Podcasts about indias

This is an episode for those who want to hear an alternative view of the world's largest country. McKinsey has said we are living in the “Indian Century”. Morgan Stanley believes 20 percent of global growth in the next decade will come from India. Our guest today, Princeton economist Ashoka Mody, has a different view, which he details in his new book: “India Is Broken”. He argues that there are two Indias, a successful, highly skilled and educated elite and a billion-plus population that remains very poor. Mody believes that this dangerous equilibrium is maintained by a close link between the government, big business and, in some cases, organized crime. This association produces projects that attract capital and headlines but leaves an employment deficit of over 100 million jobs.----------EXCEPTIONAL RESOURCE: Find Out How to Build a Safer & Better Performing Portfolio using this FREE NEW Portfolio Builder Tool----Follow Niels on Twitter, LinkedIn, YouTube or via the TTU website.IT's TRUE ? – most CIO's read 50+ books each year – get your FREE copy of the Ultimate Guide to the Best Investment Books ever written here.And you can get a free copy of my latest book “The Many Flavors of Trend Following” here.Learn more about the Trend Barometer here.Send your questions to info@toptradersunplugged.comAnd please share this episode with a like-minded friend and leave an honest Rating & Review on iTunes or Spotify so more people can discover the podcast.Follow Kevin on SubStack.Follow Ashoka on Twitter & read his book.Episode TimeStamps: 04:14 - Introduction to Ashoka Mody 10:19 - The development path of East Asia 14:41 - The path that India did not take 19:32 - The path they did take 23:37 - Different versions of India 30:37 - What is Hindutva? 34:09 - The Guljurat model of development 39:34 - A corrupted government 46:17 - Finding the accurate data...

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Cristóbal Colón es uno de los personajes históricos más conocidos del mundo, también de los más influyentes. Fue el primero en capitanear una expedición que cruzó el océano Atlántico y regresar para contarlo. A él se atribuye el descubrimiento de América el 12 de octubre de 1492, un acontecimiento que está bien documentado y que cambió el curso de la historia. De Colón sabemos mucho más que de otros navegantes de su época, que han pasado a la historia con el nombre, el apellido, su participación en algún viaje y poco más. De Colón sabemos que nació en Italia en la década de 1450 y que murió en Valladolid el 20 de mayo de 1506 después de haber realizado cuatro viajes de exploración por el Nuevo Mundo. Conocemos infinidad de detalles de su vida pública y privada, y su tumba está expuesta al público en la catedral de Sevilla en un vistoso mausoleo frente a la puerta de los Príncipes. Pero, a pesar de tratarse de un personaje cuya vida y obra están sobradamente documentadas y que tanto en España como en su natal Italia goza de amplio reconocimiento, son muchos los enigmas que dejó para la posteridad. Las teorías sobre el nacimiento de Colón se amontonan. Los hay que dudan de su origen genovés y sitúan su nacimiento en otros lugares de Europa incluyendo, naturalmente, la propia península ibérica. Muchos creen que nació realmente en Mallorca, otros que fue en Galicia, otros en Cataluña, los hay también que apuntan a un origen portugués. El de su origen es un misterio que no ha sido resuelto. Posiblemente no lo sea nunca ya que ninguna de las hipótesis sobre su nacimiento tiene fuerza suficiente para imponerse sobre las otras. Esa es la razón por la que se le sigue dando por bueno que nació en Génova y fue allí donde aprendió el oficio de la navegación. Pero ese no es el único enigma que rodea a la figura de Colón. Sabemos que cruzó el Atlántico en 1492 por encargo de los Reyes Católicos. Hay constancia documental de ello ya que las capitulaciones de Santa Fe se custodian en el archivo de Indias, pero algunos especialistas aseguran que Colón ya había estado allí previamente. Se limitó entonces a comunicar su hallazgo a los monarcas de Castilla y Aragón para que le financiasen una gran expedición, que sería la que pasaría a la historia. Otra teoría va incluso algo más lejos asegurando que Colón no fue el primero en llegar y regresar de América. El primero en llegar no fue ya que los vikingos lo habían conseguido siglos antes saltando de isla en isla desde Escandinavia hasta la costa de Canadá. Pero ciertos investigadores creen que tampoco fue el primero en regresar para dar cuenta de su descubrimiento y plasmarlo en un mapa. Se ha hablado de los templarios y también de los navegantes mallorquines del siglo XIV, consumados cartógrafos que elaboraron joyas como el denominado atlas catalán de 1375. Cuando Colón consiguió la financiación real para emprender el viaje estaba muy seguro de hacia dónde debía dirigirse. Se dejó caer hasta las Canarias, allí se detuvo para hacer aguada y luego tomó rumbo oeste. Los vientos alisios se encargaron del resto. La pregunta que muchos se hacen es si en aquel viaje Colón fue levantando desde cero una carta de navegación o simplemente fue siguiendo una ya existente que había conseguido por su cuenta. Como veis son muchos los misterios que envuelven al viaje colombino y a Cristóbal Colón. Para hablar de ellos con más detalle regresa hoy a La ContraHistoria Carlos Pérez Simancas, nuestro corresponsal en las Islas Afortunadas, que es como en España llamamos cariñosamente a las Canarias. Este de Colón es un tema que Carlos conoce a fondo de modo que, sin más preámbulos, vamos con él. Bibliografía: - "El enigma de Colón y los descubrimientos de América" de Juan Eslava Galán - https://amzn.to/3JnEan8 - "Cristóbal Colón: de los enigmas a las certezas" de Onofre Vaquer Bennasar - https://amzn.to/3J0nwso - "Colón y sus enigmas" de Pedro Cuesta Escudero - https://amzn.to/3ZxYg3E - "Cristóbal Colón. Enigmas al descubierto" de José María Segovia Azcárate - https://amzn.to/3ZPUm5Z · Canal de Telegram: https://t.me/lacontracronica · “La ContraHistoria de España. Auge, caída y vuelta a empezar de un país en 28 episodios”… https://amzn.to/3kXcZ6i · “Lutero, Calvino y Trento, la Reforma que no fue”… https://amzn.to/3shKOlK · “La ContraHistoria del comunismo”… https://amzn.to/39QP2KE Apoya La Contra en: · Patreon... https://www.patreon.com/diazvillanueva · iVoox... https://www.ivoox.com/podcast-contracronica_sq_f1267769_1.html · Paypal... https://www.paypal.me/diazvillanueva Sígueme en: · Web... https://diazvillanueva.com · Twitter... https://twitter.com/diazvillanueva · Facebook... https://www.facebook.com/fernandodiazvillanueva1/ · Instagram... https://www.instagram.com/diazvillanueva · Linkedin… https://www.linkedin.com/in/fernando-d%C3%ADaz-villanueva-7303865/ · Flickr... https://www.flickr.com/photos/147276463@N05/?/ · Pinterest... https://www.pinterest.com/fernandodiazvillanueva Encuentra mis libros en: · Amazon... https://www.amazon.es/Fernando-Diaz-Villanueva/e/B00J2ASBXM #FernandoDiazVillanueva #CristobalColon Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

