Podcasts about isham jones

Records include: Riverboat Shuffle by Isham Jones, A Trumpeter's Lullaby by Leroy Anderson, 3 O' Clock Blues by B.B. King, Tennessee Waltz by Jo Stafford, Mozart's Piano Sonata #12 by Aldo Ciccolini and Our Delight by Tadd Dameron.

1 - She's My Secret Passion - Don Redman Orchestra - 19322 - Passion Flower - Johnny Hodges and his Orchestra – 19413 - Is It Love or Infatuation? - Henry ''Red'' Allen and his Orchestra - 19374 - Infatuation - Joe Martin with Isham Jones and his Orchestra – 19345 - Amor Mio by Vincenzo Ricciardi - Enrico Caruso – 19146 – That's What I Hate About Love – Cab Calloway and his Orchestra - 19327 - Just a Little Fond Affection - Morton Downey - 19288 - Just a Little Fond Affection - Lilyann Carol with Louis Prima and his Orchestra – 19459 - Song of Friendship - V. Bunchikov and V. Nechayev10 - The Bond of Friendship - Mackenzie-Rogan's Military Band – 192511 - My Old Flame - Georgia Gibbs with Glenn Osser's Orchestra - 195112 - Song of the Flame - Roger Wolfe Kahn and his Orchestra – 192613 - Idol (Just Let Me Worship You) - Young and Reardon - 191914 - Blue Idol - Louis Katzman and the Anglo-Persians – 192815 – I Hate Myself – Harriet Hilliard with Ozzie Nelson and his Orchestra - 193416 - I Love Me - Billy West – 1923

Bajo la dirección de Harold Oxley, la banda consiguió un nuevo contrato discográfico. Decca pronto se convertiría en una empresa emprendedora, especializada en música de moda a precios reducidos. Un mes antes Isham Jones también había firmado con la nueva compañía y pronto le seguirían Fletcher Henderson y otros. Con José Manuel Corrales.

Some of the most popular records of 1925, including: The Charleston by Paul Whiteman, St. Louis Blues by Bessie Smith, Gut Bucket Blues by Louis Armstrong's Hot Fives, Tea For Two by Marian Harris, Sweet Georgia Brown by Isham Jones and All Alone by Al Jolson.  The host also describes some of the major events of 1925. 

Hoagy Carmichael was not quite 28 years old when he wrote what music historians consider THE song of the 20th century.Just how big is “Stardust” in the Great American Songbook?* Well, for starters, this is a song that has been recorded as an instrumental or a vocal more than 1,500 times. * Forty years after its publication in 1928, it was still earning more than $50,000 annually in royalties. * The lyrics that Mitchell Parish later brought to Hoagy's song have been translated into 30 languages.“Stardust” simply is “the most-recorded song in the history of the world,” music curator John Edward Hasse of the Smithsonian Institution once told John Barbour of The Associated Press, “and that right there qualifies it as it as the song of the century.”The closest competitor, he said, is “Yesterday” by John Lennon and Paul McCartney, and, at No. 3, W.C. Handy's “St. Louis Blues.”Young Hoagy and His SongLate summer 1927 found Hoagy Carmichael back home in Indiana after a romp in Florida; the young man was hanging out near the campus of Indiana University, from which he had graduated a few years earlier.As he related in his first autobiography, The Stardust Road, in 1946:It was a hot night, sweet with the death of summer and the hint and promise of fall. A waiting night, a night marking time, the end of a season. The stars were bright, close to me, and the North Star hung low over the trees.I sat down on the “spooning wall” at the edge of the campus and all the things that the town and the university and the friends I had flooded through my mind. Beautiful Kate (Cameron), the campus queen... and Dorothy Kelly. But not one girl — all the girls — young and lovely. Was Dorothy the loveliest? Yes. The sweetest? Perhaps. But most of them had gone their ways. Gone as I'd gone mine....Never to be 21 again; so in love again. Never feel the things I'd felt. The memory of love's refrain....Carmichael wrote that he then looked up at the sky, whistling softly, and that the melody flowing from his feelings was “Stardust.” Excited, he ran to a campus hangout where the owner was ready to close. Hoagy successfully begged for a few minutes of piano time so he could solidify that theme in his head.True?Is that really how it happened? “What can I say?” historian Hasse told the AP decades later. “It is truly a thing of legend.”The same year, Carmichael recorded an upbeat instrumental version of the song for Gennett Records. The next year, he left Indiana for New York City after Mills Music hired him as a composer. The Reception WidensWest Virginian Don Redman recorded the song in the same year, and by 1929 it was performed regularly by Duke Ellington at the Cotton Club; however, it was Isham Jones' 1930 rendition that made the song popular on radio, prompting multiple acts to record it.For instance, in 1936, RCA released double-sided versions of “Stardust,” Tommy Dorsey on one side and Benny Goodman on the other.Then 1940 was a banner year, with releases of the song by Frank Sinatra, Artie Shaw and Glenn Miller. Since then, “Stardust” has entered the repertoire of every serious jazz singer and instrumentalist around the world.Willie's VersionIn 1978, country superstar Willie Nelson surprised fans with his release of his Star Dust album, which went golden after staying on the best-seller charts for more than 135 weeks.Nelson recalled singing it in the Austin, Texas, Opera House. “There was a kind of stunned silence in the crowd for a moment, and then they exploded with cheering and whistling and applauding. The kids thought ‘Stardust' was a new song I had just written….”Our Take on the TuneSince its composition nearly a hundred years ago now, this song has been performed by many folks as a slow, romantic ballad, drawing out the words and the melody. Good for them. However, when Hoagy wrote this classic, he performed it with a bit of the sass and sway that characterized the jazz of his day, and we in The Flood like to carry on that tradition. The song has some of the best chords of anything in our repertoire and in this take from last week's rehearsal you'll hear two solos in which Danny Cox is finding all kinds of interesting ideas. Click here to come along on his quest.More from Year 2024?It's been a busy, interesting year in the Floodisphere, with lots of new tunes as well as re-imaginings of old ones from The Flood's songbag.If you'd like to join us in a little auld-lang-synery, our free Radio Floodango music streaming features a randomized playlist built around the tunes in all the weekly podcasts of the year. Click here to give Year 2024 a re-listen. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit 1937flood.substack.com

