Podcasts about Sequencer

Episode 173 Chapter 32, Other Analog Synthesizers. Works Recommended from my book, Electronic and Experimental Music  Welcome to the Archive of Electronic Music. This is Thom Holmes. This podcast is produced as a companion to my book, Electronic and Experimental Music, published by Routledge. Each of these episodes corresponds to a chapter in the text and an associated list of recommended works, also called Listen in the text. They provide listening examples of vintage electronic works featured in the text. The works themselves can be enjoyed without the book and I hope that they stand as a chronological survey of important works in the history of electronic music. Be sure to tune-in to other episodes of the podcast where we explore a wide range of electronic music in many styles and genres, all drawn from my archive of vintage recordings. There is a complete playlist for this episode on the website for the podcast. Let's get started with the listening guide to Chapter 32, Other Analog Synthesizers from my book Electronic and Experimental music.   Playlist: OTHER EARLY SYNTHESIZER RECORDINGS (PRE-MIDI AND NOT MOOG)   Time Track Time Start Introduction –Thom Holmes 01:36 00:00 1.     Raymond Scott, “Space Mystery” (1963). Used Scott's Electronium, a custom-made analog synthesizer/sequencer. 05:08 01:42 2.     Pauline Oliveros, “Alien Bog” (1967). Used a prototype Buchla 100 modular synthesizer at Mills College. 33:13 06:53 3.     John Eaton, “Soliloquy For Syn-Ket” (1973) from Electro-Vibrations (The Music Of John Eaton). Used the Synket, an Italian-made modular synthesizer of which only six were ever made. 06:38 40:06 4.     John Keating, “Earthshine” (1975) from Space Experience 2. Featured the ARP 2600 and Pro- Soloist. 04:09 46:46 5.     Patrick Gleeson, “Saturn, The Bringer Of Old Age” (1976) from Beyond The Sun: An Electronic Portrait Of Holst's The Planets. Used Eµ Systems Polyphonic synthesizer. 09:31 51:02 6.     Jean Michel Jarre, “Oxygene, Part IV” (1976) from Oxygene. Used the ARP Odyssey, EMS Synthi AKS, EMS Synthi VCS3, and RMI Harmonic Synthesizer and Keyboard Computer. 03:07 01:00:34 7.     Bennie Maupin, “Crystals” (1978) from Moonscapes. Featured the E-mu Modular Synthesizer programmed by Patrick Gleeson, who owned Different Fur Studios in the San Francisco area and owned E-mu synthesizers (see previous track for an example of the E-mu Systems Polyphonic synthesizer). Here, we have a different treatment of the same instrument by jazz woodwind player Maupin, who played Soprano Saxophone, Tenor Saxophone, Bass Clarinet, Flute, Marimba, Glockenspiel, E-mu Synthesizer, and Computone Synthesizer Winddriver on this album. I picked this track because this is most stripped-down arrangement featuring only Maupin playing the E-mu synthesizer and other instruments. 01:18 01:03:44 8.     Pere Ubu, “On the Surface” (1978) from Dub Housing. Allen Ravenstein used the EML Electrocomp 101 modular synthesizer as a member of this band. 02:37 01:05:02 9.     Sylvester, “You Make Me Feel (Mighty Real)” (1978) from Step II. One of the few albums to feature EML (Electronic Music Laboratories) Modular Synthesizer plus String synthesizer, Electro-comp 101 synthesizer and 200 expander unit, Oberheim DS-2 Sequencer, Effects, Pat Cowley; organ, Electric piano, Clavinet, Michael C. Finden; Percussion, David Frazier; Producer, Lead Vocals, Piano, Sylvester. EML was a Connecticut-based synth maker that was around from about 1970 to 1984. They were best-known for their Electro-comp modular synths. The 101 was a duophonic semi-modular 44-note synth and the model 200 was an expander unit that added ring modulation, spring reverb, and high and low filters to the setup. It was interesting to hear this Moroder-like pulsating synth sound coming from something other than a Moog. 06:34 01:07:40 10.   Isao Tomita, “The Sea Named Solaris” (1978) from Kosmos. Used the Roland System 700, Roland Strings RS- 202, Roland Revo 30, in addition to Moog Modular III, Moog System 55, and Polymoog synthesizers. 12:28 01:14:11 11.   Moebius, “Song For Lya” (1979) from Moebius. Serge, Oberheim, and Minimoog synthesizers, vocals, Bryce Robbley; Serge, Oberheim synthesizers, Doug Lynner; Violin, John Stubbs. Listen closely to tune-out the parts by the Odyssey and Minimoog and you will experience a lovely bed laid down by the Serge. Moebius had three members, one a violinist, heard in this tune blending with the Serge. Although the group used a Sennheiser vocoder on another track, the vocal distortion on this track may have actually been the voice processed with the Serge. 03:15 01:26:42 12.   Pascal Languirand, “O Nos Omnes” (1980) from De Harmonia Universalia. Features the Farfisa Synthorchestra, the famous Italian's company entry into the string synthesizer fray. The Syntorchestra was split into two keyboard sections, strings (polyphonic), and mono synth voices. It was a hybrid organ and synthesizer and used much by Klaus Schulze and other German electronic musicians for the short time that it was available from 1975 to 1978. Nine slider controls were positioned next to a 3-octave keyboard and provided some “chaotic” control episodes for this much beloved and rare keyboard. 07:15 01:29:56 13.   Henry Kucharzyk, “Play Dot Sam” (1981) from Walk The Line - Three New Works By Henry Kucharzyk. This work is performed at the Samson Box at the Center for Computer Research in Music and Acoustics (CCRMA), Stanford University, Palo Alto, California. This track is an escapee from the 1970s but nonetheless fills a void in that period when commercial synthesizers were moving to digital technology and were quite expensive. The Samson Box was a computer-based digital synthesizer created in 1977 by Peter Samson, who worked at the university. “Samson” was formally known as the “Systems Concepts Digital Synthesizer. It was a one-off special-purpose dedicated audio computer designed for use by student composers at Center for Computer Research in Musical and Acoustics (CCRMA) at Stanford University. 03:05 01:37:08 14.   Terry Riley, “The Ethereal Time Shadow” (1981-82) from Music from Mills. Used two Prophet V synthesizers, tuned to just intonation and employing sequencing. 08:51 01:40:12   Additional opening, closing, and other incidental music by Thom Holmes. My Books/eBooks: Electronic and Experimental Music, sixth edition, Routledge 2020. Also, Sound Art: Concepts and Practices, first edition, Routledge 2022. See my companion blog that I write for the Bob Moog Foundation. For a transcript, please see my blog, Noise and Notations. Original music by Thom Holmes can be found on iTunes and Bandcamp.  

Taiko is a decentralized, Ethereum-equivalent (type I) rollup scaling solution which uses ZK technology. Taiko's goal is to scale Ethereum efficiently while maintaining security and decentralization. Being a type I zkEVM, Taiko retains full Ethereum equivalence, which creates a seamless DevEx, although this comes at the expense of UX as slower proof generation is the main trade-off. Moreover, in order to stay true to its decentralised ethos, Taiko operates as a based rollup, meaning that transaction sequencing is performed by L1 validators.Topics covered in this episode:Joaquin's backgroundLoopring and Taiko's beginningsThe 4 types of zkEVMsTaiko's zk circuits vs. Polygon'sBased sequencingData availability and blob commitmentEthereum's role in the futureThe L2 landscape and its compromisesSequencer security modelDealing with MEVBased preconfirmations & Taiko ecosystem UXEpisode links:Joaquin Mendes on XTaiko on XLoopring on XSponsors:Gnosis: Gnosis builds decentralized infrastructure for the Ethereum ecosystem, since 2015. This year marks the launch of Gnosis Pay— the world's first Decentralized Payment Network. Get started today at - gnosis.ioChorus One: one of the largest node operators worldwide, trusted by 175,000+ accounts across more than 60 networks, Chorus One combines institutional-grade security with the highest yields at - chorus.oneThis episode is hosted by Friederike Ernst.

