Podcast appearances and mentions of clint stewart

CASTxOFF Podcast 22: Jonnie King (Valentine’s Special)Jonnie King has truly found himself in the City of Angels. As a true artist of his craft, he showcases an extremely versatile range of sounds that play through dark synthwave, melodic techno to chuggin' Disco. This is why he is known as “the DJ who has no sound”. Refusing to pigeon-hole himself into one genre, he chooses to create an auditory playground for his audience, taking them on a journey like never heard before. With a music collection spanning the last 20 years of electronic music, cherry-picking selections with a fine-toothed comb, you are sure to be enthralled in a brand new experience every time you hear him.Jonnie’s resume includes festivals such as Coachella, BPM, Burning Man, Lightning in a Bottle, Further Future, WMC & Beyond Wonderland. The talented artist is also known by many under the moniker AEONIX. With the debut of the project, Pulse Radio hailed it as “Top 10 Must See Acts At Further Future.”Labels he’s released on include Francesca Lombardo’s “Echolette”, who he made the EP with, Just Her’s “Constant Circles”, Manual Music / MNL, Tierra Sounds, Subtract Music, Cenote Records & many more.Artists such as Goldcap, David Hohme, KMLN, Uone, Clint Stewart, Birds of Mind, Charles Webster, Lonely Boy & Hubert Kirchner are some that have remixed his music.Jonnie’s music has received rotations from heavyweights such as Sasha, Groove Armada, Hernan Cattaneo, Lee Burridge, Audiofly, Francesca Lombardo, Nick Warren, Jonas Rathsman, Acid Pauli, Eelke Kleijn and Nicole Moudaber to name a few.He’s received notoriety in publications such as DJ Mag, Pulse Radio, Deep House Amsterdam, Insomniac Events, Pioneer DJ Radio, Ibiza Global Radio, Electronic Groove & MusicIs4Lovers.Jonnie King’s most recent Tarantino-esque EP, “When The West Was One” on Tierra Sounds reached #2 on Beatport. Upcoming releases include a single on Constant Circles and an EP on Comport, as well a very special remix to be announced soon.His new party “Anytime Anywhere” is a breath of fresh air for Los Angeles, as it focuses on debuting undiscovered talent in the dark synthwave realm. With all of this, 2021 is sure to be a huge year for the rising talent.Follow Jonnie King:Instagram: www.instagram.com/jonniekingSoundcloud: www.soundcloud.com/jonnie-kingFacebook: www.facebook.com/djjonniekingFollow CASTxOFF:Instagram: www.instagram.com/castxoff.laFacebook: www.facebook.com/castxoff.laSoundcloud: www.soundcloud.com/castxoff_laPrepare for departure ⚓️

Tracklist: 1-Kobosil – You Answered with Love 2-Trikk – Ardente 3-Finnebassen – Rotundo 4-Jiggler – Rising 5-Jonas Saalbach – Driven by Madness 6-Oliver Koletzki - They Can't Hold Me Back (Sian's Opiodemic Remix) 7-Clint Stewart, The Reason Y - Aubade Flares 8-Mind Against – Forevermore 9-Tim Engelhardt – Sawtooth Orchestra 10-nthng - It Never Ends 11-Basement Scene – The Longest Storm 12-Colyn - Amor Radio events loopsradio.com/events/ Radio Podcast loopsradio.com/podcast-page/ Radio Artists loopsradio.com/artists/ #electronica #playlist #dj #producer #djset #djane #deep #deepprogressive #darkprogressive #progressivehouse #electrohouse #melodichousetechno #melodichouseandtechno #deephouse #techhouse #techno #house #beatport #traxsource #junodownload #loopsradio

Tom Palash is a dj and a producer from Poznan - one of the biggest city in Poland. He started his adventure with music in 1997 as MC and a producer on a Polish hip-hop scene. Since then he was active in many musical genres. After several years of his career as MC he devoted himself to studio production and thanks to that he won a competition in one of the biggest Polish radio called “Trójka” with a trip-hop tune with vocals by Natalia Grosiak - famous vocalist in Poland. His music was released on a vinyl mixtape one of top hip-hop label in Poland - Junoumi rec. His achievements include many released in a digital form as well. In bigest Polish Electronic Music Awards - “Munoludy” organized from bigest club-related webside competition in 2015 he was placed on the 15th position in a DJ/Producer category, 2nd position in a Podcast of the year category, only after Catz’n’Dogz release – very famous worldwide duo from Poland. Events where he played (Rodhad in Nowa Jerozolima, Warsaw and Tale of Us in Stara Rzeźnia, Poznan) were placed on the 1st and 2nd position in Event category. One year later in the same competition he was on the 3rd place in Dj/Producer category. Among many places in Poland, it is worth to mention his performance during Audioriver festival – biggest Festival of Electronic music in Poland where can be hear such a top names like Jeff Mills or Dixon, where he accompanied his friend by playing electronic drums. Not long after with Jacob Seville he created a label called Sevash Records, which was releasing electronic music. Since 2016 he plays on events in Alps, French Alps among others, Risoul, Les2Alps, AlpdeHuez. These events are always a huge success which results in next invitations. In 2017 he ruled the audience of Audioriver festival – this time as a DJ. Then in September he was closing one of the most important events of the season in a club called Alphabet (Tel-Aviv, Israel). He supported artists such as Etapp Kyle, Radioslave, Bas Mooy, 999999999 live, Robert Babicz, Daniel Stefanik, Jurek Przeździecki, Mike Vamp, Tigerskin, Rodhad, Tale of Us, Vril, Baikal, Mano Le Tough, Zenker Brothers, Recondite, Woo-York, Keith Carnal, Vaal, Matt Karmil, Gaiser, Clint Stewart, Zoe Xenia, Len-Faki, Kollektiv Turmstrasse, Rebekah, Burnski, JP Enfant, Marco Resmann, Ruede Hagelstein, Apparat, Regal, Boston 168, Amelie Lens, Extrawelt and many more. He was a guest in radio stations such as Frisky Radio or Proton Radio and Polish clubs: Smolna, Tama, Projekt LAB, Nowa Jerozolima, Luzztro, Prozak2.0, Sfinks700, SQ Club, 8bitów, Stara Rzeźnia, Chalet and Ritter Butzke in Berlin, Alphabet in Tel-Aviv. He co-created events under the name “Manipulation” in Projekt LAB one of techno club in Poznan. He was a resident Dj of Nowa Jerozlima (currently closed) one of best clubs in poland and co-creator of events called “Jerousalem on tour”. Now he is one of the rosters of Smolna club in Warsaw, where he plays frequently and resident of biggest club in Poland – TAMA. He prefers many types of techno music. He likes strong, dark, emotional sets. His productions shows his different faces, from emotional deep to dark acid techno. Set tracklist: 1. Błażej Malinowski - Drifting (Original Mix) 2. Ness - Sidereal Cycle (Original Mix) 3. Fixon - AD (Mental Resonance Deep Mix) 4. Ian Axide - Glycerine (Original Mix) 5. A4 (ES) - Y Position (Original Mix) 6. Bily - Acts (Original Mix) 7. Albert Salvatierra - Conscience (Original Mix) 8. Nihad Tule - Lean Forward (Original Mix) 9. M.I.T.A. - Mofo (Original Mix) 10. Jason Fernandes - Insane Heads (Original Mix) 11. David Löhlein - Lana One (Original Mix) 12. Horacio Cruz - War 13 (Original Mix) 13. Keith Carnal - Any Given Name (Original Mix) 14. Albert Salvatierra - Strange Behaviour (Original Mix) 15. Tom Palash - unreleased 16. Emmanuel - Tutan (Original Mix) 17. Carl Haze - Odyssey (Original Mix) 18. Conforce - Aphelion (Original Mix) 19. Callum Plant - Prelude (Original Mix)