So here's to you/May your dreams come true/May old father time/Never be unkind/And through the years/Save your smiles and your tears/They're just souvenirs/They'll make music in your heart.../--Lyrics to "My Best to You," by Isham Jones and Gene WilladenThe Indianettes have been an iconic figure in the tradition of Port Neches-Groves High School since their first appearance in 1951.In this episode of Down Trails of Victory podcast, Buck and Wanda Carole visit with four former Indianettes whose high school terms span the years 1951 - 1973:Latretta Young Walker--one of the original eight Indianettes of 1951, and the only surviving one;Jimmie Lou Ford--Class of 1963;Tam McCollum Mire--Class of 1970;Victoria Beryl Allen--Class of 1973.Their conversation covers a wide range of topics about those early years, including:Stories surrounding the origin of the Indianettes, and that inaugural year of 1951;The growth and evolution of the Indianettes over their first 22 years (1951-1973);Commentary on the several Indianette directors 1951 - 1973;Commentary on the Indianettes' relationship with the Indian Band;Discussion on the Indianettes' relationship with PN-G Football;Indianette involvement with other events and activities;Information about the Indianette Alumni Facebook page;and much, much, more!The podcast brings up a wide range of names from Indianette and PN-G history, including Lynne James, Beth Guidry Terrell, Jamie Rohe, Frank Gioviale, Irene Ford, Jennifer Terrell, Jean Babb Cowles, Patsy Cox Jones, Doris Davis Bailey, Shirley Jones Havard, Beverly Rogers Hawk, Paula Sory Lee, Thomasine Ward Jones, Micky and Phil Spenser, Dalton Fox, Dottie Meents, Peggy Dockery, Janyce Martin Braswell, Phyllis Larrabee, Ann Monzingo, Judy Massey Childress, Rebecca Swofford Walker, Carol Jones, Albert Long, Mark Williams, Sammy Almany, Lila Long, Harry Charles, Mary Lee Worsham, Gene McCollum, Lewis Ford, Wilford Moore, Bum Phillips, Ken Watson, Cecil Yarbrough, Daphine McCollum, Carol Anne Watson, Jennifer Guidry, Shally Laurents Hollier, Sabrina Dalby, Cortnie Moerbe Schexnaider, Celina Flores Ellis, ...and more! Other historic personages referred to in the podcast include Slu Hull, Thomas Jefferson, John Adams, Benjamin Franklin, Abraham Lincoln, Bear Bryant, Mickey Mantle, and William Shakespeare!Remember this/Each new day is a kiss/Sent from above/With an angel's love/So here's to you/May your skies be blue/And your love blessed/That's my best to you.Here's Our Best to You PN-G Indianettes!Right here, on Down Trails of Victory podcast!

durée : 00:58:39 - "I'll See You in My Dreams" (Isham Jones / Gus Kahn) (1924) - par : Laurent Valero - "I'll See You in My Dreams, fait partie des nombreuses chansons que Jones composa avec Gus Khan, qui était l'auteur de grands succès : "It Had to Be You" ou "There Is No Greater Love". Le succès sera immédiat, en se plaçant tout en haut des charts pendant de longues semaines, en 1925" Laurent Valero - réalisé par : Patrick Lérisset

durée : 00:58:39 - "I'll See You in My Dreams" (Isham Jones / Gus Kahn) (1924) - par : Laurent Valero - "I'll See You in My Dreams, fait partie des nombreuses chansons que Jones composa avec Gus Khan, qui était l'auteur de grands succès : "It Had to Be You" ou "There Is No Greater Love". Le succès sera immédiat, en se plaçant tout en haut des charts pendant de longues semaines, en 1925" Laurent Valero - réalisé par : Patrick Lérisset

You've heard of the song "It Had To Be You," haven't you? It's a popular song composed by Isham Jones, lyrics by Gus Kahn, published on May 9, 1924. So, it's an "oldie-but-goodie." It's been covered by many people, including Frank Sinatra and Michael Buble with Barbra Streisand. Well, I'd like to cover "It Had To Be You" in today's content. Read More ... For more resources and tools that inspire and equip you to live well using God's Word in practical ways each day, visit the Alive and Active Life website.

There is no greater love (No hay amor más grande) es un tema de 1936 por Isham Jones quien se lo hizo cantar a Woody Hermann en sus comienzos. Escuchemos a Billy, Dinah Washington, Benny Carter, Miles, Jamal, Barron, Mc Coy Tyner y otros. Hosted on Acast. See acast.com/privacy for more information.

Shellac Stack No. 302 crawls, drags, and jitterbugs with the music of Fats Waller! We hear from Lu Watters, the Halfway House Dance Orchestra, Carroll Gibbons, Billy Butterfield, Errol Garner, Isham Jones, and — of course — the great Fats Waller himself. Join us!

Episode 507 also includes an E.W. Essay titled "On Cobble Stone Streets." We share an excerpt from the book "Your Brain Is a Time Machine. " by Dean Buonomano. We have an E.W. Poem called "With Coffee." Our music this go round is provided by these wonderful artists: Thelonious Monk, Josephine Baker, Babes in Toyland, Clicquot Club Eskimos, Helen Kane (aka Betty Boop), Isham Jones, Branford Marsalis and Terence Blanchard. Commercial Free, Small Batch Radio Crafted in the West Mountains of Northeastern Pennsylvania... Heard All Over The World. Tell Your Friends and Neighbors.

