Podcasts about Meiji Restoration

The transformation of Japan from hermit kingdom to imperial power happened with breathtaking speed. When American Commodore Perry's "black ships" steamed into Tokyo Bay in the 1850s, they shattered Japan's 250-year isolation with technology that seemed to come "from 200 years in the future." This technological gap created a constitutional crisis that would ultimately topple the Tokugawa Shogunate and usher in the Meiji Restoration of 1868.Jonathan Clements guides us through this pivotal period where Japan found itself facing what one historian calls "an invitation to an alien game" - forced to adopt international norms and institutions they never agreed to. Rather than becoming colonized like China or India, Japan's new leaders determined to become players in this global power game. They systematically studied Western nations, adopting what they perceived as the best elements of each: a German-style army, British naval technology, and aspects of French law.This selective modernization happened against a backdrop of growing militarism and expansionism, particularly toward Korea - strategically described as "the dagger at the heart of Japan." The 1894-95 Sino-Japanese War demonstrated Japan's new capabilities, but the subsequent "Triple Intervention" by Russia, France and Germany (forcing Japan to abandon territorial gains) created a humiliation that would fuel future aggression.Throughout this period, the Japanese government struggled with "gekokujō" - military insubordination where officers initiated "incidents" that expanded Japanese influence without authorization. The assassination of Korea's Queen Min by Japanese agents exemplifies this dangerous pattern where unauthorized actions expanded imperial control while undermining civilian government - creating precedents that would ultimately lead Japan toward its catastrophic Pacific War.Whether you're interested in East Asian history, imperial expansion, or the roots of 20th century conflict, this exploration of Japan's rapid transformation reveals how quickly a nation can reinvent itself - for better or worse.You can send a message to the show/feedback by clicking here. The system doesn't let me reply so if you need one please include your email.

This week, the boys pull up their dacks, lace up their blunnies, pull over their cardies, eat a bikkie, grab a tinny, and lob in for the Ridgy Didge himself, Baz Luhrmann's first feature film, “Strictly Ballroom”. This isn't any ear bashing- we loved it! It made us three happy little Vegemites. After Jeff gives a quick mini-review of “Mission: Impossible— The Final Reckoning”, our native Aussie and gutless wonder, Dave, knackered from a good hissy at his lappy, guides us through this absolute hooley dooley. Don't be a drongo- grab a coldie and listen- you'll be doing the bogo pogo in a jiff!  Our phone number is 646-484-9298. It accepts texts or voice messages.  0:00 Intro; 6:27 Jeff's mini-review of Mission: Impossible — The Final Reckoning; 11:29 Gripes; 15:01 1992 Year in Review; 39:02 Films of 1992: Strictly Ballroom; 1:21:26 What You Been Watching?; 1:28:53 Next Episode Teaser Additional Cast/Crew: Paul Mercurio, Tara Morice, Craig Pearce, Bill Hunter, Pat Thompson, Gia Carides, Peter Whitford, Barry Otto, Sonia Kruger, Tom Cruise, Hayley Atwell, Simon Pegg, Ving Rhames, Pom Klementieff, Esai Morales, Holt McCalleny, Janet McTeer, Nick Offerman, Shea Whigham, Tramell Tillman, Angela Bassett, Mark Gatiss, Rolf Saxon, Greg Tarzan Davis. Hosts: Dave Green, Jeff Ostermueller, John Say Edited & Produced by Dave Green. Beer Sponsor: Carlos Barrozo Music Sponsor: Dasein Dasein on Spotify: https://open.spotify.com/artist/77H3GPgYigeKNlZKGx11KZ 
Dasein on Apple Music: https://music.apple.com/us/artist/dasein/1637517407 Additional Tags: Mission: Impossible, submarine, nuclear weapons, Top Gun: Maverick, Ben Mendelsohn, French Accents, The Monuments Men, George Clooney, The Stock Market Crash, Bear Market, Trains, Locomotions, Museums, Fuhrermuseum, Nazis, WWII movies, WWI Shows, Plastic ExplosivesThe Crusades, Swedish Art, Knights, Death, MGM, Amazon Prime, Marvel, Sony, Wicked, All Quiet on the Western Front, Wicked, Conclave, Here, Venom: The Last Dance, Casablanca, The Wizard of Oz, Oscars, Academy Awards, BFI, BAFTA, BAFTAS, British Cinema. England, Vienna, Leopoldstadt, The Golden Globes, Past Lives, Monarch: Legacy of Monsters, The Holiday, Sunset Boulevard, Napoleon, Ferrari, Beer, Scotch, Travis Scott, U2, Apple, Apple Podcasts, Switzerland, West Side Story, Wikipedia, Adelaide, Australia, Queensland, New South Wales, Melbourne, Indonesia, Java, Jakarta, Bali, Guinea, The British, England, The SEC, Ronald Reagan, Stock Buybacks, Marvel, MCU, DCEU, Film, Movies, Southeast Asia, The Phillippines, Vietnam, America, The US, Academy Awards, WGA Strike, SAG-AFTRA, SAG Strike, Peter Weir, Jidaigeki, chambara movies, sword fight, samurai, ronin, Meiji Restoration, plague, HBO Max, Amazon Prime, casket maker, Seven Samurai, Roshomon, Sergio Leone, Clint Eastwood, Stellen Skarsgard, the matt and mark movie show.The Southern District's Waratah Championship, Night of a Thousand Stars, The Pan Pacific Grand Prix (The Pan Pacifics)    

The boys head to Japan this week to discuss Akira Kurosawa's “Yojimbo”. Starring Toshiro Mifune, the film is considered one of the most influential movies of all time. It's so influential that an entire series of westerns ripped it off so good they couldn't be released in the US for years due to threats of lawsuits. Anyway, this film is awesome, but did the boys think it stands up to the other Kurosawa greats? Grab a beer and tune in!  Our phone number is 646-484-9298. It accepts texts or voice messages.  0:00 Intro; 8:56 “Sinners” follow-up; 14:30 Gripes; 21:31 1961 Year in Review; 45:26 Films of 1961: “Yojimbo”; 1:30:53 What You Been Watching?; 1:38:58 Next Week's Movie Announcement Additional Cast/Crew: Toshiro Mifune, Tatsuya Nakadai, Fukuzo Koizumi, Takao Saito, Daisuke Katō, Masaru Sato, Kazuo Miyagawa, Akira Kurosawa.  Hosts: Dave Green, Jeff Ostermueller, John Say Edited & Produced by Dave Green. Beer Sponsor: Carlos Barrozo Music Sponsor: Dasein Dasein on Spotify: https://open.spotify.com/artist/77H3GPgYigeKNlZKGx11KZ 
Dasein on Apple Music: https://music.apple.com/us/artist/dasein/1637517407 Additional Tags: France, The War of 1812, Napoleon, Russia, Russian History, Aristocracy, Dueling, Swans, Ducks, Chickens, Generals, Mean Streets, Taxi Driver, Black Mirror, Slow Horses, The First Look, Ben Mendelsohn, French Accents, The Monuments Men, George Clooney, The Stock Market Crash, Bear Market, Trains, Locomotions, Museums, Fuhrermuseum, Nazis, WWII movies, WWI Shows, Plastic ExplosivesThe Crusades, Swedish Art, Knights, Death, MGM, Amazon Prime, Marvel, Sony, Wicked, All Quiet on the Western Front, Wicked, Conclave, Here, Venom: The Last Dance, Casablanca, The Wizard of Oz, Oscars, Academy Awards, BFI, BAFTA, BAFTAS, British Cinema. England, Vienna, Leopoldstadt, The Golden Globes, Past Lives, Monarch: Legacy of Monsters, The Holiday, Sunset Boulevard, Napoleon, Ferrari, Beer, Scotch, Travis Scott, U2, Apple, Apple Podcasts, Switzerland, West Side Story, Wikipedia, Adelaide, Australia, Queensland, New South Wales, Melbourne, Indonesia, Java, Jakarta, Bali, Guinea, The British, England, The SEC, Ronald Reagan, Stock Buybacks, Marvel, MCU, DCEU, Film, Movies, Southeast Asia, The Phillippines, Vietnam, America, The US, Academy Awards, WGA Strike, SAG-AFTRA, SAG Strike, Peter Weir, Jidaigeki, chambara movies, sword fight, samurai, ronin, Meiji Restoration, plague, HBO Max, Amazon Prime, casket maker, Seven Samurai, Roshomon, Sergio Leone, Clint Eastwood, Stellen Skarsgard, the matt and mark movie show.  

Emperor Meiji of Japan’s reign began in 1867, and it marks a time of significant change in the country’s history. After the emperor and his consort died in the early 20th century, the Meiji Jingu shrine was built to memorialize them. Research: Atsushi, Kawai. “Prefectures, Power, and Centralization: Japan’s Abolition of the Feudal Domains.” Nippon.com. Aug. 27, 2021. https://www.nippon.com/en/japan-topics/g01159/ Bernard, Rosemary. “Shinto and Ecology: Practice and Orientations to Nature.” Yale Forum on Religion and Ecology. https://fore.yale.edu/World-Religions/Shinto/Overview-Essay Cali, Joseph and John Dougill. “Shinto Shrines: A Guide to the Sacred Sites of Japan's Ancient Religion: A Guide to the Sacred Sites of Japan’s Ancient Religion.” University of Hawaii Press. 2015. The Editors of Encyclopaedia Britannica. "Charter Oath". Encyclopedia Britannica, 30 Mar. 2025, https://www.britannica.com/event/Charter-Oath The Editors of Encyclopaedia Britannica. "Meiji". Encyclopedia Britannica, 31 Jan. 2025, https://www.britannica.com/biography/Meiji The Editors of Encyclopaedia Britannica. "Treaty of Shimonoseki". Encyclopedia Britannica, 10 Apr. 2025, https://www.britannica.com/event/Treaty-of-Shimonoseki Furukawa, Hisao. “Meiji Japan'sEncounterwith Modernization” Southeast Asian Studies. Vol, 33, No. 3. December 1995. https://www.jstage.jst.go.jp/article/tak/33/3/33_KJ00000131881/_pdf Huffman, James. “Land Tax Reform Law of 1873.” About Japan. https://aboutjapan.japansociety.org/content.cfm/land_tax_reform_law_of_1873#sthash.qp6fLxcO.dpbs Huffman, James. “The Meiji Restoration Era, 1868-1889.” Japan Society. June 11, 2021. https://japansociety.org/news/the-meiji-restoration-era-1868-1889/ Meiji Jingu site: https://www.meijijingu.or.jp/en/ “The Meiji Restoration and Modernization.” Asia for Educators. Columbia University Weatherhead East Asia Institute. https://afe.easia.columbia.edu/special/japan_1750_meiji.htm “Discover Meiji Jingu: A Shrine Dedicated to the Spirits of Emperor Meiji and Empress Shoken.” Google Arts and Culture. https://artsandculture.google.com/story/discover-meiji-jingu-a-shrine-dedicated-to-the-spirits-of-emperor-meiji-and-empress-shoken/OQVBs7hVH09QJw Meyer, Ulf. “The Spirit of the Trees.” World Architects. Feb. 3, 2021. https://www.world-architects.com/en/architecture-news/products/the-spirit-of-the-trees#:~:text=The%20Meiji%20Shrine%20is%20the%20most%20prominent,in%20Japan's%20capital%20for%20this%20hatsum%C5%8Dde%20worship.&text=The%20famous%20architect%20Ito%20Chuta%20designed%20the,Japan's%20shrine%20a%20touch%20of%20national%20identity. “Papers Relating to the Foreign Relations of the United States, With the Annual Message of the President Transmitted to Congress December 6, 1910.” United States Department of State. Office of the Historian. https://history.state.gov/historicaldocuments/frus1910/d705 “Russo-Japanese War: Topics in Chronicling America.” Library of Congress. https://guides.loc.gov/chronicling-america-russo-japanese-war Steele, Abbey, et al. “Constraining the Samurai: Rebellion and Taxation in Early Modern Japan.” International Studies Quarterly. 2017. 61, 352–370. https://projects.iq.harvard.edu/files/pegroup/files/constraining_the_samurai_9.15.pdf “The United States and the Opening to Japan, 1853.” U.S. Department of State, Office of the Historian. https://history.state.gov/milestones/1830-1860/opening-to-japan Wojtan, Linda S. “Rice: It's More Than Food In Japan.” Stanford Program on International and Cross-cultural Education. November 1993. https://spice.fsi.stanford.edu/docs/rice_its_more_than_food_in_japan#rice See omnystudio.com/listener for privacy information.

LET THEM COOK! Over the last 5 months, the Krewe has been hard at work cooking up a massive Season 6 line-up. While the main course will begin being served on May 16, how about an appetizer? Just like the carb-loaded instant yakisoba, this preview is CHOU CHOU CHOU Gigamax packed with sneak peeks at what's to come in Season 6. Some snippets include:- Laughing & learning about the world of Rakugo with master storyteller Katsura Sunshine- Prepping for Expo 2025 with Sachiko Yoshimura, Director General of Public Relations & Promotion for Expo 2025- Studying Japanese via language schools with Nihongo enthusiast Langston Hill- Bridging New Orleans & Japan through music with Jazz Trombonist Haruka Kikuchi- Kicking off 2 episodes on Japan's soccer footprint domestically & worldwide with journalist Dan Orlowitz- Exploring vegan cuisine in Japan with Leonore Steffan of ItadakiHealthy- Diving into social media's role in establishing perceptions of Japan - Revisiting Matsue with Sister City Exchange participants Katherine Heller & Wade Trosclair- Brewing up some craft beer with Chris Madere of Baird Brewing & Chris Poel of Shiokaze BrewLab- Restoring some abandoned homes with Akiya enthusiast & YouTuber Anton Wormann of Anton in JapanThis is only HALF of what's to come this season... the 2nd half is top secret! So stay tuned for our season 6 premiere on May 16, 2025 and stick around for the rest of the season to find out what else we have in store on Season 6 of Krewe of Japan Podcast!!------ About the Krewe ------The Krewe of Japan Podcast is a weekly episodic podcast sponsored by the Japan Society of New Orleans. Check them out every Friday afternoon around noon CST on Apple, Google, Spotify, Amazon, Stitcher, or wherever you get your podcasts.  Want to share your experiences with the Krewe? Or perhaps you have ideas for episodes, feedback, comments, or questions? Let the Krewe know by e-mail at kreweofjapanpodcast@gmail.com or on social media (Twitter: @kreweofjapan, Instagram: @kreweofjapanpodcast, Facebook: Krewe of Japan Podcast Page, TikTok: @kreweofjapanpodcast, LinkedIn: Krewe of Japan LinkedIn Page, Blue Sky Social: @kreweofjapan.bsky.social, & the Krewe of Japan Youtube Channel). Until next time, enjoy!------ Support the Krewe! Offer Links for Affiliates ------Use the referral links below & our promo code from the episode!Support your favorite NFL Team AND podcast! Shop NFLShop to gear up for football season!Zencastr Offer Link - Use my special link to save 30% off your 1st month of any Zencastr paid plan! ------ JSNO Upcoming Events ------JSNO Event CalendarJoin JSNO Today!

