Podcasts about Digital audio workstation

"My first thought was it would be challenging to compose a track. Field recording was recorded in north Macedonia. It's mainly speech, women and children voices inside home. There is also accordion very far in the background. They speak Macedonian language. It gave me the opportunity to read about this country where poverty rate is very high. My composition would be a little nostalgic, but not sad to match the intimate ambiance, and voices. "I didn't want to alter or mangle beautiful voices of kids and women (even if I don't understand Macedonian). "So I told me a little story to help me: Lets pretend some documentary film maker asked me to compose a theme tune for the end or opening credits. There is music over location sound of the imaginary film. "I've been working with a Digital Audio Workstation, recording, mixing and mastering. Doing field recordings myself, I am familiar with extracting sounds and cleaning them without too much alteration. I selected voices and ambient atmosphere. My additional elements were one of my music box sample, a dark synthesizer slow melody and some sampled piano notes. I tried to add a dreamy atmosphere." Ohrid reimagined by Yann Le Vot. ——————— This sound is part of the Sonic Heritage project, exploring the sounds of the world's most famous sights. Find out more and explore the whole project: https://www.citiesandmemory.com/heritage

In this episode, I propose consideration of Universal Audio's LUNA as your Digital Audio Workstation. When there are so many good ones, why LUNA? Have a listen and you might be convinced to give it a try.

What DAW (or Digital Audio Workstation) would you choose if you had to switch DAWS? Not what DAW is BEST! What would your transition be? From Logic to Studio One? From FL to Logic? From Ableton to Pro Tools? (That would be weird) -- THE NEW COURSE "GETTING IN SYNC" IS HERE! How I Got My Music on TV! (And How YOU Can Too!) Once I found out about sync licensing and that people were making music income, I began a systematic, focused plan to get my music placed in TV, Film, Ads, and more. And it worked! This course will describe that whole process to you and take you step by step from producing the songs, to finding sync libraries, sync agents, and music supervisors, to get placements in TV shows and movies, to getting paid real music income. Get the Course Now at its cheapest price as I develop it!: https://payhip.com/b/KtoqH -- Join our musician community STREAMS for FREE at https://www.musicincomestreams.com/ We bring together composers, producers, artists, beatmakers, and musicians ready to elevate their music career to inspire, motivate, and learn from one another, so that we can celebrate and share our wins, overcome challenges together, and exponentially grow both our music income, and our creative impact on the world. Join NOW for FREE! https://www.musicincomestreams.com/ -- HELLO COMPOSERS! Join our sister channel Hello Composers! where we talk ONLY about composing. Subscribe to the YouTube channel at http://HelloComposers.com, AND make sure to join the mailing list at http://eepurl.com/hSLgr9 FREE EBOOK: THE DO-EVERYTHING CHECKLIST FOR YOUR SONGS https://makemusicincome.com/checklist FREE COURSE: HOW TO UPLOAD TO POND5 https://makemusicincome.com/pond5 FREE EBOOK: 50 WAYS TO MAKE MUSIC INCOME V4 https://makemusicincome.com/50ways FREE EBOOK!: TOOLS YOUR NEED TO MAKE MUSIC INCOME V2 https://makemusicincome.com/tools-to-make-music-income/ FREE STOCK MUSIC RESEARCH PAPER: "The Ubiquitous Style, Form, and Instrumentation of Corporate Stock Music" https://makemusicincome.com/ubiquitous ONE-ON-ONE COACHING FOR COMPOSERS AND PRODUCERS: Eric has been helping artists and songwriters for over 20 years build lasting music careers, and now is working via one-on-one coaching with composers and producers to help build strong catalogs, get into stock and sync libraries, and of course: Make Music Income. Find more info here: https://makemusicincome.com/coaching/ JOIN OUR EMAIL LIST (Get an email when we release new videos!) http://eepurl.com/hF8ihr THE OFFICIAL WEB SITE: https://makemusicincome.com/ EMAIL US: MakeMusicIncome@gmail.com OUR WEEKLY PODCAST: https://anchor.fm/makemusicincome DISTROKID: Your music to Spotify, Apple, Youtube, and more for one yearly price. Get 7% Off When You Sign Up for DistroKid using this link! Click here: https://distrokid.com/vip/seven/911910 DISCO: Show off your amazing portfolio and be where the music supervisors and music buyers are! Click here: https://disco.ac/signup?b=2095&u=34391 IDENTIFYY: Get paid when your music is used on YouTube Click here: https://identifyy.com?referral=MTMzMjc2 POND5: Get into Music Licensing easily! Use this referral code to sign up and get started selling YOUR music with Pond5! Click here: https://www.pond5.com?ref=FromtheMomentMusic JOIN OUR COMMUNITY ON DISCORD: https://bit.ly/3fYDSVd --- Support this podcast: https://podcasters.spotify.com/pod/show/makemusicincome/support

STOOR Live after-chat with JakoJako, Karl Klomp, Surgeon, Tim Franke and Speedy J In this podcast varying guests from the field of electronic music chat about gear, music production, art, studio techniques, and everything else that occupies their minds. Just a bunch of knob twiddlers who are knowledgeable in their niche sharing insights and stories among each other and with an audience.

Hot off the press!..well-Digital Audio Workstation (sorry Gutenberg) Book Reviews Kill is honored to bring you one more Monday Morning Minute! This one is just as good as the rest of them, folks. Seriously, you don't want to miss this perfectly regular yet still stunning example of weekly book critique excellence that occurs when our fearless hosts grace the microphone. Was that the most underwhelmingly overwhelming description or what? Now you are thoroughly confused yet somehow oddly primed for the best book-related content of this page (age - get it?) I suggest you get yourself some Nectar of the Gods (coffee), put on your best “I am working so hard and don't want to be bothered face” and hit play cause these book-loving best friends love them even more when our army (bookttalion? Bookgade? Booktilla?) Bookbender bookamily join them for their weekly book-a-palooza. You almost definitely are now asking yourself: what piece of content deserves such a brilliantly written description? Come on in and find out on another exciting episode of Book Reviews Kill!

