Podcast appearances and mentions of Jennifer Lin

Jeff and Phil welcome director Jennifer Lin and producer Jon Funabiki to talk about their documentary Ten Times Better and the incredible untold story of George Lee, a pioneering dancer with an unheralded place in ballet and Broadway history. They discuss the sensational skill and artistry that landed George the role he originated in The Nutcracker with the New York City Ballet; the filmmakers' search for the former dance prodigy that tracked him down in Las Vegas, where he was working in relative obscurity as a blackjack dealer; the ongoing struggle for recognition and inclusion in the performing arts; and the film's efforts to honor and preserve George's story, especially in this moment as diverse narratives face the threat of suppression and erasure.  

Today, we sit down for our annual "Best of" episode! We saw great dance this year and talked with amazing guests. Cheers to another year with all of you. Thank you for coming on this ride with us! Please take 5 mins to take our listener survey. We want to hear from you.Episodes referenced:Maria Calegari - Part 1 Part 2Jennifer Lin - (382) The story of George Lee, the original Tea in Balanchine's 'Nutcracker', with Jennifer LinGeorge Lee & Jennifer Lin - (396) Jennifer Lin and George Lee, the original Tea in Balanchine's 'Nutcracker'Michael Vernon - (391) Michael Vernon, Professor of Music (Ballet) at Indiana University Jacobs School of MusicKatlyn Addison - (383) Katlyn Addison, Principal Dancer with Ballet WestLimon at VDF - (405) Dante Puleio and Joey Columbus on the legacy of José Limón, LIVE from the Vail Dance FestivalGolden State Ballet's Nutcracker: https://www.goldenstateballet.org/LINKS:Website: conversationsondancepod.comInstagram: @conversationsondanceMerch: https://bit.ly/cod-merchYouTube: https://bit.ly/youtube-CODJoin our email list: https://bit.ly/COD-email Hosted on Acast. See acast.com/privacy for more information.

As a child, George Lee studied ballet with Russian tutors in Shanghai. As a teenager, he danced in The Nutcracker and Flower Drum Song in New York. Filmmaker Jennifer Lin tells his story in Ten Times Better.

Today we are so pleased to bring you our interview with George Lee, the original 'Tea' dancer in George Balanchine's 'The Nutcracker.' Also joining us for the second time, is documentary filmmaker Jennifer Lin. Jennifer's latest film 'Ten Times Better' explores the life and legacy of George. Jennifer talked to us about this film in episode 382, before it's premiere. Today, George tells us about his story and the pair talk about how they came to connect and what filming the documentary was like. We hear about the response to the film and what it has meant to George to know so many people are touched by his story.For information about upcoming screenings or to get in touch with Jennifer, visit tentimesbetterfilm.com.Episode 382 with Jennifer Lin: Listen here.LINKS:Website: conversationsondancepod.comInstagram: @conversationsondanceMerch: https://bit.ly/cod-merchYouTube: https://bit.ly/youtube-CODJoin our email list: https://bit.ly/mail-COD Hosted on Acast. See acast.com/privacy for more information.

Journalist and documentarian Jennifer Lin is premiering her latest film this week. "Ten Times Better" is the remarkable story of George Lee, a dancer the film describes as a "prodigy, refugee and pioneer."

On today's episode of 'Conversations On Dance' we are joined by documentary filmmaker Jennifer Lin. Jennifer's latest film 'Ten Times Better' explores the life and legacy of dancer George Lee, who originated the role of tea in 'George Balanchine's The Nutcracker'. She tells us the inspiring story of George's experience as an immigrant, performing as a child in nightclubs and shuffling across countries before ultimately landing in New York City, and his experience working with theater luminaries like Balanchine and Gene Kelly. If you are in the New York City area, check out the Works and Process event on Wednesday, February 7th at the NYPL for the Performing Arts featuring a discussion about the film with both Jennifer Lin and George Lee. (More info) And be sure to catch the premiere of 'Ten Times Better' on February 10th at the Dance On Camera Festival at Lincoln Center. (Tickets)More information on the film: https://www.tentimesbetterfilm.comLINKS:Website: conversationsondancepod.comInstagram: @conversationsondanceMerch: https://bit.ly/cod-merchYouTube: https://bit.ly/youtube-CODJoin our email list: https://bit.ly/mail-COD Hosted on Acast. See acast.com/privacy for more information.

Journalist, author and filmmaker Jennifer Lin takes us on a deep dive into history with her film Beethoven in Beijing - as well as a deep dive into her family history with her book Shanghai Faithful.

The United States and China have a complicated history dating back to 1949. But, relations shifted when President Richard Nixon visited China for the first time in 1972. A year later, the Philadelphia Orchestra toured China and was the first American orchestra to do so. The trip was more than just about music, it was diplomacy. Jennifer Lin is the author and filmmaker of “Beethoven in Beijing”. She details what happened on the tour and what it means for U.S. and Chinese relations 50 years later. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Phoebe Love and Jennifer Lin and staff members at the Saint Louis Sudbury School, a self-directed, democratic, Sudbury-model school located in Saint Louis, Missouri. *** Sign up for Kerry's free, weekly email newsletter on education trends at fee.org/liberated.

In this episode, we are speaking with Jennifer Lin about their unique journey in becoming a music therapist and what a typical day looks like for them. Jennifer also shares their vision for the next 10 years and a little more about their research at the master's level. Here is a little more about Jennifer: Jennifer (they/she) is a certified music therapist (MTA) in the Greater Toronto Hamilton Area. They completed their Honours Bachelor of Music with a specialization in Music Cognition from McMaster University followed by their Graduate Diploma in Music Therapy and Masters in Creative Arts Therapies (Music Therapy) from Concordia University. Jennifer received their accreditation in 2021 and currently is in their second year of practice. Jennifer has experience working with clients of all ages, their main interests include working with children, (Q)BIPOC, and disabled communities. They are a strong advocate for the use of music therapy in marginalized communities and amplifying minority voices. Jennifer received the George Stroumboulopoulos Music Therapy Scholarship from the CMTF in 2021 and recently received the Dr. Sandi Curtis Music Therapy Social Justice Award at their graduation from Concordia University in April!

