/ https://www.jacktalcum.com/   Please like our Facebook page: https://www.facebook.com/nothingshockingpodcast/  Follow us on X at  https://twitter.com/hashtag/noshockpod.   Libsyn website: https://nothingshocking.libsyn.com For more info on the Hong Kong Sleepover: https://thehongkongsleepover.bandcamp.com Help support the podcast and record stores by shopping local at   Big Stricks Vinyl Records and Sports Cards - https://www.facebook.com/p/Big-Stricks-LLC-61560351678007/

This Week/Tonight we are joined by a guest all the way from the third coast (the middle one): Liquid Mike, who walks us through his 10/10 pick, the Marked Men's 2006 record Fix My Brain. If someone had fixed our brains we wouldn't have had to do this podcast, so we should get on that stat. Also up for discussion: Move over Dead Milkmen, this podcast is for Ex-Mailmen, baseball teams can be from all sorts of places, and oh yeah its a very special birthday episode as we listen to Liquid Mike's new record Hell is an Airport, which came out (aka was born) just this week! Also it was Charlie's birthday but w/e that happens every year. Hosted on Acast. See acast.com/privacy for more information.

Co-Host Melissa Schipke (https://mountaintoppodcast.com/pitchafriend) By now, you know I'm on record with my firm belief that dating sites and apps are dead. About a month and a half ago I ran a Masterclass For Men detailing 40 different ways to use your smartphone and computer to meet women in IRL...NONE of which are dating sites and apps. Well, wouldn't you know it? There's a 41st. My new friend and first time guest Melissa Schipke stumbled upon a strange but fun idea for getting single people together while hanging out at an open mic night with BAD comedians! She told the owner of the venue it would be more entertaining if she and her friend just got up there and pitched their single friends to these guys. A few years later, Pitch-A-Friend is in dozens of cities spanning 22 countries...and growing. So what's the deal? Let's just say it's basically online dating in REVERSE. Instead of putting up a profile and hoping someone likes it, all the single people are ALREADY THERE in the room, and THEN your friend basically "wings" for you with a PowerPoint presentation. Now, I actually did my homework here and went to the most recent event here in San Antonio. At first I planned to be a "fly on the wall", but my waitress turned out to be pretty cute and VERY single...so I pitched her! Tune in for more on how THAT went, as well as all the details about Pitch-A-Friend...including why it's EXACTLY in line with what the "new normal" for meeting women is gonna look like. Obviously, GenZ is eating this stuff up. But wait a minute...what about Pitch-A-Friend in The Villages or Sun City, AZ. Ha! And by the way, there was room for a relevant Dead Milkmen reference in there, too. Nice. Gentlemen, download your free book Sticking Points Solved and much more (including that infamous Masterclass from last month) at https://mountaintoppodcast.com === HELP US SEND THE MESSAGE TO GREAT MEN EVERYWHERE === The show is now available as a VIDEO version on YouTube. For some reason, the episodes seem funnier...if a bit more rough around the edges. If you love what you hear, please rate the show on the service you subscribed to it on (takes one second) and leave a review. As we say here in Texas, I appreciate you!

DJ Jesse Luscious digs into the decades-long career of The Dwarves, new tunes from Dollar Store, Alien Boys, TRAP GIRL, & Mari Kattman, classics from M.I.A., Social Distortion, Neurosis, More Fiends, Ministry, Ramones, Snuff, Severance Package, Witch Hunt, Menace, Sham 69, The Business, The Dead Milkmen, Zorn, Big Black, The Meatmen, Swingin' Utters, Cockney Rejects, Big D and the Kids Table, & Mr Blobby, and the Luscious Listener's Choice! M.I.A.- Modern Way Alien Boys- Punching Concrete Dollar Store- Creator Social Distortion- Another State Of Mind Snuff- A Smile Gets A Smile Ramones- I Love You Severance Package- Protest Song Swingin' Utters- Undertaker, Undertake Menace- Carry No Banners Sham 69- Ulster (Single Version) Cockney Rejects- I'm Forever Blowing Bubbles Business- Saturdays Heroes Dwarves- Detention Girl Dwarves- Flesh Tantrum Dwarves- Motherfucker (Edit) Dwarves- Unrepentant/We Must Have Blood (edit) Dwarves- Everybody's Girl Dwarves- Salt Lake City Dwarves- Nobody And Me Rancid- Life Won't Wait Big D And The Kids Table- Bender Big Black- The Model Ministry- The Land Of Rape And Honey Mari Kattman- Sharp Shooter Mr. Blobby- Mister Blobby Meatmen- Dance To The Music (edit) Dead Milkmen- Grandpa's Not A Racist (He Just Voted For One) Trap Girl- Caged (edit) Zorn- G.O.R.N. Witch Hunt- Septa Death More Fiends- More Fiends Theme Neurosis- To What End?

A mid-winter pick me up as Oliver looks at favourite comedy indie rock songs. Featuring King Missile, The Dead Milkmen, The Chats, and plenty more! Follow @asonicyouthpodcast on Insta and Facebook. This show is part of the Free FM 89.0 YOUTH ZONE. Made with support of NZ on Air.