Feeling overwhelmed by all the recording software choices? Been using the same DAW for a while and feel like it's time to switch it up? Haven't started recording your music because you don't have the right gear? If so, this episode is a MUST LISTEN because we're breaking down the pros and cons of a variety of recording softwares and demystifying this often overwhelming decision.If you're curious what software Isobel uses, you also won't be disappointed because inside you'll learn her top favourite 3 DAWs and why, when and what she uses them for. And if you're not even sure what a DAW is, don't worry! We're breaking all of this down, and more :)EPISODE HIGHLIGHTS{02:31} What is a DAW?{04:37} Why does it feel so hard to choose a DAW?{13:24} Isobel's run-through of 7 popular DAWs{36:58} Isobel's Top 3 DAWs{39:21} Episode SummaryCheck out Ableton Live >> Check out Logic Pro X >> Check out Pro Tools >> Check out FL Studio >> Check out Cubase >> Check out Cakewalk >> Check out GarageBand >> Boss it in the recording studio

In this episode, I focus specifically on my recommended Digital Audio Workstation software for folks using Windows. The right DAW makes your recording life a joy. The wrong one is like hammering nails into your knees.

2023.09.10 – 0983 – The Diction-ary of Voice - D Part 1 DAW - Short for ‘Digital Audio Workstation' (or ‘Workspace'), said variously D.A.W and DAW (as in ‘door'). The software you use to record, edit, mix and play back your audio. Either a computer which is dedicated to audio only, or a complete multitrack recording system (software) such as Protools, Cubase or Logic. Other examples include Audacity, Hindenburg and AdobedB - abbreviation for ‘decibel', pronounced “dee-bee”Dead air – silenceDead cat - a type of mic wind-screen that has long synthetic hairs surrounding it and makes a long microphone look like a dead cat (!)Deadroll - sound or music that begins inaudibly at a specific time in a mix – so that it will come to its natural end at a specific time through the use of ‘backtiming'Decibel – a measurement of the volume of sound, abbreviated to ‘dB'. In the digital audio world, it refers to decibels relative to full scale (dBFS), where ‘0dBFS' represents the maximum possible digital level, and so measurements in digital audio production are generally represented in negative values (say ‘-9 dB').De-emphasize – to produce a less emphatic, dramatic readDe-essing – to reduce sibilance caused by high-frequency ‘s' sounds. A ‘de-esser' is a plug-in to the DAW that automatically controls sibilance in recordingsDemo - a recording of your professional voice work given to prospective clients as an example of your voice and variety. Demo as in a ‘demonstration' of what you can do. A ‘demo reel' or ‘demo tape' is an audio portfolio of examples of a voice artist's workDialect – a regional variation of a language with a particular accent. So, the English language may be spoken with a Cockney accentDiaphragm – the muscle which separates the chest cavity from the abdominal cavity and which is the main muscle used in breathingDiaphragm - the part of microphone that is affected by sound waves and turned it into electrical signals to be recorded or enhanced. See ‘Dynamic' and ‘Condenser'.Diction (or ‘enunciation') – the way you talk: your enunciation and the types of verbiage (words and phrases) you use.Digital – recording/processing with a computer in which audio signals are broken into numerical valuesDigital Analog Converter - DAC. Hardware that turns an analogue signal into numerical values, and vice versa. Anything that connects a microphone to any type of computer has a DAC, including Digital Audio Recorder and microphonesDip or Duck — to fade sound underneath a track or other audio that is at a higher volumeDirector – the person responsible for deciding how a programme is run while it is on air, or in charge of a recording project. The director may oversee or themselves be the writer producer or audio engineerDistortion – when sound has been recorded at too high a level making it difficult to comprehendDouble Ender - see “tape sync”Dramatic pause – when anticipation or tension is created by a pause within a script Hosted on Acast. See acast.com/privacy for more information.

In the Bonus Room, Daniel talks about the tight-knit nature of his team and how he views the success of a product. He discusses balancing priorities while still keeping an eye toward the future and what he thinks about the potential of tech advancements on the future of notation software. He briefly talks about his friendship with the prolific composer Derek Bourgeois, and finally, Daniel and Eddie geek out about a beloved style of Digital Audio Workstation from 1990s.Dorico Professional music notation and composition software from Steinberg. Download a free 30-trial today!Disclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.

Our dynamic guest for tonight is Maurizio Sera known professionally as IRKO. He is an Italian multi-platinum audio engineer currently based in Los Angeles, California. He has worked with artists such as Kanye West, Jay-Z, 88-Keys, Jennifer Lopez, Pitbull, Rick Ross, Diddy, David Guetta, and many more. He is also the man behind the SpeakEasy Workshop. Irko's goal is to give back and empower individuals to find their voice through workshops. What You'll Learn In this episode, IRKO shares some nuggets of wisdom with aspiring audio engineers. He emphasized the importance of patience and success takes a lot of investing into your craft and career in order to get to the point where you can be a very successful entity in the music industry. Watch out because IRKO also shared what is the best DAW to use. Things We Discussed DAW - which stands for  Digital Audio Workstation is a software application used to record, edit, and produce audio. Think of a DAW as a digital representation of a physical recording studio where you can produce audio for a wide variety of mediums including, film, gaming, podcasting, music, UX, and more. SpeakEasy Workshop - IRKO's workshop on the story of his adventure in the music business focusing on his beginnings. He will discuss his approach to mixing and also the analysis of routing, plug-ins, dynamics, and EQ through the study of his Pro Tools sessions. IRKO will lead an in-depth study by listening to samples before and after the mix as well as an interactive discussion with the participants. Connect with Irko Website Facbook Youtube Instagram Twitter Spotify Connect with Jason Tonioli Website  Facebook YouTube  Instagram Spotify Pandora Amazon Music Apple Music

