Podcasts about Zeno

Michael Spencer is the Founder and CEO of Zeno, an electric mobility company building electric motorcycles, battery-swapping infrastructure, and distributed energy systems across East Africa. Drawing on experience from nearly a decade building businesses in East Africa and four years at Tesla during its hypergrowth era, Spencer is applying lessons from EV charging infrastructure to one of the world's largest transportation markets: two- and three-wheel vehicles. In this episode of Inevitable, Spencer explains why electrifying motorcycles in emerging markets may be one of the most efficient ways to reduce transportation costs and emissions. He discusses how Zeno combines hardware, software, and energy infrastructure to create a business that looks like an electric vehicle company on the surface but increasingly operates like a distributed utility. The conversation explores lessons from Tesla's Supercharger network, why Kenya became Zeno's launch market, how battery swapping and AI-powered infrastructure management drive capital efficiency, and why building hard-tech businesses may become even more valuable in an AI-driven world. Spencer also shares his vision for turning Zeno's charging network into a distributed renewable energy platform capable of serving both mobility and grid customers. Note: Zeno is an MCJ portfolio company  Episode recorded on June 8, 2026 (Published on June 23, 2026)  In this episode, we cover:  [00:00] The Trojan horse: what Zeno actually is [03:00] From East Africa to Tesla: Michael's path [04:36] Inside the supercharger rollout — and what it really taught him [08:02] Why two-wheelers are paradoxically easier to electrify [10:17] The Kenya opportunity: spending half your income on fuel [16:19] 200 charge points, $8M spent — how they did it [20:27] The AI matching algorithm behind 75% network utilization [23:20] Building a world-class team across four continents [28:17] Supply chain, oil prices, and the double-edged sword [32:03] Why hardware can't be vibe-coded [36:41] The five-year vision: from motorcycle company to distributed utility Enjoyed this episode? Please leave us a review! Share feedback or suggest future topics and guests at info@mcj.vc.Connect with MCJ:Cody Simms on LinkedInVisit mcj.vcSubscribe to the MCJ Newsletter*Editing and post-production work for this episode was provided by The Podcast Consultant

This is the first in a series of check-ins with previous guests about the unfolding nuclear renaissance. In this episode, Tyler Bernstein, CEO and co-founder of Zeno Power, returns to talk with me about Zeno's progress (check out our first episode here). We chop it up about the importance of Trump's EOs, NASA's commitment to a permanent lunar base, and—wait! I'm burying the lede. Zeno has just acquired Vallecitos Nuclear Center in California, the first commercially owned nuclear plant. Though the plant itself is decommissioned, Zeno will be using its hot cells to industrialize the production of their nuclear batteries. My conversation with Tyler made the nuclear renaissance feel all the more real. The thumbnail for this episode is a photo of one of the hot cells; to see more (as we discuss in the episode), you can check out this video.

► Agenda FGC et réseaux sociaux : linktr.ee/kahikusu► Bluesky : https://bsky.app/profile/kahikusu.bsky.social► https://twitter.com/kahikusu► https://twitter.com/M4rtelus► https://twitter.com/Naudno77► https://twitter.com/iamarktall► https://twitter.com/Linkexelo---------------------------------------------------------------Chapitrage0:00 Intro et programme6:17 Agenda FGC12:22 Résultats de la semaine 22:09 Des Varmilo Kassai X et HA10+ édition TheMixUp23:18 Le Mojhon Fightmaster28:10 La Modern Box... pour les joueurs Modern35:45 Le Steam Machine arrive cet été39:16 Nos jeux préférés du Summer Game Fest (Director's Cut)56:45 Daybreak Slam, le jeu de combat Chilien58:50 Sepak U, un jeu indé qui mélange les disciplines1:00:30 Date et trailer pour Zeno dans Hunter x Hunter Nen Impact1:01:14 Art of Fighting 3 R en bêta test1:02:11 Plusieurs licences de SNK à venir au cinéma1:06:46 Rick Strowd dans Fatal Fury COTW1:07:57 Premier gameplay de Kyoshi dans Avatar The Fighting Game1:11:29 Update 2XKO + retour sur Thresh & Senna1:35:39 Premier bilan de Kunimitsu dans TEKKEN 81:54:48 Soutenez votre media Versus Fighting1:56:24 Virtua Fighter Crossroads promet déjà du lourd2:17:47 Débrief d'Ingrid dans Street Fighter 6 après 2 semaines2:27:34 Les personnages de la saison 4 de Street Fighter 63:08:45 Street Fighter peut vraiment durer 10 ans ? 3:14:58 Pourquoi que des nouveaux personnages en saison 4 ?3:23:33 7 millions de ventes pour SF63:34:17 Les RDV du week-end3:36:00 Fin de l'émission

TCRW Present: Mastering Sessions Black In Studio With TC Dj Episode 44 (English info) Mastering Sessions Black In Studio With TC Dj Station Radio" Online Pure Music Underground / Techno Based in the heart of Vomero Naples , Italy On Air 24 hours a day, 7 days a week, 365 days a year https://tcdjintheclubroomworldwide.jimdofree.com/video-live FROM HERE YOU CAN FOLLOW US WHEREVER YOU ARE Download Radio.net Free App App Store https://apps.apple.com/us/app/radio-net-am-fm-radio-tuner/id402206359 Google Play https://play.google.com/store/apps/details?id=de.radio.android&pli=1 Download Zeno.fm Free App App Store https://apps.apple.com/us/app/zenoradio/id1207197757 Google Play https://play.google.com/store/apps/details?id=com.zenofm.player&hl=en_US Stay Connect https://www.radio.net/s/tcdj https://tcdjintheclubroomworldwide.jimdofree.com/video-live/ TC Dj has been breaking sound systems all over the world for several decades, starting in its native Italy, and finally landing in Basel, Zurich, London, Naples, Italy, where it currently resides. Starting his techno campaign in the early 90s in Italy, he quickly delved into the productive side of things, and eventually managed to manage. A quick technical study, he quickly found himself handling buttons for renowned labels such as flying saucers, self records, Tcr records, neapolis records and robotics records, providing mastering, production and remixing for various labels, meanwhile building his repertoire. He has played with several djs and producers including Mark Broom, DJ Lukas, dj Du'art, dj Sasha Carassi, dj Felix Kröcher, dj Horacio Cruz, dj Danilo Vigorito, dj Murphy, dj Fernanda Martins, dj Paula Cazenave, dj Professor dj Fatima Hajji. __________________________________________________________________________________________________________ Contact Worldwide Booking & Mngmnt: tcdj@tutamail.com tcdj.info@gmail.com broadcasting from Italy. ________________________________________________________________ THE CLUB ROOM WORLDWIDE PRESENT: (Italian info) Mastering Sessions Black In Studio With TC Dj Station Radio" Musica Pura Online Underground / Techno Con sede nel cuore del Vomero, Napoli, Italia In onda 24 ore su 24, 7 giorni su 7, 365 giorni all'anno DA QUI PUOI SEGUIRCI OVUNQUE TU SIA Scarica l'app gratuita di Radio.net App Store https://apps.apple.com/us/app/radio-net-am-fm-radio-tuner/id402206359 Google Play https://play.google.com/store/apps/details?id=de.radio.android Scarica l'app gratuita di Zeno.fm App Store Italiano: https://apps.apple.com/app/id1475649885 Google Play https://play.google.com/store/apps/details?id=com.zenofm.player&hl=en_US Resta connesso https://www.radio.net/s/tcdj https://tcdjintheclubroomworldwide.jimdofree.com/video-live/ TC Dj ha rivoluzionato sound system in tutto il mondo per diversi decenni, partendo dalla sua nativa Italia e approdando infine a Basilea, Zurigo, Londra e Napoli, dove attualmente risiede. Avviando la sua campagna techno nei primi anni '90 in Italia, si è rapidamente immerso nel lato produttivo, riuscendo infine a gestirla. Dopo una rapida formazione tecnica, si è ritrovato rapidamente a gestire i pulsanti per etichette rinomate come Flying Saucers, Self Records, Tcr Records, Neapolis Records e Robotics Records, occupandosi di mastering, produzione e remix per diverse etichette, costruendo nel frattempo il suo repertorio. Ha suonato con diversi dj e produttori tra cui Mark Broom, DJ Lukas, dj Du'art, dj Sasha Carassi, dj Felix Kröcher, dj Horacio Cruz, dj Danilo Vigorito, dj Murphy, dj Fernanda Martins, dj Paula Cazenave, dj Professor dj Fatima Hajji. _____________________________________________________________________________________________ Contatto Prenotazione e gestione in tutto il mondo: tcdj@tutamail.com tcdj.info@gmail.com trasmissione dall'Italia. ________________________________________________________________ #recording #live #techno #hardtechno #technoproducer #djlifestyles #deeptechno #technolifestyle #tcrrecords #techc #darktechno #neapolisrecords #livestream #dj #naples #twitch #musicislife #partyplanner #studio #music #acid #rave #technofestival #tcdj #traxsource #beatport #spotify #itunes #hearthisat #mixcloud #technopeople

TCRW Present: Mastering Sessions Black In Studio With TC Dj Episode 43 (English info) Mastering Sessions Black In Studio With TC Dj Station Radio" Online Pure Music Underground / Techno Based in the heart of Vomero Naples , Italy On Air 24 hours a day, 7 days a week, 365 days a year https://tcdjintheclubroomworldwide.jimdofree.com/video-live FROM HERE YOU CAN FOLLOW US WHEREVER YOU ARE Download Radio.net Free App App Store https://apps.apple.com/us/app/radio-net-am-fm-radio-tuner/id402206359 Google Play https://play.google.com/store/apps/details?id=de.radio.android&pli=1 Download Zeno.fm Free App App Store https://apps.apple.com/us/app/zenoradio/id1207197757 Google Play https://play.google.com/store/apps/details?id=com.zenofm.player&hl=en_US Stay Connect https://www.radio.net/s/tcdj https://tcdjintheclubroomworldwide.jimdofree.com/video-live/ TC Dj has been breaking sound systems all over the world for several decades, starting in its native Italy, and finally landing in Basel, Zurich, London, Naples, Italy, where it currently resides. Starting his techno campaign in the early 90s in Italy, he quickly delved into the productive side of things, and eventually managed to manage. A quick technical study, he quickly found himself handling buttons for renowned labels such as flying saucers, self records, Tcr records, neapolis records and robotics records, providing mastering, production and remixing for various labels, meanwhile building his repertoire. He has played with several djs and producers including Mark Broom, DJ Lukas, dj Du'art, dj Sasha Carassi, dj Felix Kröcher, dj Horacio Cruz, dj Danilo Vigorito, dj Murphy, dj Fernanda Martins, dj Paula Cazenave, dj Professor dj Fatima Hajji. __________________________________________________________________________________________________________ Contact Worldwide Booking & Mngmnt: tcdj@tutamail.com tcdj.info@gmail.com broadcasting from Italy. ________________________________________________________________ THE CLUB ROOM WORLDWIDE PRESENT: (Italian info) Mastering Sessions Black In Studio With TC Dj Station Radio" Musica Pura Online Underground / Techno Con sede nel cuore del Vomero, Napoli, Italia In onda 24 ore su 24, 7 giorni su 7, 365 giorni all'anno DA QUI PUOI SEGUIRCI OVUNQUE TU SIA Scarica l'app gratuita di Radio.net App Store https://apps.apple.com/us/app/radio-net-am-fm-radio-tuner/id402206359 Google Play https://play.google.com/store/apps/details?id=de.radio.android Scarica l'app gratuita di Zeno.fm App Store Italiano: https://apps.apple.com/app/id1475649885 Google Play https://play.google.com/store/apps/details?id=com.zenofm.player&hl=en_US Resta connesso https://www.radio.net/s/tcdj https://tcdjintheclubroomworldwide.jimdofree.com/video-live/ TC Dj ha rivoluzionato sound system in tutto il mondo per diversi decenni, partendo dalla sua nativa Italia e approdando infine a Basilea, Zurigo, Londra e Napoli, dove attualmente risiede. Avviando la sua campagna techno nei primi anni '90 in Italia, si è rapidamente immerso nel lato produttivo, riuscendo infine a gestirla. Dopo una rapida formazione tecnica, si è ritrovato rapidamente a gestire i pulsanti per etichette rinomate come Flying Saucers, Self Records, Tcr Records, Neapolis Records e Robotics Records, occupandosi di mastering, produzione e remix per diverse etichette, costruendo nel frattempo il suo repertorio. Ha suonato con diversi dj e produttori tra cui Mark Broom, DJ Lukas, dj Du'art, dj Sasha Carassi, dj Felix Kröcher, dj Horacio Cruz, dj Danilo Vigorito, dj Murphy, dj Fernanda Martins, dj Paula Cazenave, dj Professor dj Fatima Hajji. _____________________________________________________________________________________________ Contatto Prenotazione e gestione in tutto il mondo: tcdj@tutamail.com tcdj.info@gmail.com trasmissione dall'Italia. ________________________________________________________________ #recording #live #techno #hardtechno #technoproducer #djlifestyles #deeptechno #technolifestyle #tcrrecords #techc #darktechno #neapolisrecords #livestream #dj #naples #twitch #musicislife #partyplanner #studio #music #acid #rave #technofestival #tcdj #traxsource #beatport #spotify #itunes #hearthisat #mixcloud #technopeople

MkCoi Zeno is a multidisciplinary healer and designer whose work blends art, spirituality, herbalism, and crystal jewelry craftsmanship. MkCoi said he's, a certified yoga instructor, makeup artist, iridologist, and Reiki healer, with nine years of herbalist experience at Simply Wholesome. He also owns Zeno Sea Moss Company.https://www.facebook.com/MkCoiZenoWellness/ https://www.instagram.com/mkcoizenowellness/ https://www.beautynailhairsalons.com/ https://www.instagram.com/diprimaradio/

