Podcasts about novel writing

Click Here to ask your book writing and publishing questions!In this episode, Ann Garvin (who will release her 7th novel, Tell Two Friends, in September 2026 with Lake Union) discloses the often messy, unglamorous truth of how a story actually starts. For her, that's usually as some tiny thing Ann can't stop thinking about, long before it has a plot or even characters attached to it. We talk about how to take that one nagging "kernel" of fascination and slowly build a book around it, and why your characters' flaws are usually what make readers care. Ann also walks through a deceptively useful trick for getting unstuck: asking, "What's the worst possible thing that could happen to this character right now?" (and then doing that to them).Whether you write memoir, self-help, or fiction, this conversation is really about the same question every writer eventually has to answer: What am I actually fascinated by, and am I brave enough to explore it further? No matter how you're published or what genre you're writing, the part about having to sit down and write the damn book is the same for everyone!

Click Here to ask your book writing and publishing questions!The woman. The myth. The legend: Jordan Roter. She's a TV writer, screenwriter, author, and one of the funniest and most genuine people I know. I truly could talk to her for days (and I'd like to, as it would preclude the need any sort of formal abdominal workout). Her novel, Moms Like Us (2025, Little A), was recently optioned for the screen, and she's back to give her hot takes on:Midlife transitions (welcome, all my fellow perimenopause travelers!)Self-publishing versus traditional publishingThe currently hot TV shows I was previously afraid to watch (Heated Rivalry, Off Campus, and Euphoria)Navigating publicity and marketing as an author The importance of remembering that you only need 1 "yes"

Happy Wednesday EICrickets! In today's episode we're joined by writer and novelist Jem Calder, whose debut novel I Want You To Be Happy was released last month. The three of us all separately recommended the book on the pod, and we're in good company as fans. Andrew O'Hagan called Jem his "new favourite writer" and Sally Rooney said it was an "irresistible novel that asks complex questions about contemporary life and refuses easy answers. I couldn't stop reading." The book follows the unfurling, complicated relationship between Chuck, a 35-year-old copywriter working at a large ad agency, and Joey, a 23-year-old barista living payday to payday who nurtures a quiet ambition of becoming a poet. We talk to Jem about the themes of his novel- don't worry, no spoilers- plus the writing process, what he thinks about modern dating, dating apps, men who refuse to grow up and being "discovered" by Sally Rooney. Plus plenty of book recs & writing advice. Thanks so much for listening! See you Friday! B, O, R x-------- Penguin - Switzy by Emma Cline Waterstones - I Want You To Be Happy by Jem Calder Faber & Faber - Reward System by Jem CalderDazed Digital - I Want You to Be Happy: The Sally Rooney-approved book of the summer by Roisin Lanigan Hosted on Acast. See acast.com/privacy for more information.

Watch as a full video episode on YouTubeJ.D. Pennington is an award-winning creative director and copywriter with over 20 years of experience in film and television advertising, creating campaigns for major studios and leading independents. The Othello Club is his first novel. It has been developed for television by Paramount+ as The Revenge Club.We had a great time chatting with J.D., hearing about his transition from a graphic design and copywriting background into the world of storytelling. We also talk about enduring 10 to 15 years of screenwriting rejection before deciding to write a novel, and we get some interesting anecdotes about the profound impact of reading Bram Stoker's Dracula at age 11, as well as his dedicated process of writing his debut book during the early mornings and weekends over two years!Link:Buy The Othello Club nowVisit J.D.'s websiteFollow J.D. on InstagramSupport us on Patreon and get the podcast early and ad-free, along with other great benefits, including a bonus episodes: https://www.patreon.com/ukpageonePage One - The Writer's Podcast is brought to you by Write Gear, creators of Page One - the Writer's Notebook. Learn more and order yours now: https://www.writegear.co.uk/page-oneFollow us on FacebookFollow us on InstagramFollow us on BlueskyFollow us on ThreadsPage One - The Writer's Podcast is part of STET Podcasts - the one stop shop for all your writing and publishing podcast needs! Follow STET Podcasts on Instagram and Bluesky Hosted on Acast. See acast.com/privacy for more information.

In Episode 36 of High Stakes, Tracey Devlyn sits down with #1 New York Times bestselling author Lee Goldberg to discuss his newest novel, MURDER BY DESIGN—a clever, wildly entertaining crime-fiction series launch featuring a hilarious Hollywood-style Sherlock-and-Watson duo and a multimillionaire twist. “A cross between James Bond and Adrian Monk. This lighthearted whodunit goes down smooth.” —Publishers Weekly Author's Website: https://LeeGoldberg.com Show Notes: https://traceydevlyn.com/podcast Love this episode? Rate it ⭐️ Thumbs Up

In Episode 36 of High Stakes, Tracey Devlyn sits down with #1 New York Times bestselling author Lee Goldberg to discuss his newest novel, MURDER BY DESIGN—a clever, wildly entertaining crime-fiction series launch featuring a hilarious Hollywood-style Sherlock-and-Watson duo and a multimillionaire twist. “A cross between James Bond and Adrian Monk. This lighthearted whodunit goes down smooth.” —Publishers Weekly Author's Website: https://LeeGoldberg.com Show Notes: https://traceydevlyn.com/podcast Love this episode? Rate it ⭐️ Thumbs Up

Click Here to ask your book writing and publishing questions!In this episode, Joan F. Smith, author of Your Soulmail is Attached (her debut adult novel), shares her journey through the publishing world, her writing process, and insights into navigating multiple editors, genres, and the realities of a writing career. TOPICS COVEREDWriting process and outlining techniquesNavigating multiple editors and genre shiftsBalancing income and writing careerHandling feedback and critique partnersPublishing industry insights and author experiences