In today's episode, we explore TimeBoost on Arbitrum with Harry Kalodner. Arbitrum DAO has signaled a vote recently to go live with timeboost on mainnet.This innovative mechanism shifts from first-come-first-serve to a priority bidding system while maintaining transaction privacy and fairness.We examine how TimeBoost returns value to the Arbitrum DAO, eliminates latency racing, and builds a more equitable ecosystem. Harry discusses governance challenges and the delicate balance between operational efficiency and decentralization.After a year of development, this upgrade delivers major ecosystem benefits with minimal impact on user experience. Let's dive in.Join The Rollup Edge: https://members.therollup.coWebsite: https://therollup.co/Spotify: https://open.spotify.com/show/1P6ZeYd..Podcast: https://therollup.co/category/podcastFollow us on X: https://www.x.com/therollupcoFollow Rob on X: https://www.x.com/robbie_rollupFollow Andy on X: https://www.x.com/ayyyeandyJoin our TG group: https://t.me/+8ARkR_YZixE5YjBhThe Rollup Disclosures: https://therollup.co/the-rollup-discl

Dr. Redouane Elkamhi is Economics Lead at GOAT Network.In this episode, we explore how GOAT Network is pioneering a sustainable, real BTC yield by sharing sequencer revenue and BTC mining rewards with BTC and DOGE holders on a new multi-coin Proof-of-Stake network.------

In this episode of Now I Get It, I explore the cognitive function known as the Sequencer and its role in love and relationships. The sequencer helps individuals organize tasks, plan efficiently, and structure their interactions with others.I explain how those who rely on this function express love primarily through acts of service, ensuring that tasks are completed in a timely and thoughtful manner. However, there is s a crucial distinction: acts of service must be personal and intentional, not just outsourced or mechanically performed, in order to convey genuine care and appreciation.There are different ways people embody the sequencer function, distinguishing between those who use it as a dominant function—naturally prioritizing tasks and logistics—and those who engage with it in a more reflective, questioning manner. And, body language and movement styles can reveal one's cognitive tendencies and how individuals can awaken and develop this function in their own lives. Finally, I introduce practical exercise designed to foster gratitude for the sequencer function, helping listeners improve their ability to plan and organize while deepening their understanding of love.In This Episode, You Will Learn:(00:19) What the sequencer function is and how it works (02:00) How the sequencer helps structure thoughts and tasks in relationships (02:45) Why acts of service are an expression of love for sequencers (03:30) The importance of personal acts of service in showing love (05:10) How different cognitive types engage with the sequencer function (06:00) The role of body language and movement in cognitive styles (07:34) A simple exercise to awaken and appreciate the sequencer function Let's connect!linktr.ee/drprandy Hosted on Acast. See acast.com/privacy for more information.

Jordan Oroshiba is CTO and Co-Founder of Astria (https://www.astria.org), a modular blockchain that allows individuals to deploy their own censorship-resistant rollup without relying on a centralized sequencer, easily allowing many rollups to share a single decentralized network of sequencers that's simple and permissionless to join. Jordan shares his thoughts on the modular blockchain ecosystem, issues Astria addresses across data availability and sequencing, and how Astria is re-inventing the space post mainnet. 

这一期绝对不是关于MegaETH最技术导向的播客（对技术解决方案有兴趣的可以去找 Monad 和 MegaETH 联合创始人辩论的那一期），但有可能是最有温度也最真实的一期。我和Shuyao 聊了很多以太坊生态的过去和现在，以及MegaETH的未来。 本期概要：Shuyao的背景。最初是怎么了解到以太坊的？在做 MegaETH 之前的有趣经历对以太坊和对 Solana 这两个社区的真实感受？Shuyao 趣谈以太坊的出路

This week's Electromaker Show is now available on YouTube and everywhere you get your podcasts! Welcome to the Electromaker Show episode 161! Today we see two inventive automatic soldering machines, delve into fascinating power-over-skin research, and get overly excited about the Espressif ESP32-S3-Box-3B giveaway! Tune in for the latest maker, tech, DIY, IoT, embedded, and crowdfunding news stories from the week.   Watch the show! We publish a new show every week. Subscribe here: https://www.youtube.com/channel/UCiMO2NHYWNiVTzyGsPYn4DA?sub_confirmation=1 We stock the latest products from Adafruit, Seeed Studio, Pimoroni, Sparkfun, and many more! Browse our shop: https://www.electromaker.io/shop Join us on Discord! https://discord.com/invite/w8d7mkCkxj​ Follow us on Twitter: https://twitter.com/ElectromakerIO Like us on Facebook: https://www.facebook.com/electromaker.io/ Follow us on Instagram: https://www.instagram.com/electromaker_io/ Featured in this show: Future Interfaces Group research into Power Over Skin Synjets - mini haptic feedback devices ReSpeaker 2-Mics Hat Giveaway Winner Announced! Product of the Week: Espressif ESP32-S3-Box-3B Dodepan: Cap Touch Standalone Synthesizer, Sequencer, and Midi controller New Raspberry Pi Touch Display Project Binky Austin Mini Restoration takes novel Soldering Approach OpenScan TS-100 Soldering Iron 3d printer bracket

What exactly are Based Rollups? We've brought Ethereum Researcher and Bankless recurring guest, Justin Drake, to give us his reasoning on why he thinks the future of Ethereum is Based.  A handful of teams are already working on this Based Rollup future so, with this episode, and perhaps a few more, we're front running it all and getting you downloaded on all things Based Rollups. Enjoy! ------

Conduit introduces the G2 sequencer. Fuel Ignition goes live on mainnet. And Hyperlane introduces Superlane. Read more: https://ethdaily.io/575

Welcome back to The Gwart Show!In today's episode we are joined by the Alpen Labs team, a group of ZK dreamers working on SNARK-based verification of a second layer on top of Bitcoin. We hit all the big topics, like the current state of BitVM bridging, thoughts on sequencers, building a moat, Coinbase launching cBTC and EVM compatibility! Follow our guest on Twitter: @david_seroy @simanta_gautam 00:00 Start 00:31 Intro 01:20 Current projects 02:13 Applications on Bitcoin 04:16 Bictoin L2 landscape 10:36 Current state of BitVM bridges 14:35 Learnings from EVM 19:12 Bitcoin sequencers 23:54 Unilateral exit 31:31 Data availability 35:41 Walled garden L2's 41:28 Aplen's edge in the market? 46:16 Privacy 49:51 The wider L2 landscape 58:25 Roll-up tokens 1:01:11 Sequencer fees 1:03:13 Coinbase launching wrapped BTC 1:08:27 EVM compatibility

Mario F. Pazos is the marketing lead at the memorably named GOAT Network, the first BTC L2 to offer a sustainable yield.  Why you should listen BTC serves as a store of value, offering fewer opportunities for yield generation compared to other cryptocurrencies, like Ethereum or stablecoins. This limited utility in DeFi applications has resulted in lower returns for BTC holders. BTC holders have serious concerns when their BTC moves to another chain. The security of Bridges and BTC Layer2 needs to be addressed given the limited functionalities of BTC scripts. GOAT Network aims to solve this via its decentralized sequencer, the key to GOAT network's fairness and censorship resistance. A native Bitcoin Script based Locking mechanism is also introduced to guarantee GOAT Network is immune to Long-Range Attacks. GOAT network's OCP(Optimistic Challenge Process) is built on BitVM2's permissionless bridge protocol and allows any computation off-chain to be verified on Bitcoin with Continuation techniques. Inspired by ZKM's proof network, splits the SNARK verifier into a group of subscripts, and the subscripts are committed by MAST and Taproot on Bitcoin. Decentralized sequencers create an open market to earn sustainable sequencer revenue (in BTC and GOAT Tokens). Sequencer revenue can be tokenized in order to trade and generate additional returns. BTC holders can lock BTC on L1 to mint goatBTC on GOAT BTC L2; goatBTC can be used for yield generation. GOAT token lockers earn additional goatBTC mint /redeem fees. More ways to generate sustainable yield via Defi, Cefi and Tradfi are on the way. Supporting links Stabull Finance GOAT Network Andy on Twitter  Brave New Coin on Twitter Brave New Coin If you enjoyed the show please subscribe to the Crypto Conversation and give us a 5-star rating and a positive review in whatever podcast app you are using.  