Andy talks about Xiu Xiu, his dog loving dead things, Dead Milkmen, Maron pulling the plug on WTF, and Blendjet's ASMR ad. on Rachel's Chart Chat, Rachel from Des Moines concludes the 3-part Journey series with a look at their 1980 album, Departure. Follow Rachel on Last.fm here.

Well hot damn, it's FINALLY here! Lono has made good on his promise of a tribute to the late last great wildman of American music, the legendary Mojo Nixon! Wrapped around a full Mojo live show he attended in 2001, Lono gives the full story of his short time basking in the crazed shadow of true hero, Mojo! It was a weird, amazing world back then. And for Lono, this was the last honest strange and incredible trip before the world was forever changed. Now Lono doesn't even scratch the surface of the Mojo Nixon story, this is a very personal slice in time, from 1 kid's perspective. Make damn sure you go down a long, wacky Mojo Nixon rabbithole after this, you will be changed! So, fire up a number, fix up a gin & tonic, and please enjoy a lifelong fan taking you back in time to the one of a kind party that was, Mojo Nixon LIVE!  Many thanks to Artrocity for the amazingly clear bootleg, Earl B. Freedom for a killer documentary, and all The Toadliquors for always fuelling the brilliant insanity. To Bullethead for always being the coolest one in the room, & continuing to spearhead the genius of Mojo! And to Mojo hisownself, for making this fat little punk understand what truth and freedom can truly achieve in the hands of "one of god's own prototypes", as Dr. Thompson said! In the important words of the great Deke Dickerson, "Remember Mojo Nixon"! And the words of The Dead Milkmen are still true, "...if you don't got Mojo Nixon, then yer store could use some fixin'"! ENJOY, ya knuckleheads!   #MojoNixon #TheToadliquors #Bullethead #Artrocity #Live #Music #Concert #Fletchers #EarlBFreedom #FreedomRecords #SkidRoper #HowlinWolf #SweetSoulMusic #Danville #Virginia #OutlawCountry #DavidAllenCoe #HunterSThompson #WetDawg #FoghornLeghorn #Otis #Elvis #GoodnightIrene #RIP #Truth #Freedom #Rockabilly #RockNRoll #TheMojoManifesto #Baltimore #Hero #Spotify #Podcasts #HorrorPodcast #WeBelongDeadPodcast #MutantFu #MutantFam #Love

Hear the UK debut of the new Whimsyland- it's amusement park-themed all-star pop punk- plus 80s political punx Really Red & The Dead Milkmen take on dance music! DJ Jesse Luscious also spins new tunes by Split Dogs, F. Emasculata, Gen and the Degenerates, Rebelmatic, Carsick, Buster Shuffle, Fuzzbox Kollective, Bobbie Peru, The Masochists, Noisepicker, & The Birthday Massacre, classics from Generation X, Devo, Rancid, Jim Carroll Band, Jilted John, The Dickies, The Dictators, The Epoxies, Dead Kennedys, Carbon/Silicon, Really Red, Basic Bitches, Necros, Roxy Epoxy And The Rebound, & The Damned, and the Luscious Listener's Choice! Split Dogs- Lafayette F. Emasculata- Duane Barry Whimsyland- Feathered Follies Bird Show Whimsyland- Nautilus To Neptune Ramones- Rockaway Beach Dead Kennedys- Viva Las Vegas Gen And The Degenerates- Anti-Fun Propaganda Rebelmatic- Help Misfits- Horror Business Carsick- Pub Watch Carbon/Silicon- War On Culture Really Red- Starvation Dance Dead Milkmen- Instant Club Hit (You'll Dance To Anything) Buster Shuffle- Take A Pill Rancid- Hooligans Jilted John- I Was A Pre-Pubescent Generation X- The Invisible Man Fuzzbox Kollective- Ten Yard Stare Basic Bitches- We All Moved To The City Now We Can't Afford To Live Bobbie Peru- Chrysanthemun Mižerija- Izolacija Masochists- Punk'd Image Necros- Take 'Em Up Necros- Police Brutality Dickies- Manny Moe And Jack Epoxies- Losing Control Roxy Epoxy And The Rebound- I Know, I Know Devo- Jerkin' Back And Forth Dictators- The Minnesota Strip Jim Carroll Band- Wicked Gravity Noisepicker- The Earth Will Swallow The Sun Damned- Beware Of The Clown Birthday Massacre- All Of You

Fools Fest is KCSU's annual punk festival, always set to happen around April Fools Day! Every year, KCSU gathers local punk and punk-adjacent bands to play on Colorado State University's campus, creating a unique and exciting event for all to enjoy. KCSU's music directors, Mia Templien and Ria Janapati, had the opportunity to sit down with a few of the bands performing for some in-depth interviews.Plastic Forearm started in the middle of a record store in Orlando, Florida; Boone "Mud" Gonzales found R Cooper Long through the odd method of asking everyone in the store if they play music. Not long after, the pair opened Casey Taylor Brock's old band, and they all decided to stick together. Moving to Colorado on terms of fate, Plastic Forearm is a high-energy dynamic trio, or "a country band plumb gone wrong". They find inspiration in noise rock and free jazz, but also finds their variety from artists like Frankie Cosmos and The Dead Milkmen. Their debut album "Plastic Forearm Loves The Earth" is set to drop on April 25th, 2025, with their album release show on April 26th at the Swing Station in Laporte.

