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18 episodes with Bukka White
7 episodes with Bukka White
2 episodes with Bukka White
4 episodes with Bukka White
4 episodes with Bukka White
2 episodes with Bukka White
2 episodes with Bukka White
2 episodes with Bukka White
2 episodes with Bukka White
Blues is the Truth #804 We are straight back to business this week with a massive stack of tunes that needs absolutely no introduction. No requests, no fluff, just two full hours of pure, unadulterated groove from some of the best to ever do it. We are setting the mood early with the legendary Taj Mahal and the hypnotic blues-rock vibe of Medicine Head, before dipping into some classic vocal harmony from The 5 Royales. The temperature rises quickly from there with The Cashbox Kings, Blues Messenger, and the searing guitar work of Tinsley Ellis. For the deep, historic roots, we've got the delta giant Bukka White in the building, alongside a brilliant collaboration from Carl Carlton and Melanie Wiegmann, and the godfather himself, John Mayall. We are keeping that classic energy high with soulful runs from Curtis Salgado, the king Buddy Guy, The Fabulous Thunderbirds, and the vintage jazz-blues vocals of Helen Humes. The second half is a masterclass in harmonica-driven heat and modern grit. You will hear Russ Green, The Four Flames, and the swampy fire of Ghalia and Mama's Boys, right alongside KAT Blue and the True Believers. We've also locked in the powerhouse pairing of the Nick Moss Band Featuring Dennis Gruenling, Dave Weld and the Imperial Flames, and the brilliant Dave Thomas. Rounding off an absolute powerhouse of a show, we are clearing the runway for Freddie King, the gritty rock-blues of Mississippi Shakedown, Dixie Peach, and the beautifully expressive guitar of Ronnie Earl and the Broadcasters, before finishing up with the mighty Tedeschi Trucks Band. It is a serious lineup from top to bottom.
Hello Bluesmenteers....So long ago, we posted our last show, so it's time we get another one out for posting.On this show we have blues from: Skip James / Eric Clapton / Willy Mctell and Bukka White and a few more.....Intro: Jigsaw Puzzle Blues-Fleetwood Mac1. The Woman That Got Away-J.J. Cale2. Stop Putting The Hurt On Me-B.B. King3. When The Levee Breaks-Kansas Joe & Memphis Minnie4. I'm Tore Down-Freddy King5. Bull Doze Blues-Henry Thomas6. Piggyback Blues-Red Simpson7. Shaken On Down-Bukka White8. Don't Let The Sun Catch You Crying-Ray Charles 9. Find My Kind Of Woman-Elmore James 10. I'm So Glad-Skip James11. The Things You Done For My Baby-Buddy Tate12. Statesboro Blues-Willy McTell13. Have Mercy Baby-Billy Ward14. Big Road Blues-Tommy Johnson15. Honky Tonk Blues-Waylon Jennings16. The Sky Is Crying-Eric Clapton17. Sufferin' City-Johnny Copeland18. Miss My Baby-Tony Glover & John Koerner19. Lost In Space-Neil Young Outro: Evening Blues-Fleetwood Mac
Hoy en La Gran Travesía podréis escuchar a Ry Cooder, Lightnin´Hopkins, Rolling Stones, White Stripes, Reverend Gary Davis, Eric Clapton, Bukka White, Jimi Hendrix, Skip James, Bob Dylan, Hot Tuna y muchos más. ▶️ Y ya sabéis, si os gusta el programa y os apetece, podéis apoyarnos y colaborar con nosotros por el simple precio de una cerveza al mes, desde el botón azul de iVoox, y así, además podéis acceder a todo el archivo histórico exclusivo. Muchas gracias también a todos los mecenas y patrocinadores por vuestro apoyo: Antonio Vicente Álvarez, Aida Borrallo, Eduardo Gutiérrez, Rafa Navarro, José Carlos Lozano, Ikatza, Cabe1961, Guillermo Esteban, Diego Román, Tole, Raquel, Poncho C, Sergio Rodríguez Rojas, Javier, Jose Antonio Moral, Juanito, Octavio Oliva, Andreea Deea, Igor Gómez Tomás, Matías Ruiz Molina, Eduardo Villaverde Vidal, Víctor Fernández Martínez, Rami, Leo Giménez, Alberto Velasco, Poncho C, Francisco Quintana, Con, Tete García, Marco Landeta Vacas, Oscar García Muñoz, Raquel Parrondo, Nacho, Javito, Alberto, Moy, Dani Pérez, Santi Oliva, Vicente DC, Leticia, Melomanic, Arturo Soriano, Gemma Codina, Raquel Jiménez, Pedro, SGD, Raul Andres, Tomás Pérez, Pablo Pineda, Quim Goday, Enfermerator, Joaquín, Horns Up, Victor Bravo, Fonune, Francisco González, Marcos Paris, Daniel A, Redneckman, Elliott SF, Sementalex, Miguel Angel Torres, Suibne, Noyatan, Iván Menéndez, Niksisley y a los mecenas anónimos.
Episode #311 of Blues From The Ouse delivers two hours of carefully curated blues, spanning brand-new releases, deep roots classics, powerful themes and listener-selected favourites.We open the show with fresh blues releases, featuring new music from Selwyn Birchwood, Robert John & The Wreck, Alex Lopez, and Ally Venable, including a Grammy-timed re-release with Buddy Guy. Expect modern electric swamp blues, retro revival sounds and blues-rock that bends the rules just enough.The first themed set, “The Legal Blues”, explores songs of judges, juries, prisons and punishment. From Furry Lewis and Bukka White's Parchman Farm Blues to Joe Bonamassa's cinematic re-working of Prisoner and Sonny Boy Williamson II's courtroom classic Your Funeral And My Trial, this is blues born from hard time and harder truths.Next, “Sight Unseen” shines a light on musicians who lost their sight but sharpened their sound. Featuring Ray Charles, The Blind Boys of Alabama, Sonny Terry, and Jeff Healey, this set celebrates artists whose hearing, feel and phrasing changed the shape of blues music forever.The second hour is all about listener requests, digging deep beyond algorithm playlists. Tracks come from Chicago Bob and the Blues Squad, John Mayall's Bluesbreakers, Hitman Blues Band, Canyon Lights, Sherman Robertson, The Zac Schulze Gang, and more — plus the latest Blues From The Ouse Gig Round-Up, highlighting upcoming UK blues shows and festivals.We wind the night down with The Great Divide, tracing the crossover between blues and country with The Allman Brothers Band, Freddie King, Eric Clapton, Mudcrutch, and Area Code 615.If you love modern blues, classic blues, UK blues radio, deep themes, and music with a story to tell, this episode is for you.#311 Blues From The Ouse Playlist:Blues From The Ouse - Show Intro - 00:00:00Selwyn Birchwood - The Church Of Electric Swamp Funkin' Blues - 00:02:05Robert Jon & The Wreck - Old Man - 00:10:02Alex Lopez - Your Lovin' - 00:13:08Ally Venable Band (ft. Buddy Guy) - Texas Louisiana - 00:18:39Furry Lewis - Judge, Harsh Me - 00:21:46Bukka White - Parchman Farm Blues - 00:25:56Joe Bonamassa - Prisoner - 00:28:33Sonny Boy Williamson II - Your Funeral and My Trial - 00:36:01Ray Charles - Feelin' Sad - 00:38:41The Blind Boys Of Alabama - Way Down In The Hole - 00:41:23Sonny Terry - Sonny's Whoopin' the Doop - 00:44:40The Jeff Healey Band - Hideaway - 00:49:12Chicago Bob and the Blues Squad - Whatcha Gonna Do - 00:55:57McHale's Permanent Brew - Too Many Mistakes - 01:00:29John Mayall's Bluesbreakers - Mr James - 01:03:50The Hitman Blues Band - Angel In The Shadows - 01:08:02Canyon Lights - Let Me In - 01:12:48Sherman Robertson - Me & My Guitar and the Blues - 01:18:40The Zac Schulze Gang - High Roller - 01:25:08Pat Fulgoni Blues Experience - Bleeding Heart - 01:29:03The Allman Brothers Band - Midnight Rider - 01:32:16Freddie King - Lonesome Whistle Blues - 01:34:54Eric Clapton - Tulsa Time - 01:37:37Mudcrutch - Six Days On The Road - 01:40:33Area Code 615 - Stone Fox Chase - 01:43:57Blues From The Ouse, UK blues radio, blues podcast, modern blues, classic blues, blues show, blues music, new blues releases, prison blues, legal blues, blind blues musicians, Ray Charles blues, Bukka White Parchman Farm, Selwyn Birchwood, Joe Bonamassa blues, Jeff Healey, Sonny Boy Williamson II, Ally Venable, Buddy Guy, John Mayall Bluesbreakers, listener requests blues, UK blues gigs, blues gig guide, blues radio showBlues From The Ouse is a weekly UK blues podcast and blues radio show, featuring modern blues, soul, blues rock, and grassroots music.From blues legends to the finest British blues artists, available worldwide.Links:
Here's a cosmic riddle for you: A blind man and a mod walk into a bar…. Is it a coffee bar, with a make-shift stage on a corner platform, attended by the beatnik intelligentsia?, or is it a sweaty discotheque packed with beautiful people unabashedly swinging their hips? It's definitely a transmogrifying chamber where the musical output of a sharecropper or convict from the work farm can be turned into sexy jazzbo stylings through the sleight of hand of some nifty cultural appropriation and syncopated finesse. There are many manifestations of the “blues” and here we have two vastly different - practically unrecognizable from each other - masters - Sleepy John Estes (1899-1977), and Georgie Fame (born 1943) - existing across the pond, across generations, and across many layers of lived experience, but bonded by their singular love of this primitive music that started in the Mississippi delta, and went on to conquer the world. SLEEPY JOHN ESTESEverybody thought that Sleepy John Estes was dead because Big Bill Broonzy said so. Blind in one eye, folks called him “sleepy” because of a low blood pressure disorder, or some believed he had narcolepsy. He started recording in the 20's with Hammie Nixon on harp, made some records, went basically “radio silent” throughout the 40s and 50s until Sam Charters rediscovered him in 1962, blind and frail, and kick-started his late in life fame. “Rats in my Kitchen” was recorded at Sun Studios in 1952, but it wasn't until 10 years later that his recording career gained traction, fueled by those he was influencing across the pond, like Robert Plant of Led Zeppelin. Sleepy John always wrote about his life, and this record has an almost journalistic authenticity. GEORGIE FAMEWhat can one say about Georgie Fame? The man has style for days, and it was thus from the very beginning - in shark skin suits, tab collars, and skinny ties. Born in 1943 as Clive Powell, Georgie Fame and his Blue Flames made their bones swinging his Hammond organ in the mod clubs of the early 60s, and had big commercial hits with Yeh Yeh, and The Ballad of Bonnie and Clyde. Recently, he's name checked all over the place, and has done notable collaborations with Van Morrison and others. In Parchman Farm you can hear the undeniable influence of the coolest of the cool white blues men, Mose Allison, and the organ of Booker T and the MGs' Green Onions - a persuasive combination. I'm sure that Bukka White, who wrote this bottle neck Delta blues shouter in 1940 had no inkling that his experience in the Mississippi State Pen would become such a sexy signature tune. You never can tell….