1 - Double or Nothing - Woody Herman and his Orchestra - 19372 - Mirror, Mirror on the Wall - Roy King - 19523 - The Magic Mirror - Dick James with Cyril Stapleton and his Orchestra - 19484 - El Espejo de Tus Ojos (The Mirror of Your Eyes) (Argentina) - Angel Vargas con Angel D'Agostino y su Orquesta Tipica - 19445 - Das Spiegel fon Leben (The Mirror of Life) (Yiddish) - K. Juvelier - 19166 - Mirror Blues - John Sellers - 19457 - Det Indiskrete Spejl (The Indiscrete Mirror) (Denmark) - Warny's Orkester - 19238 - I Double Dare You - Eddie Stone with Isham Jones and his Orchestra - 19379 - Look into the Looking Glass - Claude Casey and the Sagedusters - 194710 - Twin Trouble - Zeke Manners and The Singing Lariateers - 194811 - Midnight Reflection - The Paul Whiteman Concert Orchestra - 192812 - Reflections - Ted Fio Rito and his Orchestra - 193713 - Reflections of You - Sunny Clapp and his Band O' Sunshine - 193114 - Twin Blues - Vicksburg Blowers - 192715 - Twin Guitar Special - Bob Wills and his Texas Playboys - 194116 - Reflections in the Water - The Green Brothers Marimba Orchestra - 193317 - Reflections in the Water - Doreen Lundy with Paul Fennelly and his Orchestra - 1948

It's a stormy night somewhere in Wales, and three travelers are having a rough go of it: married couple Phillip and Margaret Waverton, and their passenger in the back seat, the dapper Penderel. That's when they come upon a house, which is, shockingly, old… and dark. They manage to gain entrance after convincing the mute, lumbering butler, Morgan, that they are indeed in distress, and are soon greeted by the house's main occupants, the elderly Femms, Horace and his hard of hearing sister Rebecca. The Femms offer the travelers supper, but as the sternly religious Rebecca finds it inappropriate, no beds. As they sit down to eat a meal of meat and potatoes, two more travelers burst in – the jolly Sir William Porterhouse and his personal companion, Gladys Duquesne. Or is it Perkins? As the evening wends from dinner to conversation to an interest in the rest of the house, things take a turn for the weird, and soon, all are ensnared in a trap – not just to make it through the storm, but to get out of the house alive. Intro, Math Club, and Debate Society (spoiler-free) 0:00-27:40 Honor Roll and Detention (spoiler-heavy) 27:41-1:06:53 Superlatives (so. many. spoilers.) 1:06:54-1:26:09 Director James Whale Screenplay Benn W. Levy, with additional dialogue by R.C. Sherriff, based on the novel Benighted by J.B. Priestley Featuring Lilian Bond, Melvyn Douglas, Elspeth Dudgeon, Boris Karloff, Charles Laughton, Raymond Massey, Eva Moore, Gloria Stuart, Ernest Thesiger, Brember Wills Jason Kravits has been appearing on stages and screens, large and small, for over 30 years. Best known for his long-running role as ADA Richard Bay on ABC's “The Practice,” he has appeared in dozens of shows, including memorable roles on “Curb Your Enthusiasm,” “The Kominsky Method,” “30 Rock,” “Everybody Loves Raymond,” “Young Sheldon,” “Grey's Anatomy,” “B Positive,” “NCIS,” and “Gilmore Girls.” He recently appeared opposite Nicole Kidman on HBO's “The Undoing” and Ewan McGregor in Netflix's Halston. Kravits has appeared in several Broadway shows, including The Drowsy Chaperone, Relatively Speaking, and City Center Encores production of The Golden Apple. In 2015, Jason created Off the Top!, a “one-man, completely improvised cabaret.” Since then he has performed the show over a hundred times to sold out crowds in London, Edinburgh, Adelaide, Melbourne, Amsterdam, Washington D.C. and Los Angeles, and regularly plays the world-famous Birdland Theater in New York City. Our theme music is by Sir Cubworth, with embellishments by Edward Elgar. Music under the synopsis is “A Little Street Where Old Friends Meet” by Gus Kahn and Harry Woods, performed by Isham Jones and His Orchestra. For more information on this film, the pod, essays from your hosts, and other assorted bric-a-brac, visit our website, scareupod.com. Please subscribe to this podcast via Apple or Google Podcasts, Stitcher, Spotify, or wherever you get your podcasts. If you like what you hear, please leave us a 5-star rating. Join our Facebook group. Follow us on Instagram. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

Some of the top hits of 1923.  Songs include: I'll Build a Stairway To Paradise, Yes, We Have No Bananas, The Parade of Wooden Soldiers, Dippermouth Blues, Down Hearted Blues and That Old Gang of Mine.   performers include: Bessie Smith, Al Jolson, Jellyroll Morton, Ben Selvin, Isham Jones, Paul Whiteman and King Oliver.

durée : 00:58:21 - "There is no greater love" (Isham Jones / Marty Symes) (1936) - par : Laurent Valero - "Isham Jones, compositeur et l'un des chefs d'orchestre les plus réputés d'Amérique, dans la catégorie orchestres de danse. Composition dont les paroles signées Marty Symes, vont permettre les débuts discographiques d'un jeune et talentueux musicien du nom de Woody Herman !" Laurent Valero - réalisé par : Patrick Lérisset

durée : 00:58:21 - "There is no greater love" (Isham Jones / Marty Symes) (1936) - par : Laurent Valero - "Isham Jones, compositeur et l'un des chefs d'orchestre les plus réputés d'Amérique, dans la catégorie orchestres de danse. Composition dont les paroles signées Marty Symes, vont permettre les débuts discographiques d'un jeune et talentueux musicien du nom de Woody Herman !" Laurent Valero - réalisé par : Patrick Lérisset

El escritor y filósofo Alain Locke, un destacado portavoz crítico y artístico del Renacimiento de Harlem, llamó al jazz "clásico" "una de las principales contribuciones culturales de los negros, es la esperanza actual de una música norteamericana seriamente representativa". Con José Manuel Corrales.

Shellac Stack No. 289 wanders away with Fred Waring's Pennsylvanians then walks back with Doc Evans' Band. Along the way, we hear from Earl Hines, Marion Harris, Cy Walter, Isham Jones, Johnny Hamp, Don Byas, Benny Goodman, and more. Thank you for supporting the “Shellac Stack” on Patreon: patreon.com/shellacstack

Shellac Stack No. 285 walks back from the buggy ride with Aileen Stanley and Johnny Marvin. We hear from Harry Reser's Six Jumping Jacks, Irving Aaronson and His Commanders, Spade Cooley, Stan Kenton, Jerry Colonna, Isham Jones — and enjoy some lovely barbershop quartet singing with the Eton Boys. Plenty more too! Thanks for supporting … Continue reading »

Shellac Stack No. 279 lands on the old veranda with Harry Reser's Six Jumping Jacks! We jive with Victor Silvester, dream with Coleman Hawkins, and stomp with Isham Jones. More from Ruth Etting, Ben Light, Blossom Seeley, the Rhythm Rangers, Count Basie, Al Handler's Orchestra, the Firehouse Five Plus Two, and others! Thank you for … Continue reading »

This week the Bad Piano Player returns to an earlier time, an earlier podcast, and another crack at forgotten musical genius Isham Jones. We're calling this one, “Isham Jones 2”. Catchy, eh?