Dr Adam Koontz and Col Willie Grills talk about the modernization of Japan and the rise of Imperial power. Visit our website - A Brief History of Power Thanks to our sponsor, Gnesio Health Dr Koontz - Redeemer Lutheran Church Pr. Willie Grills - Zion Lutheran Church Music thanks to Verny

Send us a textEpisode 184The story of Samuel Cocking is one of ambition, innovation, and an unbreakable connection between a foreigner and a rapidly changing Japan. In the wake of the Meiji Restoration, as the country opened its doors to the West, a young British-Australian merchant saw not only opportunity but the promise of a new future—one built on modernization, industry, and cultural exchange.From his early ventures in Yokohama to his remarkable acquisition of Enoshima, Cocking's life was a testament to vision and perseverance. He introduced the first lightbulbs to Japan, brought in bicycles, and built vast greenhouses, transforming a small island into a flourishing botanical haven. But his legacy extends beyond commerce and innovation—it is woven into the very fabric of Japan's modernization, a chapter often overlooked in history books.This is the story of a man who refused to let the past dictate the future, a pioneer whose dream lives on in the gardens, pathways, and glowing lights of Enoshima.Support the showInsta@justpassingthroughpodcastContact:justpassingthroughpodcast@gmail.com

In questo secondo episodio speciale, vedremo come l'Impero nipponico, per la prima volta dopo la modernizzazione, abbia gettato uno sguardo oltre i propri confini. Per ottenere il predominio in Asia Orientale ed essere trattato alla pari dalle potenze occidentali, il Giappone dovrà confrontarsi militarmente con la Cina.Seguimi su Instagram: @laguerragrande_podcastSe vuoi contribuire con una donazione sul conto PayPal: podcastlaguerragrande@gmail.comScritto e condotto da Andrea BassoMontaggio e audio: Andrea BassoFonti dell'episodio:Michael R. Auslin, Toshihiko Kishi, Hanae Kurihara Kramer, Scott Kramer, Barak Kushner, Olivia Morello, Kaoru (Kay) Ueda, Fanning the Flames: Propaganda in Modern Japan, 2021 Rosa Caroli, Francesco Gatti, Storia del Giappone, Laterza, 2007 Chonin, Encyclopaedia Britannica L. M. Cullen, A History of Japan, 1582–1941: Internal and External Worlds, Cambridge University Press, 2003 Giuliano Da Frè, Storia delle battaglie sul mare, Odoya, 2014 John W. Dower, War Without Mercy: Race and Power in the Pacific War, Pantheon, 1986 Peter Duus, Modern Japan, Houghton Mifflin, 1998 Peter Duus, The Abacus and the Sword: The Japanese Penetration of Korea, University of California Press, 1998 Bruce Elleman, Modern Chinese Warfare, 1795–1989, Routledge, 2001 Gabriele Esposito, Japanese Armies 1868–1877: The Boshin War and Satsuma Rebellion, Osprey Publishing, 2020 David Evans, Mark Peattie, Kaigun: strategy, tactics, and technology in the Imperial Japanese Navy, 1887–1941, Naval Institute Press, 1997 Allen Fung, Testing the Self-Strengthening: The Chinese Army in the Sino-Japanese War of 1894–1895, Modern Asian Studies 30, 1996 Hane Mikiso, Modern Japan: A Historical Survey Sue Henny, Jean-Pierre Lehmann, Themes and Theories in Modern Japanese History: Essays in Memory of Richard Storry, A&C Black, 2013 James Huffman, Modern Japan: An Encyclopedia of History, Culture, and Nationalism, Garland Reference Library of the Humanities, Routledge, 1997 Marius Jansen, The Making of Modern Japan, Harvard University Press, 2002 Kim Jinwung, A History of Korea: From "Land of the Morning Calm" to States in Conflict, Indiana University Press, 2012 Philip Jowett, China's Wars: Rousing the Dragon 1894–1949, Bloomsbury Publishing, 2013 Donald Keene, Emperor of Japan: Meiji and His World, 1852-1912, Columbia University Press, 2002 Liu Kwang-Ching, The Cambridge History of China, Late Ch'ing, 1800–1911, Cambridge University Press, 1978 James McClain, Japan, a modern history, Norton, 2001 Naotaka Hirota, Steam Locomotives of Japan, Kodansha International Ltd, 1972 Piotr Olender, Sino-Japanese Naval War 1894–1895, MMPBooks, 2014 Christopher Paik, Abbey Steele, Seiki Tanaka, Constraining the Samurai: Rebellion and Taxation in Early Modern Japan, International Studies Quarterly 61, 2017 Sarah Paine, The Sino-Japanese War of 1894–1895: Perceptions, Power, and Primacy. Cambridge University Press, 2003 Pebrina, Treccani Christian Polak, Silk and Light: 100-year history of unconscious French-Japanese cultural exchange (Edo Period – 1950), Hachette, 2001 Richard Ponsonby-Fane, Kyoto: the Old Capital of Japan, 794–1869, 1956 Mark Ravina, To Stand with the Nations of the World: Japan's Meiji Restoration in World History, Oxford University Press, 2017 Edwin Reischauer, Storia del Giappone, Bompiani, 2013 Chris Rowthorn, Giappone, EDT, 2008 Michael Seth, A History of Korea: From Antiquity to the Present, Rowman & Littlefield Publishers, 2010 John Sewall, The Logbook of the Captain's Clerk: Adventures in the China Seas, Chas H. Glass & Co., 1905 Lawrence Sondhaus, Naval Warfare, 1815–1914, Routledge, 2001 Henry Van Straelen, Yoshida Shoin Forerunner Of The Meiji Restoration, Brill, 1952 Conrad D. Totman, Japan before Perry: a short history, University of California Press, 1981 Trudy Ring, Robert M. Salkin, Paul E. Schellinger, Sharon La Boda, Noelle Watson, Christopher Hudson, Adele Hast, International Dictionary of Historic Places: Asia and Oceania, Taylor & Francis, 1994 Jacopo Turco, Come ha fatto il Giappone a diventare così ricco?, Nova Lectio, 2024 Howard Van Zandt, Pioneer American Merchants in Japan, Tuttle Publishing, 1984 Arthur Walworth, Black Ships Off Japan: The Story of Commodore Perry's Expedition, Read Books, 2008In copertina: Nessun nemico resiste dove noi ci rechiamo: la resa di Pyongyang, stampa di  Migita Toshihide, 1894, Metropolitan Museum of ArtIshikari Lore di Kevin MacLeod è un brano concesso in uso tramite licenza Creative Commons Attribution 4.0. https://creativecommons.org/licenses/by/4.0/Fonte: http://incompetech.com/music/royalty-free/index.html?isrc=USUAN1100192Artista: http://incompetech.com/

In this episode of Condensed Histories, Jem delves into the history and cultural impact of the beloved video game series Sid Meier's Civilization. He discusses the evolution of the game from its inception in 1991 to the latest installment, Civilization VI, and the anticipated Civilization VII. He explores gameplay mechanics, strategies, and the educational value of the series, highlighting how it brings world history to life by allowing players to lead various civilizations from antiquity to modern times. The episode also covers real historical interactions between differing civilizations, with in-depth analyses of Japan's Meiji Restoration and Hernán Cortés' conquest of the Aztec Empire.00:00 Introduction to Condensed Histories01:03 Greg the Editor's Excitement01:55 The Evolution of Civilization Games03:24 Gameplay Mechanics and Strategies07:12 Cultural and Technological Impact20:42 Historical Examples of Civilization Clashes21:27 The Opening of Japan26:51 Cortés and the Fall of the Aztec Empire36:44 Reflections on Civilization's Educational Value39:39 Civilization VII and Final Thoughts43:10 Closing Remarks and Call to ActionSupport this show http://supporter.acast.com/condensed-histories. Hosted on Acast. See acast.com/privacy for more information.

Technology doesn't force us to do anything — it merely opens doors. But military and economic competition pushes us through.That's how today's guest Allan Dafoe — director of frontier safety and governance at Google DeepMind — explains one of the deepest patterns in technological history: once a powerful new capability becomes available, societies that adopt it tend to outcompete those that don't. Those who resist too much can find themselves taken over or rendered irrelevant.Links to learn more, highlights, video, and full transcript.This dynamic played out dramatically in 1853 when US Commodore Perry sailed into Tokyo Bay with steam-powered warships that seemed magical to the Japanese, who had spent centuries deliberately limiting their technological development. With far greater military power, the US was able to force Japan to open itself to trade. Within 15 years, Japan had undergone the Meiji Restoration and transformed itself in a desperate scramble to catch up.Today we see hints of similar pressure around artificial intelligence. Even companies, countries, and researchers deeply concerned about where AI could take us feel compelled to push ahead — worried that if they don't, less careful actors will develop transformative AI capabilities at around the same time anyway.But Allan argues this technological determinism isn't absolute. While broad patterns may be inevitable, history shows we do have some ability to steer how technologies are developed, by who, and what they're used for first.As part of that approach, Allan has been promoting efforts to make AI more capable of sophisticated cooperation, and improving the tests Google uses to measure how well its models could do things like mislead people, hack and take control of their own servers, or spread autonomously in the wild.As of mid-2024 they didn't seem dangerous at all, but we've learned that our ability to measure these capabilities is good, but imperfect. If we don't find the right way to ‘elicit' an ability we can miss that it's there.Subsequent research from Anthropic and Redwood Research suggests there's even a risk that future models may play dumb to avoid their goals being altered.That has led DeepMind to a “defence in depth” approach: carefully staged deployment starting with internal testing, then trusted external testers, then limited release, then watching how models are used in the real world. By not releasing model weights, DeepMind is able to back up and add additional safeguards if experience shows they're necessary.But with much more powerful and general models on the way, individual company policies won't be sufficient by themselves. Drawing on his academic research into how societies handle transformative technologies, Allan argues we need coordinated international governance that balances safety with our desire to get the massive potential benefits of AI in areas like healthcare and education as quickly as possible.Host Rob and Allan also cover:The most exciting beneficial applications of AIWhether and how we can influence the development of technologyWhat DeepMind is doing to evaluate and mitigate risks from frontier AI systemsWhy cooperative AI may be as important as aligned AIThe role of democratic input in AI governanceWhat kinds of experts are most needed in AI safety and governanceAnd much moreChapters:Cold open (00:00:00)Who's Allan Dafoe? (00:00:48)Allan's role at DeepMind (00:01:27)Why join DeepMind over everyone else? (00:04:27)Do humans control technological change? (00:09:17)Arguments for technological determinism (00:20:24)The synthesis of agency with tech determinism (00:26:29)Competition took away Japan's choice (00:37:13)Can speeding up one tech redirect history? (00:42:09)Structural pushback against alignment efforts (00:47:55)Do AIs need to be 'cooperatively skilled'? (00:52:25)How AI could boost cooperation between people and states (01:01:59)The super-cooperative AGI hypothesis and backdoor risks (01:06:58)Aren't today's models already very cooperative? (01:13:22)How would we make AIs cooperative anyway? (01:16:22)Ways making AI more cooperative could backfire (01:22:24)AGI is an essential idea we should define well (01:30:16)It matters what AGI learns first vs last (01:41:01)How Google tests for dangerous capabilities (01:45:39)Evals 'in the wild' (01:57:46)What to do given no single approach works that well (02:01:44)We don't, but could, forecast AI capabilities (02:05:34)DeepMind's strategy for ensuring its frontier models don't cause harm (02:11:25)How 'structural risks' can force everyone into a worse world (02:15:01)Is AI being built democratically? Should it? (02:19:35)How much do AI companies really want external regulation? (02:24:34)Social science can contribute a lot here (02:33:21)How AI could make life way better: self-driving cars, medicine, education, and sustainability (02:35:55)Video editing: Simon MonsourAudio engineering: Ben Cordell, Milo McGuire, Simon Monsour, and Dominic ArmstrongCamera operator: Jeremy ChevillotteTranscriptions: Katy Moore

Podcast: 80,000 Hours Podcast Episode: #212 – Allan Dafoe on why technology is unstoppable & how to shape AI development anywayRelease date: 2025-02-14Get Podcast Transcript →powered by Listen411 - fast audio-to-text and summarizationTechnology doesn't force us to do anything — it merely opens doors. But military and economic competition pushes us through.That's how today's guest Allan Dafoe — director of frontier safety and governance at Google DeepMind — explains one of the deepest patterns in technological history: once a powerful new capability becomes available, societies that adopt it tend to outcompete those that don't. Those who resist too much can find themselves taken over or rendered irrelevant.Links to learn more, highlights, video, and full transcript.This dynamic played out dramatically in 1853 when US Commodore Perry sailed into Tokyo Bay with steam-powered warships that seemed magical to the Japanese, who had spent centuries deliberately limiting their technological development. With far greater military power, the US was able to force Japan to open itself to trade. Within 15 years, Japan had undergone the Meiji Restoration and transformed itself in a desperate scramble to catch up.Today we see hints of similar pressure around artificial intelligence. Even companies, countries, and researchers deeply concerned about where AI could take us feel compelled to push ahead — worried that if they don't, less careful actors will develop transformative AI capabilities at around the same time anyway.But Allan argues this technological determinism isn't absolute. While broad patterns may be inevitable, history shows we do have some ability to steer how technologies are developed, by who, and what they're used for first.As part of that approach, Allan has been promoting efforts to make AI more capable of sophisticated cooperation, and improving the tests Google uses to measure how well its models could do things like mislead people, hack and take control of their own servers, or spread autonomously in the wild.As of mid-2024 they didn't seem dangerous at all, but we've learned that our ability to measure these capabilities is good, but imperfect. If we don't find the right way to ‘elicit' an ability we can miss that it's there.Subsequent research from Anthropic and Redwood Research suggests there's even a risk that future models may play dumb to avoid their goals being altered.That has led DeepMind to a “defence in depth” approach: carefully staged deployment starting with internal testing, then trusted external testers, then limited release, then watching how models are used in the real world. By not releasing model weights, DeepMind is able to back up and add additional safeguards if experience shows they're necessary.But with much more powerful and general models on the way, individual company policies won't be sufficient by themselves. Drawing on his academic research into how societies handle transformative technologies, Allan argues we need coordinated international governance that balances safety with our desire to get the massive potential benefits of AI in areas like healthcare and education as quickly as possible.Host Rob and Allan also cover:The most exciting beneficial applications of AIWhether and how we can influence the development of technologyWhat DeepMind is doing to evaluate and mitigate risks from frontier AI systemsWhy cooperative AI may be as important as aligned AIThe role of democratic input in AI governanceWhat kinds of experts are most needed in AI safety and governanceAnd much moreChapters:Cold open (00:00:00)Who's Allan Dafoe? (00:00:48)Allan's role at DeepMind (00:01:27)Why join DeepMind over everyone else? (00:04:27)Do humans control technological change? (00:09:17)Arguments for technological determinism (00:20:24)The synthesis of agency with tech determinism (00:26:29)Competition took away Japan's choice (00:37:13)Can speeding up one tech redirect history? (00:42:09)Structural pushback against alignment efforts (00:47:55)Do AIs need to be 'cooperatively skilled'? (00:52:25)How AI could boost cooperation between people and states (01:01:59)The super-cooperative AGI hypothesis and backdoor risks (01:06:58)Aren't today's models already very cooperative? (01:13:22)How would we make AIs cooperative anyway? (01:16:22)Ways making AI more cooperative could backfire (01:22:24)AGI is an essential idea we should define well (01:30:16)It matters what AGI learns first vs last (01:41:01)How Google tests for dangerous capabilities (01:45:39)Evals 'in the wild' (01:57:46)What to do given no single approach works that well (02:01:44)We don't, but could, forecast AI capabilities (02:05:34)DeepMind's strategy for ensuring its frontier models don't cause harm (02:11:25)How 'structural risks' can force everyone into a worse world (02:15:01)Is AI being built democratically? Should it? (02:19:35)How much do AI companies really want external regulation? (02:24:34)Social science can contribute a lot here (02:33:21)How AI could make life way better: self-driving cars, medicine, education, and sustainability (02:35:55)Video editing: Simon MonsourAudio engineering: Ben Cordell, Milo McGuire, Simon Monsour, and Dominic ArmstrongCamera operator: Jeremy ChevillotteTranscriptions: Katy Moore

