Podcasts about Suzy Q

El swing dio origen a bailes específicos, como el Suzy Q y el Lindy Hop; este último fue el baile más acrobático, enérgico y elegante de la era del swing. También desafió la creatividad: las parejas solían diseñar nuevos pasos, saltos y giros en sus casas para lucirlos en el baile del sábado. El Lindy Hop no se enseñaba en escuelas de baile, como la moda anterior, el fox-trot, sino que se desarrolló espontáneamente, en casas particulares y en los salones de baile. Con José Manuel Corrales.

**The David RB Show Replay On www.traxfm.org. This Week DRB Featured New Cuts From Windy, Julian Jonah Ft Robbie Love, Jorge Montiel & Juan Laya Ft Andre Espeut, Witfield Batson Plus Trax From Roast Beatz, Liz Sarroca, Freddie McGregor, Chapter 8, Smif N Wessun, Itsu Ono, Shadow, Writers, Suzy Q, Common Sense, Robyn & More. #originalpirates #soulmusic #funkmusic #hiphop #contemporarysoul #remix #rnbmusic #boogie #RareGroove #breaksmusic The David RB Show Live Every Wednesday From 8PM UK Time The Station: traxfm.org Listen Live Here Via The Trax FM Player: chat.traxfm.org/player/index.html Mixcloud LIVE :mixcloud.com/live/traxfm Free Trax FM Android App: play.google.com/store/apps/det...mradio.ba.a6bcb The Trax FM Facebook Page : https://www.facebook.com/profile.php?id=100092342916738 Trax FM Live On Hear This: hearthis.at/k8bdngt4/live Tunerr: tunerr.co/radio/Trax-FM Radio Garden: Trax FM Link: http://radio.garden/listen/trax-fm/IEnsCj55 OnLine Radio Box: onlineradiobox.com/uk/trax/?cs...cs=uk.traxRadio Radio Deck: radiodeck.com/radio/5a09e2de87...7e3370db06d44dc Radio.Net: traxfmlondon.radio.net Stream Radio : streema.com/radios/Trax_FM..The_Originals Live Online Radio: liveonlineradio.net/english/tr...ax-fm-103-3.htm**

In this episode the boys welcome special guest Tim Nye! Video editor extraordinaire, Spiderman aficionado, Suzy Q's pro speed bagger, friend and Christian brother; Tim's guest episode is long overdue! The gang discuss Jonah's deep sea playlist, the people that have made an impact in Tim's life and how he has found deeper faith when faced with struggle. Tim is a wonderfully insightful guy and we hope you enjoy his charm and candor as much as we have. Support the Show.Join our community and online discussion: discord.gg/christianinfluenceSupport us on Patreon: patreon.com/ChristianInfluenceFacebook: facebook.com/influenceofjesusTwitter: twitter.com/cigamesxyzInstagram: www.instagram.com/officialchristianinfluence/

Suzy-Q, the self-proclaimed CanineTherapist continues doing Dog's workBark Mitzvahs?Come on baby... Light My FireKid's Testimonies about why they love dogsWhen in doubt wag your tailThank you for supporting The Dogma 2.0 Podcast. Your generous ratings and positive reviews are appreciated by all of us podcasters (especially us newbies). https://www.buzzsprout.com/2330355https://www.instagram.com/suzyqdogmahttps://www.facebook.com/dogma.363608And make sure to check out the the human driven podcast: RAGING GRACEFULLY 2.0https://feeds.buzzsprout.com/2298691.rss

Suzy-Q dishes up more advice to troubled dogsThe history of dogs (we think)Suzy-Q's favorite movies about dogs  Kid's soundbites about why they love dogs Thank you for supporting The Dogma 2.0 Podcast. Your generous ratings and positive reviews are appreciated by all of us podcasters (especially us newbies). https://www.buzzsprout.com/2330355https://www.instagram.com/suzyqdogmahttps://www.facebook.com/dogma.363608And make sure to check out the the human driven podcast: RAGING GRACEFULLY 2.0https://feeds.buzzsprout.com/2298691.rss

Gnaw T. Boy complains to Suzy-Q that his female human refuses to share her Jimmy Chews, Hushpuppies, and Reebarks. She calls Gnaw T. Boy's chew toys "shoes" and has resorted to burying them in her closet. Some fun facts about dogs!Bailey, a delicious chocolate Lab moves on to greener pastures but reaches out to his broken-hearted female human from his new home, Cloud 9. Love endures despite geographical differences. Thank you for supporting The Dogma 2.0 Podcast. Your generous ratings and positive reviews are appreciated by all of us podcasters (especially us newbies). https://www.buzzsprout.com/2330355https://www.instagram.com/suzyqdogmahttps://www.facebook.com/dogma.363608And make sure to check out the the human driven podcast: RAGING GRACEFULLY 2.0https://feeds.buzzsprout.com/2298691.rss

Eva Oh Revisits an adventurous journey through Tokyo's kink scene, discovering the city's unique take on sex, modesty, and voyeurism. From erotic shower shows to theatrical shibari and BDSM hostess bars, uncover the hidden stories and personal anecdotes of Tokyo's sexual tapestry. By the end, you'll have heard stories about Eva's friendships, an tattoo'd submissive with an amusing relationship with pain, and what she plans to do next in Japan as a tourist.More on Eva Oh, https://eva-oh.comHIGHLIGHTS:Here are the timestamps for the episode. On some podcast players you should be able to click the timestamp to jump to that time.(00:00) - Welcome. What is #teakink(00:19) Revisiting Japanese Kink(2:12) The Mystique of Soap Bars(4:28) Shopping Kink Tools(06:37) Eroticism and Camp Within Japan's Shibari Scene(10:37) Sisters in Kink: Chiaki, Hinako, and Suzy Q(15:55) Stepping into BDSM Hostess Bars(18:51) Bodies, Pain, and Tattoos(19:29) No Pain, No Pain, No Pain(22:02) Ginger Cookies, Drinks, and Sushi in Rope Bars(23:11) Japan Without Speaking Japanese(24:26) Reflections(27:28) Away From Kink, Onto Local Vanilla Preferences(29:05) Repression and Conservatism(30:06) What to do in Japan Next Time?

É uma cover, popularizada pelos Credence Clearwater Revival, chama-se Suzie Q.Talvez por causa da banda sonora de algum filme, associo esta música à guerra do Vietname. Credence Clearwater Revival | Chronicle (LP) | Suzie Q | 1968/1976

This week, we're back in the Suzy Q's restroom with Byron Thiessen discussing physical therapy, bathrooming on long commutes, and the sin that is urinal conversations. -- Follow Byron and the rest of the Under the Influence crew at: Under the Influence Podcast Of Lore and Legend Follow Byron -- Connect with Privy: www.privy-cast.com Follow Hunter -- Music:  Intro and Outro: "Barroom Ballet" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/

Join Eric Huysman and Suzy Q for a Locked On Astros podcast following Tuesday night's loss to the Colorado Rockies. The Astros scored 3 runs in the first inning but were shut out the rest of the way. Yordan Alvarez will begin his rehab with the Space Cowboys. Also, are the Astros dreaming of trading for Dylan Cease?Locked On Astros, the daily podcast about the Houston Astros, hosted by Eric Huysman and Brett Chancey, is part of the Locked On Podcast Network.Be sure to subscribe to Locked On Astros on YouTube, Apple Podcasts, Spotify, or wherever you get your podcasts, and come back every weekday morning and spend your morning commute listening to the latest Astros news and notes. Thanks for listening, and tell your friends!We now have a YouTube channel as well, so go subscribe to that as well and get us to 10k subscribers! https://www.youtube.com/channel/UC9fXhBb2-ZTiPwk7WNwYjzQhttps://linktr.ee/LockedOnAstrosFollow & Subscribe on all Podcast platforms…

Join Eric Huysman and Suzy Q for a Locked On Astros podcast following Tuesday night's loss to the Colorado Rockies. The Astros scored 3 runs in the first inning but were shut out the rest of the way. Yordan Alvarez will begin his rehab with the Space Cowboys. Also, are the Astros dreaming of trading for Dylan Cease? Locked On Astros, the daily podcast about the Houston Astros, hosted by Eric Huysman and Brett Chancey, is part of the Locked On Podcast Network. Be sure to subscribe to Locked On Astros on YouTube, Apple Podcasts, Spotify, or wherever you get your podcasts, and come back every weekday morning and spend your morning commute listening to the latest Astros news and notes. Thanks for listening, and tell your friends! We now have a YouTube channel as well, so go subscribe to that as well and get us to 10k subscribers! https://www.youtube.com/channel/UC9fXhBb2-ZTiPwk7WNwYjzQ https://linktr.ee/LockedOnAstros Follow & Subscribe on all Podcast platforms…

To Support the Channel:Tip jar:  https://paypal.me/AskZacOr check out my store at  - www.askzac.comMy son told me, "Dad, you ought to do a video on your favorite Telecaster licks." So here are my 10 favorite Telecaster licks of all time.1. Cornell Dupree "Rainy Night in Georgia."2. Reggie Young "Memphis Soul Stew."3. James Burton "Suzy Q."4. Jesse Ed Davis "Six Days On The Road."5. Pete Anderson "Guitars Cadillacs."6. Bobby Womack "I'm In Love."7. Clarence White "You Ain't Goin' Nowhere."8. John Jorgenson "Highlander Boogie."9. Luther Perkins "Folsom Prison Blues."10. James Honeyman-Scott "Kid."Bonus lick11. Jimmy Olander "Meet In The Middle."Spotify playlist:https://open.spotify.com/playlist/1au...Gear for this video:1957 Fender Esquire with added neck pickup. Restoration and aging on the body by Dan "Danocaster" Strain.Strings: Gabriel Tenorio NíquelPuro Pure Nickel Strings 10-46Pick:Blue Chip TPR 35Amp:1965 Deluxe Reverb with Celestion Vintage 30 speaker, and bright cap clipped on the vibrato channel.Effects used:Amp Verb. #askzac #guitartech #telecasterSupport the show

En la primera mitad de los años 60 convergieron numerosos estilos musicales que acabaron convirtiéndose en la música popular del momento. Playlist; (sintonía) CHET ATKINS “Oh lonesome me” THE CRYSTALS “Da doo ron ron” BOBBY VEE “Suzy Q” JOEY DEE and THE STARLITERS “Peppermint twist” THE SENSATIONS “Let me in” JEANNIE and THE BIG GUYS “Boys” THE ZOMBIES “Sticks and stones” JOHNNY SANDON and THE REMO FOUR “Lies” CHUBBY CHECKER “The fly” HANK BALLARD and THE MIDNIGHTERS “Let’s go let’s go let’s go” HARMONICA FATS “Tore up” JOHNNY HORTON “North to Alaska” JERRY LEE LEWIS “Baby baby bye bye” JOHNNY CASH “Understand your man” ANITA CARTER “(Love’s) Ring of fire” JACKIE FRISCO “Sugar baby” GENE VINCENT “She she Little Sheila” THE BEAU-MARKS “Clap your hands” THE SHADOWS “Find me a golden street” HELEN SHAPIRO “Beyond the sea” Escuchar audio

Annemieke Bosman in gesprek met fotograaf Bob Bronshoff.. Al meer dan 25 jaar fotografeert Bob Bronshoff filmsets. Een selectie van zijn setfoto's is te zien in een tentoonstelling in Eye Filmmuseum, getiteld: 'Actie! Bob Bronshoff op de set'. Begin jaren tachtig vroeg het filmtijdschrift 'Skrien' of fotograaf Bob Bronshoff foto's wilde maken voor dit tijdschrift. Al heel snel had Bronshoff filmregisseurs Akira Kurosawa, Wim Wenders en Robby Müller voor zijn camera. Halverwege de jaren negentig kreeg Bronshoff zijn eigen fotorubriek in 'Skrien': ‘Werk in uitvoering'. Voor de eerste aflevering ging hij naar de set van de televisieserie 'De Partizanen' van Theu Boermans in Limburg. In 2009, werd de rubriek geadopteerd door de 'Filmkrant', onder een andere naam: ‘Actie!'. Inmiddels bezocht Bronshoff al meer dan 250 sets van Nederlandse speelfilms, studentenfilms en documentaires van wereldvermaarde regisseurs én aankomende talenten. Zo bezocht Bronshoff de sets van Borgman, Filmpje, Flodder, Ja zuster nee zuster, Karakter, Minoes en Suzy Q.

