Podcasts about National Novel Writing Month

What if the most transformative thing you can do for your writing craft and author business is to face what you fear? How can you can find gold in your Shadow in the year ahead? In this episode, I share chapters from Writing the Shadow: Turn Your Inner Darkness Into Words. In the intro, curated book boxes from Bridgerton's Julia Quinn; Google's agentic shopping, and powering Apple's Siri; ChatGPT Ads; and Claude CoWork. Balancing Certainty and Uncertainty [MoonShots with Tony Robbins]; and three trends for authors with me and Orna Ross [Self-Publishing with ALLi Podcast]; plus, Bones of the Deep, Business for Authors, and Indie Author Lab. This show is supported by my Patrons. Join my Community at Patreon.com/thecreativepenn  Joanna Penn writes non-fiction for authors and is an award-winning, New York Times and USA Today bestselling author of thrillers, dark fantasy, and memoir as J.F. Penn. She's also an award-winning podcaster, creative entrepreneur, and international professional speaker. What is the Shadow? The ‘creative wound' and the Shadow in writing The Shadow in traditional publishing The Shadow in self-publishing or being an indie author The Shadow in work The Shadow in money You can find Writing the Shadow in all formats on all stores, as well as special edition, workbook and bundles at www.TheCreativePenn.com/shadowbook Writing the Shadow: Turn Your Inner Darkness Into Words The following chapters are excerpted from Writing the Shadow: Turn Your Inner Darkness Into Words by Joanna Penn. Introduction. What is the Shadow? “How can I be substantial if I do not cast a shadow? I must have a dark side also if I am to be whole.” —C.G. Jung, Modern Man in Search of a Soul We all have a Shadow side and it is the work of a lifetime to recognise what lies within and spin that base material into gold. Think of it as a seedling in a little pot that you're given when you're young. It's a bit misshapen and weird, not something you would display in your living room, so you place it in a dark corner of the basement. You don't look at it for years. You almost forget about it. Then one day you notice tendrils of something wild poking up through the floorboards. They're ugly and don't fit with your Scandi-minimalist interior design. You chop the tendrils away and pour weedkiller on what's left, trying to hide the fact that they were ever there. But the creeping stems keep coming. At some point, you know you have to go down there and face the wild thing your seedling has become. When you eventually pluck up enough courage to go down into the basement, you discover that the plant has wound its roots deep into the foundations of your home. Its vines weave in and out of the cracks in the walls, and it has beautiful flowers and strange fruit. It holds your world together. Perhaps you don't need to destroy the wild tendrils. Perhaps you can let them wind up into the light and allow their rich beauty to weave through your home. It will change the look you have so carefully cultivated, but maybe that's just what the place needs. The Shadow in psychology Carl Gustav Jung was a Swiss psychologist and the founder of analytical psychology. He described the Shadow as an unconscious aspect of the human personality, those parts of us that don't match up to what is expected of us by family and society, or to our own ideals. The Shadow is not necessarily evil or illegal or immoral, although of course it can be. It's also not necessarily caused by trauma, abuse, or any other severely damaging event, although again, it can be. It depends on the individual. What is in your Shadow is based on your life and your experiences, as well as your culture and society, so it will be different for everyone. Psychologist Connie Zweig, in The Inner Work of Age, explains, “The Shadow is that part of us that lies beneath or behind the light of awareness. It contains our rejected, unacceptable traits and feelings. It contains our hidden gifts and talents that have remained unexpressed or unlived. As Jung put it, the essence of the Shadow is pure gold.” To further illustrate the concept, Robert Bly, in A Little Book on the Human Shadow,uses the following metaphor: “When we are young, we carry behind us an invisible bag, into which we stuff any feelings, thoughts, or behaviours that bring disapproval or loss of love—anger, tears, neediness, laziness. By the time we go to school, our bags are already a mile long. In high school, our peer groups pressure us to stuff the bags with even more—individuality, sexuality, spontaneity, different opinions. We spend our life until we're twenty deciding which parts of ourselves to put into the bag and we spend the rest of our lives trying to get them out again.” As authors, we can use what's in the ‘bag' to enrich our writing — but only if we can access it. My intention with this book is to help you venture into your Shadow and bring some of what's hidden into the light and into your words. I'll reveal aspects of my Shadow in these pages but ultimately, this book is about you. Your Shadow is unique. There may be elements we share, but much will be different. Each chapter has questions for you to consider that may help you explore at least the edges of your Shadow, but it's not easy. As Jung said, “One does not become enlightened by imagining figures of light, but by making the darkness conscious. The latter procedure, however, is disagreeable and therefore not popular.” But take heart, Creative. You don't need courage when things are easy. You need it when you know what you face will be difficult, but you do it anyway. We are authors. We know how to do hard things. We turn ideas into books. We manifest thoughts into ink on paper. We change lives with our writing. First, our own, then other people's. It's worth the effort to delve into Shadow, so I hope you will join me on the journey. The creative wound and the Shadow in writing “Whatever pain you can't get rid of, make it your creative offering.” —Susan Cain, Bittersweet  The more we long for something, the more extreme our desire, the more likely it is to have a Shadow side. For those of us who love books, the author life may well be a long-held dream and thus, it is filled with Shadow. Books have long been objects of desire, power, and authority. They hold a mythic status in our lives. We escaped into stories as children; we studied books at school and college; we read them now for escape and entertainment, education and inspiration. We collect beautiful books to put on our shelves. We go to them for solace and answers to the deepest questions of life. Writers are similarly held in high esteem. They shape culture, win literary prizes, give important speeches, and are quoted in the mainstream media. Their books are on the shelves in libraries and bookstores. Writers are revered, held up as rare, talented creatures made separate from us by their brilliance and insight. For bibliophile children, books were everything and to write one was a cherished dream. To become an author? Well, that would mean we might be someone special, someone worthy. Perhaps when you were young, you thought the dream of being a writer was possible — then you told someone about it. That's probably when you heard the first criticism of such a ridiculous idea, the first laughter, the first dismissal. So you abandoned the dream, pushed the idea of being a writer into the Shadow, and got on with your life. Or if it wasn't then, it came later, when you actually put pen to paper and someone — a parent, teacher, partner, or friend, perhaps even a literary agent or publisher, someone whose opinion you valued — told you it was worthless. Here are some things you might have heard: Writing is a hobby. Get a real job. You're not good enough. You don't have any writing talent. You don't have enough education. You don't know what you're doing. Your writing is derivative / unoriginal / boring / useless / doesn't make sense. The genre you write in is dead / worthless / unacceptable / morally wrong / frivolous / useless.  Who do you think you are? No one would want to read what you write. You can't even use proper grammar, so how could you write a whole book? You're wasting your time. You'll never make it as a writer. You shouldn't write those things (or even think about those things). Why don't you write something nice? Insert other derogatory comment here! Mark Pierce describes the effect of this experience in his book The Creative Wound, which “occurs when an event, or someone's actions or words, pierce you, causing a kind of rift in your soul. A comment—even offhand and unintentional—is enough to cause one.” He goes on to say that such words can inflict “damage to the core of who we are as creators. It is an attack on our artistic identity, resulting in us believing that whatever we make is somehow tainted or invalid, because shame has convinced us there is something intrinsically tainted or invalid about ourselves.” As adults, we might brush off such wounds, belittling them as unimportant in the grand scheme of things. We might even find ourselves saying the same words to other people. After all, it's easier to criticise than to create. But if you picture your younger self, bright eyed as you lose yourself in your favourite book, perhaps you might catch a glimpse of what you longed for before your dreams were dashed on the rocks of other people's reality. As Mark Pierce goes on to say, “A Creative Wound has the power to delay our pursuits—sometimes for years—and it can even derail our lives completely… Anything that makes us feel ashamed of ourselves or our work can render us incapable of the self-expression we yearn for.” This is certainly what happened to me, and it took decades to unwind. Your creative wounds will differ to mine but perhaps my experience will help you explore your own. To be clear, your Shadow may not reside in elements of horror as mine do, but hopefully you can use my example to consider where your creative wounds might lie. “You shouldn't write things like that.” It happened at secondary school around 1986 or 1987, so I would have been around eleven or twelve years old. English was one of my favourite subjects and the room we had our lessons in looked out onto a vibrant garden. I loved going to that class because it was all about books, and they were always my favourite things. One day, we were asked to write a story. I can't remember the specifics of what the teacher asked us to write, but I fictionalised a recurring nightmare. I stood in a dark room. On one side, my mum and my brother, Rod, were tied up next to a cauldron of boiling oil, ready to be thrown in. On the other side, my dad and my little sister, Lucy, were threatened with decapitation by men with machetes. I had to choose who would die. I always woke up, my heart pounding, before I had to choose. Looking back now, it clearly represented an internal conflict about having to pick sides between the two halves of my family. Not an unexpected issue from a child of divorce. Perhaps these days, I might have been sent to the school counsellor, but it was the eighties and I don't think we even had such a thing. Even so, the meaning of the story isn't the point. It was the reaction to it that left scars. “You shouldn't write things like that,” my teacher said, and I still remember her look of disappointment, even disgust. Certainly judgment. She said my writing was too dark. It wasn't a proper story. It wasn't appropriate for the class. As if horrible things never happened in stories — or in life. As if literature could not include dark tales. As if the only acceptable writing was the kind she approved of. We were taught The Prime of Miss Jean Brodie that year, which says a lot about the type of writing considered appropriate. Or perhaps the issue stemmed from the school motto, “So hateth she derknesse,” from Chaucer's The Legend of Good Women: “For fear of night, so she hates the darkness.” I had won a scholarship to a private girls' school, and their mission was to turn us all into proper young ladies. Horror was never on the curriculum. Perhaps if my teacher had encouraged me to write my darkness back then, my nightmares would have dissolved on the page. Perhaps if we had studied Mary Shelley's Frankenstein, or H.P. Lovecraft stories, or Bram Stoker's Dracula, I could have embraced the darker side of literature earlier in my life. My need to push darker thoughts into my Shadow was compounded by my (wonderful) mum's best intentions. We were brought up on the principles of The Power of Positive Thinking by Norman Vincent Peale and she tried to shield me and my brother from anything harmful or horrible. We weren't allowed to watch TV much, and even the British school drama Grange Hill was deemed inappropriate. So much of what I've achieved is because my mum instilled in me a “can do” attitude that anything is possible. I'm so grateful to her for that. (I love you, Mum!) But all that happy positivity, my desire to please her, to be a good girl, to make my teachers proud, and to be acceptable to society, meant that I pushed my darker thoughts into Shadow. They were inappropriate. They were taboo. They must be repressed, kept secret, and I must be outwardly happy and positive at all times. You cannot hold back the darkness “The night is dark and full of terrors.” —George R.R. Martin, A Storm of Swords It turned out that horror was on the curriculum, much of it in the form of educational films we watched during lessons. In English Literature, we watched Romeo drink poison and Juliet stab herself in Zeffirelli's Romeo and Juliet. In Religious Studies, we watched Jesus beaten, tortured, and crucified in The Greatest Story Ever Told, and learned of the variety of gruesome ways that Christian saints were martyred. In Classical Civilisation, we watched gladiators slaughter each other in Spartacus. In Sex Education at the peak of the AIDS crisis in the mid-'80s, we were told of the many ways we could get infected and die. In History, we studied the Holocaust with images of skeletal bodies thrown into mass graves, medical experiments on humans, and grainy videos of marching soldiers giving the Nazi salute. One of my first overseas school field trips was to the World War I battlegrounds of Flanders Fields in Belgium, where we studied the inhuman conditions of the trenches, walked through mass graves, and read war poetry by candlelight. As John McCrae wrote: We are the Dead. Short days agoWe lived, felt dawn, saw sunset glow,Loved and were loved, and now we lie, In Flanders fields. Did the teachers not realise how deeply a sensitive teenager might feel the darkness of that place? Or have I always been unusual in that places of blood echo deep inside me? And the horrors kept coming. We lived in Bristol, England back then and I learned at school how the city had been part of the slave trade, its wealth built on the backs of people stolen from their homes, sold, and worked to death in the colonies. I had been at school for a year in Malawi, Africa and imagined the Black people I knew drowning, being beaten, and dying on those ships. In my teenage years, the news was filled with ethnic cleansing, mass rape, and massacres during the Balkan wars, and images of bodies hacked apart during the Rwandan genocide. Evil committed by humans against other humans was not a historical aberration. I'm lucky and I certainly acknowledge my privilege. Nothing terrible or horrifying has happened to me — but bad things certainly happen to others. I wasn't bullied or abused. I wasn't raped or beaten or tortured. But you don't have to go through things to be afraid of them, and for your imagination to conjure the possibility of them. My mum doesn't read my fiction now as it gives her nightmares (Sorry, Mum!). I know she worries that somehow she's responsible for my darkness, but I've had a safe and (mostly) happy life, for which I'm truly grateful. But the world is not an entirely safe and happy place, and for a sensitive child with a vivid imagination, the world is dark and scary. It can be brutal and violent, and bad things happen, even to good people. No parent can shield their child from the reality of the world. They can only help them do their best to live in it, develop resilience, and find ways to deal with whatever comes. Story has always been a way that humans have used to learn how to live and deal with difficult times. The best authors, the ones that readers adore and can't get enough of, write their darkness into story to channel their experience, and help others who fear the same. In an interview on writing the Shadow on The Creative Penn Podcast, Michaelbrent Collings shared how he incorporated a personally devastating experience into his writing:  “My wife and I lost a child years back, and that became the root of one of my most terrifying books, Apparition. It's not terrifying because it's the greatest book of all time, but just the concept that there's this thing out there… like a demon, and it consumes the blood and fear of the children, and then it withdraws and consumes the madness of the parents… I wrote that in large measure as a way of working through what I was experiencing.” I've learned much from Michaelbrent. I've read many of his (excellent) books and he's been on my podcast multiple times talking about his depression and mental health issues, as well as difficulties in his author career. Writing darkness is not in Michaelbrent's Shadow and only he can say what lies there for him. But from his example, and from that of other authors, I too learned how to write my Shadow into my books. Twenty-three years after that English lesson, in November 2009, I did NaNoWriMo, National Novel Writing Month, and wrote five thousand words of what eventually became Stone of Fire, my first novel. In the initial chapter, I burned a nun alive on the ghats of Varanasi on the banks of the Ganges River. I had watched the bodies burn by night on pyres from a boat bobbing in the current a few years before, and the image was still crystal clear in my mind. The only way to deal with how it made me feel about death was to write about it — and since then, I've never stopped writing. Returning to the nightmare from my school days, I've never had to choose between the two halves of my family, but the threat of losing them remains a theme in my fiction. In my ARKANE thriller series, Morgan Sierra will do anything to save her sister and her niece. Their safety drives her to continue to fight against evil. Our deepest fears emerge in our writing, and that's the safest place for them. I wish I'd been taught how to turn my nightmares into words back at school, but at least now I've learned to write my Shadow onto the page. I wish the same for you. The Shadow in traditional publishing If becoming an author is your dream, then publishing a book is deeply entwined with that. But as Mark Pierce says in The Creative Wound, “We feel pain the most where it matters the most… Desire highlights whatever we consider to be truly significant.” There is a lot of desire around publishing for those of us who love books! It can give you: Validation that your writing is good enough Status and credibility Acceptance by an industry held in esteem  The potential of financial reward and critical acclaim Support from a team of professionals who know how to make fantastic books A sense of belonging to an elite community Pride in achieving a long-held goal, resulting in a confidence boost and self-esteem Although not guaranteed, traditional publishing can give you all these things and more, but as with everything, there is a potential Shadow side. Denying it risks the potential of being disillusioned, disappointed, and even damaged. But remember, forewarned is forearmed, as the saying goes. Preparation can help you avoid potential issues and help you feel less alone if you encounter them. The myth of success… and the reality of experience There is a pervasive myth of success in the traditional publishing industry, perpetuated by media reporting on brand name and breakout authors, those few outliers whose experience is almost impossible to replicate. Because of such examples, many new traditionally published authors think that their first book will hit the top of the bestseller charts or win an award, as well as make them a million dollars — or at least a big chunk of cash. They will be able to leave their job, write in a beautiful house overlooking the ocean, and swan around the world attending conferences, while writing more bestselling books. It will be a charmed life. But that is not the reality. Perhaps it never was. Even so, the life of a traditionally published author represents a mythic career with the truth hidden behind a veil of obscurity. In April 2023, The Bookseller in the UK reported that “more than half of authors (54%) responding to a survey on their experiences of publishing their debut book have said the process negatively affected their mental health. Though views were mixed, just 22%… described a positive experience overall… Among the majority who said they had a negative experience of debut publication, anxiety, stress, depression and ‘lowered' self-esteem were cited, with lack of support, guidance or clear and professional communication from their publisher among the factors that contributed.” Many authors who have negative experiences around publishing will push them into the Shadow with denial or self-blame, preferring to keep the dream alive. They won't talk about things in public as this may negatively affect their careers, but private discussions are often held in the corners of writing conferences or social media groups online. Some of the issues are as follows: Repeated rejection by agents and publishers may lead to the author thinking they are not good enough as a writer, which can lead to feeling unworthy as a person. If an author gets a deal, the amount of advance and the name and status of the publisher compared to others create a hierarchy that impacts self-esteem. A deal for a book may be much lower than an author might have been expecting, with low or no advance, and the resulting experience with the publisher beneath expectations. The launch process may be disappointing, and the book may appear without fanfare, with few sales and no bestseller chart position. In The Bookseller report, one author described her launch day as “a total wasteland… You have expectations about what publication day will be like, but in reality, nothing really happens.” The book may receive negative reviews by critics or readers or more publicly on social media, which can make an author feel attacked. The book might not sell as well as expected, and the author may feel like it's their fault. Commercial success can sometimes feel tied to self-worth and an author can't help but compare their sales to others, with resulting embarrassment or shame. The communication from the publisher may be less than expected. One author in The Bookseller report said, “I was shocked by the lack of clarity and shared information and the cynicism that underlies the superficial charm of this industry.” There is often more of a focus on debut authors in publishing houses, so those who have been writing and publishing in the midlist for years can feel ignored and undervalued. In The Bookseller report, 48 percent of authors reported “their publisher supported them for less than a year,” with one saying, “I got no support and felt like a commodity, like the team had moved on completely to the next book.” If an author is not successful enough, the next deal may be lower than the last, less effort is made with marketing, and they may be let go. In The Bookseller report, “six authors—debut and otherwise—cited being dropped by their publisher, some with no explanation.” Even if everything goes well and an author is considered successful by others, they may experience imposter syndrome, feeling like a fraud when speaking at conferences or doing book signings. And the list goes on … All these things can lead to feelings of shame, inadequacy, and embarrassment; loss of status in the eyes of peers; and a sense of failure if a publishing career is not successful enough. The author feels like it's their fault, like they weren't good enough — although, of course, the reality is that the conditions were not right at the time. A failure of a book is not a failure of the person, but it can certainly feel like it! When you acknowledge the Shadow, it loses its power Despite all the potential negatives of traditional publishing, if you know what could happen, you can mitigate them. You can prepare yourself for various scenarios and protect yourself from potential fall-out. It's clear from The Bookseller report that too many authors have unrealistic expectations of the industry. But publishers are businesses, not charities. It's not their job to make you feel good as an author. It's their job to sell books and pay you. The best thing they can do is to continue to be a viable business so they can keep putting books on the shelves and keep paying authors, staff, and company shareholders. When you license your creative work to a publisher, you're giving up control of your intellectual property in exchange for money and status. Bring your fears and issues out of the Shadow, acknowledge them, and deal with them early, so they do not get pushed down and re-emerge later in blame and bitterness. Educate yourself on the business of publishing. Be clear on what you want to achieve with any deal. Empower yourself as an author, take responsibility for your career, and you will have a much better experience. The Shadow in self-publishing or being an indie author Self-publishing, or being an independent (indie) author, can be a fantastic, pro-active choice for getting your book into the world. Holding your first book in your hand and saying “I made this” is pretty exciting, and even after more than forty books, I still get excited about seeing ideas in my head turn into a physical product in the world. Self-publishing can give an author: Creative control over what to write, editorial and cover design choices, when and how often to publish, and how to market Empowerment over your author career and the ability to make choices that impact success without asking for permission Ownership and control of intellectual property assets, resulting in increased opportunity around licensing and new markets Independence and the potential for recurring income for the long term Autonomy and flexibility around timelines, publishing options, and the ability to easily pivot into new genres and business models Validation based on positive reader reviews and money earned Personal growth and learning through the acquisition of new skills, resulting in a boost in confidence and self-esteem A sense of belonging to an active and vibrant community of indie authors around the world Being an indie author can give you all this and more, but once again, there is a Shadow side and preparation can help you navigate potential issues. The myth of success… and the reality of experience As with traditional publishing, the indie author world has perpetuated a myth of success in the example of the breakout indie author like E.L. James with Fifty Shades of Grey, Hugh Howey with Wool, or Andy Weir with The Martian. The emphasis on financial success is also fuelled online by authors who share screenshots showing six-figure months or seven-figure years, without sharing marketing costs and other outgoings, or the amount of time spent on the business. Yes, these can inspire some, but it can also make others feel inadequate and potentially lead to bad choices about how to publish and market based on comparison. The indie author world is full of just as much ego and a desire for status and money as traditional publishing. This is not a surprise! Most authors, regardless of publishing choices, are a mix of massive ego and chronic self-doubt. We are human, so the same issues will re-occur. A different publishing method doesn't cure all ills. Some of the issues are as follows: You learn everything you need to know about writing and editing, only to find that you need to learn a whole new set of skills in order to self-publish and market your book. This can take a lot of time and effort you did not expect, and things change all the time so you have to keep learning. Being in control of every aspect of the publishing process, from writing to cover design to marketing, can be overwhelming, leading to indecision, perfectionism, stress, and even burnout as you try to do all the things. You try to find people to help, but building your team is a challenge, and working with others has its own difficulties. People say negative things about self-publishing that may arouse feelings of embarrassment or shame. These might be little niggles, but they needle you, nonetheless. You wonder whether you made the right choice. You struggle with self-doubt and if you go to an event with traditional published authors, you compare yourself to them and feel like an imposter. Are you good enough to be an author if a traditional publisher hasn't chosen you? Is it just vanity to self-publish? Are your books unworthy? Even though you worked with a professional editor, you still get one-star reviews and you hate criticism from readers. You wonder whether you're wasting your time. You might be ripped off by an author services company who promise the world, only to leave you with a pile of printed books in your garage and no way to sell them. When you finally publish your book, it languishes at the bottom of the charts while other authors hit the top of the list over and over, raking in the cash while you are left out of pocket. You don't admit to over-spending on marketing as it makes you ashamed. You resist book marketing and make critical comments about writers who embrace it. You believe that quality rises to the top and if a book is good enough, people will buy it anyway. This can lead to disappointment and disillusionment when you launch your book and it doesn't sell many copies because nobody knows about it. You try to do what everyone advises, but you still can't make decent money as an author. You're jealous of other authors' success and put it down to them ‘selling out' or writing things you can't or ‘using AI' or ‘using a ghostwriter' or having a specific business model you consider impossible to replicate. And the list goes on… When you acknowledge the Shadow, it loses its power Being in control of your books and your author career is a double-edged sword. Traditionally published authors can criticise their publishers or agents or the marketing team or the bookstores or the media, but indie authors have to take responsibility for it all. Sure, we can blame ‘the algorithms' or social media platforms, or criticise other authors for having more experience or more money to invest in marketing, or attribute their success to writing in a more popular genre — but we also know there are always people who do well regardless of the challenges. Once more, we're back to acknowledging and integrating the Shadow side of our choices. We are flawed humans. There will always be good times and bad, and difficulties to offset the high points. This too shall pass, as the old saying goes. I know that being an indie author has plenty of Shadow. I've been doing this since 2008 and despite the hard times, I'm still here. I'm still writing. I'm still publishing. This life is not for everyone, but it's my choice. You must make yours. The Shadow in work You work hard. You make a living. Nothing wrong with that attitude, right? It's what we're taught from an early age and, like so much of life, it's not a problem until it goes to extremes. Not achieving what you want to? Work harder. Can't get ahead? Work harder. Not making a good enough living? Work harder. People who don't work hard are lazy. They don't deserve handouts or benefits. People who don't work hard aren't useful, so they are not valued members of our culture and community. But what about the old or the sick, the mentally ill, or those with disabilities? What about children? What about the unemployed? The under-employed? What about those who are — or will be — displaced by technology, those called “the useless class” by historian Yuval Noah Harari in his book Homo Deus? What if we become one of these in the future? Who am I if I cannot work? The Shadow side of my attitude to work became clear when I caught COVID in the summer of 2021. I was the sickest I'd ever been. I spent two weeks in bed unable to even think properly, and six weeks after that, I was barely able to work more than an hour a day before lying in the dark and waiting for my energy to return. I was limited in what I could do for another six months after that. At times, I wondered if I would ever get better. Jonathan kept urging me to be patient and rest. But I don't know how to rest. I know how to work and how to sleep. I can do ‘active rest,' which usually involves walking a long way or traveling somewhere interesting, but those require a stronger mind and body than I had during those months. It struck me that even if I recovered from the virus, I had glimpsed my future self. One day, I will be weak in body and mind. If I'm lucky, that will be many years away and hopefully for a short time before I die — but it will happen. I am an animal. I will die. My body and mind will pass on and I will be no more. Before then I will be weak. Before then, I will be useless. Before then, I will be a burden. I will not be able to work… But who am I if I cannot work? What is the point of me? I can't answer these questions right now, because although I recognise them as part of my Shadow, I've not progressed far enough to have dealt with them entirely. My months of COVID gave me some much-needed empathy for those who cannot work, even if they want to. We need to reframe what work is as a society, and value humans for different things, especially as technology changes what work even means. That starts with each of us. “Illness, affliction of body and soul, can be life-altering. It has the potential to reveal the most fundamental conflict of the human condition: the tension between our infinite, glorious dreams and desires and our limited, vulnerable, decaying physicality.” —Connie Zweig, The Inner Work of Age: Shifting from Role to Soul The Shadow in money In the Greek myth, King Midas was a wealthy ruler who loved gold above all else. His palace was adorned with golden sculptures and furniture, and he took immense pleasure in his riches. Yet, despite his vast wealth, he yearned for more. After doing a favour for Dionysus, the god of wine and revelry, Midas was granted a single wish. Intoxicated by greed, he wished that everything he touched would turn to gold — and it was so. At first, it was a lot of fun. Midas turned everything else in his palace to gold, even the trees and stones of his estate. After a morning of turning things to gold, he fancied a spot of lunch. But when he tried to eat, the food and drink turned to gold in his mouth. He became thirsty and hungry — and increasingly desperate. As he sat in despair on his golden throne, his beloved young daughter ran to comfort him. For a moment, he forgot his wish — and as she wrapped her arms around him and kissed his cheek, she turned into a golden statue, frozen in precious metal. King Midas cried out to the gods to forgive him, to reverse the wish. He renounced his greed and gave away all his wealth, and his daughter was returned to life. The moral of the story: Wealth and greed are bad. In Charles Dickens's A Christmas Carol, Ebenezer Scrooge is described as a “squeezing, wrenching, grasping, scraping, clutching, covetous, old sinner.” He's wealthy but does not share, considering Christmas spending to be frivolous and giving to charity to be worthless. He's saved by a confrontation with his lonely future and becomes a generous man and benefactor of the poor. Wealth is good if you share it with others. The gospel of Matthew, chapter 25: 14-30, tells the parable of the bags of gold, in which a rich man goes on a journey and entrusts his servants with varying amounts of gold. On his return, the servants who multiplied the gold through their efforts and investments are rewarded, while the one who merely returned the gold with no interest is punished: “For whoever has will be given more, and they will have an abundance. Whoever does not have, even what they have will be taken from them.” Making money is good, making more money is even better. If you can't make any money, you don't deserve to have any. Within the same gospel, in Matthew 19:24, Jesus encounters a wealthy man and tells him to sell all his possessions and give the money to the poor, which the man is unable to do. Jesus says, “It is easier for a camel to go through the eye of a needle than for someone who is rich to enter the kingdom of God.” Wealth is bad. Give it all away and you'll go to heaven. With all these contradictory messages, no wonder we're so conflicted about money! How do you think and feel about money? While money is mostly tied to our work, it's far more than just a transactional object for most people. It's loaded with complex symbolism and judgment handed down by family, religion, and culture. You are likely to find elements of Shadow by examining your attitudes around money. Consider which of the following statements resonate with you or write your own. Money stresses me out. I don't want to talk about it or think about it. Some people hoard money, so there is inequality. Rich people are bad and we should take away their wealth and give it to the poor.  I can never make enough money to pay the bills, or to give my family what I want to provide. Money doesn't grow on trees.  It's wasteful to spend money as you might need it later, so I'm frugal and don't spend money unless absolutely necessary. It is better and more ethical to be poor than to be rich. I want more money. I read books and watch TV shows about rich people because I want to live like that. Sometimes I spend too much on things for a glimpse of what that might be like.  I buy lottery tickets and dream of winning all that money.  I'm jealous of people who have money. I want more of it and I resent those who have it. I'm no good with money. I don't like to look at my bank statement or credit card statement. I live off my overdraft and I'm in debt. I will never earn enough to get out of debt and start saving, so I don't think too much about it. I don't know enough about money. Talking about it makes me feel stupid, so I just ignore it. People like me aren't educated about money.  I need to make more money. If I can make lots of money, then people will look up to me. If I make lots of money, I will be secure, nothing can touch me, I will be safe.  I never want to be poor. I would be ashamed to be poor. I will never go on benefits. My net worth is my self worth. Money is good. We have the best standard of living in history because of the increase in wealth over time. Even the richest kings of the past didn't have what many middle-class people have today in terms of access to food, water, technology, healthcare, education, and more. The richest people give the most money to the poor through taxation and charity, as well as through building companies that employ people and invent new things. The very richest give away much of their fortunes. They provide far more benefit to the world than the poor.  I love money. Money loves me. Money comes easily and quickly to me. I attract money in multiple streams of income. It flows to me in so many ways. I spend money. I invest money. I give money. I'm happy and grateful for all that I receive. The Shadow around money for authors in particular Many writers and other creatives have issues around money and wealth. How often have you heard the following, and which do you agree with? You can't make money with your writing. You'll be a poor author in a garret, a starving artist.  You can't write ‘good quality' books and make money. If you make money writing, you're a hack, you're selling out. You are less worthy than someone who writes only for the Muse. Your books are commercial, not artistic. If you spend money on marketing, then your books are clearly not good enough to sell on their own. My agent / publisher / accountant / partner deals with the money side. I like to focus on the creative side of things. My money story Note: This is not financial or investment advice. Please talk to a professional about your situation. I've had money issues over the years — haven't we all! But I have been through a (long) process to bring money out of my Shadow and into the light. There will always be more to discover, but hopefully my money story will help you, or at least give you an opportunity to reflect. Like most people, I didn't grow up with a lot of money. My parents started out as teachers, but later my mum — who I lived with, along with my brother — became a change management consultant, moving to the USA and earning a lot more. I'm grateful that she moved into business because her example changed the way I saw money and provided some valuable lessons. (1) You can change your circumstances by learning more and then applying that to leverage opportunity into a new job or career Mum taught English at a school in Bristol when we moved back from Malawi, Africa, in the mid '80s but I remember how stressful it was for her, and how little money she made. She wanted a better future for us all, so she took a year out to do a master's degree in management. In the same way, when I wanted to change careers and leave consulting to become an author, I spent time and money learning about the writing craft and the business of publishing. I still invest a considerable chunk on continuous learning, as this industry changes all the time. (2) You might have to downsize in order to leap forward The year my mum did her degree, we lived in the attic of another family's house; we ate a lot of one-pot casserole and our treat was having a Yorkie bar on the walk back from the museum. We wore hand-me-down clothes, and I remember one day at school when another girl said I was wearing her dress. I denied it, of course, but there in back of the dress was her name tag. I still remember her name and I can still feel that flush of shame and embarrassment. I was determined to never feel like that again. But what I didn't realize at the time was that I was also learning the power of downsizing. Mum got her degree and then a new job in management in Bristol. She bought a house, and we settled for a few years. I had lots of different jobs as a teenager. My favourite was working in the delicatessen because we got a free lunch made from delicious produce. After I finished A-levels, I went to the University of Oxford, and my mum and brother moved to the USA for further opportunities. I've downsized multiple times over the years, taking a step back in order to take a step forward. The biggest was in 2010 when I decided to leave consulting. Jonathan and I sold our three-bedroom house and investments in Brisbane, Australia, and rented a one-bedroom flat in London, so we could be debt-free and live on less while I built up a new career. It was a decade before we bought another house. (3) Comparison can be deadly: there will always be people with more money than you Oxford was an education in many ways and relevant to this chapter is how much I didn't know about things people with money took for granted. I learned about formal hall and wine pairings, and how to make a perfect gin and tonic. I ate smoked salmon for the first time. I learned how to fit in with people who had a lot more money than I did, and I definitely wanted to have money of my own to play with. (4) Income is not wealth You can earn lots but have nothing to show for it after years of working. I learned this in my first few years of IT consulting after university. I earned a great salary and then went contracting, earning even more money at a daily rate. I had a wonderful time. I traveled, ate and drank and generally made merry, but I always had to go back to the day job when the money ran out. I couldn't work out how I could ever stop this cycle. Then I read Rich Dad, Poor Dad by Robert Kiyosaki, a book I still recommend, especially if you're from a family that values academic over financial education. I learned how to escape the rat race by building and/or accumulating assets that pay even when you're not working. It was a revelation! The ‘poor dad' in the book is a university professor. He knows so much about so many things, but he ends up poor as he did not educate himself about money. The ‘rich dad' has little formal education, but he knows about money and wealth because he learned about it, as we can do at any stage in our lives. (5) Not all investments suit every person, so find the right one for you Once I discovered the world of investing, I read all the books and did courses and in-person events. I joined communities and I up-skilled big time. Of course, I made mistakes and learned lots along the way. I tried property investing and renovated a couple of houses for rental (with more practical partners and skilled contractors). But while I could see that property investing might work for some people, I did not care enough about the details to make it work for me, and it was certainly not passive income. I tried other things. My first husband was a boat skipper and scuba diving instructor, so we started a charter. With the variable costs of fuel, the vagaries of New Zealand weather — and our divorce — it didn't last long! From all these experiments, I learned I wanted to run a business, but it needed to be online and not based on a physical location, physical premises, or other people. That was 2006, around the time that blogging started taking off and it became possible to make a living online. I could see the potential and a year later, the iPhone and the Amazon Kindle launched, which became the basis of my business as an author. (6) Boring, automatic saving and investing works best Between 2007 and 2011, I contracted in Australia, where they have compulsory superannuation contributions, meaning you have to save and invest a percentage of your salary or self-employed income. I'd never done that before, because I didn't understand it. I'd ploughed all my excess income into property or the business instead. But in Australia I didn't notice the money going out because it was automatic. I chose a particular fund and it auto-invested every month. The pot grew pretty fast since I didn't touch it, and years later, it's still growing. I discovered the power of compound interest and time in the market, both of which are super boring. This type of investing is not a get rich quick scheme. It's a slow process of automatically putting money into boring investments and doing that month in, month out, year in, year out, automatically for decades while you get on with your life. I still do this. I earn money as an author entrepreneur and I put a percentage of that into boring investments automatically every month. I also have a small amount which is for fun and higher risk investments, but mostly I'm a conservative, risk-averse investor planning ahead for the future. This is not financial advice, so I'm not giving any specifics. I have a list of recommended money books at www.TheCreativePenn.com/moneybooks if you want to learn more. Learning from the Shadow When I look back, my Shadow side around money eventually drove me to learn more and resulted in a better outcome (so far!). I was ashamed of being poor when I had to wear hand-me-down clothes at school. That drove a fear of not having any money, which partially explains my workaholism. I was embarrassed at Oxford because I didn't know how to behave in certain settings, and I wanted to be like the rich people I saw there. I spent too much money in my early years as a consultant because I wanted to experience a “rich” life and didn't understand saving and investing would lead to better things in the future. I invested too much in the wrong things because I didn't know myself well enough and I was trying to get rich quick so I could leave my job and ‘be happy.' But eventually, I discovered that I could grow my net worth with boring, long-term investments while doing a job I loved as an author entrepreneur. My only regret is that I didn't discover this earlier and put a percentage of my income into investments as soon as I started work. It took several decades to get started, but at least I did (eventually) start. My money story isn't over yet, and I keep learning new things, but hopefully my experience will help you reflect on your own and avoid the issue if it's still in Shadow. These chapters are excerpted from Writing the Shadow: Turn Your Inner Darkness Into Words by Joanna Penn  The post Writing The Shadow: The Creative Wound, Publishing, And Money, With Joanna Penn first appeared on The Creative Penn.

*This episode is a previous recording* Recording of Off the Shelf Radio Show from WDLR with co-hosts Nicole Fowles and Molly Meyers LaBadie and guest Matt Betts. This week we chat about National Novel Writing Month and, of course, what we've been reading!  Recommendations include My Life as a White Trash Zombie by Diana Rowland, The United States of Cryptids by J.W. Ocker, Freaky Folklore by Darkness Prevails, and Cackle by Rachel Harrison. Read more about today's episode here. Listen live every Friday morning at 9 AM. https://wdlrradio.com/program-schedule/off-the-shelf/  This episode originally aired on November 1, 2024.

On this episode of The Nonsense Podcast, things go off the rails immediately. Kelly opens with a wholesome fact about November being National Novel Writing Month… and within minutes the guys are debating whether they could ever write a book. Henvincible casually drops that he writes poetry, while FNBob proudly admits his “artistic side” is actually just lies, confidence, and psychological warfare to trick people into thinking he's deep.But once the show begins?It's over.FNBob unleashes one of the greatest rants in Nonsense history after attempting to watch The Rocky Horror Picture Show for the first time. Fifteen minutes was all he needed to declare it “the worst thing ever recorded with a camera,” dragging Tim Curry, Roger from American Dad, and the entire concept of musicals into the pit with it.Henvincible tries to defend the film.FNBob responds by cutting a full heel-turn promo about how hating things is not only normal—it's profitable, healthy, and maybe even necessary.By the end, he's ready to lead the world into a new era:“Maybe it's time to be the bad guys. Being good got us nowhere.”Absolute chaos. Classic Nonsense.✨ Episode Highlights

As part of Big Blend Radio's National Novel Writing Month programming, this episode of the Books & Authors Show with Books Forward features award-winning author Leigh M. Hall, who discusses her new atmospheric post–Civil War horror novel, The Chambermaids (LMH Publications, Nov. 11, 2025). A Claymore Award Winner for Best Southern Gothic, The Chambermaids follows a young woman and her older husband as they inherit a crumbling ancestral home—only to discover the walls hold more than memories. When two mysterious chambermaids arrive, the house's haunting secrets begin to unravel, blurring the line between freedom and fate. Blending psychological thriller and Southern Gothic elements, Hall delivers a chilling and thought-provoking story set in the aftermath of the Civil War—perfect for fans of Anne Rice and Shirley Jackson. In this engaging conversation, Leigh shares her unique writing journey, how fear and isolation shape her characters, and the importance of authenticity and atmosphere in storytelling. She also discusses the complexities of women's roles in historical fiction, the influence of Southern culture on her work, and her ongoing exploration of dark, haunting narratives. ✨Learn more about Leigh at https://www.leighmhall.com/  ✨Learn more about Books Forward at https://booksforward.com/    ✨This episode is featured on Big Blend Radio's “A Toast to The Arts," “Big Daily Blend,” and "Women Making History" podcast channels! Explore the Big Blend Radio Network: https://www.podbean.com/podcast-network/bigblendradionetwork 

In this engaging Big Blend Radio conversation, filmmaker and debut novelist TJ Derry talks about his powerful new novel "Carried Away: Surviving the Unimaginable" — a story that begins as a laid-back surf trip and spirals into a gripping fight for survival. When burned-out New Yorker Cole joins friends on a remote Indonesian island chain seeking clarity and connection, he finds beauty, friendship, and love — until a catastrophic tsunami changes everything. Stripped of modern comforts and confronted by nature's raw force, the group must navigate both physical peril and the deeper emotional reckoning that comes when everything else falls away. More than just a survival thriller, Carried Away is a soul-searching exploration of resilience, purpose, and rediscovering what truly matters. Derry shares how his background in cinematography and storytelling influenced his immersive writing style, and how surfing — with its balance of surrender and control — became the perfect metaphor for life. He also discusses the book's innovative use of QR codes for bonus materials and his partnership with Sungai Watch, an environmental organization cleaning Indonesia's rivers and beaches. Learn more at https://www.readcarriedaway.com/  ✨As part of our National Novel Writing Month programming, this episode is featured on Big Blend Radio's “A Toast to The Arts,” “Big Daily Blend,” and “Nature Connection” podcast channels! Explore the Big Blend Radio Network: https://www.podbean.com/podcast-network/bigblendradionetwork 

Welcome to November on The Stupid History Minute! Since it's National Novel Writing Month, we're diving into the history of some of the greatest novels ever written with Literary Legends Month.First up....Become a supporter of this podcast: https://www.spreaker.com/podcast/the-stupid-history-minute--4965707/support.

Send us a textNovember is coming, and NaNoWriMo is no more! If you are used to the challenge of writing a novel in 30 days making November your most prolific month, you are likely mourning the demise of National Novel Writing Month. But don't worry, Tina, Jen and Jamie are here to empathize as well as to offer you some alternatives to NaNo which can help you finish your writing year strong!https://reedsy.com/studio/challenges/reedsy-novel-sprint-2025#faqshttps://prowritingaid.com/novel-novemberhttps://novel90.com/writing-challenge-fall/Support this ministry on Patreon:https://www.patreon.com/christianindiewriters30 Days of Writing Sprint Prompts:https://www.amazon.com/dp/B08MGR7431Join Our Facebook Group:https://www.facebook.com/groups/listenersofciwp

National Novel Writing Month might be gone, but its founder Chris Baty and a collection of former employees and volunteers are making sure the writing tradition continues. Next month their new organization, NaNo 2.0, will be encouraging writers all over to start and complete a novel, while also providing support through resources and camaraderie.In this episode, Lily talks to Tavia Stewart and Laura Bradley from NaNo 2.0. Both of whom played integral roles in the original NaNoWriMo, with Tavia being its first employee. Laura was an eighth grade teacher who incorporated NaNoWriMo into her writing lessons and saw her students fall in love with the hardest writing assignment she had ever given in her 20 years of teaching. She's now one of the tradition's biggest advocates.Tune in to hear why Tavia and Laura believe in NaNo 2.0 and how it helps foster a love for writing. You might want to write a novel this year after listening!For all links and resources mentioned in this episode, head to the show notes: https://www.educatorforever.com/episode158.

Im November versuchen Autor:innen weltweit, 50.000 Wörter in einem Monat zu schreiben. Was als „National Novel Writing Month“ – kurz NaNo – anfing, ist inzwischen ein Phänomen in der gesamten Schreibbubble. Und das lebt auch über das Ende des offiziellen NaNo hinaus weiter.Wie aber schafft man so ein Vorhaben? Welche Vorbereitungen du jetzt treffen solltest, um deine Schreibchallenge zu schaffen und warum es sinnvoll sein kann, sich eigene Ziele unabhängig von den 50K zu setzen, erfährst du in dieser Folge. Cara spricht darin über ihre eigenen Vielschreibermonat und Hanna verrät dir, warum du eines ihrer Lieblingsthemen in dieser Zeit einmal schleifen lassen darfst – aber nicht must. Links aus der Folge:✩ Fantastischer Preptober: https://myablefy.com/s/Zeilenschlinger/fantastischer-preptober✩ Motivations-Mails von Melissa David: https://www.buchbubble.com/dein-schreibmonat/✩ Unsere Folge zu den NaNo-Skandalen: https://www.youtube.com/watch?v=FZb8V50Jmrc&pp=ygUZemVpbGVuc2NobGluZ2VyIG5hbm93cmltbw%3D%3D✩ Unsere Folge zu den Grundlagen für deinen Roman: https://www.youtube.com/watch?v=PQSWqAbc3VI&pp=ygUeemVpbGVuc2NobGluZ2VyIHJvbWFuIGFuZmFuZ2Vu✩ Unsere Folge zum Diktieren: https://www.youtube.com/watch?v=KSVbSXPEn0Y&pp=ygUZemVpbGVuc2NobGluZ2VyIGRpa3RpZXJlbg%3D%3DStelle dich deinem fantastischen Buchabenteuer mit denZeilenschlingern! In dieser Reihe von 12 Online-Workshops begleiten wir dich Schritt für Schritt durch den gesamten Schreibprozess✩ Jetzt mehr erfahren: https://zeilenschlinger.de/fantastisches-buchabenteuer/+Komm jetzt in unseren Zeilenschlinger Discord Channel: https://discord.gg/nRnDa5xt36 Du kämpfst (immer mal wieder) mit einer Schreibblockade?✩ Dann hol dir jetzt unserenOnline-Kurs "In 30 Tagen Schreibblockaden überwinden" https://elopage.com/s/Zeilenschlinger/in-30-tagen-schreibblockaden-ueberwinden-90034d47 Kennt ihr schon unseren Arschtritt des Monats?✩ Als Newsletter-Abonnenterhältst zu exklusiven Zugang zu unserer Datenbank, in der wir Vorlagen undChecklisten zu unseren Themen teilen.✩ Du erhältst Einblick inunseren persönlichen Schreibprozess.✩ Hier geht es zur Anmeldung: https://zeilenschlinger.de/#Newsletter-Anmeldung Euch gefällt unser Podcast? Wir würden uns über EureUnterstützung freuen:✩ Werdet offizieller Patreon: https://www.patreon.com/Zeilenschlinger✩ Gebt uns einen Kaffee aus überKo-Fi: https://ko-fi.com/zeilenschlinger Vielen Dank an unsere Patreons!✩ Vivien Busch✩ Carolin Streckmann  Folge uns gern auch auf unseren anderen Kanälen, um aufdem Laufenden zu bleiben:✩ Instagram: https://www.instagram.com/zeilenschlinger/✩ TikTok: https://www.tiktok.com/@zeilenschlinger Hanna auf YouTube: https://www.youtube.com/@Hanna_BuchmarketingChris auf YouTube: https://www.youtube.com/@chrisroedl

In this week's episode, we take a look at the "personal curriculum" social media trend and look at how it can be useful for writers. This coupon code will get you 50% off the audiobook of Cloak of Dragons, Book #1 in the Cloak Mage series, (as excellently narrated by Hollis McCarthy) at my Payhip store: FALLMAGIC50 The coupon code is valid through September 29, 2025. So if you need a new audiobook this fall, we've got you covered! TRANSCRIPT 00:00:00 Introduction and Writing Updates Hello, everyone. Welcome to Episode 269 of The Pulp Writer Show. My name is Jonathan Moeller. Today is September 19th, 2025, and today I am looking at the idea of a personal curriculum for writers. We also have Coupon of the Week and a progress update on my current writing projects. So let's start things off with Coupon of the Week. This week's coupon code will get you 50% off the audiobook of Cloak of Dragons, Book Number One in the Cloak Mage series (as excellently narrated by Hollis McCarthy), at my Payhip store. And that coupon code is FALLMAGIC50. And as always, the coupon code and the links to my Payhip store will be available in the show notes of this episode. This coupon code will be valid through September the 29th, 2025. So if you need a new audiobook to listen to as we head into fall, we have got you covered. And now for an update on my current writing projects. I'm pleased to report that Blade of Flames is finished and by the time this episode goes live on what should be the 22nd, it should be available at all ebook stores. Initial impressions have been positive so far, so I hope you'll check that out and enjoy it. Now that Blade of Flames is finished and out in the world, my next main project will be Cloak of Worlds. After a year, I am finally getting back to Cloak Mage. I am now 21,000 words into it, and I'm hoping it will be out in October, though it might slip to November because I think this one might be a bit on the longer side. My secondary project is now Blade of Shadows, which is the second book in the Blades of Ruin series and the direct sequel to Blade of Flames. I'm a thousand words into that. In audiobook news, Shield of Power is still in processing and quality assurance at most of the audiobook stores. It is now available at, I think Google Play, Kobo, my own Payhip store, and a few others, but it's still not up on Audible, Apple, or Amazon yet, though hopefully that should be fixed soon. Recording on Ghost in the Siege is finished and we're just waiting on files so we can proof-listen to them. So some new audiobooks will be available before too much longer. So that's where I'm at with my current writing projects. 00:02:18 Personal Curriculum for Writers So let's move on to our main topic this week, the personal curriculum trend for writers. What is a personal curriculum? The trend of creating a personal curriculum has been going around social media for the past month or two. Basically, a personal curriculum uses a structure of an imaginary class to reframe your personal and professional development goals. It can be as simple as creating a set of reading to do in a month or as complex as creating a major project that will take many steps and months to complete. How does this work? Instead of having an undefined goal of wanting to learn how to learn more about how to market your books, you make yourself a course called Marketing Literature with Social Media, with a list of related books, videos, and tasks divided into blocks of time, just like the class would have things that are connected in each session. The key to the personal curriculum trend is having weekly goals and projects just like homework (and of course keeping up with it). Some people create monthly personal curriculum while others keep the more academic framework of quarters, terms, or semesters. Some people create multiple classes, while others focus on one at a time. The amount of detail in the curriculum's development ranges from scrawling a plan on a sheet of notebook paper to creating intricate Notion boards that are essentially a prettier version of an online course system used at universities. The personal curriculum trend is fueled by many things, including nostalgia for the structure of school and its relatively clear paths to success, the desire to spend less time doom scrolling on social media, and the desire to make goal setting more whimsical. Having clear and specific deadlines for completing tasks is one of the most important parts of goal setting, and that is at the center of the trend of creating personal curriculums. Most people spend 14 to 19 years in school (depending on the individual), so it's a structure that's familiar. It also takes an overwhelming and broad goal, such as learning about marketing and gives it focus by defining what is actually being learned and determining how to apply that to real tasks in a manageable way. It transforms the nebulous goal of learning something specific and also gives a clearer path on how to apply the learning into action. By design, it also emphasizes goals that can be done in weeks instead of years, which makes starting much less intimidating. Many people also need some outside accountability in order to work well, and this is a way of creating it for yourself. Being able to give yourself an “A” if you're completing your homework each week is a simple and free motivator for many. Since this is mostly a writing podcast, I want to discuss how the personal curriculum trend can be applied to writing goals and professional development for writers. To that end, I will share five ways that I think the trend can help you grow as a writer and make more specific and actionable goals. #1: Defining your priorities. There are endless things to learn both in life and as a writer, especially in the world of self-publishing. Therefore, it can be tempting to chase after every trend or every new thing that's working for other people. The problem with that is that it's impossible to do that in any meaningful or focused way. It's better to pick a focus for every month or every few months and gain as much proficiency as you can instead of dabbling at things without taking the time to understand them well and then bemoaning that they don't work. A month or a fake semester is still a narrow enough timeframe to pivot if you want to change your goals, instead of being locked into yearly goals. For example, I set specific goals for getting books out, and then each month is pretty well defined into writing, editing, cover design, layout, publishing, and marketing tasks for me based on each book. Other things I want to try, such as creating videos, doesn't fit within those specific goals because they're not the priority. Other things that are lesser priorities (like trying new effects in Photoshop for my book covers and ad images) are things that I know I can work on after finishing the primary goals I've set for myself each week. #2: Trying something new. The structure of a personal curriculum makes trying something new feel less intimidating. For example, “making my own book cover” is something of a massive and undefined goal. You know that's important and you want to do it, but you can never seem to get past watching a TikTok video or two on Photoshop when they come into your feed. By creating a course for yourself on learning how to use Photoshop and the best techniques for creating book covers and giving yourself homework of different things from your readings or viewings to try out, you give the goal a specific plan and tie what you're learning into actual tasks that will help you move forward and then make your learning stick by applying it in the right way. For example, what I did for myself to learn Photoshop well enough to do a book cover was during early COVID in 2020, I bought a couple of courses on it and took the courses. Now, I suppose that's something of more of an actual structured curriculum since someone set up that course, but you could do it for yourself with the same thing by getting The Beginner's Guide to Photoshop or (the some unfortunately titled) The Complete Idiot's Guide to Photoshop from your library, reading that, and then watching a few longer focused YouTube videos on the process of creating a book cover. And then that would give you enough to go on in terms of starting your own personal curriculum and then developing your own book covers. #3: Managing your time. With endless distractions, it's too easy to look at a week or even a month and wonder where the time went with little to show for it. In contrast, the school environment has a rigid time structure, even at the university level. There is never a question of where the time went there. Work must be done at a specific time, and you have to show up multiple times a week to learn more and prove you understand what you've learned already. People often struggle without that structure after graduation, especially people who thrived in the school environment. But there's no harm in recreating it for yourself, especially if you are one of those people who thrived in the academic world. For example, if you want to do research on a specific time period for your next book, creating a course defines what that means. Instead of endless scrolling and watching videos online, you define what the scope of needed research is before you begin, so you're spending your time more efficiently. If you pick out the books, videos, and what you specifically need to research for the plot in advance and give yourself a set amount of time to learn the material, you're spending your time more wisely and freeing up time for other tasks. For example, in my most recent book, Blade of Flames, part of one of the subplots is inspired by a period in English history called The Anarchy, which was the civil war in the early 12th century between Empress Maude and King Stephen for the throne of England. Now, I knew a fair bit about this period already because of other reading I've done, but if I wanted to learn more about it, the best way to do it would be to read a few books and some of the more accessible books by popular historians. Like for example, maybe the best way to learn enough about The Anarchy to base a book on it would be read some of the books by Dan Jones, who has written many excellent popular history books about the medieval and early modern English time period. #4: Professional development. Most professions have professional development where you have to keep your skills updated, whether you're a teacher who has to get re-certified, a doctor who has to learn new procedures, a system admin who has to learn the latest bugs Microsoft has baked into their software, and so forth. Writing is no different (especially if you're a self-published writer) because there's so many side skills like layout and web design and so forth that it's kind of helpful to keep up on. It's hard to carve time out for professional development because as a writer, it's time away from the task that actually gets you paid, which is writing new stuff. Learning or trying new things becomes something that either feels insurmountable or happens in a haphazard way that doesn't actually move things forward for you. A personal curriculum gives you the permission to carve out time to learn new things. It's easy to hyperfocus on writing and feel like anything else is less productive, but there are many parts to being a writer, especially for the self-published, so it's important to give yourself a structured way to explore new software, marketing strategies, and social media channels as they emerge. For example, to use something of a negative example, I rather notoriously have a very low opinion of the AI tools currently flooding the market like ChatGPT and Midjourney. That wasn't an opinion I arrived at haphazardly. I did thoroughly investigate each of these tools. I tried Adobe Firefly, I tried Midjourney, I tried Microsoft's ones, Bing Chat and Bing Image Create. I tried ChatGPT, I tried one other, I can't think of off the top of my head, and I just did not come away impressed with these tools or the capabilities. So I suppose that was a negative example of something I'm talking about, whereas a positive example would be in 2018, I started using a Mac program called Vellum to format my paper books. It was a lot easier and more useful than the method that I'd been using previously, and I was so impressed with that that I eventually switched over into using Vellum for my ebook formatting as well, and learned how to do that as well, and I've been using it ever since. So that'd be a positive example of professional development. #5: Holding Yourself Accountable. One of the most difficult things about writing is that it lacks the structure of a traditional job or school environment. For that reason, many high achievers tend to struggle with starting or completing tasks when they leave school. Creating specific goals and making a clear timeframe for completing them helps with that tendency. For that reason, some personal curriculum devotees will even assign class times on a certain day of the week or a certain time of the night to make sure they're on track with their goals or homework for the week. National Novel Writing Month has kind of crashed and burned from its scandals over the past year, but the principle of accountability in giving yourself a set period of time to do something is helpful there. In the same way, your homework for each day for writing could be a set number of words or a certain percentage of progress in editing. Did you spend that day looking at social media instead of getting words done? There is a grade for that and it's not a good one. “A” students complete their work and turn it in, and that's the core of writing, putting down words consistently and publishing them. Now, I suppose you could think that the personal curriculum thing seems like a silly social media trend, but for some people, especially people who really thrived in and enjoyed the academic environment in school, it might work in a way that average yearly goals do not. Studies show time and time again that the happiest adults are those with defined priorities who make time to learn new things and enjoy hobbies. A personal curriculum provides a way to emphasize those important things in your life in a more whimsical way than say, the various yearly evaluation goals of the corporate world. For writers, it can be a much-needed way to add structure to an unstructured work environment and make sure that they're spending their time in the best way possible. And it all boils down to essentially one of the oldest dictums: know thyself. If this kind of thing would not be helpful for you, then there's no point in pursuing it. But if you know yourself and know that you have the kind of personality and mental inclination that would respond well to structure like this (even if it's structure you're creating for yourself), then a personal curriculum might be a good idea to pursue. So that is it for this week. Thank you for listening to The Pulp Writer Show. I hope you found the show useful. I reminder that you can listen to all the back episodes at https://thepulpwritershow.com. If you enjoyed the podcast, please leave a review on your podcasting platform of choice. Stay safe and stay healthy, and we'll see you all next week.

In this Live Ask Andrew Anything episode, Andrew Pudewa and Julie Walker answer questions submitted by listeners. They discuss how to encourage a child to continue practicing a musical instrument, how to help students who are struggling with the questioning skills for Unit 5 and Unit 7, what to do after completing the six books in the Fix It!® Grammar series, what to use for writing a novel, and more. Andrew ends with some letters that he has received from students. Referenced Materials Principles of Motivation audio talk by Andrew Pudewa Structure and Style® for Students: Year 2 Level A Fix It!® Grammar: Level 6 Little Mermaid One Year Adventure Novel “Where are they now? Taylor Bennett: Porch Swing Girl” Episode 115: National Novel Writing Month – Special Interview with Taylor Bennett Structure and Style for Students: Year 1 Level C Structure and Style for Students: Year 3 Level B If you have questions for Andrew, send them to podcast@IEW.comPerhaps your question will be answered at the next Ask Andrew Anything (AAA). If you have questions about IEW products or classes, contact customer service at 800.856.5815 or info@IEW.com

We're speaking with Dr. Elizabeth Arleo, Professor of Radiology at Weill Cornell Medical College (WCMC), an Attending Radiologist at the New York-Presbyterian Hospital (NYPH), and Editor-in-Chief of the radiology journal Clinical Imaging about writing the books we feel called to write. For Liz, this meant writing self-help and children's books. We talk about using National Novel Writing Month (November) to kick-start writing habits, and about moving from academic-style writing to a more accessible style of writing. We also talk about getting an agent and fitting writing into busy career and family schedules. Don't forget to rate and review our show and follow us on all social media platforms here: https://linktr.ee/writingitpodcast Contact us with questions, possible future topics/guests, or comments here: https://writingit.fireside.fm/contact

This week on a very special episode of Friendless, host James Avramenko brings you a reflective episode from his bed, touching on various themes such as the June wrap-up, the struggle to balance awareness of current events, and sharing an idea to convert his National Novel Writing Month essays into monologues. He dives into his personal experiences and challenges, including feelings of isolation, dissatisfaction with his job, and the struggle to find time for creative endeavours. James also critiques the ubiquity of AI in the tech industry and its impacts on creativity and job markets. Later, he discusses philosophical matters about plants and anthropomorphized objects, and eventually signs off, mentioning upcoming essays and Pride Month plans.Sign up for the Friendless Substack HERE!Follow Friendless on TikTokand on InstagramSupport the show, Buy Me A Coffee!!Create your podcast today! #madeonzencastr

On this episode of the Self-Publishing News Podcast, Dan Holloway reports that National Novel Writing Month, known as NaNoWriMo, has announced it will not officially take place this November, citing financial and reputational concerns. He also covers the latest in AI and copyright, including the consolidation of major lawsuits against tech companies, protests outside Meta's London offices, and new research suggesting copyrighted materials have been used to train AI models. Finally, he discusses Amazon's new AI-powered Kindle Recap feature and questions around whether authors have consented to its use. Sponsors Self-Publishing News is proudly sponsored by Bookvault. Sell high-quality, print-on-demand books directly to readers worldwide and earn maximum royalties selling directly. Automate fulfillment and create stunning special editions with BookvaultBespoke. Visit Bookvault.app today for an instant quote. Self-Publishing News is also sponsored by book cover design company Miblart. They offer unlimited revisions, take no deposit to start work and you pay only when you love the final result. Get a book cover that will become your number-one marketing tool. Find more author advice, tips, and tools at our Self-publishing Author Advice Center, with a huge archive of nearly 2,000 blog posts and a handy search box to find key info on the topic you need. And, if you haven't already, we invite you to join our organization and become a self-publishing ally. About the Host Dan Holloway is a novelist, poet, and spoken word artist. He is the MC of the performance arts show The New Libertines, He competed at the National Poetry Slam final at the Royal Albert Hall. His latest collection, The Transparency of Sutures, is available on Kindle.

Audiobook Creation Exchange (ACX) rolled out new features and analytics for account holders, plus I share deeper insights into ACX's new digital voice narration with the cloning capabilities. Kobo Plus expanded into two new regions. National Novel Writing Month shut down; what happened and what can authors do now? And an Australian erotica author has been arrested due to some disturbing allegations. Find out about all that and more in the self-publishing news this week! Book Award Pro - https://DaleLinks.com/BookAwardPro (affiliate link) Subscribe to The Self-Publishing Hub - https://TheSelfPublishingHub.com Subscribe to my email newsletter - https://DaleLinks.com/SignUp Join Channel Memberships - https://DaleLinks.com/Memberships Join Me on Discord - https://DaleLinks.com/Discord Check out my main YouTube channel - https://www.youtube.com/@DaleLRoberts My Books - https://DaleLinks.com/MyBooks Wanna tip me? Visit https://dalelroberts.gumroad.com/coffee. Sources: Now in Beta: Narrator Voice Replicas on ACX - https://www.acx.com/mp/blog/now-in-beta-narrator-voice-replicas-on-acx Getting the most from your ACX reporting and analytics - https://www.acx.com/mp/blog/getting-the-most-from-your-acx-reporting-and-analytics  Rakuten Kobo Launches Kobo Plus in Singapore & Malaysia - https://kobowritinglife.com/2025/03/18/rakuten-kobo-launches-kobo-plus-in-singapore-malaysia/ NaNoWriMo shutting down (covered by The Bottom Line) - https://janefriedman.com/the-bottom-line-janes-publishing-industry-newsletter/ (subscription required) The State of NaNoWriMo - A Community Update - March 2025 - https://youtu.be/TR6NnjgeIIY?si=Yr8eQ3F7fgYyukWd Apple Books for Authors - https://authors.apple.com Sydney author Lauren Tesolin-Mastrosa arrested over ‘pedophilia' book - https://www.news.com.au/national/nsw-act/crime/sydney-author-lauren-tesolinmastrosa-arrested-over-pedophilia-book/news-story/5babb82438d7adc5ca699c877b07641a  CoverRater - https://coverrater.com - use coupon code DALEROCKS for 20% off (good till Sept. 30, 2025) PublishDrive - https://DaleLinks.com/PublishDrive (affiliate link) PublishDrive presents: Building Your Author Platform with Evan Gow of StoryOrigin - https://publishdrive.com/building-your-author-platform-with-evan-gow-of-storyorigin.html  Keith Wheeler presents: YouTube for Books - https://dalelinks.com/youtubeforbooks (affiliate link) Book Career in a Year by Nick Thacker - https://www.bookcareerinayear.com/sp/book/ref/1/  Books that Make You presents: Dale L. Roberts on Self-Publishing for New Authors – Your Guide to Indie Success - https://youtu.be/_9CejZROHcU?si=63ji1R6XkK9IAMCi Self-Publishing with ALLi presents: Marketing Strategies for Children's Books That Work - https://selfpublishingadvice.org/podcast-marketing-strategies-for-childrens-books/ The Writing Community Chat Show presents: A Haunted Island. A Spooky Investigation. - https://www.kickstarter.com/projects/thewccs/a-haunted-island-a-spooky-investigation?ref=project_link Teddy AG Smith presents: Dale L. Roberts - Beyond Amazon: The Strategic Approach to Publishing Wide - https://youtu.be/bea3M6zGlqQ?si=AlfTwqLTn9cBPXkw ULTIMATE ‪@DaleLRoberts‬ QUIZ | ARE YOU A SELF-PUBLISHING WITH DALE EXPERT? - https://youtu.be/o2n7Kw6q6l0?si=3IYU8M32GGqS8qaI  Where noted, some outbound links financially benefit the channel through affiliate programs. I only endorse programs, products, or services I use and can stand confidently behind. These links do not affect your purchase price and greatly helps to building and growing this channel. Thanks in advance for understanding! - Dale L. Roberts

Hector talks with Timmy Martens about the gargantuan task of “nanowrimo” – National Novel Writing Month. They also discuss world-building, shaping, and the perils of editing. Timmy is the program director of Camp Grace, a prolific writer, and the editor of the Faith and Fandom book series. https://lovethynerd.com/faith-fandom-20-timmy-martens-nanowrimo/

The end is near!

It's one of my favorite times of year, National Novel Writing Month (also called NaNoWriMo), and to celebrate and honor all my writing friends, I thought we could delve into what it takes to be a Healthy Writer, from one of the most prolific authors I know, Joanna Penn. We'll discuss stress in our dream job, realizing and getting in tune with our cycles, loneliness, and lessons from yoga and running. If you would like to learn more about Healthy Writer, or check out other books by Joanna Penn, visit her site at https://www.thecreativepenn.com/books/

Significant developments in workplace engagement and productivity lead, focusing on contrasting strategies from major companies like Amazon and Intel. Amazon's CEO Andy Jassy recently addressed employee concerns regarding the company's return-to-office (RTO) mandate, which requires corporate employees to work on-site five days a week starting January 2025. While Jassy claims the policy aims to strengthen company culture, over 500 employees have signed a petition against it, raising questions about the true motivations behind the mandate. Meanwhile, Intel has reinstated free office coffee to boost employee morale amidst ongoing layoffs, reflecting a broader trend in the tech sector to support workforce engagement during challenging times.Host Dave Sobel highlights research from the University of Melbourne, which indicates that companies offering flexible work options tend to perform better in the stock market. The study found a significant correlation between high rankings for remote work opportunities and improved share prices. Additionally, a survey by Quantum Workplace revealed that over 80% of hybrid employees report being engaged at work, compared to 72% of on-site employees. This data suggests that flexibility in work arrangements can enhance employee satisfaction and productivity, presenting a compelling counterpoint to the office-centric strategies of Amazon and Intel.The episode also covers recent capital movements in the tech industry, with Logic Monitor raising $800 million to explore strategic mergers and expand its market presence. Enable Technologies has acquired AdLumen for approximately $225 million, enhancing its capabilities in security services. These moves reflect a growing demand for robust data center monitoring and security solutions, driven by the increasing importance of artificial intelligence in the tech landscape. Sobel notes that these investments indicate a recognition of the need for companies to grow and adapt in a competitive market.Finally, Sobel delves into the evolving role of artificial intelligence in various sectors, including creative writing and IT service management. He discusses the implications of AI's integration into creative processes, particularly in relation to National Novel Writing Month, where the use of AI has sparked controversy over originality and skill development. Additionally, Sobel emphasizes the necessity for businesses to adapt their IT service management methods to incorporate AI, highlighting the potential for improved efficiency and user experiences. The episode concludes with thought-provoking questions about the balance between AI and human effort, urging listeners to consider how they can effectively leverage technology in their own organizations. Four things to know today00:00 From Amazon's RTO Push to Intel's Free Coffee: Contrasting Strategies in Workplace Engagement and Productivity05:15 Capital Infusions and Acquisitions: How LogicMonitor and N-able Are Positioning for Market Leadership07:18 Sentiment Analysis, Microsoft Integrations, and Strategic Growth Events: The Evolving Tools Empowering MSPs09:27 AI's Expanding Role: Vectorization, Creative Writing, and IT Service Management Transformations  Supported by:  https://www.huntress.com/mspradio/https://tdsynnex.com/StreamOneIon   All our Sponsors: https://businessof.tech/sponsors/ Do you want the show on your podcast app or the written versions of the stories? Subscribe to the Business of Tech: https://www.businessof.tech/subscribe/Looking for a link from the stories? The entire script of the show, with links to articles, are posted in each story on https://www.businessof.tech/ Support the show on Patreon: https://patreon.com/mspradio/ Want to be a guest on Business of Tech: Daily 10-Minute IT Services Insights? Send Dave Sobel a message on PodMatch, here: https://www.podmatch.com/hostdetailpreview/businessoftech Want our stuff? Cool Merch? Wear “Why Do We Care?” - Visit https://mspradio.myspreadshop.com Follow us on:LinkedIn: https://www.linkedin.com/company/28908079/YouTube: https://youtube.com/mspradio/Facebook: https://www.facebook.com/mspradionews/Instagram: https://www.instagram.com/mspradio/TikTok: https://www.tiktok.com/@businessoftechBluesky: https://bsky.app/profile/businessoftech.bsky.social

Film at 11: Here (2024)  Book IT: Kitchen Confidential: Adventures in the Culinary Underbelly (2008) by Anthony Bourdain  Scroll with it: It's National Novel Writing Month. A Russian court has fined Google $2.5 decillion. The 25th edition of the Midwest's best Doctor Who Convention Chicago TARDIS November 29-December 1, 2024 at the Westin Chicago Lombard. Memberships are still available. Go to http://www.chicagoTARDIS.com for tickets and all the details. Show notes: https://bit.ly/tms11524

In this week's episode we take a look at a November Writing Challenge and offer tips for new writers to develop a sustainable writing habit. TRANSCRIPT 00:00:00 Introduction and Writing Updates Hello, everyone. Welcome to Episode 225 of The Pulp Writer Show. My name is Jonathan Moeller. Today is November the 1st 2024 and today we are discussing part one of our November Writing Challenge. Before we get into that, we will talk about my current writing projects- we'll see where I'm at with that and do Question of the Week (because we did have time for Question of the Week this week). First up, writing progress. I am 85,000 words into Cloak of Illusion, and I am hoping to finish the rough draft next week, if all goes well. I think we'll end up about in the neighborhood of 100,000 words for the rough draft (with possibly 5,000 words either way, see how it goes). I'm also 17,000 words into Orc Hoard.  That will be the 4th Rivah Half-Elven book, and I'm hoping to have that out in December before the end of the calendar year. In audiobook news, production on Shield of Conquest is done. It's all paid for and ready, and it's just working its way through processing on various platforms, so it should be available soon. And you get it on my Payhip store right now, if you don't want to wait for the other platforms. Audio for Cloak of Spears is almost done. I should have a file to proof soon, which is very exciting. And then Hollis McCarthy, who did Cloak of Spears, is also going to be working on Ghost in the Tombs and that should be out before too much longer and also Shield of Conquest was excellently narrated by Brad Wills. So that is where I'm at with my current writing projects. 00:01:30 Question of the Week Now let's move on to Question of the Week. Now it's time for Question of the Week, which is designed to inspire interesting discussions of enjoyable topics. This week's question: do you keep a record of the books you have read? Obviously Goodreads is a giant website designed to do just that, but there are other methods, obviously. This question was inspired by one of those other methods. I was at a Barnes and Noble the other day and was bemused by the giant wall of reading journals that you can use to keep track of the books you have read. This elicited quite a few responses, this Question of the Week. They tend to fall into one of two camps, as we shall soon see. Joaquim says: No. No time, at least not for the physical books, even an app supporting barcodes was not successful and was later discontinued. For ebooks it's different because all your books are available on a list in Kindle/Digital Editions/Calibre (depending on their type). Justin says: No, it would look like bragging. I am a speed reader and don't watch TV. Reading is my primary mode of leisure. JD says: I have never even considered making a reading log. Surely that would be time better used for reading. AM says: I use a dot grid journal to make my own reading log and enjoy customizing what I track and adding some artistic embellishments. It's just a fun offline project for me and it made me self-conscious of what I read when I tracked on Goodreads. Adeline says: not keeping track at all. Doing that at the rate I go through books would just be a loss of a lot of time which could be spent reading. Barbara says: No, I don't keep any record of the books I read. I've been a voracious reader since I figured out what the alphabet was for back in first grade, used to get in trouble in class for reading ahead. I read fiction and nonfiction, although not equally. I have favorite authors, some of whose books I reread regularly. My digital library contains over 2,000 books, most of which I've read and while I think I don't read all that fast, in reality I read something over 700 words per minute. What's worse, I retain most of what I read, but if someone wants to keep track of what he or she reads, that doesn't bother me at all. Different strokes for different folks, as the song says. Jesse says: If I pick one up I have already read and don't immediately recognize it within a paragraph or two, it is probably time for a reread. Roger says: I buy a book before I read it, so my record is either on my bookshelves or on the Kindle. Kim says: I used to note in each paper version when I read/reread the books. Since ebooks, I keep a spreadsheet of book title and series, author, date read, major characters, reading order, my own personal ranking. Helps me keep track of authors, their series, crossovers, same-universe stories, and when the next books are coming out. I track all of that. Brandy says: It's impossible for me to do so. I reread whole series each time the new book comes out (yes, from the beginning). I'll often proofread, read for review, read for pleasure, reference, and beta. I'm also a foreign language and capture reader for translation of books. It was recommended therapy to help with linear retention after seizures and was always my main hobby. Jenny says: I use Goodreads but wish there was a better alternative. Tracy says: I just use Goodreads. Becca says: Since I started reading so much on Kindle, I've been letting it keep track of which books I've read. Me by myself, never kept track except in grade school when we had reading achievements. So it looks like the common options were either nothing or Goodreads, but one other person did what I did, which is I've kept a spreadsheet of every book I've read since 2010, since it felt like I was reading less than I used to, and I wanted to keep track of it quantifiably, since hard data is better than feelings. So I think in the last 14 years, the most books I've read in a single year is around 110 and the lowest would be a little over 40, though I think this year I will probably end up around somewhere around 75. My spreadsheets are not as detailed as Kim's. I just keep track of the day I started, the day I finished the title, the author's name, the genre, and whether or not it is an ebook or a paperback book. 00:05:12 Main Topic: Week 1 of November Writing Challenge So on to our main topic of the week: week one of our November Writing Challenge. What do I mean by that? I talked a little bit about it last week, but what I mean is that I do get lots of questions about how to start writing or questions about whether or not National Novel Writing Month or NaNoWriMo is worth doing. The difficulty of that is NaNoWriMo the organization is currently experiencing troubles. They've had some problems with some of their volunteers and this year they had a big blow up where they endorsed artificial intelligence in writing in a way that offended most of their user base and as I mentioned last week, I'm wondering whether that sort of shock therapy of writing 50,000 words in 30 days is the best approach for everybody. I mean, for some people it's a good thing. I usually write more than 50,000 words every month, but that's my job. But for someone else who's starting out, that kind of shock approach might be a bit like yo-yo dieting. We talked about that last week, how it's better to lose 1 pound a month and have it stay off than it is to lose 5 pounds a month only for you to change habits and then gain 10 pounds back. I wonder for some people National Novel Writing Month might be the equivalent of that sort of yo-yo crash diet where you make this massive effort and that burns you out and you give up on it again. If it feels like you're missing out when others are working on a bigger writing challenge this month and you want to start writing but feel overwhelmed, how about a smaller, more manageable writing challenge for the absolute beginner? That is what our November Writing Challenge will be-maybe 300 words a day or some other small number of your choosing, whether 300 or 500 or 1,000 or some other number. The key should be that the key is that it should be something small and something that you can realistically manage daily based on your current schedule and responsibilities and health and so forth. The inspiration for this idea was, as you may know, for the last year I've had a transcriptionist working on my podcast, which has been very helpful because that's something I would never have had the time to do myself. She too wants to write a novel and has started writing one and has experienced challenges trying to start one. She often says she has felt overwhelmed at the idea of starting one, and so let's follow along with her progress this month as well. So let's start. #1: What do you need to begin? Number one is a common question, technology/equipment. Someone once came to be concerned that they couldn't start writing because they didn't have software that “real” writers used only to be surprised that I used Microsoft Word and have been using Microsoft Word pretty consistently for the last 10 years. However, you don't even need to use Scrivener, Microsoft Word, or some other fancy software. I wrote Ghost in the Storm and Soul of Serpents and a couple of other books entirely using LibreOffice on Ubuntu Linux, which is of course free. That was back in like 2012/2013/2014 and back then I was more enamored of writing on, you know, small 10 inch screen laptops that I would install Ubuntu on and then enjoy the portability of them, that I could write anywhere using these very small laptops. That, however, was 10 years ago, and both the writer in question (me) and my eyes are 10 years older. These days I prefer to write on the biggest screen possible whenever possible, and my preferred laptop has a 17 inch screen which is less portable but definitely easier on the eyes. But the point is you don't need to spend a lot of money on software. You can write in Word on a cheap Windows 11 laptop. You can write on LibreOffice, which is and remains 100% free. You could write on a Chromebook using Google Docs. All you actually need is a word processor and some way to back up your work. Don't just store it locally. If you are writing Google Docs, you could save to the cloud automatically. Many other cloud services offer free tiers, and you can even email it to yourself every day to keep a backup because that way, if your computer and your backup flash drive are lost or damaged or stolen, you don't lose all your work. Why can't you write using paper? You can if you want to. However, keeping track of progress would be tricky, because then you might have to do, ok, I'm going to write like, you know, a page a day instead of 300 words and then if you ever want to publish it, you will have to transcribe it to electronic format. So if you want to write on paper, go ahead and just to be aware that you are creating more work for yourself in the long term, if you are fine with that. #2: The second thing we need to do is make a plan. I would suggest writing at least a simple outline and then make a plan for your word count goal for the month of November, whether it's 300 words a day or something else. You can write without an outline. I find that it's for myself, it's easier to write with an outline, and if you're an absolute beginner, outlining in advance might help you work through some plotting problems you would have otherwise run into later on in the book. I would recommend blocking out time on your calendar for writing, even if it's only 5 minutes a day. Treat it like an appointment that you have to keep. You could churn out a few paragraphs on your lunch break or write a few sentences while on the bus or train ride home. I know of documented cases where people have written entire books on a commuter train using their phones and they thumb typed the entire rough draft. That might be a little extreme, though I imagine the younger generations who grew up with cell phones would be more comfortable with that, but it's certainly possible. This may be the most important part. Make a plan for what you will do if something happens and you can't write as planned, whether it's a family emergency, something with your kids, something medical, house problems, or just any of the other random stuff that can come up in the course of day-to-day life. Plan for this possibility and write out what you'll do if it can't happen on that day. It's very easy to skip writing when many other things take up your day, and in fact, if you're just starting out, pretty much everything else that happens in your life tends to be higher priority than writing. But if you only write when your day is perfect, you're not going to be writing much because perfect days are few and very far between in life. If you can make a plan for what to do if you have something come up and try to keep to your writing appointment, that will probably be the best way of making progress. #3: The third thing we have to do is to prepare your mindset for writing and this is a big one, because people very often talk themselves out of doing things even before they start, and writers in particular seem to be very prone to this because they will talk themselves out of starting or psych themselves out halfway through the book or fall into the trap of endlessly repolishing the first chapter over and over until it is perfect. So what are the most common mental mindset pitfalls that writers can encounter? The first one, of course, is perfectionism/fear of starting. The ways to combat this are to realize that it is hard to be a beginner, but everyone was a beginner once upon a time. You will get better with practice. Cloak of Illusion is going to be my 157th book but a long time ago, I just had one book or zero books that I was struggling to finish. It's also a bad idea to edit as you go. Just keep going. A metaphor I've used that people have told me has found is helpful (from a quote from Shannon Hale) is that writing is like building a sandcastle in an empty sandbox. The first job of course, is to drag the bag of sand into the sandbox and fill up the sandbox, and the second step is to then actually build the sandcastle, which is editing. Creating the rough draft is filling up the sandbox and then the editing process is building the sandcastle but it's a bad idea to start building the sandcastle before you fill up the sandbox because you might psych yourself out and not finish filling up the sandbox, which is what you really need to do. It doesn't matter if it's good at first, it just needs to get done. Get the words down for the day. It's also a good idea to find a way to silence your inner critic and the best way to do that is to not edit as you go. If you don't go back and constantly revise and tinker, then you are less likely to start doubting yourself. There's a time and place for revising and tinkering and editing, but that is after your rough draft is done. It is important to do things in their proper order. Another metaphor I use to explain this is once upon a time, I moved into an apartment that was on the third floor of a building with no elevator, and I have a lot of books. Naturally I had to carry all those books up three flights of stairs and into the new apartment. By the time I was done, I was probably in the best shape of my life. I've found that is a useful metaphor for writing, because writing the first draft is carrying all those books up to the third floor of the apartment, and the editing process is once you have all the books in the apartment, the editing process, is arranging them properly on the shelf. Now you could start rearranging the books into proper order while they're still in the truck, but I think we'd all agree that was a waste of time because the books aren't getting out of the truck. They're not even going to stay in that order once you get them up the stairs. If you waste too much time rearranging the books in the truck, eventually the police are going to come by and complain that you're taking up the fire lane (not that this ever personally happened to me, of course). So it's good to finish the rough draft first and then focus on the editing. Another mindset challenge is telling yourself that you don't have time. We've already talked about a few ways to get around this. Start by making your goal small. Even if you write only 300 words a day, if you do it every day in November, you will have about 9,000 words by the end of the month, which could be a chapter, several chapters, or even a short story. For myself when I started writing, I was still working a full-time job. So what I would do in my lunch hour (my lunch hour was literally an hour) was I would scarf down my food in the first 10 minutes and then spend the remaining 50 minutes typing as fast as I could on my laptop before it was time to get back to work. I wrote several different books that way. You'll also find if you look honestly at your day, there are probably spots of wasted time where you could squeeze in a few 100 words on a phone or laptop if you brought it with you. For example, there are times in the day when I find myself just looking at memes on the Internet and if I was squeezed for time and could carve out some time there, that would be a few hundred words. If you find yourself waiting in a car to pick someone up, that is an excellent time to squeeze out a few hundred words. I've done that many times. Waiting rooms are good for that too, and any situation where you find yourself with dead time, like you're on hold, you're in a waiting room. You're waiting to pick someone up, you're on some form of public transit. If you have a cheap laptop or you can type on your phone, that is an excellent time to squeeze out a few words. Another possible mindset trap is just the intimidation factor of starting, and it might be helpful to remember back to when being creative didn't intimidate you, when creative work was a sort of play, and if you can recapture some of the playfulness of that, that may remove some of the intimidation factor. My transcriptionist found a quote from a writer named George Saunders on Dua Lipa's podcast, and he said, “so much of being an artist is trying to trick your habitual nature, which likes safety and security and repetition and being sure, trying to trick that person out and go back to the kid you were at 13 or 14 who was just overjoyed to be making something.” There is definitely something to be said for that, too, you know, as a way to get past the intimidation factor and some self-doubt. So those are some of the mindset trip traps we might fall into, and hopefully some techniques for getting past them. And finally, in future episodes, we will check in with my transcriptionist and see how she's doing with her writing progress, whether she has any questions. Since I'm recording this literally on the morning of November 1st, there's not any progress to report yet, but there is a question. Why do you think so many people want to write books but never start? And I think we talked about that pretty well in the episode. There's a lot of activation energy and you have to get over perfectionism and the fear of being laughed at and the time problem and just overall the fear of starting, but as other wiser people than me have said, 80%, maybe even 90% of life is just showing up and doing the work. Like for example, I never knew how to replace front porch steps, but when the front porch steps started rotting, the alternative was trying to find a carpenter, which is difficult and expensive, or figuring it out how to do it myself. So I watched some YouTube videos and bought some lumber and paint and figured out how to do it myself. Would a professional carpenter have done it better? Probably. However, last night was Trick or Treating and I had about 80 kids and their parents come up and down the porch steps to get candy. The porch steps held and not a single person fell in. So sometimes showing up really is just good enough. So anyone who is participating in some sort of writing challenge in November, whether NaNoWriMo or writing challenge month, if you want send any questions about the writing process and if time permits, I will include them in future episodes. You can send me an e-mail at jmcontact@jonathanmoeller.com or leave a comment on my blog or Facebook page. Please don't send me your story ideas or actual writing excerpts because I do not have time to read those and can't read them for legal reasons anyway. So that is it for this week. Thank you for listening to The Pulp Writer Show. I hope you found the show useful. A reminder that you that you can listen to all the back episodes with transcripts on https://thepulpwritershow.com. If you enjoyed the podcast, please leave a review on your podcasting platform of choice. Stay safe and stay healthy and see you all next week.    

Vicki Atkinson and Wynne Leon talk with author, blogger, and corporate communications specialist, Brian Hannon about National Novel Writing Month. Brian tells us why he values the encouragement and accountability piece of NaNoWriMo. He spills a little bit about the project he has in mind and the goals he's setting for the month. Brian is such a great writer, with roots as a newspaper writer and corporate communications specialist. We get to see into the dichotomy of the flexibility in writing Brian has so beautifully explored in posts this week contrasted with the structure necessary to produce a novel. So it's fun to hear how he makes time to write, especially as he gears up for NaNoWriMo. Brian also turns the tables on Vicki and me and gets us to reveal a bit of the bigger projects we are working on. We get to collectively talk about the wonderful goal of producing “wholehearted writing” in whatever medium we choose. I'm confident you'll love the scenic and beautiful places we explore as we share the power of storytelling – in podcasts, in posts, and in novels. We know you'll love it! Links for this episode: Episode 91 show notes Writing from the Heart with Brian: https://writingfromtheheartwithbrian.com/ Vicki's book about resilience and love: Surviving Sue Wynne's book about her beloved father: Finding My Father's Faith

Hruschka, Lynn www.deutschlandfunkkultur.de, Studio 9

BONUS - November is Coming - 30 Episodes in 30 Days - National Podcast Post Month NaPodPoMoIn 2007, 50 podcasters participated in the first ever National Podcast Post Month aka NaPodPoMo. Created by Jennifer Navarrete as an answer for an audio version to other 30 day challenges happening in the month of November.NaPodPoMo is a month long event along the same vein as National Novel Writing Month aka NaNoWriMo. The difference? Well, instead of writing a 50,000 word novel, you podcast every day for 30 days from November 1st-30th.Use any platform you desire. From full production studio to iPhone app and just about anything in between. The goal of NaPodPoMo is to use the challenge of podcasting daily as a form of podcasting bootcamp.https://napodpomo.org/Support the show___https://livingthenextchapter.com/podcast produced by: https://truemediasolutions.ca/

In this week's episode, we take a look at the best methods for finding ad graphics for book advertising. TRANSCRIPT 00:00:00 Introduction and Writing Updates Hello, everyone. Welcome to Episode 224 of The Pulp Writer Show. My name is Jonathan Moeller. Today is October 25th, 2024 and today we are discussing the best methods for sourcing images for ad graphics. We'll also have an update on my current writing and audiobook projects. Let's go right to that. I am currently 61,000 words into Cloak of Illusion and am hoping to have that out before the end of November, since 61,000 words puts me about halfway through the rough draft, I think. I'm also 14,000 words into Orc Hoard, which will be the 4th Rivah book, and if all goes well, the final book I publish in 2024. In audiobook news, recording is underway for Shield of Conquest. That will be excellently narrated by Brad Wills, and it's also underway for Cloak of Spears and Ghost in the Tombs, which will be narrated by Hollis McCarthy. I think probably Cloak of Spears will come out first, but we will see how things play out for the rest of the month. So that's it. That is the update on my current writing project. Next month and next week, I want to do a new podcast series for the month of November that I'm going to call Moeller Writing Tips Month as sort of a gentler alternative to National Novel Writing Month (or NaNoWriMo) for a couple of reasons. The NaNoWriMo organization has had a number of problems over the years, especially recently, so I don't feel comfortable endorsing it anymore. I've also begun to wonder if NaNoWriMo is a bit like a shock diet. If you talk to doctors and other medical experts about weight loss, they say the best way is always to make small, sustainable changes that you can keep up with over time. It's better to lose like a pound a month and keep it off than it is to lose like, 5 or 10 pounds a month in a shock crash diet only to gain it all back once you go back to your own old habits because that kind of a weighty yoyoing is very hard on the body. I wonder if National Novel Writing Month, where you write 50,000 words in a month is like that for a lot of people; it's sort of a crash diet. For someone like me, Ghost in the Tombs was my 156th novel. I typically can write a rough draft or novel in a month if I don't have anything else come up. So for me, that's normal, but for most people who don't have that kind of experience, I wonder if National Novel Writing Month would be the sort of writing equivalent of those crash diets that might leave you worse off than you were to begin with. So with that in mind, next month I'll start a podcast series discussing gentler ways one can ease into the regular habit of writing. More discussion on that topic next week and next month.   00:02:45 Main Topic: Sourcing Ad Graphics Now onto our main topic for the week, sourcing ad graphics. Before we get into that, a disclaimer. I am not a lawyer and none of what I'm about to say is actual legal advice. You obtain actual legal advice by hiring a lawyer who is qualified to practice in your jurisdiction. It is very important (to continue the disclaimer) to be on firm footing with the copyright of your ad image. If you don't own the image or the right license to use it, you're infringing on someone's copyright and they can respond either legally or through the places where your book is sold. This is less of a problem with ad images than is with book covers, but it still can happen. With that in mind, some of the free stock images sites have restrictions on commercial use or modification of the images. It's a good idea to read the licenses carefully. Some of these sites have often not gotten the appropriate clearances from the models in the pictures, so be cautious of using images with identifiable faces from those types of sites. If you're not familiar with the legal term, a model release is when a model or someone in a stock photograph appears in the stock photograph. They sign a release that gives the rights for their likeness to be used for the commercial image and not all free stock image sites do that. Good stock image sites like Shutterstock or iStock Photo or Dreamstime will clearly state on the image page whether or not a model release has been included. If a model release has not been included, you can't use it for commercial purposes, and though it is not terribly likely, you can open yourself up to legal liability that way. In that vein, be also cautious about Creative Commons sites, since copyrighted work frequently ends up on those sites. This is also true of the free stock image sites, where sometimes people will pirate images and post them there. Also, many Creative Commons photos are restricted from commercial use, modification, and/or the artists require attribution. Tread carefully and make sure you understand the conditions of using images with any of the various Creative Commons licenses. And before we get into further details, it's also important to understand the difference between creating book covers and creating ad images. The number one thing to remember about ad images is that ads are ephemeral, and they should change often because you often get diminishing returns for using the same ad graphics. Ads can be tailored for different audiences. Ads can be tailored for different platforms. In fact, you kind of have to tailor ads for different platforms because, for example, Bookbub and Facebook, the two ad platforms where indie authors are most likely to use ad graphics, have very different requirements for images. People are more tolerant of AI images in ads than in book covers, but AI is very polarizing, and if you use an ad image that is easily and immediately identifiable as AI, you will probably get some pushback for that. So with all that in mind, let's first look at some free places to get images for ads and then some paid options. The number one free option is public domain images from the US government pages. It is the law of the land in the United States that images produced by the US government or federal employees in the course of their duties (with some exceptions) are in the public domain. Some of these are great as using as backgrounds or components of an ad. For example, are you a sci-fi author in need of a planet you can put behind a spaceship? You're in luck; NASA has plenty of those images and you can find them quite easily. However, sometimes U.S. government websites use stock images or government created images that have some types of restrictions. For example, NASA forbids use of images of current astronauts for commercial purposes for any reason and has some pretty strong feelings about people using their images to create NFTs. You do not want to go through life getting sued by the federal government, so you probably want to avoid that. Sources that are easiest to be confident in, images that are explicitly included in public domain collections on U.S. government websites such as the Library of Congress free to use and reuse sets website or NASA's Images Hub (this page also includes some guidance on NASA specific researchers) and the National Gallery of Art Open Access Images page. All of these have ample supplies of images that are in the public domain, and you can look over them for images you can use for ads or components of ads. Another free option is other public domain collections. Some libraries and some museums have created public domain image collections or let you filter for public domain images on their site. Very large institutions tend to be cautious about using this type of copyright language and their staff generally have training on what is or is not public domain. The Art Institute of Chicago has a public domain filter on their search page and The Met museum in New York has an Open Access filter in their search page where you can look for images in the public domain. The third free option and one that I have done myself a lot is take your own photos and use your own photographs for backgrounds components in an ad, etcetera. Since you're the creator, you hold the copyright. I have done this in a lot of the books I have published in 2024 and the ad images I created in 2024. A fair bit of them have my own photos because I took some trips to some fairly scenic parts of the country this year. I was fortunate enough to be able to do that, so while I was there, I took lots of pictures with an eye towards using them in ad images and book covers because as you get more practice with graphic design, your projects tend to have more layers to them. You often come across things and think well, this wouldn't be a good image by itself but would be a great background or great foreground and I can use pieces of it to assemble a better picture. So I've done that a fair bit and since I own the rights to all the photographs, I am one hundred percent in the clear. Now let's move on to a few free or low-cost options and one that might be a bit controversial. In fact, it is controversial: AI generated images. The pros of this are that the US government has consistently ruled so far (this might change after the election, but it might not) is that AI images cannot be copyrighted in any capacity. This means you can quickly make eye-catching art that matches your specifications instead of hunting for stock art. The con is that many people will assume that the book is AI generated if they see an AI generated ad image and many people strongly dislike AI art in general, or object to AI art on principle, viewing it as a form of theft. For myself, I've decided that my personal ethical line on this (barring changes in circumstances or laws) is that I will not sell anything that was created by AI. If I am selling anything or giving away a free ebook, it is 100% written by me and the cover was either made by me or someone I hired to do it. And in the audio books I sell, they are 100% narrated by an actual human being. That said, I have, I'd say, from time to time, used AI for ad images for the reasons we've discussed. Ads are ephemeral and phased out pretty quickly, but I have found that it's generally unwise to use an unmodified AI image, because it has such a very clear and obvious AI look to it. It's a good idea if you are going to use an AI image for an ad to run it through Photoshop a bit and change the look and maybe eliminate some of the more obvious AI tells such as extra fingers or misshapen eyes, that kind of thing. So if you are comfortable using AI, it can be a good source of ad images with some work, but otherwise, if you're not comfortable with it and you think your audience would be offended by it, it's probably best to avoid it. So those are the free/slightly free options, and now it's time to move on to the official paid options. The first paid option we're going to discuss is Shutterstock. You pay by image. It's simpler than the credit systems that Dreamstime uses, and the interface is easy to use. I have not generally used Shutterstock all that much because it tends to be a bit more expensive than the other options. However, you can find some very high-quality photos there if you are patient enough to look. The second paid option we're going to look at is Dreamstime. You can either pay images a la carte with credits you buy or by subscription. I have used Dreamstime quite a bit and quite a few of my covers have images I have licensed from Dreamtime. I'd say the pros of Dreamstime is that it has a very large and very strong library. The con (and this is true of stock photo sites in general) is that it's very easy to find an image that is like 95% perfect, but that 5% would be a lot of work to fix in Photoshop or just isn't right for some reason. Additionally, I don't agree with this decision on Dreamstime where they've begun including a lot of AI generated stuff on their page. It's clearly labeled as AI and you can use filters in the search engine to filter out the AI stuff, but if you're looking for stuff for covers because like I've said before, my personal ethical line (barring changes in law) is that I won't sell anything that was made by AI. If I'm looking for elements for a cover, it's really annoying to have to double check to make sure that the image was not AI generated, which is another good reason to use your own photos because you can then be certain it wasn't AI generated. The final paid option that many authors and many professional graphic designers use is Adobe Stock. Adobe Stock is probably the gold standard for stock photos. It has a large library with a range of image types and very clear license terms. The flip side is it's expensive. You can often include it with an Adobe subscription (which is in itself quite expensive) and then you get a limited number of image credits every month and that can be quickly expensive. If you have an Adobe subscription, you can also use Adobe's Firefly AI image generating service. It's not quite as powerful as Midjourney or some of the other ones available, but that said, it is trained only on stuff that Adobe technically has the legal rights to do. In my experiments with it, I found that Adobe Firefly's AI generator is not good at generating scenes. It is good at generating components of scenes, like you could tell it to generate a forest or a beach or a mountain, or a castle or something, and that'd be pretty good. Then you can modify it and add in other elements later, but it's not so good at generating a finished scenes the way that something like Midjourney would be. Now that we've looked at sources for stock images, let's look at a couple of paid sites that can help you use the ad images you have found. Obviously, you can work on them in Photoshop or GIMP or Affinity Photo editor, but those are fairly complicated programs that can take quite a bit of effort to learn. There are websites that now specialize in helping you to create specific ad graphics. I'd say the most valuable one for indie authors is Book Brush. It is a specialized image editing website designed for indie authors. It lets you make things like 3D covers of your books or audiobooks to include as part of an ad, and it also has a variety of ad templates, where you will have ad templates that are the right size and resolution for the various ad platforms, and then you can drop in the elements you need to make an appropriate ad graphic. So if you're an indie author who just wants to make ad graphics or maybe even some basic covers, Book Brush would be well worth your time to investigate, in my opinion. A second option would be Canva Pro. Amazon has explicitly said in their guidelines they don't like people using it for book covers, but ads are a different game and Canva is reliable for this purpose. It's good for beginners and those starting out. It's quick and easy to reuse. The downside is that since Canva is so popular, people have gotten used to the Canva look and you get bored with seeing those, especially if you've only minimally modified a template, but with some creativity, you can make an ad graphic that looks fairly nice. So that is it for this week. I hope you will find that helpful for finding sources for your ad graphics. Thanks for listening to The Pulp Writer Show. I hope you found the show useful. A reminder that you that you can listen to all the back episodes on https://thepulpwritershow.com. If you enjoyed the podcast, please leave your review on your podcasting platform of choice. Stay safe and stay healthy and see you all next week.

National Novel Writing Month begins next week, which is why today's episode is a pep talk of sorts. Plus, I found a few publishing houses currently accepting unsolicited manuscripts. Dragonblade Publishing | SubmissionsHarlequin Medical Romance | SubmissionsBlack Rose Writing | SubmissionsCollective Ink Publishing | SubmissionsDark Dragon Publishing | SubmissionsFree Style Sheet TemplatesFree Writing TipsMusic licensed from Storyblocks.

Send us a textIn this week's episode of the podcast we're talking about our decision to offer our own weekly writing sessions on Zoom for anyone on our email list rather than join or promote the offerings from NaNoWriMo. If you've been in the writing community for a while, you're familiar with NaNoWriMo, or National Novel Writing Month, which has occurred every year in November since 1999, and became a non-profit organization in 2006. The goal of participating in NaNoWriMo is to write 50,000 words, or a novel, in a month. Recently, there's been a lot of buzz in the writing community from writers who have moved away from collaborating or being associated with NaNoWriMo because of their stance on the use of AI technology and allegations of allowing a known child sexual predator to join their online forums. NaNoWriMo originally stated they supported the use of AI for disabled and marginalized communities. Needless to say, there was a lot of pushback from these communities and the broader writing world online who felt this stance undermined writers and the profession. One of the big issues surrounding AI is authors discovering their books have been used to train the algorithm and they're not receiving any royalties from the use of their books. Essentially, their intellectual property has been taken without their permission to build the databases for AI to generate ideas and content for users who choose to write a book using AI. We're most concerned with the original stance from NaNoWriMo being ableist and classist, and the lack of attention to safety for young writers in online forums. NaNoWriMo has since replaced their statement with a new perspective that doesn't commit one way or another, and while they sent out apologies to their audience, many writers are not impressed. The fever pitch level of disdain for NaNoWriMo has many writers creating their own writing months and communities. The decision to engage with NaNoWriMo's activities in November is up to you, but we wanted to present our perspective for you to consider how you can join with real people who are here to encourage and support your development as a writer. We invite you to join us every Monday in November from 3pm to 4pm MST on Zoom. As a subscriber to our newsletter, you'll automatically receive the Zoom link when it's time, but if you know of anyone else who would be interested, please encourage them to join our email list so they don't miss out on this opportunity to show up and write. It's about connecting with other humans and sharing in the creative energy. The human element is what's missing when you stand behind AI. There are certainly benefits to using generative AI, such as ChatGPT, when it comes to activities like brainstorming, or suggestions for ideas, but the actual writing of the stories needs to be from the individual.  Nothing can replace the human touch on a writing project.Every one of us has our voice, and our voices are authentic, and it's what readers connect with when they take hold of your stories. It's why we have this podcast and we're working to build an online community for writers to write and learn together to improve their craft. There's so much great writing that happens in the company of other writers. It's been almost a year now of showing up each week for our community, and we know the value of showing up week after week dedicated to the creative process. We look forward to seWe invite you to subscribe to our email list to be the first to know about our weekly podcast episodes and upcoming group programs for writers! If you prefer video versions of the podcast or want to leave a comment on this specific episode, you can find all of them on our YouTube channel.

My guest this episode is Michelle Winkler, who writes dark urban fantasy. Michelle struggles with ADHD, which makes it challenging to focus on long-term goals, but she overcame it after completing NaNoWriMo, the National Novel Writing Month challenge. Now, she's passionate about using her experiences to help other indie authors. Find more author advice, tips, and tools at our Self-publishing Author Advice Center, with a huge archive of 2,000+ blog posts, and a handy search box to find key info on the topic you need. We invite you to join our organization and become a self-publishing ally. Sponsor Inspirational Indie Authors is proudly sponsored by Bookvault. Sell high-quality, print-on-demand books directly to readers worldwide and earn maximum royalties selling directly. Automate fulfillment and create stunning special editions with BookvaultBespoke. Visit Bookvault.app today for an instant quote. About the Host Howard Lovy has been a journalist for more than 35 years and now amplifies the voices of independent author-publishers and works with authors as a developmental editor. Find Howard at howardlovy.com, LinkedIn, and X.

National Novel Writing Month takes a hit for its position on AI; the 20th anniversary of a novel we love: Susanna Clarke's Jonathan Strange and Mr. Norrell; and we visit with writer Jamie Quatro on her novel Two-Step Devil about an outsider artist in Appalachia who professes to be a prophet of God.  Thank you for listening! If you like what you hear, give us a follow at: X: Across the Pond, Galley Beggar Press, Interabang Books, Lori Feathers, Sam JordisonInstagram: Across the Pond, Galley Beggar Press, Interabang Books, Lori Feathers, Sam JordisonFacebook: Across the Pond, Galley Beggar Press, Interabang BooksTheme music by Carlos Guajardo-Molina

Is it time for me (this is KJ) to start a new novel? Not quite-quite-quite, but that time is coming. There's a decent chance that the novel I'm working on now will be finished, in the now-we-try-to-sell-it sense, soonish. And that will take some time, and maybe it won't happen (I know, you think I'm just saying that but no, it's really quite possible). Even if it does, at some point very soon that will be out of my hands for long enough to start working on something new—and if I'm lucky, that will co-incide with November and National Novel Writing Month, which is my favorite time to write a 55K word draft that probably will contain approximately 1737 words that end up in an actual novel but that seems to be part of my “process”. I think my process is a raging dumpster fire but out of the ashes arise books so fine, this is how I do it. First, I'll need an idea. Jennie Nash and I recorded a whole summer about “Ideating” (Episodes 366-373—The Idea Factory). I'd argue that this is possibly the most important part. Sarina and I have a partially joking saying: Friends don't let friends write books without hooks. But an idea is a multi-part creation. It's not just a hook, it's not just a premise. A premise is vampires that feed only on people descended from the original crew and passengers on the Mayflower, and maybe that's a hook as well. It's not an idea until we know why it matters, and who it matters to within the book and why it might therefore matter to readers. Honestly, I'll probably get that second bit wrong to start with, but you have to start somewhere. Right now, though, I don't even have the first bit. Maybe you don't either. Maybe you have an idea noodling around inside you, or more likely fifty. Maybe you can mash some of them together. Maybe they're all amorphous or flimsy or when closely examined take place in a world or mood that you don't want to live in for the next couple of years. But you have to pick one and see where it goes. I started this thinking I could help with that, and now I'm not so sure. I mean, I have a plan. I know what I am going to do, or what I think I'm going to do, but it's hardly a step-by-step formula for success. It's going to go something like this:* Wander the bookstore. Most people buy their books online from descriptions now, but genre still matters. Look at the piles of romantasy (romance/fantasy), the growing tables of horror and horr-antsy (I made that up but it should be a thing). The buy-one-get-one-half-off tables of romance and thrillers, and speaking of thrillers, that's a pretty broad category that ranges from “your heart is in your throat the whole time” to “huh, I wonder what's going on here”. Series mystery, which I think is the only thing left that's really “mystery” and not “thriller”. Pick up a book from “fiction” that's described right in the cover copy as a “second chance romance” and try to figure out why it's in one place and not the other. (One Last Shot by Betty Cayouette, which I found by googling what I remembered from the cover copy: book second chance model photographer theo italy. Nicely done, Google.) Sigh, give up, and try not to contemplate whether the world really needs any more books. It does not. But I need to write one, so it's getting one. #sorrynotsorry* Play the airport game, which we talked about in Episode 367 HERE). Basically it goes like this: go to an airport (or ask a friend who's going somewhere). Find the Hudson or whatever your airport general shops are called that has the SMALLEST selection of books. Like, one rack face out. Take a picture and then walk yourself through it and ask, “which of these books is most like something I could have written?” Examine those books closely, asking two primary questions: 1) why is this in the airport bookstore (why do people love it/buy it) and 2) why is it like something I could have written? Then spend your flight, or two hours in a coffee shop, coming up with an idea and a brief pitch for something that resembles each one of those books. You have no more than 30 minutes for each book/pitch, and it must have a title, a logline, rough flap copy, inner and outer plots and a story arc with a beginning, middle and end. * Do a wild title brainstorm. Sometimes a book just has a great title. Beach Read, Summer Romance, A Star is Bored, Blonde Identity. The last time I made a list of “great titles” I hit one—Romantic Comedy—that someone else has recently used to great success and came very very close on two others. Should you write a book just because you have a great title idea? No of course not, but some great titles could apply to a LOT of book ideas. People are buying the vibe, not the plot, when they buy Brooklynaire.* Mayyyybe look over your old idea notebooks, if you have them. I have some mixed feelings about this, since I don't want to let my current idea generating muscle off the hook. But these might also jog something loose. I have my 2022 book out now for this purpose. * Pick a couple ideas—say three—and noodle them out further. Now we're pretty much into the whole Idea Factory protocol from the summer of 2022—and that DID end up with me writing one of the books we talked about. So apparently it “worked”.That's my plan. Y'all know I like to set “sticker” goals—a nice thing about this is its flexibility.Hey writers. I'm Jennie Nash, founder and CEO of Author Accelerator. It's back to school time, which means it's a great time to start training to become a book coach. By this time next year, you could be certified and out there helping writers bring their books to life- even if you're not a published author yourself. Take our quiz, The 10 Characteristics Of a Great Book Coach, to find out if you have what it takes to become a great book coach. Visit bookcoaches.com/characteristics-quiz that's the clunkiest URL ever so let me say it again: bookcoaches.com/characteristics-quiz We'll also put it in the show notes so you know you're going to the right place. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit amwriting.substack.com/subscribe

The National Novel Writing Month organization is in scalding hot water. The nonprofit, after making an odd statement about AI's place in novel-writing, is not very popular anymore with writers around the world. So what was their stance and where does AI fit into writing? Plus: American Airlines reaches a deal with its workers and General Mills is on a selling kick. Join our hosts Jon Weigell and Juliet Bennett, as they take you through our most interesting stories of the day. Follow us on social media: TikTok: https://www.tiktok.com/@thehustle.co Instagram: https://www.instagram.com/thehustledaily/ Thank You For Listening to The Hustle Daily Show. Don't forget to hit Subscribe or Follow us on Apple Podcasts so you never miss an episode! If you want this news delivered to your inbox, join millions of others and sign up for The Hustle Daily newsletter, here: https://thehustle.co/email/  Plus! Your engagement matters to us. If you are a fan of the show, be sure to leave us a 5-Star Review on Apple Podcasts https://podcasts.apple.com/us/podcast/the-hustle-daily-show/id1606449047 (and share your favorite episodes with your friends, clients, and colleagues).