On this episode, we dive into the conversation around Sekiro and accessibility as we chat with Clint Stewart about his experience playing Soulsbourne games with an arm and a foot. iTunes Page: https://itunes.apple.com/us/podcast/noclip/id1385062988 RSS Feed: http://noclippodcast.libsyn.com/rssGoogle Play: https://play.google.com/music/listen?u=0#/ps/If7gz7uvqebg2qqlicxhay22qny Spotify: https://open.spotify.com/show/5XYk92ubrXpvPVk1lin4VB?si=JRAcPnlvQ0-YJWU9XiW9pg Soundcloud: https://soundcloud.com/noclippodcast Watch our docs: https://youtube.com/noclippodcast Sub our new podcast channel: https://www.youtube.com/channel/UCSHBlPhuCd1sDOdNANCwjrA Learn About Noclip: https://www.noclip.videoBecome a Patron and get early access to new episodes: https://www.patreon.com/noclip Follow @noclipvideo on Twitter Hosted by @dannyodwyerFunded by 4,501 Patrons.  ------------------------------------------------------------- - [Danny] Hello and welcome to Noclip, the podcast about the people who play and make video games. I'm your host Danny O'Dwyer. We've had a lot of people on who have made video games, so it's about time we've had someone on who plays them. And this isn't just anyone, this is a friend of Noclip and somebody I've wanted to collaborate with for quite awhile. So I'll let him introduce himself. Clint, how are you doing this fine Friday afternoon? - [Clint] I'm doing great, thank you. Hey Danny. - [Danny] Tell us a little bit about yourself. I'll kind of get into what we're gonna talk about in a hot second, but tell us your name, where you are right now, and what we're here to talk about. - [Clint] Alright, my name is Clint Stewart. I go by DisabledCable on Twitter and JehovahNova on Steam, bunch of other names. I think TreeLegDog may be one of them. I've been a gamer most of my life and almost seven years ago, I was injured very badly and I lost my left arm and I broke my back as well, so trying to learn how to play games one-handed has been quite the challenge. - [Danny] And you're somebody who can kind of speak to the accessibility question from somebody who has experienced playing games with no disability and experiencing games with a pretty heavy one as well. We've a lot to get into today. Before we sort of talk about, I guess, your experience more generally, I just want to let everyone know how this came to happen for this episode of the podcast. I've been wanting to do something with Clint for a long time because his insight into this is super refreshing and he's a very eloquent speaker but we've sort of struggled to get that project up and running. We're hoping to do it the future. But what happened in the past month I guess is this sort of general conversation that's been going on around Sekiro easy mode and accessibility, which I did a video on on Noclip. You can watch an episode of Bonus Level that's kind of all about that. And that was kind of my opinion on it but I thought, the way Noclip works is that we often ask the experts about these things. People who aren't, we're not just giving my option on the state of development or design or anything but we go out and we find people who are experts in these issues. Clint is an expert in this. Not only because of the way in which he plays games but also because he's a fan of the particular series in question. So pretty early on I kind of tapped him up and was like, hey, when you've played the game a bit can you come on the podcast and sort of chew the shit with us about this? So first of all, thank you so much for coming on and making the time. - [Clint] Yeah, thank you. I've gotta say to start off with too, you did buy it for me. So I gotta be, first off, I've never been called an expert and you did buy the game for me, so that's all. All that's out of the way and start now. - [Danny] Yeah, we don't let interns, we don't do unpaid internships or don't pay people who are contributing to our work so yeah, yeah, no. Absolutely, it's the least we could do. So before we touch on Sekiro, can you tell us a little bit about how you generally play games? Like if you're going out to buy a game today Clint, what are the considerations that you have to sort of take into account? And how do you actually play them? - [Clint] Definitely, and this is a great first question because it really made me think about the Souls games and games like those and just everything that I have to take into consideration when I buy a game. The last game that I bought that was similar to Sekiro would be Neo. And I had to refund Neo when I first bought it because they released that PC port with no mouse keyboard controls whatsoever. I'm used to some games mouse and keyboard not working in the menus or maybe I can't rebind the keys in-game but I can do it in the Razer Synapse software, but with Neo, it was just like no. You better buy a controller or it's just not gonna work. And just one of the only times I've ever had to refund a game. - [Danny] Is that rare? Does that happen often? - [Clint] That is extremely rare these days, thankfully. And enough people, I got on Twitter which my tweet might have got two likes. I don't think I got noticed by anybody but more than just me who's coming out saying, hey, this needs mouse and keyboard support. You can't release a PC game with no mouse and keyboard support. And I was hoping that maybe the Dark Souls, before the remaster that just came out, the community got together and made mouse keyboard controls work in that game as well. Because the first Dark Souls port was horrible. It's one of the worst ports I think I've ever played. And the community got, what was it called? The DS Fix, I guess the one guy made. But then they added on to it and added mouse and keyboard support, but they still didn't get the prompts right. So you would get a prompt on the screen to do something but it would say, it would be the controller prompt. You still wouldn't get the mouse and keyboard, which is extremely frustrating when you're trying to remember. You've just changed everything up and you think you remember what you did but then you know, that's extremely frustrating. Generally when I buy a game I look, does it have rebindable keys? And if not, that's not always a deal breaker, but does it just have mouse and keyboard support in general? Because I have two different one-handed controllers and I don't want to knock the guys that worked on those, that created them. One of them was the first guy who I'd ever seen even do this. He has a channel on YouTube. And each controller has it's own issues, but I mean for what they are, there really is no other choice if you have to play console games. I mean because they still haven't gotten around to adding mouse and keyboard support fully on the Xbox. I think PlayStation has some in a couple games. But even like Xbox, they just added it and they have a partnership with Razer, but yet if you were to turn on the Xbox and try to just use the mouse and keyboard, or in my case the mouse and footboard, which is the Stinkyboard, you can't do anything. You have to use a controller to navigate the UI. And then to find the games that will work with mouse and keyboard. It's a lot to think about when you're looking at games. - [Danny] Yeah, it's a whole lot of questions that most of us don't really have to consider at all. So when you're interacting with these games, obviously the bindable keys, you said, is a really important part of it. But what are you using physically? Because presumably you're not using both a mouse and keyboard. You're remapping this to a third-party peripheral, or sort of a-- - [Clint] So yeah, just let me explain that a little better. I use a 19 button mouse that's called a Razer Naga. Razer is the company that makes it and the Naga is the brand. And basically it's made for MMO. It's called an MMO mouse. Which I have used it in an MMO, and we can talk about that later. I think that's, one of the games that I used to try to teach myself how to play again was World of Warcraft. And then I also use a Stinkyboard, which is a four button footboard. Now both of these hardware have software tied to them as well that will allow you to completely rebind. You can make any of the buttons whichever button you want. And then the Razer software is even more powerful because you can make macros as well. And there are certain games like Devil May Cry 5, that just came out recently. That's a beautiful game. It's brilliant, it's a lot of fun to play. But for me as a one-armed gamer that was infuriating because you had to press three different buttons to be able to do some moves. And that was including having to hold down a button for lock on. So I ended up having to go in the Razer Synapse software and make a simple on/off macro for lock on, just so I could do some of the moves in that game. Out of all the things that they forget to add, like of course I would love to see ultrawide support or unlock frame rate. The game does have unlock frame rate, but just simple lock on. Being able to just toggle that on or off. Just like maybe you want to have sprint always on, have a toggle on sprint or a toggle on crouch. For lock on should be something that just needs to be industry standard. Do you want it toggable or not? - Wow. - Just help people out. That's definitely something I've come across in a few different games. - [Danny] Yeah, I hadn't thought about that consideration at all. When you're playing then, so you have a prosthesis, right? Like you have some sort-- - [Clint] I actually do have government subsidies, or I should say subsidized, because I had to go through a legal battle just to get Medicare and Medicaid. I've talked to you about my story before, you know what happened. They denied me disability. I actually got denied twice and had to get a disability lawyer to get disability. And then when I finally got in court the judge was like, oh my lord, son, we're gonna take care of this. - Oh my goodness. - And I was in and out of there in two minutes. - [Danny] On what grounds were they? - [Clint] You know what, the first letter I got back they were like, oh he can still bend over and lift things. I'm like, with what good back and what two arms? Did you even read what your doctor said? Ah, bureaucrats, man. - [Danny] That's incredible. So the judge like took one glance at you and kind of-- - [Clint] Yeah, soon as I got in front of the judge he was just like, I am so sorry sir, and we're gonna get this taken care of. Within the next three months I had an arm. You know, I think the government paid $90,000 for it, I wanna say. And it's very nice but it's very limited. I mean, it's the first version, right? Like if I had, I've got a few complaints about it, but one of the most being is how heavy it is. Because it's carbon fiber and it's got a battery. And also due to the kind of amputation that I had. I don't have a lot of arm left so it's pretty much just resting on my shoulder which is supported by my back which again, my L3 and L5 were severely cracked and my L4 looks like a spiderweb. They didn't think I'd be able to walk again. So that's a miracle in itself that I'm still walking and talking. So I count my lucky stars and I don't complain about too many things. But definitely this whole conversation around accessibility versus difficulty's really got me thinking. Your video is great that it looked at the nuance of it. You didn't just do one hot take or try to ride the fence. I saw your other tweet where you compared it to how you play racing games, and that really hit home for me because I would love to play VR games but yet you don't see me demanding them make all VR games playable for me with one hand because they're still creating that space. Like if I were to buy VR now I might be able to play Dirt Rally or maybe Elite Dangerous. They'd probably be the only two games I could really play in VR. - [Danny] Yeah so let's jump into that then there, since you brought it up. How did you feel then about that sort of, I mean it was a very broad conversation that sort of was almost like numerous different conversations that were bumping into each other. But just speaking from the heart, what was your initial reaction to the conversation about that and what was your opinion on it? - [Clint] Honestly, I really feel like it's a branding problem. I feel like, let's say they added an easy mode tomorrow in Sekiro or the Dark Souls games, you're not gonna care, right? Is it gonna lesser the experience that you had? No. Matter of fact, I could enable easy mode in my game right now because I ended up getting that mod. They patched it and then my workaround for the ultrawide fix wasn't working anymore so I found a mod that unlocks the FPS, does the ultrawide, lets you choose some camera adjustments. Where the game works now is if you target someone the camera automatically snaps to you. Or if you move at all, the camera automatically will snap back on you and this mod will disable that as well as give you FOV adjustment. I know it's something TeeVee was always preaching about. That really makes a huge difference when you're sitting really close to the monitor. Having a bigger FOV, it's huge. But that same mod will also let you turn down the speed, which isn't that how the guy from PC Gamer, I forget his name, but he was like, I cheated and I feel fine. - [Danny] Right - [Clint] I feel like it's just a branding problem, right? If we called it cheats I think everybody would be happy, because the people that don't care would just be like, yeah, I cheated, who gives a shit? And then everybody else would be like, you cheated yourself and the game. - [Danny] That's a good point. - [Clint] 'Cause it's all the same thing. We're just talking, like you said, we're talking around each other. We're all talking about different things but they do kind of correlate. I really do feel like it's a branding problem. Let's just call it cheats and be done with it. 'Cause even though I could cheat in this game I'm not gonna do it. I love this game. Honestly, the boss I had the most trouble with so far was a miniboss. It's not in the main bosses I've encountered. And I should say, I haven't beaten the game yet. You got it for me a couple weeks ago. I've been taking my time. I've been enjoying it. I've been exploring everywhere. - [Danny] Good, me too. You're way ahead of me, buddy. - [Clint] Oh, really? That makes me feel good. - Oh yeah. - [Clint]I'm like, he's probably gonna beat the game and be like, you're where? But yeah, the biggest difference for me I feel like with accessibility versus difficulty, like I recently beat The Witcher 3 as well. And that's a game that I had to start over because I ended up having to wipe my hard drive so I lost like 80 hours. And then I ended up like, I'm just gonna do everything. And so I spent another 150 hours just trying to clear my map. And so I finally beat that recently and that was a game I actually turned down the difficulty on a few of those last fights, just because they were annoying. The controls are transcendent in Sekiro, even more so than Dark Souls. - [Danny] Well, it's funny like you're talking about how you're adding all these things and you're saying you're not cheatingsome people could argue that you're playing the game at a way higher level. 'Cause you're playing with your foot and one hand, whereas most of us have access to two analog sticks. - [Clint] This game makes me feel like a ninja, it really does. I'm playing a one arm ninja, so the symbolism is not lost on me. I completely adore this. And the fact that you said maybe I'm playing on a higher level, I have felt like that has hindered me in some games. Take Dark Souls for example. Even on the remaster the mouse and keyboard controls are not perfect, they're not. I have to make a macro in that game for the jump attack and then like a kick I think, where you have to press two buttons at once. One of them's like forward and attack and the other's like, I forget exactly what it is. But I had to make that simple macro just because those buttons wouldn't always register because I've got W on my footboard. So I guess I should just tell you a little about this. I've got W and S on my footboard. So where those are very close together where I can press them very quickly if I need to. And the first two buttons I have on the Naga, there's a row of 12 buttons on the side, and the very first two where my thumb constantly rests are left and right, so A and D. I did it that way so I could press them in combination together because the Stinkyboard, when I first got it, it's first driver revision it wouldn't allow you to press more than one key at a time. So I couldn't, for instance, press two buttons on there at the same time. Where if I tie it to the mouse I'm able to do a Shift move to the left and move forward at same, it's kind of like a diagonal, you know. You're pressing three buttons at once to do what two buttons should do. And it's little workarounds like that that I've had to get comfortable with. I used to make a profile for each game that I would play. I mean, I've got a gigantic Sting library now. I started to realize, I need presets, right? Like this is the preset for action RPGs. This is the preset for shooters. This is my strategy preset. So I've just kinda had to learn just by doing, like okay, this is what I should do. - [Danny] Right, are some genres that are totally off the cards? You're saying up, down, left, right. Like Mortal Combat just came out. Are you able to play that at all? - [Clint] I have not played a fighting game since my accident and I would say, now I grew up playing Street Fighter. I had a Street Fighter callous. People that played that game will no what I'm talking about. If you played enough of it you would develop a callous. Depending on what kind of characters you like playing too and I never played the guy, the M. Bison kind of characters. I always liked the Ryu and the Ken's and the 360 characters like Zang and stuff. So my thumbs got destroyed, especially depending on what controller you used. And now with the setup I have I could play Street Fighter if I programmed everything or if I played with simplified control. 