In this episode of Everything Is Personal, Len May sits down with writer, producer, and creative force Jennifer Manocherian for a conversation about reinvention, storytelling, and the lifelong pursuit of curiosity. Jennifer shares how her journey through therapy, theatre production, screenwriting, and novel writing helped shape her understanding of creativity, relationships, and personal growth. The discussion explores what it means to keep evolving through every stage of life, why some people never stop creating, and how curiosity can become a powerful tool for resilience and transformation. The episode also dives into family dynamics, emotional growth, creative challenges, aging with purpose, and the importance of continuing to explore new ideas even when the world expects you to slow down. This conversation is ultimately about staying open to possibility and refusing to stop becoming who you are meant to be. The conversation also covers family, relationships, creative challenges, personal growth, writing, and how curiosity and adaptability can help shape a meaningful and fulfilling life. EndoDNA: Where Genetic Science Meets Actionable Patient Care EndoDNA bridges the gap between complex genomics and patient wellness. Our patented DNA analysis platforms and AI technology provide genetic insights that support and enhance your clinical expertise. Click here to check out to take control over your Personal Health & Wellness   Connect with EndoDNA on SOCIAL: IG | X | YOUTUBE | FB Connect with host, Len May, on IG     Hosted by Simplecast, an AdsWizz company. See https://pcm.adswizz.com for information about our collection and use of personal data for advertising.

Click Here to ask your book writing and publishing questions!Louise Marburg has spent years devoted to the short story form. So naturally, she accidentally wrote a novel. Her debut, Fancy Meeting You, features Laura Harrigan: a psychiatrist, mother of twin boys, and pathological liar who apparently had too much personality to stay confined to a short story. Louise and I talked about what it was like to finally write a character she didn't want to let go of, and why she'd actually consider a sequel (which, she says, she'd never say about anything else she's written).We also got into the bigger picture stuff: the current state of publishing, why small presses are having a real moment, and why luck is a bigger factor in this industry than most people want to admit. Louise is refreshingly clear-eyed about the money side of writing (hint: making loads of money isn't the point), and her take on what a publicist is actually for might shift the way you think about hiring one!Plus we talked AI, the two completely separate industries that both call themselves "the book world," and what Louise is reading right now—including one very famous book she was not a fan of (because no book is for everyone!).

Click Here to ask your book writing and publishing questions!If you've ever thought "I could write a book about this" while watching a reality TV show at 10pm, you're going to love this episode! Amy Mass spent years writing for TV (you might recognize "The Goldbergs" and "Last Man Standing" from her credits), and after relocating from LA to a charming small town outside Atlanta during COVID, she channeled all of that storytelling experience into her debut novel, Reality Bites, out May 12, 2026 from Harper Perennial.In this episode, Amy and I talk about what it actually looked like to make the leap from TV writer to novelist, including writing three books and two movies in four years, going out on submission, shelving her first manuscript, and finally landing a deal with a major publishing house. We also get into her writing process (she's both a pantser and a plotter), why she writes dialogue first, and how she keeps a running collection of joke scraps and character notes scattered across her phone, her laptop, and random Post-its around the house.We also talk about what it was like getting notes from her agent and her editor, and how to push back on notes without being precious about it. Her phrase "find the note behind the note" is one to hold onto! And then we get into the part that surprises most authors: how much marketing is still on you. Amy was genuinely caught off guard by how much time, energy, and social media hustle a book launch requires—even with a publicity team in your corner. 

Click Here to ask your book writing and publishing questions!Rachel Beanland has written three novels (her newest, The Half Life, releases on July 14, 2026 from Simon & Schuster), and she's still surprised by how much each book teaches her. In this episode, we talk about what it actually looks like to challenge yourself as a writer—specifically, her decision to write her latest novel, The Half-Life, in first person for the first time. (As I've recently learned while working on my own novel, it's harder than it sounds, and Rachel has the perfect explanation as to why.)We also get into how personal history shapes fiction (her first novel grew out of a family tragedy from nearly a century ago), why a strong sense of place isn't optional, and what happens when you trust your instincts even when the process feels messy as hell.

Click Here to ask your book writing and publishing questions!Lori is a traditionally published author of seven books whose latest novel, Kiss, Marry, Kill, releases April 7th with HarperCollins. Last time she was on the show, we talked about her novel, Romantic Friction. This time? We get into the business of publishing — the stuff most authors don't hear about until they're already in the thick of it.Plus, what Lori does (and questions) when it comes to her own marketing hustle, and why she goes all in every launch season even when she's not sure the return is worth it.

Singer-songwriter and author Josh Ritter on writing songs for the muse instead of waiting for it, letting creative ideas find their shape across songwriting, painting, and fiction, and building a sustainable creative life over more than two decades. We discuss: Writing for the muse instead of waiting for it. Why working across multiple art forms keeps each one alive. The craft behind a single narrative song, from first image to finished track. Balancing creative compulsion with everyday life. What sharing work publicly teaches you about your own work. How the relationship between an artist and their audience evolves over decades. Mental health and the myth of the tortured creative. Getting through the dead stretch when nothing seems to come. The campfire model of building a creative career. Resources & Links:

Have you ever felt like you need a "permission slip" to try a different creative path, even when you're already "successful" in another? In this episode, I'm talking with award-winning screenwriter Leslie Rasmussen, who spent years in the high-pressure world of comedy writing for iconic television shows like Roseanne, The Drew Carey Show, and Sweet Valley High before pivoting to her true passion: writing novels. If you are an exhausted perfectionist who feels stuck in a specific professional lane or fears that your creative spark has a deadline, Leslie's journey from the TV writer's room to the "Wild West" of fiction will show you how to reclaim your own narrative. Most creative advice tells you to pick a lane and stay there or to follow a rigid corporate productivity system. But on this podcast, we believe in messy, joyful creativity for people who are tired of the pressure to perform. We focus on the life force of your work—not just the output.   Episode breakdown: 0:00 Transitioning from TV scripts to fiction 4:15 Growing up creative in Los Angeles 8:30 Breaking into Hollywood as an assistant 12:45 Challenges for women in comedy writing 17:20 The role of mentorship and networking 21:50 Working on ALF and Carol and Company 26:10 How actors help writers find their voice 31:45 The difference between sitcoms and animation 36:30 Outlining vs writing by the seat of your pants 41:15 Working with developmental editors 46:50 The reality of the TV writers room at 2 AM 51:20 From a nutrition business back to storytelling 56:45 The vulnerability of professional book reviews 59:10 Writing about family secrets and sisters 1:00:58 Final advice and closing thoughts   Want more? Here's a handy playlist with all my previous interviews with guests in writing. Check out the full show notes at fycuriosity.com, and join us for the Follow Your Curiosity Creativity Circle. Please leave a review for this episode—it's really easy and will only take a minute, and it really helps me reach new listeners. Thanks! If you enjoyed our conversation, I hope you'll share it with a friend.