GamerDude remembered that there were a lot of foods that he ate all the time growing up that we don't think about or serve anymore. He goes over the daily menu from his childhood, starting with breakfast and going through dessert at dinner time. For breakfast, oatmeal and Cream of Wheat cooked on the stove were a usual part of breakfast. GamerDude remembers when his dad taught him the "butter and maple syrup" trick for making oatmeal even more tasty. He remembers lunches too, from Spam and liverwurst sandwiches, to Sunmaid Raisins and carrot sticks. He also remembers the deliciious Sloppy Joes he used to get at the school cafeteria. He also remembers the variety of snack cakes he grew up with, from Devil Dogs to Suzy Q's.  GamerDude also remembers the dinners his mom would make. He talks about how she tried to make fondue a thing, to expand the dinner menu options. He remembers fish sticks and tuna casserole.  And he talks about that old stand-by: Chicken A La King. For dessert, there were cakes and cookies, but he remembers a particularly decadent pudding his mom used to make, which is something you just don't see anymore.

Suzy Q Winn grew up in a small town, on a farm, learning to survive of the land, before she left for the Army at 17. At 18 she was standing in the desert for the Persian Gulf War. 2 years later, she heard the words, “You have cancer”. Suzy Q was a single mom with a 6 month old son. After given a 50/50 chance of surviving 5 years, she chose to leave the Army to spend whatever time she had with her son. She became a cosmetologist then moved to AZ and began working at the Sheriffs office, first as a dispatcher, then as a Deputy Sheriff, where Suzy Q served for 18 years before resigning due to physical and mental health reasons. Suzy Q began her trauma healing in 2019 after VA told her that she had complex PTSD and major depression disorder. She began writing this book in 2014, after several people told her that she needed to share her story as a light of hope and inspiration for others, as she had overcome many traumatic incidents. After she had the outline, Suzy Q was stuck in the trauma cycle and was unable to continue writing, “Hope Blooms in a Garden of Faith” until 2020. She was in therapy for the continuation of this book, and spent the summers of 2020 and 2021, in the forest, where she continued to write and began to heal. She had along way to go, but this book allowed her to purge a lot of the trauma, beginning in her childhood. It was through the love and support of her husband, son and daughter that she was able to continue my journey of healing and finishing this book. https://www.instagram.com/suzy_q_winn_author/ https://www.instagram.com/hopewarriorprincess13/ https://m.facebook.com/SuzyQWinn/ Connect with The DH Effect: https://www.thedheffect.com/

Homemade Snack Cakes- Devil Dogs, Suzy Q's, Twinkies, Banana Flips, oh my! On this episode of In The Kitchen With Mary Mac we give you the recipe and skills that you need to make your own snack cakes! #MaryMacSays

To SUCCEED in LIFE you must do THESE THREE THINGS: 1) DECIDE WHAT'S IMPORTANT. The story's told of a family who moved to the countryside to get away from the city in one of the States in America. They decided to raise cattle so they bought a ranch. One day a friend visited them and asked what they did named it. Dad said, 'l wanted to call it The Flying-W, but Mom wanted to call it The Suzy-Q. One of our sons liked The Bar-J, but our daughter preferred The Lazy-Y. So we compromised and called it The Flying-W, Suzy-Q, Bar-J, Lazy-Y Ranch. 'The FRIEND asked, 'How are your CATTLE doing?' Dad replied, 'We DON'T have ANY. They didn't SURVIVE the BRANDING.' Come on, decide what's important to you! 2) PRIORITISE YOUR TIME. Too many of us are like the STORE OWNER who GOT so busy TRYING to keep the PLACE clean that he FORGOT to open the FRONT DOOR. The reason you are in BUSINESS is to SERVE CUSTOMERS and make a PROFIT, not get DISTRACTED by secondary THINGS. Base your LIFE'S DECISIONS on your PRIORITIES. And if you need HELP figuring out WHAT they are, ask God: 'For the Lord GIVES wisdom; from His mouth come knowledge and understanding.' 3) LEARN TO MOTIVATE yourself. Most TIMES, NOBODY else WILL. When TRAGEDY struck his LIFE, we read: 'David encouraged himself in the Lord...' (1Samuel 30:6).You NEED to learn HOW to do that too. Jude writes: '....building up yourselves...praying in the Holy Ghost' (Jude v 20). To succeed in LIFE you must LEARN to ENCOURAGE yourself, PRAY and BUILD YOURSELF UP. God's servant Rev Alfred Acheampong. Anchor Scripture: 'FOR THE LORD GIVES WISDOM...' (Proverbs 2:6 NKJV) Prayer Point: Heavenly Father l continue to walk in the abundance of Your wisdom so l shall prosper in all that l do avoiding all forms of petty and unnecessary distractions to the fulfillment of my destiny in Jesus name. Stay Blessed! YearOfSupernaturalProvision

Suzy Q is part Navajo and Spanish. We will learn about her struggles with the Spanish side of her family, as well as her immense pride and connection in identifying as Navajo or Dine. We will see why she made this final choice.

Looking for a dose of pure musical energy as the sports year heats up? Host Mark Hochgesang breaks down the greatest sports rock song of all-time...John Fogerty's Centerfield. John's resilient career is outlined and the hidden elements of his comeback song are uncovered. Put me in coach!Time-Stamped Show Notes:0:00  -   Put Me in Coach0:20  -   Intro1:35  -   Rebirth and Renewal1:56   -   Why Centerfield?2:44  -    Joltin Joe2:58  -    Childhood Journey 3:22  -    Uncle Sam Wants You3:37  -    Suzy Q and Proud Mary3:56  -    Rulers of Rock4:25  -    Woodstock5:00  -    Going Solo5:10  -    Centerfield Comeback6:57  -    John & Rob Lowe9:25  -    Casey at the Bat10:15  -  Tell it Goodbye10:23 -   Baseball Hall of Fame Induction10:58  -  Centerfield

This week, Carsten & Stephen go behind the music with a series of recent and lesser-known music documentaries, from the you-are-there narratives of Woodstock '99: Peace, Love & Rage and Questlove's Summer of Soul (...Or, When the Revolution Could Not Be Televised) to the detailed biographies Edgar Wright's The Sparks Brothers, Suzy Q's look at the career of Suzy Quatro and Tina's exploration of the life of soul survivor Tina Turner. Plus, Dust Radio -- the story of roots music maverick Chris Whitley, Joe Strummer: The Future Is Unwritten and the Spandau Ballet doc you never knew you needed to see, Soul Boys of the Western World. Follow us on twitter: @Lensmeyourears and like us on Facebook! Stephen's twitter:@NS_scooke Carsten's twitter: @FlawInTheIris

On today's 'ROR Morning Show, it's Match Wits with Nitwits! "Suzy Q says, I like my men like I like my burgers.... ________!" All this and more on the ROR Morning Show with Bob Bronson, LBF, and Brian Podcast. Find more great podcasts at bPodStudios…The Place To Be For Podcast Discovery

In deze aflevering nemen Melody en Gaite je mee door de geschiedenis van de Nederlandse film en krijg je een hele lijst aan must-sees voor als je niet weet waar je moet beginnen. We praten bij over alle filmprojecten waar we mee bezig zijn en Melody heeft heel erg leuk nieuws!!

Suzi Quatro is a rock legend and an inspiration to musicians everywhere. We talked with Suzi in the spring of 2019, about her then new documentary, Suzy Q. She also just released her most recent album.On top of that, we also talked about a rejection letter to the members of Roxy Music, which led us down a rabbit hole, learning about the music of James Last. It's something to behold.

Welcome back to Happy Half Hour! This week we chat with Ernie Becerra, founder of San Diego Taco Company and ¡Salud! Tacos in Barrio Logan. Ernie is a fifth-generation San Diegan, and he worked as a banker before pursuing his passion and eventually opening a restaurant. ¡Salud! is one of 13 essential taco shops listed in this month’s cover story in San Diego Magazine, called “A Love Letter to Tacos!” Ernie’s family is deeply rooted in San Diego. He says they are “old-school Chicano,” having first settled in Barrio Logan in 1900 (that predates the Mexican Revolution). He began his career following in his father’s footsteps working in banking, but quickly realized that was not what he wanted to do and decided to take a chance. Armed with a recipe book and the knowledge from his grandmas and local taco shop owners, Ernie bought a taco cart. He started catering small events, but as he continued to work, his business grew. The fish and birria tacos were the foundational items of Ernie’s cart, and are still on the ¡Salud! menu to this day. Ernie talks about the opportunities he jumped on to successfully expand his business. He needed to stand out from other taquerias in the city, so he worked on branding: he discovered the business name San Diego Taco Company wasn’t already claimed, and filed for it right away. While looking for a permanent venue to showcase tacos for people to try before booking his catering company, he learned the old Porkyland space on Logan Avenue—a building he had spent a lot of time in while growing up—was available, so he swooped in and acquired it. After spending time cleaning and fixing up the building, Ernie finally opened ¡Salud! in 2015. The restaurant has been a huge success, and the colorful space is also known for showcasing graffiti art, murals, and other works by local artists. ¡Salud! has been featured in the Washington Post, New York Times, and on The Zimmerman List. Ernie says he knew something was changing in the neighborhood with ¡Salud! as the anchor. While gentrification is an ongoing concern in Barrio Logan, Ernie felt it was important to not confuse success with gentrification, since many of the businesses that have revitalized the area are actually owned by locals. His hope is that Barrio Logan will grow to a point where the neighborhood can become more organized, and the city’s “Little Mexico.” Ernie also teased an upcoming expansion to the restaurant. Listen to find out! In Hot Plates, Restaurant Week has been rescheduled from its usual date in January to April 11-18. Pure Project is opening a new brewery next month in Vista, taking over the location vacated by Iron Fist Brewery. Two restaurant owners are in need of help: The owner of Sushi Yaro in Kearny Mesa is recovering from a stroke, and is unable to work and needs assistance with medical expenses. A Go Fund Me page has been created where donations are accepted. The owner of Suzy Q’s Diner in Escondido says she’s used up nearly all of her savings, and is asking for help with back rent and bills, and has created a Go Fund Me page. If you’re able to assist with even a small donation, it can help these restaurants continue to bring life into their neighborhoods. In Two People for Takeout/Two People for $50, Ernie’s pick was Napoleon's Pizza House in National City for their torpedo sandwiches and pizza. Troy’s pick was Flavors of East Africa in University Heights for their ndengu, a Kenyan-style stew of lentils in curry sauce, and the jungle fries covered in braised meats and sauce. Marie’s pick was the beef chow mein noodles with black pepper sauce and grilled pork buns from Tasty Noodle House. In celebration of our recent Road Trips issue, David’s recommendation is outside of San Diego this week: His favorite spot to eat at after hitting the slopes in Big Bear is Himilayan Restaurant, where he says everything is phenomenal, especially the lamb naan with the lamb baked into the bread. See you next week!

Job ter Burg is filmeditor. Aanvankelijk begon hij als editor van voornamelijk televisiedocumentaires, maar hij zette de samenwerking met voormalig klasgenoot Martin Koolhoven voort met Duister Licht(1997) en Suzy Q(1999), waarna hij zich op het monteren van speelfilms richtte. Zoals de films Van God Los(2003), Zwartboek(2006), Oorlogswinter(2009), Borgman(2013,) Elle(2016),Brimstone(2016) en Elle(2016). De laatste jaren werkte hij veel in het buitenland, onder meer voor de Britse misdaadfilm The Informer(2019) en de Frans-Nederlandse dramafilm Benedetta(2020). Lotje IJzermans spreekt met Job ter Burg.

