Podcasts about ampas

The recap of the 97th Academy Awards ceremony, presented by the (AMPAS), took place on March 2, 2025 in Hollywood, Los Angeles. During the evening, the AMPAS presented the Academy Awards (the Oscars) in 23 categories. Comedian Conan O' Brien was the host of the show for the first time. And the review of this year's big winner at the ceremony, Anora, the American romantic comedy-drama film written, directed, produced, and edited by Sean Baker It stars Mikey Madison as Anora Mikheeva, a young stripper who impulsively marries the son of a Russian oligarchHosted by Ausha. See ausha.co/privacy-policy for more information.

For the gifts and the calling of God are irrevocable [for He does not withdraw what He has given, nor does He change His mind about those to whom He gives His grace or to whom He sends His call]. Ro 11:29 AMPAs a Christian, you have a responsibility to help your brother who has stumbled or fallen into sin.Approach the situation with kindness and compassion, not judgment or condemnation.As we are our brother's keeper.Blessings,Presiding Elder Barbara HayesTWFYT | FLSB | AMP

pWotD Episode 2823: 97th Academy Awards Welcome to Popular Wiki of the Day, spotlighting Wikipedia's most visited pages, giving you a peek into what the world is curious about today.With 385,236 views on Thursday, 23 January 2025 our article of the day is 97th Academy Awards.The 97th Academy Awards ceremony, presented by the Academy of Motion Picture Arts and Sciences (AMPAS), will take place on March 2, 2025, at the Dolby Theatre in Hollywood, Los Angeles. During the gala, the AMPAS will present Academy Awards (commonly referred to as Oscars) in 23 categories, honoring films released in 2024. The ceremony will be televised in the United States by ABC and simultaneously live-streamed on Hulu, the first Academy Awards ceremony to be broadcast as such. Comedian and podcaster Conan O'Brien is set to host the show for the first time, with Raj Kapoor and Katy Mullan returning as executive producers.This recording reflects the Wikipedia text as of 03:16 UTC on Friday, 24 January 2025.For the full current version of the article, see 97th Academy Awards on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm neural Kevin.

On this episode of 8111 I talk with Craig Barron. Craig is an Academy Award-winning visual effects supervisor, entrepreneur, and film historian with a groundbreaking career spanning over two decades. He has contributed to visual effects on more than 100 films and served as a founding member of the Visual Effects Society. Barron also spent nine years on the Academy of Motion Picture Arts and Sciences Board of Governors and was co-chair of the Science & Technology Council.At just 18, Barron joined Industrial Light & Magic during the "Star Wars" era, contributing to classics like The Empire Strikes Back, Raiders of the Lost Ark, and E.T. He later co-founded Matte World, an Emmy-winning studio that evolved into Matte World Digital, known for its innovative visual effects in films such as Batman Returns, Zodiac, Hugo, and The Curious Case of Benjamin Button, for which he won an Oscar and BAFTA in 2009.Barron co-authored The Invisible Art: The Legends of Movie Matte Painting, an award-winning book chronicling the history of matte painting. A dedicated film historian, he frequently lectures for AMPAS and Turner Classic Movies, collaborating with sound designer Ben Burtt to showcase the artistry behind classic films like Modern Times and Forbidden Planet.In recent years, Barron has worked as a visual effects supervisor at Tippett Studio and now serves as Creative Director of Magnopus, a cutting-edge visual storytelling company based in Los Angeles.It was a genuine pleasure to talk with Craig about his incredible career. 

Send us a textEpisode 516"Home Alone"Cinematographer: Julio Macatwww.mmcpodcast.comJulio Macat's (ASC) first film was the huge box-office hit HOME ALONE. He then went on to photograph HOME ALONE 2, ACE VENTURA, Pet Detective, THE NUTTY PROFESSOR , THE WEDDING PLANNER, CATS and DOGS, BRINGING DOWN THE HOUSE and WEDDING CRASHERS all of which opened #1 at the box office in the U.S. The total domestic box office receipts of the films he has photographed is approximately $1.7 billion. Macat's extensive credits include the features SO, I MARRIED AN AXE MURDERER; MY FELLOW AMERICANS; the remake of MIRACLE ON 34TH ST; BECAUSE I SAID SO, and SMOTHER, both with Diane Keaton; and the action film BALISTIC, X vs SEVER. In moving from comedy to more dramatic work, Macat was asked by Antonio Banderas to photograph his directorial debut, CRAZY IN ALABAMA, a film about the civil right's movement in the 60's and also hired by Adam Shankman to film Nicholas Spark's A WALK TO REMEMBER. Macat also collaborated with Shankman on THE WEDDING PLANNER and BRINGING DOWN THE HOUSE with Steve Martin. Julio Macat has worked with numerous other directors on their feature film debuts, among them Jason Moore, (PITCH PERFECT) Tom Shadyac, Raja Gosnell, James Keach, Kaos, Vince DiMeglio and Lawrence Guterman. He has also photographed the films MOONLIGHT and VALENTINO, ONLY THE LONELY, the Morgan Freeman heist drama THE CODE , directed by Mimi Leder, and BLENDED, with Adam Sandler and Drew Barrymore. Other projects include the comedies DADDY'S HOME 1 and 2 and HORRIBLE BOSSES 2 for director Sean Anders with Will Ferrell, THE BOSS and LIFE OF THE PARTY with Melissa McCarthy and the upcoming Animated feature SHERLOCK GNOMES for which along with WRECK IT RALPH he was contracted as Visual and Lighting consultant by DISNEY and PARAMOUNT.. A native of Argentina and of Italian descent, Macat began his career at age 19, working his way up the ranks under such distinguished veterans as Mario Tosi, ASC and Academy Award¨-winning cinematographers John Alcott, BSC and Chris Menges, BSC. After studying filmmaking at UCLA, at the age of 26, Macat became a camera operator collaborating exclusively with Russian director Andrei Konchalovsky on four films, including RUNAWAY TRAIN, SHY PEOPLE and TANGO and CASH where he was promoted to film second unit photography. As cinematographer, Macat's early work included numerous music videos and concerts for performers such as Peter Gabriel, Melissa Etheridge, Phil Collins, Hall & Oats, Van Halen and Alanis Morrisette. He has photographed commercials in Europe, South America, Mexico, South Africa and extensively in the U.S., and has also directed many second units for feature films and commercials. Macat is a member of the American Society of Cinematographers and AMPAS since 2000 He is fluent in Spanish, Italian and some French. He lives in Los Angeles and Massachusetts with his wife, actress Elizabeth Perkins. #homealone #merrychristmas #christmas #homealone2Reach out to Darek Thomas and Monday Morning Critic!Instagram: https://www.instagram.com/mondaymorningcritic/Facebook: https://www.facebook.com/mondaymorningcritic/TikTok: https://www.tiktok.com/@mondaymorningcriticMondaymorningcritic@gmail.com

Debate con Roberto Pérez, periodista; y Juan Delgado, sociólogo; y Carmen Marcuello, catedrática de Dirección y Organización de Empresas de UNIZAR. Hoy, con la mirada puesta en el pleno de las Cortes y en la aprobación de la ley de Energía; la encuesta que ha planteado FAPAR a las AMPAS sobre las necesidades de personal y recursos en los centros educativos; las declaraciones en el juzgado de Begoña Gómez; el triunfo aragonés en las candidaturas a los premios Goya; y la situación del Real Zaragoza tras la salida de Víctor Fernández.

