Podcast appearances and mentions of Glenn Brown

Sometimes, love can be tough. Especially among family. This episode STARTED OUT as a 2024 recap. What it ended up was ... a totally different direction and focus. We feel a needed one for some. In this scene we love, those of us who are lucky enough to have been a part of this ol' minitruckin' world for a long, long time - we have seen people, trucks and shows come and go. More times than we care to count. Welcoming newcomers into the scene is part of what makes minitruckers... well, minitruckers. We all start somewhere! But sometimes - people don't try to be a part of the scene for the right reasons. Sometimes, they want to be but just don't know how to follow that path respectfully - or at all. We talk about that this time. All of it. It's harsh. Sometimes fairly brutal. But if you or your show is worth being mentioned? Chances are it's because you have likely earned a position of respect from us or our guests and deserve some blunt honesty - and critique is not an insult, but designed to shape things in a more positive manner. Join the legendary Glenn Brown and the full cast of LCD podcast (with a triumphiant return by Farva!) as well as Glenn's son Gavin losing his LCD virginity live on air, as we discuss shows that we feel could've done better recently. This is tough love- but understand it comes from family. We want the scene to be better as a whole and sometimes, it may need some work. Some of you may get your feelings hurt, and for that, we are sorry. For those willing to listen to a small group of old minitruckers, most of which aren't even that well known, provide some thoughts on the trajectory of your event (and even with suggestions to make them better) ... well, then, consider this episode a wake up call.

Y'all - we up and done it. We made the longest episode ever. The rough cut was 4 hours - we managed to trim it a bit, but we cover some AMAZING stuff! * Guest Cohost Cayne Wyatt talks about HIS truck on our brand new shirt that he shares space with the truck of Brayden Perkins (Pre-Order link below! YOU ONLY HAVE UNTIL NEXT SATURDAY NIGHT TO PRE-ORDER COLORS AND SIZES!) * We preview The Sparks Show coming up in #seviervilletn !* We look forward to Fair Enuf Car and Truck Show just a piece down the road and are joined by Justin Wyatt * We "congratulate" Glenn Brown and Don Dizzy Davis via the Custom Scene Podcast on their 100th episode! * We spend some time with the "scene kids" - AKA Cayne and LMC's daughter, the *other* LMC - Lilee) and get their views on going to shows with their dads and other random stuff. (Be warned: Just because we have kids on here, doesn't make this podcast kid friendly! We don't even let THEM listen afterwards!) * Finally - LMC eulogizes a lost minitrucker and friend that most of y'all won't remember, but deserves his spot in scene history. Jump on this episode when it drops - you won't regret it! A bunch of different viewpoints, highly offensive as usual, and a lot of fun! SCENE KIDS SHIRT PRE-ORDER! http://lcdpodcast.bigcartel.com/product/scenekids -=-=-=- Find us on Apple Podcasts, Spotify, and wherever else you do your podcast tradin'! For more old parking lot stories told by slightly offensive #hillbillies, check out the #LCDPodcast for all things #minitruckin and #appalachia . Straight from the hills and hollers of Eastern Kentucky, listen and find out why we are YOUR #voiceofthelowlife !