Steven Goldfeder is back on the podcast today to discuss Arbitrum's and all Ethereum L2 FUD.  Is a win for Arbitrum also a win for Ethereum, or is Arbitrum competing for users and liquidity? Steven addresses governance concerns and discusses the decentralization of Arbitrum's Sequencer. In the second half of the show, we get into the latest developments in the Arbitrum ecosystem, including Stylus, Bold, Orbit, and Timeboost. ------

  I have been on a huge sequencer/Berlin-school bender for the last few months. I think it goes back to Paul's train mix back in May. Through that mix I found the music of Gert Blokzijl - https://gertblokzijl.bandcamp.com/.  I gobbled up a number of his albums immediately. Then last month I discovered the music of Martin Stürtzer - https://phelios.bandcamp.com/  He's got a ton of stuff out there and it's all good. I'm not sure how I missed him until now, but I'm glad I found him.  While listening to all this music I just knew I had to create a mix full of sequencer or Berlin-school tracks. Most of the tunes are new with 5 of them from 2024, a few more from 2019 to 2022. And one golden oldie from 1983 by Edgar Froese. I really enjoyed putting this one together so look for another before the end of the year. Here are links to all the music used in this mix: https://gertblokzijl.bandcamp.com/album/upgraded-from-the-past https://phelios.bandcamp.com/album/dyson-sphere-alpha https://www.amazon.com/Pinnacles-Edgar-Froese/dp/B000025JRO https://jfitoussi.bandcamp.com/album/plein-soleil https://open.spotify.com/album/5RRCLKU2zA5aUV68mFdeXV?si=b9G9HLZFShq3DgesJXyDEw https://amazon.com/music/player/albums/B09GW384VC?marketplaceId=ATVPDKIKX0DER&musicTerritory=US&ref=dm_sh_cjTbSCQAjo8lzOi3OXvrbvGhh https://thombrennan.bandcamp.com/album/eventide https://synphaera.bandcamp.com/album/wave-interference https://tronestamjohan.bandcamp.com/album/somewhere-far-away https://phelios.bandcamp.com/album/lander-modules https://the-rosen-corporation.bandcamp.com/album/icy-nights-awakening   Cheers!   T R A C K L I S T : 00:00    Gert Blokziji - Upgraded From The Past 1 (Upgraded From The Past 2019) 06:52    Martin Stürtzer - Uncharted Systems (Dyson Sphere Alpha 2021) 14:00    Edgar Froese - Specific Gravity Of Smile (Pinnacles 1983) 22:00    Jonathan Fitoussi - Rayons solaires (Plein Soleil 2020) 27:12    Just a Human - Pulse (2024) 29:37    Pye Corner Audio - Earthwork (Entangled Routes 2021) 33:24    Thom Brennan  - Eventide Pt. 3 (Eventide 2022) 38:20    Lars Leonhard - Wavelength Dreams (Wave Interference 2024) 44:22    Johan Tronestam - The Castle Above The Clouds (Somewhere Far Away 2024) 50:00    Martin Stürtzer - The Last Outpost (Lander Modules 2024) 57:42    The Rosen Corporation - Part Two (Icy Night's Awakening 2024) 63:23    end

A few weeks back, Andy put out a tweet saying "no one wants to be branded as a shared sequencer anymore" and it triggered quite a few people. The "loss of revenue" is the biggest, ongoing misconception of why shared sequencing isn't the best option for rollups. Today were tackling that notion head on with Noah Pravecek from NodeKit and their shift from shared sequencing to building a Superbuilder. Initially, NodeKit aimed to build a shared sequencer, similar to what other projects like Espresso and Astria have worked on. Shared sequencers can coordinate block building and bring composability across chains, but NodeKit quickly recognized the limitations. While these solutions offer atomic inclusion (ensuring transactions are seen by all rollups), they don't guarantee that the transactions will actually be executed according to the rollups' state transitions. That gap—between inclusion and execution—is what their new design in the Superbuilder addresses head on. However, isn't it a winner takes all market? Why did Noah decide to build in this market? Where is the blue ocean to create meaningful PMF in a crowded space? The market for shared sequencing is highly competitive, but Noah answered and defended the technical differences quite well. We also discussed the obstacles of raising as a college dropout and first time founder, as well as what it's like building a brand in the space. And, of course, we touched on Noah's views of chain abstraction and how Nodekit fits into the picture. If you've been paying attention to our content focused around interoperability, this one's for you. A big problem space to be solved and were confident in the teams shipping. Enjoy. Website: https://therollup.co/ Spotify: https://open.spotify.com/show/1P6ZeYd.. Podcast: https://therollup.co/category/podcast Follow us on X: https://www.x.com/therollupco Follow Rob on X: https://www.x.com/robbie_rollup Follow Andy on X: https://www.x.com/ayyyeandy Join our TG group: https://t.me/+8ARkR_YZixE5YjBh The Rollup Disclosures: https://therollup.co/the-rollup-discl

The conversation discusses the emergence of rollups on the Solana blockchain and explores different projects and their unique approaches. The main projects mentioned are Magic Block, SpiceNet, Zeta, Grass, and GetCode. Each project has its own specialization and use case, ranging from gaming to trading to data scraping. The conversation also touches on the importance of scalability and performance in these rollup solutions. In this conversation, the speakers discuss various topics related to Solana and its roll-up solutions. They touch on the importance of scalability, reliability, and privacy in layer 2 solutions. They also explore the concept of shared sequencers and the benefits they offer. The conversation highlights the potential of Solana as a sequencer for base roll-ups and the importance of composability and alignment between layer 1 and layer 2 solutions. The speakers also mention the use of Solana in banking operations and the need for privacy in financial transactions. They conclude by discussing the role of Solana in the roll-up ecosystem and its potential for attracting developers. Prasad's Twitter: https://x.com/Mahadikprasad15 Chapters 00:00 Introduction to Solana rollups 05:18 Exploring Magic Block, SpiceNet, Zeta, Grass, and GetCode 09:38 Scalability and Performance in Solana Rollups 28:01 Scalability, Reliability, and Privacy in Layer 2 Solutions 29:00 The Potential of Shared Sequencers 30:24 Solana as a Sequencer for Base Roll-Ups 37:15 The Importance of Privacy in Financial Transactions 46:19 Solana's Role in the Roll-Up Ecosystem Disclosures This podcast is strictly informational and educational and is not investment advice or a solicitation to buy or sell any tokens or securities or to make any financial decisions. Do not trade or invest in any project, tokens, or securities based upon this podcast episode. The host and members at Delphi Ventures may personally own tokens or art that are mentioned on the podcast. Our current show features paid sponsorships which may be featured at the start, middle, and/or the end of the episode. These sponsorships are for informational purposes only and are not a solicitation to use any product, service or token.

One of the most important ways that we're inspired to discuss topics on this podcast is through science journalism: that is, reading the latest news in STEM fields to stay updated on new innovations! However, considering the sheer volume of science content available on the Internet, it's crucial to know how to navigate this scene. Today, we chatted with Max Levy to discuss key takeaways in this field from his experience as a researcher turned journalist. Tune in to hear about how he comes up with unique stories, balancing individual interests with the need of the consumer, and the power of following your passion to create the best content.​Max Levy is a freelance science journalist based in Los Angeles, California, with a Ph.D. in chemical & biological engineering from the University of Colorado, Boulder. He specializes in writing, editing, and fact-checking across a wide array of science topics, making complex scientific concepts accessible and engaging for a broad audience. His work has been featured on WIRED, Quanta Magazine, The Atlantic, Drug Discovery News, Smithsonian, TED-Ed, Veritasium, Vox, and more.Check out his magazine, Sequencer, here: www.sequencermag.com/

We explore Pittsburgh Modular's Snakes sequencer, highlight new album releases, and update you on the Piqued 5th Anniversary Show.