Welcome to The Nonlinear Library, where we use Text-to-Speech software to convert the best writing from the Rationalist and EA communities into audio. This is: The 'Wild' and 'Wacky' Claims of Karnofsky's ‘Most Important Century', published by Spencer Becker-Kahn on April 26, 2023 on The Effective Altruism Forum. Holden Karnofsky describes the claims of his “Most Important Century” series as “wild” and “wacky”, but at the same time purports to be in the mindset of “critically examining” such “strange possibilities” with “as much rigour as possible”. This emphasis is mine, but for what is supposedly an important piece of writing in a field that has a big part of its roots in academic analytic philosophy, it is almost ridiculous to suggest that this examination has been carried out with 'as much rigour as possible'. My main reactions - which I will expand on this essay - are that Karnofsky's writing is in fact distinctly lacking in rigour; that his claims are too vague or even seem to shift around; and that his writing style - often informal, or sensationalist - aggravates the lack of clarity while simultaneously putting the goal of persuasion above that of truth-seeking. I also suggest that his emphasis on the wildness and wackiness of his own "thesis" is tantamount to an admission of bias on his part in favour of surprising or unconventional claims. I will start with some introductory remarks about the nature of my criticisms and of such criticism in general. Then I will spend some time trying to point to various instances of imprecision, bias, or confusion. And I will end by asking whether any of this even matters or what kind of lessons we should be drawing from it all. Notes: Throughout, I will quote from the whole series of blog posts by treating them as a single source rather than referencing which them separately. Note that the series appears in single pdf here (so one can always Ctrl/Cmd+F to jump to the part I am quoting). It is plausible that some of this post comes across quite harshly but none of it is intended to constitute a personal attack on Holden Karnofsky or an accusation of dishonesty. Where I have made errors of have misrepresented others, I welcome any and all corrections. I also generally welcome feedback on the writing and presentation of my own thoughts either privately or in the comments.Acknowledgements: I started this essay a while ago and so during the preparation of this work, I have been supported at various points by FHI, SERI MATS, BERI and Open Philanthropy. The development of this work benefitted significantly from numerous conversations with Jennifer Lin. 1. Broad Remarks About My Criticisms If you felt and do feel convinced by Karnofsky's writings, then upon hearing about my reservations, your instinct may be to respond with reasonable-seeming questions like: 'So where exactly does he disagree with Karnofsky?' or 'What are some specific things that he thinks Karnofsky gets wrong?'. You may well want to look for wherever it is that I have carefully categorized my criticisms, to scroll through to find all of my individual object-level disagreements so that you can see if you know the counterarguments that mean that I am wrong. And so it may be frustrating that I will often sound like I am trying to weasel out of having to answer these questions head-on or not putting much weight on the fact that I have not laid out my criticisms in that way. Firstly, I think that the main issues to do with clarity and precision that I will highlight occur at a fundamental level. It is not that they are 'more important' than individual, specific, object-level disagreements, but I claim that Karnofsky does a sufficiently poor job of explaining his main claims, the structure of his arguments, the dependencies between his propositions, and in separating his claims from the verifications of those claims, that it actually prevents detailed, in-depth discussions of object-level disagreements from making much sense...

The case we're going to talk about today knocked a safe, San Francisco suburb to its knees. As one friend of the victim put it, “it broke the shell of safety.” Jenny Lin was 14 years old in May 1994 when her parents weren't able to reach her at home, where she was supposed to be after school. As the workday came to an end, her father arrived home. The TV was on, but the house was empty. Calling for his younger daughter, he heads up the stairs, and it quickly set in something was wrong when he noticed the primary bedroom's bathroom door was closed. Behind that close door he found Jenny, murdered. This is her story. If you have any information about the murder of Jennifer Lin on May 27th, 1994, please contact the Alameda County Sheriff's Office at 510-667-3636, or call the Jenny Lin hotline at 855-4-JENNY-LIN. To donate to The Jenny Lin foundation, visit: https://jennylinfoundation.org/ RESOURCES: Paula Zahn s25e2  https://thecinemaholic.com/where-are-jenny-lins-parents-now/ https://jennylinfoundation.org/about-us/case-history/ https://www.latimes.com/archives/la-xpm-1994-10-02-me-45502-story.html https://www.sfgate.com/news/article/Girl-s-Family-Turns-Grief-Into-Action-Helping-3032748.php https://uncovered.com/cases/jennifer-lin https://thecinemaholic.com/jenny-lin-murder-how-did-she-die-who-killed-her/ https://crimejunkiepodcast.com/wp-content/uploads/2022/08/Timeline-1.jpg https://crimejunkiepodcast.com/wp-content/uploads/2022/08/Timeline-2.jpg https://www.oregonlive.com/pacific-northwest-news/2021/10/portland-serial-killer-sebastian-alexander-shaw-dies-in-prison-after-21-years.html https://www.newspapers.com/image/461865273/?clipping_id=54062922&fcfToken=eyJhbGciOiJIUzI1NiIsInR5cCI6IkpXVCJ9.eyJmcmVlLXZpZXctaWQiOjQ2MTg2NTI3MywiaWF0IjoxNjc2OTUzOTM2LCJleHAiOjE2NzcwNDAzMzZ9.gKf_Hq5S-4yjt01bAmcG0jIPBMd6UTOezgun7y9Z1xE https://www.sfgate.com/bayarea/article/CASTRO-VALLEY-How-man-convicted-in-Oregon-2517891.php Music Used: Walking with the Dead by Maia Wynne Link: https://freemusicarchive.org/music/Maiah_Wynne/Live_at_KBOO_for_A_Popcalypse_11012017 License: https://creativecommons.org/licenses/by-nc-nd/4.0/ Our Links: Website: https://themurderdiariespodcast.com/ Patreon: https://www.patreon.com/themurderdiariespod Buy Us a Coffee: https://www.buymeacoffee.com/mdiariespod Instagram: https://www.instagram.com/themurderdiariespod/ TikTok: https://vm.tiktok.com/ZTdgBwpV1/ Edited by: https://www.landispodcastediting.com/

Welcome to The Nonlinear Library, where we use Text-to-Speech software to convert the best writing from the Rationalist and EA communities into audio. This is: Biological Anchors external review by Jennifer Lin (linkpost), published by peterhartree on November 30, 2022 on The Effective Altruism Forum. This report is one of the winners of the EA Criticism and Red Teaming Contest. Summary: This is a summary and critical review of Ajeya Cotra's biological anchors report on AI timelines. It provides an easy-to-understand overview of the main methodology of Cotra's report. It then examines and challenges central assumptions of the modelling in Cotra's report. First, the review looks at reasons why we might not expect 2022 architectures to scale to AGI. Second, it raises the point that we don't know how to specify a space of algorithmic architectures that contains something that could scale to AGI and can be efficiently searched through (inability to specify this could undermine the ability to take the evolutionary anchors from the report as a bound on timelines). Thanks for listening. To help us out with The Nonlinear Library or to learn more, please visit nonlinear.org.

In this note I'll summarize the bio-anchors report, describe my initial reactions to it, and take a closer look at two disagreements that I have with background assumptions used by (readers of) the report. This report attempts to forecast the year when the amount of compute required to train a transformative AI (TAI) model will first become available, as the year when a forecast for the amount of compute required to train TAI in a given year will intersect a forecast for the amount of compute that will be available for a training run of a single project in a given year.Original article:https://docs.google.com/document/d/1_GqOrCo29qKly1z48-mR86IV7TUDfzaEXxD3lGFQ8Wk/edit#Narrated for the Effective Altruism Forum by TYPE III AUDIO.

Welcome back to this week's episode of Rising Giants where we have the opportunity to host Jennifer Lin, CEO of Choice Accelerator in Phnom Penh. As one of the few commercial accelerators actively investing in Cambodia, Choice Accelerator strives to support entrepreneurs and startups in Cambodia through capital funding, customized and one-on-one mentorship sessions, strategic connection referrals, and co-working space. Jennifer completed her MBA at the University of Oxford and is also an investor herself, focusing on early-stage companies who are making an impact. In the episode, we dive into: - Jennifer's career in Taiwan and how she became an early stage investor. - Deep dive into Choice Accelerator: How Jennifer is combining equity investment with mentoring Cambodian-based startup founders - Founder Toolbox: What are the characteristics founders should have to succeed Rising Giants Linktree - all our links in one place! Rising Giants Instagram - where we keep you engaged daily!