| Artist | Title | Album Name | Album Copyright | Rory Gallagher | Prison Blues | Acoustic Blues | | Fiona Boyes, Mookie Brill, Rich Delgrosso | Good Lord Made You So | Live from Bluesville | | Wizz Jones | Dallas Blues [HULDENBURG BLUES] | Dallas Blues Collection | Wizz Jones | Spoonful | Shake That Thing [The Blues In Britain 1963-1973] | Donna Herula | Not Lookin' Back | Bang At The Door | | Bogus Ben Covington | Boodle-De-Bum Blues | When The Levee Breaks, Mississippi Blues (Rare Cuts CD B) | 2007 JSP Records | Joakim Tinderholt and His Band | Deadlines | Deadlines | | Grey Ghost | One Room Country Shack | Grey Ghost | | W.C. Handy Preservation Band - Carl Wolfe | Sundown Blues | W.C. Handy's Beale Street: Where The Blues Began | Micke & Lefty feat. Chef | Polk Salad Annie | Live On Air 2025 | | Mike Cooper | See Me Running | Shake That Thing [The Blues In Britain 1963-1973] | The Slimline Shufflers | Pontiac Blues | Suspicious Blues | | Honey Boy Edwards-Sunnyland Slim-Kansas City Red-Big Walter Hor | Gamblin' Man | Old Friends | | Stompin' Dave's Blues3 | Raging And A Moaning | The Mayfair Studio | | Andres Roots | Thanks For Bringing Me Down | Winter | | | Bukka White | The Promise True And Grand | The Vintage Recordings 1930 -1940
O espaço intitulado “Atacama Blues” vai, como o nome sugere, ocupar o território musical dos blues e os seus afluentes. Todas as semanas uma nova sugestão. Com André Gonçalves
| Artist | Title | Album Name | Album Copyright | Dixieland Jug Blowers | Boodle-Am-Shake | A Richer Tradition - Country Blues & String Band Music, 1923-1935 | Joe Turner | Christmas Date Boogie | Arhoolie Records Christmas Time Blues | Corey Harris* & Henry Butler | King Cotton | Vu-Du Menz | | Ramsey Lewis Trio | Merry Christmas Baby | Sound of Christmas | | Bukka White | Black Train | The Complete Sessions 1930-1940 | Seasick Steve & The Level Devils | Xmas Prison Blues | Cheap | | | Alger ''Texas'' Alexander | I am Calling Blues (1928) | Complete Recorded Works, Vol. 2 (1928 - 1930) | Charley Jordan with Mary Harri | No Christmas Blues | Charley Jordan Vol 3 (1935-1937) | Sonny Terry & Brownie McGhee | Hootin' the Blues - [ASH GROVE 1-21-1967 1ST SHOW] | Michael Messer | Rollin 'n' Tumblin | King Guitar 2001 | | Andres Roots Roundabout | Miss Carmen James | Three! | | | Lead Belly | The Christmas Song | Rockin' Blues Christmas | Pistol Pete Wearn | Riverside Blues | Live At Liège | | Jerry 'Boogie' McCain- | I Want To Be Your Santa Claus | I've Got The Blues All Over Me 1993 | MJQ | God Rest Ye Merry, Gentlemen | Germany (1956-1958 Lost Tapes)
The history of Takoma records from the early recordings of John Fahey to Robbie Basho, to Bukka White as well as Leo Kottke and Craig Leon. Playlist: https://spinitron.com/WRFI/pl/19642812/Threading-The-Needle
| Artist | Title | Album Name | Album Copyright | Lightnin' Hopkins | How Long Have It Been Since You Been Home | Folk Blues Revival | | Robert Johnson | They're Red Hot | The Complete Recordings; The Centennial Collection | Jake Leg Jug Band | My Pencil Won't Write No More | Live At The Audley Theatre | Bert Deivert | The Rocky Shore | I Ain't Leavin' | | Raphael Callaghan | Can't Afford To Live | Said And Done | | Blind Lemon Jefferson | Right Of Way Blues | Complete Recorded Works In Chronological Order | Charles -Cow Cow- Davenport | Cryin' Blues | Accompanist 1924-1929 | Frank Frost | I Wanna Get Close | Midnight Prowler | | Lonnie Johnson | Working Man's Blues | Lonnie Johnson Tomorrow Night 1970 | Bessie Jones & with the Georgia Sea Island Singers | Bob Young's raisin' up song and whoop | Get In Union | Alan Lomax Archives/Association For Cultural Equity | Jimmy 'Duck' Holmes | Slow Down, Slow Down | Aiin't It Lonesome | | D. Scott Riggs | These Hard Times Will Come To Pass | These Hard Times Will Come To Pass | Jo Carley &The Old Dry Skulls | She Got Him (With Her Voodoo) | Voodoo Bones & Vaudeville Blues | Skip James | Keep Your Lamp Trimmed and Burning | Studio Sessions Rare & Unreleased | Arthur Crudup | Ethel Mae (Remastered) | Crudup's After Hours | Half Deaf Clatch | Fixin' To Die | Tribute to Bukka White
| Artist | Title | Album Name | Album Copyright | Guy Davis and Fabrizio Pogi | Baby Please Don't Go To New Orleans | Sonny & Brownie's Last Train | Duke Robillard | Big Bill Blues | The Acoustic Blues & Roots Of Duke Robillard | Skip James | Illinois Blues | Hampton Jazz Festival 06-27-68 | Arthur Crudup | Raised to My Hand (Remastered) | Crudups After Hours | Andy Cohen | Windy and Warm | Road Be Kind | | Ian McKenzie | Hambone | Walkin' Shoes | | Bukka White | I'm Drifting | Furry Lewis, Bukka White & Friends Party! at Home - 1968 | Doc Watson | Let The Church Roll On | | Doc Watson Rec Live @ Newport Folk Fest 1963/4 | Blue Ridge Mountain Blues | The Essential Doc Watson | Bill Abel | No Dog Here | One-Man Band | | R.L. Burnside | Boogie Chillen | Ass Pocket Full of Whiskey | Long 'Cleeve' Reed & Little Harvey Hull | The Down Home Boys, | The Stuff that Dreams are Made Of (disc 1) | Andres Roots | Thanks For Bringing Me Down | Winter | | | Pink Anderson | I Got A Woman 'Way Cross Town | Blues Legend | | John Mayall and friends | Papa Ain't Salty [Live At Pop Deux, Olympia, Paris, 19 May 1 | Live In France [Disc 2] | Jazz Gillum and His Jazz Boys (BBB, g; George Barns, g) | New 'Sail On Little Girl' | In Chronological Order (Doc CD5197) | | | | |
| Artist | Title | Album Name | Album Copyright | | R. L. Burnside | Have You Ever Been Lonely_ | | | Michael Messer | Sweetheart Darling | Slidedance 1990 | | | The Slimline Shufflers | Ramblers Blues | Suspicious Blues | | | Bessie Jones & with the Georgia Sea Island Singers | Devil Been to My House Today | Get In Union | Alan Lomax Archives/Association For Cultural Equity | Washboard Sam | 8. Mountain Blues | Washboard Swing | | | Steve Howell & The Mighty Men | Walk Don't Run | Been Here And Gone | | Paul Cowley | Preaching Blues | Stroll Out West | | | Blind Willie Johnson | Jesus Is Coming Soon | The Complete Blind Willie Johnson (1 of 2) | Papa Charlie Jackson | Take Me Back Blues | Papa Charlie Jackson Vol 1 (1924-1926) | Duster Bennett | You Need It, It's Gone | Comin' Home- Unreleased & Rare Recordings, Vol. 2 1971-1975 | John Hammond ~ Recorded in St Peter's Episcopal Church, NYC | She's Tough | Rough & Tough | | | Doc Watson & Rec Live Newport Folk Fest 1963/4 | Rambling Hobo | The Essential Doc Watson | | Frank Frost | Ernest's Groove | Midnight Prowler | | | Poky Lafarge and the South City Three | Feels So Good | Middle Of Everywhere | | Catfish Keith | Jitterbug Swing | Live At The Half Moon, Putney | | Half Deaf Clatch | Fixin' To Die | Tribute to Bukka White |
