Podcasts about libeskind

Une équipe d'astrophysiciens a caractérisé l'asymétrie du système d'Andromède et a testé sa concordance avec les prévisions du modèle standard. Toutes les 37 galaxies satellites d'Andromède, sauf une, sont situées à moins de 107° de notre Galaxie vu depuis le centre d'Andromède. Or, dans les simulations cosmologiques fondées sur le modèle standard, moins de 0,3 % des systèmes similaires à Andromède présentent une asymétrie comparable. Conjointement avec son plan de galaxies satellites, cela montre que le système d'Andromède paraît aberrant dans le paradigme cosmologique standard, et ça remet encore plus en question notre compréhension de la formation des structures à petite échelle. L'étude est parue dans Nature Astronomy. Source Andromeda's asymmetric satellite system as a challenge to cold dark matter cosmologyKanehisa, K.J., Pawlowski, M.S. et N. Libeskind.Nature Astronomy (11 april 2025).https://doi.org/10.1038/s41550-025-02480-3 Illustration Vue latérale de la distribution asymétrique des satellites d'Andromède.

Rachel Libeskind talks about her exhibition "The Golden Record" at The Jule Museum at Auburn University, on view from August 6-December 7, 2024: https://jcsm.auburn.edu/exhibitions/rachel-libeskind-the-golden-record/

Schulz, Benedikt www.deutschlandfunk.de, Tag für Tag

This episode explores budgetary considerations, mental health impacts, and the balance between design and budget in architecture. It delves into the romanticism vs. functionality debate, architecture's connection to nature, technology's influence, community impact, modern challenges, and redesigning office spaces post-COVID.

An international figure in architecture and urban design, the architect Daniel Libeskind is renowned for his ability to evoke cultural memory and is informed by a deep commitment to music, philosophy, and literature. Mr. Libeskind aims to create architecture that is resonant, original, and sustainable. Born in Lód'z, Poland, in 1946, Mr. Libeskind immigrated to the United States as a teenager and with his family, settled in the Bronx. After studying music in New York and Israel on an American-Israel Cultural Foundation Scholarship, he developed into a musical virtuoso, before eventually leaving music to study architecture. He received his professional degree in architecture from the Cooper Union for the Advancement of Science and Art in 1970 and a postgraduate degree in the history and theory of architecture from the School of Comparative Studies at Essex University in England in 1972. Daniel Libeskind established his architectural studio in Berlin, Germany, in 1989 after winning the competition to build the Jewish Museum in Berlin. In February 2003, Studio Libeskind moved its headquarters from Berlin to New York City when Daniel Libeskind was selected as the master planner for the World Trade Center redevelopment. Daniel Libeskind's practice is involved in designing and realizing a diverse array of urban, cultural and commercial projects internationally. The Studio has completed buildings that range from museums and concert halls to convention centers, university buildings, hotels, shopping centers and residential towers. As Principal Design Architect for Studio Libeskind, Mr. Libeskind speaks widely on the art of architecture in universities and professional summits. His architecture and ideas have been the subject of many articles and exhibitions, influencing the field of architecture and the development of cities and culture. His new book Edge of Order, detailing his creative process, was published in 2018. Mr. Libeskind lives in New York City with his wife and business partner, Nina Libeskind. The Studio Libeskind office headquarters are in New York City. On this episode, Mr. Libeskind reveals his one way ticket destination to the Garden of Eden before there was a Tree of Knowledge and before Adam gave the apple to Eve. He shares why, what he would do there, whom he would take there, whom he would take with him, and what if anything he would want to build in this perfect state of nature. In the conversation, Mr. Libeskind also reflects on the role of an architect and the social responsibility he has. Plus, he showcases some of his completed work including his affordable housing projects in NYC, Maggie's Center at the Royal Free Hospital in London, and the Dresden Museum of Military History. He also shares projects now underway (he's working in 14 different countries at the moment!) such as the Einstein House at Hebrew University in Jerusalem, the Tree of Life Synagogue in Pittsburgh, a museum in the Atacama Desert in Chile and more. Additionally, we covered what he thinks about each time he walks through Ground Zero (for which he created the master plan). And as a one-time virtuoso, Mr. Libeskind highlights what role music has played in his life and how music and architecture both rely on precision. 