What a lot of fun I had talking to Zena Hitz about Gulliver's Travels. As well as discussing Swift, slavery, genocide, rationality, Christianity, and science, Zena told me that good philosophy is like a box of cake mix and that a liberal education requires you to be freed of false expertise. I also took Zena on a detour to discuss Iris Murdoch, the Catherine Project, and modern philosophy. TRANSCRIPTHENRY OLIVER: Today I am talking to Zena Hitz. Zena is a tutor at St. John's College. She is a philosopher, the author of Lost in Thought. She runs the Catherine Project. She's famous on Twitter. We don't know how she does it all. Zena, welcome.ZENA HITZ: Thank you, Henry. It's great to be here.OLIVER: And we're talking about Gulliver's Travels because it is 300 years since it was published, and it's a book that you love.HITZ: A book that I've loved for a long time.First Encounter with Gulliver's TravelsOLIVER: So tell me, when did you first read it?HITZ: Well, it was an important moment for me. I was in high school, and I was admitted to a scholarship summer program which offered college courses at different campuses. There were some normal-looking college courses at normal-looking colleges. And then there was this course at St. John's called Science as Literature, Literature as Science. [laughs] It had this description that was just unbelievable. And I thought to myself, “This is the one, obviously the one to go to.”So I went, and we read books that no one in their right mind would assign to high school students now, and maybe not then. The fragments of Parmenides, Plato's Timaeus, selections from Aristotle's Physics, Gulliver's Travels. After reading a number of—preface to Ptolemy's Almagest, geocentric astronomy. And we read Gulliver's Travels after reading selections from Hooke's Micrographia, so the inventor of the microscope, and Galileo's Starry Messenger, which is one of the great first uses of the telescope to discover the nature of the moon and the satellites of Jupiter.So then we read Gulliver's Travels. We also read Emma and Flannery O'Connor and various other things. And one of the faculty who was running it said at one point, “Well, we thought we'd throw a bunch of things together and see what you could do, what you could make of it. We didn't actually have an idea of how these all fit together,” which I think was probably true.At any rate, I think I came to Gulliver's Travels thinking about these scientists who were looking at very large things and very small things, and thinking in general about the follies of human perception, whether that was shown in literature or philosophy or what have you, the ways in which human perception and knowledge don't work very well. And I think Swift is still one of the best people to—Gulliver's Travels is still one of the best books about that because it's in the mode of a travel diary, an eyewitness account.Gulliver is trained as a surgeon, by his own account. He at one point says he was a bit of a projector in his younger days, someone who undertook scientific projects. And he's a terrible observer, the worst imaginable observer, and Swift so brilliantly lets us see through his eyes, lets us see all the things he doesn't see. And I think it's not just about seeing and knowing. It has a very profound, I think, moral and political set of commitments. So it's a very humane book. It's social criticism, but from a point of view of a very deep humanity. So I've always loved the book for these reasons since then.I came back to it more recently because it is part of the curriculum at St. John's. So when I came back to teach there, I began to reread it. The other experience I had was that I wrote a long essay on it when I was an undergraduate. So those are my—I'm not any kind of expert. My knowledge of the historical context of the book is limited. It's not zero, but it's limited. But I have always loved it as an account of human understanding and its failures and the way that might impact how we live and how happy we can be.The Houyhnhnm ProblemOLIVER: Have you changed how you think about it as you've taught it?HITZ: I have not really changed the way I think about it. It gets more—like all of these books, the more you read them, the more comes out of them, the more details come up. Hilarious. The more jokes you get, the more . . .I think the one more recent insight I had was, I hadn't understood the full horror of the Houyhnhnms in the last book until relatively recently. I think that took me some time to really take on. It's one of the cases where Gulliver's misperceptions are a bit harder to see, and I think many readers just assume that Swift is endorsing the praise of the Houyhnhnms in some sense or other.OLIVER: There are some very serious critics in the past who have called them Swift's ideal beings. Which at this point in history seems unthinkable, but it has been a belief among serious readers.HITZ: Yes, yes. And also common among students. Yes, it's absolutely one of the wrongest opinions you could have about anything, I think.OLIVER: Why does Swift allow us to make that mistake? Are we bad readers out of the context, or has he made too good a job of his diversions and concealments and ironies?HITZ: That's a great question, and I'll just take a stab at it. I think that he has hit on a mode of misperception which is very deep to us, and it's something that we're much more guilty of. We could imagine that if we were in a place where everyone was small or everyone was large, we might make mistakes like Gulliver makes. But we all live, I think, in communities that are a bit like the Houyhnhnms. And so we are all very subject to these kinds of deceptions, and I think that's how he gets us.That's not to really excuse the bad readings because, you know, Gulliver does leave the land of the Houyhnhnms with a boat made out of human skin, which should—I think that moment should make you realize, if you haven't yet, that something is very seriously wrong with Gulliver. Gulliver has been kind of destroyed as a person by his travels, and especially by this last trip. But if you pass over that little detail, maybe you think, “Oh, wow, he found some very simple beings.”OLIVER: Well, there's also the great council where they debate the genocide of the Yahoos.HITZ: [laughs] Yes.OLIVER: And it directly contradicts several things Gulliver has come to believe about the Houyhnhnms, about the Yahoos, and about himself. And he's completely unaware of these contradictions and so in awe of the Houyhnhnms that he doesn't quite understand, I think, that he's accounting a genocide.HITZ: That's right. That's right.OLIVER: Even though he uses a phrase from Genesis that's very unmistakable. It's a sort of remarkable moment of—particularly to us, having had the 20th century. I think that's why Swift came back into favor in a way, because people used to say, Swift's unbearable view of human nature . . .This is a great bit in Boswell's Life of Johnson where, when they're traveling through Scotland, they're with a lady, and she says to Johnson, “Is any man naturally good?” And Johnson says, “No, no more than a wolf.” And Boswell says, “Well, sir, what about ladies?” And Johnson says, “God, no, absolutely not.” And this woman says, “Oh my God, this is worse than Swift,” utterly horrific view of human nature.But of course, we can actually say, did he go far enough? [laughter] I mean, Swift clearly understands something very real and deep. The council of genocide is horrifyingly familiar to us. And I think that's much to Swift's credit that he can see that, and to show that Gulliver would blind himself to it. And people still blind themselves to it, right?HITZ: That's right. And I wonder—you would know more about this than me because it is a bit of a historical question, but my understanding is that quite a lot of the savagery, the worst parts of rule over men that we see in Gulliver's Travels are pictures of Ireland in the 17th, 18th centuries. And I wonder if that took some time to reveal itself to the British, and in some ways it's still not really as known as it might be. We think of the colonial project as being something that was directed at India and Africa—OLIVER: Faraway countries.HITZ: —faraway countries where people looked really different. And we're not as familiar with the kinds of things that were done to the cuddly Irish with their nice music, and who we don't think of as being people that you would savagely oppress like that. So I think—OLIVER: So, I think partly the English are not interested in their own history in the way that they are expected to be. And partly the English interest in Irish history has become very focused on the more recent events. And it's very hard to get back past that. And it all becomes very complicated, and it's a sort of different country. So there's some of that, but I think generally we don't want to know what we did, yes.HITZ: Well, and I think in anglophone countries in general, there's going to be a history of something like that. To attribute it to the British is not to say that—I mean, Americans have chattel slavery and the genocide of the natives, and the Australians have their own situation. All of the anglophone countries have something like this on their conscience.I think that obscures the meaning of that final book. I think we don't recognize—and that's really to Swift's credit, to have a social critique that is so real and so deep that you may not even recognize yourself in the picture.Slavery in Gulliver's TravelsOLIVER: Yes. When I read it again—I read it as an undergraduate, but I really was actually more interested in the other parts of Swift's work. And I thought it was brilliant, and then I read it again. And it was more recently that—I didn't understand how I couldn't have seen it, but it's basically a book about slavery, as I come back to it.And in each of the books there is enslavement of a different sort. So, to begin with, Gulliver is the one being kept in a box or kept in a house, or he's chained up by the Lilliputians or Glumdalclitch.HITZ: Right. That's right.OLIVER: She's a very nice sort of master, as it were, [laughter] but he has that box that can be sealed, and the dwarf has him swiping at the wasps. And then the enslavement that the flying island has of the country below is like England and Ireland. And then in the final book, you know, the Houyhnhnms are whipping the Yahoos.HITZ: That's right.OLIVER: The slavery thing gets worse and worse as the book goes on. And one of the things that's clever is that it's funny when Gulliver is enslaved, right? When the wasps are let out and he has to—and Swift sort of does that clever thing where he undermines things by making it a joke at the end. By the book of the Houyhnhnms, there is really very little humor. And the twist at the end is always dark.Gulliver can't see that—he can see that he's a bit like the Yahoos. But he can't see that they've been enslaved in the way that he—the farmer wanted to take him around the kingdom and show him off, and he says, “I couldn't possibly have had children in that condition because I couldn't have it on my conscience that I had begotten a slave, someone born into slavery. I couldn't do that.”HITZ: Right.OLIVER: Then he's in the Houyhnhnms and he can't—it's quite remarkable.HITZ: [laughs] Yes. I don't think it's quite true that in the end there's no humor. I read it with some Catherine Project group a couple of years ago, and one of the readers pointed out that it's not obvious Gulliver isn't leaving his home and sitting out in the ocean and always landing on England every single time; just every time, he lands there.And there's something hilarious about an Englishman that discovers a place where there's all horses, [laughter] and his love of horses overwhelms him, and he becomes persuaded that they're the only rational beings that there are. I mean, that is funny.OLIVER: Yes, I agree. There's a lot of irony and stuff. But I think it's in Lilliput when he describes their manner of writing. And he says they don't write from left to right as we do in England, or from right to left, or up-down like the Chinese, but from one corner to the other, as the ladies do in England. This is very funny, dry humor, and that sort of thing is gone. And the things that surprise you at the end of a sentence or a paragraph are more like, “Oh, and of course I used Yahoo skin to cover the boat.” And you're like, oh my God, this is not a joke anymore.You know, in A Modest Proposal, he makes real humor out of those kind of horrors. And with the Houyhnhnms, I think he actually refuses the joke to make you feel the disgust, in a way.HITZ: Yes, that might be right. That might be right.Swift and PhilosophyOLIVER: What do you think about the idea that the Houyhnhnms are drawn from the Phaedrus and Socrates's idea of the soul with the two horses? And there's the good, rational horse and the vulgar, passionate horse, and the Yahoos are the other horse. You see what I mean?HITZ: Yes, yes.OLIVER: Is Swift showing us the two sides, and Gulliver's mistake is to prefer the one and not the—HITZ: Right, I think I have heard something like this before. I'm a bit skeptical. Swift doesn't strike me as someone who uses philosophy in quite that way. I think he's much more interested in Gulliver's—the Houyhnhnms' self-deception about the kinds of beings they are. They do not say “the thing which is not,” yet Gulliver's master hides from him this conversation about the genocide for quite some time. And maybe we don't know if he tells him quite the whole truth about it. So there's—OLIVER: And he also conceals the fact that the others don't like Gulliver because he's a partial—a reasonable Yahoo, as it were.HITZ: Right. So their self-deception, Gulliver's being taken in by their self-deception, the ways in which they—this is one of the ways that I think it's profound about the nature of slavery. And to cheer us all up, I'll make a Holocaust analogy, as you also did.When I was traveling in Germany some years ago, in one of their Holocaust museums, there was an image from a Nazi-era German newspaper of Jewish people living in complete squalor in the ghetto. And of course, they had forced them into squalor. But somehow they forced them into squalor, and then this reinforces the sense that they're these rat-like beings.And there's something very similar that the Houyhnhnms do to the Yahoos. They force them into this animal state, and then they say, “Oh God, look, these people are disgusting. They just don't know how to act.” That seems to me the kind of level at which Swift is working. He is interested in the nature of a human being, but not in the abstract Platonic sense, I don't think.He strikes me as someone who believes in common sense, common decency, basic freedom, and basic use of reason. And he finds in his time that there's distorting teachings, distorting ways of behavior that have gotten people far off track. To me, that's what it feels like it comes from. It doesn't feel like Plato is in the background to me.OLIVER: Is there an extent to which, though, it's a work of sort of anti-philosophy? As you say, Swift, he likes common sense. He likes ordinary reason, and he likes what he would call the revealed truth of Christianity. So he talks, in his sermons about people, it comes to you from God like a light. It's revealed to you. And he doesn't like this idea that the philosophers can work it all out.And in a way, that's the same sort of mistake that the scientists think they can discover all this stuff, and they go in these crazy ways. And the Houyhnhnms are a bit like that. If you had philosopher-kings, they would end up being perverted examples of rationality because they're ignoring the—so do you think it's anti-philosophy in a way? The book is saying, “No, no, I don't want philosophers”?Criticizing Elite Intellectual CultureHITZ: That's definitely a plausible reading. But it's hard to tell whether it's anti-philosophy or anti a particular style of thinking. It's worth pointing out, in that light, that Gulliver, when he arrives in the land of the Houyhnhnms, before he even meets a horse, he sees a Yahoo who, from what I can tell from the text, is trying to wave at him and say hello, who recognizes him. And he's horrified. He sees him instantly as a monster.So I think immediately upon landing, he sees the Yahoos as monstrous, and that tells me that he must already be off kilter. So he's not just corrupted by the Houyhnhnms; he's been somehow led off track, away from the capacity to recognize fellow human beings before that.And he's come from this—the third book is all about various kinds of inquiry, scientific endeavors, practical endeavors, talking to the greats of the past, necromancy, and various kinds of inquiry into wisdom or things like wisdom. And somehow that's the thing that seems to push him to the point where he can no longer tell what a human being is.OLIVER: One of my favorite parts is when he's with the wizards, and he asks to be shown Homer and Aristotle and all their commentators. And he says that there were vast rooms full of these commentators, endless numbers of them. But Homer and Aristotle didn't recognize any of them because they were all so ashamed of the terrible things they'd said about these great men's works that they kept themselves forever in a different part of the underworld. They couldn't bear the shame of being revealed to having told lies and said second-rate things.It's very, very funny. And I think that's another sort of angle on which the book says, “You're so tempted to make a comment and have an idea and be a philosopher, and you should just accept the revealed truth of what is known. Just stop it. Just stop it.” [laughter]HITZ: Well, I suppose maybe I would also put it this way, that Swift sees the condition of 18th-century Ireland, which is quite poor, very bad. And it's ruled in a savage way by the English, who have a quite flourishing intellectual culture, as it happens, at this time.So I think what he might be is not a critic of philosophy so much as a critic of intellectual culture. Because intellectual culture seems to not only not help with existential concerns like slavery and oppression and savage poverty, but even serves to mask and hide and create illusions behind it.So that's, I guess, how it strikes me, as a book that's hostile to what you'd now call elite intellectual culture. And I don't know how fundamental that critique is, in light of its inability to solve problems for real human beings or to obscure the causes of what's going on with real human beings.OLIVER: I think it's quite fundamental because outside of Gulliver's—I think this comes into Gulliver's Travels, but what he might have said more explicitly elsewhere is, there are people starving in the streets of Dublin. And we've got corrupt politicians and intellectuals saying all these things, but you know, here she is starving. You don't need to work that out. [laughter] There's no question—the reveal—just be a Christian and, like, for goodness' sake . . .HITZ: Yes.OLIVER: And when, for example, he talks to the king of Brobdingnag, and there's that wonderful satire of the English government and everything. And he says, “Those people understood mathematics and poetry and whatever, but I could never drive into their head any sense of the abstract or any of these speculative—they simply didn't know what that was. They didn't know what I was saying.” [laughter]And so in a way, his ideal government is anti-philosophical because it would just look at the human problem in front of it. It wouldn't do speculative science. It wouldn't think of itself as rational, all this Platonic stuff. It would just—she's in rags, she has bare feet, you know?HITZ: Yes, that's right.OLIVER: What do we need a philosopher-king? Like, what are you talking about?HITZ: Exactly.OLIVER: The priest understands this because he's there in the city doing it. And is there something of that in the book, that constant resistance of the cleverness of people who cannot see daily life?HITZ: I think that's absolutely true, and I think it's probably one of the things I love about the book, because I think this somehow gets to something in my own heart. Even though I'm a professional intellectual—I have been my whole life—the distance between the concerns of professional intellectuals and the concerns of living, real people in various parts of the world is very large.And it's even worse when, as it was when I was coming up in grad school, there's a ton of explicit concern and various operations underway to improve life for others, which have zero connection with anything that anyone actually does. So I think the Laputans, which is the beginning of the third book, when Gulliver—OLIVER: The flying island.HITZ: Yes, when Gulliver visits the people on the flying island, who have one eye towards the heavens and one eye pointed inward. And they study music and mathematics, and they live in a giant flying saucer, which has the—OLIVER: And the flappers.HITZ: That's right. [laughter] When someone needs to talk to them, someone flaps their ears so that they pay attention. And their wives all run off with working people because they can't bear to be treated the way they are by men like this. And the flying saucer is not just distant. It also has the power to crush the towns underneath it if it judges them to be rebellious.This image will stick with you for the rest of your life. I mean, it's absolutely perfect, and the perfect image of bad government of a kind when intellectual culture is prized. And it's hinted early on in the book in Lilliput, when the rulers in Lilliput have to do these elaborate dances with ropes.OLIVER: Oh, with the king and the chief minister hold the pole, funny angles, and if you get under it, you get a green ribbon or a red ribbon.HITZ: Exactly. [laughter] And they have these athletic contests of grace and various colored ribbons, and that determine how far you get in the halls of power.OLIVER: Yes. Are you a cabinet minister or a junior minister? Yes, yes.HITZ: Exactly. So there, it's all just a funny joke. But it develops, I think, into the Laputans, people who have kinds of expertise that are actually hostile to them doing any kind of humane governing. So yes, that seems right to me.Christianity in GulliverOLIVER: To what extent is it a Christian book?HITZ: That's an interesting question. I've never found a strong Christian element in it myself. There are satires of religious wars, both in Lilliput, where Lilliput's at war with its neighboring city. Oh, wait a second, there's two different disputes in Lilliput. One is about what side you cut your egg on.OLIVER: There are the Little-Endians and the Big-Endians,HITZ: Right. And then there's also one about heel size. So there's two different kinds of disputes.OLIVER: With the marvelous image that the king is a Short-Heeler. But they think that the heir to the throne might be favorable to the High-Heelers because he has one heel slightly higher than the other, and he walks with a wobbly gait.HITZ: [laughs] That's right. This, again, in Lilliput is just utterly hilarious, outrageous, very silly, obviously a parody of religious wars between different kinds of Christians. But it resurfaces towards the end. It's the Houyhnhnms, where he talks to the Master Horse—OLIVER: And the horse sort of pretends to this great rationality, simply can't understand that men would kill each other over the question of whether flesh is bread or bread is flesh.HITZ: That's right. That's right. That's right. So there's definitely disparaging remarks about religious wars. And as you're talking about it, where along with Swift's praise of common sense, there's a kind of basic Christian morality, which is that the poor and the suffering need attention. That all strikes me as Christian. Apart from that, I'm not sure. If you have a religious take, I'd be interested to hear it.OLIVER: I find it very interesting that Swift had quite strict beliefs. He was not in favor of Catholics. He thought Dissenters should be tolerated, but he wanted the Test Act. He was very particular about all these things. And in his other works, he's quite direct about that. But in this book, he achieves a kind of high ambivalence. And he's not a Little-Ender or a Big-Ender.HITZ: That's right.OLIVER: And he says the religious text on which this is based simply says that you must break the egg at the most convenient end.HITZ: [laughs] That's right.OLIVER: Now, of course, in reality, he's a Little-Ender, and he's very committed to the Reformation, and he thinks it's all terrible that they're not. And it's interesting that someone with such angry, insistent beliefs on the Anglican Church would take this ambivalent position.And he satirizes so much. But the anti-slavery stuff, the description of the Laputans bringing the island down, and then he says, “I've never seen so much want and misery, and there's a wild look in their eyes, and they're wearing rags.” I mean, this is Dublin, right? This is just, along with the slavery, this basic Christian concern for the oppressed, the poor, the suffering.HITZ: Yes, that's right.OLIVER: And so I don't quite know. It's almost like the book is saying, again with this anti-intellectual thing, all these doctrinal disputes and which church this and who believes that. And here we have slaves and poor people and beggars and starving people.HITZ: Right.OLIVER: Christianity should deal with that first. So is the implicit criticism of his fellow Christians, in a way, that they're more interested in these disputes than in the fact that there are enslaved people and suffering people and—you see what I mean?HITZ: Yes, that's right.OLIVER: And Gulliver—the Houyhnhnms are highly rational but not Christian, which is a significant omission. And by the end, are you supposed to wonder if Gulliver actually isn't very much of a Christian? Because he can see this suffering and not respond to it at all.HITZ: Right, when maybe the—is the best person in the book the King of Brobdingnag? Does that seem right? The person with the—at least who says the best things?OLIVER: He says the best things. I think the best person is Glumdalclitch. She shows real charity and real love towards him.HITZ: What about the Houyhnhnm, the one who likes him, who says, “Fare thee well, gentle Yahoo”? It's tear-jerking—OLIVER: Oh, the sorrel nag.HITZ: The sorrel nag. I can literally weep at that moment when she says, “Fare thee well, gentle Yahoo.”OLIVER: That's true. That's true. She and Glumdalclitch are maybe more similar characters. Yes, yes, yes.HITZ: They're similar characters. Okay.OLIVER: And they have that basic, you don't need to call it Christian. You don't need—it doesn't need theology.HITZ: Humane. I would call it humane. Yes.OLIVER: They have that basic love of their fellow. You know, Glumdalclitch doesn't say, “Oh, how amusing this little man is, or how entertaining, or I can make—” She says, “He must be cared for. He looks a bit like me. He must be cared for.”HITZ: Right.OLIVER: And the sorrel nag, again, has the love of the fellow creature.HITZ: That's right. That's right.OLIVER: So I think Swift might be bringing in this, what he thinks of as the revealed truth of Christianity. Like, you shouldn't need telling, you shouldn't need to argue. It's there.HITZ: Right. This is just me making things up, which is what I'm here for. We're podcasting. Yes.OLIVER: Yes, of course. Also, is that not what the philosophers would do? That's what Swift would say.HITZ: But if I was going to make something up, what I would say is something like this: that Swift to me, from the testimony of Gulliver's Travels, which is the book of his I really know the best. I don't know much about the rest of it. He has a level of self-awareness and sophistication. So, he knows that that religious difference is being used as a pretext. He knows that it is obscuring the suffering of these people. So, for the purposes of the book, he says, “Look, if you're a smart person, if you're a smart ruler, if you're an actually humane, intelligent, commonsensical ruler, you know that the fact that they have the wrong religious views is not a reason for them to be enslaved and oppressed and starved.” So that would be my suspicion.And that's why I think, to me, the religion is so light, because it's not really a religious problem. It's actually just a human problem and a political problem that is, how do you run your country so that these subject peoples are allowed to be free and develop themselves and be full human beings? That would be my made-up guess.Students' Views of GulliverOLIVER: What do undergraduates think? What is it that they find interesting in the book, and what do they like or dislike?HITZ: It's been a couple of years. I think they like this idea that—we all think travel is very broadening, a great way to think about the world. You know, you can learn so much about one's fellow human beings. And whatever else is going on in Gulliver's Travels, travel does not necessarily produce enlightenment.So I think they like the attention to the ways in which, even when we are trying to learn, we fail to learn. And the ways in which structures of learning, like traveling or studying science, might actually make you worse and not better, things like that. But it's not a book—I think it's fair to say it's not one of the favorite books of the undergraduates.OLIVER: Okay.HITZ: I think they find it a little bit distant, and I'm not sure why that is.OLIVER: Is it because it sort of looks like a novel, but it's not what we have come to expect a novel to be? And it sort of has that—HITZ: I think that's right.OLIVER: The pre–Jane Austen novel is kind of weird to us now.HITZ: Well, they love Don Quixote.OLIVER: Okay.HITZ: And that is a challenge of a similar kind. It's a novel which doesn't quite read like a novel, and the humor is kind of old. I mean, it's also true—undergraduates, in my experience, in general—I hope they'll forgive me for saying this on a podcast—they're not always good at comedy. They tend to think that serious things must be tragic.OLIVER: You can't get an A by making a joke.HITZ: Well, more that they have a sense that an intellectual life is something serious. It's serious.OLIVER: Oh, yes. Okay. And the syllabus slightly reinforces that, doesn't it?HITZ: Well, it's sort of self-reinforcing because we used to read more Aristophanes. We used to read Rabelais.OLIVER: If you do Shakespeare, it'll be the tragedies.HITZ: No, no, we do Shakespeare comedies.OLIVER: Oh, you do? Okay.HITZ: Yes. We have As You Like It and The Tempest. And do we have more tragedies? Maybe one more tragedy than comedy, but not a terrible imbalance.OLIVER: Well, that's good.HITZ: It's not Shakespeare-type comedy that's—maybe, correct me if I'm wrong, a Shakespeare comedy is something that ends in a marriage, more or less.OLIVER: More or less.HITZ: It's things that are funny—they don't necessarily think that humor is a way of thinking.OLIVER: Do they struggle with irony?HITZ: No, not usually. As long as it's serious irony, Anyway, I'm not sure why. I think I'm making things—I'm going too far out of the grounds for drawing conclusions.Favorite Parts of the BookOLIVER: Sure. Do you have a favorite passage?HITZ: One of my favorites is the part—is it Balnibarbi where they have people who try to speak with objects?OLIVER: Oh, yes, yes, yes.HITZ: And they have to carry around wagons full of things because they never know what you might want to talk about. [laughter] That's so weird. Because I think I spent a lot of time studying with philosophers, there's a bit of—something's on the nose about this.OLIVER: Yes.HITZ: You know, it's like, “No, you've got to say exactly—no, that's too imprecise. You have to say exactly what you mean.” Bernard Williams, the great philosopher, has something complaining about how contemporary philosophers are very controlling of their readers. They don't want anyone to make the slightest mistake about what they mean by a particular word. That's how the people who speak by objects strike me.OLIVER: Do you think that is a problem of contemporary philosophy?HITZ: Oh, sure. Yes, absolutely. Yes. The way Williams puts it is that when you write something, it should be like a cake mix, and the reader should be able to put their own egg and bake the cake themselves.OLIVER: Oh, I see. You mean like a box of mix, yes.HITZ: Yes, yes, exactly. It's like a box of cake mix. Whereas making the cake painstakingly and force-feeding it bite by bite to the reader is not actually an—OLIVER: Telling them how it tastes.HITZ: Telling them how it tastes is not an educational endeavor.OLIVER: When does this become too dominant in philosophy?HITZ: It's a feature of 20th-century analytic philosophy to be very careful with the meanings of words. And it's by no means universal; it's just a natural vice to the territory.Iris MurdochOLIVER: Is this a problem for someone like Iris Murdoch, or is it more the A. J. Ayer type?HITZ: No, it's the A. J. Ayer type, not Iris Murdoch. No, Iris Murdoch is heterodox outside of the—OLIVER: Do you like her philosophy?HITZ: I do, yes.OLIVER: What do you like about it? Platonic?HITZ: Now, see, I came here to talk about Swift. [laughter]OLIVER: I know, but you made such a good point about the satire of philosophers.HITZ: I like her writing for a more general educated audience, her not making assumptions about the philosophical training of her readers, and her use of Plato for sure, which is quite interesting and creative. She sort of ingests Plato and does something with it that I think is very interesting.OLIVER: Is she properly appreciated as a Platonist, or do you think there's more attention to be paid?HITZ: There's probably more attention to be paid, but she gets some attention. She gets some attention. I also don't think it was particularly helpful, these two books that came out a couple of years ago about Murdoch, Foot, Midgley, and Anscombe.OLIVER: Oh, yes, yes, yes. I only read one of those. It was quite good.HITZ: It might be quite good, but those four women are quite different from one another. So it's an example of where attention to identity could obscure as much as it—OLIVER: Well, one of the books was more about the ideas—they were both obviously about the ideas—and one of them was more about the fact that they were together in Oxford. And that they benefited from hanging out, talking, doing different sorts of work, sleeping with each other's husbands, et cetera.HITZ: Yes, all the good stuff.OLIVER: And from the more sociological point of view, it was very interesting to see that, actually, a lot of what Murdoch did was bound up with her friendships and relationships, in that the argument basically is, A. J. Ayer and the others get sent away because of the war. So these four women are actually—they've been banned from this seminar and told they're not allowed.Well, now they can sit around and do what they want to do. And it worked, and they all produced very interesting things. So from that point of view, I think it was—but I agree with you, Elizabeth Anscombe and Iris Murdoch are not the same. [laughter]HITZ: Not even particularly similar. I also feel like I've read enough of Murdoch's novels to have a sense of what the sociological situation was like.OLIVER: You like the novels?HITZ: I do like them, yes.OLIVER: Do you have favorites?HITZ: I can't remember the name of my favorite because I haven't read them for years. It's one of the things I read years ago, the one—I'd remember it if I saw the title. There's an LSD trip at the beginning of it.OLIVER: Oh, The Good Apprentice. I love that book.HITZ: The Good Apprentice, yes. I think that was my favorite. But I never fell in love with it. I just liked it, and I found it interesting, and I found the sociology interesting. Okay, this is what academics at this time period were doing.What to Pair with SwiftOLIVER: We got diverted.HITZ: “We” got diverted. [laughs]OLIVER: We did. If Swift is on a great books syllabus, what is it good to pair him with? If people are reading Swift, on or off a syllabus, do you think there are other—Hooker, you said, which I think would be interesting.HITZ: No, Hooke. It's Hooke.OLIVER: Hooke. Hooke. That's a very good point.HITZ: The guy who wrote Micrographia, who has the enormous picture of the flea.OLIVER: Yes, yes, yes. So that would be good. But any other? Is it worth reading Plato alongside him?HITZ: Well, I like to—he's on the list for something we called Life of the Mind Seminar at Catherine Project, which is our introduction to the life of the mind.OLIVER: And just to tell people, the Catherine Project—this is not a university. Anyone can join a seminar.HITZ: That's right. It's an open online readers community. Consists of small, high-quality conversations, mostly on Zoom, some in person.OLIVER: You could be some kid, an accountant, a dentist, whatever, and you come and do a—you've got a PhD running a seminar, and you get that experience.HITZ: Right. Some of them are peer led, so they're not necessarily PhDs running them. The reading groups are not necessarily run by PhDs. But the core program in which the Life of the Mind Seminar is—either a PhD or an ABD [all but degree] or someone with some academic experience is usually leading that. We have it there, and we have it there with a set of books that are meant to disorient rather than to orient.So one of the difficulties with reading great books with more or less random selections of adults is that people feel uncertain, out of place. And they bring expertise, real or fake, to the table, which makes it very difficult to have a conversation. It's usually fake expertise, for what it's worth.OLIVER: Give us an example of what you mean by fake expertise.HITZ: Well, so someone will have—we'll be, say, reading Hamlet. Someone will have taken a class on Shakespeare in college, and they'll say, “Actually, we're asking this question. But what I learned, my professor told me, is that Hamlet actually symbolizes—he has an Oedipus complex and blah, blah, blah, blah, blah, and then this is what this means, and this is what that means.” And then your conversation's over, because you need to focus just on the text that's shared between the—OLIVER: It's not a crossword puzzle.HITZ: Exactly. It's not a crossword puzzle, and it's not something where—or the other—people often, again, they feel a bit on their back feet. So they'll google a bunch of stuff about the author, and they'll start tossing out random facts about the book or about the author, about the context. And again, you don't get really into the meat of the book that way.So, Gulliver's Travels is there to help us think about ways in which we might not be expert in things we're expert. Ways in which we might think we understand something and not understand it. And ways in which people who, with every appearance of seriousness and scientific principle, can just say unbelievably stupid things.So it's a very, very good book for that, where in that sense, it's I think very good for any liberal education program. It's liberating that way. One of the things we need to be liberated from is false expertise.OLIVER: You're talking really about these secondhand opinions that you haven't interrogated and come to understand yourself.HITZ: Exactly. Exactly, exactly, exactly.OLIVER: This is what Mill says. Everything is new to someone, and the real genius is that you find it out.HITZ: Exactly.OLIVER: You don't get taught it. Yes, yes.HITZ: Exactly, exactly. So real learning is things you find for yourself. Anyway, that's what I like it with. As for pairing it, yes, I think it would just depend on what you were—I don't have a clear thought about that. I think it'd be good to pair it with Galileo's Starry Messenger and preface to Hooke's Micrographia.But you could also pair it with Emma. Be quite good, actually, because Emma is also about someone who really doesn't know what they're doing and has no idea. Thinks they know what's going on; they really have no idea what's going on.OLIVER: Yes. Hamlet as well, in fact.HITZ: I guess so. Does he not know what's going on?OLIVER: Who's diverting now? [laughter] Well, there's an interesting question, isn't there, about whether Hamlet has legitimate doubts. So he says, “This ghost could be a demon. I should be careful. I don't know what I'm doing. I'm going to pretend to be mad. I'm going to find out.” Or whether he just doesn't want to see the truth in front of him, and he quote-unquote “delays” because of that. I don't know if you have a view.HITZ: I don't think he's deluded. I think the problem is something different, but I haven't thought enough about it recently to know what his volitional obstacle is. But I don't think he's deluded. I think he sees what's going on, but there's something about acting that doesn't work for him.OLIVER: An internal—HITZ: Something internal. Something internal. In a way, I find the play very hard. I don't know what, for instance, what does that obstacle have to do with Ophelia? What's going on with that? Anyway, he's very mysterious, but I don't—yes, that'd be my sense, is that he's not—OLIVER: Do you buy this idea that he's a nihilist?HITZ: No, although he's definitely faced with something like nihilism. He has to look at it. And of course, the play does end with everyone dead, [laughs] so it's not obvious that he's wrong.Sympathy for GulliverOLIVER: This question hangs over Gulliver as well. Is the problem by the end that he's basically become a nihilist? His response to the Yahoos is to deny meaning, deny the possibility of meaning, to shut himself away.HITZ: He is a true misanthrope. He hates human beings and refuses to interact with them and in that sense, in some way, removes himself from any further mistakes. In another way, the mistake that he's in is so massive that that hardly seems like a consolation. But yes, he's definitely stuck, and he's stuck in a place where who he is—because he's a human being. We have to remember that.So he's in a place of total self-hatred and the hatred of his neighbor, what you'd call from the Christian perspective a total loss of charity. Is that nihilist? I don't know, but it's definitely bad. It's not a good state to be in. Maybe I don't know what you mean by nihilism exactly.OLIVER: Are we supposed to disapprove of him at the end or sympathize with him?HITZ: Disapprove, I think.OLIVER: Yes? You don't feel sorry for him?HITZ: I do a bit.OLIVER: But not much.HITZ: Well, should I?OLIVER: I have come to believe—yes, this is what I've come to feel in subsequent readings, is that Gulliver, as you say, is very mistaken. He thinks he understands things that he does not understand. He has the sort of pretense of rationality, but he lacks any sort of meta rationality to see what his limits are.And he becomes, therefore—he doesn't advocate genocide, and he doesn't take any pleasure in using Yahoo skin, but he's just completely null to it. There's a sort of void there where human feeling ought to be. And it's tragic for him. It's a tragic ending that he is so isolated. And we can't sympathize with him, as it were, but we can feel sort of awful that he's shriveled into this state rather than judging or blame.I think one of the persistent themes of the book is, as I say, this kind of basic love of fellow creature, the Glumdalclitch or the sorrel. And if you take that from the book, you will wish you could bring Gulliver back.HITZ: Right. What you're saying reminds me that there is an interesting parallel in Plato's dialogues that I hadn't thought of before, Plato's Parmenides, which is perhaps the most difficult Plato's dialogue. So it's a conversation between young Socrates and the philosopher Parmenides. The first third of it is relatively clear, some arguments against what people think of as Plato's theory of forms.Then there's an extensive, insane dialectical process where various theses about the connection between being and oneness are both argued for and then refuted, and argued for and then refuted, pages and pages and pages and pages of it. So this seems to be—it's Parmenides and Zeno who are running Socrates through this ringer.And the person at the very beginning of the dialogue who they have to go find, to tell him the story of how Socrates met Parmenides, used to study philosophy. But now he just trains horses. [laughs] One of my teachers pointed this out to me, and I've never been able to get over it, that he spent this time doing philosophy, and he's like, “You know what? I'm going to work with horses for the rest of my life. If I never hear another human voice, that's fine with me.”So I think that is an interesting parallel. And I think it is not really that uncommon to see people who are totally disillusioned with relating to humans, who then relate to animals instead, like they devote themselves to animals.OLIVER: But on that reading, it might be a disillusionment with philosophical humanity. It might be philosophy that's killed Gulliver's human feeling.HITZ: That's right. Well, I think that's one possibility, one very strong possibility. That's why I think the Houyhnhnms come after the Laputans. Going to the furthest reaches of his intellectual interests just destroys his humanity.But it doesn't seem like exhaustion in the same way that whoever, I can't remember his name, the character who relates the Parmenides, where you just think he must be exhausted from having heard more than one conversation like this. [laughter] And just in the stable with the horses eating oats, I mean, it's just delightful. It's just so peaceful, you know?OLIVER: Bucolic, pastoral, yes.HITZ: Yes, exactly. Exactly. Maybe you're right that we should be more sympathetic to someone in that situation.OLIVER: Well, next time you read it, you can tell me if you change your mind.HITZ: All right. I will tell you if I change my mind.OLIVER: Very good. Zena Hitz, thank you very much.HITZ: Thank you very much, Henry Oliver. This is a public episode. 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Oikeiôsis. Zoiets als: iets je eigen maken. Of: vereenzelvigen. Of: Toe-eigening. Of: Vertrouwd maken. Of: affiniteit. En nog veel meer synoniemen die niet helemaal recht doen aan de term 'Oikeiôsis'.Wat wordt er met dit stoïcijnse principe bedoeld? Zeno schijnt het al gehanteerd te hebben, en een paar eeuwen later is het zelfs in een schema vertoond. Hoe we omgaan met 'wat ons toebehoort' en wat niet, maar ook, hoe we 'elke cirkel die ons toebehoort' moeten behandelen als 'de cirkel daaronder'. Wat betekent dit allemaal??? Wij proberen het uit te leggen. 