Welcome to The Nonlinear Library, where we use Text-to-Speech software to convert the best writing from the Rationalist and EA communities into audio. This is: Winners of the EA Criticism and Red Teaming Contest, published by Lizka on October 1, 2022 on The Effective Altruism Forum. We're excited to announce the winners of the EA Criticism and Red Teaming Contest. We had 341 submissions and are awarding $120,000 in prizes to our top 31 entries. We set out with the primary goals of identifying errors in existing work in effective altruism, stress-testing important ideas, raising the average quality of criticism (in part to create examples for future work), and supporting a culture of openness and critical thinking. We're pleased about the progress submissions to this contest made, though there's certainly still lots of work to be done. We think the winners of the contest are both valuable in their own right as criticisms, and as helpful examples of different types of critique. We had a large judging panel. Not all panelists read every piece (even among the winners), and some pieces have won prizes despite being read by relatively few people or having some controversy over their value. Particularly when looking at challenges to the basic frameworks of effective altruism, there can be cases where there is significant uncertainty about whether a contribution is ultimately helpful. But if it is, it's often very important, so we didn't want to exclude cases like this from winning prizes when they had some strong advocates. You can read about our process and overall thoughts on the contest at the end of this post. Prize distribution logistics are also discussed at the end of this post. An overview of the winners Top prizes [see more] A critical review of GiveWell's 2022 cost-effectiveness model and Methods for improving uncertainty analysis in EA cost-effectiveness models by Alex Bates (Froolow) ($25,000 total) Biological Anchors external review by Jennifer Lin ($20,000) Population Ethics without Axiology: A Framework by Lukas Gloor ($20,000) Second prizes (runners up) — $5,000 each [see more] Are you really in a race? The Cautionary Tales of Szilárd and Ellsberg by Haydn Belfield Against Anthropic Shadow by Toby Crisford An Evaluation of Animal Charity Evaluators by eaanonymous1234 Red Teaming CEA's Community Building Work by AnonymousEAForumAccount A Critical Review of Open Philanthropy's Bet On Criminal Justice Reform by Nuño Sempere Effective altruism in the garden of ends by Tyler Alterman Notes on effective altruism by Michael Nielsen Honorable mentions — $1,000 for each of the 20 in this category [see more] Top prizes A critical review of GiveWell's 2022 cost-effectiveness model and Methods for improving uncertainty analysis in EA cost-effectiveness models by Alex Bates (Froolow) ($25,000 prize in total) We're awarding a total of $25,000 for these two submissions by the same author covering similar ground. A critical review of GiveWell's 2022 cost-effectiveness model is a deep dive into the strengths and weaknesses of GiveWell's analysis, and how it might be improved. Methods for improving uncertainty analysis in EA cost-effectiveness models extracts some more generalizable lessons. Summary of A critical review of GiveWell's 2022 cost-effectiveness model: The submission replicates GiveWell's cost-effectiveness models, critiques their design and structure, notes some minor errors, and suggests some broader takeaways for GiveWell and effective altruism. The author emphasizes GiveWell's lack of uncertainty analysis as a weakness, notes issues with the models' architectures (external data sources appear as inputs on many different levels of the model, elements from a given level in the model “grab” from others on that level, etc.), and discusses ways in which communication of the models is confusing. Overall, though, the author seems impressed with GiveWell's work. You can also see the author's own picture-based summary of thei...

New York City is home to some of the top ballet companies in the world. But even the city's most popular productions like “The Nutcracker” are steeped in racial stereotypes. Now, dancers, choreographers, journalists, and activists alike are working together to challenge offensive roles and push a centuries-old art form into the modern era. The documentary titled “Beyond Yellowface” will explore this issue. The film follows two NYC dancers of Asian descent and co-founders of the Final Bow for Yellowface movement. In this episode we speak to dancer, choreographer and activist Phil Chan, as well as “Beyond Yellowface” Director and Producer, Jennifer Lin. Contribute to "Beyond Yellowface": https://www.beyondyellowface.com/ Follow them on social media: https://www.instagram.com/beyondyellowface/, https://www.facebook.com/BeyondYellowface/, https://twitter.com/yellowface_film New York City Department of Health and Mental Hygiene:https://www1.nyc.gov/site/doh/health/health-topics/monkeypox.page Vaccine Intake Form: https://airtable.com/shrcyXdRya5zPelKx Contact us for help: vaccine@epicenter-nyc.com or (917) 818-2690 Epicenter-NYC membership: https://epicenter-nyc.com/the-case-for-epicenter-membership-one-auntie-to-another/ Our intro music: http://karavikamusic.com/See omnystudio.com/listener for privacy information.

In 1994, the brutal murder of a 14-year-old inside her parents' safe suburban house left a community shaken to its core, because not only had a bright and talented life been suddenly snuffed out, but police struggled to find a motive. And the more clues they uncovered, the more investigators realized the nightmare they were dealing with: Jenny Lin's murder was more than a crime of opportunity —it had been carefully planned. For nearly 30 years, Jenny's murder has weighed on Alameda County and terrorized detectives as they've pondered the same question over and over since 1994: why Jenny?If you have any information about the murder of Jennifer Lin on May 27th, 1994, please contact the Alameda County Sheriff's Office at 510-667-3636, or call the Jenny Lin hotline at 855-4-JENNY-LIN.To donate to the The Jenny Lin Foundation visit: jennylinfoundation.orgTo learn more about The Deck, visit: https://thedeckpodcast.com/ Source materials for this episode cannot be listed here due to character limitations. For a full list of sources, please visit: https://crimejunkiepodcast.com/murdered-jenny-lin-part-1/

After days of searching for 14-year-old Jenny Lin's killer, detectives received some promising tips that left everyone hopeful they'd solve one of the most disturbing murders Alameda County had ever seen. Listen to part 1 here.If you have any information about the murder of Jennifer Lin on May 27th, 1994, please contact the Alameda County Sheriff's Office at 510-667-3636, or call the Jenny Lin hotline at 855-4-JENNY-LIN. To donate to The Jenny Lin foundation, visit: jennylinfoundation.orgTo learn more about The Deck, visit: www.thedeckpodcast.comFor current Fan Club membership options and policies, please visit https://crimejunkieapp.com/library/.Source materials for this episode cannot be listed here due to character limitations. For a full list of sources, please visit: https://crimejunkiepodcast.com/murdered-jenny-lin-part-2/