It had to be you (tenías que ser tú) es un standard de 1924 por Isham Jones y Gus Kahn. Recorremos versiones de Billie y Ella y las instrumentales de Artie Shaw, el Hot Club de France y el de Noruega, Johnny Hodges, Harry Carney, Teddy Wilson, Eddie Daniels, la mandolina de Grisman y el violín de la joven Elia Bastida.

Shellac Stack No. 269 waddles and then glides with Paul Ash and Arthur (Guitar Boogie) Smith. We've got songs about cats and dogs from Isham Jones, Prince's Military Band, and the Dixie Stars; vocals from Dick Todd, Kay Starr, and Aileen Stanley; and marvelous piano by Frank Banta and Raie Da Costa. Much more too!

Songs include: Toot Toot Tootsie, My Buddy, Kitten On the Keys, Who Cares, Downhearted Blues & The World Is Waiting For the Sunrise. Performers include: Al Jolson, Alberta Hunter, Isham Jones, The Empire State Military Band, Paul Whiteman and Jones & Hare.

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49:34 – New, jazzy Evlis and Isham Jones is here!! A long-needed dose of Vic and Sade and Uncle Fletcher!! Mark Twain’s ‘A Scrap of Curious History’!! This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 United States License. Attribution by PQ Ribber Released January 2022 on The Overnightscape Underground (onsug.com), an Internet talk radio channel […]

49:34 – New, jazzy Evlis and Isham Jones is here!! A long-needed dose of Vic and Sade and Uncle Fletcher!! Mark Twain’s ‘A Scrap of Curious History’!! This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 United States License. Attribution by PQ Ribber Released January 2022 on The Overnightscape Underground (onsug.com), an Internet talk radio channel […]

# Harry connick jr# versatile talented jazz musician, singer, songwriter, composer,actor, tv,film# classic song and vocals # when Harry met Sally soundtrack # songwriters Isham Jones and gus kahn# producers Marc shaiman and Harry connick Jr # respect --- Support this podcast: https://anchor.fm/mr-maxxx/support

This week, the Bad Piano Player goes back to his roots with a composer you mights not know, but you know his songs! Isham Jones, meet the downloaders. 

Episode #4: Musette and Stravinskyfied Jazz Uploaded: March 20, 2021 Michel Corrette: Les Voyages du Berger Fortuné aux Indes Orientales [8:21] Les Amusemens d'Apollon chez le Roi Admète & La Naissance de la Musette [20:16] Les Sauvages et La Furstemberg, 25me Concerto Comique [9:24] Malbrough, Ariette Nouvelle [5:25] Le Carillon des Morts [5:45] 6me Fantaisie [6:26] Ensemble Les Festes Galantes JECKLIN DISCO 616-2 Boyd Raeburn: Boyd meets Stravinsky [2:50] Nacio Herb Brown & Arthur Freed: Temptation [2:50] George Handy: Dalvatore Sally [3:05] Harry Warren & Al Dubin: I only have eyes for you [3:06] Harold Arlen: Over the rainbow [3:01] Johnny Green, Edward Heyman, Robert Sour and Frank Eyton: Body and Soul [3:12] Dizzy Gillespie & Frank Paparelli: Interlude [2:59] George Gershwin: Summertime [2:38] George Handy: March of the Boyds [3:03] Joe Bishop: Blue Prelude [3:15] ? Kless: Boyd's nest [3:05] Isham Jones & Charles Newman: You've got me crying again [3:13] Boyd Raeburn and his Orchestra SAVOY JAZZ SV-0185 Links to Michael & Mardie (Michael Garin and Mardie Millit): CD: https://www.amazon.com/Hey-Look-Its-Michael-Mardie/dp/B00V82QCQA/ref=tmm_msc_swatch_0?_encoding=UTF8&qid=1422629091&sr=8-1 Streaming of their live shows: facebook.com/Michael.garin.18343 facebook.com/mardie.millit See them live every Sunday evening at the West Bank Café on 42nd Street in New York City, from 7:00 PM to 9:00 PM. See Michael Garin live at the Roxy Hotel in Tribeca, New York City, every Wednesday through Saturday evenings from 6:00 PM to 8:00 PM.

1 - I'm Sorry, Dear - Jacques Renard and his Orchestra – 19312 - I'm Sending Roses to Tell You I'm Sorry - Denver Darling with his Ozark Playboys - 19473 - Who's Sorry Now? - Irving Kaufman with Ben Selvin's Orchestra - 19234 - Who's Sorry Now? - Bob Burgess and The Nite Owls – 19385 - Who’s Sorry Now? - Isham Jones and his Orchestra – 19236 - Lonesome and Sorry - Cliquot Club Eskimos - 19267 - Lonesome and Sorry - Vic Berton and his Orchestra – 19358 - I'm Sorry I Made You Cry - Henry Burr - 19189 - I'm Sorry Sally - Maurice Gunsky – 192810 - Why Should I Say That I'm Sorry When Nobody's Sorry but Me - Ralph Pollock and his Orchestra - 192711 - You'll Be Sorry When I'm Gone - Sons of the Pioneers - 194612 - How Sorry You'll Be (Wait'll You See) - Esther Walker – 191913 - You'll Be Sorry from Now On - Elton Britt and the Skytoppers - 194914 - You'd Better Be Sure or You'll Be Sorry - Dave Denney – 194815 - After I Say I'm Sorry - Charles Kaley with Abe Lyman's California Orchestra - 192616 - Why Don't We Say We're Sorry - Jimmy Joyce and the Blue Rays with Alvino Rey and his Orchestra – 1946

Shellac Stack No. 217 visits Chewaukla — the land of Sleepy Water — with Guy Lombardo. We also hear from Margaret Young, Gene Austin, Isham Jones, Ken Keller's Band (of Altoona, Pennsylvania), Florence Easton, Richard Crooks, Lawrence Welk, and Hopi elder Honyi — Head of the Antelope Lodge of the Walpi Tribe. Join us! And … Continue reading »

