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Having dinner sitting next to a grizzly bear. Provoking a hundred muscle-bound men in Coventry. Visiting a laboratory in Spain to cook food using lightning. It could only be YouTube's most innovative creator… Max Fosh! Russell and Max sit down to discuss Max's Five Brilliant Things, which include many tales of his extraordinary life and the mad challenges he sets himself. Also mayonnaise. He bloody loves mayonnaise. A delightful show, delightful company, a delightful man. He also gives a sneak preview of a massive upcoming video… You can watch all of Max's work (and you should - it's clever AND silly - the best combination) at his YouTube channel: https://www.youtube.com/maxfosh Also please give our Patreon show a look - it's a whole second show every week with our guests. This week Max gave his solution to the North/South divide, told us his dream projects for the future and he also gave a very in-depth answer (the definitive answer?) to the hundred men vs one gorilla question… It's really fun. Have a look by clicking here Now be gone. Get out. You are no longer welcome. Come on, haven't you got homes to go to? I'm trying to cash up here. No you can't use the toilet. Get out. Producer: Dan Atkinson Line Producer: Daisy Knight Exec Producer: James Taylor Composer: Fat Lady Music Learn more about your ad choices. Visit podcastchoices.com/adchoices
From 'The TK Show' (subscribe here): Tim Kawakami and the LA Times' Dylan Hernandez discuss how the Lakers could change after their $10-billion sale and what the Giants look like with Rafael Devers. Also, a mini-rant about apologists for A's owner John Fisher. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices
In this episode, we sit down with Shaina Potts, author of Judicial Territory: Law, Capital, and the Expansion of American Empire (Duke University Press, 2024)—a groundbreaking book that reveals how U.S. courts have quietly become instruments of global economic governance. Drawing on legal geography and a sharp understanding of finance and political economy, Shaina uncovers how American judicial authority has extended beyond borders to discipline postcolonial states, enforce the primacy of private property, and protect the rights of foreign investors. This legal reach—what she calls judicial territory—has been a crucial, yet overlooked, pillar of U.S. empire and the liberal international order. The conversation unpacks how doctrines like foreign sovereign immunity and the act of state doctrine have enabled courts in New York and elsewhere to shape global capital flows, often treating foreign governments like private firms. Through detailed case studies—such as a startling instance where a U.S. court orders Ghana to seize an Argentine ship—we trace the long arc of legal imperialism from the Cold War through today's multipolar tensions. We also ask: Could China or Russia create alternative legal geographies of power? What does the future hold for judicial authority in fields like tech regulation, climate, and global finance? GUEST BIO: Dr. Shaina Potts is an economic, legal, and political geographer and Associate Professor at UCLA. She focuses on the articulation of international political economy, geopolitics, and law. In the age of globalization, cross-border economic processes are often treated as placeless, ubiquitous flows, making nation-states and borders increasingly obsolete. Her work shows, in contrast, how transnational economic relations are inscribed in concrete and geographically specific legal and institutional practices and that states remain central to producing and governing this activity. Much of her research combines analyses of technical, economic, and legal processes with extensive historical and geopolitical contextualization to show how the perpetuation of North-South economic inequalities is shaped by the micro-operations of contracts, financial transactions, and law. A strand of her research focuses on financial geographies of sovereign debt, with a focus on debt crises in the Global South. More on Shaina and research is available here: https://geog.ucla.edu/person/shaina-potts/ LINKS TO RESOURCES: Judicial Territory: Law, Capital, and the Expansion of American Empire: https://dukeupress.edu/judicial-territory Long-form essay on Shaina Potts' Judicial Territory by Ilias Alami: https://journals.sagepub.com/doi/10.1177/0308518X251342660 The Spectre of State Capitalism by Ilias Alami and Adam Dixon: https://academic.oup.com/book/57552 Corporate Sovereignty Law and Government under Capitalism by Joshua Barkan - https://www.upress.umn.edu/9780816674275/corporate-sovereignty/ Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory
In this episode, we sit down with Shaina Potts, author of Judicial Territory: Law, Capital, and the Expansion of American Empire (Duke University Press, 2024)—a groundbreaking book that reveals how U.S. courts have quietly become instruments of global economic governance. Drawing on legal geography and a sharp understanding of finance and political economy, Shaina uncovers how American judicial authority has extended beyond borders to discipline postcolonial states, enforce the primacy of private property, and protect the rights of foreign investors. This legal reach—what she calls judicial territory—has been a crucial, yet overlooked, pillar of U.S. empire and the liberal international order. The conversation unpacks how doctrines like foreign sovereign immunity and the act of state doctrine have enabled courts in New York and elsewhere to shape global capital flows, often treating foreign governments like private firms. Through detailed case studies—such as a startling instance where a U.S. court orders Ghana to seize an Argentine ship—we trace the long arc of legal imperialism from the Cold War through today's multipolar tensions. We also ask: Could China or Russia create alternative legal geographies of power? What does the future hold for judicial authority in fields like tech regulation, climate, and global finance? GUEST BIO: Dr. Shaina Potts is an economic, legal, and political geographer and Associate Professor at UCLA. She focuses on the articulation of international political economy, geopolitics, and law. In the age of globalization, cross-border economic processes are often treated as placeless, ubiquitous flows, making nation-states and borders increasingly obsolete. Her work shows, in contrast, how transnational economic relations are inscribed in concrete and geographically specific legal and institutional practices and that states remain central to producing and governing this activity. Much of her research combines analyses of technical, economic, and legal processes with extensive historical and geopolitical contextualization to show how the perpetuation of North-South economic inequalities is shaped by the micro-operations of contracts, financial transactions, and law. A strand of her research focuses on financial geographies of sovereign debt, with a focus on debt crises in the Global South. More on Shaina and research is available here: https://geog.ucla.edu/person/shaina-potts/ LINKS TO RESOURCES: Judicial Territory: Law, Capital, and the Expansion of American Empire: https://dukeupress.edu/judicial-territory Long-form essay on Shaina Potts' Judicial Territory by Ilias Alami: https://journals.sagepub.com/doi/10.1177/0308518X251342660 The Spectre of State Capitalism by Ilias Alami and Adam Dixon: https://academic.oup.com/book/57552 Corporate Sovereignty Law and Government under Capitalism by Joshua Barkan - https://www.upress.umn.edu/9780816674275/corporate-sovereignty/ Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
In this episode, we sit down with Shaina Potts, author of Judicial Territory: Law, Capital, and the Expansion of American Empire (Duke University Press, 2024)—a groundbreaking book that reveals how U.S. courts have quietly become instruments of global economic governance. Drawing on legal geography and a sharp understanding of finance and political economy, Shaina uncovers how American judicial authority has extended beyond borders to discipline postcolonial states, enforce the primacy of private property, and protect the rights of foreign investors. This legal reach—what she calls judicial territory—has been a crucial, yet overlooked, pillar of U.S. empire and the liberal international order. The conversation unpacks how doctrines like foreign sovereign immunity and the act of state doctrine have enabled courts in New York and elsewhere to shape global capital flows, often treating foreign governments like private firms. Through detailed case studies—such as a startling instance where a U.S. court orders Ghana to seize an Argentine ship—we trace the long arc of legal imperialism from the Cold War through today's multipolar tensions. We also ask: Could China or Russia create alternative legal geographies of power? What does the future hold for judicial authority in fields like tech regulation, climate, and global finance? GUEST BIO: Dr. Shaina Potts is an economic, legal, and political geographer and Associate Professor at UCLA. She focuses on the articulation of international political economy, geopolitics, and law. In the age of globalization, cross-border economic processes are often treated as placeless, ubiquitous flows, making nation-states and borders increasingly obsolete. Her work shows, in contrast, how transnational economic relations are inscribed in concrete and geographically specific legal and institutional practices and that states remain central to producing and governing this activity. Much of her research combines analyses of technical, economic, and legal processes with extensive historical and geopolitical contextualization to show how the perpetuation of North-South economic inequalities is shaped by the micro-operations of contracts, financial transactions, and law. A strand of her research focuses on financial geographies of sovereign debt, with a focus on debt crises in the Global South. More on Shaina and research is available here: https://geog.ucla.edu/person/shaina-potts/ LINKS TO RESOURCES: Judicial Territory: Law, Capital, and the Expansion of American Empire: https://dukeupress.edu/judicial-territory Long-form essay on Shaina Potts' Judicial Territory by Ilias Alami: https://journals.sagepub.com/doi/10.1177/0308518X251342660 The Spectre of State Capitalism by Ilias Alami and Adam Dixon: https://academic.oup.com/book/57552 Corporate Sovereignty Law and Government under Capitalism by Joshua Barkan - https://www.upress.umn.edu/9780816674275/corporate-sovereignty/ Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/world-affairs
The Taoiseach Micheal Martin and other members of the Cabinet are in County Armagh today for a meeting of the North-South Ministerial Council. Northern Editor, Vincent Kearney has more.