Ampas biasanya dianggap tidak berguna, tapi lain halnya dengan ampas kopi. Puspita Sariwati berbincang dengan pencetus penggunaan ampas kopi untuk membuat produk bernilai jual, Wiwin Nospitalia, serta Wakil Ketua Kadin Jakarta Selatan Timmy Rorimpandey, dan pemilik kedai kopi Amalia Lutfiati.

This is episode 21 in our second season of The Directors Take Podcast. In this week's episode your hosts Marcus Anthony Thomas and Oz Arshad are joined by Paul Davies, the legendary Sound Designer who is best known for being one of Director Lynne Ramsay's closest collaborators, with their relationship spanning all the way back to her first feature film, Ratcatcher. He is exceptional in his own right however and his unique style has landed him work with directors such as Stephen Frears, Yann Demange, Rose Glass, Steve McQueen and Guillermo Del Toro amongst countless others.  Sound is as important if not more so than the image itself, so we are super excited to bring you a conversation with one of the absolute best in the business. This conversation covers:   -What is Sound Design? -What was his journey into the industry like?  -The importance of mentors?  -How did he come to meet Lynne Ramsay and build that relationship?  -Why do people keep coming back to him?  -How to sync up the process between sound and the edit?  -How does he approach character and perspective with sound?  -What are the mistakes that directors make when working with sound designers?    Our wonderful sponsor for this episode is THE NATIONAL FILM and TELEVISION SCHOOL. We've also partnered with SCRIPTATION to offer our listeners an EXCLUSIVE DISCOUNT on their software, which you can find on the link below…  http://scriptation.com/thedirectorstake    Paul's Bio With a background in music recording and composition, Paul Davies graduated from the sound department at the National Film and Television School (UK) in 1993. After graduation Paul worked as a freelance sound record recordist, sound editor and re-recording mixer on a variety of feature, broadcast, and corporate projects. In 1995 Paul joined the sound post production company VideoSonics as a sound editor, rising to become head of the sound editorial department. Whilst with VideoSonics Paul continued to hone his craft on a large range of feature film and television dramas. In 2000 Paul left VideoSonics to become a freelance supervising sound editor and Sound Designer and continues to work in these roles to this day. Notable directors he has with with include Stephen Frears, John Hillcoat, Lynne Ramsay, Guillermo Del Toro, Steve McQueen, Hideo Nakata, Rose Glass, Bart Layton, Anton Corijn, Saul Dibb, Julian Jarrold, Nick Broomfield and Julien Temple amongst many others, on films such as The Queen, Kinky Boots, You Were Never Really HEre, American Animals, Hunger, Mrs HEnderson Presents, The American, The Proposition, We need to Talk about Kevin, Saint Maud and Mogul Mowgli.    In addition to his work in sound production, Paul is a regular visiting tutor at the National Film and Television School in the UK The Baltic Film School in Estonia and the IFS in Cologne. Paul has also held Sound Design workshops at the School of sound, BAFTA, CPH Dox Festival-Denmark and The Sound of Story in Brighton UK. Paul is a voting member of BAFTA and AMPAS and a past chair of AMPS the UK's film and television sound craft guild. Paul has received nominations from BAFTA and The Royal Television Society for his sound design work in 2018, and won a BIFA for his Sound Design in You Were Never Really Here.    Nugget of the week   Paul: Beth Gibbons - Portishead lead singer & the strength of performance. Oz: Godzilla Minus One Marcus: How Liquid Death's Founder Started a $700million Water Brand | Found Effect   Credits Music by Oliver Wegmüller   Socials Paul Davies: Twitter (X) & Instagram The Directors' Take: Twitter (X) & Instagram Marcus: Twitter (X) & Instagram Oz: Twitter (X) & Instagram   If you have any questions relating to the episode or have topics you would like covering in future releases, reach out to us at TheDirectorsTake@Outlook.com

Entre 20 y 25 profesores aún no han sido asignados a los centros de la ciudad

La Federación de ampas Gonzalo Anaya denuncia que las consellerias de Educació y Sanitat no han consultado a las familias sobre la campaña de vacunación para alumnos nacidos en 2020 y 2021 y de educación especial que, este año, se hará dentro de los colegios. La entidad cree que los colegios no son el mejor sitio para vacunar a los alumnos.

Send Kevin a Text MessageIn this episode of Don't Kill the Messenger, host Kevin Goetz sits down with a trailblazing figure in the entertainment industry, Cheryl Boone Isaacs. As a public relations and marketing executive, Cheryl has worked on marketing campaigns for over 300 films, including Close Encounters of the Third Kind, Forrest Gump, and The King's Speech. As the first African American and first person of color to serve as president of the Academy of Motion Picture Arts and Sciences, Cheryl shares her experiences, insights, and the journey that led her to become a pivotal force for change in Hollywood.#OscarsSoWhite (02:44)Kevin and Cheryl discuss the #OscarsSoWhite movement, Cheryl's role as president of The Academy, and her quest to implement inclusion initiatives.Lessons Learned Early (09:02)Cheryl talks about some good advice the stuck with her through the years – you don't know enough to ask the right questions.Early Career and Hollywood Journey (20:33)Cheryl and Kevin discuss Cheryl's background, growing up in Springfield, Massachusetts, her brother, Ashley Boone, and his influence on her career in Hollywood.Personal Experiences in the Industry (27:45)Cheryl shares some challenges she faced as an African American woman in Hollywood along with memorable moments from her publicity career including her first job working on Close Encounters of the Third Kind.Notable African American Figures in Hollywood (34:01)Kevin asks Cheryl for her quick takes on influential individuals like Spike Lee, Ava DuVernay, and others.Teaching and Mentoring the Next Generation (38:53)Cheryl shares her approach to educating film students and the importance of understanding filmmaking as a collaborative process.The Future of Hollywood and Diversity (40:55)Cheryl offers insights on the progress made and challenges ahead along with the importance of collaborative voices in the creative process.Throughout her career, Cheryl Boone Isaacs has broken barriers. From her start in marketing, to her role as president of The Academy of Motion Picture Arts and Sciences, and continuing with her current position of guiding future filmmakers at the Sidney Poitier New American Film School, Boone Isaacs offers valuable lessons for those entering the film world, reinforcing the importance of diversity, collaboration, and perseverance in Hollywood. If you enjoyed this episode, please leave us a review or connect on social media. We look forward to bringing you more revelations from behind the scenes next time on Don't Kill the Messenger!Host: Kevin GoetzGuest: Cheryl Boone IsaacsProducer: Kari CampanoWriters: Kevin Goetz, Darlene Hayman, and Kari CampanoAudio Engineer: Gary Forbes (DG Entertainment)For more information about Cheryl Boone Isaacs:Wikipedia: https://en.wikipedia.org/wiki/Cheryl_Boone_IsaacsSidney Poitier New American Film School: https://search.asu.edu/profile/4102960IMDB: https://www.imdb.com/name/nm3723795/For more information about Kevin Goetz:Website: www.KevinGoetz360.comAudienceology Book: https://www.simonandschuster.com/books/Audience-ology/Kevin-Goetz/9781982186678Facebook, Twitter, Instagram: @KevinGoetz360Linked In @Kevin GoetzScreen Engine/ASI Website: www.ScreenEngineASI.com

I'm beyond thrilled to have my next guest on the show. Not only is Lois Vossen a legend in documentary film but she's also the person that put my first film into the world. We cover a lot of ground and her perspective on the state of things will be very interesting to anyone working doc film today. Lois Vossen is the Founding Executive Producer of Independent Lens, leading the PBS series to win 27 Emmy Awards, 28 Peabody Awards, 10 duPont-Columbia Awards, and 10 Oscar nominations. Previously, she was the Associate Managing Director of Sundance Film Festival and Labs. She served on the Television Academy Board of Governors and continues on its DEIA Committee. Lois is a member of AMPAS and has been on juries for festivals like TIFF, SXSW, and Palm Springs. Under her leadership, Independent Lens has co-produced notable films like Philly D.A., I Am Not Your Negro, and The Trials of Muhammad Ali. Please reach out if you have questions or guest suggestions. neil@brkly.com IG: neilpberkeley

Debate con los periodistas Mónica Fuentes, Roberto Pérez y Jorge Heras. La actualidad pasa por los primeros resultados del plan de fidelización para lograr médicos en las plazas de difícil cobertura, también por la entrevista del consejero de Agricultura y Ganadería, Ángel Samper, con la actualidad del sector y por los preparativos del próximo curso escolar: las AMPAS y los sindicatos reivindican mejores comedores y que no se recorte la plantilla del profesorado.