This is the second episode in the trilogy of a lectures by Professor Sarah Paine of the Naval War College.In this second episode, Prof Paine dissects the ideas and economics behind Japanese imperialism before and during WWII. We get into the oil shortage which caused the war; the unique culture of honor and death; the surprisingly chaotic chain of command. This is followed by a Q&A with me.Huge thanks to Substack for hosting this event!Watch on YouTube. Listen on Apple Podcasts, Spotify, or any other podcast platform.SponsorToday's episode is brought to you by Scale AI. Scale partners with the U.S. government to fuel America's AI advantage through their data foundry. Scale recently introduced Defense Llama, Scale's latest solution available for military personnel. With Defense Llama, military personnel can harness the power of AI to plan military or intelligence operations and understand adversary vulnerabilities.If you're interested in learning more on how Scale powers frontier AI capabilities, go to scale.com/dwarkesh.Buy Sarah's Books!I highly, highly recommend both "The Wars for Asia, 1911–1949" and "The Japanese Empire: Grand Strategy from the Meiji Restoration to the Pacific War".Timestamps(0:00:00) - Lecture begins(0:06:58) - The code of the samurai(0:10:45) - Buddhism, Shinto, Confucianism(0:16:52) - Bushido as bad strategy(0:23:34) - Military theorists(0:33:42) - Strategic sins of omission(0:38:10) - Crippled logistics(0:40:58) - the Kwantung Army(0:43:31) - Inter-service communication(0:51:15) - Shattering Japanese morale(0:57:35) - Q&A begins(01:05:02) - Unusual brutality of WWII(01:11:30) - Embargo caused the war(01:16:48) - The liberation of China(01:22:02) - Could US have prevented war?(01:25:30) - Counterfactuals in history(01:27:46) - Japanese optimism(01:30:46) - Tech change and social change(01:38:22) - Hamming questions(01:44:31) - Do sanctions work?(01:50:07) - Backloaded mass death(01:54:09) - demilitarizing Japan(01:57:30) - Post-war alliances(02:03:46) - Inter-service rivalry Get full access to Dwarkesh Podcast at www.dwarkeshpatel.com/subscribe

Il Giappone rappresenta un esempio unico di come un paese possa modernizzarsi in un lasso di tempo estremamente breve e senza grandi sconvolgimenti all'interno della propria società. In questo primo episodio speciale, vediamo quali sfide il paese del Sol Levante abbia dovuto affrontare a partire dal XIX secolo, a causa della penetrazione delle potenze occidentali.Seguimi su Instagram: @laguerragrande_podcastSe vuoi contribuire con una donazione sul conto PayPal: podcastlaguerragrande@gmail.comScritto e condotto da Andrea BassoMontaggio e audio: Andrea BassoFonti dell'episodio:Michael R. Auslin, Toshihiko Kishi, Hanae Kurihara Kramer, Scott Kramer, Barak Kushner, Olivia Morello, Kaoru (Kay) Ueda, Fanning the Flames: Propaganda in Modern Japan, 2021 Rosa Caroli, Francesco Gatti, Storia del Giappone, Laterza, 2007 Chonin, Encyclopaedia Britannica L. M. Cullen, A History of Japan, 1582–1941: Internal and External Worlds, Cambridge University Press, 2003 Giuliano Da Frè, Storia delle battaglie sul mare, Odoya, 2014 John W. Dower, War Without Mercy: Race and Power in the Pacific War, Pantheon, 1986 Peter Duus, Modern Japan, Houghton Mifflin, 1998 Peter Duus, The Abacus and the Sword: The Japanese Penetration of Korea, University of California Press, 1998 Bruce Elleman, Modern Chinese Warfare, 1795–1989, Routledge, 2001 Gabriele Esposito, Japanese Armies 1868–1877: The Boshin War and Satsuma Rebellion, Osprey Publishing, 2020 David Evans, Mark Peattie, Kaigun: strategy, tactics, and technology in the Imperial Japanese Navy, 1887–1941, Naval Institute Press, 1997 Allen Fung, Testing the Self-Strengthening: The Chinese Army in the Sino-Japanese War of 1894–1895, Modern Asian Studies 30, 1996 Hane Mikiso, Modern Japan: A Historical Survey Sue Henny, Jean-Pierre Lehmann, Themes and Theories in Modern Japanese History: Essays in Memory of Richard Storry, A&C Black, 2013 James Huffman, Modern Japan: An Encyclopedia of History, Culture, and Nationalism, Garland Reference Library of the Humanities, Routledge, 1997 Marius Jansen, The Making of Modern Japan, Harvard University Press, 2002 Kim Jinwung, A History of Korea: From "Land of the Morning Calm" to States in Conflict, Indiana University Press, 2012 Philip Jowett, China's Wars: Rousing the Dragon 1894–1949, Bloomsbury Publishing, 2013 Donald Keene, Emperor of Japan: Meiji and His World, 1852-1912, Columbia University Press, 2002 Liu Kwang-Ching, The Cambridge History of China, Late Ch'ing, 1800–1911, Cambridge University Press, 1978 James McClain, Japan, a modern history, Norton, 2001 Naotaka Hirota, Steam Locomotives of Japan, Kodansha International Ltd, 1972 Piotr Olender, Sino-Japanese Naval War 1894–1895, MMPBooks, 2014 Christopher Paik, Abbey Steele, Seiki Tanaka, Constraining the Samurai: Rebellion and Taxation in Early Modern Japan, International Studies Quarterly 61, 2017 Sarah Paine, The Sino-Japanese War of 1894–1895: Perceptions, Power, and Primacy. Cambridge University Press, 2003 Pebrina, Treccani Christian Polak, Silk and Light: 100-year history of unconscious French-Japanese cultural exchange (Edo Period – 1950), Hachette, 2001 Richard Ponsonby-Fane, Kyoto: the Old Capital of Japan, 794–1869, 1956 Mark Ravina, To Stand with the Nations of the World: Japan's Meiji Restoration in World History, Oxford University Press, 2017 Edwin Reischauer, Storia del Giappone, Bompiani, 2013 Chris Rowthorn, Giappone, EDT, 2008 Michael Seth, A History of Korea: From Antiquity to the Present, Rowman & Littlefield Publishers, 2010 John Sewall, The Logbook of the Captain's Clerk: Adventures in the China Seas, Chas H. Glass & Co., 1905 Lawrence Sondhaus, Naval Warfare, 1815–1914, Routledge, 2001 Henry Van Straelen, Yoshida Shoin Forerunner Of The Meiji Restoration, Brill, 1952 Conrad D. Totman, Japan before Perry: a short history, University of California Press, 1981 Trudy Ring, Robert M. Salkin, Paul E. Schellinger, Sharon La Boda, Noelle Watson, Christopher Hudson, Adele Hast, International Dictionary of Historic Places: Asia and Oceania, Taylor & Francis, 1994 Jacopo Turco, Come ha fatto il Giappone a diventare così ricco?, Nova Lectio, 2024 Howard Van Zandt, Pioneer American Merchants in Japan, Tuttle Publishing, 1984 Arthur Walworth, Black Ships Off Japan: The Story of Commodore Perry's Expedition, Read Books, 2008In copertina: suonatrici tradizionali, fotografia di Felice Beato, anni '60 del XIX secolo, colorizzata a mano.

This episode looks at two films that examine the environmental disaster in Minamata, Japan: Noriaki Tsuchimoto's documentary, Minamata: The Victims and the World (1971), and Andre Levitas's Minamata (2020), a Hollywood feature film that tells the story through the famous American photographer, W. Eugene Smith. From 1932 to 1968, the Chisso Corporation, a local petrochemical and plastics maker, dumped approximately 27 tons of mercury into Minamata bay, poisoning fish and, ultimately, the people who ate them. Several thousand people died and many more suffered crippling injuries, with often severe mental and physical effects. The corporation's environmental pollution sparked legal and political battles that would last decades and reverberate throughout Japan. Joining me to discuss the films and the insights they provide into Japanese law and society, is Professor Darryl Flaherty.  Darryl is a historian of law and social change in early modern and modern Japan. He has published work on the emergence of Japan's legal profession during the nineteenth century, the Meiji Restoration in world history, and the twentieth century history of the jury in Japan. He is an associate professor in the Department of History at the University of Delaware, where he teaches courses on Japanese, Asian, and world history. Timestamps: 0:00   Introduction2:13     The Chisso Chemical Corporation 4:58    The fishing life in Minamata 7:30    The discovery of methylmercury poisoning12:20   Movement politics and environmental protest in Japan16:44   The debilitating Minamata disease18:59   The Minamata pollution litigation22:03   Denial and violence by the Chisso Corporation       24:08   Government complicity 29:26    Discrimination and pushback against victims of Minamata pollution30:51    Strategies and challenges in obtaining compensation38:28    Noriaki Tsuchimoto, W. Eugene Smith, and the notoriety of Minamata44:51     A history of direct action in Japan and the importance of an apology48:30    Environmental reform and its limits in Japan52:14     A lens into the 2011 Fukushima disaster54:39    The limited role of lawyers in the films57:21      Minamata today59:07    The decline of political activism in Japan102:02  Take-aways and stories about storytellingFurther reading: Flaherty, Darryl, Public Law, Private Practice Politics, Profit, and the Legal Profession in Nineteenth-Century Japan (Harvard Univ. Asia Center, 2013)George, Timothy S., Minamata: Pollution and the Struggle for Democracy in Postwar Japan (Harvard Univ. Press, 2002) Smith, Eugene W. & Aileen M. Smith, Minamata: The Story of the Poisoning of a City, and of the People Who Chose to Carry the Burden of Courage (Holt, Rinehart, 1975)Upham, Frank K., Law and Social Change in Postwar Japan (Harvard Univ. Press, 1989)Law on Film is created and produced by Jonathan Hafetz. Jonathan is a professor at Seton Hall Law School. He has written many books and articles about the law. He has litigated important cases to protect civil liberties and human rights while working at the ACLU and other organizations. Jonathan is a huge film buff and has been watching, studying, and talking about movies for as long as he can remember. For more information about Jonathan, here's a link to his bio: https://law.shu.edu/profiles/hafetzjo.htmlYou can contact him at jonathanhafetz@gmail.comYou can follow him on X (Twitter) @jonathanhafetz You can follow the podcast on X (Twitter) @LawOnFilmYou can follow the podcast on Instagram @lawonfilmpodcast

In this episode, host Ellie Woodacre interviews Alban Schmid and Alison J. Miller to discuss queenship in East Asia. We discuss K-Dramas and real life palace intrigues in Choson Korea and the role of Japan's empresses in the visual propaganda of the Meiji Restoration period. Both authors reflect on to what extent we can apply the idea of queenship to monarchies in East Asia and royal women who they think deserve more attention or reconsideration.Guest Bios:Alison J Miller, Associate Professor of Art History and Director of Asian Studies at the University of the South (Sewanee), is a specialist in modern and contemporary Japanese art history, focusing on two-dimensional media, gender, and the imperial family. She has published in the Journal of Japanese Studies, TransAsia Photography Review, Asian Diasporic Visual Cultures and the Americas (ADVA), and various public humanities projects and museum catalogues. She is co-editor and contributing author for The Visual Culture of Meiji Japan: Negotiating the Transition to Modernity (Routledge, 2021) and Transposed Memory: Visual Sites of National Recollection in 20th and 21st Century East Asia (Brill, 2024). Her book, Envisioning the Empress: The Lives and Images of Japanese Imperial Women, 1868-1952 (Routledge, 2025) analyzes the social impact of the images of the modern Japanese empresses. She received her PhD from the University of Kansas and has taught at Bowdoin College and the Kansas City Art Institute, and her work has been funded by a Fulbright Fellowship, Foreign Language Area Studies Fellowship, Robert and Lisa Sainsbury Fellowship, Appalachian College Association Faculty Fellowship, and Mellon Postdoctoral Fellowship, among others. Personal website: https://www.alisonjmiller.com/Alban Schmid studied politics and international relations at Sciences Po Paris and Peking University before focussing his attention on political history of East Asia during his graduate studies at the University of Oxford. He currently works at his alma mater in France. His new book The Institutional Power of Chosŏn Korea's Queen Dowagers, was recently published in ARC Humanities Press' Gender and Power in the Premodern World series. 

fWotD Episode 2657: Flag of Japan Welcome to Featured Wiki of the Day, your daily dose of knowledge from Wikipedia’s finest articles.The featured article for Tuesday, 13 August 2024 is Flag of Japan.The national flag of Japan is a rectangular white banner bearing a crimson-red circle at its center. This flag is officially called the Nisshōki (日章旗, 'flag of the sun'), but is more commonly known in Japan as the Hinomaru (日の丸, 'Ball of the sun'). It embodies the country's sobriquet: the Land of the Rising Sun.The Nisshoki flag is designated as the national flag in the Act on National Flag and Anthem, which was promulgated and became effective on 13 August 1999. Although no earlier legislation had specified a national flag, the sun-disc flag had already become the de facto national flag of Japan. Two proclamations issued in 1870 by the Daijō-kan, the governmental body of the early Meiji period, each had a provision for a design of the national flag. A sun-disc flag was adopted as the national flag for merchant ships under Proclamation No. 57 of Meiji 3 (issued on 27 February 1870), and as the national flag used by the Navy under Proclamation No. 651 of Meiji 3 (issued on 27 October 1870). Use of the Hinomaru was severely restricted during the early years of the Allied occupation of Japan after World War II; these restrictions were later relaxed.The sun plays an important role in Japanese mythology and religion, as the Emperor is said to be the direct descendant of the Shinto sun goddess Amaterasu, and the legitimacy of the ruling house rested on this divine appointment. The name of the country as well as the design of the flag reflect this central importance of the sun. The ancient history Shoku Nihongi says that Emperor Monmu used a flag representing the sun in his court in 701, the first recorded use of a sun-motif flag in Japan. The oldest existing flag is preserved in Unpō-ji temple, Kōshū, Yamanashi, which is older than the 16th century, and an ancient legend says that the flag was given to the temple by Emperor Go-Reizei in the 11th century. During the Meiji Restoration, the sun disc and the Rising Sun Ensign of the Imperial Japanese Navy and Army became major symbols in the emerging Japanese Empire. Propaganda posters, textbooks, and films depicted the flag as a source of pride and patriotism. In Japanese homes, citizens were required to display the flag during national holidays, celebrations and other occasions as decreed by the government. Different tokens of devotion to Japan and its Emperor featuring the Hinomaru motif became popular among the public during the Second Sino-Japanese War and other conflicts. These tokens ranged from slogans written on the flag to clothing items and dishes that resembled the flag.Public perception of the national flag varies. Historically, both Western and Japanese sources claimed the flag was a powerful and enduring symbol to the Japanese. Since the end of World War II (the Pacific War), the use of the flag and the national anthem Kimigayo has been a contentious issue for Japan's public schools, and disputes about their use have led to protests and lawsuits. Several military banners of Japan are based on the Hinomaru, including the sunrayed naval ensign. The Hinomaru also serves as a template for other Japanese flags in public and private use.This recording reflects the Wikipedia text as of 00:30 UTC on Tuesday, 13 August 2024.For the full current version of the article, see Flag of Japan on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm standard Geraint.