Click Here to ask your book writing and publishing questions!Ever wonder what happens when an academic specializing in medieval women's visions suddenly writes her first novel? In this episode, Jennifer Brown shares her unexpected leap from dusty manuscripts to publishing with St. Martin's Press and how a canceled conference sparked her fiction journey—without a soul telling her she should.In this episode:How Jennifer's fascination with medieval women and their visions inspired her novel, The Lost Book of Elizabeth BartonThe serendipitous week in London that kickstarted her writing processScrapping outlines and embracing the messy, fun process of discoveryThe unexpected ease of her path to publicationInsights into marketing a traditionally published book when the house does some of the heavy lifting (emphases on "some")Her thoughts on the complexity of writing multiple timelines and switching points of viewThe importance of embracing revision as part of the creative process

About This Episode: Creative producer Alexis Eastman joins Stageworthy host Phil Rickaby to explore what it really means to be a creative producer in Canadian theatre. From her early days making work at the Toronto Fringe to her current role supporting artists through long-term development processes, Alexis shares insights into how she bridges the administrative and creative aspects of theatre-making. She discusses her collaborations with artists like Adam Lazarus on shows including Daughter and the upcoming Versus, and how her approach to producing integrates her into the creative process as a true collaborator. Alexis also opens up about how becoming a mother profoundly changed her perspective on producing, the importance of failure in the creative process, and her journey from devised theatre to discovering she's actually a novelist. She reflects on growing up in an evangelical church and how that shaped her artistic practice, the necessity of boredom for creativity, and why long-term relationships between artists and producers lead to deeper, more rigorous work. This episode explores: What a creative producer actually does and how it differs from traditional producing The importance of long-term artist support and development in theatre How motherhood transformed Alexis's approach to producing and collaboration Working with Adam Lazarus on Daughter and the new show Versus Why failure and time are essential ingredients in the creative process And much more! Guest:

Click Here to ask your book writing and publishing questions!In this episode, I'm joined by Emma Grey, whose newest novel, Start at the End, publishes on April 7, 2026. We talk about writing brave stories and building a creative life that can withstand rejection.Emma shares how vulnerability fuels her fiction. Not for shock value, but how honest emotions earn their place on the page. We talk about how she approaches structure, how she stays grounded in character, and why the process of storytelling keeps evolving right alongside the writer.We also get into rejection. The real kind, the kind that stings. Emma's take? It's part of the path, and it's not a verdict on your talent.And then there's what's next for Emma—TV adaptation plans and the shift from prose to screen. What changes? What stays? And how do you protect the emotional core of a story when new collaborators step in?If you're writing something that feels personal—or wondering whether you're resilient enough to keep going—this conversation is a must-listen. *****This episode is sponsored by Atticus, the all-in-one writing and book formatting software for self-publishing authors. From drafting to professional ebook and print layout, Atticus makes it easy to format your manuscript for KDP, IngramSpark, and beyond. Learn more at Atticus.io. WANT TO SELL MORE BOOKS (WITHOUT THE SELF-PROMO CRINGE)?The Author Visibility Bundle gives you 200+ done-for-you email templates, social media graphics, and other book promo tools designed to help authors build buzz and drive sales, without feeling pushy. 

Click Here to ask your book writing and publishing questions!In this episode, I'm joined by U.K.-based bestselling author Alexandra Potter, known for Confessions of a Forty-Something F**k-Up and her newest release, So, I Met This Guy... We talk about her writing journey, the freedom (and risk) of genre versatility, and why she refuses to be boxed in (as should you!).Alexandra shares how she develops characters with depth and momentum. A friend calls her the “cork board queen,” and once you hear her plotting process, you'll understand why. We also dive into the heartbeat of her current books: female friendships. The kind that carry you through heartbreak, reinvention, and the messy middle of midlife. She makes a strong case for why we need a female equivalent of the word “bromance.” (I've been contemplating an appropriate term ever since!)We touch on the role of timing, the importance of community, and the ever-unpredictable path to bestseller status. ***************************************************************

Free Video Tutorial for ScreenwritingPropaganda isn't just lying.Some of the most persuasive propaganda in history has been factually accurate. The difference lies in framing — in beginning with a verdict and arranging reality to serve it.In this episode of The Storyteller's Mission, we explore the critical difference between witnessing reality and advocating a conclusion. For writers, novelists, and storytellers, this distinction is not political — it's craft.You'll learn:The difference between a witness and an advocateHow propaganda forms through preloaded moral certaintyThe craft warning signs your story may be manipulating instead of revealingWhy flattening characters weakens moral credibilityThe responsibility of storytellers in a culture where trust is collapsingStory doesn't just entertain. It forms moral imagination.The question is not whether you have convictions.The question is whether your story trusts reality — or tries to control the outcome.

If you're wondering what NOT to do when adapting your novel, there are great tips in this episode. We've all experienced the feeling of walking out of a cinema and saying, the book was better. That's definitely the case for The Golden Compass. I've read the book and thoroughly enjoyed it plus the book won the Carnegie Medal which means it's excellent. So how did such a good children story go so wrong when it was adapted for film? That is the question we answer in this episode. Acquire the power to write a bestselling story at storynerd.ca/courses For access to writing templates and worksheets, and more than 70 hours of training (all for free), subscribe to Valerie's Inner Circle.To learn to read like a writer, visit Melanie's website.