El alcalde de Rincón de la Victoria, Francisco Salado, ha escrito una carta personal a más de 2.000 familias de estudiantes de la ESO del municipio en la que muestra su preocupación ante los resultados arrojados por un estudio realizado sobre el uso de Internet en los jóvenes. La acción ha tenido como objetivo dar a conocer este estudio `PiensaTIC´ llevado a cabo por la asociación ADIADOS a través del proyecto `Ciudades ante las drogas´ del área de Bienestar Social que pone de manifiesto la necesidad de mejorar los hábitos saludables de la población juvenil. El regidor ha mostrado la necesidad de actuar, “empezando por informar y formar a las familias, así como incrementar la formación en aula a los estudiantes, con el objetivo de reducir este impacto en la salud mental, física y social de nuestros jóvenes que está haciendo un uso inadecuado de la tecnología”. Además de la distribución de esta carta que se ha realizado a través de los cuatro institutos del municipio, se enviará de forma digital a través de la plataforma iPasen, herramienta que utilizan los centros para comunicarse con los padres y madres de los alumnos. Y es que, según los datos del estudio, un 25% del alumnado encuestado pasa más de 6 horas conectado en los días de diario y hasta un 10% lo hace durante más de 8 horas. Tres de cada 4 jóvenes duermen con el teléfono en la habitación y 1 década 4 accede a la red pasada la media noche. Uno de cada 3 duerme menos de 6 horas al día y l de cada 3 se duerme en clase la mayoría de los días. El uso compulsivo de la tecnología se encuentra claramente asociado a síntomas depresivos leves y moderados, afectando en mayor medida a las chicas. De hecho, un 59% cumple esta sintomatología. Ellas, invierten más tiempo en las redes sociales, mientras que el 45% de los chicos, que también encajan con los síntomas depresivos, hacen un uso más compulsivo de los videos juegos. “Necesitamos pararnos a reflexionar, con responsabilidad, sobre el uso compulsivo de la tecnología, porque está incidiendo en el bienestar de nuestros jóvenes, estando muy cerca de convertirse en un uso adictivo con el peligro que conlleva para la vida personal, familiar, social”, añade el alcalde, También la concejala del área, Olga Cervantes, ha valorado esta situación preocupante, recordando que, “las familias del municipio tienen a su disposición formación e información referente a la educación, salud familiar y ante cualquier tipo de comportamiento edictivo, la Escuela Municipal de Familias a cargo de una profesional de la psicología especialista en el tema de lunes a viernes de 10:00 a 20:00 horas durante el curso académico”. Para más información pueden dirigirse al área de Bienestar Social o al número de teléfono: 661182176. El Ayuntamiento de Rincón de la Victoria ha llevado a cabo esta acción en colaboración con todos los centros educativos, comunidad educativa, equipos directivos y AMPAS. El estudio ha contado con una subvención por parte del Ministerio de Sanidad, la Consejería de Salud y Consumo y el Ayuntamiento de Rincón de la Victoria

SIGN UP FOR REGAL UNLIMITED W/ PROMO CODE - REGALNBP24 - https://regmovies.onelink.me/4207629222/q4j9urzs For Episode 390, I am joined by Josh Parham, Nadia Dalimonte, and Will Mavity. In this week's episode, we react to the new rules and regulations AMPAS announced for the 97th Academy Awards and the additions to the 2024 Cannes Film Festival lineup. We also go over the weekly polls, give our reactions to the trailers for "Deadpool & Wolverine," "Blink Twice," and "The Watchers," answer your fan-submitted questions, and more! Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... SoundCloud - https://soundcloud.com/nextbestpicturepodcast Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture Learn more about your ad choices. Visit megaphone.fm/adchoices

