Podcasts about nyc ballet

Dance Talk” ® with Joanne Carey and special guest, Jarod Lewis, manager of the costume shop, New York City Ballet. In this episode of Dance Talk, Joanne Carey continues her conversation with Jarod Lewis, the manager of the New York City Ballet Costume Shop. They delve into the intricate world of costume design, particularly focusing on the beloved Nutcracker ballet. Jarod shares insights into the preparation for the Nutcracker season, the longevity and craftsmanship of costumes, and the historical significance of certain pieces. The discussion highlights the importance of documenting the work of costume makers and the collaborative effort behind each performance. Jarod also showcases various costumes, emphasizing the attention to detail and the artistry involved in their creation. In this engaging conversation, Joanne Carey and Jarod delve into the intricate world of costume design and reconstruction. They explore the meticulous process of maintaining and rebuilding costumes, the importance of communication between dancers and costume makers, and the essential tools and techniques used in the costume shop. The discussion highlights the blend of artistry and engineering that goes into creating costumes that not only look beautiful but also function effectively on stage. Jarod shares insights into the science behind fabric manipulation and the significance of understanding the dancer's needs during fittings, emphasizing the collaborative nature of costume design. Jarod Lewis, has been the Costume Shop Manager of the NYC Ballet since 2021 where he works alongside the Director of Costumes, Marc Happel, to lead the Costume Shop towards creating the costumes for new ballets and the refurbishments and rebuilds of existing works. During his time at NYCB Jarod and his team of 16 artisans have created 18 world premiere ballets and are preparing for 3 more for this coming Fall and Winter seasons. Before working at NYC Ballet Jarod was the Assistant Designer and Shop Manager at Halsey Onstage, a costume production company in Chicago, IL. There Jarod worked alongside the late Travis Halsey to create over 250 custom costumes that have been worn on stages such as Sea World San Antonio, Papermill Playhouse, Houston Ballet, Vero Beach Ballet, The Joffrey Ballet, and for YAGP. They also created costumes that have been worn in various ballets, musicals, tv shows, and operas across Canada, Australia, and France.   Before beginning his career in costuming, Jarod grew up in the Appalachian Mountains of Eastern Kentucky where he began his journey working in the performing arts by receiving his BA in Music at Morehead State University and continued education of Music Production and Technical Theatre at Troy University. Jarod has performed with various music groups on stages such as Universal Studios in Orlando, FL, the Gulf Coast Symphony Orchestra in Pensacola, FL, and on an international orchestra and percussion ensemble tour in Beijing and Tianjin, China. Alongside Jarod's music career he also worked as a freelance recording engineer and the audio engineer in the marching arts with two Drum and Bugle Corps; The Santa Clara Vanguard Cadets from San Jose, California and The Cavaliers from Chicago, IL “Dance Talk” ® with Joanne Carey wherever you listen to your podcasts.  ⁠⁠⁠https://dancetalkwithjoannecarey.com/⁠⁠⁠ Tune in. Follow. Like us. And Share.  Please leave us review about our podcast!  “Dance Talk” ® with Joanne Carey  "Where the Dance World Connects, the Conversations Inspire, and Where We Are Keeping Them Real."

Dance Talk” ® with Joanne Carey and special guest, Jarod Lewis, manager of the costume shop, New York City Ballet. In this first episode of two with Jarod Lewis, the manager of the New York City Ballet costume shop, join host Joanne Carey as she dives into the intricacies of costume making for the New York City Ballet and some behind the scenes and stay tuned for Part II of our converstaion where we talk all things NUTCRACKER! Jarod shares his unique journey from a small farming community in Eastern Kentucky to managing the costume shop at one of the most prestigious ballet companies in the world. He discusses the intricate art and science of costume making, the importance of communication in a diverse workplace, and the challenges faced during the COVID-19 pandemic. Jarod emphasizes the attention to detail required in costume design, including dyeing fabrics to match dancers' skin tones, and the collaborative effort involved in bringing a ballet to life. The conversation highlights the passion and dedication of those working behind the scenes in the dance world. Jarod's passion for his work shines through as he reflects on the lessons learned throughout his career and the exciting projects ahead. Jarod Lewis, has been the Costume Shop Manager of the NYC Ballet since 2021 where he works alongside the Director of Costumes, Marc Happel, to lead the Costume Shop towards creating the costumes for new ballets and the refurbishments and rebuilds of existing works. During his time at NYCB Jarod and his team of 16 artisans have created 18 world premiere ballets and are preparing for 3 more for this coming Fall and Winter seasons. Before working at NYC Ballet Jarod was the Assistant Designer and Shop Manager at Halsey Onstage, a costume production company in Chicago, IL. There Jarod worked alongside the late Travis Halsey to create over 250 custom costumes that have been worn on stages such as Sea World San Antonio, Papermill Playhouse, Houston Ballet, Vero Beach Ballet, The Joffrey Ballet, and for YAGP. They also created costumes that have been worn in various ballets, musicals, tv shows, and operas across Canada, Australia, and France.   Before beginning his career in costuming, Jarod grew up in the Appalachian Mountains of Eastern Kentucky where he began his journey working in the performing arts by receiving his BA in Music at Morehead State University and continued education of Music Production and Technical Theatre at Troy University. Jarod has performed with various music groups on stages such as Universal Studios in Orlando, FL, the Gulf Coast Symphony Orchestra in Pensacola, FL, and on an international orchestra and percussion ensemble tour in Beijing and Tianjin, China. Alongside Jarod's music career he also worked as a freelance recording engineer and the audio engineer in the marching arts with two Drum and Bugle Corps; The Santa Clara Vanguard Cadets from San Jose, California and The Cavaliers from Chicago, IL.    “Dance Talk” ® with Joanne Carey wherever you listen to your podcasts.  ⁠⁠https://dancetalkwithjoannecarey.com/⁠⁠ Tune in. Follow. Like us. And Share.  Please leave us review about our podcast!  “Dance Talk” ® with Joanne Carey  "Where the Dance World Connects, the Conversations Inspire, and Where We Are Keeping Them Real."