In de vorige aflevering leerden we hoe aan het begin van de jaren dertig, na de beurscrash op Wall Street de economische crisis hard toesloeg, gevolgd door een aanhoudende droogte die de oogst vernielde. Vooral de lagere sociale klasse werd in de armoede gekatapulteerd, er heerste hongersnood en er kwam een nieuwe migratie op gang. Er was nu geen geld meer beschikbaar voor ontspanning en vertier, de kleinere platenlabels gericht op de Afro-Amerikaanse markt gingen ten onder en heel wat grote en bekende muzikanten gaven er de brui aan. En toch hielden enkele bluesartiesten stand. Denk maar aan Bukka White, Skip James, de Mississippi Sheiks, Leadbelly en Big Bill Broonzy. Vind je deze podcast inspirerend en leerrijk? Deel hem dan in jouw netwerk en volg de podcast zodat je geen enkele nieuwe aflevering mist. En een review is ook altijd fijn
| Artist | Title | Album Name | Album Copyright | | Lightnin' Hopkins | The Trouble Blues | Ligntnin' Hopkins In New York | Candid | | | Sonny Boy Williamson | I'm Trying To Make London My Home | American Folk Blues Festival 1962-1965 CD4 | Ida Cox | Death Letter Blues | Ida Cox Vol. 2 1924-1925 | | Joe Bonamassa | High Water Everywhere | Acoustic Evening at the Vienna Opera House | Tampa Red | Stormy Sea Blues | Tampa Red Vol. 7 1935-1936 | | John James | One Long Happy Night | Cafe Vienna | | | Furry Lewis | Old Dog Blue | Furry Lewis, Bukka White & Friends Party! at Home - 1968 | Merle Travis | Cannonball-Rag | Merle-Travis: Ash Grove 12-9-66 | Josh White | Ball and Chain Blues | The Elektra Years | | | Scott Low | Roll On | Appalachian Blues | | | Charles -Cow Cow- Davenport | State Street Jive [Take A] | Complete Recorded Works, Vol. 1 | Raphael Callaghan | Can't Afford To Live | Said And Done | | | Scott Low | Winter Spring | Appalachian Blues | | | Rev Gary Davis | Improvisation Slow Blues In E | The Sun Of Our Life - Solos Songs and Sermons 1955-57 | R.L. Burnside | Shake 'em On Down | | | | Jo Ann Kelly | I Looked Down the Line (And I Wondered) | Blues And Gospel: Rare and Unreleased Recordings
| Artist | Title | Album Name | Album Copyright | Martin McNeill | Boogie Chillen | Cat Squirrel | | Arthur Crudup | Some Day (Remastered) | Crudups After Hours | John James | Remembering The Blossoms | Cafe Vienna | | Catfish Keith | Rowdy Blues | Honey Hole | | T-Bone Walker | I Wanna See My Baby | American Folk Blues Festival 1962-1965 CD1 | Sonny Landreth | Port of Calling | 22 Special Blues Tracks | Ry Cooder | Brother Is Gone | Election Special | | Gary Fletcher | Delta T79 | In Solitary | | Jazz Gillum and His Jazz Boys (BBB, g; George Barns, g) | New 'Sail On Little Girl' | In Chronological Order (Doc CD5197) | R. L. Burnside | Skinny Woman | First Recordings | | Jake Leg Jug Band | St. James Infirmary | LIve At The Audley Theatre [(no chat)] | Jake Leg Jugband | I'll See You In C-U-B-A | Goodbye Booze | | Andy Cohen | Ten and Nine | Road Be Kind | | Furry Lewis | Old Dog Blue | Furry Lewis, Bukka White & Friends Party! at Home - 1968 | Chris O | Blue Wednesday (feat. Derek Phillips) | Peckman's Plateau | | Jimmy Yancey | P. L. K. Special (Remastered) | Yancey's Getaway |
| Artist | Title | Album Name | Album Copyright | | John Hammond | Going Away Baby | Timeless | | | | Blind Lemon Jefferson | Lemon's Cannon Ball Moan | Classic Blues Artwork From the 1920's | Snooks Eaglin | Mama Don't You Tear My Clothes | That's Alright | | | Michael Messer | Big Wind | Second Mind 2002 | | | Fiona Boyes | Easy Baby | Box & Dice | | | Blind Willie Reynolds | Third Street Woman Blues | When The Levee Breaks, Mississippi Blues (Rare Cuts CD A) | 2007 JSP Records | | Pistol Pete Wearn | The Clansman | Blues, Ballads & Barnstormers | | Blind Willie McTell | Mama, 'Tain't Long Fo' Day | Complete Recorded Works, Vol. 1 (1927-1931) | Doc Watson and Gaither Carlton | The Dream of the Miner's Child | Doc Watson and Gaither Carlton | Smithsonian Folkways | Charles -Cow Cow- Davenport | -Cow Cow's- Stomp | Complete Recorded Works, Vol. 2 (1929-1945) | Tom Doughty | Milky Tea | You Can't Teach An Old Dog | | David Evans | The Devil | Lonesome Midnight Dream | | The Jake Leg Jug Band | St. James Infirmary Blues | Hello Central | | | Half Deaf Clatch | Fixin' To Die | Tribute to Bukka White |
| Artist | Title | Album Name | Album Copyright | Josh White | St. James Infirmary | The Elektra Years | | Jake Leg Jug Band | I Can'T Dance | Break A leg | | Furry Lewis | When I Lay My Burden Down | Furry Lewis, Bukka White & Friends Party! at Home - 1968 | Adam Franklin | Hellhound On My Trail | Til I Hear You Talkin' (Extra} | Lightnin' Hopkins | Black Cadillac | In The Key Of Lightnin | John Hammond | Sweet Home Chicago | Bluesman - 2002 | Steve Howell & The Mighty Men | I Believe To My Soul | Steve Howell & The Mighty Men | Rev. Edward W. Clayborn | Jesus Went On Man`s Bond | Rev. Edward W. Clayborn – Complete Recorded Works 1926-1928 | Cedric Burnside | The World Can Be So Cold | I Be Trying | | Bessie Jones & with the Georgia Sea Island Singers | Going to Chattanooga | Get In Union | Alan Lomax Archives/Association For Cultural Equity | Leadbelly | Good Morning Blues | Eagle Rock Rag | | Mark Searcy | The Thrill Is Gone | Ground Zero | | Auld Mans Baccie | Cant Be Satisfied | Auld Mans Baccie Live at Reivers | Half Deaf Clatch | Too Poor To Die | Every Path Leads Here | Big Joe Williams | Keep A Knockin' | A Man Sings The Blues | BJW EPs | | | Michot's Melody Makers | La Lune Est Croche | Michot's Melody Makers Blood Moon
Dr David Evans presents 11 Bukka White recordings from Mr White's later re-discovery years starting in 1965 The post Episode 227 appeared first on Blues Disciples Podcasts.