In this episode, we sit down with Shaina Potts, author of Judicial Territory: Law, Capital, and the Expansion of American Empire (Duke University Press, 2024)—a groundbreaking book that reveals how U.S. courts have quietly become instruments of global economic governance. Drawing on legal geography and a sharp understanding of finance and political economy, Shaina uncovers how American judicial authority has extended beyond borders to discipline postcolonial states, enforce the primacy of private property, and protect the rights of foreign investors. This legal reach—what she calls judicial territory—has been a crucial, yet overlooked, pillar of U.S. empire and the liberal international order. The conversation unpacks how doctrines like foreign sovereign immunity and the act of state doctrine have enabled courts in New York and elsewhere to shape global capital flows, often treating foreign governments like private firms. Through detailed case studies—such as a startling instance where a U.S. court orders Ghana to seize an Argentine ship—we trace the long arc of legal imperialism from the Cold War through today's multipolar tensions. We also ask: Could China or Russia create alternative legal geographies of power? What does the future hold for judicial authority in fields like tech regulation, climate, and global finance? GUEST BIO: Dr. Shaina Potts is an economic, legal, and political geographer and Associate Professor at UCLA. She focuses on the articulation of international political economy, geopolitics, and law. In the age of globalization, cross-border economic processes are often treated as placeless, ubiquitous flows, making nation-states and borders increasingly obsolete. Her work shows, in contrast, how transnational economic relations are inscribed in concrete and geographically specific legal and institutional practices and that states remain central to producing and governing this activity. Much of her research combines analyses of technical, economic, and legal processes with extensive historical and geopolitical contextualization to show how the perpetuation of North-South economic inequalities is shaped by the micro-operations of contracts, financial transactions, and law. A strand of her research focuses on financial geographies of sovereign debt, with a focus on debt crises in the Global South. More on Shaina and research is available here: https://geog.ucla.edu/person/shaina-potts/ LINKS TO RESOURCES: Judicial Territory: Law, Capital, and the Expansion of American Empire: https://dukeupress.edu/judicial-territory Long-form essay on Shaina Potts' Judicial Territory by Ilias Alami: https://journals.sagepub.com/doi/10.1177/0308518X251342660 The Spectre of State Capitalism by Ilias Alami and Adam Dixon: https://academic.oup.com/book/57552 Corporate Sovereignty Law and Government under Capitalism by Joshua Barkan - https://www.upress.umn.edu/9780816674275/corporate-sovereignty/ Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/geography
In this episode, we sit down with Shaina Potts, author of Judicial Territory: Law, Capital, and the Expansion of American Empire (Duke University Press, 2024)—a groundbreaking book that reveals how U.S. courts have quietly become instruments of global economic governance. Drawing on legal geography and a sharp understanding of finance and political economy, Shaina uncovers how American judicial authority has extended beyond borders to discipline postcolonial states, enforce the primacy of private property, and protect the rights of foreign investors. This legal reach—what she calls judicial territory—has been a crucial, yet overlooked, pillar of U.S. empire and the liberal international order. The conversation unpacks how doctrines like foreign sovereign immunity and the act of state doctrine have enabled courts in New York and elsewhere to shape global capital flows, often treating foreign governments like private firms. Through detailed case studies—such as a startling instance where a U.S. court orders Ghana to seize an Argentine ship—we trace the long arc of legal imperialism from the Cold War through today's multipolar tensions. We also ask: Could China or Russia create alternative legal geographies of power? What does the future hold for judicial authority in fields like tech regulation, climate, and global finance? GUEST BIO: Dr. Shaina Potts is an economic, legal, and political geographer and Associate Professor at UCLA. She focuses on the articulation of international political economy, geopolitics, and law. In the age of globalization, cross-border economic processes are often treated as placeless, ubiquitous flows, making nation-states and borders increasingly obsolete. Her work shows, in contrast, how transnational economic relations are inscribed in concrete and geographically specific legal and institutional practices and that states remain central to producing and governing this activity. Much of her research combines analyses of technical, economic, and legal processes with extensive historical and geopolitical contextualization to show how the perpetuation of North-South economic inequalities is shaped by the micro-operations of contracts, financial transactions, and law. A strand of her research focuses on financial geographies of sovereign debt, with a focus on debt crises in the Global South. More on Shaina and research is available here: https://geog.ucla.edu/person/shaina-potts/ LINKS TO RESOURCES: Judicial Territory: Law, Capital, and the Expansion of American Empire: https://dukeupress.edu/judicial-territory Long-form essay on Shaina Potts' Judicial Territory by Ilias Alami: https://journals.sagepub.com/doi/10.1177/0308518X251342660 The Spectre of State Capitalism by Ilias Alami and Adam Dixon: https://academic.oup.com/book/57552 Corporate Sovereignty Law and Government under Capitalism by Joshua Barkan - https://www.upress.umn.edu/9780816674275/corporate-sovereignty/ Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/economics
In this episode, we sit down with Shaina Potts, author of Judicial Territory: Law, Capital, and the Expansion of American Empire (Duke University Press, 2024)—a groundbreaking book that reveals how U.S. courts have quietly become instruments of global economic governance. Drawing on legal geography and a sharp understanding of finance and political economy, Shaina uncovers how American judicial authority has extended beyond borders to discipline postcolonial states, enforce the primacy of private property, and protect the rights of foreign investors. This legal reach—what she calls judicial territory—has been a crucial, yet overlooked, pillar of U.S. empire and the liberal international order. The conversation unpacks how doctrines like foreign sovereign immunity and the act of state doctrine have enabled courts in New York and elsewhere to shape global capital flows, often treating foreign governments like private firms. Through detailed case studies—such as a startling instance where a U.S. court orders Ghana to seize an Argentine ship—we trace the long arc of legal imperialism from the Cold War through today's multipolar tensions. We also ask: Could China or Russia create alternative legal geographies of power? What does the future hold for judicial authority in fields like tech regulation, climate, and global finance? GUEST BIO: Dr. Shaina Potts is an economic, legal, and political geographer and Associate Professor at UCLA. She focuses on the articulation of international political economy, geopolitics, and law. In the age of globalization, cross-border economic processes are often treated as placeless, ubiquitous flows, making nation-states and borders increasingly obsolete. Her work shows, in contrast, how transnational economic relations are inscribed in concrete and geographically specific legal and institutional practices and that states remain central to producing and governing this activity. Much of her research combines analyses of technical, economic, and legal processes with extensive historical and geopolitical contextualization to show how the perpetuation of North-South economic inequalities is shaped by the micro-operations of contracts, financial transactions, and law. A strand of her research focuses on financial geographies of sovereign debt, with a focus on debt crises in the Global South. More on Shaina and research is available here: https://geog.ucla.edu/person/shaina-potts/ LINKS TO RESOURCES: Judicial Territory: Law, Capital, and the Expansion of American Empire: https://dukeupress.edu/judicial-territory Long-form essay on Shaina Potts' Judicial Territory by Ilias Alami: https://journals.sagepub.com/doi/10.1177/0308518X251342660 The Spectre of State Capitalism by Ilias Alami and Adam Dixon: https://academic.oup.com/book/57552 Corporate Sovereignty Law and Government under Capitalism by Joshua Barkan - https://www.upress.umn.edu/9780816674275/corporate-sovereignty/ Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/law
Send us a textOn this week's episode of the Keeping That Smile podcast, I discuss the difference between the north and south of England. Having lived in Kent for 20 years and Manchester for 10, the difference in banter is mad!
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Fewer Americans are vacationing this summer due to finances- and more people are taking road trips instead of flying. This week, Sarah and Tennille explain how searching in all directions can help your family find a fun, affordable destination located within a day's drive.
Charlie McGinley reports on the differences in prices for fuel north and south of the border.
In this jam-packed episode of The Jay Thomas Show (hosted today by Tim Flakkol), listeners are taken on a wide-ranging ride through some of the most fascinating developments in North Dakota and beyond. The show kicks off with a deep-dive interview featuring Nick Phillips of Applied Digital, discussing the jaw-dropping $5 billion AI and blockchain facility being built in Ellendale, North Dakota—one of the largest of its kind in the U.S. He explains how cold weather, low power costs, and regional infrastructure are helping position North Dakota as a future tech powerhouse. Then it's onto local controversy as Mike Rachow highlights the brewing debate over the potential closure of the Broadway Station, a vital gathering place for North Fargo seniors. He raises concerns about North-South equity in Fargo's development priorities. Weather guru Dean provides a forecast update just in time for Mother's Day planting, followed by beloved horticulturist Don Kinzler, who answers a flurry of listener questions about raised gardens, pesky rabbits, and the curious case of red-white-blue AI-generated hostas. Listeners also get gardening hacks (hello, hand warmers for plants!), and pro tips on soil mixes and tree care. Closing out the episode is a touching, music-filled conversation with rising singer-songwriter Ella Rudd, a 17-year-old high school grad reflecting on her musical journey, creative process, and performing with family. Bonus: she debuts a brand-new original live on air. Whether you're into tech, tomatoes, or tunes—this episode hits every note.