Yanagawa Seigan (1789–1858) and his wife Kōran (1804–79) were two of the great poets of nineteenth-century Japan. They practiced the art of traditional Sinitic poetry—works written in literary Sinitic, or classical Chinese, a language of enduring importance far beyond China's borders. Together, they led itinerant lives, traveling around Japan teaching poetry and selling calligraphy. Seigan established Edo-period Japan's largest poetry society and attained nationwide renown as a literary figure, as well as taking part in stealthy political activities in the years before the Meiji Restoration. Kōran was one of the most accomplished female composers of Sinitic poetry in Japanese history. After her husband's death, she was arrested and imprisoned for six months as part of a crackdown on political reform. Seigan and Kōran's works at once display mastery of a poetic tradition and depict Japan on the brink of monumental change. The Same Moon Shines on All: The Lives and Selected Poems of Yanagawa Seigan and Kōran (Columbia UP, 2024) explores the world of Seigan and Kōran, pairing an in-depth account of their lives and times with an inviting selection of their poetry. The book features eminent Sinologist Jonathan Chaves's translations of more than 130 poems by Seigan and more than 50 by Kōran, each annotated and followed by the original Chinese text. An introduction by Matthew Fraleigh, a specialist in Japan's Sinitic literature, offers insight into the historical and literary context as well as the poems themselves. Approachable and delightful, this book makes the riches of Japanese Sinitic poetry available to a range of readers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Yanagawa Seigan (1789–1858) and his wife Kōran (1804–79) were two of the great poets of nineteenth-century Japan. They practiced the art of traditional Sinitic poetry—works written in literary Sinitic, or classical Chinese, a language of enduring importance far beyond China's borders. Together, they led itinerant lives, traveling around Japan teaching poetry and selling calligraphy. Seigan established Edo-period Japan's largest poetry society and attained nationwide renown as a literary figure, as well as taking part in stealthy political activities in the years before the Meiji Restoration. Kōran was one of the most accomplished female composers of Sinitic poetry in Japanese history. After her husband's death, she was arrested and imprisoned for six months as part of a crackdown on political reform. Seigan and Kōran's works at once display mastery of a poetic tradition and depict Japan on the brink of monumental change. The Same Moon Shines on All: The Lives and Selected Poems of Yanagawa Seigan and Kōran (Columbia UP, 2024) explores the world of Seigan and Kōran, pairing an in-depth account of their lives and times with an inviting selection of their poetry. The book features eminent Sinologist Jonathan Chaves's translations of more than 130 poems by Seigan and more than 50 by Kōran, each annotated and followed by the original Chinese text. An introduction by Matthew Fraleigh, a specialist in Japan's Sinitic literature, offers insight into the historical and literary context as well as the poems themselves. Approachable and delightful, this book makes the riches of Japanese Sinitic poetry available to a range of readers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Yanagawa Seigan (1789–1858) and his wife Kōran (1804–79) were two of the great poets of nineteenth-century Japan. They practiced the art of traditional Sinitic poetry—works written in literary Sinitic, or classical Chinese, a language of enduring importance far beyond China's borders. Together, they led itinerant lives, traveling around Japan teaching poetry and selling calligraphy. Seigan established Edo-period Japan's largest poetry society and attained nationwide renown as a literary figure, as well as taking part in stealthy political activities in the years before the Meiji Restoration. Kōran was one of the most accomplished female composers of Sinitic poetry in Japanese history. After her husband's death, she was arrested and imprisoned for six months as part of a crackdown on political reform. Seigan and Kōran's works at once display mastery of a poetic tradition and depict Japan on the brink of monumental change. The Same Moon Shines on All: The Lives and Selected Poems of Yanagawa Seigan and Kōran (Columbia UP, 2024) explores the world of Seigan and Kōran, pairing an in-depth account of their lives and times with an inviting selection of their poetry. The book features eminent Sinologist Jonathan Chaves's translations of more than 130 poems by Seigan and more than 50 by Kōran, each annotated and followed by the original Chinese text. An introduction by Matthew Fraleigh, a specialist in Japan's Sinitic literature, offers insight into the historical and literary context as well as the poems themselves. Approachable and delightful, this book makes the riches of Japanese Sinitic poetry available to a range of readers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies

Yanagawa Seigan (1789–1858) and his wife Kōran (1804–79) were two of the great poets of nineteenth-century Japan. They practiced the art of traditional Sinitic poetry—works written in literary Sinitic, or classical Chinese, a language of enduring importance far beyond China's borders. Together, they led itinerant lives, traveling around Japan teaching poetry and selling calligraphy. Seigan established Edo-period Japan's largest poetry society and attained nationwide renown as a literary figure, as well as taking part in stealthy political activities in the years before the Meiji Restoration. Kōran was one of the most accomplished female composers of Sinitic poetry in Japanese history. After her husband's death, she was arrested and imprisoned for six months as part of a crackdown on political reform. Seigan and Kōran's works at once display mastery of a poetic tradition and depict Japan on the brink of monumental change. The Same Moon Shines on All: The Lives and Selected Poems of Yanagawa Seigan and Kōran (Columbia UP, 2024) explores the world of Seigan and Kōran, pairing an in-depth account of their lives and times with an inviting selection of their poetry. The book features eminent Sinologist Jonathan Chaves's translations of more than 130 poems by Seigan and more than 50 by Kōran, each annotated and followed by the original Chinese text. An introduction by Matthew Fraleigh, a specialist in Japan's Sinitic literature, offers insight into the historical and literary context as well as the poems themselves. Approachable and delightful, this book makes the riches of Japanese Sinitic poetry available to a range of readers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Yanagawa Seigan (1789–1858) and his wife Kōran (1804–79) were two of the great poets of nineteenth-century Japan. They practiced the art of traditional Sinitic poetry—works written in literary Sinitic, or classical Chinese, a language of enduring importance far beyond China's borders. Together, they led itinerant lives, traveling around Japan teaching poetry and selling calligraphy. Seigan established Edo-period Japan's largest poetry society and attained nationwide renown as a literary figure, as well as taking part in stealthy political activities in the years before the Meiji Restoration. Kōran was one of the most accomplished female composers of Sinitic poetry in Japanese history. After her husband's death, she was arrested and imprisoned for six months as part of a crackdown on political reform. Seigan and Kōran's works at once display mastery of a poetic tradition and depict Japan on the brink of monumental change. The Same Moon Shines on All: The Lives and Selected Poems of Yanagawa Seigan and Kōran (Columbia UP, 2024) explores the world of Seigan and Kōran, pairing an in-depth account of their lives and times with an inviting selection of their poetry. The book features eminent Sinologist Jonathan Chaves's translations of more than 130 poems by Seigan and more than 50 by Kōran, each annotated and followed by the original Chinese text. An introduction by Matthew Fraleigh, a specialist in Japan's Sinitic literature, offers insight into the historical and literary context as well as the poems themselves. Approachable and delightful, this book makes the riches of Japanese Sinitic poetry available to a range of readers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

Yanagawa Seigan (1789–1858) and his wife Kōran (1804–79) were two of the great poets of nineteenth-century Japan. They practiced the art of traditional Sinitic poetry—works written in literary Sinitic, or classical Chinese, a language of enduring importance far beyond China's borders. Together, they led itinerant lives, traveling around Japan teaching poetry and selling calligraphy. Seigan established Edo-period Japan's largest poetry society and attained nationwide renown as a literary figure, as well as taking part in stealthy political activities in the years before the Meiji Restoration. Kōran was one of the most accomplished female composers of Sinitic poetry in Japanese history. After her husband's death, she was arrested and imprisoned for six months as part of a crackdown on political reform. Seigan and Kōran's works at once display mastery of a poetic tradition and depict Japan on the brink of monumental change. The Same Moon Shines on All: The Lives and Selected Poems of Yanagawa Seigan and Kōran (Columbia UP, 2024) explores the world of Seigan and Kōran, pairing an in-depth account of their lives and times with an inviting selection of their poetry. The book features eminent Sinologist Jonathan Chaves's translations of more than 130 poems by Seigan and more than 50 by Kōran, each annotated and followed by the original Chinese text. An introduction by Matthew Fraleigh, a specialist in Japan's Sinitic literature, offers insight into the historical and literary context as well as the poems themselves. Approachable and delightful, this book makes the riches of Japanese Sinitic poetry available to a range of readers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/poetry

Yanagawa Seigan (1789–1858) and his wife Kōran (1804–79) were two of the great poets of nineteenth-century Japan. They practiced the art of traditional Sinitic poetry—works written in literary Sinitic, or classical Chinese, a language of enduring importance far beyond China's borders. Together, they led itinerant lives, traveling around Japan teaching poetry and selling calligraphy. Seigan established Edo-period Japan's largest poetry society and attained nationwide renown as a literary figure, as well as taking part in stealthy political activities in the years before the Meiji Restoration. Kōran was one of the most accomplished female composers of Sinitic poetry in Japanese history. After her husband's death, she was arrested and imprisoned for six months as part of a crackdown on political reform. Seigan and Kōran's works at once display mastery of a poetic tradition and depict Japan on the brink of monumental change. The Same Moon Shines on All: The Lives and Selected Poems of Yanagawa Seigan and Kōran (Columbia UP, 2024) explores the world of Seigan and Kōran, pairing an in-depth account of their lives and times with an inviting selection of their poetry. The book features eminent Sinologist Jonathan Chaves's translations of more than 130 poems by Seigan and more than 50 by Kōran, each annotated and followed by the original Chinese text. An introduction by Matthew Fraleigh, a specialist in Japan's Sinitic literature, offers insight into the historical and literary context as well as the poems themselves. Approachable and delightful, this book makes the riches of Japanese Sinitic poetry available to a range of readers.

Yanagawa Seigan (1789–1858) and his wife Kōran (1804–79) were two of the great poets of nineteenth-century Japan. They practiced the art of traditional Sinitic poetry—works written in literary Sinitic, or classical Chinese, a language of enduring importance far beyond China's borders. Together, they led itinerant lives, traveling around Japan teaching poetry and selling calligraphy. Seigan established Edo-period Japan's largest poetry society and attained nationwide renown as a literary figure, as well as taking part in stealthy political activities in the years before the Meiji Restoration. Kōran was one of the most accomplished female composers of Sinitic poetry in Japanese history. After her husband's death, she was arrested and imprisoned for six months as part of a crackdown on political reform. Seigan and Kōran's works at once display mastery of a poetic tradition and depict Japan on the brink of monumental change. The Same Moon Shines on All: The Lives and Selected Poems of Yanagawa Seigan and Kōran (Columbia UP, 2024) explores the world of Seigan and Kōran, pairing an in-depth account of their lives and times with an inviting selection of their poetry. The book features eminent Sinologist Jonathan Chaves's translations of more than 130 poems by Seigan and more than 50 by Kōran, each annotated and followed by the original Chinese text. An introduction by Matthew Fraleigh, a specialist in Japan's Sinitic literature, offers insight into the historical and literary context as well as the poems themselves. Approachable and delightful, this book makes the riches of Japanese Sinitic poetry available to a range of readers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/japanese-studies

The period of sakoku has only recently ended, and now with the Meiji Restoration in full swing, the country is investing heavily in new technologies. Locomotives have become the leading symbol of the nation's modernization. Across all four islands, new railway operations are created and entrepreneurs attempt to profit from the money being injected into the economy. Our small island is no different. It's the same here on Shikoku 1889 by Yasutaka Ikeda from Grand Trunk Games. Read the full review here: https://tabletopgamesblog.com/2024/07/06/shikoku-1889-saturday-review/ Useful Links Shikoku 1889: https://www.grandtrunkgames.com/ Rulebook: https://boardgamegeek.com/filepage/267620/shikoku-1889-rulebook-compressed Grand Trunk Games: https://www.grandtrunkgames.com/ BGG listing: https://boardgamegeek.com/boardgame/23540/shikoku-1889 Intro Music: Bomber (Sting) by Riot (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/audiolibrary/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠) Music: JoDon by Blue Dot Sessions If you want to support this podcast financially, please check out the links below: Patreon: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/tabletopgamesblog⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Ko-Fi: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://ko-fi.com/TabletopGamesBlog⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://tabletopgamesblog.com/⁠⁠⁠⁠⁠

On this week's episode the OAS team goes all in and tries to recreate your favorite dishes from Anime. Notably the team worked on an appetizer/snack dish, and a full meal. Listen in on each dish's significance in anime and Japenese culture, as well as thr process on bringing these dishes from 2D to real life! Mitarashi Dango Description: Rice flour dumplings that are skewered onto sticks in groups of 3–5 and covered with a sweet soy sauce glaze. Preparation: Form glutinous rice flour and water into balls, then drop them into boiling water until they float. Dress/cover with desired toppings. Anime Reference: Toriko: In this anime, Toriko, a Gourmet Hunter, searches for rare and diverse foods to complete a full-course meal. The Mitarashi Dango Planet (みたらし団子星 Mitarashi Dango Boshi) is a collection of edible skewered planets resembling mitarashi dango, seen as they leave Earth. Demon Slayer: ⁠Mitarashi Dango in Demon Slayer⁠. History: Originally, dumplings were used as offerings for gods in shrines. During the 13th - 14th century, the Japanese emperor visualized dango while purifying himself and used this image to create offerings for the gods. Earliest written record dates back to the Heian period (794-1185). Cultural Significance: Hanami: During the sakura (cherry blossom) season, people enjoy picnics under the trees, often serving dango. Hinamatsuri: Also known as Girls' Day or Doll's Day, celebrated on March 3rd in Japan, where dango is a popular treat. Anpan Description: A Japanese pastry filled with sweet red bean paste. History: First created by Yasubei Kimura, a former samurai turned baker, who founded Bun'eido bakery in 1871. Considered one of the “seven tools for the opening of civilization” in Japan, alongside newspapers, postal service, and gas lamps. Japanese Style Curry Description: Curry served over rice, udon noodles, or as curry bread. Ingredients: Basic vegetables: onions, carrots, and potatoes. Popular meats: beef, pork, and chicken. Preparation: Curry sauce is made by frying curry powder, flour, and oil to make roux, then adding it to stewed meat and vegetables, simmering until thickened. Recipe: Japanese Curry Recipe. History: Introduced to Japan by the British from India during the Meiji Restoration (1868–1889). Became popular in Japanese households in the early 20th century. Additional References: Japanese Curry on Wikipedia. Curry in Anime Culinary. Apple Risotto History: Originated in the 16th century in northern Italy (regions like Lombardy, Piedmont, and Veneto). Tied to the history of rice in Italy, introduced by the Arabs during the Middle Ages. The Mediterranean's humidity was ideal for growing shorter-grained rices. Created as "Risotto alla Milanese" using slow-cooking techniques combined with local rice. Episode Reference: Season 1, Episode 16: Soma vs. his father.