A utopia or her personal PRISON!? Laura and Mae take a deep dive into the life of internet famous “trad wife” rancher and beauty queen Hannah Neeleman, her Uber wealthy JetBlue heir hubs, and their eight…(8)….children. 7 of which born without the help of drugs .. obvi. Was the viral Times article a hit piece? Was it a peek into a patriarchal prison? Laura and Mae have a take you might not have heard yet on TikTok! Can a woman who uses her father's funeral flowers as a PR stunt be such a helpless lamb? We think maybe not… tune in for our flaming HOT take. Also, we talk the Olympic opening ceremony. The verdict…Tres French! Follow us @risquebusinessnews @laurasogar @mae_planert and write us a kind review for a good old fashioned in the mail gift! https://forms.gle/gRZ1j9vEwoGYhWQR9 #HannahNeeleman #tradlife #ballerinafarm #InternetFamous #BeautyQueen #JetBlueHeir #BigFamily #patriarchyproblems #HotTake #TikTokReaction #PRStunt #Olympics #OpeningCeremony #PodcastDiscussion #TrendingTopics #DeepDive #Controversy #PodcastEpisode

What sets successful diversity, equity, inclusion, belonging, and access (DEIBA) initiatives apart? It's not about checking boxes; it's about prioritizing authenticity and thoughtfulness.  Some of the most impactful DEIBA work in our industry begins with arts organizations fostering genuine community partnerships and engaging audiences in meaningful ways. In this episode, we discuss inspiring examples of how embracing these principles can lead to profound, positive changes in our organizations. Digital Download (2:15) - Dan sits down with Consultant Selia Aponte to talk about reaching new audiences with bilingual ads: how to use them, when they work best, and how to ensure a smooth audience journey for ESL attendees. CI to Eye with John Orr (15:15) - CI President Priya Iyer Doshi chats with John Orr, Executive Director of Art-Reach in Philadelphia. They discuss how we can make the arts a more inclusive space for disabled and chronically ill audiences, and ensure the full spectrum of society is served through our programming. CI-lebrity Sightings (42:00) - Dan highlights some of CI's favorite arts stories in the news. LINKS: Art-Reach New York Times |  At Museums, a Revolution Gains Momentum American Theatre Magazine | They Will Survive: Theatres That Are Beating the Odds Associated Press | At 75, NYC Ballet is getting older. Its audience is skewing younger, and that's the plan

durée : 00:57:25 - Affaires culturelles - par : Arnaud Laporte - Jeune prodige de la danse classique au NYC Ballet, chorégraphe prometteur à Los Angeles, Directeur de la Danse à l'Opéra de Paris, l'ascension de Benjamin Millepied semble ne jamais prendre fin. Il est le directeur artistique du projet “La Ville dansée” dans le cadre de Paris Fête les Jeux. - invités : Benjamin Millepied Danseur et chorégraphe

Welcome back to The Feminine Profiles podcast! Today, I am in conversation with Jenelle Manzi. Jenelle is a member of the New York City ballet and the founder of Get Golden. She spent years as a professional dancer sidelined with injuries and food allergies and could never find a healthy snack that gave her the energy she needed so she decided to create her own products in her kitchen and get golden was born. In today's conversation, we discuss: What the early days in the NYC Ballet looked like, from her daily schedule of training days, school and long commutes Her  first career injury and the path that led her down. Discovering food allergies and sensitivities and how that led her to take her health into her own hands, start a blog and get crafting in the kitchen How slowing down allows her to catch mistakes more quickly, and pivot in business, and stay focused on her mission How she has taken a softer approach to self-care, and cultivating joy and self-love Body image, clean ingredients and so much more! I Hope you enjoy this conversation. Xo, Brooke

My guest today is theatrical animal trainer Bill Berloni. Beginning with the original production of ANNIE in 1977, Bill has provided and trained animals of all species and sizes for 27 Broadway musicals and plays, as well as for countless Off-Broadway shows, National Tours, regional theaters, movies, television shows, commercials and the NYC Ballet – and he found almost all of those animal actors in shelters, humane societies and rescue leagues.  His awards include a 2011 Tony Honor for “Excellence in the Theater”, a 2014 Outer Critics Circle Award for “Special Achievement”, and a 2017 Drama League Award for “Unique Contribution to the Theatre” all in acknowledgment of an incredible Broadway career that has included two revivals of Annie, The Woman In White, Gypsy, Legally Blonde, The Lt of Inishmore, A Christmas Story, and The Ferryman.  Bill recently released a third edition of his book, Broadway Tails: Heartfelt Stories Of Rescued Dogs Who Became Show Biz Superstars. I have to say it's a surprisingly affecting book, and I was not expecting to be tearing up as many times as I did when I was reading the new edition in preparation for this podcast. Broadway Nation is written and produced by me – David Armstrong. I invite you to follow Broadway Nation on Facebook, Twitter, and Instagram – where you can find out more about my guests and episodes and interact with a large and lively community of Broadway fans. Become a PATRON of Broadway Nation! I want to thank our Broadway Nation Patron Club members, such as John Schroeder and Alan Brodie whose generous support helps to make it possible for me to bring this podcast to you each week. If you would like to support the creation of Broadway Nation, here is the information about how you too can become a patron. For just $7.00 a month, you will receive exclusive access to never-before-heard, unedited versions of many of the discussions that I have with my guests — in fact I often record nearly twice as much conversation as ends up in the edited versions. You will also have access to additional in-depth conversations with my frequent co-host Albert Evans that have not been featured on the podcast.  All patrons receive special “on-air” shout-outs and acknowledgment of your vital support of this podcast. And if you are very enthusiastic about Broadway Nation there are additional PATRON levels that come with even more benefits. If you would like to support the work of Broadway Nation and receive these exclusive member benefits, please just click on this link: https://broadwaynationpodcast.supercast.tech/ Thank you in advance for your support! Learn more about your ad choices. Visit megaphone.fm/adchoices

19:55 - Gjon's Tears talks about his 2021 Eurovision near-win 35:00 - Michael Hsu Rosen plays a game putting the people against the powerful   We dive into one of the biggest controversies among Eurovision fans: how Eurovision selects its winners. Should they rely on the expertise of industry juries or should we let the people decide? We explore the evolution of Eurovision's constantly evolving selection process, and talk about the different implications of its varying forms.   Then we talk to Gjon's Tears, whose song Tout L'universe was a favorite of the juries, but was prevented from winning because of the televote-- eventually placing 3rd overall. We talk about everything from his experience at Eurovision, to his search for identity and belonging through music, to how his 2021 performance helped him overcome his body insecurity.   Finally, we chat with Michael Hsu Rosen who performed with the NYC Ballet, before going on to star in several popular Netflix hits (Pretty Smart, Glamorous). He draws on his experience operating in artistic worlds that are ruled alternately by expert and public opinion to explore why certain songs are jury favorites, and why others steal the heart of the people.   SONG LINKS   Mentioned in Deep Dive Loreen - Tattoo - https://www.youtube.com/watch?v=b3vJfR81xO0 Kaarija - Cha Cha Cha - https://www.youtube.com/watch?v=rJHe-iZ5HSI   Gjon's Tears - Tout L'Univers - https://www.youtube.com/watch?v=EuimHmJMEFA   Mentioned in the Game   Keiino - Spirit in the Sky (Norway 2019) - https://www.dailymotion.com/video/x799hq2 Zdob si Zdub - Trenuletul (Moldova 2022) - https://www.youtube.com/watch?v=C9RJQPZsj8E Il Volo - Grande Amore (Italy 2015) - https://www.youtube.com/watch?v=1TOMqZV2jA8 Destiny - Je Me Casse (Malta 2019) - https://www.youtube.com/watch?v=-TdBbLVCAzk Tamara Todevska - Proud (North Macedonia 2019) https://www.youtube.com/watch?v=Sw-NQ1a1zZ0 Konstrakta - In Corpore Sano (Serbia 2022) - https://www.youtube.com/watch?v=odFhYxoXiuo Teya and Selena - Who the Hell is Edgar? (https://www.youtube.com/watch?v=6JEJe85Xmnk)  