Friday April 26, 202410:30 a.m. Tricks from Books Everyone Has Forgotten (MC: Mike Powers)1:30 p.m. 4th Show Magical Moments (MC: Meir Yedid)3:30 p.m. Lecture #5 Jovi Benitez7:45 p.m. Tribute to GOH Charming Choi (host: Jeki Yoo)8:00 p.m. Korean Gala (MC: Charming Choi) View fullsize View fullsize View fullsize View fullsize View fullsize View fullsize View fullsize View fullsize View fullsize View fullsize View fullsize View fullsize View fullsize View fullsize View fullsize View fullsize View fullsize View fullsize View fullsize View fullsize View fullsize View fullsize View fullsize View fullsize View fullsize View fullsize Time Stamps:(00:00) Theyagic Word Podcast welcomes Glenn Brown to talk about the 51st convention(02:21) About 130 people are from the US; the rest are spread amongst 17 countries(06:14) Next year's convention is still planned for the same hotel as this year(06:39) We ask people to provide two sponsors, people who have attended four f(09:23) Glenn Brown: One of our guests lost his passport on a plane(12:51) This is the 51st year of the four F convention(16:19) A magician is a director to the actors, to the spectators(20:23) The best story wins. Rather than saying, you want to see a trick(22:25) Darryl: There is no other convention in the world like this one(26:36) There are perks to giving back to magicians, right? Yeah. Well, there are perks, certainly,(28:33) The magic circle now streams live on Monday night during COVID(32:01) Daryl: The beauty of this convention is everyone's limited to five minutes(34:31) Darryl Rose: This is the best close up convention in the magic world(36:19) Every convention is worth it if you come away with something that you can use(40:19) Rick Wilcox will be attending the TRICS convention in Charlotte in November(44:16) You're receiving the Melbourne Christopher award for illusionist, best(45:35) Obviously we want to talk about now before our season starts, so. So we had a 25th season(46:50) You've been coming to 4F since 2002(50:28) Rick says Bernardo always thinks of four numbers when doing magic(53:41) Roger Nicot, and Eva Mae got married here nine years ago(55:47) So have you seen much of the convention from the standpoint, you've been a dealer(57:58) You're going to be a dealer at MAGIC Live this year, right(59:17) Scott: They're getting ready for the main show right now(59:28) Scott: We had a wonderful show by Korean magicians tonight(01:01:04) Jekiyoo: I'm glad that all of you guys came over(01:03:48) The Magic Word podcast is over. You scotty out Download this podcast in an MP3 file by Clicking Here and then right click to save the file. You can also subscribe to the RSS feed by Clicking Here. You can download or listen to the podcast through Stitcher by Clicking Here or through FeedPress by Clicking Here or through Tunein.com by Clicking Here or through iHeart Radio by Clicking Here..If you have a Spotify account, then you can also hear us through that app, too. You can also listen through your Amazon Alexa and Google Home devices. Remember, you can download it through the iTunes store, too. See the preview page by Clicking Here

On this episode of Art Affairs, i talk with artist Ben Ashton.We discuss his early years, growing up in a family of artists, how much history and art history inspires him, the evolution of his art and style throughout the course of his career, his upcoming show at Dorothy Circus Gallery, and a whole lot more!Also mentioned in this episode: Fiona Garden, Damselfrau, Rag 'n' Bone Man, and Glenn Brown.Follow BenWebsite: benashtonart.comInstagram: @benashtonart Follow the ShowWebsite: artaffairspodcast.comPatreon: artaffairsInstagram: @artaffairspodcastTikTok: @themichaelfaith© 2019-2024 michael faith

Title Sponsor: Scrapin the Coast Our Lifestyle Podcast YouTube Channel  ODB & The Mayor intro episode 350 covering scene updates & MORE ODB touches base w/ ///RA Ruben Arteaga from @C1500NonSense ODB interviews title guest Glenn Brown from The Custom Scene Podcast hitting upon How he got involved with the scene 80s & 90s Terminal Takeover + so much more!  Note: episode 350 artwork created by Jason "ODB" Ballard. Images from various images from Glenn Brown's Facebook :) RIP Mark “Papa Smurf” Ballard! We miss you Dad.  Stay On Da Rise! 

We hear about the discovery of liquid crystals by Friedrich Reinitzer in 1888, through Georges Friedel's compendium in 1922 describing main types of liquid crystals. Around that time the first electromagnetic properties of liquid crystals were described by M. Jezewski, and further researched by W. Kast, Vsevolod Frederiks, and A. Repiewa. The first use of these properties was patented by the Levin brothers in 1936. A revival of research into liquid crystals began post-World War II by George Gray and then Glenn Brown by the early 1960s, which is when we reach the invention of two liquid-crystalline polymers, Kevlar and Nomex. My Patreon subscribers can download a supplemental sheet for diagrams of some of these materials.Support the show Support my podcast at https://www.patreon.com/thehistoryofchemistry Tell me how your life relates to chemistry! E-mail me at steve@historyofchem.com Get my book, O Mg! How Chemistry Came to Be, from World Scientific Publishing, https://www.worldscientific.com/worldscibooks/10.1142/12670#t=aboutBook