BANZAI!!!! I am soooooo excited to present our newest episode. As all of you listeners know, I am an SAMURAI MOVIE NUT!!!! That is no more prevalent than in this review of Akira Kurosawa's foray into the western genre but with a samurai flair, Yojimbo. You can't overstate how the western motion pictures influenced Kurosawa and how Mofune's lone Ronin (masterless samurai) totally represents the lone gunman. But let's not get too far into it. Listen and enjoy how we discuss everything from the western topic to the Meiji Restoration, in which this movie takes place. As always, we do this with a song in our hearts and bottle of SAKE in our hands!!!! KAMPAI!!!! INTRO: PEG & THE REJECTED -- ALL SING ALONG REFILL: SHAOLIN DUB -- SKANKING IT EASY DUB OUTRO: DISTEMPER -- HAPPY END EMAIL : MOVIESONTHEROCKS2020@GMAIL.COM INSTAGRAM: @moviesrockpodcast

The Meiji Restoration marked Japan's transition from a feudal society to a modern nation-state in the late 19th century, spurred by the decline of the Tokugawa Shogunate and pressures from Western imperialism. Through radical reforms, Japan achieved rapid industrialization, centralized political power, and significant social change, helping it emerge as a major global power.

This week on the Revised Introduction to Japanese History: the politics of the Meiji Period! After a coalition of samurai, nobles, loyalists, and others succeed in overthrowing the Tokugawa shogunate, they must ask themselves: what comes next? And, in the time honored tradition of revolution, they answer that question by killing off or removing from office anyone they disagree with. Show notes here. 

On this episode, Nate is joined by ER doctor, nuclear power advocate, and podcast host Chris Keefer for a broad ranging conversation including the basics of nuclear energy, how he engages with opposing opinions, and hypotheticals for a future medical system. Coming from a broad background, Chris understands what it means to have a human to human conversation and put together the pieces of our systemic puzzle in a clear and compelling way. What role could nuclear play for our future energy needs - and how are different countries making use of it today? How can we prioritize the health and safety of people under energetic and resource constraints? Most of all, how do we listen to others that we don't agree with - regardless of the issue - to foster the diverse perspectives necessary to navigate the coming challenges of the human predicament?  About Chris Keefer: Chris Keefer MD, CCFP-EM is a Staff Emergency Physician at St Joseph's Health Centre and a Lecturer for the Department of Family and Community Medicine at the University of Toronto. He is also an avid advocate for expanding nuclear power as the President of Canadians for Nuclear Energy and Director of Doctors for Nuclear Energy. Additionally, he is the host of the Decouple Podcast exploring the most pressing questions in energy, climate, environment, politics, and philosophy. PDF Transcript Show Notes  00:00 - Chris Keefer works + info, Decouple Podcast, Canadians for Nuclear Energy 04:45 - Egalitarian hunter gatherer society, infant mortality 05:12 - Bow drill fire 07:10 - Yukon 07:30 - Humans and livestock outweigh wild mammals 50:1, not in the Yukon 08:10 - Dr. Paul Farmer 08:45 - Most humans use to work in agriculture, ~15% now involved in healthcare 10:56 - Ontario nuclear power, one of lowest electric grid in the world 12:01 - Justin Trudeau 12:24 - Simcoe Clinic, Canadian Center for Victims of Torture 14:01 - World population over time 14:36 - Paleodemography 14:59 - Degrowth 15:19 - Infant mortality in developed countries 15:55 - Tight link between energy, materials and GDP 20:54 - Duck and Cover Drills 21:05 - Environmental Movement and Nuclear 21:21 - Nagasaki bomb radiation injuries 21:49 - High dose radiation is deadly, low dose radiation less so 21:05 - Strontium-90 found in the teeth of babies 21:10 - Atmospheric weapons testing ban 22:33 - Fukushima meltdown, health impacts are negligible 23:09 - 20,000 people died from the Fukushima earthquake and following tsunami  23:47 - Fukushima contaminated water has been filtered out and is safe 24:24 - How radiation is measured 26:02 - Health effects from alcohol 26:16 - Drinking culture in the U.S. 27:22 - Nuclear energy density, land footprint 28:23 - Best nuclear applications and limitations 30:01 - Those who live in nuclear powered areas fare better 30:33 - Price of nuclear energy over the lifetime 30:45 - Nuclear power in France 31:18 - Canada energy history, center for nuclear research outside of the Manhattan Project 32:23 - 1000 people die prematurely every year due to coal 33:25 - Ontario population 33:38 - Candu Reactors 34:15 - Levelized cost of electricity, skewed with renewables 37:01 - Lazard Graphs 38:09 - Mark Jacobson 41:07 - Carbon emissions by power source 41:23 - Lifespan of nuclear plants 43:11 - Land use change impacts 43:31 - Nuclear and job creation 46:05 - US spending on military vs healthcare 48:49 - Meiji Restoration 49:33 - Vaclav Smil 50:42 - AI electricity demands 50:55 - AI risks 51:29 - Meredith Angwin  52:42 - Nuclear fuel 53:10 - 46% of uranium enrichment happens in Russia 54:15 - Known Uranium Reserves 54:25 - Haber Bosch  54:55 - Breeder Reactors 55:42 - Uranium in seawater 56:14 - Slow vs Fast Neutrons, fertile elements 57:04 - Sodium Fast Reactor 58:45 - China built a nuclear reactor in less than 4 years 1:00:05 - Defense in depth 1:01:11 - EMP, solar flare 1:01:30 - HBO's Chernobyl, wildlife thriving in chernobyl area 1:03:13 - Death toll from radiation in Chernobyl 1:05:13 - Scientific literature and confirmation bias 1:08:12 - Chernobyl Children's International 1:08:44 - Genome sequencing of highest exposures to radiation from chernobyl 1:09:09 - Germline mutations if the father smokes 1:10:02 - The Great Simplification animated video 1:10:32 - Peak Oil 1:12:10 - Complex 6-continent supply chains 1:12:30 - I, Pencil 1:15:19 - Nuclear Fusion 1:16:24 - Lawrence Livermore 1:17:45 - Tomas Murphy, Galactic Scale Energy 1:18:11 - Small Modular Reactor 1:19:26 - Cost saving in nuclear comes from scaling 1:19:34 - Wright's Law, economies of multiples 1:23:33 - Biden administration policies and advances on nuclear 1:24:00 - Non-profit industrial complex 1:24:24 - The size of the US non-profit economy 1:24:44 - Sierra Club, anti-nuclear history 1:25:14 - Rocky Mountain Club 1:27:15 - Hans Rosling 1:27:32 - Somalia infant mortality rate 1:27:42 - Cuba 1990s economic shock and response 1:27:42 - Vandana Shiva + TGS Episode 1:30:27 - Cognitive Dissonance 1:31:45 - Jonathan Haidt + TGS Podcast, Righteous Mind 1:32:48 - Fatality and hospitalization statistics for COVID for first responders 1:33:22 - Truckers protest in Ottawa 1:34:15 - The problem with superchickens  1:36:54 - How social media tries to keep you online 1:37:12 - Paleopsychology 1:37:55 - Tristan Harris and Daniel Schmachtenberger on Joe Rogan 1:39:45 - John Kitzhaber + TGS Episode, Robert Lustig + TGS Episode 1:39:55 - US healthcare 20% of GDP, 50% of the world's medical prescriptions are in the US  1:41:55 - Superutilizers 1:42:37 - Cuban medical system, spending, life expectancy, infant mortality 1:43:06 - Cuban export of pharmaceuticals 1:44:08 - Preventative medicine, chronic disease management 1:44:25 - Cuban doctor to person ratio, rest of the world 1:48:47 - Social determinants of health 1:49:20 - Cement floor reducing illness in Mexico 1:50:03 - Hygiene hypothesis 1:50:28 - Zoonotic disease and human/animal cohabitation 1:50:50 - Roundworm life cycle 1:52:38 - Acceptable miss rates 1:53:16 - Cancer screening effectiveness  1:53:58 - Drugs produced from nuclear plant byproducts 1:58:18 - Timothy O'Leary 2:02:28 - Superabundance 2:02:40 - Julian Simons and Paul Ehrlich bet 2:02:15 - Malthusian 2:06:08 - Pickering Plant Watch this video episode on YouTube

This week we're back in Cruise control as we follow Tom to a mystical faraway land of blood and honour. It's 2003's The Last Samurai, directed by Edward Zwick, and starring Tom Cruise, Ken Watanabe, Tony Goldwyn, Hiroyuki Sanada, Timothy Spall, Billy Connolly, Koyuki, William Atherton, Scott Wilson and Masato Harada. The movie's conception of the dawn of the Meiji Restoration is bafflingly nonsensical, but what it gets wrong about Japan in 1876 can be forgiven for what it gets right about America in 2003. It's a sweeping war epic from the director of Glory, starring Tom Cruise at the height of his leading man swagger, and a supporting cast that notably launched the North American careers of several Japanese treasures of the silver screen. Meanwhile at the theatre, Hayley hit up the re-release of Ex Machina while J Mo caught up with Love Lies Bleeding. Other works discussed in this episode include Blow Out, Civil War, Godzilla vs Kong, Godzilla x Kong: The New Empire, Godzilla Minus One, Children of Men, The Good Shepherd, Pooh's Heffalump Movie, Batman Begins, Inception, Gladiator, Troy, The Lord of the Rings trilogy, A.I.: Artificial Intelligence, Gossip, White Noise, The SpongeBob SquarePants Movie, The Mummy, Hot Rod, The Walking Dead, Harry Potter and the Prisoner of Azkaban, Tropic Thunder, Days of Thunder, Valkyrie, Vanilla Sky, Eyes Wide Shut, and Minority Report among others. We will be back next week to celebrate the release of Alex Garland's Civil War by tracing it all the way back to the last American civil war, as we check in with returning favourite Heath Ledger and returning gremlin Mel Gibson in 2000's The Patriot -- a movie that sadly just like The Last Samurai is not currently available to stream in Canada. Oh well. Until then, we'll see you at the movies!!

Set against the backdrop of Japan's Meiji Restoration, the film follows the journey of Captain Nathan Algren (played brilliantly by Tom Cruise), a disillusioned American Civil War veteran. Algren is hired by the Japanese government to train their newly formed army in Western warfare techniques. However, fate leads him to the samurai, a group fiercely resisting modernization.

Matthew, Riki, and Paul dive deep into the prequel film Rurouni Kenshin: The Beginning in this episode of the podcast Superhero Ethics. We explore the complex themes of violence, redemption, and the pursuit of peace in a tumultuous era of Japanese history. Join us as we unravel the moral dilemmas faced by Kenshin, a skilled swordsman grappling with his past as an assassin during the Meiji Restoration.Key Points:Can violence be justified in the pursuit of peace? We examine Kenshin's internal struggle as he wrestles with the idea of killing to usher in a new era of tranquility.Is Kenshin a true martial artist or simply a highly skilled swordsman? We debate the philosophical differences between fighting styles and the deeper meaning behind the art of the sword.How does the film portray the historical context of the Meiji Restoration, and what implications does this have on our understanding of Kenshin's journey?Other Topics Covered:The tragic romance between Kenshin and TomoeThe role of prequel storytelling in enhancing our understanding of beloved charactersComparing and contrasting the film with its anime and manga counterpartsThe power of non-verbal storytelling and its impact on the viewer's experienceExploring the cultural differences between Hollywood and Japanese filmmakingConclusion:Rurouni Kenshin: The Beginning offers a captivating glimpse into the origins of a legendary character, forcing us to confront the moral ambiguity of violence in the name of progress. Through stunning visuals, masterful performances, and thought-provoking themes, this film leaves us with a deeper appreciation for the complexities of Kenshin's journey and the enduring question of whether peace can truly be achieved through bloodshed. Join Matthew, Riki, and Paul in this unforgettable exploration of Superhero Ethics in Rurouni Kenshin: The Beginning. We've started the conversation. Now we want to hear from you!Want to continue the discussion with us? Agree or disagree with what we talked about, or add your own thoughts? We've got options for you!Email: ✉️ Matthew@TheEthicalPanda.com