We are thrilled to welcome Marc Happel who is the Director of Costumes of the NYC Ballet to The Style That Binds Us podcast to discuss his career & newly released book, New York City Ballet: Choreography & Couture. --- Send in a voice message: https://podcasters.spotify.com/pod/show/delia-folk8/message Support this podcast: https://podcasters.spotify.com/pod/show/delia-folk8/support

“I thought there was a need to bring elegance back to travel… and so began SteamLine.” Host Kristen Cole (in NYC) sits with Sara Banks (in Mauritius) over Zoom to discuss her Dublin-based SteamLine Luggage brand and mixing business with adventure as she travels the world with her family, over the past eighteen-months. Sara shares stories from time spent in Kenya, Bali, Australia, Colombia, Mauritius, Greece, and the U.S., expert packing and travel advice, and why less is always more. They also discuss Sara's enthusiasm for specialization and getting into season-less product, the brand's refurbishment program, collaborations, and her move into more vegan and natural materials. Kristen also touches on recent fashion news Peter Do at Helmut Lang, why she loves speaking with women entrepeneurs, her fantasy old-world train trip (via Wes Anderson's designed British Pullman carriage), Derry Girls on Netflix, social media docs Social Dilemma and LIKE, and costumes at the NYC Ballet.

The thirteenth installment of the "Halloween" franchise is here with "Halloween Ends" (1:18), the supposed movie to end all things Michael Myers. We give our thoughts on the movie and talk about if this current trilogy of "Halloween" was worth it. Another reboot/sequel hit Hulu this weekend with "Hellraiser" (19:50) a spiritual successor of Clive Barker's 1987 film. We have to talk about this last week of TV, first with the last 3 episodes of "Andor" (32:54) with the especially wild episode 6, as well has another crazy entry in "House of the Dragon" (1:09:46) with episode 9. Des also got the chance to check out the NYC Ballet which featured pieces from Solange and James Blake. News of the Week (1:55:20) : Cartoon Network, The Future of DC, Harrison Ford, Nova

AYYYY YOOO, on this weeks episode we kick it off with Freddie Gibbs. Freddie Gibbs released “$oul $old $eperately” on Friday and the crew is vibin. TSU Surf gets caught up in the Rico charges, which leads to the discussion of using lyrics in court cases. Smino dropped “90 proof” ft J.Cole and it is fire…patiently waiting the new drop. We are 10 months into the year, do you know your Album of the Year yet? Lyfe Jennings claims he serenaded Jefferey Dahmer…you aint gots to lie Craig. Is DaBaby blackballed? Kanye is wildin with the White Lives Matter “fashions”. Who had the best album covers No Limit or Cash Money? Congrats to Solange for being the first black woman to compose a score for NYC Ballet! Pusha T has a new diss reppin Arbys…should Drake rep McDonalds? We dive into some Sprite Hip-Hop history in relation to rappers and much more.  VIBE OF THE WEEK ———> Eijay: Ari Lennox - “Stop By” for the 4th week / Mike: Nicholas Craven & Boldy James - “Scrabble” / Tev: MF DOOM ft. Pebbles The Invisible Girl - “Doomsday” / Freddie Gibbs ft Anderson Park & Raekwon - “Feel No Pain” Thanks for listening! Subscribe for more content from The Polaris Network - http://bit.ly/3l88kNw

PUSILLANIMOUS is the word of the Day; use it in a Work email. Solange makes News for NYC Ballet. Blue Face and Crisean can't stop won't stop. Soulja Boy; u okay? --- Send in a voice message: https://anchor.fm/spirituallyclatchet/message

Welcome to the Season 3 Finale. This episode we discuss T'yanna Wallace's decision to put up $1M bond for her boyfriend who hit 3 people after being stopped by NYC police. We also discuss the story of Raissa Kegne who shot 3 people in Midtown Atlanta yesterday. We also discuss Solange making history as the first black woman to compose for the NYC Ballet. --- Support this podcast: https://anchor.fm/jason-clark-fox/support

This week in quick headlines, RIP to actress Anne Heche, Viola Davis is cast in the Hunger Games prequel, and Solange Knowles composes music for the NYC Ballet. (3:47) In hot topics, we discuss Ezra Miller's apology and Adrienne Bailon's baby news. (15:06) Stay tuned for our next episode on Tuesday, recapping Disney/Pixar film, "Lightyear!" We are available on all podcasting platforms but please follow, rate and review us on Apple Podcasts and Spotify apps. We greatly appreciate the support! Follow us on social media: IG: @recappinpodcast Twitter: @recappinpodcast FB: ReCappin' with Delora and Ashley Contact us: Email: recappinpodcast@gmail.com

On this week's episode, Professor Jan Yablow tells us about the many lives he's lived in NYC, not least of which involves spending the night at the Whitney Museum!Check out Jan on InstaIf you want to have fun like JanDonate to NYC Ballet

Our premiere episode focuses on belonging, and the work that it takes to create emotional equity in cultural spaces. Our hosts describe the process of maximizing cultural safety as performance halls re-open themselves to the public. Featured guests for this episode are two Kennedy Center Next 50 awardees: NYC Ballet company member Georgina Pazcoguin, and dancer and author Phil Chan. Together, Georgina and Phil have established Final Bow for Yellowface, an advocacy coalition and field-wide barometer for Asian-American inclusion in dance.

