Podcasts about William Goldman

In 2003, legendary director Lawrence Kasdan teamed with legendary screenwriter William Goldman, for a big-budget adaptation of a novel by legendary horror novelist Stephen King. And the result was... also legendary. But for different reasons than they might have hoped. On this episode, legendary (at least to us!) comics artist and writer Evan Dorkin joins us to discuss one of the most inexplicable flops of the 2000's -- DREAMCATCHER! If you've never checked out Evan's work, he's just released an omnibus of his humor comix under the name NERD INFERNO, a FH-endorsed way to spend your nerd bucks! Stay updated on all things Flop House, plus a little extra, with our NEWSLETTER, “Flop Secrets! Wikipedia page for Dreamcatcher Recommended in this episode: Dan: The Movie Orgy (1968) Stu: Song Sung Blue (2025) Elliott: Apocalypse Pooh (1987), November (1917) Evan Dorkin: One Cut of the Dead (2017) Help support this show and unlock bonus content! Become a member at https://maximumfun.org/joinflop

Don't go anywhere, We're about to get crackalackin on our review of Misery, one of Stephen Kings most successful and critically acclaimed novel adaptations. Synopsis When world class author Paul Sheldon takes a spill he falls under the care of Annie Wilkes, his Nurse. As Paul regains his strength to learn to walk again, he also finds himself learning to love again. Little does he know that Annie Wilkes is his #1 fan. As Annie becomes his muse for his next novel, Annie tries to remain professional and hide her true feelings. From the Director Princess Bride and When Harry Met Sally comes the feel good romantic comedy of the 90's, which asks, why unrequited love can lead to such… Misery. Review of Misery Misery is a horror movie that proves you don't need all the bells and whistles of the genre to be truly terrifying. Sometimes all you need is one truly unhinged person and no escape. Kathy Bates performance is truly impressive and well deserving of her academy award win. She is convincingly able to portray a cavalcade of mental health disorders at the flip of a switch. Going from Manic fan girl to menacing anger, to unnerving disassociation. James Caan comparatively has light work being nonplussed at Annie's theatrics. William Goldman's adapted screenplay deserves a lot of credit for its tight pacing, the smart addition of a sheriff character, and great dialogue. Rob Reiner had a lot to prove with this film in expanding his credibility as a director outside of comedy. It undeniably is a great thriller, but my one criticism is that it is often visually uninteresting. It might be intentional, but the over reliance on monologue long closeups felt claustrophobic at times. It's said that Reiner studied the films of Hitchcock before shooting Misery, but I don't see anything close to that level of visual storytelling. Overall, this is a great movie. The tension never lets up and Kathy Bates performance is required viewing. Score 10/10

Welcome back to pppppppuuuuuurrrrrrgatory!!!!! The boys are back and with a theme month that's....very different, may be the weirdest month on the pod, we are talkin about lions...that we are calling Kitty Kitty Fang Fang!!! We start off the month with a banger, an underrated classic from 1996 The Ghost and The Darkness directed by Stephen Hopkins and written by William Goldman and based off of real events and a book by John Henry Patterson titled The Maneaters of Tsavo.  The film stars Val Kilmer, John Cani, Tom Wilkinson, Bernard Hill, Brian McCardie, Henry Cele, Om Puri, Emily Mortimer, Michael Douglas, Kurt Eglehof, Satchu Annamalai, Teddy Reedy, Raheem Kahn, Glen Gabela, Richard Nwaamba and so many more!!! Thanks for checkin us out!!! If you'd like to find our past and more recent episodes go to Podbean.com and you can find us where most other podcasts are found!!! Intro music "Shell" by Dystopian Dark Techno/ Hypnotic Industrial Bass https://youtu.be/HXtRUwOAsys?si=gD2Cfuu7xWKRX_lY Cat, lion & puma sounds added in by Jeremy  Intro & Outro score peices from The Ghost and The Darkness soundtrack score by Jerry Goldsmith 1. Mahina's Death https://youtu.be/8zJd1TmCXG0?si=ecXerlmHeCe6ErFY 2. The Lion's Reign https://youtu.be/yKbiXdtVhlM?si=yi-TCPgRPuSstJ1U  

Theatre Victoria presents "Misery" a play by William Goldman based on a novel by Stephen J. King April 23rd through 26th at the Leo J. Welder Center for the Performing Arts 7:30 pm on Thursday, Friday and Saturday, 2:00 pm on Sunday

Concluding this year's Decades Month at the end pf the 60's with the 1969 Western buddy comedy Butch Cassidy and the Sundance Kid. Directed by George Roy Hill and written by William Goldman based loosely on fact, the film tells the story of outlaws Butch Cassidy and his partner the Sundance Kid, who are on the run from a crack US posse after a string of train robberies. The film stars Paul Newman, Robert Redford and Katherine Ross. Come join us!! Website : https://tortelliniatnoon.com/ Instagram: https://www.instagram.com/tortelliniatnoonpodcast/ Facebook: https://www.facebook.com/TortelliniAtNoon Twitter: https://twitter.com/PastaMoviePod                            

The continuing podcast journey of a boy becoming a young man one iconic movie at a time. James had never seen Alan J. Pakula's gripping political thriller, All the President's Men, so he watched it with Dan and they recorded a podcast about it. In this episode, they follow the slow-burning investigation of journalists Woodward and Bernstein as they uncover the Watergate scandal and explore how a film built on note-taking, paperwork and door-knocking somehow creates edge-of-your-seat tension. They also discuss William Goldman's Oscar-winning screenplay, the film's meticulous direction, and ask how watching two men talk on the phone can be so compelling.   Stay Connected:X: @talkinfilmBluesky: @talkinfilm.bsky.socialTikTok: @talkin_filmFacebook: You Talkin' to Me? Film PodcastSubscribe: Available on all major podcast platformsEnjoy our podcast? Share it with friends and leave a review on Apple Podcasts or Spotify