La Feria del Libro de Calcuta abre una ventana a la literatura que se mueve en la India. Nos han contado que nuestros libros son muy populares allí. Escuchar audio

Ny lov øker presset på Indias religiøse minoriteter. Hør episoden i appen NRK Radio

Cartagena de Indias es una ciudad llena de historia, mitos y leyendas. Durante la época colonial, la iglesia tenía un gran poder y estaba interesada en recaudar tanto oro como pudiera. Según algunos teóricos, las grandes reliquias, iconos e imágenes religiosas bañadas en oro eran una forma efectiva de sacar el oro de contrabando sin pagar tributo a España. Además, la ciudad fue asolada por la Inquisición en los años 1610, perseguía los delitos en contra de la fe católica, como la brujería, apostasía, blasfemia y adulterio.En Cartagena de Indias había un gran tráfico de esclavos y era normal castrar a los esclavos negros. El historiador y escritor Federico Herrera de Ávila, menciona un caso donde el marques de Hoyo Fernando de Hoyos, encontró a su esposa teniendo relaciones con un esclavo negro, y como venganza, el marques amarro y corto las piernas al esclavo y lo paseo por las calles del distrito amurallado hasta que murió.En resumen, Cartagena de Indias es una ciudad con una historia compleja y llena de violencia, saqueos, esclavitud y opresión. Aun así, es un lugar de gran belleza y con una rica historia y cultura, y es posible visitar museos y lugares relacionados con estos temas históricos para conocer más acerca de la ciudad.00:00 Leyendas de Cartagena de Indias05:21 Caribe, Mar de las tormentas07:56 Nacimiento de la ciudad Cartagena 12:17 Las leyes decían que los negros no tenían alma y pensamientos17:47 Cartagena tuvo mayoría de hombres castrados21:15 La logia de los Masones24:56 La incidencia de la masonería en la independencia de Venezuela26:39 La batalla de la oreja de Jenkins30:17 Cartagena una Ciudad llena de encantos33:45 ¿El demonio está acampando en Cartagena?36:40 La virgen de la candelaria41:17 Las condiciones de vida era difícil en la colonia47:58 Conclusiones

With five specials on Netflix and millions of followers on social media, Vir Das is an international comedy superstar who can sell out stadiums around the world. But his career nearly came crashing down after he put out his “Two Indias” video in 2021 and had charges brought against him for defaming his home country on foreign soil. In this episode, Das breaks down how he managed to turn one of the most painful experiences of his life into his strongest hour of stand-up yet in ‘Landing,' which premiered on Netflix this past December. He opens up about what it felt like to be labeled a “terrorist” for speaking out against injustice, shares how he pulled off the “magic trick” at the center of his special and responds to American comedians who complain about getting “canceled” but have never been threatened with imprisonment for telling jokes. Follow Vir Das on Twitter @thevirdas and Instagram @virdasFollow Matt Wilstein on Twitter @mattwilsteinFollow The Last Laugh on Instagram @lastlaughpodHighlights from this episode and others at The Daily Beast Hosted on Acast. See acast.com/privacy for more information.

Programa completo de La rosa de los vientos con Bruno Cardeñosa y Silvia Casasola. En la 'Tertulia Zona Cero' hablamos, entre otros temas, de un potente láser consigue desviar rayos hacia el cielo para evitar su impacto. En 'Cuéntame cómo pasó' conocemos el origen de los Globos de oro, antesala de los premios Oscar de Hollywood. 'Ecos del Pasado' trata sobre los cuerpos incorruptos con Laura Falcó. 'Mujer con alma de cartógrafa': María Antonia Colomar, historiadora y la archivera más sabía del Archivo General de Indias en Sevilla. Por último charlamos con Vicente Cortés Galeano, catedrático de Ingeniería química y ambiental, sobre las nuevas plantaciones de absorción de CO2. 

Mike Grunwald on Twitter: @MikeGrunwald Listen to the Climavores podcast HERE. Buy Michael Grunwald's book The New New Deal in paperback HERE and for Kindle HERE. Buy Michael Grunwald's book The Swamp: The Everglades, Florida, and the Politics of Paradise HERE. Mike Grunwald at Politico: My Life In the Elusive Green Economy Mike Grunwald at Canary Media: This Super-Tree Could Help Feed the World and Fight Climate Change Mike Grunwald at Canary Media: Afraid of high-tech food? Get over it Mike Grunwald at The New York Times: No One Wants to Say ‘Put Down That Burger,' but We Really Should Excerpt: “The basic problem is that we've converted half of Earth's habitable land into agricultural land. We're destroying and degrading the habitats of other species to grow food for our own.” “The crux is that if current eating and farming trends continue, the world will clear land equal to at least one and a quarter Indias by 2050. That would be a disaster for the climate and wildlife, dooming carbon-rich and biodiverse ecosystems like the Amazon and Congo rainforests.” “About a third of the food grown on Earth is lost or tossed before it reaches our mouths, which means a third of the land (as well as the water, fertilizer and other resources) used to grow that food is also wasted.” Beth LeBlanc and Craig Mauger at The Detroit News: Michigan Democrats' first bills include right-to-work repeal, prevailing wage Mitch Smith at The New York Times: Statehouse Democrats Embrace an Unfamiliar Reality: Full Power Chris Savage can be found on Twitter at @Eclectablog. MoReno Taylor II can be found on Twitter at @MI_MADE_Man. Support the pod by becoming a Patreon donor HERE! Give us a five-star review at iTunes! The GOTMFV Show Facebook page is HERE! Music clips Intro and transition music: Tell Me What I Want to Hear by Mike Wagner/Total Strangers Outro music: Complain (from the movie Bob Roberts) by David Robbins & Tim Robbins