Dr Barbara Arciszewska (Instytut Historii Sztuki UW) wykład na temat architektury wywyższenia przedstawiła w ramach wykładów czwartkowych towarzyszących wystawie „Wywyższeni. Od faraona do Lady Gagi”. Muzeum Narodowe w Warszawie, 20 września 2012 r. [1h47min] https://wszechnica.org.pl/wyklad/architektura-wywyzszenia-od-piramid-do-libeskinda/ Architektura to podstawowe narzędzie wywyższenia. Samo słowo „wywyższenie” świadczy o hierarchii – ten kto jest wyżej jest uprzywilejowany, ten kto jest niżej jest zdominowany. Do dziś zadaniem architektury jest obrazowanie tych relacji. Wysokie góry, tereny wyniesione, budowle już od najdawniejszych czasów przeznaczone były dla bóstw i stanowiły miejsca kultu. Stanowiły łącznik między tym co ludzkie a boskie. Ludzie chcący tych bóstw sięgnąć, skazani byli na klęskę (o czym świadczy niepowodzenie w budowaniu wieży Babel). Każda kultura wykreowała swoją architekturę wywyższenia. Dr Barbara Arciszewska skupiła się na architekturze europejskiej, biorąc pod uwagę kryteria przestrzenne, skalę, wysokość, monumentalizm obiektów sakralnych, rządowych, królewskich . Cechy tych budowli miały przypominać podwładnym o wielkości i stabilności rządzących. Szczególną funkcję spełniały wieże, bardzo popularne w średniowieczu w miastach włoskich. W tym przypadku im wyżej, tym lepiej. Kilka średniowiecznych wież zachowało się w Bolonii do czasów współczesnych. Najpierw spełniały funkcje obronne, potem stały się symbolem władzy miejskiej (także w miastach polskich) oraz … konkurencji między władzą kościelną i świecką. Ale nie tylko monumentalna architektura niosła ze sobą elitarne konotacje. Architektura zna przykłady budowli, które były symbolem ekskluzywności i wywyższenia ze względu na swoją niewielką skalę np. wille czy pawilony ogrodowe. Architektura wywyższenia to również hierarchizacja przestrzeni i bariery, budujące społeczne zróżnicowanie. Szczególnie widoczny przykład hierarchizacji przestrzeni stanowi Wersal zbudowany przez Ludwika XIV. Nowożytne apartamenty i biurowce to pozorne przeciwieństwo przestrzeni schierarchizowanej. Biurowce korporacji budowane ze szkła, na tzw. open planie dają poczucie równouprawnienia wszystkich przebywających osób. W rzeczywistości jednak osoby decyzyjne nie pracują w pomieszczeniach zbiorowych, ale w prywatnych gabinetach, które nie są eksponowane i widoczne. Portyk, łuki triumfalne, serliany, kopuły to elementy architektury również świadczące o statusie. Ważne były i są nadal materiały budowlane: w dawnych czasach niezwykle ekskluzywnym budulcem było szkło (które do dziś jest symbolem ekskluzywności) i lustra. Obecnie ich funkcję przejęły tytan, transparentny beton i inne. Duże znaczenie ma „marka” danego obiektu, czyli nazwisko budowniczego. Budynki w stolicach państw projektują światowej sławy architekci. Przykład może stanowić budowany w centrum Warszawy luksusowy apartamentowiec Złota 44, zaprojektowany przez Daniela Libeskinda, który jest również współtwórcą projektu zagospodarowania Ground Zero po World Trade Center w Nowym Jorku. *** Cykl wykładów czwartkowych „Wywyższeni. Od faraona do Lady Gagi” towarzyszył wystawie dostępnej w Muzeum Narodowym w Warszawie. Wystawa otwarta była od maja do 23 września 2012 r. Poświęcona była mechanizmom i ikonografii władzy. Jej celem było ukazanie wszechobecności hierarchii od starożytności po współczesność. Znajdź nas: https://www.youtube.com/c/WszechnicaFWW/ https://www.facebook.com/WszechnicaFWW1/ https://anchor.fm/wszechnicaorgpl---historia https://anchor.fm/wszechnica-fww-nauka https://wszechnica.org.pl/ #muzeumnarodowe #architektura #piramidy #Libeskind

Sarah speaks with Annette Libeskind Berkovits about her historical fiction novel, The Corset Maker: "A Parisian Count, a Moroccan arms smuggler, and an orphaned Spanish boy test the convictions and tug at the heart of Rifka Berg, a young Jewish corsetiere from Warsaw. The Corset Maker follows the enthralling life of Rifka Berg leading up to, during, and after WWII. Born into a pious Orthodox family, Rifka yearns to read forbidden literature and to explore the world beyond the confines of her small community. Her wishes come true, albeit harrowingly, when the tumultuous events of the 20th century take her on a journey for survival. Faced with life and death situations, Rifka must take immense risks. What decisions will she make? Or will circumstances choose for her? The Corset Maker is written in honor of the author's mother and her close friends, all women of immense courage and integrity. Rifka's personal struggles and dilemmas go to the heart of the major ethical issues and challenges of our times." If you enjoyed this episode, follow and subscribe to the show: you can find us on iTunes or on any app that carries podcasts as well as on YouTube. Please remember to subscribe and give us a nice review. This way you will always be among the first to get the latest GSMC Book Review Podcasts. We would like to thank our Sponsor: GSMC Podcast Network Advertise with US: https://gsmcpodcast.com/advertise-with-us Website: https://gsmcpodcast.com/gsmc-book-review-podcast Apple Podcasts: https://itunes.apple.com/…/gsmc-book-review-po…/id1123769087 GSMC YouTube Channel: https://www.youtube.com/watch?v=N-EKO3toL1A Twitter: https://twitter.com/GSMC_BookReview Facebook: https://www.facebook.com/GSMCBookReview/ Instagram: https://www.instagram.com/gsmcbookreview Disclaimer: The views expressed on the GSMC Book Review Podcast are for entertainment purposes only. Reproduction, copying, or redistribution of The GSMC Book Review Podcast without the express written consent of Golden State Media Concepts LLC is prohibited.