THE HOTTEST INDIE MUSIC ON THE PLANET!​ Thanks for Tuning Into Gem Rico Radio Podcast, Radio Host Will Rodriguez, & Suzy Q, Tune into the Awesome Music & Interviews, Comedy Radio Shows, Mixes by DJ Unknown, DJ Mac Digital. Special Guest Baby Gee, R2D2, ​Tommy Tow Times Tomasello, & D Queen! --- Send in a voice message: https://anchor.fm/gemricoradio/message Support this podcast: https://anchor.fm/gemricoradio/support

No quinto episódio do Hamones, Mateus Carvalho, Gabriel Guerrero e Jean "Kei" comentam o sexto volume (em versao Jojonium) de Jojo's Bizarre Adventure, que corresponde aos capítulos 81-93, dando continuidade ao Battle Tendency! A introdução de Suzy Q, a volta de Strohein e o destino de Caesar Zeppeli são os pontos de discussão. Twitters: @hipstervermelho @gague_hero @keibadji

Après 6 saisons de bons et loyaux services, l'équipe de Ludologies a profité de la pause du confinement pour réfléchir à l'avenir. Et de cette manière, nous avons collectivement décidé d'arrêter Ludologies. Envie de faire d'autres choses, dans d'autres formats dans d'autres univers, mais surtout de ne pas décevoir celles et ceux qui nous écoutent en enregistrant des émissions qui seraient de trop. Cela n’enlève rien à notre envie de continuer à travailler ensemble. Mais ça peut être sous d’autres formes… Quitte à faire revivre Ludologies un jour si besoin. Comme vous l'aurez compris, c'est donc la fin d'une aventure et le début de plein d'autres ! On espère que Ludologies vous aura plu autant que nous à le faire. Et on espère aussi que ce sera une invitation à créer et partager vos passions à votre tour, peu importe la forme que ce soit. Avant de se quitter, l'équipe de Ludologies revient sur ces 6 saisons en vous parlant des émissions qu'ils ont aimés réaliser ou écouter. Le tout est bien évidemment enrober d'anecdotes sur le podcast. Un grand, un énorme merci aux tipeurs et aux tipeuses qui nous ont contribué à cette belle aventure podcastique. Si Ludologies se termine, l'association Studio Dilettante continue. Elle va poursuivre ses actions de soutiens techniques et logistiques à la création de podcast. Pour en savoir plus, rendez-vous ici : https://fr.tipeee.com/studio-dilettante Merci beaucoup à toutes celles et ceux qui ont répondu à nos questions, à celles et ceux qui nous ont soutenus devant le micro ou dans l'ombre. Sans elleux, on n'aurait jamais pu aller jusque là. Merci aussi à Suzy Q pour le générique. À très vite loin des écrans ou sur d'autres bouts d'Internet. :) Où nous retrouver ? - Corentin : Le podcast "La mécanique du livre" https://mecaniquedulivre.lepodcast.fr/ - Fanny : Au sein de l'association "Le laboratoire des imaginaires" https://www.facebook.com/Laboratoiredesimaginaires et ses conférences : https://www.youtube.com/channel/UCk8wWO_cFlMLYVAMJwtyk5Q - Hadrien : le podcast Restons polis restons-polis.lepodcast.fr/ - Klem : sur Twitter à @KlemeLgt - Manuel : Retrouvez ses jeux sur Itch.io : https://melville.itch.io/ - Selene : Sur Twitter à @SeleneMony - Yuna/Dolly Wood : sur Twitch https://www.twitch.tv/dollywood_ et sur Twitter à @_DollyWood_

Après 6 saisons de bons et loyaux services, l'équipe de Ludologies a profité de la pause du confinement pour réfléchir à l'avenir. Et de cette manière, nous avons collectivement décidé d'arrêter Ludologies. Envie de faire d'autres choses, dans d'autres formats dans d'autres univers, mais surtout de ne pas décevoir celles et ceux qui nous écoutent en enregistrant des émissions qui seraient de trop. Cela n'enlève rien à notre envie de continuer à travailler ensemble. Mais ça peut être sous d'autres formes… Quitte à faire revivre Ludologies un jour si besoin. Comme vous l'aurez compris, c'est donc la fin d'une aventure et le début de plein d'autres ! On espère que Ludologies vous aura plu autant que nous à le faire. Et on espère aussi que ce sera une invitation à créer et partager vos passions à votre tour, peu importe la forme que ce soit. Avant de se quitter, l'équipe de Ludologies revient sur ces 6 saisons en vous parlant des émissions qu'ils ont aimés réaliser ou écouter. Le tout est bien évidemment enrober d'anecdotes sur le podcast. Un grand, un énorme merci aux tipeurs et aux tipeuses qui nous ont contribué à cette belle aventure podcastique. Si Ludologies se termine, l'association Studio Dilettante continue. Elle va poursuivre ses actions de soutiens techniques et logistiques à la création de podcast. Pour en savoir plus, rendez-vous ici : https://fr.tipeee.com/studio-dilettante Merci beaucoup à toutes celles et ceux qui ont répondu à nos questions, à celles et ceux qui nous ont soutenus devant le micro ou dans l'ombre. Sans elleux, on n'aurait jamais pu aller jusque là.Merci aussi à Suzy Q pour le générique. À très vite loin des écrans ou sur d'autres bouts d'Internet. :) Où nous retrouver ? Corentin : Le podcast "La mécanique du livre" https://mecaniquedulivre.lepodcast.fr/ Fanny : Au sein de l'association "Le laboratoire des imaginaires"https://www.facebook.com/Laboratoiredesimaginaireset ses conférences : https://www.youtube.com/channel/UCk8wWO_cFlMLYVAMJwtyk5Q Hadrien : le podcast Restons polis restons-polis.lepodcast.fr/Klem : sur Twitter à @KlemeLgtManuel : Retrouvez ses jeux sur Itch.io : https://melville.itch.io/Selene : Sur Twitter à @SeleneMonyYuna/Dolly Wood : sur Twitch https://www.twitch.tv/dollywood_et sur Twitter à @DollyWood

The Capes Eat Free crew is back again with a whole new episode. And this time we have a special guest on the show to help us cover topics like what have we been watching on TV, our X-men-like society, this movie’s relevance to the world today, Potter vs Furious vs Star Wars, and a game of Superhero trivia to show who’s the best. Tune in and enjoy…we did.