“Classic-Pop Standards” is a one-hour program inspired by the Great American Songbook. This series of podcasts features the singers, the lyricists, and the composers of the music we call “American Standards.” Come along with us as we honor the great songwriters by never forgetting their music. These are songs with not only a history, but with a future; Songs born along Tin Pan Alley, on 42nd Street, at the Brill building, and down Broadway. Danny Lane brings new life to the Great American Songbook on “Classic-Pop Standards”. Comments to: dannymemorylane@gmail.com In this episode, you’ll hear: 1) Between The Devil And The Deep Blue Sea [Excerpt] by Benny Goodman / Harold Arlen (music) [1932] 2) This Could Be The Start Of Something Big by Steve Lawrence & Eydie Gormé / Steve Allen (music & lyrics) [1956] 3) Once In Love With Amy by Sammy Davis Jr. / Frank Loesser (music & lyrics) [1948] 4) Keepin' Out of Mischief Now by Dinah Washington (w/ Ernie Wilkins and His Orch.) / Fats Waller & Andy Razaf [1932] 5) Come Fly With Me by Frank Sinatra & Luis Miguel / Jimmy Van Heusen (music) & Sammy Cahn (lyrics) [1957] 6) Out of This World by Freda Payne / Harold Arlen (music) & Johnny Mercer (lyrics) [1944] 7) A Kiss To Build A Dream On by Louis Armstrong / Composed by Burt Kalmer/Harry Ruby/Oscar Hammerstein II [1935] 8) Between The Devil And The Deep Blue Sea by Mel Tormé / Harold Arlen (music) & Ted Koehler (lyrics) [1932] 9) I Remember You by Ella Fitzgerald (w/ Nelson Riddle's Orch) / Victor Schertzinger (music) & Johnny Mercer (lyrics) [1941] 10) The Way You Look Tonight by Michael Bublé / Dorothy Fields (lyrics) & Jerome Kern (music) [1936] 11) True Love by Patsy Cline / Cole Porter [1956] 12) Begin The Beguine by Andy Williams / Cole Porter [1935] 13) Maybe This Time by Liza Minnelli / John Kander (music) & Fred Ebb (lyrics) [1964] 14) It's Only A Paper Moon by Bobby Darin / Harold Arlen (music) & Yip Harburg and Billy Rose (lyrics) [1933] 15) It Had To Be You by Harry Connick, Jr. / Isham Jones (music) & Gus Kahn (lyrics) [1924] 16) The Night We Called It a Day by Doris Day / Matt Dennis (music) & Tom Adair (lyrics) [1941] 17) On The Sunny Side Of The Street by Tony Bennett & Willie Nelson / Dorothy Fields (lyrics) & Jimmy McHugh (music) [1930] 18) Evergreen by Barbra Streisand / Barbra Streisand (music) & Paul Williams (lyrics) [1976] 19) Tonight by Johnny Mathis / Stephen Sondheim (lyrics) & Leonard Bernstein (music) [1956] 20) Blue Eyes by The American Patrol Orchestra / Jerome Kern (music) [1928]

durée : 00:58:41 - « It Had to Be You » (Isham Jones / Gus Khan) (1924) - par : Laurent Valero - "Une des plus célèbres compositions du saxophoniste et chef d’orchestre Isham Jones qui fut un musicien très influent dans le milieu des orchestres de danse dans les années 20,30 aux États-Unis. Ses enregistrements pour le labels Brunswick & Victor étaient considérés les meilleurs." Laurent Valero - réalisé par : Antoine Courtin

durée : 00:58:41 - « It Had to Be You » (Isham Jones / Gus Khan) (1924) - par : Laurent Valero - "Une des plus célèbres compositions du saxophoniste et chef d’orchestre Isham Jones qui fut un musicien très influent dans le milieu des orchestres de danse dans les années 20,30 aux États-Unis. Ses enregistrements pour le labels Brunswick & Victor étaient considérés les meilleurs." Laurent Valero - réalisé par : Antoine Courtin

Shellac Stack No. 206 struts with a peg leg and a twinkle in the eye. We hear from stride piano master James P. Johnson, singers Dennis Day and Blanche Klaise, bandleaders Hal Kemp, Bennie Krueger, Isham Jones, and Ted Fio Rito, and two Murrays: Billy and Wynn! Lots more too. Donations are gratefully received to … Continue reading »

