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Episode 170 July 31, 2025 On the Needles 2:43 ALL KNITTING LINKS GO TO RAVELRY UNLESS OTHERWISE NOTED. Please visit our Instagram page @craftcookreadrepeat for non-Rav photos and info Succulents 2025 Blanket CAL by Mallory Krall, Hue Loco DK in Himalayan Skies– DONE!! Sophie Scarf by PetiteKnit, Haidmaiden Fine Yarns Camelspin in Tourmaline (70% Silk, 30% Camel)-- DONE!! Rikke Hat by Sarah Young, Playful Day Yarns Funfetti DK in Blue Bonnet SSAL Delectable Collectible Socks by Stephen West, Dark Omen Yarns Sock in Electric Minis (navy, royal, light blue with speckles, cream with speckles, cream) On the Easel 12:51 Painting flowers. Attempting to GROW flowers. Sculpting flowers. And sewing! Seamwork's Design Your Wardrobe class. On the Table 24:32 Earl grey = fruit loops at the Ice Cream Bar Miso mushroom pasta and Creamy Miso potato salad from Pass the Plate by Carolina Gelen Papardelle bolognese with lentils and sausage from Dinner Changing the Game by Melissa Clark (couldn't find good link although there are some similar ones out there if you search) Chicken & gnocchi with sun-dried tomatoes and spinach. Jagalchi field trip! On the Nightstand 40:34 We are now a Bookshop.org affiliate! You can visit our shop to find books we've talked about or click on the links below. The books are supplied by local independent bookstores and a percentage goes to us at no cost to you! The Knight and the Moth by Rachel Gillig Lady Macbeth by Ava Reid Worth Fighting For by Jesse Q. Sutanto Beautiful Summer by Cesare Pavese, trans by Peter Owen (1949) The Phoenix Pencil Company by Allison King Heartwood by Amity Gaige Rich People Problems by Kevin Kwan Run for the Hills by Kevin Wilson Bingo 1:03:36 Starts friday may 23, ends Mon Sept 1 Need to post a photo of completed Bingo with #CCRRsummerbingo2025 to instagram or Ravelry. Get a blackout for a second entry. Monica: Summer book: Beautiful Summer Faraway place: phoenix pencil company Summery craft: sophie scarf Cortney: Summer book: Heartwood Monica rec: Run for the Hills
“There's a word for this brain rot, right? I think that's very real. There are studies coming out now that are showing that the more and more of our cognitive labor we offload to AI systems, the less creative we become, the less critical we become, and the less of our human faculties for reason we use. There's something sad about that, but there's also something dangerous about it because that leaves us very open to being manipulated. The surveillance capitalism kind of economy of extracting data from every possible moment of everyday life in order to extract value. The sensor systems that we're surrounded with are not simply passive devices that are recording us; they are increasingly becoming active sculptors of our experience of reality. Playing dirty.If we look at the entire history of the human experience, if you saw some text or you heard some spoken language, you could 100 percent reliably infer that there was a human who created that. Our experience of having that text or that image generated for us is very akin to the experience of a magic trick, and we sort of pre-subconsciously want to attribute some kind of intelligence to what's going on on the other side.I'm trying to think about these other media strategies, whether that's UFO photography, psychological operations, magic, or neuroscience, and take them seriously as contributing factors to the changing visual culture. With the collection at Pace Gallery, (New York, Jun 26–Aug 15) it was really just to put those images together and show them. They're all photographed on film. A lot of them are photographed on instant film. They're not images that are made with AI; they're not images that are photoshopped. What I really wanted to get at was thinking about the ways in which what we see in an image is very often what we're predisposed to see. I am playing with these mechanics of perception and proposing that as a way of thinking about images now.At the core of the work is that sense of curiosity, that sense of joy, that sense of beauty, and that sense of learning. I've been fortunate to have all kinds of strange and interesting experiences, whether that's seeing weird things in the sky over secret military bases in the middle of the Nevada desert, going scuba diving and finding internet cables on the bottom of the ocean, or tracking spy satellites in the sky and being able to predict when they'll appear in a flash against the backdrop of stars. The world around us is extraordinary and embodied, right? It is not on screens, and I'm very privileged to have that be so much a part of my process.”Trevor Paglen is an artist whose work makes the invisible visible, whether he's photographing secret government sites from miles away or revealing the hidden infrastructures of mass surveillance. He's a geographer by training, and he combines investigative journalism with his art practice to explore the hidden power structures of our time, including military technology and artificial intelligence. His work has been exhibited in major museums around the world, and he's also an award-winning author. His exhibitions, like 'The Black Sites' and 'Limit Tele-photography,' have earned him critical acclaim, including a MacArthur Fellowship. He's recently opened a new exhibition at Pace Gallery in New York called Cardinals, which delves into the intriguing connections between UFO sightings, AI, and the spread of disinformation.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast
“There's a word for this brain rot, right? I think that's very real. There are studies coming out now that are showing that the more and more of our cognitive labor we offload to AI systems, the less creative we become, the less critical we become, and the less of our human faculties for reason we use. There's something sad about that, but there's also something dangerous about it because that leaves us very open to being manipulated. The surveillance capitalism kind of economy of extracting data from every possible moment of everyday life in order to extract value. The sensor systems that we're surrounded with are not simply passive devices that are recording us; they are increasingly becoming active sculptors of our experience of reality. Playing dirty.If we look at the entire history of the human experience, if you saw some text or you heard some spoken language, you could 100 percent reliably infer that there was a human who created that. Our experience of having that text or that image generated for us is very akin to the experience of a magic trick, and we sort of pre-subconsciously want to attribute some kind of intelligence to what's going on on the other side.I'm trying to think about these other media strategies, whether that's UFO photography, psychological operations, magic, or neuroscience, and take them seriously as contributing factors to the changing visual culture. With the collection at Pace Gallery, (New York, Jun 26–Aug 15) it was really just to put those images together and show them. They're all photographed on film. A lot of them are photographed on instant film. They're not images that are made with AI; they're not images that are photoshopped. What I really wanted to get at was thinking about the ways in which what we see in an image is very often what we're predisposed to see. I am playing with these mechanics of perception and proposing that as a way of thinking about images now.At the core of the work is that sense of curiosity, that sense of joy, that sense of beauty, and that sense of learning. I've been fortunate to have all kinds of strange and interesting experiences, whether that's seeing weird things in the sky over secret military bases in the middle of the Nevada desert, going scuba diving and finding internet cables on the bottom of the ocean, or tracking spy satellites in the sky and being able to predict when they'll appear in a flash against the backdrop of stars. The world around us is extraordinary and embodied, right? It is not on screens, and I'm very privileged to have that be so much a part of my process.”Trevor Paglen is an artist whose work makes the invisible visible, whether he's photographing secret government sites from miles away or revealing the hidden infrastructures of mass surveillance. He's a geographer by training, and he combines investigative journalism with his art practice to explore the hidden power structures of our time, including military technology and artificial intelligence. His work has been exhibited in major museums around the world, and he's also an award-winning author. His exhibitions, like 'The Black Sites' and 'Limit Tele-photography,' have earned him critical acclaim, including a MacArthur Fellowship. He's recently opened a new exhibition at Pace Gallery in New York called Cardinals, which delves into the intriguing connections between UFO sightings, AI, and the spread of disinformation.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast
“There's a word for this brain rot, right? I think that's very real. There are studies coming out now that are showing that the more and more of our cognitive labor we offload to AI systems, the less creative we become, the less critical we become, and the less of our human faculties for reason we use. There's something sad about that, but there's also something dangerous about it because that leaves us very open to being manipulated. The surveillance capitalism kind of economy of extracting data from every possible moment of everyday life in order to extract value. The sensor systems that we're surrounded with are not simply passive devices that are recording us; they are increasingly becoming active sculptors of our experience of reality. Playing dirty.If we look at the entire history of the human experience, if you saw some text or you heard some spoken language, you could 100 percent reliably infer that there was a human who created that. Our experience of having that text or that image generated for us is very akin to the experience of a magic trick, and we sort of pre-subconsciously want to attribute some kind of intelligence to what's going on on the other side.I'm trying to think about these other media strategies, whether that's UFO photography, psychological operations, magic, or neuroscience, and take them seriously as contributing factors to the changing visual culture. With the collection at Pace Gallery, (New York, Jun 26–Aug 15) it was really just to put those images together and show them. They're all photographed on film. A lot of them are photographed on instant film. They're not images that are made with AI; they're not images that are photoshopped. What I really wanted to get at was thinking about the ways in which what we see in an image is very often what we're predisposed to see. I am playing with these mechanics of perception and proposing that as a way of thinking about images now.At the core of the work is that sense of curiosity, that sense of joy, that sense of beauty, and that sense of learning. I've been fortunate to have all kinds of strange and interesting experiences, whether that's seeing weird things in the sky over secret military bases in the middle of the Nevada desert, going scuba diving and finding internet cables on the bottom of the ocean, or tracking spy satellites in the sky and being able to predict when they'll appear in a flash against the backdrop of stars. The world around us is extraordinary and embodied, right? It is not on screens, and I'm very privileged to have that be so much a part of my process.”Trevor Paglen is an artist whose work makes the invisible visible, whether he's photographing secret government sites from miles away or revealing the hidden infrastructures of mass surveillance. He's a geographer by training, and he combines investigative journalism with his art practice to explore the hidden power structures of our time, including military technology and artificial intelligence. His work has been exhibited in major museums around the world, and he's also an award-winning author. His exhibitions, like 'The Black Sites' and 'Limit Tele-photography,' have earned him critical acclaim, including a MacArthur Fellowship. He's recently opened a new exhibition at Pace Gallery in New York called Cardinals, which delves into the intriguing connections between UFO sightings, AI, and the spread of disinformation.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast
WBZ NewsRadio's Carl Stevens reports.