Episode eighty-seven of A History of Rock Music in Five Hundred Songs looks at “Apache”, by the Shadows, and at the three years in which they and Cliff Richard were on top of the music world. Patreon backers also have a fifteen-minute bonus episode, on “Handy Man” by Jimmy Jones. My apologies for the lateness of this episode, which is due to my home Internet connection having been out for a week. Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt’s irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/  —-more—- Resources   As usual, I have put together a Mixcloud mix with every song excerpted in this podcast. This four-CD set contains all the singles and EPs released by Cliff Richard and the Shadows, together and separately, between 1958 and 1962. Meanwhile, this six-CD set contains every recording the Shadows made on their own between 1959 and 1966, for a very low price. Pete Frame’s The Restless Generation is the best book available looking at British 50s rock and roll from a historical perspective. Be warned, though — his jokey and irreverent style can, when dealing with people like Larry Parnes (who was gay and Jewish) very occasionally tip over into reinforcing homophobic and anti-semitic stereotypes for an easy laugh. Some of the information on Royston Ellis and Norrie Paramor comes from the extended edition of Mark Lewisohn’s Tune In, which is essential reading for anyone who is interested in the Beatles, British post-war culture, and British post-war music. This volume contains Royston Ellis’ two very slim books, one on Cliff and one on the Shadows, written for a teen audience in 1960 and 61. They are more of historical interest than anything else. And Cliff Richard: The Biography by Steve Turner is very positive towards Richard, but not at the expense of honesty.  Patreon This podcast is brought to you by the generosity of my backers on Patreon. Why not join them? Transcript Today we’re going to look at the group that, more than any other, made the guitar group the standard for rock music; the group which made the Fender Stratocaster the single most popular guitar in the world; and who dominated the British charts for much of the early 1960s. We’re going to look at the Shadows: [Excerpt: The Shadows: “Apache”] We talked about Cliff Richard four months ago, but we’ve not yet looked at his backing group in any great detail. That’s because his group at the time of “Move It”, the single we looked at back then, was not the group that would end up becoming famous for backing him. We only mentioned in the last few minutes of that episode how his original backing band, the Drifters, were replaced one at a time by Hank Marvin, Bruce Welch, Jet Harris and Tony Meehan, most of whom had been members of the Vipers at one point or another during that group’s commercial decline. This group, still calling themselves the Drifters, went into Abbey Road studios with Cliff in February 1959, to record Richard’s first album — a live album in front of a studio audience. The album was mostly made up of rather anaemic cover versions of American records, though drawing from a rather wider pool than one might expect — as well as ballads like Ritchie Valens’ “Donna” and rockabilly covers like “Baby I Don’t Care” and “That’ll Be the Day”, there were also attempts at styles like Chicago blues, with a cover version of “My Babe”, the song Willie Dixon had written for Little Walter: [Excerpt: Cliff Richard and the Drifters, “My Babe”] The album also featured two instrumentals by the Drifters, one of which was “Jet Black”, named after Jet Harris, who was the de facto leader of the band at this time. Harris was a very experienced musician long before joining the group. He had played bass with Tony Crombie and the Rockets, the very first ever British rock and roll band, and Crombie had told him about a new instrument — the electric bass guitar. Harris had obtained one, and seems to have been the very first British musician to play an electric bass. His bass was a signature of the band’s early work, and it gets the spotlight in “Jet Black”: [Excerpt: Cliff Richard and the Drifters, “Jet Black”] It was around this time that Hank Marvin ended up being the first British musician to play a solid-body electric guitar — and a Fender Stratocaster at that. At the time we’re talking about, there were import restrictions on many goods from America — at the time, most economies were a lot more protectionist than they are these days, and the doctrine of free trade hadn’t taken a foothold — and so there were literally no American electric guitars in the UK, and there were no British manufacturers of them. Every British electric guitar player was playing a hollow-bodied guitar — what we’d these days call a semi-acoustic or electro-acoustic guitar. But Cliff Richard was determined that his guitarist was going to have the best instrument. An instrument that was suitable for his music. While Cliff was portrayed as England’s Elvis, and always credited Elvis as his inspiration, he had another favourite American singer, Ricky Nelson, whose softer style appealed to him, and was closer to the music that he ended up making: [Excerpt: Ricky Nelson, “Poor Little Fool”] Nelson’s lead guitarist was James Burton, who Hank Marvin admired almost as much as Cliff admired Nelson. Burton had got his start playing on Dale Hawkins’ “Suzy Q”: [Excerpt: Dale Hawkins, “Suzy Q”] But at this point, as well as playing for Nelson, he was making a reputation as the best session guitarist on the West Coast of America — so much of a reputation that even musicians in Britain knew his name. So it made sense that they should get Marvin the guitar that Burton played. They knew it was a Fender guitar, but they didn’t know anything else, so they got themselves a Fender catalogue sent over from the US. Looking through it, they recognised one guitar, the Stratocaster, as being the one Buddy Holly played. It was also the most expensive, and the coolest-looking, so it must be the one that Burton played, right? As it turns out, Burton didn’t play a Stratocaster, but a Telecaster, but they didn’t know that until much later, and so Cliff Richard sent off the equivalent of several months’ worth of Marvin’s salary to have a Stratocaster shipped over and pay the import taxes. While they were waiting for it, though, there were records to be made — and some of those records were ones that nobody involved was particularly interested in making. Cliff had started up a film career in parallel with his musical career. His first film was an attempt at an “issue” film, about teen pregnancy and false rape accusations, which featured him in a very minor role as a juvenile delinquent. In the film, he had to sing three songs written by Lionel Bart, who had written Tommy Steele’s hits, and he didn’t realise until afterwards that his film contract stipulated that one of them must be released as a single. The one that was chosen was “Living Doll”. The problem was that Richard loathed the song. He thought it was an attempt at sounding like an American rock and roll record, but one that completely missed everything that made American rock and roll exciting. He flat-out refused to do it. And then Norrie Paramor came up with an ingenious scheme. Paramor was Richard’s producer at EMI, and in a couple of years he became notorious in Britain when a jealous colleague, George Martin, leaked one of his scams to the TV presenter David Frost. Paramor would regularly write songs under pseudonyms, and get his artists to record them as B-sides, so he would get the same royalties from the record sales as the composer of the hit on the A-side. He apparently used thirty-six different pseudonyms, and was so widely known for this in the industry that people would sing of him “Oh I Do Like To See Me On The B-Side”. Paramor earned enough money from his songwriting sideline that he owned a speedboat, a second home at the seaside, and an E-type Jag, while George Martin, ostensibly on the same salary, had a second-hand Mini. But for once, Paramor was going to be able to get the A-side to a single, and present it as doing his artist a favour. He explained to Richard that one way to be sure he’d never have to put out “Living Doll” as a single would be if he’d already put out a single with a similar name. So if, say, Paramor were to write him a song called “Livin’ Lovin’ Doll”, then there’d be no way they could put out “Living Doll” — and, if anyone had seen the film and *did* want “Living Doll”, well, that would be free promotion for Paramor’s song. “Livin’ Lovin’ Doll” went to number twenty on the charts: [Excerpt: Cliff Richard and the Drifters, “Livin’ Lovin’ Doll”] But, as it turned out, the contracts didn’t say anything about only releasing a single if you didn’t have a good reason not to. Cliff still had to release the song he’d sung in the film. But he decided he wasn’t going to release that recording — he was going to get the band to rearrange it into something that he could live with. The band members put their heads together, and decided that the song might work in a country direction, perhaps with a little of that Ricky Nelson soft-rock feel that Cliff liked. So, grudgingly, they recorded a slowed-down, acoustic version of “Living Doll”. Which promptly became Cliff’s first UK number one, as well as becoming a minor hit in the USA: [Excerpt: Cliff Richard and the Drifters, “Living Doll”] Meanwhile, the Drifters were doing some stuff on the sidelines by themselves, too, including backing a beat poet. British popular culture in the late 1950s and early 1960s was largely, if not solely, made up of poor imitations of American pop culture, usually without any understanding of what that culture was. The phrase “cargo cult” is one that reinforces a number of unpleasant stereotypes, and as far as I can tell the story on which the phrase is based is a gross misunderstanding, but if you imagine the cargo cult as it is popularly imagined, much of British pop culture was a cargo cult imitation of America, with signifiers yanked completely out of their contexts and placed in wholly new ones. The British musicians we’ve looked at so far have been the ones that were the most innovative, the least tied to their American inspirations, and yet I’m sure you’ve been able to detect even in them the sense that they were the ersatz version of the American rock stars, the Cheez-wizz to Elvis Presley’s fine mature Stilton, a collection of sneers and hip swivels and “uh-huh”s performed in the vain hope that by doing so they could invoke some of the magic of the King of Rock and Roll. But it wasn’t just popular culture that was like this — even the Bohemian underground were trying desperately to copy American models. We’ve already seen how the skiffle craze came out of trad music, which was in itself an attempt to replicate the music made by black American musicians in New Orleans some thirty or forty years earlier. In the visual arts, there was Pop Art, which was, to start with, a purely British artistic phenomenon, but it was one made up of recycled Americana. A work like Richard Hamilton’s 1956 collage Just what is it that makes today’s homes so different, so appealing? was made up entirely of images found in American magazines sent over to Britain. Pop Art was interested in commenting on mass culture, but Hamilton wasn’t interested in commenting on culture that British people would have any experience of — he uses an image of a Young Romance comic cover, drawn by Jack Kirby, rather than Biffo the Bear or Desperate Dan, and the advert the collage was based on was from Ladies Home Journal, not Home Chat. And so in the late 1950s Britain got its own Beat Poet, Royston Ellis. Ellis was a bearded bisexual teenage speed freak, who hung around in Soho, which was, not coincidentally, simultaneously the gayest place in Britain, the most ethnically diverse, the artiest, and the place where every fifties British rock and roll artist came from. For all that the dozens of identikit Larry Parnes artists were made to a showbiz formula, British rock and roll was still fundamentally intertwined with the Bohemian subculture, and there were usually at most only two degrees of separation between some spotty bequiffed youth pinup in the teen magazines and a bearded folk-singing physics lecturer who went on Ban the Bomb marches every weekend. Ellis managed to parlay being willing to say controversial things like “many teenagers quite like drugs” and “some teenagers have sex before marriage” into a “spokesman for his generation” role, with regular appearances on TV. And so when he decided that he was going to copy the American Beat poets and perform in front of musicians, he wasn’t going to just go for jazz musicians like they did. He was going to continue being the voice of a generation by performing the music that would go with his talk of sex and drugs — he was going to perform his poetry backed by rock and roll music, what he called “rocketry”. And when you think of sex and drugs and rock and roll, obviously your first thought is of Cliff Richard. And so it was that Royston Ellis struck up a friendship with Cliff. Ellis’ first book of beat poetry was dedicated to Cliff, and Cliff’s first attempt at autobiography was dedicated to Royston. And Cliff’s backing band became Ellis’ backing band: [Excerpt: Royston Ellis and the Shadows, “Gone Man Squared”] That wasn’t all the Drifters were doing without Cliff. They were encouraged by Cliff to make their own records — it made him look better if his backing band were famous in their own right, and it would make the tours more attractive if both Cliff and the Drifters were star names, and so they went into Abbey Road themselves to record their first single, which is actually strikingly like the Merseybeat music that would become famous a few years later — Everly Brothers-inspired harmonies, but with the electric guitar more prominent than on the Everlys’ records, and sung in an English accent. Even the scream as they went into the guitar solo sounds very familiar if you’ve spent a lot of time listening to records from 1963 and 64. Remember again that this is 1959: [Excerpt: The Drifters, “Feeling Fine”] That was unsuccessful. By this time, though, Hank Marvin’s Fender had arrived, and he was using it on records like Cliff’s second number one, “Travellin’ Light”: [Excerpt: Cliff Richard and the Shadows, “Travellin’ Light”] That single was also the first to bear a new credit — rather than by Cliff Richard and the Drifters, it was credited to Cliff Richard and the Shadows. It turns out that if you want to release records in the US by a new group made up of geeky-looking white British teenagers, putting it out under the name of an established black vocal group who are climbing the charts with their own massive hit is a good way to get legal letters and have to withdraw the release. Jet Harris and Hank Marvin went to the pub to discuss a new name, and Harris suggested “The Shadows”, because they were always standing in Cliff Richard’s shadow. Their first single under the Shadows name, “Lonesome Fella”, was a hybrid of country and doo-wop, with backing vocals that were more than a little reminiscent of the Del-Vikings’ “Come Go With Me”: [Excerpt: The Shadows, “Lonesome Fella”] That was also unsuccessful, and it seemed that for the time being the Shadows’ time was best spent working as a backing group, either with Cliff Richard or Royston Ellis. But Ellis worked with other musicians too. For example here’s a TV appearance with John Betjeman from very early 1961, where Ellis is accompanied by a single guitar: [Excerpt: Royston Ellis, “Lumbering Now”] The guitar there was played by a young musician Ellis had discovered named Jimmy Page. And in summer 1960, Ellis went up to Liverpool and met a band there that had been formed by a couple of art students and their younger friends. He got them to back him on stage and introduced them to drugs (showing them how at the time you could open up an inhaler to get at the amphetamine inside). He was impressed enough by them that in July 1960 an article appeared about him in Record Mirror, reading in part “the bearded sage of the coffee bars has not always been satisfied with the accompaniment provided, so he’s thinking of bringing down to London a young backing group which he considers is most in accord with his poetry. The name of the group? The Beetles!” When Tony Meehan saw that, he got annoyed — Meehan was the Shadow who, more than any of the others, was interested in being properly artistic. He’d thought that they were doing something worthwhile with Ellis, and didn’t appreciate having their accompaniment dismissed like that in favour of some nobodies from Liverpool. Ellis had to write to the Record Mirror “clarifying” his previous remarks: “These remarks were not intended as disparaging comments on the many excellent groups I have worked with on television and stage shows — groups such as Cliff Richard’s Shadows and the London group The Red Cats. For some time I have been searching for a group to use regularly, and I feel that “The Beetles” (most of them are Liverpool ex-art students) fill the bill. However, I am looking forward to working with other groups as well, and plans are at the moment underway for television appearances with both Bert Weedon and with The Shadows.” As it turned out, Ellis never did bring the Beatles down to London — when he turned twenty, he declared that as he was now middle-aged, he could no longer function as the voice of the teenagers, and turned to travelling and writing novels. You’ll notice that in Ellis’ apology, he refers to “Cliff Richard’s Shadows”, because at this point they were still just Cliff’s backing band in the eyes of the public. That was going to change that same month, and it was about to change, in part, because of someone else Ellis mentioned there — Bert Weedon. Weedon is someone who, when I pencilled in my initial list of songs to cover, was down as a definite. I was going to look at his record “Guitar Boogie Shuffle”: [Excerpt: Bert Weedon, “Guitar Boogie Shuffle”] But unfortunately, it turned out that the tiny amount of information about Weedon available made it impossible to write a full episode about him, even though he had a career that lasted sixty years and was one of the most important people in British music history. But to boil it down to its basics, Bert Weedon was a jazz guitarist, at a time when the guitar was not the prominent instrument it has been since the sixties. When he was growing up in the twenties and thirties, as he would put it, the only time you’d see a guitar was being held by a singing cowboy in a film. There were almost no guitarists in Britain, and he soon became the first-call session player any time anyone in Britain was making a record that needed guitar. Then came both rock and roll and the skiffle boom. Most of Weedon’s contemporaries were bitterly contemptuous of the new music, but the way he saw it, for the first time in his lifetime people were starting to make a decent living out of the guitar, and he wanted in. While his jazz friends started sneering at him and calling him “boogie Bert”, for the first couple of years of British rock and roll he played on almost every record that came out. But his biggest contribution to music came with a book called “Play in a Day”. That book was the first guitar tutorial published in the UK to attempt to show young players how to play the instrument in a way that got them playing songs quickly. While it’s creakily old-fashioned today, Weedon did know that what kids wanted was to learn a couple of chords so they could accompany themselves playing a song, rather than to have to practice scales for months before moving on to anything more interesting. These days there are much better books, and Weedon’s book looks exactly like all those older books it was replacing, but at the time it was a revelation. A lot of guitarists are credited as having learned from Weedon’s book, some of them almost certainly apocryphally. But while it’s been superseded by many better books, it was a massive seller in its time, and sold over two million copies. It’s safe to say that at the very least every British guitarist we look at over the next hundred or so episodes will have had a look at Weedon’s book, and many of them will have learned their first chords from it. Weedon had been a session musician and writer, but not a star musician in his own right, until he released his single “Guitar Boogie Shuffle” in 1959. It was a cover version of a hillbilly boogie called “Guitar Boogie”, by Arthur “Guitar Boogie” Smith, and Weedon’s version became a hit, reaching number ten in the UK — the first British guitar instrumental to make the top ten: [Excerpt: Bert Weedon, “Guitar Boogie”] Dick Rowe, the boss of Top Rank Records, for which Weedon recorded at the time, had disliked that song so much that Weedon had tried to record it under a pseudonym for another label, because Rowe wouldn’t put it out. But it became a hit, and started a run of instrumental hits for Weedon. After he’d had four hits along the lines of “Guitar Boogie Shuffle”, Weedon was sent a piece of sheet music by the publishers Francis, Day, and Hunter. “Apache” was a song inspired by a 1954 western, and written by a young songwriter called Jerry Lordan. Lordan was a minor British singer, who’d had a recent hit with “I’ll Stay Single”: [Excerpt: Jerry Lordan, “I’ll Stay Single”] But while he was a mildly successful singer, he was much more successful as a songwriter, writing Anthony Newley’s top five hit “I’ve Waited So Long”: [Excerpt: Anthony Newley, “I’ve Waited So Long”] And “A House, a Car, and a Wedding Ring”, which had the unusual distinction for a British song of getting an American cover version, by Dale Hawkins: [Excerpt: Dale Hawkins, “A House, a Car, and a Wedding Ring”] Lordan’s song, “Apache”, seemed to be the kind of thing that Bert Weedon could do well, and Weedon recorded a version of it some time in late 1959 or early 1960: [Excerpt: Bert Weedon, “Apache”] Weedon also started performing the song in his shows and on TV. But the recording hadn’t been released yet — according to Weedon, he was planning on releasing the single in September, because that was when the most records were sold. But Lordan didn’t want to wait until September for his song to come out on a record, so while he was on tour with Cliff and the Shadows, he showed the tune to Jet Harris on his ukulele. The group liked the tune, and released it as their second single under their new name. Hank Marvin had by this time been given a guitar echo unit by Joe Brown, who’d bought it and then disliked it. He used it on this record, along with another innovation — the tremolo arm on his guitar. A tremolo arm, sometimes called a whammy bar, is a metal bar on your guitar that allows you to bend all the strings at once, and nobody else in Britain had a guitar with one at this point, but Hank had his Fender Stratocaster, on which they come fitted as standard. The combination of the tremolo arm and the echo unit was a sound that no-one else in the UK had, but which was strikingly similar to some of the surf music being made in the US, which was still mostly on tiny labels with no distribution over here: [Excerpt: The Shadows, “Apache”] “Apache” went to number one on the charts, knocking off “Please Don’t Tease”, a track by Cliff with the Shadows backing him. It stayed on the charts for five months, and became a standard performed by every British guitarist — and soon by American guitarists like the Ventures. Weedon’s version was rushed out to compete with it, but only made number twenty-four. Many versions of the song have become classics in their own right, and I won’t go through all the hit versions here because this is a long episode anyway, but I do have to mention one version — a novelty version recorded as album filler by a group of session musicians hired to make an album under the name The Incredible Bongo Band: [Excerpt: The Incredible Bongo Band, “Apache”] The guitarist on that, incidentally, is Mike Deasy, who we heard last week playing with Bruce Johnston and Sandy Nelson in various bands, and who had been in Eddie Cochran’s backing band. That track includes a drum break, with bongos by King Errisson, and drums probably played by Jim Gordon, which is probably the most sampled recording of all time, and certainly in the top ten: [Excerpt: The Incredible Bongo Band, “Apache”, drum breaks] That’s been sampled by everyone from the Roots to Madonna, Vanilla Ice to Amy Winehouse, Rage Against the Machine to Kanye West. It’s been called “hip-hop’s national anthem”, and there’s a whole ninety-minute documentary on Netflix just about that track. But getting back to 1960 and the Shadows’ version of the tune, it came as a revelation to many British kids, inspiring thousands of young boys who had already learned the guitar to start playing *electric* guitar, and making everyone who wanted to be a rock and roll star covet a Stratocaster specifically (with a few odd exceptions who reacted against what was popular, like there always are). Pete Townshend, for example, in a documentary earlier this year said that hearing “Apache” was for him even more important than his first orgasm. “Apache” stayed on the charts so long that the group’s next single, “Man of Mystery”, went to number five in the charts while “Apache” was still in the top forty: [Excerpt: The Shadows, “Man of Mystery”] And while that was at number five, “Nine Times Out of Ten” by Cliff Richard and the Shadows was at number three. Between 1959 and 1965, Cliff had twenty-six consecutive top ten hit singles, of which twenty-one had the Shadows (or the Drifters) as his backing group. In the same time period, the Shadows had a run of thirteen top ten hits in their own right. They were a phenomenon in British music like nothing anyone had ever seen. They appeared in a series of films, starring Richard, who was in 1962 and 63 a bigger draw at the British cinema than the early James Bond films. Neither Cliff nor the Shadows ever had much American success, but in Europe and Australia, and from 1962 on in Canada, they were at the very peak of success in the music industry. Everything seemed to be going perfectly for Cliff and the Shadows, even when in 1961 a bizarre love triangle upended everything. Jet Harris, who was at the time the band member who was closest to Cliff, had married a beautiful young woman called Carol Costa, without realising that she had never really been interested in him, but was using him to get to Cliff. Cliff and Costa started an affair, Harris became physically abusive towards Costa, she — quite rightly — left him, and he spiralled into depression and alcoholism. Cliff and Costa’s affair didn’t last long either — but as it turned out, she would be the only woman with whom he would ever have sex. Richard’s sexuality or lack of it has been the subject of a huge amount of discussion over the years. For many decades he said he was straight but celibate because of his religious views — that he couldn’t get married without disappointing his female fans, and that he felt sex outside marriage was wrong. In more recent years he’s switched the wording he uses, saying his sexuality is his own business, that he’ll never talk about it publicly, that he has a live-in male companion, and that it shouldn’t matter to anyone what his sexuality is. Most descriptions of him from those who’ve known him over the decades have said that he was and is someone who is simply not very interested in sex. I mention this not to engage in prurient speculation about him, but to show how utterly bizarre it is that the one woman he would ever have sex with would be the wife of a friend and colleague. More in character, though, was the way he would dump Costa — as was so often the case with Cliff Richard when discarding people for whom he had no further use, he got someone else to do it. In this case it was Tony Meehan who was given the task of letting her know that Cliff had suddenly developed moral scruples. Those moral scruples would soon get a lot more scrupulous, as this affair would indirectly lead to the most famous religious conversion in all of British music history. Shortly after dumping Costa on Cliff’s behalf, Tony Meehan left the group, just before a tour of Australia and New Zealand. Meehan had slowly become disenchanted with the rest of the group, and didn’t really fit in with them — he was an intellectual who read books about the history of folk music and jazz, and wanted one day to write a history of Soho’s music scene in the style of books he’d read about New Orleans, while the rest of them just liked reading thrillers. When he left, the group’s second number one, “Kon-Tiki”, was still at the top of the charts: [Excerpt: The Shadows, “Kon-Tiki”] He was replaced by Brian Bennett, who had played in the very first lineup of Vince Taylor and the Playboys, and had been in Marty Wilde’s Wildcats for a while. Jet Harris lasted in the group another few months, until April 1962, when the drink caught up with him and he was fired. Bennett suggested that the group get in his old friend Licorice Locking, who he’d played with in the Vipers, the Playboys, and the Wildcats, and who had played with Bennett on those Eddie Cochran and Gene Vincent Saturday Club sessions we heard a couple of weeks back. Locking was a fine bass player, had played with most of them before back in their 2is days, and fitted in perfectly, though he had a very different playing style than Harris — many hardcore Shadows fans think the group’s golden age ended when Harris left, and he’s rated enough as a bass player that while there are currently no substantial books on the Shadows themselves still in print, there are two separate self-published biographies of Harris available. Within a month of being fired, Harris had his own solo hit, making the top thirty with a version of “Besame Mucho” modelled on the Coasters’ version, but with Harris playing lead bass instead of singing: [Excerpt: Jet Harris, “Besame Mucho”] But Locking would have an odd effect on the Shadows. Brian Bennett had been brought up as a Jehovah’s Witness, and even though he was no longer a believer in that religion, he’d told Locking about its beliefs — and Locking had become an enthusiastic convert. As soon as he joined the group, he set about trying to convert the other members, too. He succeeded with Hank Marvin, who to this day is a devoted Witness, and he came part way with Cliff, who never became a Witness but was inspired by Locking’s Bible-reading sessions to become an evangelical Christian, and who is now British rock music’s most famously religious person. Meanwhile, Harris had switched from bass to guitar, and was now going in a more Duane Eddy style. He teamed up with Tony Meehan, and together they recorded another Jerry Lordan song, “Diamonds”, featuring Royston Ellis’ friend Jimmy Page on rhythm guitar, on his first major session: [Excerpt: Jet Harris and Tony Meehan, “Diamonds”] At the beginning of 1963, Cliff and the Shadows, past and present, had a ridiculous monopoly of the top of the charts. “Bachelor Boy” by Cliff and the Shadows, written by Cliff and Bruce Welch, was at number one for three weeks, then was replaced by “Dance On” by the Shadows, which in turn was replaced by “Diamonds” by Jet and Tony. There was a brief three-week respite while Frank Ifield topped the charts with his “Wayward Wind”, then “Summer Holiday” by Cliff and the Shadows, written by Bruce and Brian. Then “Foot Tapper” by the Shadows went to number one, then “Summer Holiday” went back to the top position. They all looked unstoppable. However, while they would all chart again, it would be two years before Cliff would have another number one, and neither the Shadows nor Jet and Tony ever would. In the case of Cliff and the Shadows, this change in commercial fortunes was because of a general change in the music market, which we’ll be looking at towards the end of the year. In the case of Jet and Tony, though, that was only part of it. Jet was in a car accident which put him out of commission for a while, and when he got better he was drinking even more. He made a brief attempt at a comeback and even joined an early lineup of the Jeff Beck Group, but spent the rest of his life either working labouring jobs or playing the nostalgia circuit. He died in 2011. Jet and Tony’s touring bass player, John Paul Jones, actually auditioned for the Shadows, as Licorice Locking left the group to spend more time evangelising, but Jones didn’t get the job, and we’ll be picking up on him later. We’ll be seeing Cliff again too, as well as having a brief appearance from Tony Meehan, but this is the last we’ll see of the Shadows, who continued with a variety of different bass players, and with Brian Bennett as the permanent drummer, off and on until 2015. Marvin, Bennett, and Welch all continue to make music separately, and it’s still possible they may perform together as the Shadows one day. But even if they don’t, “Apache” stands as the moment when a million British kids first decided that they wanted to be a guitar hero and play a Fender Stratocaster.