In this conversation, Simon Stephenson, a former physician turned screenwriter and author, shares his unique journey from medicine to storytelling. He discusses his early experiences in writing, which paved the way for his screenwriting career. Simon's latest work, The Snowman Code, is a middle-grade book that combines his love for storytelling with his background in medicine, focusing on a young girl named Blessing who embarks on a magical quest with a snowman. The book aims to resonate with children, offering them relatable characters and themes of resilience and humor. Simon also shares his method for writing a novel, and offers sound advice for new writers.For bonus content and info on upcoming episodes, subscribe to the Middle Grade Matters newsletter here: Newsletter, and follow us on Instagram, Threads, and Twitter.I love audiobooks! If you do, too, consider switching to Libro.fm, a platform that supports indy bookstores.If you're enjoying this podcast, please leave a rating and review (thank you!).

In today's episode of The Valley Current®, host Jack Russo sits down with attorney and debut novelist Joe Greco, whose new thriller The Ghost Case Posse draws on the haunting legacy of the Golden State Killer. Joe describes how immersing himself in a world of fear, damaged lives, and relentless investigation pushed him to master tension, character psychology, and pacing, all essential tools for gripping storytelling. As the discussion turns to craft, Joe explains how these same techniques sharpen legal writing: narrative coherence, disciplined word economy, and precise structuring of arguments. He and Jack explore how story architecture and controlled pacing help lawyers produce clearer, more persuasive briefs, and why narrative mastery is becoming an essential skill in modern advocacy. Order Joe's book here: https://a.co/d/dNUW4dC    Jack Russo Managing Partner Jrusso@computerlaw.com www.computerlaw.com https://www.linkedin.com/in/jackrusso "Every Entrepreneur Imagines a Better World"®️  

Today is a writing tip day. I'll be doing more of these, which will be a bit shorter than the interview episodes. Let me know what topics you want to hear about by joining my newsletter and mailing me, going to katcaldwell.com and filling out the contact form or DM'ing me on Instagram or TikTok.Sign up for my writers' newsletter to learn more about the craft of writing, know when my workshops are and be the first to get exclusive information on my writing retreats. https://katcaldwell.com/writers-newsletterWant more information on my books, author swaps, short stories and what I'm reading? Sign up for my readers' newsletter. https://storylectory.katcaldwell.com/signup You can always ask me writing questions on instagram @author_katcaldwell

Anna Davis, novelist, agent, and founder of Curtis Brown Creative, shares how to turn a messy first draft into a strong, market-ready novel through diagnostic editing, practical rewriting tools, and a clear understanding of what agents actually look for.You'll learn:Why every writer's process is different (and why messy drafts are fine).How to diagnose problems mid-novel and bring a manuscript back to life.The Rewrite Doctor method: creating distance, interrogating your story, and planning the edit.How to stress-test structure, plot, and pacing without relying on rigid templates.Using prompts and “play” to loosen up when you're stuck.How to choose between competing novel ideas and know which has real legs.What agents are truly looking for and how to make your submission stand out.Common myths about publishing (and what actually happens behind the scenes). Resources and Links:Curtis Brown Creative CoursesCBC Editorial Services Friend Request by Laura Marshall  The Rewrite Doctor CourseEdit and Pitch Your Novel Book a consultation with Curtis Brown CreativeWriters' Hour  About Anna DavisAnna Davis is the founder and Director of Curtis Brown Creative, a leading UK writing school she launched in 2011. She's the author of five novels published in twenty languages, a former journalist and Guardian columnist, and previously worked as a literary agent at Curtis Brown and a creative-writing lecturer at the University of Manchester. For show notes, transcripts and to attend our live podcasts visit: podcast.londonwriterssalon.com.For free writing sessions, join free Writers' Hours: writershour.com.*FOLLOW LONDON WRITERS' SALONTwitter: twitter.com/​​WritersSalonInstagram: instagram.com/londonwriterssalonFacebook: facebook.com/LondonWritersSalonIf you're enjoying this show, please rate and review this show!

Not every character is likable—but unlikable doesn't have to mean forgettable. Zena Del Lowe shares strategies to make unlikable characters sympathetic or intriguing, keeping audiences hooked. Perfect for novelists, screenwriters, and all storytellers.

Creativity as a Lifeline: A Conversation with Jaime TownzenWhat happens when grief, loss, and uncertainty open a doorway back to creativity? In this soulful episode of The Creative Genius Podcast, host Kate Shepherd speaks with artist and author Jaime Townzen about how watercolour became her lifeline during a dark time, and how following her spark led her to write and publish her debut novel Absorbed. Together they explore creativity as healing, intuition as guidance, the courage to embrace being an artist, and how art helps us through times of crisis.Listeners will hear about Jaime's journey from stay-at-home mom to professional artist and novelist, the power of daily creative rituals, the role of curiosity as an antidote to anxiety, and how to trust your own calling. This conversation is a balm for anyone longing to reconnect with their creative spark and live more fully as themselves.This week on the Creative Genius Podcast, I sat down with artist and author Jaime Townzen. Her story is one of grief, healing, and rediscovering herself through creativity — a path that eventually led her to publish her first novel Absorbed.We talked about why art matters in times of crisis, how daily creative rituals can reorient your whole life, and what it means to follow your calling even when it doesn't make sense on paper.Jaime's journey is a beautiful reminder that creativity isn't indulgent — it's essential.