Shania Gordon has been performing with Central Virginia Dance Academy since 2016 and is the co-founder of Brown Ballerinas for Change. In 2018, Shania was chosen to be an ASK Kourageous Kid representing those in the Sickle Cell community where she is also a volunteer during their summer camp program. Subsequently, Shania was accepted to attend the Center for the Arts in 2019. Shania eats, sleeps, and breathes dance. She loves to cook and enjoys spending time with her friends. She desires to become a professional dancer with NYC Ballet and become a performer on a cruise ship; without any set limitations to achieving her goal. Shania wishes to inspire those that see her, encouraging them to “not be afraid of who you really are and to work hard to be the best version of yourself”. This episode was brought to you in part by Unleashing Royalty: A R.O.Y.A.L Formula to Help You Walk into Queendom with Purpose. Available on: Amazon https://amzn.to/3IJSi7n Barnes & Noble https://bit.ly/3MnyLMa Join CaRISMA https://carisma-study.pitt.edu/ Make sure you follow us on social media. https://linktr.ee/ThroughThePainPodcast Support this podcast with a small monthly donation to help sustain future episodes. https://anchor.fm/throughthepain/support Our Production Team: Executive Producer -Dima Hendricks Producer- Michael Hendricks --- Send in a voice message: https://anchor.fm/throughthepain/message Support this podcast: https://anchor.fm/throughthepain/support

Intro+voicer on NYC Ballet closing "Nutcracker Suite" early due to coronavirus.

Olivia and Mary Thomas MacKinnon have known since a very young age that they wanted to dance professionally at the highest level their talent would allow. Today they're members of the corps at the New York City Ballet where I chat with them them prior to their nightly holiday performance of the Nutcracker. Born and raised in Mobile, they share their daily practice schedule, their weight-lifting regimen, and their favorite things to do when returning home. 

Orin O'Brien has retired from playing after an unparalleled 65-year career combined in the NY Philharmonic and the NYC Ballet.  To celebrate her remarkable career, we're re-releasing this epic two-hour conversation with Orin from 2017. Enjoy, and check out the original show notes for links to the many topics we dig into! Subscribe to the podcast to get these interviews delivered to you automatically!   Check out our Online Sheet Music Store with 100+ wide-ranging titles for bassists.   Listen to Contrabass Conversations with our free app for iOS, Android, and Kindle. Check out my Beginner's Classical Bass course and Intermediate to Advanced Classical Bass course, available exclusively from Discover Double Bass.   Thank you to our sponsors!   Upton Bass String Instrument Company - Upton's Karr Model Upton Double Bass represents an evolution of our popular first Karr model, refined and enhanced with further input from Gary Karr. Since its introduction, the Karr Model with its combination of comfort and tone has gained a loyal following with jazz and roots players. The slim, long “Karr neck” has even become a favorite of crossover electric players.   Carnegie Mellon University Double Bass Studio - CMU is dedicated to helping each student achieve their goals as a musician. Every week each student receives private lessons and participates in a solo class with Micah Howard. Peter Guild, another member of the PSO, teaches Orchestral Literature and Repertoire weekly. They encourage students to reach out to the great bassists in their area for lessons and direction. Many of the bassists from all of the city's ensembles are more than willing to lend a hand. Every year members of the Symphony, the Opera and the Ballet give classes and offer our students individual attention. Click here to visit Micah's website and to sign up for a free online trial lesson.   Ear Trumpet Labs - They make hand-built mics out of Portland, OR and they have an excellent mic for upright bass called Nadine. The Nadine is a condenser mic with a clear natural sound and incredible feedback rejection. This mic is a completely new design -- the head mounts in between the strings above the tailpiece with a rubber grommet, and the body securely straps to the tailpiece with velcro elastic. A 14-inch Mogami cable connects the two parts making it easy to place on any bass. It's durable and holds up to the demanding needs of the instrument while offering excellent sound quality. Ear Trumpet Labs is offering a free t-shirt just for Contrabass listeners with the purchase of a mic, just visit EarTrumpetLabs.com/contrabass to claim yours and check out the Nadine!   Contrabass Conversations production team: Jason Heath, host Michael Cooper and Steve Hinchey, audio editing Mitch Moehring, audio engineer Trevor Jones, publication and promotion theme music by Eric Hochberg

My guest today is theatrical animal trainer Bill Berloni. Beginning with the original production of ANNIE in 1977, Bill has provided and trained animals of all species and sizes for 27 Broadway musicals and plays, as well as for countless Off-Broadway shows, National Tours, regional theaters, movies, television shows, commercials and the NYC Ballet – and he found almost all of those animal actors in shelters, humane societies and rescue leagues.  His awards include a 2011 Tony Honor for “Excellence in the Theater”, a 2014 Outer Critics Circle Award for “Special Achievement”, and a 2017 Drama League Award for “Unique Contribution to the Theatre” all in acknowledgment of an incredible Broadway career that has included two revivals of Annie, The Woman In White, Gypsy, Legally Blonde, The Lt of Inishmore, A Christmas Story, and The Ferryman.  Bill recently released a third edition of his book, Broadway Tails: Heartfelt Stories Of Rescued Dogs Who Became Show Biz Superstars. I have to say it's a surprisingly affecting book, and I was not expecting to be tearing up a many times as I did when I was reading the new edition in preparation for this podcast. Broadway Nation is written and produced by me – David Armstrong. I invite you to follow Broadway Nation on Facebook, Twitter and Instagram – where you can find out more about my guests and episodes and interact with large and lively community of Broadway fans. Special thanks to KVSH 101.9 the voice of beautiful Vashon Island, WA and to the entire team at the Broadway Podcast Network. Learn more about your ad choices. Visit megaphone.fm/adchoices

Georgina Pazcoguin started taking ballet lessons when she was 4 and when she was a teenager she was accepted into the School of American Ballet. She wound up becoming a soloist with the NYC Ballet and butting heads with Director Peter Martins. We talk about the tightly wound world of ballet, dancing nude in Oh! Calcutta! and Georgina's tell-all book Swan Dive. “Now What?” is produced with the help of Steve Zimmer, Fei Lu and Alex Wolfe. Audio production is by Nick Ciavatta. Photo by Matthew Karas

Photo: Snowflake Waltz, NYC Ballet 1954 . CBS Eye on the World with John Batchelor CBS Audio Network @Batchelorshow  Can Manhattan make another comeback, starting with the ballet?? @LizPeek @TheHill GLXXG https://www.lincolncenter.org/lincoln-center-at-home

Learning to work with your hyper mobility can be a tricky and long process, especially if you aren't taking a healthy, beneficial approach.  Pilates Instructor, Jennifer Milner works with Hyper mobile dancers in NYC Ballet, ABT + other professional companies, as well as pre professional dancers in Dallas TX.  We are discussing approaches, warning flags, + ideas to use your body to its fullest IG @alignfitnessbyallie IG @jennifer.milner  