Seguro que os acordáis de la película Acordes y desacuerdos, una película de Woody Allen, acerca de un guitarrista ficticio llamado Emmet Ray, que según la película pudo haber sido el único guitarrista comparable a Django Reinhardt, durante la época de la Gran Depresión. La trama nos cuenta los momentos de gloria con su quinteto y su guitarra; sus romances y sus tropiezos; su gusto por la opulencia, la bebida y el billar. Allen dota a su protagonista de una particular sensibilidad, extrañas aficiones (matar ratas a balazos en el vertedero o ver pasar trenes, por ejemplo) y una pasión casi enfermiza por la música. La película está muy bien pero, lo que no tiene desperdicio, como en muchas otras películas de Woody Allen, gracias amigo, es la banda sonora. Y vamos a empezar con “I'll See You in My Dreams", una canción escrita por Isham Jones, y publicada en 1924. Originalmente grabada por el propio Isham Jones y la Ray Miller Orchestra, estuvo en las listas durante 16 semanas durante 1925. Por supuesto, la canción también fue grabada por Django Reinhardt, el ídolo de nuestro personaje. Esto es “I’ll see you in my dreams”, en la versión para la película de Dick Hyman Grup. Caravan" es un estándar de jazz estadounidense que fue compuesto por Juan Tizol y Duke Ellington y interpretado por primera vez por Ellington en 1936. Irving Mills escribió la letra de la canción pero la verdad es que nunca se canta. Ah pero, eso sí, se han grabado más de 350 versiones. Hemos pasado, como de puntillas, sobre el nombre de Juan Tizol. Buen, pues merece la pena reseñar, que este trombonista puertorriqueño, es coautor de los mayores éxitos de “el duque”, (también “Perdido” lleva su firma), y que durante los más de quince años que estuvo en la orquesta de Ellington se convirtió en el mayor exponente puertorriqueño en la historia del jazz. "Viper Mad", algo así como Víbora Loca, es una composición de Sidney Bechet y Rousseau Simmons que se publicó en 1924 interpretada por la vocalista Blossom Seeley . El propio Bechet grabó una versión como líder en 1938, con la Orquesta de Noble Sissle . La letra, que festeja el consumo de marihuana, dice que se llamaba "víbora" al fumador de yerba, debido al silbido de la inhalación. La letra dice, más o menos: "Envuelve tus chuletas alrededor de esta barra de té / Sóplate este medidor y ponte alto conmigo / El buen té es mi debilidad, sé que es malo / Me envía, puerta, y no puedo esperar, Estoy loco por las víboras ". Mucha metáfora, verdad? Viper Mad, interpretada para la ocasión por el autor, Sidney Becket. Old Fashioned Love, el corte que escucharemos a continuación fue compuesto por James Price Johnson, un pianista estadounidense nacido el 1 de febrero de 1894 que fue uno de los músicos más importantes en la época en que se empezaba a grabar, y que revolucionó la técnica de ragtime hacia lo que finalmente se llamaría jazz. Este hombre ejerció una gran influencia en músicos tan importantes como Count Basie, Duke Ellington o Art Tatum, sin ir más lejos. Johnson compuso muchas canciones de éxito, incluido el himno no oficial de los locos años veinte, “The Charleston” y siguió siendo el rey de los pianistas de jazz de Nueva York durante la mayor parte de la década de 1930. Old Fashioned Love está incluida en la banda sonora de la película de Woody Allen versionada por Dick Hyman Grup. La canción Just a Gigolo fue publicada por primera vez en Alemania en 1929 e interpretada por varias orquestas. La versión original tiene un contenido muy interesante. Viene a ser una visión poética del colapso social vivido en Austria después de la Primera Guerra Mundial , representado por la figura de un ex húsar que se recuerda a sí mismo desfilando con su uniforme, mientras que ahora tiene que arreglárselas como bailarín en un music-hall de mala muerte. En las versiones posteriores, nuevos letristas se encargaron de cambiar el sentido del texto y, aunque mantuvieron una triste historia, perdieron el valor histórico que tenía el original. La canción ha tenido numerosas versiones, como la Louis Armstrong o la Marlene Dietrich en su última aparición cinematográfica. En esta ocasión, son nuevamente Dick Human Grup los encargados de versionar para la película Just a Gigolo. Otra de las joyas con las que Allen nos obsequia es esta estupenda versión de All of me, Todo de mi, un estándar de jazz escrito por Gerald Marks y Seymour Simons en 1931. Grabado por primera vez por la famosa cantante de los años 20 y 30 Ruth Etting, con el paso de los años se ha convertido en una de las canciones más versionadas de mundo del jazz, con aportaciones de músicos tan notables como Billie Holiday, Frank Sinatra o Willie Nelson. Como no, en la película se hace referencia a la estupenda versión que grabó Django Reinhard. Los técnicos han desmenuzado la canción dándole mil vueltas y explicando lo inexplicable. Los simples aficionados que solo gozamos de un poco de oído, nos sentimos pagados con reconocer, cada vez e inmediatamente, sus primeras notas. Fruto de la improvisación, por cierto. Y si, la versión de la película está a cargo, nuevamente de Dick Human Grup. Vamos a terminar el repaso del álbum con un título que lo resume todo: “Todo esto no es nada, si no tiene swing” una canción compuesta por Duke Ellington y grabada el 2 de febrero de 1932. El tema fue compuesto por Duke Ellington y la letra fue escrita por Irving Millis. La letra no es tan extensa como en las canciones que estamos acostumbrados a escuchar, pero aun así, el mensaje es claro y conciso: todo lo que necesitas es Swing. Durante toda la canción, se repite y se argumenta el mismo mensaje, revindicar el Swing. Una idea que os dejo. Buscar la versión que grabaron Lady Gaga y Tony Bennett para su álbum de Jazz en común Cheek To Cheek. Impresionante. Y hemos terminado por hoy. Nos han quedado alguna que otra canción que hubiera merecido mejor suerte pero, bueno, las que hemos oído merecían la pena. Volvemos la semana que viene. Con más música, más músicos y más historias. Hasta entonces… “Buenas vibraciones”.