This Podcast is Blues Hall of Fame ethnomusicologist, blues artist and producer Dr David Evans to continue our series on Mr Bukka White The post Episode 226 appeared first on Blues Disciples Podcasts.
| Artist | Title | Album Name | Album Copyright | | Tony Joe White | Baby Please Don't Go | Tony Joe White | | | Memphis Minnie | Nothing In Ramblin' | Blues: The Essential Album | | Bukka White | Shake Em On Down | The Complete Sessions 1930-1940 | Lettoman | Dancing, Singing, and Hot Gazes | Singles July 2023 | | | Lightnin' Hopkins | Play With Your Poodle | Morning Blues (1965) | | Jimmy Driftwood | Battle of New Orleans | The Collection | | | Jaybird Coleman | Man Trouble Blues | Country Southern Blues | | Mary Flower | Hard Day Blues | Misery Loves Company | | Steve Howell & The Mighty Men | Bad Boy | Been Here And Gone | | Big Bill Broonzy | Water Coast | Four Classic Albums Plus - CD Two | Thom Bresh | Mi Amigo - Instrumental | @Home | | | | Duster Bennett | Let Your Light Shine On Me | Comin' Home- Unreleased & Rare Recordings, Vol. 2 1971-1975 | Andy Cohen | Moppers Blues | Built Right On The Ground | | Alison Solo | Old English | Plutonian | | | | Original Rabbit Foot Spasm Band | Chapel In The Pines | Party Seven | | | Colin James | See That My Grave is Kept Clean | Miles to Go | W.C. Handy Preservation Band- Dir. Carl Wolfe | Harlem Blues | W.C. Handy's Beale Street: Where The Blues Began
| Artist | Title | Album Name | Album Copyright | | Big Bill Broonzy | Why Did You Do That To Me | Big Bill Broonzy Vol 12 (1945-1947) | Fiona Boyes | Louisana | Box & Dice | | Andres Roots | Wagon Swing | Mississippi to Loch Lomond | | Andrew & Jim Baxter | Operator Blues | The Stuff that Dreams are Made Of (disc 1) | Alvin Youngblood Hart | Big Mama's Door | Big Mama's Door | | | Lightnin' Hopkins | Mr. Charlie | Ashgrove 5-29-65 - Early Show | | Rory Block | Lord, I Feel Just Like Goin' On | I Belong To The Band | | Washington Phillips | Denomination Blues, Pt. 1 | Washington Phillips and His Manzarene Dream | Bukka White | Fixin' To Die Blues | The Complete Sessions 1930-1940 | Henry Townsend | Drowning In Tears | Searching For Secret Heroes | Document Records | | Gary Grainger | Nobodys Fault But Mine | Mistakes and Out-takes | | Mike Goudreau | Bread And Water | Acoustic Sessions | | | Geeshie Wiley | Over To My House | When The Levee Breaks, Mississippi Blues (Rare Cuts CD C) | 2007 JSP Records | | Chris O | Arrangement for Me Blues | Peckman's Plateau | | | Michael Messer | Riverboat | 22 Special Blues Tracks | | Half Deaf Clatch | Fixin' To Die | Tribute to Bukka White |
| Artist | Title | Album Name | Album Copyright | Andy Cohen | Pea Vine Blues | Andy Cohen Tryin' To Get Home | Elizabeth Cotton | Here Old Rattler Here , Sent for My Fiddle Sent for My Bow | Freight Train and Other North Carolina Folk Songs and Tunes | Nashville Washboard Band | Arkansas Traveler | A Richer Tradition - Country Blues & String Band Music, 1923-19 | Bukka White | Gibson Hill | Bukka White-Ash Grove August 17, 1967 | Seasick Steve | Freedom Road | Hubcap Music | | Lightnin' Hopkins | Don't Embarrass Me, Baby | Goin' Away | | Henry Thomas | Arkansas | Complete Recorded Works 1927-1929 | Jake Leg Jug Band | Caught Us Doing It | LIve At The Audley Theatre] | Blind Lemon Jefferson | Sunshine Special | Complete Recorded Works In Chronological Order | Fiona Boyes | Guys Be Wise | Blues For Hard Times | Playboy Fuller | 1Sugar Cane Highway | 20 Classic Blues Songs from the 1920's | Big Bill Broonzy | Mindin' My Own Business | The Bluesmen | | The Curse of K.K. Hammond | Swamp Thing Returns | Death Roll Blues | | Bessie Jones & with the Georgia Sea Island Singers | Live Humble | Get In Union | Alan Lomax Archives/Association For Cultural Equity | Robert Nighthawk | Black Angel Blues | Prowling With The Nighthawk
| Artist | Title | Album Name | Album Copyright | | Skip James | Hard Time Killin' Floor Blues | The Complete Early Recordings of Skip James - 1930 | James Cotton | River's Invitation | 22 Special Blues Tracks | | Tina Turner- | Let's Stay Together [acoustic] | | | John Lee Hooker | Let's Make It Baby | American Folk Blues Festival 1962-1965 CD1 | Half Deaf Clatch | Mind Over Matter | Short Songs for the Barely Conscious | Bessie Jones & with the Georgia Sea Island Singers | Once There Was No Sun (II) | Get In Union | Alan Lomax Archives/Association For Cultural Equity | John James | Remembering The Blossoms | Cafe Vienna | | | Blind Willie Johnson | God Don't Never Change | The Complete Blind Willie Johnson (1 of 2) | Hans Theessink and Big Daddy Wilson | Virus Blues | Pay Day | | | | Mean Mary | Merry Eyes | Portrait of a Woman Part 1 | | Andres Roots | Winter Blues | Winter | | | | Bukka White | Hambone Blues | Furry Lewis, Bukka White & Friends Party! at Home - 1968 | Big Bill Broonzy | The Banker's Blues | Complete Recorded Works in Chronological Order Vol. 1 | Stompin' Dave's Blues3 | My Heart Belongs To You | The Mayfair Studio | | | Doc Watson and Gaither Carlton | Groundhog (Blind Lemon's Version) | Doc Watson and Gaither Carlton | Smithsonian Folkways | Furry Lewis With Bukka White And Gus Cannon | Why Don't You Come Home Blues | On The Road Again | | | J.B. Lenoir | If I Get Lucky | American Folk Blues Festival 1962-1965 CD5
Is there such a thing as too much blues? If you're looking for more deep-cut hidden gems in the world of blues guitar, you don't wanna miss this episode. After the overwhelming response to our previous episode featuring 11 incredible blues artists, I knew I had to share 11 MORE acoustic blues artists that'll help you play better and inspire you on your guitar journey. In this episode, we're diving into the world of acoustic blues like never before, with intimate concert footage from some of the most influential blues musicians throughout the past century. We'll be exploring the captivating sounds of Mississippi hill country blues, delta blues, Chicago blues, and more, as we celebrate the rich history and legacy of this incredible genre. Get ready to be amazed by the raw talent and authentic emotions of artists like Bukka White, JB Lenoir, Blind Willie McTell, and Jessie Mae Hemphill, as we take a closer look at the unique styles and techniques that have shaped the world of acoustic blues. So grab your guitar, tune in, and let's embark on this blues journey together! And if you haven't already, make sure to subscribe to Acoustic Life so you never miss an episode of Acoustic Tuesday, where we celebrate the acoustic lifestyle and share our love for all things guitar. Submit your guitarsenal at the link below! https://airtable.com/shrpAVAi9HUGVUW8b Featured in this episode... - Old Town School - Fretboard Journal - Jason Isbell - Gibson Guitar - Michael Watts - Blind Guitars - Molly Tuttle - Gryphon Strings - Martin Guitar - Hurt: The Film
| Artist | Title | Album Name | Album Copyright | | Stomping Dave Allen and Earl Jackson | Rock Me Baby | Stompin' The Blues | | | Amos Milburn | That's It | Complete Aladdin Recordings 1994 CD7 | Corey Harris | Early In The Morning | Between Midnight And Day | | Thom Bresh | Bar School | @ Home | | | | Alger "Texas" Alexander | Farm Hand Blues (1927) | Complete Recorded Works, Vol. 1 (1927 - 1928) | Blind Willie McTell | Love Changing Blues (1929) | 1995 - Statesboro Blues | | Rev Gary Davis | Improvisation Slow Blues In E | The Sun Of Our Life - Solos Songs and Sermons 1955-57 | Arthur Crudup | You Got to Reap (Remastered) | Crudups After Hours | | Rev Gary Davis | Penitentiary Blues | See What The Lord Has Done For Me. The Ernie Hawkins Session CD | Bukka White | Parchman Farm Blues | The Vintage Recordings 1930 -1940 | Mississippi Fred McDowell & Hunter's Chapel Singers | You Got To Move | Amazing Grace | | | Stomping Dave Allen, Sam Kelly & Jules Bushell | Everyday I Have The Blues (Chatman) | Live From The Sticks (live) | | Lightnin' Hopkins | Long Way From Home | Ashgrove 5-29-65 - Early Show | | Martin McNeill | Can't Hold Out Much Longer | Cat Squirrel | | | Sister Rosetta Tharpe | Up Above My Head I Hear Music In The Air (Recorded Live At The | Chris Barber Presents The Blues Legacy Lost & Found Series Volu | Jesse Fuller | Sleeping In The Midnight Cold | Move On Down the Line |
This Episode explores Mr Bukka White's first 10 years of recordings from 1930 thru 1939 and Dr Dave Evans Induction to Blues Hall of Fame The post Episode 216 appeared first on Blues Disciples Podcasts.