In this episode of Fork in the Road, I chat with Chris Choi, the artist behind Mecha Panda, about his incredible return to art after a decade-long break—and how he taught himself to sculpt.We talk honestly about:The transition from drawing and painting to sculptureThe spontaneous creative process behind his eerie, beautiful creationsWhy he blends beauty with horrorThe real struggle of building a sustainable art careerWhy community and human connection are still everythingIf you're an artist navigating your own path—or curious about the ups and downs of a creative life—this conversation is for you.Follow Chris Choi: https://www.instagram.com/the_mecha_panda/Follow Andy Marshall: https://andycmarshall.com/Support the podcast on Patreon:https://www.patreon.com/c/ForkInTheRoadPodcastPatreon members receive:The Scenic Route: Extended 1 hour video interviewThe Short Cut: Get to ask podcast guests questions, access to the weekly deep dive blogs and the extended hour long video podcast.The Artists Highway: Monthly one-on-one video call to talk about ways we can help your art business thrive. Get to ask podcast guests questions, access to the weekly deep dive blogs and the extended hour long video podcast.
The WDW Radio Show - Your Walt Disney World Information Station
836 · Inside Imagineering: Zsolt Hormay on Sculpting Stories in Disney ParksDo you ever walk through the Disney Parks and say, "How did they do that?" or better yet, "WHO helped bring these incredible places and spaces to life?"I was recently invited into the hallowed halls of Walt Disney Imagineering to discover the answers to those questions, and will have a full recap of what (and who) I saw, as well as just some of Imagineering's legacy, people, and projects as I was taken behind the scenes into where Disney magic is made. And while I was there, I has the privilege of sitting down with Zsolt Hormay, Creative Executive at Walt Disney Imagineering and the sculptor behind some of Disney's most breathtaking environments – from the Tree of Life to Cars Land to the floating mountains of Pandora and Galaxy's Edge. I have known of him and admired his work for decades, so this was not only a special moment for me personally, but we had a wonderful, one-on-one conversation not just about his journey from Hungary to becoming a leading figure in theme park design, but how rockwork becomes storytelling, and the emotional and cultural depth behind the places and spaces he and his team create. From the Tree of Life to Fantasy Springs in Tokyo DisneySea, his work is quite literally etched into the parks we love.I also posted the entire video version on the WDW Radio YouTube channel, and will share even more about what I saw, experienced, and learned during my unforgettable visit to Imagineering on an upcoming podcast episode, so stay tuned!
In this powerful episode of The MisFitNation, Rich LaMonica welcomes Doyle Glass—a man who doesn't just write history, he sculpts it into memory.
What happens when you cast the most hidden, most judged parts of the body into permanence? In this unfiltered and unforgettable episode of Skin & Soul, I sit down with British sculptor Jamie McCartney—creator of The Great Wall of Vagina (now Vulva), The Spice of Life, and a growing body of work that dares to mold the raw truth of our erotic anatomy. From labia to penis, outer lips to internal vaginal walls, Jamie's art captures what we're taught to hide. This isn't porn. It's not provocation for its own sake. It's documentation. Reclamation. Reverence. We talk about: The myth of the “perfect” pussy—and the quiet epidemic of aesthetic shame Why the most radical thing you can do is see (and show) your real body The art of internal vaginal casting (!), and the intimate trust it demands Genital diversity, censorship, and why real erotic bodies deserve museum walls Jamie's sculptures aren't just flesh frozen in time. They are resistance. Education. Sacred rebellion. They say: you are not wrong. You are not broken. You are not alone. Because Venus was never one shape.She was every curve. Every crease. Every variation.And each one of them is divine. Watch: https://youtu.be/UX7JZG1-Puw
In this inspiring episode, Melissa is joined by Lindsey Simcik and Krista Williams, the founders of the Almost 30 podcast. They reflect on how they met at SoulCycle, bonded over a desire for something deeper, and built a business rooted in friendship, purpose, and growth. The conversation explores what it's like working with your best friend, becoming more discerning with age, and learning to own your preferences as a woman without guilt. They dive into spiritual practices, the impact of Saturn returns, and the journey toward creating a life that truly feels like your own. Krista opens up about her divorce and choosing not to settle for an “okay” relationship, while Lindsey shares her path to grounded love and clarity. Melissa shares her special connection to Ibiza, the healing power of parts work, and how burnout can often be a journey back to self. Plus, a behind-the-scenes look at Krista and Lindsey's new book—and how Melissa's story became part of it.Head over to eightsleep.com/melissa/ and use the code MELISSA to get $350 off the Pod 5 Ultra.You can get an additional 15% off their 90-day subscription Starter Kit by going to fatty15.com/MWH15 and using code MWH15 at checkout.Follow us on Instagram at @melissawoodtepperberg and @melissawoodhealthLimited Time Offer: Use code movewithheart when you sign up for a monthly membership to get your first month FREE on melissawoodhealth.com.Hosted on Acast. See acast.com/privacy for more information. Hosted on Acast. See acast.com/privacy for more information.
Young painter-turned-sculptor Hope Elizabeth Rodgers speaks to Tim about her journey from fine art and music to setting her sights on becoming a sculptor who uses her creativity to draw herself and others closer to God.