Joshua Arocha, born and raised in Santiago de los Caballeros, Dominican Republic, discovered his passion for electronic music at the age of 17 and has been a dedicated follower of the genre ever since. At the age of 21, he entered the DJ scene with the intention of not only having a good time but also creating music with soul. By the age of 22, he began producing, and his name is now associated with notable labels such as Miniline, Habitat, Sequencer, Rave Music, and South Tech. Hit play and enjoy the journey!

Lords: * Andrew * Tyriq Lords: * The Church of the SubGenius * Making FreeCell is kind of like playing FreeCell * How do we get to a place where our primary tool for productivity is not also our primary avenue of distraction? * "

As more and more L2s launch promising to scale Ethereum, they end up competing for the same market share, userbase and liquidity. Apart from this harsh reality, crosschain interactions should be as seamless as possible in order to bridge different L2 ecosystems. Polygon envisions a scalable future in which various zero knowledge rollups post their proofs on an aggregation layer before settling on Ethereum, thus lowering latency and transaction costs as crosschain interactions take place expeditiously, without involving the L1 mainnet.We were joined by Sandeep Nailwal & Brendan Farmer, to discuss Polygon's aggregation layer and how it aims to solve the current fragmentation of Ethereum L2 scaling solutions.Topics covered in this episode:Polygon's ZK expansion and the acquisition of Mir ProtocolPolygon's aggregation layerBlock building between different L2sShared sequencing & asynchronous sequencingSecurity guarantees of the aggregation layerSequencer decentralisation & censorship resistanceChains using Polygon's aggregation layerPessimistic proofsCan optimistic rollups be included in the aggregation layer?Type 1 prover and Plonky3The evolution of ZKP systemsEnsuring ZK rollup integrityThe future of scalabilityEpisode links:Sandeep Nailwal on TwitterBrendan Farmer on TwitterPolygon on TwitterSponsors:Gnosis: Gnosis builds decentralized infrastructure for the Ethereum ecosystem, since 2015. This year marks the launch of Gnosis Pay— the world's first Decentralized Payment Network. Get started today at - gnosis.ioChorus1: Chorus1 is one of the largest node operators worldwide, supporting more than 100,000 delegators, across 45 networks. The recently launched OPUS allows staking up to 8,000 ETH in a single transaction. Enjoy the highest yields and institutional grade security at - chorus.oneThis episode is hosted by Friederike Ernst.

LEGO model build of the Drum Track Sequencer John Park Learn Guide coming soon Visit the Adafruit shop online - http://www.adafruit.com ----------------------------------------- LIVE CHAT IS HERE! http://adafru.it/discord Subscribe to Adafruit on YouTube: http://adafru.it/subscribe New tutorials on the Adafruit Learning System: http://learn.adafruit.com/ -----------------------------------------

Drum track sequencer uses optical sensors and a Feather RP2040 running CircuitPython to send four tracks of MIDI notes to your sampler or drum synth. Built with LEGO, you use minifigure heads to create your beat patterns. John Park's Learn Guide coming soon. Visit the Adafruit shop online - http://www.adafruit.com ----------------------------------------- LIVE CHAT IS HERE! http://adafru.it/discord Subscribe to Adafruit on YouTube: http://adafru.it/subscribe New tutorials on the Adafruit Learning System: http://learn.adafruit.com/ -----------------------------------------

On this episode, we're joined by Shi En Kim PHD. Kim (she goes by her last name) is a freelance science writer who was just awarded a Pulitzer Center fellowship to cover a health and science story in Brazil.Kim has written for many publications including Scientific American and National Geographic. She often covers new research and emerging trends in sciences, tech, the environment, and health and medicine. Kim was born in Malaysia. She is a graduate of Cal Tech who got her doctorate in molecular biology from the University of Chicago. She talked about her non-traditional path to journalism (“One long overcorrection …”), the process by which she comes up with story ideas and reports on stories, how being a journalist has impacted her life, and a new journalism collective project she's working on, Sequencer. Notable links- Article on precision cancer drugs and access to themhttps://www.scientificamerican.com/article/precision-cancer-drugs-glitter-with-promise-if-you-can-get-them/ - Article on the world's smelliest flowerhttps://www.nationalgeographic.com/environment/article/cultivating-the-worlds-largest-stinkiest-flower-is-no-small-task - Article on pesticides and the link to childhood chancer in Brazilhttps://news.mongabay.com/2023/11/study-links-pesticides-to-child-cancer-deaths-in-brazilian-amazon-cerrado/- Sequencerhttps://www.sequencermag.com/welcome-to-sequencer/Kim's salutes- The Open Notebook- Jane C Hu- Brent CraneThank you as always for listening. Please send us feedback to journalismsalute@gmail.com,Visit our website: thejournalismsalute.org Mark's website (MarkSimonmedia.com)Tweet us at @journalismpod.Subscribe to our newsletter- journalismsalute.substack.com

It's time to crank some tunes! This week we talk about an awesome music tool! OnlineSequencer.net is an incredible free online tool that allows anyone to create their own music masterpieces! With access to a huge range of virtual instruments, from classic pianos and guitars to synthesizers, drums, and beyond, students can arrange loops, adjust tempos, and experiment with different sounds and textures using the easy-to-navigate interface.Online SequencerFind all of the tools we've discussed in the EdTech Directory: https://smartinwi.com/edtech-directory/ Get in touch: https://smartinwi.comhttps://www.twitter.com/smartinwihttps://www.threads.net/@smartinwihttps://www.facebook.com/smartinwitechtoolsforteacherpodcast@gmail.com©2018-2023 Snoring Dog Media, LLC. All rights reserved. Mentioned in this episode:Education Podcast NetworkTech Tools for Teachers is part of the Education Podcast Network. https://www.edupodcastnetwork.com/This podcast uses the following third-party services for analysis: Podcorn - https://podcorn.com/privacyChartable - https://chartable.com/privacyPodtrac - https://analytics.podtrac.com/privacy-policy-gdrp

James Ross is the Founder of Mode. In this episode, we spotlight a new modular DeFi L2 on Optimism Superchain called Mode. Having just launched Mode Mainnet, we interview James about how this L2 aims to differentiate itself, including details on their ongoing MODE airdrop campaign called Sunrise. ------