Jimmy Bryant and Speedy West "Stratosphere Boogie"Elvis Costello & The Attractions "Love For Tender"Martha Davis "Kitchen Blues"Freakwater "Bolshevik and Bollweevil"The Light Crust Doughboys "Dirty Dish Rag Blues"Adia Victoria "Mortimer's Blues"The Carter Family "Bear Creek Blues"Memphis Jug Band "Papa's Got Your Bath Water On"Chris Whitley "Dust Radio"Billie Holiday "Long Gone Blues"Homesick James "Lonesome Road"Ray Wylie Hubbard "Bad Trick"Wynonie Harris "Quiet Whiskey"Roger Miller "Private John Q"Fletcher Henderson "Sing, Sing, Sing"Viola James "On That Rock"Angel Olsen "Lights Out"Stack Waddy "Willie the Pimp"Clem Snide "Moment in the Sun"Andrew Bird "Railroad Bill"Duke Ellington and His Orchestra "Love Is Like a Cigarette"Bob Corritore - Valerie June "Crawdad Hole"Kansas City Kitty & Georgia Tom "Gym's Too Much For Me"Loretta Lynn "Blue Steel"Rebirth Brass Band "Leave That Pipe Alone"Tom Waits "I Wish I Was In New Orleans [in The Ninth Ward]"The Nite Owls "Married Man Blues"S.G. Goodman "Dead Soldiers"Bukka White "Aberdeen Mississippi Blues"Hank Williams "Nobody's Lonesome For Me"Blue Lu Barker "That's How I Got My Man (10-25-49)"Trapper Schoepp "Eliza"Jimmie Rodgers "Let Me Be Your Side Track"Hound Dog Taylor & The HouseRockers "Give Me Back My Wig"Bessie Jones "So Glad I'm Here"The Breeders "When I Was a Painter"R.L. Burnside "Peaches"Dead Meadow "Sleepy Silver Door"Billy Bragg "Greetings To The New Brunette"Drag The River "Fire & Flood"Willie Humphrey "Oh How I Miss You Tonight"Howlin' Wolf "Ridin' In the Moonlight"The Yardbirds "Respectable (Live)"Gang of Four "Armalite Rifle"Jimmy Smith "Got My Mojo Workin'"John Lee Hooker "Boogie Chillen (1949 Original Version)"Lucero "San Francisco"
Summary Episode 25: Jon Gomm is a singer songwriter considered to be one of the world's true virtuoso guitarists possessing a unique style most elite musicians consider revolutionary. Jon was born and continues to live in the North of England. His songs are driven by his use of one acoustic guitar to create drum sounds, basslines and twisting melodies all at the same time with no external effects. The emphasis remains on his soulful vocals and songwriting with his original material influenced by everything from Robert Johnson to Radiohead. His live shows combine deeply personal performances allied with a natural wit, with a once seen, never forgotten two-handed guitar style, both physical and complex, producing sounds people can barely believe are coming from a humble acoustic guitar. https://vimeo.com/678255603 (Timestamps are for audio version of the podcast.) 00:25 Introducing Jon Gomm 04:07 Jon recalls the gig with Adam 05:18 Graceland by Paul Simon - one of Jon's earliest music inspirations 07:00 The Jeff Beck Influence 07:25 John describes his early frustration with electric 19:09 Jon talks about playing covers 20:51 Jon talks about the current pop music paradigm & asks should one compose? 25:34 Musical Segment: Jon plays his own composition "Passionflower" 32:20 Jon talks about his approach with unconventional tunings, techniques and percussion 33:34 His excitement with novel techniques - slide, flamenco percussion 34:13 Jon talks about the "Bukka White" style 34:57 Jon talks about playing electric guitar in bands at 13 35:29 Jon discovers Laurence Juber and Michael 41:31 Jon talks about gigging as a working country, metal and jazz player 43:34 How Jon is currently connecting with music emotionally 46:24 His new album which he describes as "quite emotionally intense" 52:59 Jon talks about doing music arrangements 1:02:46 Jon's best advice for every guitar player! 1:08:24 Jon's "last words" for the interview 1:08:45 Ending credits & podcast contact info Jon's Links Jon's Website Jon's Youtube Jon's Facebook Jon's Instagram Jon's Twitter https://www.youtube.com/watch?v=nY7GnAq6Znw https://www.youtube.com/watch?v=QcmecyoZgjo Never Miss an Episode - Subscribe NOW!
Tom Waits "Get Behind the Mule"Merle Haggard "This Town's Not Big Enough"Fiona Apple "On the Bound"Sebadoh "Pink Moon"Robert Belfour "Black Mattie"New Moon Jelly Roll Freedom Rockers "If Blues Was Money"Hank Williams "Long Gone Lomesome Blues"Ruth Brown "Mama He Treats Your Daughter Mean"Mississippi Fred McDowell "Amazing Grace"Taj Mahal "Statesboro Blues"Dan Penn "The Dark End of the Street"Aretha Franklin "Good to Me As I Am to You"Bonnie "Prince" Billy "Make Worry for Me"Bob Wills and his Texas Playboys "Draggin' The Bow"Mavis Staples "Wrote a Song for Everyone"John R. Miller "Holy Dirt"Built to Spill "Conventional Wisdom"John Mayall & The Bluesbreakers "Have You Heard"Solomon Burke "The Judgement"Steve Earle & The Dukes "Sweet Little '66"Elvis Costello & The Attractions "Why Don't You Love Me (Like You Used To Do)?"Magnolia Electric Co. "The Night Shift Lullaby"Lucero "The Last Song"Connie Smith "Over The Next Hill"Cory Branan & Jon Snodgrass "The Corner"Holly Golightly & the Brokeoffs "Tank"Matt Woods "Ghosts of the Gospel"Otis Gibbs "Caroline"Billy Joe Shaver "Georgia On A Fast Train"Bob Dylan "If You Ever Go To Houston"Bukka White "Aberdeen Mississippi Blues"Mississippi Fred McDowell "61 Highway"Soltero "The Good Times"Louis Jordan "Junco Partner"Lucinda Williams "Real Live Bleeding Fingers and Broken Guitar Strings"Willie Mae Williams "Don't Want To Go There"The Black Keys "I Got Mine"James Brown "Give It Up Or Turnit a Loose"fIREHOSE "Brave Captain"S.G. Goodman "Teeth Marks"Billie Holiday "Lady Sings the Blues"Superchunk "The Question Is How Fast"Otis Redding "Nobody's Fault But Mine"Drive-By Truckers "Wilder Days"
Notre 1er invité est Kepa pour la sortie de son 2ème album Divine Morphine (Éditions Miliani). C'est toujours la même chanson, celle qui tient en un mot. Cinq lettres, trois consonnes et deux voyelles. Un B, un L, un U, un E et la marque du pluriel au bout. Un mot international, qui désigne à la fois une musique, un état émotionnel et vaguement une couleur. Vous l'avez, là ? Chut… Il ne faut plus l'écrire, ni le nommer, pour ne pas tomber dans ses clichés, ni y emmener les auditeurs du deuxième album de Kepa. Kepa ne veut plus en entendre parler, pourtant il l'a. Dans sa guitare en métal qui, entre de bonnes mains, ressemble à une lampe d'Aladin, à une épée mythologique. Dans son harmonica, cet instrument qui fait trembler le cerveau quand on en joue avec le cœur. Dans sa vie de tous les jours et même de tous les hiers. Au fond de ses tripes, comme un frisson qui remonte jusqu'à ses cordes vocales, un super pouvoir dont il faut aussi avoir peur. Dans ses gênes, son corps endolori, son sang altéré. Dans le titre de ce nouvel album, Divine Morphine. Le premier, sorti il y a trois ans, s'appelait Doctor, Do Something. Un début de concept, toujours la même chanson, comme une affection longue durée. Kepa l'a attrapé comme une maladie. En 2013, Kepa s'appelait Bastien Duverdier et il vivait la vie de skater professionnel, humain augmenté capable de voyager loin et de s'envoler sur une planche à roulettes. Quant tout à coup, il s'est senti devenir vieux. Rongé par une maladie auto-immune qui a bouleversé sa vie, les chiens de l'enfer à ses trousses, qui ne le lâcheront jamais. Il a trouvé une planche de salut, sans roulettes mais avec des cordes, dans la musique, pratiquée sur sa guitare en métal et de préférence sur un ou deux accords qui tournent, à la recherche d'une transe intérieure, d'une vibration musico-thérapeutique, d'un rite auto-chamanique. Bastien est devenu musicien, sortant donc en 2018 Doctor, Do Something, premier album réalisé avec Taylor Kirk du groupe canadien Timber Timbre. L'album a été très bien accueilli, et des centaines de concerts ont fait connaître Kepa, son humour, sa musique et ses jolies chemises. Mais, malgré tout le bien qu'on a pensé de Doctor, Do Something, on peut l'affirmer sans forfanterie : Divine Morphine est mille fois mieux. Doctor, Do Something était une carte de visite. Divine Morphine est le récit d'une expédition au fond de soi, d'un voyage au bout de l'enfermement. Personne ne t'entendra crier. Il a fait ce disque pour chercher à comprendre, dompter et raconter cette maladie qui l'a chamboulé jusqu'à l'implosion, à l'orée de la folie. «Du plomb dans l'Eldorado», chante-t-il en duo avec Sarah McCoy sur l'incroyable dark-pop song Eldorado, un vrai tube du nouveau monde. Du plomb dans l'Eldorado, c'est un peu ce que tout le monde ressent depuis l'année 2020, non ? Le calvaire des uns est la Covid-19, le sien s'appelle HLA-B27, pour human leucocyte antigen. Personne ne peut le vivre à sa place, mais tout le monde peut ressentir et apprécier comment il s'est soigné avec Divine Morphine. Le premier morceau est un peu son All Aboard (Muddy Waters) à lui. Un solo d'harmonica basse façon train song, qui aurait eu sa place sur Doctor, Do