Are you curious about using AI in your writing? In this episode of The Storyteller's Mission, Zena Dell Lowe shares her honest thoughts on ChatGPT and other AI tools for writers.Discover how AI can assist in brainstorming, solving story problems, and refining ideas — without replacing your voice. Zena explains the difference between helpful uses in nonfiction versus the challenges of AI in fiction, novels, and screenplays.She also dives into the ethical considerations every writer should know, including avoiding plagiarism and maintaining originality. Learn how to integrate AI into your workflow responsibly and creatively.By the end of this episode, you'll understand what AI can do for you, what it can't, and how to make it your ally instead of a crutch.

National Novel Writing Month might be gone, but its founder Chris Baty and a collection of former employees and volunteers are making sure the writing tradition continues. Next month their new organization, NaNo 2.0, will be encouraging writers all over to start and complete a novel, while also providing support through resources and camaraderie.In this episode, Lily talks to Tavia Stewart and Laura Bradley from NaNo 2.0. Both of whom played integral roles in the original NaNoWriMo, with Tavia being its first employee. Laura was an eighth grade teacher who incorporated NaNoWriMo into her writing lessons and saw her students fall in love with the hardest writing assignment she had ever given in her 20 years of teaching. She's now one of the tradition's biggest advocates.Tune in to hear why Tavia and Laura believe in NaNo 2.0 and how it helps foster a love for writing. You might want to write a novel this year after listening!For all links and resources mentioned in this episode, head to the show notes: https://www.educatorforever.com/episode158.

STAYIN' ALIVE has a 0% rating on Rotten Tomatoes (I didn't even know that was possible!) so Melanie and I wanted to see if we could figure out where the storytelling in this movie went wrong. And boy, did it give us the giggles. In this episode, we cover everything from missing empathy to missing pants. So come join us, and be sure to let us know what you think of our analysis. -V. Get The Fundamentals of Storytelling today! Go to storynerd.ca/courses and use coupon code CANADA50, now through July 7, for 50% off. For access to writing templates and worksheets, and more than 70 hours of training (all for free), subscribe to Valerie's Inner Circle.To learn to read like a writer, visit Melanie's website.

We've come to the end of another season and that means it's time for our best advice about the villain's monologue (what it is, and why it's essential you have one in your story) and turning points (those unexpected events that create opportunities for you to reveal character). -V. Get The Fundamentals of Storytelling today! Go to storynerd.ca/courses and use coupon code CANADA50, now through July 7, for 50% off. For access to writing templates and worksheets, and more than 70 hours of training (all for free), subscribe to Valerie's Inner Circle.To learn to read like a writer, visit Melanie's website.

Our guest for this episode is the awesome author Julia Raeside. She tells us about her brilliant and very funny book about women taking on toxic men in comedy, Don't Make Me Laugh.We discuss why so many comedians turn out to be dreadful, and how working together is the key to effecting change. Julia talks about the reactions her book has had so far and why it seems to be resonating with so many people. There's also a bit of chat about the writing process - why is it so difficult? What should you do when you feel like packing it in? And which is harder, writing a book or running a marathon? Julia helps us try to answer these questions, and shares her top tip for getting your first draft finished. We round off with some classic Scummy Mummy Confessions involving McDonald's, cat diarrhoea, and lying to children about sex.Julia's book is out now in paperback and you can follow her on Instagram @juliaraesidewriter.**AUTUMN TOUR TIME!** Yes we are hitting the road again this month with our new for 2025 show, HOT MESS! September is Loughborough, Tonbridge, Exeter, Redruth, Basingstoke, and Bishop's Stortford. In October we're coming to Tenbury Wells, Leamington Spa, Maidenhead, Potters Bar, Tonbridge yes again, Tewkesbury, Canterbury, Wimborne... Then it's our huge homecoming gig in Catford on 14 November, plus lots of other shows all round the country. For dates and tickets go to scummymummies.com*WE HAVE A SHOP!* Visit scummymummiesshop.com for our ace t-shirts, mugs, washbags, sweatshirts and beach towels. FREE UK DELIVERY! We're on X, Instagram, and Facebook @scummymummies. If you like the podcast, please rate, review and subscribe. Thank you for listening! Hosted on Acast. See acast.com/privacy for more information.

Send us a textIn this inspiring episode of Living the Dream with Curveball, we are thrilled to welcome Tara Sanders Brooks, a talented writer and cinematographer based in Los Angeles. Tara shares her journey into the film industry, beginning with her graduate studies at USC and her passion for cinematography, where she captures the essence of storytelling through the lens. As she navigates the challenges of the film world, Tara opens up about her recent return to prose writing during the industry strikes, leading to her debut novel, It Will Last Longer, set for release on September 16, 2025. This literary work explores the life of a fine art photographer who inadvertently becomes embroiled in a crime scene, raising questions about morality and the pursuit of creative dreams. Tara also discusses her experiences writing for esteemed publications like American Cinematographer and her ongoing projects, including an independent feature film that delves into modern motherhood. Join us for a heartfelt conversation that encourages listeners to embrace their creative passions, persevere through challenges, and find fulfillment in their artistic journeys.

We discuss how we’re doing on some items from our “25 for ’25 lists,” and how book writing is going for both of us. Plus we talk about the joys of reading commercial fiction from the 1980s. Resources & links related to this episode: Get in touch: podcast@gretchenrubin.com Visit Gretchen's website to learn more about Gretchen's best-selling books, products from The Happiness Project Collection, and the Happier app. Find the transcript for this episode on the episode details page in the Apple Podcasts app. See omnystudio.com/listener for privacy information.