'Cause I think they introduced that in one of the games. It was like, you could do advanced moves by just pressing a button and I tried it and was just like, this is so boring. Now I haven't tried it since I've been hurt. This was several years ago. And I just know that the game wouldn't be fun to me, to play it that way. Like I'm not looking for something so easy that it's just mind numbing. That's not, I do play games to be challenged and to have a good time. Just pressing one button over and over's not really, that's not a good time. - [Danny] I think that's why I was so impressed by the fact that you were playing these games because for me, as somebody who has both my hands, I was incredibly intimidated to play Bloodborne last year. I'd never really played a Soulsborne game until last year and then the reason I played it was we'd just had a kid and I was spending hours and hours lying on the sofa with her asleep on my chest and there was nothing I could do except play games. And I thought well, fuck it. This is probably a good a time as ever to actually try and-- - [Clint]Are you playing with the baby on your chest? Wow. - Yeah, yeah. - [Clint] Heard about being cold and in the moment. - [Danny] It forced me to actually, I don't know, be very intentional. And I couldn't get frustrated because she'd wake up if I started to shout or move or get angry or throw a controller. So going back and playing the first Dark Souls which I did months after when the remaster came out, and also playing Sekiro, I found them very, very intimidating. What other games do you play? And is there something special about those Sekiro, Soulsborne games? - [Clint] So yes, yes. First of all they are brilliant. They're a masterclass in game design, whether it's the art team. Now, the only thing you could really knock against it may be the story. The story in the Souls game's pretty obtuse. You kinda have to go looking for it. Maybe you need to watch some lore videos. I am glad that this new game there are cinematics. There's like more of a traditional story. I do appreciate the fact that it's not quite so, they respect the player. And that when they teach you something, they expect you to have learned that and to begin, not necessarily master it right away, but begin to start working on it. There are so many times where after I've beaten a boss I've been like, okay, so let me see, what's the cheese for this strategy? Is there a cheese? And I'll look it up after just to see did I do it the cheat way? I actually thought that I had beat, what's her name? Lady Butterfly, I had thought I had cheesed her because how I killed her was I kind of, I love they have fake attacking in this game. Like you can act like you're gonna attack and then block and it will fake it. And that's very similar to World of Warcraft, fake casting. As a caster in WoW, you don't want them to interrupt your heal, like when you gotta get off, or the spell you have to get off, so you kinda have to fake. Like you're, I'm gonna cast, I'm gonna cast, use your interrupt, ha ha I got ya. That's built into the gameplay. So I kinda tricked her and baited her to get into a corner and then one of her really killer moves in the air, I only had to dodge twice and I'd be able to attack her. At least get like two attacks on her when she's in a corner. So I look up the cheese on her, and the cheese is like do this one move over and over and over and over and over. And I was like, holy shit. That's so cheesy. I did not, I thought I'd cheesed it but no, I didn't cheese it at all. - [Danny] You talking about cheeses is like, also sort of goes into the previous point you made about this being a marketing issue. The delineation between accessibility and cheats and then cheeses and strategy, because one of the things that came to my mind when were talking about easy modes in these games was the music box in Bloodborne, which is like, it's a fucking easy mode. - [Clint] I'm not familiar with that. - [Danny] So if you, you know, Father Gascoigne is a, oh, have you played Bloodborne? Of course, it's a PlayStation-- - [Clint] So yeah, I should say, yeah, it's on PlayStation. I haven't played it because I only have the Xbox one-handed controllers. I'm hoping they just add, they bring everything to PC. I know they're not gonna bring everything to PC but at least let me use mouse and keyboard, or in my case mouse and footboard on console. 'Cause one-handed controllers, no matter which one I have, they don't compare. For me, they have a one-hand, a mouse and this footboard, there's just nothing that comes close to that. Such a shame. I saw the tweet from the God of War guy and I'm like, yeah, your game's really aren't accessible to me at all, buddy. And I know it's, I know he wasn't thinking like that but I hate exclusivity, man. I really do. I wish you could play everything on anything. That's what I hope the future of gaming is, honestly. - [Danny] Yeah, I'd never even considered the fact that basically the PlayStation games are completely off the cards. So Spiderman. - Played Bloodborne, I haven't played Spiderman. Yeah, Spider-Man's the one that's killing me. Even more so than Bloodborne or God of War, is Spiderman. I wanna play Spiderman so bad. - [Danny] Metal Gear Solid V, did that come out on PC? - [Clint] Yes, that was on PC, yes. And that was actually a great-- - [Danny] Let me quickly explain that, the music box thing 'cause then I've got another question, just now that we've brought up the Metal Gear Solid thing. So in Bloodborne, they're one of the first bosses you meet, Father Gascoigne. Earlier, I'd say at least half of players run into this like windowsill where somebody, who I think you later find out then is his daughter, gives you a music box. And if you use the music box during the fight he basically staggers and you can use it infinitely up until I think, no you can use it three times during the fight. But it's basically a free hit. - Oh wow. - [Danny] And it completely changes the difficulty in that. I would say cuts the difficulty at least in half for that fight for new players. - [Clint] You used or did you avoid it because you knew about it? - [Danny] Yeah, the first time I played through it. The first time I played through it Bloodborne had been out for so long that at that stage, you know, I think I was working at GameStop when it came out so somebody did a video about that. So when it came round, the first time I played it I definitely did it. But in subsequent playthroughs I haven't bothered because I've gotten better at it by that stage. Which, you know, that's kinda how those games work, right? - [Clint] You use the skills that you have, right? That makes sense. The difficulty, they want you to learn. I feel like these games are trying to teach people patience and just not to give up. - [Danny] Totally, but at the same time they're not completely walling it off to people who-- - [Clint] I don't think so. - [Danny] No, I don't think that's the intent. I don't think it's some crazy hardcore. - [Clint] The quote that everybody loves to put up when they talk about, oh, it'll never have a easy mode. This is from Miyazaki, I'm sure I'm saying that wrong, the quote that everyone always loves to through up is, we don't wanna include a difficulty selection because we want to bring everyone to the same level of discussion and the same level of enjoyment. The next part of that quote is, so we want everyone to first face that challenge and to overcome it in some way that suits them as a player. That's the part everyone always leaves out. And I feel like with this one, they've really nailed it because they include a lot of options in terms of changing the keybinds. In some of Dark Souls, you couldn't change some of the keys at first. Like it was just completely locked out. The camera options that they added in, the fact that even include a selection now to show keyboard and mouse prompts instead of just, even though you changed the settings and maybe even changed what the keybindings were it still will show up Xbox buttons. That's so infuriating. - [Danny] Absolutely, and whenever I play PC games and I've got my Xbox controller plugged in that happens. And it irritates me, but obviously the other way round it happens all the time, I imagine. - [Clint] There's the other side of that too, where games like Battlefield, and I don't know if this works in the newest one, but it did work in Battlefield 3 and Battlefield 4, as well. You could set up different keybindings, right? Like they've always allowed that. But then they also would allow you to set the plane to a flight stick. So if you had a cheap little joystick or something, or a controller even, you could set it to where when you've got it in the plane it would switch over to the controller. And then when you ejected, you could move back to mouse and keyboard. And I always thought that was brilliant and I wish more games would do stuff like that. Granted you're taking into account people have additional expensive hardware and that's the other thing people don't always think about is all this accessibility stuff is really expensive. I even saw the Xbox guys getting crap 'cause they're XAC was $100. When you look at what they did, they could have easily charged $300 for that. And they still probably would have been taking a loss. - [Danny] Another element of this that you brought up a second ago was the way in which the lore of Sekiro sort of marries with your personal experience as well. I've actually noticed, I'm not sure if this is just because accessibility's been part of the general gaming conversation more now than it certainly was in the past, but I've noticed this recent trend with player characters with prosthesis on their arms. Am I crazy or has this just suddenly appeared everywhere? - [Clint] No, it's definitely starting to be a thing. I got asked like what was my favorite disabled superhero maybe four, five years ago. And the only one I could even think of in gaming or in comics was the guy from Deus Ex, the remaster, the remake, or whatever. What's his name? - [Danny] JC, no JC Denton was, Jensen? What was it? - [Clint] Jensen was the guy from the last two, I think. Yeah, I'm pretty sure. - [Danny and Clint] Adam Jensen. - [Danny] We got there. - [Clint] Yeah, you got me thinking JC Denton and I was like. That's the original, but the remakes or whatever, the reimaginings. 'Cause he was the only one I could really think of and then since then you've had the chick on the Battlefield cover. There's people in Overwatch that only have one arm. - [Danny] Apex Legends, I think. - [Clint] Apex Legends as well. Well, they got a whole cyborg in that one too. - [Danny] Right, Solid Snake? - [Clint] Yeah, that actually, you know what, that hit me the hardest. That's something I could talk about real quick. - [Danny] Yeah, go for it, absolutely. - [Clint] That scene was so powerful. It totally blew my mind. Now, I didn't have exact similar experience where I woke up. I knew, I came into the hospital talking about chop me off. Chop it off, just chop it off. I know it's gone, chop it off. And those doctors and nurses looked at me like I was crazy. Like damn, how is he living? I don't know if I told you this story but they didn't even know about my back. I woke up after my amputation and was like, holy shit, my arm is gone. I need a smoke. And they were like, you can't go outside? I'm like, you can't tell me what to do. And then I fell on my face and that's when they were like, oh, we need to check something. That's when they found out my spine was all screwed up. But yeah, getting off topic. So Call of Duty, in the last two or three Call of Duty's, it seemed like they just kept having, Buddy would always get his arm chopped off. There would always be that scene where like, it's just gruesome and they're tearing the arm off or it's getting trapped in a door or something. And you see, you get dragged away and your arms left there. They did that, I know for at least two years in a row. That never bothered me or impacted me at all. I played that opening scene in Metal Gear and all, granted most of it is just kind of a walking Sim for the first hour, hour and a half. But that first 20, 30 minutes is very powerful because you wake up. And I do remember waking up in the hospital bed and being like, what do you mean I can't get up? Oh, you did what to my back? Oh my god, my arm is gone. That was very surreal, very powerful. And the have David Bowie playing over it too. And of course those guys come in and kill the one guy couple minutes later but it was a very powerful scene. I love Hideo Kojima, that guy is a genius. I hope I get to play his next one. - [Danny] What was it like, I guess as well, the subtitle for that game is Phantom Pain, which we've talked in the past, that's obviously a massive issue for yourself and for people in your situation. - [Clint] And trying to describe that for people is nearly impossible. I mean, it's a constant thing that I have to worry about and over the last, I wanna say the last year or so, it's gotten a lot better in terms of I'm not getting the spikes. Have you ever had a searing headache to where, or let's say stomach pain, where your stomach's hurting, right? But then you get those surges to where you just wanna double up and you can't do anything. Phantom pain is like that. It can be a constant aggravation. Just something's constantly in the back of your mind. Or it could constantly just be bringing you to your knees where you can't do anything else. There is no, I mean I've cussed out my mama before. I love my mama, I would never do that, right? I've been hurtin' bad enough to cuss my mom out. That's kinda how I have to explain it to people. It hurts bad enough that it'll make you cuss your mom out. And you the type of person that normally do that, that's saying a lot. It's a mindfuck, man. And I'm sorry for cussing, really no other way to describin' it. It is unreal. I wish there were words that I could use to give it justice. And for some people, I've heard stories of where it lasts 90 days, they lose a limb and 90 days later, they're fine. Maybe it aggravates them every now and then, but for the most part they're fine. But for some reason with me, this October will be seven years and I'm still dealing with it. So I wish I had an answer as to why, but I don't. - [Danny] Does that, presumably not just playing video games, but that must impact every moment of your life. - [Clint] Oh yeah, the first thing I did when I got my disability was not build some crazy super rig and buy this Razer Naga and all this stuff. I bought a chair. I bought a very expensive chair that was good, felt comfortable to sit in and supported my back. That was the first thing I did and it was, it cost me $400 but it was worth every penny. I still have the same chair. It doesn't need an upgrade. I'll be ready to upgrade this computer before I'm ready to upgrade this chair. That definitely helps a lot. But dealing with pain and dealing with pain management, I've had to learn a lot of things because when you're constantly, your head's constantly cloudy it's hard to think clearly about anything, much less be able to deal with, you know. Let's say I get a cold or something, sometimes that's enough to just ruin my day whereas having a cold before was no big deal, whatever. 