In 1973, the Philadelphia Orchestra boarded a Pan Am 707 plane in Philadelphia for a once-in-a-lifetime journey: a multi-city tour of Maoist China, months after Nixon's history-making visit.  There was drama immediately after they landed in Shanghai. Chinese officials asked for a last-minute change to the program: Beethoven's Sixth. After protests that the Orchestra didn't bring scores with them, officials returned with copies haphazardly sourced from across the country, with different notations and different notes, forcing the orchestra to make do.  That's just one of the stories recounted in Jennifer Lin's book, Beethoven in Beijing: Stories from the Philadelphia Orchestra's Historic Journey to China (Temple University Press: 2022). The book stems from the work Lin did in putting together a documentary film on the Philadelphia Orchestra's trip; with so much left on the cutting room floor, she decided to turn it into an oral history.  Jennifer Lin is an award-winning journalist, author, and documentary filmmaker. She produced and codirected the feature-length documentary, Beethoven in Beijing, which premiered on PBS's Great Performances in 2021. For 31 years, she worked at the Philadelphia Inquirer as a reporter, including posts as a foreign correspondent in China, a financial correspondent on Wall Street, and a national correspondent in Washington, DC. She is the author of Shanghai Faithful: Betrayal and Forgiveness in a Chinese Christian Family (Rowman & Littlefield Publishers: 2017), and coauthor of Sole Sisters: Stories of Women and Running (Andrews McMeel Publishing: 2006). Her current documentary project is Beyond Yellowface about two New York City dancers trying to rid ballet of offensive Asian stereotypes. In this interview, Jennifer and I talk about the opening of China, the Philadelphia Orchestra, and how that 1973 visit still resonates today.   You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Beethoven in Beijing. Follow on Facebook or on Twitter at @BookReviewsAsia. Nicholas Gordon is an associate editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In 1973, the Philadelphia Orchestra boarded a Pan Am 707 plane in Philadelphia for a once-in-a-lifetime journey: a multi-city tour of Maoist China, months after Nixon's history-making visit.  There was drama immediately after they landed in Shanghai. Chinese officials asked for a last-minute change to the program: Beethoven's Sixth. After protests that the Orchestra didn't bring scores with them, officials returned with copies haphazardly sourced from across the country, with different notations and different notes, forcing the orchestra to make do.  That's just one of the stories recounted in Jennifer Lin's book, Beethoven in Beijing: Stories from the Philadelphia Orchestra's Historic Journey to China (Temple University Press: 2022). The book stems from the work Lin did in putting together a documentary film on the Philadelphia Orchestra's trip; with so much left on the cutting room floor, she decided to turn it into an oral history.  Jennifer Lin is an award-winning journalist, author, and documentary filmmaker. She produced and codirected the feature-length documentary, Beethoven in Beijing, which premiered on PBS's Great Performances in 2021. For 31 years, she worked at the Philadelphia Inquirer as a reporter, including posts as a foreign correspondent in China, a financial correspondent on Wall Street, and a national correspondent in Washington, DC. She is the author of Shanghai Faithful: Betrayal and Forgiveness in a Chinese Christian Family (Rowman & Littlefield Publishers: 2017), and coauthor of Sole Sisters: Stories of Women and Running (Andrews McMeel Publishing: 2006). Her current documentary project is Beyond Yellowface about two New York City dancers trying to rid ballet of offensive Asian stereotypes. In this interview, Jennifer and I talk about the opening of China, the Philadelphia Orchestra, and how that 1973 visit still resonates today.   You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Beethoven in Beijing. Follow on Facebook or on Twitter at @BookReviewsAsia. Nicholas Gordon is an associate editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies

In 1973, the Philadelphia Orchestra boarded a Pan Am 707 plane in Philadelphia for a once-in-a-lifetime journey: a multi-city tour of Maoist China, months after Nixon's history-making visit.  There was drama immediately after they landed in Shanghai. Chinese officials asked for a last-minute change to the program: Beethoven's Sixth. After protests that the Orchestra didn't bring scores with them, officials returned with copies haphazardly sourced from across the country, with different notations and different notes, forcing the orchestra to make do.  That's just one of the stories recounted in Jennifer Lin's book, Beethoven in Beijing: Stories from the Philadelphia Orchestra's Historic Journey to China (Temple University Press: 2022). The book stems from the work Lin did in putting together a documentary film on the Philadelphia Orchestra's trip; with so much left on the cutting room floor, she decided to turn it into an oral history.  Jennifer Lin is an award-winning journalist, author, and documentary filmmaker. She produced and codirected the feature-length documentary, Beethoven in Beijing, which premiered on PBS's Great Performances in 2021. For 31 years, she worked at the Philadelphia Inquirer as a reporter, including posts as a foreign correspondent in China, a financial correspondent on Wall Street, and a national correspondent in Washington, DC. She is the author of Shanghai Faithful: Betrayal and Forgiveness in a Chinese Christian Family (Rowman & Littlefield Publishers: 2017), and coauthor of Sole Sisters: Stories of Women and Running (Andrews McMeel Publishing: 2006). Her current documentary project is Beyond Yellowface about two New York City dancers trying to rid ballet of offensive Asian stereotypes. In this interview, Jennifer and I talk about the opening of China, the Philadelphia Orchestra, and how that 1973 visit still resonates today.   You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Beethoven in Beijing. Follow on Facebook or on Twitter at @BookReviewsAsia. Nicholas Gordon is an associate editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

In 1973, the Philadelphia Orchestra boarded a Pan Am 707 plane in Philadelphia for a once-in-a-lifetime journey: a multi-city tour of Maoist China, months after Nixon's history-making visit.  There was drama immediately after they landed in Shanghai. Chinese officials asked for a last-minute change to the program: Beethoven's Sixth. After protests that the Orchestra didn't bring scores with them, officials returned with copies haphazardly sourced from across the country, with different notations and different notes, forcing the orchestra to make do.  That's just one of the stories recounted in Jennifer Lin's book, Beethoven in Beijing: Stories from the Philadelphia Orchestra's Historic Journey to China (Temple University Press: 2022). The book stems from the work Lin did in putting together a documentary film on the Philadelphia Orchestra's trip; with so much left on the cutting room floor, she decided to turn it into an oral history.  Jennifer Lin is an award-winning journalist, author, and documentary filmmaker. She produced and codirected the feature-length documentary, Beethoven in Beijing, which premiered on PBS's Great Performances in 2021. For 31 years, she worked at the Philadelphia Inquirer as a reporter, including posts as a foreign correspondent in China, a financial correspondent on Wall Street, and a national correspondent in Washington, DC. She is the author of Shanghai Faithful: Betrayal and Forgiveness in a Chinese Christian Family (Rowman & Littlefield Publishers: 2017), and coauthor of Sole Sisters: Stories of Women and Running (Andrews McMeel Publishing: 2006). Her current documentary project is Beyond Yellowface about two New York City dancers trying to rid ballet of offensive Asian stereotypes. In this interview, Jennifer and I talk about the opening of China, the Philadelphia Orchestra, and how that 1973 visit still resonates today.   You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Beethoven in Beijing. Follow on Facebook or on Twitter at @BookReviewsAsia. Nicholas Gordon is an associate editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/chinese-studies

In 1973, the Philadelphia Orchestra boarded a Pan Am 707 plane in Philadelphia for a once-in-a-lifetime journey: a multi-city tour of Maoist China, months after Nixon's history-making visit.  There was drama immediately after they landed in Shanghai. Chinese officials asked for a last-minute change to the program: Beethoven's Sixth. After protests that the Orchestra didn't bring scores with them, officials returned with copies haphazardly sourced from across the country, with different notations and different notes, forcing the orchestra to make do.  That's just one of the stories recounted in Jennifer Lin's book, Beethoven in Beijing: Stories from the Philadelphia Orchestra's Historic Journey to China (Temple University Press: 2022). The book stems from the work Lin did in putting together a documentary film on the Philadelphia Orchestra's trip; with so much left on the cutting room floor, she decided to turn it into an oral history.  Jennifer Lin is an award-winning journalist, author, and documentary filmmaker. She produced and codirected the feature-length documentary, Beethoven in Beijing, which premiered on PBS's Great Performances in 2021. For 31 years, she worked at the Philadelphia Inquirer as a reporter, including posts as a foreign correspondent in China, a financial correspondent on Wall Street, and a national correspondent in Washington, DC. She is the author of Shanghai Faithful: Betrayal and Forgiveness in a Chinese Christian Family (Rowman & Littlefield Publishers: 2017), and coauthor of Sole Sisters: Stories of Women and Running (Andrews McMeel Publishing: 2006). Her current documentary project is Beyond Yellowface about two New York City dancers trying to rid ballet of offensive Asian stereotypes. In this interview, Jennifer and I talk about the opening of China, the Philadelphia Orchestra, and how that 1973 visit still resonates today.   You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Beethoven in Beijing. Follow on Facebook or on Twitter at @BookReviewsAsia. Nicholas Gordon is an associate editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