Episode 113 More Electronic Music for Astral Tripping Playlist Earthstar, “Part 1, Sirens” from French Skyline (1979 Sky records). Recorded at Klaus Schulze Studio, Hambühren, W. Germany in 1978 and 1979. Bass, Electronics, Norm Peach; Choir, Craig Wuest, Joan N., Marla T., Phil N.; Electric Guitar, Treated Guitar, Electronics (Tonewall), Dennis Rea; Flute, Woodwind, Tim Finnegan; French Horn, Flute, Marla Thomson; Producers, Craig Wuest, Klaus Schulze; Moog Modular System Programming, Technical Advice, Klaus Schulze; Sitar, Dirk Schmalenbach, Synthesizer, Sequencer, Mellotron, Biotron, Piano, Sitar, Harp, Effects, Voice, Vocoder, Bells , Percussion, Tape loops, Electronic Treatments, Craig Wuest; Violin, Phil Novak; Violin, Viola, Electronics, Louis Deponté; Violin, Electronics, Daryl Trivieri. (06:18) Edgar Froese, “PA 701” from Macula Transfer (1976 Brain). The material was composed during different flights during '75 and '76 while on tour with Tangerine Dream. Instruments, Composed By, Produced by, Edgar Froese. I'm not certain, but all of the tracks are named after airline flight numbers. I think this one was on Pan American. Recorded in June 1976 at Amber Studio, Berlin. (07:33) Beaver and Krause, “Gandharva” and “By Your Grace,” from Gandharva (1971 Warner Brothers). The Moog Modular is played by Bernie Krause, the pipe organ by Paul Beaver. Baritone Saxophone, Gerry Mulligan. Recorded at Grace Cathedral, San Francisco, February 10-11, 1971. This recording came at the height of the Moog craze (for which Beaver and Krause were largely responsible) and this music took a decidedly thoughtful turn with its jazz guests and spacious live sound recorded in a church. Having the Moog Modular in a live performance was a challenge and its presence is only apparent in the opening and several moments on this side of the album. But the organ and baritone saxophone alone provide a beautiful sonic experience. (06:29) イノヤマランド = Inoyama Land, “Mizue” from ダンジンダン・ポジドン = Danzindan-Pojidon (1983 Yen). Inoyama Land is Yasushi Yamashita and Makoto Inoue. Roland Jupiter 8, System-100M, MC-4, Makoto Inoue. Recorded at Private Studio, Kichijōgi & Yugawara from Jan '82 to '83. This track was made by Inoue which he described as him “playing with repetitive octave, machine-like signal sounds.” (02:31) Arp, “Nzuku” from Ensemble—Live! (2019 Mexican Summer). Arp is Alexis Georgopoulos, an American electronic musician, composer, and music producer based in New York. Includes music from his LP, Zebra, as well as four original tracks. Zebra saw the diverse, New York-based artist exploring Fourth World, Japanese avant-garde, minimalism, kosmische, dub, cosmic jazz and more. This album was recorded live in the studio. Limited edition of 500 copies. (06:36) Ariel Kalma, “Reternelle” from Ariel Kalma (1975 Astral Muse). A spacey work for dual saxophones and tape echo, played by Kalma. (12:08) Masuko Shinji, “Woven Music for Silver Ocean” from Woven Music (2011 Jagjaguwar). Japanese singer and guitarist. Some soothing guitar electronics bordering on noise. Let your thoughts wander. (13:50) イノヤマランド = Inoyama Land, “Apple Star” from ダンジンダン・ポジドン = Danzindan-Pojidon (1983 Yen). Inoyama Land is Yasushi Yamashita and Makoto Inoue. Roland Jupiter 8, System-100M, MC-4, Makoto Inoue. Recorded at Private Studio, Kichijōgi & Yugawara from Jan '82 to '83. This track by Inoue came about by his “synchronizing the Jupiter 8 auto arpeggio with the System100M analogue sequencer with the sequencer VC (voltage control), which generates a curious phrase automatically.” (05:57) White Gourd, “La Lune” from Hermit / La Lune (2013 Psychic Sounds). “White Gourd is the solo work of Suzanne Stone. In addition to being a visual artist, herbalist, teacher, master gardener, and beekeeper, she is well known for involvement as vocalist & saxophonist in the experimental ensemble Million Brazilians.” This recording illustrates the dreamy nature of Stone's sound material used in her live performances; found objects, gongs, 78 player, piano and audio cassette loops. (18:10) Somei Satoh, “Echoes” from Emerald Tablet / Echoes (2020 WRWTFWW). Echoes taken from Somei Satoh's Echoes, Edition Omega Point (2003). It was composed for the "Mist, Sound, and Light Festival", held on May 20-19, 1981 at Kawaji, Tochigi Prefecture, Japan. Composed and performed by Somei Satoh. For this event, Satoh composed music for the 10-day event organized by the hot spring tourist association of Kawaji. The work was played at the Kawaji hot spring's Ojika river valley using 8 gigantic loudspeakers set-up on hills surrounding the stream, with music played through an 8-channel-tape system. The echoes created by the work were accentuated as they reverberated through the outdoor location. (30:27) Less Bells, “Bird in Hand” and “Forest Ghosts” from Solifuge (2018 Kranky). Less Bells is Julie Carpenter. All Songs by, Violin, Cello, Synthesizers, Fender Rhodes Electric Piano, Omnichord, Julie Carpenter; Optigan Electric Organ, Buchla Music Box, Moog Modular Synthesizer, Dain Luscombe; Synthesizer, mixed by, Kenneth James Gibson; Vocals, Leah Harmon. Violinist/composer Julie Carpenter “. . . weaves orchestral and electronic textures to inhabit that boundary between storm and sun.” Can you say happy astral tripping? (08:39)   Opening background music: Ariel Kalma and Richard Tinti, “Forest Ballad” from Osmose(1978 SFP). Organ, Flute, Ariel Kalma; sound effects, Richard Tinti.   Opening and closing sequences voiced by Anne Benkovitz. Additional opening, closing, and other incidental music by Thom Holmes. See my companion blog that I write for the Bob Moog Foundation. For additional notes, please see my blog, Noise and Notations.  

✨About Espresso ✨The Espresso Sequencer supports the decentralization of L2s. It handles the decentralized sequencing and data availability of rollup transactions, functioning as middleware between rollups and their underlying layer-1 (L1) platforms.Guest: Jill Gunter (formerly Jill Carlson)#blockchaintech #web3 #interchainfm #cryptocurrency #cryptopodcasts #ethereum #rollups

The Arbitrum One sequencer temporarily stalls. Base releases op-viem and op-wagmi libraries. EigenDA supports the OP Stack. And the SEC denies Coinbase's rulemaking petition. Sponsor: Harpie is an onchain security solution that protects your wallet from theft in real time. Harpie helps you detect and block suspicious transactions before they execute, safeguarding your assets from malicious attacks and scams. Try Harpie for free at harpie.io/ethdaily.

On this episode of Archebyte, Katherine Wu and fellow Archetype team member, Nick Pai, are joined by the CEO and co-founder of Risk Labs, Hart Lambur, to talk bridges, L2s, and interoperability.Hart and Risk Labs are best known for creating UMA, an optimistic oracle, and Across Protocol, a crosschain bridge. In the multichain future that is quickly becoming the present, infrastructure like oracles, bridges, and sequencers play crucial roles. But, these tools that are meant to facilitate interoperability between blockchains still have plenty of room for improvement.During our conversation, we dig into the problems that bridges currently face, how Across is designed to mitigate them, and what a safer multichain ecosystem looks like. Hart and Nick give their thoughts on centralized, decentralized, and shared sequencers, intents, and the role aggregators play in regards to bridges. They also answer the loaded question - are bridges L2s?

On this episode of Patch Dispatch, we discuss Teenage Engineering's new pro pocket operator, a massive Eurorack module from Anti-Kulture, and albums from Sombre Lux and Eki Shola.