Something, mais qui d'un coup tourbillonne, se dérègle et annonce la suite. Le train vient de dérailler et d'entrer dans une autre dimension, celle du vertige opiacé, de la perte de contrôle, de la musique qui rêve et dérive… Une chanson va sonner comme la bande-son d'un western où Kepa fait un duel avec lui-même (Dog Days). Une autre emmène les vieux Bukka White et Alan Vega danser dans un club de Détroit pendant un tremblement de terre (Wet Dream). Le temps de deux reprises, Kepa s'agenouille sans se prosterner devant des totems intimes : Hard Time Killin Floor Blues de Skip James (avec Rodolphe Burger), et Sodade de Cesaria Evora dans une version hallucinée, où l'on voit l'océan geler autour des îles du Cap-Vert. Six pieds sous terre reste sous les tropiques le temps d'une murder ballad. La chanson Divine Morphine est presque badine, indolente, ritournelle dans un état second. L'instrumental Messe HLA-B27 montre les progrès guitaristiques fulgurants de Kepa, affranchi des exercices de styles, devenu son propre maître. Sa voix aussi a changé, il la pousse vers la plainte dans des aigus hululants. Il joue différents instruments, des claviers comme des stalactites, la trompette et d'autres choses avec sa bouche, des bruitages d'origine non identifiée. Il est l'homme-orchestre du Titanic, au final seul survivant du naufrage, puis échoué sur une île déserte – le dernier morceau, Merle, ressemble à la prière païenne d'un Robinson en lévitation. L'album est maintenant terminé. Personne n'en sortira indemne. Et tout le monde n'aura qu'une envie : y retourner. Stéphane Deschamps. Titres interprétés - Divine Morphine, Live RFI - Sodade, extrait de l'album Divine Morphine - Eldorado, Live RFI - Hard Time Killing Floor, extrait de l'album Divine Morphine. Puis nous recevons Jawhar pour la sortie de l'album Tasweerah (62TV/PIAS). Tasweerah est le quatrième album du singer / songwriter tunisien Jawhar. Tasweerah veut dire en tunisien à la fois : portrait, image, mais aussi : projection de l'esprit… L'album est une série d'arrêts sur image, de portraits plus ou moins personnels. Les chansons sont, chacune à leur manière, des tentatives vers un portrait universel de l'artiste. Elles questionnent sa place et celle de l'imaginaire dans la société, posent «la création et la quête de la beauté» au centre de l'album. Volontairement brut et sans artifice, Tasweerah nous replonge dans la folk / pop claire-obscure de Jawhar, proclamé dans la catégorie Arabic Dream Pop. Né d'une mère professeure de Littérature arabe, éprise de musique et de poésie, et d'un père qui se consacre au théâtre puis à la politique culturelle, Jawhar grandit dans la banlieue au sud de Tunis, à Radès. Très tôt, il est fasciné par une certaine culture populaire, par la force de ses images et de ses expressions verbales, musicales et gestuelles. Quand il part à l'âge de vingt ans étudier l'anglais à Lille, c'est plutôt la poésie abstraite qui l'attire, celle de William Blake et d'Emily Dickinson… En plus d'un amour grandissant pour un certain Nick Drake qui le liera de manière irrévocable à sa folk impressionniste. Titres interprétés - Malguit Live RFI - Schizo Hyout, extrait de l'album Tasweerah voir le clip - Sayyed Ezzin, extrait de l'album Tasweerah - Foug Layyem Live RFI voir le clip. Son : Fabien Mugneret, Mathias Taylor, Benoît Letirant. (Rediffusion du 27 mars 2022)
Air Week: November 28-December 4, 2022 B. B. King The “Juke In The Back” pays its respects to a true musical icon, B.B. King. Riley B. King was raised on plantations as his mother was a sharecropper. He wanted to play guitar and sing on the radio like his mother's cousin, Bukka White. He moved […]
| Artist | Title | Album Name | Album Copyright | Big Joe Wiliams. Lightnin Hopkins, Sonny Terry, Brownie McGhee | Wimmen From Coast To Coast | Folk Blues Revival | | Robert Lockwood | Black Spider Blues | When The Levee Breaks, Mississippi Blues (Rare Cuts CD A) | 2007 JSP Records | Lightnin' Hopkins | Sun Goin' Down | The Swarthmore Concert (1964) | Michael Messer | Living By The Water | MOONbeat 1995 | | Half Deaf Clatch | My Babe (Live) | Live In Shetland 2014 | Catfish Keith | She Got Washed Away | Honey Hole | | Lightnin' Hopkins With Sonny Terry | Take A Trip With Me | Last Night Blues | | Rory Block | Pure Religion | I Belong To The Band | Robert Pete Williams | Sweep My Floor | Robert Pete Williams | Julian Piper | Who Got The Olds? (When Johnny Ace Died) | Terlingua | | | Blind Willie McTell | Three Women Blues | Complete Recorded Works, Vol. 1 (1927-1931) | Andy Cohen | Miss The Mississippi And You | Built Right On The Ground | Furry Lewis | Furry Lewis talking 3 | Furry Lewis, Bukka White & Friends Party! at Home - 1968 | Cora Mae Bryant | Hambone | Sisters Of The South (Cd2) | Jake Leg Jugband | Just A Little Drink | Prohibition Is A Failure
| Artist | Title | Album Name | Album Copyright | Blind Lemon Jefferson | Easy Rider Blues | Complete Recorded Works In Chronological Order | Sonny Terry & Brownie McGhee | Kansas City - [ASH GROVE 1-21-1967 1ST SHOW] | Ash Grove 01-21-1967 1st Show | Bukka White | Please, Ma'am | Furry Lewis, Bukka White & Friends Party! at Home - 1968 | Jake Leg Jugband | I'll See You In C-U-B-A | Goodbye Booze | | John Hammond | Key To The Highway | The Best Of John Hammond - 1970 | Stompin Dave Allen and Sam Kelly | Please Don't Shoot Me Down | Live At The Bulfrog Blues Club | Big Joe Turner | Rebecca | Rocks In My Bed | | Memphis Minnie | Hoodoo Lady | Blues, Blues Hoodoo Halloween | Pete Johnson | Some Day Blues - Original | Pete Johnson Selected Hits Vol4 [Charley] | Seasick Steve | Salem Blues | Dog House Music | | Adam Franklin | Terraplane Blues | Outside Man | | Michael Messer | 17 Moonbeat | King Guitar 2001 | | Pistol Pete Wearn | Police High Sheriff | Service Station Coffee | Lightnin' Hopkins | Green Onion | The Swarthmore Concert (1964)
| Artist | Title | Album Name | Album Copyright | | Jerry Reed | Tupelo Mississippi Flash | | | Chris Barber Featuring Ottilie Patterson | Jail House Blues | Jazz Masters Beale Street Blues | Lightnin' Hopkins | Black Cadillac | In The Key Of Lightnin | | Bukka White | Bukka's Jitterbug Swing | The Complete Sessions 1930-1940 | Sonny Terry and Brownie McGhee | Cornbread, Peas And Black Molasses (Recorded Live At The Free T | Chris Barber Presents The Blues Legacy Lost & Found Series | Rev Gary Davis | Cincinnati Flow Rag 1 | The Ernie Hawkins Session CD 3 | Scrapper Blackwell | Blues Before Sunrise | Mr Scrapper's Blues | | | Snooks Eaglin | High Society | New Orleans Street Singer | | Big Bill Broonzy | Key To The Highway | Four Classic Albums Plus - CD One | Corey Harris | High Fever Blues (solo version) | Fish Ain't Bitin' | | | Skip James | Hard Time Killin' Floor Blues | The Complete Early Recordings of Skip James - 1930 | Grey Ghost | Sheik of Araby | Grey Ghost | | | Lonnie Johnson | Four Hands Are Better Than Two | Jazz Legends | | | Blind Lemon Jefferson | Match Box Blues | Complete Recorded Works In Chronological Order | Mound City Blue Blowers | Arkansas Blues [Chicago 2.23.24] | Vibraphonic #3 | | | Sidney Bechet | Nobody Knows You When You're Down and Out
Blues Radio International With Jesse Finkelstein & Audrey Michelle
Radio Edition #544 for 7/4/2022 Samantha Fish performs live at the 2022 Tampa Bay Blues Festival, with music from Charlie Musselwhite, Bukka White, and Mississippi Heat.REPORT YOUR RECEPTION HERE Worldwide Shortwave Transmission Schedule Monday 0200 GMT/Sunday 9:00pm ET 9955 kHz, Friday 0230 GMT/Thursday 9:30pm ET 9955 kHz via WRMI, Radio Miami InternationalYou can always find more live blues music content on our website: Blues Radio International#SamanthaFish #BluesRadioInternational #livemusic #bluesradio
In 1940, bluesman Bukka White recorded "Parchman Farm Blues," a lament about being imprisoned in the infamous Mississippi State Penitentiary (2:30). Insightful lyrics, impassioned vocals, great slide guitar, and some nice accompaniment from Washboard Sam to boot! Even though he denied it, jazzman Mose Allison adapted White's song in 1958, titling it "Parchman Farm" and giving the song a controversial punchline (43:43). His version was an unlikely dance hit amongst the British Mods, with an insistent piano riff, solid rhythm section backing, and lots of hipster irony. In 1966, The Blues Breakers took the song on, with John Mayall's harmonica in place of the piano, another great rhythm section (including future Fleetwood Mac-er John McVie on bass), and Eric Clapton in the back, reading his Beano comic book. Finally, back to the States to hear The Traits, with Johnny Winter, who shreds on guitar and vocals mere months before he finds fame at Woodstock (1:38:59). Drink some wine, sit on Number 9, and open your textbooks ...