Episodio 1186Nuevo episodio dedicado a los lanzamientos del mes pasado en el sector del cómic infantil y juvenil seleccionados por Sem Campón de Y yo con estas barbas.Títulos comentados en el programa:- Astronave: LITTLE ROBOT. El pequeño robot. Por Ben Hatke.La amistad no entiende de tecnología.La vida fuera de la fábrica puede ser confusa... Al fin y al cabo, el pequeño robot tiene mucho por aprender. ¡Y para eso están los amigos! Pero cuando el peligro se cruce en su camino... ¿podrán salvarse gracias al poder de la amistad? Una aventura divertida, emocionante y entrañable que cautivará a los lectores más pequeños de la casa.- Astronave: NICO BRAVO #3: El juicio de Vulcano. Por Mike Cavallaro.¡Aterriza una nueva entrega del héroe más alocado!¡Vulcano ha sido acusado por el malvado Ahriman de romper la Ley Cósmica! Su única esperanza es encontrar cinco poderosos artefactos desperdigados por todo el planeta... ¿Pero habrá gato encerrado en esta misión?Mientras tanto, la red secreta de reparto de Nico, Buck y Lula a Agaartha corre peligro. Sus amigos de la colonia de unicornios están siendo amenazados por yetis invasores que parecen formar parte de una conspiración mayor. Mientras Buck los defiende, Nico y Lula tendrán que resolver este misterio. ¡El equilibrio del universo depende de nuestros héroes!- Astronave: EL JARDÍN SECRETO. Por Maud Begon.El clásico de F. H. Burnett llega al cómic.Tras el fallecimiento de sus padres en las Indias, Mary es acogida por su tío, el señor Craven, un hombre ausente de pocos amigos. Al principio, la pequeña se sentirá como una extraña en aquella mansión oscura y solitaria, pero todo cambiará cuando encuentre un misterioso jardín lleno de secretos... Poco a poco, una insospechada amistad y la naturaleza campestre suavizarán el carácter huraño de Mary, ayudándola a descubrir aquello que de verdad importa.- ECC/Kodomo: CHICO MÁQUINA, HÉROE COTIDIANO. Por Irma Kniivila y Tri Vuong.Es un pájaro, es un avión, es... Chico Máquina, Héroe cotidiano.Cuando Chico Máquina cae en la ciudad de Mega 416, deja una estela de destrucción a su paso... hasta que Kárate Abuelo consigue activar su corazón. Ahora, ya sea luchando contra bichos gigantes en el sótano de la escuela o haciendo la salsa de espaguetis perfecta, Chico Máquina siempre busca la mejor manera de ayudar a los demás. Pero cuando su corazón reacciona peligrosamente a los misteriosos desechos del espacio exterior, Chico Máquina se pregunta si puede ser una fuerza del bien después de todo...Las estrellas emergentes Tri Vuong e Irma Kniivila crean una aventura divertida y atractiva que plantea la pregunta: ¿puedes anular tu propia programación?Canal de Telegram de Madresfera https://t.me/NoticiasMadresferaWeb: https://madresfera.com/Newsletter semanal: https://www.madresfera.com/newsletter/

Luis Carlos Bernabé del Monte Carmelo López Escauriaza nació en Cartagena de Indias el 11 de junio de 1879, el mayor de once hermanos, en una familia de comerciantes, distinguida pero de escasos recursos económicos. Muchos de sus contemporáneos le decían "El Tuerto" por su ojo con el que decía no poder ver, aunque en realidad era simplemente estrábico. Falleció en Cartagena de indias, el 30 de octubre de 1950. Como homenaje, en 1957 su ciudad le dedicó la escultura Los zapatos viejos esculpida por Tito Lombana, inspirada en su poema A mi ciudad nativa.

Kate and Molly chat with food stylist extraordinaire, Mariana Velásquez about their past working together, her career path and how she finally felt prepared to write her debut book, Colombiana. She describes the process of choosing the best agent for the project, how the pandemic altered the end result and where she starts the development of her recipes. She talks about some unique formatting choices, "maximalism" and the beauty of collaboration before sharing advice for others embarking on a similar journeys. Hosts: Kate Leahy + Andrea Nguyen + Molly Stevens + Kristin DonnellyEditor: Abby Cerquitella MentionsMariana VelásquezWebsiteInstagramBuenlimón RadioCasa VelasquezGentl and HyersCartagena de Indias en la Olla by Teresita Ronan De ZurekVisit the Everything Cookbooks Bookshop to purchase a copy of the books mentioned in the showColombiana by Mariana Velásquez

Entrevista al central albinegro, Iago Indias

Audiogyan is proud to partner with UnBox Cultural Futures Society and What Design Can do. What Design Can Do, is an international organization that seeks to accelerate the transition to a sustainable, fair, and just society using the power of design. WhatDesignCanDo is launching the “Make it Circular Challenge” - a global design competition building a circular future in partnership with IKEA. This Challenge invites designers and creative entrepreneurs everywhere to submit design-driven climate innovations. The end goal? To show the world that a circular future is not only imaginable — but actionable. Winning projects will be propelled into 2023 with €10.000 in funding and a tailor-made development program. Submit your proposals online for free by 11 January 2023. Check out the design briefs and learn more about them on makeitcircular.whatdesigncando.com Today we have Ayush Chauhan with us on Audiogyan. Ayush is the Managing Partner & Co-Founder of Quicksand Design Studio. He is a strong advocate of transformative roles through design within public policy, international development, social enterprise, and innovation, for which he was also granted the prestigious Yale World Fellowship in 2012. Ayush is also an avid triathlete! Quicksand Studio also hosts the UnBox Cultural Futures Society. It's a platform exploring new narratives and building action at the intersection of disciplines, to reimagine India's plural futures. As part of its agenda, UnBox Cultural Futures Society partners with What Design Can Do regularly and this year they bring, the ”Make it circular challenge”. Questions As we say, “India has many Indias.” We also do not have a literal translation of the word “Design” in India. We have kala, Karigari, and many more. How and where do you see Design in India? Our education system is mainly inspired by the west which in the initial days (before personalization) was designed for profits and thereby had a lot of standardization. We have also recently seen that valley startups don't find a PMF in India. What are your learnings/insights so far to reimagine India's plural futures through UnBox Cultural Futures Society? Historically (half a millennium ago) we as Indians were huge on up-cycling, reusing, and good design systems to make this circular thing work - Can we find learn from some insights? What Design Can do has partnered with IKEA for this “make it circular challenge”. IKEA is one brand that has made genuine attempts to contextualize products and services as per markets, barring aesthetics. Can you talk a little bit about the fundamental aspects of circular design? How did "UnBox Cultural Futures Society" and "What Design can do" connect? A little bit of the backstory? In which capacity do you guys collaborate What are other initiatives undertaken by Unbox through the years? Collaborating with British Council, NID, Gothe Institute, and more. In India, according to you are a few domains that need immediate design intervention. I am assuming it will be from MP Ranjan's list but still, since you are a practicing professional, you might see things differently. Can you conclude by sharing any case study/winner or 2, which you loved the most in the last 5 years from “What Design Can do” competitions? Reference reading https://www.whatdesigncando.com/makeitcircularchallenge/ https://www.whatdesigncando.com/our-challenges/ https://makeitcircular.whatdesigncando.com https://www.youtube.com/@WhatDesignCanDoVideo https://www.instagram.com/whatdesigncando/ https://twitter.com/WhatDesignCanDo https://www.youtube.com/watch?v=mXhzxS6nqDU http://quicksand.co.in http://quicksand.co.in/unbox https://cleanenergychallenge.whatdesigncando.com/jury/ayush-chauhan/ Living Coffin Nyungu Afrika  