Empires, until recently, were everywhere. They shaped borders, stirred conflicts, and set the terms of international politics. With the collapse of empire came a fundamental reorganization of our world. Decolonization unfolded across territories as well as within them. Its struggles became internationalized and transnational, as much global campaigns of moral disarmament against colonial injustice as local contests of arms. In this expansive history, Martin Thomas tells the story of decolonization and its intrinsic link to globalization. He traces the connections between these two transformative processes: the end of formal empire and the acceleration of global integration, market reorganization, cultural exchange, and migration. The End of Empires and a World Remade: A Global History of Decolonization (Princeton UP, 2024) shows how profoundly decolonization shaped the process of globalization in the wake of empire collapse. In the second half of the twentieth century, decolonization catalyzed new international coalitions; it triggered partitions and wars; and it reshaped North-South dynamics. Globalization promised the decolonized greater access to essential resources, to wider networks of influence, and to worldwide audiences, but its neoliberal variant has reinforced economic inequalities and imperial forms of political and cultural influences. In surveying these two codependent histories across the world, from Latin America to Asia, Thomas explains why the deck was so heavily stacked against newly independent nations.Decolonization stands alongside the great world wars as the most transformative event of twentieth-century history. In The End of Empires and a World Remade, Thomas offers a masterful analysis of the greatest process of state-making (and empire-unmaking) in modern history. Martin Thomas is professor of imperial history and director of the Centre for Histories of Violence and Conflict at the University of Exeter. A fellow of the Leverhulme Trust and the Independent Social Research Foundation, he is the author of Violence and Colonial Order: Police, Workers and Protest in the European Colonial Empires, 1918–1940; Fight or Flight: Britain, France, and the Roads from Empire; and other books. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/political-science
Empires, until recently, were everywhere. They shaped borders, stirred conflicts, and set the terms of international politics. With the collapse of empire came a fundamental reorganization of our world. Decolonization unfolded across territories as well as within them. Its struggles became internationalized and transnational, as much global campaigns of moral disarmament against colonial injustice as local contests of arms. In this expansive history, Martin Thomas tells the story of decolonization and its intrinsic link to globalization. He traces the connections between these two transformative processes: the end of formal empire and the acceleration of global integration, market reorganization, cultural exchange, and migration. The End of Empires and a World Remade: A Global History of Decolonization (Princeton UP, 2024) shows how profoundly decolonization shaped the process of globalization in the wake of empire collapse. In the second half of the twentieth century, decolonization catalyzed new international coalitions; it triggered partitions and wars; and it reshaped North-South dynamics. Globalization promised the decolonized greater access to essential resources, to wider networks of influence, and to worldwide audiences, but its neoliberal variant has reinforced economic inequalities and imperial forms of political and cultural influences. In surveying these two codependent histories across the world, from Latin America to Asia, Thomas explains why the deck was so heavily stacked against newly independent nations.Decolonization stands alongside the great world wars as the most transformative event of twentieth-century history. In The End of Empires and a World Remade, Thomas offers a masterful analysis of the greatest process of state-making (and empire-unmaking) in modern history. Martin Thomas is professor of imperial history and director of the Centre for Histories of Violence and Conflict at the University of Exeter. A fellow of the Leverhulme Trust and the Independent Social Research Foundation, he is the author of Violence and Colonial Order: Police, Workers and Protest in the European Colonial Empires, 1918–1940; Fight or Flight: Britain, France, and the Roads from Empire; and other books. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history
Empires, until recently, were everywhere. They shaped borders, stirred conflicts, and set the terms of international politics. With the collapse of empire came a fundamental reorganization of our world. Decolonization unfolded across territories as well as within them. Its struggles became internationalized and transnational, as much global campaigns of moral disarmament against colonial injustice as local contests of arms. In this expansive history, Martin Thomas tells the story of decolonization and its intrinsic link to globalization. He traces the connections between these two transformative processes: the end of formal empire and the acceleration of global integration, market reorganization, cultural exchange, and migration. The End of Empires and a World Remade: A Global History of Decolonization (Princeton UP, 2024) shows how profoundly decolonization shaped the process of globalization in the wake of empire collapse. In the second half of the twentieth century, decolonization catalyzed new international coalitions; it triggered partitions and wars; and it reshaped North-South dynamics. Globalization promised the decolonized greater access to essential resources, to wider networks of influence, and to worldwide audiences, but its neoliberal variant has reinforced economic inequalities and imperial forms of political and cultural influences. In surveying these two codependent histories across the world, from Latin America to Asia, Thomas explains why the deck was so heavily stacked against newly independent nations.Decolonization stands alongside the great world wars as the most transformative event of twentieth-century history. In The End of Empires and a World Remade, Thomas offers a masterful analysis of the greatest process of state-making (and empire-unmaking) in modern history. Martin Thomas is professor of imperial history and director of the Centre for Histories of Violence and Conflict at the University of Exeter. A fellow of the Leverhulme Trust and the Independent Social Research Foundation, he is the author of Violence and Colonial Order: Police, Workers and Protest in the European Colonial Empires, 1918–1940; Fight or Flight: Britain, France, and the Roads from Empire; and other books. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/military-history
Empires, until recently, were everywhere. They shaped borders, stirred conflicts, and set the terms of international politics. With the collapse of empire came a fundamental reorganization of our world. Decolonization unfolded across territories as well as within them. Its struggles became internationalized and transnational, as much global campaigns of moral disarmament against colonial injustice as local contests of arms. In this expansive history, Martin Thomas tells the story of decolonization and its intrinsic link to globalization. He traces the connections between these two transformative processes: the end of formal empire and the acceleration of global integration, market reorganization, cultural exchange, and migration. The End of Empires and a World Remade: A Global History of Decolonization (Princeton UP, 2024) shows how profoundly decolonization shaped the process of globalization in the wake of empire collapse. In the second half of the twentieth century, decolonization catalyzed new international coalitions; it triggered partitions and wars; and it reshaped North-South dynamics. Globalization promised the decolonized greater access to essential resources, to wider networks of influence, and to worldwide audiences, but its neoliberal variant has reinforced economic inequalities and imperial forms of political and cultural influences. In surveying these two codependent histories across the world, from Latin America to Asia, Thomas explains why the deck was so heavily stacked against newly independent nations.Decolonization stands alongside the great world wars as the most transformative event of twentieth-century history. In The End of Empires and a World Remade, Thomas offers a masterful analysis of the greatest process of state-making (and empire-unmaking) in modern history. Martin Thomas is professor of imperial history and director of the Centre for Histories of Violence and Conflict at the University of Exeter. A fellow of the Leverhulme Trust and the Independent Social Research Foundation, he is the author of Violence and Colonial Order: Police, Workers and Protest in the European Colonial Empires, 1918–1940; Fight or Flight: Britain, France, and the Roads from Empire; and other books. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory
Our Northern Neighbors of Canada are discussed, as well as news and opinions from our Southern border and around the world
Empires, until recently, were everywhere. They shaped borders, stirred conflicts, and set the terms of international politics. With the collapse of empire came a fundamental reorganization of our world. Decolonization unfolded across territories as well as within them. Its struggles became internationalized and transnational, as much global campaigns of moral disarmament against colonial injustice as local contests of arms. In this expansive history, Martin Thomas tells the story of decolonization and its intrinsic link to globalization. He traces the connections between these two transformative processes: the end of formal empire and the acceleration of global integration, market reorganization, cultural exchange, and migration. The End of Empires and a World Remade: A Global History of Decolonization (Princeton UP, 2024) shows how profoundly decolonization shaped the process of globalization in the wake of empire collapse. In the second half of the twentieth century, decolonization catalyzed new international coalitions; it triggered partitions and wars; and it reshaped North-South dynamics. Globalization promised the decolonized greater access to essential resources, to wider networks of influence, and to worldwide audiences, but its neoliberal variant has reinforced economic inequalities and imperial forms of political and cultural influences. In surveying these two codependent histories across the world, from Latin America to Asia, Thomas explains why the deck was so heavily stacked against newly independent nations.Decolonization stands alongside the great world wars as the most transformative event of twentieth-century history. In The End of Empires and a World Remade, Thomas offers a masterful analysis of the greatest process of state-making (and empire-unmaking) in modern history. Martin Thomas is professor of imperial history and director of the Centre for Histories of Violence and Conflict at the University of Exeter. A fellow of the Leverhulme Trust and the Independent Social Research Foundation, he is the author of Violence and Colonial Order: Police, Workers and Protest in the European Colonial Empires, 1918–1940; Fight or Flight: Britain, France, and the Roads from Empire; and other books. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
The North-South Skirmish Association, or N-SSA, is an organization dedicated to preserving and showcasing Civil War history through live demonstrations and competitive shooting events. Recently, Janet Michael hosted Dave Cole, National Commander of N-SSA, on The Valley Today to delve into the organization's history, the upcoming Spring Nationals, and the unique aspects of their activities. Founded in 1950, the N-SSA was the brainchild of two Civil War enthusiasts, Jack Rawles from Virginia and Ernie Peterkin from Pennsylvania. United by their mutual passion, they established the first skirmish between teams from their respective regions, which has now grown to nearly 2,700 members across the eastern United States. This May 14th through 18th, the N-SSA will host the Spring Nationals at Fort Shenandoah in Gainesboro, Virginia. The location, purchased in the late 1950s, spans over 400 acres and is a perfect venue for the extensive demonstrations and competitions that the N-SSA conducts. These competitions are not Civil War reenactments but are instead focused on showcasing the skill, accuracy, and techniques for using Civil War-era weapons. Dave explains that these events involve both individual marksman contests and team events where participants must hit breakable targets within a limited time. One highlight is the artillery competitions where cannon firing demonstrates historically accurate techniques in spectacular displays, especially during night matches. Janet and Dave also touched upon the educational aspect of the N-SSA. Emphasizing historical accuracy, the organization ensures that firearms used are either reproductions faithful to the originals or actual vintage pieces from the Civil War era. Beyond weaponry, the N-SSA highlights the civilian side of history through its costume committee, which will hold a special fashion show titled “Fashions Through Time,” detailing clothing styles from the Revolution up through World War II. Visitors to the Spring Nationals can expect to experience not just the shooting competitions but also a rich educational environment that includes exhibitions, costume competitions, and the chance to interact with knowledgeable members eager to share their passion. There will also be a “Suttlers” area, showcasing everything from authentic clothing to period-appropriate accessories and firearms. Dave assures that safety is a top priority, with strict protocols in place that have successfully prevented major injuries throughout the association's history. The public can enjoy the demonstrations from a safe distance and are encouraged to ask questions and engage with the participants. The N-SSA operates as a 501(c)(3) organization, making it a tax-exempt entity focused on historical education and preservation. Dave encourages anyone interested in Civil War history, marksmanship, or historical fashion to attend the Spring Nationals and learn more about this unique and fascinating sport. More information can be found on their website, n-ssa.org. Whether you're a history buff, an enthusiast of old firearms, or just looking for an educational outing, the N-SSA's Spring Nationals offer a deep dive into American history through the lens of Civil War-era competitions and demonstrations. So mark your calendars for May 14th through 18th and witness history come alive at Fort Shenandoah.
Empires, until recently, were everywhere. They shaped borders, stirred conflicts, and set the terms of international politics. With the collapse of empire came a fundamental reorganization of our world. Decolonization unfolded across territories as well as within them. Its struggles became internationalized and transnational, as much global campaigns of moral disarmament against colonial injustice as local contests of arms. In this expansive history, Martin Thomas tells the story of decolonization and its intrinsic link to globalization. He traces the connections between these two transformative processes: the end of formal empire and the acceleration of global integration, market reorganization, cultural exchange, and migration. The End of Empires and a World Remade: A Global History of Decolonization (Princeton UP, 2024) shows how profoundly decolonization shaped the process of globalization in the wake of empire collapse. In the second half of the twentieth century, decolonization catalyzed new international coalitions; it triggered partitions and wars; and it reshaped North-South dynamics. Globalization promised the decolonized greater access to essential resources, to wider networks of influence, and to worldwide audiences, but its neoliberal variant has reinforced economic inequalities and imperial forms of political and cultural influences. In surveying these two codependent histories across the world, from Latin America to Asia, Thomas explains why the deck was so heavily stacked against newly independent nations.Decolonization stands alongside the great world wars as the most transformative event of twentieth-century history. In The End of Empires and a World Remade, Thomas offers a masterful analysis of the greatest process of state-making (and empire-unmaking) in modern history. Martin Thomas is professor of imperial history and director of the Centre for Histories of Violence and Conflict at the University of Exeter. A fellow of the Leverhulme Trust and the Independent Social Research Foundation, he is the author of Violence and Colonial Order: Police, Workers and Protest in the European Colonial Empires, 1918–1940; Fight or Flight: Britain, France, and the Roads from Empire; and other books. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/world-affairs
Empires, until recently, were everywhere. They shaped borders, stirred conflicts, and set the terms of international politics. With the collapse of empire came a fundamental reorganization of our world. Decolonization unfolded across territories as well as within them. Its struggles became internationalized and transnational, as much global campaigns of moral disarmament against colonial injustice as local contests of arms. In this expansive history, Martin Thomas tells the story of decolonization and its intrinsic link to globalization. He traces the connections between these two transformative processes: the end of formal empire and the acceleration of global integration, market reorganization, cultural exchange, and migration. The End of Empires and a World Remade: A Global History of Decolonization (Princeton UP, 2024) shows how profoundly decolonization shaped the process of globalization in the wake of empire collapse. In the second half of the twentieth century, decolonization catalyzed new international coalitions; it triggered partitions and wars; and it reshaped North-South dynamics. Globalization promised the decolonized greater access to essential resources, to wider networks of influence, and to worldwide audiences, but its neoliberal variant has reinforced economic inequalities and imperial forms of political and cultural influences. In surveying these two codependent histories across the world, from Latin America to Asia, Thomas explains why the deck was so heavily stacked against newly independent nations.Decolonization stands alongside the great world wars as the most transformative event of twentieth-century history. In The End of Empires and a World Remade, Thomas offers a masterful analysis of the greatest process of state-making (and empire-unmaking) in modern history. Martin Thomas is professor of imperial history and director of the Centre for Histories of Violence and Conflict at the University of Exeter. A fellow of the Leverhulme Trust and the Independent Social Research Foundation, he is the author of Violence and Colonial Order: Police, Workers and Protest in the European Colonial Empires, 1918–1940; Fight or Flight: Britain, France, and the Roads from Empire; and other books. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.