In 1973, the Philadelphia Orchestra boarded a Pan Am 707 plane in Philadelphia for a once-in-a-lifetime journey: a multi-city tour of Maoist China, months after Nixon's history-making visit.  There was drama immediately after they landed in Shanghai. Chinese officials asked for a last-minute change to the program: Beethoven's Sixth. After protests that the Orchestra didn't bring scores with them, officials returned with copies haphazardly sourced from across the country, with different notations and different notes, forcing the orchestra to make do.  That's just one of the stories recounted in Jennifer Lin's book, Beethoven in Beijing: Stories from the Philadelphia Orchestra's Historic Journey to China (Temple University Press: 2022). The book stems from the work Lin did in putting together a documentary film on the Philadelphia Orchestra's trip; with so much left on the cutting room floor, she decided to turn it into an oral history.  Jennifer Lin is an award-winning journalist, author, and documentary filmmaker. She produced and codirected the feature-length documentary, Beethoven in Beijing, which premiered on PBS's Great Performances in 2021. For 31 years, she worked at the Philadelphia Inquirer as a reporter, including posts as a foreign correspondent in China, a financial correspondent on Wall Street, and a national correspondent in Washington, DC. She is the author of Shanghai Faithful: Betrayal and Forgiveness in a Chinese Christian Family (Rowman & Littlefield Publishers: 2017), and coauthor of Sole Sisters: Stories of Women and Running (Andrews McMeel Publishing: 2006). Her current documentary project is Beyond Yellowface about two New York City dancers trying to rid ballet of offensive Asian stereotypes. In this interview, Jennifer and I talk about the opening of China, the Philadelphia Orchestra, and how that 1973 visit still resonates today.   You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Beethoven in Beijing. Follow on Facebook or on Twitter at @BookReviewsAsia. Nicholas Gordon is an associate editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

In 1973, the Philadelphia Orchestra boarded a Pan Am 707 plane in Philadelphia for a once-in-a-lifetime journey: a multi-city tour of Maoist China, months after Nixon's history-making visit.  There was drama immediately after they landed in Shanghai. Chinese officials asked for a last-minute change to the program: Beethoven's Sixth. After protests that the Orchestra didn't bring scores with them, officials returned with copies haphazardly sourced from across the country, with different notations and different notes, forcing the orchestra to make do.  That's just one of the stories recounted in Jennifer Lin's book, Beethoven in Beijing: Stories from the Philadelphia Orchestra's Historic Journey to China (Temple University Press: 2022). The book stems from the work Lin did in putting together a documentary film on the Philadelphia Orchestra's trip; with so much left on the cutting room floor, she decided to turn it into an oral history.  Jennifer Lin is an award-winning journalist, author, and documentary filmmaker. She produced and codirected the feature-length documentary, Beethoven in Beijing, which premiered on PBS's Great Performances in 2021. For 31 years, she worked at the Philadelphia Inquirer as a reporter, including posts as a foreign correspondent in China, a financial correspondent on Wall Street, and a national correspondent in Washington, DC. She is the author of Shanghai Faithful: Betrayal and Forgiveness in a Chinese Christian Family (Rowman & Littlefield Publishers: 2017), and coauthor of Sole Sisters: Stories of Women and Running (Andrews McMeel Publishing: 2006). Her current documentary project is Beyond Yellowface about two New York City dancers trying to rid ballet of offensive Asian stereotypes. In this interview, Jennifer and I talk about the opening of China, the Philadelphia Orchestra, and how that 1973 visit still resonates today.   You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Beethoven in Beijing. Follow on Facebook or on Twitter at @BookReviewsAsia. Nicholas Gordon is an associate editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices

In 1973, the Philadelphia Orchestra boarded a Pan Am 707 plane in Philadelphia for a once-in-a-lifetime journey: a multi-city tour of Maoist China, months after Nixon's history-making visit.  There was drama immediately after they landed in Shanghai. Chinese officials asked for a last-minute change to the program: Beethoven's Sixth. After protests that the Orchestra didn't bring scores with them, officials returned with copies haphazardly sourced from across the country, with different notations and different notes, forcing the orchestra to make do.  That's just one of the stories recounted in Jennifer Lin's book, Beethoven in Beijing: Stories from the Philadelphia Orchestra's Historic Journey to China (Temple University Press: 2022). The book stems from the work Lin did in putting together a documentary film on the Philadelphia Orchestra's trip; with so much left on the cutting room floor, she decided to turn it into an oral history.  Jennifer Lin is an award-winning journalist, author, and documentary filmmaker. She produced and codirected the feature-length documentary, Beethoven in Beijing, which premiered on PBS's Great Performances in 2021. For 31 years, she worked at the Philadelphia Inquirer as a reporter, including posts as a foreign correspondent in China, a financial correspondent on Wall Street, and a national correspondent in Washington, DC. She is the author of Shanghai Faithful: Betrayal and Forgiveness in a Chinese Christian Family (Rowman & Littlefield Publishers: 2017), and coauthor of Sole Sisters: Stories of Women and Running (Andrews McMeel Publishing: 2006). Her current documentary project is Beyond Yellowface about two New York City dancers trying to rid ballet of offensive Asian stereotypes. In this interview, Jennifer and I talk about the opening of China, the Philadelphia Orchestra, and how that 1973 visit still resonates today.   You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Beethoven in Beijing. Follow on Facebook or on Twitter at @BookReviewsAsia. Nicholas Gordon is an associate editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-review

In 1973, Western music was banned in the People's Republic of China. But in a remarkable breakthrough cultural exchange, the Philadelphia Orchestra conducted a tour of closed-off China, becoming the first American orchestra to visit the communist nation. Jennifer Lin's "Beethoven in Beijing: Stories from the Philadelphia Orchestra's Historic Journey to China" provides a fabulous photo-rich oral history of this boundary-breaking series of concerts the orchestra performed under famed conductor Eugene Ormandy. Lin draws from interviews, personal diaries, and news accounts to give voice to the American and Chinese musicians, diplomats, journalists, and others who participated in and witnessed this historic event. "Beethoven in Beijing" is filled with glorious images as well as anecdotes ranging from amusing sidewalk Frisbee sessions and acupuncture treatments for sore musicians to a tense encounter involving Madame Mao dictating which symphony was to be played at a concert. A companion volume to the film of the same name, "Beethoven in Beijing" shows how this 1973 tour came at the dawn of a resurgence of interest in classical music in China—now a vital source of revenue for touring orchestras. Jennifer Lin is an award-winning journalist, author, and documentary filmmaker. She created and codirected the feature-length documentary Beethoven in Beijing, which premiered on PBS's Great Performances in 2021. For 31 years, she worked at the Philadelphia Inquirer as a reporter, including posts as a foreign correspondent in China, a financial correspondent on Wall Street, and a national correspondent in Washington, DC. She is the author of "Shanghai Faithful: Betrayal and Forgiveness in a Chinese Christian Family," and coauthor of "Sole Sisters: Stories of Women and Running."