2:56:15 – Frank in New Jersey, plus the Other Side. Topics include: Crappy robots, noise pollution, “I hear ya”, The Electric State (2025), Surrogates (2009), Megalopolis (2014), The Dead Milkmen, Creative Commons, Legends of Indie Comics – Words Only, Palatino, cults, luxury cribbage board, expired pierogies, Early Jazz & Blues #1, SITFUSO Compendium (2000–2005), A Career In […]

2:56:15 – Frank in New Jersey, plus the Other Side. Topics include: Crappy robots, noise pollution, “I hear ya”, The Electric State (2025), Surrogates (2009), Megalopolis (2014), The Dead Milkmen, Creative Commons, Legends of Indie Comics – Words Only, Palatino, cults, luxury cribbage board, expired pierogies, Early Jazz & Blues #1, SITFUSO Compendium (2000–2005), A Career In […]

Hello friends! Producer, recording engineer, songwriter, musician, manager, and artist Mike Stewart is my guest for episode 1453! Mike is known for co-producing artists like Doug Sahm, Omar and the Howlers, Dead Milkmen and many others. He also managed bands like Poi Dog Pondering, The Gourds and more. He currently splits his time between Austin and Amsterdam and has started playing out here in Austin with his band The Mike Stewart Theory which features Jon Sanchez and Jon Dee Graham and is releasing his entire catalog of songs, one song every three weeks on Flak Records. Go to themikestewarttheory.com for music, show dates and more. Mike and I have a great conversation about his journey. I hope you enjoy getting to know him as much as I did. Let's get down!   Follow us on Instagram, Facebook, Spotify, Apple Podcasts, or anywhere you pod.   If you feel so inclined. Venmo: venmo.com/John-Goudie-1  Paypal: paypal.me/johnnygoudie

The boys piggyback a legacy by booking a residency, play somewhat political punk to parody pollution, and use the scientific method to conduct an autopsy on the corpse of The Dead Milkmen's 1987 bizarre ballad, “Watching Scotty Die.” News items and digressions include Fleetwood Mac, Hollywood hotties, and Sammy Hagar. --- Support this podcast: https://podcasters.spotify.com/pod/show/rocknrollautopsy/support

Send us a textWelcome to Guess the Year! This is an interactive, competitive podcast series where you will be able to play along and compete against your fellow listeners. Here is how the scoring works:10 points: Get the year dead on!7 points: 1-2 years off4 points: 3-5 years off1 point: 6-10 years offGuesses can be emailed to drandrewmay@gmail.com or texted using the link at the top of the show notes (please leave your name).I will read your scores out before the next episode, along with the scores of your fellow listeners! Please email your guesses to Andrew no later than 12pm EST on the day the next episode posts if you want them read out on the episode (e.g., if an episode releases on Monday, then I need your guesses by 12pm EST on Wednesday; if an episode releases on Friday, then I need your guesses by 12 pm EST on Monday). Note: If you don't get your scores in on time, they will still be added to the overall scores I am keeping. So they will count for the final scores - in other words, you can catch up if you get behind, you just won't have your scores read out on the released episode. All I need is your guesses (e.g., Song 1 - 19xx, Song 2 - 20xx, Song 3 - 19xx, etc.). Please be honest with your guesses! Best of luck!!The answers to today's ten songs can be found below. If you are playing along, don't scroll down until you have made your guesses. .....Have you made your guesses yet? If so, you can scroll down and look at the answers......Okay, answers coming. Don't peek if you haven't made your guesses yet!.....Intro song: Wouldn't It Be Nice (vocals only) by The Beach Boys (1966)Song 1: Girl, You'll Be a Woman Soon by Neil Diamond (1967)Song 2: Whenever You're Ready by Dinosaur Jr. (2009)Song 3: Before You Start Your Day by twenty one pilots (2009)Song 4: Bitchin' Camaro by The Dead Milkmen (1985)Song 5: The Sails of Charon by Scorpions (1977)Song 6: Mars, the Bringer of War by Gustav Holst (1916)Song 7: Lay It Own Down by Kenny Wayne Shepherd (2017)Song 8: Sweet Home Chicago by Robert Johnson (1936)Song 9: Paid in Full by Eric B. & Rakim (1987)Song 10: Kokola Blues by Madlyn Davis (1927)