In this episode we discuss what a Digital Audio Workstation is, what you can do with one, and how to select one for your personal recording use

In this video, we take a comprehensive look at one of the most popular digital audio workstations out there - FL Studio. From its humble beginnings as a simple MIDI drum machine to a full-fledged digital audio workstation, we explore the origins and evolution of FL Studio. We also discuss why it's such a useful tool for music producers, including its user-friendly interface, extensive library of sounds and instruments, flexible workflow, and active community. Whether you're a seasoned music producer or just starting out, this video is a must-watch for anyone interested in music creation and software development. Don't forget to like, comment, and subscribe for more music education content! --- Send in a voice message: https://podcasters.spotify.com/pod/show/3ichael7ambert/message Support this podcast: https://podcasters.spotify.com/pod/show/3ichael7ambert/support

Divinæ Miranda è una giovane startup bolognese ad alto contenuto rivoluzionario finalizzata all'abbattimento dell'industria musicale. Nonostante il latinismo nel nome, il progetto punta a rinnovare la scena ITPOP eliminando le stantie chitarre acustiche e imbracciando la Digital Audio Workstation come nuovo strumento di lotta di classe.

If you want to make 2023 the year you finally have amazing recordings of your music without breaking the bank, this episode is for you. Inside, Isobel shares 5 Key Strategies to Home Record Your Music Like a Pro!Even if you've worried that recording your music at home will automatically make it sound amateur in comparison to paying for commercial studio time, this episode will show you how amazing sounding tracks are in fact, well within your grasp. All you need is a little insider know-how, and Isobel is pulling back the curtain and giving you exactly that - these are the strategies she's honed from years of recording and producing music and helping thousands of other women do the same.EPISODE HIGHLIGHTS{0:00} Intro{03:35} First-and-foremost, record good quality audio{05:35} Have a project map{11:58} Make a to-do list when you recording{15:20} Save presets{16:50} Organise your session{18:50} Episode SummaryDownload my FREE 3 Steps to Sound Treating your Home Recording Space  PDF Guide >> Speed Up Your Production Process with my 6 Music Production Hacks To Save You Time checklist >>'Tis the season to be giving, so why not gift the Girls Twiddling Knobs podcast to a friend or loved one?

Heute geht es um das Arbeiten mit oder ohne Digital Audio Workstation.