My guest today is Biconomy co-founder and CEO Ahmed Al-Balaghi. Since 2019, Biconomy has executed over 40 million metatransactions to help devs make crypto UX easier for their users. Today, Biconomy is one of the top Account Abstraction service providers, boasting significant markeshare across popular EVM chains. In this episode, Ahmed and I sit down to discuss Biconomy's ERC-4337 smart accounts, Paymasters, and Bundlers as a service. We cover session keys, Passkey signers, EIP-7212, multichain permissions. We also touch on ERC-6900 AA Module, which Biconomy and Rhinestone are collaborating on for their forthcoming Module Store, which is planned to launch in Q1 2024. It was a pleasure chatting with Ahmed about his journey building Biconomy into one of the most important players in the AA ecosystem. I hope you enjoy the show. As always, this show is provided as entertainment and does not constitute legal, financial, or tax advice or any form of endorsement or suggestion. Crypto has risks and you alone are responsible for doing your research and making your own decisions. Links Hosted by @nnnnicholas Support on Gitcoin Biconomy 4337 provider stats on BundleBear by 0xKofi Biconomy Blog Multichain Validation Module EIP-4337 Biconomy on Session Keys Biconomy x Rhinestone Module Store & blog Chapters (00:00:00) Intro (00:02:30) Interview start (00:20:00) Why AA matters (00:21:40) Ideal Biconomy Customers (00:22:00) Appchains (00:26:10) Rollups as a Service (00:29:00) How to choose between ERC-4337 Account implementations (00:42:08) Safe vs Diamond (00:44:20) AA Session keys (00:46:30) ERC-6900 AA Modules (00:50:45) Multichain Smart Accounts (00:55:45) Embedded Wallets (01:00:30) Paymasters: Which transactions should app devs subsidize? (01:06:29) Bundlers (01:07:50) Bundler aggregators (01:08:18) Builders, Bundlers, and MEV (01:09:30) Sequencer-sponsored gas (01:13:25) Signers: Passkeys, EOAs, and more (01:16:40) EIP-7212 (01:16:45) Biconomy's team & Dubai Ethereum scene (01:19:30) Outro

STOOR Live after-chat with JakoJako, Karl Klomp, Surgeon, Tim Franke and Speedy J In this podcast varying guests from the field of electronic music chat about gear, music production, art, studio techniques, and everything else that occupies their minds. Just a bunch of knob twiddlers who are knowledgeable in their niche sharing insights and stories among each other and with an audience.

Co-founders of Offchain Labs, Ed Felten and Steven Goldfeder take us back to 2014, when a classroom idea sparked their vision for scaling before Ethereum even launched. Learn why they believe interactive fraud proofs provide unparalleled security guarantees compared to ZK-rollups, and dive into how these fraud proofs technically work. Gain valuable perspective from Felten and Goldfeder on the flaws plaguing zero knowledge proofs and the overly optimistic claims made about their capabilities. Whether you're a developer evaluating layer 2s or an investor tracking the scaling wars, don't miss these insights from pioneers in the space who've been thinking about these problems longer than almost anyone else. Socials ⁠Steven's Twitter⁠ ⁠Ed's Twitter⁠ ⁠Tommy's Twitter⁠ Follow Delphi Digital Website: ⁠⁠⁠https://members.delphidigital.io/home⁠⁠⁠ Twitter: ⁠⁠⁠https://twitter.com/Delphi_Digital⁠⁠⁠ Youtube: ⁠⁠⁠https://www.youtube.com/@Delphi_Digital⁠⁠ Disclosures Disclosures: This podcast is strictly informational and educational and is not investment advice or a solicitation to buy or sell any tokens or securities or to make any financial decisions. Do not trade or invest in any project, tokens, or securities based upon this podcast episode. The host and members at Delphi Ventures may personally own tokens or art that are mentioned on the podcast. Our current show features paid sponsorships which may be featured at the start, middle, and/or the end of the episode. These sponsorships are for informational purposes only and are not a solicitation to use any product, service or token. Delphi's transparency page can be viewed ⁠⁠⁠here⁠⁠⁠. Keywords Ethereum, Scaling, Layer 2, Rollups, Arbitrum, Optimistic rollups, ZK rollups, ZK Proofs, Fraud proofs, Decentralization, Sequencer, Proof Systems, Ethereum Future, Web3 Scaling, Cryptocurrency, Blockchain, Crypto exchange, Digital assets, Decentralization, Crypto regulation, Crypto investing, Web3, Metaverse, NFTs, DeFi, Cryptocurrency adoption, Future of money, Financial freedom

Episode 107 Crosscurrents in Early Electronic Music of Norway Playlist Arne Nordheim, “Epitaffio” (1963) for orchestra and tape from Nordheim, Alfred Janson, Bjørn Fongaard – Response: Electronic Music From Norway (1970 Limelight). Limelight release with the delightful painting of flying ears on the cover, includes the same tracks as the original Philips release from 1968 on the Prospective 21e Siècle label. The electronic sound material on the tape are taken from the end of the performance, but played during the opening section. It fuses the acoustic instruments and voices with electronics, filtering and speed changes. This recording is 10:15 Alfred Janson, “Canon” (1964) for chamber orchestra and tape from Nordheim, Alfred Janson, Bjørn Fongaard – Response: Electronic Music From Norway (1970 Limelight). Limelight release with the delightful painting of flying ears on the cover, includes the same tracks as the original Philips release from 1968 on the Prospective 21e Siècle label. In this piece, two tape recorders were used in performance. The first records for about four minutes and the, half a minute later, begins to play back what was recorded. The second tape recorder begins to record after the first tape machine ends, and then plays back what was recorded after another half minute, creating, in a sense, the structure of a canon. 12:27 Arne Nordheim, “Response I” (1966) for 2 percussion groups and tape from Nordheim, Alfred Janson, Bjørn Fongaard – Response: Electronic Music From Norway (1970 Limelight). Limelight release with the delightful painting of flying ears on the cover, includes the same tracks as the original Philips release from 1968 on the Prospective 21e Siècle label. Two percussionists respond to electronic sounds such as filtered white noise, sine waves and the filtered sounds of organ and metallic clanging distributed throughout the score. 18:09 Björn Fongaard, “Homo Sapiens” (1966) for magnetic tape from Poul Rovsing Olsen • Thorkell Sigurbjörnsson • Arne Mellnäs • Björn Fongaard – Nordiska Musikdagar 1968 Nordic Music Days Vol.3 (1969 His Master's Voice). Realized at the Norsk Riksringkastings studio, Oslo. 9:20 Bjørn Fongaard, “Galaxy” for 3 electric guitars in quarter-tones from Nordheim, Alfred Janson, Bjørn Fongaard – Response: Electronic Music From Norway (1970 Limelight). Limelight release with the delightful painting of flying ears on the cover, includes the same tracks as the original Philips release from 1968 on the Prospective 21e Siècle label. The electronic part makes use of audio filtering, changing tape speed, and editing to treat some unorthodoxed playing on the guitar. 12:05 Kåre Kolberg, “Keiserens Nye Slips - Electronic Music” from Kåre Kolberg – Contemporary Music From Norway (1980 Philips). A foray in computer composed music synthesis realized in the Electronic Music Studios in Stockholm using a PDP 15/40 computer; it was programmed in the EMS-1 computer language developed in the same studio. 9:54 Jan Bang, “Artificial Reeves” from from Narrative From The Subtropics (2013 Jazzland). Norwegian release of the Norweigian electronic musician and composer Jan Bang. Akai Sampler, MPC 3000 Sequencer, Dictaphone, Synthesizer, Jan Bang. 3:05 Jan Bang, “Funeral Voyage” from Narrative From The Subtropics (2013 Jazzland). Akai Sampler, MPC 3000 Sequencer, Dictaphone, Synthesizer, Jan Bang; Bass, Eivind Aarset; Guitar, Eivind Aarset; Synthesizer, Erik Honoré; Trumpet, Nils Petter Molvær. 5:26 Jan Bang, “Melee of Suitcases” from Narrative From The Subtropics (2013 Jazzland). Akai Sampler, MPC 3000 Sequencer, Dictaphone, Synthesizer, Jan Bang; Piano, Electronics, Dai Fujikura; Vocals, Sidsel Endresen. 4:03 Safariari, “Fetsild” from This Is The Cafe Superstar Beat Vol. 2 (2002 Café 2001 Records). Electronic music project of Jon Furuheim. 2:16 Remington Super 60, “RS60 And Milano In Space (Remix)” from This Is The Cafe Superstar Beat Vol. 2 (2002 Café 2001 Records). Electronic pop rock group, from Fredrikstad, Norway, founded late 1998. 6:07 Opening background music: Arne Nordheim, “Caliban's Warning” (excerpt) from The Tempest (Suite From The Ballet) (1980 Philips). An abrupt moment of electronic sound blended into the instrumentation. The electronic realization was done in the Studio Eksperymentalne, Warsaw, Poland. The Tempest was commissioned by the Schwetzinger Festival and first performed by Ballet Rambert at the Rokokotheater, Schwetzingen on 3. May 1979. 7:35 Opening and closing sequences voiced by Anne Benkovitz. Additional opening, closing, and other incidental music by Thom Holmes. See my companion blog that I write for the Bob Moog Foundation. For additional notes, please see my blog, Noise and Notations.