Episode 89: In this episode of the Last Looks podcast, host Jaime Leigh McIntosh welcomes Kazu Hiro, an acclaimed special effects makeup artist known for his work on films like Darkest Hour and Bombshell. Kazu shares his journey from a challenging childhood in Japan to becoming an Oscar-winning artist in Hollywood. He discusses his creative process, the importance of sleep to manage stress, and the impact of winning an Oscar on his career. Kazu also offers insights into his collaborations, the tools he can't live without, and his approach to sculpting lifelike prosthetics. Additionally, he answers questions from listeners and offers advice for aspiring makeup artists. Episode brought to you by: https://johnblakeswigs.com 15% OFF LSB: https://linearbelts.com/lastlooks YouTube Channel: https://www.youtube.com/@lastlookscrew BUY the podcast a COFFEE: https://www.buymeacoffee.com/lastlooks Join Last Looks Crew & Stay in the Loop: https://www.last-looks.com/join-last-looks-crew
Harry Weber takes us on a captivating journey through the world of sculpture and art. From his early days drawing to creating monumental works that grace parks and public spaces, Harry shares the stories behind his inspirations and the creative process that fuels his artistry. With a casual, conversational style, he reflects on the importance of drawing from life, the challenges of sculpting, and the collaborative nature of his work. Listeners will find themselves laughing and learning as Harry playfully navigates through his experiences, touching on everything from his military background to his fascination with the human form in art. This episode serves not just as a glimpse into the life of a sculptor, but also as a reminder of the passion and dedication that goes into the creation of every piece of art. So join us as we explore the intricacies of Harry's craft, from the conceptual drawings that start it all to the final installation of his larger-than-life sculptures. Through his engaging storytelling, Harry not only showcases his artistic journey but also highlights the universal themes of perseverance, creativity, and the joy of making art that resonates with people. Whether you're an aspiring artist or simply someone who appreciates the beauty of sculpture, this episode is a delightful mix of humor, insight, and inspiration that you won't want to miss.[00:00] Welcome and Introduction[00:27] Meet Harry Weber: Renowned Sculptor[01:26] The Art of Drawing and Sculpting[02:49] Creating Iconic Sculptures[04:42] The Process of Sculpting Large Pieces[06:46] Challenges and Techniques in Sculpture[19:44] Military Service and Personal Reflections[27:51] Transition to Full-Time Sculptor[28:39] Competing for Commissions[28:55] The Impact of Public Sculptures[30:10] Evolution of Technique[31:50] Listening While Sculpting[32:57] Historical Perspectives and Influences[33:44] Meeting Influential Figures[35:18] Parallels in History[37:23] The Role of Money and Success[47:13] Advice for Aspiring Artists[57:08] Conclusion and ReflectionsTakeaways:Harry Weber emphasizes the importance of drawing from life rather than photographs to capture true essence.Creating sculptures involves a mix of talent, hard work, and a sprinkle of luck, according to Harry.Harry's journey into art has been a lifelong passion, beginning at the age of four with drawing.The artistic process is a collaborative effort, especially when sculpting large pieces with engineers and other artisans.His sculptures include representations of historical figures and sports icons, making his work a significant part of American culture.The conversation highlights Harry's humorous take on the artistic process, revealing both the struggles and joys of being a sculptor.His sculptures are not just art pieces; they serve as cultural narratives, representing the stories and histories of the figures they depict.Sculptures/Items Mentioned in the ConversationHarry Weber in his studio
In this week's episode I'm sharing some insights I've noticed during my newest creative exploration into the world of ceramics. Trying my hand at pottery has been something I've wanted to do for decades but have only recently decided to give it a whirl. While it has stirred some joy for me, there's been a LOT of frustration and failure as well. I'll be pressing pause on the podcast for the summer and will be off immersing myself in some other artistic endeavors but will be back in a bit with more tales to tell of my ventures into more right brain adventures. In the meantime, you can keep up with me by following me on Instagram at: @karen.e.osborne
Artist and educator Hae Won Sohn returns for a reflective conversation on process, adaptability, and making art that holds up—materially and conceptually.Now based in Queens, Hae Won shares what's evolved since her 2021 Sondheim Prize win and how her process-first approach has deepened through teaching, repurposing materials, and balancing art with life. Recorded after her Surface Tension exhibition in Baltimore, this episode covers the intersections of sculpture, craft, and creative discipline.From plaster scraps to sculptures: why her grandfather's resourcefulness still shapes her practiceBalancing artistic growth between Baltimore and New YorkHow she teaches sculptural thinking by modeling failure and experimentationHer thoughts on anti-branding, creative integrity, and resisting aesthetic stagnationWhy Surface Tension challenged her to rethink scale, space, and drawing as sculpture
Send us a textChris sits down with Kayla Logue, bestselling author and founder of Move Into Words, who shares her transformative journey from following society's expectations to creating a purpose-driven life defined on her own terms.• Walking away from a traditional path during the pandemic with just $900 to start fresh• Discovering journaling as a transformative daily practice that provides mental clarity• Implementing radical self-accountability by focusing only on what you can control• Creating Operation One Million Journals to help others find purpose and clarity• Building confidence through consistent physical and mental health practices• Redefining success beyond external validation to focus on personal fulfillment• Finding freedom through entrepreneurship and controlling your own time• Avoiding comparison traps that derail your progress and satisfaction• Celebrating small victories along the journey instead of fixating on big goals• Developing resilience by doing difficult things when you don't feel like itConnect with Kayla at KaylaLogue.com for resources, coaching opportunities, and information about her nonprofit work.Support the showThis episode is NOT sponsored. Some product links are affiliate links, meaning we'll receive a small commission if you buy something. =========================== ⚡️PODCAST: Subscribe to our podcast here ➡ https://elevatemedia.buzzsprout.com/ ⚡️Need post-recording video production help? Let's chat ➡ https://calendly.com/elevate-media-group/application ⚡️For Support inquires or Business inquiries, please email us at ➡︎ support@elevate-media-group.com Our mission here at Elevate Media is to help purpose-driven entrepreneurs elevate their brands and make an impact through the power of video podcasting. Disclaimer: Please see the link for our disclaimer policy for all our episodes or videos on the Elevate Media and Elevate Media Podcast YouTube channels. https://elevatemediastudios.com/disclaimer
For the first time, the Chief Change Officer podcast returns to its birthplace—Hong Kong—to spotlight local artist and community builder May Yeung.From doodling on walls at age two to sculpting giant dim sum steamers for public exhibitions, May's journey is anything but typical. She swapped Goldman Sachs for gallery spaces, battled cancer with faith (and clay), and now leads Art of My Family, a charity that brings art, healing, and heritage to underprivileged youth across Hong Kong. Whether it's mental wellness programs, intergenerational education, or marine-themed installations made from recycled shells, May turns every life experience into a canvas for good. Bonus: her baby son Archer makes a surprise guest appearance—arguably stealing the show.Key Highlights of Our Interview:Draw First, Write Later: A Childhood in Color“I drew on walls before I could write my name… by twelve, I knew I'd be an artist.”When Music Shapes the ClayFrom piano lessons with Hong Kong's top musicians to dance-sculpture mashups, May's art listens before it speaks.The Goldman Pivot: Finding Purpose Through CSR“I helped organize community art after Hurricane Sandy. That's when the impact bug bit.”From Cancer to Conviction: The ALT of Art“Faith, feeling alive, touching lives—cancer gave me a new mission, not just new scars.”Archer Joins the Show: A Toddler-Sized Shift in Artistic Purpose“Motherhood made me realize: my art must nourish the next generation—his and others'.”Dim Sum, Ping Pong, and Bamboo DreamsFrom Chinese checkers to handmade steamers, May's art honors Hong Kong's everyday beauty.‘What If' and ‘Blossom Love': Sculpting Global Conversations“What If” made her the first Asian sculptor to exhibit at Rockefeller Chapel; “Blossom Love” built a cultural bridge between Hong Kong and the Netherlands.Why ‘Art of My Family' Isn't Just a NameMay's nonprofit uses art to serve mental health, sustainability, and inclusion—with the three C's: co-design, co-create, co-learn.Mission: Teaching Artists Who Teach From Life“I'm not just instructing—I'm modeling the mess, joy, and resilience of the creative path.”______________________Connect with us:Host: Vince Chan | Guest: May Yeung --Chief Change Officer--Change Ambitiously. Outgrow Yourself.Open a World of Expansive Human Intelligencefor Transformation Gurus, Black Sheep,Unsung Visionaries & Bold Hearts.EdTech Leadership Awards 2025 Finalist.18 Million+ All-Time Downloads.80+ Countries Reached Daily.Global Top 1.5% Podcast.Top 10 US Business.Top 1 US Careers.>>>170,000+ are outgrowing. Act Today.
In this May The 4th episode, we had the pleasure of sitting down with Speciality Costume Manufacturer, Marcus Napuri. Join us for a chat about all things art, props, the Mandoverse, and so much more!