Siempre me han dado miedo las cloacas, los espías, todo ese poder oscuro que opera sin control, entre las sombras, en la misma dimensión, pero en un plano diferente al nuestro, como si fueran espectros. Todo eso me hace sentir pequeño, como si te enteraras de repente que mientras tú estabas en el bar hablando a los parroquianos del imperio de la ley y de la separación de poderes, "no, mira, Ernesto, te explico", así, desde una tribuna moral y académica que solo me faltaba la toga para parecer el mismo Zenón de Citio, pues hubiera otro mundo dentro del mundo, unos arrabales que todo el mundo conocía, menos tú, que estabas haciendo el ridículo hablando de contrapesos y de controles con tu vinillo en la mano.Yo lo imagino como una matrioska: dentro del mundo normal habita un mundo más pequeño y más podrido y dentro de ese otro y dentro otro, hasta que, al final, llegamos a un 'aquapark' de aguas fecales, con policías, fiscales, empresarios, jueces y políticos corruptos, todos en bañador, chapoteando en una piscina de bolas sucias, tirándose a la cara amenazas, grabaciones y excrecencias.De todo lo que estamos viendo, lo más grave es el caso Leire. Yo entiendo que a la opinión pública le escandalicen más las amiguitas, los enchufes, las joyas y todo lo que activa el resorte digamos que del propio pardillismo. Pero mucho más preocupante es que el partido que detenta el poder dirigiera una organización paralela destinada a pervertir el funcionamiento de la propia democracia a través del miedo y las amenazas. Porque que roben dinero está mal, Carlos, pero es lo de menos. El dinero se recupera. Sin embargo, que te roben la democracia implica que el pueblo esté desprotegido ante los abusos de poder de un sistema corrupto y totalitario. Y ya sabemos cómo acaba eso. Cuando a un pueblo le roban la fe en las instituciones, lo menos preocupante son las joyas y las chicas. Mucho más duro es aceptar es que siempre tuvieron razón en el bar.