In the teeth of the COVID-19 pandemic, the U.S. is providing money to its citizens. Do Americans living abroad qualify for this relief? Still maintaining social distance, Rachel and David tackle your elgibility for money through the Coronavirus Aid, Relief, and Economic Security Act, and whether you need to do anything to receive it. (For more information, visit the FAQ compiled by DA's Taxation Task force, led by Carmelan Polce: https://www.democratsabroad.org/carmelan/coronavirus_aid_relief_economic_safety_cares_act_faqs. And please send your stories about the difficulty of complying with tax law as an American abroad to taxationtf@democratsabroad.org, subject headed "my tax story.") With shout-outs to Suzy Q doughnuts and Rachel's accountant in Ottawa.

67 McNasty (Bobby & Jimmy Puppet, Cowboy Movie Review, Keene, Native Graffiti, Suzy Q) 4_23_2018 --- Send in a voice message: https://podcasters.spotify.com/pod/show/mcnasty-cast/message

Suzy Q is a self taught singer, this is her first project as a hip-hop artist. She put together this record using loops and royally free music, a true DIY approach. Her smokey vocals and blues lyrics rope you in right away. You can check out her work here: https://www.facebook.com/blackeyedsusan.sq/ Suzy has gone onto be the lead of Rooftop Fable.

Tune in for a special Valentine's Day episode of The Tizz Talk Podcast with special guest, Suzy Q. Enjoy listening to Chucktizz and Suzy Q go over the ups and downs of this international “Holiday of Love”. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/tizztalkpodcast/message Support this podcast: https://anchor.fm/tizztalkpodcast/support

Interview with Suzy Q Monroe!

Suzy Q is an accomplished self taught singer. Her deep bluesy vocals have can have anyone entranced. She first started her musical career, releasing a hip-hop album that she produced herself; Cupcakes and Battle Axes. Throughout playing local bars, and open-mics, she and a good friend started Rooftop Fable. Even though the alternative rock group is no more. Suzy continues along her musical journey. Rooftop has several albums out.

