Podcast appearances and mentions of Santa Margarita

Santa Margarita María de Alacoque ha sido el instrumento especial elegido por el Sagrado Corazón de Jesús, para reanimar esta espiritualidad, orientarla, asentarla sobre firmes, bases y precisar la esencia de ésta. Conozcamos un poco más sobre ella.

Hoy respondo a vuestras preguntas1) ¿por qué es importante revisar los antecedentes de la devoción si ésta se conoce con Santa Margarita? 2)¿cómo responder en pocas palabras y de manera sencilla qué significa consagrarse o ser devoto del SCJ? 3)¿cómo conocí al SCJ (yo

#JeffAndJeremy paddle into the #HeroesOnTheWater event at #SantaMargaritaLake! This free #KayakFishing day hooks up vets, first responders, and their families with rods, boats, and a chill vibe—think bass, brews, and healing on the water. #CentralCoast style! Jeremy's jazzed for the fish tales, while Jeff's betting on a volunteer grilling epic burgers. #SupportOurHeroes with HOW's mission—kicking off 2025 with a splash. Tune in for laughs and lake life!

This week we get to talk to Myrna Leonard of the Missioners of Christ. Myrna servers at the Santa Margarita clinic in Honduras helping to restore physical health to patients while also showing them the love of Christ and upholding their human dignity.  Myrna's story is so simple and yet so powerful showing how God uses every day people to do his miracles.  If you're considering a mission vocation please check out the missioners of Christ's short term mission programs here: https://missions.missioners.org/To financially support the Missioners of Christ go here:   https://secure.qgiv.com/for/missionersofchristSanta Margarita (therapy program) - https://secure.qgiv.com/for/santamargaritaphysicaltherapyprogramClick here to learn more about supporting the Pontifical Missions Societies:https://pontificalmissions.orgFollow us on socials!https://x.com/tpms_usahttps://www.instagram.com/tpms_us/

Santa Margarita, quien es patrona de las madres solteras, profundamente conmovida por la muerte de su amante, dejó los pecados de su juventud, como vivir en amasiato, con penitencia y oración al amor de Dios y entró con los franciscanos, se entregó a la contemplación de Dios y fue favorecida por especiales carismas.Con tu ayuda podremos continuar con este episodio: https://www.paypal.com/donate/?hosted_button_id=GZMHJDMXG8L22&fbclid=PAZXh0bgNhZW0CMTEAAabzPiBLoj2NefLbiwGBbXS1Ckn9xG8o9stwEGRXwQnsnoRllvac_CUJ_cU_aem_oPr5pU3Gmbo2qA3t6j-zkg

Fue una religiosa que prestó gran ayuda a los colonos y a los indígenas; trabajó para asegurar la formación cristiana a los jóvenes, fundando para ello la Congregación de las Hermanas de Nuestra Señora. Se vio con muchas dificultades para lograr su misión, pero siempre se realizó en ella la Voluntad de Dios. Con tu ayuda podremos continuar con este proyecto: https://www.paypal.com/donate/?hosted_button_id=GZMHJDMXG8L22&fbclid=PAZXh0bgNhZW0CMTEAAabzPiBLoj2NefLbiwGBbXS1Ckn9xG8o9stwEGRXwQnsnoRllvac_CUJ_cU_aem_oPr5pU3Gmbo2qA3t6j-zkg

Santa Margarita de Escocia

“¿Ay de ustedes, fariseos! ¿Ay de ustedes también, doctores de la ley!”Del santo Evangelio según san Lucas 11, 42-46.Lectura y reflexión: Pbro. Eligio Román Campoverde.

Esta mujer, monja católica francesa, perteneció a la Orden de la Visitación de Santa María. Sufrió mucho, pero amó mucho a Nuestro Señor. Le consagró su vida entera, sabiendo que cuando más sufría más se parecía a Él. Finalmente, Nuestro Señor le revela su Sagrado Corazón, que arde de amor por todos los hombres, y cuya devoción se extendió por todo el mundo. Con tu ayuda podemos continuar con este proyecto y llegar a más personas: https://www.paypal.com/donate/?hosted_button_id=GZMHJDMXG8L22&fbclid=PAZXh0bgNhZW0CMTEAAabzPiBLoj2NefLbiwGBbXS1Ckn9xG8o9stwEGRXwQnsnoRllvac_CUJ_cU_aem_oPr5pU3Gmbo2qA3t6j-zkg

Romería de Santa Margarita

Las fiestas de la parroquia de O Val en Narón nunca generaron tanta actividad como en estos últimos meses. Y es que la comisión de fiestas del 2024 que organizó las celebraciones en honor a Santa Margarita el pasado 6 de julio y que también se encarga de organizar las de As Neves del 2, 3 y 4 de agosto; y Baltar el 24 y 25 de agosto, no ha dejado de promocionar y realizar actividades para que las fiestas sean un éxito. Comenzaron organizando una rifa en la que si el Gordo de la Lotería de Navidad coincidía con el número plasmado en sus boletos, repartirían mil Seat Cupra. Así conocimos a David Díaz que junto a Pablo Barros, Ángela Doce, Zaira Mourente, Noel López y Borja Díaz que es el ideólogo de todas las acciones que han llevado a cabo desde el año pasado para conseguir fondos. Que si una cena Baile, la Olympus en Ink, la lotería, colaboraciones con el Racing y este pasado fin de semana la Kings League Valexa y la comida popular. Tiene madera de líderes y la gente ha respondido. En el campo de Sinde reunieron a 22 equipos para jugar en un día toda una liga que ha sido todo un éxito. Y las fiestas no serán menos. El sábado traen a la París de Noia a O Val. Felices fiestas