Every now and then I uncork a story that just won't leave me and Annette Libeskind Berkovits' story is exactly one of those. While this is a story about a person growing up in the shadow of the Holocaust, I want to be clear, as does Annette, that this is not a tragedy. In fact, it is a story about overcoming trauma and learning how to adapt when the winds of change are blowing in your face. In our rich and emotional conversation centered around her latest memoir, Aftermath: Coming-of-Age on Three Continents, Annette and I cover: Why, when growing up in post-war Poland, Annette felt she did not see in color, only black and white. How she felt when moving to the fledgling state of Israel, the challenges of learning a new language, Hebrew, and how she began seeing in color during this time. The heartbreak she felt when her father left Israel for America. How Annette adjusted to life in America after settling in the Bronx, all the while not knowing the language with her only frame of reference of the United States being the propaganda the Soviets taught her about America when she was in Poland. Why learning from the past is important and how it does not have to define what the future holds for us. “My father populated my entire childhood with people who were murdered, not just his family, but also his friends and his teachers and and I just feel a responsibility to pass it on. And recently, my daughter wrote a story about the impact of anti-semitism that she just had published in the Jewish Writing Project. So that history, as you say, gets passed down the generations, and when it doesn't it's a real problem.” — Annette Libeskind Berkovits Annette's story is really one of overcoming hardship, adversity, and the trauma of the past. I know you will be inspired by our conversation and ask that you take the time to listen to this in its entirety. Buy: Aftermath: Coming-of-Age on Three Continents Amazon: https://amzn.to/3qFBVRX Bookshop.org: https://bookshop.org/a/54587/9789493276390 Connect with Annette Website: https://annetteberkovits.com Amazon Author Page: https://amzn.to/3eUZmEh Facebook:https://m.facebook.com/profile.php?id=100013598386903 Connect with Mike Website: https://uncorkingastory.com/ Youtube: https://www.youtube.com/channel/UCSvS4fuG3L1JMZeOyHvfk_g Instagram: https://www.instagram.com/uncorkingastory/ Twitter: https://twitter.com/uncorkingastory Facebook: https://www.facebook.com/uncorkingastory LinkedIn: https://www.linkedin.com/company/uncorking-a-story/ If you like this episode, please share it with a friend. If you have not done so already, please rate and review Uncorking a Story on Apple Podcasts, or wherever you get your podcasts.

This episode of Big Blend Radio features acclaimed author Annette Libeskind Berkovits who returns to the show to discuss her new memoir that shares the story of her nomadic childhood in the aftermath of the Holocaust. The memoir is called “Aftermath: Coming of Age on Three Continents” and it comes out on September 13, 2022 through Amsterdam Publishers, one of the world's largest publishers of Holocaust memoirs. “Aftermath” traces Annette's nomadic childhood in the wake of World War Two. Traversing four countries across three continents, young Annette senses that her family is different from others but she's too young to understand her parents' wartime trauma. She must find inner resources to deal with the onset of teenage angst, as well as linguistic and cultural challenges. https://annetteberkovits.com/

This episode of Big Blend Radio features acclaimed author Annette Libeskind Berkovits who returns to the show to discuss her new memoir that shares the story of her nomadic childhood in the aftermath of the Holocaust. The memoir is called “Aftermath: Coming of Age on Three Continents” and it comes out on September 13, 2022 through Amsterdam Publishers, one of the world's largest publishers of Holocaust memoirs. “Aftermath” traces Annette's nomadic childhood in the wake of World War Two. Traversing four countries across three continents, young Annette senses that her family is different from others but she's too young to understand her parents' wartime trauma. She must find inner resources to deal with the onset of teenage angst, as well as linguistic and cultural challenges. https://annetteberkovits.com/

This episode of Big Blend Radio features acclaimed author Annette Libeskind Berkovits who returns to the show to discuss her new memoir that shares the story of her nomadic childhood in the aftermath of the Holocaust. The memoir is called “Aftermath: Coming of Age on Three Continents” and it comes out on September 13, 2022 through Amsterdam Publishers, one of the world's largest publishers of Holocaust memoirs. “Aftermath” traces Annette's nomadic childhood in the wake of World War Two. Traversing four countries across three continents, young Annette senses that her family is different from others but she's too young to understand her parents' wartime trauma. She must find inner resources to deal with the onset of teenage angst, as well as linguistic and cultural challenges. https://annetteberkovits.com/