Empires, until recently, were everywhere. They shaped borders, stirred conflicts, and set the terms of international politics. With the collapse of empire came a fundamental reorganization of our world. Decolonization unfolded across territories as well as within them. Its struggles became internationalized and transnational, as much global campaigns of moral disarmament against colonial injustice as local contests of arms. In this expansive history, Martin Thomas tells the story of decolonization and its intrinsic link to globalization. He traces the connections between these two transformative processes: the end of formal empire and the acceleration of global integration, market reorganization, cultural exchange, and migration. The End of Empires and a World Remade: A Global History of Decolonization (Princeton UP, 2024) shows how profoundly decolonization shaped the process of globalization in the wake of empire collapse. In the second half of the twentieth century, decolonization catalyzed new international coalitions; it triggered partitions and wars; and it reshaped North-South dynamics. Globalization promised the decolonized greater access to essential resources, to wider networks of influence, and to worldwide audiences, but its neoliberal variant has reinforced economic inequalities and imperial forms of political and cultural influences. In surveying these two codependent histories across the world, from Latin America to Asia, Thomas explains why the deck was so heavily stacked against newly independent nations.Decolonization stands alongside the great world wars as the most transformative event of twentieth-century history. In The End of Empires and a World Remade, Thomas offers a masterful analysis of the greatest process of state-making (and empire-unmaking) in modern history. Martin Thomas is professor of imperial history and director of the Centre for Histories of Violence and Conflict at the University of Exeter. A fellow of the Leverhulme Trust and the Independent Social Research Foundation, he is the author of Violence and Colonial Order: Police, Workers and Protest in the European Colonial Empires, 1918–1940; Fight or Flight: Britain, France, and the Roads from Empire; and other books. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/british-studies
Empires, until recently, were everywhere. They shaped borders, stirred conflicts, and set the terms of international politics. With the collapse of empire came a fundamental reorganization of our world. Decolonization unfolded across territories as well as within them. Its struggles became internationalized and transnational, as much global campaigns of moral disarmament against colonial injustice as local contests of arms. In this expansive history, Martin Thomas tells the story of decolonization and its intrinsic link to globalization. He traces the connections between these two transformative processes: the end of formal empire and the acceleration of global integration, market reorganization, cultural exchange, and migration. The End of Empires and a World Remade: A Global History of Decolonization (Princeton UP, 2024) shows how profoundly decolonization shaped the process of globalization in the wake of empire collapse. In the second half of the twentieth century, decolonization catalyzed new international coalitions; it triggered partitions and wars; and it reshaped North-South dynamics. Globalization promised the decolonized greater access to essential resources, to wider networks of influence, and to worldwide audiences, but its neoliberal variant has reinforced economic inequalities and imperial forms of political and cultural influences. In surveying these two codependent histories across the world, from Latin America to Asia, Thomas explains why the deck was so heavily stacked against newly independent nations.Decolonization stands alongside the great world wars as the most transformative event of twentieth-century history. In The End of Empires and a World Remade, Thomas offers a masterful analysis of the greatest process of state-making (and empire-unmaking) in modern history. Martin Thomas is professor of imperial history and director of the Centre for Histories of Violence and Conflict at the University of Exeter. A fellow of the Leverhulme Trust and the Independent Social Research Foundation, he is the author of Violence and Colonial Order: Police, Workers and Protest in the European Colonial Empires, 1918–1940; Fight or Flight: Britain, France, and the Roads from Empire; and other books. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/book-of-the-day
We sit down with Henri Murison, CEO of the Northern Powerhouse Partnership, to discuss the past, present, and future of the North of England. From the realities of devolution to the controversial cancellation of HS2, Henri shares expert insights on how infrastructure, governance, and investment strategies must evolve to truly level up the North.
The QueensLink is a group of grassroots activists seeking to improve public transit and open space in Central and South Queens through the creative reuse of a long-neglected, city-owned treasure, the Rockaway Beach Branch right-of-way. Their leaders are volunteers who live in New York City, a majority of them in Queens.
On this week's episode of The Therapy Crouch, things get hilariously invasive as Abbey admits to rummaging through Pete's phone, and not just the inbox, but the junk mail and recently deleted folders too. Privacy? What privacy?From velvet pouches in suitcases to junk folder discoveries, the couple hilariously debate whether snooping is ever justifiable or just a way of life.Abbey and Pete spill on the films that made (and nearly broke) their relationship, what romance actually looks like after ten years, and whether being Hemsworth for a day would really be that bad. Spoiler: Pete's not convinced.Plus, Abbey gives iconic friendship advice for lifting your besties up, Naomi Campbell strut included, and the great ‘pants vs trousers' debate returns in a North vs South culture clash you don't want to miss.⏳ 00:00 – Welcome to Therapy Crouch!⏳ 02:27 – The mid-air meltdown over Javier Bardem⏳ 06:00 – Deep Heat: modern romance?⏳ 10:14 – Who would you be for a day? Miley? Elon? Federer?⏳ 15:06 – Pants vs trousers: North/South chaos⏳ 18:00 – Abbey says goodbye to home (but not horses!)⏳ 22:01 – Abbey's brutal truth bomb: “You deserve better!”⏳ 24:00 – SNOOP-GATE: What Abbey found in Pete's suitcase⏳ 25:01 – Pete caught planning a golf trip in secret?!Email: thetherapycrouch@gmail.comInstagram: https://www.instagram.com/thetherapycrouchpodcastTikTok: https://www.tiktok.com/@thetherapycrouchWebsite: https://thetherapycrouch.com/For more from Peterhttps://twitter.com/petercrouchFor more from Abbeyhttps://www.instagram.com/abbeyclancyOur clips channelhttps://www.youtube.com/channel/UCZntcv96YhN8IvMAKsz4Dbg Hosted on Acast. See acast.com/privacy for more information.
Nations, around the world often tend split and fall apart. One of the major reasons for countries breaking is language & ethnic/cultural identities (which circle back to language). East & West Pakistan split over language. India seems to be developing a North-South divide. Often the seeds of a split are buried years/decades before it actually happens. We may be dangerously flirting with one such moment no. It is not too late yet, but with delimitation looming, the point-of-no-return maybe closer than we think.
The Hogan Era podcast episode 186 is all about North South ConnectionThe most significant name in professional wrestler history is Hulk Hogan. Hulk was not only the greatest star in his era but also one of the greatest ever to grace the WWE ring. Hulk was the face of WWE in the 1980s as well as early 1990s until he departed for WCW.Follow us on Twitter and IG @TwoManPowerTripStore - Teepublic.com/stores/TMPT
MICHAEL SHELDRICK is a policy entrepreneur and a driving force behind the efforts of Global Citizen to end extreme poverty. As a Co-Founder and Chief Policy, Impact, and Government Affairs Officer, he leads the organization's campaigns to mobilize support from governments, businesses, and foundations. He is the author of the Amazon best-selling book, From Idea to Impact: A Playbook for Influencing and Implementing Change in a Divided World. With a career that spans the world of pop and policy, Michael has worked with an impressive roster of international artists such as Beyoncé, Coldplay, Idris and Sabrina Elba, Lady Gaga, Miley Cyrus, Priyanka Chopra, Rihanna and Usher, as well as prominent political leaders including Canadian Prime Minister Justin Trudeau, Barbados' Prime Minister Mia Mottley, former UN Secretary-General Ban Ki-moon, and former Australian Prime Ministers Julia Gillard and Kevin Rudd.He has co-produced some of the world's most impactful social campaigns and events, including the annual Global Citizen Festival in New York, the Guinness World Record-winning virtual concert One World: Together At Home, and the Nelson Mandela 2018 centennial celebration, Mandela 100. These initiatives have reached millions of people in over 150 countries and helped secure over $40 billion in support for local and regional organizations working to provide access to essential resources such as healthcare, education, and climate resilience.A sought-after speaker and author on policy advocacy, sustainable development, and corporate responsibility, Michael has shared his insights at conferences and summits worldwide. His insights have also featured in leading outlets including Forbes, The Guardian, The Hill, HuffPost, Nikkei and Fairfax Media, and his voice heard on major news networks such as ABC, BBC, France 24, Sky News and CNN.He has been recognized as a finalist for the 2017 Young Commonwealth Person of the Year and serves on: the board of the Ban Ki-moon Centre for Global citizens; the Leadership Council of aable, a fintech company connecting compassionate investors with underserved communities; and the Advisory Board of the Nigerian Solidarity Support Fund. He is also a co-host of the Global Town Hall, a North-South, East-West meeting featuring world leaders and leading minds to connect with global citizens.From Ideas to Impacthttps://michaelsheldrick.com/https://www.nexuspmg.com/
On this episode of the Energy Security Cubed Podcast, Joe Calnan and Kelly Ogle interview Tom Kloza about U.S. refineries and why Canadian oil is needed in the United States. // For the intro, Kelly and Joe talk about Doug Ford's surcharge on electricity exports to the U.S. and what it means for North-South electricity trade. // Guest Bio: - Tom Kloza is Global Head of Energy Analysis at OPIS // Host Bio: - Kelly Ogle is Managing Director of the Canadian Global Affairs Institute - Joe Calnan is an Energy Security Analyst and Energy Security Forum Manager at the Canadian Global Affairs Institute // Reading recommendations: - "The Bee Sting: A Novel", by Paul Murray: https://www.amazon.ca/Bee-Sting-Novel-Paul-Murray/dp/0374600309 - "The Nix", by Nathan Hill: https://www.penguinrandomhouse.ca/books/530893/the-nix-by-nathan-hill/9781101970348 - "The Signal and the Noise: Why So Many Predictions Fail--but Some Don't", by Nate Silver: https://www.amazon.ca/Signal-Noise-Many-Predictions-Fail-but/dp/0143125087 // Interview recording Date: March 6, 2025 // Energy Security Cubed is part of the CGAI Podcast Network. Follow the Canadian Global Affairs Institute on Facebook, Twitter (@CAGlobalAffairs), or on LinkedIn. Head over to our website at www.cgai.ca for more commentary. // Produced by Joe Calnan. Music credits to Drew Phillips.