Siempre me han dado miedo las cloacas, los espías, todo ese poder oscuro que opera sin control, entre las sombras, en la misma dimensión, pero en un plano diferente al nuestro, como si fueran espectros. Todo eso me hace sentir pequeño, como si te enteraras de repente que mientras tú estabas en el bar hablando a los parroquianos del imperio de la ley y de la separación de poderes, "no, mira, Ernesto, te explico", así, desde una tribuna moral y académica que solo me faltaba la toga para parecer el mismo Zenón de Citio, pues hubiera otro mundo dentro del mundo, unos arrabales que todo el mundo conocía, menos tú, que estabas haciendo el ridículo hablando de contrapesos y de controles con tu vinillo en la mano.Yo lo imagino como una matrioska: dentro del mundo normal habita un mundo más pequeño y más podrido y dentro de ese otro y dentro otro, hasta que, al final, llegamos a un 'aquapark' de aguas fecales, con policías, fiscales, empresarios, jueces y políticos corruptos, todos en bañador, chapoteando en una piscina de bolas sucias, tirándose a la cara amenazas, grabaciones y excrecencias.De todo lo que estamos viendo, lo más grave es el caso Leire. Yo entiendo que a la opinión pública le escandalicen más las amiguitas, los enchufes, las joyas y todo lo que activa el resorte digamos que del propio pardillismo. Pero mucho más preocupante es que el partido que detenta el poder dirigiera una organización paralela destinada a pervertir el funcionamiento de la propia democracia a través del miedo y las amenazas. Porque que roben dinero está mal, Carlos, pero es lo de menos. El dinero se recupera. Sin embargo, que te roben la democracia implica que el pueblo esté desprotegido ante los abusos de poder de un sistema corrupto y totalitario. Y ya sabemos cómo acaba eso. Cuando a un pueblo le roban la fe en las instituciones, lo menos preocupante son las joyas y las chicas. Mucho más duro es aceptar es que siempre tuvieron razón en el bar.Conviértete en un supporter de este podcast: https://www.spreaker.com/podcast/mas-noticias--4412383/support.ESCUCHAR RADIO 

Zeno, 28 ans, quitte Bruxelles après un burn-out pour une année sabbatique au travers de l'Europe. D'une maison d'hôte en Italie aux fermes hongroises puis slovaques, elle enchaîne les expériences de bénévolat et ose l'aventure du stop seule pour la première fois. Au fil des rencontres et des apprentissages, Zeno découvre un rythme de vie nouveau et se reconnecte à elle-même.Vous aussi, vous voulez témoigner ? Contactez-nous par ici (ou au 0477 78 41 58 sur WhatsApp) et laissez-nous quelques mots sur votre histoire. Le respect de votre vie privée sera pleinement pris en compte. Vos propos seront recueillis dans un cadre bienveillant.Chaque semaine, Le Soir donne la parole aux 18-30 ans avec le podcast En vrai. Ils vous racontent une expérience ou une tranche de vie qui les a changés. Épisode après épisode, ils brossent un portrait de leur génération et de la société.