Eyes on the Prize - sometimes easier said than done.  We discover that is what is behind the success at Studio Libeskind when we chat with Neil Cook.  What's in a relationship, and how does it contribute to the success of the end goal as well as the journey that takes you there? Our Topeka, KS senior specifier Chris Ricke, had the pleasure of working on a Studio Libeskind project with architect Neil Cook.  Chris noticed something unique in the how they work with the entire project team during each phase.  Here is a hint: consult the contractor BEFORE drawings are complete!  Let them influence design decisions.  Neil takes a deep dive into their practices that encourages "Eyes on the prize" for ultimate success.  

Viaggetto a Milano e visita delle architetture contemporanee. Milano è sicuramente la città che più ha investito sull'architettura contemporanea infatti hanno lavorato architetti di fama internazionali tra cui Zaha Hadid, Libeskind, Isozaki, Cucinella, Piano, Herzog & de Meuron, Boeri, SAANA, De Lucchi, Foster e tanti altri! Se ti interessa l'episodio sul City Life con i tre grattacieli LINK all'episodio Se ti interessano le mie considerazioni e critiche rispetto al Bosco verticale di Boeri LINK all'episodio

Annette Libeskind Berkovits visited with "The Shmooze" to talk about her latest book, "The Corset Maker." The novel tells the story of a Parisian count, a Moroccan arms smuggler, and an orphaned Spanish boy who test the convictions and tug at the heart of Rifka Berg, a young Jewish corsetiere from Warsaw. "The Corset Maker" is inspired by Annette Libeskind Berkovits' mother and her close friends, all women of immense courage and integrity. Rifka's personal struggles and dilemmas go to the heart of the major ethical issues and challenges of our times. Episode 325 April 10, 2022 Amherst, MA

Author of two acclaimed memoirs, Annette Libeskind Berkovits, joins us to discuss her debut novel, The Corset Maker. The story follows the life of 12-year old Rifka Berg and tells of her extraordinary journey beginning in pre-World War II Poland, then to Palestine, through the Spanish Civil War, and finally to post-war Paris, all the Read More

Host Cyrus Webb welcomes author Annette Libeskind Berkovits to #ConversationsLIVE to discuss her new book THE CORSET MAKER and what she hopes readers take away from it. 

Imageplus gegen Geld - so funktioniert Sponsoring. Eigentlich ein normaler Vorgang. Den Grünen im Düsseldorfer Stadtrat gefällt aber gar nicht, wer demnächst Handball, Basketball und Trendsportarten in Düsseldorf unterstützt: der Rüstungskonzern Rheinmetall.

Daniel Libeskind nasce a Lodz, in Polonia, nel 1943. Di origini ebraiche e figlio di sopravvissuti all'Olocausto, è considerato uno dei più importanti esponenti contemporanei dell'architettura decostruttivista. A lui si devono il fortunato Museo Ebraico di Berlino e numerosissimi altri musei tematici. Tra le altre opere celebri, il progetto del One World Trade Center e City Life a Milano.

Our special guest, Rachel Libeskind, joins us to discuss her new exhibition at New Release, growing up in Berlin and New York, ball sizes, brises, ghost spirits, and more. We also roll out the beige carpet and break down some lows and more lows of this year's Met Gala.

The one and only English spoken, daily news podcast discussing the latest business headlines and stories from Central and Eastern Europe Sources: Headlines from PolandIn, Eurobuild, WBJ, TheFirstNews, Slovak Spectator, BudapestBusiness Journal, Baltic News, UBN, Emerging Europe, Romania Insider, Radio Prague, Croatia Week, Bealrus.by, Daily News Hungary, SeeNews, Total Slovenia New, Novinite

Versione audio: Il Decostruttivismo è un movimento architettonico internazionale che propone architetture prive di piani e di assi di simmetria ma soprattutto prive di quegli elementi architettonici e strutturali che da sempre sono considerati parti irrinunciabili di ogni edificio. Le opere decostruttiviste sono infatti caratterizzate da forme decomposte e disarticolate, da volumi tagliati e deformati […] L'articolo Il Museo Ebraico a Berlino di Libeskind proviene da Arte Svelata.