Send us a textIn this episode of The Real Santa Fe, Bunny Terry sits down once again with renowned bronze sculptor Star Liana York — a true icon in Santa Fe's art world. From her early days cutting wooden animal shapes in her father's basement to becoming one of the Southwest's most collected artists, Star shares the story of a life shaped by art, animals, and the power of place.They dive deep into how Santa Fe's foundries, cultures, landscapes, and generous community have influenced her decades-long career. You'll hear stories about her creative process, the personalities behind her animal sculptures, her spiritual connection to Maria Martinez, and the quiet discipline it takes to let inspiration come through. Whether you're an art lover, a Santa Fe local, or someone dreaming of a life rooted in creativity, this episode is rich with insight and soul.
Today, the Spotlight shines On digital media artist Tamiko Thiel.To mark our special milestone of 250 episodes, we are kicking off a two-part conversation with media artist Tamiko Thiel.Tamiko has lived at the crossroads of art and technology for over 40 years. She designed the Connection Machine, the first commercial AI supercomputer that now sits in New York's Museum of Modern Art. She's worked with everyone from Steven Spielberg to Richard Feynman, and pioneered virtual reality art before most people had heard of VR. Her Connection Machine even inspired Steve Jobs when he built his post-Apple computer, the NeXTcube.In part one, Tamiko shares her journey from Stanford engineer to acclaimed artist, and how her Japanese-American roots shape her work exploring identity, place, and space. Part two drops next week.–Dig DeeperVisit Tamiko Thiel at tamikothiel.comFollow Tamiko Thiel on Bluesky, Instagram, and LinkedInDanny Hillis, Richard Feynman, Tamiko Thiel & Colleagues Design the Connection MachineThe Female Supercomputer Designer Who Inspired Steve JobsCM-1/CM-2 "Feynman" T-shirtsDig into this episode's complete show notes at spotlightonpodcast.com–• Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts.• Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice.• Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. You can also follow us on Bluesky, Mastodon, YouTube, and LinkedIn.• Be sure to bookmark our new online magazine, The Tonearm! → thetonearm.com Hosted on Acast. See acast.com/privacy for more information.
Today, the Spotlight shines On digital media artist Tamiko Thiel.To mark our special milestone of 250 episodes, we are kicking off a two-part conversation with media artist Tamiko Thiel.Tamiko has lived at the crossroads of art and technology for over 40 years. She designed the Connection Machine, the first commercial AI supercomputer that now sits in New York's Museum of Modern Art. She's worked with everyone from Steven Spielberg to Richard Feynman, and pioneered virtual reality art before most people had heard of VR. Her Connection Machine even inspired Steve Jobs when he built his post-Apple computer, the NeXTcube.In part one, Tamiko shares her journey from Stanford engineer to acclaimed artist, and how her Japanese-American roots shape her work exploring identity, place, and space. Part two drops next week.–Dig DeeperVisit Tamiko Thiel at tamikothiel.comFollow Tamiko Thiel on Bluesky, Instagram, and LinkedInDanny Hillis, Richard Feynman, Tamiko Thiel & Colleagues Design the Connection MachineThe Female Supercomputer Designer Who Inspired Steve JobsCM-1/CM-2 "Feynman" T-shirtsDig into this episode's complete show notes at spotlightonpodcast.com–• Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts.• Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice.• Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. You can also follow us on Bluesky, Mastodon, YouTube, and LinkedIn.• Be sure to bookmark our new online magazine, The Tonearm! → thetonearm.com Hosted on Acast. See acast.com/privacy for more information.
Miranda Rumfelt is a trailblazer in the automotive world, proudly standing as the only female owner of a custom vehicle design business in metro Detroit. Born and raised in The Motor City, her passion for American Muscle cars was ignited at a young age by her family of "wrenchers." From tagging along with her father Kevin, to car shows and racetracks as his "mini me," to rebuilding engines and painting her own minibike, her life has revolved around automobiles. Her journey took a pivotal turn at age 13 when she enrolled in the DRIVE One Detroit program, where she discovered automotive design and clay sculpting under the guidance of industry mentors. where this early exposure set the foundation for a remarkable career leading her to become a full-time clay sculptor at General Motors Design and the founder of MR Design LLC, where she creates stunning vehicle designs and custom parts. Connect with Miranda here: https://www.instagram.com/mirandarumfelt https://www.youtube.com/@mirandarumfelt https://www.tiktok.com/@mirandarumfelt https://www.facebook.com/people/Miranda-Rumfelt/100090457860344/ Connect with Red Line Oil: www.redline.com Connect with Mecum Auctions: www.Mecum.com Connect with JP Emerson: www.jpemerson.comFor more podcasts on cars check out Ford Mustang The Early Years Podcast at www.TheMustangPodcast.com, at Apple Podcasts or anywhere you get your podcastsFor more information about sponsorship or advertising on The JP Emerson Show or podcast launch services, contact Doug Sandler at doug@turnkeypodcast.com or visit www.turnkeypodcast.com
Before cat-eye glasses were a fashion staple, they were a radical act of design — and behind them was Altina Schinasi: sculptor, filmmaker, inventor, and unapologetic creative force. In this episode, Stauney and Sadie follow Altina's kaleidoscopic life, from designing the iconic harlequin frame to creating politically charged art and championing social causes. A daughter of immigrants who defied expectations at every turn, Altina made a spectacle of herself in all the best ways — shaping not just how we look, but how we see. Join us as we explore the bold vision of a woman who refused to stay in the lines — and made the world a little sharper because of it. Learn more about your ad choices. Visit megaphone.fm/adchoices
In this episode, we sit down with the incredibly talented Chuck Bertrand—sculptor, artist, and mask maker—whose creations have haunted horror fans for years.From bringing Psycho Vicky to life in the Terrifier franchise to crafting iconic pieces like The Haunted Mask from Goosebumps and his terrifying take on Dr. Jekyll and Mr. Hyde, Chuck has made a name for himself in the world of horror collectibles and film-quality creations.We dive into his love for horror, how he got started in the industry, and what it takes to transform nightmares into reality. Chuck shares his experiences working in the haunt industry, why he's passionate about Halloween Horror Nights at Universal Orlando, and how haunted attractions continue to inspire his work.We also explore the crossover between horror fans and their love for collecting, why people are drawn to physical pieces of their favorite movies, and where he sees the horror industry heading.Plus, Chuck gives us an inside look at his latest venture, Chuck's Curiosities, and what terrifying creations he has in store next!If you're a fan of horror movies, masks, collectibles, or the art of bringing fear to life, this is an episode you don't want to miss!Check out more of my content here - https://linktr.ee/FirstClassHorrorCheck out Chuck's work here - https://www.youtube.com/@Chuckscuriosities chuckscuriosities.etsy.comBecome a supporter of this podcast: https://www.spreaker.com/podcast/class-horror-cast--4295531/support.
Join Maggie Perotin as she interviews Lina Waled, an innovative haircutting specialist who transformed her career from a psychology graduate to an international hair artist and content creator. In this episode, discover how following your creative intuition can lead to unexpected success and business growth.Key Highlights:• Lina's unique journey from a psychology degree to becoming a sought-after hairstylist• How she developed her signature razor-cutting technique and "sculpted hair" concept• Strategic approach to content creation across YouTube, Instagram, and TikTok• Tips for relocating a service-based business internationally• Managing creative entrepreneurship while maintaining focus on business goalsTopics Covered:[00:00:00] - Introduction and Lina's background[00:02:00] - The story behind becoming a hairstylist[00:04:00] - Developing unique razor-cutting techniques[00:08:00] - Content creation strategy across different platforms[00:12:00] - Relocating from Canada to Dubai[00:15:00] - Managing creativity and business focus[00:19:00] - The importance of business coaching and supportKey Takeaways:• Different social media platforms require different approaches:YouTube: Long-form, detailed tutorialsInstagram: Professional business presence and client bookingTikTok: Casual, personal connection content• Success strategies for creative entrepreneurs:Brain dumping for idea managementCreating systems for focusRegular journaling and planningStrategic experimentationFeatured Guest: Lina Waled (@linadoeshair)Haircutting specialist and content creator based in Dubai, known for her innovative razor-cutting technique and viral hair content.Resources Mentioned:• Instagram: @linadoeshair• Diamond Effect Group Coaching ProgramFollow Lina on Instagram @linadoeshair to see her amazing hair transformations and content creation strategies in action.