Seguro que os acordáis de la película Acordes y desacuerdos, una película de Woody Allen, acerca de un guitarrista ficticio llamado Emmet Ray, que según la película pudo haber sido el único guitarrista comparable a Django Reinhardt, durante la época de la Gran Depresión. La trama nos cuenta los momentos de gloria con su quinteto y su guitarra; sus romances y sus tropiezos; su gusto por la opulencia, la bebida y el billar. Allen dota a su protagonista de una particular sensibilidad, extrañas aficiones (matar ratas a balazos en el vertedero o ver pasar trenes, por ejemplo) y una pasión casi enfermiza por la música. La película está muy bien pero, lo que no tiene desperdicio, como en muchas otras películas de Woody Allen, gracias amigo, es la banda sonora. Y vamos a empezar con “I'll See You in My Dreams", una canción escrita por Isham Jones, y publicada en 1924. Originalmente grabada por el propio Isham Jones y la Ray Miller Orchestra, estuvo en las listas durante 16 semanas durante 1925. Por supuesto, la canción también fue grabada por Django Reinhardt, el ídolo de nuestro personaje. Esto es “I’ll see you in my dreams”, en la versión para la película de Dick Hyman Grup. Caravan" es un estándar de jazz estadounidense que fue compuesto por Juan Tizol y Duke Ellington y interpretado por primera vez por Ellington en 1936. Irving Mills escribió la letra de la canción pero la verdad es que nunca se canta. Ah pero, eso sí, se han grabado más de 350 versiones. Hemos pasado, como de puntillas, sobre el nombre de Juan Tizol. Buen, pues merece la pena reseñar, que este trombonista puertorriqueño, es coautor de los mayores éxitos de “el duque”, (también “Perdido” lleva su firma), y que durante los más de quince años que estuvo en la orquesta de Ellington se convirtió en el mayor exponente puertorriqueño en la historia del jazz. "Viper Mad", algo así como Víbora Loca, es una composición de Sidney Bechet y Rousseau Simmons que se publicó en 1924 interpretada por la vocalista Blossom Seeley . El propio Bechet grabó una versión como líder en 1938, con la Orquesta de Noble Sissle . La letra, que festeja el consumo de marihuana, dice que se llamaba "víbora" al fumador de yerba, debido al silbido de la inhalación. La letra dice, más o menos: "Envuelve tus chuletas alrededor de esta barra de té / Sóplate este medidor y ponte alto conmigo / El buen té es mi debilidad, sé que es malo / Me envía, puerta, y no puedo esperar, Estoy loco por las víboras ". Mucha metáfora, verdad? Viper Mad, interpretada para la ocasión por el autor, Sidney Becket. Old Fashioned Love, el corte que escucharemos a continuación fue compuesto por James Price Johnson, un pianista estadounidense nacido el 1 de febrero de 1894 que fue uno de los músicos más importantes en la época en que se empezaba a grabar, y que revolucionó la técnica de ragtime hacia lo que finalmente se llamaría jazz. Este hombre ejerció una gran influencia en músicos tan importantes como Count Basie, Duke Ellington o Art Tatum, sin ir más lejos. Johnson compuso muchas canciones de éxito, incluido el himno no oficial de los locos años veinte, “The Charleston” y siguió siendo el rey de los pianistas de jazz de Nueva York durante la mayor parte de la década de 1930. Old Fashioned Love está incluida en la banda sonora de la película de Woody Allen versionada por Dick Hyman Grup. La canción Just a Gigolo fue publicada por primera vez en Alemania en 1929 e interpretada por varias orquestas. La versión original tiene un contenido muy interesante. Viene a ser una visión poética del colapso social vivido en Austria después de la Primera Guerra Mundial , representado por la figura de un ex húsar que se recuerda a sí mismo desfilando con su uniforme, mientras que ahora tiene que arreglárselas como bailarín en un music-hall de mala muerte. En las versiones posteriores, nuevos letristas se encargaron de cambiar el sentido del texto y, aunque mantuvieron una triste historia, perdieron el valor histórico que tenía el original. La canción ha tenido numerosas versiones, como la Louis Armstrong o la Marlene Dietrich en su última aparición cinematográfica. En esta ocasión, son nuevamente Dick Human Grup los encargados de versionar para la película Just a Gigolo. Otra de las joyas con las que Allen nos obsequia es esta estupenda versión de All of me, Todo de mi, un estándar de jazz escrito por Gerald Marks y Seymour Simons en 1931. Grabado por primera vez por la famosa cantante de los años 20 y 30 Ruth Etting, con el paso de los años se ha convertido en una de las canciones más versionadas de mundo del jazz, con aportaciones de músicos tan notables como Billie Holiday, Frank Sinatra o Willie Nelson. Como no, en la película se hace referencia a la estupenda versión que grabó Django Reinhard. Los técnicos han desmenuzado la canción dándole mil vueltas y explicando lo inexplicable. Los simples aficionados que solo gozamos de un poco de oído, nos sentimos pagados con reconocer, cada vez e inmediatamente, sus primeras notas. Fruto de la improvisación, por cierto. Y si, la versión de la película está a cargo, nuevamente de Dick Human Grup. Vamos a terminar el repaso del álbum con un título que lo resume todo: “Todo esto no es nada, si no tiene swing” una canción compuesta por Duke Ellington y grabada el 2 de febrero de 1932. El tema fue compuesto por Duke Ellington y la letra fue escrita por Irving Millis. La letra no es tan extensa como en las canciones que estamos acostumbrados a escuchar, pero aun así, el mensaje es claro y conciso: todo lo que necesitas es Swing. Durante toda la canción, se repite y se argumenta el mismo mensaje, revindicar el Swing. Una idea que os dejo. Buscar la versión que grabaron Lady Gaga y Tony Bennett para su álbum de Jazz en común Cheek To Cheek. Impresionante. Y hemos terminado por hoy. Nos han quedado alguna que otra canción que hubiera merecido mejor suerte pero, bueno, las que hemos oído merecían la pena. Volvemos la semana que viene. Con más música, más músicos y más historias. Hasta entonces… “Buenas vibraciones”.

Shellac Stack No. 198 blows bubbles with Shep Fields and explores the Atomic Era with Bud Freeman and Ray McKinley. We hear from “Piggy” Jones and His Orchestra (with a wild xylophone player), and dance along with George Olsen, Ed Farley, Isham Jones, Milt Shaw, the Varsity Eight, and many more. Your contributions through Patreon … Continue reading »

Got No Time - Jane Green . . largely forgotten and unheralded at the time, Jane Green was an accomplished Broadway and Vaudeville singer who made about thirty recordings and a few film appearances during the 1920's. She incorporated some of the newer blues-styled approaches to singing pop music and was tremendously energetic and fiery in her interpretations of tunes by Donaldson, Gershwin, Isham Jones and others. Backed by the Virginians (led by Ross Gorman), Nat Shilkret's band and the Victor Recording Orchestra. --- Support this podcast: https://anchor.fm/john-clark49/support

Shellac Stack No. 180 gets happy… and angry… with Isham Jones, Art Gillham, Ruth Etting, Gene Austin, Coon-Sanders, the California Ramblers, Margaret McKee, the ODJB, and more. NEW! Support the Shellac Stack on Patreon: patreon.com/shellacstack. Your contribution helps offset the cost of bringing these programs to you, and there are some nice little bonuses. Thank … Continue reading »

Shellac Stack No. 172 visits again with our friend JiHoon Suk for a selection of jazz, pop, and blues records from his collection. We hear some rare recordings by Bix Beiderbecke and Annette Hanshaw, as well as classics by King Oliver, Paul Whiteman, Isham Jones, Django Reinhardt, and more. Join us!

Shellac Stack No. 169 claps hands because the tamale man cometh! We hear from Doc Cook's Dreamland Orchestra, Isham Jones, Irving Aaronson, Johnny Marvin, Smith Ballew, the All Star Trio, Billy Butterfield, and more in a pleasing mix of records sweet and hot!