This week, we're sharing a free preview of our Patreon show S&W/Q&A! In this episode, Tom and Jon answer your questions about albums with one killer track, best and worst drummer characters, best and worst radio DJ characters, guilty pleasures, Australian vs New Zealand music, the Gene Simmons Yogurt Pump, worst green rooms, favorite Nick Cave albums, Superchunk's Hyper Enough music video, Dead Milkmen, backstage stories, and more! SUPPORT THE BEST SHOW ON PATREON! WEEKLY BONUS EPISODES & VIDEO EPISODES! https://www.patreon.com/TheBestShow WATCH THE BEST SHOW LIVE EVERY TUESDAY NIGHT 6PM PT ON TWITCH https://www.twitch.tv/bestshow4life FOLLOW THE BEST SHOW: https://twitter.com/bestshow4life https://instagram.com/bestshow4life https://tiktok.com/@bestshow4life https://www.youtube.com/bestshow4life THE BEST SHOW IS A FOREVER DOG PODCAST https://thebestshow.net https://foreverdogpodcasts.com/podcasts/the-best-show HEARD IT ON THE BEST SHOW PLAYLIST https://open.spotify.com/playlist/2XIpICdeecaBIC2kBLUpKL?si=07ccc339d9d84267 Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, we're sharing a free preview of our Patreon show S&W/Q&A! In this episode, Tom and Jon answer your questions about albums with one killer track, best and worst drummer characters, best and worst radio DJ characters, guilty pleasures, Australian vs New Zealand music, the Gene Simmons Yogurt Pump, worst green rooms, favorite Nick Cave albums, Superchunk's Hyper Enough music video, Dead Milkmen, backstage stories, and more!SUPPORT THE BEST SHOW ON PATREON! WEEKLY BONUS EPISODES & VIDEO EPISODES!https://www.patreon.com/TheBestShowWATCH THE BEST SHOW LIVE EVERY TUESDAY NIGHT 6PM PT ON TWITCHhttps://www.twitch.tv/bestshow4lifeFOLLOW THE BEST SHOW:https://twitter.com/bestshow4lifehttps://instagram.com/bestshow4lifehttps://tiktok.com/@bestshow4lifehttps://www.youtube.com/bestshow4lifeTHE BEST SHOW IS A FOREVER DOG PODCASThttps://thebestshow.nethttps://foreverdogpodcasts.com/podcasts/the-best-showHEARD IT ON THE BEST SHOW PLAYLISThttps://open.spotify.com/playlist/2XIpICdeecaBIC2kBLUpKL?si=07ccc339d9d84267 Learn more about your ad choices. Visit megaphone.fm/adchoicesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Steve Swart was on the bandstand and in college at CMU just in time to see owner Harvey Vanier turn The Foolery into Rubbles. Mt. Pleasant has always been at the dead center of the state of Michigan when it comes to cross-over touring due to WCMU and the college music market. One quick look north from Kalamazoo, Ann Arbor, Detroit and Lansing, all eyes hit the college town. The blended artistry from roots folk, to deep blues, power pop, metal, and first generation punk all huddled in this marketplace, long after the '60s Flint scene dispersed.     Yes, you could see Texas blues man Gatemouth Brown, followed by funky rockin' Fishbone, and then a tour stop for the punk legends Dead Milkmen. Or how about Blues Brother Matt 'Guitar' Murphy? Verve Pipe? Etc...this was a Michigan hub town thanks to the venues, Theatres, and WCMU radio.    While Swart notes that much remains in historical value, the word-of-mouth of the area's scene is more of a recollection and myth, than the hub it once was. North of Mt. Pleasant lies Interlochen, which seems to have taken on the persona that Mt. Pleasant used to be known for. A quick look at Traverse City, Petoskey, Alpena, or over west to Big Rapids or Grand Rapids, or even east to the Tri-Cities and you can see speckles of the majestic college town scene. Swart is taking the Mt. Pleasant music history seriously and is not only documenting it, but releasing lost shows on YouTube. Steve has compiled a fantastic episode that not only covers his music, but some of his rock/metal expeditions (magnetite)--which is not rock/metal like you think ;) Tune in and check this out too! Here is his Link List for this episode: "Legacy of Harvey's Foolery":  https://www.facebook.com/groups/38403127560/ Youtube Playlist Legacy of Harvey's Foolery https://www.youtube.com/playlist?list=PLxX1AiehvuPKAgF_VtCwzWJ6iclZIJRY1 Clarke Historical Library website at CMU: http://www.clarkehistoricallibrary.org/p/about-us.html?m=0   Michigan bands that we hosted and recorded in concert at The Broadway Theatre in Mt Pleasant: Steppin' In It Levi Rose and Hooker Man Mollie O'Brien and Jive at Five Alma College Percussion and Drum Ensemble Jeff Haas Quintet with Marcus Belgrave THOSE Delta Rhythm Kings (Lansing area) Earl Haynes and Friends (subject of the song "Mr Easy" ala Walmsley/McCray) Brian Koehler Chris Freeman (Sitar) Myk Rise Hurry The Jug YouTube Playlist - Live at The Broadway 2003-2005:  https://www.youtube.com/playlist?list=PLxX1AiehvuPJkLJDeREK10heB0qEAfT3o

Part 2 of Jim's conversation with former Detroit Tiger Jim Walewander. In this episode, Wales recounts the day he invited the Dead Milkmen to Tiger Stadium and hitting his lone career major league home run, among other baseball and music topics. Get with Rockin' the Suburbs on Apple Podcasts/iTunes or other podcast platforms, like audioBoom, Spotify, Google Podcasts, Amazon, iHeart, Stitcher and TuneIn. Or listen at SuburbsPod.com. Please rate/review the show on Apple Podcasts and share it with your friends. Visit our website at SuburbsPod.com Email Jim & Patrick at rock@suburbspod.com Follow us on the Threads, Facebook or Instagram @suburbspod If you're glad or sad or high, call the Suburban Party Line — 612-440-1984. Theme music: "Ascension," originally by Quartjar, covered by Frank Muffin. Visit quartjar.bandcamp.com and frankmuffin.bandcamp.com 