Psalm 50Reading 1: Job 13, 14Reading 2: From a sermon by St. Zeno of Verona, bishopSt. Helena Ministries is a registered 501(c)3 non-profit. Your donations may be tax-deductibleSupport us at: sthelenaministries.com/supportPresentation of the Liturgy of the Hours (Divine Office) from The Liturgy of the Hours (Four Volumes) © 1975, International Commission on English in the Liturgy Corporation. The texts of Biblical readings are reproduced from the New American Bible © 1975

TCRW Present: Mastering Sessions Black In Studio With TC Dj AFTERNOON TCRW - THE CLUB ROOM WORLDWIDE PRESENT: (English info) Mastering Sessions Black In Studio With TC Dj Station Radio" Online Pure Music Underground / Techno Based in the heart of Vomero Naples , Italy On Air 24 hours a day, 7 days a week, 365 days a year https://tcdjintheclubroomworldwide.jimdofree.com/video-live FROM HERE YOU CAN FOLLOW US WHEREVER YOU ARE Download Radio.net Free App App Store https://apps.apple.com/us/app/radio-net-am-fm-radio-tuner/id402206359 Google Play https://play.google.com/store/apps/details?id=de.radio.android&pli=1 Download Zeno.fm Free App App Store https://apps.apple.com/us/app/zenoradio/id1207197757 Google Play https://play.google.com/store/apps/details?id=com.zenofm.player&hl=en_US Stay Connect https://www.radio.net/s/tcdj https://tcdjintheclubroomworldwide.jimdofree.com/video-live/ TC Dj has been breaking sound systems all over the world for several decades, starting in its native Italy, and finally landing in Basel, Zurich, London, Naples, Italy, where it currently resides. Starting his techno campaign in the early 90s in Italy, he quickly delved into the productive side of things, and eventually managed to manage. A quick technical study, he quickly found himself handling buttons for renowned labels such as flying saucers, self records, Tcr records, neapolis records and robotics records, providing mastering, production and remixing for various labels, meanwhile building his repertoire. He has played with several djs and producers including Mark Broom, DJ Lukas, dj Du'art, dj Sasha Carassi, dj Felix Kröcher, dj Horacio Cruz, dj Danilo Vigorito, dj Murphy, dj Fernanda Martins, dj Paula Cazenave, dj Professor dj Fatima Hajji. __________________________________________________________________________________________________________ Contact Worldwide Booking & Mngmnt: tcdj@tutamail.com tcdj.info@gmail.com broadcasting from Italy. ________________________________________________________________ THE CLUB ROOM WORLDWIDE PRESENT: (Italian info) Mastering Sessions Black In Studio With TC Dj Station Radio" Musica Pura Online Underground / Techno Con sede nel cuore del Vomero, Napoli, Italia In onda 24 ore su 24, 7 giorni su 7, 365 giorni all'anno DA QUI PUOI SEGUIRCI OVUNQUE TU SIA Scarica l'app gratuita di Radio.net App Store https://apps.apple.com/us/app/radio-net-am-fm-radio-tuner/id402206359 Google Play https://play.google.com/store/apps/details?id=de.radio.android Scarica l'app gratuita di Zeno.fm App Store Italiano: https://apps.apple.com/app/id1475649885 Google Play https://play.google.com/store/apps/details?id=com.zenofm.player&hl=en_US Resta connesso https://www.radio.net/s/tcdj https://tcdjintheclubroomworldwide.jimdofree.com/video-live/ TC Dj ha rivoluzionato sound system in tutto il mondo per diversi decenni, partendo dalla sua nativa Italia e approdando infine a Basilea, Zurigo, Londra e Napoli, dove attualmente risiede. Avviando la sua campagna techno nei primi anni '90 in Italia, si è rapidamente immerso nel lato produttivo, riuscendo infine a gestirla. Dopo una rapida formazione tecnica, si è ritrovato rapidamente a gestire i pulsanti per etichette rinomate come Flying Saucers, Self Records, Tcr Records, Neapolis Records e Robotics Records, occupandosi di mastering, produzione e remix per diverse etichette, costruendo nel frattempo il suo repertorio. Ha suonato con diversi dj e produttori tra cui Mark Broom, DJ Lukas, dj Du'art, dj Sasha Carassi, dj Felix Kröcher, dj Horacio Cruz, dj Danilo Vigorito, dj Murphy, dj Fernanda Martins, dj Paula Cazenave, dj Professor dj Fatima Hajji. _____________________________________________________________________________________________ Contatto Prenotazione e gestione in tutto il mondo: tcdj@tutamail.com tcdj.info@gmail.com trasmissione dall'Italia. ________________________________________________________________ #recording #live #techno #hardtechno #technoproducer #djlifestyles #deeptechno #technolifestyle #tcrrecords #techc #darktechno #neapolisrecords #livestream #dj #naples #twitch #musicislife #partyplanner #studio #music #acid #rave #technofestival #tcdj #traxsource #beatport #spotify #itunes #hearthisat #mixcloud #technopeople

Send us Fan MailThis is a taster episode from my recent series on the history of Philosophy from my new 2026 podcast series. 'The Living In Faith Everyday Podcast'. (The L.I.F.E. Podcast). This is my Bi-Monthly podcast that seeks to respond to and engage with the world of Philosophy and current trends in the Arts and Entertainment from a Christian Perspective.Season 1 - Part 11. Zeno, Empedocles, and Anaxagoras - Paradox, Powers, and the Mind Behind the Cosmos.This is the episode in which the Presocratic world becomes even stranger by the entry of three remarkable figures—each brilliant in their own way, each eccentric, each offering a different way forward.Zeno of Elea — The Master of ParadoxHe is the first philosopher to make the world feel like a glitch in the matrix.Empedocles — The Poet, Magician, and Scientist.It is poetry disguised as physics, or is it physics disguised as poetry, but it was the first attempt to explain change without denying permanence.Then Anaxagoras — The Philosopher Who Introduced the concept of the mindFinally, we arrive at Anaxagoras, the thinker who brought something entirely new into the conversation:Nous—The Mind. and that behind creation stands a Mind, a Logos, a Creator.... So step into the world of paradoxes, cosmic forces, and the first philosophical vision of a universe shaped by intelligence….Links to all my other podcast below.Support the showThis podcast is not associated with the Bible Project YouTube channel or any other associated podcasts that use the name 'Bible Project'. It is entirely the work of Jeremy R McCandless...Follow and support me on Patreon.Jeremy McCandless | Creating Podcasts and Bible Study Resources | PatreonTo receive my weekly newsletter and keep up to date with all five of my podcasts, subscribe at:Jeremy McCandless | SubstackCheck out my other Podcasts.My History of the Christian Church: https://thehistoryofthechristianchurch.buzzsprout.comThe L.I.F.E. Podcast: (Philosophy and current trends in the Arts and Entertainment Podcast).https://the-living-in-faith-everyday-podcast.buzzsprout.comThe Renewed Mind Podcast. My Psychology and Mental Health Podcast:https://www.buzzsprout.com/2568891The Classic Literature Podcast:https://www.buzzsprout.com/2568906To visit my Author page on Amazon and view my entire back catalogue of books on both Amazon and Kindle, and now also on Audible, Visit:Amazon.com: Jeremy R Mccandless: books, biography, latest...

In this podcast we will be talking about 7 Ways To Stop Letting Money Control Your Emotions from the writings of Seneca. Seneca was an ancient Roman philosopher, writer, and statesman. He was one of the most influential teachers of Stoicism.So here are 7 Ways To Stop Letting Money Control Your Emotions from the philosophy of Seneca - 01. Identify the 3 Money Traps02. Distinguish appetite from need03. Practice the 24 hour pause04. Name the emotion05. Audit your evenings06. Practice downward gaze07. Practice voluntary povertyHope you enjoyed this podcast and find these insights from Seneca on how to stop letting money control your emotions  helpful. Seneca was a prominent Roman philosopher and playwright who published several essential works about Stoicism. He counseled Emperor Nero, and thought that anger is a temporary madness, and that even when justified, we should never act on the basis of it because it affects our sanity. Seneca wrote a book specifically on anger called “De Ira” which defines and explains anger within the context of Stoic philosophy, and offers advice on how to prevent and control anger and that's why in this video we are going to look at 10 ways we can control our anger from the teachings of Seneca. Stoicism is a school of Hellenistic philosophy founded by Zeno of Citium in Athens in the early 3rd century BC. Even though it is over 2000 years old, more and more people are discovering how Stoicism is not only relevant to modern times, but can be applied in very simple, yet strong ways. 

Happy Memorial Day Weekend 2026!! Never forget why we have the freedom to party! Let's remember those that have fallen in the name of freedom! We salute you!! Thank you for your service now lets club out with , Gianluca Zanna, Adam Darling, Bradeazy, Chance the Closer, Migs 718 and 20 plus more DJ's for the party event of the season! Get your summer started off right with the Halshack! Find the shacklist on Halshack.com See you soon for Destination Unknown 5 as we travel the highways of life and navigate the crossroads of our future! Halshack.com 

TCRW Present: Mastering Sessions Black In Studio With TC Dj Episode 42 TCRW - THE CLUB ROOM WORLDWIDE PRESENT: (English info) Mastering Sessions Black In Studio With TC Dj Station Radio" Online Pure Music Underground / Techno Based in the heart of Vomero Naples , Italy On Air 24 hours a day, 7 days a week, 365 days a year https://tcdjintheclubroomworldwide.jimdofree.com/video-live FROM HERE YOU CAN FOLLOW US WHEREVER YOU ARE Download Radio.net Free App App Store https://apps.apple.com/us/app/radio-net-am-fm-radio-tuner/id402206359 Google Play https://play.google.com/store/apps/details?id=de.radio.android&pli=1 Download Zeno.fm Free App App Store https://apps.apple.com/us/app/zenoradio/id1207197757 Google Play https://play.google.com/store/apps/details?id=com.zenofm.player&hl=en_US Stay Connect https://www.radio.net/s/tcdj https://tcdjintheclubroomworldwide.jimdofree.com/video-live/ TC Dj has been breaking sound systems all over the world for several decades, starting in its native Italy, and finally landing in Basel, Zurich, London, Naples, Italy, where it currently resides. Starting his techno campaign in the early 90s in Italy, he quickly delved into the productive side of things, and eventually managed to manage. A quick technical study, he quickly found himself handling buttons for renowned labels such as flying saucers, self records, Tcr records, neapolis records and robotics records, providing mastering, production and remixing for various labels, meanwhile building his repertoire. He has played with several djs and producers including Mark Broom, DJ Lukas, dj Du'art, dj Sasha Carassi, dj Felix Kröcher, dj Horacio Cruz, dj Danilo Vigorito, dj Murphy, dj Fernanda Martins, dj Paula Cazenave, dj Professor dj Fatima Hajji. __________________________________________________________________________________________________________ Contact Worldwide Booking & Mngmnt: tcdj@tutamail.com tcdj.info@gmail.com broadcasting from Italy. ________________________________________________________________ THE CLUB ROOM WORLDWIDE PRESENT: (Italian info) Mastering Sessions Black In Studio With TC Dj Station Radio" Musica Pura Online Underground / Techno Con sede nel cuore del Vomero, Napoli, Italia In onda 24 ore su 24, 7 giorni su 7, 365 giorni all'anno DA QUI PUOI SEGUIRCI OVUNQUE TU SIA Scarica l'app gratuita di Radio.net App Store https://apps.apple.com/us/app/radio-net-am-fm-radio-tuner/id402206359 Google Play https://play.google.com/store/apps/details?id=de.radio.android Scarica l'app gratuita di Zeno.fm App Store Italiano: https://apps.apple.com/app/id1475649885 Google Play https://play.google.com/store/apps/details?id=com.zenofm.player&hl=en_US Resta connesso https://www.radio.net/s/tcdj https://tcdjintheclubroomworldwide.jimdofree.com/video-live/ TC Dj ha rivoluzionato sound system in tutto il mondo per diversi decenni, partendo dalla sua nativa Italia e approdando infine a Basilea, Zurigo, Londra e Napoli, dove attualmente risiede. Avviando la sua campagna techno nei primi anni '90 in Italia, si è rapidamente immerso nel lato produttivo, riuscendo infine a gestirla. Dopo una rapida formazione tecnica, si è ritrovato rapidamente a gestire i pulsanti per etichette rinomate come Flying Saucers, Self Records, Tcr Records, Neapolis Records e Robotics Records, occupandosi di mastering, produzione e remix per diverse etichette, costruendo nel frattempo il suo repertorio. Ha suonato con diversi dj e produttori tra cui Mark Broom, DJ Lukas, dj Du'art, dj Sasha Carassi, dj Felix Kröcher, dj Horacio Cruz, dj Danilo Vigorito, dj Murphy, dj Fernanda Martins, dj Paula Cazenave, dj Professor dj Fatima Hajji. _____________________________________________________________________________________________ Contatto Prenotazione e gestione in tutto il mondo: tcdj@tutamail.com tcdj.info@gmail.com trasmissione dall'Italia. ________________________________________________________________ #recording #live #techno #hardtechno #technoproducer #djlifestyles #deeptechno #technolifestyle #tcrrecords #techc #darktechno #neapolisrecords #livestream #dj #naples #twitch #musicislife #partyplanner #studio #music #acid #rave #technofestival #tcdj #traxsource #beatport #spotify #itunes #hearthisat #mixcloud #technopeople

AI ist omnipräsent. Kaum mehr vorstellbar, wie es war ohne ChatGPT oder die anderen Tools. Kaum eine Branche, die davon nicht betroffen ist. Und klar, die Grafiker- und Werbebranche noch ein bisschen mehr. Umso toller ist es, dass sich Schnyder stetig weiterentwickelt. Nun ist ein neues Start up am «Start». Zeno, ein Schnyder-Mitarbeiter kann mit KI nun ganz einfach Tools für die Vereinfachung programmieren. Und das in einer Schnelligkeit, die unfassbar ist. Wir nehmen euch mit in die unmittelbare Zukunft!