In this episode, I speak with Patricia Morales Brost, a family medicine physician born in Cartagena de Indias, Colombia! Did you know that Colombia's Caribbean and Pacific coasts hold a very special connection to AFRICA?! According to 2022 World Population Review, Black Colombians represent a majority 60% of the population on the Colombian Caribbean coast (including Cartagena) and 90% on the Colombian Pacific Coast. We cover Afro-Colombian Rhythms including Cumbia, Champeta, Mapalé and Currulao! Don't worry if you've never heard of these because we we explain them all in this episode.  There is also an in-depth explanation of each Afro-Colombian music/dance style on the Ritmos Negros Instagram Page as well! Follow IG: @pmoralesvdes  @ritmos.negros

What you'll learn in this episode:   How Beatriz discovered and catalogued the 2,600 rings in the Alice and Louis Koch Ring Collection at the Swiss National Museum How Covid lockdown changed how people wear jewelry Beatriz's tricks for making a jewelry exhibit more engaging What it's like to work with jewels uncovered from shipwrecks How global trade has influenced how jewelry is designed and made   About Beatriz Chadour-Sampson   Beatriz Chadour-Sampson studied art history, classical archaeology and Italian philology at the University of East Anglia, and at the University of Münster, Germany. Her doctoral thesis was on the Italian Renaissance goldsmith Antonio Gentili da Faenza. In 1985 she published the jewelry collection of the Museum für Angewandte Kunst, Cologne. Since 1988 she has worked freelance as a jewelry historian, curator of exhibitions and academic writer in Britain. Her numerous publications on jewelry, ranging from antiquity to the present day, include the The Gold Treasure from the Nuestra Señora de la Concepción (1991), and 2000 Finger Rings from the Alice and Louis Koch Collection, Switzerland (1994). She was the consultant curator in the re-designing of the William and Judith Bollinger Jewelry Gallery at the Victoria & Albert Museum (opened in 2008), London and was guest curator of the ‘Pearl' exhibition (2013-14). She is an Associate Member of the Goldsmiths' Company, London. Today Beatriz Chadour-Sampson works as a freelance international and jewelry historian and scholarly author. Her extensive publications range from Antiquity to the present day.    Additional Resources: Instagram Museum Jewellery Curators - Goldsmiths' Fair Photos available on TheJeweleryJourney.com Transcript:   Working in jewelry sometimes means being a detective. As a freelance jewelry historian and curator of the Alice and Louis Koch Ring Collection at the Swiss National Museum, Beatriz Chadour-Sampson draws on her wealth of knowledge to find jewelry clues—even when a piece has no hallmark or known designer. She joined the Jewelry Journey Podcast to talk about how she creates jewelry exhibits that engage viewers; how she found her way into the niche of shipwreck jewelry; and what it was like to catalogue 2,600 rings. Read the episode transcript here.  Sharon: Hello, everyone. Welcome to the Jewelry Journey Podcast. This is the second part of a two-part episode. If you haven't heard part one, please head to TheJewelryJourney.com. My guest is Beatriz Chadour-Sampson. She's been the curator of the Alice and Louis Koch Ring Collection at the Swiss National Museum for almost 35 years. Welcome back.   Beatriz: You asked about the catalogue. We didn't know if the exhibition was going ahead at one point, but I was asked by V&A Publishing to do a book on pearls, which I did. So, yes, we did a book which was for sale during the exhibition. That was in 2013. We redesigned the jewelry gallery, and 2008 was the end of that. The pearls exhibition was in 2013, the beginning of 2014.   Sharon: Why was it redesigned, the gallery?   Beatriz: The jewelry gallery. With all galleries, there comes a point where they need to be refreshed and renewed, and the previous design needed it. You even had gates you had to get through, and if you weren't quite as slim as myself, you would have problems getting through the gates. When it was redesigned, it was a completely different aesthetic. As I said, the boards have to tell the story, so when the visitor walks in, they have to understand the story and go from one to the other. Some people say the gallery is very full, but it is a study collection. We asked the education department artists to do certain things.    I was very keen on going “from cradle to grave.” The gallery is chronological, so you want a display before you start to know why you wear jewelry. A child wears jewelry or a mother wears jewelry to protect them at childbirth, or they wear it for status or religion or whatever it is. Jewelry is multitasking, multifunctional. Today we think of jewelry as decorative, but that is not the case. Jewelry was made for an occasion and a reason. With status, you always have the big diamonds and the big stones. That has always existed, in recently centuries definitely. But there are so many more reasons for jewelry, for mourning and birth and good luck. That sort of exists today, probably with charms. So, jewelry is multifunctional.    Then we have a screen with pictures from different centuries showing portraits because, at a jewelry gallery, you can't see the pieces on someone. They need the body, but they don't have the body. So, it's good to have a screen showing how the jewelry was worn through the centuries, which is very important. Also in the display, each board—let's say you had earrings, a necklace and a bracelet. The concept was that what you wear on the top of the head goes on top. What you wear around your neck comes next and then the base, so you have a feeling of an abstract body in a way. It's not always obvious, but I try to think of it logically.    Of course, with the contemporary, we couldn't do that. It is all chronological until you get to about the 1950s, and that's it. You have to find a completely different concept. So, we decided to do it by materials. Good chronology at the beginning, but then it comes into materials. Natural materials, new metals, techniques. You couldn't do decades. That couldn't work. So, we did it by materials, which is an interesting aspect because you have all the different materials they use in comparison to all the gold and silver you see throughout the gallery. Suddenly, you're seeing a whole wall of completely different materials.   Sharon: What is your role as co-curator? You're curator and co-curator of so many places. What's your role as a co-curator? What do you do? What do they call in you for?   Beatriz: It's an advisory role. The Victoria and Albert Museum is a bit more than just an advisory role. You're working with the team, with the architect. It's a team procedure, but as I say, everybody has their own role to play. It intermingles, of course.    Sharon: At other times, you've talked about a different museum in Switzerland where you came, and it looked just—was it at eye level? Was it low? Was it too high?   Beatriz: Oh, that one, no. You remembered that detail. The eye level, that was the Victoria and Albert Museum. That is in the center of the gallery because we did a display for a tourist who goes to the museum and only has 10 minutes to look at jewelry history. So, in the center you've got these curved glass cases. The jewelry is on special mounts. You remember that. I asked my colleagues of different heights, from four foot something to six foot something. In the storage room, we had glass doors where there was a lot of storage space with artifacts in it, and I used Post-it Notes to put the different heights of people to see what a good eye level is. So, if you're looking at a broach or a tiara or something, you want it on the level where you more or less visualize it on your body so you can see it well. So, yes, that's the Post-it Notes. I used not only double-sided tape and pieces of paper, but also Post-it Notes, trying to find the right height for the pieces.    Eye level is hugely important, but the other museum you're thinking of may be something I'm current advising on. This is really an advisory role. It is a museum that will open next year, the Dubedeen, a German museum. Of course, there are gemologists there that are very specialized, but their museum experience is missing. So, I'm giving a little bit of advice on the background of things. Don't put a plinth that you can fall over. Don't make drawers that a child can get their fingers caught in. You learn these things from places like the Victoria and Albert Museum. There's health and safety. There's also the height of displays, the attention span of visitors. Text shouldn't be too long. It's more of an advisory role than an active role.   Sharon: I'm thinking about attention span. You must have seen that really go down. It seems nobody has more than two seconds for attention anymore.   Beatriz: There is an element of that. I think the Koch Collection of rings in the Jewelry Gallery is one of the most visited in the England museums. When you get to sparkle and glitter, there's more attention span, but not so much on the text.   Sharon: Yeah, that's probably true. You've also done a lot of work on shipwrecks. That's very interesting.   Beatriz: That goes back to 1989. By sheer coincidence, I came to work on shipwrecks. I was in New York when I was working on the Concepción Collection. I met Priscilla Muller of the Hispanic Society of America in New York, and I helped her with some Spanish and Portuguese jewelry. When she was asked, she just didn't have the time to work on the shipwrecks. She thought with my Spanish and Portuguese knowledge, I would be suited for that, so I was asked by Pacific Sea Resources in 1989 to work on an incredible shipwreck called the Nuestra Señora de la Concepción from 1638 that sank. It was the usual thing, mutiny and the wrong person taking care of the ship. That's a private story, not a jewelry story, but the interesting thing is that the jewelry was basically made for Spaniards in the Philippines. The jewelry was made in the Philippines, the majority of it for Spaniards. It was a Spanish colony at the time.   When I was first went through it, I thought, “It looks quite European. It looks O.K.” I signed the contract, and little did I know how much research was involved for the material, which I hardly knew. It was because of the influence. The Spaniards definitely had European design books they brought with them. By then, you had printed books with designs in them, and they must have had them there. Chinese craftsmen were working for them in the Philippines, and of course the Chinese had great skills with outside countries. Some of it looks very European, and some of it is Indian influences, Siamese influences, and influences from Java, Sumatra. The chains, heavy gold chains, were certainly Chinese filigree. In fact, I told the Ashmolean Museum it belonged to Sir Elias Ashmole, whose portrait and chains still exist in the Ashmolean Museum, and I told them that one of the gold chains he had was Chinese. It was given by the Kuffners from Brandenburg, and I happened to find out that the Kuffners from Brandenburg travelled to China. So, that all fit. That was a little like detective work. That was published in 1990.   I've recently been working again on shipwrecks, just a few pieces of absolutely fascinating jewelry found off the shore of the Bahamas, which has now been in the Maritime Museum on the Bahamas for only a few months. I also worked on the Atocha in Key West. I organized an exhibition in Hanover for them, where we did a display of the Atocha and Santa Margarita events. But what's so fascinating about shipwrecks is that we see so many portraits of beautiful jewelry from the Renaissance, the 16th, 17th centuries, where they really documented beautifully painted jewelry in paintings. Thanks to that we can study them in detail. All this jewelry doesn't exist anymore, especially gold chains, because gold chains were the easiest thing to melt and reuse for more modern jewelry. As I have said, I have a smile when somebody talks to me about recycled gold being something new. Well, it's nothing new. Recycling gold goes back centuries.    Sharon: I'm surprised because in the pictures, you always think it's a straightforward gold chain with no Chinese engraving or anything. You think of it as a gold chain.   Beatriz: Some of it is simple, what they called a P-chain. You saw loads of it, especially on Dutch paintings. But in the Atocha there was a spiral. You can see they're very tidy on the portraits, but it looks as if they had a spiral at the back holding the chain so they flowed down properly. Some of those chains we had were definitely Chinese filigree because those chains are filigree. In the 1655 shipwreck from the Bahamas, there's a chain like that, and that's mainly why they asked me to look at it. That certainly reminded me of some of the Concepción work, which was Chinese craftsmanship.    The trade was amazing. You had trade happening in the Philippines. Even the Dutch were trading with the Spaniards. The Dutch were trading silks and spices from China and so on. These big galleons went from the Philippines to Acapulco and Vera Cruz and then to Havana. They went on a route around South America, loading and offloading things from Europe. It's interesting because in Seville, there's the Archivo General de Indias, and there they have all the books on the shipping material. Like with the Atocha, they found out which ship it was because the gold bars have a text mark on them, and that coincided with the documents they have in Seville. It's fascinating. It's a fascinating field.   Sharon: It seems like it.   