Con motivo del 350 aniversario de las apariciones del Corazón de Jesús a Santa Margarita de Alacoque, el Instituto del Corazón de Cristo publicó en junio de 2024 un total de 25 videos, que pueden encontrarse en la siguiente dirección: https://icorazondecristo.org/cateques... Mons. José Ignacio Munilla colaboró con tres grabaciones. La tercera de ellas (3/3), con el título: "El Corazón de Jesús sana nuestras heridas"

Con motivo del 350 aniversario de las apariciones del Corazón de Jesús a Santa Margarita de Alacoque, el Instituto del Corazón de Cristo publicó en junio de 2024 un total de 25 videos, que pueden encontrarse en la siguiente dirección: https://icorazondecristo.org/cateques... Mons. Munilla colaboró con tres grabaciones. La segundo de ellas (2/3), con el título: "El mal de nuestra generación: Mal de corazón"

Conferencia de Monseñor Munilla sobre las 12 promesas del Corazón de Jesús a Santa Margarita María de Alacoque

Sunday's Race of the Day is Santa Anita's Grade 2 Santa Margarita Stakes. Ashley Mailloux and Gino Buccola analyze here. This podcast is powered by ZenCast.fm

This isn't the end! Or is it? Our die hard fans argue if this current rough patch is the just low point of the season or the beginning of the end. If it is the, what can a Giant's fan do to salvage their enjoyment of the season? Also, Bailey and Murphy are hurt, the pitching and defense falters and Mason Black debuts.On the cocktail side of things Ben is drinking a Lone Ranger while Matthew is drinking a Santa Margarita. Recipes below.Lone Ranger1 1/2 oz Tequila Blanco1 oz Lemon Juice1/2 oz Rich Simple Syrup2-4 oz Sparkling Rose WineCombine the tequila, lemon juice and rich simple syrup in a shaker with ice. Shake until chilled. Strain into a highball. Add your ice. Slowly pour in sparkling rose to preserve bubbles.Santa Margarita2 oz Blanco Tequila1 oz Lime Juice1/2 oz BenedictineBarspoon or two of Agave Syrup (optional)1 dash Orange BittersCombine, shake and strain. Garnish.

For the 20th season, I share my most memorable moments during the Consumed podcast. Chefs and Restaurants featured: Feben Teffera, Ebony SLO, San Luis Obispo Gessica and Alberto Russo, Flour House, San Luis Obispo Brian Collins, Ember, Arroyo Grande Chef Daisy and Greg Ryan, Bell's, Los Alamos Chris Dillow and Evan Toohey, Fig at Courtney's House, Templeton Chef Julien and Courtney Asseo, Les Petites Canailles, Paso Robles Clark Staub, Full of Life Flatbread, Los Alamos Jeff, Lindsay and Jade Jackson, The Range, Santa Margarita

18 DE ENERO - SANTA MARGARITA DE HUNGRÍA, RELIGIOSA DOMINICA

Day number 3 revealed... Sip into the season with Ancient Peaks' for the holidays with all kinds of fun offers! Follow @ancientpeaks on Instagram or sign up for the newsletter at ancientpeaks.com to get perfect gifting ideas. How's a Mystery Pac of wine from our library, treats from the Café or just amazing discounts sound to you? The café is open daily 11 to 5pm at the Tasting Room right off 101 at Highway 58 on El Camino Real in Santa Margarita!

Get ready to pack your bags and set your taste buds on fire as we journey through Japan with our dear friends, Nicole and Ryan. Fresh off their first Asian adventure, they serve up a hearty helping of fun-filled tales and tantalizing food experiences, taking us from the bustling streets of Seoul right up to the glittering skyline of Tokyo. From attending a traditional Korean wedding to an unforgettable dining experience at the esteemed Jiro Dreams of Sushi, their captivating anecdotes are seasoned with humor, romance, and a dash of suspense.Imagine indulging in an 18-course omakase meal, every dish meticulously crafted by skilled sushi chefs, each bite a new journey of rich, delightful flavors. Nicole and Ryan take us on this very journey, sharing their exciting escapades from Wagyu to the surprising culinary treasures found in local convenience stores - proving that Japan's food scene can astonish you in the most unexpected places. But the adventure doesn't end at the dinner table. Ryan unveils his romantic proposal plan, executed with a little help from Aman Hotel's concierge and two sneaky photographers, in the heart of Tokyo.As we follow their footsteps to La Cervara Abbey in Italy, where they are planning their destination wedding, we are reminded of the beauty of love and travel. Nestled between Santa Margarita and Portofino, the Abbey offers breathtaking ocean views, lush gardens, and the promise of a perfect sunset - a perfect parallel to the charm and magic of their Japan travels. As a final treat, co-hosts George and Steve talk about how they appreciate Italian cuisine, reminding us why we fell in love with food and travel in the first place. Join us for this riveting episode, full of laughter, love, and a whole lot of deliciousness!

16 DE NOVIEMBRE - SANTA MARGARITA DE ESCOCIA, REINA

OCVarsity's Dan Albano and insider Scott Barajas break down the Week 10 games , highlighted by JSerra's stunning 49-0 win against Servite.The guys also cover St. John Bosco sealing the league title and Mater Dei's struggle to put away Santa Margarita.This Part 1 of 2 show ends with reactions to the CIF-SS playoff draw.

OCVarsity's Dan Albano and insider Scott Barajas review Week 9 results led by Servite's emotional victory against Santa Margarita.They also preview Week 10 games, highlighted by the Servite-JSerra clash that appears especially pivotal for the Lions' postseason chances.Dan provides bonus content at the end of the show that better explains the Lions' challenge.