Claire Kretzschmar, a dancer and soloist with the New York City Ballet, joins the show to discuss her path to becoming a professional dancer, the challenges and joys of being a Catholic in the ballet world, and the spiritual value of dance. She also discusses a beautiful dance film which she choreographed for the NYC Ballet this year, and the Catholic arts community she founded in New York City, of which Thomas is a part. In the YouTube version of this interview, Claire's full dance film is shown at the 20:46 mark (used with permission of NYC Ballet). https://youtu.be/4jWhhAbS6pM Links Claire's dance film, "Rachmaninoff Suite" https://www.nycballet.com/discover/stories/from-the-nyci-marthas-vineyard-fall-2020/ New York Times profile of Claire, "Rehearse, Ice Feet, Repeat: The Life of a New York City Ballet Corps Dancer" https://www.nytimes.com/2017/01/26/arts/dance/rehearse-ice-feet-repeat-the-life-of-a-new-york-city-ballet-corps-dancer.html Follow Claire on Instagram to keep up with her dance performances in NY and NC https://www.instagram.com/ckretz92/ Arthouse 2B - Catholic arts events in NYC https://www.instagram.com/arthouse2b/ Litany - ethical, modest Catholic fashion https://www.litanynyc.com/ This episode was filmed by Chris Amodio. https://www.amodiodop.com/ This podcast is a production of CatholicCulture.org. If you like the show, please consider supporting us! http://catholicculture.org/donate/audio

Joel is a beautiful ballet dancer that has trained extensively with The Australian Ballet School and Queensland Ballet Academy. In fact, we both share a deep love and respect for Paul Boyd who listeners of the pod are well acquainted with having both been taught by him for many years. During our conversation we dive into Joel's experience as a Prix de Lausanne finalist and how he has decided to move away from the traditional route of becoming a professional ballet dancer to explore feature film opportunities, event management and anything else that tickles his fancy when it comes to shaking up this industry. Can you see why I'm a big fan of Joel? Young and full of spirit with just the right amount of rebel in him that shows respect to the dance industry whilst simultaneously questioning past practices and look at reinventing the wheel. Because of this I'm officially a Joel fan and I think you will be too after listening to this conversation. Joel's most recent endeavour is to bring the most talented ballet dancers from across the world together to showcase their incredible ability over a series of two intimate evenings at South Bank's Piazza Auditorium, which is an incredible outdoor stage that's fully undercover. Perfect for covid times! Shortened to BIG, the Ballet International Gala is the perfect mix of international and local partners with Julian Mackay (Principal dancer with San Francisco Ballet) and Lauren Lovette (former Principal dancer with NYC Ballet) amongst others bringing some international heat with the local likes of Mia Heathcote (Senior Soloist with Queensland Ballet) and Victor Estevez (Principal with Queensland Ballet). Attracting art and ballet enthusiasts, this event is actually going to be like no other. Joel wants you to feel like you're at a ballet festival whilst celebrating the artists like rockstars and highlighting the importance of bringing ballet to the people. BIG is on Friday 25th and Saturday 26th June of this year (I'll actually be attending the Friday performance!) and you can purchase tickets from balletinternationalgala.com - I hope to see you there and whilst I have only met Joel the once for this interview, I am so proud of this young mans ability to form an amazing team around him and shoot for the moon. __________________ Get your FREE Balanced Ballerinas 'Intention Setting' worksheet HERE and start kicking GOALS: https://www.balancedballerinas.com/product/balanced-ballerinas-intention-setting-worksheet/ You can find more resources at www.balancedballerinas.com Instagram @thebalancedballerina Podcast @balancedballerinas Facebook - Balanced Ballerinas (ensure you join the *SECRET* Facebook group too!)

We interviewed two of the four Co-Founders of Brown Ballerinas For Change: Shania Gordon & Ava Holloway! Shania Gordon has been performing with Central Virginia Dance Academy since 2016. She desires to become a professional dancer with NYC Ballet; without any set limitations to achieving her goal. Shania wishes to inspire those that see her, encouraging them to “not be afraid of who you really are and to work hard to be the best version of yourself”. Ava Holloway has performed with Central Virginia Dance Academy since 2009 and is a member of Joni at St. Catherine’s School, where she served as Co-Captain and was awarded the Creative Crystal Dance Award. She enjoys hanging out with friends and making crazy dances and recently co-authored a book, My Ancestors’ Wildest Dreams. In this episode, Shania and Ava talks about their goals and visions for BBFC, their reactions for being viral (being painted in a mural and being on the news?), and what they think will never get out of fashion.

Find PJ:https://www.instagram.com/pj_pennewell/https://tanneryworlddance.com/winterdance-fest/About Pj:Norwood Pennewell (Rehearsal Director/Assistant to Mr. Fagan) who joined Garth Fagan Dance in 1978, is the quintessential Garth Fagan dancer and Fagan's assistant and muse. Pennewell is a recipient of a 1988 Bessie Award and has had several major works created for him, including Passion Distanced, Time After Before Place, and Moth Dreams, among others. Pennewell's dancing has been seen on PBS's Great Performances, The Tonight Show, and Duke Ellington's Queenie Pie. In 1994, he was invited to perform in the 66th Annual Academy Awards broadcast. Pennewell teaches both company and masterclasses for Garth Fagan Dance. He assisted Fagan during his work on Broadway's The Lion King and the NYC Ballet 50th anniversary Ellington Project. Pennewell had his first choreographed premiere in 2010 with Hylozoic and presented Liminal Flux in 2011. Pennewell has choreographed seven works for Garth Fagan Dance: Hylozoic (2010), Liminal Flux (2011), Gin (2013), After Hours (2014), So You See (2015), A Moderate Cease (2016), and this year, he choreographed WeCoo Duende to critical acclaim.Support the show (Http://Www.patreon.com/speakforchangepodcast)

In an effort to highlight black personalities and black culture, Celina and Genie go over the history of electronic dance music and spotlight the lack of color in the ballet world. Celina dives into the history of house and techno, which has its origins in disco, and explains how it evolved into the music we know today. Genies explains how ballet came to America and describes the challenges people of color face in the ballet world. She also talks about one of the most famous ballerinas of all time, Misty Copeland.I Was There When House Took Over The World (Documentary)https://www.youtube.com/watch?v=9Rah1F1zq1kThe Sound of the Underground Youtube - Can You Feel It: How Dance Music Conquered the Worldhttps://www.youtube.com/watch?v=9WpudasPafgBrown Girls Do Ballethttps://www.browngirlsdoballet.com/Black Ballerina's Today:Nardia Boodoo, Washington Ballet https://www.instagram.com/narstarr/?hl=enRachael Jones, Ballet Met https://www.instagram.com/noto_rae_ous/Erica Lall, ABT https://www.instagram.com/erica_lall/?hl=enAlexandra Terry, Ballet West https://www.instagram.com/alexandra.terry/?hl=enAmanda Morgan, Northwest Ballet https://www.instagram.com/baila_rina/?hl=enMiranda Silveira, SF Ballet https://www.instagram.com/miranza_s/Rachel Hutsell, NYC Ballet https://www.instagram.com/rachelhutsell/?hl=enIndia Bradley, NYC Ballet https://www.instagram.com/indiabradleyy/?hl=enJasmine Perry, LA Ballethttps://www.instagram.com/jaypearr/?hl=enCortney Taylor Key, Freelance Ballerina and Founder of Negus Ballerina Project, https://www.instagram.com/cortneytaylorkey/?hl=enhttps://www.negusballerinaproject.com/Daphne M. Lee, Dance Theatre of Harlemhttps://www.instagram.com/daphne732/?hl=enRaven Barkley, Charlotte Ballethttps://www.instagram.com/thatssoraven03/?hl=en Olivia Boisson, NYC Ballethttps://www.instagram.com/toughinatutu/?hl=enAilvin Ailey American Dance Theaterhttps://www.alvinailey.org/ Keep in touch!Instagram: @ughmillennialsEmail: ughmillennialspodcast@gmail.comWebsite: www.ughmillennials.comGenie's Instagram: @gallivatingbeanCelina's Instagram: @celinavitocruzCredits to:Jesse Sampson for the awesome intro and outro beats.Check out his sounds: @talktosampson