GOOD EVENIN’ ISHAM JONES’ ORCHESTRA BRUNSWICK 4909 I WILL WAIT FOR YOU YANKEE TEN ORCHESTRA ORIOLE 699 IN THE DIM DIM DAWNING PAUL WHITEMAN AND HIS ORCHESTRA VICTOR 24189 COME A LITTLE CLOSER TOM GERUN AND HIS ORCHESTRA BRUNSWICK 6002 THERE’S A TRICK IN PICKIN’ A CHICK-CHICK-CHICKEN HENRY MEROFF AND HIS ORCHESTRA OKEH ELECTRIC 40847 … Continue reading "Episode 85: Turn On The Devil"

Songs include: Red Sails In the Sunset, Sunset Is Coming, But the Sunrise We'll See, Sunset Eyes, Sultry Sunset, As We Walk Into the Sunset and Sunset Cafe Stomp. Performers include: Louis Armstrong, Duke Ellington, Clifford Brown, Claude Thornhill, The Chuck Wagon Gang, Sidney Bechet, Isham Jones and Frank Sinatra.

Popular dance bands from the Roaring 20s, including: Paul Whiteman, Leo Reisman, Nat Shilkret, Art Hickman, Ben Selvin and Isham Jones.  Songs include: I'm Looking Over a Four-Leaf Clover, Avalon, Baby Face, What'll I Do, Dardenella and Sweet Georgia Brown.

Shellac Stack No. 39 features a half-dozen songs in “period” recordings, coupled with later 78-era revivals. With performances from Charles Hart and Elliott Shaw to Isham Jones, Leo Reisman, Pat Flowers, Burt Farber, and more, we remember some famous (and not-so-famous) songs that were good enough to enjoy a second life!

Your host for this edition of Radio Free Gunslinger is Syd Barrett.The ContentFirst Sequence:Jaye P. Morgan - The Longest WalkJulie London - The Meaning of the BluesIrene Kral - Wouldn't It Be Loverly?Anita O'Day - When Sunny Gets BluePeggy Lee - The Folks Who Live on the HillSecond Sequence:Sparklehorse - Dark as a DungeonHank Thompson & His Brazos Valley Boys - Cincinatti LouJohn Fahey - Steel Guitar RagThe Beau Brummels - Nine Pound HammerMerle Travis - Black GoldThird Sequence:Artie Shaw & His Orchestra - RosalieStan Kenton & His Orchestra - You Started Me DreamingHarlan Leonard & His Rockets - Dameron StompBenny Goodman & His Orchestra - Darn That DreamFrankie Newton & His Uptown Serenaders - You Showed Me the WayFourth Sequence:Ted Weems & His Orchestra - I Still Get a ThrillArthur Tracy - A Sailboat in the MoonlightCharlie Palloy - Pettin' in the ParkRuss Columbo (w. Nat Shilkret & His Orchestra) - You Call It MadnessIsham Jones & His Orchestra - It's Funny to Everyone But MeSummation:Malvina Reynolds - Nancy Newman

 June 16, 1985 "Isham Jones Orchestra" features: A history of the longtime dance band led by Isham Jones, who started his career in 1914 and kept making music until after World War II. Features the 1921 song "Wabash Blues," "Ma," "That Certain Party," "What'll You Do?", "Alabamy Bound," "Thanks for Everything" and plenty of other songs that kept folks dancing in the 1920s and 1930s.oldtimeradiodvd.com

The life and music of songwriter Sam Lewis.  Songs include: For All We Know, Just Friends, I'm Sitting On Top Of The World, Dinah, Five foot Two and Hello Central.  Performers include: Bing Crosby, Russ Columbo, Nora Bayes, Ted Lewis, Gene Austin and Isham Jones.

391.org dadacast 23 (New Year Jam), featuring Malcolm Laycock, Richard Huelsenbeck, Der Kinderbauernhof, Panoptica, Isham Jones, Bob Dobbs, antitram, Escha, Monkey, babel/binnorie, Marcel Duchamp, zedexx and The Menagerie. Read more at https://391.org/audio/391-org-dadacast-23/

This podcast covers Harry Nilsson and his career up to 1974. 1.Rainmaker* (Single Version; HARRY; 1969) 2.Without Her* (Pandemonium Shadow Show; 1967) 3.Don’t Leave Me* (Aerial Ballet; 1968) 4.Open Your Window* (HARRY; 1969) 5.The Beehive State** (by Randy Newman) (Nilsson Sings Newman; 1970) 6.Are You Sleeping?** (The Point!; 1971) 7.Driving Along# (Nilsson Schmilsson; 1971) 8.The Lottery Song# (Son Of Schmilsson; 1972) 9.It Had To Be You+ (by Isham Jones & Gus Khan) (A Little Touch Of Schmilsson In The Night; 1973) 10.All My Life^ (Pussy Cats; 1974) 11.She’s Leaving Home* (by John Lennon & Paul McCartney) (Pandemonium Shadow Show; 1967) 12.Daybreak** (Son Of Dracula; 1973) Produced by *Rick Jarrard, **Harry Nilsson, #Richard Perry, +Derek Taylor and ^John Lennon All songs written by Harry Nilsson, except where noted dsl89.blogspot.com

Bargy's work for the Benson Orchestra established him as a triple-threat talent, and his services were soon sought out by other bands. In late 1921, after a falling out with Benson, Bargy left and formed his own orchestra, taking many members of the group with him. He disbanded a few years later and joined the band led by composer-saxophonist Isham Jones. In 1928, Bargy began a twelve-year association with Paul Whiteman's great dance orchestra as pianist/arranger. Now his experience in editing and writing songs for the old Imperial Piano Roll company stood him in good stead. Many of the early Whiteman arrangements were done by Bargy. He remained with Whiteman until 1940 working not only as a Pianist and arranger, but even becoming second in command and often leading the band when Whiteman couldn't be present. Not too well recalled now, but it was Bargy's piano that was afeatured attraction during Whiteman's famous debut of Gershwin's "Rhapsody in Blue".

Music by bandleader and songwriter Isham Jones. Songs include: I'll See You in My Dreams, Wabash Blues, There is No Greater Love and Stardust. Other musicians include: Al Jolson, Woody Herman and Cliff Edwards.

Big Band Serenade presents Isham Jones and His Orchestra 1924 to 1934 The music in this program is listed in order of play;1) "Medley Of Isham Jones Hits"  2) "In My Heart It's You" 19303) "I'm So Afraid Of You" 19344) "From Now On" 1934 5) "It Had To Be You" 1924 vocals Aileen Stanley & Billy Murray6) "I Can't Believe It's True" 19327) "Trees" 19308) "Sweet Georgia Brow" 1932 Vocal Bing Crosby9) "Medley Of Isham Jones Dance Hits" 1932 *******Please Take Our Survey******