'Cause it's just addition, right? You keep adding on the things. I'm grateful that you followed me this long on Twitter, man. I can't imagine you haven't wanted to just mute me before. Because I either would just go blackout for six months or just rage for several days in a row. And then be like, oh, I love this, I love that. - [Danny] I think that's everyone on Twitter actually. Myself included. - [Clint] I kinda noticed that a little. Basically there to just bitch. - [Danny] I mean, was there any then, you know, just in relation to the thematically, this has been used in games a number of times, what was your experience with what happens in Sekiro and his use of a prosthesis? - [Clint] It's genius, it blew my mind. Like I know it's game design, right? And this is not, like none of it's real. But it really got me thinking, well, what if some of this was kind of based on some history? Like how much of this, because when I first lost my arm that was, me and my friends were talking about it like, oh, wouldn't it be cool if it had a blade like the dude from Deus Ex? You think you could, what all could you fit in there? Would it fit grenades? And it's like, no man. Why would I walk around with, you know, not serious talk. Just friends being, they were drunk and being stupid. And just thinking about what all different things could you do with an arm? And then I'm like, I wish it was the future where I could just walk up to a system and be like, okay, I would like a soda from this machine. Or give me 10 grand out this ATM. Have you seen the anime where the little finger pops up and the little wires come out? Like that would be amazing. But yeah, I love the use of the prosthetic. And I feel like that balances some of the difficulty, especially early on. I've seen a lot of people have trouble with that first red-eye ogre. And when I came across 'em I had already done the memory and beaten Lady Butterfly, so I was super powerful. I felt super, I mean I had the flaming barrel, I had plenty of oil, and I totally messed that dude up. He might have killed me once, twice maybe 'cause I didn't know about the add with the spear. Oh man, there's definitely some moves that once you get 'em, they tell you how useful they are and they'll even warn you again. And some of the handholding. That's actually hurt me, and something I'm sure they didn't think about. So I have to take my hand off the mouse, go over to the Escape on the keyboard, hit Escape, try to get my hand back on the mouse before I get smacked. Nine times out of 10 I'm getting smacked. And I know they're doing it to help people and trying to remind them like, hey, this is what this does. But that kept getting in the way for me. I realize what they're trying to do and I know they're trying to make these games more accessible. And I think that fact that it sold two million copies in 10 days, that surprised me even. I didn't think this game would do that good. These games are notoriously hard. My brother said I can't believe you're playing this. Not because he thinks I'm too disabled, but because he thinks it requires too much patience. They all have the impression they're so hard that nobody can actually play these unless you just can control your rage. - [Danny] Yeah, they do sort of have a, I don't know, there's a sort of a mythic quality to this, which is earned in many ways, but there's an urban legend aspect to it as well which has kind of made it a bit ridiculous. One question actually we got from somebody. I put a call out on Twitter just before we went live for questions and one we got in actually rubs up against that which was, Video Attack asks, how much of the reputation for the series being obtuse and difficult do you think could be addressed with proper tutorializing and making more in-depth mechanics easier to understand? I love the series, but I don't always feel they've done well explaining mechanics to the player. I found that in the early games that was kind of part of the discovery of those games, was trying to figure it out. But Sekiro I feel like is so, I feel like you really have to defeat bosses in very particular ways, in ways that I maybe aren't, I don't know. Maybe I'm just lacking the patience for it a little bit or something. How do you feel? 'Cause they've definitely done a better job of the tutorials. It's interesting to here you say the tutorials were getting in your way. - [Clint] They've definitely done that. Yeah, and that's just for me having one hand. Let's say maybe I had decided to put Escape for whatever reason and I macro'd that, or put that on my footboard or somewhere on the mouse, then I wouldn't have this issue. But of all the keys that I could afford to re-keybind, Escape is almost never one of them. Escape and Map are the last two things I worry about in games So they've definitely done a better job in terms of addressing that. But I feel like it's only gonna get as good as it can. Again I tell you, this does this and this is when you should use this. Now whether you remember to use it then, when you're supposed to, that's not really up to them, right? So a lot of I think like is perspective. Like you can die to a boss 10 times and think, oh, this is bullshit. I'm never playing this game again. Or you could die 10 times and during those 10 attempts somewhere you see where you made a mistake. Maybe you panic, maybe you got overaggressive. I feel like their games are trying to teach you certain things but at a certain point they do expect you to put it all together. And not everyone is the type of gamer to have read the messages and pay attention to what it is. Maybe even practice what the move is and been able to put into practice at the right time. I don't really know what they can do to do that besides even more severe handholding which I think would just detract from the game, honestly. - [Danny] It reminds me a little bit of just how games have changed over the past 20, 30 years. And one of the instances where this sort of, at least from my experience, reads most clearly is, the first game I ever completed was The Secret of Monkey Island on the Amiga. And it took me I think three months. I was pretty young when it came out. I think I was eight or nine. And it took me like three months, a whole summer basically, to complete it. And then the remaster came out. I wanna say it was on 360 and PS3 maybe. And it was really cool and updated graphics and loads of cool new music and all that stuff, but they also had the tip system in it. And there were some things that you had to do in that game. Like to get to one of the little islands off of Melee Island, you had to use a rubber chicken and a wire to zip across it which kind of makes no sense. I remember being stuck on that forever. But in this thing, you could use a tip and it would like, I think there was three levels of tip. They would give you a little bit of a nudge, a little bit more of a nudge, and they would just say, just use the fucking chicken wire on the wire, right? And I remember thinking, oh that's a good thing, right? Kind of, 'cause it's helping people. But I guess it says less about how difficult games were and more about where our expectations of difficulty came from. Like when that happened years ago I didn't think, oh they made this game wrong. Or you know, this is stupid. I wish they did something to let me know how to do this. I just thought, oh I'm dumb. I don't know what to do to get to that island. Whereas these days we have this expectation that we sort of need to constantly be getting this positive feedback. Even when, like you said in the boss fights, often times I'll die 10 times in a row but it's because I was using the same tactics 10 times in a row. Other games might actually, some games if you play the boss fight for the third time, they without letting you know will make that boss fight easier. And they don't signal it. Games are constantly doing this sort of stuff. - [Clint] The new Resident Evil does that, I believe. I died one too many times in the police station and they were like, would you like to make the game easier? And I was like offended by it. I was like, hey man, F you. It's not my fault your buddy cornered me. I was trying to leave I was like, I appreciate the offer but at the same time, I was like, that would be great for someone who needs it. And it didn't offend me that it was in the game, it just offended me that they thought I needed it. I was like, hey, hey, I got this, man. Leave me alone. But I have no problem with it being in the game. I honestly don't care. - [Danny] And that was an instance where they told you. Where sometimes they don't even bother telling you. Actually, now that I think about it, there is another bell. Speaking of bells from Bloodborne. There's a bell in Sekiro, have you seen this one? The bell that you can ring and it makes the bosses harder. - [Clint] You know what? I've come across it but is that what it does? It makes stuff harder? - [Danny] I think it does two things. I think it makes one thing easier and one thing harder. Like I think it might increase the drop rate on certain things but it makes the bosses more difficult. I don't know exactly what it is. But definitely if you ring it it will make the game harder in some respects. - [Clint] I've come across it and the message was a little bit cryptic. It sort of made it sound like it was gonna be a harder game if you rang the bell. - [Danny] It's something like, don't ring the bell, or something. - [Clint] Yeah, yeah. I was like, I'm just gonna ignore this for now 'til I know what this is. I'm sure there'll be a lore video on it eventually that I can figure out whether or not I should ring it. This kinda makes me think of Wolfenstein, Doom. You could pick easy mode in those games and then have them like sucking on a pacifier. They're letting you know, like hey, you can play this way but don't you feel like a man about it. Like don't go bragging about it. And you know, I don't think there's anything wrong with that. Why not? - [Danny] And it's pretty funny that you mention that because when this conversation was happening, I think one of the questions I put out was like, let me know a game you play on easy because you don't care. And the one I said whenever I'm in really bad turbulence on a flight, I have my Switch with me usually and what I usually do is I just put it on easy mode and I try and score as many goals as I can and it kind of takes my mind off things. But the one that so many people kept saying which actually, now that I think about it, I have totally done as well is the MachineGames Wolfenstein games. Those games are brutally hard and a lot of the time they're kind of, I don't know, I feel like a lot of us play it because we want to feel powerful but also we just want to see what the story, where it goes. So I feel like that's, again, a lot of people play on an easier mode just so they can get through it and enjoy the experience. - [Clint] I used to play the Call of Duty's on like the Veteran or whatever the hardest one was until I realized, I don't remember which, it was probably one of your videos or somebody's videos, where it was like, you know this is just a visible line you have to cross, right? As soon as you cross that invisible line you stop spawning. And I was like, oh shit. So you mean I've purposely just been driving myself crazy? 'Cause some of those games there's certain sections where you're just like, how the fuck, how did he shoot me, no way. - [Danny] That's your World of Warcraft shit. You are farming them. You're just sitting back and farming these dudes. - [Clint] Basically, and I'm thinking like, we're gonna make it. Oh no, here comes some more. It's just like, I'm killing myself and for what? Like I could be having the same level of enjoyment and my frustration level's not getting near as high if I just turn it to the appropriate difficulty. Now, whether or not they should, there's a whole 'nother can of worms, should they include it? Like if it's gonna takeaway resources and time and if they have a vision, I think you're getting more into the singular vision versus the design by committee, right? Miyazaki obviously has a singular vision for his games but he also, I don't think he enjoys the fact that everyone thinks his games are so hard. I don't think that's something he takes pride in. I think he wants more people to play 'em. I think he's pretty much said as much. - [Danny] So I guess yeah, taking everything we've talked about today, like the different ways in which games can be more accessible to people, the sort of amorphous conversation about cheesing and difficulty and cheats and how they all sort of blend into each other. As somebody who has experience in these games, who enjoys them, who has been playing them, as far as I'm concerned, on a much harder difficulty level than most of us, what do you feel about Sekiro and how challenging it is? And how you were able to play it as somebody with a disability? Where do you land on it? - [Clint] Honestly, since I downloaded that mod couple days ago, it really got me thinking. Because essentially I've done the same thing the PC Gamer guy has done, except I haven't enabled the cheats, right? Some people may say, oh, you're using ultrawide or unlock frame rate, like you're cheating. And I would say, yeah but I paid for that 2880. I want my frames. I paid for this ultrawide. I'm not changing the game design so much as I'm just adding things they should have maybe thought about if they're gonna release a PC port today. I love the challenge. I feel like each encounter, sounds cliche, but it's like a dance of death, right? If you get surrounded by two or three normal guys, they can kill you. The bosses are very, very hard. Now, granted I haven't beaten the game. I'm sure there's gonna be a boss where I'm just like, oh my god, I'm gonna die 20-plus times. But so far, the most I've died was maybe, actuaLly it was the guy after Blazing Bull. I can't remember the name. I've started calling him General Fuck You. Because every time I get to him he'd just be like fuck you, you're not getting past the gate. And he was such a bitch. He had like a grab and a sweep and then also like, it was the first guy I think I encountered that had three of the warnings and they were all different things. So it took me a while. And you're fighting that closed little section between the walls and it made the camp bit, oh that was a pain. I probably died 10-plus times to him. That's probably the only guy I've died that much to. Maybe Lady Butterfly, might have died like seven or eight, nine times, maybe. I love it for what it is. And I can't thank you enough for it, man. I've had a blast playing it. It's really made me think about a lot of different things. Eventually I'd like to make a video on it or something. Do something more. But you know, I appreciate being brought on this podcast, man. I've had a blast thinking about this and ways that we could try to improve the game for people with disabilities. And I feel like they've done the best job they could. These controls are super responsive. I think transcendent's probably the best way I can describe it. I don't feel like I'm using a mouse and footboard when I'm playing and I feel like I'm the one-arm wolf. - [Danny] Well, you are the one-arm wolf and we really appreciate you coming in. There you go, just in case you didn't already have enough really good internet handles. You can add that one to your repertoire. We really appreciate your time, plqying the game and coming on to talk to us today. For folks who want to follow you, where can they catch you on the Twitter and whatnot? - [Clint] DisabledCable on Twitter. - [Danny] Awesome, good stuff. And yeah, how much more time do you think you have with it? Just as the parting question. Do you think this'll be something you play for the rest of the year? Or another couple of weeks? - [Clint] Honestly, probably another couple of months. I tend to have, like I'll have my action game. I'll have my shooter. And then I'll usually have a role-playing game. Some of those can be interchanged, kind of be the same thing. And this has been my go-to. Like alright, this is my single-player game. If I'm gonna play something with my brothers it's either gonna be Destiny or Vermintide. Not playing any MMOs now. So this is, I'll probably beat it sometime, I would say in the next month, month and a half. Something like that maybe. - [Danny] Awesome, well we wish you well on the journey. I'll be right there with you. I'll be probably a couple of bosses behind you actually. Thank you so much for coming on. And thank you so much to all of our Patrons for funding our work. As ever, you know you can follow us on Twitter @noclipvideo. I am @dannyodwyer on Twitter or /noclip if you wanna follow us on Reddit. And of course this podcast is available early if you're a Patron. Go to patreon.com/noclip to support this show, get it early, and also support all the documentaries we make on our YouTube channel. - [Clint] Go hit up this man's Patreon. Come on, y'all. - [Danny] Thank you so much We've actually got another YouTube channel for the podcast, youtube.com/noclippodcast. If you wanna watch this one. Alternatively, we are available on basically every podcast service in the known universe. iTunes, Spotify, Stitcher, Google Play, and loads, loads more. Soundcloud as well. We fixed the Soundcloud. There was a problem with our uploads but it's all right and ready now. Thank you so much for listening. Subscribe, give us a review if you can. We've never asked really, much, so if you can do that on iTunes or whatever. I mean, give us a good review. Don't give us a review if you think it's shit maybe. Just forget this part of the podcast. Go do something else. But thank you for listening, thank you for your time, and we'll see you next time. Actually, hold up one second. One little thing to add to the podcast before we close it out. I got an email from Clint after we recorded who felt bad that he had, in the haze of the podcast conversation, forgotten to call out two important people that helped him quite a lot on his journey. The first person is his brother, Matt, who sent him the Naga which he used when he first started coming back to play games. The other is his friend, Kyle, who was actually building him a two button foot switch when they found out that somebody was actually making one commercially., the Stinkyboard, which he ended up using afterwards. Clint's journey to actually being able to play games was quite long. He was in bed for the best part of a year, had to play on a laptop. And then through the help of using those inputs over the course of the next couple of months, learned to play with his feet and learned to play properly with one hand. So he wanted to give a shout out to the two of them who helped him so much when all this was going on, six, five years ago. And I thought I should definitely make the point of sticking it into the end of the podcast. So thank you so much to Matt and Kyle. Clearly he couldn't get to where he is right now without your support and help, so thank you very much.