At the start of this year, this new decade, it’s a great time to stop and seek God for the future. 2020 is the year of vision, and as we approach this year we want to have a clear vision of where God is leading us. I don’t want to just maintain, and I don’t want to stumble through this next year. I want to take ground from the enemy, to stand for Jesus in our area and our nation.   IF YOU WERE DYING   Let me ask you… If you were dying and had just 14 days to live, what would you do? Would you travel? Would you make peace with people? Ask forgiveness? Would you record a parting video or a song? I would!   OK, what if you had only 14 hours to live? What would your last actions on this earth be, and what would your last words be? Surely you’d want your last words on earth to be the  most important… You’d want your last words to be significant, right?   In the last few hours of His life, Jesus chose to pray. He was in the garden of Gethsemane. He faced the suffering of the cross and death, and He prayed,   Luke 22:42 (ESV Strong's)  “Father, if you are willing, remove this cup from me. Nevertheless, not my will, but yours, be done.”   But the Apostle John gives us an even greater insight into Jesus’ thoughts at this most critical time.  He didn’t just pray for strength, or for His Father’s will, He spent a lot of time praying for you and I… The church.   In His final hours on earth Jesus prayed this… for believers…   John 17:17-23 (ESV Strong's) Sanctify them in the truth; your word is truth. As you sent me into the world, so I have sent them into the world. And for their sake I consecrate myself, that they also may be sanctified in truth. “I do not ask for these only, but also for those who will believe in me through their word, that they may all be one, just as you, Father, are in me, and I in you, that they also may be in us, so that the world may believe that you have sent me. The glory that you have given me I have given to them, that they may be one even as we are one, I in them and you in me, that they may become perfectly one, so that the world may know that you sent me and loved them even as you loved me.   Jesus last recorded act in earth before His arrest, trial and execution was to pray, and specifically to pray for unity among believers.   So as we face 2020, why is unity still so important?   2020… VISION OR DIVISION?   When the Pharisees accused Jesus of casting out demons by the power of Satan, Jesus asked, “How can Satan cast out Satan?” Then he said,   Mark 3:24-26 (ESV Strong's) If a kingdom is divided against itself, that kingdom cannot stand. And if a house is divided against itself, that house will not be able to stand. And if Satan has risen up against himself and is divided, he cannot stand, but is coming to an end.   Here’s the thing… Unity is unbelievably powerful, and division always destroys.   This holds true for any group, for good or for bad. Ants work together to carry far more than their body weight. Losing football teams can unite under a new coach and start to win.  In the 1930s the Nazis united people in their hatred of the Versailles treaty and Jews and plunged the world into genocide and war.   God has long recognised the power of unity… remember the Tower of Babel   Genesis 11:6 (ESV Strong's) And the Lord said, “Behold, they are one people, and they have all one language, and this is only the beginning of what they will do. And nothing that they propose to do will now be impossible for them.   God disrupted the unity of people then because He knew the power of unity. And Jesus prayed for unity among His people because He knows the power of unity, especially in the church today. Unity is so important Jesus prayed for it for us in His last hours on earth!   SATAN’S SECRET WEAPON   Remember, Satan’s aim is to kill, steal and destroy, both in your life and in the church. He wants to disrupt church, and his best secret superpower is disunity. When I look across the church in our country, it seems like to a degree he is winning!   I heard about a family from Sydney who moved west to raise cattle. When their friends visited and inquired about the ranch’s name, the would be farmer replied: “I wanted to name it the Bar-J. My wife favoured Thunder-Downunder one of our sons wanted the Flying-W, and the other liked the Suzy-Q. So we’re calling it the BAr-J-Thunder Downunder,Flying-W-Suzy Q.”   “But where are all your cattle?” the friends asked. The man replied…   “None survived the branding.”   Disunity destroys, and unity builds, especially in the Spirit. Unity is not agree on everything. It is agreeing to disagree agreeably. Any organisation, including a church, is full of people who will not agree on loads of things.   Our witness before the world is compromised by disunity, because what will convince the world, what will reveal the truth about God, is not our pet doctrine, not how aggressively we fight, not our judgemental attitude, not our religious practice… but our love, one for another.   John 13:34-35 (ESV Strong's) A new commandment I give to you, that you love one another: just as I have loved you, you also are to love one another. By this all people will know that you are my disciples, if you have love for one another.”   When Jesus prayed in His last few hours on earth He prayed,   John 17:23 (ESV Strong's) I in them and you in me, that they may become perfectly one, so that the world may know that you sent me and loved them even as you loved me.   He didn’t pray that we would always agree, but that we might be one, and not just one but perfectly one. In the Greek perfectly is the word teleoo, the same word Jesus used on the cross as He died, tetelestai… It is finished, or it is complete. A church in unity is a shining beacon to a world in disarray!   THE POWER OF UNITY   Satan does not want us to discover the power of unity, and will do everything in his power to prevent it. That’s why Paul wrote,   1 Corinthians 1:10 (ESV Strong's) I appeal to you, brothers, by the name of our Lord Jesus Christ, that all of you agree, and that there be no divisions among you, but that you be united in the same mind and the same judgment.   Like Fiona and I.   Some of the most incredible trees on earth are the magnificent Californian  redwoods. They commonly grow to over 80 metres tall, the tallest one is actually 117.8 m tall. These trees stand like sentinels of time and have done so for hundreds of years. Some were living at the time Christ walked on earth.   They’ve survived winds, earthquakes, fires and storms—still they stand.   You would imagine that each tree has enormous, strong and incredible deep roots to survive all they have. But I’m fact they have a comparably shallow root system, yet they rarely ever fall. How do they keep standing even in the wildest of storms or earthquakes? It’s because the redwood’s root systems reach out for great distances sideways, not down, and their roots are intertwined with one another. They literally hold each up other up.   If you and I are going to reach our full potential in 2020, if this church is to be all it should be in the next decade, we too need the support of each other, to be not overdependent but inter-dependent. We need unity!   Jesus never prayed for agreement in the hours before His death, He prayed that in our inability to agree we would still be one, be complete in each other. Why? Because we are better together. Let me share 3 areas we have to deal with to obtain unity in 2020…   1.      PRIDE   We all have it, and it destroys unity and must be dealt with.   1 Peter 5:5 (ESV Strong's) Clothe yourselves, all of you, with humility toward one another, for “God opposes the proud but gives grace to the humble.”   We all have our own ideas, preferences or agendas. Unity doesn’t change the way you’d prefer to do things, but it gives you the maturity and wisdom to overlook the differences.   My uncle was a old man when I was young in the church I attended. He showed up to everything that had youth or young adult on it. I asked him why. He said that although he hated the music, the loudness and pretty much everything we did, he loved the kids, and wanted to show his support. He felt we were better together.   2.      PEACE   Romans 14:19 (ESV Strong's) So then let us pursue what makes for peace and for mutual upbuilding.   As human beings, we talk about peace but rarely pursue it, because we are busy pursuing what we want instead. Jesus said in John 14:27, peace I leave you, and that peace should be manifest primarily through the church. But if you looked at churches today you wouldn’t think so!   But how can we promote peace in our churches or families?   We maintain peace and unity by guarding what we say, and building one another up mutually. We need to guard what we say and how we say it, and speak words of life, encouragement and peace.   But if you don’t have peace within you, how can you show it to those around you? You need be at peace personally. You get more peace the closer you get to God…   Psalms 119:165 (ESV Strong's) Great peace have those who love your law; nothing can make them stumble.   Isaiah 26:3 (ESV Strong's) You keep him in perfect peace whose mind is stayed on you, because he trusts in you.   To have peace in church we need people whose minds are on God, and therefore who are at peace with God. This is why I’m asking you to join us and commit to the Bible reading plan, because in unity we can grow strong together and live in peace.   3.      PREFERRING OTHERS   Philippians 2:3-4 (ESV Strong's) Do nothing from selfish ambition or conceit, but in humility count others more significant than yourselves. Let each of you look not only to his own interests, but also to the interests of others.   Most disunity in church happens around people’s preferences. I know some dogmatic, judgemental Christians who honestly think their opinion is gospel. Regardless of your opinion on something, you should put others first and honour them, not attack them because they disagree with your opinion.   There are some fundamentals in the Christian faith that cannot be compromised, but there are many which we can disagree on but still be in fellowship with.   Beware of people who push their own opinions or preferences above their love of people around them. If we love our preferences more than we love people, we have disunity. But if we love people more than our preferences, our doctrines, our interpretations of Scripture or opinions, we will have unity.   WE NEED TO BE ONE   There is incredible blessing and power in unity. Not just the absence of conflict, but genuine, Holy Spirit power when we join our hearts in unity. And Satan loves to attack our unity, causing fights and divisions over issues that are non core, non gospel beliefs.   Honestly, we get so adamant, so judgemental, so aggressive about issues that are peripheral to the gospel, we grieve the Holy Spirit and dishonour the unity that was so clearly important to Jesus that He devoted His last moments as a free man to. In this new year, it’s time to let it go for the sake of the Kingdom!   When Paul addresses the wayward church at Corinth, he highlights a situation where the animosity was so great between believers that actually took each other to court! But his words to that extreme case have relevance for any disagreement when he writes…   1 Corinthians 6:7 (ESV Strong's) To have lawsuits at all with one another is already a defeat for you. Why not rather suffer wrong? Why not rather be defrauded?   Let me pose the question… What not forsake your opinion on non essential beliefs and just love each other? You could win the debate, but God’s Kingdom loses in the long term.   THE BLESSED OF THE BLESSED IN 2020   What we need to move forward in 2020 is not the best of the best, but the blessed of the blessed, and we only achieve this when we are in unity.   Psalms 133:1,3 (ESV Strong's) Behold, how good and pleasant it is when brothers dwell in unity! For there the Lord has commanded the blessing, life forevermore.   And with this unity comes great blessing, even life forever more, salvation!  Paul writes,   Ephesians 4:1-3 (ESV Strong's) I therefore, a prisoner for the Lord, urge you to walk in a manner worthy of the calling to which you have been called, with all humility and gentleness, with patience, bearing with one another in love, eager to maintain the unity of the Spirit in the bond of peace.    At the start of 2020, I’ve been praying earnestly about this year and our future, and I am absolutely convinced that unity is the key for us. We are better together, whether we agree or not, we are better together!   This year we have a great and unique opportunity at Ignite to shine the light of the gospel into our nation, but we will never grow strong and shine in the darkness without unity!   That’s why I’m asking you to join me in this great endeavour. Commit to coming to church in 2020. And when you come, let your preferences and opinions go, and let’s be one as Jesus prayed for us. Can we agree to disagree agreeably, and can we pull together to achieve all God has for us this decade.   JOIN OUR SHIELDS OF FAITH   In Ephesians 6 Paul talks about the armour of God. He lists the various parts of the armour every Christian should wear every day… The Helmet of Salvation, the belt of truth, the breastplate of righteousness, the shoes of the gospel, the sword of the Spirit. Then he writes…   Ephesians 6:16 (ESV Strong's) In all circumstances take up the shield of faith, with which you can extinguish all the flaming darts of the evil one;   The enemy attacks and causes disunity, and the shield of faith is our protection. Some people pray for this faith, but don’t connect with a church. You need to understand what Paul is referring to here, because he clearly has the Roman soldier in mind.   Roman soldiers didn’t fight alone. They performed a manoeuvre called the tortoise, where they joined their shields in front, behind, at the sides and the top. This gave them far superior protection to standing alone swinging at the enemy. The shield of faith is designed to be used not in isolation, but in unity with other believers.   So this morning , at the start of 2020, I’m asking you to join us and stand together as one body, just as Jesus prayed for us to be. Together we are better.