Born in Sioux Falls, SD, Paul applied to a few ballet schools in NY at 14 and relocated to study dance on full scholarship at the Harkness House. He studied on scholarship at the American Ballet Theater School, and finally the School of American Ballet. Paul has gone on to stage ballets all over the world. He is a kind, loving, passionate man with INSANE talent. He shares a little today about living in NYC during the pandemic and give a little snippet on his life working with George Balanchine and joining the ballet at 18. What a beautiful life. To apply for a complimentary call, email me -kristjanahillberg@gmail.com or sign up here.

This episode wraps up 2019! Can you believe it?!In the last year for Invisible Not Broken:Eva joined as a co-hostWe reached 115 interviews!Over 115k Downloads, VA, OR, CO with the most! (say hi, guys!)Launched Patreon (PLEASE SUPPORT US

Krys has merlot box wine, Doyin has Jim Beam and limited fizz. This week, we discuss the Millennium tour, Hunter Biden smoking crack in a strip club, Donald with the fake bod and more. We celebrate 11 year old Charlotte Nebres as the first block lead in NYC Ballet’s the Nutcracker. And for our Pour Life Decision, we discuss how to overcome perfectionism. Tune in! Episode Notes: Overcoming Perfectionism - https://greatist.com/live/overcoming-perfectionism Connect with us: @pldpod on Twitter | @pourlifedecision on Instagram | pourlifedecision on Etsy | www.pourlifedecision.com | hello@pourlifedecision.com Drink recipe: https://www.oprahmag.com/life/food/a27892604/oprah-cocktail-recipe-maui-in-december/ Credits: open: @cristinaxih close: let me hold you - Bow Wow ft Omarion --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

In this episode, Billy Hunter, Principal Trumpet with the Metropolitan Opera, talks about how meditation transformed his approach to music-making – from practicing to preparing for audition, and performing. Billy elaborates on: How he used and still uses meditation and mindfulness to center himself before a performance How he focuses his mind on “Intending to play well” when performing How he believes in the importance of a regular meditation practice – in the cumulative effect of practicing meditation daily Why he wants to feel like he's practicing when he's performing How Bikram Yoga brought him a lot of focus How mindfulness helps him learn faster   ALL ABOUT BILLY: http://www.metorchestramusicians.org/billy-r-hunter-jr Instagram: https://www.instagram.com/billyhunter1812/   A native of Austin, Texas, Billy Hunter is currently Principal Trumpet with the Metropolitan Opera in New York and Assistant Principal Trumpet with the Grant Park Symphony Orchestra in Chicago. Before this, he was Principal with the New World Symphony and Spoleto Festival Italy orchestras, and has performed as Guest Principal with the Frankfurt Radio Symphony in Germany, Malaysian Philharmonic in Kuala Lumpur, and the Charleston Symphony Orchestra. Other orchestras he has performed with are the New York Philharmonic, Boston, Baltimore, and Dallas Symphonies. As a chamber musician and soloist Mr. Hunter has performed with several ensembles and music festivals including Grant Park Orchestra, New World Symphony, University of Texas Symphony and Wind Ensemble, Prometheus Chamber Orchestra, Eastern Music Festival Orchestra, American Brass Quintet, the Martha's Vineyard Chamber Music Festival and the MET Chamber Ensemble. His honors and awards include first prize in the Kingsville International Solo Competition Brass and Non-string divisions, second prize in the National Trumpet Competition, recipient of the Roger Voisin Trumpet award as a fellow of the prestigious Tanglewood Music Center in the Berkshires, and most recently, the University of Texas at Austin Outstanding Young Alumnus Award. A graduate of the University of Texas at Austin and the Juilliard School, his teachers have included Mark Gould (former Principal Trumpet of the Met), Raymond Mase  (Principal Trumpet of the NYC Ballet and ABQ), Raymond Crisara (former trumpet of the Met and NBC Symphony), and Harry Shapiro (former horn player of the Boston Symphony).   If you enjoyed the show, please leave a review on iTunes!  I truly appreciate your support! Visit www.mindoverfinger.com for information about past and future podcasts, and for more resources on mindful practice. Join the Mind Over Finger Tribe here!  https://www.facebook.com/groups/mindoverfingertribe/     THANK YOU: Most sincere thank you to composer Jim Stephenson who graciously provided the show's musical theme!  Concerto #1 for Trumpet and Chamber Orchestra – Movement 2: Allegro con Brio, performed by Jeffrey Work, trumpet, and the Lake Forest Symphony, conducted by Jim Stephenson. Also a HUGE thank you to my fantastic producer, Bella Kelly!   MIND OVER FINGER: www.mindoverfinger.com https://www.facebook.com/mindoverfinger/ https://www.instagram.com/mindoverfinger/    

This episode of Arts and (Space)Crafts: Kevin tells us all about his trip to Los Angeles, the boys celebrate their upcoming trip to Mars, and Jake gives an update on the NYC Ballet suspensions and James Whiteside's new song, "WTF".    NEW EPISODES WEEKLY!   Twitters- @TheAstrophys @gakejodek Email- Artsandspacecrafts1@gmail.com Art- Kerina McCarthy Music- Tribe Society     

Matthew holds many different titles: he is a doctor of Chinese medicine and acupuncture, a hypnotherapist, as well as a Strength Coach for the NYC Ballet. In addition to being an incredibly versatile and accomplished professional in the medical, rehabilitative, and performance realms, Matt is also a deep thinker. I am so honored that he gave his time to share his experiences and understanding of movement on this episode- we got to unpack so many fascinating connections to movement and how it creates shifts in our lives. A few stand-out moments of our conversation included; how the voice is a vessel to gauge a person’s sense of authenticity and comfort within themselves, the relative youth of the fitness and rehabilitation industries and the difficulties that these fields navigate as a result, the importance of relational experience in movement and rehabilitative practices, and finally, allowing the freedom for joy to come through in movement and in life. I loved every moment of this conversation and hope you all enjoy listening in to our musings and banter recorded here. To connect further with Matt and learn more his work, you can check out his website or find him on Instagram as listed below: www.matthewtolstoy.com @matttolstoy Be sure to share this episode with friends if you enjoyed listening, and of course please leave us a review if you liked what you heard!