On this episode of Big Blend Radio's Champagne Sundays Show, Annette Libeskind Berkovits discusses her autobiographical poetry book “Erythra Thalassa - Brain Disrupted”. Her evocative poems capture a world shattered by stroke and the hope that remains via a powerful image of the Red Sea. More: https://annetteberkovits.com

Elayne DeLeo spoke to Carla Swickerath, Partner at Studio Libeskind about the rewards of working closely with government, 9/11 families and businesses on Libeskind's World Trade Center Master Plan, how COVID-19 has laid bare the inequities of our communities and the importance of having designers contribute to big solutions, and some advice for architecture grads coming into an uncertain future. www.libeskind.com

עמית אירחה את לירון ליבסקינד מנהל תחום פרוייקטי טרנספורמציה במטה ישראל דיגטלית במשרד הדיגיטל ובעברו מנהל מוצר ויזם. דיברנו על טרנספורמציה דיגיטלית, מה זה בעצם, על האתגרים והיתרונות במגזר הציבורי אל מול המגזר הפרטי, דיברנו על הכלים הנדרשים כדי לעשות תהליך שכזה ודיברנו על איך רותמים את הארגון לקראת מהלך כזה. ___
 מגישה בפרק: עמית זאבי 
עריכת סאונד והלחנה: מיכאל ינטיס

Happy Monday, Let's Talk Sales listeners! This episode's featured guest is Lev Libeskind. Lev Libeskind is the head of Studio Libeskind Design. Architecture is a huge part of his family heritage originating with his father, renowned architect, Daniel Libeskind. Interview with Lev Libeskind In today's episode, I talk to Lev about creativity in business. And, […] The post Creativity with Lev Libeskind appeared first on Criteria For Success.

Studio Libeskind Partner, Carla Swickerath, sits down to discuss the development of the World Trade Center Master Plan, her time at the University of Michigan, and how she became Partner at Studio Libeskind

Coffee Sketch Podcast is our take on the intersection of old tech and new tech. The space between the traditional practice of the hand-drawn sketch that has been performed by architects and designers for centuries AND the modern day use of the #hashtag as a representation of sentiment or a movement! Each week will plan to deliver a new pod about our ideas, sketches, and what’s going in our daily lives as we pursue our love of architecture, design, and sharing this knowledge with the next generation. Podcast 008 Sketches from Jan 27-February 2, 2019 Theme: Sports and architectureKurt picked three sketches Montreal Expos stadium cool design Roger Taillibert Stadiums palaces to sportingOlympic architecture the Big OLibeskind in Ottawa -- Jamie met Libeskind once!#travelsketch core tools!Thank you for listening we both hope that you enjoyed this episode of Coffee Sketch Podcast. Our Theme music is provided by my brother who goes by @c_0ldfashioned on Instagram. Our podcast is hosted at coffeesketchpodcast.com find more show notes and information from this episode. Follow us @coffeesketch on Twitter. And finally, if you like what you heard please rate us on iTunes and share us with your friends! Thank you!Sketch 1 - Ottawa Holocaust MemorialSketch 2 - The Big OSketch 3 - Hotel Ella

Coffee Sketch Podcast is our take on the intersection of old tech and new tech. The space between the traditional practice of the hand-drawn sketch that has been performed by architects and designers for centuries AND the modern day use of the #hashtag as a representation of sentiment or a movement!Each week will plan to deliver a new pod about our ideas, sketches, and what’s going in our daily lives as we pursue our love of architecture, design, and sharing this knowledge with the next generation. Podcast 005 Sketches from Jan 13-19 2019 Theme: Chapel SketchesIs that the Ando designed museum in Fort Worth? From Montreal to Ando?Chapels are contemplative, small, but intricate structures, so is Ando!#daily meditationThank you for listening we both hope that you enjoyed this episode of Coffee Sketch Podcast. Our Theme music is provided by my brother who goes by @c_0ldfashioned on Instagram. Our podcast is hosted at coffeesketchpodcast.com find more show notes and information from this episode. Follow us @coffeesketch on Twitter. And finally, if you like what you heard please rate us on iTunes and share us with your friends! Thank you!

New York City architects Abby Suckle and William Singer are the authors of Cocktails and Conversations: Dialogues in Architectural Design.  AIA New York’s Center for Architecture has a great Friday night format:  invite people to to hear a famous architect paired with a master bartender who creates a custom cocktail to share with a thirsty audience.  Architects have included David Adjaye, Jeanne Gang, Peter Gluck, Frank Harmon, Tom Kundig, Daniel Libeskind, Eric Owen Moss, Billie Tsien, and Tod Williams, among many others. Host George Smart spoke with Abby and William at the Long Island Bar, 110 Atlantic Avenue, in Brooklyn. Joining them were David Moo and Toby Cecchini (inventor of the Cosmopolitan!), master bartenders behind all the cocktail creations.   About a month later, George and co-host Tom Guild met Australian Phillip Jones, the Martini Whisperer, poolside at the swanky Hotel Skylark in Palm Springs. For over a dozen years Jones worked as a fine dining manager and ran restaurants and events companies around the world.  Then he created a website for lovers of Martinis, craft spirits and cocktail culture with an Australian point of view.  In 2015 he gave the first ever TED talk on the Martini. And as he was leaving the Eau du Vie bar in Melbourne one fateful night, a lovely gang of actresses approached ....