It's the story of a guy on a road trip across the country, checking out America's classic greasy spoons. And the adventure is all about finding the restaurant owners and creative cooks serving up the very best of down-home style food. That's the premise of the hit series Diners, Drive-Ins, and Dives starring everyman chef Guy Fieri. Today we're going to talk with the show's creator, two-time Emmy Award winning food journalist and executive producer David Page. Interview Transcript David, I can't wait to talk to you about the show. But before we dive in and talk about the specifics, how long did the show run and how many episodes were done? My impression it's still on and it's always been there. Yes. I created it in 2006, 2007. I did the first 11 seasons and moved on. And funny story, in the first month of the show we had a couple of strong initial outings. And everyone was all excited thinking maybe this will be a hit. A food network executive called me up to tamp down my expectations and said, look, this is all fine and dandy, but this thing isn't gonna go more than a season or two. There's just not that many restaurants. And you know, to quote the great screenwriter William Goldman whose rule of Hollywood is 'no one knows anything.' I did 11 seasons. It's now in season 40 or something, I think. Holy cow. I could just think of enough restaurants around me to do a couple of seasons worth. So, tell us the origin story. How did Diners, Drive-Ins and Dives come about? Well, I had left a career in network news and moved to the Twin Cities because I thought I wanted to be in business for a public corporation. And I took a job as the Senior Vice president at a home shopping channel, and I was all excited, and I hated it. It was just horrible. I did not want to sell second rate gold jewelry to shut ins. So, I quit, and I opened a production company and began to starve because I wasn't selling anything. Then I called Al Roker, who has a production company and who had technically worked for me, although stars don't work for executive producers in the real world. When I was the co-producer of the Weekend Editions of the Today Show. Al was on the weekend show at the time. He hadn't yet moved up to the big show. And I said, hey, Al, I'm starving. You got any work you could throw me? And he said, yeah, I'm doing a lot of stuff for the Food Network. I'll subcontract some of it to you. Which was good for both of us. I got to work, and Al got to take a cut without doing anything. So, that hooked me up with the Food Network. I started working for them and Al and I both knew I wasn't gonna get rich doing a pass-through deal, so I started pitching them directly. And I was getting nowhere. There was this very nice development exec who would talk to me on the phone. And everything I proposed she would shoot down. And one day I'm on the phone with her and we're going through a pitch call and I'm proposing this and proposing that, and she's saying, no, no, no. Finally, the Food Network had asked Al to do a documentary on diners and the history of diners and such. And Al had subcontracted it to me. So, this development exec had a frustration and I think pity for me and finally said to me on this call, don't you have another thing on diners? And I immediately, I said, oh, absolutely. I'm developing a show called Diners, Drive-Ins and Dives. And I told her all about it. And this was like late on a Thursday or Friday afternoon. And she said, 'you know, that sounds good. We have a development meeting Tuesday. Get me a writeup on Monday.' And I got off the phone elated because it was the first time she'd expressed interest in anything. But also, I'd kind of put myself in a jam because I was not developing a show called that. I had literally pulled the title out of thin air. Or a body part, depending upon how scatological you want to get. And that gave me the weekend to try to put a pitch together. So, this was in the old days when you didn't email people, you called them. I did as much research as I could, and I started calling restaurants around the country. And on Monday I sent her a pitch for a one-hour special with, I think, it had seven restaurants in it. And, they had their meeting on Tuesday and here here's, you know, you get lucky. Guy Fieri had just won their second Food Network Star competition. Back then they naively believed that that contest was gonna generate them a new star every year. Someone who would be a big deal for it. In fact, Guy is the only one who ever made it and, when I'm drunk and immodest, I take a lot of credit for having taught him how to make it. But he has immense natural talent. Anyway, they wanted to make Guy a star. And they were trying to get a primetime show for him. And big deal, major league production companies had been asked to come up with proposals, which had not come back yet. They figured, what the hell, let's do a special with Guy just to keep on the air so people wouldn't forget about him. So, they picked up this special from me. It was gonna be a one-shot deal. We did it. I think they were kind of stunned by how well it did. And then something really great happened for me. They looked at the proposals from the big boys and didn't like them. And they were kind of stuck. They were desperate to get Guy on the air in prime time. So, they figured, well, you know, let's pick up a very short season of this thing. And they bought, I don't know if it was eight or 10 episodes, but they committed to that. And very quickly, we became a hit and off we went. It's an amazing story. So many people have seen so many episodes of that show. But nobody would have any idea that's how it got started. It's wonderful to hear about that. Once you got going and got your feet on the ground with this, what were you hoping to accomplish through this show? Well, look, TV's about storytelling. I've been a storyteller, hell, for 50 some odd years now as a mostly broadcast journalist. You learn, if you're any good, that the best stories come from and are about people. I conceive this not as a food show, but as an opportunity for the viewer to meet really cool, passionate people doing something they cared about. You know, independent restaurant owners make a buck 3.80 at best. They're passionate about making good food. If they're any good. They're often trying to keep family legacies alive. And more than anything else to succeed in the food biz you gotta wanna serve people. You gotta wanna make people happy. So, I went out to document the stories of some of the coolest people in America. Now, it was in the food world, which is a world of shared experience. We all eat. Most of us have favorite foods. Most of our favorite foods are the kinds of foods that I featured on Diners. TV is about one thing: hanging out with someone you want to hang out with. That's why Tom Selleck remains a star; whatever crappy TV show you put him in. That's why for your older audience, Tyne Daly kept getting series after series, or James Garner. There are just people you want to hang out with and that's all television is. Guy is someone people want to hang out with. His personality comes through the screen in a particular way. And you know, I said earlier, frankly or implied, that I taught him a lot about how to make TV. I did, but that's because at heart, he is the most naturally talented performer I've ever worked with in 50 years in the business. And was brilliantly able to soak up anything he learned along the way. I mean, it's like a chef. If you're a good chef, a better chef can make you better. But if you're not a good chef, you'll never be a good chef. To be good on TV, you have to have it. I can't define IT, but to quote the Supreme Court justice about pornography, I know it when I see it. And Guy has IT. So basically, this show put together people you wanted to hang out with and brought them into your living room or your bedroom or whatever room you watch in. The show is very compelling and you're right, you get to know the chefs, the restaurant owners in these little places, and there's something wonderfully wholesome about it. It's so good that you came up with this idea. You know, I was reminded as you were talking about a conversation you and I had when we first got to know each other by Zoom a few weeks ago. And I was mentioning I was going to do a self-guided drive called the Blues Triangle Tour. Starting in Memphis going down to Tupelo, over to Mussell Shoals, ending up in Nashville. And immediately you started telling me about places I needed to go. You said, oh, there's this wonderful place in Memphis. It's down an alley and down these stairs. Yeah, the rendezvous. Yes. They have the best Memphis dry rub ribs. I thought, oh my God, I'm, I can't tell you how grateful I am for that recommendation. Well, did you go? I'm going plan my trip around that. And then as I was reading your book, Food Americana, which we've discussed in a separate podcast, you mentioned the hot wings in Nashville. You mentioned former Mayor of Nashville, Bill Purcell, who was an inspiration for the hot wing festival they have there. Well, I happen to know him. And because our professional paths intersected around some health and wellness things, and he's a wonderful guy. So, you inspire me to get back in touch with him. You know, I wrote to him, I said, I'm going to be in Nashville. Let's go out for some hot wings. You know, at the place where they were invented. How wonderful is all this? Well, the story behind them is phenomenal. Apparently, the guy, Prince I guess was his last name... he was not a real faithful husband or boyfriend. I'm not sure if he was married to the woman. But he came in one night after gallivanting around and told his partner, told apparently, didn't ask, to make him some wings. And she was so teed off at him that she made them hotter than hell and he liked them. And you know, an industry is born. Or so the story goes. That's so interesting. Tell us some of your most memorable experiences doing the show. And some of the places you were, the people you met. There must be so many that stand out and you did so many. But give us a few examples. Well, I understand I kind of lost out on part of this after the first season. I, I was back at home base putting the show together. So, okay, my in-person experiences were somewhat limited. Although I made some phenomenal friends in the course of it. Louie Miller's Barbecue in Taylor, Texas. Which, I visited. It's a legacy joint. Opened 80 some odd years at this point in a converted, they always include the word girls, a converted girls basketball gym in this small town in Texas. And when we went to shoot there, Louis Miller had passed away. His son Bobby was running the place. Bobby has now passed away and his son Wayne has the place. But I just fell in love with Bobby, who was, mm-hmm, dry as a bone and hilarious. I mean, Guy says to him, well, what are you gonna cook these over? You know, expecting post oak or mesquite. Bobby looked at 'em and said, wood. I said, oh, so that's how it's gonna go. And, and that's how it went. Now we started at three in the morning. That's when they start the fire. And, you know, we're in the middle of an interview in front of one of the pits, which was at that point, I don't know, maybe 60 years old. And without looking, without checking, Bobby turns around and starts moving briskets from one part of the pit to the other. And either I or Guy said, why are you doing that? How do you know to do that? He said they needed it. It's that kind of innate understanding of his food, his technique, the pit - which had a personality of its own - and he understood it. It was just extraordinary. It's the best barbecue I've ever had. The brisket there is extraordinary. It's unbelievable. They make their own sausage, out of bull meat. You know, again, food of the poor. Barbecue started as a way to salvage tough cuts and meat that was going bad in Czech and German owned butcher shops in central Texas. It was all about making do and the argument has allegedly been that bull meat has a better chew. BS. Once the old Bull was done siren, you had to do something with 'em. Grinding them up into sausage was efficient. And I, I mean, it's fascinating what you learn along the way. Bulls are kinda lean. So, when you make sausage outta bull meat, you actually add fat. That you've taken from other animals to get the right mix. Their sausage is amazing. It's the finest barbecue I've ever had. There's a place in West Lafayette, Indiana, called the Triple XXX Family Restaurant. They added family restaurant to it 'cause when it was just the Triple XXX Drive-In, they used to get phone calls, yeah, from people asking what time the next show was. And the married couple that owns it, they started going there when they were in high school dating. His father owned it at one point. It's basically a burger joint, but much more than that where they make the burgers out of steak. They name the burgers after star athletes from Purdue University right down the street. And they just, their, their love for the business, their love for the community, it's just something really, really special. And, you know, Wayne Miller's become a friend. They've become friends. It, it, it's a delight to see. there's a barbecue joint in Lexington, Kentucky. And I know Lexington because when my daughter was in high school, she was a competitive equestrian. And, Lexington has a pretty big deal horse show every year. And we would go there, and she actually ribboned there. She was damn good at it. But there was a barbecue joint that I found there. I didn't find it on a trip there. I mean, my research department found it. And their specialty was, as is the case in that part of Kentucky, mutton. And we sent a crew down there and Guy and did a segment with them. Like the next year when we were in Lexington, I took the family there and we had dinner. And it turned out I couldn't go there very often because they wouldn't let me pay. And they would just fill the table with all this food because as it turned out, they told me that being on Diners saved them from going bankrupt and shutting down. And I found out that we actually saved a bunch of restaurants, which was not our intent. But I'm damn glad it happened. And by the way, if you've never had mutton barbecue, you gotta go for it. It's fabulous. You know, when you were talking about Texas barbecue, I don't think I've ever come across barbecue I don't like. And, you know, North Carolina has its own distinctive barbecue, and Kansas City and Memphis, you know, all that. But by far my favorite, and I shouldn't say this because I live in North Carolina, but it's Texas barbecue, just like you said. Well, I think we're talking central Texas barbecue because... Yes. In Southern Texas, there's a Mexican style of barbecue, in Southeastern Texas there's the kind of barbecue you're used to because there was an African American migration from the Southeast into that area, so they're making pork. But yes, central Texas barbecue is second to caviar and hallava. Probably the third best substance on earth. Oh my God, I totally agree. I have a good friend in Austin, so I've been down there and I've gone to Lockhart and, you know, Austin and places, and you're right, that Central Texas barbecue is just unbelievable. It, it hijacks every atom in my body. And, and what's incredible about it is in most cases. There's no sauce. No, I was just gonna say... that it's only with salt and pepper. You don't... the meat is so good. Yeah. You don't want to besmirch it with sauce. No, no. At other places you need sauce because the meat's not that good to begin with. Oh, it's just absolute heaven. And again, it was born of a need to do something with bad meat. And, and by the way, interestingly enough, you know, unlike North Carolina barbecue, which was born of whole animals, this kind of barbecue was impossible until the meat cutting industry was born. And pieces of beef were being shipped that were not whole carcasses or half carcasses. This old form of food is actually also a modern form of food that couldn't exist until the industrial age began treating beef differently. You know, I'm dying to make a trip down to Austin, use that as a base and do nothing but barbecue for about three or four days. I don't know if the body can tolerate that, but, oh... Oh sure it can! But I'm going to find out perhaps. Well, you know, there's three Michelin star barbecue joints in Austin now. I interviewed the owner of La Barbecue, which has a Michelin star who was actually married to a woman who is a descendant of Louis Miller's family. And she unfortunately passed away. Her widow runs the place alone now. But they're doing some remarkable stuff. And of course, there's Franklin's, which is famous, which I've never been to. But oh, Obama was the only one allowed to cut the line there. Yeah, I wasn't, I had to stand in line a long time. How good was it? Unbelievably good. I mean, you go up and, you know, Aaron Franklin was there at the counter chopping up the brisket and asked which part you'd like. And you just don't... sauce belongs nowhere near it. The meat is just so tender, so beautiful. But it does raise a definitional issue. He was one of the first to use prime beef. Is that cheating? Barbecue's goal is to make the most out of the least. I don't know. If it's good. It's good. Okay. Cheating or not? It's really good. Okay. Just checking. So, let's get back to food television. Social media has come into the picture, since you began doing the Diners show. How has that changed things? And is TV still the predominant place people are learning about food or is it social? How do the two interact? Where does that work? I think it's mostly social media these days.I mean, look, TV evolved. Food TV evolved into two things. Truly beautiful paeans to food and chefs done generally on streaming channels. And they're fine. They're good. A bit, too dreamy for my taste. They take you out of the real world of your shared experience, but that's okay. I, I like going to museums and looking at pretty pictures. What troubles me is that so much of food TV turned into competition shows and BS reality shows. They glorify, you know, Gordon Ramsey's a great chef. I doubt he runs his real kitchens the way he screams and yells on that show. And given the toxicity in the restaurant kitchen culture, that got a spotlight a few years ago and is still, you know, it hasn't been eradicated. I'm not in love with the glorification of screaming and yelling. But the Bear has the same problem. I mean, this 'yes chef' mentality but it's still the French brigade system and an awful lot of the chefs I enjoy talking to these days will tell you, you don't have to do that. But I think the impetus in food as an audio-visual medium. Or food presented as an audio-visual medium is very much social media [these days. And you know, on the one hand, that's fine. The more interest there is in food. Hopefully the more people may sample my podcast Culinary Characters Unlocked. Look for it wherever you get your podcasts. But look, I confused the folks at the Food Network by insisting that my show be completely factual. You know, if they would ask me to stretch a point or something, I would say no. I held it to the same standards that I held all the reporting to when I was the senior investigative producer at 2020. I believe you should tell the truth. Well, social media doesn't give a damn. Most food shows, frankly, don't give a damn. But you've got influencers who have their own agendas. Who are wheedling free meals out of restaurants. I mean, why the hell glorify to buy chocolate? It's a goddamn chocolate bar, but it's 20 bucks. That's ridiculous. Food has been turned into a designer, accoutrement. It's, you know, it's a YSL designer bag. That doesn't make me happy. But then again as a society it's harder and harder to get people to be interested in actually learning stuff. They wanna be titillated, they wanna be shocked, they wanna be amazed. And look, teaching people stuff or imparting information doesn't have to be broccoli. I believe, frankly, one of the things I'm proudest of is that Diners, while entirely factual, was entertaining as hell. You can do both. But there's no code of honor or honesty or obligation among anybody picking up a camera and going on social media and saying, look at this. Where could it go? How could it be better? Well, don't take money or free meals to go pump places up. Have some expertise in what you're analyzing. I mean, criticism's fine, but if you don't know what you're talking about, the criticism is not valid. And I look to food critics to guide me toward where I want to go and eat and what I should like and help me broaden my palate and my understanding. Is it entertaining? Yeah, fine. It's okay. But again, I'm a grumpy old man telling kids to get off the shed. So David, you know, I'm really grateful you joined us today because the Diners, Drive-Ins and Dives is such an important part of American food television history. And it's amazing to hear how it got started and where it went and your vision of how things could be better. But boy, it's just fun to talk to you about food in general and places to eat and the people. And it is just this wonderful world of connection, isn't it? It, it is. And for example, this conversation, Kelly, I didn't know you till we started talking about doing this podcast, and now you're a new buddy. I love talking food with you. BIO David Page is the President and Executive of Page Productions. He is a two-time Emmy award winning Executive Producer with a focus on culinary projects and a special expertise in creating entertaining and engaging programming that combines the highest production values with the richest storytelling. Page is best known for creating the Food Network hit Diners, Drive-Ins and Dives and executive producing the program for eleven seasons. He is also an author, having written the book Food Americana about the evolution of American cuisine. And he is now producing and hosting the podcast Culinary Characters Unlocked, featuring entertaining but substantive interviews with important people in the world of food. 