Bob Naismith was one of the early Citadel sculptors who helped to define the foundations of Warhammer and 40k. From the original Space Marine design, predating Rogue Trader and the start of 40k, to the plastics created for HeroQuest and Space Crusade, Bob and Jordan talk about an incredible career full of iconic and important work.Bob Naismith interview._____________________________ Check out Bob's latest work: [Bob Naismith Website]https://www.bobnaismith.com/[Bob Naismith Patreon]https://www.patreon.com/user?u=31502359_____________________________ Support My Work: DOWNLOAD MY FANTASY BATTLE SCENARIO DEAD KING WENCESLAS:https://jordansorcery.itch.io/dead-king-wenceslasELEMENT GAMES AFFILIATE LINK:https://elementgames.co.uk/?d=11216PATREON:https://www.patreon.com/jordansorceryKO-FI:https://ko-fi.com/jordansorceryDISCORD:https://discord.gg/vtjKzTGevDINSTAGRAM:https://www.instagram.com/jordansorcery/ BLUESKY:https://bsky.app/profile/jordansorcery.bsky.social WEBSITE:https://jordansorcery.com/_____________________________ Art, Music, and Copyright: Images used belong to their respective copyright owners Jordan Sorcery Theme by Joylin Music Jordan Sorcery Heraldry by Becka Moor Jordan Sorcery Heraldry and Theme copyright @jordansorcerySupport the show
Send us a textWhat happens when music meets muscle? Meet Trea, the "fit artist" whose mission bridges the gap between creative expression and physical wellbeing. Growing up in a small Mississippi Delta town where church choirs shaped his musical foundation, Trea's journey from writing emotional poems about his grandmother to founding Next World Fitness reflects the powerful intersection of artistic passion and physical discipline.Trea recognizes a critical truth most fitness professionals miss: artists, musicians, and entertainers face unique wellness challenges. Constantly on the road, subjected to irregular schedules, and literally using their bodies as instruments of their craft, performers need specialized approaches to fitness that traditional gym routines simply can't provide. "Your body is the instrument," Trea emphasizes, highlighting how improved stamina, energy, and mental clarity directly enhance creative output and stage performance.The genius of Trea's method lies in its accessibility. Rejecting the discouraging "all-or-nothing" mindset that derails so many fitness journeys, he advocates for small, sustainable changes that build momentum over time. His innovative HIIT-style workouts can be completed in just 10-20 minutes anywhere—from tour buses to hotel rooms—making fitness feasible even for the most demanding entertainment careers. This practical approach acknowledges the reality of creative professionals' lives while still delivering meaningful results.Beyond individual training, Trea has created Fit Masterpiece Collabs, a community where artists support each other's wellness goals while networking professionally. His newly launched "Sculpt and Create" podcast further explores the symbiotic relationship between creativity and physical health through conversations with fellow artists and wellness professionals. Ready to treat your creative career as seriously as your creative output? Discover how Trea's specialized approach to fitness can amplify your artistry and extend your career longevity at nextworldfitness.com. Your body deserves the same dedication as your art.Want to be a guest on Living the Dream with Curveball? Send Curtis Jackson a message on PodMatch, here: https://www.podmatch.com/hostdetailpreview/1628631536976x919760049303001600
PurpleChest Brutefun Hedningen Celaino Discuss making your own Blood Bowl pieces, from simple kitbashing into sculpting and modelling. Brutefun: https://linktr.ee/brutefunHedningen Insta: https://www.instagram.com/hedningengames/
This episode Tony sits down with Miss Universe titleholder Angela Beyer. They talk about health, wellness and the importance of strength training. As a renowned fitness coach and health expert, she empowers women to build muscle, cultivate healthy habits, and achieve lasting well-being. Sculpting bodies and shaping lives, give her a follow her https://www.instagram.com/healthcoachangela/
Trish Carden joined Citadel in the 80s and became a legendary sculptor for Citadel Miniatures. Working closely with Aly Morrison, Bob Naismith, and many others Trish soon gained famed as the Monster Girl, able to creature magnificent beasts, dragons, and monsters that were unforgettable.With Aly Morrison, Trish established Marauder Miniatures, a new Games Workshop imprint dedicated to creating models for Warhammer Fantasy. Later in her career Trish would move to the Forge World to craft some of her most impressive monsters yet!Trish Carden interview._____________________________ Check out Trish's latest work: [HarrowHyrst Miniatures]https://footsoreminiatures.co.uk/collections/harrowhyrst_____________________________ Support My Work: DOWNLOAD MY FANTASY BATTLE SCENARIO DEAD KING WENCESLAS:https://jordansorcery.itch.io/dead-king-wenceslasELEMENT GAMES AFFILIATE LINK:https://elementgames.co.uk/?d=11216PATREON:https://www.patreon.com/jordansorceryKO-FI:https://ko-fi.com/jordansorceryDISCORD:https://discord.gg/vtjKzTGevDINSTAGRAM:https://www.instagram.com/jordansorcery/ BLUESKY:https://bsky.app/profile/jordansorcery.bsky.social WEBSITE:https://jordansorcery.com/_____________________________ Art, Music, and Copyright: Images used belong to their respective copyright owners Jordan Sorcery Theme by Joylin Music Jordan Sorcery Heraldry by Becka Moor Jordan Sorcery Heraldry and Theme copyright @jordansorcerySupport the show
You might encounter an ice sculpture of a swan at a fancy banquet, or an ice luge on a night out. But have you ever seen an 18-foot-tall punk baby with a mohawk made of ice? That’s one of the massive ice sculptures dreamt up by world-class ice carver Chris Foltz. Every winter, master sculptors from across the globe converge for the World Ice Art Championships in Fairbanks, where the temps are sub-zero, the ice blocks are sawed out of frozen ponds and the sculptures can weigh up to 20 tons. Foltz, a longtime chef who teaches ice sculpting to culinary students on the Oregon coast, has led teams to multiple world championships in Alaska. “Oregon Field Guide” producer Noah Thomas followed Foltz and his team from Oregon to Fairbanks and joins us to share the thrills and chills of their quest for icy glory. For more “Evergreen” episodes and to share your voice with us, visit our showpage. Follow OPB on Instagram, and follow host Jenn Chávez too. You can sign up for OPB’s newsletters to get what you need in your inbox regularly. Don’t forget to check out our many podcasts, which can be found on any of your favorite podcast apps: Hush Timber Wars Season 2: Salmon Wars Politics Now Think Out Loud And many more! Check out our full show list here.
“Brush sculpting” is the planned, selective control of brush to enhance wildlife habitat. Think of it as applied landscaping or feng shui. Join Dr. Dale and his special guest Rory Burroughs of Comprehensive Land Management as they provide an overview of the concept, and how to increase “useable space” for quails (and other wildlife) on your property.
Ave invites Dr. Mija Khan to talk all things plastic surgery. They talk about her journey in medical school, an open Q+A and finding confidence in your natural beauty.