Cette semaine, Corentin et Klem rencontre John Grümph, auteur, graphiste et traducteur de jeux de rôles. Avec lui, ils échangent sur la notion de fun pour les maître de jeu. Comment concilier plaisir et gestion d'une table ? Comment diriger une partie sans tomber dans l'excès ? Comment éviter de s'oublier pour les autres ? Le Grümph nous donne livre ses réflexions et ses axes pour s'amuser ensemble. Bonne écoute. Retrouver John Grümph et ses créations ici : http://legrumph.org/Terrier/ Générique : Suzy Q : suzieq.bandcamp.com/

Cette semaine, Corentin et Klem rencontre John Grümph, auteur, graphiste et traducteur de jeux de rôles. Avec lui, ils échangent sur la notion de fun pour les maître de jeu. Comment concilier plaisir et gestion d'une table ? Comment diriger une partie sans tomber dans l'excès ? Comment éviter de s'oublier pour les autres ? Le Grümph nous donne livre ses réflexions et ses axes pour s'amuser ensemble.Bonne écoute.Retrouver John Grümph et ses créations ici : http://legrumph.org/Terrier/Générique : Suzy Q : suzieq.bandcamp.com/

Improvise-t-on en jeu comme on improvise sur une scène ? Quels sont les codes de l'impro théâtrale et peuvent-t-ils servir à enrichir le jeu de rôle ? Pour répondre à ces questions, Klem et Corentin sont partis aux Utopiales interviewer Eugénie du blog "Je ne suis pas MJ mais". Après des années à pratiquer le match d'impro, le jeu de rôle, et à partager son expérience sur ces sujets, elle avait beaucoup à dire sur le sujet !Générique : Suzy Q : https://suzieq.bandcamp.com/

Improvise-t-on en jeu comme on improvise sur une scène ? Quels sont les codes de l'impro théâtrale et peuvent-t-ils servir à enrichir le jeu de rôle ? Pour répondre à ces questions, Klem et Corentin sont partis aux Utopiales interviewer Eugénie du blog "Je ne suis pas MJ mais". Après des années à pratiquer le match d'impro, le jeu de rôle, et à partager son expérience sur ces sujets, elle avait beaucoup à dire sur le sujet ! Générique : Suzy Q : https://suzieq.bandcamp.com/

Pour ce nouvel épisode, Ludologies se penche sur la question de la religion. Sujet miné au possible, il est intéressant de voir que la très grande majorité de jeu privilégient les religions polythéistes antiques plutôt que les religions plus modernes. Pour mieux comprendre comment est traité ce sujet, Corentin et Hadrien rencontre Arnaud Saura-Ziegelmeye, docteur en archéo-musicologie à l'Université de Toulouse.À lire notamment son article sur le sujet : https://antiquipop.hypotheses.org/5465 Bonne écoute.Générique : Suzy Q : https://suzieq.bandcamp.com/

Pour ce nouvel épisode, Ludologies se penche sur la question de la religion. Sujet miné au possible, il est intéressant de voir que la très grande majorité de jeu privilégient les religions polythéistes antiques plutôt que les religions plus modernes. Pour mieux comprendre comment est traité ce sujet, Corentin et Hadrien rencontre Arnaud Saura-Ziegelmeye, docteur en archéo-musicologie à l'Université de Toulouse. À lire notamment son article sur le sujet : https://antiquipop.hypotheses.org/5465 Bonne écoute. Générique : Suzy Q : https://suzieq.bandcamp.com/

In this episode we answer questions given to us by Suzy-Q related to coffee and donuts. You can now leave us voice mail!!! Here's the link! Link can also be typed into your browser's address bar: https://anchor.fm/haikuordie/message --- Send in a voice message: https://anchor.fm/haikuordie/message

Gestur þáttarins að þessu sinni er Eyþór Ingi Gunnlaugsson söngvari og tónlistarmaður. Hann mætir með uppáhalds ROKKplötuna sína um kl. 21.00. Við heyrum líka splunkunýtt lag með rokkbandinu hans, Rock Paper Sisters. Plata þáttarins er platan Bayou Country, önnur plata Creedence Clearwater Revival, kom út í janúar 1969, fyrsta af þremur plötur sveitarinnar sem kom út það ár. Fyrsta plata sveitarinnar - sem heitir einfaldlega Creedence Clearwater Revival kom út í maí 1968 og þessi svo rúmu hálfu ári seinna. Eftir að hafa verið að ströggla í áratug undir nöfnunum The Blue Velvets og The Golliwogs sendu þeir John Fogerty (söngur og gítar), bróðir hans Tom Fogerty (gítar), bassaleikarinn stu Cook og trommarinn Doug Clifford frá sér plötuna Creedence Clearwater Revival í maí 1968 og þar er að finna fyrsta lagið þeirra sem náði inn á vinsældalista - Suzy Q sem náði 11. Sæti bandaríska listans. Platan fór hæst í 52. sæti breiðskífulistans. Það var alltaf spenna innan hljómsveitarinnar. John Fogerty sem samdi næstum öll lög sveitarinnar vildi fá að ráða ferðinni, en það var ekki almennt samkomulag um það. Það gekk reyndar ágætlega þegar þeir gerðu fyrstu plötuna, en um leið og vinsældirnar bönkuðu uppá og við byrjuðum á annari plötunni, vildu allir fá sinn hluta af kökunni, þá vildi allir fá að syngja, útsetja og semja. Þeir komast semsagt aðeins í sviðsljósið eftir 10 ára baráttu og spilamennsku á skítabúllum úti um allt, og vildu ekki láta tækifærið sér úr höndum renna. Og alls ekki John Fogerty, hann vildi gera allt rétt og hann taldi rétt að halda sínu striki, hann var söngvarinn í bandinu og besti lagasmiðurinn. Hann sagði í viðtali löngu seinna að hann hafi viljað slá í gegn -bara eins og Bítlarnir, en þeir voru allslausir, voru á samningi við pínulítið plötufyrirtæki, voru ekki með umboðsmann og áttu enga peninga. Það eina sem þeir áttu var hljóðfærin og lögin hans. En þrátt fyrir það náðu þeir að slá í gegn. Við heyrum nokkur lög Af Boyou Contry með CCR í kvöld og A+B er að þessu sinni með The Jam. Þar fyrir utan heyrum við í R.E.M. - Neil Young, Teenage Fanclub, Rory Gallagher, Big Star, Sólstöfum, Edda Grön, Baby Voodrose frá Kaupmannahöf, Oasis, Stone Roses, Wilco, 200 frá Færeyjum Jeff Beck Group, Led Zeppelin og svo framvegis.

Gestur þáttarins að þessu sinni er Eyþór Ingi Gunnlaugsson söngvari og tónlistarmaður. Hann mætir með uppáhalds ROKKplötuna sína um kl. 21.00. Við heyrum líka splunkunýtt lag með rokkbandinu hans, Rock Paper Sisters. Plata þáttarins er platan Bayou Country, önnur plata Creedence Clearwater Revival, kom út í janúar 1969, fyrsta af þremur plötur sveitarinnar sem kom út það ár. Fyrsta plata sveitarinnar - sem heitir einfaldlega Creedence Clearwater Revival kom út í maí 1968 og þessi svo rúmu hálfu ári seinna. Eftir að hafa verið að ströggla í áratug undir nöfnunum The Blue Velvets og The Golliwogs sendu þeir John Fogerty (söngur og gítar), bróðir hans Tom Fogerty (gítar), bassaleikarinn stu Cook og trommarinn Doug Clifford frá sér plötuna Creedence Clearwater Revival í maí 1968 og þar er að finna fyrsta lagið þeirra sem náði inn á vinsældalista - Suzy Q sem náði 11. Sæti bandaríska listans. Platan fór hæst í 52. sæti breiðskífulistans. Það var alltaf spenna innan hljómsveitarinnar. John Fogerty sem samdi næstum öll lög sveitarinnar vildi fá að ráða ferðinni, en það var ekki almennt samkomulag um það. Það gekk reyndar ágætlega þegar þeir gerðu fyrstu plötuna, en um leið og vinsældirnar bönkuðu uppá og við byrjuðum á annari plötunni, vildu allir fá sinn hluta af kökunni, þá vildi allir fá að syngja, útsetja og semja. Þeir komast semsagt aðeins í sviðsljósið eftir 10 ára baráttu og spilamennsku á skítabúllum úti um allt, og vildu ekki láta tækifærið sér úr höndum renna. Og alls ekki John Fogerty, hann vildi gera allt rétt og hann taldi rétt að halda sínu striki, hann var söngvarinn í bandinu og besti lagasmiðurinn. Hann sagði í viðtali löngu seinna að hann hafi viljað slá í gegn -bara eins og Bítlarnir, en þeir voru allslausir, voru á samningi við pínulítið plötufyrirtæki, voru ekki með umboðsmann og áttu enga peninga. Það eina sem þeir áttu var hljóðfærin og lögin hans. En þrátt fyrir það náðu þeir að slá í gegn. Við heyrum nokkur lög Af Boyou Contry með CCR í kvöld og A+B er að þessu sinni með The Jam. Þar fyrir utan heyrum við í R.E.M. - Neil Young, Teenage Fanclub, Rory Gallagher, Big Star, Sólstöfum, Edda Grön, Baby Voodrose frá Kaupmannahöf, Oasis, Stone Roses, Wilco, 200 frá Færeyjum Jeff Beck Group, Led Zeppelin og svo framvegis.

Gestur þáttarins að þessu sinni er Eyþór Ingi Gunnlaugsson söngvari og tónlistarmaður. Hann mætir með uppáhalds ROKKplötuna sína um kl. 21.00. Við heyrum líka splunkunýtt lag með rokkbandinu hans, Rock Paper Sisters. Plata þáttarins er platan Bayou Country, önnur plata Creedence Clearwater Revival, kom út í janúar 1969, fyrsta af þremur plötur sveitarinnar sem kom út það ár. Fyrsta plata sveitarinnar - sem heitir einfaldlega Creedence Clearwater Revival kom út í maí 1968 og þessi svo rúmu hálfu ári seinna. Eftir að hafa verið að ströggla í áratug undir nöfnunum The Blue Velvets og The Golliwogs sendu þeir John Fogerty (söngur og gítar), bróðir hans Tom Fogerty (gítar), bassaleikarinn stu Cook og trommarinn Doug Clifford frá sér plötuna Creedence Clearwater Revival í maí 1968 og þar er að finna fyrsta lagið þeirra sem náði inn á vinsældalista - Suzy Q sem náði 11. Sæti bandaríska listans. Platan fór hæst í 52. sæti breiðskífulistans. Það var alltaf spenna innan hljómsveitarinnar. John Fogerty sem samdi næstum öll lög sveitarinnar vildi fá að ráða ferðinni, en það var ekki almennt samkomulag um það. Það gekk reyndar ágætlega þegar þeir gerðu fyrstu plötuna, en um leið og vinsældirnar bönkuðu uppá og við byrjuðum á annari plötunni, vildu allir fá sinn hluta af kökunni, þá vildi allir fá að syngja, útsetja og semja. Þeir komast semsagt aðeins í sviðsljósið eftir 10 ára baráttu og spilamennsku á skítabúllum úti um allt, og vildu ekki láta tækifærið sér úr höndum renna. Og alls ekki John Fogerty, hann vildi gera allt rétt og hann taldi rétt að halda sínu striki, hann var söngvarinn í bandinu og besti lagasmiðurinn. Hann sagði í viðtali löngu seinna að hann hafi viljað slá í gegn -bara eins og Bítlarnir, en þeir voru allslausir, voru á samningi við pínulítið plötufyrirtæki, voru ekki með umboðsmann og áttu enga peninga. Það eina sem þeir áttu var hljóðfærin og lögin hans. En þrátt fyrir það náðu þeir að slá í gegn. Við heyrum nokkur lög Af Boyou Contry með CCR í kvöld og A+B er að þessu sinni með The Jam. Þar fyrir utan heyrum við í R.E.M. - Neil Young, Teenage Fanclub, Rory Gallagher, Big Star, Sólstöfum, Edda Grön, Baby Voodrose frá Kaupmannahöf, Oasis, Stone Roses, Wilco, 200 frá Færeyjum Jeff Beck Group, Led Zeppelin og svo framvegis.

NEW FOR AUGUST 15, 2019 Billion-year-old carbon . . . Back To The Garden - The Best Radio You Have Never Heard Vol. 369 1. Woodstock (live) - David Crosby 2. Suzy Q (live) - Creedence Clearwater Revival Buy From iTunes 3. Amazing Journey / Sparks (live) - The Who Buy From iTunes* 4. Dance To The Music / Music Lover / I Want To Take You Higher Medley (live) - Sly And the Family Stone Buy From iTunes 5. Like A Rolling Stone - (live unplugged) - Bob Dylan Buy From iTunes 6. This Is Not America / Absolute Beginners (Live) - David Bowie 7. Black Hole Sun - Peter Frampton Buy From iTunes 8. Fell On Black Days (live) - Soundgarden Buy From iTunes 9. Run Like Hell (alt) - Pink Floyd Buy From iTunes* 10. I Don't Remember (live) - Peter Gabriel Buy From iTunes* 11. The Struggle of the Turtle to the Sea Pts. 1 & 2 (live) - Jean-Luc Ponty Buy From iTunes* 12. Green Grass and High Tides (live) The Outlaws Buy From iTunes* 13. Lark's Tongue In Aspic Pt. 1 (live) - King Crimson Buy From iTunes* The Best Radio You Have Never Heard. Caught in the devil's bargain. Accept No Substitute Click to leave comments on the Facebook page. And it's Happy 92nd Birthday to my Mom, Teddy! Please wish my Mom, Teddy Bax, a very happy 92nd Birthday (with where you are listening from of course) for the rest of August in the comment box below this post or on the Facebook page.