This week we talk about the Meiji Revolution, shoguns, and the Lost Decade.We also discuss NVIDIA, economic bubbles, and the Tokyo Stock Exchange.Recommended Book: The Blue Machine by Helen CzerskiTranscriptWhat became known as the Meiji Restoration, but which at the time was generally, locally, called the Honorable Restoration, refers to a period of massive and rapid change in Japan following the restoration of practical powers to the country's Emperor.In 1853, the arrival of Commodore Perry and his warships in Japan forced the country to open up trade to the rest of the world, initially with the US but shortly thereafter with other nations, as well. This led to the signing of a series of treaties that were heavily slanted in favor of those other nations, at Japan's expense, and the Meiji Restoration was a consequence of those humiliating treaties, which were essentially forced and enforced by military might, not because Japan wanted anything to do with these foreign entities and their money and goods.So in the 1860s, some reformist political leaders in Japan started to support the Emperor, who had become something of a ceremonial figure in recent generations, during the country's multi-century seclusion from the rest of the world, and this, among other things, led to a decision by those in charge, who now had more power at their disposal, to shift from a feudal society into an industrialized one.There was a fair bit of tumult and internal conflict during this period, but the eventual upside was the re-centralization of the country and its land and other assets under the Emperor, away from the shoguns who had been running their own pseudo-countries within Japan for a long while, alongside an order that the country would do a complete 180, no longer isolating itself and eschewing anything foreign, instead seeking knowledge far and wide, wherever it originates, sending folks around the world to discover whatever they can, and to then bring that understanding back to Japan, to strengthen this new iteration of the nation.By the end of the 19th century, industrialization was the name of the game in Japan, and those in charge had successfully encouraged civilians to bolster the economy by tying its success to the country's military success.Other governments were happy to play into this transition, as it meant enriching themselves, as well, creating a new, modernizing trade partner that they could exploit but also invest in, and this led to a doubling-down on rapid modernization by the the government, including the culling and destruction of traditional practices, landmarks, and social classes, which wasn't popular amongst the nation's many samurai and other previously celebrated and upper-class people, but it did help the government further centralize power and influence, and reorient things toward economic success and away from a more feudal style of distributed military-backed fiefdoms.This allowed Japan to become the first non-Western great power, and it's what allowed them to grow to the point that they could take on half the world in World War II, expanding their control throughout Asia and across the Pacific.Because Japan suffered relatively less from the Great Depression than most Western nations, it was also in a pretty good spot compared to the countries that would become its opponents in WWII leading up to the conflict, and its GDP growth in the 1920s and 30s is part of what allowed it to expand so rapidly across Southeast Asia, grabbing a lot of Chinese territory and turning much of the region, including parts of the Philippines, Burma, Malaya, and Thailand into plantation-like colonies.The war and post-war periods, though, were a lot less great for Japan, as essentially all the economic gains it made during the Meiji Restoration were lost, their manufacturing capacity wiped out, their infrastructure destroyed, their population numbers depleted, and their civilians psychologically scarred by the drawn-out war and its eventual arrival on their doorstep.Japan lost its colonies, and as tends to be the case with post-colonial nations, it had to endure a period of economic recalibration, as it could no longer rely upon cheap labor and commodities from these colonies.It also had to make changes based on the treaties it signed upon its surrender, shifting resources away from its military—which had been a major focus of its entire culture and economy until this point—and moving from an imperial system into a democracy.The country was then occupied for years, and the previous landlord class that owned much of the country's rural territory was dissolved, the land distributed to the tenant farmers that worked it.Huge business conglomerates that were close with the government, and which owned much of the economy for about a century were also broken up, and new laws that encouraged business competition and discouraged monopolistic practices were enacted.After Japan's manufacturing capacity was restored and people were able to rebuild their homes and businesses and everything else that had been destroyed during the war, Japan opened up to international business entities, invested heavily in industries that other countries valued, like chemical production and information technology, and from the 1960s onward, this led to a surge in the country's economy, Japanese industry seeming to always get the jump on its international competition, especially in high-tech fields, like the burgeoning electronic appliance, television, and personal computer markets.What I'd like to talk about today is how Japan's fresh, 20th century rise fizzled out at the dawn of the 21st century, and why its stock market is booming, now, despite other economic indicators saying the opposite.—Things weren't perfect for Japan in the latter-half of the 20th century—they, like much of the rest of the world, experienced an oil crisis in the 1970s, for instance—but they really did chart an impressive economic trajectory for most of the 60s, 70s, 80s, and 90s.Their success was even more impressive in comparison to other wealthy nations at the time, as that oil shortage, mostly the result of geopolitics, hampered growth in the West, especially the United States, and that allowed Japan to steal a march on its main, electronic hardware and automobile industry competition.Japan was also in a good spot to profit in these spaces because it had a well-educated population that was used to working long, arduous hours, the former the result of a huge investment in schools, post-WWII, and the latter baked into the culture for generations, due to the country's long history of feudal governance and philosophies that celebrate labor as a moral pursuit.This allowed Japan to attain a spot amongst the most successful economies in the world, achieving the third-largest gross national product in the 1970s, following only the US and USSR, and achieving first place in the same by 1990.Previous waves of economic growth in the country had been spurred by exports, but the boom in the late-1980s that led to its 90s-era success was caused by an increase in local consumption, and that, in turn, increased the nation's imports, to feed still-increasing local demand for all sorts of luxuries, alongside fundamentals that were being upgraded, like medical services, leisure-related goods, and basic quality-of-life improvements.This period was also marked by heavy investment in telecommunications and computing research and development, and that made it the home of the world's largest stock exchange, the Tokyo Stock Exchange, as everyone, everywhere around the world wanted to invest in the most up-and-coming companies, most of which were operating in these industries, and many of them were thus based in Japan, whose cities felt like a sort of science fiction glimpse at the future compared to cities located elsewhere during this period.Beginning in 1989, though, Japan started to run larger and larger trade surpluses, the yen grew in value, and Japanese citizens were encouraged, through a variety of tariffs and other policies, to save their money rather than spending it.This led to a period in which businesses were incentivized to buy their foreign competitors rather than investing locally, because their yen bought more overseas than in-country, and this further appreciated the value of the yen, increased the trade-surplus even further, and led to a boom in financial assets, which led to a lot more speculation on the Japanese financial assets market.That increased popularity in financial speculation led to banks making riskier loans and the rates dramatically increasing on bonds, stocks, and housing, and that, as we've seen happen elsewhere over the years, led to a real estate bubble that made it difficult for Japanese citizens to afford housing, but which also, eventually caused an economic crash, all that investment that was aimed at booming Japanese businesses suddenly flooding outward, instead.This led to less investment in tech-centric R&D, which led to less-competitive Japanese businesses that were suddenly unable to compete with their foreign rivals, and that, combined with low local consumption, because a lot of people lost their savings in popped-bubble assets and were thus no longer spending as enthusiastically as they had been.This led to a deflationary spiral that was amplified by banks continuing to hand out money to basically anyone who asked, leading to even more bad investments and the emergence and popping of a number of smaller bubbles into the late-1990s.The government was forced to subsidize the banks that went under because of all those bad investments, and they did the same for businesses that could no longer do much of anything, but which continued to technically function, earning them the monicker "zombie businesses," of which there were many across Japan.This period, during which the country's meta-financial bubble slowly collapsed, rather than dramatically popping, has become known as Japan's lost decade, and despite moments of optimism here and there in the years, since, it has arguably become a lost couple of decades, as the government's many attempts to address its deflation and the devaluation of its stock market and larger economy haven't done much to stop the bleeding, and the slow-growth its Nikkei stock index has seen since late-2012 as a result of efforts to increase the country's money supply and eliminate deflation was halted by the implementation of significant new consumption taxes, the damage caused by a huge super typhoon in 2019, and the global recession sparked by the arrival of COVID-19 in 2020.All of which makes recent news out of Japan, that the country's Nikkei index reached a record high, surpassing its 1989 bubble-era peak in late-February of this year, a bit surprising.After all, most of the fundamentals in the country haven't really changed, not enough to significantly nudge the needle, anyway, and the other big headlines about Japan's economy, of late, have been about the recession that it entered at the end of 2023.Data released the same month the Nikkei hit that 34-year high indicate that at the tail-end of 2023, Japan entered a recession, and adding insult to injury, fell off the list of the world's top-3 economies, ceding its third-place position (after the US and China) to Germany—which also isn't doing great right now, but is still doing a bit better than Japan.What seems to be happening is that COVID-era recession is still weighing on consumer spending in Japan, and the country's industrial output is still low, wages are still low, and inflation is eating up the excess money folks have managed to put away.This has hurt the country's somewhat-burgeoning service industry, as folks aren't spending on services anymore, lacking enough extra money to do so, and capital spending seems to be stalling, as well, leading to production stoppages at automotive plants, which have reportedly been amplified by a lack of skilled labor, which is itself a problem tied to both insufficient pay and a rapidly aging population.The jump in the stock market, in contrast, seems to be the result of AI-linked enthusiasm throughout global markets.Chip-maker NVIDIA has been a huge success story in the US, propping up the market there, and serving as a sort of stand-in for AI optimism more broadly, because it makes the majority of the best, most AI-centric high-end computer chips, and that has led to a surge in its valuation, but also that of other companies even tangentially connected to it and its industry.Japan houses several such companies, including Tokyo Electron and Advantest, which make equipment that NVIDIA relies upon, and Japan actually still makes computer chips, even if its not as competitive as Taiwan-based TSMC or Netherlands-based ASML, which makes the machines that make chips.Japan, then, is in a relatively favorable position if this surge in AI-investment continues, because it has the infrastructure and skilled laborers necessary to build-out a hopping high-end chip manufacturing base—so investments are throwing money at some local, relevant companies in the hopes that they'll pay out in the way NVIDIA is currently paying out; which is a lot.The Japanese government is leaning into this, recently announcing about $68 billion in resources for chip-making companies and related entities in-country, which is a big bet to make, but similar to bets being made by other governments, all hoping that chips will become the next oil, and that they'll be in a position to become market leaders over the next decade, benefitting from further investment, and from that increased long-term capacity of this increasingly fundamental resource.All of which may or may not play out in their favor, as there's a chance a lot of the hype in AI right now does turn out to be just hype, similar to what we saw with crypto-assets a handful of years ago.There's also a chance that Japan's fundamentals just aren't where they need to be to sustain this kind of build-out, which would leave them with a lot of incomplete or non-competitive assets that further drain the country's economy and bank account, without providing much in the way of long-term payout.In the meantime, though, Japan's economy is incredibly uneven, the majority of people continuing to suffer under high-levels of inflation and wages that aren't keeping up, while a relative few are seeing their stock holdings boom, earning a lot more than they have in recent decades from these sorts of investments, and hoping that trend continues.Show Noteshttps://www.imf.org/external/pubs/nft/2003/japan/index.htmhttps://www.imf.org/external/datamapper/NGDPD@WEO/JPNhttps://www.bloomberg.com/news/features/2024-02-20/japan-s-67-billion-bet-to-regain-title-of-global-chip-powerhousehttps://www.reuters.com/markets/asia/tokyo-stocks-rally-many-japanese-find-themselves-left-behind-2024-02-22/https://www.investopedia.com/5-things-to-know-before-the-stock-market-opens-february-22-2024-8598465https://www.ft.com/content/8b982ad2-8923-4f48-adc6-946c10964657https://www.wsj.com/finance/stocks/japans-nikkei-after-34-years-briefly-tops-record-close-in-intraday-trading-7c29e029https://www.ft.com/content/1539d638-7499-4dc9-af4f-8a8f2a06ec9bhttps://www.nytimes.com/2024/02/22/business/japan-stocks-record.htmlhttps://spectrum.ieee.org/intel-18a This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit letsknowthings.substack.com/subscribe

In 1864, on a midsummer's day, Kawai Koume, a 60-year old matriarch of a samurai family in Wakayama, makes a note in her diary, which she had dutifully written in for over three decades. There are reports of armed clashes in Kyoto. It's said that the emperor has ordered the expulsion of the foreigners, and it's also said that a large band of vagabond soldiers has gathered in Senju in Edo. It's said that in Edo people are wearing their [winter] kimono linings, and in Nikko it has been snowing. I don't know if it's true. But really, every day we hear nothing but disturbing rumors. The Meiji Restoration, which ousts the shogun and restores the emperor's power, happens four years later. Koume's diary is the central document in Simon Partner's latest book Koume's World: The Life and Work of a Samurai Woman Before and After the Meiji Restoration (Columbia University Press, 2023) In this interview, Simon and I talk about Kawai Koume, her diary, and everything she witnessed in the decades covered by her journal. Simon Partner is professor of history at Duke University. He is the author of three previous books that chronicle modern Japanese history through the lives of ordinary people such as farmers, shopkeepers, and housewives, including most recently The Merchant's Tale: Yokohama and the Transformation of Japan (Columbia University Press: 2018). You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Koume's World. Follow on Twitter at @BookReviewsAsia. Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In 1864, on a midsummer's day, Kawai Koume, a 60-year old matriarch of a samurai family in Wakayama, makes a note in her diary, which she had dutifully written in for over three decades. There are reports of armed clashes in Kyoto. It's said that the emperor has ordered the expulsion of the foreigners, and it's also said that a large band of vagabond soldiers has gathered in Senju in Edo. It's said that in Edo people are wearing their [winter] kimono linings, and in Nikko it has been snowing. I don't know if it's true. But really, every day we hear nothing but disturbing rumors. The Meiji Restoration, which ousts the shogun and restores the emperor's power, happens four years later. Koume's diary is the central document in Simon Partner's latest book Koume's World: The Life and Work of a Samurai Woman Before and After the Meiji Restoration (Columbia University Press, 2023) In this interview, Simon and I talk about Kawai Koume, her diary, and everything she witnessed in the decades covered by her journal. Simon Partner is professor of history at Duke University. He is the author of three previous books that chronicle modern Japanese history through the lives of ordinary people such as farmers, shopkeepers, and housewives, including most recently The Merchant's Tale: Yokohama and the Transformation of Japan (Columbia University Press: 2018). You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Koume's World. Follow on Twitter at @BookReviewsAsia. Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

In 1864, on a midsummer's day, Kawai Koume, a 60-year old matriarch of a samurai family in Wakayama, makes a note in her diary, which she had dutifully written in for over three decades. There are reports of armed clashes in Kyoto. It's said that the emperor has ordered the expulsion of the foreigners, and it's also said that a large band of vagabond soldiers has gathered in Senju in Edo. It's said that in Edo people are wearing their [winter] kimono linings, and in Nikko it has been snowing. I don't know if it's true. But really, every day we hear nothing but disturbing rumors. The Meiji Restoration, which ousts the shogun and restores the emperor's power, happens four years later. Koume's diary is the central document in Simon Partner's latest book Koume's World: The Life and Work of a Samurai Woman Before and After the Meiji Restoration (Columbia University Press, 2023) In this interview, Simon and I talk about Kawai Koume, her diary, and everything she witnessed in the decades covered by her journal. Simon Partner is professor of history at Duke University. He is the author of three previous books that chronicle modern Japanese history through the lives of ordinary people such as farmers, shopkeepers, and housewives, including most recently The Merchant's Tale: Yokohama and the Transformation of Japan (Columbia University Press: 2018). You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Koume's World. Follow on Twitter at @BookReviewsAsia. Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies

In 1864, on a midsummer's day, Kawai Koume, a 60-year old matriarch of a samurai family in Wakayama, makes a note in her diary, which she had dutifully written in for over three decades. There are reports of armed clashes in Kyoto. It's said that the emperor has ordered the expulsion of the foreigners, and it's also said that a large band of vagabond soldiers has gathered in Senju in Edo. It's said that in Edo people are wearing their [winter] kimono linings, and in Nikko it has been snowing. I don't know if it's true. But really, every day we hear nothing but disturbing rumors. The Meiji Restoration, which ousts the shogun and restores the emperor's power, happens four years later. Koume's diary is the central document in Simon Partner's latest book Koume's World: The Life and Work of a Samurai Woman Before and After the Meiji Restoration (Columbia University Press, 2023) In this interview, Simon and I talk about Kawai Koume, her diary, and everything she witnessed in the decades covered by her journal. Simon Partner is professor of history at Duke University. He is the author of three previous books that chronicle modern Japanese history through the lives of ordinary people such as farmers, shopkeepers, and housewives, including most recently The Merchant's Tale: Yokohama and the Transformation of Japan (Columbia University Press: 2018). You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Koume's World. Follow on Twitter at @BookReviewsAsia. Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices

Discover the life of Ichiyo Higuchi, the first female writer of Meiji Japan. We discuss the end of the Tokugawa Period, the beginning of the Meiji Restoration and how this set the stage for Japan as a formidable world power in the 20th century.Support the show