National Novel Writing and Podcast Posting Month 2022 Welcome friend to Create Art Podcast where I help you tame your inner critic and create more than we consume. I am Timothy Kimo Brien your thankful head instigator with over 20 years in arts and education. How I accomplish this is by providing you with commentary, interviews, discussions, and projects that will inspire you to create art. This month I will be podcasting daily and writing a novel in 30 days. I am participating in NaPodPoMo and NaNoWriMo again this year as I did last year and you can hear those episodes here. You will be able to listen and read along with what I wrote for the day. I like to practice what I preach when it comes to art so I am challenging myself to write and having you come along for the ride. It is my hope this inspires you to accomplish your goals with your art and if you would like to share what you are doing email me at timothy@createartpodcast.com History of NaNoWriMo and NaPodPoMo NaNoWriMo: National Novel Writing Month began in 1999 as a daunting but straightforward challenge: to write 50,000 words of a novel in thirty days. Now, each year on November 1, hundreds of thousands of people around the world begin to write, determined to end the month with 50,000 words of a brand new novel. They enter the month as elementary school teachers, mechanics, or stay-at-home parents. They leave novelists. NaPodPoMo: NaPodPoMo* is a month-long event similar to National Novel Writing Month aka NaNoWriMo. The difference? Well, instead of writing a 50,000-word novel, you post a podcast episode every day for 30 days from November 1st-30th. Use any platform you desire. From full production studio to iPhone app and just about anything in between. The goal is to use the challenge of podcasting daily as a form of podcasting boot camp. The Writing So Far 3 Nov 2022 words today 1899    words total 5311  When Joel and Mack got back to their home offices in their respective basements, they began processing what they had observed in the group that formed.   Joel, wearing his camera glasses began uploading the video and audio. He knew this was going to take some time although he and Mack had not been outside that long. While waiting he sent a preliminary report to Bruce that included who was in the group, which TV stations showed up, and the last names and badge numbers of the police officers controlling the scene. He also reviewed the postings from the neighborhood social media page and noted the commenters and responses. He was looking for anyone who did not reside in the neighborhood proper and noted the locations of those who were outside of their immediate neighborhood and began searching through those profiles. The upload from the glasses to his video processing computer, he had several setups including his day job set up, took about an hour, and in that time, he had already logged the names and profiles of twenty people outside the neighborhood who had commented on the shooting. When he got the notification that the video was uploaded, he started his facial recognition program on the raw video and loaded the profile pictures of the outsiders who had commented on the social media page. He planned on using their likeness and inserting an animated image of them to discredit any reports.   Across the street, Mack pulled out his digital recorder and began uploading the audio to his Digital Audio Workstation. The microphone on his recorder was sensitive enough to pick up the calls coming through the police officer's radios without him needing to be right next to them. The audio quality was surprisingly good for this being a rush job and him keeping the recorder in his pants pocket with no windscreen. He had time to put a makeshift nylon stocking cover over the microphone grill and he made a mental note of its effectiveness for future jobs. He was able to pick out from the police radio that there was one confirmed gunshot casualty, however, there were no witnesses to the active shooter. He also noted how many units and which units were called into the scene. He began the process on his digital audio workstation to have it synthesize the voices of the police officers and the radio dispatch in order to manipulate them when the time came. He also crossed-referenced the voice profiles with known profiles captured previously to strengthen the vocal match.   Both men were deep into their respective work when they received an instant message on their secured messaging service to deliver their initial impressions. The message was coming from Cody so they immediately used their mini laptops and entered the virtual office.   “We are sanitized, and I know you just started up with your analysis, but I wanted to get those initial first impressions about today's unauthorized event,” asked Cody.  “I'll go first if you don't mind Mack,” asked Joel?  “Go right ahead,” replied Mack.   “So, first impressions, typical police response to an active shooter. I was able to use my video monitoring equipment easily and without raising suspicion. The typical neighborhood response was encountered, all housewives besides Mack and myself met across the street from the school to investigate why the TV vans were out. The usual on-call reporters were dispatched with their cameramen and set up shop on the HOA's president's lawn that runs parallel to the street. I was able to see clear visuals all the way to the school's front entrance but was unable to see past the front doors into the vestibule. Typical concern was displayed by the residents of the neighborhood and police prevented anyone from crossing over onto school grounds. The typical response for a crime scene and active shooter scenario. There was no one observed outsiders, I did obtain face pattern recordings from all individuals for the visual library. I'll wait until after Mack talks to let you know the status of my current activities. Mack why don't you go ahead,” said Joel.   “Thank you, Joel. I was able to mobilize with Joel and approached the group with my digital recorder undetected. I was able to obtain the traffic coming from the police officers' radio and am currently mapping the vocal patterns now for the four officers in physical attendance and the dispatcher. Regarding audio quality, it was near pristine, and the field recording setup proved to be unnoticeable and undetectable and still produced a superior recording. My visual report does not differ from Joel's report, and I have nothing further to add to it, pending your questions I'll turn it back to Joel,” said Mack.   “Please continue Joel,” said Cody.   “Next steps will be to finalize the visual mapping process for those in attendance and those who commented on the neighborhood app. At that time, I will be able to manipulate the video and insert those whom we feel will be able to discredit the account and it should be undetectable with the equipment and expertise of or rather lack of expertise of local media. I will just need a script and then I can start on those manipulations. I am also grabbing the social media of the dispatcher in case we need to bring their integrity into question. I will be in contact with our script writers once the mapping is over for an authorized script of events and get to work on creating that and posting it. With that pending your questions I turn it over to Mack,” said Joel.   “No questions, Mack what are your next steps,” replied Cody.   “Complete vocal mapping and wait for the script to be presented. Reach out to our podcast talent and allies and let them know we have the true story behind what happened and will provide exclusive and expedited coverage for their content and assist with social media marketing. Pending any questions,” said Mack.   “Good, Bruce was right to bring you both on board. You seem to have everything well in hand. I find it a stroke of luck that we have the best audio-visual team here teaching in our high school. This was an unauthorized event, and I can't thank you enough for being able to be ready at a moment's notice and thank you for your loyalty to the cause. I just want to remind you of that loyalty to the cause. We will need to clean this up quickly, so once we get you the script, I am going to need you to make this the priority over all others so we can be on top of it and in charge of the narrative. Can the followers of Zenon count on you,” asked Cody?  “Of course,” they both replied.   “Good. I'll let you get back to your work. Be ready for the script and then start the operation,” said Cody as he turned off his camera. He did not need to wait for their reply as he was waiting to hear back from Bruce and Wolfgang.   Username 1 was monitoring the WiiRU message boards when they noticed a notification come in on the Alewell town portal. It mentioned a school shooting at the Swan Victor Elementary school. Normally there would be a cyberbullying or racial profiling message coming through, but due to the shooting this required Username1 to alert their colleagues and correlate the incident with police and media reports. They began their work in earnest and began compiling the information located in the police and media networks that they had back-door access to. By the time the rest of the colleagues were able to meet all the related raw data had been made into a dossier for all gather to review. Each colleague of WiiRU kept their avatar displayed and their vocoders on to modulate their voices.  Since it was under Username 1's watch they began the gathering.   “I trust you have all had time to review the dossier I have prepared. I apologize in advance that this is simply raw data right now, but it is a developing incident, and we need to get in front of it before the followers of Zeno start their shenanigans as they did at the high school shooting two years ago. Since they have a presence in Alewell I took the liberty to enhance the monitoring of their network and it appears to be quiet, however, knowing them they will start shoveling their narrative soon. I'd expect sometime this evening since most of them have day jobs and won't have access to their network until after 5 PM. That gives us about two hours to come up with a preemptive plan to douse their attempt. The floor is open to suggestions,” said Username 1.   “When did we last see activity on their network, we might have silence because they have discovered us eavesdropping,” asked Username 44?  “I am showing the last reported chatter coming in last night with target number 1, seems to be a video conference, unfortunately, the content of the conference was protected by a sanitization sweep so they have partially upgraded their network,” replied Username 1.   “Do we have friendlies in sanitization that could help us open the curtain to future conference calls,” asked Username 44?  “We have warm leads over there, it's a German/Israeli corporation. We can turn up the heat on them and get some traction in there, no E.T.A. on that, however,” said Username 87.   “Doesn't that corporation have two operatives here in Alewell? Might be worth a reach,” said Username 1.   “I can reach out and warm up our contacts. Any trade we can offer them to sweeten the deal,” asked Username 87?  “Start with hardware and then go with minimal resources. I assume we don't have enough of a hold to get them more liquid assets,” replied Username 1?  “Can do I will signal if there needs to be another assembly,” replied Username 87.   “With that, I am moving we go ahead and discuss utilizing our newest tool for a real-world exercise. Are we ready to deploy it currently? I think this would be a great opportunity to test it out on the followers of Zeno and set up sprint iterations running for 12 hours on and 12 hours off and resolve flaws and shortcomings. We have talked about this in the past,” asked Username 1.  “Well, it was not meant for something like this, the tool was meant to be used on a smaller scale and not for the type of sophistication that the followers of Zeno have displayed in the past. I am not sure we can predict the outcome realistically on this incident,” said Username 42.   “I know we had designed it for simple cyberbullying in a classroom setting of about 30 kids, but the Z folks are about 30 individuals and although they are more sophisticated, they aren't as imaginative as tweens and teenagers. Can we at least have it in our arsenal for this incident and have it ready to deploy if other measures are not effective,” asked Username 1?  “As long as we keep the scale small and well-defined, we should be okay. But we are talking about AI here and we will need to reign it in strenuously if it goes rogue,” replied Username 42.   Reaching Out To reach out to me, email timothy@createartpodcast.com I would love to hear about your journey and what you are working on. If you would like to be on the show or have me discuss a topic that is giving you trouble write in and let's start that conversation. Email: timothy@createartpodcast.com IG: @createartpodcast Twitter: @kimo72