Hollywood loves making movies about itself: on this show alone, we've done Sunset Boulevard, Sullivan's Travels, and Singin' in the Rain. Get Shorty (1995) is Elmore Leonard's contribution to the genre, a film that was “meta” before the term became overused: we are given the illusion of spontaneity and the story–like one of Leonard's novels–seems like it's being made up as it moves along. This perfect 90s movie is a lighthearted and wholly enjoyable dramatization of screenwriter William Goldman's famous description of the industry: “Nobody knows anything.” Incredible bumper music by John Deley. If you're interested in reading the original novel, you can find it here. Please subscribe to the show and consider leaving us a rating or review. You can find over three hundred episodes wherever you get your podcasts. Follow the show on Letterboxd and email us any time at fifteenminutefilm@gmail.com with requests and recommendations. Check out Dan Moran's substack, Pages and Frames, where he writes about books and movies, as well as his many film-related author interviews on The New Books Network. Read Mike Takla's substack, The Grumbler's Almanac, for commentary on offbeat topics of the day. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Hollywood loves making movies about itself: on this show alone, we've done Sunset Boulevard, Sullivan's Travels, and Singin' in the Rain. Get Shorty (1995) is Elmore Leonard's contribution to the genre, a film that was “meta” before the term became overused: we are given the illusion of spontaneity and the story–like one of Leonard's novels–seems like it's being made up as it moves along. This perfect 90s movie is a lighthearted and wholly enjoyable dramatization of screenwriter William Goldman's famous description of the industry: “Nobody knows anything.” Incredible bumper music by John Deley. If you're interested in reading the original novel, you can find it here. Please subscribe to the show and consider leaving us a rating or review. You can find over three hundred episodes wherever you get your podcasts. Follow the show on Letterboxd and email us any time at fifteenminutefilm@gmail.com with requests and recommendations. Check out Dan Moran's substack, Pages and Frames, where he writes about books and movies, as well as his many film-related author interviews on The New Books Network. Read Mike Takla's substack, The Grumbler's Almanac, for commentary on offbeat topics of the day. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

Fifty years ago, All the President's Men was released, starring Robert Redford as Bob Woodward and Dustin Hoffman as Carl Bernstein. The movie, written for the screen by William Goldman, dramatizes the research, legwork, and reporting done by The Washington Post's Woodward and Bernstein who exposed the Watergate scandal, shedding light on the corruption that stemmed from President Richard M. Nixon's Committee to Re-Elect the President, known as CREEP. In the movie, released in April 1976, Woodward and Bernstein come across as dedicated, scrappy, and fearless, at times they're even chummy. Designer, author, and teacher Michael Bierut praises William Goldman's screenwriting craft, not only in All the President's Men but also in another Goldman buddy movie, Butch Cassidy and the Sundance Kid which starred Robert Redford alongside Paul Newman. We also discuss Zodiac, The Post, The Social Network, and movies by Charles and Ray Eames. This episode appeared on Season 1 of the show in 2024.-Michael Bierut graduated from the University of Cincinnati's College of Design, Architecture, Art and Planning in 1980 with highest honors. He worked at the office of Lella and Massimo Vignelli for a decade. In 1990, Bierut became a partner in the New York office of Pentagram designing for Mastercard, Slack, Verizon, Benetton, Disney, and the Brooklyn Academy of Music, among a long list of other clients. He designed the “H” logo during Hillary Clinton's 2016 campaign and presidential run, and also the typographic inscription for the Obama Presidential Center. Beginning in 2024, he shifted into an alternate role at Pentagram, an advisory role, titled Consulting Partner on his LinkedIn. Bierut has earned numerous accolades, was elected to the Alliance Graphique Internationale in 1989, received the AIGA Medal, and won the Design Mind category of the Cooper-Hewitt National Design Awards. In addition to being a designer, he has been lecturer at the Yale School of Management and senior critic at the Yale School of Art. An accomplished author, Bierut is co-editor of the five-volume design series of books, Looking Closer: Critical Writings on Graphic Design and he co-founded the site Design Observer. Find more of his writing in these books: 79 Short Essays on Design (2007), How to use graphic design to sell things, explain things, make things look better, make people laugh, make people cry and (every once in a while) change the world (2015 and 2021), and Now You See It and Other Essays on Design (2017). Be sure to check out Bierut in Gary Hustwit's 2007 documentary Helvetica.https://www.pentagram.com/about/michael-bierut https://www.instagram.com/p/DLIJ4FzAR3U/ https://www.fastcompany.com/91265497/the-incomparable-michael-bierut-steps-downhttps://99percentinvisible.org/episode/655-exit-interview-with-michael-bierut/ -All the President's Men (1976)https://www.imdb.com/title/tt0074119 https://www.imdb.com/title/tt0074119/releaseinfo/ -Nixon, Watergatehttps://visit.archives.gov/whats-on/explore-exhibits/president-resigns-50-years-later https://www.archives.gov/exhibits/american_originals/nixon.html https://www.fordlibrarymuseum.gov/exhibits/watergate-files -Other movies and shows discussed:Butch Cassidy and the Sundance Kid (1969)The Conversation (1974)The French Connection (1971)The Godfather (1972)Keepers of the Magic (2016)Marathon Man (1976)The Post (2017)The Princess Bride (1987)The Social Network (2010)When Harry Met Sally (1989)The X-Files (1993-2018)Zodiac (2007)

Apologies for the strange 'chop' underlying the audio in parts...Today Matt & Todd dive into the 1996 African‑adventure / animal‑horror thriller The Ghost and the Darkness.Arriving in theaters with a fair amount of mid‑90s buzz, the film has since become a bit forgotten—despite starring Val Kilmer and Michael Douglas, boasting a tight script by William Goldman, striking visuals, and Oscar‑winning sound design. Reviews at the time were mixed‑to‑positive, and the movie turned a modest profit, but it never quite broke through the way its pedigree suggested it might.We enjoyed the film's supernatural-ish tone even if it was an element that landed badly to insufferably for some viewers. It can be hard to root for the “heroes,” even the movie versions as dynamic as Douglas is, or as charming as Kilmer, once you understand the historical context. But taken as a cinematic experience, what we think it's really about is a beautifully shot, atmospheric thriller that embraces its setting, its legend, and the eerie campfire‑story energy at the heart of the tale.It's a compelling fireside tale brought to life by a strong cast, including:Michael Douglas as Charles RemingtonVal Kilmer as Colonel John Henry PattersonJohn Kani as SamuelBernard Hill as David HawthorneWhit Bissell Award Winner Tom Wilkinson as Sir Robert BeaumontEmily Mortimer as Helena PattersonOm Puri as AbdullahHenry Cele as MahinaBrian McCardie as Angus StarlingA little mythical (perhaps), a little messy, but still one of the more unique “man‑eater” films out there, The Ghost and the Darkness remains an entertaining slice of 90s adventure‑horror filmmaking.Matt has over 100+ lists for movie suggestions on ⁠⁠⁠⁠⁠⁠⁠⁠Letterboxd⁠⁠⁠⁠⁠⁠⁠⁠You can reach out on Bluesky: @MovieMattSirois Terrible movies often find him, even under under the alias Marcus at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Movie Asylum of the Weird, Bad and Wonderful⁠⁠⁠⁠⁠⁠⁠⁠.Follow who we follow:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Once Upon a Geek⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and  ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠The Fade Out Podcast⁠⁠⁠

Hoy comentamos un trabajo bien documentado de Pakula y Robert Redford, comprometido con el proyecto desde mucho tiempo antes. Redford insistía en el rigor y la exactitud, quería un enfoque totalmente de documental, a lo que Pakula se negó argumentando que si no imprimía algo de suspense a la acción nadie querría acudir a las salas a ver la película. En este thriller periodístico de factura seria, Pakula se centra en el trabajo de los periodistas y cuenta con el guionista William Goldman para condensar los hechos que cuenta. He ahí el meollo, no importa el final porque ya lo sabemos, para muchos se comete el error de abrumar con demasiados datos, apellidos, que lleguen a confundir ar a un espectador poco intuitivo y no dispuesto a dejarse llevar por el maremágnum al que asiste. Woodward recibirá un día una llamada enigmática, una garganta profunda con ajustes de cuentas pendientes quiere aportar luz en sus pasos a ciegas. La madeja se va deshilando y las teclas de las máquinas de escribir de los dos reporteros percuten como armas de fuego sobre el papel. Un caso de corrupción gubernamental desentrañado a base de escuchas telefónicas, investigado por dos jóvenes. Dustin Hoffman y Robert Redford, tanto monta monta tanto, ambos se complementan en su reconstrucción de la investigación que llevó a cabo el tándem Bernstein-Woodward para el Washington Post. Gordon Willis aporta su saber iluminando los interiores de la redacción, en el apartamento de Woodward, o el oscuro garaje donde se encuentra con el confidente – Hal Holbrook-. Planos de categoría como el ascenso progresivo en la biblioteca del Congreso, vemos empequeñecerse a los dos thombres, son hormigas ante un monstruo ingente. Esta noche seguimos el rastro del dinero… José Miguel Moreno, Zacarías Cotán, Salvador Limón y Raúl Gallego