A discussion with artist Glenn Brown. Finding inspiration in works from art history as well as science fiction, Brown creates beautifully crafted paintings built from layers of fine brush strokes and thin glazes. The process can take years, but yields paintings that captivate the viewer with sublime colors and intertwining strokes that invite the viewer's closer inspection. The conversation dives into Brown's artistic mindset and methodology, as well as a discussion about his current exhibit “We'll Keep On Dancing Till We Pay the Rent” at Gagosian's 24th Street location in New York - his first show in the city since 2014. https://gagosian.com/exhibitions/2022/glenn-brown-well-keep-on-dancing-till-we-pay-the-rent/https://glenn-brown.co.uk/

In this 50th episode of A brush with…, Ben Luke talks to Glenn Brown about his influences—from writers to film-makers, musicians and, of course, artists—and the cultural experiences that have shaped his life and work. Brown (born in Hexham, UK, in 1966) takes reproductions of other artists' works—including those by Old Masters, the greats of Modern art and science-fiction illustrators—and transforms them by changing their colour, orientation and size. It leads to paintings, drawings and sculptures that are often grotesque and macabre but always strangely enticing and resonant. He discusses his early love of the art of horror and fantasy, his ongoing fascination with Salvador Dalí, his admiration for artists as diverse as Hendrick Goltzius and Maria Lassnig, the impact of Andrei Tarkovsky's films, the writing of T.S. Eliot and Samuel Beckett, and how growing up during the Cold War influenced the music he listened to and the art he makes today. Plus, he gives intimate insight into his working life and answers our usual questions, including “What is art for?”.Glenn Brown: We'll Keep On Dancing Till We Pay the Rent, Gagosian, West 24th Street, New York, 10 November-23 December; Things: A History of Still Life Since Prehistoric Times, Musée du Louvre, Paris, 13 October-23 January 2023; Glenn Brown: The Real Thing, Landesmuseum and Sprengel Museum, Hannover, Germany, 23 February-24 June 2023; The Brown Collection, Brown's museum of his own work, opens in Bentinck Mews, Marylebone, London, in October 2022. Visit Glenn's website glenn-brown.co.uk for more details. Hosted on Acast. See acast.com/privacy for more information.

As we prepare for yet another (and hopefully last) online convention, we chat with three of the people “behind the scenes” who are making this happen. Glenn Brown is the Registration person and the two main organizers of this virtual convention are Michel lHuot, from Canada, and Rune Carlsen, from Norway. This episode will hopefully whet your appetite for the “fork full of magic” that will be presented this weekend. Watch our Zoom conversations of today's episode on YouTube. View fullsize View fullsize View fullsize Time stamps for this podcast:00:03:39 - Glenn Brown tells us why we are meeting yet again for another virtual convention and he also tells us who will be “in charge” since Obie O'Brien has passed away.00:16:53 -Michel Huot and Rune Carlsen will be the two people “behind the scenes” making all of the virtual magic work. They also give us a rundown of what we might expect this weekend. Download this podcast in an MP3 file by Clicking Here and then right click to save the file. You can also subscribe to the RSS feed by Clicking Here. You can download or listen to the podcast through Stitcher by Clicking Here or through FeedPress by Clicking Here or through Tunein.com by Clicking Here or through iHeart Radio by Clicking Here..If you have a Spotify account, then you can also hear us through that app, too. You can also listen through your Amazon Alexa and Google Home devices. Remember, you can download it through the iTunes store, too. See the preview page by Clicking Here