| Artist | Title | Album Name | Album Copyright | Graná Louise | Stagger Lee | Gettin' Kinda Rough | The Ragged Roses | Crying over you | Do Me Right | Kat Riggins | In My Blood.wav | Kat Riggins -Progeny | Stacy Jones | Think | World On Fire | Mudlow | Sundown | Bad Turn | | Mary Stokes Band Featuring Shobsy | Help Me | Mary Stokes Band featuring Sarah Michelle- Comin' Home | Jason Lee McKinney Band | Make No Mistake | One Last Thing | The Lucky Ones | Bones | Slow Dance, Square Dance, Barn Dance | Joanne Shaw Taylor | Dyin' To Know | Blues From The Heart Live | The Reverend Shawn Amos | Everybody Wants To Be My Friend | Songs And Stories From The Family Tree (1997-2022) | Sister Rosetta Tharpe | Down By The Riverside (Recorded Live At The Free Trade Hall, Ma | Chris Barber Presents The Blues Legacy Lost & Found Series Volu | The Rock House All Stars | Love In Vain feat. Emil Justian _ The Rock House All Stars | An Ovation from Nashville | The Cadillac Kings | Flatfoot Sam | Cadillac Kings | Bob Margolin And Bob Corritore | Blessings and Blues | So Far | | Furry Lewis | Farewell to Thee | Furry Lewis, Bukka White & Friends Party! at Home - 1968
Pacific St Blues & AmericanaMay 29, 2022Over the years acoustic slide blues player Aurora "Rory" Block has explored the music of the great delta players including Skip James, Rev. Son House, Rev. Gary Davis, Robert Johnson, Mississippi John Hurt, Mississippi Fred McDowell, Bukka White, Bessie Smith, and Leadbelly.Join me this week as we explore the various musical paths trodden by Rory Block. Block appeared at the Indigenous Jam back in the day. PLUS we focus on new tunes by old favorites! 1. Corey Harris / Insurrection Blues2. Charlie Musselwhite / Crawling King Snake3. Rory Block / Death Letter Blues (Reverend Son House) 4. John Mellencamp / John the Revelator(Reverend Son House)5. Rex Granite Band / Man in Chapter Two 6. Bonnie Raitt / Waiting for You to Blow 7. Rory Block / Death Don't Have No Mercy (Rev. Gary Davis)8. Jackson Browne / Cocaine (Rev. Gary Davis)9. Kenny Neal / Blues Keeps Chasing Me 10. Marcus King Band / Hard Working Man 11. Rory Block / Avalon (Mississippi John Hurt) 12. Dave Alvin & Peter Case (dBs) / Monday Morning Blues (Mississippi John Hurt)13. Lil' Ed and the Blues Imperials / Giving Up on Your Love (Soaring Wings Vineyard Blues Festival)14. Eric Clapton / Alabama Woman Blues 15. Rory Block / Good Morning Little School Girl (Mississippi Fred McDowell)16. The Rolling Stones / You Gotta Move (Mississippi Fred McDowell)17. Lyle Lovett / 12th of June18. Lucinda Williams / Wildflower19. Rory Block / Cross Roads Blues (Robert Johnson)20. Led Zeppelin / Traveling Riverside Blues (Robert Johnson)
The first part of our interview with Mark, world-renowned National Guitar expert and author of ‘Palm Trees, Senoritas… and Rocket Ships' - The Bible on National Guitars. Hear about Mark befriending and cleaning the lipstick off of The Hollies' van, capturing the famous photos of Bob Dylan at that JUDAS gig in Manchester, meeting John Lennon and Paul McCartney separately; as well as being backstage at a blues concert and meeting legendary performers including Bukka White, Little Walter, Skip James, and Son House. Mark also tells us the story of getting his first National and goes into detail about the process of putting his book together over many years. Mark's book is available to buy here: https://markmakin.co.uk/ Mailing list: https://mailchi.mp/e5acf7f7d18a/wrmailinglistwelcome www.thewashboardresonators.com
Notre 1er invité est Kepa pour la sortie de son 2ème album Divine Morphine (Éditions Miliani). C'est toujours la même chanson, celle qui tient en un mot. Cinq lettres, trois consonnes et deux voyelles. Un B, un L, un U, un E et la marque du pluriel au bout. Un mot international, qui désigne à la fois une musique, un état émotionnel et vaguement une couleur. Vous l'avez, là ? Chut… Il ne faut plus l'écrire, ni le nommer, pour ne pas tomber dans ses clichés, ni y emmener les auditeurs du deuxième album de Kepa. Kepa ne veut plus en entendre parler, pourtant il l'a. Dans sa guitare en métal qui, entre de bonnes mains, ressemble à une lampe d'Aladin, à une épée mythologique. Dans son harmonica, cet instrument qui fait trembler le cerveau quand on en joue avec le cœur. Dans sa vie de tous les jours et même de tous les hiers. Au fond de ses tripes, comme un frisson qui remonte jusqu'à ses cordes vocales, un super pouvoir dont il faut aussi avoir peur. Dans ses gênes, son corps endolori, son sang altéré. Dans le titre de ce nouvel album, Divine Morphine. Le premier, sorti il y a trois ans, s'appelait Doctor, Do Something. Un début de concept, toujours la même chanson, comme une affection longue durée. Kepa l'a attrapé comme une maladie. En 2013, Kepa s'appelait Bastien Duverdier et il vivait la vie de skater professionnel, humain augmenté capable de voyager loin et de s'envoler sur une planche à roulettes. Quant tout à coup, il s'est senti devenir vieux. Rongé par une maladie auto-immune qui a bouleversé sa vie, les chiens de l'enfer à ses trousses, qui ne le lâcheront jamais. Il a trouvé une planche de salut, sans roulettes mais avec des cordes, dans la musique, pratiquée sur sa guitare en métal et de préférence sur un ou deux accords qui tournent, à la recherche d'une transe intérieure, d'une vibration musico-thérapeutique, d'un rite auto-chamanique. Bastien est devenu musicien, sortant donc en 2018 Doctor, Do Something, premier album réalisé avec Taylor Kirk du groupe canadien Timber Timbre. L'album a été très bien accueilli, et des centaines de concerts ont fait connaître Kepa, son humour, sa musique et ses jolies chemises. Mais, malgré tout le bien qu'on a pensé de Doctor, Do Something, on peut l'affirmer sans forfanterie : Divine Morphine est mille fois mieux. Doctor, Do Something était une carte de visite. Divine Morphine est le récit d'une expédition au fond de soi, d'un voyage au bout de l'enfermement. Personne ne t'entendra crier. Il a fait ce disque pour chercher à comprendre, dompter et raconter cette maladie qui l'a chamboulé jusqu'à l'implosion, à l'orée de la folie. "Du plomb dans l'Eldorado", chante-t-il en duo avec Sarah McCoy sur l'incroyable dark-pop song Eldorado, un vrai tube du nouveau monde. Du plomb dans l'Eldorado, c'est un peu ce que tout le monde ressent depuis l'année 2020, non ? Le calvaire des uns est la Covid-19, le sien s'appelle HLA-B27, pour human leucocyte antigen. Personne ne peut le vivre à sa place, mais tout le monde peut ressentir et apprécier comment il s'est soigné avec Divine Morphine. Le premier morceau est un peu son All Aboard (Muddy Waters) à lui. Un solo d'harmonica basse façon train song, qui aurait eu sa place sur Doctor, Do Something, mais qui d'un coup tourbillonne, se dérègle et annonce la suite. Le train vient de dérailler et d'entrer dans une autre dimension, celle du vertige opiacé, de la perte de contrôle, de la musique qui rêve et dérive… Une chanson va sonner comme la bande-son d'un western où Kepa fait un duel avec lui-même (Dog Days). Une autre emmène les vieux Bukka White et Alan Vega danser dans un club de Détroit pendant un tremblement de terre (Wet Dream). Le temps de deux reprises, Kepa s'agenouille sans se prosterner devant des totems intimes : Hard Time Killin Floor Blues de Skip James (avec Rodolphe Burger), et Sodade de Cesaria Evora dans une version hallucinée, où l'on voit l'océan geler autour des îles du Cap-Vert. Six pieds sous terre reste sous les tropiques le temps d'une murder ballad. La chanson Divine Morphine est presque badine, indolente, ritournelle dans un état second. L'instrumental Messe HLA-B27 montre les progrès guitaristiques fulgurants de Kepa, affranchi des exercices de styles, devenu son propre maître. Sa voix aussi a changé, il la pousse vers la plainte dans des aigus hululants. Il joue différents instruments, des claviers comme des stalactites, la trompette et d'autres choses avec sa bouche, des bruitages d'origine non identifiée. Il est l'homme-orchestre du Titanic, au final seul survivant du naufrage, puis échoué sur une île déserte – le dernier morceau, Merle, ressemble à la prière païenne d'un Robinson en lévitation. L'album est maintenant terminé. Personne n'en sortira indemne. Et tout le monde n'aura qu'une envie : y retourner. Stéphane Deschamps. Titres interprétés - Divine Morphine, Live RFI - Sodade, extrait de l'album Divine Morphine - Eldorado, Live RFI - Hard Time Killing Floor, extrait de l'album Divine Morphine. Puis nous recevons Jawhar pour la sortie de l'album Tasweerah (62TV/PIAS). Tasweerah est le quatrième album du singer / songwriter tunisien Jawhar. Tasweerah veut dire en tunisien à la fois : portrait, image, mais aussi : projection de l'esprit… L'album est une série d'arrêts sur image, de portraits plus ou moins personnels. Les chansons sont, chacune à leur manière, des tentatives vers un portrait universel de l'artiste. Elles questionnent sa place et celle de l'imaginaire dans la société, posent "la création et la quête de la beauté" au centre de l'album. Volontairement brut et sans artifice, Tasweerah nous replonge dans la folk / pop claire-obscure de Jawhar, proclamé dans la catégorie Arabic Dream Pop. Né d'une mère professeure de Littérature arabe, éprise de musique et de poésie, et d'un père qui se consacre au théâtre puis à la politique culturelle, Jawhar grandit dans la banlieue au sud de Tunis, à Radès. Très tôt, il est fasciné par une certaine culture populaire, par la force de ses images et de ses expressions verbales, musicales et gestuelles. Quand il part à l'âge de vingt ans étudier l'anglais à Lille, c'est plutôt la poésie abstraite qui l'attire, celle de William Blake et d'Emily Dickinson… En plus d'un amour grandissant pour un certain Nick Drake qui le liera de manière irrévocable à sa folk impressionniste. Titres interprétés - Malguit Live RFI - Schizo Hyout, extrait de l'album Tasweerah voir le clip - Sayyed Ezzin, extrait de l'album Tasweerah - Foug Layyem Live RFI voir le clip. Son : Fabien Mugneret, Mathias Taylor, Benoît Letirant.