OCVarsity's Dan Albano and insider Scott Barajas break down the Mater Dei-St. John Bosco showdown, and analyze huge wins by Orange Lutheran and Santa Margarita in the third round of league.The guys look at this week's schedule:Mater Dei-Orange Lutheran (Thursday)St. John Bosco-JSerraSanta Margarita-Servite

16 DE OCTUBRE - SANTA MARGARITA MARÍA DE ALACOQUE, VIRGEN

(Mateo 11, 25-30) «Tomad sobre vosotros el yugo mío, y dejaos instruir por Mí, porque manso soy y humilde en el corazón; y encontrareis reposo para vuestras vidas»

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! Juana de Arco: La Doncella de Orleans Fecha de nacimiento: 6 de enero de 1412 Fecha de fallecimiento: 30 de mayo de 1431 Introducción Juana de Arco, conocida como "La Doncella de Orleans" o "Jeanne d'Arc" en francés, fue una figura histórica excepcional de la Francia medieval. Nació en Domrémy, una pequeña aldea en la región de Lorena, Francia, en el seno de una familia campesina en el año 1412. A pesar de su modesto origen, Juana se convertiría en una de las heroínas más famosas de la historia, desempeñando un papel crucial en la Guerra de los Cien Años entre Francia e Inglaterra y en la coronación de Carlos VII de Francia. Infancia y Vocación Desde una edad temprana, Juana experimentó visiones y voces que, según ella, eran de origen divino. Estas experiencias comenzaron a los trece años y continuaron durante varios años. Afirmó que escuchaba las voces de San Miguel, Santa Catalina y Santa Margarita, quienes le instaban a ayudar a Francia en su lucha contra los ingleses y a llevar a Carlos VII al trono. La Misión Divina Con el apoyo de algunos partidarios locales, Juana viajó a Chinon en 1429 para presentarse ante el delfín Carlos (más tarde Carlos VII) y ofrecerle sus servicios. Después de una serie de pruebas para verificar la autenticidad de su misión, Juana obtuvo la aprobación para liderar las tropas francesas. Vistiendo una armadura blanca y llevando una bandera con la imagen de Dios y los santos, se convirtió en un símbolo de inspiración para el ejército francés y la población. Victorias en el Campo de Batalla Juana de Arco participó en varias campañas militares y desempeñó un papel crucial en la liberación de la ciudad de Orleans en 1429, un evento que marcó un punto de inflexión en la Guerra de los Cien Años. Sus tácticas audaces y su liderazgo carismático inspiraron a las tropas francesas, y lograron una serie de victorias que revitalizaron la moral del ejército y allanaron el camino para la coronación de Carlos VII en Reims. Prisión y Juicio Sin embargo, la carrera de Juana de Arco fue efímera. En 1430, fue capturada por los borgoñones, quienes la entregaron a los ingleses. En cautiverio, enfrentó un juicio inquisitorial en el que fue acusada de herejía y de vestir ropa masculina. Juana se defendió con valentía y astucia, pero fue declarada culpable y condenada a ser quemada en la hoguera. Mártir y Legado El 30 de mayo de 1431, a la edad de diecinueve años, Juana de Arco fue ejecutada en la plaza del mercado de Ruán. A pesar de su trágico final, su legado perduró. En 1456, el Papa Calixto III ordenó una revisión del juicio original y la rehabilitación de Juana, reconociendo su inocencia. Juana de Arco fue canonizada como santa en 1920 por el Papa Benedicto XV y se convirtió en una figura icónica de la historia francesa. ----------------------------------------------------------------------------------------------------------------- Antena Historia te regala 30 días PREMIUM, para que lo disfrutes https://www.ivoox.com/premium?affiliate-code=b4688a50868967db9ca413741a54cea5 ---------------------------------------------------------------------------------------- Produce Antonio Cruz Edita ANTENA HISTORIA Antena Historia (podcast) forma parte del sello iVoox Originals ---------------------------------------------------------------------------------------- web……….https://antenahistoria.com/ correo.....info@antenahistoria.com Facebook…..Antena Historia Podcast | Facebook Twitter…...https://twitter.com/AntenaHistoria Telegram…...https://t.me/foroantenahistoria DONACIONES PAYPAL...... https://paypal.me/ancrume ---------------------------------------------------------------------------------------- ¿QUIERES ANUNCIARTE en ANTENA HISTORIA?, menciones, cuñas publicitarias, programas personalizados, etc. Dirígete a Antena Historia - AdVoices Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

OCVarsity's Dan Albano and insider Scott Barajas breakout St. John Bosco's 30-23 loss at Kahuku of Hawaii, and the potential ramifications to lead off their latest show.They also discuss Orange Lutheran's surprisingly lopsided loss to Sierra Canyon, a surprising loss for JSerra at Clovis North and a victory by Santa Margarita against Leuzinger.

OCVarsity's Dan Albano and insider Scott Barajas break down Week 3, led by big developments at Servite and Santa Margarita, and preview Week 4.

Wine Industry Person of the Year Mike Sinor, and Ancient Peaks Chef Jacob Lovejoy were in studio to talk about the latest with our favorite Santa Margarita winery! They brought in some new wines you can only get at the tasting room, including their Chardonnay which was something special. You can taste and eat the café or do one or the other. Every item on that menu was killer! Every soup, every salad, and every entrée, we should know, we tried the whole menu! Zip line over vineyards, Check out their one of a kind escape room, go on a foraging tour, so many ways to appreciate SM Ranch! https://ancientpeaks.com/

(air date: 8-14-23) The SLO Chamber's Jim Dantona speaks with Kaila Dettman of the Land Conservancy of SLO County about family-friendly workplace practices. A new national marine sanctuary off the Central Coast is inching closer to creation- with help from a Native American tribe.We'll hear from SLO County Library staff members about the different ways people are using the libraries. You'll get a look at one of the last volunteer fire stations in San Luis Obispo County is in the small, unincorporated town of Santa Margarita.