We had the pleasure of interviewing Greensky Bluegrass over Zoom video! Greensky Bluegrass are thrilled to announce their return to Colorado for four unforgettable performances. The band will kick things off with An Evening With Greensky Bluegrass Sept 14 and 15 at the Dillon Amphiteater. Then, the band will head down the mountain to Morrison for two more fun-filled evenings at Red Rocks Sepr 16 and 17. Special guests for Red Rocks TBA. For more information and all up to date news and tour info visit greenskybluegrass.com. Earlier this year, the band released their eighth studio album Stress Dreams via Thirty Tigers. Ahead of the release, Stress Dreams received high praise from critics. Garden & Gun calls the album "one of the most complete and engaging of the group's more than twenty-year career" and Glide says “Stress Dreams perfectly exemplifies, once again, why Greensky Bluegrass is heralded as one of the most important & influential bands of the modern progressive-bluegrass era.” About Greensky Bluegrass:Since their 2000 formation in Kalamazoo, MI, the quartet—Anders Beck [dobro], Michael Arlen Bont [banjo], Dave Bruzza [guitar], Mike Devol [upright bass], and Paul Hoffman [mandolin]—have unassumingly progressed into a phenomenon on their own terms with the undying support of a devout audience. Rolling back and forth across North America on successive tours, they've sold out multiple dates at Red Rocks Amphitheatre, the Ryman Auditorium, the Fillmore Detroit, Riviera Theater Chicago, and many more. Beyond standout sets at Bonnaroo, Outside Lands, New Orleans Jazz Festival, Telluride Bluegrass Festival, and Austin City Limits, they co-own and have headlined 4848 Festival and Strings & Sol. In 2019, "All For Money" marked their second #1 debut on the Billboard Top Bluegrass Albums Chart and third straight Top 3 entry. They've also earned critical acclaim from Billboard, Parade, NPR, and Rolling Stone who hailed them as “representing the genre for a whole new generation.” For the past century, bluegrass music has traditionally relayed real tales of American life, struggle, tragedy, and triumph. It gives a voice to the quiet, yet colorful stories woven into the fabric of the country itself. Greensky Bluegrass live these stories through their records and performances. When touring ceased in 2020 in the face of the global pandemic, the band hunkered down and compiled demos individually at first, sharing emails and voice notes. In July 2020, they got together for the first time in four months, dedicating rehearsals to the development of the new material. Once circumstances safely permitted, they recorded what would become Stress Dreams during a session in Guilford, VT and two sessions in Asheville, NC with frequent collaborator “and old friend” Dominic John Davis as producer and “wizard engineer” Glenn Brown mixing. They preserved the hallmarks of their sound while widening its expanse. “Greensky is and always has been very unique in our world,” says Paul Hoffman. “We put our love, energy, and focus into what we appreciate about our music. We come together as a band in a way that's organic. We take a lot of pride in how we grow and challenge each other too. We're maturing together. I think we get more Greensky all of the time.”We want to hear from you! Please email Tera@BringinitBackwards.com. www.BringinitBackwards.com #podcast #interview #bringinbackpod #GreenskyBluegrass #StressDreams #musicinterview #MusicPodcast #NewMusic #zoom Listen & Subscribe to BiB https://www.bringinitbackwards.com/follow/ Follow our podcast on Instagram and Twitter! https://www.facebook.com/groups/bringinbackpod

Common Sense Choices Episode #6: Linda interviews 2018 International Yoga Champion Glenn Brown. Glenn first introduced Linda and her family to yoga 18 years ago. His kind and gentle spirit kindled a love for the health and wellness that Linda finds from her yoga practice. They discuss finding the right teacher, the right reason, overcoming fear, Christianity and yoga, and the importance of giving respect and honor to those who came before you and believed in you. Plus, they even dive into the damage of cancel culture. Homework: Check out Glenn's website (http://lionflow.com) and his materials on demand (https://vimeo.com/ondemand/lionflowyo...) where you can rent or purchase lessons for as little as $1-$3 each. Let us know if you try out a yoga class for the first time or if you're already a seasoned yogi. Array Yoga Studio

CYprusScene review of the thoughts of Glenn Brown in his appeal for help finding his father's army motorbike in Cyprus. ...click on the link to see photos of the motorbike. This episode is also available as a blog post: https://cyprusscene.com/2021/06/11/looking-for-my-dads-1950s-army-motor-bike-in-cyprus/ CyprusScene Podcasts can be found on the following apps Anchor, Google Podcasts, Spotify, RadioPublic, PocketCasts, Breaker, Castbox, Apple Itunes

Welcome to the MiniTrucker Cult Podcast brought to you by www.bodydropt.com Hammerd Weekend Wear Here we are again, we have great guest for you this episode, Glenn Brown joins us and you dont want to miss this one!!!   MiniTrucker Cult on YouTube @minitruckercult @antisocialminitrucker @garagecult13 @mtcpodaftershow @tailgaterevisited www.minitruckercult.com www.garagecult.com MiniTrucker Cult on Facebook Music by David Fau http://www.youtube.com/freemetalsongs http://www.youtube.com/bestplugins

In this edition of Behind The Report, Adam Green previews our brand new series of reports, Then & Now, that will explore how different artist groups or movements from the past are faring in today’s auction market. In this first edition of the series, we look at the group of Young British Artists (YBAs) who emerged during the 1990s and in particular, those artists that participated in the infamous Sensation exhibition at the Royal Academy of Arts in 1997. This includes Damien Hirst, Jenny Saville, Chris Ofili, Tracey Emin, Glenn Brown, Marc Quinn, Sarah Lucas and many others.