In this episode of The Unfinished Print, I speak with Henry Smith, Professor Emeritus in the Dept. of East Asian Languages & Cultures at Columbia University.  Together we delve into the scientific aspects of Meiji woodblock prints, exploring the trajectory of Nishiki-e during the late Edo and Meiji eras. Additionally, we examine the significance of cochineal and naphthol dyes, and scrutinize particle sizes. Henry's scholarly contributions include groundbreaking articles on subjects such as Hokusai and the Blue Revolution, with the introduction of Prussian Blue to the Japanese woodblock aesthetic during the mid to late Edo Period.  Join me in discovering how Henry's passion drew him into the enchanting world of Meiji woodblock prints, as we navigate the influence of Western collectors in Meiji Japan, exemplified by figures like English s urgeon William Anderson. Henry helps me in understanding the rich palette and the science behind Meiji prints, shaped by the infusion of imported dyes and pigments. Please follow The Unfinished Print and my own mokuhanga work on Instagram @andrezadoroznyprints or email me at theunfinishedprint@gmail.com  Notes: may contain a hyperlink. Simply click on the highlighted word or phrase. Artists works follow after the note if available. Pieces are mokuhanga unless otherwise noted. Dimensions are given if known. Publishers are given if known. The funeral procession of Meiji Emperor at Nijubashi designed by Yasuda Hanpo (1889-1947) Columbia Academic Commons  Professor Henry Smith's article on the Japanese Student movement, here. Peter Gluck - is an American architect who has won multiple awards and has designed buildings all over the world. He is the principal of GLUCK+, an architecture firm based in New York City.  Professor Carol Gluck - is a Special Research Scholar and George Sansom Professor Emerita of History, Department of History at Columbia University. She has written multiple books and articles on Japanese history.  Jane Jacobs (1916-2006) - an American-Canadian journalist, activist who had written extensively on the life and death of North American cities such as New York City, and Toronto. Her book The Death And Life Of Great American Cities, is considered a classic in urban planning for the modern city and its subsequent decline.  Robert Venturi (1925-2018) -  was an American architect and theorist known for his contributions to postmodern architecture. He, along with his partner and wife Denise Scott Brown, played a key role in shaping architectural discourse in the late 20th century. Venturi challenged the modernist principles that dominated architecture at the time, advocating for a more inclusive and eclectic approach. His book, Complexity and Contradiction in Architecture (1966) was where he critiqued the rigidity of modernist architecture and championed a more diverse and contextual approach to architecture.  Metabolism (Japan) - The Metabolism movement was characterized by a group of young Japanese architects and designers who sought to address the challenges of rapid urbanization and rebuilding after World War II. Key principles and concepts of Metabolism in Japanese architecture are megastructures, prefabrication and modularity, biology and organic growth, and technological innovation. One special notable example of Metabolist architecture was the now demolished Kisho Kurokawa's Nakagin Capsule Tower in Tōkyō. Shinjuku: The Phenomenal City - was the exhibition Henry Smith discussed in this episode. It was exhibited December 16, 1975 to March 7, 1976 at the Museum of Modern Art, New York City. More info, here. a+u magazine - also known as architecture and urbanism magazine, is a Japanese/English architecture magazine first published in 1971. More info, here.  Kōji Taki (1928-2011) - was a Japanese author, architectural critic, editor, and key figure in the Metabolist movement. He played a significant role in shaping the discourse of contemporary architecture in Japan and was instrumental in promoting the ideas of the Metabolists. Kappabashi - located in Tōkyō's Asakusa district, is a renowned destination for kitchenware and restaurant supplies. The street is lined with stores offering a diverse range of products, including traditional Japanese knives, sushi-making equipment, and unique culinary gadgets. Kappabashi is especially popular for its sampuru shops, where visitors can buy realistic food replicas commonly displayed outside restaurants. The area features a mix of large retailers and specialty stores, creating a charming atmosphere with its traditional Japanese architecture. It's easily accessible from Tawaramachi Station on the Tokyo Metro Ginza Line. fūkei hanga - are landscape images. These paintings and prints represent the natural world such as mountains, rivers, waterfalls. You can find these types of prints from the golden age of nishiki-e to shin-hanga, to today.  Sunset at Tomonotsu (1940, 9"x14") by Tsuchiya Koitsu (1879-1942) and published by Watanabe.  Mitaka - is a city located in the western part of Tōkyō, Japan. A very pretty and quiet part of the city it is famous for the Ghibli Museum, and Inokashira Park. 100 Views of Edo (名所江戸百景) - is a series of nishiki-e prints designed by Utagawa Hiroshige (1797-1858). It was published between 1856 and 1859 and consists of 118 or 119 prints, each depicting various scenes of Edo (Tōkyō). The prints show the beauty, diversity, and everyday life of Edo, capturing different seasons, landscapes, landmarks, and activities. Hiroshige's use of color, composition, and atmospheric effects contributes to the series' enduring popularity. The scenes range from bustling urban areas and landscapes to rural views, often incorporating elements of nature and traditional Japanese culture. Suruga-chō (1885) Thirty Six Views of Mount Fuji - one of Hokusai's most iconic series, known for its various depictions of Mount Fuji in different seasons, weather conditions, and different vantage points. The series includes "The Great Wave off Kanagawa." Published between 1830-1832 the series portrays Mount Fuji in different perspectives, everyday life, as well as the special importance of Mount Fuji in Edo culture. The series had a large impact on Western artists and thinkers, including the Impressionists and Post-Impressionists. Umezawa Hamlet-fields in Sagami Province (1830-31) Santa Barbara Museum of Art - is an art museum located in Santa Barbara, California, USA. Its collection contains art works from all over the world, focusing on paintings, sculpture, and paper works. More info, here.  Kobayashi Kiyochika (1847-1915) - was a painter and woodblock print designer famous for his war prints on the First Sino-Japanese War (July 25, 1894- April 17, 1895). Kiyochika captured the transitional period in Japanese history as the country underwent rapid modernization and Westernization during the late 19th and early 20th centuries. Onoguchi Tokuji Destroying The Gate at Jinzhoucheng (1895 14 3/4" x 28 9/16") published by Daikokuya. Utagawa School - was a school of print designers starting with Utagawa Toyoharu (1735-1814). He employed one point perspective (vanishing point) in his print designs, being influenced by Western perspective. The influence of the Utagawa school goes far in Japanese print history and one of its most successful. This schools print designs of kabuki portraits, beautiful women (bijin-ga), and landscapes are excellent. Some famous names attributed to the Utagawa school are Utamaro (1753-1806), Utagawa Kunisada (1786-1865), and Ando Hiroshige (1797-1858). A fine description of this school can be found, here at Artelino.  Newly Published Picture of the Battle of Jiuzan-shan in China (9 3/16" x 13 1/8") attributed to Utagawa Toyoharu Okumura Masanobu (1686-1784) - was a Japanese nishiki-e artist and print designer who lived during the Edo period. He is credited with pioneering the use of full-color printing and is considered one of the early masters of the art form. Okumura Masanobu was known for his contributions to bijin-ga and yakusha-e (actor prints). He played a role in the development of nishiki-e as a popular art form. More information can be found at Viewing Japanese Prints, here.  Large Perspective Picture of Evening Cool by Ryōgoku Bridge (ca. 1748) hand coloured Sumida River - is a major river that flows through Tōkyō, Japan. It plays a significant role in the history, culture, and landscape of the city. The Sumida River flows for approximately 27 kilometers (about 17 miles) through Tokyo, originating from Kita City and flowing into Tōkyō Bay. It passes through several wards, including Kita, Adachi, Sumida, Taito, Koto, and Chuo. The river has been portrayed in nishiki-e prints for generations, along with its bridges.  Kobayashi Kiyochika the Sumida River at Night (9.76"x14" - est. 1881) Utagawa Kuniyoshi (1798-1861) - is considered one of the last “masters” of the ukiyo-e genre of Japanese woodblock printmaking. His designs range from landscapes, samurai and Chinese military heroes, as well as using various formats for his designs such as diptychs and triptychs. Yamayoshi Genba no jō Chikafusa (14 5/16" x 9 15/16" - 1848/49) published by Sumiyoshiya Ike no Taiga (1723-1776) - was a Japanese painter of the mid-Edo period, known for his skill in the Nanga style, which was influenced by Chinese literati painting. He is best remembered for his role in promoting a cross-cultural exchange of ideas between Japan and China in the realm of art and aesthetics during the Edo Period. Landscape with Pavilion (1750) Akita ranga painting - a style of Japanese painting that emerged in the late Edo period, particularly during the 19th century, in the region of Akita in northern Japan. The term "ranga" literally translates to "Dutch painting" and reflects the influence of European painting styles, particularly Dutch and Western techniques, which were introduced to Japan through trade with the Dutch during the Edo Period. More info, here.  Satake Shozan (1748-1785) - Pine Tree and Parakeet (68.11" x 22.83") est 1700's, painting. Shinobazu Pond - is a large pond located within Ueno Park in Tōkyō, Japan. Ueno Park is a spacious public park that is home to several museums, a zoo, temples, and beautiful green spaces. Shinobazu Pond is one of the central features of Ueno Park, and it is renowned for its scenic beauty and historical significance. hanmoto system - is the Edo Period (1603-1868) collaboration system of making woodblock prints in Japan. The system was about using, carvers, printers, and craftsmen by various print publishers in order to produce woodblock prints. The system consisted of the following professions; publisher, artist, carver, and printer. William Anderson (1842–1900) was an English surgeon and collector with a significant impact on the appreciation and understanding of Japanese art in the late 19th century. Anderson became a passionate collector of Japanese art, amassing a vast and diverse collection that included nishiki-e, ceramics, textiles, and other traditional artworks. His collection grew to be one of the most significant and comprehensive of its time. His bequest laid the foundation for the development of Japanese art studies in the West, influencing subsequent generations of scholars, collectors, and enthusiasts. ezōshiya - is a type of Japanese bookstore that specializes in selling "ehon" or picture books. Ehon are valued not only for their storytelling but also for the quality of illustrations. These books played a role in promoting visual literacy and appreciation of art in Japan. Nishiki-e had been sold at these book stores during the Edo Period.  Utagawa Kunisada (1786-1865) is widely regarded as one of the most significant woodblock print designers in Japanese history. His diverse portfolio includes prints ranging from landscapes and books to erotica and sumo. Kunisada worked during the vibrant era of nishiki-e alongside notable artists such as Andō Hiroshige (1797-1858), Katsushika Hokusai (1760-1849), and the aforementioned Kuniyoshi. This period represents a rich and abundant chapter in Japanese woodblock print history. Ichikawa Danjurō VIII as Hanzaemon published by Tamaya Sōsuke (1852) 13 9/16" x 9 3/16" cochineal - known as yōko in Japanese, is a red dye taken from the dried bodies of female cochineal insects. These insects are native to Central and South America, where they feed on the sap of prickly pear cacti. Cochineal has been used for centuries as a natural dye, valued for its vibrant red color. An article about synthetic pigments and cochineal in Japanese woodblock prints and co-written by Henry Smith can be found, here.  William Sturgis Bigelow (1850-1926) - was an avid collector of Japanese art. His extensive travels to Japan from 1882 to 1889, coupled with a close friendship with Ernest Fenollosa, enabled him to amass a remarkable collection. Bigelow's acquisitions played a pivotal role in promoting Japanese art in the Western world. World Of The Meiji Print - is a book published by Weatherhill in 1991 and written by Julia Meech-Pekarik. It describes how nishiki-e developed and evolved during the Meiji period.  Roger Keyes (1942-2020) - was a distinguished scholar of Japanese woodblock prints. His expertise was showcased in his 1982 dissertation, a comprehensive study of Tsukioka Yoshitoshi (1839-1892). Additionally, Keyes authored the book 'Ehon: The Artists and the Book in Japan' in 2006, further solidifying his significant contributions to the understanding of Japanese printmaking. Amy Reigle Newland - is a Japanese print scholar who has written various articles and books upon the subject. One of my favourite books by Newland is her book about Toyohara Kunichika, Time Present and Past: Images of A Forgotten Master (1999).  Bruce Coats - is Professor of Art History and the Humanities at Scripps College, Claremont, California. He has contributed to several books on Japanese woodblock prints, one of my favourites is Chikanobu: Modernity and Nostalgia in Japanese Prints (2006).  James A Michener (1907-1997) - was a Pulitzer Prize-winning writer, scholar, and esteemed academic known for his extensive contributions to various literary genres. Beyond his celebrated literary achievements, Michener also delved into the world of Japanese prints, demonstrating a multifaceted curiosity and intellectual versatility. His exploration of Japanese prints added another layer to his diverse body of work, reflecting a deep appreciation for Japanese art and culture. Honolulu Academy of Arts - founded in 1922 by Anna Rice Cooke, evolved into the Honolulu Museum of Art (HoMA) in 2012. Rice-Cooke's vision for a multicultural art space led to its creation, with an endowment and land donated by the Cooke family. The museum's architectural style blends Hawaiian, Chinese, and Spanish influences. Over the years, HoMA expanded, adding educational wings, a cafe, and more, while its permanent collection grew to over 50,000 pieces. In 2011, The Contemporary Museum merged with HoMA, unifying as the Honolulu Museum of Art. More info, here.  shinbun nishiki-e - the Meiji Restoration of 1868 marked a pivotal moment in Japan's history, prompting significant societal upheavals. Tōkyō, formerly Edo, became the new centre of Imperial Japan, and by 1871, the traditional feudal class system had been abolished, accompanied by compulsory education laws. This era of profound change spurred creative responses to economic challenges. Starting in the summer of 1874, innovative individuals introduced shimbun nishikie, vibrant single-sheet woodblock prints that served as colorful souvenirs. These prints, produced until 1876, were not just visually striking but also narratively engaging, recounting news articles in a format ideal for oral storytelling. Renowned artists like Ochiai Yoshiiku and Tsukioka Yoshitoshi, both students of the celebrated Utagawa Kuniyoshi, played a key role in illustrating these captivating snapshots of an evolving Japan. An excellent article on shinbun nishiki-e can be found here, from All About Japan.  Fighting Off A Wolf by Sadanobu II (1848-1940) from the Nichinichi Shinbun (9 1/2" x 6 3/4")  Satsuma Rebellion -  occurring in 1877, was a last stand against the modernization policies of the Meiji government by disaffected samurai from the Satsuma domain. Led by Saigō Takamori (1828-1877), a key figure in the Meiji Restoration. The rebellion sought to restore imperial power and resist the centralization efforts of the government. The conflict ended in a decisive government victory at the Battle of Shiroyama, where Saigō met his end, marking one of the final samurai-led uprisings in Japan's history. Suzuki Harunobu (1725-1770) -pioneered the art of nishiki-e, becoming the first to craft multi-color woodblock prints. Renowned for his exquisite designs, Harunobu's subjects often revolved around the portrayal of beautiful women, shunga (erotic art), and classical poetry. His innovative techniques and thematic choices significantly influenced the genre during the Edo period in Japan. Lovers Walking In The Snow (1764-1772) (11 1/4"x8 1/8") Emperor Meiji born Mutsuhito (1852 – 1912), was the 122nd Emperor of Japan, reigning from 1867 until his death in 1912. His reign, known as the Meiji Era, marked a transformative period in Japanese history. The Meiji Restoration of 1868 saw the end of the Tokugawa shogunate and the restoration of imperial rule, with Emperor Meiji playing a central role in Japan's modernization and westernization efforts. During his era, Japan underwent significant political, social, and economic reforms, propelling the country into the ranks of major world powers. Emperor Meiji's reign is often associated with Japan's rapid modernization and emergence onto the global stage. sōsaku-hanga -  also known as creative prints, is a printmaking style primarily, though not exclusively, characterized by prints created by a single artist. Originating in early twentieth-century Japan, alongside the shin-hanga movement, this style emphasizes the artist's direct involvement in the entire printmaking process — from design and carving to printing. While the designs, especially in the early stages, may appear rudimentary, the concept of artists producing their own prints marked a significant departure from the traditional model where a select group of carvers, printers, and publishers collaborated in the creation of woodblock prints. shin hanga - is a style of Japanese woodblock printmaking that emerged in the early 20th century, marking the end of the nishiki-e period. Originating around 1915 under the direction of Watanabe Shōzaburō (1885-1962), the art form responded to the foreign demand for "traditional" Japanese imagery. Shin hanga artists focused on motifs like castles, bridges, famous landscapes, and bamboo forests. The style was initiated when Watanabe discovered Austrian artist Fritz Capelari (1884-1950) and commissioned him to design prints for Watanabe's budding printing house. This collaboration led to the evolution of shin hanga into a distinctive new style of Japanese woodblock printing. The shin hanga movement thrived until its inevitable decline after the Second World War (1939-1945). fan print (uchiwa-e) - are crafted in the form of flat, oval fans using materials such as rice paper or silk. These prints are designed to be functional fans, allowing for practical use while showcasing artistic designs. Amy Poster - is the curator emerita of Asian Art at the Brooklyn Museum. aizuri-e - are woodblock prints made entirely with shades of blue. This style gained popularity during the Edo Period.  Keisai Eisen (1790-1848) - was a nishiki-e print designer and author during the Edo Period. His print designs are famous for beautiful women and large head prints (ōkubi-e).   surimono (date unknown - Edo Period) Hiraga Gennai (1729-1779/80) - was a versatile Japanese polymath and rōnin during the Edo period. His diverse talents spanned pharmacology, rangaku (Dutch learning), medicine, literature, painting, and invention. Notable creations include the erekiteru (electrostatic generator), kankanpu (asbestos cloth). Gennai authored satirical works such as Fūryū Shidōken den (1763) and Nenashigusa (1763), along with essays like On Farting and A Lousy Journey of Love. He also wrote guidebooks on male prostitutes, including the Kiku no en (1764) and San no asa (1768). Employing various pen names like Kyūkei and Fūrai Sanjin, he is most recognized by the name Hiraga Gennai. Yokohama-e -refers to a genre of Japanese woodblock prints depicting scenes from Yokohama, a pivotal port city during the late Edo and Meiji periods. These prints showcase the influx of international influences, featuring foreign ships, traders, and cultural exchanges. Yokohama-e captures the dynamic transformation of Japan as it opened to the world, portraying a vivid visual narrative of the city's bustling trade and encounters between Japanese and Western cultures. View of Foreigners' Houses on the Beach Street Seen From Yokohama Port (ca. 1873) by Hiroshige III (1842-1894) Sadahide Utagawa (1807-1878/79) - was a designer of nishiki-e during the late Edo and early Meiji Periods. He trained under Utagawa Kunisada and depicted medieval Japanese scenes, collaborating on the 53 Stations of the Tōkaidō, and prints related to Yokohama-e.   Battle of Ōei (ca.1848) Sir William Henry Perkin (1838–1907) was a British chemist who is renowned for his accidental discovery of the first synthetic dye, known as mauveine or mauve. This significant breakthrough occurred in 1856 when Perkin was attempting to synthesize quinine, a treatment for malaria, from coal tar derivatives. Instead, he obtained a purple-colored substance while working with aniline, leading to the creation of the vibrant purple dye. napthols - are special dyes used in making colourful fabrics on handlooms. They get their name from a specific part in their makeup called an azo group. These dyes are known for making colors really bright and long-lasting on fabrics. They help create fabrics in lots of different colors, like orange, brown, yellow, scarlet, golden yellow, black, red, violet, and more.  orpiment -  sekiō in Japanese, is a bright yellow to orange-yellow mineral composed of arsenic trisulfide (As2S3). It has been historically used as a pigment in painting and for other decorative purposes due to its vibrant color. Often found in association with realgar, another arsenic sulfide mineral, orpiment has also been employed in traditional medicine and alchemy. However, its toxic nature limits such applications, and it's crucial to note that handling orpiment, especially in powdered form, poses health risks due to the presence of arsenic. Marco Leona PhD - is the David H. Koch Scientist at Large at the Metropolitan Museum of Art. He has written several articles on Spectroscopy and art.  Estée Lauder (1906-2004) - was a pioneering American businesswoman and the co-founder of the renowned cosmetics company Estée Lauder Companies. Alongside her husband Joseph Lauder, she established the company in 1946, starting with a few skincare products she developed herself. Estée Lauder's hands-on approach to marketing and emphasis on quality turned her brand into a symbol of luxury. Initially selling to friends, she built a global beauty empire with a diverse product line including skincare, makeup, and fragrances. Today, the Estée Lauder Companies remain influential in the beauty industry, with a portfolio of well-known brands. Estée Lauder's legacy is marked by her significant contributions to the cosmetics world and her establishment of an enduring and iconic beauty brand. The Adachi Institute of Woodblock Prints - is a print studio located in Tōkyō. Established in 1994 in order to promote and preserve the colour woodblock print of Japan. More information, in English and in Japanese.  The 47 Rōnin of Akō - were a group of samurai who sought revenge for the unjust death of their master, Lord Asano Naganori, in 1701. After Asano was forced to commit seppuku (a form of ritual suicide), his loyal retainers, the 47 Ronin, meticulously planned and executed the revenge, successfully avenging their lord's honor. The story is a celebrated example of bushido (samurai code) and loyalty in Japanese history and folklore. smalt - is a deep blue pigment that has been historically used in art and ceramics. It is composed of finely powdered glass, often colored with cobalt oxide to achieve its distinctive blue hue. Smalt was popular during the Renaissance and Baroque periods as a substitute for expensive blue pigments like lapis lazuli. Artists would mix smalt with binders to create blue paint for their artworks. Smalt has some drawbacks, including a tendency to fade over time and a vulnerability to darkening when exposed to certain environmental conditions. Keiji Shinohara - is a Japanese mokuhanga printmaker who apprenticed under Uesugi Keiichiro in Ōsaka. He is the artist-in-residence at Wesleyan University in Connecticut. More info about Keiji can be found here, and here. Yamado-ike from the series Eight Views of Hirakata (2006) 11"x15": gum arabic - is a sap from two types of Acacia tree. In art it is used as a binder for pigments which creates viscosity (depending on how much or little is applied to your pigments) for your watercolours and oils. Rachel Levitas has a fine description on how she uses gum arabic in her work, here.  Bakumatsu Period -  refers to the final years of the Edo period, specifically from the mid-19th century to the early 1860s. The term "Bakumatsu" can be translated as "end of the shogunate." This era was characterized by significant political, social, and economic changes that eventually led to the overthrow of the Tokugawa shogunate and the restoration of imperial rule in the Meiji period. Bunsei Period - was a period in Japanese history which lasted from April 1818 - December 1830 CE © Popular Wheat Productions opening and closing musical credit - The Shadow of Your Smile by Dominic Farinacci, G@ Records (2023)  logo designed and produced by Douglas Batchelor and André Zadorozny  Disclaimer: Please do not reproduce or use anything from this podcast without shooting me an email and getting my express written or verbal consent. I'm friendly :) Слава Українi If you find any issue with something in the show notes please let me know. ***The opinions expressed by guests in The Unfinished Print podcast are not necessarily those of André Zadorozny and of Popular Wheat Productions.***                                          