Sven und Cornelis erkunden das neue Zentralgebäude der Universität Lüneburg, entworfen von Daniel Libeskind. Nach überzogenen Baukosten und -zeit fragen sich die beiden, ob dabei ein funktionales oder nur ein schönes Gebäude entstanden ist und finden auf dem Weg zufällig noch ein anderes modernes zentrales Gebäude, das zum Vergleichen einlädt.

Sven und Cornelis erkunden das neue Zentralgebäude der Universität Lüneburg, entworfen von Daniel Libeskind. Nach überzogenen Baukosten und -zeit fragen sich die beiden, ob dabei ein funktionales oder nur ein schönes Gebäude entstanden ist und finden auf dem Weg zufällig noch ein anderes modernes zentrales Gebäude, das zum Vergleichen einlädt.

Daniel Libeskind, a former academic turned architect and urban designer, discusses his unorthodox career path and repeat success at high-profile, emotionally charged projects. He also talks about his unusual creative process and shares tips for collaborating and managing emotions and expectations of multiple stakeholders. Libeskind was interviewed for the July-August 2018 issue of Harvard Business Review.

In this lecture, architect Daniel Libeskind shares his creative process and thinking for many of his most prominent buildings including the Jewish Museum Berlin and the Military History Museum in Dresden. Daniel Libeskind is an international figure in architecture and urban design. His practice extends from building major cultural and commercial institutions to private homes and object design. Best known for designing iconic buildings such as the Jewish Museum in Berlin and the Imperial War Museum North, Libeskind is also the master-plan designer for the World Trade Center site in New York City. Libeskind's work is deeply connected to memory. In this lecture, which launches the Monumental strand of the Post-War Seminar Series, Libeskind shares his creative process and thinking for many of his most prominent buildings including the Jewish Museum Berlin, Military History Museum in Dresden as well as recent Holocaust memorials in Canada and the Netherlands.

https://entrearchitect.com/wp-content/uploads/2017/10/EntreArchitectLive101117preview.jpeg ()EntreArchitect Live with Alex Gore of F9 Productions This week, Mark held his first live interview using Facebook live. Alex Gore from http://www.f9productions.com (F9 Productions) discussed his work with Daniel Libeskind, his firm in Longmont, Colorado, his podcast, http://Insidethefirmpodcast.com (Inside The Firm), sharing the behind-the-scenes with his partner, Lance Cayko, and his book http://amzn.to/2gRcHMY (The Creativity Code). This week on EntreArchitect Podcast, EntreArchitect Live with Alex Gore of http://www.f9productions.com (F9 Productions). Background Alex Gore grew up drawing wars of ants verses bees, playing backyard baseball, and being obsessed with Frank Lloyd Wright. After high school, he joined the national guard as a heavy equipment operator. There, he attended North Dakota State University and received a masters in architecture and construction management. He then worked under the world-famous architect Daniel Libeskind, teamed up with his best friend from college Lance Cayko to start F9 Productions. He’s the cohost of http://www.insidethefirmpodcast.com (Inside the Firm Podcast) and the author of http://amzn.to/2gRcHMY (The Creativity Code). How did you get to work for Daniel Libeskind? Going into Denver, Alex lined up several different interviews when he had a trip planned to be in town. He was back and forth with Libeskind, and was offered an internship first. Though he turned that down, he eventually was offered a full-time position. Did you carry any thoughts over from Libeskind to F9 Productions? Daniel Libeskind always did crazy fun projects, so Alex and Lance have tried to keep doing one fun project a year. They http://www.atlastinyhouse.com (built a tiny house) that was sustainable and cooler looking than traditional tiny houses. The goal was to make a commitment to do something cool every year. What are your thoughts on interning for a star firm? All of us interns worked a ton and were paid an hourly rate. At F9 Productions, interns are paid. When you’re sacrificing your time and energy in a studio culture environment, you have a lot to learn by doing that if that’s what you want to do. For F9 Productions, interns are just colleagues and designers who they work side by side with. How did F9 Productions start? When Alex got laid off by Libeskind, he called Lance and they made some plans. Eventually, Lance got laid off as well and Alex decided to move to Colorado and figure out how to work together. They worked as a tw0-man shop for a few years until they had consistent business in 2013-2014. Now, they have about ten people and even that feels stretched at times. The structure is a two-headed beast. They each have people who mainly work for one of them or the other, and in times of big projects they can pull from the other’s side. Depending on the project, they tend to hand off projects that are a better fit for the other person’s skills. Where did the name for F9 Productions come from? In college, Alex and Lance didn’t know if they really liked each other. When they finally realized each other had some useful skills, they worked closely together. They were on their computers all the time, and F9 was the key to render. They would tease their classmates who wanted to go home at the end of the day by saying, “Go ahead! Just hit F9 and the computer will do the work while you get some rest.” It’s progressed that their different companies now are set up following suit: F10, F11, F12 and F14. Are you going to sell your development units individually? We couldn’t separate the parcels, so they’ll be condos with an HOA. We’ll sell 6 on one side as units, and there’s still talk of renting the two on the other side. Do you think every architect should do development? Alex thinks the majority of...