Writers often get stuck at the transition between Act Two and Act Three—especially when the “all hope is lost” moment doesn't quite fit their story. Is this moment supposed to be the character's lowest emotional point? Is redemption supposed to kick in right away? What if your character is still flailing?In this episode, Zena challenges the conventional “lowest point” terminology and offers a more nuanced, flexible way to think about this crucial plot transition—and how understanding this shift can raise the stakes and deepen your protagonist's arc.Want access to office hours like this one?This episode comes straight from Zena's monthly Office Hours, an exclusive perk for anyone who's ever taken one of her courses. These private Q&A sessions are your chance to get unstuck, get clarity, and get expert feedback—directly from Zena herself.Get in on it: Take any of Zena's courses to unlock lifetime access to Office Hours. If you're ready to deepen your craft and get personal feedback from Zena herself, check out her online courses.Seven Deadly Plot Points FREE TRAINING VIDEO#amwriting #authorproblems #shortstory #screenplayformat #writingtips #writersconnection #christianscreenwriter #StoryStructure #WritingTips #PlotDevelopment #ActTwoToThree #ScreenwritingLife Send us a textSupport the show

We've reached the end of another season and that means it's time for me and Melanie to give your our best advice, our a-has, and our key takeaways all about the core event and progressive complications. You'll want to bookmark this episode! -V. For access to writing templates and worksheets, and more than 70 hours of training (all for free), subscribe to Valerie's Inner Circle.To learn to read like a writer, visit Melanie's website.Follow Valerie on Instagram and Threads @valerie_francisFollow Melanie on X, Instagram and Facebook @MelanieHillAuthor

Have you ever wondered how childhood obsessions evolve into creative careers? Fiction writer Pemi Aguda takes us on her journey from creating mini-magazines as a six-year-old in Lagos, Nigeria to publishing internationally acclaimed fiction. In today's chat, Pemi reveals how her "lonesome" childhood with books transformed into a writing career that explores Nigerian women's experiences and the weight of ancestry. Stay for Pemi's tips on how to become a better writer and on how to find your artistic voice as a author. Trigger Warning: This episode contains discussion of suicide as part of a fictional narrative. If you are struggling with suicidal thoughts, please know you are not alone. Resources for support are listed below. Chapters 00:00 Introduction  02:56 Pemi Aguda's Journey from Lagos to Writing 05:50 The Evolution of Pemi's Writing Process 08:55 Understanding Creative Voice and Teaching 12:01 The Art of Revision and Storytelling 14:52 Exploring Themes in Pemi's Work 17:59 The Influence of Ancestry on Writing 21:12 Literary Influences and Inspirations 24:11 Writing Habits and Routines 27:06 Life Beyond Writing: Hobbies and Interests 29:55 Conclusion and Future Works Connect with Pemi Aguda Website: pemiaguda.com Instagram: @pemi.i Order "Ghost Roots" : Penguin Random House Connect with Your Host Website: martineseverin.com Instagram:Instagram Newsletter:Creative Matters This is How We Create is produced by Martine Severin and edited by Santiago Cardona and Daniel Espinoza. Suicide Prevention Resources American Foundation for Suicide Prevention: https://afsp.org/ 24/7 Crisis Hotline: 988 Suicide & Crisis Lifeline 988lifeline.org If you or someone you know is struggling or in crisis, help is available. Call or text 988 or chat 988lifeline.org. Veterans, press 1 when calling. Crisis Text Line Text TALK to 741-741 to text with a trained crisis counselor from the Crisis Text Line for free, 24/7

When a former NYT journo who now writes novels (that would be me, hi) gets together with a current NYT journo now writing novels, they—we!—cannot stop talking about the challenges, advantages, schedules, pros and cons of book leave and what it is about fiction that lights some journalists up, and turns some off. It's the good, the bad and the overcome-able, and a class in how people who know they can get the work done also flail, and yet still get the work done.Mentioned on the pod:Fates and Furies, Lauren Groff Twice in a Full Moon, Christina Lauren #AmReadingLiz: Naked in the Promised Land, Lillian FadermanKJ: Didion and Babitz, Lili AnolikFollow Liz on Instagram: @lizzyaharris This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit amwriting.substack.com/subscribe

This week, I'm in conversation with Lauren Steinstra, author of The Beauty of the End. We discuss genetics, how her career in science influenced her work and whether or not people should delete their 23 and Me accounts. Plus, lots of book recommendations. This episode is sponsored by People of the Titanic by Shawn CarlowAndrew Porter, author of The Imagined Life recommends a favorite read. Giveaway: Girls and Their HorsesBooks Discussed:The Age of Miracles by Karen Thompson WalkerSky Full of Elephants by Cabo CampbellThe Unthinkable: Who Survives Disasters and Why by Amanda RipleyDan and Jane at the End of the World by Colleen OakleyOur Hideous Progeny by C.E. McGillOther books Mentioned:The Immortal Life of Henrietta Lacks by Rebecca SklootGallery info: I have a piece of art on display at the Rod Briggs Gallery through May 24th. Click here for more info. Art Hang Recording: Draw Book CoversSupport the showGet your Books Are My People coffee mug here!I hope you all have a wonderfully bookish week!

Thrilled to be joined by author and publishing expert Courtney Maum! She gives us insight behind her terrific book, Before and After the Book Deal, and talks about the highs and lows of the publishing business. Tune in for her knowledgable tidbits about marketing, building an online platform, self-publishing, memoir, and more!Courtney MaumWebsite: https://www.courtneymaum.com/Substack: https://courtneymaum.substack.com/p/welcomeSocial: @cbmaumGood Story Company: If you have a story in your head, we're here to help you get it out into the world. We help writers of all skill sets, all genres, and all categories, at all stages of the writing process. Need a hand with brainstorming? Want to find a critique partner? Looking for an editor to help polish up your pitch, your idea, or your entire manuscript? We have all of it and more in our community. If you're ready to take the next step (or the first step) on your writing journey, we're here to help you.Website: https://www.goodstorycompany.comMembership: https://www.goodstorycompany.com/membershipWriting Workshop: https://www.storymastermind.comMary Kole: Former literary agent Mary Kole founded Good Story Company as an educational, editorial, and community resource for writers. She provides consulting and developmental editing services to writers of all categories and genres, working on children's book projects from picture book to young adult, and all kinds of trade market literature, including fantasy, sci-fi, romance, and memoir. She holds an MFA in Creative Writing and has worked at Chronicle Books, the Andrea Brown Literary Agency, and Movable Type Management. She has been blogging at Kidlit.com since 2009. Her book, Writing Irresistible Kidlit, a writing reference guide for middle grade and young adult writers, is available from Writer's Digest Books.Manuscript Submission Blueprint: https://bit.ly/kolesubWriting Irresistible Kidlit: http://bit.ly/kolekidlitIrresistible Query Letters: https://amzn.to/3yg511KWriting Irresistible Picture Books: https://amzn.to/3SrApRUHow to Write a Book Now: https://BookHip.com/ZHXAAKQWriting Interiority: Crafting Irresistible Characters: https://amzn.to/4evsX0BNEW! Writing Irresistible First Pages: https://amzn.to/4gxgslqFollow us on social:YouTube: https://youtube.com/c/goodstoryBluesky: https://bsky.app/profile/goodstory.bsky.socialInstagram: https://instagram.com/goodstorycompanyTikTok: https://www.tiktok.com/@goodstorycoFacebook: https://facebook.com/goodstorycoSubstack: https://goodstoryco.substack.com/