After a brief hiatus, we are back with a killer from Antwerp's own Major Maeyer. It's perfect timing on this one as we are teaming up with his crew Opium for a wild night in Antwerp next month on March 22 at the infamous Club Vaag. So, sit back and enjoy the ride. Let's get cosmic.

Sorry for the slight delay. Flight leaves now. Let's get cosmic.

Last weekend the second edition of the charity event LIFE ACT took place at Prince Charles in Berlin. Acts like Timo Maas, Tiefschwarz, Mouse on Mars, Pam Bam, Nela, Forever Jung and many more contributed with their sound to the event. The African Food Festival presented specialities from the continent and a yoga session gained the inner balance for the ravers. The money raised will be donated to the organization DAHW e.V. who presented their incredible projects via virtual reality glasses. 'Raising awareness for the situation in East Africa & Yemen is one of the most important things.' mentioned Manuel of the DAHW in our interview. Within this podcast episode many artists are talking about their reason why to support the event and the importance of solidarity with East Africa. Find out what Tiefschwarz, Nela, Forever Jung, Pam Bam, Rafael Da Cruz and Clint Stewart say about the importance of the event. Furthermore Co-founder Laura as well as the DAHW will explain the idea of the event as well as the situation in East Africa & Yemen.The whole article is available here.Intro & Outro by Arbitraire

Welcome back to another edition of Space Safari Expeditions. This month I'm really happy to present of Stuttgart's rising stars who you know from his releases on Souvenir as well as his collaboration with HOURS on Second State. Besides being one of my closest friends, he is my main man and resident for my Space Safari events and my favorite b2b partner behind the decks. You can catch his latest release on Second State which is out later this week and all the upcoming Space Safari events including November 2 at Kater Blau in Berlin. So, without any more hesitation, lets get to it. Space Safari Expeditions 008 is here and It’s time to get cosmic with Chris Hirose. Enjoy!

The search continues. Let's get cosmic.

Space Safari 031 is from my set at Suara's Showroom at Off Sonar 2018. Big thanks to Coyu and the crew at Suara. Let's get cosmic.

Space Safari Expeditions 006 is here and delivered by one of Brazil's rising stars, Paulo Foltz. With his recent massive success from his album Pineal Connection on his own Prisma Techno imprint, Paulo is on a meteoric rise to become one of Techno's most promising acts. So, dive in and lose yourself as Paulo Foltz takes you on a tour de force of driving, euphoric Techno. Enjoy!

It seems like we took our first trip yesterday, but here we are. Number 030. Let's get lost. Let's get cosmic.

Yo! Welcome to another edition of Space Safari Expeditions. This month we have an amazing guest who is doing a lot of really great things both as a DJ and Producer as well as his hugely successful label Suara. Besides being an artist with a incredibly heavy tour and release schedule he has dedicated himself and his label to rescuing animals in need, which for me, says everything I need to know about him as a person. After I released on Suara earlier this year, I met Coyu at Watergate and was such a pleasant experience to meet someone with absolutely zero ego and a heart of gold. Im also playing with him on June 1st in Antwerp at Cafe De Anvers for my friends Joyhauser and then again for the Be@TV Suara In-store at Off Sonar, so i couldn’t be happier to have him for a Space Safari Expeditions as we make our way into these gigs this summer together. So without further adieu, here is Space Safari Expeditions 005 with Coyu. Enjoy!

029. Let's get lifted.

Welcome back to another edition of Space Safari Expeditions and really excited for this one. Not only is this guy one of my good buddies but he's also one of my favorite artists. His tracks are always in my playlist and his label Aeon is hands down one of my favorites. He delivered a stellar mix for us this month, so let's not waste any more time. Space Safari Expeditions 004 comes from Alex Niggemann. Let's get cosmic.

Into the vast expanse...

Welcome back and really glad to have you here for the third installment of Space Safari Expeditions. After having two stellar mixes from big names like Pan-Pot and Gregor Tresher for 001 and 002, I wanted to switch gears this month and shine some light on a really promising up and coming act direct from Belgium. These two guys are making big waves and it's a pleasure to host them and give them an opportunity to take you on a trip. So, without wasting any more time, here is Joyhauser for Space Safari Expeditions 003. Enjoy!

Departure in 3, 2, 1....

Space Safari Expeditions is back with a big one for 002. From his mind bending tracks like 'A Thousand Nights' to 'Goliath' and his defining labels Break New Soil to the brand new GTO Recordings, this guy has always been one of my favorite artists. So, without wasting any more time, take a cosmic ride into the world of Gregor Tresher.

026 is here and includes my brand new cut "Freight Trains" out today on Suara. Time for liftoff.

Check this 60 minute set from Clint Stewart specially recorded for this week's Suara PodCats.

I'm beyond hyped to present my new mix series Space Safari Expeditions where I will be inviting some of my favorite artists to create a mix around what the concept Space Safari means to them. And to kick things off it's none other than my good friends, the one and only, Pan-Pot. Enjoy the ride...

Space Safari is back with a new look but the same vibes. 025 celebrates 2 years with a 2 hour journey so let's get cosmic.

Welcome back to the Magician On Duty Podcast Series! Happy Thanksgiving! On this weeks' edition we welcome Iman Rizky. Iman Rizky was bred on house beats from the early '80s and '90s. His relationship with dance music back then was a transcendental experience every weekend at places like New York City's Red Zone, the Tunnel, Limelight’s Disco 2000, the Sound Factory, and the legendary Twilo. His constant motivation, desire to please and ability to bring people together to enjoy great music have made him one of the most respected and innovative DJs of today’s music scene. He has shared spots alongside world class artists including Akiko Kiyama, Alexi Delano, Atish, Audiofly, Behrouz, Bill Patrick, Butane, Camea, Charles FeelGood, Corey Baker, Clarian, Clint Stewart, Dave DK, Dance Spirit, DAVI, Deep Jesus, Derek Plaslaiko, DJ Three, Einmusik, Elias Dore, Dimitri Nakov, Jon Charnis, Gab Rhome, Hoj and many more. We hope you enjoy this episode as much as we do! Follow Iman Rizky here: www.iman-rizky.com https://www.facebook.com/pg/djimanrizky www.soundcloud.com/imanrizky www.residentadvisor.net/profile/imanrizky www.instagram.com/irizky www.ebbandflowmusic.com Download for free on The Artist Union

024 marks 2 years of traveling together. Thanks for taking the ride with me and here's to another year of getting cosmic.