Conoce las revelaciones del Sagrado Corazón de Jesús a Santa Margarita Maria de Alacoque. Vas a entender por qué es fundamental que abraces esta devoción y querrás portarte de modo distinto cuando te encuentres ante la presencia real de Cristo en la Eucaristía. Para leer el artículo mencionado en el video, ir al siguiente link:https://www.corazones.org/santos/margarita_maria_alacoque.htmÚnete a nuestro canal de Telegram para recibir archivos que compartimos con nuestros suscriptores; además, podrás participar en el grupo de preguntas de Conservando la Fe. Para unirte al canal usa el siguiente link: https://t.me/conservandolafeAyuda a sostener este apostolado donando a través de Patreon: https://www.patreon.com/ConservandolaFeAyuda a sostener este apostolado donando a través de PayPal: https://www.paypal.com/paypalme/conservandolafe

La extraordinaria vida de Santa Margarita de Escocia, una mujer que equilibró la corona y la cruz con inigualable gracia. Como reina consorte en la tumultuosa Edad Media, Margarita no solo transformó la corte escocesa, sino que dejó un legado duradero de caridad y piedad. En este documental, te llevaremos desde sus raíces en el exilio, pasando por su reinado y hasta su canonización, explorando cómo Margarita se convirtió en un faro de santidad en una época y lugar donde la fe y la política a menudo se entrelazaban de manera compleja. Conocerás cómo su amor por los pobres, su reforma eclesiástica y su influencia en la cultura y las artes resonaron más allá de las fronteras de Escocia.

Devocional diario de Mons. Roberto Sipols para La Voz de Jesús --- Support this podcast: https://podcasters.spotify.com/pod/show/lavozdejesus/support

The show OPEN... baseball... did you know... streakers... and Amy from Santa Margarita wins!