The Detroit Tigers are in the MLB playoffs! And so Jim sits down with a 1987 Tigers legend, infielder Jim Walewander. What makes him a legend? He once invited the Dead Milkmen into the Tiger Stadium dugout. Enjoy part 1 of this conversation about music and baseball. Tomorrow - part 2. Get with Rockin' the Suburbs on Apple Podcasts/iTunes or other podcast platforms, like audioBoom, Spotify, Google Podcasts, Amazon, iHeart, Stitcher and TuneIn. Or listen at SuburbsPod.com. Please rate/review the show on Apple Podcasts and share it with your friends. Visit our website at SuburbsPod.com Email Jim & Patrick at rock@suburbspod.com Follow us on the Threads, Facebook or Instagram @suburbspod If you're glad or sad or high, call the Suburban Party Line — 612-440-1984. Theme music: "Ascension," originally by Quartjar, covered by Frank Muffin. Visit quartjar.bandcamp.com and frankmuffin.bandcamp.com 

What's up? Ya dig?Two hours of new-wave era goodness!

The hometown crowd in wrestling can make for a special connection between a wrestler and the audience. On this episode of Music of the Mat, Andrew and Damon McDonald (Super J-Cast) play songs by artists from their respective hometowns (Boston for Andrew and Philadelphia for Damon). The playlist includes Hall & Oates, Bell Biv DeVoe, Book of Love, The Dead Milkmen, Donna Summer, Japanese Breakfast, Dropkick Murphys, Billy Squier, and more. Grab your lobster rolls and cheesesteaks and dig in!Follow Music of the Mat on Twitter: @MusicoftheMatFollow Super J-Cast on Twitter @thesuperjcastAll VOW podcasts, articles, previews, and reviews: VoicesofWrestling.comJoin the VOW Discord to discuss Music of the Mat and other shows/topics: https://discord.gg/SFRwWdJDonate to Music of the Mat and other VOW podcasts: VoicesofWrestling.com/DonateAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Join Elizabeth and Mark with a second conversation with Jacob Chapman. We discuss his new book Are We There Yet out on Human Error Publishing, talk about creative seasoning, heck, as is the way, talk about a bunch of stuff. This episode is also co-introduced by Steve Schmeltz and Madeleine Darling! So it's fun in that, well, somewhat informal way, too. Steve regales us even with a Dead Milkmen cover on ukelele, right here in Meat For Teacast Central! We had fun, let's just say. Jacob's previous episode here on the Meat For Teacast was Season 3, Episode 19. Find more about Jacob's band Camel City Drivers at https://camelcitydrivers.bandcamp.com/ or wherever you stream your music. Check out his and other great books at https://humanerrorpublishing.com/ --- Support this podcast: https://podcasters.spotify.com/pod/show/meatforteacast/support

"In these trying times" we're trying to have as much fun as we can before the whole thing goes up in flames. Of course we all feel a little paranoid in these weirdo days. The question is how to cope. We here at ATTT HQ are always thinking musically, as a 'for real' cure wherever possible. The cure for paranoia is to laugh at it, it's to get it all out there and sing about it. Any ounce of fun you can get out of it, you should do it. It's in this spirit that we've brought in a certified paranoia expert, the Unkillable Jenny Lynne! Jenny is here to help get them paranoias outta here, with music! PIcks 10-6 of the definitive list of paranoid songs are featured in Part 1.All hail the beloved Patreon people! These upstanding citizens put their money where their mouth is and keep the show afloat by contributing $5 a month. In return they're rewarded with a monthly bonus episode using our patented Emergency Pod format, our improv game where we pull a playlist out of our butts in real time. Coming August 1st, it's our turn in the barrel with the always affable Dustin Prince. Get this and every episode weve done, plus a new one every month, Find out more at:https://www.patreon.com/alltimetoptenChat with us! On Facebook! Get more involved in the ATTT cinematic universe by chatting with us on the Facebook Music Chat Group. Start a conversation about music!https://www.facebook.com/groups/940749894391295