Beatriz: It's a mystery and it's global, of course. Made in Asia; there's nothing new. It's hundreds of years. There would not be any porcelain in 18th century Europe the other way around.   Sharon: Do you get to see the ship right away? When it comes up, do you see it when they pull it from the ocean?   Beatriz: No. When I was asked to work on the Concepción, I had to travel to Singapore where it was being cleaned and conserved. In one instance I had to say, “Stop cleaning because I think there's enamel underneath, black and white enamel. Stop.” You have to be careful because you have to get rid of the marine dirt. No, I got to see it after it was cleaned or while it was being cleaned.    Sharon: Wow! And then what? It goes to the museum? What happens afterwards?   Beatriz: It nearly got split up and sold at auction. I'm glad it didn't because it's a historical find, but unfortunately you have to go the Mariana Islands to see it. You can't see it always. The material is put together, and it was published in a black and white archaeological report. It was published in 1990, so at least it's documented. National Geographic did a beautiful spread with color, so you know what it's like.   Sharon: What have you learned from parsing these shipwrecks, from researching the shipwrecks?   Beatriz: The extent of influence in Europe of some motifs and how far they went. It was made in the Philippines and sold in Europe because everything that was made and transported on this galleon, the Atocha, at some point went to Seville and then it was traded on. We definitely know that the emeralds the emperors were after came from Colombia and then went through Havana to Seville. It's a fascinating trade, but the trade is something we never think about. In Roman times, the Roman emperor wanted pearls, so they traveled to southern India to get pearls. History does amaze one.    Sharon: It does. You're working on many projects now. What can you tell us about some of them?   Beatriz: I can tell you what's half-finished and what's coming. I've had a year of three books. I co-edited a book with Sandra Hindman, founder of Les Enluminures. I need to add Les Enluminures because for many years, I've been their jewelry consultant. They're based in Chicago, New York and Paris and are specialized mainly in Medieval and Renaissance jewelry, but this has nothing to do with the book we did. It just happened to be that we worked together again. Sandra and myself did something called a liber amicorum in honor of Diana Scarisbrick, a leading jewelry historian. It was for her 94th birthday, and we kept it a secret until her birthday. It had 20 authors in three languages all writing in her honor. That has come out. It's now available. It was published by Paul Holberton. It's on varied topics, from archaeology to today, really. 20 authors contributed towards that.    Today I received my copy of a book I worked on for the Schmuckmuseum, so it's now published. The launch is on Sunday, but I won't be traveling to Germany for that, unfortunately. It has to be a Zoom celebration for me. It's to do with the humanist Johann Reuchlin. He was from Pforzheim. He lived in the late 15th to the 16th century, and it's about script and jewelry from varying periods. It's a lot of contemporary jewelry as well. The cover doesn't really tell you that because it was the 500th anniversary of, I think, his death date. So, he was honored in this book, which has just come out, with essays from many people. Lots and lots of jewelry. That was published by Arnoldsche, and it's called—I have to think of it—German sounds so much easier in this case. It means script and pictures worn on the finger. I worked on rings with script on them.   Sharon: With writing you mean?   Beatriz: Yeah, writing, that's it. There are a lot of other topics in the book as well, but jewelry is certainly the dominant. Yes, they are rings. Mary Queen of Scotts is somebody who wrote her inscription inside the ring and was loyal to the queen. Had that been seen, her head would have gone to the chop. It's rings with prayers on them or rings with some sort of amuletic inscriptions. It's all inscriptions on rings in my case, and it's about Josiah Wedgwood who gave this ring to John Flaxman. You've got a whole history behind it. It's rings with script on them, highly visible on the bezel, either visible on the bezel or inside the hoop.   Sharon: In English or German?   Beatriz: It's basically German, I'm afraid to say, but with lots of good pictures with excellent captions, which are international. I am bilingual in German and English, but I haven't written German for a long time.    I've actually written a third book that's coming out, but that won't come out until January. That was a huge task. It's on jewelry from Bossard from Lucerne. It started in the early 19th century, but the two I worked on were a father and son from 1869 until 1934. That was the period of historicism. It was also a time of fakes of Renaissance jewelry being made, because there were so many collectors who wanted Renaissance but couldn't afford the real Renaissance jewelry. So, it was very tempting for fakers to make fake jewelry. When I started, I didn't know what I was in for, but I have come to the conclusion that it's pure historicism, what Bossard made. I had very little jewelry to go on, just a few pieces in private hands, but I did find by sheer coincidence a drawing, and I found the bishop who it belonged to. You have a hundred drawings by the Bossard Company over this whole period, and it's very interesting material to see their designs they were making. In some instances, it's real Renaissance. I don't know if they were Renaissance or if it was actually made later. Then it gets critical. It's a very complex period, but a very interesting archive in the Swiss National Museum in Zurich.   Sharon: For next year, do you have other projects going on?   Beatriz: Yes, the coming projects. I mentioned the gem museum, which is opening next year. I'm in the midst of advising. I'm going to be working very shortly—I've already started a bit—on the jeweler Eileen Coyne from London. She's been working on jewelry since the 1970s and continues to make jewelry very, very different to anything I've worked on before. What I find so fascinating is that her imagination and inspiration come from the material. It comes with the material and the tools. She also uses interesting gemstones and beads that come from ethnic backgrounds. She uses the most amazing materials. Also jades, carnelians, all kinds of things. So, we're going to do a book. She had a shop in the 80s and into the 90s. Her jewelry was displayed in Harvey Nichols in London, and she had a shop where all the celebrities and royals went shopping. It was quite an interesting clientele. We'll see if we get photographs or if they allow us to show some of the things they bought. It's very much about discretion in such cases. So, that's interesting, a completely different type of jewelry.    I'm really excited about it, but at the same time, I've also been involved, and am more involved now, in an artificial intelligence project. That is a ring that has been designed by Sylvia Reidenbach and John Emeny in England. Sylvia Reidenbach is German, but she teaches in Glasgow and London and all over Europe as well. She has created, with John Emeny, a ring with artificial intelligence based on one or two rings from the archaeological museum in Munich, a few rings from the  Germanisches Nationalmuseum in Nuremburg, and 150 rings from the Koch Collection. There's one design. The machine makes the design, mixes it all and combines it into one design. The ring is now being made. The stone is labradorite. It's been on display since Wednesday last week in the Germanisches Nationalmuseum but will be coming to Zurich afterwards. So, I'll be learning a lot about AI and design. That is completely different from anything. I like the natural materials and history, and then the contrast is the AI.   Sharon: The AI is the dimensions of all these hundreds of rings?   Beatriz: Yes, the images are put into the machine, the AI. Don't ask me the technology of it because I haven't got a clue about AI technology. I'm at the beginning of it all. I'm learning, but I have seen how it develops. The images are fed into the machine, like the 150 rings from the Koch Collection and the others, and the machine designs one ring out of that.   Sharon: Wow! So, it's already made and in the museum.   Beatriz: Only just now. It's hot off the press, but there's more to come on that. There will be more to come on that, yes.   Sharon: You've written several other books. You wrote “A Life in Jewels.”   Beatriz: That is the book we did for Diana Scarisbrick, honoring her. I've written books since 1981, so it's added up quite a bit. Sometime I can give you a list.    Sharon: How about the influence of women on 20th century jewelry? Has it changed jewelry? Has it made it more feminine?    Beatriz: It's an extremely complex story, the role of women in design. You have to see it from the role of the woman in history. Just recently by coincidence, I've seen some material on women painters from the 16th and 17th centuries. In Bologna, for example, there were quite a few, and it's only now coming to the fore. You also have to see high jewelers' workshops in the field of jewelry. You don't have a Renaissance piece of jewelry and know, “So-and-so made it.” That didn't exist. It's only in the 19th century that we start that. The hallmarking system in England goes back to the 13th century, but jewelry was considered smallware, so they didn't consider putting a hallmark on it.    That changed later on, the but the name of the designer is something that we very often don't know. The high jewelers of the 19th century, when you knew the name of who made it in Paris or New York, you never know the name of the designer. That is something that came in in the 20th century. You have some classical examples. With Cartier, it was Jeanne Toussaint. She designed some of the iconic pieces for Cartier and the Duchess of Windsor. She worked for I don't know how many decades designing jewelry. She was a very important female designer. Then you've got Coco Chanel. She designed jewelry, mostly costume jewelry, but she also designed diamond jewelry. Not that she wanted to, but it was for the nation and probably the economy that she did it. Elsa Schiaparelli, with her fantastic surrealist jewelry, made that incredible neckpiece with beetles in plastic. If you had to date that as a jewelry store and you didn't know the background, you'd easily say 1970s or 80s. It's so amazing. In that period, you also had Suzanne Belperron with her really unique designs in jewelry.    Of course, the role of the woman changed after the First World War. You had millions of widows, and they had to work. The whole society was changing. After the Second World War, it became even more evident that women were working. I was very cheeky. I did a lecture. It was in the British Museum, and I was talking about the changing role of men and women buying jewelry. You can imagine the shock of some of them. I said, “Women go out and buy their own jewelry.” Before it was classical: the husband bought the jewelry for the wife. They were the earners, so they bought it. There were a few examples in the early 1900s, like the Duchess of Manchester, whose tiaras are in the Victoria and Albert Museum. She was one of these Dollar Princesses and quite a character. She liked smoking cigars and all. She went off with the family diamonds to Cartier and said, “Make me a tiara, and use up the garments.” You have Lady Mountbatten, who, after the birth of her daughter, Pamela, decided to go to Cartier and buy herself a nice bracelet that she could also wear in her hair in the 1920s.    There are a few examples. On the whole, it was always the husband buying the jewelry, but past that, you have women earning money and buying their own jewelry. The 60s sets off in that direction, and then it becomes jewelry that's more affordable. Jewelry has never been so diverse as in the last decades. It's never been so diverse in all its history. If you look at the Royal College of Art, I think you'll find that, in general, there are a lot more women in training to become jewelers. You find so many names of women designers, now one doesn't even talk about it. Whether it's a man or a woman, it's just become a norm.    Sharon: That's interesting. If you stop to think about it, I don't even know if there are that many male designers. I'm thinking about when I go to studios. You see more women than you do men.   Beatriz: It's more and more, yes. There are more and more women, absolutely.   Sharon: What would you advise? What piece of advice would you give emerging jewelers or people who want to follow in your steps?   Beatriz: Remember that if you're a jewelry historian, you're an academic. Remember that. You have to really enjoy what you're doing. In my case, I was very lucky. I've worked for so many different projects and so many different jewelers internationally. I've specialized in that, but it's very difficult. Maybe, depending on the economic situation, people can volunteer in a museum to learn the trade. I think what you really have to know is do you want to work in a gallery, or do you want to work in an auction? Do you want to work in a museum? They don't always mingle, so you have to learn where you want to go. It depends on what your interests are. If you have anybody, send them to me privately. I'm happy to talk it through.   Sharon: Thank you for being with us.   Beatriz: My pleasure.   Sharon: Well will have photos posted on the website. Please head to TheJewelryJourney.com to check them out.   Thank you again for listening. Please leave us a rating and review so we can help others start their own jewelry journey.