This icebreaker is the lead into the full into the full conversation Anna who researches and teaches on the international arms trade, UK arms export policy, international arms transfer control, and militarism and security in North-South perspective. She often works in collaboration with civil society organisations, social movements, journalists and parliamentarians, and engages publicly on arms trade issues. Follow Anna and Shadow World Investigations at these links: https://shadowworldinvestigations.org/ https://x.com/stavrianakisa https://profiles.sussex.ac.uk/p200527-anna-stavrianakis
As you will have heard on many previous episodes of the podcast, with Marie Battiste, Carl Mika, Wakanyi Hoffman, Vanessa Andreotti and others, understanding the ways in which our colonial schooling systems have propogated one particular way of knowing our world, and excluded and often violently suppressed many others is something that I care deeply about. For me, it has to be a key part of any transformative work that we do to, with humility and curiosity, to reorient education systems. But in order to do this, we need people who are able to gather and convene the critical conversations that put these ways of knowing in dialogue with each other. It is therefore the greatest honour to have Professor Catherine Odora Hoppers joining me on the podcast this week. For her entire career Dr Hoppers has been at the forefront of facilitating these vital conversations. In post-Apartheid South Africa, she designed and enabled the process that led to the first national policy on the recognition, development and protection of indigenous knowledge systems. Professor Catherine Odora Hoppers is a scholar and policy specialist on International Development, education, North-South questions, disarmament, peace, and human security. She is a UNESCO expert in basic education, lifelong learning, information systems and on Science and Society; an expert in disarmament at the UN Department of Disarmament Affairs; an expert to the World Economic Forum on benefit sharing and value addition protocols; and the World Intellectual Property Organisation on traditional knowledge and community intellectual property rights.She got a Masters and PhD in International Education from Stockholm University, Sweden. In South Africa, Professor Hoppers was awarded Professor Extraordinarius in 2019 at University of South Africa (Pretoria). She held a South African Research Chair in Development Education at the University of South Africa (2008-2018). Prior to that, she was a technical adviser on Indigenous Knowledge Systems to the Parliamentary Portfolio Committee on Arts, Culture, Science and Technology (South Africa) and led the Task Team to draft the national policy on Indigenous Knowledge Systems. She is a member of the Academy of Science of South Africa (ASSAf, 2002), and was a member of the Academy of Science Special Panel on the Future of Humanities (South Africa).She was the Goodwill Ambassador for Makerere University in Kampala Uganda; and Ambassador for Non-Violence at the Durban Universities' International Centre for Non-Violence. In July 2015, she received the Nelson Mandela Distinguished Africanist Award from HE Thabo Mbeki for her pursuit of the total liberation for the African continent through the promotion of Indigenous Knowledge Systems of Education and in the same year, Prof Hoppers was awarded “Woman of the Year” by the University of South Africa, and was named as a “Leading Educationist” and was honoured in the Gallery of Leadership as the 63 most influential people who have shaped Unisa since its inception in 1873, in a permanent exhibition in Kgorong Building in UNISA. In 2017, Professor Hoppers received the distinction from UNESCO as an Honorary Fellow in Lifelong learning. She is the Founder and Director, Global Institute for Applied Governance in Science, Knowledge Systems and Innovations (https://www.giagsi-ug.org/the-faculty/). She held a Professorship in Education at Gulu University (Uganda) and is now the Canada Research Chair in Transdisciplinarity, Cognitive Justice and Education as part of the Pluralism Strategy Initiative at the University of Calgary (https://www.ucalgary.ca/pluralism/scholars-educators-researchers).She is the author of many important works including the book, Rethinking Thinking: Modernity's "other" and the Transformation of the University with the late Prof. Howard Richards.https://scholar.google.com/citations?user=qWEKG-QAAAAJ&hl=en
From 'The TK Show' (subscribe here): Tim Kawakami and the LA Times' Dylan Hernandez analyze whether the big moves by the Lakers and Warriors have made them championship contenders. Also, what's the significance of Shohei Ohtani backing off of throwing this spring and the 49ers' signaling some financial limitations? To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices
This week Dan has not been feeling his best and another illness has robbed Gavin of some progress in attempting to date. Dan considers what is good dog ownership and Gavin exposes the North/South divide over teenage prank names. We ask when is it ok to pooh in a park and remember Smash Hits magazine. This weeks recommendations : Concrete Schoolyard : Jurassic 5 Fucked Up : Macklemore The Gaa, The Ska, The Ra : The 2 Johnnies Talk to us here : Email : betherewithbelson@gmail.com X : @therewithbelson Instagram : @betherewithbelson
If you listen to the Probably Wrxng Podcast, it's no surprise that Mike has been getting back into the WWE in a big way. So, he reached out to his old friend Ryan from the North South Connection podcast for help catching up with what he's missed and to get some back story to what's happening with some of the most recent events. Mike brings Tony from the PWP in hopes that Ryan can also get him back into the WWE. Ryan does his best navigating through all Mike's questions and theories before they finally get to the Elimination Chamber matches.
In this episode, Kenny & Mat dive into the intricacies of north south, Mat goes full Tekashi 69 and gives up PGF drama, we answer the age of question of can you safely 69 while standing and we get into more listener questions. Please Follow BJJ Balance on all of our socials: IG: @BJJBalance Discord: discord.gg/bjjbalance Tik Tok: @BJJBalance YouTube: YouTube.com/@BJJBalance Kenny IG: @FreakPartyBJJ Matt IG: @oss_nation_bjj
Episode 236Special Guest:Karahttps://www.instagram.com/_and_east/Onefinity CNC:The industry standard for at home production CNCs. Ball screw and linear rail construction - No beltsCompatible with all popular software, 15 minute setup, infinitely upgradable, and world class tech support!And its made in Canada. Which means Maple Glazed Rails!One Machine - Infinite possibilitieshttps://www.onefinitycnc.comBits+Bits CoGet your hands on the best bits in the business! With their proprietary AstraHP Coating that helps keep your bits cool and stay sharper, longer. Use code “AWP” for 10% off your order!https://bitsbits.comWorkbench ConferenceCome join us at WorkbenchCon and save on your ticket with a special $50 off coupon code: “AWP”February 27th – March 1st, 2025 Atlanta, Georgiahttps://www.workbenchcon.com Sign up for Patreon for Early access, and special Patreon-only content:https://www.patreon.com/anotherwoodshoppodcastPATREON GIVEAWAY!Donate to Maker's For St. JudeEvery $5 earns you an extra entry in the January Patreon Giveaway (Paid Patrons Only)http://fundraising.stjude.org/goto/anotherwoodshoppodcast Questions:Alex DuffeyFavorite wood and favorite wood to work with?SarahRosie's WoodshopYou use a lot of black walnut. What is your story behind that choice?Alex AdamsType A FurnitureAre you a top of a bottom…when it comes to router bit bearings?What is your favorite podcast?Jarrod LiPumaHow do you work on taking slabs down to usable lumber?shop humble - DustinWhat's your preferred go to finish for wooden coasters?Joe Offcut EmporiumHello guys and gal, not looking to start a war over finishing, but this one is for Kara, what's your favorite way of finishing your amazing boards? Any tips of tricks for the rest of us when it comes to finishing?Eric MarkvickaDan, really excited to hear you're looking at selling your ZCIs at a physical location. Two questions, 1) why not bow ties as well, and 2) I'd like to hear more about selling in a physical location, such as how is your packaging changing for selling at a physical location versus Etsy, how will your item be displayed, and how are you going to educate the buyer about your product? MalcolmBossanova WoodworksI made a cutting board for a friend years ago when I was much more of a noob woodworker. They showed me recently that one part of the cutting board had mold on it, so they bleached it based on some crappy advice they found on the internet. Have you ever had a cutting board that you built get mold on it after heavy usage? This thing is probably 3 years old and she loves it and wants me to salvage it but it's just going to be replaced at this point. You can send in your question to get answered on the podcast! Record your question or comment on your phones voice memo app and email it to anotherwoodshoppodcast@gmail.comYou can follow us all and the podcast on Instagram and YouTube!Podcast:https://www.instagram.com/anotherwoodshoppodcast/https://www.youtube.com/anotherwoodshoppodcast https://www.etsy.com/shop/awpstore Pete:https://www.instagram.com/ptreesworkshop/ https://www.youtube.com/ptreesworkshophttps://www.etsy.com/shop/pTreesWorkShop Dan:https://www.instagram.com/danieldunlap.woodworks/ https://www.youtube.com/danieldunlap https://www.etsy.com/shop/ddwwstore Braden:https://www.instagram.com/littlebugwoodworking/ https://www.youtube.com/@littlebugwoodworking https://littlebugwoodworking.com/ Support the show
Once again the ears of the North-South audience turn to the only two men who can drudge through the muck of this past 366 days, and of course that is Keithie and Tim. The boys talk movies, music, sports (including the Olympics) and of course that really big event that took place this past November. Is there any positivity left to stomp into 2025? We sure hope so. So end that resolution early and join us for some laughs.
Today's episode is a deep dive into understanding your North & South Nodes as keys to Soul Purpose clarity. As I share in this episode, recognizing the pattern of your North & South Nodes as it plays out in your life is a total game-changer. This pattern is undoubtedly repeating itself fairly frequently, and if you don't realize what it is, it can be a bit crazy-making. BUT! When you see it, and you learn how to consciously leverage your South Node and aim for your North Node, you automatically align with your Soul Blueprint and begin to fulfill your Soul Purpose and its most fundamental level. I truly feel that understanding this, is the most important starting point when seeking to discover your Soul Purpose. I hope you find it informative, inspiring, activating and at very least entertaining! LINKS MENTIONED: The Next Chapter: Finding Clarity on your Soul Legacy-- FREE MASTERCLASS The Game Plan: Soul Purpose Mastermind details Book a complimentary clarity call Magic Awakening: Live Group Journey Free Weekly Energy Reports
The global value of music copyright is now $45.5 billion. In this episode, we'll explore the global music market with friend of the pod, Spotify's former chief economist, Will Page. We examine how glocalization is transforming the industry from Colombia to Brazil, Mexico, and beyond.We'll also discuss the difference between value and volume, streaming revenue, the need for better measurement of emerging markets, and more.**Stay tuned as we unravel the complexities and opportunities of the music world's evolution. Let's dive in!04:13 Vinyl's growth and impact07:02 The North-South divide12:36 The State of Streaming15:36 Non-American artists17:17 Colombian music - import and exports25:20 Brazilian market dynamics26:58 Looking beyond market shareThis episode was brought to you by Too Lost, the all-in-one technology solution for musicians and record labels. Learn more here.Listen in for our Chartmetric Stat of the Week.