Ethereum scaling solutions often resort to tradeoffs, sacrificing security or decentralisation in favour of scalability. However, zk rollups hold the potential of increasing throughput, while also inheriting the layer 1's security. This is achieved through zero knowledge validity proofs, which are published on Ethereum mainnet. The final hurdle remains the sequencer decentralisation. zkSync was designed around EVM-compatibility, offering custom scaling solutions through its hyperchain architecture.We were joined by Alex Gluchowski, co-founder & CEO of Matter Labs, to discuss the zk rollup landscape, its bottlenecks, and what makes zkSync stand apart as the most popular rollup.Topics covered in this episode:High-level overview of zero knowledge proofsZK rollupszkSync EraZK ecosystem taxonomyRollup performance: bottlenecks & tradeoffsBridging between zkSync hyperchainsData availability. Validium vs. VolitionGovernance & security layersSequencer decentralisationEpisode links:Alex Gluchowski on TwitterzkSync on TwitterMatter Labs on TwitterThis episode is hosted by Meher Roy & Felix Lutsch. Show notes and listening options: epicenter.tv/507

Learn how to play Piano in 21 Days "Ridley Academy" - https://www.ridleyacademy.com/a/2147532863/F4MCFujH Get "Catalyst" by Toneworks - https://toneworks.io/?rfsn=7478120.665079 Native Instruments Summer of Sound Sale: https://bit.ly/3qPA0h7 Season 4 Episode 26 of the Emlyn in the Mix show has us checking out Catalyst a Sequencing powerhouse, and a lot of fun as an addition to any DAW. Is this the Sequencer of your dreams Rap Star by Emlyn (Podcast Intro): https://www.youtube.com/watch?v=BM7Oi89Mi5M PLEASE LEAVE ME A REVIEW on THIS PODCAST!! 5 STARS BABY!!! I just set up an email to contact me on the Podcast!! - emlyninthemix@gmail.com P.S I love you

Espresso Systems proposes a sequencer design for Aztec. Coinbase launches Wallet as a Service to mainnet. Offchain Labs writes a working fraud prover for Stylus. And Matcha introduces Matcha Auto. Read more: https://ethdaily.io/631

Zak Cole proposes EIP-6969 for generalized Contract Secured Revenue (CSR). Altlayer launches a multi-sequencer rollup. CoW Swap adds support for fTokens. And Gravita unveils its borrowing protocol. Newsletter: https://ethdaily.substack.com

Check out Strokes here: https://www.congburn.co.uk/strokes Season 4 Episode 18 of the Emlyn in the Mix show sees us checking out Strokes the Swiss army knife in the field of sequencing rhythms. Let's check out what this amazing software can do! Rap Star by Emlyn (Podcast Intro): https://www.youtube.com/watch?v=BM7Oi89Mi5M PLEASE LEAVE ME A REVIEW on THIS PODCAST!! 5 STARS BABY!!! I just set up an email to contact me on the Podcast!! - emlyninthemix@gmail.com P.S I love you

Today we are joined by Josh Bown (Astria) and Ben Fisch (Espresso Systems) to discuss the role of shared sequencers in the modular future. Josh and Ben explain the risks of centralized sequencers, why rollups will use a shared sequencer and the core tradeoffs. What is the value proposition of a shared sequencer? How will MEV be allocated between rollups and sequencers? Why haven't rollups already decentralized their sequencer? We discuss these questions and more in this epic conversation! - - Timestamps: (00:00) Intro (04:27) The Role of a Sequencer (11:24) The Risks of Centralized Sequencers (20:13) Using the L1 as the Sequencer (23:12) Why Use a Shared Sequencer? (34:56) Quicknode (36:43) Kwenta (37:40) The Tradeoffs (40:35) Who will be the Sequencers? (45:23) The AWS Analogy (50:27) Economic Capture and Allocation Challenges (58:28) How Block Times Impact Shared Sequencing (01:01:12) Competition (01:05:04) Restaking Risk and Timelines - - Follow Josh: https://twitter.com/Jskybowen Follow Ben: https://twitter.com/benafisch Follow Jason: https://twitter.com/JasonYanowitz Follow Santi: https://twitter.com/santiagoroel Follow Empire: https://twitter.com/theempirepod Subscribe on YouTube: https://tinyurl.com/4fdhhb2j Subscribe on Apple: https://tinyurl.com/mv4frfv7 Subscribe on Spotify: https://tinyurl.com/wbaypprw Get top market insights and the latest in crypto news. Subscribe to Blockworks Daily Newsletter: https://blockworks.co/newsletter/  - - This episode is brought to you by Quicknode. QuickNode is an end-to-end blockchain developer platform that makes building Web3 apps easy. Go to QuickNode.com and use code Empire for a free month on their feature-packed Build Plan! - - This episode is brought to you by Kwenta, the premier derivatives trading platform on Optimism that offers deep liquidity, low fees and up to 50x leverage across 24+ assets. Go to Kwenta.io and start trading today! - - Resources Espresso Systems https://www.espressosys.com/ https://twitter.com/EspressoSys Astria https://www.astria.org/ https://twitter.com/AstriaOrg - -  Disclaimer: Nothing said on Empire is a recommendation to buy or sell securities or tokens. This podcast is for informational purposes only, and any views expressed by anyone on the show are solely our opinions, not financial advice. Santiago, Jason, and our guests may hold positions in the companies, funds, or projects discussed.

Bio 1st Season HC at North Alabama 9 seasons as HC of West Chester Universitywas first and only NCAA school to win a championship 2 NCAA Championships in 2012 and 2017 Former Associate HC and RC at University of Delaware Former PC and RC at William and Mary university   Notes Not going to settle Getting to know our current roster Do the right thing - attach to anything and everything Giving guys the comfort to be themselves Giving guys opportunities and in pursuit to become the best version of themselves 100% focus 100% effort Don't flinch - body language will not be affected by circumstances Can people see it when watch us play Challenge players after a win - tighten up Clips of what we want, and review what we want - we want to get it right Classroom sessions as needed Team meetings - attach videos The name on the front of the jersey is important, but I don't want to diminish the name on the back! If you have the chase to help and willingness to help someone through something you can get in  I'm not going to the field looking to cross guys off Can you lead yourself? Can you help someone else? Scheduled conversations - end of semester, end of year, and as needed Players stay true to what's best for them (more stable) Get in the right hype level I never want hype level to get in the way of what's right Stack different game situations Make sure we are repping what it going to impact the game the most Baseball BP - stacked machine (FB/CB), coach mix, coach mix scouting report,  During live balls as much as we can during BP Attach decision making to the types of frequent lanes with a certain type of runner Pitching with runners on no matter how clean you may have been in an intersquad The guys that can handle the moment, they are the ones you want to give the ball to “Sequencer” can help you project lineups Being aware of stacking guys up between each other Breaking up the pockets Switch hitter/LHH in 2 hole Continuity of the lineup to start anticipating options  

Demo of 808-style MIDI drum trigger sequencer made with CircuitPython running on Kee Boar KB2040. Check out John Park's Learn Guide here to build your own https://learn.adafruit.com/16-step-drum-sequencer/overview Visit the Adafruit shop online - http://www.adafruit.com ----------------------------------------- LIVE CHAT IS HERE! http://adafru.it/discord Adafruit on Instagram: https://www.instagram.com/adafruit Subscribe to Adafruit on YouTube: http://adafru.it/subscribe New tutorials on the Adafruit Learning System: http://learn.adafruit.com/ -----------------------------------------