Buckle up buttercup, this one is a doozy! The boys try to appease the Gods of affiliate links by bringing Andrew Douglas on the show, only to completely Chanter Rant him with surprise returning guests Cameron Drummond and Glenn Brown. These legends talk about the story of Doogie's rookie SFU speech, cruise shenanigans, and make plans for the Chanter Rant Fight Night 2020, where Josh and Andy have to actually play pipes for a change. Enjoy! Looking to up your piping game during quarantine? Try a 30-day Dojo University Premium test drive for only $1 at chanterrant.com/suckless Want to get quality critiques on your playing from world renowned judges and competitors? Check out PlayForSheets at www.chanterrant.com/yellowflashes ***Adult language and situations*** *** Opinions expressed here are not representative of any organization of which we belong*** Support the show at www.patreon.com/chanterrant and get your Chanter Rant Merch at www.chanterrant.com, or follow us on social media at: www.facebook.com/chanterrant www.instagram.com/chanterrant www.twitter.com/chanterrant Snapchat @chanterrant Join in the conversation with mean comments or #chanterrant and let us know if you are #oneofthesix!

In a strong move to legitimize themselves and to get Stevey M on the show, the boys talk to Cameron Drummond and Glenn Brown about their lives growing up as bagpipe prodigies, the challenges of playing the big contests and having demanding parents. Oh wait, no we didn't! We talked about #crushingthepus. Oh well. Maybe next guest. Special guests: Cameron Drummond and Glenn Brown Clips used in the show: Cam - fun set: https://www.youtube.com/watch?v=AgQYgpiqIgY Cam - GF Unjust Incarceration: https://vimeo.com/240823887 Carlos Nunez - Jigs and Bulls: https://youtu.be/C1bffYZdRm0 Looking to up your piping game during quarantine? Try a 30-day Dojo University Premium test drive for only $1 at chanterrant.com/suckless ***Adult language and situations*** *** Opinions expressed here are not representative of any organization of which we belong*** Support the show at www.patreon.com/chanterrant and get your Chanter Rant Merch at www.chanterrant.com, or follow us on social media at: www.facebook.com/chanterrant www.instagram.com/chanterrant www.twitter.com/chanterrant Snapchat @chanterrant Join in the conversation with mean comments or #chanterrant and let us know if you are #oneofthesix!

The Revenue Man's debut release may be called 25 Years Behind, but the man himself, aka Glenn Brown—packs years of wisdom into these songs. Spanning from an unwelcome family legacy, romantic nostalgia, and even an Elvis Costello classic, these new songs bring in the best of the past. The album is set for release on March 6, 2020, along with the video for “Tennessee Sunset” that aims to be the arrow to fans' hearts.    The first thing you notice on 25 Years Behind, is Brown's voice, solid and reassuring with a tinge of heartbreak. Perhaps, this is why at times, he claims to sound like a beardless Cody Jinks, a country Jason Mraz, and his use of the timeless phrasing of the legendary John Anderson. The next thing you will hear is, as a writer, is that Glenn knows that songwriting is all about perspective. He gives it to you in black and white with no regret or shame from all angles. But mainly from the heart.  --- Send in a voice message: https://anchor.fm/thegeorgiasongbirds/message Support this podcast: https://anchor.fm/thegeorgiasongbirds/support

A Taoist who teaches a new form of Yoga in the Bible Belt, Glenn Brown is widely regarded as one of the best yoga practitioners in the world. In this episode, I talk with Glenn on the genesis of Lionflow Yoga, yoga competitions, and the Taoist philosophy. We also get deeper into the benefits of yoga and meditation, and why balancing a consistent home practice with new experiences is key to achieving major progress. Hope you enjoy this one and Namaste! Timestamps: 00:00:50 Poetry & Writing 00:02:10 Getting introduced to yoga, parents diagnosed with terminal illness 00:11:20 "Looking at yourself in the mirror with lots of intensity" 00:12:30 "Thank you for philosophizing" 00:13:12 Developing Lionflow yoga 00:20:59 Difference between Lionflow and other yoga styles 00:32:19 Deciding on the name "Lionflow" 00:34:39 Thoughts on the Bikram Netflix Documentary 00:41:16 Yoga as a competition 00:48:30 Getting ready to compete, coaching someone for competition 00:52:40 Judging a yoga competitor 00:59:10 "Yoga and martial arts share the same 3 traits" 00:59:56 Daoism 01:09:50 Walking 12 miles towards the lightning, finding his Sifu 01:21:17 Recognition for home practice 01:25:10 "Never turn down an unexpected invitation to travel" 01:26:40 Conclusion

Today Glenn Brown is in town hanging out, and we get a podcast in. Enjoy this long form chat!