Kinky Friedman, the singer, songwriter, humorist and sometime politician who with his band, the Texas Jewboys, developed an ardent following among alt-country music fans with songs like “They Ain't Makin' Jews Like Jesus Anymore” — and whose biting cultural commentary earned him comparisons with Will Rogers and Mark Twain — died on Thursday at his ranch near Austin, Texas. He was 79.The writer Larry Sloman, a close friend, said the cause was complications of Parkinson's disease.Mr. Friedman occupied a singular spot on the fringes of American popular culture, alongside acts like Jello Biafra, the Dead Milkmen and Mojo Nixon. He leered back at the mainstream with songs that blended vaudeville, outlaw country and hokum, a bawdy style of novelty music typified by tracks like “Asshole From El Paso” and “We Reserve the Right to Refuse Service to You.”He toured widely in the 1970s, with his band and solo, including on the second leg of Bob Dylan's Rolling Thunder Revue in 1976. He performed on “Saturday Night Live” and at the Grand Ole Opry — Mr. Friedman claimed to be the first Jewish musician to do so (though in fact others, including the fiddler Gene Lowinger, had beat him to it).Another performance, recorded for the TV show “Austin City Limits,” was reported to be so profane that it has never been aired.In the 1980s, after the band broke up, Mr. Friedman turned to writing detective novels, using the same casual irreverence that he brought to the stage in books like “Kill Two Birds and Get Stoned” (2001) and “God Bless John Wayne” (1995)Yet there was a surprising earnestness behind his weirdness. Mr. Friedman founded a ranch for rescue animals. He and his sister, Marcie, ran Echo Hill Camp, which they inherited from their parents and which they offered, free of charge, to children of parents killed while serving in the U.S. military.He spent an increasing amount of time on his ranch. The Echo Hill camp closed in 2013, but three years ago, he and his sister revived it, this time with a focus on helping the children of fallen service members as well as the children of refugee families from Afghanistan.“There was a volunteer who fixed a water heater who I went over to thank,” he told Texas Highways magazine in 2023. “He said, ‘You're welcome. I'm doing it for Jesus.' I told him, ‘I'm doing it for Moses.'”Clay RisenNew York Times

Send us a Text Message.Welcome to Guess the Year! This is an interactive, competitive podcast series where you will be able to play along and compete against your fellow listeners. Here is how the scoring works:1 point: get the year correct within 10 years (e.g., you guess 1975 and it is between 1965-1985)4 points: get the year correct within 5 years (e.g., you guess 2004 and it is between 1999-2009)7 points: get the year correct within 2 years (e.g., you guess 1993 and it is between 1991-1995)10 points: get the year dead on!Guesses can be emailed to drandrewmay@gmail.com or texted using the link at the top of the show notes.I will read your scores out on the following episode, along with the scores of your fellow listeners! Please email your guesses to Andrew no later than 12pm EST on the day the next episode posts if you want them read out on the episode (e.g., if an episode releases on Monday, then I need your guesses by 12pm EST on Wednesday; if an episode releases on Friday, then I need your guesses by 12 pm EST on Monday). Note: If you don't get your scores in on time, they will still be added to the overall scores I am keeping. So they will count for the final scores - in other words, you can catch up if you get behind, you just won't have your scores read out on the released episode. All I need is your guesses (e.g., Song 1 - 19xx, Song 2 - 20xx, Song 3 - 19xx, etc.). Please be honest with your guesses! Best of luck!!The answers to today's ten songs can be found below. If you are playing along, don't scroll down until you have made your guesses. .....Have you made your guesses yet? If so, you can scroll down and look at the answers......Okay, answers coming. Don't peek if you haven't made your guesses yet!......Intro song: Best Day of My Life by American Authors (2013)Song 1: Pumping On Your Stereo by Supergrass (1999)Song 2: Apartment by Young the Giant (2010)Song 3: Must Have Been a Ghost by Proxima Parada (2019)Song 4: The Other Side of Summer by Elvis Costello (1991)Song 5: Somebody Save Me by Cinderella (1986)Song 6: Beyond the Sea by Harry James (1947)Song 7: Punk Rock Girl by The Dead Milkmen (1988)Song 8: Something in the Air by Thunderclap Newman (1969)Song 9: Mayonaka no Door / Stay With Me by Miki Matsubara (1979)Song 10: You Worry Me by Nathaniel Rateliff & the Night Sweats (2018)

As the beat goes on, I found myself lucky enough to sit down with Brian McCarty, and visit with him about his life and his journey as a musician. It's Episode No. 123, and this one was a treat. Please join me and Brian as we talk about his roles in The Matchsellers, Greg Blake & Hometown, plus his duo setup. We also poked around at family and growing up, the pursuit of dreams, happiness, and the appropriate life path to walk. We also took a peek at a few of his favorite records, which were these:Black Sabbath's Paranoid (1970)Newgrass Revival (s/t), (1972)Dead Milkmen's Big Lizard in My Backyard (1985)Del & the Boys (2001), Del McCoury Band I feel very grateful to have had this conversation with Brian, and to have gotten this podcast to the place it has come to live. Thank you to those of you that support it, and best of luck to Brian in his future endeavors. Note: Apologies to Bob Stewart; the name of the University of Missouri-Kansas City publication is New Letters and its radio-companion piece is New Letters on the Air. Letters, not voices.copyright disclaimer: I do not own the rights to the audio clips contained in the intro/outro/promo portions of this episode. They are snippets from a tune called, "Madison," which comes from Drugdealer's 2022 album, Hiding in Plain Sight, c/o Mexican Summer.