Guest:Sam Foster 

It's a brand new season and that means two brand new story theory principles to discuss! This time around, I'm studying the core event (aka a story's climax) and Melanie is studying progressive complications. The writers of THE BANK OF DAVE definitely poured some sugar on this genuinely sweet, feel-good movie. It's rock solid. As an added bonus, it also features Def Leppard (seriously!). Let me know if you literally stand up and dance at the end of this movie. I did! -V. For access to writing templates and worksheets, and more than 70 hours of training (all for free), subscribe to Valerie's Inner Circle.To learn to read like a writer, visit Melanie's website.Follow Valerie on Instagram and Threads @valerie_francisFollow Melanie on X, Instagram and Facebook @MelanieHillAuthor

Guest:Sam Foster 

Guest:Robin HamiltonWebsite: https://www.aroundrobin.comLinkedIn: https://www.linkedin.com/in/robinhamilton123/_____________________________Host: Marco Ciappelli, Co-Founder at ITSPmagazine [@ITSPmagazine] and Host of Redefining Society Podcast & Audio Signals PodcastWebsite: https://www.marcociappelli.com_____________________________Episode Title:

Guest: Frank ScaliseWebsite | https://franksaverio.comWebsite | https://frankscalise.comWebsite | https://frankzafiro.com_____________________________Host: Marco Ciappelli, Co-Founder at ITSPmagazine [@ITSPmagazine] and Host of Redefining Society Podcast & Audio Signals PodcastWebsite: https://www.marcociappelli.com_____________________________Episode Title:

Guest: Stephen Jay Schwartz, Website | https://www.stephenjayschwartz.com/_____________________________Host: Marco Ciappelli, Co-Founder at ITSPmagazine [@ITSPmagazine] and Host of Redefining Society Podcast & Audio Signals PodcastWebsite: https://www.marcociappelli.com_____________________________Episode Title: The Rhythm of Storytelling: From Screenwriting to Novels with Stephen Jay SchwartzGuest: Stephen Jay SchwartzShort Intro: How does storytelling change across books, movies, and music? Stephen Jay Schwartz joins Marco to discuss the art of crafting stories that resonate across mediums.Show Notes:Storytelling is more than words on a page—it's rhythm, structure, and emotion. In this episode of Audio Signals, Marco Ciappelli welcomes back Stephen Jay Schwartz, a novelist, screenwriter, and former director of development in Hollywood. Their conversation explores the differences between writing novels and screenplays, the challenge of adapting stories across mediums, and the musicality of language in writing.What happens when a book becomes a movie? Many argue the book is always better, but is that really the case? Schwartz, having worked closely with directors and screenwriters, explains how the transition from text to film is often a process of distillation—finding the essence of a story and reshaping it to fit a new format. He shares insights from his experience in Hollywood, where screenplays often change hands and visions evolve. Does this creative transformation enhance the original work, or does it strip away its soul?The discussion then shifts to a more fundamental aspect of storytelling: rhythm. Drawing from his musical background, Schwartz describes how writing, much like composing music, involves an inherent cadence. Sentences have beats, paragraphs flow with momentum, and dialogue needs a natural tempo. Whether consciously or not, every good writer crafts their prose with a certain musicality that enhances readability and engagement.Marco and Stephen also touch on the way different minds visualize stories. Not everyone ‘sees' scenes play out in their head while reading—some need visual prompts, while others experience narrative through an auditory lens. How does this affect the way we consume stories? With attention spans shrinking, are we losing the patience for immersive storytelling in books, gravitating instead toward visually driven media?Before wrapping up, they pose a philosophical question: When is a story truly finished? Da Vinci reportedly never considered the Mona Lisa complete, and writers often feel similarly about their work. Does a story ever really end, or does it just reach a stopping point?For anyone fascinated by the intersection of storytelling, film, and music, this episode offers thought-provoking insights. Tune in for a conversation that challenges assumptions about creative processes and the evolving landscape of narrative arts._____________________________ResourcesBio, books, and more: https://www.stephenjayschwartz.com/_____________________________For more podcast stories from Audio Signals: https://www.itspmagazine.com/audio-signalsWatch the video version on-demand on YouTube: https://www.youtube.com/playlist?list=PLnYu0psdcllQvnJ8eHUlVX8AuyhehtexAAre you interested in advertising your brand on ITSPmagazine?