I share my favorite performance of How Many More Times, from 3/7/70 Montreux, Switzerland. The sound quality is excellent, there is truly magical interplay with the audience, a million fantastic blues songs in the medley, and a nice little bit of Suzy Q to start it off. It's pretty awesome.

Would you please help us improve the show by voting for your favourite track from this episode?What A WasteLeopard Print OnesieGet On Up and Do It AgainNever No Time To PlayCairo WallsCardboard ManPilotVote now! TweetPinShare The Cool Greenhouse is very much our enigmatic bedroom project this week. It's a double dose of obtuse lyrics and minimalism. Listen on to the delightful repetition and simplicity. It's a heady mix and one that is infectious and rewarding, you'll never be quite the same again. We've got political and social commentary with the beautiful alteration of Joe Purdy's emotive and reflective Cairo Walls. Our Listener Recommendation this week comes from a gentleman who has already aired on the show. Yes, it's Fraser from Bolton again with more social commentary from The Humdrum Express. Guru provides us with an opportunity to spin some vinyl in the studio this week. Tobin hits us with the dance classic by Suzy Q and of course our bookend artist this week. Emma Elisabeth opens and closes the show for us. Table of ContentsTrack ListingThings to do this week - your FTBOTRB check listThe Cool GreenhouseYou can get a listen at Chris E here too...The Humdrum ExpressJoe Purdy - Cairo WallsCairo's walls of graffiti trace history of a colourful revolution Track Listing What A Waste Emma ElisabethLeopard Print Onesie The Humdrum ExpressGet On Up And Do It Again Suzy QNever No Time To Play Guru - played off the vinylCairo Walls Joe PurdyCardboard Man The Cool GreenhousePilot Emma Elisabeth Things to do this week - your FTBOTRB check list Check out Better Days on Reform RadioJoin our mailing list for exclusive FTBOTRB content not available to non-subcribersConsider supporting our work to help us bring more exciting music and discussion to youVote in our show notes poll above for your favourite track from this week's showFollow our social media accounts on Facebook, Twitter and InstagramSubscribe to the show, share us with your friends, review the show The Cool Greenhouse Unusual bedroom recording music from Tom Greenhouse, The Cool Greenhouse's Cardboard Man comes off of the Crap Cardboard Pet EP. Firstly, the electronic simplicity and repetition threatens to ditch listeners with a short attention span within seconds. But wait… there's more here than that. With tons of miniature soundbites all craving your attention day after day I can see why people would leave this. However, when repetition and irony are this good then we can take it for hours. It's all getting withered down to cope with our lack of attention. For instance, Tobin revealed recently on the show that music is no being structured for Instagram listeners. Songs are now being crammed into only sixty seconds. Secondly, Tom's obvious adoration of Mark E Smith shines through here.

Kicking off hour one of Race Central, Kurt Hansen introduces his co-host Alex Porcella talk about what is to come for the hour. In the first hour, Kurt and Alex dive into the newcomers of NASCAR and what it means for women getting into the sport, whether it's racing or working behind the scenes, women are breaking into the sport. Alex also previews the NASCAR Rules Package for the 2019 season. Suzy Q. Armstrong joins the program and dives into women breaking in the racing world and what it takes to break through. Wrapping up the first hour, the gang sidetracks with Canadian racing.  See omnystudio.com/listener for privacy information.

It's Game Day, are you ready?! Our classmate Bill Parrish came back by to talk about his film he is making about the Homecoming tradition at HBCU's using Hampton as the example. This conversation was all over the place. We discussed everything from film making, to local funeral homes, to male sports bra's. F. William Samuel Comedy - next show November 1, 2018 at Suzy Q's BBQ in West Orange, NJ will be co-sponsored by A Different 50 Podcast.

Joep Boorsma keek naar Sulla mia pelle (Netflix): een Italiaans filmdrama over geweld tegen gevangenen. Floor Overmars zag de Noorse tv-sensatie voor jongeren Skam, die nu een Nederlandse versie krijgt (zondag, NPO 3, 20:20 uur). Roger Abrahams roept iedereen op naar de tv-film Suzy Q te kijken (vrijdag, NPO 2, 23:20 uur) , de doorbraakfilm van o.a. Martin Koolhoven en Carice van Houten, die eindelijk weer eens op de buis is. Seriemoordenaar van de week is presentator Tim Hofman.

Not the bravest of dragons, Crazy Quilt bolts again leaving his friends to the mercy of the pirates. Paddy, Judy and Jimmy are marched aboard the ship--which is named the Suzy Q.--where they meet Captain Tatty. Happily, they find out the Candy Pirates are very friendly and they all head out to Obi to help their new friends. Looking through the telescope as they approach the island, someone spots the Roly Poly Policeman patrolling the beach with the silver star pinned to his uniform.

Martin Koolhoven wordt in 1969 geboren in Den Haag en groeit op in het Brabantse Asten. Na een poosje aan de filmacademie in Brussel te hebben gestudeerd, maakt hij de overstap naar Amsterdam, waar hij onder zijn jaargenoten vrienden maakt die tot zijn vaste filmploeg zullen gaan behoren. Hij heeft dan al een aantal korte films op zijn naam staan. De televisie-film Suzy Q., die de doorbraak betekent voor actrice Carice van Houten, is in 1999 de meest bekroonde film van Nederlandse bodem. Ook zijn bioscoopfilms zijn succesvol. Koolhoven weet grote bezoekersaantallen te trekken: in 2005 wordt Het schnitzelparadijs met 365.000 kijkers een flinke bioscoophit, overtroffen door Oorlogswinter in 2008, dat door maar liefst 850.000 mensen wordt gezien. In januari kunnen we zijn nieuwe film Brimstone in de bioscoop verwachten, een Amerikaanse western met een Nederlandse invalshoek.

Martin Koolhoven wordt in 1969 geboren in Den Haag en groeit op in het Brabantse Asten. Na een poosje aan de filmacademie in Brussel te hebben gestudeerd, maakt hij de overstap naar Amsterdam, waar hij onder zijn jaargenoten vrienden maakt die tot zijn vaste filmploeg zullen gaan behoren. Hij heeft dan al een aantal korte films op zijn naam staan. De televisie-film Suzy Q., die de doorbraak betekent voor actrice Carice van Houten, is in 1999 de meest bekroonde film van Nederlandse bodem. Ook zijn bioscoopfilms zijn succesvol. Koolhoven weet grote bezoekersaantallen te trekken: in 2005 wordt Het schnitzelparadijs met 365.000 kijkers een flinke bioscoophit, overtroffen door Oorlogswinter in 2008, dat door maar liefst 850.000 mensen wordt gezien. In januari kunnen we zijn nieuwe film Brimstone in de bioscoop verwachten, een Amerikaanse western met een Nederlandse invalshoek.

Hosts of Vivation Radio, Suzy Q & Jim D were with us this morning.

Hosts of Vivation Radio, Suzy Q & Jim D were with us this morning.

This week on Aniki: After the Bunkasai, things get more cheerful on Hyouka, up until Oreki suddenly wants to investigate bummer helicopters. Meanwhile, Suzy Q gets macked on by both Jojo and an entire brain. Also featuring: the brothers’ take on Escaflowne and the thrilling conclusion to the Sailor Moon Infinity arc. You can follow […] Read this post in its entirety at 19: It’s Bummers All the Way Down

Flow along with these five songs and the various things Shanon and Jack had to say about them, along with whatever else came to their minds and mouths during this epic broadcast of eight-minute-plus songs. "Suzy Q," Credenece Clearwater Revival "Black Man," Stevie Wonder "Land," Patti Smith "The Prophet's Song," Queen "Life's Been Good," Joe Walsh

AC/DC, Mark Lanegan, Ramones, Creedence Clearwater Revival, Queens of the Stone Age, Them Crooked Vultures, Nick Cave & The Bad Seeds e várias outras bandas em nossa Mixtape 27, faça o download agora. (clique com o botão direito e selecione salvar). Para ouvir outras músicas do artista clique nos links. 01 – I Can’t Hear You – The Dead Weather 02 – Red Right Hand – Nick Cave & The Bad Seeds 03 – Just Another Day – Siena Root 04 – Harvest Home – Mark Lanegan 05 – Girls Got Rhythm – AC/DC 06 – Rockaway Beach – Ramones 07 – Underworld – Brody Dalle 08 – Elephants – Them Crooked Vultures 09 – Suzy Q – Creedence Clearwater Revival 10 – Whipping Post – The Allman Brothers Band 11 – High Class Woman – Blues Pills 12 – Better Living through Chemistry – Queens of the Stone Age 13 – The Hour Of The Wolf – Madrugada A próxima mixtape vai pro ar no dia 10/09/2015.

Season 2 Episode 8 For the second time in as many weeks, #WINNING!  And what a way to celebrate with none other than the Lumber Joes in studio live!  The boys talk CFL and recap our second win of the season over some delicious Suzy Q doughnuts and tall boys of Canuck Pale Ale.... mmmmm delicious.  Worry not listeners,  chips come up in discussion yet again,  its confirmed...  we have issues... Santino talks ghost calls by the refs and Jeannine takes a look at the QB lazy susan in her beloved Winnipeg .   Producer Johnny Z is back with another edition of Bytowne Beats, featuring Suits 'n' Toques! All this and more on season 2 of the Bleed Redblacks podcast!

This might not have been our most offensive episode yet, but it's sure got some humdingers. We review the low-budget grindhouse homage, Dear God No! Dynamo gives us his 13 best comic series' of 2013, we make a huge announcement regarding next week’s amazing and legendary guest, we have a new prospective sponsor and the first co-host meltdown of the new year! Join us for the most ridiculous episode of Trick or Treat Radio so far in 2014!Topics discussed: "Sense of humor at a Klan rally," Shaw Brothers films, the classic back-lot studio system, Oberheim OB-8, Suzy Q's, Geof Darrow’s Hard Boiled, Transmetropolitan, shitting your pants, pretentious sandman fans, Ravenshadow's death pool, the end of WWE 24/7, Big Trouble in Little China, Preacher, the capacity of Google Hangouts, Mike Allred’s influence on The Deadites and his amazing resume, MonsterZero’s inappropriate Nazi fixation, Soda Stream, Psycho Patrick having sex with Google Hangouts, trying to skip the film review, the Resident Evil films, the Road Dogg mask, mean-spirited filmmaking, Arseface, Low Ki and Chris Candido locker room incident, our Miami Connection tribute video, toilet paper, 16mm film, Michael Stipe fantasy, Blood Pigs, From Dusk Till Dawn, Gilmore Girls fantasy, bad audio, Pantaphobe & Four Loko, Eddie Murphy, home invasion films, terrible editing, the super green drink, Return of the Ewok, Complete Friday the 13th Collection, Heavy Metal Magazine, Dear God No, Rob Zombie, looking at boobs for too long, Hammer Films, Chocodiles, "the sexy dicks," Invisibles, Hawkeye and Green Arrow, gross for gross sake, Hitman, Choco Bliss, FF, DC Comics, Frank Miller and Alan Moore, famous bald people, wooing the Sexy Librarian, Mz M's lawyer skills, pitchers and catchers, Sin City, Bigfoot, grindhouse revival, Run Run Shaw, Krokodil, Buddha and the Dalai Lama.Support the show (https://www.patreon.com/trickortreatradio)

Dutch Editor, Job Ter Burg started out as an editor for mostly television documentaries, but after his continued collaboration with film school class mate Martin Koolhoven on Dark Light and the highly awarded Suzy Q, he focused on editing feature films.  After two nominations for Best Film Editing for his work on Godforsaken for Pieter Kuijpers and Schnitzel Paradise for Martin Koolhoven, Job became the lead film editor on the prestigious Black Book, Paul Verhoeven’s first Dutch film in 20 years.   Black Book by Paul Verhoeven and Winter In Wartime by Martin Koolhoven were both shortlisted for the Academy Awards in the Best Foreign Language Film category. Job was also awarded with the Golden Calf for Best Film Editing for work on Rudolf van den Berg’s film Tirza. Job is co-founder and President of the Netherlands Association of Cinema Editors (NCE) and is a regular guest teacher, lecturer and editing coach.