"We all start somewhere." When Megan Fairchild started dancing at 4 years old, she didn't know she would become a principal dancer on the world-renown New York City Ballet. I had the pleasure of talking with Megan Fairchild today about her take on some of the key factors that affect human happiness. We talked about positive emotions like inspiration and hope, we discussed resilience and diversifying your friendships, she talked about how her practice of meditation transformed her life at critical moments. She described the transcendence of flow experience during a full-length ballet performance. She talked about the mind-body connection and how much that affects her happiness. Ultimately she talked about how her mission in life is to push herself outside of her comfort zone no matter your age or stage of life. I was deeply inspired by Megan and I hope you take the time to listen to this episode in its entirety! Find Megan's instagram here: https://www.instagram.com/mfairchild17/ Find Megan's podcast here: http://www.premierdancenetwork.com/ask-megan/ Follow her on Facebook: https://www.facebook.com/Megan-Fairchild-252582371454599/ Follow her on Twitter: https://twitter.com/FairchildMegan Megan's website: https://meganfairchild.com/ Join the More Happy Life school here: https://www.morehappylife.teachable.com Take my instagram course here: https://www.insta10k.teachable.com Get a free morning routine to boost positive emotions here: https://www.morehappylife.co/morning-routine-for-positive-emotion-boost/ --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/morehappylife/support

Welcome to another episode of Rush Hour: Detours! This is the second of a two-part episode dealing with the sexual harassment scandal at the New York City Ballet.  In this podcast, we sit down with Uma Balaji, friend of the pod and the person who first told us of the story, to discuss how the scandal relates to the MeToo movement before talking about the movement as a whole. Thank you for listening! Please subscribe and share this podcast! If you like our content, we'd really appreciate it if you could leave a rating and review on Apple Podcasts or iTunes!  We're learning as we go along, so hit us up @therushhourpod with feedback! Rush Hour: Detours is about helping people tell their stories in the rush that is the modern information cycle. So, if you have a story that you think is worth telling, contact us!  

Welcome to the first episode of Rush Hour: Detours! This is a new series where hosts Jason Zhang and Ibukun Babatunde explore topics and stories that get easily lost in the rush of the modern-day news cycle. This series won't be something that occurs regularly; we want to take our time and let stories come to us. However, regular episodes of Rush Hour will still be every Monday! This episode deals with the sexual harassment scandal at the New York City Ballet. In the first of two parts, Jason Zhang and Ibukun Babatunde interview Paige Young, ballerina at the Sarasota Ballet and friend of the pod, about her experiences in ballet and about ballet culture. We'd love to hear your feedback! We're learning as we go along, so hit us up @therushhourpod on Twitter! Thank you for listening! Please subscribe and share this podcast! We'd really appreciate if you could leave a rating and review on Apple Podcasts or iTunes!

Although they don't let you use apostrophe's in the title, if that's not the funniest title you've ever heard then -- well, you'll probably hate this podcast. I'll explain comedy to you later but today, Crazy Rich Asians, Woody Allen's latest pitfall, my mother with the same name as a demon girl and the big sex scandal at the New York City Ballet. I mean -- who knew? See acast.com/privacy for privacy and opt-out information.

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Chuy and Micah are back in the studio - but only briefly! - recapping two recent Hancher performances, Rodgers & Hammerstein’s The King & I and an evening of dance performed by NYC Ballet MOVES. Listen in to hear them discuss the value of revisiting classic works in contemporary contexts. Then stick around to hear author G. Willow Wilson's lecture, A Superhero for Generation Why, given at Hancher on Sunday, October 8. G. Willow Wilson is a superhero who employs her literary powers to address pressing issues including religious intolerance and gender politics. In fiction, nonfiction, and comics, the American convert to Islam has distinguished herself as a writer of remarkable originality and insight. In her lecture, Wilson uses the challenges Ms. Marvel—a Pakistani-American Muslim teenager—faces as a parallel for the challenges of a misunderstood generation: the millennials. She discusses the genesis of Ms. Marvel, her roots in the historical science fiction/fantasy tradition, and the significance of writing a superhero for a millennial (and wider) audience.

On this week's episode Josh and Lyndsay chat about an amazing new dance piece from Justin Peck and the NYC Ballet, the magic show In & Of Itself, and Hideaway's recent performance at the Future of Storytelling Festival. They also call up the hilarious Amy Saunders to talk about her career as a comedian and sword swallower as well as her new show in Las Vegas, The Miss Behave Game Show.

On this week's episode Josh and Lyndsay chat about an amazing new dance piece from Justin Peck and the NYC Ballet, the magic show In & Of Itself, and Hideaway's recent performance at the Future of Storytelling Festival. They also call up the hilarious Amy Saunders to talk about her career as a comedian and sword swallower as well as her new show in Las Vegas, The Miss Behave Game Show. If you enjoy today's episode, please rate us on iTunes and share the podcast with your friends. Have a great week! [13:10] Coming of age in London and the nightclub scene [17:03] Learning how to swallow swords (or rulers) [24:52] Amy set's world records on TV [30:48] Going to the Edinburgh Fringe Festival for the first time [33:33] Amy on doing street shows [39:31] The formation of La Clique (also known as La Soirree) [47:47] The story of Miss Behave Game Show and what it's all about!