Send us a textIn this episode, Ricardo Karam meets Randa Nehme, a Lebanese sculptor known for her intricate and expressive works that explore human emotions and life experiences. Randa's sculptures are known for their attention to detail, using a variety of materials such as bronze, marble, and wood. Often depicting the human form, her work reflects both the physical and emotional aspects of the human experience. Her art serves as a vehicle for deep emotional storytelling, allowing her to connect with her audience on a personal level. Randa speaks passionately about her life, the upheavals she has faced, her failures and her challenges as well as her free spirit that led her to a journey of self-discovery and balance. Join Ricardo Karam Randa Nehme in an inspiring conversation that communicates deep human emotions. في هذه الحلقة من البودكاست، يلتقي ريكاردو كرم بالنحّاتة اللبنانية رندا نعمة، المعروفة بأعمالها الدقيقة والمعبرة التي تتناول المشاعر الإنسانية وتجارب الحياة. تتميّز منحوتات رندا بدقتها في التفاصيل، حيث تستخدم مجموعة متنوعة من المواد مثل البرونز والرخام والخشب. وغالبًا ما تجسّد أعمالها الشكل البشري، معبّرة عن الجوانب الجسدية والعاطفية للتجربة الإنسانية. يُعد فنّها وسيلة لسرد القصص العاطفية العميقة، مما يتيح لها التواصل مع جمهورها على مستوى شخصي. تتحدث رندا بشغف عن حياتها، والتقلبات التي واجهتها، وإخفاقاتها وتحدياتها، بالإضافة إلى روحها الحرة التي قادتها في رحلة لاكتشاف الذات وتحقيق التوازن. انضموا إلى ريكاردو كرم ورندا نعمة في حوار ملهم ينقل أعمق المشاعر الإنسانية. #sculptor #art #artist #museums #exhibitions #lebanon #paris #ricardokaram #randanehme
In Episode 481, Ryan and Jose return to the Book Club of Blood, for the 5th story; Sex, Death and Starshine. Plus we have a little bit of Barker movie release news, and there's a new Clive Barker interview. This is the Clive Barker Podcast, where long-time fans Ryan and Jose interview guests, bring you the news, and take deep dives into Barker-related stuff. This episode is available in podcast audio and YouTube video. Sponsor : Don Bertram's Celebrate Imagination | Pinterest | ETSY Store Check out his recent paintings, “The Wink” and “The Innocent” on Facebook Check out his newest video on Youtube: Detailing Bess Cutler Gallery Prints, recently made public from our Patreon Sponsor : Ed Martinez YouTube Channel Mike Rotella on Sculpting the Chatterer Patreon Members Shout-Out (Become a Patron) David Anderson Erik Van T' Holt Daniel Elven Amanda Stewart Bradley Gartz Markus Returning Sponsor: Don Bertram's Celebrate Imagination Brand New Sponsor, Ed Martinez YouTube Channel What's New for our Patreon Subscribers Feature: Hellraiser game from Color Dreams Ed Martinez video of a 1993 Signing by Clive at SDCC Book Club of Blood Discussion: Sex, Death and Starshine: Books of Blood Vol 1 From The Reef Night of the Zoopocalypse trailer is here Recent Interview with Clive on Liverpool Post (subscribers only) Feedback / Comments Reddit Little Spark Films Shoutout / Kickstarter unboxing Coming Next Interviews Hellraiser Quartet of Torment Disc 4 w/ Peter Atkins Jericho Squad 77 Returns And this podcast, having no beginning will have no end. web www.clivebarkercast.com Apple Podcasts, Android, Amazon Music, Spotify, Pandora, Libsyn, Tunein, iHeart Radio, Pocket Casts, Radio.com, and YouTube and Facebook: | BarkerCast Listeners Group | Occupy Midian BlueSky | Reddit | Discord Community Support the show Buy Our Book: The BarkerCast Interviews Occupy Midian Hardcover | Kindle | Apple Become a Patreon Patron | Buy a T-Shirt Music is by Ray Norrish All Links and show notes in their Entirety can be found at https://www.clivebarkercast.com
Can a statue change American history?How do we decide who gets a statue? What happens when you realize how many people deserve a statue but never got one? What's the difference between a “forensic sculpture” for an interpretive exhibition, and one you'd put in a fine art show? Why are some museums just not complete without a bronze statue of the main characters? Are there “statues of limitations”?Ivan Schwartz (Founder and Director of StudioEIS), joins MtM host Jonathan Alger (Managing Partner, C&G Partners) to discuss “Sculpting History.” Along the way: hagiography, phalanges, and ketchup bottles made of bronze. Talking Points:1. What is a “Forensic” Sculpture?2. Sculptor as Visual Storyteller3. How to Sculpt a President4. A Phone Call from the Archives5. Telling History Like It Is6. Statues of LImitation How to Listen: Listen on Apple Podcasts: https://podcasts.apple.com/us/podcast/making-the-museum/id1674901311Listen on Spotify:https://open.spotify.com/show/6oP4QJR7yxv7Rs7VqIpI1GListen at Making the Museum, the Website:https://www.makingthemuseum.com/podcastLinks to Every Podcast Service, via Transistor:https://makingthemuseum.transistor.fm/ Guest Bio:Ivan Schwartz is the founder and director of StudioEIS. He is a sculptor, painter, and designer, with a keen interest in American history and the use of sculpture in the development of our national symbols. With a degree in sculpture from The College of Fine Arts at Boston University, he packed up and spent a year working in Pietrasanta, Italy in the early 1970s. He was the recipient of a distinguished alumni award from Boston University in 2003, and has shown his work in New York since 1981. Ivan was a member of the Dean's Advisory Board at Boston University's College of Fine Arts until the end of 2009 and was also a founding board member of Art Omi, an international arts workshop. He was also President of Innovators in America, 2009-2011, working closely with Sir Harold Evans. The StudioEIS archive was acquired by the Briscoe Center for American History at the University of Texas, Austin, in 2014 in association with a new area of study on American symbols.StudioEIS has created hundreds of projects in its 50-year history; most notably for: The National Constitution Center, The New York Historical Society, The John F. Kennedy Center for the Performing Arts, The Virginia Women's Monument, and The National Museums of African American History and Natural History. The studio has explored the American Presidency, Military History and Civil Rights history extensively. Current Projects include the Clara Luper Memorial that will be unveiled in May in Oklahoma City and Theodore Roosevelt & Barack Obama Presidential Libraries. Ivan has been seen recently on the CBS Sunday Morning program and at the Lyndon Johnson Library in conversation with Doris Kearns Goodwin on the subject of Abraham Lincoln. His film: “Lest We Forget, Statues of Limitation,” can be seen on Vimeo. About Making the Museum: Making the Museum is hosted (podcast) and written (newsletter) by Jonathan Alger. This podcast is a project of C&G Partners | Design for Culture. Learn more about the creative work of C&G Partners:https://www.cgpartnersllc.com/ Links for This Episode: Ivan by Email:ivan@studioeis.com StudioEIS Online:https://www.studioeis.com “Lest We Forget: Statues of Limitation” on Vimeo:https://vimeo.com/211595498 Links for Making the Museum, the Podcast: Contact Making the Museum:https://www.makingthemuseum.com/contact Host Jonathan Alger, Managing Partner of C&G Partners, on LinkedIn: https://www.linkedin.com/in/jonathanalger Email Jonathan Alger:alger@cgpartnersllc.com C&G Partners | Design for Culture:https://www.cgpartnersllc.com/ Making the Museum, the Newsletter: Liked the show? You might enjoy the newsletter. Making the Museum is also a free weekly professional development email for exhibition practitioners, museum leaders, and visitor experience professionals. (And newsletter subscribers are the first to hear about new episodes of this podcast.) Join hundreds of your peers with a one-minute read, three times a week. Invest in your career with a diverse, regular feed of planning and design insights, practical tips and tested strategies — including thought-provoking approaches to technology, experience design, audience, budgeting, content, and project management. Subscribe to the newsletter:https://www.makingthemuseum.com/