WBZ's Laurie Kirby speaks with Annette Libeskind Berkovits, a pioneer for women working in wildlife conservation.

An international figure in architecture Daniel Libeskind is renowned for his ability to evoke cultural memory in buildings.Born in Poland in 1946, Libeskind emigrated to the United States as a teenager and performed as a musical virtuoso, before eventually leaving music to study architecture. He began his career as an architectural theorist and professor, holding positions at various institutions around the world. In 1989, he won the international competition to build the Jewish Museum in Berlin. A series of influential museum commissions followed, including Imperial War Museum North, Manchester; Denver Art Museum; Contemporary Jewish Museum, San Francisco; Royal Ontario Museum; and the Military History Museum, Dresden. In 2003, Studio Libeskind won another historic competition-to create a master plan for the rebuilding of the World Trade Center in Lower Manhattan.In this extended interview, Daniel Libeskind gives John Wilson insights into his design process and the sometimes surprising artistic inspirations behind his buildings.Presenter: John Wilson Producer: Edwina PItman

On this, the 15th anniversary of 9/11, Michael Berkeley's guest is Daniel Libeskind, a world-renowned architect, known for concert halls, opera sets, museums, hotels and universities. In 2003 Libeskind won an international competition to produce an overarching vision for buildings which would stand on the site of the Twin Towers. That vision is now almost complete, and includes a memorial to those who were killed in the attacks. He's called his plan "a site of memory, a healing of New York". Daniel Libeskind had already made his reputation with buildings that symbolised and preserved tragic histories, such as the Jewish Museum in Berlin, and the German Military Museum in Dresden. In Private Passions, he talks to Michael Berkeley about the day he first visited the site and climbed down into the crater left in the earth. He says that experience changed his life - he began to hear the voices of the dead. He talks about how he decided this should be a "sacred site", and that the footprint of the twin towers should never be built on. He reveals his concept of a light memorial to the dead, created by using shafts of light filtered through the spaces between skyscrapers. The sun strikes the ground at exactly the same times as the planes hit the towers. Daniel Libeskind is extraordinarily musical; in fact, a gifted accordionist, he was something of a musical prodigy. He decided to follow architecture instead, but is still inspired by music. His music choices include Renée Fleming singing "Amazing Grace", Perotin; the contemporary Finnish composer Saariaho, and Mark Padmore singing Bach's Cantata for the 16th Sunday after Trinity - so the right cantata for 11 September 2016. Produced by Elizabeth Burke A Loftus production for BBC Radio 3.

Steve Bloomfield sits down with one of the world’s greatest and most interesting architects, Daniel Libeskind. Perhaps best known for the Jewish Museum in Berlin and for being master planner for New York’s Ground Zero, Libeskind discusses the state of the world, optimism and the place he calls home.

Acclaimed artist Rachel Libeskind joins _ **GUNWASH ** _for a conversation on everything from foreskins to trigger warnings. It’s a hit!

Puntata del 23 settembre. Si parla di Milano Beer Week, Libeskind e Gesù

Puntata del 23 settembre. Si parla di Milano Beer Week, Libeskind e Gesù

Daniel Libeskind is an international figure in architectural practice and urban design. With over forty projects worldwide, Libeskind's practice extends from museums and concert halls to convention centers, universities, hotels, shopping centers, and residential projects. In his conversation with Brown Professor Dietrich Neumann, Libeskind discussed his design practice, his architectural philosophy, and some of his most important projects.

Architect Daniel Libeskind listens to a solid block of uninterrupted music in the morning to start his day.  “It’s not something of a luxury, it’s almost a necessity.  And it’s not background,” says Libeskind.  “I don’t do it as the hustle bustle of domestic life and in the background there’s music, I sit down, when [...]

Some architects depend on computer rendering and much of their reputation is built on computer imagery -- but when was the last time you saw a building in real life that looked better than the rendering? In the computer images, buildings are often depicted at night, with the translucent walls aglow, offering glimpses of life inside. Zaha Hadid, Daniel Libeskind, and Rem Koolhaas know the power of persuasion in creating a rendering as an inspirational sales tool. But what does this mean to all of us who have to live with the buildings -- in the real world -- and face the disappointment of seeing the building built, and it's not as ethereal, as glowing, as interesting as it was presented to us in the rendering? The answer might be found in a winking Jesus. Pictured is the rendering and reality views of the Contemporary Arts Center in Cincinnati, designed by Zaha Hadid. For more inspiration, visit www.tedwells.com.