Gilbert Glenn Brown is an NYU trained actor, who is well known for his theater and troupe accomplishments, an extensive television filmography and he can currently be seen in the smash hit "The Best of Enemies" and is in production on "Star Girl" Welcome the kind, very busy and dedicated: Gilbert Glenn Brown.

Glenn is a great friend of mine beginning all the way back to our amateur piping days where we were big rivals! Enjoy this conversation that we had together in Kansas City (2019). To become a member of Dojo University, visit DojoUniversity.com today!

Glenn Brown is a poet, artist, college professor, founder of Lionflow Yoga, and owner of Array Yoga in New Albany, Indiana. While battling depression as a teenager, he found art and poetry to be his most effective coping mechanisms, and kung fu, meditation, and yoga became additional expressions of those very healing practices. Glenn is certified in Hsing-I kung-fu & Qi-gong, Bikram Yoga, and Sun-style Tai Chi. He is also a USA Yoga National Champion, a self-published author, and an adjunct professor working to integrate yoga and tai chi into the health and wellness programs at Indiana University Southeast. In this episode, you'll hear from Glenn on: Healthy skepticism, and what Glenn took away from being raised Southern Baptist and getting thrown out of a Kung Fu school Why Glenn continues to integrate forms from different disciplines, and what he considers the most important 'skill' to master Creating a signature style, Lionflow Yoga, that is intended to break down the artificial divides in the community and promote unity Announcements: [SPONSOR] Come with me to the upcoming 50-hour Rocket Yoga practice intensive with David Kyle at Yoga East Austin. Save on early bird registration through Feb 17th: yogaeastaustin.com/rocket Get on the *early* early bird list for my upcoming retreat to Casa Om Potomac with Veronica Lombo: henrywins.com/clarity Register for the upcoming 30-hour Immersion at Lighthouse Yoga School. Enter referral code HENRYWINS on your application for 10% OFF your tuition: henrywins.com/events Links from this episode: The Celestine Prophecy by James Redfield — Grab a copy of Glenn's recommended book Get in touch with Glenn: Array.Yoga — Visit Glenn at his school and Lionflow Yoga headquarters in Indiana Follow @lionflowyogaman on Instagram Follow @arrayyoga on Instagram

Building digital tools for active citizenship: this week Paul and Rich talk to Glenn Brown, the chief digital officer at the Obama Foundation. The conversation works through each major stop in his career, from Harvard Law (including the Berkman Klein Center for Internet & Society) to Creative Commons to Google and YouTube to Twitter to his current role. Topics covered include the mission of the Obama Foundation, copyright and fair use, what “product counsel” does at a place like Google, the power of livestreaming, and Rich’s fantasy vision of a Miami courtroom.