18 DE ENERO - SANTA MARGARITA DE HUNGRÍA, RELIGIOSA DOMINICA

What you'll learn in this episode:   How Beatriz discovered and catalogued the 2,600 rings in the Alice and Louis Koch Ring Collection at the Swiss National Museum How Covid lockdown changed how people wear jewelry Beatriz's tricks for making a jewelry exhibit more engaging What it's like to work with jewels uncovered from shipwrecks How global trade has influenced how jewelry is designed and made   About Beatriz Chadour-Sampson   Beatriz Chadour-Sampson studied art history, classical archaeology and Italian philology at the University of East Anglia, and at the University of Münster, Germany. Her doctoral thesis was on the Italian Renaissance goldsmith Antonio Gentili da Faenza. In 1985 she published the jewelry collection of the Museum für Angewandte Kunst, Cologne. Since 1988 she has worked freelance as a jewelry historian, curator of exhibitions and academic writer in Britain. Her numerous publications on jewelry, ranging from antiquity to the present day, include the The Gold Treasure from the Nuestra Señora de la Concepción (1991), and 2000 Finger Rings from the Alice and Louis Koch Collection, Switzerland (1994). She was the consultant curator in the re-designing of the William and Judith Bollinger Jewelry Gallery at the Victoria & Albert Museum (opened in 2008), London and was guest curator of the ‘Pearl' exhibition (2013-14). She is an Associate Member of the Goldsmiths' Company, London. Today Beatriz Chadour-Sampson works as a freelance international and jewelry historian and scholarly author. Her extensive publications range from Antiquity to the present day.    Additional Resources: Instagram Museum Jewellery Curators - Goldsmiths' Fair Photos available on TheJeweleryJourney.com Transcript:   Working in jewelry sometimes means being a detective. As a freelance jewelry historian and curator of the Alice and Louis Koch Ring Collection at the Swiss National Museum, Beatriz Chadour-Sampson draws on her wealth of knowledge to find jewelry clues—even when a piece has no hallmark or known designer. She joined the Jewelry Journey Podcast to talk about how she creates jewelry exhibits that engage viewers; how she found her way into the niche of shipwreck jewelry; and what it was like to catalogue 2,600 rings. Read the episode transcript here.  Sharon: Hello, everyone. Welcome to the Jewelry Journey Podcast. This is the second part of a two-part episode. If you haven't heard part one, please head to TheJewelryJourney.com. My guest is Beatriz Chadour-Sampson. She's been the curator of the Alice and Louis Koch Ring Collection at the Swiss National Museum for almost 35 years. Welcome back.   Beatriz: You asked about the catalogue. We didn't know if the exhibition was going ahead at one point, but I was asked by V&A Publishing to do a book on pearls, which I did. So, yes, we did a book which was for sale during the exhibition. That was in 2013. We redesigned the jewelry gallery, and 2008 was the end of that. The pearls exhibition was in 2013, the beginning of 2014.   Sharon: Why was it redesigned, the gallery?   Beatriz: The jewelry gallery. With all galleries, there comes a point where they need to be refreshed and renewed, and the previous design needed it. You even had gates you had to get through, and if you weren't quite as slim as myself, you would have problems getting through the gates. When it was redesigned, it was a completely different aesthetic. As I said, the boards have to tell the story, so when the visitor walks in, they have to understand the story and go from one to the other. Some people say the gallery is very full, but it is a study collection. We asked the education department artists to do certain things.    I was very keen on going “from cradle to grave.” The gallery is chronological, so you want a display before you start to know why you wear jewelry. A child wears jewelry or a mother wears jewelry to protect them at childbirth, or they wear it for status or religion or whatever it is. Jewelry is multitasking, multifunctional. Today we think of jewelry as decorative, but that is not the case. Jewelry was made for an occasion and a reason. With status, you always have the big diamonds and the big stones. That has always existed, in recently centuries definitely. But there are so many more reasons for jewelry, for mourning and birth and good luck. That sort of exists today, probably with charms. So, jewelry is multifunctional.    Then we have a screen with pictures from different centuries showing portraits because, at a jewelry gallery, you can't see the pieces on someone. They need the body, but they don't have the body. So, it's good to have a screen showing how the jewelry was worn through the centuries, which is very important. Also in the display, each board—let's say you had earrings, a necklace and a bracelet. The concept was that what you wear on the top of the head goes on top. What you wear around your neck comes next and then the base, so you have a feeling of an abstract body in a way. It's not always obvious, but I try to think of it logically.    Of course, with the contemporary, we couldn't do that. It is all chronological until you get to about the 1950s, and that's it. You have to find a completely different concept. So, we decided to do it by materials. Good chronology at the beginning, but then it comes into materials. Natural materials, new metals, techniques. You couldn't do decades. That couldn't work. So, we did it by materials, which is an interesting aspect because you have all the different materials they use in comparison to all the gold and silver you see throughout the gallery. Suddenly, you're seeing a whole wall of completely different materials.   Sharon: What is your role as co-curator? You're curator and co-curator of so many places. What's your role as a co-curator? What do you do? What do they call in you for?   Beatriz: It's an advisory role. The Victoria and Albert Museum is a bit more than just an advisory role. You're working with the team, with the architect. It's a team procedure, but as I say, everybody has their own role to play. It intermingles, of course.    Sharon: At other times, you've talked about a different museum in Switzerland where you came, and it looked just—was it at eye level? Was it low? Was it too high?   Beatriz: Oh, that one, no. You remembered that detail. The eye level, that was the Victoria and Albert Museum. That is in the center of the gallery because we did a display for a tourist who goes to the museum and only has 10 minutes to look at jewelry history. So, in the center you've got these curved glass cases. The jewelry is on special mounts. You remember that. I asked my colleagues of different heights, from four foot something to six foot something. In the storage room, we had glass doors where there was a lot of storage space with artifacts in it, and I used Post-it Notes to put the different heights of people to see what a good eye level is. So, if you're looking at a broach or a tiara or something, you want it on the level where you more or less visualize it on your body so you can see it well. So, yes, that's the Post-it Notes. I used not only double-sided tape and pieces of paper, but also Post-it Notes, trying to find the right height for the pieces.    Eye level is hugely important, but the other museum you're thinking of may be something I'm current advising on. This is really an advisory role. It is a museum that will open next year, the Dubedeen, a German museum. Of course, there are gemologists there that are very specialized, but their museum experience is missing. So, I'm giving a little bit of advice on the background of things. Don't put a plinth that you can fall over. Don't make drawers that a child can get their fingers caught in. You learn these things from places like the Victoria and Albert Museum. There's health and safety. There's also the height of displays, the attention span of visitors. Text shouldn't be too long. It's more of an advisory role than an active role.   Sharon: I'm thinking about attention span. You must have seen that really go down. It seems nobody has more than two seconds for attention anymore.   Beatriz: There is an element of that. I think the Koch Collection of rings in the Jewelry Gallery is one of the most visited in the England museums. When you get to sparkle and glitter, there's more attention span, but not so much on the text.   Sharon: Yeah, that's probably true. You've also done a lot of work on shipwrecks. That's very interesting.   