Here & Now's Peter O'Dowd opens up about the tension between covering the story as a journalist and experiencing the story as a parent of an elementary school child. And, her author and filmmaker Jennifer Lin discusses her book "Beethoven in Beijing," about how musical worlds opened when the orchestra went to China at a time when western music was banned there.

Beethoven in Beijing, a feature-length documentary, spotlights the explosive growth of classical music in China since the 1973 tour of the Philadelphia Orchestra, the first American orchestra to perform in the People's Republic. At the invitation of U.S. President Richard Nixon and Chinese Premier Zhou Enlai, the orchestra used music to help dismantle 25 years of isolation between the two countries. Today, China is energizing the world of classical music with legions of young musicians, glittering new concert halls, and a lineup of superstar performers and composers.  The National Committee hosted a virtual program on April 7 with Chen Jie, Jennifer Lin, Sheila Melvin, and Booker Rowe as they discussed their experiences in musical exchange to date and prospects for the future.

In conversation with Nydia Han, Consumer Investigative Reporter and co-anchor of 6ABC Action News Sunday mornings A reporter at The Philadelphia Inquirer for 31 years, Jennifer Lin worked as an international correspondent in China, a national correspondent in Washington, D.C., and a financial correspondent on Wall Street. She is the author of the family memoir Shanghai Faithful: Betrayal and Forgiveness in a Chinese Christian Family. Her documentary Beethoven in Beijing, co-directed with Sharon Mullally, recently premiered on PBS's Great Performances. In her companion book of the same name, Lin uses interviews and news stories to recount the Philadelphia Orchestra's 1973 historic tour of China, which at that time still banned Western music. (recorded 4/5/2022)

On April 16, PBS’s Great Performances will broadcast the world premiere of the documentary Beethoven in Beijing, which tells the story of classical music in China over the last half century through the lens of the Philadelphia Orchestra’s storied relationship with the country, from its first performances in the P.R.C. in 1973 until its most recent tour, in 2018. Along the way, the film profiles established Chinese musicians and composers, like Tán Dùn 谭盾 and Láng Lǎng 郎朗, and introduces us to new Chinese talent, like the composer Peng-Peng Gong 龚天鹏. This week, Kaiser chats with three individuals involved with the film: co-director Jennifer Lin, a veteran Philadelphia Inquirer reporter and the author of the 2017 book Shanghai Faithful; producer Cài Jīndōng 蔡金冬, a professor of music and arts at Bard College, the director of the US-China Music Institute, and a former conductor of the Stanford Symphony Orchestra; and Sheila Melvin, a script consultant for Beethoven in Beijing and the co-author, along with her husband, Cai, of Rhapsody in Red and Beethoven in China, both books about classical music in the People’s Republic of China. Recommendations:Sheila: This viola concerto, performed by the Shanghai Philharmonic. Jindong: The works of Zhōu Lóng 周龙.Kaiser: A day in the life of Abed Salama, by Nathan Thrall, and Surviving the crackdown in Xinjiang, by Raffi Khatchadourian.

Post Gazette writer Marylynne Pitz describes what she has written of special interest in the past few weeks including her story of the latest exhibit at the Frick, the Hartwood Sculpture Park and the film "Beethoven in Berlin," directed by her colleague Jennifer Lin. She thinks the JosephGoto Tower Iron sculpture from WQED's 4802 Fifth Avenue location has found a good home at Hartwood. She also suggests what might calm recent turmoil at the Post Gazette. Marylynne updates us on the availability of the Donald Miller Benno Jansons book.

Duquesne University grad and former Pittsburgh Post Gazette writer Jennifer Lin is the Co Director of Beethoven in Beijing a new documentary about the Philadelphia Orchestra visit to Beijing with the diplomacy of Henry Kissinger and President Nixon in 1973 and the more recent 2016 return with the Philadelphia and Yannick Netzet Seguin. The explosion of interest in classical music in China with composer Tan Dun and Lang Lang , how classical music bridges gaps of cultural understanding and trade wars are covered in the documentary. The film will be seen on PBS Great Performances in the spring of 2021. Included in the November Pittsburgh Film Festival available virtually through November 22.

Can you spell the word... podcast? Yeah, you're right. Too easy. You know what's not easy, though? William Finn music! And to discuss the brilliance of him and the delightful THE 25TH ANNUAL PUTNAM COUNTY SPELLING BEE is the equally delightful music director, Jennifer Lin. Get ready to delve into the quirky side of musical theatre with this conversation that we promise isn't "chimerical."Follow Jennifer Lin on Instagram @jen_lin and don't forget to follow us on Twitter and Instagram @amusicalpodcast

Whether your company is working in the cloud, using on-prem systems or managing many apps or hybrid systems, there is no doubt that there is a lot going on under the hood in your tech stack. Who you partner with to help you get a handle on all of that makes a huge difference. When you partner with Google Cloud, they make it easy for you to worry less about managing all those systems and focus more on the things that really matter to your business. On this episode of Future of Tech, Jennifer Lin, the VP of Product Management for Google Cloud, and Chen [Hen] Goldberg, the Senior Director of Engineering for Google Cloud, joined us to discuss how they make that possible. Using technology like Kubernetes, Anthos, and leaning into working with open-source, both women say that Google has made it easy for their partners to find agility, flexibility, security, and innovation without worrying about what's going on behind the scenes and how everything is connected. They also share their best advice for CEOs and CIOs who are looking to design the next generation of their cloud and why you need to have a mindset of continuous learning in order to be successful. Enjoy this episode.   3 Takeaways: Creating a personalized user experience that solves a customer's problem is one of the main focuses for Google Making Istio an industry-standard is a major investment for Google at the moment Open-source is the best way to build bridges across multiple platforms and technologies so that everyone in the industry can move faster --- Future of Tech is brought to you by Amdocs Tech. Amdocs Tech is Amdocs's R&D and technology center, paving the way to a better-connected future by creating open, innovative, best-in-class products and continuously evolving the way we work, learn and live. To learn more about Amdocs Tech, visit the Amdocs Technology page on LinkedIn.

This episode brings a special guest, Dr. Jennifer Lin, who wears many hats and has expertise in melanoma, multicultural dermatology, and laser & cosmetic surgery.  A true devotee to learning, she has taken a path in dermatology filled with bold choices that is sure to inspire.  

On this episode of West of Broadway, Will and Lara speak with Michael A. Shepperd who is currently starring as “Miss Trunchbull,” in the La Mirada production of Matilda the Musical. LA MIRADA THEATRE FOR THE PERFORMING ARTS & McCOY RIGBY ENTERTAINMENT are thrilled to present the second show of their 2019-2020 season, Roald Dahl’s MATILDA, THE MUSICAL, book by Dennis Kelly, music and lyrics by Tim Minchin, musical direction by Jennifer Lin, choreography by Kate Dunn and directed by Michael Matthews. MATILDA, THE MUSICAL will preview on Friday, October 25, 2019 (with a press opening on Saturday, October 26 at 8pm) and runs through Sunday, November 17, 2019 at La Mirada Theatre for the Performing Arts, 14900 La Mirada Blvd in La Mirada. For tickets, please call (562) 944-9801 or (714) 994-6310 or buy online at www.lamiradatheatre.com. Group discounts are available. Learn more about your ad choices. Visit megaphone.fm/adchoices

We sit down with Jennifer Lin and Paul Hornschemeier to talk about "Mother Come Home" the process of adapting a graphic novel to a visual theater experience. We also talk about https://www.forlornfunnies.com/ and the impact Marvel movies and caffeine have on our society.