El continente americano se extiende de polo a polo dificultando el paso de los navíos del océano Atlántico al océano Pacífico. Los españoles se encontraron con este último a principios del siglo XVI por dos puntos muy distantes. Cerca del ecuador Vasco Núñez de Balboa cruzó el istmo de Panamá en 1513 y se dio de bruces con una gran masa de agua a la que bautizó como mar del Sur porque él y sus hombres venían del mar Caribe, que habían dejado al norte. Ese descubrimiento demostraba que al otro lado de las Indias recién descubiertas había otro océano y que, ese sí, conducía directo a la especiería. Siete años más tarde, en 1520, la expedición comandada por Fernando de Magallanes y que había partido de Sevilla un año antes con intención de llegar a las islas de las especias navegando hacia el oeste, descubrió el paso meridional y accedió al Pacífico, pero estaba muy al sur, por debajo del paralelo 50. Tanto el istmo de Panamá, que se cruzaba a pie, como el estrecho cartografiado por Magallanes y que terminaría llevando su nombre, eran los dos únicos accesos al Pacífico navegando desde Europa o desde la costa atlántica de América. Uno no era un paso propiamente dicho ya que había que desembarcar y continuar por tierra, el otro estaba muy lejos de las principales rutas de navegación. Era necesario, por lo tanto, encontrar un paso en el norte que comunicase ambos océanos y que permitiese ir de las costas europeas a las del extremo oriente sorteando América en poco tiempo. Pero no era un camino fácil ya que entre medias se interponían los hielos del polo norte y una miríada de islas cuajadas de glaciares al norte de lo que hoy es Canadá. Las principales potencias europeas se afanaron en abrir esa ruta que fue bautizada como paso del noroeste. Durante tres siglos españoles, ingleses, franceses y escandinavos enviaron varias expediciones a las aguas circumpolares para ser los primeros en llegar y asegurarse así una lucrativa ruta comercial. Lo intentaron primero desde el Atlántico, luego, a partir del siglo XVIII, desde el Pacífico, pero el paso del noroeste era esquivo y cruzar de un océano a otro por el norte se demostró un desafío mucho más complejo que hacerlo por el sur. En el siglo XIX se unieron a la aventura los estadounidenses, para quienes encontrar ese paso era una prioridad de Estado ya que el país se había extendido de costa a costa obligando a los barcos que iban de San Francisco a Nueva York a dar un larguísimo rodeo por el estrecho de Magallanes. Pero todos fracasaron hasta principios del siglo XX cuando un explorador noruego, Roald Amundsen, lo consiguió navegando desde Oslo hasta Alaska en un barco de pequeño tamaño y adaptando la expedición a las condiciones polares. Como gesta aventurera era todo un logro, pero aquello no servía como ruta comercial viable. Para entonces el paso del noroeste había perdido ya su sentido. Poco después se inauguró el canal de Panamá permitiendo a grandes buques hacer el tránsito de océano a océano en unas pocas horas siguiendo el mismo camino que había realizado Núñez de Balboa cuatro siglos antes. Esta búsqueda incesante del paso del noroeste dejó para la posteridad grandes expediciones en dos océanos cuyos capitanes se encargaron de cartografiar con sumo detalle las costas de los gélidos y traicioneros mares del norte. Pues bien, hoy en La ContraHistoria vamos a ver esto mismo, el modo en el que durante cuatrocientos años miles de hombres se empeñaron en encontrar un paso donde simplemente no lo había. En El ContraSello: - Santiago Vidaurri y Nuevo León - El imperio mongol - Sacrificios humanos Bibliografía: - "Viaje para el descubrimiento de un paso por el noroeste" de William Edward Parry - https://amzn.to/3UGrA4Q - "Relación del viaje para reconocer el estrecho de Fuca" de Dionisio Alcalá Galiano - https://amzn.to/3Fh7yIi - "Henry Hudson: La exploración de la costa este de América" - https://amzn.to/3W6MJGt - "Indios y conquistadores españoles en América del Norte" de Jean-Michelle Sallmann - https://amzn.to/3BmZTHc · Canal de Telegram: https://t.me/lacontracronica · “La ContraHistoria de España. Auge, caída y vuelta a empezar de un país en 28 episodios”… https://amzn.to/3kXcZ6i · “Lutero, Calvino y Trento, la Reforma que no fue”… https://amzn.to/3shKOlK · “La ContraHistoria del comunismo”… https://amzn.to/39QP2KE Apoya La Contra en: · Patreon... https://www.patreon.com/diazvillanueva · iVoox... https://www.ivoox.com/podcast-contracronica_sq_f1267769_1.html · Paypal... https://www.paypal.me/diazvillanueva Sígueme en: · Web... https://diazvillanueva.com · Twitter... https://twitter.com/diazvillanueva · Facebook... https://www.facebook.com/fernandodiazvillanueva1/ · Instagram... https://www.instagram.com/diazvillanueva · Linkedin… https://www.linkedin.com/in/fernando-d%C3%ADaz-villanueva-7303865/ · Flickr... https://www.flickr.com/photos/147276463@N05/?/ · Pinterest... https://www.pinterest.com/fernandodiazvillanueva Encuentra mis libros en: · Amazon... https://www.amazon.es/Fernando-Diaz-Villanueva/e/B00J2ASBXM #FernandoDiazVillanueva #exploracion #polonorte Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