Couch Potato Theater: Road House (1989) w/ Special Guest & Co-star Anthony De Longis! Watch the video version of this Couch Potato Theater episode on the Fandom Podcast Network YouTube Channel: https://www.youtube.com/@FandomPodcastNetwork Welcome to Couch Potato Theater here on the Fandom Podcast Network! On Couch Potato Theater we celebrate our favorite movies! On this episode we celebrate the 35th anniversary of Road House (1989), starring Patrick Swayze, Kelly Lynch, Sam Elliott & Ben Gazzara. We welcome Special Guest & Co-star Anthony De Longis! Anthony is an accomplished Actor, Whip Master, Sword Master, Weapons Expert, Teacher-Trainer, Voice Artist & Horseman. More information on Anthony and how to contact him are below.   Road House is a 1989 American action film directed by Rowdy Herrington. Its plot follows a cooler at a newly refurbished roadside bar who protects a small town in Missouri from a corrupt businessman. The film has gone on to be a cult classic, being voted the most watched film on cable in 2020. A sequel, Road House 2, was released in 2006. We also review the new Road House (2024), the remake was released in March of 2024 on Amazon Prime, starring Jake Gyllenhaal & Conor McGregor, directed by Doug Liman.   Fandom Podcast Network Contact Information - The FANDOM PODCAST NETWORK YouTube Channel:  https://www.youtube.com/c/FandomPodcastNetwork - Master feed for all FPNet Audio Podcasts: http://fpnet.podbean.com/ - Couch Potato Theater Audio Podcast Master Feed:  https://fpnet.podbean.com/category/couch-potato-theater - Facebook: https://www.facebook.com/Fandompodcastnetwork - Email: fandompodcastnetwork@gmail.com - Instagram: https://www.instagram.com/fandompodcastnetwork/ - Twitter: @fanpodnetwork / https://twitter.com/fanpodnetwork   - Tee Public Fandom Podcast Network Store:  https://www.teepublic.com/stores/fandom-podcast-network Special Guest: Anthony De Longis Bio & Contact information: ANTHONY DE LONGIS - Whip Master / Sword Master / Weapons Expert / Teacher-Trainer / Actor / Voice Artist / Horseman My decades of structure and technique with whip and blades now online De Longis Professional Bullwhip & Bladed Weapons Instruction on Buy Me A Coffee! https://www.buymeacoffee.com/anthonydelongis https://www.buymeacoffee.com/anthonydelongis/extras    Check out the new website materials at www.delongis.com and please share when appropriate. Anthony De Longis    - Actor, Weapons Expert, Whip Master, Sword Master, Horseman, Voice Artist, Director E mail - industry@delongis.com  www.delongis.com   http://www.imdb.com/name/nm0209815/ https://www.facebook.com/anthony.delongis https://www.stuntphone.com/viewprofile/701/ https://www.stuntplayers.com/player/anthony-de-longis/ Instagram : theanthonydelongis President, Palpable Hit Productions, SAG, AFTRA, AEA, ACTRA, AMPAS, ATAS  Black Belt Hall of Fame, USA Martial Arts Hall of Fame, International Knife Throwers Hall of Fame, Ultimate Warriors Hall of Fame, Kenpo Karate Hall of Fame   DPACA (De Longis Performance & Combat Arts), Rancho Indalo Riders   Acting reel:    Sword Reel at: Whip Master Ree:  https://www.imdb.com/video/vi945273113 ADL Horse Skills Reel:   NOW ONLINE:  De Longis Bullwhip and Bladed Weapons Instruction on Buy Me A Coffee! https://www.buymeacoffee.com/AnthonyDeLongis https://www.buymeacoffee.com/anthonydelongis/extras    DPACA (De Longis Performance & Combat Arts) ANTHONY DE LONGIS - Whip Master / Sword Master / Weapons Expert / Teacher-Trainer / Actor / Voice Artist /Horseman Intensive Bullwhip Instruction and Training for Film, Television, Stage Performance, Whips from Horseback and Combative Martial Applications.  Step-by-step progressive lessons to develop skills for confident professional level excellence.  “You can only ‘wing it' if you have the skills to fly.”   MASTERING THE BULLWHP Vol 1 : Anatomy of the Bullwhip MASTERING THE BULLWHP Vol 2 : Faster Than A Speeding Bullet MASTERING THE BULLWHP Vol 3 : The Supersonic Flexible   Blade - Building Efficient, Effective Accuracy and Skills  MASTERING THE BULLWHP Vol 4 : Targeting with a Partner, Body Envelopments, Prepping the Horse and More RAPIER FOR THE STAGE & SCREEN VOL 1 & 2 : Foundational Beginner-to-Intermediate structures for single handed weaponry including saber, rapier, cutlass and smallsword. BROADSWORD FOR THE STAGE & SCREEN  Vol 1 & 2 : Geared to swordpersons with Intermediate-to-Advanced Skills including Broadsword, Bastard Sword, Katana and virtually any two-handed weapons application. These lessons will add depth and dimension to both technique and choreography and greatly expand performance choices.   ALL NEW : BULLWHIP COMBATIVES AT MULTIPLE RANGES clip_image001png BULLWHIP COMBATIVES AT MULTIPLE RANGES with Sensei Anthony De Longis and Grand Master Ron Lew  The culmination of over 100 years of collective martial arts training and experience. Offering great options for both martial and performance choreography applications. Sensei De Longis created and refined his “De Longis Rolling Loop” methodology based on five decades of European sword training with Maestro Ralph Faulkner, Filipino bladed weapons with Guro Dan Inosanto and Japanese katana with Kaiso Toshishiro Obata and Sensei Mathew Lynch. He often refers to the whip as a 'super-sonic flexible blade'. His unique methods utilize structure and alignment to produce explosive accurate energy with maximum efficiency and minimum effort and offers a variety of precision strikes and body envelopments at Long Range. The De Longis method also employs effective Medium and Close Range combative applications utilizing the companion hand as well as the Baton, Punyo / Pommel and ‘Big Loop' Thong for striking, redirecting, trapping and submission techniques. Sensei De Longis invited Senior Grand Master Ron Lew to join the exploration. SGM Lew developed his own unique close range bullwhip martial arts form called the Tibetan Wave, based on his work in Tai Chi, Tibetan energy work, and Cacoy Canete Doces Pares Eskrima and Eskrido.  The result is BULLWHIP COMBATIVES AT MULTIPLE RANGES   A Practical and Combative Approach to SPANISH RAPIER, ITALIAN RAPIER and the school of FRENCH SMALLSWORD    In association with Anthony De Longis' Palpable Hit Productions, Maestro Jeanette Acosta-Martinez has created three instructional DVDs for the French school of Smallsword – L'ECOLE FRANÇAISE. Taught by Maestro Jeanette Acosta-Martinez, the techniques of this complex and lethal form of swordsmanship are presented in concise sequential lessons. https://www.martinez-destreza.com/ LA VERDADERA DESTREZA - Spanish Rapier LA SCHERMA ITALIAN  - Italian Rapier L'ECOLE FRANÇAISE  - French Small Sword  KNIFE THROWING 101 - JACK DAGGER Method   #FandomPodcastNetwork #FPNet #FPN #CouchPotatoTheater #RoadHouse #RoadHouse1989 #RoadHouseMovie #RoadHouse2024 #RowdyHerrington #PatrickSwayze  #KellyLynch  #SamElliott  #BenGazzara  #KevinTighe  #RedWest  #JeffHealey  #SunshineParker  #MarshallTeague  #JohnDoe  #KathleenWilhoite  #TerryFunk  #AnthonyDeLongis  #JakeGyllenhaal  #DougLiman. #DanielaMelchior  #ConorMcGregor  #AmazonPrime

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En estos días, mientras el mundo del espectáculo centra su atención en la entrega de los premios de la Academia Norteamericana de Cinematografía(AMPAS), conversamos sobre cine. Si el "septimo arte" es reflejo del pensamiento, creatividad, imaginación y aspiraciones humanas, pudiera ser significativo que este año las candidatas para el Oscars® a ¨la mejor película¨ nos muestren personajes deficientes, incompletos y marginales. Inluso cuando esos protagonistas son idealizados en la historia visual (Barbie, Maestro, Oppenheimer), al final se hallan incompletos (The Holdovers, Past Lives, American Fiction) y totamente caídos (The Zone of Interest, Killers of the Flower Moon). Es posible que esas confesiones visuales pudieran ser punto de partida para una conversación extensa con el cine sobre la ¨condición humana¨ y la oferta del evangelio.Dona a Radio Moody: https://www.moodyradio.org/givingapp/radio-moody?appeal=RMSR&UTM_CONTENT=donatenow&UTM_SOURCE=web&UTM_TERM=rm&UTM_MEDIUM=header&utm_campaign=ANNL&_gl=1%2a138ixmr%2a_ga%2aMjNmYTIxMWYtZWJlYS00OTAyLThjYTYtZTUyYzRmNDkwZDgz%2a_ga_4WH1937046%2aMTcwOTY1ODQyNi4zMSee omnystudio.com/listener for privacy information.

Alexis Hejna and Diego B. Gleeson present their 2024 Best Animated Feature Nominations!The Academy Award for Best Animated Feature is given each year for the best animated film. An animated feature is defined by the academy as a film with a running time of more than 40 minutes in which characters' performances are created using a frame-by-frame technique, a significant number of the major characters are animated, and animation figures in no less than 75 percent of the running time. The Academy Award for Best Animated Feature was first awarded in 2002 for films released in 2001.The entire AMPAS membership has been eligible to choose the winner since the award's inception. If there are sixteen or more films submitted for the category, the winner is voted from a shortlist of five films, otherwise there will only be three films on the shortlist.The Best Animated Feature nominees are all very different coming-of-age stories: Phil Lord and Chris Miller's “Spider-Man: Across the Spider-Verse” (Sony), Hayao Miyazaki's “The Boy and the Heron” (Studio Ghibli/GKids), Pixar's first love story, “Elemental,” Annapurna Animation/Netflix's queer breakthrough “Nimona,” and “Robot Dreams” (Neon), the bittersweet bromance from Spanish director Pablo Berger (“Blancanieves”).Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsoFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76

Highlights today include: Support WILD in 2024 – Sponsorship Opportunities, LSI Industries Reports Fiscal 2024 Second Quarter Results and Declares Quarterly Cash Dividend, EdisonReport Unveils Honorees for the 9th Annual Lifetime Achievement Awards, DALI Lighting Awards 2023 Winners Unveiled, Nichia Launches a New Chip-scale LED that Creates a Lighting Environment Filled with Soft Light, Nichia's Laser Diode Technology Receives a Scientific and Technical Award by the AMPAS.