We have the interesting situation of having a large backlog of new music written during the Pandemic The original idea was to create the MEGA album "Catfished & Da Hard Boyz", but this 9-hour album was too large for the market. So we have spent the last 3 months figuring out how to pull the gems out of my vault. The 1st project coming out of this backlog of music is the August 26th release PEG4EVER This 1.5-hour album is still a "MEGA" effort. The best tracks from "Catfished" were culled for this 2022 album. This session is for our next Project 2023 "Trash Wave" Hybrid of Punk Aesthetic and New Wave What you are hearing is a live StreamYard.com stream from our Expansive Sound Studio of "stream of consciousness jam style music. Our sound or style of music is called "Expansive Sound", a combination of New Wave, Punk, Fusion Jazz, Progressive Rock, Spoken Word, and Experimental. We are also a DAWless producer. The Digital Audio Workstation is a great tool that has reduced or eliminated the Studio stranglehold on creativity for many musicians. However, we have always loved the stream of consciousness and jam style nature of "Hardware" recording. So from the beginning of PEG we have used Hardware recorders. Starting with the Zoom R16 moving to the R24...utilizing the L-8 Live Track for Podcasting (and finishing Akai Force compositions) and now primarily using the new Zoom R-20 Multi Track system to capture our Expansive Sound Experiences. In our mid twenties, we were enamored with Tascam 4 Track recorders and sequencers. We utilized them with a Roland D-5 to create our 1st solo compositions in the late 80s and early 90s, “PEG4EVER” NEW PHANTOMELECTRICGHOST ALBUM DROPS AUG 26th Pre-save the following songs on Spotify and Apple Music: Kiss Not Only Your Lips gate.fm/28JUxmY Boca Como Uma Buceta gate.fm/yLJRlOf Look In HER Eyes gate.fm/SG7v0LB From our Wisdom Audio podcast Donate to support PEG free artist interviews PayPalMe link Any contribution is appreciated: https://www.paypal.com/paypalme/PhantomElectric?locale.x=en_US Support PEG by checking out our Sponsors: Download and use Newsly for free now from www.newsly.me or from the link in the description, and use promo code GH0ST2021 and receive a 1-month free premium subscription. Check out The Charity Focused Philanthropic Online Lottery Visit DoubeJack.online https://found.ee/DoubleJackOnlinePhantomElectricGhost #Podcast, #Phantom #Ghost #Phantom #PhantomElectricGhost #Podcaster #Podcast #Viral #Audio #Podcast #MusicProducer #Interview #NewHampshire #JAZZ Soul #Indie #Interview #PerformanceArt #SingerSongwriter #Electronic More songs from PEG4EVER https://soundcloud.com/phantom_electric_ghost/sets/peg-4ever?utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing Catfish & Da Hard Boyz https://soundcloud.com/phantom_electric_ghost/sets/catfish-da-hard-boyz?utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing --- Send in a voice message: https://anchor.fm/phantom-electric/message Support this podcast: https://anchor.fm/phantom-electric/support

Phantom Electric Ghost Talks Up The Road 2 New Music We have the interesting situation of having a large backlog of new music written during the Pandemic The original idea was to create the MEGA album "Catfished & Da Hard Boyz", but this 9-hour album was too large for the market. So we have spent the last 3 months figuring out how to pull the gems out of my vault. The 1st project coming out of this backlog of music is the August 26th release PEG4EVER This 1.5-hour album is still a "MEGA" effort. The best tracks from "Catfished" were culled for this 2022 album. Our sound or style of music is called "Expansive Sound", a combination of New Wave, Punk, Fusion Jazz, Progressive Rock, Spoken Word, and Experimental. We are also a DAWless producer. The Digital Audio Workstation is a great tool that has reduced or eliminated the Studio stranglehold on creativity for many musicians. However, we have always loved the stream of consciousness and jam style nature of "Hardware" recording. So from the beginning of PEG we have used Hardware recorders. Starting with the Zoom R16 moving to the R24...utilizing the L-8 Live Track for Podcasting (and finishing Akai Force compositions) and now primarily using the new Zoom R-20 Multi Track system to capture our Expansive Sound Experiences. In our mid twenties, we were enamored with Tascam 4 Track recorders and sequencers. We utilized them with a Roland D-5 to create our 1st solo compositions in the late 80s and early 90s, “PEG4EVER” NEW PHANTOMELECTRICGHOST ALBUM DROPS AUG 26th Pre-save the following songs on Spotify and Apple Music: Kiss Not Only Your Lips gate.fm/28JUxmY Boca Como Uma Buceta gate.fm/yLJRlOf Look In HER Eyes gate.fm/SG7v0LB From our Wisdom Audio podcast Donate to support PEG free artist interviews PayPalMe link Any contribution is appreciated: https://www.paypal.com/paypalme/PhantomElectric?locale.x=en_US Support PEG by checking out our Sponsors: Download and use Newsly for free now from www.newsly.me or from the link in the description, and use promo code GH0ST2021 and receive a 1-month free premium subscription. Check out The Charity Focused Philanthropic Online Lottery Visit DoubeJack.online https://found.ee/DoubleJackOnlinePhantomElectricGhost #Podcast, #Phantom #Ghost #Phantom #PhantomElectricGhost #Podcaster #Podcast #Viral #Audio #Podcast #MusicProducer #Interview #NewHampshire #JAZZ Soul #Indie #Interview #PerformanceArt #SingerSongwriter #Electronic More songs from PEG4EVER https://soundcloud.com/phantom_electric_ghost/sets/peg-4ever?utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing Catfish & Da Hard Boyz https://soundcloud.com/phantom_electric_ghost/sets/catfish-da-hard-boyz?utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing --- Send in a voice message: https://anchor.fm/phantom-electric/message Support this podcast: https://anchor.fm/phantom-electric/support