Beatriz: That goes back to 1989. By sheer coincidence, I came to work on shipwrecks. I was in New York when I was working on the Concepción Collection. I met Priscilla Muller of the Hispanic Society of America in New York, and I helped her with some Spanish and Portuguese jewelry. When she was asked, she just didn't have the time to work on the shipwrecks. She thought with my Spanish and Portuguese knowledge, I would be suited for that, so I was asked by Pacific Sea Resources in 1989 to work on an incredible shipwreck called the Nuestra Señora de la Concepción from 1638 that sank. It was the usual thing, mutiny and the wrong person taking care of the ship. That's a private story, not a jewelry story, but the interesting thing is that the jewelry was basically made for Spaniards in the Philippines. The jewelry was made in the Philippines, the majority of it for Spaniards. It was a Spanish colony at the time.   When I was first went through it, I thought, “It looks quite European. It looks O.K.” I signed the contract, and little did I know how much research was involved for the material, which I hardly knew. It was because of the influence. The Spaniards definitely had European design books they brought with them. By then, you had printed books with designs in them, and they must have had them there. Chinese craftsmen were working for them in the Philippines, and of course the Chinese had great skills with outside countries. Some of it looks very European, and some of it is Indian influences, Siamese influences, and influences from Java, Sumatra. The chains, heavy gold chains, were certainly Chinese filigree. In fact, I told the Ashmolean Museum it belonged to Sir Elias Ashmole, whose portrait and chains still exist in the Ashmolean Museum, and I told them that one of the gold chains he had was Chinese. It was given by the Kuffners from Brandenburg, and I happened to find out that the Kuffners from Brandenburg travelled to China. So, that all fit. That was a little like detective work. That was published in 1990.   I've recently been working again on shipwrecks, just a few pieces of absolutely fascinating jewelry found off the shore of the Bahamas, which has now been in the Maritime Museum on the Bahamas for only a few months. I also worked on the Atocha in Key West. I organized an exhibition in Hanover for them, where we did a display of the Atocha and Santa Margarita events. But what's so fascinating about shipwrecks is that we see so many portraits of beautiful jewelry from the Renaissance, the 16th, 17th centuries, where they really documented beautifully painted jewelry in paintings. Thanks to that we can study them in detail. All this jewelry doesn't exist anymore, especially gold chains, because gold chains were the easiest thing to melt and reuse for more modern jewelry. As I have said, I have a smile when somebody talks to me about recycled gold being something new. Well, it's nothing new. Recycling gold goes back centuries.    Sharon: I'm surprised because in the pictures, you always think it's a straightforward gold chain with no Chinese engraving or anything. You think of it as a gold chain.   Beatriz: Some of it is simple, what they called a P-chain. You saw loads of it, especially on Dutch paintings. But in the Atocha there was a spiral. You can see they're very tidy on the portraits, but it looks as if they had a spiral at the back holding the chain so they flowed down properly. Some of those chains we had were definitely Chinese filigree because those chains are filigree. In the 1655 shipwreck from the Bahamas, there's a chain like that, and that's mainly why they asked me to look at it. That certainly reminded me of some of the Concepción work, which was Chinese craftsmanship.    The trade was amazing. You had trade happening in the Philippines. Even the Dutch were trading with the Spaniards. The Dutch were trading silks and spices from China and so on. These big galleons went from the Philippines to Acapulco and Vera Cruz and then to Havana. They went on a route around South America, loading and offloading things from Europe. It's interesting because in Seville, there's the Archivo General de Indias, and there they have all the books on the shipping material. Like with the Atocha, they found out which ship it was because the gold bars have a text mark on them, and that coincided with the documents they have in Seville. It's fascinating. It's a fascinating field.   Sharon: It seems like it.   Beatriz: It's a mystery and it's global, of course. Made in Asia; there's nothing new. It's hundreds of years. There would not be any porcelain in 18th century Europe the other way around.   Sharon: Do you get to see the ship right away? When it comes up, do you see it when they pull it from the ocean?   Beatriz: No. When I was asked to work on the Concepción, I had to travel to Singapore where it was being cleaned and conserved. In one instance I had to say, “Stop cleaning because I think there's enamel underneath, black and white enamel. Stop.” You have to be careful because you have to get rid of the marine dirt. No, I got to see it after it was cleaned or while it was being cleaned.    Sharon: Wow! And then what? It goes to the museum? What happens afterwards?   Beatriz: It nearly got split up and sold at auction. I'm glad it didn't because it's a historical find, but unfortunately you have to go the Mariana Islands to see it. You can't see it always. The material is put together, and it was published in a black and white archaeological report. It was published in 1990, so at least it's documented. National Geographic did a beautiful spread with color, so you know what it's like.   Sharon: What have you learned from parsing these shipwrecks, from researching the shipwrecks?   Beatriz: The extent of influence in Europe of some motifs and how far they went. It was made in the Philippines and sold in Europe because everything that was made and transported on this galleon, the Atocha, at some point went to Seville and then it was traded on. We definitely know that the emeralds the emperors were after came from Colombia and then went through Havana to Seville. It's a fascinating trade, but the trade is something we never think about. In Roman times, the Roman emperor wanted pearls, so they traveled to southern India to get pearls. History does amaze one.    Sharon: It does. You're working on many projects now. What can you tell us about some of them?   Beatriz: I can tell you what's half-finished and what's coming. I've had a year of three books. I co-edited a book with Sandra Hindman, founder of Les Enluminures. I need to add Les Enluminures because for many years, I've been their jewelry consultant. They're based in Chicago, New York and Paris and are specialized mainly in Medieval and Renaissance jewelry, but this has nothing to do with the book we did. It just happened to be that we worked together again. Sandra and myself did something called a liber amicorum in honor of Diana Scarisbrick, a leading jewelry historian. It was for her 94th birthday, and we kept it a secret until her birthday. It had 20 authors in three languages all writing in her honor. That has come out. It's now available. It was published by Paul Holberton. It's on varied topics, from archaeology to today, really. 20 authors contributed towards that.    Today I received my copy of a book I worked on for the Schmuckmuseum, so it's now published. The launch is on Sunday, but I won't be traveling to Germany for that, unfortunately. It has to be a Zoom celebration for me. It's to do with the humanist Johann Reuchlin. He was from Pforzheim. He lived in the late 15th to the 16th century, and it's about script and jewelry from varying periods. It's a lot of contemporary jewelry as well. The cover doesn't really tell you that because it was the 500th anniversary of, I think, his death date. So, he was honored in this book, which has just come out, with essays from many people. Lots and lots of jewelry. That was published by Arnoldsche, and it's called—I have to think of it—German sounds so much easier in this case. It means script and pictures worn on the finger. I worked on rings with script on them.   Sharon: With writing you mean?   Beatriz: Yeah, writing, that's it. There are a lot of other topics in the book as well, but jewelry is certainly the dominant. Yes, they are rings. Mary Queen of Scotts is somebody who wrote her inscription inside the ring and was loyal to the queen. Had that been seen, her head would have gone to the chop. It's rings with prayers on them or rings with some sort of amuletic inscriptions. It's all inscriptions on rings in my case, and it's about Josiah Wedgwood who gave this ring to John Flaxman. You've got a whole history behind it. It's rings with script on them, highly visible on the bezel, either visible on the bezel or inside the hoop.   Sharon: In English or German?   Beatriz: It's basically German, I'm afraid to say, but with lots of good pictures with excellent captions, which are international. I am bilingual in German and English, but I haven't written German for a long time.    