At the Mississippi Street fair I met up with the brilliant directors Jennifer Lin and Rebecca Lingafelter, both of whom are directing at Third Rail Rep this season. Third Rep wants to provoke dialogue, encourage empathy, and inspire curiosity; this fascinating interview sets the table!

Adventure writing has the ability to transport you to the place you're reading about: taking in the unfamiliar script on a road sign, savouring sharp smells and fragrant tastes, basking in the hot heat and tingling in the freezing cold, feeling the rhythm of the music beating through the air. In this episode, we speak with author Maggie Ritchie, who travelled to Shanghai to research her new book, Bold Girls, in which two young Glaswegian women move to Shanghai at the turn of the 20th century. We also speak to reporter Jennifer Lin, who travelled from Philadelphia to Shanghai to trace the roots of her Chinese family, through the written words of her grandfather. When we travel, we go in search of adventure – but along the way, we realise that it can also be found in the most surprising of places... This episode was hosted by Aimee White (@aimeefw) and produced by Femi Oriogun-Williams for Reduced Listening (reducedlistening.co.uk).

Shanghai Faithful by Jennifer Lin is a chronicling of the emergence of her family's Christian identity in post-revolutionary China. Five generations of the Lin family worship and pray through a remarkable change in the world’s most populous nation.    This interview was edited for clarity.   Jennifer, welcome. Thank you Bill for inviting me to your show.   Tell me how all of this started… How did you begin the massive research of your family in China and tell us about their faith and and their story. I can actually pinpoint Bill the precise moment where this odyssey began. It was 1979. My father is Chinese. He was raised in Shanghai and he was part of the great diaspora of Chinese who left China at the tail end of the Civil War when it became obvious that the Red Army would be successful. He left China in 1949 in 1979. It was just after President Carter had normalized relations with China and it became very easy for families like ours to travel back to visit relatives. So, my dad was able to go back to Shanghai to see the sister and the brother who stayed behind. The first morning in Shanghai when I woke up, I was in my father's family home. I will never forget the look on my father's face when he came down the steps.  He turned to me and he said, 'My God this is so depressing.' What happened is the first night we went to bed, my father's uncle pulled him aside. He said to him, 'Do you have any idea what has happened to us since you've been gone?' And the truth of the matter was my father was clueless. This one uncle started to tell my father what happened to his parents during the Cultural Revolution. This was a very brutal period in Chinese history. It was 10 years of anarchy. Society turned on its on certain groups of people. If you were a capitalist if you were educated. If you had western ties, you were described as being an enemy of the people. And this happened to my grandparents. And for my grandmother in particular, life was very difficult. Her brother was a very prominent religious leader in China. His name was Watchman Nee and to this day people still read his books. There are millions of followers around the world [and he] was declared an enemy of the people. In China during the Cultural Revolution - it was guilt by association. For my grandparents it was very difficult. My grandmother was tormented persecuted on a daily basis - treated as a pariah by her neighbors. My grandfather was an Anglican priest. He was accused of being an American spy. For the family it was very difficult and my father was only learning this during that first night of our first trip to China in 1979.  I was a reporter for four decades for the Philadelphia Inquirer, so I just used my reporting skills to begin peeling back the layers. What was it about Watchmen Nee - this religious figure, that made them such enemies of the people? Once I figured out that question, I just had more and more questions. One of the things that really intrigued me was the fact that both of my grandparents were third generation Christians. I began to really wonder you know how unusual that was like that in a culture like China which is steeped in its own philosophies and religions. Why would anyone back in the late eighteen -hundreds turn to Christianity? I kept getting pushed further and further into the past. I needed to know, who was the first [to convert]? Why did they convert to Christianity? This was like a 40-year odyssey to try to figure out the answer to all these questions. At some point, like in the past six years I guess, I sat down to start writing their story and that's what Shanghai Faithful is it's answering all those questions. It's a look at the Lin family going back to the very first convert in the family. He’s a character I call old Lin who was really just an uneducated fisherman in the province of Fujian. And through my family someone can really understand the evolution of Christianity in China, in particular because of my grandfather, the Anglican priest and my great uncle Watchman Nee, who again was one of the most prominent Christian religious figures in China in the 20th century. He was not associated with any of the denominational mission churches. He very much led what is called an indigenous church movement in China. He was really at the vanguard of the whole house church movement. Watchman Nee spurned the denominational churches. He did not want to be aligned with the Anglicans or the Presbyterians, or anyone. He was building a kind of a grassroots Chinese religious movement. And they didn't build churches with steeples and crosses. They met in houses. Hence the house church you know phrase.  And that's how they would congregate as like-minded religious people.   So these Christian house churches all over China develop, kept operating even though they were technically outlawed and viewed as crimes against the people, and conspirators etc.. How many of them were there? How long did they go on? They are still going on today is that correct?  So Watchman Nee was very active in the 1930s and 1940s in China. In 1949 when China became the People's Republic of China, a communist nation, at that time there were an estimated 80000 people who were followers of Watchman Nee. They were in house churches all over the country in every major city. When China became a communist nation, the government the regime tried to assert control over churches and they were required to register with the government. There were many that didn't want to do that. Many were the house churches. They were always kind of operating kind of beneath the radar. Watchmen Nee was arrested in 1952. He was sent away to a labor camp in 1956 died there. The house churches had to go underground in the 50s and the 60s during the Cultural Revolution. Though -  all churches were closed, not only Christian churches and Catholic churches, but also mosques and temples. Everything was shut down. They didn't start to revive the churches until 1979. I was actually in China then. In June when the news came out there were those who were still very suspicious of the government.  I mean today you can go to a Chinese city and there are house churches in hotel ballrooms or in offices. They're not as secretive as they used to be but there are house churches all over China. Some of them have just a few followers, and some of them have hundreds. There's a real struggle in China today between the house churches and the Chinese government which would like for all churches to be registered. Many of the people who are aligned with the house churches really push back against that. There’s tension in China today. You know there are new rules and regulations for churches and the government would like to assert more control over all churches - including house churches. It’s hard to see how many house churches are because there are because no one really knows, but you can go really to any Chinese city or town and you'll find house churches.   The expectation after the Cultural Revolution where religion was basically outlawed was that religion - when it did come back, really wouldn't come back. Nobody would care. It's been a surprise. There really is kind of a rebirth and fast growth of religion particularly Christianity.   What happened in China is during the 1980s Chinese society was just undergoing a tremendous revival. All aspects of society. There was a great economic boom. People were told: to be rich is glorious. That was the motto, but as time went on over the decades, people began yearning for something more. There was a vacuum in their spiritual lives. People worshipped Mao, and after Mao died in 1976 there was this this vacuum created and people began turning more and more to religion.  There was a real flourishing of not only Christianity but all religions. Interest in Buddhism, interest in the philosophies of Daoism and Confucianism.  It's the eternal man's search for meaning in their lives.  There's not like there's a Presbyterian church or Methodist Church. They're just “Christians” and no one really knows how many. It is estimated that it could be close to 100 million Protestants and Catholics in China. There are some people who estimate that in the next decade the number could actually double to 200 million.   Tell us about your grandfather the Anglican priest.   My grandfather Lin Pu-chi was a third generation Christian and he went to a mission school.  The missionaries knew they had a problem in China because if Christianity was really going to take root and flourish, the church needed Chinese clerics. My grandfather was sent to Philadelphia in 1918 to attend the Episcopal seminary there. He returned to China in 1920 and began working for the Anglican Church. So he was just what the church needed: an educated Chinese cleric.  And in 1927 there was there was something called the northern expedition. It was when the Communists and the nationalists were trying to battle the war lords to bring unity to China. But this was also a period of a lot of anti-foreign sentiment. There was an incident in March of 1927 where some of these communist anti foreign agitators were holding a protest.  It was a mob and my grandfather unfortunately was seized and paraded through the streets of Fuzhou.  They tied his hands and they dragged him through the streets like a dog on a leash. They had a dunce cap on his head and a placard on his chest that said ‘Running Dogs of the Foreigners’. They were trying to bully him into renouncing his faith, but he refused. And what was really interesting is no one in my family knew this story. No one - not my father not his relatives in this story would have been lost to history if I hadn't stumbled upon it.   What happened to your grandfather after he refused to renounce his faith? The mob gave up. They finally let him go. He continued to try to do his work, but Fuzhou was a much smaller city than say Shanghai. And he was really a marked man. There was another incident two years later where again another anti-foreign, anti-Christian mob attacked him, so he moved the family to Shanghai in 1932 and went to work for a and became principal of the school. So, he moved on.    I assume these house churches are a powerful experience. Have you witnessed any of them? When I was doing my research, I went to Fuzhou. because that’s not only where my grandfather came from, but also Watchman Nee and I wanted to try to gauge their legacy. A cousin of mine actually took me to a house church in an apartment in Fuzhou. What was very interesting is that the people who were there still read the books the writings of Watchmen Nee. They still sang the hymns that he had written.   Jennifer Lin, thank you for the story. Thank you for the book. The book is called Shanghai Faithful. Thank you Bill, for giving me the opportunity to tell you about my family.  