This week, friend of the pod John Bellamy Poster commandeered a gunship and made his way onto Gladio Free Europe to discuss 19th century Japanese history in the backdrop of the unique historical manga Golden Kamuy. Exploring the pivotal moments that reshaped Japan, John takes us through the monumental arrival of Commodore Perry's black ships, an event that broke Japan's 220-year-old policy of isolation and precipitated a domino effect of change. We delve into the Meiji Restoration, an era of rapid modernization and westernization, which saw the overthrow of the Tokugawa shogunate and the reinstatement of imperial rule. The Boshin War, a civil war that symbolized the end of the samurai era, is examined through the lens of its influence on Japanese society and politics. Lastly, we traverse the rugged terrains of Hokkaido and discuss the beginning of its colonization, shedding light on the cultural and economic impacts this had on the indigenous Ainu people, as well as Japan itself. Interspersed with references to the gripping saga of Golden Kamuy, John explains how this historical manga offers a visceral narrative that intertwines these significant events with the lives of its richly developed characters. Join us on Gladio Free Europe for a journey through the transformative epochs of Japan, brought to life by history and manga alike.

In Archaism and Actuality: Japan and the Global Fascist Imaginary (Duke UP, 2023) eminent Marxist historian Harry Harootunian explores the formation of capitalism and fascism in Japan as a prime example of the uneven development of capitalism. He applies his theorization of subsumption to examine how capitalism integrates and redirects preexisting social, cultural, and economic practices to guide the present. This subsumption leads to a global condition in which states and societies all exist within different stages and manifestations of capitalism. Drawing on Japanese philosophers Miki Kiyoshi and Tosaka Jun, Marxist theory, and Gramsci's notion of passive revolution, Harootunian shows how the Meiji Restoration of 1868 and its program dedicated to transforming the country into a modern society exemplified a unique path to capitalism. Japan's capitalist expansion in the nineteenth and twentieth centuries, rise as an imperial power, and subsequent transition to fascism signal a wholly distinct trajectory into modernity that forecloses any notion of a pure or universal development of capitalism. With Archaism and Actuality, Harootunian offers both a retheorization of capitalist development and a reinterpretation of epochal moments in modern Japanese history. Jingyi Li is a PhD Candidate in Japanese History at the University of Arizona. She researches about early modern Japan, literati, and commercial publishing. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In Archaism and Actuality: Japan and the Global Fascist Imaginary (Duke UP, 2023) eminent Marxist historian Harry Harootunian explores the formation of capitalism and fascism in Japan as a prime example of the uneven development of capitalism. He applies his theorization of subsumption to examine how capitalism integrates and redirects preexisting social, cultural, and economic practices to guide the present. This subsumption leads to a global condition in which states and societies all exist within different stages and manifestations of capitalism. Drawing on Japanese philosophers Miki Kiyoshi and Tosaka Jun, Marxist theory, and Gramsci's notion of passive revolution, Harootunian shows how the Meiji Restoration of 1868 and its program dedicated to transforming the country into a modern society exemplified a unique path to capitalism. Japan's capitalist expansion in the nineteenth and twentieth centuries, rise as an imperial power, and subsequent transition to fascism signal a wholly distinct trajectory into modernity that forecloses any notion of a pure or universal development of capitalism. With Archaism and Actuality, Harootunian offers both a retheorization of capitalist development and a reinterpretation of epochal moments in modern Japanese history. Jingyi Li is a PhD Candidate in Japanese History at the University of Arizona. She researches about early modern Japan, literati, and commercial publishing. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

In Archaism and Actuality: Japan and the Global Fascist Imaginary (Duke UP, 2023) eminent Marxist historian Harry Harootunian explores the formation of capitalism and fascism in Japan as a prime example of the uneven development of capitalism. He applies his theorization of subsumption to examine how capitalism integrates and redirects preexisting social, cultural, and economic practices to guide the present. This subsumption leads to a global condition in which states and societies all exist within different stages and manifestations of capitalism. Drawing on Japanese philosophers Miki Kiyoshi and Tosaka Jun, Marxist theory, and Gramsci's notion of passive revolution, Harootunian shows how the Meiji Restoration of 1868 and its program dedicated to transforming the country into a modern society exemplified a unique path to capitalism. Japan's capitalist expansion in the nineteenth and twentieth centuries, rise as an imperial power, and subsequent transition to fascism signal a wholly distinct trajectory into modernity that forecloses any notion of a pure or universal development of capitalism. With Archaism and Actuality, Harootunian offers both a retheorization of capitalist development and a reinterpretation of epochal moments in modern Japanese history. Jingyi Li is a PhD Candidate in Japanese History at the University of Arizona. She researches about early modern Japan, literati, and commercial publishing. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies

In Archaism and Actuality: Japan and the Global Fascist Imaginary (Duke UP, 2023) eminent Marxist historian Harry Harootunian explores the formation of capitalism and fascism in Japan as a prime example of the uneven development of capitalism. He applies his theorization of subsumption to examine how capitalism integrates and redirects preexisting social, cultural, and economic practices to guide the present. This subsumption leads to a global condition in which states and societies all exist within different stages and manifestations of capitalism. Drawing on Japanese philosophers Miki Kiyoshi and Tosaka Jun, Marxist theory, and Gramsci's notion of passive revolution, Harootunian shows how the Meiji Restoration of 1868 and its program dedicated to transforming the country into a modern society exemplified a unique path to capitalism. Japan's capitalist expansion in the nineteenth and twentieth centuries, rise as an imperial power, and subsequent transition to fascism signal a wholly distinct trajectory into modernity that forecloses any notion of a pure or universal development of capitalism. With Archaism and Actuality, Harootunian offers both a retheorization of capitalist development and a reinterpretation of epochal moments in modern Japanese history. Jingyi Li is a PhD Candidate in Japanese History at the University of Arizona. She researches about early modern Japan, literati, and commercial publishing. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

In Archaism and Actuality: Japan and the Global Fascist Imaginary (Duke UP, 2023) eminent Marxist historian Harry Harootunian explores the formation of capitalism and fascism in Japan as a prime example of the uneven development of capitalism. He applies his theorization of subsumption to examine how capitalism integrates and redirects preexisting social, cultural, and economic practices to guide the present. This subsumption leads to a global condition in which states and societies all exist within different stages and manifestations of capitalism. Drawing on Japanese philosophers Miki Kiyoshi and Tosaka Jun, Marxist theory, and Gramsci's notion of passive revolution, Harootunian shows how the Meiji Restoration of 1868 and its program dedicated to transforming the country into a modern society exemplified a unique path to capitalism. Japan's capitalist expansion in the nineteenth and twentieth centuries, rise as an imperial power, and subsequent transition to fascism signal a wholly distinct trajectory into modernity that forecloses any notion of a pure or universal development of capitalism. With Archaism and Actuality, Harootunian offers both a retheorization of capitalist development and a reinterpretation of epochal moments in modern Japanese history. Jingyi Li is a PhD Candidate in Japanese History at the University of Arizona. She researches about early modern Japan, literati, and commercial publishing. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/world-affairs

Today we wrap up our close-in look at the puppet state of Manchukuo and cover what drove the state and kept it a function part of the Japanese Empire. The short answer is money, but there were also fitful attempts at building an identity mixed in there too. Not terribly successful ones, but enough that there was a veneer of legitimacy covering up the abject servitude.    Bibliography for this episode:    McClain, James L A Modern History of Japan WW Norton & Company Inc, 2002 Duus, Peter The Cambridge History of Japan, Volume 6: The Twentieth Century Cambridge University Press 1988 Young, Louise Japan's Total Empire: Manchuria and the Culture of Wartime Imperialism University of California Press 1998 Jowett, Philip S. Rays of the Rising Sun: Armed Forces of Japan's Asian Allies 1931-45 Helion & Company Limited 2004 Duara, Prasenjit Sovereignty and Authenticity: Manchukup and the East Asian Modern Rowan & Littlefield Publishers, Inc 2003 Matsusaka, Yoshihisa Tak The Making of Japanese Manchuria, 1904-32 Harvard University Asia Center 2001 Mitter, Rana The Manchurian Myth: Nationalism, Resistance, and Collaboration in Modern China University of California Press 2000 Paine, S.C.M. The Japanese Empire: Grand Strategy from the Meiji Restoration to the Pacific War Cambridge University Press 2017 Paine, S.C.M. The Wars for Asia, 1911-1949 Cambridge University Press 2012    Questions? Comments? Email me at peaceintheirtime@gmail.com

Turns out that when you build an artificial state via conquest and exploitation that it doesn't lend itself to stability. The establishment of Manchukuo in early 1932 didn't clear out the hundreds of thousands of unemployed soldiers, partisans, and bandits roaming the countryside. It would take years of campaigning to instill even a sense of control, and the Chinese collaborators would at best make for unreliable allies. And to top it all off, officers in the Kwantung Army decided that more expansion would lead to stability.    Bibliography for this episode:    McClain, James L A Modern History of Japan WW Norton & Company Inc, 2002 Duus, Peter The Cambridge History of Japan, Volume 6: The Twentieth Century Cambridge University Press 1988 Young, Louise Japan's Total Empire: Manchuria and the Culture of Wartime Imperialism University of California Press 1998 Jowett, Philip S. Rays of the Rising Sun: Armed Forces of Japan's Asian Allies 1931-45 Helion & Company Limited 2004 Duara, Prasenjit Sovereignty and Authenticity: Manchukup and the East Asian Modern Rowan & Littlefield Publishers, Inc 2003 Matsusaka, Yoshihisa Tak The Making of Japanese Manchuria, 1904-32 Harvard University Asia Center 2001 Mitter, Rana The Manchurian Myth: Nationalism, Resistance, and Collaboration in Modern China University of California Press 2000 Paine, S.C.M. The Japanese Empire: Grand Strategy from the Meiji Restoration to the Pacific War Cambridge University Press 2017 Paine, S.C.M. The Wars for Asia, 1911-1949 Cambridge University Press 2012    Questions? Comments? Email me at peaceintheirtime@gmail.com

On this day in 1871, the yen became the national currency of Japan.See omnystudio.com/listener for privacy information.