Kevin Goetz is joined by veteran Hollywood producer Hawk Koch. With over 50 years in the movie business, Koch has countless stories to share from his prolific career working on classic films like Chinatown, Marathon Man, Heaven Can Wait, and Wayne's World. He offers a rare insider's perspective on working with icons like Clark Gable, Ingrid Bergman, Jimmy Stewart, Jackie Gleason, and Barbra Streisand. Koch also provides wisdom on key lessons he's learned about the importance of telling the truth, taking care of people in the industry, and establishing your own identity.What's in a Name? (6:49)Koch talks about changing his name at age 50 when he was bar mitzvahed, taking on the nickname "Hawk" to establish his own identity apart from his famous father, producer Howard W. Koch.Riding Horses with Clark Gable (17:28)Koch reminisces about getting his first horseback ride from Clark Gable as a young boy on a movie set. He describes feeling Gable's warmth and humanity in that brief interaction.Working with Legends (20:25)Koch shares his experience working with and being intimidated by classic actors like Jimmy Stewart and Ingrid Bergman early in his career.Icon Lightning Round (24:01)Kevin asks Hawk to give his quick impressions of industry figures he's worked with like Roman Polanski, Warren Beatty, Faye Dunaway, and Barbara Streisand.Getting His Start in Music (28:11)Hawk discusses how he got his start working in music, touring with The Dave Clark Five and getting to watch recording sessions with Frank Sinatra.Taking Care of “Family” (33:43)Koch talks about his dedication to the Motion Picture and Television Fund, taking care of people in the entertainment industry. He shares why it is important to him.Taming Faye Dunaway's Hair (35:33)Koch tells a funny story about shooting Chinatown and director Roman Polanski pulling Faye Dunaway's hair out when it kept sticking up in a shot.Best Advice Ever Received (38:05)Koch stresses the importance of telling the truth in the movie business and not trying to mislead people.Tune in as Hawk Koch shares stories that capture the golden era of Hollywood history through his interactions with legends on set and off. But beyond the celebrity anecdotes, his emphasis on truth, care for others, and finding one's path contain valuable lessons for those both inside and outside the entertainment world. If you enjoyed this episode, please leave us a review or connect on social media. We look forward to bringing you more revelations from behind the scenes next time on Don't Kill the Messenger!Host: Kevin GoetzGuest: Hawk KochProducer: Kari CampanoWriters: Kevin Goetz, Darlene Hayman, and Kari CampanoFor more information about Hawk Koch:Wikipedia: https://en.wikipedia.org/wiki/Hawk_KochIMDB: https://www.imdb.com/name/nm0462242/Magic Time: https://magictime.pictures/For more information about Kevin Goetz:Website: www.KevinGoetz360.comAudienceology Book: https://www.simonandschuster.com/books/Audience-ology/Kevin-Goetz/9781982186678Facebook, Twitter, Instagram: @KevinGoetz360Linked In @Kevin GoetzScreen Engine/ASI Website: www.ScreenEngineASI.com  

Hoy nueva última oportunidad para intentar desconvocar los 10 nuevos paros previstos en la enseñanza concertada de Euskadi. Las AMPAS siguen preocupadas por la pérdida de horas lectivas del alumnado y piden que se llegue a un acuerdo....

Happy New Year, everyone!  Hope you're back rested and energized for 2024! We are kicking off new beginnings with an old friend…the prolific film and television producer, Monica Levinson.  Some of her impressive credits include BORAT, BRUNO, ZOOLANDER, DODGEBALL, Larry David's CLEAR HISTORY, Tara Miele's WANDER DARKLY, David Oyelowo's THE WATER MAN and Aaron Sorkin's THE TRIAL OF THE CHICAGO 7. Starting her career in broadcast news in her hometown of Washington, D.C., Monica transitioned into narrative storytelling by working with visionary directors including Alan J. Pakula and Sidney Lumet. She most recently produced OLD DADS, the Netflix comedy written, directed and starring Bill Burr which did really well on the platform when it dropped last October.  On top of a busy producing career, she is also an executive board member of AMPAS, PGA, DGA, and on the leadership team for the Women's Production Society.  Mentorship is very important to her and she certainly walks the walk. I count myself lucky to know her as an ally and a mentor. She's constantly giving back and she drops lots of gems during out chat, such as: Jobs that aren't exactly what you want to be doing can provide a foundation for the jobs you want Filmmaking is a collaboration - be prepared but remember you're not alone Working in production is still creative! Happy listening! -cg

With the passing of director and cinematographer John Bailey, ASC, we are re-releasing our 2021 interview with him. He discusses his work on the film, Groundhog Day, and briefly touched on his other work. The screenplay is the most important part of a film, John believes. It can be a leap of faith to work with a first time director, when they don't have a body of work, so a good script is always a solid starting point. As the DP of Ordinary People, John noticed the craftsmanship of that particular screenplay, which was carefully written and structured for several years by screenwriter Alvin Sargent and first-time director Robert Redford. He knew right away it would become a meaningful and important film. Both Sargent and Redford won Academy Awards for their work as screenwriter and director, respectively, and Ordinary People won the Best Picture Oscar. Groundhog Day grabbed John immediately as an interesting and offbeat idea for a film, but no one guessed that it would actually become part of the film canon and popular culture. To this day, John is surprised when people tell him how much they like that film and how much it has touched people. The movie famously had its own chaos, since star Bill Murray and director Harold Ramis had a very combative relationship on set. John spent two years as the president of the Academy of Motion Picture Arts and Sciences. His passion was in furthering the Academy Film Archive, the Margaret Herrick Library, and other AMPAS charitable projects. He became frustrated with the industry's focus on the Academy's role in the Oscars and how much punditry went into how to fix the awards process. John was a veteran cinematographer who has left us with a huge amount of notable films, including “The Big Chill,” “As Good as it Gets,” “In the Line of Fire” and “The Accidental Tourist.” He will be missed. Sponsored by Hot Rod Cameras: www.hotrodcameras.com Website: www.camnoir.com Facebook: @cinepod Instagram: @thecinepod Twitter: @ShortEndz YouTube: https://www.youtube.com/c/TheCinematographyPodcast

Preocupa particularmente la falta de personal no docente que atiende a aquel alumnado con necesidades especiales que requiere de una atención asistencial. 