Find Rodney:https://rodneyanonymous.comFind Dirk:https://vhuspodcast.threadless.comhttps://www.patreon.com/vhus 

The release of Furiosa over the weekend got us all fixated on Mad Max again, so we're starting off this week's show with a look at five desert-drivin', raider-fightin', wasteland-survivin' games that owe their existence to George Miller's legendary film franchise. Then we'll get into The Rogue Prince of Persia, MultiVersus' official launch, the Just Cause movie announcement, and the digital games you wish you'd bought physically (or vice versa). Question of the Week: What is your favorite movie that has inspired videogame tropes? Break song is Bitchin' Camaro by The Dead Milkmen. Vidjagame Apocalypse theme by Matthew Joseph Payne.

Finally, something good comes of enabling: enable your garage to do more gearhead things (and stuff)!  Just Mark, Just Caleb and Justin sit down amongst the Porsches at the new AutoVos (Caleb bought out EAS and went independent) for an hour of making garages better.  Stop polishing the door handles and think bigger:  (tasteful) additions of more floor and door, coating and levelling those floors, getting more work underway with ramps and stools, expanding the tools available with better boxes, plus seasonal enhancement with heating and drainage, and while we're thinking big, how about building up with a second story and a bridge to the house? There's so much more: a semi drag races a Rav4, Ruger makes a nice .22, the Dutchese sell a pricey Stryker, Great Divide, Big Sky, Cerviceria and Trinity brew fine beers, catwalks make a handy way to repel the hipster hordes, plus Man or Astroman, Galactic, Pantera, Dead Milkmen, Fugazi, Truckfighters and Five Horse Johnson.

Finally, something good comes of enabling: enable your garage to do more gearhead things (and stuff)!  Just Mark, Just Caleb and Justin sit down amongst the Porsches at the new AutoVos (Caleb bought out EAS and went independent) for an hour of making garages better.  Stop polishing the door handles and think bigger:  (tasteful) additions of more floor and door, coating and levelling those floors, getting more work underway with ramps and stools, expanding the tools available with better boxes, plus seasonal enhancement with heating and drainage, and while we're thinking big, how about building up with a second story and a bridge to the house? There's so much more: a semi drag races a Rav4, Ruger makes a nice .22, the Dutchese sell a pricey Stryker, Great Divide, Big Sky, Cerviceria and Trinity brew fine beers, catwalks make a handy way to repel the hipster hordes, plus Man or Astroman, Galactic, Pantera, Dead Milkmen, Fugazi, Truckfighters and Five Horse Johnson.

Attention all Punk Rock Girls and Dead Milkmen (youngsters— it's a band)! Settle in with the fantastic author and podcaster Mur Lafferty (Chaos Terminal, I Should Be Writing) for a chat with JV covering sci-fi storytelling, zero dating, and the icing-est part of a cake!

I'm doing everything I can to try not to convince you not to listen. Unless you like The Dead Milkmen. You don't have to listen. This is what we do. It's what we've done since the beginning. It's out of control. We don't write it, we do it live. F*cking thing sucks. So anyway- Welcome to "At Five in the Afternoon". Yeah, of course KM has prepared a handful of topics, but it's still a sh*tshow. Don't worry, the poetry is better than ever. "Exquisite" according to J. Andrews. Even DJ Colorado gets in on the reading action! It is a literary podcast, after all. Strap in, folks. You bought the ticket, now take the ride...

Find Rodney:https://rodneyanonymous.comFind Dirk:https://vhuspodcast.threadless.comhttps://www.patreon.com/vhusvh-us.com 

Justin Sirois is a novelist and game designer as well as the founder of Severed Books and now Severed Toys. Severed Books publishes fiction, games, accessories, and RPG modules. Since 2012, we've published a lot of fiction, had a project optioned for TV/film, expanded into tabletop gaming, and have run over 30 successful Kickstarter campaigns. Collaborations include: Stockholm Kartell, Aaron Draplin (Draplin Design Company), The Dead Milkmen with Andrew Ervin, Head Lopper's Andrew MacLean, Ax-Wielder Jon's Nick Pitarra, and meta horror legend Brian Evenson. www.SeveredBooks.com and www.SeveredToys.com Thank you for listening to Weird Games & Weirder People! Please subscribe to the show to keep up with new episodes!  If you would like to support the show, leave a review and/or head to our ko-fi page and pay us a coffee! It will help keep the podcast going! It would really help!  ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://ko-fi.com/wgnwp⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ You can also support me buy buying one of my games! Kosmosaurs just got released in print, and it is my new RPG inspired by Saturday morning cartoons about Space Dinosaur Rangers defending the galaxy from evildoers!   Get your copy right here: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠bit.ly/kosmosaurs⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠  Get other games of mine on Exalted Funeral: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.exaltedfuneral.com/search?q=Diogo+nogueira⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Or buy anything at DriveThruRPG using this link: ⁠⁠⁠⁠⁠https://www.drivethrurpg.com/?affiliate_id=338514⁠⁠⁠⁠⁠ SUBSCRIBE TO OUR NEWSLETTER! This is super new and I am trying a new thing! I share offers, news, behind the scenes, articles, curiosities, and rants about being me! Fun, right? RIGHT!? Check out our latest post: ⁠⁠⁠⁠https://open.substack.com/pub/diogonogueira/p/ive-been-dreaming-of-ttrpgs-fire⁠⁠⁠⁠ Join our Discord Server: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://discord.gg/FrEmabnw⁠⁠ (this link is only valid for 7 days from the day the episode is released - always look for a new link in the newest episode). Stuff mentioned in the Episode: Beneath The Media is the Message