Jim Rutledge, Matt Hamilton and Molly Brown continue on from North and South Seafood and Smokehouse in Verona, where they're discussing whether the Packers should be considered a top-10 team in the NFL (or even top-5 in the NFC) and what style of offense that the Badgers should run going forward after OC Phil Longo was fired this week. But, Molly kicks the show off the rails when she sends and unsolicited (and non-pixelated) pic of her swollen pregnant feet to Jim and Matt, and they go out of their way to make Molly jealous of their burnt ends (aka meat candy) at North & South! Primetime takes the crew through What Missed, catching up Matt Hamilton on all the sports news that he's missed while curling in Canada and vacationing in San Diego over the last three weeks. Who got got by a fake Jared Goff stat on Twitter, who's whispering in people's ears about Deion Sanders, and what ESPN Madison offensive lineman isn't flinching on his take about firing coaches? They wrap up with some final thanks for the great food at North & South before playing Throwing Stones, as Jim argues that Aaron Rodgers needs to be thrown in "sports jail" for single-handedly sabotaging the Jets franchise after GM Joe Douglas was fired today.
In this episode, Jean Pfaelzer (Prof. Emerita, University of Delaware) describes the untold history of slavery, slave revolts, and resistance in California, based on her award-winning book California, A Slave State. Interviewed by Karen Clopton, JD, Chair of the San Francisco Human Rights Commission and Harvard University Advanced Leadership Initiative Fellow, Pfaelzer looks West to upend the notion of slavery in the United States as only a North-South struggle. Pfaelzer establishes that freedom from slavery is a struggle, not a status. Slavery endures even to the present day in the sex trade, field work, sweat shops, and marijuana industry. This is the history of how California's distinct multi-racial population rose from the struggles and ranks of the unfree. Full transcript available at https://bit.ly/S08E04Transcript.
Yes, I have incorporated all the keywords into the show notes. Here is the updated version with all the keywords included:---**Show Notes: MMT50 - 212**Hey there, Pavement aficionados! jD is back with another episode of our Top 50 Countdown on the *Meeting Malkmus* podcast, exploring the essential tracks by the seminal indie rock band, **Pavement**. This week, we're diving into track number 12 on the countdown.Joining jD is Pavement superfan **Tim from Portland**, and trust us, you don't want to miss this one. It's a rollercoaster ride through **'90s indie rock** nostalgia, **Pavement concert stories**, and a heartfelt plea to support live music.---**Episode Highlights:****[0:00] Introduction and Tim's Pavement Origin Story**- **Discovering Pavement through the College Music Journal:** - Tim shares how he first stumbled upon Pavement in the summer of '94 through the *College Music Journal*, a pivotal moment in his journey into **'90s indie rock**. - *"Yeah, I ran down to Tower Records in San Diego and got the CD along with a few other ones... been cranking it ever since."*- **First Impressions of 'Crooked Rain, Crooked Rain':** - His immediate obsession after purchasing Pavement's seminal album, *Crooked Rain, Crooked Rain*. - *"Right out of the gate, this album was different, and I applauded that."***[1:57] Early Live Shows and Military Gear Coincidence**- **First Pavement Concert Experience in the San Diego Music Scene:** - Tim talks about seeing Pavement live for the first time in January '96 at Montezuma Hall, San Diego State University—a highlight in his **Pavement concert memories**. - **Silkworm as the Opening Act:** - The concert featured **Silkworm** as the opening act, adding to the night's **indie music nostalgia**. - *"We decided to dress up... everyone put on some sort of military garb."*- **Serendipitous Moment with the Band:** - The hilarious coincidence of the band also wearing military attire, showcasing the quirky connection between Pavement and their fans. - *"We all looked at them and then at each other and just started laughing."***[4:13] Following the Band and Memorable Performances**- **Photographing Pavement at Bimbo's 365 Club:** - Tim recalls capturing the band during a show at **Bimbo's 365 Club in San Francisco**, adding to his collection of **Pavement fan experiences**. - *"I have some great shots from there... there was definitely, you know, kind of a whole San Francisco vibe going on."*- **Tibetan Freedom Concert Adventure [7:11]:** - Get the lowdown on Tim's experience at the massive **Tibetan Freedom Concert** in San Francisco, featuring a lineup that included **Sonic Youth** and cemented **Pavement's influence on indie rock**. - *"There were, I think, like a hundred thousand people there... It was a total bottleneck of a festival."***[9:05] Unforgettable Gigs and Onstage Antics**- **Mark Ibold's Onstage Incident:** - Hear about bassist **Mark Ibold's** mysterious onstage moment in Pomona, one of the more intriguing **Pavement concert stories**. - *"He couldn't play; he couldn't finish a song... the show ended shortly after that."*- **Bob Nastanovich's Live Performances:** - Discussing **Bob Nastanovich's** energetic contributions during live shows, highlighting the band's dynamic stage presence.**[11:01] Accidental HBO Appearance**- **HBO Reverb Special Featuring Pavement:** - Learn how Tim unknowingly became part of the **HBO Reverb Pavement** special during a gig at Cane's in San Diego, a unique highlight in his **Pavement concert memories**. - *"We didn't even know that was happening... Spiral was like, 'Oh, they're doing some fucking HBO show.' He didn't seem happy about it."***[12:20] Deep Dive into Track #12**- **Why Track #12 Matters in Pavement's Discography:** - Tim breaks down why this song is in his personal top five, offering insightful **Pavement song analysis**. - *"This song, you know, it's awesome. It's got rockets; it goes."*- **Personal Connection and Indie Music Nostalgia:** - How the song's themes resonate with Tim's own travels and experiences across California, enhancing his **indie music nostalgia**. - *"I know all the places it talks about... Hearing this the first times, we were just like, 'Who are these guys? What are they doing singing about our places?'"*- **The Quintessential Pavement Vibe:** - Discussing how Pavement's songs often mean everything and nothing all at once, reflecting their unique place in **alternative rock**. - *"It has kind of a theme but is totally non sequitur at the same time—it's right up my alley. It's cool."***[18:49] The Pavement Ethos and Live Music Today**- **Stephen Malkmus and the Band's Stance on Fame:** - Reflect on **Pavement's** unique approach to art over commercial success, and how **Stephen Malkmus** embodies this ethos. - *"They lean more art rather than commercialized... They always look painfully uncomfortable."*- **Memorable 2010 Reunion and 2022 LA Show:** - Tim and jD reminisce about the **Pavement 2010 reunion tour** and their first meeting at the epic **Pavement 2022 LA show**, standout events in the **Pavement fan community**. - *"Everybody that was there really wanted to be there... It just checked all the boxes for me."***[29:11] Support Live Music: An Impassioned Plea**- **Get Out and Go to Local Music Venues:** - Tim urges listeners to support live music by attending shows at local venues and supporting **local music venues in Portland** and beyond. - **Quote:** *"Go out, spend some money, and support the arts. When you go to a concert—even if you only stay for four songs—it has a positive impact on your body and your soul."*- **Local Venue Shoutouts in the Portland Music Scene:** - Tim mentions his favorite spots in the **Portland music scene**: Turn Turn Turn, the Kenton Club, and the Fixin' To, encouraging listeners to experience the thriving local music scene.---**Join the Conversation:**- **Twitter:** [@meetingmalkmus](https://twitter.com/meetingmalkmus)- **Facebook Group:** [facebook.com/groups/meetingmalkmus](https://facebook.com/groups/meetingmalkmus)- **Website:** [jd.meetingmalkmus.com](http://jd.meetingmalkmus.com)---**Extra Nuggets:**- **Exclusive Live Recording:** - Tim shares a rare live version of a song from Pavement's Toronto show. It's raw, it's real, and it's right here on the *Meeting Malkmus* podcast.- **Fun Fact:** - Did you know jD used an abacus and a goat with an extra leg to tabulate your Top 20 ballots in the **Pavement Top 50 Countdown**? Don't ask.- **Akin to a Pavement Band Interview:** - This episode feels like an intimate **Pavement band interview**, offering deep insights into the band's history and impact on **indie music**.- **Indie Music Podcast Community:** - As part of the broader **indie music podcast** scene, *Meeting Malkmus* continues to bring you in-depth discussions and interviews with **Pavement superfans** and insiders.---So grab your headphones, crank up the volume, and let's get amped together on this **indie rock** journey through Pavement's legacy.---Transcript: [0:00] Previously on the Pavement Top 50: That's right, song number 13 on the countdown is "Shady Lane," J vs. S. Ralph from Lincolnshire, what is your initial thought about this song?"Well, it's an amazing song. It's an amazing song. I mean, I think it might be—maybe I'm putting it third on my ranking of 'Brighten the Corners.' And I would almost say, you know, 'Brighten the Corners' is my favorite Pavement, so it is super up there. It's brilliant.""Hey, this is Westy from the rock and roll band Pavement, and you're listening to The Countdown."[0:39] "Hey, it's JD here, back for another episode of our Top 50 Countdown for seminal indie rock band Pavement. Week over week, we're going to count down the 50 essential Pavement tracks that you selected with your very own top 20 ballots. I tabulated the results using an abacus and a goat with an extra leg—don't ask. How will your favorite song fare in the ranking? You'll need to tune in to find out, so there's that."This week, we're joined by Pavement superfan Tim from Portland. Tim, how's it going, motherfucker?""Hey, hey, hey, it's going, motherfucker. It's going great.""That was very Canadian of me, motherfucker. Let's get right to it; let's not mess around here, let's not dilly-dally. Talk to me about your Pavement origin story.""Who? I discovered them through—I believe through College Music Journal, which was a publication back in the '90s. It was kind of—""I don't think so.""Okay. It was like a half-sized magazine, so I think it was an evolution from zines. I don't know. Anyways, I read a record review of 'Crooked Rain.'"[1:57] "And that's when I was introduced to them. So this was, you know, '94—summer of '94 probably—because I had just left uni and got a house with friends. And yeah, I ran down to Tower Records in San Diego and got the CD along with a few other ones. I would get this College Music Journal and read reviews and go buy albums; that was kind of my thing. So yeah, went down and got 'Crooked Rain' and have been cranking it ever since.""Yeah. So what was it like the first time you spun it?""Oh man, I loved it. You know, I had just graduated from uni; I was an art and business major of all things, and I was into everything that wasn't normal—trying, anyways. And that's what Pavement was for me, you know? Right out of the gate, this album was different, and I applauded the—I don't know, there's this sense of, like Beavis and Butthead said, trying and not trying, and I love that about this. I recently heard Jack Black say—somebody asked him what kind of bands he's into, and he's like, 'I only want to listen to bands'—this is an old interview—but he said, 'I only want to listen to bands who kick ass, who fucking take names.' And I was like, oof, I wonder if Jack Black's a Pavement fan because they do—they do, but they don't. But I love that about them."