On this episode of Currently Reading, Meredith and Kaytee are discussing: Bookish Moments: Book festivals and new book podcast episodes Current Reads: all the great, interesting, and/or terrible stuff we've been reading lately Deep Dive: Revisiting the Currently Reading Press List Before We Go: our new segment featuring bookish friend posts and something Kaytee is curious about Show notes are time-stamped below for your convenience. Read the transcript of the episode (this link only works on the main site). . . . :10 Bite Size Intro 2:01 - Currently Reading Press List 3:00 - Bookish Moments of the Week 3:23 - Tucson Festival of Books 3:54 - If you will be at TFOB, email Kaytee at kaytee @ currentlyreadingpodcast . com 5:17 - The Diving In podcast 6:28 - Current Reads 6:36 - Wreck by Catherine Newman (Kaytee) 6:49 - Sandwich by Catherine Newman 9:50 - Three Hours by Rosamund Lupton (Meredith, Blackwell's link) 12:58 - Fierce Kingdom by Gin Phillips 15:06 - The Distance Between Us by Reyna Grande (Kaytee) 15:14 - Kaytee's Instagram @notesonbookmarks 19:09 - Moon Blooded Breeding Clinic by C.M. Nascosta (Meredith) 19:18 - Morning Glory Milking Farm by C.M. Nascosta 25:21 - Love and Fury by Samantha Silva (Kaytee) 25:26 - The Novel Neighbor 26:32 - Mr. Dickens and His Carol by Samantha Silva 26:35 - CR Season 1: Episode 18 27:36 - You're Dead To Me podcast 28:46 - The Once and Future Queen by Paula Lafferty (Meredith) 30:16 - A Curse So Dark and Lonely by Brigid Kemmerer 32:39 - Outlander by Diana Gabaldon 32:40 - The Princess Bride by William Goldman 34:41 - Revisiting The Currently Reading Press List 34:58 - Currently Reading Press List 38:53 - The Righteous Mind by Jonathan Haidt 39:00 - Pansuit Politics podcast 42:06 - Matilda by Roald Dahl 42:52 - Death at Bishop's Keep by Robin Paige 43:21 - The Guncle by Steven Rowley 43:33 - The Yoga Store Murder by Dan Morse 43:48 - Disney War by James B. Stewart 43:52 - The Course of Love by Alain de Botton 44:08 - Shogun by James Clavell 44:28 - Dataclysm by Christian Rudder 44:39 - The Book of M by Peng Shepherd 44:51 - Life after Life by Kate Atkinson 45:11 - The Forgotten Garden by Kate Morton 45:20 - The Vintage Teacup Club by Vanessa Greene 45:29 - A Curse So Dark and Lonely by Brigid Kemmerer 45:30 - Scythe by Neal Shusterman 45:36 - The Count of Monte Cristo by Alexandre Dumas 46:03 - My Lady Jane by Cynthia Hand, Brodi Ashton, and Jodi Meadows 46:04 - My Plain Jane by Cynthia Hand, Brodi Ashton, and Jodi Meadows 46:09 - The Fact of a Body by Alexandria Marzano-Lesnevich 46:11 - The Paper Magician by Charlie Homberg 46:25 - The Shop on Blossom Street by Debbie Macomber 47:15 - Expecting Better by Emily Oster 47:26 - Bringing Up Bebe by Pamela Druckerman 50:14 - Before We Go Meredith highlights a bookish friend post 50:54 - The Unselected Journals of Emma M Lion by Beth Brower Kaytee brings something she's curious about 53:00 - Laura Tremaine's Substack 53:15 - 10 Things To Tell You podcast  55:13 - Lady Tremaine by Rachel Hochhauser 55:29 - Kin by Tayari Jones 55:37 - Whistler by Ann Patchett 55:51 - Land by Maggie O'Farrell   Support Us: Become a Bookish Friend | Grab Some Merch Shop Bookshop dot org | Shop Amazon Bookish Friends Receive: The Indie Press List with a curated list of five books hand sold by the indie of the month. March's IPL is brought by our lovely friends at An Unlikely Story in Plainville, MA. Love and Chili Peppers with Kaytee and Rebekah - romance lovers get their due with this special episode focused entirely on the best selling genre fiction in the business All Things Murderful with Meredith and Elizabeth - special content for the scary-lovers, brought to you with the behind-the-scenes insights of an independent bookseller From the Editor's Desk with Kaytee and Bunmi Ishola - a quarterly peek behind the curtain at the publishing industry The Bookish Friends Facebook Group - where you can build community with bookish friends from around the globe as well as our hosts Connect With Us: The Show: Instagram | Website | Email | Threads | Substack | Youtube The Hosts and Regulars: Meredith | Kaytee | Mary | Roxanna Production and Editing: Megan Phouthavong Evans Affiliate Disclosure: All affiliate links go to Bookshop unless otherwise noted. Shopping here helps keep the lights on and benefits indie bookstores. Thanks for your support!

50 Years Of... kicks off with Alan J. Pakula's paranoia thriller All The President's Men starring Robert Redford and Dustin Hoffman and written by William Goldman. Talking with me about the film's impact is Conan Neutron of Movie Night Extravaganza and Conan Neutron & the Secret Friends. We discuss investigative journalism, the death of the newspaper, the cinematography of Gordon Willis, the film's eerie relevance to modern day America, and much more. follow and subscribe to the show on your favorite platform via the link below:https://linktr.ee/martynstrangeSupport me on Patreon: https://www.patreon.com/martynstrange Hosted on Acast. See acast.com/privacy for more information.

Before it was a film, it was a script.Brad Koszo dives deep into some of Hollywood's most celebrated screenplays to analyze their structure, themes, and page-to-film journey. Get ready for a look at the writers behind the words as he explore their process, what influenced them, and how they inspired some of the iconic cinema we enjoy today. Our own Angela Norris joins Brad on this limited monthly series, as they turn the page on William Goldman's Butch Cassidy and the Sundance Kid!Check out our NEW YouTube Channel and subscribe now! If you're one of the first 100 subscribers, you'll be entered to win a weekend pass for one of several comic cons happening in 2026!Head over to our Patreon and get started with a FREE 7-day trial. We've got plenty of exclusive content and episodes that you'll only find there! You can also sign up as a free member! www.afilmbypodcast.com/ for more information.Email us at afilmbypodcast@gmail.com with your questions, comments, and requests.Find us on Instagram, X, and Facebook @afilmbypodcast.

2025 ended with a real gut punch for us film lovers - the sudden and shocking death of Rob Reiner, alongside his wife Michele Singer.  This week, Emilio, Julian and Madeline welcome back friend of the pod and musician extraordinaire Matt Friedman to the table to talk about Reiner and his legacy as one of the most beloved and important American filmmakers of the last forty years.  The group discusses some of the famous individual scenes he helmed, unforgettable performances, Reiner's standout moments as an actor, the films of his that are  most personally resonant, and much more.You can check out Matt's incredible band, and see where he is playing next, by visiting their website: https://stilettobandnyc.com/You can also follow Matt and the band on Instagram @stilettobandnycIf you enjoy our podcast, please rate and review us on your podcast platform of choice. This really helps us find new listeners and grow!Follow us on YouTube, IG and TikTok: @sleeplesscinematicpodSend us an email at sleeplesscinematicpod@gmail.comOn Letterboxd? Follow Julian at julian_barthold and Madeline at patronessofcats

Harry and Daniel dive into the swashbuckling fairy tale classic The Princess Bride with filmmaker and special guest Michael Lukk Litwak, director of Molli and Max in the Future.Directed by Rob Reiner and written by legendary screenwriter William Goldman (adapting his own novel), The Princess Bride is a story of fencing, fighting, torture, revenge, giants, monsters, chases, escapes, true love—and, yes, miracles. But it's also something more: a distinctly Jewish-inflected fairy tale wrapped in the rhythms of a grandfather's bedtime story.Harry, Daniel, and Michael explore Goldman's wry, self-aware storytelling voice, Reiner's humanistic direction, and how the film balances sincerity and satire without ever winking too hard. They unpack Mandy Patinkin's unforgettable turn as Inigo Montoya, the comedic brilliance of Wallace Shawn and Billy Crystal, and the film's surprising emotional depth beneath all the quotable lines.Together, they ask: What makes this fairy tale feel so grounded? How does Jewish humor shape the film's tone? And why has The Princess Bride endured as a generational touchstone for audiences who can quote it line for line?As you wish… it's an episode about storytelling, myth-making, and why true love (and a good screenplay) conquers all.The Princess Bride TrailerThe Princess Bride in IMDBMichael's LinksFollow Michael on InstagramWatch Molli and Max in the FutureConnect with Jews on Film online:Jews on Film Merch - https://jews-on-film.printify.me/productsInstagram - https://www.instagram.com/jewsonfilm/Twitter - https://twitter.com/jewsonfilmpodYouTube - https://www.youtube.com/@jewsonfilmTikTok - https://www.tiktok.com/@jewsonfilmpod

Using a framing story in your novel? Maybe you're writing multiple plot lines. Or perhaps you want to know what truly masterful storytelling looks like. This week, we take a deep dive into THE PRINCESS BRIDE. Melanie and I were spoiled for choice in this What Went Right episode because, when you're dealing with a William Goldman story, pretty much everything is going right. Enjoy! -V. Acquire the power to write a bestselling story at storynerd.ca/courses For access to writing templates and worksheets, and more than 70 hours of training (all for free), subscribe to Valerie's Inner Circle.To learn to read like a writer, visit Melanie's website.

Episode 277 of Tom Clark's 6M Podcast is a review of The Princess Bride. Tom and and Chris Patton break down how Rob Reiner and William Goldman created a film that balances fairy-tale adventure, sharp satire, and genuine emotion without undercutting any of it. The discussion explores the storybook framing device, the film's unforgettable characters and performances, and why moments like Inigo Montoya's revenge, Westley and Buttercup's romance, and the legendary sword fight still resonate decades later. Does this need any sort of follow-up, or should it be left alone? Dive into that and a lot more! Subscribe on YouTube: https://www.youtube.com/@boinkstudios Appreciate the content? Support the channel: https://buymeacoffee.com/tomclark Visit us at: https://boinkstudios.com Follow the 6M Podcast: Facebook: https://www.facebook.com/6mpodcast Instagram: https://www.instagram.com/6mpodcast/ Bluesky: https://bsky.app/profile/boinkstudios.bsky.social Listen to Boink Studios' Podcasts: Tom Clark's Main Event: https://podcasts.apple.com/us/podcast/tom-clarks-main-event/id910362334 Bare Mode: A Podcast Review of The Bear: https://podcasts.apple.com/au/podcast/bare-mode-a-podcast-review-of-the-bear/id1828513020 Two Nations Under Ted: A Ted Lasso Podcast: https://podcasts.apple.com/us/podcast/two-nations-under-ted-a-ted-lasso-podcast/id16938703   © Boink Studios 2026

This week, we wrap up a month long look at our favorite Rob Reiner films with 1987's The Princess Bride. Starring Cary Elwes, Robin Wright, Chris Sarandon, Wallace Shawn, Mandy Patinkin, Andre the Giant, Christopher Guest, Billy Crystal, Peter Falk and Fred Savage the film was adapted by William Goldman based on his novel of the same name. It tells the tale of a farmhand named Westley who, after becoming a swashbuckling pirate, is accompanied by companions befriended along the way who helps him in rescuing his true love...the Princess Buttercup from the treacherous Prince Humperdinck! Listen in and find out what we all thought of it.  