I've actually written a third book that's coming out, but that won't come out until January. That was a huge task. It's on jewelry from Bossard from Lucerne. It started in the early 19th century, but the two I worked on were a father and son from 1869 until 1934. That was the period of historicism. It was also a time of fakes of Renaissance jewelry being made, because there were so many collectors who wanted Renaissance but couldn't afford the real Renaissance jewelry. So, it was very tempting for fakers to make fake jewelry. When I started, I didn't know what I was in for, but I have come to the conclusion that it's pure historicism, what Bossard made. I had very little jewelry to go on, just a few pieces in private hands, but I did find by sheer coincidence a drawing, and I found the bishop who it belonged to. You have a hundred drawings by the Bossard Company over this whole period, and it's very interesting material to see their designs they were making. In some instances, it's real Renaissance. I don't know if they were Renaissance or if it was actually made later. Then it gets critical. It's a very complex period, but a very interesting archive in the Swiss National Museum in Zurich.   Sharon: For next year, do you have other projects going on?   Beatriz: Yes, the coming projects. I mentioned the gem museum, which is opening next year. I'm in the midst of advising. I'm going to be working very shortly—I've already started a bit—on the jeweler Eileen Coyne from London. She's been working on jewelry since the 1970s and continues to make jewelry very, very different to anything I've worked on before. What I find so fascinating is that her imagination and inspiration come from the material. It comes with the material and the tools. She also uses interesting gemstones and beads that come from ethnic backgrounds. She uses the most amazing materials. Also jades, carnelians, all kinds of things. So, we're going to do a book. She had a shop in the 80s and into the 90s. Her jewelry was displayed in Harvey Nichols in London, and she had a shop where all the celebrities and royals went shopping. It was quite an interesting clientele. We'll see if we get photographs or if they allow us to show some of the things they bought. It's very much about discretion in such cases. So, that's interesting, a completely different type of jewelry.    I'm really excited about it, but at the same time, I've also been involved, and am more involved now, in an artificial intelligence project. That is a ring that has been designed by Sylvia Reidenbach and John Emeny in England. Sylvia Reidenbach is German, but she teaches in Glasgow and London and all over Europe as well. She has created, with John Emeny, a ring with artificial intelligence based on one or two rings from the archaeological museum in Munich, a few rings from the  Germanisches Nationalmuseum in Nuremburg, and 150 rings from the Koch Collection. There's one design. The machine makes the design, mixes it all and combines it into one design. The ring is now being made. The stone is labradorite. It's been on display since Wednesday last week in the Germanisches Nationalmuseum but will be coming to Zurich afterwards. So, I'll be learning a lot about AI and design. That is completely different from anything. I like the natural materials and history, and then the contrast is the AI.   Sharon: The AI is the dimensions of all these hundreds of rings?   Beatriz: Yes, the images are put into the machine, the AI. Don't ask me the technology of it because I haven't got a clue about AI technology. I'm at the beginning of it all. I'm learning, but I have seen how it develops. The images are fed into the machine, like the 150 rings from the Koch Collection and the others, and the machine designs one ring out of that.   Sharon: Wow! So, it's already made and in the museum.   Beatriz: Only just now. It's hot off the press, but there's more to come on that. There will be more to come on that, yes.   Sharon: You've written several other books. You wrote “A Life in Jewels.”   Beatriz: That is the book we did for Diana Scarisbrick, honoring her. I've written books since 1981, so it's added up quite a bit. Sometime I can give you a list.    Sharon: How about the influence of women on 20th century jewelry? Has it changed jewelry? Has it made it more feminine?    Beatriz: It's an extremely complex story, the role of women in design. You have to see it from the role of the woman in history. Just recently by coincidence, I've seen some material on women painters from the 16th and 17th centuries. In Bologna, for example, there were quite a few, and it's only now coming to the fore. You also have to see high jewelers' workshops in the field of jewelry. You don't have a Renaissance piece of jewelry and know, “So-and-so made it.” That didn't exist. It's only in the 19th century that we start that. The hallmarking system in England goes back to the 13th century, but jewelry was considered smallware, so they didn't consider putting a hallmark on it.    That changed later on, the but the name of the designer is something that we very often don't know. The high jewelers of the 19th century, when you knew the name of who made it in Paris or New York, you never know the name of the designer. That is something that came in in the 20th century. You have some classical examples. With Cartier, it was Jeanne Toussaint. She designed some of the iconic pieces for Cartier and the Duchess of Windsor. She worked for I don't know how many decades designing jewelry. She was a very important female designer. Then you've got Coco Chanel. She designed jewelry, mostly costume jewelry, but she also designed diamond jewelry. Not that she wanted to, but it was for the nation and probably the economy that she did it. Elsa Schiaparelli, with her fantastic surrealist jewelry, made that incredible neckpiece with beetles in plastic. If you had to date that as a jewelry store and you didn't know the background, you'd easily say 1970s or 80s. It's so amazing. In that period, you also had Suzanne Belperron with her really unique designs in jewelry.    Of course, the role of the woman changed after the First World War. You had millions of widows, and they had to work. The whole society was changing. After the Second World War, it became even more evident that women were working. I was very cheeky. I did a lecture. It was in the British Museum, and I was talking about the changing role of men and women buying jewelry. You can imagine the shock of some of them. I said, “Women go out and buy their own jewelry.” Before it was classical: the husband bought the jewelry for the wife. They were the earners, so they bought it. There were a few examples in the early 1900s, like the Duchess of Manchester, whose tiaras are in the Victoria and Albert Museum. She was one of these Dollar Princesses and quite a character. She liked smoking cigars and all. She went off with the family diamonds to Cartier and said, “Make me a tiara, and use up the garments.” You have Lady Mountbatten, who, after the birth of her daughter, Pamela, decided to go to Cartier and buy herself a nice bracelet that she could also wear in her hair in the 1920s.    There are a few examples. On the whole, it was always the husband buying the jewelry, but past that, you have women earning money and buying their own jewelry. The 60s sets off in that direction, and then it becomes jewelry that's more affordable. Jewelry has never been so diverse as in the last decades. It's never been so diverse in all its history. If you look at the Royal College of Art, I think you'll find that, in general, there are a lot more women in training to become jewelers. You find so many names of women designers, now one doesn't even talk about it. Whether it's a man or a woman, it's just become a norm.    Sharon: That's interesting. If you stop to think about it, I don't even know if there are that many male designers. I'm thinking about when I go to studios. You see more women than you do men.   Beatriz: It's more and more, yes. There are more and more women, absolutely.   Sharon: What would you advise? What piece of advice would you give emerging jewelers or people who want to follow in your steps?   Beatriz: Remember that if you're a jewelry historian, you're an academic. Remember that. You have to really enjoy what you're doing. In my case, I was very lucky. I've worked for so many different projects and so many different jewelers internationally. I've specialized in that, but it's very difficult. Maybe, depending on the economic situation, people can volunteer in a museum to learn the trade. I think what you really have to know is do you want to work in a gallery, or do you want to work in an auction? Do you want to work in a museum? They don't always mingle, so you have to learn where you want to go. It depends on what your interests are. If you have anybody, send them to me privately. I'm happy to talk it through.   Sharon: Thank you for being with us.   Beatriz: My pleasure.   Sharon: Well will have photos posted on the website. Please head to TheJewelryJourney.com to check them out.   Thank you again for listening. Please leave us a rating and review so we can help others start their own jewelry journey.