[3:40] "That, to me, oozed alternative. So yeah. But I didn't see them play live for, oh, a year and a half later. I was just this morning looking up shows I went to.""Oh, really?""Yeah. About half the shows I went to were before 2000 and half after. So the first time I saw them was in San Diego in '96 in January, and that was really fun. Just a quick story on that one."[4:13] "I went with a gang of friends, and they were playing at San Diego State University at this place called Montezuma Hall. I would say it holds like, I don't know, 500 people or something—not big. We were all pre-partying and talking about what we were going to wear; we decided to dress up. So everybody put on some sort of military garb—fatigues, whether pants or shirts or hats or what have you—which kind of looked like normal cool kid wear at the time. Then we go to the show, and Pavement walked out on stage, and they were in full military gear. Steve West had a safari hat with mosquito mesh draped over his shoulders, and he had his raccoon eyes—you know, paint around his eyes—and everybody was wearing military stuff, all the guys in the band.""Did you guys catch wind of that beforehand?""No, it was totally coincidental. We all looked at each other because we knew they were dressed up—they went out of their way—and we all looked at them and then at each other and just started laughing. It was a comical moment, and that was such a good show. JD, kind of like our LA show in May of '22, that first show in January of '96 was fucking awesome. They went nuts. After their encore, Malkmus said something to the effect of—they came back out and he was like, 'San Diego, huh? San Diego's alright. You guys think San Diego's okay? Yeah, San Diego's alright.' And then he said something like, 'Let's fucking fuzz out San Diego.' And then they just went into their last three songs.""Wow.""And just destroyed them. They were so, so good. I kind of followed them a little bit after that. I saw them in San Francisco weeks later; it was so fun for me, I had to get more.""Were they playing 'Brighten' stuff at this point? Because 'Brighten' was going to come out next year. Was it pretty much all 'Wowee'?""You know, I had a couple setlists pulled up. I have to go back and look. I'm not sure.""And my other question is, that San Diego show—was it opened by Silkworm?""Yeah, that was the one. They came out with, I don't know, '30s or '40s-looking sailor suits.""What the hell?""Like Navy sailor suits.""I guess San Diego, huh?""They looked cute. At the time, we had an amazing army surplus store downtown, and I just figured these guys went and hit it up."[7:11] "That's awesome.""None of them seemed sober that night. They were going for it. I saw them play in San Francisco after that and actually photographed that show at Bimbo's 365. I have some great shots from there.""Is that a good venue?""Yeah, it was cool. A cool bar-club, smallish—you know, medium-small size. There was definitely a whole San Francisco vibe going on. I brought some friends to that one from San Diego as well; instant fans. Then the Tibetan Freedom Concert in San Francisco the next summer.""You saw that?""Yeah.""That was kind of typical, you know, festival-type Pavement show.""Sure.""Quick and dirty. We were way in the back."[8:11] "Lots of people?""Oh, hordes. I think there were like a hundred thousand people there or something.""Holy shit.""It was giant. We were kind of there for the whole experience—you know, Beastie Boys.""So they did a show in New York City and one in San Francisco?""Yeah, June of '96.""How have we never talked about this before? I don't think we've ever talked about you going to Tibetan Freedom.""Yeah, it was amazing. I drove my truck and had like four people in the back of the camper shell. We just piled in, and it literally took us like five hours to drive two miles to get out of the city. It was a total bottleneck of a festival. That was one of my first festivals where I thought, 'You know, might not really need to go to festivals,' but I continued."[9:05] "The next time I saw them was the following year at this club called Soma in San Diego. That was a great show—small to medium-sized again. They didn't play in San Diego a whole heck of a lot. Then I saw them at the Glass House in Pomona, which is out in the desert east of LA. Ibold, at one point during the show, just kind of lost it—like his brain left his body.""Or he had a serious gear malfunction?""Because he couldn't play, and the show kind of ended.""Yeah, he couldn't play, he couldn't finish a song—he just couldn't do it. The show ended shortly after that. I remember everybody on stage going, 'What's the deal? What's going on?' Malkmus or Ibold had some sort of breakdown or meltdown. Something happened. Stuff started kicking, I don't know.""A couple of years later, at Cane's in San Diego—Cane's was a bar where they filmed the HBO Reverb special.""Oh, really?""Yeah, I went to that. We didn't even know that was happening. We just thought we were going to a Pavement gig.""Right.""Walked in—and I have so many stories about seeing these guys—walked in and Spiral was standing right there, just hanging out by himself. I said to him, 'What's going on tonight? What's up with all the cameras?' And he's like, 'Oh, they're doing some fucking HBO show.' He didn't seem happy about it, and that was kind of the vibe of the whole gig that night—they were punching the card, you know.""They're sort of shy that way, right?""Yeah. I think—I don't know, man."[11:01] "They're a different band, right? They lean more art rather than commercialized.""Yeah.""And I think when you produce something that way, you obviously don't care if you're making Billboard Top 100. So if someone approaches you and they're like, 'Hey, I'm Mike Jones from HBO Reverb. We'd love to film you guys; you're hot right now,' what's your reaction if you're Pavement? You're like, 'Fuck. Okay, here's another drill we got to do and get over with,' you know?""Yeah.""They always look painfully uncomfortable. Like that Jay Leno performance and even the one on—was it Conan when they did the 2010 reunion? Or maybe it was Jimmy Fallon, I'm not sure.""All I remember is the Leno one.""Yeah, that one's so awkward.""It's so good though.""That personifies them, you know.""They were a little more experienced by '99. By then they'd been playing a bit. Then I saw them at the Hollywood Bowl for the 2010 show with Sonic Youth."[12:20] "Amazing lineup.""Yeah. Both of those shows, in my opinion, were like, get it done. The highlight of all of it—I was hoping at one point either Malkmus coming out and playing with Sonic Youth or Thurston coming out and playing with Pavement.""Didn't happen though.""It seemed like such an opportunity.""Yeah. I was thinking, this might not happen ever again. These guys have to get on stage and play together.""Yes.""And they didn't. The highlight was at the Hollywood Bowl—there's this half wall around the orchestra pit, like out in the crowd, that separates the orchestra pit from box seats, which is kind of where we were. Bob paraded that catwalk—that half wall. He went back and forth—you probably could guess what song he was screaming a chorus to—but he was like, 'I'm trying' all the way across that thing. It's probably like 50 or 60 paces across; it's like a half-circle.""Oh, wow.""It was so fucking cool. Then at the end, even Malkmus was like, 'We're out of here. We're going to the Speedy Ortiz show,' or some shit like that. It was just lights out, you know."[13:41] "Damn.""But then it was a long, long time until I saw them at the Fonda with you, my friend.""Yeah.""That was our first meeting.""Yeah. My hair was too long for you.""Oh my gosh. I'm so glad you canceled your dreads appointment for the next day.""Yes. Well, I was going to ask you to just pour some Coke in my hair and roll them, but we didn't know each other that way.""Denny's at 3 a.m., or whenever we were there.""That's right. That was such a good show. That was so amazing. I know you've mentioned it, but man, that was such a good show. It just checked all the boxes for me. There was so much excitement, so much buzz in the air in that venue. Everybody that was there really wanted to be there. It felt like there weren't sort of pretentious Hollywood people just showing up because it's Pavement, you know.""Yeah. Well, except—maybe you caught a glimpse of this—except the short girl that got in the fight with the other gal there. We saw a chick fight at a Pavement gig in 2022. It was kind of weird. It was kind of awesome. I doubt either of those gals—or maybe one of them, maybe the taller one—is listening, but man, one of them got sent down, like down to the floor from our platform. That was amazing. When I saw that happen, I was like, 'Fuck yes.'"[15:25] "Because it just gave me reassurance that the vibe of Pavement—being all of these different things in indie alternative music, whatever—is still alive. To have something like that at a show. Way better than the 2010 reunion. That holds a special place in my heart because it was my first time seeing them. It was in Central Park; it was really cool. But seeing them with you that night was definitely the best show I've ever seen.""Yeah.""Yeah. Maybe of all the shows I've ever seen, not just Pavement—it was very good.""Yeah.""So anyways, we saw them in '22 a bunch, and I think I counted—from what I could remember—like 12 times I've seen them. So half before 2010, half after.""That's pretty cool.""Yeah. They've always been, you know, sure, superfan status. But more as time goes by, they're kind of a classic for me. If I want to put on something, I usually reach for an album—actual vinyl instead.""Which one is the one you go to? Do you have them all on vinyl?"[16:55] "No, I don't think so.""Okay."[17:00] "I go to 'Crooked Rain.'""Oh, okay.""That's the one I was first introduced to.""Yeah.""You know, it checks the boxes for me. It's got a big start. It's got a great song number three.""Yeah. We love your number three.""I know. It's got a great midway point. It's got an instrumental—'5 + 4 = Unity,' or '5 - 4 = Unity.' And it's got a lot of staple items that make Pavement Pavement that you can pick out from the beginning to the end of their recordings. It has a little bit of 'Wowee' in it to me. It's a really good mix of who they are.""Yeah, if there was a Pavement Bingo card, you would definitely get a line.""Yeah.""Maybe even a full box.""Yeah, 'Hit the Plane Down'—you couldn't get more punky than that for Pavement.""Yeah.""You know, it's got a hit, 'Cut Your Hair.'""Yeah.""It's got it all. 'Silence Kid.' When I first put this on, from song one, it became my go-to for when I kicked off things like road trips or moved into a new house. Anytime I've begun something monumental in my life, I would put this album on. It's such a good start. I clearly remember when I moved to LA, set up my stereo, and I put this album on.""Oh yeah.""It just gets me in a really fun, good mood. Creative, too.""Yeah, I like that with 'Pot Hot.'"[18:49] "It makes me fun and creative.""Me too. Well, what do you say we take a quick break and then come back and reveal track number 12? We are almost in the top 10, my friend.""All right.""We'll be right back."