TCRW Present: Mastering Sessions Black In Studio With TC Dj Episode 41 TCRW - THE CLUB ROOM WORLDWIDE PRESENT: (English info) Mastering Sessions Black In Studio With TC Dj Station Radio" Online Pure Music Underground / Techno Based in the heart of Vomero Naples , Italy On Air 24 hours a day, 7 days a week, 365 days a year https://tcdjintheclubroomworldwide.jimdofree.com/video-live FROM HERE YOU CAN FOLLOW US WHEREVER YOU ARE Download Radio.net Free App App Store https://apps.apple.com/us/app/radio-net-am-fm-radio-tuner/id402206359 Google Play https://play.google.com/store/apps/details?id=de.radio.android&pli=1 Download Zeno.fm Free App App Store https://apps.apple.com/us/app/zenoradio/id1207197757 Google Play https://play.google.com/store/apps/details?id=com.zenofm.player&hl=en_US Stay Connect https://www.radio.net/s/tcdj https://tcdjintheclubroomworldwide.jimdofree.com/video-live/ TC Dj has been breaking sound systems all over the world for several decades, starting in its native Italy, and finally landing in Basel, Zurich, London, Naples, Italy, where it currently resides. Starting his techno campaign in the early 90s in Italy, he quickly delved into the productive side of things, and eventually managed to manage. A quick technical study, he quickly found himself handling buttons for renowned labels such as flying saucers, self records, Tcr records, neapolis records and robotics records, providing mastering, production and remixing for various labels, meanwhile building his repertoire. He has played with several djs and producers including Mark Broom, DJ Lukas, dj Du'art, dj Sasha Carassi, dj Felix Kröcher, dj Horacio Cruz, dj Danilo Vigorito, dj Murphy, dj Fernanda Martins, dj Paula Cazenave, dj Professor dj Fatima Hajji. __________________________________________________________________________________________________________ Contact Worldwide Booking & Mngmnt: tcdj@tutamail.com tcdj.info@gmail.com broadcasting from Italy. ________________________________________________________________ THE CLUB ROOM WORLDWIDE PRESENT: (Italian info) Mastering Sessions Black In Studio With TC Dj Station Radio" Musica Pura Online Underground / Techno Con sede nel cuore del Vomero, Napoli, Italia In onda 24 ore su 24, 7 giorni su 7, 365 giorni all'anno DA QUI PUOI SEGUIRCI OVUNQUE TU SIA Scarica l'app gratuita di Radio.net App Store https://apps.apple.com/us/app/radio-net-am-fm-radio-tuner/id402206359 Google Play https://play.google.com/store/apps/details?id=de.radio.android Scarica l'app gratuita di Zeno.fm App Store Italiano: https://apps.apple.com/app/id1475649885 Google Play https://play.google.com/store/apps/details?id=com.zenofm.player&hl=en_US Resta connesso https://www.radio.net/s/tcdj https://tcdjintheclubroomworldwide.jimdofree.com/video-live/ TC Dj ha rivoluzionato sound system in tutto il mondo per diversi decenni, partendo dalla sua nativa Italia e approdando infine a Basilea, Zurigo, Londra e Napoli, dove attualmente risiede. Avviando la sua campagna techno nei primi anni '90 in Italia, si è rapidamente immerso nel lato produttivo, riuscendo infine a gestirla. Dopo una rapida formazione tecnica, si è ritrovato rapidamente a gestire i pulsanti per etichette rinomate come Flying Saucers, Self Records, Tcr Records, Neapolis Records e Robotics Records, occupandosi di mastering, produzione e remix per diverse etichette, costruendo nel frattempo il suo repertorio. Ha suonato con diversi dj e produttori tra cui Mark Broom, DJ Lukas, dj Du'art, dj Sasha Carassi, dj Felix Kröcher, dj Horacio Cruz, dj Danilo Vigorito, dj Murphy, dj Fernanda Martins, dj Paula Cazenave, dj Professor dj Fatima Hajji. _____________________________________________________________________________________________ Contatto Prenotazione e gestione in tutto il mondo: tcdj@tutamail.com tcdj.info@gmail.com trasmissione dall'Italia. ________________________________________________________________ #recording #live #techno #hardtechno #technoproducer #djlifestyles #deeptechno #technolifestyle #tcrrecords #techc #darktechno #neapolisrecords #livestream #dj #naples #twitch #musicislife #partyplanner #studio #music #acid #rave #technofestival #tcdj #traxsource #beatport #spotify #itunes #hearthisat #mixcloud #technopeople

TCRW Present: Mastering Sessions Black In Studio With TC Dj Episode 40 TCRW - THE CLUB ROOM WORLDWIDE PRESENT: (English info) Mastering Sessions Black In Studio With TC Dj Station Radio" Online Pure Music Underground / Techno Based in the heart of Vomero Naples , Italy On Air 24 hours a day, 7 days a week, 365 days a year https://tcdjintheclubroomworldwide.jimdofree.com/video-live FROM HERE YOU CAN FOLLOW US WHEREVER YOU ARE Download Radio.net Free App App Store https://apps.apple.com/us/app/radio-net-am-fm-radio-tuner/id402206359 Google Play https://play.google.com/store/apps/details?id=de.radio.android&pli=1 Download Zeno.fm Free App App Store https://apps.apple.com/us/app/zenoradio/id1207197757 Google Play https://play.google.com/store/apps/details?id=com.zenofm.player&hl=en_US Stay Connect https://www.radio.net/s/tcdj https://tcdjintheclubroomworldwide.jimdofree.com/video-live/ TC Dj has been breaking sound systems all over the world for several decades, starting in its native Italy, and finally landing in Basel, Zurich, London, Naples, Italy, where it currently resides. Starting his techno campaign in the early 90s in Italy, he quickly delved into the productive side of things, and eventually managed to manage. A quick technical study, he quickly found himself handling buttons for renowned labels such as flying saucers, self records, Tcr records, neapolis records and robotics records, providing mastering, production and remixing for various labels, meanwhile building his repertoire. He has played with several djs and producers including Mark Broom, DJ Lukas, dj Du'art, dj Sasha Carassi, dj Felix Kröcher, dj Horacio Cruz, dj Danilo Vigorito, dj Murphy, dj Fernanda Martins, dj Paula Cazenave, dj Professor dj Fatima Hajji. __________________________________________________________________________________________________________ Contact Worldwide Booking & Mngmnt: tcdj@tutamail.com tcdj.info@gmail.com broadcasting from Italy. ________________________________________________________________ THE CLUB ROOM WORLDWIDE PRESENT: (Italian info) Mastering Sessions Black In Studio With TC Dj Station Radio" Musica Pura Online Underground / Techno Con sede nel cuore del Vomero, Napoli, Italia In onda 24 ore su 24, 7 giorni su 7, 365 giorni all'anno DA QUI PUOI SEGUIRCI OVUNQUE TU SIA Scarica l'app gratuita di Radio.net App Store https://apps.apple.com/us/app/radio-net-am-fm-radio-tuner/id402206359 Google Play https://play.google.com/store/apps/details?id=de.radio.android Scarica l'app gratuita di Zeno.fm App Store Italiano: https://apps.apple.com/app/id1475649885 Google Play https://play.google.com/store/apps/details?id=com.zenofm.player&hl=en_US Resta connesso https://www.radio.net/s/tcdj https://tcdjintheclubroomworldwide.jimdofree.com/video-live/ TC Dj ha rivoluzionato sound system in tutto il mondo per diversi decenni, partendo dalla sua nativa Italia e approdando infine a Basilea, Zurigo, Londra e Napoli, dove attualmente risiede. Avviando la sua campagna techno nei primi anni '90 in Italia, si è rapidamente immerso nel lato produttivo, riuscendo infine a gestirla. Dopo una rapida formazione tecnica, si è ritrovato rapidamente a gestire i pulsanti per etichette rinomate come Flying Saucers, Self Records, Tcr Records, Neapolis Records e Robotics Records, occupandosi di mastering, produzione e remix per diverse etichette, costruendo nel frattempo il suo repertorio. Ha suonato con diversi dj e produttori tra cui Mark Broom, DJ Lukas, dj Du'art, dj Sasha Carassi, dj Felix Kröcher, dj Horacio Cruz, dj Danilo Vigorito, dj Murphy, dj Fernanda Martins, dj Paula Cazenave, dj Professor dj Fatima Hajji. _____________________________________________________________________________________________ Contatto Prenotazione e gestione in tutto il mondo: tcdj@tutamail.com tcdj.info@gmail.com trasmissione dall'Italia. ________________________________________________________________ #recording #live #techno #hardtechno #technoproducer #djlifestyles #deeptechno #technolifestyle #tcrrecords #techc #darktechno #neapolisrecords #livestream #dj #naples #twitch #musicislife #partyplanner #studio #music #acid #rave #technofestival #tcdj #traxsource #beatport #spotify #itunes #hearthisat #mixcloud #technopeople

What have the Stoics ever done for us?   Well apart from aqueducts, wine, irrigation, sanitation, the roads, medicine, public order and the baths, the Stoics also gave us a few different ways of thinking about events that we have no control over.    The Roman stoics, Seneca and Marcus Aureleus and the Greek stoics, Zeno of Citium and Epictetus, along with a few other philosophers, used their ancient wisdom to unlock what was going on for their contemporaries. That same wisdom may provide novel ways of viewing our own environment and provide us with some alternative perspectives that could benefit us in our modern world.   In this episode we explore three stoic questions that could help our coachees to move forward in their thinking.    Join us as we explore a little stoic philosophy that we might choose to bring into the coaching space.     Enjoy the podcast? If you're enjoying the podcast it would be great if you left us a review here or wherever you listen to your podcasts.    Contact Details Find out about our Doctors' Transformational Coaching Diploma Connect with the hosts: Tom: www.linkedin.com/in/tomdillondoctorstranformationalcoachingdiploma/ Email: tomdillon@yourcoachingjourney.co.uk   Helen: www.linkedin.com/in/helenleathers/ Email: helenleathers@yourcoachingjourney.co.uk   Follow 'Your Coaching Journey' on Instagram or Linkedin: www.instagram.com/yourcoachingjourney/ www.linkedin.com/company/your-coaching-journey/   Do You Have a Question? From time to time we will have an episode where we answer listeners' questions about coaching.   If you have a question, please send it to us using one of our email addresses above and you may get a mention in a future episode. (If you want to remain anonymous, that's absolutely fine, just let us know)

In episode 160 of An Evolving Man Podcast, I speak with Sara Warner, a BACP registered counsellor and Internal Family Systems therapist who specialises in working with boarding school survivors.We explore the vagus nerve, polyvagal theory, nervous system regulation and the potential role of wearable technology and stimulation devices such as the Neurosym, Zeno and Oura Ring.Sara shares what first drew her to these devices through her client work, and we discuss how they may support regulation, sleep, digestion, anxiety and trauma recovery.We also explore why ex-boarders often live in sympathetic or dorsal vagal states, why co-regulation is so important, and how nervous system regulation connects directly with leadership, emotional intelligence and compassionate leadership.---To get the Zenowell wearable: https://zenowell.ai/pierscross and for 10% off please use the code: PIERSCROSSTo purchase the Nurosym please visit: https://nurosym.com/en-gb?sca_ref=10421951.zHplzgHlXcBoth links will support the channel. Thank you for your support.To connect to Sara: https://counsellinginlewes.com/---Piers is an author and a men's transformational coach and therapist who works mainly with trauma, boarding school issues, addictions and relationship problems. He also runs online men's groups for ex-boarders, retreats and a podcast called An Evolving Man. He is also the author of How to Survive and Thrive in Challenging Times. To purchase Piers first book: https://www.amazon.co.uk/How-Survive-Thrive-Challenging-Times/dp/B088T5L251/ref=sr_1_1?dchild=1&keywords=piers+cross&qid=1609869608&sr=8-1 For more videos please visit: http://youtube.com/pierscross For FB: https://www.facebook.com/pierscrosspublic For Piers' website and a free training How To Find Peace In Everyday Life: https://www.piers-cross.com/community Many blessings, Piers Cross http://piers-cross.com/ 

In this video we will be talking about 7 Ways to Stop Worrying About Money from the writings of Epictetus. Epictetus was one of the most influential teachers of the later years of the school of Stoicism. So here are 7 ways from Epictetus's discourses, that will help you to stop worrying about money - 01. Apply the Dichotomy of Control Rigorously02. View Property as a Temporary Loan03. Calculate the "Price of Tranquility"04. Shrink the Denominator05. Recognize Money as a "Preferred Indifferent"06. Perform the "Worst-Case" Analysis07. Refuse to Play the Comparison GameHope you enjoyed this video and find these insights on how to stop worrying about money helpful. Epictetus was a Greek/Roman philosopher of the Hellenistic period. He managed to overcome huge obstacles in developing from a crippled Roman slave to become one of the most popular and sought after philosophers of his time. Stoicism is a school of Hellenistic philosophy founded by Zeno of Citium in Athens in the early 3rd century BC. Even though it is over 2000 years old, more and more people are discovering how Stoicism is not only relevant to modern times, but can be applied in very simple, yet strong ways.Narration/Audio Editing: Dan Mellins-Cohen https://www.dmcvoiceovers.comSubscribe To Philosophies for Life https://www.youtube.com/channel/UCp1mRTkVlqDnxz_9S0YD9YQ

Last weekend we had a killer thumpin' party with Adam Darling, Radwulf Migs718 and Vince Rathead! Party down with us here on the Halshack to our monthly Club Shack series! Find everything show related at Halshack.com 

"In the sixth century, two hundred years after St Nina had preached the Gospel in Georgia, the most holy Mother of God appeared to John, an ascetic of Antioch, and commanded him to choose twelve of his disciples and go to Georgia, to strengthen the Orthodox faith there. John did so. Reaching Georgia, these twelve missionaries were formally welcomed by the prince of that country and the Catholicos, Eulalius, and immediately began their work with great zeal. The people gathered around them in hordes, and they strengthened them in the Faith with great wisdom and many miracles. The chief of these Christ-loving missionaries was St John of Zedan, and the names of the others were: Abidus, Antony, David, Zeno, Thaddeus, Jesse, Isderius, Joseph, Michael, Pyrrus, Stephen and Shio. With apostolic zeal, they all strengthened the Christian faith in Georgia, founded many monasteries and left many disciples to follow them. Thus they became worthy of glory in heaven and power on earth." (Prologue)

En Más de uno, el matemático y divulgador Santi García Cremades vuelve a abrir la libreta de cuadrícula para enfrentarse a una de las paradojas más famosas de la historia: la de Aquiles y la tortuga. A partir de un comentario del monólogo de Carlos Alsina, Cremades explica cómo Zenón de Elea llegó a plantear hace más de 2.500 años que el movimiento no existe y por qué su razonamiento sigue desconcertando hoy en día. Entre carreras imposibles, infinitos y bucles matemáticos, la conversación conecta la filosofía griega con los límites actuales de la inteligencia artificial y el conocido problema de parada de Turing.