"This work and much of my research stems from my interest in the cargo cults Melanesia, a phenomenon of the mythic and scientific, this involved closed societies encountering Western culture and technology for the first time, a biblical event for such uncontacted groups." Could you tell us a bit about yourself. How long have you been a practising artist and where did you study?I’m only 21. So, I’ve not yet graduated from the BA course at Central Saint Martins, I’ll be finished there in a few weeks. Before that I was doing my foundation course at Bath, there I had a great tutor called Dave Hyde, who I think still teaches there. It must be difficult being a tutor during those early stages of an artist’s career, he was very kind and had a great sense of humour, I think a lot of what I do now still comes from the conversations we had together during those early stages. Before that I painted landscapes, and that was where I discovered the joy of making images. When I began studying art at school all my other subjects dropped off, since then I haven't really strayed from that path. Some of your work reminds us of big computer servers and/or control panels from sci-fi movies. Could you tell us about these installations/sculptures?The two works you’re referring to are on display at the Degree Show at the moment. They’re both replicas, or a simulacrum. One, a copy of the chess computer named ‘Deep Blue’ (which also happens to be the title of the work) that beat Chess Grandmaster Garry Kasparov in the 90’s, the other; a hallway from the interior of the Tantive IV ship from the opening scene of the first Star Wars movie. My computer, ‘Deep Blue’, bears an uncanny resemblance to the original machine, it is however dissimilar in that it contains no computational power. The only electronics in the machine are the LEDs that blink sequentially underneath the perforated steel, implying sentience, they appear to be decoding a problem, a display of its thinking power. This is a very literal representation of what is called ‘black box technology’, ‘a usually complicated electronic device whose internal mechanism is usually hidden from or mysterious to the user’. A curious viewer might investigate the back of the sculpture, only to reveal the true nature of the object; this side has been neglected, the dense box is in fact hollow, MDF clad in perforated steel, and the LEDs are in fact christmas lights taped to the inside. This work and much of my research stems from my interest in the cargo cults Melanesia, a phenomenon of the mythic and scientific, this involved closed societies encountering Western culture and technology for the first time, a biblical event for such uncontacted groups. Many of the natives constructed religions surrounding the comparatively god-like technology they encountered. Often they will imitate the behaviour of Westerners; some tribes erect giant wooden radio antennas into the heavens, in an attempt to summon the sacred ‘cargo’, just as their now absent visitors had done in order to receive the resources that the islanders now fetishise and covet. Just as the cargo cult radio antenna and wooden flightless aeroplanes have little hope of transmitting a signal or taking off, my computer gives the illusion that it has the capacity to think, yet it has no ‘internal mechanism’. 'DEEP BLUE' @ Capstan house 2017 'The roach motel' 2017 What artwork have you seen recently that has resonated with you?A few weeks ago I picked up a book from my Mum’s bookshelf called ‘Naives and Visionaries’, most of the artists in the book aren’t too interesting, although one did stand out. Jesse Howard was his name, if you look him up you can learn all about him, he called himself Outlaw Howard. It’s hard to find much on him, but that which I can find is always refreshingly genuine and creative; he decorated his home and garden with hand painted signs, sometimes his own words, often they contained biblical and political references. The neighbours hated him so much they even tried to get him sectioned. This only seemed to spur him on though, they kept giving him a hard time and he kept painting signs, in photos you can see his whole front porch and garden are littered with them. He also renamed his homestead ‘Sorehead Hill’ (a great title for a work). Also, recently I was reading a book on Duchamp and I learnt how he had one door hinged between the studio and the toilet, the result being that you can’t shut the door to the studio without the toilet door being open, and you can’t take a shit without the studio being wide open. This is something I wish I’d done, the art works I really like are those that are done in a single gesture, like this. Tell us a bit about how you spend your day/studio routine? What is your studio like?Well, my studio is currently being used for the degree show, once that’s over it won’t be mine anymore. When it was a functioning studio I shared it with a great group of people; Central Saint Martins attracts unusual and fascinating individuals from all over the world, I only got to know a handful of these people (the course hosts over 150 students, so it’s hard to know everyone), but I hope to stay in touch with all those that I’ve spent time with.Towards the end of the my time at CSM I was in the workshops more than the studio. Anything I wanted to make could be done in this one building. Early on I had considerable help from the technicians when it came building certain things, now I think I’m fairly competent when it comes to translating a drawing or 3D model into a tangible thing. 'The roach motel' (detail) 2017 'The roach motel' (detail) 2017  Where has your work been headed more recently?The arrival of the end of the degree has had an impact on what I’m making, or not making. Recently the kind of decisions I’m making regarding work have become logistical rather than creative. Usually by the time I’ve finished making something I’ve lost interest in that thing, and these works end up being less successful, the few things I’ve made that have continued to provide me with intrigue are the only works I really like. This has become important in itself; the afterlife of a work, what happens once it has materialised and I’ve photographed it and published it, often this feels like drawing a line underneath it, and that’s not good. For example, last year I made a replica of the Odeon Cinema logo, just the first letter though. Formally I thought the letter and font worked as a sculpture, without the ‘DEON’ following that first letter it was uncannily familiar to most people (not Americans though, Odeon doesn’t exist in the states). It was over 2 metres in height, and in photos it gave the impression of being this dense, free standing monolith, the object itself is disappointingly fragile; the two pillars stand on the bottom part of the letter and they support the top arch, I never properly attached them so if you knocked it it would tumble over pretty easily. Like the IBM computer and the Tantive IV wall I’d neglected the back, which was left exposed, revealing the wooden structure inside. I was interested in this idea of the object itself becoming a kind of prop or stand in for the real thing, so I took it outside at night and did a photo shoot with it, the images I got from that became the work, the object itself sat in my backyard, where it lost all of its power. How do you go about naming your work?I once heard Glenn Brown say that naming his paintings allowed him to give a ‘tint’ to the work that it was otherwise lacking. The interviewer pressed him on a painting depicting a portrait of Rembrandt’s son titled ‘Joseph Beuys’, wondering why he’d chosen this title for a work that was so completely the opposite; kitsch and ephemeral, rather than serious, German and political. Glenn explained how this was exactly what the painting was missing, and if he gave it this name it would have everything. I haven’t made enough work to really play around with the titling of them in this way, with ‘Deep Blue’, the computer, it is the complete opposite in fact; the title of this work is the name given to the real computer by the scientists that made it. However, the replica of the Tantive IV interior is titled more ambiguously. The name ‘The Roach Motel’ came from an anecdote I heard about a friend who had brought back an insect killer from America, it was designed to attract bugs and trap and kill them in a small cardboard box disguised as a miniature motel. ‘The Roach Motel’ was the name of product and the tagline was ‘Roaches check in but they don't check out’. I heard this when I had just finished making that piece and I was searching for a name for a work that I’d frankly lost interest in, and this breathed new life into it. View fullsize 'Novum' 2016 View fullsize 'The roach motel' 2017 View fullsize 'Novum' II 2016  Is there anything new and exciting in the pipeline you would like to tell us about? Currently I have an offer to study Sculpture at the RCA, if I can find the funding for that then I’ll be there for two years. Although it’s unlikely I’ll be able to find the money to do this, in which case I’ll stay in London and hopefully try and organise a studio for myself. I’m looking forward to slowing down my process a bit, for the last three years there’s been a lot of pressure to churn out something new every few months, I think this encourages the whole ‘drawing a line’ thing I mentioned. I’d like to think that if I was renting a studio and working to pay for it then anything I made in there would be done singularly and with the most care and attention.Art school does that I think, forces you to condense processes down to fit the curriculum, there are plenty of works that I’ve had to move on from prematurely, before they’ve really had any time to develop or explain themselves. I rely partly on this, post-rationalisation that is. That’s not to say I go into the studio and make whatever I fancy that day then figure it out afterwards, there’s a process that comes before. But when it comes to the actual making of a work, I like that to take place in a different kind of mental state, where everything stays outside. I’d like whatever comes out of this place to have been generated as organically as possible, and that can sometimes be difficult if you have the weight of what you want/expect it to be at the back of your mind, what I want and what it really is, I like the idea of those being two different things. www.nathanielfaulkner.comAll images courtesy of the artistInterview published 01/06/17