The advent of service meshes can be traced back to Linkerd, a Cloud Native Computing Foundation (CNCF) project. Now, as Linkerd's adoption curve continues to accelerate, a number of other options have emerged that allow for the management and scaling of an often vast network of microservices and the applications within them.  Istio, of course, is among the leading alternatives. The state of Istio and services meshes was the main topic during a panel discussion for this podcast, hosted by Alex Williams, founder and editor-in-chief, and Joab Jackson, managing editing, of The New Stack;  at KubeCon + CloudNativeCon North America 2018. The attendees, who were also treated to a pancake breakfast during the event, were able to ask questions about service meshes and Istio to the panel of subject matter experts consisting of: - Jason McGee, IBM fellow, vice president, CTO, IBM Cloud Platform; - Ken Owens, vice president, digital native architecture, Mastercard; - Jennifer Lin, director of product management, Google Cloud; - Simon Richard, analyst, Gartner; - Pere Monclus, vice president and CTO network and security BU, VMware. Watch on YouTube: https://www.youtube.com/watch?v=Wx7iGgwU9DY

After the United States and China established diplomatic relations in 1979, those who had left China around 1949 were able to visit family members who had remained in China. Three decades of separation gave rise to many unanswered questions on both sides. One such question inspired young journalist Jennifer Lin: “Do you have any idea what happened to us?” she was asked at a family reunion in Shanghai in 1979. She then embarked on a 30-year quest to uncover her family history. The daughter of a Chinese father and a Catholic, Italian-American mother, Ms. Lin explored her family’s Anglican past in Shanghai, and its experiences as Chinese Christians under communist rule. The resulting book, Shanghai Faithful: Betrayal and Forgiveness in a Chinese Christian Family, is an account of China’s chaotic modern history through the eyes of a single family whose western education, charismatic leadership, and Christian faith made it targets during the Cultural Revolution. Ms. Lin joined the National Committee on January 24, 2018 in New York, for a discussion of her book, her family, and the recent history of Christianity in China with National Committee Senior Director for Education Programs Margot Landman. Jennifer Lin is an award-winning journalist and former reporter for The Philadelphia Inquirer; she served as the paper’s New York financial correspondent, Washington foreign affairs reporter, and Asia bureau chief in Beijing. The National Committee on U.S.-China Relations is the leading nonprofit nonpartisan organization that encourages understanding of China and the United States among citizens of both countries.

After the United States and China established diplomatic relations in 1979, those who had left China around 1949 were able to visit family members who had remained in China. Three decades of separation gave rise to many unanswered questions on both sides. One such question inspired young journalist Jennifer Lin: “Do you have any idea what happened to us?” she was asked at a family reunion in Shanghai in 1979. She then embarked on a 30-year quest to uncover her family history. The daughter of a Chinese father and a Catholic, Italian-American mother, Ms. Lin explored her family’s Anglican past in Shanghai, and its experiences as Chinese Christians under communist rule. The resulting book, Shanghai Faithful: Betrayal and Forgiveness in a Chinese Christian Family, is an account of China’s chaotic modern history through the eyes of a single family whose western education, charismatic leadership, and Christian faith made it targets during the Cultural Revolution.  Ms. Lin joined the National Committee on January 24, 2018 in New York, for a discussion of her book, her family, and the recent history of Christianity in China with National Committee Senior Director for Education Programs Margot Landman. Jennifer Lin is an award-winning journalist and former reporter for The Philadelphia Inquirer; she served as the paper’s New York financial correspondent, Washington foreign affairs reporter, and Asia bureau chief in Beijing. The National Committee on U.S.-China Relations is the leading nonprofit nonpartisan organization that encourages understanding of China and the United States among citizens of both countries.

A resurgence of interest in religion in China, after more than half a century of Communism and in the midst of China's rapid economic transformation and global rise, comes as new generations search for spiritual meaning and an ethical foundation. Host Mary Kay Magistad talks with former China correspondent colleagues Ian Johnson, author of "The Souls of China: The Return of Religion After Mao," and Jennifer Lin, author of "Shanghai Faithful: Betrayal and Faith in a Chinese Christian Family," about how her own Chinese family, including Watchman Nee, the Billy Graham of China in the first half of the 20th century.

Veteran journalist Jennifer Lin takes readers from remote nineteenth-century mission outposts to Philadelphia and to the thriving house churches and cathedrals of today’s China. The Lin family—and the book’s central figure, the Reverend Lin Pu-chi—offer witness to China’s tumultuous past, up to and beyond the betrayals and madness of the Cultural Revolution, when the family’s resolute faith led to years of suffering. Forgiveness and redemption bring the story full circle. With its sweep of history and the intimacy of long-hidden family stories, Shanghai Faithful offers a fresh look at Christianity in China—past, present, and future.

From 2016: Jennifer Lin, MD, from Dana-Farber's Center for Melanoma Oncology, discusses prevention tips and the latest treatment options and research for melanoma.