Jim Morris is President of Pixar Animation Studios, where he oversees all of the company's productions and operations. Morris began working at Pixar in 2005. Films under his supervision include RATATOUILLE, UP, TOY STORY 3, CARS 2, BRAVE, MONSTERS UNIVERSITY, INSIDE OUT, THE GOOD DINOSAUR, FINDING DORY, CARS 3, COCO and INCREDIBLES 2. As a producer, Morris most recently made the live-action Disney feature JOHN CARTER with director Andrew Stanton. He also produced Pixar's WALL•E, which won the Academy Award® for Best Animated Feature. Morris was also awarded Producer of the Year in Animated Theatrical Motion Pictures from the Producers Guild of America, the AFI Award, the Golden Globe and the Visual Effects Society Best Animated Feature Award for WALL•E. Prior to joining Pixar, Morris held a range of key positions for 17 years in various divisions of Lucasfilm Ltd. He served as President of Lucas Digital Ltd., and managed its three divisions, Industrial Light & Magic (ILM), Skywalker Sound and Lucasfilm Animation. As ILM's General Manager for more than 13 years, he supervised a staff of over 1,400 artists and technicians, and guided the largest visual effects facility in the entertainment industry.   With Morris' oversight, ILM created the groundbreaking and Academy Award®-winning visual effects in JURASSIC PARK, DEATH BECOMES HER, TERMINATOR 2 and FORREST GUMP. Other notable projects completed under his management include MISSION IMPOSSIBLE, TWISTER, SAVING PRIVATE RYAN, STAR WARS: EPISODE I, STAR WARS: EPISODE II, THE PERFECT STORM, PEARL HARBOR, MINORITY REPORT, PIRATES OF THE CARIBBEAN, MASTER AND COMMANDER, and three films in the HARRY POTTER series. Morris joined ILM in 1987 as a Producer of visual effects for films and commercials. Among Morris' producing credits are James Cameron's THE ABYSS (which earned the Academy Award® for Best Achievement in Visual Effects), and Steven Spielberg's ALWAYS. Before joining ILM, Morris was Executive Producer at Arnold & Associates, where he oversaw the company's three offices and produced commercials for clients such as Atari, Chevron and Mattel. Prior to that, Morris was Executive Producer at One Pass, where he headed the commercial production division. He also served in the production departments at advertising agencies J. Walter Thompson, and Foote, Cone & Belding in San Francisco. Morris worked as a producer and director for PBS, and began his career as a cameraman and editor at NBC. Morris is the recipient of the Producers Guild Digital 50 Award, the Visual Effects Society Board of Directors Award and the Visual Effects Society Founders Award. He has also been named a VES Fellow. Morris served for many years as President of the San Francisco Film Commission, and is Founding Chair of the VES. He is a member of AMPAS, PGA, BAFTA, VES and ASIFA, and currently serves as a member of Motion Picture Academy's Finance Committee. Morris earned a Bachelor of Science degree in Film and a Master of Science degree in Television/Radio from the Newhouse School at Syracuse University. In this Podcast, Allan McKay interviews Pixar's President Jim Morris about his career both at ILM and Pixar; working with legendary Directors such as James Cameron, Steven Spielberg, Andrew Stanton and Robert Zemeckis; behind-the-scenes and Innovations of JURASSIC PARK and FORREST GUMP; the unpredictable magic of live action projects; how limitations inspire VFX inventions; and why “Problems aren't an impediment to the job. Solving problems IS the job.” For more show notes, visit www.allanmckay.com/419.

This week, we explore Chinese cuisine with cook and food writer Fuchsia Dunlop. In the west, misconceptions and prejudices surround Chinese food: that it's unhealthy, or oily, or simple. In reality, it's a cuisine with ancient roots, that Fuchsia strongly believes is “endlessly thrilling”, and among the best and most sophisticated in the world. Fuchsia is the author of six books on Chinese food, including her newest, Invitation to a Banquet. She tells Lilah there's a lot the west can learn from how people in China approach food.-------We love hearing from you. You can email us at ftweekendpodcast@ft.com. We're on Twitter @ftweekendpod, and Lilah is on Instagram and Twitter @lilahrap.-------Links: – Fuschia's book is called Invitation to a Banquet: The Story of Chinese Food– Our episode with Fuschia on the noodles of Shanxi on Apple, Spotify and our website– The FT's review of Fuchsia's book: https://www.ft.com/content/29a158e8-6b30-494e-91d4-d6348a12cfde A few relevant pieces we love published in the FT by Fuchsia: – “Tofu is a cornucopia of taste. No, really” https://www.ft.com/content/ea3d24e8-fd27-42e8-8f9d-805da91769d1 – ”The west hasn't got a clue about bamboo”: https://www.ft.com/content/aea65ab3-f6c0-402b-83fa-e27f8262af3f– ”How to cook with lettuce — a Fuchsia Dunlop recipe”: https://www.ft.com/content/1cfbee9f-b92a-444e-a468-aaeea3f0e605 –Fuchsia is on Instagram at @fuchsiadunlop-------Join us at the FT Weekend festival, on Saturday September 2 at Kenwood House in London. It'll be a day of debates, tastings, Q&As and more. For £20 off your festival pass, use promo code FTWeekendPod here: http://ft.com/festivalSpecial FT subscription offers for Weekend listeners, from 50% off a digital subscription to a $1/£1/€1 trial, are here: http://ft.com/weekendpodcast.-------Original music by Metaphor Music. Mixing and sound design by Breen Turner and Sam GiovincoRead a transcript of this episode on FT.com Hosted on Acast. See acast.com/privacy for more information.

En nuestro "Poca broma", presentado y dirigido por Tere Coello, hemos contado, como viene siendo habitual, con diferentes protagonistas. En la primera parte del programa hablamos de la conmemoración del 1 de Mayo, Día Internacional del Trabajo. Nos acompaña Manuel Navarro, secretario General de UGT en Canarias. En la segunda parte del programa ponemos la atención en las AMPAS de los centros de educación. Conversamos con Ana Rosado, presidenta de esta asociación en el IES Andrés Bello. Finalizamos, como siempre, agradeciendo la realización y el trabajo a los mandos técnicos de Miguel Ángel González Padilla

Stuart Dryburgh ASC is an Academy Award, (AMPAS), nominated cinematographer based in New York. Just a few of the many directors he has worked with include Jane Campion, F. Gary Gray, Peter Hedges, Peter Webber, Yimou Zhang, Ben Stiller, John Curran, Mira Nair, and Michael Mann. He recently spoke to GlobeScreen Podcasts about his eclectic career as a director of photography, how he got his start in New Zealand's film industry, before going on to shoot high-profile feature films such as ‘An Angel at My Table' (1990), ‘The Piano', (1993) , ‘Analyse This' (1999), ‘Bridget Jones Diary' (2001), ‘The Painted Veil' (2006) , ‘The Secret Life of Walter Mitty' (2013), ‘Blackhat' (2015), ‘The Great Wall' (2016), ‘Ben is Back' (2018), and ‘Men in Black: International' (2019). GlobeScreen Podcasts would like to thank Murtha Skouras Agency for making this episode possible. 

The Times' film critic is unhappy after Everything Everywhere All At Once cleaned up at the Oscars. Plus - a bank's been sold for a pound and Tom Cruise's helicopter request is rejected. Your daily round-up of the biggest stories from across the world, as seen through the eyes of the Times of London. You can hear more of these stories on Times Radio, and read more at thetimes.co.uk.Audio credit: AMPAS, BBC Hosted on Acast. See acast.com/privacy for more information.

The Hollywood awards season is heating up, with every week seeing big-name Best Picture contenders going up on marquees across America. On this very special episode we have a full-length interview with Bruce Davis, executive director of the Academy of Motion Picture Arts and Sciences for more than 20 years, who has a fascinating new book out that documents the behind-the-scenes history of the golden man himself: Oscar. Longtime listeners are well aware that host Bruce Miller has been an avid follower of all things Academy Awards since before he was covering the entertainment beat, so the conversation touches on loads of interesting anecdotes and revelations that Bruce Davis unearthed from some of the farthest flung parts of the AMPAS archives. You can order "The Academy and the Award" from Brandeis University Press. Recent articles by Bruce Miller: 'Christmas Story Christmas' recalls the original's beats Billy Eichner's 'Bros' is almost as tame as a Hallmark film 'Wakanda Forever' is long, but worth the investment of time 'Fleishman is in Trouble' makes friendship a worthy proposition That's what friends are for: 'Fleishman in Trouble' dissects the value of relationships Follow the show: Apple: https://podcasts.apple.com/us/podcast/streamed-screened/id1497387116 Spotify: https://open.spotify.com/show/28W6TG5TZMsXwWARz6lEu4 Twitter: https://twitter.com/StreamdNScreend Instagram: https://www.instagram.com/streamedandscreened Facebook: https://www.facebook.com/StreamedAndScreened Streamed & Screened is a podcast about movies and TV hosted by Bruce Miller, an entertainment reporter for multiple decades who is now the editor of the Sioux City Journal, Jared McNett, a reporter for the Sioux City Journal, and Chris Lay, the podcast operations manager for Lee Enterprises.See omnystudio.com/listener for privacy information.