Sue Lawley's castaway this week is the architect Daniel Libeskind. Daniel Libeskind's parents were Polish Jews. Daniel himself was a prodigiously talented musician, but the family couldn't afford the attention a piano would draw to them and so he learned the accordion. In Israel he won a prestigious music scholarship - Daniel Barenboim and Itzhak Perlmen were other recipients - and the family moved to New York. In his teens Libeskind dropped music suddenly and completely and turned to architecture: In 1989 he won the commission to build a Jewish Museum in Berlin and it opened in 2001 amid much controversy. Closer to home he has designed and built the Imperial War Museum North at Trafford, Manchester - its design based on a shattered globe to reflect the themes of conflict. One of his most controversial designs in this country is the proposed V&A extension known as The Spiral. It has been variously described as 'a public lavatory', 'a pile of boxes' and 'quartz crystals'. His most recent commission and his biggest project to date is the complex to be built at the site of the destroyed twin towers in New York. [Taken from the original programme material for this archive edition of Desert Island Discs]Favourite track: Aria from Goldberg Variations by Johann Sebastian Bach Book: The Prisons (Le Carceri): The Complete First and Second States by Giovanni Battista Piranesi Luxury: Pencil and paper

Sue Lawley's castaway this week is the architect Daniel Libeskind. Daniel Libeskind's parents were Polish Jews. Daniel himself was a prodigiously talented musician, but the family couldn't afford the attention a piano would draw to them and so he learned the accordion. In Israel he won a prestigious music scholarship - Daniel Barenboim and Itzhak Perlmen were other recipients - and the family moved to New York. In his teens Libeskind dropped music suddenly and completely and turned to architecture: In 1989 he won the commission to build a Jewish Museum in Berlin and it opened in 2001 amid much controversy. Closer to home he has designed and built the Imperial War Museum North at Trafford, Manchester - its design based on a shattered globe to reflect the themes of conflict. One of his most controversial designs in this country is the proposed V&A extension known as The Spiral. It has been variously described as 'a public lavatory', 'a pile of boxes' and 'quartz crystals'. His most recent commission and his biggest project to date is the complex to be built at the site of the destroyed twin towers in New York. [Taken from the original programme material for this archive edition of Desert Island Discs] Favourite track: Aria from Goldberg Variations by Johann Sebastian Bach Book: The Prisons (Le Carceri): The Complete First and Second States by Giovanni Battista Piranesi Luxury: Pencil and paper

Melvyn Bragg and guests discuss the rise in so-called spectacular architecture at the end of the 20th century. Is architecture to do with what we live in, where it's located, the buildings that accommodate at best so much more than a few private bodies, or is it the spectacular, even show-off, extravagance, even fantasy, of architects - or is it engineers who see the huge swash of public money as an opportunity to plant a place in posterity? Daniel Libeskind has been heralded as one of the greatest architects of his generation and of the latter half of the 20th century. He is the architect of some spectacular buildings - two of which are the Jewish Museum in Berlin and the highly controversial Spiral Extension to London's own Victoria and Albert Museum, which his critics have described as looking like imploding cardboard boxes.But why are we witnessing at the end of the century a sudden glut of spectacular buildings, such as Libeskind's? What do they say about the state of contemporary architecture? And do they show a blatant disregard for history? Is it merely‘the architecture of excess in a world of diminishing resources, a chic counterpoint at the end of the 20th century'?With Daniel Libeskind architect of the Jewish Museum in Berlin and the Spiral Extension to London's Victoria and Albert Museum; Richard Weston, architect and lecturer at De Montfort University.

Melvyn Bragg and guests discuss the rise in so-called spectacular architecture at the end of the 20th century. Is architecture to do with what we live in, where it’s located, the buildings that accommodate at best so much more than a few private bodies, or is it the spectacular, even show-off, extravagance, even fantasy, of architects - or is it engineers who see the huge swash of public money as an opportunity to plant a place in posterity? Daniel Libeskind has been heralded as one of the greatest architects of his generation and of the latter half of the 20th century. He is the architect of some spectacular buildings - two of which are the Jewish Museum in Berlin and the highly controversial Spiral Extension to London’s own Victoria and Albert Museum, which his critics have described as looking like imploding cardboard boxes.But why are we witnessing at the end of the century a sudden glut of spectacular buildings, such as Libeskind’s? What do they say about the state of contemporary architecture? And do they show a blatant disregard for history? Is it merely‘the architecture of excess in a world of diminishing resources, a chic counterpoint at the end of the 20th century’?With Daniel Libeskind architect of the Jewish Museum in Berlin and the Spiral Extension to London’s Victoria and Albert Museum; Richard Weston, architect and lecturer at De Montfort University.