Georgina Pazcoguin, now playing Victoriathe Cat in Andrew Lloyd Webber's iconic musical CATS joins host Robin Milling. For the sake of familiarity, Gina met Robin for an informal chat in Central Park with her adorable black Labs in tow, Jett and Marco, to talk about her turn as the white cat. Gina tells Robin walking in the park is essential for her to wind down on her days off from her hectic Broadway schedule; doing eight shows a week. A day in the life of CATS for Gina begins with ballet class where she puts on her pointe shoes so she can keep herself in shape for the vigorous Andy Blankenbuehler dance work-out followed by acupuncture and physical therapy. On hiatus as a soloist for The New York City Ballet, she had to learn how to apply her own Victoria make-up which proved to be a learning curve for the self-described “rogue ballerina.” While still working with NYC Ballet, she practiced in her dressing room psyching herself up with songs like Cat Scratch Fever and What's New cat. Cat themes are all the rage backstage at the Neil Simon Theater where becoming a cat entailed studying videos and channeling your inner feline nature. Gina tells Robin she modelled Victoria after a close friend's cat named Emma, “she is this beautiful white-gray cat who is kind of like a dog. She come when you call. She is a little shy. And kind of my inspiration for Victoria.” Listen here for more behind-the-scenes stories including “owning her body in a white unitard” and a very special opening night gift Gina gave her CATS cast mates. Visit Georgina on Facebook: https://m.facebook.com/public/Georgina-Pazcoguin  

Ellen Bar attended the School of American Ballet for eight years before she was asked to join the New York City Ballet as a corps member in 1998 and promoted to Soloist in 2006.  In 2005, Ellen danced in the stage revival of Jerome Robbins’ NY Export: Opus Jazz, during which she and fellow soloist Sean Suozzi developed the idea to re-imagine the ballet for film, shot on location in present-day New York City.    Together, they developed and produced the feature-length 35mm film adaptation NY EXPORT: OPUS JAZZ and the accompanying documentary A BALLET IN SNEAKERS, which premiered at South by Southwest 2010, where it won an Audience Award, and aired on PBS’ Great Performances.    In 2011, Ellen retired from dancing and is now the Director of Media Projects for New York City Ballet, where she develops, produces and directs film and video content for the company.   Most recently Ellen produced her first feature length documentary, BALLET 422, directed by Jody Lee Lipes (and now her husband) and featuring NYC Ballet. BALLET 422 premiered in competition at the 2014 Tribeca Film Festival and has been acquired by Magnolia Pictures.   

Ellen Bar attended the School of American Ballet for eight years before she was asked to join the New York City Ballet as a corps member in 1998 and promoted to Soloist in 2006.  In 2005, Ellen danced in the stage revival of Jerome Robbins’ NY Export: Opus Jazz, during which she and fellow soloist Sean Suozzi developed the idea to re-imagine the ballet for film, shot on location in present-day New York City.     Together, they developed and produced the feature-length 35mm film adaptation NY EXPORT: OPUS JAZZ and the accompanying documentary A BALLET IN SNEAKERS, which premiered at South by Southwest 2010, where it won an Audience Award, and aired on PBS’ Great Performances.     In 2011, Ellen retired from dancing and is now the Director of Media Projects for New York City Ballet, where she develops, produces and directs film and video content for the company.   Most recently Ellen produced her first feature length documentary, BALLET 422, directed by Jody Lee Lipes (and now her husband) and featuring NYC Ballet. BALLET 422 premiered in competition at the 2014 Tribeca Film Festival and has been acquired by Magnolia Pictures.   

Join Dr. Karen Kan as she interviews Marie McMahon, PTA, LMT, an energy healing professional who uses dowsing to energetically evalute people's homes in order to determine if there are any enery vortexes present that may be affecting their health and wellbeing. In this show Marie explains how she helps her clients by healing their home energetic space. Marie entered the field of healing through Physical Therapy in 1988.  By 2005, she expanded her education to include a certification in Massage Therapy.  Through years of hand's on experience with her clients, Marie has learned to integrate her keen intuition and listening with a tool belt full of advanced and practical skills for both the physical and emotional bodies.  Her philosophy is to assist clients in regaining one's full potential by working WITH their inner wisdom.   Marie's in depth holistic experience combined with her love of teaching is a gift to those desiring to learn more about their bodies and overall health and wellness. Specialties include correcting painful postural misalignments secondary to muscle imbalances, orthopedic injuries, head injuries, chronic pain and conditions due to overuse, illness and emotional tensions.  Marie has worked with the US Bobsled team, Italian Skeleton team, Russian World Cup Luger, members of the NYC Ballet and accomplished musicians at Meadowmount Music School as well as  and countless amateur athletes.  She, in conjunction with Dr. Karen Kan, Acupuncturist, has created the ADK Healing Circle which is comprised of healers from multiple disciplines who assist people on their journey of healing.  Marie's private practice is located in Keene NY.

Our guests will be Herbie Berger, L.Ac. Herbie Berger, L.Ac., practices in New York City, & has a fascinating history in treating high profile athletes with microcurrent, including the National Football League (NFL), the National Basketball Association (NBA), & Major League Basball (MLB).Some of his career highlighsts include in 1982, traveling & treating the 49ers Football team the year Joe Montana won the Superbowl.In 1982-1984, he trained the San Fransisco Giants Baseball team staff in Micocurrent use. In 1984, Herbie was a member of the US Olympic Medical Staff, Summer Games in Los Angeles. In 1985-1987, he was Staff-Acupuncturist to the New York Knicks (NBA). 2003-2005, Herbie served the Microcurrent needs of the Miami City Ballet. In 2007, he provided relief to the performers of the world reknowned Cirque de Soleil. 1995-Present, he has been with the NYC Ballet. And also, he currently is with the New Orleans Hornets (NBA), providing their players relief with the benefits of Acupuncture & Microcurrent therapy.Simply put, he is the Acupuncturist to the Modern day gladiator, treating professional athletes in baseball, football, basketball, & even world-class circus perfomers & ballet performers.We are delighted to have Herbie Berger, L.Ac. on Panacea Quest to discuss microcurrent therapy.

Our guests will be Herbie Berger, L.Ac. Herbie Berger, L.Ac., practices in New York City, & has a fascinating history in treating high profile athletes with microcurrent, including the National Football League (NFL), the National Basketball Association (NBA), & Major League Basball (MLB).Some of his career highlighsts include in 1982, traveling & treating the 49ers Football team the year Joe Montana won the Superbowl.In 1982-1984, he trained the San Fransisco Giants Baseball team staff in Micocurrent use. In 1984, Herbie was a member of the US Olympic Medical Staff, Summer Games in Los Angeles. In 1985-1987, he was Staff-Acupuncturist to the New York Knicks (NBA). 2003-2005, Herbie served the Microcurrent needs of the Miami City Ballet. In 2007, he provided relief to the performers of the world reknowned Cirque de Soleil. 1995-Present, he has been with the NYC Ballet. And also, he currently is with the New Orleans Hornets (NBA), providing their players relief with the benefits of Acupuncture & Microcurrent therapy.Simply put, he is the Acupuncturist to the Modern day gladiator, treating professional athletes in baseball, football, basketball, & even world-class circus perfomers & ballet performers.We are delighted to have Herbie Berger, L.Ac. on Panacea Quest to discuss microcurrent therapy.

Violette Verdy was the Principal Dancer with the NYC Ballet for 20 years. In 2009, French President M. Nicolas Sarkozy knighted Verdy for her work in ballet.