Esta semana recomendamos: CINE: The Batman, de Matt Reeves ÓPERA: Un ballo in maschera, de Verdi CÓMIC: Turista accidental, de Miguel Gallardo NOVELA: Sing Unburied Sing, de Jesmyn Ward ENSAYO: Atlas de las emociones humanas, de Tiffany Watt Smith Además suenan Verdi y Bukka White y traemos regresos sonoros y una sorpresa sobre He-Man. ¡Like, subscribe y compartid con amigos, majos!
Playlist: Snatch It Back and Hold It – Junior Wells; When the War Was On – Blind Willie Johnson; The Army Blues – David "Honeyboy" Edwards; Army Blues – Bukka White; Masters of War – Odetta; War Time Blues – Mississippi Joe Callicott; War Pains – Mike Vernon; War Headed Woman – Little John Chrisley; Back From Korea – John Mayall; Vietnam Blues – J. B. Lenoir; Vietnam Blues – Champion Jack Dupree; American Defense – Son House; Cause of War – Robben Ford; War – Maria Muldauer, The Women's Voices for Peace Choir, Free Radicals. Escuchar audio
Meet Massachusetts-born and resident of Oxford, Mississippi, writer Dick Waterman. Dick was instrumental in guiding Tim and I back in 1971 in finding some of the last surviving blues legends, some of which appear in my film. Listen to Dick talk about his eye-opening experiences with the blues back then and his sentiments about the blues now. Music from Mississippi Fred McDowell, Son House, Bukka White, and Skip James.
Riley “Blues Boy” King (1925-2015) was born into deep poverty in Jim Crow Mississippi. Wrenched away from his sharecropper father, B.B. lost his mother at age ten, leaving him more or less alone. Music became his emancipation from exhausting toil in the fields. Inspired by a local minister's guitar and by the records of Blind Lemon Jefferson and T-Bone Walker, encouraged by his cousin, the established blues man Bukka White, B.B. taught his guitar to sing in the unique solo style that, along with his relentless work ethic and humanity, became his trademark. In turn, generations of artists claimed him as inspiration, from Jimi Hendrix and Eric Clapton to Carlos Santana and the Edge. KING OF THE BLUES presents the vibrant life and times of a trailblazing giant. Witness to dark prejudice and lynching in his youth, B.B. performed incessantly (some 15,000 concerts in 90 countries over nearly 60 years)—in some real way his means of escaping his past. Several of his concerts, including his landmark gig at Chicago's Cook County Jail, endure in legend to this day. His career roller-coasted between adulation and relegation, but he always rose back up. At the same time, his story reveals the many ways record companies took advantage of artists, especially those of color. Daniel de Visé has interviewed almost every surviving member of B.B. King's inner circle—family, band members, retainers, managers, and more—and their voices and memories enrich and enliven the life of this Mississippi blues titan, whom his contemporary Bobby “Blue” Bland simply called “the man.”
Riley “Blues Boy” King (1925-2015) was born into deep poverty in Jim Crow Mississippi. Wrenched away from his sharecropper father, B.B. lost his mother at age ten, leaving him more or less alone. Music became his emancipation from exhausting toil in the fields. Inspired by a local minister's guitar and by the records of Blind Lemon Jefferson and T-Bone Walker, encouraged by his cousin, the established blues man Bukka White, B.B. taught his guitar to sing in the unique solo style that, along with his relentless work ethic and humanity, became his trademark. In turn, generations of artists claimed him as inspiration, from Jimi Hendrix and Eric Clapton to Carlos Santana and the Edge. KING OF THE BLUES presents the vibrant life and times of a trailblazing giant. Witness to dark prejudice and lynching in his youth, B.B. performed incessantly (some 15,000 concerts in 90 countries over nearly 60 years)—in some real way his means of escaping his past. Several of his concerts, including his landmark gig at Chicago's Cook County Jail, endure in legend to this day. His career roller-coasted between adulation and relegation, but he always rose back up. At the same time, his story reveals the many ways record companies took advantage of artists, especially those of color. Daniel de Visé has interviewed almost every surviving member of B.B. King's inner circle—family, band members, retainers, managers, and more—and their voices and memories enrich and enliven the life of this Mississippi blues titan, whom his contemporary Bobby “Blue” Bland simply called “the man.”
The Blues Foundation Podcast - Season 1: Blues Hall of Fame Booker T Washington White, aka Bukka White, was many things. Like most African Americans born into the oppressive, Jim Crow era in the Mississippi Delta, he grew up sharecropping and picking cotton for plantation owners. He also drove mule teams. Bukka was a wandering Delta nomad, a professional boxer, a preacher, he played professional baseball in the Negro Leagues, and he even spent time working on a chain-gang. But he's best known for playing the blues. His first instrument was the fiddle. He'd play for community dances on the plantation. History tells us that while performing at the Dockery Plantation, Bukka met Charlie Patton, Father of The Delta Blues, who became his friend and mentor. He soon graduated to guitar, mastered the bottleneck, and developed a completely unique sound of his own. Before long, he was touring the south and recording as “Washington White, The Singing Preacher.” Some of these early sides feature Memphis Minnie singing with Bukka. Bukka relocated to Memphis and in the early 40's invited his nephew, Riley B King to come up from Itta Benna, MS to live with him. Riley, of course, became BB King, King of the Blues. In the early 60's, white, folk artist Bob Dylan recorded White's song, “Fixin' To Die Blues” for his debut album and it introduced him to a global audience. Bukka became a major part of the 60's blues revival, performing to audiences around the world. This is his story. Bukka White inducted into the Blues Hall of Fame in 1990.
The Blues Foundation Podcast - Season 1: Blues Hall of Fame We continue this series with The King of The Blues, BB King. Born in 1925 on a cotton plantation near Itta Benna, MS, Riley Benjamin King found his muse early in the sacred sounds of rural, Pentecostal church. First given a guitar by his mother's cousin, famed blues man Bukka White, King soon traded the cruel world of cotton plantations and sharecropping for the excitement and opportunities of life in Memphis and on Beale Street. Never has it the phrase "and the rest is history" been more true. One of the most important and influential people in the pantheon of American music, BB and his guitar Lucille will live on forever. This is his story. B.B. King inducted into the Blues Hall of Fame in 1980.
It's the first holiday edition of The Roadhouse for 2016. With a holiday track in every set, I've also got Sugar Ray & The Bluetones, The Rolling Stones, Chuck Leavell, Rory Block, and Teresa James & the Rhythm Tramps in an hour that contains a set focused on the great Bukka White and, all around, has a great mix of new music and old. With an ad-free version for everyone, I do believe it'll be another hour of the finest blues you've never heard.
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