On this episode, Aaron and Derek tackle 2003's science fiction horror film "Dreamcatcher" directed by Lawrence Kasdan, co-written by Kasdan and screenwriter William Goldman, and adapted from the 2001 Stephen King novel. They talk about how this movie failed despite having a superstar team of creatives, the novel being equally as flawed, and where Stephen King was at this point in his life and career. They also discuss the movie blending multiple genres, the insane performance choices for certain characters, and many other aspects of the flick. Aaron and Derek will bite...your bag...and everything else. We are on PodBean, Apple Podcasts, Podchaser, Goodpods, Amazon Music, Spotify, iHeartRadio and CastBox. Please rate, review, subscribe, and share our show. Also, check out our Spotify Music playlist, links on our Twitter and Podbean page. Our socials are on Bluesky and Facebook and Twitter @WatchIfYouDare

Todos los hombres del presidente. El gran clásico cumple 50 En 1976 Estados Unidos estaba de mal humor en lo político y en lo social. Era muy poco probable que una película como Todos los hombres del presidente llamara la atención. La cinta, escrita por William Goldman, dirigida por Alan Pakula y protagonizada por Robert Redford y Dustin Hoffman, recreaba la investigación periodística que desenmascaró el hoy famoso caso Watergate, una historia de espionaje y corrupción que obligó al nada inocente Richard Nixon a renunciar a la presidencia de los Estados Unidos en 1974. Con las cosas como estaban, la película era una apuesta arriesgada. Sin embargo, tras su estreno en la primavera de ese año, crítica y público se volcaron a favor de la cinta y hoy, cincuenta años después, tenemos un clásico gigantesco tanto del cine policiaco cono del que se vincula al trabajo periodístico, un drama político tanto como una clase magistral de cinematografía de alto calibre. Vamos a celebrar el 50 aniversario de la película con la participación de Axel Muñoz Barba: director, sonidista, amante del buen cine y amigo de Cinegarage. Learn more about your ad choices. Visit megaphone.fm/adchoices

Dan and Brian are joined by Stephanie Bendoraitis to discuss the delightful fantasy comedy The Princess Bride. Join as they discuss Rob Reiner's remarkable life and tragic death, William Goldman's distinctive personality, the film's nostalgic pull, the outstanding and immersive production, the bifurcated structure, the perfect casting, the quotable script, and the powerful theme of passing down stories to the next generation. Thanks, Stephanie, for stopping by... as we wished! You can find Stephanie various places online, including Instagram: https://www.instagram.com/stephanie_bendoraitis Dan's movie reviews: http://thegoodsreviews.com/ Subscribe, join the Discord, and find us on Letterboxd: http://thegoodsfilmpodcast.com/

Drop your Sword as we discuss the movie and book version of William Goldman's scripted THE PRINCESS BRIDE!   It's The Purple Rose of Cairo meets Monty Python in this endlessly rewatchable tale.   We also mention some less discussed trivia, some of the underrated jokes, the music talent involved & some of the other films it's inspired.       PLEASE NOTE: We recorded this long before the sudden murder of beloved filmmaker Rob Reiner but we knew that as we had to start off the year remembering his classic film just to cherish the memories he left for past and future audiences. Enjoy!

This week, Nick is joined by returning guest and friend of the Gimme Three Podcast, Ryan Lacen. The two celebrate the life, career, and some of their all-time favorites in this tribute to the legendary Rob Reiner.- First up: can you handle the truth? Rob Reiner directs Aaron Sorkin's first screenplay—Tom Cruise, Demi Moore, and Jack Nicholson star in A Few Good Men. - Second: misery loves company. Rob Reiner directs his second Stephen King adaptation in the Academy Award-winning thriller, Misery. - Finally, we explore a film that blends all that makes a Rob Reiner film great; comedy, adventure, and romance are all on display in The Princess Bride.What is your favorite Rob Reiner film? ❗️SEND US A TEXT MESSAGE ❗️Support the showSign up for our Patreon for exclusive Bonus Content.Follow the podcast on Instagram @gimmethreepodcastYou can keep up with Bella on Instagram @portraitofacinephile or Letterboxd You can keep up with Nick: on Instagram @nicholasybarra, on Twitter (X) @nicholaspybarra, or on LetterboxdShout out to contributor and producer Sonja Mereu. A special thanks to Anselm Kennedy for creating Gimme Three's theme music. And another special thanks to Zoe Baumann for creating our exceptional cover art.

Rest In Peace Rob ReinerCommemorating not only the 35th Anniversary of an iconic adaptation of the popular Stephen King novel of the same name but the recent tragic loss of its director Rob Reiner who was in the middle of a sterling run of instant classics (When Harry Met Sally, The Princess Bride, A Few Good Men, Stand By Me) at the time of this film's release.  It's the simple story of fictional best-selling author Paul Sheldon (Oscar-nominee James Caan) who gets severely injured and incapacitated after accidently driving off of a snow road one day in the mountains after finishing his latest novel.  Fortunately he's found by a local retired nurse named Annie Wilkes (Kathy Bates in the role which won her the Oscar for Best Actress) who gradually nurses him back to health....or DOES she?

This episode is dedicated to Michele Singer Reiner and Rob Reiner, and was originally released for our 1st Season in February 2025. The Princess Bride, based on William Goldmans book with a screenplay by William Goldman, is directed by Rob Reiner. "Romance, comedy, suspense, pirates, mystery, and a quest all blended into a single, action-packed movie? Inconceivable!" No, Vizzini, it exists, and it's The Princess Bride.-Mónica Malavé is a marketing and branding strategist, and CEO of Elevate It Now. Originally from Puerto Rico, she has a passion for design, marketing, and all things creative and is a big believer in "people helping people." Her specialties include branding, social media management, technical and creative marketing, and innovative marketing strategies. She's an Adobe Express Ambassador and also a Marketing Mentor with the American Marketing Association, DC Chapter. A big fan of movies, including but not limited to 2015's Cinderella, Michael Keaton movies like Mr. Mom, Johnny Dangerously, and Batman, she suggested we discuss The Princess Bride, a true gem of a movie.https://www.elevateitnow.com/about-us/‍ ‍https://www.instagram.com/elevateitnow/‍ ‍https://www.threads.net/@elevateitnow‍ ‍-The Princess Bride (1987)https://www.imdb.com/title/tt0093779/‍ ‍https://www.imdb.com/title/tt0093779/characters/nm0001597/ https://youtu.be/XCHKYNFH9Lk?si=zcmBVNdsKLMUXTib‍ ‍https://www.vanityfair.com/hollywood/2020/06/the-princess-bride-homemade-fan-film‍ ‍https://ew.com/movies/2019/09/18/princess-bride-remake-jamie-lee-curtis-cary-elwes/ https://www.npr.org/2025/12/15/nx-s1-5644924/rob-reiner-dead-movies-when-harry-met-sally-stand-by-me-princess-bride‍ ‍https://deadline.com/gallery/the-princess-bride-cast-rob-reiner-tribute/ https://parade.com/news/video-of-rob-reiner-and-father-carl-reiner-recreating-the-princess-bride-goes-viral

The boys head to prison on Devil's Island to discuss 1973's “Papillon”! One of the highest-grossing movies of the year, this true-story account of Steve McQueen's character befriending Dustin Hoffman's character to help keep each other alive and prepare their escape from the no-chance-of-return prison, a world away from their native France. Made by the team behind Oscar-winner “Patton” from 1971, shot very much on location, some call this McQueen's best performance. Before we get into it, John gives us a mini-review of “Hamnet”, the romantic drama film by Chloé Zhao starring Paul Mescal and Jessie Buckley, based on the book based on the play. Grab a beer and join in!  linktr.ee/theloveofcinema - Check out our YouTube page!  Our phone number is 646-484-9298. It accepts texts or voice messages.  0:00 Intro; 9:41 John's “Hamnet” mini-review; 15:08 1973 Year in Review; 41:21 Films of 1973: “Papillon”; 1:24:21 What You Been Watching?; 1:29:08 Next Week's Episode Teaser Hosts: Dave Green, Jeff Ostermueller, John Say Edited & Produced by Dave Green. Beer Sponsor: Carlos Barrozo Music Sponsor: Dasein Dasein on Spotify: https://open.spotify.com/artist/77H3GPgYigeKNlZKGx11KZ 
Dasein on Apple Music: https://music.apple.com/us/artist/dasein/1637517407 Additional Cast & Crew: Chloé Zhao, Maggie O'Farrell, Paul Mescal, Jessie Buckley, Fred J Koenekamp, Henri Charriere, Dalton Trumbo, Lorenzo Semple Jr., William Goldman, Franklin J. Schaffner. Recommendations: Hamnet, Welcome to Derry, The Witcher, Slow Horses, Home Alone, The Righteous Gemstones, Sisu 2, Pluribus, The Exorcist, Enter The Dragon, Live and Let Die, The Sting, American Graffiti, Soylent Green. Additional Tags: French Guyana, Paris, Honduras, Stephen King's It, The Tenant, Rosemary's Baby, The Pianist, Cul-de-Sac, AI, The New York City Marathon, Apartments, Tenants, Rent Prices, Zohran Mamdani, Andrew Cuomo, Curtis Sliwa, Amazon, Robotics, AMC, IMAX Issues, Tron, The Dallas Cowboys, Short-term memory loss, Warner Brothers, Paramount, Netflix, AMC Times Square, Tom Cruise, George Clooney, MGM, Amazon Prime, Marvel, Sony, Conclave, Here, Venom: The Last Dance, Casablanca, The Wizard of Oz, Oscars, Academy Awards, BFI, BAFTA, BAFTAS, British Cinema. England, Vienna, Leopoldstadt, The Golden Globes, Past Lives, Apple Podcasts, West Side Story, Adelaide, Australia, Queensland, New South Wales, Melbourne, The British, England, The SEC, Ronald Reagan, Stock Buybacks, Marvel, MCU, DCEU, Film, Movies, Southeast Asia, The Phillippines, Vietnam, America, The US, Academy Awards, WGA Strike, SAG-AFTRA, SAG Strike, Peter Weir, Jidaigeki, chambara movies, sword fight, samurai, ronin, Meiji Restoration, plague, HBO Max, Amazon Prime, casket maker, Seven Samurai, Roshomon, Sergio Leone, Clint Eastwood, Stellan Skarsgard, the matt and mark movie show.The Southern District's Waratah Championship, Night of a Thousand Stars, The Pan Pacific Grand Prix (The Pan Pacifics), Jeff Bezos, Rupert Murdoch, Larry Ellison, David Ellison, Elon Musk, Mark Zuckerberg.   