¿Sientes que cuanto más presionas, menos avanzas? No es falta de esfuerzo, es física. En este directo vamos a desmantelar la "Trampa del Observador". Te voy a explicar por qué revisar tus métricas, tu cuenta o tus proyectos con ansiedad activa el Efecto Zeno Cuántico, un fenómeno documentado que impide que un sistema cambie de estado mientras es observado. Hoy aprenderás: Por qué "la olla vigilada no hierve" (Fundamento científico). Cómo diferenciar la gestión real del ruido ansioso (Nassim Taleb). El protocolo para pasar de la vigilancia al colapso de resultados. TU DIAGNÓSTICO: Si quieres saber qué tanto está interfiriendo tu mirada en tus resultados, comenta la palabra EFECTO y te enviaré el Escáner de Interferencia (DEP) para medir tu nivel de estancamiento actual. #salvadormingo #conocimientoexperto #soberaniaoperativa #efectozeno #físicacuántica #mentalidaddeéxito #productividadreal #nassimtaleb #estrategia #gestióndeltiempo #enfoqueinterno Salvador Mingo Creador de Conocimiento Experto | Estratega en desarrollo personal y enfoque interno CONECTA CONMIGO: Contacto: salvador@conocimientoexperto.com Enlaces oficiales: Web: https://conocimientoexperto.com YouTube: https://www.youtube.com/@conocimientoexperto Podcast (Spotify): https://spoti.fi/2yS9p38 Instagram: https://www.instagram.com/salvadormingo/ LinkedIn: https://www.linkedin.com/in/salvadormingoce/

¿Sientes que cuanto más presionas, menos avanzas? No es falta de esfuerzo, es física. En este directo vamos a desmantelar la "Trampa del Observador". Te voy a explicar por qué revisar tus métricas, tu cuenta o tus proyectos con ansiedad activa el Efecto Zeno Cuántico, un fenómeno documentado que impide que un sistema cambie de estado mientras es observado. Hoy aprenderás: Por qué "la olla vigilada no hierve" (Fundamento científico). Cómo diferenciar la gestión real del ruido ansioso (Nassim Taleb). El protocolo para pasar de la vigilancia al colapso de resultados. TU DIAGNÓSTICO: Si quieres saber qué tanto está interfiriendo tu mirada en tus resultados, comenta la palabra EFECTO y te enviaré el Escáner de Interferencia (DEP) para medir tu nivel de estancamiento actual. #salvadormingo #conocimientoexperto #soberaniaoperativa #efectozeno #físicacuántica #mentalidaddeéxito #productividadreal #nassimtaleb #estrategia #gestióndeltiempo #enfoqueinterno Salvador Mingo Creador de Conocimiento Experto | Estratega en desarrollo personal y enfoque interno CONECTA CONMIGO: Contacto: salvador@conocimientoexperto.com Enlaces oficiales: Web: https://conocimientoexperto.com YouTube: https://www.youtube.com/@conocimientoexperto Podcast (Spotify): https://spoti.fi/2yS9p38 Instagram: https://www.instagram.com/salvadormingo/ LinkedIn: https://www.linkedin.com/in/salvadormingoce/Conviértete en un supporter de este podcast: https://www.spreaker.com/podcast/conocimiento-experto--2975003/support.

¿Sientes que cuanto más controlas un proyecto, más parece resistirse? En este episodio exploramos una ley de la física que explica por qué tu esfuerzo puro te está frenando: El Efecto Zeno Cuántico. Basándonos en las investigaciones de los doctores Fred Alan Wolf y Amit Goswami, analizamos la "Paradoja del Observador". Descubre cómo el acto de vigilar obsesivamente tus resultados genera una interferencia que congela tu realidad en el punto de partida. En este episodio aprenderás: - Qué es el Efecto Zeno y cómo detiene la evolución de tus metas. - La ciencia detrás de la Paradoja del Observador y el colapso de la función de onda. - Por qué la fuerza de voluntad no es suficiente cuando tu arquitectura interna está en entropía. - Cómo aplicar el Protocolo de la Ventana de Invisibilidad para permitir que los resultados fluyan. - La importancia del umbral Theta y la neuroplasticidad nocturna. Si estás listo para dejar de ser un observador obsesivo y recuperar tu soberanía operativa, este análisis técnico es para ti. ⚠️ ACCIÓN IMPORTANTE: Si quieres recibir el acceso a la versión más actualizada del Protocolo Vector Z y realizar tu Escáner de Interferencia (DEP), comenta la palabra OBSERVADOR en este video y te haré llegar la información de manera directa. Salvador Mingo Creador de Conocimiento Experto | Estratega en desarrollo personal y enfoque interno CONECTA CONMIGO: Contacto: salvador@conocimientoexperto.com Enlaces oficiales: Web: https://conocimientoexperto.com YouTube: https://www.youtube.com/@conocimientoexperto Podcast (Spotify): https://spoti.fi/2yS9p38 Instagram: https://www.instagram.com/salvadormingo/ LinkedIn: https://www.linkedin.com/in/salvadormingoce/ Guías prácticas: https://conocimientoexperto.com/accede-a-las-guias #EfectoZeno #fisicacuantica #salvadormingo #conocimientoexperto #amitgoswami #FredAlanWolf #mentalidaddeéxito #SoberaniaOperativa #productividad #desarrollopersonal

¿Sientes que cuanto más controlas un proyecto, más parece resistirse? En este episodio exploramos una ley de la física que explica por qué tu esfuerzo puro te está frenando: El Efecto Zeno Cuántico. Basándonos en las investigaciones de los doctores Fred Alan Wolf y Amit Goswami, analizamos la "Paradoja del Observador". Descubre cómo el acto de vigilar obsesivamente tus resultados genera una interferencia que congela tu realidad en el punto de partida. En este episodio aprenderás: - Qué es el Efecto Zeno y cómo detiene la evolución de tus metas. - La ciencia detrás de la Paradoja del Observador y el colapso de la función de onda. - Por qué la fuerza de voluntad no es suficiente cuando tu arquitectura interna está en entropía. - Cómo aplicar el Protocolo de la Ventana de Invisibilidad para permitir que los resultados fluyan. - La importancia del umbral Theta y la neuroplasticidad nocturna. Si estás listo para dejar de ser un observador obsesivo y recuperar tu soberanía operativa, este análisis técnico es para ti. ⚠️ ACCIÓN IMPORTANTE: Si quieres recibir el acceso a la versión más actualizada del Protocolo Vector Z y realizar tu Escáner de Interferencia (DEP), comenta la palabra OBSERVADOR en este video y te haré llegar la información de manera directa. Salvador Mingo Creador de Conocimiento Experto | Estratega en desarrollo personal y enfoque interno CONECTA CONMIGO: Contacto: salvador@conocimientoexperto.com Enlaces oficiales: Web: https://conocimientoexperto.com YouTube: https://www.youtube.com/@conocimientoexperto Podcast (Spotify): https://spoti.fi/2yS9p38 Instagram: https://www.instagram.com/salvadormingo/ LinkedIn: https://www.linkedin.com/in/salvadormingoce/ Guías prácticas: https://conocimientoexperto.com/accede-a-las-guias #EfectoZeno #fisicacuantica #salvadormingo #conocimientoexperto #amitgoswami #FredAlanWolf #mentalidaddeéxito #SoberaniaOperativa #productividad #desarrollopersonalConviértete en un supporter de este podcast: https://www.spreaker.com/podcast/conocimiento-experto--2975003/support.

Nach dem Abschluss der Baden-Württemberg-Staffel blicken Zeno, Lisa und Shaggy auf prägende Fälle und besondere Momente zurück, sprechen über unterschiedliche Arten von Verbrechen und das, was besonders hängen geblieben ist. Außerdem gibt es spannende Einblicke hinter die Kulissen: Fotograf Johannes Ruppel erzählt von seiner Arbeit rund um Mörderische Heimat und seinen eigenen Projekten. Natürlich ist auch Professor Gerhard Schmelz wieder dabei – diesmal mit einem Blick auf Frauen als Täterinnen und die Besonderheiten von Giftmorden. Zum Abschluss gibt es einen Ausblick auf kommende Liveshows, das Sommerspecial – und die Auflösung, in welches Bundesland es als Nächstes geht.

Today we're chatting to Zeno's Sarah Ogden and Thomas Bunn about its Clarity 2030 report. The report identifies a fundamental shift in the PR sector suggesting we are moving from the "Information Age" (where PR focused on distribution and volume) to the "Intelligence Age" (where PR must focus on strategic counsel and business outcomes).The report suggests PR has a Readiness Gap - in essence it is saying that currently public relations does not possess the skills required for the future this report predicts.This is a study across N America, Europe and Asia.Before we start, do check out our next PR Masterclass: AI in PR. When I put together the speaker lineup for PR Masterclass: AI in PR, I make sure we invite speakers who are actually doing it. Not just talking about it.Check out the full speaker line-up on  https://www.prmasterclasses.com/masterclass/pr-masterclasses-ai-in-prHere is a summary of what PRmoment founder Ben Smith discussed with Sarah and Thomas on the PRmoment podcast:What is PR's readiness gap?What are the skills PR people have, and what are the skills the Clarity 3030 report predicts PR people will need? And what are the skills people with therefore no longer need in PR, according to this report?What are your other top 5 findings of the report?In the report it predicted 40% of current people working in PR will leave the sector. What was the justification for that prediction?What were the main geographical differences coming through in the report?How does Clarity 2030 view the evolving role of agencies in the PR ecosystem?Likewise, how does the report predict the role of the in-house team will change?The report suggests AI will automate the tactical 'heavy lifting' by 2030. If the tasks juniors traditionally use to 'cut their teeth' disappear, how does Zeno—and the wider industry—plan to train the next generation of strategic advisors who have never had to do the tactical groundwork?Top FindingsThe Strategic Pivot: By 2030, "Media Relations" will no longer be the primary KPI for top-tier PR. Instead, Strategic Counsel and Reputation Risk Management are cited as the top priorities for business leaders.The Talent Mismatch: There is a significant lag in "Business Acumen." The report finds that while PR pros are excellent at storytelling, they are often unable to speak the "language of the boardroom" (finance, operations, and data analytics).SummaryMeeting discussions analyzed the PR sector readiness gap and the necessity for strategic business advisory evolution.Industry Readiness Gap ChallengesThe PR sector faces a significant readiness gap, with 29% of professionals feeling unprepared for the shift toward strategic advisory roles. High-pressure environments and insufficient investment contribute to projected talent departures.AI Integration and SkillsCommunications teams are pivotally involved in AI adoption, yet lack necessary internal tools. Prioritizing emotional intelligence and creativity remains essential for overcoming the deprioritization of traditional tactical skills.Strategic Evolution of RolesAgencies must transition to providing deep business intelligence while in-house teams adopt strategic growth advisor positions. Training programs require fundamental restructuring to emphasize critical thinking alongside AI literacy for junior talent.

Welcome to Episode 329 of Lucretius Today. This is a podcast dedicated to the poet Lucretius, who wrote "On The Nature of Things," the most complete presentation of Epicurean philosophy left to us from the ancient world. Each week we walk you through the Epicurean texts, and we discuss how Epicurean philosophy can apply to you today. If you find the Epicurean worldview attractive, we invite you to join us in the study of Epicurus at EpicureanFriends.com, where we discuss this and all of our podcast episodes.    This week we start are continuing our series reviewing Cicero's "Academic Questions" from an Epicurean perspective. We are focusing first on what is referred to as Book One, which provides an overview of the issues that split Plato's Academy and gives us an overview of the philosophical issues being dealt with at the time of Epicurus. This week will focus on the ending of Section 9. Our text will come fromCicero - Academic Questions - Yonge We'll likely stick with Yonge primarily, but we'll also refer to the Rackam translation here:Cicero On Nature Of Gods Academica Loeb Rackham : Free Download, Borrow, and Streaming : Internet ArchiveQuote from Academic Questions - Yonge IX. This was the first philosophy handed down to them by Plato. And if you like I will explain to you those discussions which have originated in it. Indeed, said I, we shall be glad if you will; and I can answer for Atticus as well as for myself. You are quite right, said he; for the doctrine both of the Peripatetics and of the old Academy is most admirably explained. Aristotle, then, was the first to undermine the doctrine of species (forms), which I have just now mentioned, and which Plato had embraced in a wonderful manner; so that he even affirmed that there was something divine in it. But Theophrastus, a man of very delightful eloquence, and of such purity of morals that his probity and integrity were notorious to all men, broke down more vigorously still the authority of the old school; for he stripped virtue of its beauty, and made it powerless, by denying that to live happily depended solely on it. For Strato, his pupil, although a man of brilliant abilities, must still be excluded entirely from that school; for, having deserted that most indispensable part of philosophy which is placed in virtue and morals, and having devoted himself wholly to the investigation of nature, he by that very conduct departs as widely as possible from his companions. But Speusippus and Xenocrates, who were the earliest supporters of the system and authority of Plato,— and, after them, Polemo and Crates, and at the same time Crantor,— being all collected together in the Academy, diligently maintained those doctrines which they had received from their predecessors. Zeno and Arcesilas had been diligent attenders on Polemo; but Zeno, who preceded Arcesilas in point of time, and argued with more subtilty, and was a man of the greatest acuteness, attempted to correct the system of that school. And, if you like, I will explain to you the way in which he set about that correction, as Antiochus used to explain it. Indeed, said I, I shall be very glad to hear you do so; and you see that Pomponius intimates the same wish.

Violeta Jiminez has become one of the most elite competition paragliders in the world in a relatively short period of time. Her first World Cup was only 5 years ago in Aksaray, Turkey flying a Zeno. Last year she was on the podium in the OVERALL, again in Turkey, this time in Çameli. But it's been anything but easy. Violeta came to flying from a background in ballet and ultra running and as Will Gadd says, coming to flying from non-gravity sports can be not just challenging but risky. In the early years Violeta's desire was well ahead of her skills and she had a number of incidents and accidents, and one particularly violent accident that required a long mental and physical rehab.