Jack Grisham joins the show this week to discuss the new T.S.O.L. album A-Side Graffiti, creating things for nobody but yourself and the dangers of pandering, how Grant Hart changed how Jack writes, sequencing an album that was never meant to be an album and much more JACK GRISHAM/T.S.O.L.https://www.jackgrisham.comhttps://www.instagram.com/tsol_officialhttps://www.instagram.com/jackgrishamphotohttps://www.facebook.com/TsolOfficialPCHInstagram - www.instagram.com/powerchordhourTwitter - www.twitter.com/powerchordhourFacebook - www.facebook.com/powerchordhourYoutube - www.youtube.com/channel/UC6jTfzjB3-mzmWM-51c8LggSpotify Episode Playlists - https://open.spotify.com/user/kzavhk5ghelpnthfby9o41gnr?si=4WvOdgAmSsKoswf_HTh_MgDonate to help show costs -https://www.paypal.com/paypalme/pchanthonyhttps://cash.app/$anthmerchpowerchordhour@gmail.comCheck out the Power Chord Hour radio show every Friday night at 8 to 11 est/Tuesday Midnight to 3 est on 107.9 WRFA in Jamestown, NY. Stream the station online at wrfalp.com/streaming/ or listen on the WRFA app.

Merry Christmas Nerds and Murds! We hope you enjoy your holiday with a little Nerdery and a little Murdery. Listen in as Zig talks about the music of The Dead Milkmen. On the other side of the house Geoffrey discusses the mystery of the Sodder children disappearance. Have a wonderful holiday!For your 30 day free Audible Trial go to: Audibletrial.com/nerderyandmurderyFor 10% off with BetterHelp go to: betterhelp.com/nerderyandmurderySupport the show

Kurt Vile discusses his lovely new EP, Back to Moon Beach, Philly, Boston, and Atom and His Package, pandemic prescience, writing songs that show love for George Jones, Dead Milkmen, Bob Dylan, Tom Petty, and David Berman, our personal connections to Berman, Silver Jews, and Purple Mountains, interacting with Neil Young, bringing your children to work, our shared love for the late Dallas Good and the Sadies, working with Cate Le Bon, tour, other future plans, and much more.Supported by you on Patreon, Blackbyrd Myoozik, Pizza Trokadero, the Bookshelf, Planet Bean Coffee, and Grandad's Donuts. Support Y.E.S.S. and Black Women United YEG. Follow vish online.Related episodes:Ep. #481: David BermanEp. #492: I Remember Me and David BermanEp. #406: Courtney BarnettEp. #56: Dallas GoodEp. #669: Dallas Good RememberedEp. #703: The SadiesRelated links:Bob Dylan and His Band Took Toronto to Unexpected and Rewarding Places Massey Hall, October 26Last Night in Toronto (by Vish Khanna)Support this show http://supporter.acast.com/kreative-kontrol. Hosted on Acast. See acast.com/privacy for more information.

Jon Wurster started playing drums in Superchunk in the early 90s. He currently plays drums in The Mountain Goats and with Bob Mould. He also famously played the character Ronald Thomas Clontle on The Best Show with Tom Scharpling and declared that Madness invented ska! And Jon certainly jokes around about ska a lot, but when he was a teenager, he really loved the 2 Tone ska bands like The Specials and English Beat. He was also a big fan of The Hooters during their early 80s ska phase. And more recently, Jon skanked and played tambourine on stage during the infamous Ska No Children incident. (Sad Snack opened for The Mountain Goats in San Francisco and played their ska cover of "No Children.") We bring Jon on today to talk about ska. He tells us that he used to practice drums to the Dance Craze soundtrack. We talk about his connection to the band Dead Milkmen. (Amongst other things, he booked their first show!) We discuss his nickname Johnny Earthshoe and we talk about two key shows he attended with The Police. (The Specials and Rhoda Dakar were at one of them) He also tells us about missing his high school prom for The Meatmen, Ska band The Pressure Boys' connection to Superchunk, and we try to figure out the name of the ska artist that was featured on a DVD he owns (It turns out it was King Django)  Support the show

In this episode, vocalist and guitarist Joe Jack Talcum provides an engaging look into the creation of the timeless classic from The Dead Milkmen, "Punk Rock Girl". He shares the story of how so many iconic Philadelphia landmarks became part of the song's lyrics, all of which immerse the listener in the city's unique atmosphere. He also reveals how Minnie Pearl and Mojo Nixon made their way into this punk rock gem, making this a must-listen for Dead Milkmen fans and music enthusiasts alike. If you love Chris DeMakes A Podcast and would like to help support the show, head to http://www.ChrisDeMakes.com to sign up for the Supporting Cast. You'll get weekly bonus episodes of the After Party podcast (plus a GIANT back catalog of episodes), and you'll be helping the show continue on! Learn more about your ad choices. Visit megaphone.fm/adchoices