In this episode, Ryan continues his interview with John Remmell (@munsm), the MUN Director at Santa Margarita Catholic High School. Ryan and John talk about SOCOMUN, Santa Margarita's one-day MUN conference every September that is attended by 1,400+ students a year. SOCOMUN is the first MUN conference of the year -- and their first MUN conference, period -- for many students in Southern California. Ryan also asks John why he continues to be an MUN Advisor, after 26 years. John shares some of his favorite stories about students who've been through Santa Margarita's MUN program, and the lasting impact that MUN has left on them years later. ### The Model United Nations Podcast is brought to you by Best Delegate -- we make it easy to learn Model UN! Start your MUN journey today at learnmodelun.com --- Support this podcast: https://podcasters.spotify.com/pod/show/modelunitednations/support

+ Evangelio de nuestro Señor Jesucristo según san Lucas 19, 11-28 Jesús dijo una parábola, porque estaba cerca de Jerusalén y la gente pensaba que el Reino de Dios iba a aparecer de un momento a otro. El les dijo: «Un hombre de familia noble fue a un país lejano para recibir la investidura real y regresar en seguida. Llamó a diez de sus servidores y les entregó cien monedas de plata a cada uno, diciéndoles: "Háganlas producir hasta que yo vuelva." Pero sus conciudadanos lo odiaban y enviaron detrás de él una embajada encargada de decir "No queremos que este sea nuestro rey." Al regresar, investido de la dignidad real, hizo llamar a los servidores a quienes había dado el dinero, para saber lo que había ganado cada uno. El primero se presentó y le dijo: "Señor, tus cien monedas de plata han producido diez veces más." "Está bien, buen servidor, le respondió, ya que has sido fiel en tan poca cosa, recibe el gobierno de diez ciudades." Llegó el segundo y le dijo: "Señor, tus cien monedas de plata han producido cinco veces más." A él también le dijo: "Tú estarás al frente de cinco ciudades." Llegó el otro y le dijo: "Señor, aquí tienes tus cien monedas de plata, que guardé envueltas en un pañuelo. Porque tuve miedo de ti, que eres un hombre exigente, que quieres percibir lo que no has depositado y cosechar lo que no has sembrado." Él le respondió: "Yo te juzgo por tus propias palabras, mal servidor. Si sabías que soy un hombre exigente, que quiero percibir lo que no deposité y cosechar lo que no sembré, ¿por qué no entregaste mi dinero en préstamo? A mi regreso yo lo hubiera recuperado con intereses." Y dijo a los que estaban allí: "Quítenle las cien monedas y dénselas al que tiene diez veces más." "¡Pero, señor, le respondieron, ya tiene mil!" Les aseguro que al que tiene, se le dará; pero al que no tiene, se le quitará aún lo que tiene. En cuanto a mis enemigos, que no me han querido por rey, tráiganlos aquí y mátenlos en mi presencia». Después de haber dicho esto, Jesús siguió adelante, subiendo a Jerusalén. Palabra del Señor.

Probably should root for the Astros... harsh reality... the McRib... George Strait... and Michelle from Santa Margarita wins!

16 DE OCTUBRE - DOMINGO XXIX DEL T.O. SANTA MARGARITA DE ALACOQUE

Nació el año 1647 en la diócesis de Autun, Francia. Entró a formar parte de las monjas de la Visitación de Paray-le-Monial; llevó una vida de constante perfección espiritual y tuvo una serie de revelaciones místicas, referentes sobre todo a la devoción al Corazón de Jesús, cuyo culto se esforzó desde entonces por introducir en la Iglesia. Murió el día 17 de octubre del año 1690.

OCVarsity's Dan Albano and insider Scott Barajas complete their in-depth previews of the Trinity League by looking at Orange Lutheran, Santa Margarita, JSerra and Servite heading into the start of the Trinity League.

OCVarsity's Dan Albano and insider Scott Barajas talk about the performances of El Modena and Servite in Week 5 before beginning their in-depth preview of the Trinity League. This is Part 1 of an expanded episode. Part 2 previews Orange Lutheran, Santa Margarita, JSerra and Servite.

Take a deep-dive review of an epic Week 4 with analysis of the best games: Santa Margarita-Los Alamitos, Edison-San Clemente and the Trinity League vs. USA showcase.

Dan Albano and Scott Barajas review Week 3 of the football season and preview Week 4, including the Trinity vs. USA showcase.

NSE Radio

The show OPEN... relaxation... Hole-in-the-Headline... and Amy from Santa Margarita wins!

Eric and Corey sit down with the General Manager of Santa Margarita Ford, James Graham. James is a member of the gym but he is also a member of the RSM community. We talk about how Ford is engrained in the community and what it takes to run a car dealership. We also talk about how physical fitness is a passion for James and why it is so important to him.James and Santa Margarita Ford is also sponsoring the 2022 Great Futures Gold Tournament to support the Boys & Girls Clubs of Capistrano Valley. The tournament is Friday, March 11 and you can find more info by clicking the link below.https://bgccapo.com/golf