Vicente ha destacado que son temas de actualidad para los padres

Episode 69 is finally out and it is dedicated to women! In honor of the #DirectedByWomen and #52FilmsByWomen initiatives, me and my guest, editor and writer Sylvie, talk about the struggles of female directors around the world as well as our favorite films directed by women. Check it out! 00:00:00 - 00:04:46 -- Intro00:04:46 - 00:15:49 -- Meet Sylvie!00:15:49 - 00:51:05 -- The Women's Talk00:51:05 - 00:58:30 -- The Women's Trivia00:58:30 - 01:41:06 -- The Women's Loot01:41:06 - 01:54:06 -- FilmTwitter's Women's Loot01:54:06 - 01:57:04 -- Closing01:57:04 - 01:59:57 -- OutroFollow SylvieTwitter: @sly_witWebsite: Sly Wit, Random musings on all things cultural Sylvie's Letterboxd Lists:Films By Women: 100 FavoritesFilms By Women: EssentialsMusic: Tino Mendes & Yellow Paper - The HeistOscar clips (c) AMPAS

Gómez ha destacado el aumento de la subvención 

In a week where: Parts of the UK goes into a drought. Writer Salman Rushdie is stabbed on stage in New York. David Bowie tops a Sky Arts list of Britain's 50 most influential artists of the last 50 years. The UK is the first country to approve a new COVID booster that targets both the original virus as well as the Omicron variants. Liz Cheney gets clapped in her Republican Primary. In Film/TV: (8:13) Nearly 50 years ago, activist Sacheen Littlefeather went to the Oscars on behalf of Marlon Brando and refused his Oscar win. It's only until now that AMPAS finally gave a formal apology.In The Arts: (20:18) Critics are an essential cog to the watch of Art; but what happens when critics become influencers in the modern sense? Are they even critics at that point?In the 1st of two Society segments: (33:35) It's time to talk billionaires again! This time, we talk private jets and how that's yet another reason for billionaires to cease (financial) existence.Lastly, in the 2nd Society segment: (47:41) Depending on how travelled you are, you may have been to a place with different customs to you. One of those intersections is 'loose' and 'tight' countries.Thank you for listening! If you want to contribute to the show, whether it be sending me questions or voicing your opinion in any way, peep the contact links below and I'll respond accordingly. Let me know "What's Good?"Rate & ReviewE-Mail: the5thelelmentpub@gmail.comTwitter: @The5thElementUK5E Community DiscordWebsite: www.the5thelement.org.uk/5epnIntro Music - "Too Much" By VanillaInterlude - "Charismatic" By NappyHighChillHop MusicOther Podcasts Under The 5EPN:Diggin' In The Digits5EPN RadioBlack Women Watch...In Search of SauceThe Beauty Of Independence

For Episode 295, I'm joined by Josh Parham & Will Mavity. Today, we're discussing the initial reviews and reactions for some of the biggest titles from the 2022 Cannes Film Festival. We also give our thoughts on the recent AMPAS rule changes for the 95th Academy Awards, share our thoughts on the trailers for "Three Thousand Years Of Longing," "Good Luck To You, Leo Grande," "Bros," go over the polls, discuss other film news, answer your fan-submitted questions, and more! Please take a listen down below or subscribe to us on your favorite podcast app. Thank you as always for your continued support, and enjoy the show! Check out more on NextBestPicture.com Please subscribe on... SoundCloud - https://soundcloud.com/nextbestpicturepodcast iTunes Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture

THIS WEEK ON THE NERDY VENOMS -- We're still talking Oscars. This time in regards to comments made by Lord and Miller about the AMPAS' lack of acknowledgement of animated features. Also a rather fun round of One's Gotta Go, the game of eliminating one from four others. Plus reviews of the Little Blue Hedgehog That Could and the News on this week's Way Past Cool Nerdy Venoms Podcast!

We start this episode by recognizing some of the winners of the past Oscars, because not to do so would be like a slap in the face..... *booo!* (sorry) Then we continue with our March Loot, which features everything from slasher sequels to a classic comedy, from a former Oscar winner to a Bangladeshi short, from a biopic to a Pre-Code drama. Check it out!00:00:00 - 00:03:09 -- Intro00:03:09 - 00:15:27 -- The Oscars Aftermath00:15:27 - 00:29:38 -- The Rest of the Loot00:15:27 - 00:17:03 -- Palm Springs00:17:03 - 00:18:48 -- Midnight Cowboy00:18:48 - 00:20:15 -- Baby Face00:20:15 - 00:22:17 -- Halloween II00:22:17 - 00:24:05 -- Halloween III: Season of the Witch00:24:05 - 00:26:01 -- Three Amigos!00:26:01 - 00:28:43 -- Romero00:28:43 - 00:29:38 -- Photographs of a School Teacher00:29:38 - 00:30:10 -- The Next Loot00:30:10 - 00:31:14 -- Closing & OutroMusic: Tino Mendes & Yellow Paper - The HeistOscars Theme and clips (c) AMPAS

our first four way! nick and libby invite back jack and katie to discuss the oscars...but maybe not in the ways you may think...its a big thick juicy (wink wink) episode you won't want to skip!

On this episode, we put our best dresses to meet and greet our guests, Samuel and Rance from The Envelope Please. We talk everything about the Oscars, from the past to the present, and every Best Picture winner in between. Samuel and Rance share their predictions for this year's ceremony, and we all share our Top 5 favorite Oscar-winning performances. Check it out!00:00:00 - 00:03:44 -- Intro00:03:44 - 00:11:46 -- Meet Samuel and Rance!00:11:46 - 00:30:18 -- The Oscars Talk00:30:18 - 00:39:49 -- Guess the Oscar Winning Performance00:39:49 - 00:57:56 -- Oscars 2022 Predictions00:57:56 - 01:17:23 -- The Oscars Loot01:17:23 - 01:21:01 -- Film Twitter's Oscars Loot01:21:01 - 01:23:26 -- Closing01:23:26 - 01:31:10 -- OutroFollow The Envelope PleaseTwitter: @PleaseEnvelopeInstagram: @theenvelopepleasepodcastFacebook: The Envelope PleasePodcast Intro/Outro: Tino Mendes & Yellow Paper - The HeistAcademy Awards Closing Music (c) AMPAS