In this episode of My Simplified Life, host Michelle Glogovac speaks with author Leslie Rasmussen about her book, The Stories We Cannot Tell, which addresses the often-taboo subjects of miscarriage, infertility and a woman's right to choose. They discuss the importance of sharing personal stories to foster connection and support among women. Leslie shares her journey from TV writing to novel writing, highlighting the differences in the creative process and the impact of the political climate on women's narratives. The conversation also touches on Leslie's upcoming projects and the emotional weight of the stories she tells. What We Talk About... We need to talk more and share our stories. These experiences are not unique to individual women. It's important to have compassion for others' choices. Sharing stories can help others feel less alone. The creative process in writing novels is very different from TV writing. Political climate influences how women's stories are told. Leslie's journey reflects the importance of storytelling. Women often feel embarrassed about their experiences. The author community is supportive and collaborative. Writing about difficult topics can lead to healing. Chapters 00:00 Introduction and Background 02:58 Exploring 'The Stories We Cannot Tell' 06:09 Personal Experiences with Pregnancy and Loss 09:02 Transitioning from TV Writing to Novel Writing 11:57 The Evolution of Humor in Television 14:53 The Writing Process: Collaboration vs. Solitude 18:02 Upcoming Projects and Themes in Writing 21:11 The Importance of Sharing Women's Stories 24:05 Conclusion and Final Thoughts Links Mentioned Leslie Rasmussen's Website https://www.lesliearasmussen.com The Stories We Cannot Tell by Leslie Rasmussen https://bookshop.org/a/99223/9798988971214  Leslie Rasmussen's Facebook https://www.facebook.com/lesliearasmussenauthor Leslie Rasmussen's Instagram https://www.instagram.com/leslierauthor

In this episode, we sit down with Audrey Gale to discuss her latest novel, The Human Trial. As the second release of her medical-thriller trilogy, this book explores the gap between traditional medicine – while incorporating the findings of the great physicists of the 20th Century… Audrey has always dreamed of becoming an author. Now that this dream has become a reality, she is on a mission to flush out her fascination with historical and scientific research in a thoughtful and engaging way.  Tune in now to learn about: The premise of The Human Trial, and what led Audrey to write it.  Challenges that can arise while writing a novel. The power of holistic medicine. Other novels that Audrey is looking forward to writing.  Want to find out more about Audrey and her work as an author? Click here now! Episode also available on Apple Podcasts: apple.co/30PvU9C

Escalation in tension is important for your novel. The lack of tension by the middle is why many people put a book down and never pick it up again. It might also be why you're stuck in the muddy middle trying to figure out what to write next. But on this episode I'm not just going to tell you why you need escalating tension, I'm going to tell you a reason no one else is speaking about that could be the reason why you're stuck. Bended Love is out!! https://books.katcaldwell.com/bended-loveGet the prequel, Bended Dream, here: https://books.katcaldwell.com/bended-prequel Like Substack? Find me at Lessons In Story. https://lessonsinstory.substack.comSign up for my writers' newsletter to learn more about the craft of writing, know when my workshops are and be the first to get exclusive information on my writing retreats. https://katcaldwell.com/writers-newsletterWant more information on my books, author swaps, short stories and what I'm reading? Sign up for my readers' newsletter. https://storylectory.katcaldwell.com/signup You can always ask me writing questions on instagram @katcaldwell_writing

Guest: Stephen Jay Schwartz, Website | https://www.stephenjayschwartz.com/_____________________________Host: Marco Ciappelli, Co-Founder at ITSPmagazine [@ITSPmagazine] and Host of Redefining Society Podcast & Audio Signals PodcastOn ITSPmagazine | https://www.itspmagazine.com/itspmagazine-podcast-radio-hosts/marco-ciappelli_____________________________This Episode's SponsorsAre you interested in sponsoring an ITSPmagazine Channel?

Perhaps best known for his novels Motherless Brooklyn (1999), The Fortress of Solitude (2003), and Chronic City (2009)—or, more recently, Brooklyn Crime Novel (2023)—the author, essayist, and cultural critic Jonathan Lethem could be considered the ultimate modern-day Brooklyn bard, even if today he lives in California, where he's a professor of English and creative writing at Pomona College. His most celebrated books take place in Brooklyn, or in the case of Chronic City, on Manhattan's Upper East Side, and across his genre-spanning works of fiction, his narratives capture a profound sense of the rich chaos and wonder to be found in an urban existence. Lethem is also the author of several essay collections, including the newly published Cellophane Bricks: A Life in Visual Culture (ZE Books), which compiles much of his art writing from over the years written in response to—and often in exchange for—artworks by friends, including Gregory Crewdson, Nan Goldin, and Raymond Pettibon.On the episode, Lethem discusses his passion for book dedications; the time he spent with James Brown and Bob Dylan, respectively, when profiling them for Rolling Stone in the mid-aughts; how his work is, in part, a way of dealing with and healing from his mother's death in 1978, at age 36; and why he views his writing as “fundamentally commemorative.”Special thanks to our Season 10 presenting sponsor, L'École, School of Jewelry Arts.Show notes:Jonathan Lethem[5:35] Cellophane Bricks[5:35] High School of Music and Art[5:35] Motherless Brooklyn[5:35] The Fortress of Solitude[5:35] The Disappointment Artist[5:35] Maureen Linker[7:15] Carmen Fariña[8:26] Julia Jacquette[8:26] Rosalyn Drexler[9:08] The Great Gatsby[9:08] Brooklyn Crime Novel[10:59] Lynn Nottage[13:08] Bennington College[13:08] Bret Easton Ellis[13:08] Donna Tartt[23:41] The Collapsing Frontier[23:41] Italo Calvino[23:41] Cold War[23:41] Red Scare[23:41] J. Edgar Hoover[27:37] Dada movement[27:37] Ernest Hemingway[27:37] Gertrude Stein[27:37] Dissident Gardens[29:38] Reaganism[29:38] “Does intergenerational transmission of trauma skip a generation?”[31:21] John Van Bergen[31:21] Nan Goldin[34:33] “The Ecstasy of Influence”[34:33] Lawrence Lessig[35:31] Copyleft movement[35:31] Hank Shocklee[38:46] Hoyt-Schermerhorn Station[42:32] “Being James Brown: Inside the Private World of the Baddest Man Who Ever Lived”[42:32] “The Genius and Modern Times of Bob Dylan”[51:00] Chronic City[54:04] The Thalia[55:50] “Lightness” by Italo Calvino[1:06:26] Jorge Luis Borges