In this podcast, Kushal speaks with Rajeev Mantri as they discuss the report published by Morgan Stanley titled "Why This Is India's Decade". The report states "India has the conditions in place for an economic boom fueled by offshoring, investment in manufacturing, the energy transition, and the country's advanced digital infrastructure. These drivers will make it the world's third-largest economy and stock market before the end of the decade". Follow Rajeev: Twitter: @RMantri #Economy #MorganStanley ------------------------------------------------------------ Listen to the podcasts on: SoundCloud: https://soundcloud.com/kushal-mehra-99891819 Spotify: https://open.spotify.com/show/1rVcDV3upgVurMVW1wwoBp Apple Podcasts: https://podcasts.apple.com/us/podcast/the-c%C4%81rv%C4%81ka-podcast/id1445348369 Stitcher: https://www.stitcher.com/show/the-carvaka-podcast ------------------------------------------------------------ Support The Cārvāka Podcast: Become a Member on YouTube: https://www.youtube.com/channel/UCKPxuul6zSLAfKSsm123Vww/join Become a Member on Patreon: https://www.patreon.com/carvaka Become a Member on fanmo: https://fanmo.in/the_carvaka_podcast UPI: kushalmehra@icici To buy The Carvaka Podcast Exclusive Merch please visit: http://kushalmehra.com/shop ------------------------------------------------------------ Follow Kushal: Twitter: https://twitter.com/kushal_mehra?ref_src=twsrc%5Egoogle%7Ctwcamp%5Eserp%7Ctwgr%5Eauthor Facebook: https://www.facebook.com/KushalMehraOfficial/? Instagram: https://www.instagram.com/thecarvakapodcast/?hl=en Koo: https://www.kooapp.com/profile/kushal_mehra Inquiries: https://kushalmehra.com/ Feedback: kushalmehra81@gmail.com