Amy E. Duddleston, ACE has over 30 years of experience in feature and television picture editing. Starting out as an Apprentice Editor, she made her way up to Assistant Editor, working on films like My Own Private Idaho, Corrina, Corrina, and To Die For. As an editor, she has cut 20 features, including High Art, Laurel Canyon, Elegy and Gus Van Sant's remake of Psycho, as well as nearly 80 hours of television on series such as Dexter, The Killing, Vida, Hunters and most recently, Mare of Easttown, for which she received two 2021 Emmy Award nominations. In 2022 she was nominated for two Eddie Awards for limited series editing by the American Cinema Editors, also for Mare of Easttown.She has been a member of the Motion Picture Editors Guild since 1991, and currently serves on the Board of Directors. She is also a member of American Cinema Editors, AMPAS and the Television Academy.On this episode of Screen Culture, Amy recounts how she discovered editing after being “enthralled” by Raging Bull and inspired by the work of editors such as Dede Allen. She shares how her journey as a young apprentice and then assistant editor led her to working out of Gus Van Sant's house during production of the now-iconic My Own Private Idaho, her collaboration with Van Sant on projects including a shot-for-shot remake of Psycho, her work with filmmaker Lisa Cholodenko on films including the groundbreaking High Art, and her recent work in television shaping prestige series such as Mare of Easttown.Amy and Lisa also cover:What it's like to work on a project, like My Own Private Idaho, that becomes culturally iconic: “Most of the time when you're working on something, you just hope people see it”How allowing time for ideas and approaches to percolate is essential in film and TV editing—rushing is the enemy of artThat the process of editing great actors—including Frances McDormand, Kate Winslet, and Patricia Clarkson—is challenging to describe: “You're just trying to follow the rhythms”How Amy turned down an offer to work on Good Will Hunting to edit her friend Lisa Cholodenko's first film, High Art, which became a Sundance sensationHow High Art as an artifact of New Queer Cinema reflected cultural growth, as it's “not a shiny coming-out story,” and how art is essential for “creating space” for new stories and narratives around underrepresented groupsWhat it was like to experience Mare of Easttown's popularity: “The outpouring of love for the show was mind-blowing”Amy is on Twitter as @phantomframe.

This week on THE ONE-INCH BARRIER, we talk about Italy's drama-comedy about filmmaking and memory that won at the 36th Academy Awards: Federico Fellini's 8½. This week's guest is Len Calvo, film composer of John Denver Trending. She is a member of the Music Branch of AMPAS, Class of 2021. Find us on the internet! Juan Carlos Ojano: @carlosojano The One-Inch Barrier: @OneInchBarrier You can now support this podcast via Patreon! Click here: https://www.patreon.com/TheOneInchBarrier Music Credits Opening: "La Passerella di Otto e Mezzo" - Nino Rota Ending: "La Passerella di Addio" - Nino Rota

For our 250th episode on the Fourth of July, I am joined by Dan Bayer & Josh Parham. Today, we're discussing the recent announcements made by the Academy Motion Picture Arts & Sciences, the Golden Globes and the Critics Choice Association about their upcoming ceremonies. We also do our final preview for the 2021 Cannes Film Festival, give our reactions to the trailers for "The Many Saints Of Newark" & "Don't Breathe 2," answer your fan questions and more! Thank you all for 250 episodes. We hope you have a wonderful holiday weekend as you take a listen down below. Enjoy! Check out more on NextBestPicture.com Please subscribe on... SoundCloud - https://soundcloud.com/nextbestpicturepodcast iTunes Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture

This mid-week episode features Parasite as our 'Should Have Seen That By Now' movie since Dave, Australian native and AMPAS skeptic, decided he couldn't skip his monthly viewing of Solo: A Star Wars Story to see Parasite... for the past 18 months. One thing Dave is really good at though is timeliness. Like, if an episode has to come out and his co-host hasn't posted it, he's on it! If there's a 4-star international juggernaut of a film, however... In all seriousness, John and Jeff re-watched this film to prepare to grill Dave for his life choices and all we could do was talk about how great this movie is. Whether it's your first or last viewing, give it a 2021 look. It's on Hulu and it keeps aging well. Like Dave, who's age surprises everyone except his chiropractor. Music: soundcloud.com/dasein-artist. Beer: @cbarrozobar2019. Edited and produced by Dave Green. Hosts: Jeff Ostermueller, John Say, Dave Green. Twitter: @theloveofcinema, Twitch/Facebook/Instagram: @theloveofcinemapod, YouTube: The Love of Cinema Podcast. Discord: https://discord.gg/uaFsp75sUj

In this episode, we throw out the red carpet for our guest Erik Anderson, from Awards Watch. Erik and I talk about everything from his work, his website Awards Watch, as well as the Oscars past, present, and future. Check out this episode for his predictions on most of this years categories, his take on Oscar history, as well as his favorite Best Picture winners!00:00:00 - 00:01:53 -- Intro00:01:53 - 00:10:45 -- Meet Erik Anderson!00:10:45 - 00:39:28 -- Oscar History00:39:28 - 00:47:14 -- Favorite Oscar Moments00:47:14 - 00:49:30 -- Oscars Over/Under00:49:30 - 01:02:23 -- Oscars 202101:02:23 - 01:19:03 -- Our Oscars Loot (Top 5)01:19:03 - 01:21:53 -- Film Twitter's Oscars Loot01:21:53 - 01:23:30 -- Closing01:23:30 - 01:25:29 -- OutroFollow Erik and Awards WatchWebsite: awardswatch.comFacebook: Awards WatchTwitter: @awards_watchInstagram: @awardswatchMusic: Tino Mendes & Yellow Paper - The HeistAcademy Awards Closing Music (c) AMPAS

On this episode of The Geek Buddies, John Rocha, Michael Vogel and Shannon McClung discuss the new DUNE trailer that dropped today from Denis Vilenueve, the Star Trek Discovery Season 3 trailer, Daisy Ridley revealing she was a Kenobi and get into the AMPAS's decisions to diversify the films that will qualify for a Best Picture Oscar starting in 2024.  It's a jam packed show with a lot of geekiness to talk about and explore!Remember to Like and Share this episode on your social media and to Subscribe to The Outlaw Nation YouTube channel below.#TheGeekBuddies #Dune #StarWarsTo become a Patron of John Rocha and The Outlaw Nation, please go to https://www.patreon.com/johnrocha to join one of the multiple tiers and enjoy the benefits of being a patron of the channel.Follow John Rocha: https://twitter.com/TheRochaSaysFollow Michael Vogel: https://twitter.com/mktoonFollow Shannon McClung: https://twitter.com/Shannon_McClung--- Send in a voice message: https://anchor.fm/the-geek-buddies/message

Episode 103 is probably the most important episode we have ever recorded. History was made on August 8th 2018 when the Academy of Motion Picture Arts and Sciences introduced three major new changes which rocked the industry. After years of making suggestions on what changes we would like to see The Academy introduce, none of the changes they actually announced pleased us one bit. Here to discuss all of this is Michael Schwartz, Ryan C. Showers, Celia Schlekewey, Kt Schaefer, Josh Parham & Jacey Aldredge as we try to answer your questions and ask some of our own regarding the recent decisions by AMPAS. The search for the Next Best Picture just got more complicated. Check out more on NextBestPicture.com Please subscribe on... SoundCloud - @nextbestpicturepodcast iTunes Podcasts - itunes.apple.com/us/podcast/negs-…d1087678387?mt=2 And be sure to help support us on Patreon for as little as $1 a month at www.patreon.com/NextBestPicture

In this week's episode, Karen Peterson, Lauren Humphries-Brooks, and Kimberly Pierce talk about: What we've been watching lately Fallout from the Weinstein revelations and what his AMPAS expulsion means for Hollywood Trailers galore! Black Panther Star Wars: The Last Jedi Justice League Kimberly and Lauren review Professor Marston and the Wonder Women Karen reviews Marshall Links to articles referenced in this episode: Jane Fonda: I knew about Weinstein, and I'm 'ashamed' I didn't say anything 'Wonder Women' Biopic Fails Lasso of Truth Test, Says Creator's Granddaughter Professor Marston and the Wonder Women's Angela Robinson Defends Her Interpretation of Lead Characters' Sexuality Connect with us! Facebook: facebook.com/citizendame Twitter: @CitizenDamePod