Check out our new Eco T-Shirts: https://audionauticrecords.bandcamp.com/merch/audionautic-space-eco-tee Special thanks: McKinleyA - Audionaut Engineer Lars Haur - Audionaut Producer Help Support the Channel: Patreon: https://www.patreon.com/audionautic PayPal: https://www.paypal.com/paypalme/AudionauticRecords Join the conversation:

Should you ever be ashamed of liking something? Does the concept of a "guilty pleasure" even apply in the anything-goes 21st century? Can you like something that you also think is bad? Is it simple nostalgia, or a deep appreciation of craft?We attempt to answer these questions as we share some of our self-defined guiltiest pleasures, and explain why we feel bad for liking them.This episode is made with REAL CHEESE!--References:Styx "Too Much Time On My Hands": https://youtu.be/5XcKBmdfpWsStyx "Come Sail Away": https://youtu.be/e5MAg_yWsq8Styx "Blue Collar Man": https://youtu.be/CDM6v1XhWEgStyx "Babe": https://youtu.be/yaVyQS1T7TYStyx "Renegade": https://youtu.be/E9eLz4DrwF8Fleetwood Mac "Tusk": https://youtu.be/ATMR5ettHz8Sly Fox "Let's Go All The Way": https://youtu.be/X-tYprm1WRoRihanna "Diamonds" (written by Sia): https://youtu.be/lWA2pjMjpBsSia gets in trouble for "Music": https://nypost.com/2021/02/17/more-than-55000-critics-cancel-sias-music-amid-backlash/Kenny Loggins "Easy Driver": https://youtu.be/rOFanKyFSUEKenny Loggins "I'm Alright": https://youtu.be/PVjU7g6zWcwKenny Loggins "This Is It": https://youtu.be/VS52sEUqxMoBee Gees "Tragedy": https://youtu.be/WJcozEOWgxIBee Gees "I Started A Joke": https://youtu.be/4ZWKR2zJESkBee Gees "To Love Somebody": https://youtu.be/DWJWWHCFPbEMiley Cyrus "Wrecking Ball": https://youtu.be/My2FRPA3Gf8Harry Styles "Watermelon Sugar": https://youtu.be/E07s5ZYygMgKaty Perry "Teenage Dream": https://youtu.be/98WtmW-lfeEAllan Holdsworth "Tokyo Dream" (Live 1984): https://youtu.be/txSs03ET-jsPat Metheny "Last Train Home": https://youtu.be/Sq5oqY3-vhgAl Dimeola (with Jan Hammer) "Sequencer": https://youtu.be/JS9hlHg9jXoAndy Summers & Robert Fripp "I Advance Masked": https://youtu.be/8vEM0GZWFJ0Lady Gaga "Bad Romance": https://youtu.be/qrO4YZeyl0IBlondie "Heart of Glass": https://youtu.be/WGU_4-5RaxUBlondie "Hanging on the Telephone": https://youtu.be/uWhkbDMISl8Michael Penn "No Myth": https://youtu.be/IxkJHX7ukKEPatrick Warren: https://en.wikipedia.org/wiki/Patrick_WarrenChamberlin (instrument): https://en.wikipedia.org/wiki/ChamberlinCombos stuffed snacks: https://www.combos.com/https://en.wikipedia.org/wiki/CombosRaven "Hellraiser/Action": https://youtu.be/LIkeHK8nwss--Michael Hateley:Lotus Mastering   http://lotusmastering.com/       Extra Fancy "You Look Like a Movie Star":https://youtu.be/0pE1TqlWHCkBaldyloks (Michael Hateley & John Napier):https://soundcloud.com/baldyloks-1Dee Madden:https://www.deemadden.com/Penal Colony “Blue 9” video:https://youtu.be/Fes9E3ea8FYDee Madden on Spotify:https://open.spotify.com/artist/4jsYxJ4QxzoGn9t0HRllPk Anu Kirk:https://www.anukirk.comAnu on BandcampSid Luscious and The Pants on BandcampLuscious-235 on BandcampRêvenir on Bandcamp

Special thanks: McKinleyA - Audionaut Engineer Lars Haur - Audionaut Producer Help Support the Channel: Patreon: https://www.patreon.com/audionautic PayPal: https://www.paypal.com/paypalme/AudionauticRecords?locale.x=en_GB Join the conversation:

In this week's episode, Anna (https://twitter.com/annarrose) and Tarun (https://twitter.com/tarunchitra) chat with Ye Zhang and Haichen Shen, the founders of Scroll - a native zkEVM Layer 2 Solution for Ethereum. They cover the founding of Scroll, the problems they aim to solve with their native zkEVM layer 2 solution, why scaling Ethereum is important, the philosophy of their zkEVM, and how this differs from other proposals as well as potential use cases or products that could benefit from the system. They wrap up with an exploration of how DApps and products on top of such as zkEVM may interact with the mainchain and with other applications. Here are some links for this episode: * Scroll (https://scroll.io/) * Scroll Tech Github (https://github.com/scroll-tech) * Scroll Whitepaper (https://ethresear.ch/t/introducing-scroll-a-new-layer2-solution/9186) * Episode 194: zkEVM with Jordi and David from Polygon Hermez (https://zeroknowledge.fm/episode-194-zkevm-with-jordi-david-from-hermez/) * Andrew Miller at UIUC (https://soc1024.ece.illinois.edu/) * Ethereum Yellow Paper (https://ethereum.github.io/yellowpaper/paper.pdf) * Ethereum Design Decisions (https://vitalik.ca/general/2022/03/29/road.html) The ZK Podcast team is growing! We're looking to hire an additional content producer to join us. There's a job posting for this role over on the ZK Jobs Board. Learn more and apply here. (https://jobsboard.zeroknowledge.fm/job/154/content-producer/) Today's episode is sponsored by Anoma (https://anoma.net/) Anoma is a suite of protocols that enable self-sovereign coordination. Their unique architecture facilitates efficiently the simplest forms of economic coordination such as two parties transferring an asset to each other. As well as more sophisticated ones like an asset agnostic bartering system involving multiple parties without direct “coincidence of wants”; or even more complex ones such as “N-party” collective commitments to solve multipolar traps – where any interaction can be performed with adjustable zero-knowledge privacy. Visit Anoma (https://anoma.net/) to learn more! If you like what we do: Find all our links here! @ZeroKnowledge | Linktree (https://linktr.ee/zeroknowledge) Subscribe to our podcast newsletter (https://zeroknowledge.substack.com) Follow us on Twitter @zeroknowledgefm (https://twitter.com/zeroknowledgefm) Join us on Telegram (https://zeroknowledge.fm/telegram) Catch us on Youtube (https://zeroknowledge.fm/) Head to the ZK Community Forum (https://community.zeroknowledge.fm/) Support our Gitcoin Grant (https://zeroknowledge.fm/gitcoin-grant-329-zkp-2)

Hosts Nate Wilcox & Ryan Harkness mull Matos' telling of the emergence of the first wave of Detroit Techno, led by the Belleville Three: Juan Atkins, Derrick May and Kevin Saunderson. As May said, "The music is just like Detroit, a complete mistake. It's like George Clinton and Kraftwerk are stuck in an elevator with only a sequencer to keep them company."Have a question or a suggestion for a topic or person for Nate to interview? Email letitrollpodcast@gmail.comFollow us on Twitter.Follow us on Facebook.Let It Roll is proud to be part of Pantheon Podcasts.

Hosts Nate Wilcox & Ryan Harkness mull Matos' telling of the emergence of the first wave of Detroit Techno, led by the Belleville Three: Juan Atkins, Derrick May and Kevin Saunderson. As May said, "The music is just like Detroit, a complete mistake. It's like George Clinton and Kraftwerk are stuck in an elevator with only a sequencer to keep them company." Have a question or a suggestion for a topic or person for Nate to interview? Email letitrollpodcast@gmail.com Follow us on Twitter. Follow us on Facebook. Let It Roll is proud to be part of Pantheon Podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices