Podcasts about Victoria Spivey

Blues rural, eléctrico y urbano en este especial dedicado a la Música del diablo... Con titanes y titanas como Elmore James, Memphis Minnie, Blind Willie Mctell, John Lee Hooker, Victoria Spivey y Kokomo Arnold... A partir de las ocho de la mañana del sábado en la sintonía de Radio 3.Escuchar audio

Today's show features music performed by Victoria Spivey and Ann Peebles

Doug gives his "we're heading for the end of the dollar-based world order" take. Dylan has no idea what he's talking about when it comes to macro or politics. We fail to arrive at the 2011 Obama-Boehner deal. I had a fever during the recording so don't really talk. 1930s-energy outtro music: Victoria Spivey, Detroit Moan, 1936 https://open.spotify.com/track/7L3GgSuguDJXi1msw6Pe7W?si=ab99d3eea65647eb Judy Garland, Over the Rainbow, 1938 https://open.spotify.com/track/3wAIcORchxdSkWv6v5AkaU?si=b6bfe7a8249147bb Learn more about your ad choices. Visit megaphone.fm/adchoices

Doug gives his "we're heading for the end of the dollar-based world order" take. Dylan has no idea what he's talking about when it comes to macro or politics. We fail to arrive at the 2011 Obama-Boehner deal. I had a fever during the recording so don't really talk. 1930s-energy outtro music: Victoria Spivey, Detroit Moan, 1936 https://open.spotify.com/track/7L3GgSuguDJXi1msw6Pe7W?si=ab99d3eea65647eb Judy Garland, Over the Rainbow, 1938 https://open.spotify.com/track/3wAIcORchxdSkWv6v5AkaU?si=b6bfe7a8249147bb Learn more about your ad choices. Visit megaphone.fm/adchoices

Holiday jazz featuring: Peggy Lee, Ella Logan, Victoria Spivey, Lonnie Johnson, Bessie Smith, Ella Fitzgerald, Julia Lee, Fletcher Henderson, Claude Thornhill, John Kirby, Putney Dandridge, and Fats Waller.Songs include: Jingle Bells, Winter Weather, Santa Claus Came in the Spring, There's Frost on the Moon, Every Day's a Holiday, Snowy Morning Blues, Snowfall, Arab Dance, Bounce of the Sugar Plum Fairy, Christmas Spirits, Chistmas Without Santa Claus.

Today's show features music performed by Victoria Spivey and Wild Child Butler

Performers include: Blind Lemon Jefferson, Victoria Spivey, T-Bone Walker, Ida Mae Mack, Lightnin Hopkins, Blind Willie Johnson and Harmonica Slim. Songs include: Don't Trust Nobody, God Don't Never Change, Big Mama Jump, Howlin Wolf Blue and You Better Believe It.   

We do not often focus an entire episode on one artist but LONNIE JOHNSON deserves this and additional episodes! A pioneering jazz guitarist, blues guitarist, fiddler, singer and piano player Johnson is one of the undisputed genius of pre-war music - This episode will present rare recordings of Johnson with his family string band ( on fiddle!), to sides waxed with the likes ouf LOUIS ARMSTRONG's HOT FIVE, DUKE ELLINGTON's COTTON CLUB ORCHESTRA, VICTORIA SPIVEY , EDDIE LNG as well as some amazing solo sides! --- Support this podcast: https://podcasters.spotify.com/pod/show/american-grooves-hour/support

Today's show features music performed by Victoria Spivey, Louis Armstrong, and Henry Gray

Victoria Spivey is a legendary Blues singer who gained popularity in the 1920s and 1930s, mostly due to her powerful and emotive voice. She was one of the most successful female Blues singers of her time, and her incredible talent and contribution to the Blues genre have cemented her place in music history. While her career was a remarkable one, there were a lot of ups and downs in Spivey's life, and the path that led her to greatness is a fascinating one to explore. 

Literacy in a Long Blues Note: Black Women's Literature and Music in the Late Nineteenth and Early Twentieth Centuries by Coretta M. Pittman (University Press of Mississippi, 2022) traces the evolution of Black women's literacy practices from 1892 to 1934.  Pittman explores two distinct but related eras of Black women's writing—the Women's Era of the 1890s and early 1900s, and the New Negro Movement of the 1920s and 1930s. Casting a wide net, Pittman analyzes fiction, nonfiction, and dramatic writing by Black women along with songs performed and written by classic blues singers like Bessie Smith, Ma Rainey, and Victoria Spivey. This innovative approach allows Pittman to show how women from these two generations approached issues of class, respectability, uplift, and empowerment. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Literacy in a Long Blues Note: Black Women's Literature and Music in the Late Nineteenth and Early Twentieth Centuries by Coretta M. Pittman (University Press of Mississippi, 2022) traces the evolution of Black women's literacy practices from 1892 to 1934.  Pittman explores two distinct but related eras of Black women's writing—the Women's Era of the 1890s and early 1900s, and the New Negro Movement of the 1920s and 1930s. Casting a wide net, Pittman analyzes fiction, nonfiction, and dramatic writing by Black women along with songs performed and written by classic blues singers like Bessie Smith, Ma Rainey, and Victoria Spivey. This innovative approach allows Pittman to show how women from these two generations approached issues of class, respectability, uplift, and empowerment. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Literacy in a Long Blues Note: Black Women's Literature and Music in the Late Nineteenth and Early Twentieth Centuries by Coretta M. Pittman (University Press of Mississippi, 2022) traces the evolution of Black women's literacy practices from 1892 to 1934.  Pittman explores two distinct but related eras of Black women's writing—the Women's Era of the 1890s and early 1900s, and the New Negro Movement of the 1920s and 1930s. Casting a wide net, Pittman analyzes fiction, nonfiction, and dramatic writing by Black women along with songs performed and written by classic blues singers like Bessie Smith, Ma Rainey, and Victoria Spivey. This innovative approach allows Pittman to show how women from these two generations approached issues of class, respectability, uplift, and empowerment. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Literacy in a Long Blues Note: Black Women's Literature and Music in the Late Nineteenth and Early Twentieth Centuries by Coretta M. Pittman (University Press of Mississippi, 2022) traces the evolution of Black women's literacy practices from 1892 to 1934.  Pittman explores two distinct but related eras of Black women's writing—the Women's Era of the 1890s and early 1900s, and the New Negro Movement of the 1920s and 1930s. Casting a wide net, Pittman analyzes fiction, nonfiction, and dramatic writing by Black women along with songs performed and written by classic blues singers like Bessie Smith, Ma Rainey, and Victoria Spivey. This innovative approach allows Pittman to show how women from these two generations approached issues of class, respectability, uplift, and empowerment. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Literacy in a Long Blues Note: Black Women's Literature and Music in the Late Nineteenth and Early Twentieth Centuries by Coretta M. Pittman (University Press of Mississippi, 2022) traces the evolution of Black women's literacy practices from 1892 to 1934.  Pittman explores two distinct but related eras of Black women's writing—the Women's Era of the 1890s and early 1900s, and the New Negro Movement of the 1920s and 1930s. Casting a wide net, Pittman analyzes fiction, nonfiction, and dramatic writing by Black women along with songs performed and written by classic blues singers like Bessie Smith, Ma Rainey, and Victoria Spivey. This innovative approach allows Pittman to show how women from these two generations approached issues of class, respectability, uplift, and empowerment. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Literacy in a Long Blues Note: Black Women's Literature and Music in the Late Nineteenth and Early Twentieth Centuries by Coretta M. Pittman (University Press of Mississippi, 2022) traces the evolution of Black women's literacy practices from 1892 to 1934.  Pittman explores two distinct but related eras of Black women's writing—the Women's Era of the 1890s and early 1900s, and the New Negro Movement of the 1920s and 1930s. Casting a wide net, Pittman analyzes fiction, nonfiction, and dramatic writing by Black women along with songs performed and written by classic blues singers like Bessie Smith, Ma Rainey, and Victoria Spivey. This innovative approach allows Pittman to show how women from these two generations approached issues of class, respectability, uplift, and empowerment. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

Literacy in a Long Blues Note: Black Women's Literature and Music in the Late Nineteenth and Early Twentieth Centuries by Coretta M. Pittman (University Press of Mississippi, 2022) traces the evolution of Black women's literacy practices from 1892 to 1934.  Pittman explores two distinct but related eras of Black women's writing—the Women's Era of the 1890s and early 1900s, and the New Negro Movement of the 1920s and 1930s. Casting a wide net, Pittman analyzes fiction, nonfiction, and dramatic writing by Black women along with songs performed and written by classic blues singers like Bessie Smith, Ma Rainey, and Victoria Spivey. This innovative approach allows Pittman to show how women from these two generations approached issues of class, respectability, uplift, and empowerment. Learn more about your ad choices. Visit megaphone.fm/adchoices

Jazz music collector Dave Greer tells all about his quests and chance encounters with all kinds of musicians ranging from King Oliver to Jabbo Smith to Louis Armstrong to Nipper the dog to Victoria Spivey and her prostitute friends.

Today's show features music performed by Victoria Spivey and Wild Child Butler

When a young Black woman came to town  in the 1920's came to town to make a blues record, she accomplished that and more. Having had a successful recording career in her youth, she decided to form a record label that would keep older blues musicians recording. Just press play to hear the whole story. —— — Click on search links to see if there are episodes with related content: Andrew Wanko, Black History, Women's History, Music, Business, Arts, Entertainment, and Culture, Podcast Transcript: I'm Andrew Wanko, Public Historian of the Missouri Historical Society, and Here's history on 88.1, KDHX. —— In 1926, teenager Victoria Spivey sat alone and nervous on a 600-mile, one-way train ride bound for St. Louis. It was a city bigger than any she'd ever seen during her Texas childhood, and a place where she knew no one. But more than anything, Victoria Spivey wanted to make a hit blues record, and St. Louis was where to do it. ——— At the DeLuxe Music Shoppe on Market Street, she sat down at the store's piano, and belted out her chilling original song “Black Snake Blues.” Within a week the obvious hit was being pressed in New York City, and it would sell countless thousands of copies within the year. She became a staff songwriter for the St. Louis Publishing Company, and in 1927 scored her next smash hit. The socially conscious “T.B. Blues” chronicled the discrimination faced by the era's victims of tuberculosis. ——— With an animated voice and distinct nasal moan she called her “tiger squall,” Victoria Spivey captivated 1920s listeners across dozens more records. When the Great Depression dissolved recording opportunities, Spivey pivoted to become an actress. In 1929 she starred in King Vidor's film Hallelujah!, among the earliest major Hollywood productions to feature an all-black cast. The following April, she graced the front cover of The Crisis, the official publication of the NAACP.  ——— Victoria Spivey retired from show business by 1950, but as the folk revival of the 1960s took hold, a new generation of fans on both sides of the Atlantic were seeking her out. In 1962 she founded Spivey Records, and got other older blues musicians – including former St. Louisans Lonnie Johnson and Big Joe Williams - recording again for new audiences. On one Spivey Records recording session, an almost completely unknown young folk singer named Bob Dylan provided backing vocals and harmonica. He wouldn't remain unknown for long, and he and Victoria remained good friends. You can find a picture of them side by side on the jacket of Dylan's 1970 album New Morning, released just six years before Victoria Spivey passed away. ——— Here's History is a joint production of the Missouri Historical Society and KDHX. I'm Andrew Wanko, and this is 88.1 KDHX, St. Louis. ———

Today's show features music performed by Victoria Spivey and Otis Redding

There have been many power couples throughout history, and one of those couples were instrumental in the blues community in St. Louis in the early part of the 20th century. Through their music shop, this black couple made a huge impact and helped many people, get gigs and get recording contracts. Just press play to hear the whole story.  ——— Click on search links to see if there are episodes with related content: Andrew Wanko, Black History, Arts, Entertainment, and Culture, Music, ——— Podcast Transcript: I'm Andrew Wanko, Public Historian of the Missouri Historical Society, and Here's History on 88-one, KDHX. ——— While we often see famous musicians depicted as “lone geniuses,” even the most towering of musical talents have always had help somewhere along the way. For the early blues musicians of St. Louis, one of the best places to find help was the husband-and-wife team of Jesse and Edith Johnson. ——— When music promoter Jesse Johnson opened Market Street's DeLuxe Music Shoppe in 1919, it sat right beside the Booker T. Washington Theatre, the city's largest entertainment venue for Black St. Louisans. The DeLuxe Music Shoppe offered records for sale, but it also functioned as an audition booth and networking hangout for aspiring musicians. Record label representatives often scouted the store, and Jesse Johnson used his extensive industry connections to get dozens of local performers gigs and record deals. ——— In the mid-1920s, Jesse Johnson married local St. Louis blues singer Edith North. She co-ran the DeLuxe Music Shoppe, serving as judge and mentor to the musicians testing out their material. One of them was young Victoria Spivey, who in 1926 took a 500-mile train ride from Texas to St. Louis just to try and make a hit record. Victoria belted out her chilling original song “Black Snake Blues” for Edith, and five days later, the record was being pressed in New York City. It would sell 150,000 copies in its first year. ——— In addition to running the DeLuxe Music Shoppe, Jesse Johnson used his promotional sway to break the color line on the city's excursion boats, getting Monday nights set aside for black patrons. He also brought in national acts like Cab Calloway, Louis Armstrong and Ella Fitzgerald to perform in St. Louis for Black audiences. ——— The important role of the DeLuxe Music Shoppe in the early St. Louis blues scene reminds us that the music we hear is always shaped by a historic context. For St. Louis blues legends like Peetie Wheatstraw, Victoria Spivey, Roosevelt Sykes, and Henry Townsend - and for all the artists those musicians later inspired - the helping hands of Jesse and Edith Johnson were vital in getting their voices heard. ——— Here's history is a joint production of the Missouri Historical Society and KDHX.  I'm Andrew Wanko and this is 88.1 KDHX St. Louis. ———

The Queens of the Blues podcast celebrates the prolific female blues music from the early 1920's to present times. This show, entitled “All You Men” is entirely about Victoria Spivey.#victoriaspivey

Artists include: Lemon Jefferson, Ma Rainey, Bessie Smith, Willie MeTell, Blind Willie Johnson, Victoria Spivey, the Memphis Jug Band and Mississippi John Hurt. Songs Include: Thinking Blues, Deep Moaning Blues, No Papa No, Keep Your Lamp Trimmed and Burning, Pine Top's Blues and Kansas City Blues.

In deze aflevering van de podcast “Into the Soul of the Blues” stel ik jullie voor aan een theekransje van knappe dames, en wees gerust, het zijn vrouwen die op zijn zachts gezegd voor een onvergetelijke avond zullen zorgen. Maak plaats voor Lucille Hegamin, Ida Cox, Alberta Hunter, Gladys Bentley, Victoria Spivey en Sippie Wallace! Nieuwsgierig naar meer? Volg me op Facebook, Instagram of Twitter. Of bezoek www.souloftheblues.be. --- Send in a voice message: https://anchor.fm/bart-massaer/message

In this episode we welcome the delightful Kid Congo Powers, all the way from his home in Tucson, and ask him to talk about his former lives in the Gun Club, the Cramps and the Bad Seeds — as detailed in the riveting new memoir Some New Kind of Kick.The man born Brian Tristan looks back to his teen fanboy years from Frank Zappa to the New York Dolls, plus his memories of the L.A. glitter scene at Rodney's English Disco. He describes how it felt — as a gay Mexican American — to be a misfit among mainly white misfits on the punk scenes in L.A. and New York. He also explains how the Gun Club was conceived after he met Jeffrey Lee Pierce while queuing for a 1979 Pere Ubu show at the Whisky. We hear how Kid was then headhunted by the Cramps' Lux and Ivy, and what it was like to be part of their ghoulish B-movie aesthetic. We similarly learn how he was recruited (and "cast") as one of Nick Cave's drug-addled Bad Seeds in mid-'80s Berlin.From the decline and premature death of Jeffrey Lee Pierce — via Kid's own eventual long-term sobriety — we shift into the rarefied and erudite world of Brian Eno, an iconic glam influence on the young Brian Tristan. Clips from Mark Sinker's 1992 audio interview with pop's resident egghead are heard, leading in turn to discussion of Eno's collaborations with Robert Fripp and Toby Amies' remarkable new King Crimson documentary.Mark talks us through pieces about the Stones' 'Jumpin' Jack Flash' (1968), classic-blues septuagenarian Victoria Spivey(1975), the Police (1979) and Joe Bataan & Arthur Baker (1996) after which Jasper concludes the episode with quotes from pieces on bodyguard-to-the-stars Michael Francis (2003) and the "rise and rise" of Pharrell Williams (2015).Many thanks to special guest Kid Congo Powers; Some New Kind of Kick is available this week in all good bookshops. For more Kid, follow him on Twitter and Instagram@kidcongopowers.Pieces discussed: The Cramps, The Gun Club, Art Laboe, Brian Eno audio, Robert Fripp, The Stones, Arthur Baker, 'Jumpin' Jack Flash', Victoria Spivey, The Police, The Cramps live, Joey Ramone, Kiss and Cher's minder, Pharrell Williams and Jon Hopkins.

Songs include: Spooky Spook, The Halloween Dance, Spider Web Blues, I Want To Be Evil, The Spell of the Blues, Haunted Nights, The Nightmare and Everything Is Scary Now. Performers include: Bing Crosby, Ray Noble, Victoria Spivey, The Casa Loma Orchestra, Duke Ellington, Cab Calloway & Joshua Castro.

In this episode we welcome the delightful Kid Congo Powers, all the way from his home in Tucson, and ask him to talk about his former lives in the Gun Club, the Cramps and the Bad Seeds — as detailed in the riveting new memoir Some New Kind of Kick.The man born Brian Tristan looks back to his teen fanboy years from Frank Zappa to the New York Dolls, plus his memories of the L.A. glitter scene at Rodney's English Disco. He describes how it felt — as a gay Mexican American — to be a misfit among mainly white misfits on the punk scenes in L.A. and New York. He also explains how the Gun Club was conceived after he met Jeffrey Lee Pierce while queuing for a 1979 Pere Ubu show at the Whisky. We hear how Kid was then headhunted by the Cramps' Lux and Ivy, and what it was like to be part of their ghoulish B-movie aesthetic. We similarly learn how he was recruited (and "cast") as one of Nick Cave's drug-addled Bad Seeds in mid-'80s Berlin.From the decline and premature death of Jeffrey Lee Pierce — via Kid's own eventual long-term sobriety — we shift into the rarefied and erudite world of Brian Eno, an iconic glam influence on the young Brian Tristan. Clips from Mark Sinker's 1992 audio interview with pop's resident egghead are heard, leading in turn to discussion of Eno's collaborations with Robert Fripp and Toby Amies' remarkable new King Crimson documentary.Mark talks us through pieces about the Stones' 'Jumpin' Jack Flash' (1968), classic-blues septuagenarian Victoria Spivey (1975), the Police (1979) and Joe Bataan & Arthur Baker (1996) after which Jasper concludes the episode with quotes from pieces on bodyguard-to-the-stars Michael Francis (2003) and the "rise and rise" of Pharrell Williams (2015).Many thanks to special guest Kid Congo Powers; Some New Kind of Kick is available this week in all good bookshops. For more Kid, follow him on Twitter and Instagram @kidcongopowers.Pieces discussed: The Cramps, The Gun Club, Art Laboe, Brian Eno audio, Robert Fripp, The Stones, Arthur Baker, 'Jumpin' Jack Flash', Victoria Spivey, The Police, The Cramps live, Joey Ramone, Kiss and Cher's minder, Pharrell Williams and Jon Hopkins.

Songs include: Give Me the Moon Over Brooklyn, San Francisco, San Antonio Rose, St. Louis Blues, Moon Over Miami , Seattle Hunch, Chicago and Do You Know What It Means To Miss New Orleans? Performers include: Louis Armstrong, Victoria Spivey, Tommy Dorsey, The Mills Brothers, Eddie Duchin, Count Basie & Bob Wills.

The recording session with Victoria Spivey & Big Joe Williams, playing some tunes at a NYC apartment gathering, finishing "Let Me Die in My Footsteps, writing "Talking Folklore Center," and, of course, the debut of his first album: join us for a tour of Bob Dylan's professional life in March of 1962 as we travel "A Highway of Diamonds" back 60 years ago to the month. A 60th anniversary is a diamond anniversary, so this week, and throughout the year, we will periodically take a trip on "a highway of diamonds," exploring the events of Bob Dylan's career sixty years ago. This week, we listen to what Bob Dylan was up to in March of 1962. In "20 Pounds of Headlines," we bring you news from the world of Bob Dylan, both in March of 1962 and March of 2022. In "Who Did It Better?" we ask you to vote and tell us who did "You're No Good" better: Jesse Fuller or Bob Dylan off his debut album released on March 19, 1962? Listen to the episode, then go to our Twitter page @RainTrains to vote!

Hollywood Stomp - Victoria Spivey singing with a variety of jazz and blues accompaniments in the 1930's - Red Allen, Charlie Holmes, Albert Nicholas, Lee Collins, Arnett Nelson, Black Bob, Mr. Sheiks, Bill Owsley --- Support this podcast: https://anchor.fm/john-clark49/support

Fats Waller "Winter Weather"Elvis Costello & The Attractions "Radio, Radio"Loretta Lynn "Van Lear Rose"Cedric Burnside "Keep On Pushing"Ruth Brown "It's Raining"Lightnin' Hopkins "Penitentiary Blues"Billie Holiday "That's All I Ask of You"Stack Waddy "Repossession Boogie"Bull Moose Jackson "Big 10 Inch Record (Remastered)"The Both "Honesty Is No Excuse"Tom Waits "I Never Talk to Strangers"Jolie Holland "Mad Tom Of Bedlam"The Foc'sle Singers "Haul on the Bowline"Shannon McNally "John Finch / Swing Me Easy"Dwight Yoakam Duet with Maria McKee "Bury Me (2006 Remaster)"Floyd Dixon "Hey Bartender"Ted Hawkins "I Got What I Wanted"Lucero "When You Found Me"R.L. Burnside "Poor Black Mattie"Joe Calicott "Fare Thee Well Blues"Various "Shout, Lula With The Red Dress On"Buddy Guy "Baby Please Don't Leave Me"Bonnie 'Prince' Billy "May It Always Be"Duke Ellington "Creole Love Call"Hank Williams "Be Careful of Stones That You Throw"Chris Robinson "Over the Hill"Pee Wee King "Oh Monah"Victoria Spivey, Roosvelt Sykes, Lonnie Johnson, Big Joe Williams & Bob Dylan "All You Men"Jerry Lee Lewis "It Hurt Me So"Aretha Franklin "Never Grow Old"Shovels & Rope "I'm Comin' Out"Asie Payton "Back To The Bridge"Jimmy Lee Williams "Have You Ever Seen Peaches"Jessie Mae Hemphill "Run Get My Shotgun"Hank Ballard "Sunday Morning Coming Down"R.L. Boyce "R.l.'s Boogie"Milton Brown & His Musical Brownies "Easy Ridin' Papa"Jimmie Lunceford & His Orchestra "Margie"Josh White "Jelly Jelly"She & Him "Why Do You Let Me Stay Here?"Jake Xerxes Fussell "Pork and Beans"Marty Stuart "Hey Porter"Chubby "Hip Shakin'" Newsom "Hip Shakin' Mama"Eilen Jewell "Hallelujah Band"Johnny Horton "The Golden Rocket"Wright Holmes "Good Road Blues"The Wandering "In The Pines"Fred McDowell "You Gonna Meet King Jesus"

Willie Nelson "Bloody Mary Morning"Gillian Welch "Silver Dagger"Mamie Perry And The Gus Jenkins Orchestra "Lament"Golden Smog "Looking Forward to Seeing You"Bill Callahan & Bonnie Prince Billy "OD'd in Denver"Baby Huey & The Baby Sitters "Hard Times"Alberta Hunter "I've Got A Mind To Ramble"Cedric Burnside "Give It To You"Cedric Burnside "The World Can Be So Cold"Cedric Burnside & Lightnin' Malcolm "Stay Here In Your Arms"R.L. Burnside "Snake Drive"Martha & the Vandellas "Nowhere To Run"The B-52's "Rock Lobster"Nina Simone "Be My Husband"Syl Johnson "That's Just My Luck"Johnny "Guitar" Watson "Those Lonely Lonely Nights"The White Stripes "I Just Don't Know What To Do With Myself"Bruce Springsteen "Because the Night"The Clash "I'm So Bored with the U.S.A."The Hold Steady "Stay Positive"The Replacements "Alex Chilton"Victoria Spivey "Dope Head Blues"Etta James "All I Could Do Was Cry"Lucinda Williams "Lake Charles"R.E.M. "At My Most Beautiful"The Beach Boys "In My Room"Eilen Jewell "Down the Road"Memphis Minnie "I Got to Make a Change Blues"Aimee Mann "Give Me Fifteen"Big Maybelle "Please Stay Away from My Sam"George Jones "Imitation Of Love"Laura Lee "Dirty Old Man"Koko Taylor "Tease Your Man"Alejandro Escovedo "Try, Try, Try"Chuck Berry "No Particular Place To Go"Muddy Waters "Long distance Call"Wilco "Walken"Bob Dylan "Honest With Me"Cat Power "It Wasn't God Who Made Honky Tonk Angels"My Morning Jacket "I'm Amazed"The Glands "When I Laugh"Marah "Sooner or Later"Arlo McKinley "Gone for Good"James Cotton "Cut You Loose"Buddy Guy & Junior Wells "Catfish Blues"

Regal Jazz Band - "Get Out and Get Under the Moon" - unknown 78 rpm disc Lionel Hampton & His Just Jazz All Stars & Oscar Peterson - "It's a Blue World" - Lionel Hampton & His Just Jazz All Stars & Oscar Peterson 78 [0:02:34] Euneeda Bodenheim - "The Old Codger Mailbag" - Missives from Our Saintly Listeners [0:09:50] Coot Grant and Kid Wilson - "Have Your Chill, I'll Be Here When Your Fever Rises" - Paramount 12317 (with Fletcher Henderson's Orchestra) [0:13:12] The Harmonettes - "That's a Plenty" - The Harmonettes 78 rpm disc [0:16:13] Louis Jordan and His Tympany Five - "Boogie Woogie Came to Town" - Decca 8581 Sepia Series [0:18:48] John Cali & Tony Guttoso - "A Study in Brown" - Victor 25662 (Guitar Duet) [0:21:36] Ruth Etting - "It Happened in Monterey" - Columbia 2199-D (Vocal with Accompaniment) [0:24:40] Gus Bodenheim - "Delbarton Bunkers™" - Another Fine Delbarton Product [0:31:29] Noël Coward & Cafe De Paris Orchestra - "I Like America" - Noël Coward — He Likes America! (78) [0:33:54] Sophie Tucker - "Aren't Women Wonderful?" - single [0:36:58] Lonnie Johnson - "She's Making Whoopee in Hell Tonight" - Okeh 8768 -- Vocal with Guitar [0:39:30] Mississippi Sheiks - "Jail Bird Love Song" - Okeh 8834 (for Best Results, Use Okeh needles) [0:42:33] Victoria Spivey with Porter Grainger - "You've Gotta Have What It Takes - Parts 1 & 2" - Victor V-38609 (Singing with Piano & Guitar) [0:49:04] Carl Kress & Dick McDonough - "Stage Fright" - Brunswick 6917 (Shellac) [0:54:35] https://www.wfmu.org/playlists/shows/111881

Songs We Taught Your Mother - Victoria Spivey, Alberta Hunter and Lucille Hegamin in 1960 for Riverside backed by Buster Bailey, J.C. Higginbotham, Sidney DeParis, Cliff Jackson, Willie "The Lion" Smith, Cecil Scott, Herman Autrey, Jimmy Archey, Darnell Howard, Lovie Austin, Pops Foster --- Support this podcast: https://anchor.fm/john-clark49/support

Sintonía: "Blues for Rex" - Sarah McLawyer "The Black Snake Blues" - Victoria Spivey; "Press My Button (Ring My Bell)" - Lil Johnson; "Don´t You Make Me High" - Merline Johnson; "Strange Things Happening Every Day" - Sister Rosetta Tharpe; "I´m a Woman" - Peggy Lee; "Why Don´t You Do Right" - Lil Green; "Me and My Chauffer Blues" - Memphis Minnie; "Four Women" - Nina Simone; "Please Mr. Jailer" - (Sister) Wynona Carr El primer programa que dedicamos a esta imprescindible enciclopedia de las mujeres en el Blues, con los (también) comentarios de su propio autor, Paco Espínola, se emitió el 23/01/2020. Se escucharon grabaciones restauradas (por el propio autor) y extraídas de los dos CDs que incluye la enciclopedia (amén las 22 nuevas láminas ilustradas con retratos de algunas de las artistas de la recién publicada segunda edición) de las siguientes "Blueswoman": Mamie Smith, Ethel Waters, Alberta Hunter, Trixie Smith, Ida Cox, Arizona Dranes y Katherine Baker El segundo programa se emitió el 6/02/2020: Bertha Chippie Hill, Helen Humes, Lucille Bogan, Cleo Gibson, Memphis Minnie y Bilie Holiday Todas las músicas extraídas de los 2 CDs que incluye el libro "Blues de Gas" (Editorial: Allanamiento de mirada, 2ª edición, 2021) Escuchar audio

This episode focuses on drug songs of the 1920s-30s - From Louis Armstrong's "MUGGLES", Luke Jordan's 1927 COCAINE BLUES, Benny Moten's GOOFY DUST, to Victoria Spivey's DOPE HEAD BLUES tune in and indulge..and you will learn for sure that smoking reefer wasn't invented in the 1960's!

Justin Townes Earle "Midnight At the Movies"ZZ Top "Francene"Lucinda Williams "Real Love"Albert King "Personal Manager"Precious Bryant "You Can Have My Husband"Ted Hawkins "California Song"The Clash "The Sound of Sinners"Sister Rosetta Tharpe "This Train"Reverend Gary Davis "Blow, Gabriel"Victoria Spivey "Detroit Moan"Ray Price "Crazy Arms"Jerry Lee Lewis "Ballad of Billy Joe"Valerie June "On My Way / Somebody To Love (Acoustic Version)"Jon Snodgrass "Don't Break Her Heart (feat. Stephen Egerton)"Joan Shelley "Brighter Than the Blues"Billie Holiday "Summertime"Maria Muldaur with Tuba Skinny "Delta Bound"Junior Kimbrough & The Soul Blues Boys "All Night Long"Hank Williams "Honky Tonk Blues"Peg Leg Howell and His Gang "Too Tight Blues"Etta Baker "Carolina Breakdown"James McMurtry "Hurricane Party"John Lee Hooker "I'm In the Mood (feat. Bonnie Raitt)"Hezekiah and The House Rockers "Baby, What You Want Me to Do"Roosevelt Sykes "Sister Kelly Blues"Tiny Bradshaw "Walk That Mess"Johnny Cash "Home of the Blues"Superchunk "Why Do You Have to Put a Date on Everything"Various Artists,Joseph "Come on up to the House"Jake Xerxes Fussell "Let Me Lose"Mississippi Fred McDowell "Red Cross Store Blues"The Yas Yas Girl (Merline Johnson) "Want to Woogie Some More"John Lee Hooker "Boogie Chillen"Bob Wills and his Texas Playboys "Bring It On Down to My House, Honey"Merle Haggard & The Strangers "If I Could Be Him"Wynonie Harris "Drinkin' By Myself"Lula Reed "Bump On a Log"Louis Jordan "Blue Light Boogie"Clarence "Gatemouth" Brown "Guitar In My Hand"The Black Keys "Crawling Kingsnake"Charlie Feathers "Can't Hardly Stand It"Eilen Jewell "Shakin' All Over"Bob Dylan "Political World"Bing Crosby "Street of Dreams"Dave Bartholomew "That's How You Got Killed Before"Jessie Mae Hemphill "Run Get My Shotgun"Big Joe Williams "Levee Camp Blues"Steve Earle "Mr. Mudd and Mr. Gold"

#40-36Intro/Outro: Georgia On My Mind by Ray Charles40. Travelin' Alone by Eric Clapton (3)39. Jumpsuit by twenty one pilots (7)38. Penny Lane by The Beatles (27)37. Hurts Like Heaven by Coldplay (8)36. What's Going On by Marvin GayeBalderdash #30 answerBonus excerpt: Travelin' Alone by Lil Son JacksonBonus excerpt: Santa Fe Blues by Victoria Spivey

For my second Queer Pride episode this month, I offer you a panoply of blues and other popular music sung by women of color over the past 100 years and over a wide range of the LGBTQ spectrum. The focus is on the queer and bisexual women of color who enlivened the Harlem blues scene in the 1920s, including the newly popular and celebrated Ma Rainey and Bessie Smith, as well as other vital and iconoclastic singers of that era, including Bricktop, Lucille Bogan, Alberta Hunter, Ethel Waters, Victoria Spivey, Lucille Hegamin, and the fascinating Gladys Bentley. The net is further extended to include jazz (Billie Holiday, Carmen McRae, Dinah Washington), pop, rock ‘n' roll (Big Mama Thornton), gospel (Sister Rosetta Tharpe), cabaret (Mabel Mercer, Joséphine Baker), soul (Carolyn Franklin) and folk (Joan Armatrading, Meshell Ndegeocello, Toshi Reagon, and Laura Love). Of course in this episode the musical categories are as flexible as are the sexual and gender boundaries, so expect to see a lot of genre-hopping as well among these subversive, innovative, and pathbreaking women of color. Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” Occasional guests from the “business” (singers, conductors, composers, coaches, and teachers) lend their distinctive insights. At Countermelody's core is the interaction between singers of all stripes, their instruments, and the connection they make to the words they sing. At Countermelody's core is the interaction between singers of all stripes, their instruments, and the connection they make to the words they sing. Please visit the Countermelody website (www.countermelodypodcast.com) for additional content including artist photos and episode setlists. And please head to my Patreon page at www.patreon.com/countermelody to pledge your monthly support at whatever level you can afford. Bonus episodes available only to Patreon supporters are currently available.

Show 133 – Recorded 6-5-21 – This podcast features 12 outstanding blues artists and 12 great performances to enjoy. These songs were recorded in 1963 and 1964. Our featured artists are: Memphis Slim, Sonny Boy Williamson 2, Lightnin Hopkins, Sleepy John Estes, John Henry Barbee, Howlin Wolf, Big Joe Williams, Victoria Spivey, Lonnie Johnson, Otis […]

Show 133 – Recorded 6-5-21 – This podcast features 12 outstanding blues artists and 12 great performances to enjoy. These songs were recorded in 1963 and 1964. Our featured artists are: Memphis Slim, Sonny Boy Williamson 2, Lightnin Hopkins, Sleepy John Estes, John Henry Barbee, Howlin Wolf, Big Joe Williams, Victoria Spivey, Lonnie Johnson, Otis Spann, Muddy Waters. Please enjoy.

Performers include: Bessie Smith, Ma Rainey, Barbecue Bob, Meade Lux Lewis, Henry Thomas, Victoria Spivey and the Memphis Jug Band. Songs include: Backwater Blues, Old County Stomp, Barbecue Blues, Blues Oh Blues, Kansas City Blues and Southern Rag.

Today’s show features music performed by Victoria Spivey, Louis Armstrong, and Henry Gray

Remember the show Gullah Gullah Island on Nickelodeon from the 90's? The colorful worlds, songs and stories inspired by the Gullah Geechee culture were created by Adia's family friend and the show's creator, Natalie Daise. Spirit to spirit, Natalie and Adia connect over what it means to use stories and songs to more fully step into your own truth. They talk about moving from south to north and back again, and the importance of southern Black folks returning to the dirt, to seeds, and the land. For a playlist of songs curated for this week's episode, http://bit.ly/cr-natalie/ Show Notes / Natalie Daise was the host and creator of Gullah Gullah Island, a children's show about Gullah Geechee Culture. Natalie and Adia bring up Wintley Phipps' “It Is Well With My Soul,” “Detroit Moan” by Victoria Spivey and “Coconut Oil” by Lizzo. / Music in This Week's Playlist /Queen Quet and De Gullah Cunnekshun, "Kneebone"Our Native Daughters, "Blood and Bones"Jessie Mae Hemphill, "Black Cat Bone"Bessie Jones, "Sometimes"Yasmin Williams, "Jarabi"Precious Bryant, "You Don't Want Me No More"Ibeyi, "River"Bessie Jones, "Steal Up, My Young Lady"Emahoy Tsegué-Maryam Guèbrou, "The Homeless Wanderer"Nina Simone, "Four Women"/ Credits / Call & Response is a Sonos show produced by work x work: Scott Newman, Jemma Rose Brown, Adia Victoria, Babette Thomas and Megan Lubin. Our engineers are Sam Bair and Josh Hahn of The Relic Room.

Today’s show features music performed by Victoria Spivey and Ann Peebles

Playlist: Snatch It Back and Hold It – Junior Wells; I'm A Woman / Hoochie Coochie Woman – Demetria Taylor; Walk On – Carolyn Wonderland; No Angels – Samantha Fish; New Mechanic (Patrick's Blues) – Deb Ryder; Six Nights And A Day – Annika Chambers; Wild About You Baby – Valerie Wellington; Got The Blues So Bad – Victoria Spivey; Gimme A Pigfoot And A Bottle Of Beer – Bessie Smith; Sassy Mama – Big Mama Thornton; Come On In My Kitchen – Cassandra Wilson; Two-Fisted Mama – Katie Webster; You Can't Be Told – Valerie June; Motherless Children – Pura Fé; Workin' Woman Blues – Valerie June. Escuchar audio

El programa de esta semana es el segundo dedicado a las blueswomen seleccionadas por Paco Espínola para los dos CDs incluidos en su libro-disco "Blues de Gas: Enciclopedia de las Mujeres y el Blues, 1920 - 2020." Playlist: Snatch It Back and Hold It – Junior Wells; Four Women – Nina Simone; Wild Women Don't Have the Blues – Ida Cox; My Soul Is A Witness For The Lord – Arizona Dranes; Black Snake Blues – Victoria Spivey; Trouble In Mind – Bertha "Chippie" Hill; Mistreated Blues – Katherine Baker; Nappy Headed Blues – Helen Humes; Alley Boogie – Lucille Bogan; You Let Me Down – Billie Holiday; You Done Lost Your Good Thing Now – Georgia White; Rock Me – Sister Rosetta Tharpe; Kitchen Blues – Martha Davis; Blues For Rex – Sarah McLawler; Nobody Loves A Fat Girl – Sophie Tucker; That's What Makes My Baby Fat – Faye Adams; White Trash Girl – Candye Kane; I'm In The Mood – Bonnie Raitt & John Lee Hooker. Escuchar audio

Dr. Burnett shares a little history of the Blues and his deep love for the Blues.  In our conversation, we discussed the impact of women blues singers like Bessie Smith, Ma Rainey, and Memphis Minnie.  Listen as Dr. Burnett lists his suggested artists and songs for new listeners.Contextualized playlisthttps://www.youtube.com/channel/UCH_EIRKmIkHx1a0D_wA7TOw/playlists

Musicians include: Bessie Smith, Ma Rainey, Scrapper Blackwell, Lonnie Johnson, Victoria Spivey, Mississippi John Hurt and Blind Lemon Jefferson. Songs include: Candy Man Blues, Empty Bed Blues, Organ Grinder Blues, Down the Alley Way Blues, Peaches In the Springtime and See That My Grave Is Kept Clean.

Sí, pizarristas, esta noche otro no parar de discazos de figuras venerables. A velocidad absurda sonarán entre otros grandes: Victoria Spivey, Shelton Brothers, John Lee Hooker, Blind Blake, The Mills Brothers, Kalama's Quartet. Tada esta locura, a partir de las 23.00 horas en la sintonía de Radio 3. Escuchar audio

Today we shine a spotlight on blues singer and songwriter "Queen" Victoria Spivey

Today we shine a spotlight on blues singer and songwriter "Queen" Victoria Spivey

В очередном выпуске программы Дельта Миссисипи мы продолжаем слушать акустический блюз, а уже в следующем выпуске Артур Ямпольский подготовит нам список новой музыки. Сегодня мы послушаем лонгплей в исполнении американской вокалистки Victoria Spivey и Lonnie Johnson, героя нашей прошлой программы. Альбом «Woman Blues!» – издан в 1962 году, вышел на лейбле Bluesville и записана в Нью-Йорке 1961 года. Пластинка посвящена отношениям между мужчиной и женщиной. Victoria Spivey практически единственная довоенная блюзовая дива, которая записывалась во времена Blues Revival.

В очередном выпуске программы Дельта Миссисипи мы продолжаем слушать акустический блюз, а уже в следующем выпуске Артур Ямпольский подготовит нам список новой музыки. Сегодня мы послушаем лонгплей в исполнении американской вокалистки Victoria Spivey и Lonnie Johnson, героя нашей прошлой программы. Альбом «Woman Blues!» – издан в 1962 году, вышел на лейбле Bluesville и записан в Нью-Йорке 1961 года. Пластинка посвящена отношениям между мужчиной и женщиной. Victoria Spivey практически единственная довоенная блюзовая дива, которая записывалась во времена Blues Revival.

Musicians include: Charley Patton, Son House, Bessie Smith, Blind Willie McTell, Victoria Spivey, the Memphis Jug Band and Lonnie Johnson. Songs include: Dry Well Blues, Talkin To Myself, Long Black Train, New York Blues, Clarksdale Moan and Bad Luck's My Buddy.

Show 70 – Recorded 3-7-20 This podcast provides 14 performances of blues songs performed by 14 blues artists or groups whose tremendous talent is highlighted here. Performances range from 1941 to 2001. The blues artists featured are: Jesse Mae Hemphill, Leon Russell, Memphis Minnie, Victoria Spivey, Fleetwood Mac, Lightnin’ Hopkins, Muddy Waters, Willie Foster, Green Paschal, Arthur “Big Boy” Crudup, Bettye LaVette, Maria Muldaur and Angela Strehli, Nina Simone, James Shorter.  

Show 70 – Recorded 3-7-20 This podcast provides 14 performances of blues songs performed by 14 blues artists or groups whose tremendous talent is highlighted here. Performances range from 1941 to 2001. The blues artists featured are: Jesse Mae Hemphill, Leon Russell, Memphis Minnie, Victoria Spivey, Fleetwood Mac, Lightnin’ Hopkins, Muddy Waters, Willie Foster, Green Paschal, Arthur “Big Boy” Crudup, Bettye LaVette, Maria Muldaur and Angela Strehli, Nina Simone, James Shorter.  

"Don't you know you can't quit me like that?" Hallelujah! (1929) directed by King Vidor and starring Daniel L. Hayes, Nina Mae McKinney, Victoria Spivey and Fanny Mae DeKnight. Next Time: All About Eve (1950)

Artists include: Blind Lemon Jefferson, Bessie Smith, Lonnie Johnson, Victoria Spivey, Cow Cow Davenport, The Memphis Jug Band, Blind Willie McTell Charlie Patton & Blind Willie Johnson Songs include: Blue Spirit Blues, Let Your Light Shine On Me, I Can't Stand It, Tin Cup Blues, Down the Dirt Road Blues and Police Dog Blues.

Show 54 – Recorded 10-19-19 This podcast provides 12 performances of blues songs performed by 12 blues artists or groups whose tremendous talent is highlighted here. Performances range from 1961 to 2004. These blues artists are: Susan Tedeschi, Mississippi Joe Callicott, Buddy Guy, Beverly Guitar Watkins, Gary Clark, Jr, Muddy Waters, Taj Mahal, Paul Butterfields Better Days Blues Band, Jimmy Reed, Little Milton, Professor Longhair, Victoria Spivey.  

Show 54 – Recorded 10-19-19 This podcast provides 12 performances of blues songs performed by 12 blues artists or groups whose tremendous talent is highlighted here. Performances range from 1961 to 2004. These blues artists are: Susan Tedeschi, Mississippi Joe Callicott, Buddy Guy, Beverly Guitar Watkins, Gary Clark, Jr, Muddy Waters, Taj Mahal, Paul Butterfields Better Days Blues Band, Jimmy Reed, Little Milton, Professor Longhair, Victoria Spivey.  

Today we celebrate blues recording artist Victoria Spivey, often referred to as "Queen Victoria"

Today we celebrate blues recording artist Victoria Spivey, often referred to as "Queen Victoria"

Show 29 – Recorded 3-3-19. This podcast provides 12 performances of blues songs performed by 12 blues artists or groups whose tremendous talent is highlighted here. Performances range from the 1960 up to the early 2018.  These blues artists are: Muddy Waters, Sue Foley and Billy Gibbons, Jimmy Reed, Eric Clapton, Elizabeth Cotton, James Cotton, Johnny Winter, Carey Bell and Louisiana Red, Lillie Hill, Lightnin Hopkins, Victoria Spivey, Booker T Laury  

Today we share some history on blues singer and songwriter Victoria Spivey, also known as "Queen Victoria"

Today we share some history on blues singer and songwriter Victoria Spivey, also known as "Queen Victoria"

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A tribute to musicians who died in 1976, including: Connee Boswell, Howlin Wolf, Percy Faith, Benjamin Britten, Victoria Spivey, Paul Robeson, Johnny Mercer and Alexander Brailowsky. Music includes: Old Man River, Heart and Soul, Libestramume #3, Candy, Moaning the Blues, All My Love and Nocturne.

Det första av två program som sätter fokus på de kvinnliga konstnärer som influerats av, älskat och inspirerat Bob Dylan, nobelpristagaren i litteratur 2016. Och några av dem som han älskat tillbaka. 2016 fick Bob Dylan Nobelpriset i litteratur för sina texter med motiveringen: Bob Dylan har skapat nya poetiska uttryck inom den stora amerikanska sångtraditionen. Dylans personliga upplevelser och relationer bildar underlag till många av hans närmare 600 texter. Han har gjort stor musikalisk konst av flera av sina misslyckade kärleksrelationer till kvinnor. Hur påverkade kvinnor Bob Dylans uppväxt? Vilka av hans låtar handlar om vilka kvinnor? Svaret får ni i Dylankvinnorna. Vi mixar Dylan med Sapfo och hör honom sjunga duett med sin hemliga, afroamerikanska hustru Carolyn Dennis. - Jag tycker mycket om hans personliga, nakna och raka beskrivningar i kärlekssångerna och hans ofta knöliga sätt att frasera. Precis som i opera är musiken i symbios med texten hos Bob Dylan, säger dramatikern, författaren och librettisten Kerstin Perski. Lena Åberg Frisk, vd för Uppsala Konsert & Kongress, är däremot kluven till Dylans kärlekslyrik. - Det jag hör är en man som kanske inte riktigt, kommer nära kvinnor. Liksom Dante i Divina Comedia inte skildrar sin älskade Beatrices känslor så handlar Dylans kärlekstexter enbart om Dylans egna känslor. Jag kände mig som ung kvinna inte inbjuden, säger Lena Åberg Frisk. - Jag vet inte hur mycket det betydde musikaliskt, men jag såg musikern och aktivisten Joan Baez vid Bob Dylans sida, och det fanns nånting tilltalande i det. Hon var väldigt vacker med det långa, svarta håret, som en indian på något sätt. Det var lite Yoko och John över dem. Jag tänkte att om man kan ha en sån vacker, klok kvinna vid sin sida så måste man vara en hyfsad människa, säger Ebba Forsberg, sångerska och kompositör, som spelat in flera av Bob Dylans låtar på skiva. I Dylankvinnorna del 1 möter vi även Maria Lindström singer/songwriter, poet och sångerska. Dessutom Henrietta Hulthén, som under många år varit producent och dramaturg på Sveriges Radio. I programmet presenteras musik av de afroamerikanska musikkvinnor som haft stor betydelse för Bob Dylan som artist och människa, bland andra Odetta Holmes, Victoria Spivey och Delores Dixon. Sångerskan, gtiarristen och medborgarrättsaktivisten Odetta framför sin fantastiska tolkning av Bob Dylans Masters of War som finns med på denna etablerade folkmusikers platta Odetta Sings Dylan från 1965. Det var den andra hela skivan någonsin med Dylan-covers. Den första spelades in 1964 av Linda Mason med titeln How Many Seas Must A White Dove Sail. Vi lyssnar även på spännande Dylan-tolkningar av andra kvinnliga artister som Karen Dalton, Abbey Lincoln, Joan Baez, Nina Simone, Miriam Makeba, Madeleine Peyroux, Hart Rouge och punkgruppen Malaria från Berlin.   Låtlista: JUST LIKE A WOMAN Bob Dylan Bob Dylan COLUMBIA 000149, 512352 6    MISTER TAMBOURINE MAN Bob Dylan, Bob Dylan Abbey Lincoln/ Julien Lourau/ Marc Cary/ Michael Bowie/ Aaron Walker VERVE 00383, 533 559-2   4TH TIME AROUND Bob Dylan, Bob Dylan Bob Dylan COLUMBIA 000149, 512352 6   RESTLESS FAREWELL Bob Dylan, Bob Dylan Bob Dylan COLUMBIA 00149, COL 519892 2   DESOLATION ROW Bob Dylan, Bob Dylan Bob Dylan COLUMBIA 00149, 512351 6   IF NOT FOR YOU Bob Dylan, Bob Dylan Bob Dylan COLUMBIA 00149, 88697 08230 2   BOOTS OF SPANISH LEATHER Bob Dylan, Bob Dylan Joan Baez VANGUARD 000381, VCD-79306/7   DIEU A NOS COTES Bob Dylan, Bob Dylan. Pierre Delanoe/ Hugues Aufray Hart Rouge RED HOUSE 020937, RHR CD 154   LOVE IS JUST A FOUR LETTER-WORD Bob Dylan, Bob Dylan Joan Baez A&M 00485, 540 502-2   IT AIN'T ME BABE Bob Dylan, Bob Dylan Bob Dylan/ Joan Baez COLUMBIA 000149, COL 512358 2   VISIONS OF JOHANNA Bob Dylan, Bob Dylan Bob Dylan COLUMBIA 000149, 512352 6   HIGHWAY 61 REVISITED Bob Dylan, Bob Dylan Bob Dylan COLUMBIA 00149, 512351 6   DIAMONDS AND RUST Joan Baez, Joan Baez Joan Baez A&M 00485, 540 501-2   OH SISTER Bob Dylan, Bob Dylan/ Jacques Levy Bob Dylan COLUMBIA 00149, 512345 6   BLOWIN' IN THE WIND Bob Dylan, Bob Dylan New World Singers Delores Dixon SMITHSONIAN FOLKWAYS 14631, SFW CD 40197   NO MORE AUCTION BLOCK Trad, Bob Dylan Trad Bob Dylan COLUMBIA 00149, COL 488100 2   NO MORE AUCTION BLOCK FOR ME Trad från USA, Trad från USA Odetta/ Bill Lee/ The Church Of The Master VANGUARD 00381, 79522-2   MASTERS OF WAR Bob Dylan, Bob Dylan Odetta SONY 16936, MASTERS OF WAR 2000   JUST LIKE A WOMAN Bob Dylan, Bob Dylan Bob Dylan COLUMBIA 000149, 512352 6   COME BACK BABY Trad från USA, Trad från USA Carolyn Hester/ Bob Dylan COLUMBIA 000162, I'LL FLY AWAY 1994   GRANT SPIVEY Victoria Spivey, Victoria Spivey Victoria Spivey/ Willie Dixon/ Bill Stepney L+R 01998, CDLR 42023   IT HURTS ME TOO Meldon London, Meldon London Karen Dalton MEGAPHONE MUSIC 21722, CDMEGA 10   WIGGLE WIGGLE Bob Dylan, Bob Dylan Bob Dylan COLUMBIA 000149, 467 188 2   NEVER GONNA BE THE SAME AGAIN Bob Dylan, Bob Dylan Bob Dylan/ Carol Dennis/ Syd Mcguiness/ Alan Clark/ Richard Scher/ Robbie Shakespeare/ Sly Dunbar COLUMBIA 000149, 467840 2   YOU'RE GONNA MAKE ME LONESOME WHEN YOU GO  Bob Dylan, Bob Dylan Madeleine Peyroux ROUNDER RECORDS 03719, 982 358-3   LAY LADY LAY Bob Dylan, Bob Dylan Malaria MONIKA ENTERPRISE 027641, CHEERIO 1993   SARA Bob Dylan, Bob Dylan Bob Dylan COLUMBIA 00149, 512345 6

Män som verkligen gått in i konstnärskapet hos den amerikanska sångaren och låtskrivaren Bob Dylan brukar kallas Dylanmän. Det här programmet i två delar handlar om kvinnor som gjort detsamma. Lyssna på alla avsnitt i Sveriges Radio Play. Bob Dylan sjunger ofta om kärleken till kvinnor och det var bland annat med hjälp av flera kvinnor som han kom upp på världsscenen, däribland den amerikanska folksångerskan Joan Baez. Baez tog med honom upp på den internationella folkmusikscenen där hon var drottning. Under en period på 60-talet var de också ett par - ett folkmusikens kungapar. Producenten och dramatikern Henrietta Hulthén berättar hur hon fascinerades av deras kärlekshistoria, sångerskan och kompositören Ebba Forsberg tror absolut att Baez hade en påverkan på Dylans musik medan låtskrivaren Maria Lindström tycker att det var bra sagt av Dylan att man "inte kan vara kär och klok på samma gång". Dramatikern och librettisten Kerstin Perski tycker att det finns någon slags enkelhet och rakhet i kärlekssångerna hans, och konserthuschefen Lena Åberg Frisk tycker att hans lyrik handlar mer om hans egna känslor än den känslorna gäller. Programmet innehåller ett pärlband av musik framförd av Dylan själv och tolkningar som andra gjort av hans låtar. Bland dem finns Odetta som 1965 gav ut ett helt album med covers av sånger som han hade skrivit. Vid sidan av henne hör vi bland andra Joan Baez, Abbey Lincoln, Carolyn Hester och Victoria Spivey. Producent Birgitta Tollan.

Män som verkligen gått in i konstnärskapet hos den amerikanska sångaren och låtskrivaren Bob Dylan brukar kallas Dylanmän. Det här programmet i två delar handlar om kvinnor som gjort detsamma. Bob Dylan sjunger ofta om kärleken till kvinnor och det var bland annat med hjälp av flera kvinnor som han kom upp på världsscenen, däribland den amerikanska folksångerskan Joan Baez. Baez tog med honom upp på den internationella folkmusikscenen där hon var drottning. Under en period på 60-talet var de också ett par - ett folkmusikens kungapar. Producenten och dramatikern Henrietta Hulthén berättar hur hon fascinerades av deras kärlekshistoria, sångerskan och kompositören Ebba Forsberg tror absolut att Baez hade en påverkan på Dylans musik medan låtskrivaren Maria Lindström tycker att det var bra sagt av Dylan att man "inte kan vara kär och klok på samma gång". Dramatikern och librettisten Kerstin Perski tycker att det finns någon slags enkelhet och rakhet i kärlekssångerna hans, och konserthuschefen Lena Åberg Frisk tycker att hans lyrik handlar mer om hans egna känslor än den känslorna gäller. Programmet innehåller ett pärlband av musik framförd av Dylan själv och tolkningar som andra gjort av hans låtar. Bland dem finns Odetta som 1965 gav ut ett helt album med covers av sånger som han hade skrivit. Vid sidan av henne hör vi bland andra Joan Baez, Abbey Lincoln, Carolyn Hester och Victoria Spivey. Producent Birgitta Tollan.

The South Carolina native evokes the spirit of Robert Johnson and Victoria Spivey on her debut full-length, "Beyond The Bloodhounds."

Sugar Blue cut his teeth performing with blues greats Roosevelt Sykes, Brownie McGhee, Victoria Spivey and later put the funky harmonica riff in the Rolling Stones famous hit single “Miss You.” He would record on 3 Rolling Stone Albums. During the 80’s, following a brief stint in Europe and recording with Louisiana Red, Blue moved to Chicago to soak in the rich harmonica scene led by Big Walter Horton, Carey Bell, James Cotton and Junior Wells. While there, he was recruited into the Willie Dixon Band and recorded on his Grammy-winning album, Hidden Charms and also collected his own Grammy trophy for the album Blues Explosion. He released his first studio album in many years called, Voyage, available from MC Records.

Vilka är kopplingarna mellan ormar och musik? Varför är ormen djurens percussionist? Är skallerormen en levande kastanjett? Hur blev ormen en symbol för ondska? Och dansar ormtjusaren med sin kobra? Ormar och religion har en märklig musikalisk relation. Vad symboliserar ormen egentligen genom konsthistorien? Museipedagogen Janine Seldenthuis berättar om kopplingen mellan konstnären Hieronymus Bosch och hårdrocksbandet Iron Maiden. Är ormen verkligen en bra symbol för ondska eller har vi mobbat ormen när vi givit den rollen som djävulen?Och vad har Joseph Hayden med ormar att göra? Zoologen Sverre Sjölander avslöjar om ormens musikaliska klangvärld och varför ormarna flyr från Moder jords eget pukslag.Vi mellanlandar även hos ormtjusarna på en gata i Jaipur, Indien, för kobrornas hotdans. Säsongsavslutning på författaren Jesper Tillbergs serie, om den otämjda relationen mellan djur och musik. I det här avsnittet hör du musik av bland andra Joseph Hayden, Mike Oldfield, Etta James, Victoria Spivey, Johan Kinde, Entombed, Marvin Gaye.

Tune in for some background on blues singer and songwriter Victoria Spivey

Tune in for some background on blues singer and songwriter Victoria Spivey

Luther 'Guitar Junior' Johnson and The Magic Rockers (Merry Christmas, Baby); Julia Lee and Her Boy Friends (Christmas Spirit); Mabel Scott with Les Welch and His Orchestra (Boogie Woogie Santa Claus); Finis Tasby and Enrico Crivellaro (Lonesome Christmas); Canned Heat (Christmas Blues); Markey Blue (Merry Christmas Santa); Diana Braithwaite and Chris Whiteley (Bluesy Christmas); Bumble Bee Slim (Santa Claus Bring Me A New Woman); Victoria Spivey and Her Chicago 4 (I Ain't Gonna Let You See My Santa Claus); Aaron Burton (I'm Your Santa Claus); Wildcat O'Halloran Band (Xmas Divorce); Peetie Wheatstraw (Santa Claus Blues); Lightnin' Hopkins (Christmastime Is Coming); Shakura S'Aida (Be My Santa Claus); Detroit Junior (Christmas Day); Paul Oscher (Christmas Blues); Charles Brown (Blue Holiday).

 Your host for this edition is Hubert Selby, Jr.It is entitled Some Paint On a CanvasThe ContentFirst Sequence:Carolyn Hester - I'll Fly AwayVictoria Spivey & Big Joe Williams - Sittin' on Top of the WorldHarry Belafonte - Midnight SpecialRichard Fariña & Eric Von Schmidt - Christmas IslandHappy Traum - Let Me Die In My FootstepsSecond Sequence:Chubby Parker - King Kong Kitchie Kitchie Ki-Me-OThe McGee Brothers - Charming BillHenry Thomas - The Little Red CabooseThree Georgia Crackers - Poor Little Thing Cried MammyUncle Eck Dunford - Skip to Ma Lou, My DarlingThird Sequence:David Hemmings - Bell BirdsBlond - There's a Man Standing in the CornerEdward's Hand - If I Thought You'd Ever Change Your MindDando Shaft - Coming Home to MeJohn Bryant - In Need of LoveFourth Sequence:Wilf Carter - You Are My SunshineLewis McDaniel - It's Hard to Leave Sweet LoveThe Morris Family - Dark EyesShortbuckle Roark - I Truly Understand That You Love Another ManBradley Kincaid - Barbara AllenSummation:Allen Ginsberg - Nurse's Song

Listen[audio:http://media.rvanews.com/wp-content/uploads/2012/12/The-Bopst-Show-The-Balls-of-Christmas-Episode-222.mp3|titles=The Bopst Show -- Christmas Balls -- Episode 222]SubscribeiTunes: The Bopst show podcastEverything else: The Bopst show podcastDownloadThe Bopst Show -- Christmas Balls -- Episode 222— ∮∮∮ —Title: The Bopst Show: "Christmas Balls (Episode 222)"Rating: PG-13 (Adult Situations & Language)Intent: To wage war on the war on Christmas…Random Richmond Diversion: And then we were left with nothingRandom USA Diversion: That's changed me, and it's changed most Americans I would thinkRandom World Diversion: they do not discriminateRandom Image: Christmas BallRandom Music Blog: Disco FilterRandom Bopst Show: The Bopst Show: "The Sounds of Santa (Episode 180)"Pat Robertson is funny:http://www.youtube.com/watch?v=cxj1NJ8nh-8Construction Date: Monday December 17th, 2012Equipment: Mac G5, Free Audio Editor & Recorder Software from Audacity, Frontier US-122 USB Audio/MIDI Interface, Shure SM57 MicrophonePosted: Tuesday December 18th, 2012Artists and Groups in order of appearance: Unknown, Kay Martin, John Fahey, Welcome Back Kotter, Mark Zydiak, Paul Bain, Sammy Marshall, The Monkees, The Crewcuts, MojoChronic, Bessie Smith, Alcoholics, Jimmy Kirkland, Father Knows Best, Zoogz Rift, King of Pants, Soledad Brothers, The Sabres, Loy Blanton, Babs Gonzales, Faroff, The Christmas Bell Ringers, Ox, Victoria Spivey, Jack Klugman, Unknown, Blue Moon Special, Gene London, Otis Redding, LurchLiner Notes A good conscious is a continual Christmas Ben FranklinHere are some shows I’m hustling at Balliceaux this week...NEXT NEW SHOW: 12/24/12 New show times. The Bopst Show airs Sundays, 11PM and Tuesdays, 6PM (EST-USA) on KAOS Radio Austin.Until Next Time:Stay clean,BOPSTHo there, reader of RSS feeds! Do you ever want to support RVANews in a real and tangible way? Or at least pay a small penance for reading ad-free content? If so, support us on Patreon for a couple bucks a month!

Blues singers opine on the Grim Reaper. Songs include: See That My Grave Is Kept Clean, Lonesome Graveyard Blues, Jesus, Make Up My Dying Bed and Stones in My Passway. Performers include: Blind Lemon Jefferson, Bessie Smith, Skip James, Victoria Spivey, Rev. J.M. Gates and Robert Johnson.

Songs include: Haunted Heart, Mr. Ghost Goes to Town, Haunted By the Blues and My Old Flame. Also, the host reads Eldorado by Edgar Allen Poe. Performers include: Maxine Sullivan, Jo Stafford, Spike Jones, Vaughn Monroe and Victoria Spivey.

Performers include: Lightnin Hopkins, Blind Lemon Jefferson, Victoria Spivey, Leadbelly, Henry Thomas, Texas Alexander and T-Bone Walker. Songs include: West Texas Blues, Let Your Light Shine, The Boll Weevil. T-Bone Blues and One Dime Blues.

Vaudeville entertainment for black audiences began in 1909 with an organization called TOBA. Those four letters stood for Theater Owners Bookers Association. Often called by the black entertainers who worked the TOBA circuit: Tough On Black Artists. For many of the artists, trying times to be sure. However, it was an important cog in the machine which brought black entertainment to the rural areas and large cities in the early part of the century. TOBA had more than 100 theaters operating by the end of the 1920s.Blues and Jazz were an important part of black entertainment in those early years and surely both idioms grew because of the fine caliber of the performers of that era and their ability to reach large audiences throughout most of the country.Actual recordings started being made in 1914 by Victor, Columbia and Edison though the Edison company finally bowed out of the business. In 1918, the Paramount Record Company (a subsidiary of the Wisconsin Chair Company of Port Washington) came into being primarily to make recordings for folks to play on their newly purchased record players which were made by the Chair Company. Paramount is famous today for two things....they were first to record Blind Lemon Jefferson and Ma Rainey and....they made terrible quality pressings of cheap shellac. Were it not for Paramount however, many great artists would never have been heard. Business is business.The Vaudeville Years highlights some of the dynamic female vocalists of that time, women who set the mark for all other female blues shouters to follow.John Rhys/BluePower.comHere's the music:1)...."Hand Clappin' "....Red Prysock....Mercury Records2)...."St. Louis Blues"....Bessie Smith....Columbia Records3)...."Bo Weavil Blues"....Ma Rainey....Paramount Records4)...."I'm A Mighty Tight Woman"....Sippie Wallace....Okeh (Columbia) Records5)...."T.B. Blues"....Victoria Spivey....Victor Records6)...."Coffin Blues"....Ida Cox....Paramount Records7)...."Texas Moaner Blues"....Alberta Hunter....Paramount Records8)...."Hand Clappin' "....Red Prysock....Mercury RecordsClick here to listen to....In The Beginning....The Vaudeville Years!Click here to go to....Red Hot Jazz.com_________________________________________________________________

Classic female blues singers from the 1920s & 1930s, including, Bessie Smith, Ma Rainey, Ida Cox, Victoria Spivey and Ethyl Waters. Songs include: Coffee Grindin Blues, Empty Bed Blues, Moaning the Blues and Crazy Blues.

Christmas records from 1917 to 1936.Songs include: Silent Night, Jingle Bells, We Three Kings and Christmas Morning Blues.Performers include: Fats Waller, Victoria Spivey, Louis Prima, Eddie Cantor and Bing Crosby.