Episode 404: Neal and Toby preview the upcoming jobs report that could shed some light on the direction of employment in the US, and the size of the Fed's rate cut. Then, the Trump and Harris campaigns are focusing on corporate America with plans that have different strategies. Next, the Boeing Starliner is returning to Earth, finally! Except with no crew. Meanwhile, the organization behind National Novel Writing Month is being roasted online for not opposing AI. Meanwhile, a new survey shows teens are cutting back on vaping. Lastly, Fyre Fest 2 is coming…but no one knows when, where, and how. Seems to be going well so far.  Visit https://www.massmutual.com/ for all your financial planning needs Get your Morning Brew Daily T-Shirt HERE: https://shop.morningbrew.com/products/morning-brew-radio-t-shirt?_pos=1&_sid=6b0bc409d&_ss=r&variant=45353879044316  Listen to Morning Brew Daily Here: https://link.chtbl.com/MBD Watch Morning Brew Daily Here: https://www.youtube.com/@MorningBrewDailyShow Learn more about your ad choices. Visit megaphone.fm/adchoices

The organization that runs National Novel Writing Month, a November challenge to write 50,000 words, said "the categorical condemnation of Artificial Intelligence has classist and ableist undertones." Does it? Also Discussed: NaNoWriMo Says Condemning AI Is ‘Classist and Ableist' This Is Doom Running on a Diffusion Model Learn more about your ad choices. Visit megaphone.fm/adchoices

The third and final Patreon-exclusive episode, originally published Nov 30, 2023. Backlist: It's National Novel Writing Month! Hope everyone has had a satisfying and productive NaNo! Since we're hopefully balls deep in some deeply angsty writing project, we decided to take a break from our Melissa Marr season to do something a little silly and light. And by silly and light we of course mean spending almost two hours LOOKING DEEP WITHIN OUR SOULS FOR UNDERSTANDING with the help of Alloy Entertainment and their Real Human Author Tucker Shaw. This month we're reading WHO DO YOU THINK YOU ARE (published 2001), a book of extremely '00s personality quizzes designed to help teen readers understand their True Selves. So naturally we had to try them out - for ourselves, and some of our favorite fictional teens. Chill: Nothing fancy this week, just kicking back with some Great Lakes Brewing Co. Edmund Fitzgerald Porter (Ollie) and pineapple wine (Cyna). Intro theme - "Let It In" by Josh Woodward. (1h 47m. Content Warning: Profanity, alcohol consumption, sexually explicit and generally extremely filthy language.)

Why do we constantly underestimate how long something will take in the short-term? In other words, we tend to over-estimate just how much we can achieve right now. Then, when we think long term, the reverse tends to happen: we actually UNDER-estimate what we're capable of achieving over time. Today, we want to know more about the promise of a popular trend, the creative streak, and whether they can help us overcome our constant battle with planning our time and achieving something greater.This week, Grant Faulkner, Executive Director of the world-wide phenomenon NaNoWriMo (aka National Novel Writing Month) gives us a peek into the power (and potential pitfalls) of creative writing streaks. Meanwhile, Giorgia Lupi, an information designer and partner at the firm Pentagram, reflects on her famous, collaborative creative streak, Dear Data, with Stefanie Posavec -- a year-long journey of sketching personal data-based postcards, which eventually led to exhibitions, book deals, critical acclaim, and internet fame. Can we change our relationships to deadlines? How might we banish our inner editors holding us back during crucial early stages in the creative process? And how might we reconcile both the short-term and long-term work we do? Let's go streaking.***SUBSCRIBE TO THE NEWSLETTER:

Nearly a decade ago, during National Novel Writing Month, bestselling nonfiction author Sarah Arthur let her imagination run free when she began writing Once a Queen, a novel that had been living in her imagination since the early 2000s. On January 30, 2024, her sparkling YA fantasy will be published by WaterBrook, the Penguin Random House imprint behind the Wingfeather Saga, the bestselling middle-grade series which has sold more than one million copies. Arthur's first venture into the world of fantasy makes sense, as her extensive knowledge of Lord of the Rings and active involvement in the C.S. Lewis Festival and Madeleine L'Engle Writing Retreats can be felt with the flip of every page — the story is richly woven, atmospheric, and captures the cozy magic akin to classics like The Secret Garden, The Chronicles of Narnia, and A Wrinkle in Time, while also telling a fresh and delightful world-weaving tale for wonder-hungry young minds. Readers are transported to the English countryside alongside Eva, the American teenage protagonist who secretly wishes fairy tales were true. Nevertheless, while spending the summer at her grandmother's mysterious English manor, unusual happenings in the gardens at night lead Eva to wonder if portals to alternate universes exist…and if her grandmother was once a queen in one of those worlds. Arthur was working through grief while writing this novel, and she hopes the intricate themes of generational wounds, redemption, and imagination will ease the young minds that pick up Once a Queen. Mentioned in This Episode Once a Queen | Sarah ArthurWalking with Frodo | Sarah ArthurA Light So Lovely | Sarah ArthurBreath of Bones | Tricia Goyer and Nathan GoyerThe Little White Horse | Elizabeth GoudgeTrust the Stars | Tricia GoyerThe Magician's Nephew | CS LewisDaily Bible PodcastGet the pre-order goodies for Once a QueenJoin the Once a Queen launch party on 1/30/24 Connect with Sarah Arthur Website | Instagram | Facebook | Twitter Don't forget to subscribe + leave us a rating and review! Be sure to visit the full show notes and listen to other episodes at thetriciagoyershow.com. And check out my newest book Trust the Stars at https://triciagoyer.com/books/trust-the-stars/! --- Support this podcast: https://podcasters.spotify.com/pod/show/thetriciagoyershow/support

You did it! Whether you're a participant in the National Novel Writing Month challenge or the National Podcast Post Month challenge, it's time to celebrate you reaching your goals, or at least doing your best to reach them. Don't let anyone take away what you've done this month and what you'll be doing in the future!Subscribe to all shows in the Once Upon a Podcast Network by clicking HERE.The Excelsior Journeys podcast exists primarily as a platform for creatives of all kinds (authors, filmmakers, stand-up comics, musicians, voice artists, painters, podcasters, etc) to share their journeys to personal success. It is very important to celebrate those voices as much as possible to not only provide encouragement to up-and-coming talent, but to say thank you to the established men & women for inspiring the current generation of artists.If you agree that the Excelsior Journeys podcast serves a positive purpose and would like to show your appreciation, you can give back to the show by clicking HERE.Want to be an in-demand podcast guest? Join the Endless Stages Challenge and you'll become one in less than 100 days. I'm so proud to be an affiliate for this challenge, and I invite you - creatives from all walks of life - to click on this link HERE.Click HERE to learn more about the challenge, and click HERE for more information about Endless Stages.

Enjoy Part 1 of the Day 28 2-parter that's been posted just in time for you to wake up on Day 29 of the National Novel Writing Month & National Podcast Post Month Challenges.And remember, if you feel sick, give yourself a chance to rest.Subscribe to all shows in the Once Upon a Podcast Network by clicking HERE.The Excelsior Journeys podcast exists primarily as a platform for creatives of all kinds (authors, filmmakers, stand-up comics, musicians, voice artists, painters, podcasters, etc) to share their journeys to personal success. It is very important to celebrate those voices as much as possible to not only provide encouragement to up-and-coming talent, but to say thank you to the established men & women for inspiring the current generation of artists.If you agree that the Excelsior Journeys podcast serves a positive purpose and would like to show your appreciation, you can give back to the show by clicking HERE.Want to be an in-demand podcast guest? Join the Endless Stages Challenge and you'll become one in less than 100 days. I'm so proud to be an affiliate for this challenge, and I invite you - creatives from all walks of life - to click on this link HERE.Click HERE to learn more about the challenge, and click HERE for more information about Endless Stages.

Enjoy Part 2 of the Day 28 2-parter that's been posted just in time for you to wake up on Day 29 of the National Novel Writing Month & National Podcast Post Month Challenges.You're just a couple of days away from finishing the foundation of what will be your book. It is the concrete that will become your basement. You still got a lot of work to do before you move in and decide the color of your drapes.Oh, and by the way, this is Episode 250 of Excelsior Journeys! Celebrate with me tomorrow... or later on today. Subscribe to all shows in the Once Upon a Podcast Network by clicking HERE.The Excelsior Journeys podcast exists primarily as a platform for creatives of all kinds (authors, filmmakers, stand-up comics, musicians, voice artists, painters, podcasters, etc) to share their journeys to personal success. It is very important to celebrate those voices as much as possible to not only provide encouragement to up-and-coming talent, but to say thank you to the established men & women for inspiring the current generation of artists.If you agree that the Excelsior Journeys podcast serves a positive purpose and would like to show your appreciation, you can give back to the show by clicking HERE.Want to be an in-demand podcast guest? Join the Endless Stages Challenge and you'll become one in less than 100 days. I'm so proud to be an affiliate for this challenge, and I invite you - creatives from all walks of life - to click on this link HERE.Click HERE to learn more about the challenge, and click HERE for more information about Endless Stages.

November is National Novel Writing Month, or NaNoWriMo, in which writers of all experience levels attempt to develop and draft a 50,000-word work in 30 days. Matt Bell, creative writing instructor at Arizona State University, author of the novel, Appleseed, and the writing craft book, Refuse To Be Done: How To Write And Re-Write A Novel In Three Drafts, along with Elizabeth Acevedo, National Book Award-winning author of The Poet X, who also wrote her YA novel, With the Fire on High, for NaNoWriMo in 2013, join to talk about the art of novel writing, the process of speed-drafting, and take calls from listeners developing their own works.

November is National Novel Writing Month, or NaNoWriMo, in which writers of all experience levels attempt to develop and draft a 50,000-word work in 30 days. Matt Bell, creative writing instructor at Arizona State University, author of the novel, Appleseed, and the writing craft book, Refuse To Be Done: How To Write And Re-Write A Novel In Three Drafts, along with Elizabeth Acevedo, National Book Award-winning author of The Poet X, who also wrote her YA novel, With the Fire on High, for NaNoWriMo in 2013, join to talk about the art of novel writing, the process of speed-drafting, and take calls from listeners developing their own works.

November is National Novel Writing Month, or NaNoWriMo, in which writers of all experience levels attempt to develop and draft a 50,000-word work in 30 days. Matt Bell, creative writing instructor at Arizona State University, author of the novel, Appleseed, and the writing craft book, Refuse To Be Done: How To Write And Re-Write A Novel In Three Drafts, along with Elizabeth Acevedo, National Book Award-winning author of The Poet X, who also wrote her YA novel, With the Fire on High, for NaNoWriMo in 2013, join to talk about the art of novel writing, the process of speed-drafting, and take calls from listeners developing their own works.

954.  Uh-oh, "irregardless" isn't going away anytime soon. Take a deep breath while we dig into this hated word's history, from its first appearance in 1795 to today. And then, do you love a good plot twist? In honor of National Novel Writing Month, we look at the psychology of surprises in fiction.The "irregardless" segment was written by Susan Herman, a retired U.S. government multidisciplined language analyst, analytic editor, and instructor.The "plot twist" segment was written by Vera Tobin, an associate professor of Cognitive Science at Case Western Reserve University. It originally appeared on The Conversation and appears here through a Creative Commons license.| Transcript: https://grammar-girl.simplecast.com/episodes/irregardless/transcript| Subscribe to the newsletter for regular updates.| Watch my LinkedIn Learning writing courses.| Peeve Wars card game. | Grammar Girl books. | HOST: Mignon Fogarty| VOICEMAIL: 833-214-GIRL (833-214-4475) or https://sayhi.chat/grammargirl| Grammar Girl is part of the Quick and Dirty Tips podcast network.Audio Engineer: Nathan SemesDirector of Podcast: Brannan GoetschiusAdvertising Operations Specialist: Morgan ChristiansonMarketing and Publicity Assistant: Davina TomlinDigital Operations Specialist: Holly Hutchings| Theme music by Catherine Rannus.| Grammar Girl Social Media Links: YouTube. TikTok. Facebook. Instagram. LinkedIn. Mastodon.

Let's find some motivation! In honor of National Novel Writing Month, the OtherCenter crew is looking at what motivates them to create, how they build toward their goals, and how they keep going when they just don't want to. They can do it! And so can you! It's a look at motivation with Joseph Scrimshaw, Jennifer Landa, and Ken Napzok on the 611th edition of ForceCenter presents OtherCenter.From the minds of Ken Napzok (comedian, host of The Napzok Files), Joseph Scrimshaw (comedian, writer, host of the Obsessed podcast), and Jennifer Landa (actress, YouTuber, crafter, contributor on StarWars.com) comes the ForceCenter Podcast Feed. Here you will find a series of shows exploring, discussing, and celebrating everything about Star Wars. Subscribe on Apple Podcasts and Google Podcasts. Listen on TuneIn, Stitcher, Spotify, and more!Follow ForceCenter!Watch on YouTube!Support us on PatreonForceCenter merch!All from ForceCenter: https://linktr.ee/ForceCenter Hosted on Acast. See acast.com/privacy for more information.

November is National Novel Writing Month where writers take 30 days to write a 50,000 word novel. What project or challenge can you accomplish in 30 days? Here is your push to start that project and finish it! Imagine how PROUD you will feel waking up on December 1st. Decide today, make a plan and get to work. We are rooting for you!Resource: -Before Breakfast Podcast by Laura VanderkamREVIEW CHALLENGE WINNERS!Congrats to...- momma 2 boys- njn17- Kayla WPlease email us at wearepositiveonpurpose@gmail.com to claim your personal development books!5 Ways to Support the Positive on Purpose Podcast:1. Hit the subscribe button2. Write a Review3. Share a takeaway in your stories4. Tag the @positiveonpurposepodcast in a post5. Share with a friend or family member Connect with us! Follow our podcast Instagram account and tag us! @positiveonpurposepodcast

November is NaNoWriMo, which is National Novel Writing Month. You can join thousands of other writers all over the world to write 50,000 words in one month. Are you ready to take on the challenge of writing a book in thirty days?On this week's episode of “Authors Who Lead,” I talk about the benefits of joining NaNoWriMo and share my top tips for getting ready for this challenge.Timestamp:00:00:02 NaNoWriMo: Write a novel in 30 days.00:06:30 Write more every day, to avoid negative accumulation.00:09:04 Be present, take deep breaths, feel it.00:10:55 Settle into the ground, relax, and breathe.00:14:12 Book unknown, use meditation, calm, write. Good luck.Full show notesCOMMUNITY PROGRAMS

As some of you know...I'm an author of two books. And I teach writing classes in our online writing school, which is called Elephant Academy. And I'm running for local political office. And I'm social, and I'm raising a puppy. I'm crazy busy right now. But—every November is NaNoWriMo, National Novel Writing Month...and Elephant Academy offers a mindful consultation throughout the month with workshops, community, and social media posts. Why? Because the point of writing is not just to publish a book and be famous and pose in your tweed jacket with elbow patches on the back of your Great American Novel, and be revered by fans everywhere. No. The point of writing is to be genuine. Join the event on Oct. 27th, 2023.

One month out from National Novel Writing Month, this episode hopes to inspire listeners around the truism that the very best way to write a novel is simply to try it. NaNoWriMo encourages that effort, outcome irrelevant. Take heed from guest Kayvion Lewis who suggests in this episode to write the thing that sets your heart on fire. Also, as promised in today's Book Trend, we encourage you to check out Dave Chesson's video on Amazon's recent category changes which can be searched on YouTube: “INSANE Amazon Category Change.” Learn more about your ad choices. Visit megaphone.fm/adchoicesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

One month out from National Novel Writing Month, this episode hopes to inspire listeners around the truism that the very best way to write a novel is simply to try it. NaNoWriMo encourages that effort, outcome irrelevant. Take heed from guest Kayvion Lewis who suggests in this episode to write the thing that sets your heart on fire. Also, as promised in today's Book Trend, we encourage you to check out Dave Chesson's video on Amazon's recent category changes which can be searched on YouTube: “INSANE Amazon Category Change.” Learn more about your ad choices. Visit megaphone.fm/adchoices

The Turkish president Recep Tayyip Erdogan described the blast in Istiklal street as a "vile attack". Also: Ukraine says over four hundred Russian "war crimes" reported in Kherson, and thousands of budding writers in the US take part in the National Novel Writing Month