Battery expert, Glenn Brown, talks about different battery types and battery life on tech devices. See acast.com/privacy for privacy and opt-out information.

Brown is famed for his evocative large-scale oil paintings, which explore and rework images from a diverse expanse of art history. Spring boarding from his influences (ranging from science fiction panoramas, Renaissance still lifes and classical portraiture), his signature abundant, smooth and swirling brushstrokes mark his work with a still air of strangeness reminiscent of early European Surrealists. His subjects are at once dead and alive, oscillating between homages to artists who came before him and melancholy evidences of their mortality. His meticulous, carefully rendered surfaces challenge the Modernist notion that expressiveness in painting is inseparable from speed. Revolutionary eras of art history collide with stylistic brawn in Brown’s work, resulting in eerie and dramatic testaments to his predecessors and a steadfast testament to the fact that painting is not yet, in fact dead. Rennie Collection is pleased to announce the first exhibition in Canada of work by Glenn Brown and Rebecca Warren. This also marks the first time these two Turner Prize-nominated artists have shown together. Seven paintings and a sculpture by Brown are presented in tandem with a series of Warren’s clay and bronze sculptures.

Painter and Turner 2000 nominee, Glenn Brown talked to Bice Curiger, Curator of the Kunsthaus, Zürich

New Directions in Humanities Research: Director of Creative Commons, Glenn Brown, introduced faculty and students to the mission of Creative Commons and the benefit of managing one's own copyright licenses.