Salutare prieteni, și bine v-am găsit la un nou episod podcast despre Reaper, noul DAW sau Digital Audio Workstation la modă zilele astea. Așa după Citește mai mult The post Reaper cu Alex Tutorial pas cu pas, partea 1 first appeared on Nevazator.ro.

Studio talk with Hiroko Yamamura, Luis Flores, Sophia Saze and Speedy J. In this podcast varying guests from the field of electronic music chat about gear, music production, art, studio techniques, and everything else that occupies their minds. Just a bunch of knob twiddlers who are knowledgeable in their niche sharing insights and stories among each other and with an audience. Live every Wednesday 8pm CET. https://www.patreon.com/stoor https://www.twitch.tv/stoorlab

Studio talk with Matthias Puech, Megan Leber, Tom Whitwell and Speedy J. In this podcast varying guests from the field of electronic music chat about gear, music production, art, studio techniques, and everything else that occupies their minds. Just a bunch of knob twiddlers who are knowledgeable in their niche sharing insights and stories among each other and with an audience. Live every Wednesday 8pm CET. https://www.patreon.com/stoor https://www.twitch.tv/stoorlab

Pick up Reaper.fm for your system.  It's a full featured Digital Audio Workstation for editing.  It's free and has a lifetime free trial with no paywalls for features.  After that it's $60 when you want to license it.   Now follow along and learn basic editing with Reaper's toolset.

Studio talk with Stef Mendesidis, Gaetano Parisio, Eric de Man and Speedy J. In this podcast varying guests from the field of electronic music chat about gear, music production, art, studio techniques, and everything else that occupies their minds. Just a bunch of knob twiddlers who are knowledgeable in their niche sharing insights and stories among each other and with an audience. Live every Wednesday 8pm CET. https://www.patreon.com/stoor https://www.twitch.tv/stoorlab

Studio talk with KMRU, Lady Starlight, Luke Slater and Speedy J. In this podcast varying guests from the field of electronic music chat about gear, music production, art, studio techniques, and everything else that occupies their minds. Just a bunch of knob twiddlers who are knowledgeable in their niche sharing insights and stories among each other and with an audience. Live every Wednesday 8pm CET. https://www.patreon.com/stoor https://www.twitch.tv/stoorlab

Studio talk with Telefon Tel Aviv, Tom Hall, Drumcell and Speedy J, In this podcast varying guests from the field of electronic music chat about gear, music production, art, studio techniques, and everything else that occupies their minds. Just a bunch of knob twiddlers who are knowledgeable in their niche sharing insights and stories among each other and with an audience. Live every Wednesday 8pm CET. https://www.patreon.com/stoor https://www.twitch.tv/stoorlab

Studio talk with KRTM, Slave To Society, Sunil Sharpe and Speedy J. In this podcast varying guests from the field of electronic music chat about gear, music production, art, studio techniques, and everything else that occupies their minds. Just a bunch of knob twiddlers who are knowledgeable in their niche sharing insights and stories among each other and with an audience. Live every Wednesday 8pm CET. https://www.patreon.com/stoor https://www.twitch.tv/stoorlab

Studio talk with A Thousand Details, Nørbak, Robin Kampschoer and Speedy J. In this podcast varying guests from the field of electronic music chat about gear, music production, art, studio techniques, and everything else that occupies their minds. Just a bunch of knob twiddlers who are knowledgeable in their niche sharing insights and stories among each other and with an audience. Live every Wednesday 8pm CET. https://www.patreon.com/stoor https://www.twitch.tv/stoorlab

Studio talk with Amanda Mussi, The Lady Machine, P. Lopez, Victoria Mussi and Speedy J. In this podcast varying guests from the field of electronic music chat about gear, music production, art, studio techniques, and everything else that occupies their minds. Just a bunch of knob twiddlers who are knowledgeable in their niche sharing insights and stories among each other and with an audience. Live every Wednesday 8pm CET. https://www.patreon.com/stoor https://www.twitch.tv/stoorlab

PLEASE LEAVE ME A REVIEW on THIS PODCAST!! 5 STARS BABY!!!I just setup an email to contact me on the Podcast!! - emlyninthemix@gmail.comP.S I love youGive me a follow on Spotify - dropping music monthlyhttps://open.spotify.com/artist/09EVg...

Studio talk with Blue Hour, Peachlyfe, Sugar and Speedy J. In this podcast varying guests from the field of electronic music chat about gear, music production, art, studio techniques, and everything else that occupies their minds. Just a bunch of knob twiddlers who are knowledgeable in their niche sharing insights and stories among each other and with an audience. Live every Wednesday 8pm CET. https://www.patreon.com/stoor https://www.twitch.tv/stoorlab

Studio talk with Atom™, Peter van Hoesen, Oora and Speedy J. In this podcast varying guests from the field of electronic music chat about gear, music production, art, studio techniques, and everything else that occupies their minds. Just a bunch of knob twiddlers who are knowledgeable in their niche sharing insights and stories among each other and with an audience. Live every Wednesday 8pm CET. https://www.patreon.com/stoor https://www.twitch.tv/stoorlab

Studio talk with Cocktail Party Effect, dBridge, Prequel Tapes and Speedy J. In this podcast varying guests from the field of electronic music chat about gear, music production, art, studio techniques, and everything else that occupies their minds. Just a bunch of knob twiddlers who are knowledgeable in their niche sharing insights and stories among each other and with an audience. Live every Wednesday 8pm CET. https://www.patreon.com/stoor https://www.twitch.tv/stoorlab

Studio talk with Drumcell, Kyle Geiger, Tim Exile and Speedy J In this podcast varying guests from the field of electronic music chat about gear, music production, art, studio techniques, and everything else that occupies their minds. Just a bunch of knob twiddlers who are knowledgeable in their niche sharing insights and stories among each other and with an audience. Live every Wednesday 8pm CET. https://www.patreon.com/stoor https://www.twitch.tv/stoorlab

Studio talk with Ireen Amnes, Kamikaze Space Programme, Sorcery and Speedy J. In this podcast varying guests from the field of electronic music chat about gear, music production, art, studio techniques, and everything else that occupies their minds. Just a bunch of knob twiddlers who are knowledgeable in their niche sharing insights and stories among each other and with an audience. Live every Wednesday 8pm CET. https://www.patreon.com/stoor https://www.twitch.tv/stoorlab

Icevena is a local electronic musician, presenter and organiser for a Digital Audio Workstation group. What is a Digital Audio Workstation? We sat down with Icevena to talk about making music yourself, the importance of getting your musical arrangements right, and why you need to keep everything!Our feature track is Icevena's 'Follow Me Down'Icevena: Spotify || YouTube || Facebook || InstagramGet Gig Ready is presented by City of Ryde, Lane Cove Council, the Live Music Office, MusicNSW, 2SER and Macquarie University.Are you a local musician or creative in the Ryde or Lane Cove areas? Sign up to your local Council's Artist Register so we can find out more about you and your work! City of Ryde || Lane Cove Council

Studio talk with Colin Fraser, WilyEPeyote, Splitradix and Speedy J. In this podcast varying guests from the field of electronic music chat about gear, music production, art, studio techniques, and everything else that occupies their minds. Just a bunch of knob twiddlers who are knowledgeable in their niche sharing insights and stories among each other and with an audience. Live every Wednesday 8pm CET. https://www.patreon.com/stoor https://www.twitch.tv/stoorlab

Studio talk with Sebastian Mullaert, Steevio, Tulpa Dusha and Speedy J. In this podcast varying guests from the field of electronic music chat about gear, music production, art, studio techniques, and everything else that occupies their minds. Just a bunch of knob twiddlers who are knowledgeable in their niche sharing insights and stories among each other and with an audience. Live every Wednesday 8pm CET. https://www.patreon.com/stoor https://www.twitch.tv/stoorlab

Studio talk with Chaiya, Ranjit Nijjer, raum.null and Speedy J. In this podcast varying guests from the field of electronic music chat about gear, music production, art, studio techniques, and everything else that occupies their minds. Just a bunch of knob twiddlers who are knowledgeable in their niche sharing insights and stories among each other and with an audience. Live every Wednesday 8pm CET. https://www.patreon.com/stoor https://www.twitch.tv/stoorlab

0105 – Mouth Clicks And Audio ProcessingMouth clicks and audio processing What is audio processing? After sound is recorded it often goes through a professionally post-production process. This obviously won’t happen if you are going live to say YouTube/Zoom from your phone or laptop, but will happen if you are live or recorded from a professional studio, or if your home studio has a processer as part of the audio chain between the mic and the output (for example, if the sound goes through a good quality mixer, or maybe in the DAW, Digital Audio Workstation, recording program). During this process and so it can be mixed with other audio elements, compression is applied to the audio. This ‘normalises’ the levels of the sound, making the loudest parts quieter and so reducing the overall volume of the entire recording. The audio producer then increases the volume of the recording to the correct level, but this has the effect of emphasising mouth clicks. Therefore, it’s important to try and eliminate them at the earliest stage of the whole workflow.You can edit mouth clicks from a recording, but this is time-consuming and of course won’t help you in a live presentation.==Through these under-5-minute episodes, you can build your confidence and competence with advice on breathing and reading, inflection and projection, the roles played by better scripting and better sitting, mic techniques and voice care tips... with exercises and anecdotes from a career spent in TV and radio studios.And as themes develop over the weeks (that is, they are not random topics day-by-day), this is a free, course to help you GET A BETTER BROADCAST, PODCAST AND VIDEO VOICE.Look out for more details of the book during 2021.Contacts: https://linktr.ee/Peter_Stewart Peter has been around voice and audio all his working life and has trained hundreds of broadcasters in all styles of radio from pop music stations such as Capital FM and BBC Radio 1 to Heart FM, the classical music station BBC Radio 3 and regional BBC stations. He’s trained news presenters on regional TV, the BBC News Channel and on flagship programmes such as the BBC’s Panorama. Other trainees have been music presenters, breakfast show hosts, travel news presenters and voice-over artists.He has written a number of books on audio and video presentation and production (“Essential Radio Journalism”, “JournoLists”, two editions of “Essential Radio Skills” and three editions of “Broadcast Journalism”) and has written on voice and presentation skills in the BBC’s in-house newspaper “Ariel”.Peter has presented hundreds of radio shows (you may have heard him on BBC Radio 2, BBC Radio 4, Virgin Radio or Kiss, as well as BBC regional radio) with formats as diverse as music-presentation, interview shows, ‘special’ programmes for elections and budgets, live outside broadcasts and commentaries and even the occasional sports, gardening and dedication programmes. He has read several thousand news bulletins, and hosted nearly 2,000 podcast episodes, and is a vocal image consultant advising in all aspects of voice and speech training for presenters on radio and TV, podcasts and YouTube, voiceovers and videocalls.The podcast title refers to those who may wish to change their speaking voice in some way. It is not a suggestion that anyone should, or be pressured into needing to. We love accents and dialects, and are well aware that how we speak changes over time. The key is: is your voice successfully communicating your message, so it is being understood (and potentially being acted upon) by your target audience?This podcast is London-based and examples are spoken in the RP (Received Pronunciation) / standard-English / BBC English pronunciation, although invariably applicable to other languages, accents and dialects. Music credits:"Bleeping Demo" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 Licensehttp://creativecommons.org/licenses/by/4.0/Link: https://incompetech.filmmusic.io/song/7012-bleeping-demo License: https://filmmusic.io/standard-license "Beauty Flow" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/Link: https://incompetech.filmmusic.io/song/5025-beauty-flow License: https://filmmusic.io/standard-license "Envision" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/Link: https://incompetech.filmmusic.io/song/4706-envision License: https://filmmusic.io/standard-license "Limit 70" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/Link: https://incompetech.filmmusic.io/song/5710-limit-70 License: https://filmmusic.io/standard-license "Rising Tide" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/ Link: https://incompetech.filmmusic.io/song/5027-rising-tide License: https://filmmusic.io/standard-license "Wholesome" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/ Link: https://incompetech.filmmusic.io/song/5050-wholesomeLicense: https://filmmusic.io/standard-license See acast.com/privacy for privacy and opt-out information.

Studio talk with Charlton, Colin Benders, Fadi Mohem, Robin Kampschoer, The Lady Machine, Rødhåd and Speedy J. In this podcast varying guests from the field of electronic music chat about gear, music production, art, studio techniques, and everything else that occupies their minds. Just a bunch of knob twiddlers who are knowledgeable in their niche sharing insights and stories among each other and with an audience. Live every Wednesday 8pm CET. https://www.patreon.com/stoor https://www.twitch.tv/stoorlab

Studio talk with Dataline, Ess Mattisson, Lady Starlight and Speedy J. In this podcast varying guests from the field of electronic music chat about gear, music production, art, studio techniques, and everything else that occupies their minds. Just a bunch of knob twiddlers who are knowledgeable in their niche sharing insights and stories among each other and with an audience. Live every Wednesday 8pm CET. https://www.patreon.com/stoor https://www.twitch.tv/stoorlab

Studio talk with Inigo Kennedy, Inland, Setaoc Mass and Speedy J. In this podcast varying guests from the field of electronic music chat about gear, music production, art, studio techniques, and everything else that occupies their minds. Just a bunch of knob twiddlers who are knowledgeable in their niche sharing insights and stories among each other and with an audience. Live every Wednesday 8pm CET. https://www.patreon.com/stoor https://www.twitch.tv/stoorlab

Studio talk with Tim Xavier, Tadeo, Ambivalent and Speedy J. In this podcast varying guests from the field of electronic music chat about gear, music production, art, studio techniques, and everything else that occupies their minds. Just a bunch of knob twiddlers who are knowledgeable in their niche sharing insights and stories among each other and with an audience. Live every Wednesday 8pm CET. https://www.patreon.com/stoor https://www.twitch.tv/stoorlab

Studio talk with Estroe, Kaan Bulak, Robert Lippok and Speedy J. In this podcast varying guests from the field of electronic music chat about gear, music production, art, studio techniques, and everything else that occupies their minds. Just a bunch of knob twiddlers who are knowledgeable in their niche sharing insights and stories among each other and with an audience. Live every Wednesday 9pm CET. https://www.patreon.com/stoor https://www.twitch.tv/stoorlab

Studio talk with Samuli Kemppi, Robin Kampschoer, Eric de Man and Speedy J. In this podcast varying guests from the field of electronic music chat about gear, music production, art, studio techniques, and everything else that occupies their minds. Just a bunch of knob twiddlers who are knowledgeable in their niche sharing insights and stories among each other and with an audience. Live every Wednesday 8pm CET. https://www.patreon.com/stoor https://www.twitch.tv/stoorlab

Have you ever found yourself trying to hang with producers in the studio, feelin’ all cool

Studio talk with Blawan, Charlton, Lady Starlight and Speedy J. In this podcast varying guests from the field of electronic music chat about gear, music production, art, studio techniques, and everything else that occupies their minds. Just a bunch of knob twiddlers who are knowledgeable in their niche sharing insights and stories among each other and with an audience. Live every Wednesday 8pm CET. https://www.patreon.com/stoor https://www.twitch.tv/stoorlab

Welcome to RTFM ٩(◕‿◕)۶ In this episode, dolltr!ck reads a section of the Bitwig User Guide, sharing more about the unique Digital Audio Workstation's implementation of its Unified Modulation System. Tune in for insights into Bitwig Studio's integration of powerful modulation devices that have music makers from around the world raving about its flexibility and (underestimated) potential.

Welcome to RTFM ٩(◕‿◕)۶ In this episode, dolltr!ck shares Chapter 1: Bitwig Studio Concepts from the Bitwig Studio 3.0 User Guide, written by Dave Linnenbank of Bitwig. Tune in to learn about this game-changing Digital Audio Workstation, with hints at its features that make it a unique tool for music creators.

In this episode we're looking at Audio production software, commonly know as 'Digital Audio Workstations' in the audio production industry. We'll look at the most common options out there to give you an idea of which one might suit you.A Digital Audio Workstation (or DAW, for short) is simply an audio editing package that lets you cut out mistakes, splice together different clips and add in music or sound effects. It also allows you to process your audio with a range of different effects, all of which can make your Podcast sound much better.  Listen to the episode here to find out more!Resources MentionedThe Podcast Host AcademyAlitu: The Podcast Maker AppAudacityHindenburg JournalistAdobe AuditionReaperThe Complete Podcast Software GuideBest Podcast Editing SoftwareBest Podcast Making AppsThe Minimum Effective Editing ApproachBest Tools for Recording a Podcast OnlineSupport the show