Summer is officially over so let's take a darker trip through into the expanse.

Clint Stewart pres. Space Safari 022 by Clint Stewart

SonneMondSterne.XXL Special @ Sea Fairy Show 28 Podcast with Sinnestrieb. One and a half hour of straightforward techno music during this podcast. Sonne Mond Sterne Line Up (FR 11 AUG 17, SA 12 AUG 17 & SO 13 AUG 17): MAJOR LAZER, MARTIN GARRIX MARTERIA, STEVE AOKI, MARSHMELLO, GALANTIS FRITZ KALKBRENNER, FELIX JAEHN, DILLON FRANCIS, MR. OIZO, BOYS NOIZE, THE BLOODY BEETROOTS LIVE, SVEN VÄTH, NINA KRAVIZ, NETSKY LIVE, LEXY & K-PAUL, KÖLSCH DJ-SET, PAN-POT, SAM PAGANINI, SAM FELDT, CLAPTONE DJ-SET, ELLEN ALLIEN, VITALIC LIVE Marek Hemmann LIVE, Alle Farben, Gestört aber Geil, Ostblockschlampen, Moonbootica, Andhim, Wighnomy Brothers, Mathias Kaden, Friction, Black Sun Empire feat. MC Fava, Friction & Linguistics, Roni Size feat. Youngman, The Prototypes feat. Daxta MC, Drumsound & Bassline Smith, Tantrum Desire feat. Messy MC, DJ Freeze & Ragga Twins, Niconé, Oliver Koletzki, Sascha Braemer, Dirty Doering, Mat.Joe, DJ Rush, Aka Aka feat. Thalstroem, Extrawelt LIVE, Dominik Eulberg, Gaiser LIVE, K-Paul, Lexer, Format:B, Marcus Meinhardt, Felix Kröcher, Karotte, Sascha Cawa, Boris Dlugosch, The Disco Boys, Matthias Meyer, Jimi Jules, Raumakustik, Marco Resmann, Ruede Hagelstein LIVE, Clint Stewart, Cuebrick, Tom Franke, André Galluzzi, Tim Green, Gheist, Gunjah, Pilocka Krach, Rey & Kjavik, Ante Perry, Einmusik LIVE, Uone, Western, David Keno, Kid Simius LIVE, Steve Bug, Chefboss, Midas 104, Kollektiv Ost, Dynanim, Magit Cacoon, Sven Tasnadi, Paji LIVE, Monkey Maffia, Symbiz LIVE, Bassface Sascha feat. Monch MC, LIVE.LUV.LIFE Showcase (Stunnah & DJ Genzo), Champion, Jaycut, Shawne feat. MC Mace, Bootleg feat. MC Rob.K, Keon, Kobee, Scooby Johnson, Sam Shure Marcapasos & Janosh, M22, Der HouseKaspeR, Pretty Pink, Vanessa Sukowski, Bassraketen, Petra Struwe, Golden Toys, Reche & Recall vs. Die Gebrüder Brett, Luna City Express, David K. vs. Tom B., Küche 80, DIA-Plattenpussys, Gathaspar, Thomas Stieler, Metaboman, Franz!, Airdice, Marv, Dave Ramone, Marc Tarmonea, Fuck Yeah LIVE, Lars Moston, Jamy Wing, Norman Weber, Mathilde Hutfeld LIVE, Dudman, Green aka Agent A, Miyagi, Blondee, Roberto Mozza, Philipp Stoya LIVE, Lydia Eisenblätter, Max Nippert, Kanape alias Carina Posse & Lutz Hartmann, Ken Tamburri, Sierra, David Mager, Marc Werner, Prismic, Solid Rotation (Wohlfahrt & Herfurth), Marcus Brodowski & Ph!l, Louis Garcia, Le Tompé, Hochanstaendig, Anstandslos & Durchgeknallt, Blvck N Yellow, Koby Funk, Supadizko, Vimalavong, Patz & Grimbard, Lady M, Franz Alice Stern, Budakid, LEVt, Melted Moon, Thomas Maschitzke, Kraft der Sonne The festival is located close to Gerna, JenaBad Lobenstein, Neustadt/Orla or Schlei.

Let's soak up the last days of summer. Let's get cosmic.

Liftoff.

Summer nights. Shimmering lights.

This is the Eagle Sessions #113 presented by AlBird. What have we got for you this week? Brand new release by Austrian fellow Martin Kremser. Another collab with Rafael Cerato called ‘Gladia’ including a remix by Sezer Uysal out on Univack Records. Ben Champell is back on Ballroom Records with his new EP ‘Darksome Temper’. As usual it’s proper deep and dark Techno from the Hamburg resident. Vienna-based Patrick Kunkel released a new EP called ‘Evolution’ on Sincopat. Huge three tracker including a massive remix by Clint Stewart and a beatless version of the track Open Circuit. Cool gimmick. Further tracks in the first hour are coming form the likes of Sante on 8bit, Die Vogelperspektive on What Happens, Knober & Sylter on 303Lovers, Jiggler on Heinz Music, Stab Virus on Katermukke, Stefano Noferini on Moan, Township Rebellion on Moonbootique and many more… Guestmix in the second hour comes from ‘Danny’ a very talented young man right out of Vienna. He already built a respective amount of gigs all over Austria and is soon to take his first steps to Berlin and further beyond. He’s known for his groovy and cool tech-house sounds so watch out for him, you’ll hear from him for sure! (https://www.facebook.com/fromdannywithlove/) (https://soundcloud.com/danny-official) For more Information visit: www.eaglesessions.com Setlist 1st hour: 1. SUBCNSCIUS – Synchronicity (Original_Mix) – Railroad Recordings 2. Rafael Cerato & Martin Kremser - Gladia (Sezer Uysal Remix) – Univack Records 3. Die Vogelperspektive – Polar Gangster (Original Mix) – What Happens 4. Dennis Cruz - Mad (Original Mix) – Stereo Productions 5. Jiggler - Monsters In My Mind (Original Mix) – Heinz Music 6. Knober, Sylter - ID One (Original Mix) – 303Lovers 7. Patrick Kunkel - Evolution (Clint Stewart Remix) - Sincopat 8. Sante - Echoes from the Future (Original Mix) – 8Bit 9. Stefano Noferini - Exposure (Oxia Remix) - Moan 10. STAB Virus - Grease (Original Mix) - Katermukke 11. Township Rebellion - Elevant (Original) -Moonbootique 12. Dast (Italy) - Raid Zone (Original Mix) – Off Recordings Ben Champell - Ben Champell - Experimental (Origin This show is syndicated & distributed exclusively by Syndicast. If you are a radio station interested in airing the show or would like to distribute your podcast / radio show please register here: https://syndicast.co.uk/distribution/registration

This is the Eagle Sessions #113 presented by AlBird. What have we got for you this week? Brand new release by Austrian fellow Martin Kremser. Another collab with Rafael Cerato called ‘Gladia' including a remix by Sezer Uysal out on Univack Records. Ben Champell is back on Ballroom Records with his new EP ‘Darksome Temper'. As usual it's proper deep and dark Techno from the Hamburg resident. Vienna-based Patrick Kunkel released a new EP called ‘Evolution' on Sincopat. Huge three tracker including a massive remix by Clint Stewart and a beatless version of the track Open Circuit. Cool gimmick. Further tracks in the first hour are coming form the likes of Sante on 8bit, Die Vogelperspektive on What Happens, Knober & Sylter on 303Lovers, Jiggler on Heinz Music, Stab Virus on Katermukke, Stefano Noferini on Moan, Township Rebellion on Moonbootique and many more… Guestmix in the second hour comes from ‘Danny' a very talented young man right out of Vienna. He already built a respective amount of gigs all over Austria and is soon to take his first steps to Berlin and further beyond. He's known for his groovy and cool tech-house sounds so watch out for him, you'll hear from him for sure! (https://www.facebook.com/fromdannywithlove/) (https://soundcloud.com/danny-official) For more Information visit: www.eaglesessions.com Setlist 1st hour: 1. SUBCNSCIUS – Synchronicity (Original_Mix) – Railroad Recordings 2. Rafael Cerato & Martin Kremser - Gladia (Sezer Uysal Remix) – Univack Records 3. Die Vogelperspektive – Polar Gangster (Original Mix) – What Happens 4. Dennis Cruz - Mad (Original Mix) – Stereo Productions 5. Jiggler - Monsters In My Mind (Original Mix) – Heinz Music 6. Knober, Sylter - ID One (Original Mix) – 303Lovers 7. Patrick Kunkel - Evolution (Clint Stewart Remix) - Sincopat 8. Sante - Echoes from the Future (Original Mix) – 8Bit 9. Stefano Noferini - Exposure (Oxia Remix) - Moan 10. STAB Virus - Grease (Original Mix) - Katermukke 11. Township Rebellion - Elevant (Original) -Moonbootique 12. Dast (Italy) - Raid Zone (Original Mix) – Off Recordings Ben Champell - Ben Champell - Experimental (Origin This show is syndicated & distributed exclusively by Syndicast. If you are a radio station interested in airing the show or would like to distribute your podcast / radio show please register here: https://syndicast.co.uk/distribution/registration

Spring is here. Let's get cosmic.

Departure in 3, 2, 1...

We are really happy with this new edition in our guest mix series. This one comes from YOUVE (@youvemusic). The Rostock-based duo Michi and Matthias dropped us a very nice techno mix and the opening track from Township Rebellion is spot on. It sets the right mood for the rest of this fantastic & powerful mix. Show some ❤ and repost when you like the mix. Both artists come from the north of the Germany and met several years ago. They both were playing under their own name and each one in their own genre and direction. They met and decided to combine forces and let the different musical influences of them both set the flow of what was to come and what you hear today: powerful, melodic and emotional techno. The duo can be found under the Rostock label @Lochmann-Records, where they've released their first EP "Asked", somewhere last year. Tracklist: 1. Township Rebellion – Aphrodite (Original Mix) 2. Christian Smith – Initiate Sequence (Julian Jeweil Remix) 3. Victor Ruiz – Nevermind (Oliver Huntemann Remix) 4. Adam Beyer feat. Dense & Pika – Going Down (Original Mix) 5. Pig&Dan – Chemistry (Original Mix) 6. Simon Sizer – Aethra (Original Mix) 7. Sabura – Sined (Original Mix) 8. Clint Stewart & Stephan Hinz – Fall to Earth (Original Mix) 9. Valent. – Crisis of Faith (Original Mix) 10. Edu Imbernon & Los Suruba – Cederron (Original Mix) 11. Aemes – High Five (Township Rebellion Remix) 12. Alex Justino – Mergus (Original Mix) 13. Theo Kottis – Her (Original Mix) Connect with the artist: @youvemusic www.facebook.com/youvemusic www.youvemusic.com Connect with tanzgemeinschaft: www.tanzgemeinschaft.com www.facebook.com/tanzgemeinschaft www.instagram.com/tanzgemeinschaft www.twitter.com/tnzgmnschft www.mixcloud.com/tanzgemeinschaft - - - - - Disclaimer All music posted on our channels is for promotional purposes only. If you like the music, please support the artists by buying their music through Beatport, Juno, Whatpeopleplay, iTunes, Google Play, Amazon etc. Contact us in case of copyright issues. - - - - - Do you like what we are doing? Please help us to continue & grow! Donate! www.paypal.me/claudiocapo Download for free on The Artist Union

Let's transcend time and space. Let's get cosmic. Liftoff 015.