In Episode 480, Ryan and Jose chat with Roy Robbins of Bad Moon books about being a book collector and publisher of Clive's “The Adventures of Maximillian Bacchus and His Travelling Circus.” In the Clive Barker Podcast, long-time fans Ryan and Jose interview guests, bring you the news, and take deep dives into Barker-related stuff. Please note that in the beginning there was a short period where Ryan's sound cut out. Sponsor : Don Bertram's Celebrate Imagination | Pinterest | ETSY Store Check out his recent paintings, “The Wink” and “The Innocent” on Facebook Check out his newest video on Youtube: Detailing Bess Cutler Gallery Prints, recently made public from our Patreon Sponsor : Ed Martinez YouTube Channel Mike Rotella on Sculpting the Chatterer Patreon Members Shout-Out (Become a Patron) David Anderson Erik Van T' Holt Daniel Elven Amanda Stewart Bradley Gartz Markus Returning Sponsor: Don Bertram's Celebrate Imagination Brand New Sponsor, Ed Martinez YouTube Channel What's New for our Patreon Subscribers Feature: Hellraiser game from Color Dreams Discussion with Roy Robbins of Bad Moon Books Show Notes The Adventures of Mr. Maximillian Bacchus and His Travelling Circus Slices of Flesh Anthology Bad Moon Books on Facebook Feedback / Comments / Questions Coming Next Hellraiser Quartet of Torment Disc 4 w/ Peter Atkins Jericho Squad 77 Campaign 1 Episode 28 Commentary: Zoopocalypse And this podcast, having no beginning will have no end. web www.clivebarkercast.com Apple Podcasts, Android, Amazon Music, Spotify, Pandora, Libsyn, Tunein, iHeart Radio, Pocket Casts, Radio.com, and YouTube and Facebook: | BarkerCast Listeners Group | Occupy Midian BlueSky | Reddit | Discord Community Support the show Buy Our Book: The BarkerCast Interviews Occupy Midian Hardcover | Kindle | Apple Become a Patreon Patron | Buy a T-Shirt Music is by Ray Norrish All Links and show notes in their Entirety can be found at https://www.clivebarkercast.com
Joined by Liz Lewis, sculptor, bird hunter and bird dog lover we discuss Liz origins in sporting art and the sporting lifestyle along with her journey as a competitive shotgun shooter. Show Highlights: “Raised at the range” Overlanding and Uplanding: Episodes #209 and #210 A desire to help women become better shotgun shooters Shooting competitively for Team Beretta and Team USA “FITASC really separates the women from the girls!” The importance of gun fit for women Eye dominance issues… Origins in sporting and wildlife art Sculpting and the art business Foundries, bronze, patinas and more! The Liz Lewis Gallery SUPPORT | patreon.com/birdshot Follow us | @birdshot.podcast Use Promo Code | BSP20 to save 20% with onX Hunt Use Promo Code | BP15 to save 15% on Marshwear Clothing Use Promo Code | BS10 to save 10% on Trulock Chokes The Birdshot Podcast is Presented By: onX Hunt, Final Rise and Upland Gun Company Learn more about your ad choices. Visit megaphone.fm/adchoices
these sculptures are not what they seem... First CREEPYPASTA ► "I accidentally joined a sculpting class..." written by 0hShaSha, narrated by ClancyPasta ► https://www.reddit.com/r/nosleep/comments/1hl9meo/i_accidentally_joined_a_sculpting_class/ ► https://x.com/OhShaSha279480 Second CREEPYPASTA ► "The Murmuring House" written by shane-carter_, narrated by ClancyPasta ► https://www.reddit.com/r/nosleep/comments/1hlb6b9/the_murmuring_house/ Third CREEPYPASTA ► "Razormouth" written by jiltedone, narrated by ClancyPasta ► https://www.reddit.com/r/nosleep/comments/1hlwvhr/razormouth/ 0:00 - First Tale 7:14 - Second Tale 15:44 - Third Tale Here on ClancyPasta we provide audio narrations of scary stories of all kinds - from classic creepypastas, to new creepypastas, to other scary stories from the internet and beyond. Been recording since 2017! Here are ways to support the channel if you wish ~ MERCH ► http://teespring.com/stores/clancypastastore PATREON ► https://patreon.com/clancypasta MEMBERSHIP ► https://www.youtube.com/channel/UCnfg9w5hrnPT7oA1H3uRZEQ/join Here's where you can find me, and also links to the audio version of the show ~ X / TWITTER ► http://x.com/clancypasta INSTA ► https://instagram.com/clancypasta SPOTIFY ► https://open.spotify.com/show/51DHHPsFnEvDAGfRiZPMF7 ANCHOR.FM ► https://anchor.fm/clancypasta ► Background footage licensed from StoryBlocks. MUSIC ► "Gymnopedie #"1 Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/ Other background music and sound effects licensed from StoryBlocks. #Creepypasta #scarystories #horrorstories #ClancyPasta
Fluent Fiction - Norwegian: Sculpting Dreams in the Frost: A New Year's Tale Find the full episode transcript, vocabulary words, and more:fluentfiction.com/no/episode/2025-01-01-23-34-02-no Story Transcript:No: Frognerparken var kledd i sparkende hvitt, som et stort festlokale under åpen himmel.En: Frognerparken was dressed in sparkling white, like a grand banquet hall under the open sky.No: Nyttårsdagen var her, med løfter om nye begynnelser og, for mange, nye utfordringer.En: Nyttårsdagen was here, bringing promises of new beginnings and, for many, new challenges.No: Midt blant snøkrystaller og skapende hender, sto Sindre.En: Among the snowflakes and creative hands stood Sindre.No: Han var ivrig, men nervøs.En: He was eager, but nervous.No: Snøskulpturkonkurransen var hans sjanse til å vise hva han kunne.En: The snow sculpture competition was his chance to show what he could do.No: Sindre var ikke alene.En: Sindre was not alone.No: Hanne sto ved hans side, pakket inn i en stor, varm jakke.En: Hanne stood by his side, wrapped in a large, warm coat.No: Hun hadde vært med på mange av Sindres eventyr før, og selv om hun spurte om sikkerhet og fornuft, var hun alltid klar til å støtte ham.En: She had been part of many of Sindre's adventures before, and although she asked about safety and common sense, she was always ready to support him.No: "Er du sikker på dette, Sindre?En: "Are you sure about this, Sindre?"No: " spurte hun mens han trente håndstyringene sine.En: she asked as he practiced his hand movements.No: "Ja, Hanne, jeg har en plan," svarte Sindre, med et glimt i øyet han håpet skjulte tvilen.En: "Yes, Hanne, I have a plan," replied Sindre, with a glint in his eye that he hoped would hide his doubt.No: Skulpturen hans skulle bli noe spesielt, noe nytt.En: His sculpture was meant to be something special, something new.No: Han hadde hjulpet Astrid, en stor kunstner i denne kunstarten, og nå håpet han å imponere henne og alle andre, selv om han visste at han tok en risiko.En: He had helped Astrid, a great artist in this art form, and now he hoped to impress her and everyone else, even though he knew he was taking a risk.No: Astrid befant seg noen meter unna, dypt konsentrert om sitt eget mesterskap i snø.En: Astrid was a few meters away, deeply focused on her own masterpiece in snow.No: Hun hadde vært Sindres mentor siden han først viste interesse for kunsten med å forme snø til liv.En: She had been Sindre's mentor since he first showed interest in the art of turning snow into life.No: Hun så opp og fanget blikket hans, ga ham et støttende nikk.En: She looked up and caught his gaze, giving him a supportive nod.No: “Våg å drømme, men ikke glem håndverket," hadde hun alltid sagt.En: "Dare to dream, but don't forget the craftsmanship," she had always said.No: Sindre fokuserte igjen på arbeidet sitt, mens vinterens pust forsiktig danset rundt ham.En: Sindre focused again on his work, while the breath of winter gently danced around him.No: Han hadde valgt å lage en abstrakt skulptur som ingen hadde gjort før.En: He had chosen to create an abstract sculpture that no one had done before.No: Hanne ristet på hodet, men smilte.En: Hanne shook her head but smiled.No: Hun visste at Sindre noen ganger måtte feile for å lære.En: She knew that Sindre sometimes had to fail to learn.No: Dagene gikk, og skulpturen tok form.En: The days passed, and the sculpture took shape.No: Parken var fylt med folk som beundret de ulike skulpturene som dukket opp.En: The park was filled with people admiring the various sculptures that emerged.No: Men så, uventet, kom en snøstorm.En: But then, unexpectedly, a snowstorm came.No: Vindene gikk løs på parken, bølget over snøens demninger som bølger mot stranden.En: The winds attacked the park, surging over the snow's embankments like waves against the shore.No: Sindre stirret på sitt verk, nå halvt skjult av snøens vrede.En: Sindre stared at his work, now half-hidden by the fury of the snow.No: "Jeg kan ikke la det ende slik," sa han bestemt.En: "I can't let it end like this," he said determinedly.No: Med Hanne ved sin side, begynte han å arbeide desperat.En: With Hanne by his side, he began to work desperately.No: De riktige håndgrepene fra Astrids lærdom var hans