Lee & Daniel are back on some Redford this week (as well as a return to George Roy Hill and William Goldman!) with "Butch Cassidy and the Sundance Kid" (1969), also starring Paul Newman and Katharine Ross. Poly triads, Western revisionism, and bad white boy Spanish are all things brought up this time around. The hosts also talk a bit about what they've watched as of late. Why not saddle up with us and flee to Bolivia? "Butch Cassidy and the Sundance Kid" IMDB  Lee on Bluesky, Instagram, and Letterboxd.    Listen to Daniel punch Nazis on the I Don't Speak German podcast. Catch Daniel on Bluesky and support his Patreon.    As mentioned in the conversation, "The Cult of Paul Thomas Anderson", by Broey Deschanel.  Featured Music: "Hirpastay" by Los Catchakis & "Raindrops Keep Falling On My Head" by Burt Bacharach.

In 1976 All the President's Men was released to an audience eagerly awaiting Hollywood's take on the story of the decade: the Washington Post investigation that led to the downfall of President Richard Nixon. The all-star team of producer Robert Redford, screenwriter William Goldman and director Alan Pakula had the task of adapting a highly complicated best-seller by reporters Bob Woodward and Carl Bernstein into a movie, but could rely on the fact that contemporary audiences knew the story well. With the help of The Godfather cinematographer Gordon Willis and a superb cast, they succeeded in creating a film worthy of the hype. But does it hit with a new generation of viewers whose understanding of Watergate may be understandably murky at best? Can a film this topical still pack a punch almost 50 years after its release? Find out as our panel of young film lovers contends with the revolutionary changes in journalism, politics, and the media that have occurred since 1976 — and ask whether a pair of intrepid reporters could topple a corrupt President today. Hosts: Mark Netter & David Tausik  Panelists:  Guy Lewis, Jake Flowers, Anika Mathur An ElectraCast Production  Trailer: https://www.imdb.com/video/vi2958664729/?playlistId=tt0074119&ref_=tt_ov_pr_ov_vi   Wikipedia: https://en.wikipedia.org/wiki/All_the_President%27s_Men_(film) IMDB: https://www.imdb.com/title/tt0074119/ MetaCritic: https://www.metacritic.com/movie/all-the-presidents-men/ Learn more about your ad choices. Visit megaphone.fm/adchoices

Another week, another one of film's most villainous women: this time it's deranged devotee Annie Wilkes, a role which bagged Kathy Bates an Oscar for mangling the feet, mind and spirit of novelist Paul Sheldon (James Caan). Its credentials are impeccable, with a William Goldman screenplay based on Stephen King's novel directed by Rob Reiner. But, ask Mick, Hannah and Jen, is that bitch crazy? Is she misunderstood? Or is she just a hell of a drug? Learn more about your ad choices. Visit megaphone.fm/adchoices

SEASON 4 EPISODE 32: COUNTDOWN WITH KEITH OLBERMANN A-Block (2:30) SPECIAL COMMENT: Quislings. Traitors. Cowards. Capitulators. Collaborators. Fakes. Frauds. Enablers. Betrayers. Failures. Political Prostitutes. Senators Durbin, Kaine, Fetterman, Shaheen, Cortez-Masto, Hassan, Rosen, and King need to be expelled from the Democratic party and any that mistakenly think they have a chance of retaining their seats must be primaried. Must be. They are not progressives, they are not pragmatists, they are not even moderates. They are fools. Their careers must be ended. Now. Durbin, Kaine, Fetterman, Shaheen, Cortez-Masto, Hassan, Rosen, and King. Now. Done. Forgotten. Let us hear their names no more. Last night these eight Senators voted to fold, without any pressure, without any bribe, without anything. They voted to kick millions of Americans off ObamaCare in order to reopen and fund the government – for only three months, mind you – in exchange not for magic beans but just the promise of a vote in which they’ll GET magic beans – a vote ON the health care subsidies - IF half a dozen Republicans defy Trump. A vote about magic beans. Which they won’t win. Their rationalizations were pathetic and suggested their familiarity with the reality of the Senate, of Trump, of the Republican Party, was less than that of the average Senate Page. What's worse is, this happens now as the reality becomes more and clear: Trump’s mind is gone. It’s so bad even The Washington Post noticed. It’s so bad The Washington Post even put it on their front page. He’s hyping weight loss drugs. In The Oval Office. And how he and he alone can bring down their price. And a weight loss patient there to extoll weight loss drugs and say how safe they are and praise Trump’s wonderfulness… collapses. Folds. Drops, slow-motion, like a deflating inflatable tube man at a used car sales lot. Trump – whose mind is gone - not only doesn’t help the guy on the floor… he’s offended he upstaged him. And then Trump – whose MIND IS GONE - falls asleep. For the second time. Or as The Washington Post put it: “A Closer Look At Trump’s Apparent Struggles To Fight Off Sleep In The Oval Office” read the Post headline. “A Washington Post analysis of multiple video feeds found that the president spent nearly 20 minutes apparently battling to keep his eyes open…” 815 words follow. And four pictures. One of Trump – whose mind is gone - with one eye closed. One with one eye closed and two fingers rubbing it. One with both eyes closed. One where you can almost SEE the snoring. Even. The Washington Post. Knows It. Let’s step back from the nuts-and-bolts of the government shutdown to try to process how it was perceived by Trump…whose mind is gone. HE thought it would be a GOOD idea to cut off food stamps so lines at soup kitchens would get longer just as it was getting cold. He thought the correct political move as the Holidays approached was… government-sponsored starvation. He believed that the country would praise him for… gradually shutting down all air travel – including all air travel FOR HIS SUPPORTERS – first for Thanksgiving and then for Christmas and New Year’s. He thought these were good political moves. SPORTSBALLCENTER (30:00): Yes, legal gambling could send two Cleveland pitchers to jail for 65 years. But no, they didn't actually make a Shohei Ohtani Used Jockstrap baseball card. B-Block (38:00) THE WORST PERSONS IN THE WORLD: Politico thinks the first thing a Mayor-Elect of New York has to do is answer questions about the 2028 Senate elections. The Breaker media newsletter finds the New York Times fricasseeing its own digital books. That's right: FIFA isn't just polishing Trump's knob, it's inventing a "Peace Prize" so it can polish it harder. And Dr. Oz wants you to lose 400 pounds by the midterms. C-Block (55:00) WHY I'M NOT A HOCKEY ANNOUNCER: One of my favorite sportscasting stories: how my budding career as a plucky pucky play-by-play guy was thwarted when the team we were broadcasting "forgot to rent the rink" - and how I avenged myself.See omnystudio.com/listener for privacy information.

"After WW1, an ex-pilot takes up barn-storming and chance-meets a former German ace fighter pilot with whom he co-stars in Hollywood war movies depicting aerial dog-fights." Gene Koon returns to the show to chat The Great Waldo Pepper (1975). We'll talk aviation stunts, history, storytelling, William Goldman and much more! Gene's Book List Fighting the Flying Circus: The Greatest True Air Adventure to Come out of World War I -  https://a.co/d/bMJWxkZ Hanger Flying - https://a.co/d/gA1vwVm Order Another Try - https://a.co/d/ePALzwL Order my crime adventure, Diamonds in Denver https://a.co/d/aHi7p9z Order my 1920's Aviator novella, Unwanted Passenger https://a.co/d/5FVQJWU Order my pulp treasure hunt novel, One Man's Treasure https://a.co/d/i19YMn7 Get the show ad free for $1.00/month - https://buymeacoffee.com/suitup Follow Gene https://genekoon.com/ https://x.com/genekoonbooks https://www.instagram.com/genekoonbooks/?hl=en https://www.threads.com/@genekoonbooks Follow The Show! https://terrancelayhew.com/suitup/ https://www.instagram.com/suitup.author https://www.facebook.com/tlayhew  

On this episode, we welcome John Bejakovic. He is the author of the book “10 Commandments of Con Men, Pickup Artists, Magicians, Door-to-Door Salesmen, Hypnotists, Copywriters, Negotiators, Political Propagandists, Stand Up Comedians, and Oscar-Winning Screenwriters”. John writes about copywriting, direct response marketing, and his love for the books and screenplays of William Goldman. If you're […] The post 407: 10 Commandments of Con Men, Pickup Artists, Magicians, Hypnotists, Copywriters first appeared on Persuasion by the Pint.

Paul and Erin discuss two films about obsessive fandom: Rob Reiner's 1990 Stephen King adaptation MISERY, and Tony Scott's 1996 De Niro/Snipes thriller THE FAN.

In tribute to Robert Redford we've taken another look at the movie he and Dustin Hoffman, plus director Alan J. Pakula and screenwriter William Goldman, made about the Watergate break-in Presented by J.R. Southall, with Matt Barber

In remembrance of the legendary Robert Redford, we're resharing this conversation from 2024 on his extraordinary career and most overlooked performances. Welcome to The B-Side, from The Film Stage. Here we talk about movie stars! Not the movies that made them famous or kept them famous, but the ones that they made in between. Today we talk about the movie star. The person who if you looked up “movie star” in the dictionary there would be a picture of him. Robert Redford!  Today we talk the esteemed career of the quintessential movie star. Our B-Sides include: The Hot Rock, The Great Waldo Pepper, Havana, and The Last Castle. Our guest today is Blake Howard, podcast producer, host, and really good guy. Check out One Heat Minute Productions for everything new and relevant in Blake's world.  We discuss a million things, from why The Hot Rock is so hard to find, to the airplane stunts in The Great Waldo Pepper, to why Havana doesn't work. There's an investigation into the politics of The Last Castle, a brief celebration of Lena Olin, and a quick rave for Jordan Harper's searing short story “My Savage Year.” Additional topics include that upcoming City of Hope release, why Peter Yates is “slow vibes central,” why great screenwriter William Goldman knew why The Great Waldo Pepper underwhelmed at the box office (from his book Adventures in the Screen Trade), and how exactly the A-Side The Natural literally looks like nostalgia. Finally, we mention why Raul Julia didn't take a credit on Havana, we reference that superb Scott Frank New Yorker profile, proclaim ourselves defenders of Hollywood Homicide, and discuss the end of Redford's career.

Dreamcatcher is a 2003 American science fiction horror film based on Stephen King's 2001 novel of the same name. Directed by Lawrence Kasdan and co-written by Kasdan and screenwriter William Goldman, the film stars Thomas Jane, Jason Lee, Damian Lewis, and Timothy Olyphant as four friends who encounter an invasion of parasitic aliens. It also features Morgan Freeman, Tom Sizemore, and Donnie Wahlberg.  The film's score was composed by James Newton Howard. If you have anything to add to the discussion, please don't hesitate to do so by reaching out to us on social media @TheFilmFlamers, or call our hotline and leave us a message at 972-666-7733!    Out this Month: Dreamcatcher (2003) War of the Worlds (2005) Patreon: Hot Take - Weapons      Get in Touch:  Support us on Patreon: https://www.patreon.com/TheFilmFlamers  Visit our Store: https://the-film-flamers.printify.me/  Instagram: https://www.instagram.com/thefilmflamers  Facebook: https://www.facebook.com/TheFilmFlamers/ Letterboxd: https://letterboxd.com/thefilmflamers/  (NEW!) SCANS Movie Rating Calculator: https://scans.glide.page/  Our Website: https://www.filmflamers.com  Call our Hotline: 972-666-7733     Our Patrons:    Alex M Andrew Bower Anthony Criswell Ashlie Thornbury BattleBurrito Benjamin Gonzalez Bennett Hunter BreakfastChainsawMassacre Brittany Bellgardt Call me Lestat. Canadianmatt3 Christopher Nelson Dan Alvarez Dirty Birdy eliza mc Gia Gillian Murtagh GlazedDonut Grace GWilliamNYC Irwan Iskak James Aumann Jessica E Joanne Ellison Joe Criswell Josh Young Karl Haikara Kimberly McGuirk Kitty Kelly Kyle Kavanagh Laura O'Malley Lisa Libby Lisa Söderberg Livi Loch Hightower M Hussman Matt Walsh Matthew McHenry Nicole McDaniel Nikki Niko Allred Nimble Wembley Pablo the Rhino Penelope Nelson random dude Richard Best Robert Eppers Rosieredleader Ryan King SHADOW OF THE DEAD SWANN Sharon Sinesthero Thomas Jane's gun Walstrich William Skinner   Sweet dreams...      "Welcome to Horrorland" by Kevin MacLeod (incompetech.com). Licensed under Creative Commons: By Attribution 3.0 License http://creativecommons.org/licenses/by/3.0/ Includes music by Karl Casey @ White Bat Audio

Welcome to Dev Game Club, where this week we revisit our series on Gone Home and walking simulators with an interview with Karla Zimonja. We talk about Karla's early career before transitioning to talking about Minerva's Den and get a lot of great gems from the development of Gone Home. Dev Game Club looks at classic video games and plays through them over several episodes, providing commentary. Podcast breakdown: 01:02 Interview 1:21:00 Break 1:21:30 Outro Issues covered: early life and education, stop motion animation and puppetry, Squigglevision, no usual paths into games, transitioning to 3D animation, getting on the content mill, getting in, repetition and burnout, doing tons of research and visual design, picking the soundtrack and working on voice, a small team covering a lot of stuff, putting together clipped out letters, covering all the bases for graphic design/props/and more, digital hoarding, moving to Portland, having a great production, making the bros cry, getting onto Steam, critical acclaim getting you to market, taking out the combat, removing rather than replacing, environmental storytelling, setting the game in the 90s, being aware of the world and having no cellphones, setting yourself up for rigor, pacing, tying together time and space, knowing where the player will go, going to the second floor vs the first floor, putting chunks together, a mind map, callbacks between props, forgetting you're in a video game, the story doesn't exist without the player putting things together, the IKEA effect, situating the journal in Sam's perspective, audio logs, Katie knowing what her sister's voice would be like, not being a little game designer, avoiding artifice, avoiding goofiness, three parter audio logs, cutting out logs you didn't need, not holding the player's hand, dumbing down too far vs letting people be uncomfortable, finding the voice via research, being able to generalize from the highly detailed specifics, getting handwriting, magic and Unicorn Cloud 7, being just as easy to put in the supernatural story but resisting that, wanting the fantasy, how to think about game structure, "the team makes the game," putting story in the ephemera, constraints and applying them to generate the tension, award-winning, the indie space and the blogs, indies banding together, thinking about a game when you're not playing it. Games, people, and influences mentioned or discussed: Asheron's Call 2, Zoo Tycoon 2, 2K Marin, Bioshock 2, Minerva's Den, Fullbright, Tacoma, Open Roads, Wanderstop, Sonderlust Studios, Generation Exile, EA, Comedy Central, Cartoon Network, Olive Jar Animation, MTV, The Critic, Nightmare Before Christmas, Tom Snyder, Soup to Nuts, Dr. Katz, Home Movies, Mitch Hedberg, Trainspotting, Animator Pro, Turbine Games, Lightwave, The Last of Us, Something Awful, Fallout (series), Bob Hope, Maya, Johnnemann Nordhagen, Karina Veronica Riesgo, Inkscape, Steve Gaynor, Rachel Gaynor, Steam Greenlight, Independent Games Festival/IGF, Dear Esther, Call of Cthulhu, Street Fighter, NES/SNES, IKEA, William Goldman, Alien: Isolation, Kate Craig, Final Fantasy VII, Horse Master, Carl Lumbly, Alias, John Wick, Lance Reddick, Outer Wilds, Kirk Hamilton, Aaron Evers, Mark Garcia, Bratmobile. Next time: TBA! Twitch: timlongojr  Discord  DevGameClub@gmail.com 

Send us a textEpisode 100! Thanks for supporting us on this journey. We would love to hear how this podcast may have helped you with your creative endeavors.To celebrate this milestone, Rick Elice of Jersey Boys, Peter and the Star Catcher, Water for Elephants, The Addams Family, The Cher Show, and the upcoming Princess Bride Musical, was gracious enough sit in the Spotlight (TWICE) after a botched first recording. We owe this opportunity to Cameron Scott who put this entire thing into motion. Be sure to check our his episode as well.In this discussion, Rick shares his journey to becoming a Tony-Award winning playwright, the origin of Jersey Boys, writing devices and exercises, working backwards, the need for great stories and compelling characters, and the gift of luck. We also delve into stage directions and the difference to Author's Notes, multipurpose props and set pieces, The Princess Bride and meeting William Goldman, organizing principles, the economy of storytelling, and the difference in stage versus film. We wrap up with memory plays and "reliable" narrators, theatre as a medium of metaphor, and the benefits of working on multiple projects. It was an extreme honor to have Rick on the podcast. He is extremely humble and shares some amazing stories I know you will enjoy.To watch the video format of this episode, visit - https://youtu.be/u2llPIM9sSYLinks to sites and resources mentioned in this episode - Pepper's Ghost - https://en.wikipedia.org/wiki/Pepper's_ghostSlade School - https://www.ucl.ac.uk/slade/Samuel French (Concord Theatricals) - https://www.concordtheatricals.com/Musical Theatre International - https://www.mtishows.com/Theatrical Rights Worldwide - https://www.theatricalrights.com/Websites and socials for James Elden, Punk Monkey Productions and Playwright's SpotlightPunk Monkey Productions - www.punkmonkeyproductions.comPLAY Noir -www.playnoir.comPLAY Noir Anthology –www.punkmonkeyproductions.com/contact.htmlJames Elden -Twitter - @jameseldensauerIG - @alakardrakeFB - fb.com/jameseldensauerPunk Monkey Productions and PLAY Noir - Twitter - @punkmonkeyprods                  - @playnoirla IG - @punkmonkeyprods       - @playnoir_la FB - fb.com/playnoir        - fb.com/punkmonkeyproductionsPlaywright's Spotlight -Twitter - @wrightlightpod IG - @playwrights_spotlightPlaywriting services through LACPFest - www.lacpfest.comSupport the show

Originally published 11th April 2024. Our series on 'movies about presidents' continues with a fun discussion of this 1997 'thriller', written by legendary Hollywood screenwriter William Goldman based on the debut novel of David Baldacci, starring/produced/directed by noted chair-interviewer Clint Eastwood, and boasting a splendid cast - including recently-deceased screen legend Gene Hackman - none of whom are given anything very interesting to do. Clint plays a suave cat burglar - with the unlikely name of Luther Whitney - who accidentally witnesses the president of the United States sexually assaulting a woman (far-fetched, right?) and getting her killed. All Hell then persistently threatens but repeatedly fails to break loose. Instead we get a slow, aimless, half-baked movie filled with good elements that don't cohere or go anywhere special. It sparked an amusing conversation though, as we hope you will agree. Full episode was originally exclusive for Patreon subscribers. Please consider donating to help us make the show and stay independent.  Patrons get exclusive access to at least one full extra episode a month. Daniel's Patreon: https://www.patreon.com/danielharper/posts Jack's Patreon: https://www.patreon.com/user?u=4196618&fan_landing=true IDSG Twitter: https://twitter.com/idsgpod Daniel's Twitter: @danieleharper Jack's (Locked) Twitter: @_Jack_Graham_ Jack's Bluesky: @timescarcass.bsky.social Daniel's Bluesky: @danielharper.bsky.social IDSG on Apple Podcasts: https://podcasts.apple.com/us/podcast/i-dont-speak-german/id1449848509?ls=1

Our Summer of Superheroes reaches its climax with arguably the most important movie in the genre's history: Richard Donner's 1978 film Superman, starring Christopher Reeve, Gene Hackman, Margot Kidder, and a firmly on-book Marlon Brando. Join in as we discuss the geophysics of Lex Luthor's evil plot, the other attempts to put Superman in cinemas, the nearly two-year shoot, and our favorite real estate schemes. Plus: What ideas did Brando have to reduce his workload? Did Donner have a phone in his bathroom? What was the original plan for the time travel finale? And, most importantly, is Clark Kent more super or more man? Make sure to rate, review, and subscribe! Next week: The 400 Blows (1959)-----------------------------------------------------Key sources and links for this episode:Which Lie Did I Tell? More Adventures in the Screen Trade by William Goldman (2000)The Caped Crusade: Batman and the Rise of Nerd Culture by Glen Weldon (2016)Superman Smashes the Klan by Gene Luen Yang and Gurihiru (2019)Super/Man: The Christopher Reeve Story (2024)Taking Flight: The Development of Superman (2001)Making Superman: Filming the Legend (2001)Roger Ebert's four-star review of Superman (1978)"The Making of Superman" (EMPIRE Magazine)Interview with Producer Ilya Salkind by Barry M. Frieman for SupermanHomePage.com"Nick Nolte Doesn't Care about Legacy, and Talks Julia Roberts Feud" (Insider)"The Superman Story that Set the Ku Klux Klan Back Years is Now a Comic" (Polygon)

Today on the Rarified Heir Podcast, we are talking to novelist  Matthew Specktor, whose new book, The Golden Hour: A Story of Family and Power in Hollywood, is out now and getting rave reviews. Matthew spoke to us about growing up behind the scenes in Hollywood as the son of an icon of the film industry, Fred Specktor, a super-agent of A-list Hollywood talent who is still going strong at 92 years old. With a roster of clients that included everyone from Robert DeNiro, Gene Hackman, Morgan Freeman, Helen Mirren, Danny Devito and many, many more, Matthew was brought up in and around the film business and had a firsthand look. Part memoir, part biography, part cultural history & part fiction, The Golden Hour has been priases in outlets such as NPR, the New York Times, the Kirkus Review, the LA Times and many more for it's unique look into Hollywood and the battle between art vs. commerce and much more. As this is his third book based on his take on Hollywood, Matthew is getting name-checked alongside iconic LA based, Hollywood centric authors such as Joan Didion and William Goldman and getting praise from authors like Jonathan Lethem and Griffin Dunne. High praise indeed. We get into that as well as how Matthew formed the book and the basis of his exploration into his family and the city formed him, shortly. Matthew's behind-the-scenes stories of how Hollywood was created in the second half of the twentieth century at Tinseltown institutions like MCA, William Morris and CAA beginning in the 1950s and where we are today, 70 years later a a large part of this episode. But we also hear personal stories about pranks the pre-rat pack played on him and his best friend Renee Estevez (daughter of Martin Sheen) in high school, what LA restaurants his family ate on special occasions, the cars and vanity plates of super agents in the City of Angelss and the movie theaters and books that shaped his youth on the Westside of Los Angeles. This is the Rarified Heir Podcast and if you've never had David Lynch tell you, you were more an artist than a deal maker at 13, take a listen because Matthew Specktor has. Everyone has a story.

Our series on 'movies about presidents' continues with a fun discussion of this 1997 'thriller', written by legendary Hollywood screenwriter William Goldman based on the debut novel of David Baldacci, starring/produced/directed by noted chair-interviewer Clint Eastwood, and boasting a splendid cast - including recently-deceased screen legend Gene Hackman - none of whom are given anything very interesting to do. Clint plays a suave cat burglar - with the unlikely name of Luther Whitney - who accidentally witnesses the president of the United States sexually assaulting a woman (far-fetched, right?) and getting her killed. All Hell then persistently threatens but repeatedly fails to break loose. Instead we get a slow, aimless, half-baked movie filled with good elements that don't cohere or go anywhere special. It sparked an amusing conversation though, as we hope you will agree. Full episode exclusive for Patreon subscribers. Please consider donating to help us make the show and stay independent.  Patrons get exclusive access to at least one full extra episode a month. Daniel's Patreon: https://www.patreon.com/danielharper/posts Jack's Patreon: https://www.patreon.com/user?u=4196618&fan_landing=true IDSG Twitter: https://twitter.com/idsgpod Daniel's Twitter: @danieleharper Jack's (Locked) Twitter: @_Jack_Graham_ Jack's Bluesky: @timescarcass.bsky.social Daniel's Bluesky: @danielharper.bsky.social IDSG on Apple Podcasts: https://podcasts.apple.com/us/podcast/i-dont-speak-german/id1449848509?ls=1

“Why We Tell Stories” is a discussion between Greg Hurwitz & Jonathan Pageau which took place on January 31, 2025. In this exchange, two prominent professionals in creative fields discuss the place of passion, productivity, and integrity in the context of their careers, and offer insights which range from guiding, general principles to concrete, practical advice. Over the course of their discussion with each other and with the students, they field questions about the artistic process; about the public attention they've received for their work; about the lessons they've learned; and about their impression of Ralston College and its place in a broader context of cultural and educational renewal.  This event was part of Ralston College's Career and Life conversations, a series of informal Friday-afternoon discussions for students enrolled in the MA in the Humanities. To apply to this program, please visit our website: www.ralston.ac/apply. Authors and Works Mentioned in this Episode: Aristotle Dante Alighieri DC Comics' Batman series The Book of Genesis Jordan B. Peterson Stephen King William Faulkner, The Sound and the Fury (1929) Rashomon (1950; dir. Akira Kurosawa) Marcel Duchamp, “Nude Descending a Staircase, No. 2” (1912)  Sigmund Freud Carl Rogers Jackson Pollock Pablo Picasso Lucile Ball Groucho Marx Sammy Davis Jr. James Patterson John Grisham  Dr James Orr Dr Douglas Hedley Douglas Murray Ben Shapiro William Shakespeare Dan Brown, The DaVinci Code Hamilton: An American Musical  Harry Potter series  William Goldman  

We have a special episode to share today of the podcast, NOBODY KNOWS ANYTHING, a new LAist Studios podcast that gamifies the Hollywood creative process. Every week, the show puts your favorite actors, directors, and screenwriters through the wringer (a.k.a. through a series of games) to see if they've got what it takes to make it in Hollywood because the truth is, as famed screenwriter William Goldman put it, “Nobody knows anything.” In this episode, guests Fortune Feimster, Dana Fox, and Abdullah Saeed go head-to-head in a battle for points over movies about time travel, time loops, and the allure of going back in time to rewrite the future.Guests: Actor/comedian/writer Fortune Feimster ("FUBAR," "The Mindy Project"); writer Dana Fox ("Wicked," "Cruella"); and writer Abdullah Saeed ("Deli Boys," "Bong Appétit").NOBODY KNOWS ANYTHING is a production of The Black List and LAist Studios, in partnership with The Ankler. New episodes premiere Tuesdays, and you can listen to the show on the radio at LAist 89.3 or LAist.com Saturdays at 7 p.m. and Sundays at 10 p.m.

What makes a blockbuster, or a box office bomb? The truth is, as famed screenwriter William Goldman put it, “Nobody knows anything.” Join us each week as we put your favorite actors, directors, and writers through the wringer (aka through a series of games) to see if they’ve got what it takes to make it in this wild town.This episode is all about coming-of-age stories — movies and TV shows about first loves, schoolyard scrapes, and the realization that the world is far bigger than the block you live on.Guests: Actor, writer and director Natasha Lyonne (“Poker Face,” “Russian Doll”); actor and comedian Sherry Cola (“Joy Ride,” “Nobody Wants This”); director and Oscar-winning screenwriter Cord Jefferson (“American Fiction”). “NOBODY KNOWS ANYTHING” is a production of The Black List and LAist Studios, in partnership with The Ankler. This episode is presented by FX.Support for this podcast is also brought to you by Gordon and Dona Crawford, who believe that quality journalism makes L.A. a better place to live.New episodes premiere Tuesdays and you can listen to the show on the radio at LAist 89.3 on weekends. The premiere episode is supported by presenting sponsor FX.

What makes a blockbuster, or a box office bomb? The truth is, as famed screenwriter William Goldman put it, “Nobody knows anything.” Join us each week as we put your favorite actors, directors, and writers through the wringer (aka through a series of games) to see if they’ve got what it takes to make it in this wild town.This episode is all about coming-of-age stories — movies and TV shows about first loves, schoolyard scrapes, and the realization that the world is far bigger than the block you live on.Guests: Actor, writer and director Natasha Lyonne (“Poker Face,” “Russian Doll”); actor and comedian Sherry Cola (“Joy Ride,” “Nobody Wants This”); director and Oscar-winning screenwriter Cord Jefferson (“American Fiction”). “NOBODY KNOWS ANYTHING” is a production of The Black List and LAist Studios, in partnership with The Ankler. This episode is presented by FX.Support for this podcast is also brought to you by Gordon and Dona Crawford, who believe that quality journalism makes L.A. a better place to live.New episodes premiere Tuesdays and you can listen to the show on the radio at LAist 89.3 on weekends. The premiere episode is supported by presenting sponsor FX.

It's not every day you run across this skillful an abridgment of S. Morgenstern's classic tale of love and adventure, one that was also turned into a beloved feature film of the same name. But there's something weird going on here. Both author and abridger are editorializing a LOT, and I'm not sure I can even find the kingdom of Florin on a map. Oh well! It's probably nothing.This episode is sponsored by Squarespace. Go to squarespace.com/overdue for 10% of your first purchase of a website or domain.Our theme music was composed by Nick Lerangis.Follow @overduepod on Instagram and BlueskyAdvertise on OverdueSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

On this episode of Currently Reading, Kaytee and Mary are discussing: Bookish Moments: virtual reading retreats and tattoos that lead to bookish convos Current Reads: all the great, interesting, and/or terrible stuff we've been reading lately Deep Dive: how we integrate our hobbies into our reading lives The Fountain: we visit our perfect fountain to make wishes about our reading lives Show notes are time-stamped below for your convenience. Read the transcript of the episode (this link only works on the main site) .  .  .  .  2:17 - Our Bookish Moments of the Week 5:12 - @meg.al.reads on Instagram (Check her highlight called “Virtual R&R”) 8:18 - Stone Blind by Natalie Haynes 9:01 - Sarah's Bookshelves Live 10:09 - Our Current Reads 10:20 - Blood at the Root by Ladarrion Williams (Mary) 12:49 - The Marvellers by Dhonnielle Clayton 12:52 - Amari and the Night Brothers by B.B. Alston 13:41 - The Light Pirate by Lily Brooks-Dalton (Kaytee) 13:48 - CR Season 1: Episode 1 13:56 - Good Morning, Midnight by Lily Brooks-Dalton 17:53 - The Millicent Quibb School of Etiquette for Young Ladies of Mad Science by Kate McKinnon (Mary) 22:20 - Peter Darling by Austin Chant (Kaytee) 26:17 - Cabin: Off the Grid Adventures with a Clueless Craftsman by Patrick Hutchison (Mary) 27:54 - Downton Shabby by Hopwood DePree 29:09 - The Calculating Stars by Mary Robinette Kowal (Kaytee) 29:17 - CR Season 7: Episode 14 31:14 - Hidden Figures by Margot Lee Shetterley 31:18 - Shoot the Moon by Isa Arsen 32:12 - @maryrobinettekowal on instagram 32:44 - Starter Villain by John Scalzi 33:27 - Deep Dive: Enjoying Hobbies While Reading 33:55 - The Princess Bride by William Goldman 34:05 - Long Dog Yarn 37:12 - Woobles 42:08 - BookBone 44:32 - @maryreadsandmakes on Instagram 48:44 - Fidget stones 50:18 - The Plan by Kendra Adachi 52:43 - Meet Us At The Fountain 52:52 - I wish we were at the stage in our home reno that I had my bookshelf back. (Mary) 54:42 - I wish for a better way to read one handed. (Kaytee) 54:54 - BookBone 56:18 - Ring kindle remote page turner Support Us: Become a Bookish Friend | Grab Some Merch Shop Bookshop dot org | Shop Amazon Bookish Friends Receive: The Indie Press List with a curated list of five books hand sold by the indie of the month. January's IPL is a special episode in partnership with All Things Murderful and a total mystery and thriller stack from Fabled Bookshop in Waco, Texas! Love and Chili Peppers with Kaytee and Rebekah - romance lovers get their due with this special episode focused entirely on the best selling genre fiction in the business.  All Things Murderful with Meredith and Elizabeth - special content for the scary-lovers, brought to you with the behind-the-scenes insights of an independent bookseller From the Editor's Desk with Kaytee and Bunmi Ishola - a quarterly peek behind the curtain at the publishing industry The Bookish Friends Facebook Group - where you can build community with bookish friends from around the globe as well as our hosts Connect With Us: The Show: Instagram | Website | Email | Threads The Hosts and Regulars: Meredith | Kaytee | Mary | Roxanna Production and Editing: Megan Phouthavong Evans Affiliate Disclosure: All affiliate links go to Bookshop unless otherwise noted. Shopping here helps keep the lights on and benefits indie bookstores. Thanks for your support!