Clint Stewart pres. Space Safari 014 by Clint Stewart

This is Eagle Sessions #097 pres. by AlBird! Here we go! What have we got this week? Something new out of the BluFin family. TYNG & KMRN are back for a great follow-up on their first EP on BluFin a little earlier this year with the EP Loop Machine. Elevate released a little compilation of original tracks of friends and members of the gang including a fantastic track by Carlo Ruetz called Through Walls. Green Velvet is back on the radar again with a new EP called Bassick in a collab with Detelf out on Relief. Further tracks in the first hour by the likes of Budkid and Tim Engelhardt on Einmusika, Nicone on Katermukke, Kellerkind and Fideles on Stil vor Talent, D-Formation on Suara, DJ Lion and Tomy Wahl on Time Has Changed, Fabs' in a Matchy & Bott Remix on Ton Liebt Klang, Lauren Lane on Saved Records, Pacel Petrov on Heinz Music, Adapter in a Clint Stewart remix on Hyrdozoa, The Reactivitz, DJ Rush, Aitor Ronda, Wigbert and Gregor Tresher. Guestmix this time is by up and coming Austrian talent Tom Faron. With his energy driven style he always provides top notch performances. While still working hard for his first releases in the studio stay tuned for some cool stuff coming out of his suite! https://www.facebook.com/tom.faron/ https://soundcloud.com/tom-faron For more information regarding the show go on www.eaglesessions.com 1. TYNG & KMRN - Loop Maschine – BluFin Records 2. Budakid, Tim Engelhardt - Everyone Is Looking (Jonas Saalbach Remix) – Einmusika Recordings 3. Nicone - Cause I Want You (SIS Remix) - Katermukke 4. Kellerkind - Take Your Soul (Original Mix) – Stil Vor Talent 5. D-Formation - Aine (Original Mix) - Suara 6. DJ Lion, Tomy Wahl - Lost Again (Original Mix) – Time Has Changed Records 7. Fabs# - Right Here (Matchy & Bott Remix) – Ton Liebt Klang 8. Green Velvet, Detlef - Alright (Original Mix) - Relief 9. Lauren Lane - Mantra 304 (Original Mix) – Saced Records 10. Pavel Petrov - Hero (Original Mix) – Heinz Music 11. Adapter - Kolsh (Clint Stewart) - Hydrozoa 12. Carlo Ruetz - Through Walls (Original Mix) - ELEVATE 13. DJ Rush, Aitor Ronda - When My Heart Beats (The Reactivitz Remix) – Drakos Recordings 14. Gregor Tresher - Quiet Distortion (Wigbert Remix) – Break New Soil Recordings This show is syndicated & distributed exclusively by Syndicast. If you are a radio station interested in airing the show or would like to distribute your podcast / radio show please register here: https://syndicast.co.uk/distribution/registration

This is Eagle Sessions #097 pres. by AlBird! Here we go! What have we got this week? Something new out of the BluFin family. TYNG & KMRN are back for a great follow-up on their first EP on BluFin a little earlier this year with the EP Loop Machine. Elevate released a little compilation of original tracks of friends and members of the gang including a fantastic track by Carlo Ruetz called Through Walls. Green Velvet is back on the radar again with a new EP called Bassick in a collab with Detelf out on Relief. Further tracks in the first hour by the likes of Budkid and Tim Engelhardt on Einmusika, Nicone on Katermukke, Kellerkind and Fideles on Stil vor Talent, D-Formation on Suara, DJ Lion and Tomy Wahl on Time Has Changed, Fabs’ in a Matchy & Bott Remix on Ton Liebt Klang, Lauren Lane on Saved Records, Pacel Petrov on Heinz Music, Adapter in a Clint Stewart remix on Hyrdozoa, The Reactivitz, DJ Rush, Aitor Ronda, Wigbert and Gregor Tresher. Guestmix this time is by up and coming Austrian talent Tom Faron. With his energy driven style he always provides top notch performances. While still working hard for his first releases in the studio stay tuned for some cool stuff coming out of his suite! https://www.facebook.com/tom.faron/ https://soundcloud.com/tom-faron For more information regarding the show go on www.eaglesessions.com 1. TYNG & KMRN - Loop Maschine – BluFin Records 2. Budakid, Tim Engelhardt - Everyone Is Looking (Jonas Saalbach Remix) – Einmusika Recordings 3. Nicone - Cause I Want You (SIS Remix) - Katermukke 4. Kellerkind - Take Your Soul (Original Mix) – Stil Vor Talent 5. D-Formation - Aine (Original Mix) - Suara 6. DJ Lion, Tomy Wahl - Lost Again (Original Mix) – Time Has Changed Records 7. Fabs# - Right Here (Matchy & Bott Remix) – Ton Liebt Klang 8. Green Velvet, Detlef - Alright (Original Mix) - Relief 9. Lauren Lane - Mantra 304 (Original Mix) – Saced Records 10. Pavel Petrov - Hero (Original Mix) – Heinz Music 11. Adapter - Kolsh (Clint Stewart) - Hydrozoa 12. Carlo Ruetz - Through Walls (Original Mix) - ELEVATE 13. DJ Rush, Aitor Ronda - When My Heart Beats (The Reactivitz Remix) – Drakos Recordings 14. Gregor Tresher - Quiet Distortion (Wigbert Remix) – Break New Soil Recordings This show is syndicated & distributed exclusively by Syndicast. If you are a radio station interested in airing the show or would like to distribute your podcast / radio show please register here: https://syndicast.co.uk/distribution/registration

013 marks one full trip around the sun and big thanks to everyone who followed Space Safari this last year. Now off on another. Let's get cosmic.

12 marks a trip around the sun. Satisfy yourself. Let's get cosmic.

#46 01. Reinier Zonneveld - Doubt 02. Oliver Koletzki - No Man No Cry (feat Leslie Clio) Worakls Remix) 03. Bunched - Amélies Symphony 04. NHAR - Navigli 05. Deamau5 - Saved 06. Patrice Bäumel - This World 07. Clint Stewart & Stephan Hinz - Fall To Earth 08. Einmusik - Tormenta 09. Dario D'Attis - My Tip 10. 10dens - Scila (feat. Velb) 11. Kidnap Kid - First Light This show is syndicated & distributed exclusively by Syndicast. If you are a radio station interested in airing the show or would like to distribute your podcast / radio show please register here: https://syndicast.co.uk/distribution/registration

#46 01. Reinier Zonneveld - Doubt 02. Oliver Koletzki - No Man No Cry (feat Leslie Clio) Worakls Remix) 03. Bunched - Amélies Symphony 04. NHAR - Navigli 05. Deamau5 - Saved 06. Patrice Bäumel - This World 07. Clint Stewart & Stephan Hinz - Fall To Earth 08. Einmusik - Tormenta 09. Dario D'Attis - My Tip 10. 10dens - Scila (feat. Velb) 11. Kidnap Kid - First Light This show is syndicated & distributed exclusively by Syndicast. If you are a radio station interested in airing the show or would like to distribute your podcast / radio show please register here: https://syndicast.co.uk/distribution/registration

Go get lost.

Let's get cosmic. Let's lose ourselves.

#060 Deep, Tech & True House Music Podcast by Pasha Like Tracklist: 1. Citizen Kain & Kiko - Meantime (part 2) 2. Enrico Sangiuliano - Hook At The Border (Paride Saraceni Remix) 3. Gregor Tresher - The Kraken (Original Mix) 4. Oliver Koletzki - IyAcwaye (Hatzler Remix) 5. Affkt, Thomas Gandey - Overnight Sensation (Original Mix) 6. Oliver Huntemann, Dubfire - Humano (Victor Ruiz Remix) 7. Niko Schwind feat. Lil Magdalene - Over the Trees (Oliver Koletzki Remix) 8. Josh Vox, Kaiser Souzai - Blumen Der Verzweiflung (Kaiser Souzai Remix) 9. Mendo - Music Power (Metodi Hristov Remix) 10. Dubfire, Oliver Huntemann, Julian Jeweil - Fuego (Julian Jeweil Remix) 11. Shosho - Heroic (Original Mix) 12. Marcelo Cura - Doi Doi (Pele & Shawnecy Remix) 13. Rob Cockerton - Hope (Original Mix) 14. Loco & Jam - Trigger 15. Maksim Dark - Mad Truck (Cosmic Boys remix) 16. Loco & Jam - A Pinch Of Spice (Original Mix) 17. Mac Vaughn, Mateo! - Scorpion (Original Mix) 18. DJ Tonio - Closer, Faster, Stronger (Olivier Giacomotto Remix) 19. Enrico Sangiuliano - Moon Rocks (Original Mix) 20. Oliver Huntemann - Vienna (Original Mix) 21. Khainz - NRCO (Cosmic Boys Remix) 22. Christian Hornbostel - Geo Vibes (Metodi Hristov Remix) 23. Clint Stewart, The Reason Y - Aubade Flares (Original Mix) 24. Robosonic - Drowning feat. Son Little (Dub) 25. Matan Caspi - The Sultan (Original Mix) 26. Mateo! - Thief (Original Mix) 27. Hertz, Enrico Sangiuliano - Start of Madness (Original Mix) 28. Tony Dia - Diamant (Original Mix) 29. Cristian Martin - Chase (Cosmic Boys Remix) 30. Paride Saraceni - Bass Culture (Original Mix) 31. Paul Cart, Shosho - Boomerang (Original Mix) 32. Boy Next Door - Bang (Original Mix) 33. PQM - You Are Sleeping (Matador Remix) 34. Metodi Hristov, Shosho, Gallya - We Don't Need (Original Mix) 35. Bulaklak - Second Chance (Original Mix) 36. Spartaque - Breathe (Loco & Jam Remix) 37. Pasha Like - Burpee (Original Mix) 38. Pr. Morriarti - Mystic Smile (Sergey Sanchez & Thierry Tomas Remix) 39. Audiojack - Robot (10 Year Reincarnation) 40. Cachette - Noma (Original Mix) 41. Paride Saraceni - Heroes (Original Mix) 42. Jorge Montia, Jose Ponce, Joe Red - Dark Valley (Original Mix) 43. Ron Costa, Alberto Ruiz - In Time (Original Stick) 44. Pavel Petrov - The Chavdar (Original Mix) 45. Claude VonStroke - Who's Afraid of Detroit (10 Year Anniversary Mix) 46. Cosmic Boys - Wolf (Original Mix) 47. Ambivalent - Whyou (Michael Mayer Mix) 48. MESA - After Party (Original) 49. Gaga - Atmosphere (Cosmic Boys Remix) 50. Oliver Huntemann - Magnet (Victor Ruiz Remix) 51. Sasha Carassi, Skober - Reborn (Original Mix) 52. Enrico Sangiuliano - X-Pollination (Original Mix) 53. Patrick Topping - Taking Libz (Original Mix) 54. Green Velvet, Eats Everything - Flash (Eats Everything Remix) 55. Dubfire, Oliver Huntemann, Joseph Capriati - Terra (Joseph Capriati Remix) 56. WhoMadeWho - Hi & Low (Konstantin Sibold Acid Mix) 57. Nico Stojan, Jaw, Doctor Dru - Blue Hour (Doctor Dru Remix) 58. Olivier Giacomotto, Noir - Reste (Original Mix) 59. Patrice Baumel - Surge (Original Mix) 60. Sundry - Abomination (Original Mix)

Space Safari 009 on now. Immerse yourself.