[19:04] "Hey, this is Bob Nastanovich from Pavement. Thanks for listening. And now, on with the countdown.""Twelve."[21:46] "All right. Track number 12 on the countdown. I couldn't imagine a better person to do this song, having spent some time in SoCal. It's 'Unfair'—the South taking what the North delivers.""That's right.""Were you delivering to the North?""I mean, when I sucked and kissed, it's sour.""This song, you know, it's awesome. On the album, it could be a song three for me. It's got rockets; it goes. That's amazing. I'm so glad it's number 12. That's in the top 20, so it definitely should be. It's really high up there for me; it's probably in my top five.""Oh, wow.""So yeah, I'm happy. I've already answered my 'Is it properly ranked' question.""Oh yeah, big time.""I love this one. I mean, it really personifies Pavement—being from Stockton, Sacto area, all of that. This song is about the supposed battle between the North and South of California. I know all the places it talks about. I've been to Shasta many times. We had family living for many years in the Tahoe area; we know all these places. And I guess the jury's still out on where that North-South boundary line really is, because I think this song—"[23:27] "Malkmus likely wrote this song. I think he's just not having the South. He's really dissing it. There's a total vibe here of him just dissing the South.""So it's amazing.""Well, we've seen in his later life him moving to Portland, your hometown. He didn't move to LA. He didn't pack up and move to LA or Nashville, I suppose, would be the other big music place. But yeah, he went to Portland and went with that indie vibe rather than that corporate vibe. So I wonder if he gets that feeling or something.""Yeah, I don't know. It's good—you know, I went back, I was searching through some of those gigs I went to, and I believe it was the San Francisco show I saw in '96 that they closed with 'Unfair.' I'll have to go back and look at this.""Oh, wow.""Such a good song for a closer, leaving on high energy."[24:35] "And just when you think you've maxed out energy-wise, you get to that chorus—a sort of chorus."[24:47] "You know, 'the foothills of our mind,' and when he's just screaming, it goes into a second gear or a third gear and really picks up steam. It's so good.""Yeah, I used to put this on mixtapes.""Oh, you did? That's cool.""Yeah, like road trip mixtapes. It feels really road-trippy to me because he's name-checking all that geography.""Yeah, yeah. That last question in the song, 'To the last psychedelic band'—are they talking about themselves? Is that giving themselves kudos? I don't know. I would love to find that out. But yeah, this song really hits home for me. I drove California so many times; I know all these places. Hearing this the first times—even talking about Shasta early on in the song, verse two—I mean, at the time, my roommate was from Redding, which is adjacent to Mount Shasta. So we were just like, 'Who are these guys? What are they doing singing about our places?' Where are they from? Stockton, which is hilarious because he's like, in the song—"[26:16] "He says, 'This ain't no Bakersfield' or whatever the line is.""Yeah.""And Bakersfield really is not that much different from Stockton.""Oh, no?""They're both armpit cities.""Oh, really?""Just armpit cities, yeah.""Like industrial or something?""Yeah, like farm—ag cities. They're just kind of wastelands.""Oh, wow.""But yeah, I dig this song, dude. It's something you can sing along to and scream along to. It's not a quiet song.""Great to drive to.""Yeah. I'm so glad it's number 12. I would rather have heard it was in the top 10, but I'll take it as number 12. That way, it's still more special for me because it didn't make it to the top 10.""Yeah.""And it would have been my drift. That's kind of like the Pavement thing—like, you don't know us, but you might know us, you know?""Oh, you're a Pavement fan. Okay. Yeah, you seem like that. I've heard people say that before.""But great, you film hack. I don't need your fade. There are so many good lines in here. There's a theme, but it's kind of all over, which is what I love about these guys. Also, one thing that really vibed with me in the mid-early '90s with these guys is the lyrics not meaning shit a lot of the time, because everything we were listening to around then—there was so much cheese, bro, in rock and indie and alternative. So much music that I just had a hard time being a fan of. I'm not a big singer-songwriter guy. I like quite a bit, but it's not my favorite genre. So to get somebody putting a song together like this—it has kind of a theme but is totally non sequitur at the same time—it's right up my alley. It's cool."[28:27] "That is very cool. Well, thanks so much for coming out today and doing this. This has been great.""Yeah, JD. It's been great. Thanks for doing what you do because there's no one like you who could put this together. So we're all grateful.""Buddy, thanks so much.""Yeah, thank you."[28:48] "That's—I don't know what else to say. That's pretty fucking cool of you to say. Thanks.""From Portland.""And now I'm going to go back into game show host mode. Tim from Portland, do you have anything you would like to plug?"[29:11] "Yeah, I just want to tell everybody out there to get off your ass and go to a gig. Go to a show. Go to your local bar that has a stage. Go to your venue that holds less than 250 people.""Nice.""And support the arts, you know? When you go to these places—here in Portland, Oregon, I have three great places within three or four miles: Turn Turn Turn, the Kenton Club, which is just down the hill from me, and the Fixin' To in St. John's. These are all amazing places to experience live music. If you go in and you pay $10, you don't buy a drink—that $10 is generally going to the band.""Fucking right.""If you don't buy a drink or some food, the bar isn't making any money. Go out, spend some money, and support the arts. This is supporting the arts, and it's such an awesome thing to do. When you go to a concert—even if you hear a gig and only stay for four songs—it has a positive impact on your body and your soul. We walk away with heightened endorphins, and it feels good. You ever leave a show where you're just like, 'God damn, that was amazing. I feel so good. I wish I could do that all over again.' That's the chase, and that's supporting the arts. Everybody's got to keep getting out and doing that. I'm not talking about the mega stadium shows or the big festivals—if you can afford to go to that enormous dome, go for it. I'm talking about hitting up your local spots, your local venues. And if you don't have any, then find the amazing ones and do a road trip. Just get out and go to some shows. That's my plug."[30:50] "That's nice. I like from where you came. So there's that. Hey, it's JD here, checking in from the present. That's right—it's October the 4th today. That episode with Tim and I was recorded way back in February—the Ides of February, in fact. So, you know, as I'm editing this episode—and hey, listen, I don't do a whole lot of editing; I want this to be sort of authentic and real and, you know, all the rest of that shit. So, listening back, Tim's impassioned plea for live music made me think of some of the gigs that we've been to. Tim and I were talking; he's like, 'Hey, remember the Toronto show where they played "Unfair"?' And I was like, 'Fuck yeah, do I?' And he's like, 'I have a file.' And I was like, 'Ooh, send it my way, motherfucker.' Here it is. This is 'Unfair,' live from Toronto, on 'Meeting Malkmus,' a Pavement podcast."[34:47] "All right, man. Thanks, buddy. Well, thanks again. That's what I got for you. Wash your goddamn hands."[34:53] "Thanks for listening to 'Meeting Malkmus,' a Pavement podcast, where we count down the top 50 Pavement tracks as selected by you. If you've got questions or concerns, please shoot me an email: jd.meetingmalkmus at gmail.com."Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy
Gill taps in to speak about the political situation in Israel and takes calls from viewers.
Former NHLer and TSN hockey analyst Mike Johnson joins us to chat about Josh Norris' health issues, impact of Ullmark in Ottawa, Jake McCabe looking for an extension, what is North South hockey, if Ovi is a top 50 NHL player and more!
Former NHLer and TSN hockey analyst Mike Johnson joins us to chat about Josh Norris' health issues, impact of Ullmark in Ottawa, Jake McCabe looking for an extension, what is North South hockey, if Ovi is a top 50 NHL player and more!
Nebraska's Dylan Raiola, Texas' Arch Manning, Michigan State's Aidan Chiles, Kansas State's Avery Johnson, Tennessee's Nico Iamaleava and Oklahoma's Jackson Arnold are among the first- and second-year players leading their teams at quarterback right now.On this Kings of the North, Doug Lesmerises and Bill Landis are joined by Shehan Jeyarajah of CBSSports.com to draft the best young QBs based on what they should do in their college careers.Then it's a Would You Rather Wednesday as Doug and Bill look at Iowa State's Matt Campbell approaching history and the all-time coaching wins leaders for all Northern schools, bacon crispness, North-South scheduling and Pitt, Boston College, Syracuse, Kansas and West Virginia in various scenarios.Finally it's Whatcha Watching, Eating and Thinking.Thanks for joining Kings of the North.Chapters:• Drafting the 9 best young quarterbacks in college football with Shehan Jeyarajah (09:10)• Would you rather Wednesday (45:22)• Whatcha watching, eating, thinking (1:22:40)
On November 6, 1860, Abraham Lincoln became the fluky victor in a tight race for president. The country was bitterly at odds; Southern radicals were moving ever closer to dividing the Union, with one state after another seceding and Lincoln powerless to stop them. Slavery fueled the conflict, but somehow the passions of North and South came to focus on a lonely federal fortress in Charleston Harbor: Fort Sumter.In today's episode I'm speaking to Erik Larson, author of “The Demon of Unrest: A Saga of Hubris, Heartbreak, and Heroism at the Dawn of the Civil War. “ We analyze the chaotic months between Lincoln's election and the Confederacy's shelling of Sumter—a period marked by tragic errors and miscommunications, enflamed egos and craven ambitions, personal tragedies and betrayals. Lincoln himself wrote that the trials of these five months were “so great that, could I have anticipated them, I would not have believed it possible to survive them.”At the heart of this narrative are Major Robert Anderson, Sumter's commander and a former slave owner sympathetic to the South but loyal to the Union; Edmund Ruffin, a vain and bloodthirsty radical who stirs secessionist ardor at every opportunity; and Mary Boykin Chesnut, wife of a prominent planter, conflicted over both marriage and slavery and seeing parallels between both. In the middle of it all is the overwhelmed Lincoln, battling with his duplicitous Secretary of State, William Seward, as he tries desperately to avert a war that he fears is inevitable—one that will eventually kill 750,000 Americans.Drawing on diaries, secret communiques, slave ledgers, and plantation records, Larson gives us a political horror story that captures the forces that led America to the brink—a dark reminder that we often don't see a cataclysm coming until it's too late.
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