Get ready to be spooked again by Phantasmagoria! Issue 2 is now on Kickstarter and we have curator/creator/writer Jorge Alvarez to talk about all the scary cool stuff packed into the latest installment in this horror anthology series. Joining Jorge is CL Zeno, a prolific comic creator who we just had on the show in episode 376. Both CL and Jorge have stories in Phantasmagoria but they have a lot of incredible passion for comics and storytelling that they share so generously. Check out their new Kickstarter after listening to the interview! Phantasmagoria Issue 2: https://www.kickstarter.com/projects/comicunknown/phantasmagoria-issue-one-and-two Comic Unknown's Instagram: https://www.instagram.com/thecomicunknown/ CL Zeno's Links: https://linktr.ee/clzeno Thank you for listening! Be safe, be nice to each other, and go out there and make some comics.

This lecture discusses key ideas from the 20th century philosophical short story writer, essayist, and poet Jorge Luis Borges's essay "Kafka And His Precursors", in which he first examines the idea of literary precursors, and then identifies and briefly discusses six precursors to the works of Franz Kafka, in his view. These are: Zeno's paradoxes of motion an apologue by Han Yu the writings of Kierkegaard Browning's poem "Fears and Scruples" a short story by Léon Bloy Lord Dunsany's short story "Carcassonne" To support my ongoing work, go to my Patreon site - www.patreon.com/sadler If you'd like to make a direct contribution, you can do so here - www.paypal.me/ReasonIO - or at BuyMeACoffee - www.buymeacoffee.com/A4quYdWoM You can find over 4000 philosophy videos in my main YouTube channel - www.youtube.com/user/gbisadler Get Borges' Other Inquisitions here - https://amzn.to/4br9pul

Brian and Michael give us their take on real estate opportunities and strategies in northern Nevada. Brian talks about San Francisco uptick and strategies to avoid fraud. Michael guides us through the market statistics offers great advice.

We had a St Pats Weekend Blast party on all stations with over 15k people! Migs718 and Chance the Closer brought the house down! Both shows are available on the podcast feed! Party down with the Halshack! Find everything show related on Halshack.com****************BIG ANNOUNCEMENT!! *******************NO DIRECTION 2 Shackstop 117 airs March 16th week then Im taking a break!! Feeling the burn out in my life and feeling a bit like I have No Direction at the moment! Taking the next few weeks off. New episodes will resume April 6th week or April 13th. (Depending on life.... lol I may return the first or second week of April) I will keep uploading shows to the podcast feed for those that missed earlier shows or just want to recap the music with our popular retool series (Non Stop Pop) and (ReJam) Thanks for being great fans and helping out the show with love and support! Keep spreading the word! We can't grow unless you tell people!  

CL Zeno returns to the podcast with an exciting new collaboration with comics legend Jason Keith. CL and Jason are the ringleaders for The Enchanted Circus of Wonder, a new comic series centered around colorful characters in an old world filled with magic and machinery. Issues 1-2 are live on Kickstarter NOW! Jason takes us through his career as a comics colorist and his entry into the creator-owned world of comics. CL and Jason boost the intrigue of the comic with insights and previews into their new universe which is expanding at a truly remarkable pace. Please check out the Kickstarter and the other work by these creators after you listen to the interview! The Enchanted Circus of Wonder: https://www.kickstarter.com/projects/jasonkeith/the-enchanted-circus-of-wonder-2-the-quest-for-knowledge Jason Keith and Myth & Metal Press: https://linktr.ee/jasonraykeith CL Zeno: https://linktr.ee/clzeno Phantasmagoria #2 Kickstarter: https://www.kickstarter.com/projects/comicunknown/phantasmagoria-issue-one-and-two Be safe. Be nice to each other. And go out there and make some comics! Thank you!

The startup, co-founded by Tesla and Apple alumni, has sold nearly 1,000 of its motorbikes so far. Also, AI procurement startup Lio announced a $30 million Series A in a round led by Andreessen Horowitz. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Send a textWellness is a word we hear all the time—but what does it actually mean when life is complicated, busy, and sometimes overwhelming? In this milestone 200th episode, I explore the idea that living well isn't about perfection or rigid routines, but about the small choices we make every day that quietly shape our health, our relationships, and the direction of our lives. I invite you to reflect on the emotions you're choosing from, the responsibilities you're carrying, and the possibility that wellness might be closer than you think. If you've ever wondered how to care for yourself while managing a full and demanding life, this conversation might open a new perspective on what it truly means to live well.Quotes of the Week“Well-being is realized by small steps, but is truly no small thing.” — Zeno “The part can never be well unless the whole is well.” — Plato CitationsCohen, S., Janicki-Deverts, D., & Miller, G. E. (2012). Psychological stress and disease. JAMA.Lee, I. M., et al. (2019). Association of Step Volume and Intensity With All-Cause Mortality in Older Women. JAMA Internal Medicine.Waldinger, R., & Schulz, M. Harvard Study of Adult Development. Harvard Medical School.National Institutes of Health – Your Healthiest Self: Wellness Toolkits. Let's go, let's get it done. Get more information at: http://projectweightloss.org

This time we celebrate 75 years of Bill Frisell through his own music and the wide creative wake it has left across today's scene. This episode also spotlights newly unearthed choral works by Kenny Wheeler and several recent projects involving Italian saxophonist and clarinetist Francesco Bigoni, tracing a thread between enduring influence, rediscovery, and contemporary exploration. The playlist features Bill Frisell; The Westerlies; Zeno De Rossi; Billy Mohler, Hermon Mehari, Francesco Bigoni, Nate Wood; Pierpaolo Zenni; Dave Holland, Norma Winstone, London Vocal Project, Kenny Wheeler. Detailed playlist at https://spinitron.com/RFB/pl/22033617/Mondo-Jazz [from "In My Dreams" to "Infant Joy"] Happy listening!

I am a public philosopher, it is my only job. I am enabled to do this job, in large part, thanks to support from my listeners and readers. You can support my work, keep it independent and online, at https://stoicismpod.com/members Looking for more Stoic content? Consider my 3x/week newsletter "Stoic Brekkie": https://stoicbrekkie.com In this episode, I take up a question that seems settled, orthodox, and uncontroversial: can indifferents be preferred or dispreferred? Most Stoics would say yes and move on. But there is a serious ancient challenge to that position, and understanding it matters more than most people realize. I begin with the standard Stoic account, drawing on Zeno as recorded by Stobaeus and Cicero. Virtue alone is good, vice alone is bad, and everything else is indifferent. Still, some indifferents are naturally preferred or rejected because they align with our rational nature. Health, social cooperation, and material sufficiency are not goods, but they are “according to nature.” I then introduce the provocateur: Ariston of Chios. Ariston rejects the very idea of preferred and dispreferred indifferents. In his view, calling something a preferred indifferent is just calling it a good under another name. For Ariston, everything between virtue and vice is radically neutral, and any preference only arises situationally, never because the thing itself has standing within nature. I explain why this disagreement is not merely semantic. Ariston's position is inseparable from his rejection of Stoic physics and logic. Once those are removed, there is no rational structure of nature to ground stable preferences. Ethics collapses into a stark minimalism where virtue alone matters and everything else is interchangeable depending on circumstance. This is why later Stoics saw Ariston as a dead end rather than a reformer. Without physics and logic, Stoic ethics loses its ability to guide action across time, roles, and recurring human situations. The philosophy becomes thinner, not sharper. Finally, I connect this ancient dispute to a modern problem. Contemporary Stoicism often tries to keep the ethics while quietly discarding the physics and logic as unnecessary or outdated. That move repeats Ariston's mistake. Stoicism can evolve, but it cannot survive if its foundations are simply removed without replacement. You cannot pull the columns out from under the Stoa and expect the roof to hold. If we want Stoicism to remain coherent, actionable, and philosophically serious, we need to understand why preferred indifferents exist and what architectural commitments make them possible in the first place. Listening on Spotify? Leave a comment! Share your thoughts. Podcast artwork by Original Randy: https://www.originalrandy.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Una passione ereditata fin da piccoli ha portato i fratelli Lumini ad aprire un'impresa di importazioni di modernariato nel cuore di Byron Bay.

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 . 01. HotLap - Waitin' [7Cult] 02. Chris Arna, Sonarise ft. Uneek - No Phones [Sudam] 03. Florist (BE) feat. Alex Laine - Hypnotized [Unreleased] 04. Arodes, Lanns, Papago - My Mind [Unreleased] 05. Helsloot & mOat feat. Pete Josef - Guard Your Joy [Get Physical] 06. ACNØR, Axone - Voicemail [Unreleased] 07. Jamie Stevens - Endgame [Bedrock] 08. Dulus - The Place [Quantum Feels] 09. Dulus, Tiffy Vera - What's Her Name? [RTA] 10. ReiRei - Azul [Get Physical] 11. Zeno, Henson - Poison (Several Definitions Remix) [Eklektisch] 12. Themba, Dirty Vegas - Days Go By [Armada] 13. Hyunji-A - Journey Of Life (Jamie Stevens Class of '92 Remix) [3rd Avenue] 14. Far&High & pizzaaftersex - Rabbit Hole (Gorge Remix) [Unheard] This show is syndicated & distributed exclusively by Syndicast. If you are a radio station interested in airing the show or would like to distribute your podcast / radio show please register here: https://syndicast.co.uk/distribution/registration

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 . 01. Zeno (ofc) & Henson - Poison (Several Definitions Remix) [Eklektisch] 02. THEMBA & Dirty Vegas - Days Go By [New State] 03. Culoe De Song - Mount Zion (Jonathan Kaspar Remix) [Madoras In The House] 04. Arodes, Lanns & Papago - My Mind [Unreleased] 05. McFly - Your Voice [Unreleased] 06. HotLap - Waiting For [7Cult] 07. Ollie Mundy - Home [Ovava] 08. Rüfüs Du Sol - Break My Love (Samm Remix) [Rose Avenue] 09. Alan Dixon, Max Menaged, Matteomie & Fraser Jones - The Light [Hotline] 10. Franky Wah - Riptide [Sudbeat] 11. D-Nox & Beckers - Pretend [Sprout] 12. Matthias Meyer - Bits the Dust [Strangely Enough] 13. D-Nox & Beckers & Andre Moret - Six [Sprout] This show is syndicated & distributed exclusively by Syndicast. If you are a radio station interested in airing the show or would like to distribute your podcast / radio show please register here: https://syndicast.co.uk/distribution/registration

This podcast is supported entirely by you, the listener. Without your patronage, none of this is possible. Become a patron of my work for as little as $0.50/week here: https://stoicismpod.com/members -- In this episode I reset Practical Stoicism back to its foundations and begin a new chapter for the show by returning to the classical texts themselves. I explain why this version of the podcast will move deliberately across the Stoic corpus rather than reading a single work straight through, drawing from Marcus Aurelius, Seneca, Epictetus, Musonius Rufus, and, where possible, the early Greek Stoics like Zeno of Citium, Chrysippus, and Cleanthes. From there, I focus on Meditations 2.1, one of the most concise and powerful passages in Meditations, using George Long's translation. I explain why Marcus is so often misunderstood, why he should be read as a deeply committed practitioner rather than a philosophical instructor, and why Meditations was never meant to teach Stoicism to anyone but Marcus himself. We then unpack what Marcus is really doing in this meditation: preparing himself to meet difficult people, refusing to moralize or dehumanize them, and grounding his response in the Stoic claim that ignorance of good and evil (virtue and vice) is the root of wrongdoing. I explain why, in Stoicism, there is only one good and one evil, how this reframes resentment and anger, and why Marcus sees hostility toward others as fundamentally anti-social and contrary to Nature. The episode closes by showing how Stoicism combines sympathy, personal responsibility, and moral resolve, and why caring for others is not optional if one is genuinely pursuing virtue. This is not a philosophy of withdrawal or toughness for its own sake, but a demanding ethical system aimed at producing better human beings. Key takeaways from this episode include: Why Meditations is a private practice document, not a Stoic instruction manual, and how misunderstanding this leads to shallow readings How Meditations 2.1 reveals the Stoic view that vice is ignorance, not malice, and why this matters for how we treat others Why Stoicism is fundamentally pro-social, and why turning away from others undermines the pursuit of virtue itself If you'd like to provide feedback on this episode, or have question, you may do so as a member. Email sent by non-members will not be answered (though they may be read). This isn't punitive, I just cannot keep up. Limiting access to members reduces my workload. You're always invited to leave a comment on Spotify, member or not. Thanks for listening and have a great day! Learn more about your ad choices. Visit megaphone.fm/adchoices

0:09:20 - Ichi the Witch 61 0:20:28 - Blue Box 221 0:29:24 - Chainsaw Man 222 0:36:27 - Dandadan 219 0:42:31 - World Trigger 259 0:51:22 - Hima-Ten! 69 1:02:49 - Otr of the Flame 29 1:06:54 - Someone Hertz 12 1:17:40 - Ultimate Exorcist Kiyoshi 71 1:23:06 - Marriagetoxin 148 1:31:12 - Nue's Exorcist 124 1:47:50 - Akane-banashi 185 1:54:17 - One Piece 1167 2:07:15 - Favorite Series and MVP 2:11:46 - Next Recommendation

“Well-being is realized by small steps,” Zeno would say looking back on his life, “but is truly no small thing.”

After 27 years, Melvyn Bragg has decided to step down from the In Our Time presenter's chair. With over a thousand episodes to choose from, he has selected just six that capture the huge range and depth of the subjects he and his experts have tackled. In this third of his choices, we hear Melvyn Bragg and his guests discuss Greek philosophy. Their topic is Zeno of Elea, a pre-Socratic philosopher from c490-430 BC whose paradoxes were described by Bertrand Russell as "immeasurably subtle and profound." The best known argue against motion, such as that of an arrow in flight which is at a series of different points but moving at none of them, or that of Achilles who, despite being the faster runner, will never catch up with a tortoise with a head start. Aristotle and Aquinas engaged with these, as did Russell, yet it is still debatable whether Zeno's Paradoxes have been resolved. With Marcus du Sautoy Professor of Mathematics and Simonyi Professor for the Public Understanding of Science at the University of Oxford Barbara Sattler Lecturer in Philosophy at the University of St Andrews and James Warren Reader in Ancient Philosophy at the University of Cambridge Producer: Simon Tillotson In Our Time is a BBC Studios Production Spanning history, religion, culture, science and philosophy, In Our Time from BBC Radio 4 is essential listening for the intellectually curious. In each episode, host Melvyn Bragg and expert guests explore the characters, events and discoveries that have shaped our world