01. TKNO - Acid Loves You (Original Mix) [Respekt Recordings] 02. Clint Stewart, Michael Klein - Artifacts (Original Mix) [Second State] 03. Kostas Maskalides - Maelstrom (Original Mix) [Phobiq] 04. Arjun Vagale, Mr Bizz - Take You There (Original Mix) [Toolroom] 05. Roman Garnet, Durtysoxxx - Bamba (Rustek Remix) [Orange Recordings] 06. Ant Brooks - Fluid (Gaston Zani Remix) [Addeepted] 07. Dimi Mechero - Mind Construction (Original Mix) [Funk'n Deep Records] 08. Juan Santacruz - Gaiato (Original Mix) [Friday Records] 09. Joe Red, Edy Cardona - The Black Box (Original Mix) [Sinetic] 10. Vincent Hole - Last Rain (Spartaque Remix) [Globox] 11. Sian - Out Is In (In Is Out Mix) [Octopus Records] 12. Audiomatiques, Mars Bill - Theory [Unrilis] 13. Darkrow - Normal Advice (Original Mix) [Deeperfect Records] 14. Manic Brothers - Walk (Original Mix) [Sleaze Records (UK)] 15. CIREZ D - IN THE REDS (Original Mix) [Mouseville] 16. Durtysoxxx - Deja Vu (Sonate Remix) [Funk'n Deep Records] 17. Jay Lumen, Roberto Capuano - Aquila (Original Mix) [Footwork] 18. Harvey McKay - Terma (Original Mix) [Intec] 19. Avox25 - Textures (Original Mix) [District 9 Recordings] 20. Emmanuel - Saver [Enemy Records] 21. K-Ten, Peter Bailey - Dogs Watching TV (Peter Bailey Remix) [Red Orb Records] 22. DANK (USA), Agent Orange - Brooklyn Bound (Agent Orange Remix) [Funky Element Records] 23. Jonathan Colell - Take A Tour (Dimi Mechero Remix) [HASH Records] 24. Kaiser Souzai, Alberto Ruiz Laser - 1981 (Alberto Ruiz Laser Remix) [Ballroom Records]

#054 Deep, Tech & True House Music Podcast by Pasha Like Tracklist: 1. Athea - In The Beginning (Original Mix) 2. Trikk - Proto Rhyth (Black Version) 3. Emanuel Satie - Like Phoenix (Original Mix) 4. Marcelo Cura - Doi Doi (Pele & Shawnecy Remix) 5. Luca M, JUST2, CMM - Sunwaves (Mihalis Safras Remix) 6. Hoxton Whores - Gotta Think (Original Mix) 7. Paride Saraceni - Flying Egos (Original Mix) 8. Cachette - Noma (Original Mix) 9. Pr. Morriarti - Mystic Smile (Sergey Sanchez & Thierry Tomas Remix) 10. Affkt, Thomas Gandey - Overnight Sensation (Original Mix) 11. Paul Cart, Shosho - Boomerang (Original Mix) 12. Ilija Djokovic - Delusion (Original Mix) 13. Paride Saraceni - Liberty (Original Mix) 14. Beatamines - Second Decay 15. Clint Stewart, The Reason Y - Aubade Flares (Original Mix) 16. WhoMadeWho - Hi & Low (Konstantin Sibold Acid Mix) 17. Lehar & Musumeci - Azymuth (Original Mix) 18. Boss Axis & Patrick Muschiol - What It Feels Like (Original Mix) 19. D-Nox & Beckers - Serenade (Original Mix) 20. Noir - Lumiere Brillante (Original Mix) 21. D-Nox & Beckers - Last Call (Original Mix) 22. Marc Romboy, Stephan Bodzin - Atlas (Adriatique Remix)

A day late this month after some issues with the recording but finally managed to sort it out. Space Safari 008 is from the open air U.R. Art here in LA a couple days ago and was an incredible event. Vibe was stellar and the love and attention to detail in curating such a great event is obvious. Big thanks to everyone that was there and to John and the whole crew from U.R. and XLR8R for an epic day. Enjoy the journey.

1. The Train (Original Mix) by Touchtalk 2. Paradise (Solardo Remix) by Secondcity 3. Orbit (Original Mix) by Julian Jeweil 4. Ego Fucker (Original Mix) by Stefano TT 5. Wizard (Original Mix) by Robin Hirte, Mike Vath 6. Doppelgaenger (2016 Rework) by Citizen Kain 7. KOI 55b (Original Mix) by The YellowHeads 8. Lost In Mannheim (Original Mix) by Giorgio Rusconi 9. Windmaker (Original Mix) by Sebastian Mullaert 10. Hungexpo (Original Mix) by Sasha Carassi 11. Distance (Marc Marzenit's Cinematic Edition) by The White Shadow, Rafael Cerato 12. Soulride (Original Mix) by Ramiro Lopez 13. War On Music (Balthazar & JackRock Remix) by Chicago Loop 14. Voicer Feedback (Ismael Rivas Remix) by Marc Suun 15. Platform 3 (Original Mix) by Loco & Jam 16. Gongolero (Alberto Ruiz Remix) by Juan Ddd, Elegant Hands 17. Rett (Original MIx) by Workleft 18. Fall to Earth (Original Mix) by Stephan Hinz, Clint Stewart

Summer is here and Second State at Off Sonar is right around the corner. Let's get cosmic under the sun. 007 is here.

Let's lose ourselves.

Neste episódio Thito Fabres reune clássicos e lançamentos do Techno numa sequencia implacável que vai fazer voce perder o fôlego. Undeground, quente e minimalista, o mix reune faixas de artistas consagrados e novos talentos que você precisa conhecer: Matador, Marc Houle, Carlo Ruetz, Xenia Beliayeva, Victor Ruiz, Thomas Schumacher, Cliff de Zoete, Clint Stewart, Tone Of Arc, Beckers, Hatfield, Cosmic Boys, Maksim Dark, Ricky Ebner, Light Breath, Paul Neary e Serohe.

New look. New day. Now on the first Monday of every month. Here's 005. Let's get cosmic.

The last hour of a three hour set recorded live from the Flying Circus 10th Anniversary at Watergate on February 13, 2016. Let's get cosmic.

Your monthly Space Safari excursion is ready....

The first installment of a new monthly mix series coming to you on the first Friday of every month. Let's get cosmic.

Hello and welcome to Episode #062 of Lehmann Podcast - Clint Stewart! Somewhere between the warm sun rays and crystal blue waves of a tropical beach and the pulsing sounds and strobe lights of a dark warehouse lies Clint Stewart. An organic embodiment of the ocean since before he could remember, it wasn't until his late teens that he was drawn into the synthetic world of electronic music. There were years of DJ'ing before the initial moment that chance drove him towards the path he is on now when, in 2007, he never stepped foot on his return flight to Hawaii and stayed in San Francisco to help run Auralism Records. As fate would have it, two weeks later he met Tassilo and later Thomas from Pan-Pot, which unknowingly at the time, would result in a friendship developing a dramatic impact on the course of his career. It was at this time that San Francisco was having its own renaissance of techno and house with outfits such as the infamous [KONTROL] events at The Endup, Sunset Sound Systems famed open airs, Dirtybirds Golden Gate Park parties and Auralism's psychedelic journeys at The Compound. Over the next years Clint proved himself an undeniable tastemaker and someone who always had a story to tell. He was one of the main residents at the legendary 222 Club and a regular at undergrounds and warehouses in all corners of the city as well as being a regular in New York, Detroit and LA. Clint made his first trips abroad in 2008 playing clubs like Watergate, Tresor, Bar 25 and Anja Schneider's 'Dance Under The Blue Moon' radio show on Fritz FM. In 2009 he went back to Hawaii for the first time since his departure 2 years prior to kick off the inaugural night of what is now the world famous Asylum in Honolulu as their first guest. Summer after summer he'd return to Berlin becoming a regular fixture at Watergate and other events playing alongside Pan-Pot. In 2011 Clint left his solo work to pursue a new project with friend Marc Smith as Safeword. The two found immediate success with a string of big releases on Poker Flat, Dessous, and Paso before releasing their biggest EP, My Love, on Mobilee in 2012. The two cranked out a chain of massive remixes including their twist on [a]pendics.shuffle feat. Blakkat's "Heavy Burdens High", which was featured in Maya Jane Coles' Essential Mix and made Rolling Stones top 20 mixes of 2013. Safeword also garnered a mass of attention with their DJ and live sets playing as the inaugural guest for Lee Burridges 'All Day I Dream' open airs in LA and BPM as well as the infamous Mobilee Off Sonar events. It was the summer of 2013 when Clint decided to break away to pursue his solo work. It was time to showcase his own sonic story on an international level and was hand picked by Pan-Pot to join them on the 10 year anniversary 'X-Tour' as well as the first artist on their new label Second State. With the first three Second State showcases in Paris, London and Berlin being a huge success and his sets garnering him an immense amount of attention as a unique and skilled DJ, Clint is finally ready to reveal his own voice as a producer. With a string of hefty remixes as well as his first solo EP, 'Warpaint' already receiving massive reactions from crowds at huge festivals and events, it is no doubt solidifying Clint's place as a rising talent and one to watch on the international landscape. You can catch Clint Stewart at Lehmann Club Stuttgart together with Pan-Pot, BEC and Chris Hirose on 25.09.2015. Check on Facebook: https://www.facebook.com/events/429820253868611/ More Info on Clint Stewart: http://www.theclintstewart.com/ https://www.facebook.com/ClintStewartOfficial http://www.soundcloud.com/clintstewart

Podcast Series 053 (Mixed by Carlos Maestro & Alex Garcia) TRACKLIST: 1º Sasha Carassi - Tale Of Memories (Original mix) 2º Jaceo - Godzirra (Original mix) 3º Fer BR - Nearly Morning (Original mix) 4º Marc Marzenit - Perron (Original mix) 5º Pan-Pot - Cells (Original mix) 6º Fractious - Sabre Rattle (Original mix) 7º Tomy DeClerque - Do You… (Original mix) 8º Sian - Purple Bang (Carlo Lio remix) 9º Eric Sneo - Process Work (Original mix) 10º Arjun Vagale - Total Recall (Original mix) 11º Nathan Barato - Get Good Kid (Carlo Lio remix) 12º Coyu & Ramiro Lopez - Requiem For The Crazyness (Original mix) 13º Clint Stewart ft Tone of Arc - Warpaint (Original mix) Facebook: https://www.facebook.com/MaestroGarciaofficial Email: maestrogarciaofficial@gmail.com