styrke.En: The right techniques from Astrid's teaching were his strength.No: Han tilpasset formen, lot snøstormen bidra til det nye verket.En: He adapted the form, letting the snowstorm contribute to the new piece.No: Da stormen endelig ga seg var det siste dagen av konkurransen.En: When the storm finally abated, it was the last day of the competition.No: Publikum samlet seg igjen, overrasket og imponert over endringene.En: The audience gathered again, surprised and impressed by the changes.No: Sindres skulptur lignet noe fra en drøm, en fusjon av naturens kraft og menneskelig vilje.En: Sindre's sculpture looked like something from a dream, a fusion of nature's power and human will.No: Hans skulptur ble ikke den som vant, men juryen ga ham en spesiell utmerkelse for fart, kreativitet og modighet.En: His sculpture did not win, but the jury gave him a special commendation for speed, creativity, and boldness.No: Astrid klappet ham på skulderen, og uttrykte sin stolthet over hans innovasjon.En: Astrid patted him on the shoulder, expressing her pride in his innovation.No: "Sindre," sa hun, "du har knekt koden.En: "Sindre," she said, "you've cracked the code.No: Fantasi er like viktig som ferdighet.En: Imagination is as important as skill."No: "Sindre smilte.En: Sindre smiled.No: Han hadde vokst, ikke bare som kunstner, men som individ.En: He had grown, not just as an artist, but as an individual.No: For ham, var denne dagen ikke slutten, men en begynnelse, en hyllest til evnen til å drømme og skape, uansett stormens styrke.En: For him, this day was not the end, but a beginning, a tribute to the ability to dream and create, no matter the strength of the storm. Vocabulary Words:sparkling: sparkendebeginnings: begynnelserchallenges: utfordringereager: ivrignervous: nervøsbanquet: festlokaleadventures: eventyrprinciples: fornuftcraftsmanship: håndverketabstract: abstraktfail: feileadmiring: beundretunexpectedly: uventetfury: vrededeterminedly: bestemttechniques: håndgrepeneadapted: tilpassetstorm: snøstormmasterpiece: mesterskapconcentrated: konsentrertcraft: kunstartenmentor: mentorgaze: blikketinnovation: innovasjoncommendation: utmerkelseboldness: modighetimagination: fantasitribute: hyllestembankments: demningerfusion: fusjon
What does it mean to follow Jesus as He truly is—not as we shape Him to fit our plans? Minister Alex Ehly explores Matthew 16:13-26 in this message, where Peter confesses Jesus as the Messiah but wrestles with surrendering fully to God's plan. Using a 3D printer as a metaphor, we examine how we can fall into the trap of "sculpting" a Savior that aligns with our preferences instead of surrendering to the real Jesus.Jesus' call to “deny yourself, take up your cross, and follow me” challenges us to recalibrate our spiritual lives daily. Are you surrendering to Christ or shaping a version of Him that surrenders to you?
In this episode, I speak with Jeff Dodson. Jeff shares his life and leadership lessons from his multiple careers, first as an investment banker working on Wall Street, then in the beverage industry, then pivoting to the executive search business, and most recently as a high school teacher. In our conversation, we reflect on what characterises the best leaders, what they think about in the shower, why leaders struggle to let go, how to manage a pivot, and what it's like being a teacher.Recorded on 19 November 2024.Connect with Jeff on LinkedIn at linkedin.com/in/jeff-dodson-13839114/. Jeff's recent book, "Sculpting the Mists", is available on Amazon and can be ordered from bookstores in the U.S.Instagram: @at.the.coalfaceAnd don't forget to subscribe to At the Coalface for new episodes every two weeks.Help us produce more episodes by becoming a supporter. Your subscription will go towards paying our hosting and production costs. Supporters get the opportunity to join behind the scenes during recordings, updates about the podcast, and my deep gratitude!Support the show
In this episode of 'Shaping Your Pottery,' host Nic Torres interviews Anna Shipulina, a mother, immigrant, and artist. Anna shares her experience of how embracing freedom in her pottery practice has helped her grow as an artist. She discusses the importance of doing what you love to avoid burnout and the significance of intuitive building. Anna also talks about how her role as a mother and immigrant has influenced her art, the transition from wheel throwing to hand building, and her inspiration from nature and the human body. She offers practical advice for overcoming imposter syndrome, involving children in the creative process, and discovering one's unique voice in pottery. You can learn more about Anna by checking out her Instagram https://www.instagram.com/annashipulina_ceramics/Join The Shaping Your Pottery Newsletter By Clicking This Link shapingyourpottery.com/newsletterFor more episodes go to www.shapingyourpottery.com 00:00 Introduction and Newsletter Invitation 01:05 Interview with Anna Shipulina Begins 02:05 Anna's Pottery Journey 03:50 Balancing Art and Life 07:29 Overcoming Imposter Syndrome 09:22 Exploring Handbuilding and Sculptures 12:19 Finding Inspiration in Nature and the Human Body 14:21 Embracing Imperfections in Pottery 17:31 Discovering Your Unique Voice 22:53 Final Thoughts and Advice 23:49 Conclusion and Newsletter Reminder
The author of Orbital says Elon Musk's "individualistic" future is "problematic in all sorts of ways".Samantha Harvey, winner of the 2024 Booker Prize for fiction speaks to Nicholas Harris in this episode of Culture from the New Statesman.She discusses how her novel portrays the politics and powers of the world from orbit, and why the de-orbiting of the ISS marks the end of an era of "peaceful co-operation between nations".
This week on the Artist Academy Podcast is yet another replay of an interview I did over 4 years ago with an inspiring artist who is living their unique art dream. William Jeffrey Jones is a sculptor living a little over an hour away from me in small-town Missouri. After this interview, I was so inspired by this unique human that I drove to his location to meet and create with him. We threw on the pottery wheel, and I made a really big cup. We also recorded the session and put it inside the Academy because, back then, I had no idea what kinds of content artists wanted, so I was just recording anything and everything creative. William is the epitome of an artist living out his purpose in life, the way he wants to live it out on the daily. He owns a pottery studio and coffee shop, works the odd hours he feels called to work, and creates the coolest things! Check out his Instagram to see what I mean.Let me know what you think of this week's replay with sculptor William Jeffrey Jones.
Willard Wigan MBE is hailed as the world's best micro sculptor and it's easy to see why- his microscopic sculptures that require a microscope for proper viewing will blow you away. His attention to detail, the love he pours into his craft, and his inspiring story make an incredible man with an incredible story.
In this episode, host Katie Burke sits down with acclaimed wildlife artist and carver Jett Brunet. Jett shares insights into his early life, growing up under the influence of his equally renowned father, a master carver. He reflects on the pressures and inspirations of living up to such a legacy, discussing how his artistic journey has evolved over the years. From his initial motivations to his current creative process, Jett offers a candid look at what has shaped him as an artist and how his passion for the craft has transformed.www.ducks.org/DUPodcast
October 4, 1927. The face of Mount Rushmore is transformed to make way for a gigantic carving of four American Presidents.Support the show! Join Into History for ad-free listening and more.History Daily is a co-production of Airship and Noiser.Go to HistoryDaily.com for more history, daily.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
This week, the gals throw down some clay to dig into a couple of cases where art and science intersect. Topics include soft tissue scrutiny, a family annihilator on the lam, and an enterprising woman with a talent for connecting with victims (AKA our new hero). Get yourself a glass of Sculptor Cabernet Sauvignon, turn up the organ music, and tune in for Forensic Sculpting. For a full list of show sponsors, visit https://wineandcrimepodcast.com/sponsors