**** VIDEO EN NUESTRO CANAL DE YOUTUBE **** 📺 https://youtu.be/RbrJcwt-xfw 📺 +++++ Hazte con nuestras camisetas en https://www.bhmshop.app +++++ En la primera mitad del siglo XIX, la joven República de los Estados Unidos había empujado a su antigua metrópoli gran Bretaña al territorio septentrional de Norteamérica, expulsado a la debilitada monarquía española del continente y ocupado por la fuerza la mayor parte de las provincias norteñas de México. Esta vertiginosa expansión dejó a los pueblos nativos norteamericanos como único obstáculo y enemigo de los colonos que reclamaban las tierras Indias como propias y del gobierno federal cuyo objetivo era la ocupación completa de todo el territorio continental para su incorporating a la nueva nación. Gracias a José Antonio López Fernández , autor de "Las guerras indias en Norteamérica, 1811-1891. La ofensiva estadounidense" ** https://amzn.to/3zyZDoG ** , conoceremos las campañas de los EE.UU. para ocupar las tierras del Oeste. Os invito a ver "LA GUERRA FRANCO INDIA 1754 - 1760 . Los pueblos nativos en la Guerra de los 7 años" https://youtu.be/i6sGfSA6LOc -------------------------------------------------------------------------------------------------------------------- Si queréis apoyar a Bellumartis Historia Militar e invitarnos a un café o u una cerveza virtual por nuestro trabajo, podéis visitar nuestro PATREON https://www.patreon.com/bellumartis ----------------------------------------------------------------------------------------------------------------- HAZTE CON LOS LIBROS DE JOSÉ ANTONIO https://amzn.to/3xIJlrQ No olvidéis suscribiros al canal, si aún no lo habéis hecho. Si queréis ayudarnos, dadle a “me gusta” (el corazón a la derecha de Ivoox) y también dejadnos comentarios. De esta forma ayudaréis a que los programas sean conocidos por más gente. Y compartidnos con vuestros amigos y conocidos. SIGUENOS EN TODAS LAS REDES SOCIALES ¿Queréis contactar con nosotros? Puedes escribirnos a bellumartishistoriamilitar@gmail.com Nuestra página principal es: https://bellumartishistoriamilitar.blogspot.com

Tenerife es la mayor y la más codiciada de las islas Canarias. La isla, conquistada con grandes esfuerzos por la corona de Castilla a finales del siglo XV tras una serie de campañas dirigidas por el adelantado Alonso Fernández de Lugo, se convirtió pronto en un lugar de paso necesario en el comercio atlántico. Las flotas de Indias paraban en Canarias de camino a América y casi siempre hacían escala en Tenerife, que gozaba de buenos puertos naturales y en su interior se encontraba San Cristóbal de La Laguna, capital y ciudad principal del archipiélago, situada en altura y a cierta distancia de la costa para evitar ataques desde el mar. Las Canarias, como ya vimos en una ContraHistoria de hace un par de años, fueron desde el principio objetivo predilecto de corsarios británicos, holandeses y franceses que merodeaban por el océano cercano al archipiélago tratando de capturar la flota del tesoro que regresaba de América cargada de oro y plata. Estos piratas a menudo se dejaban caer por las costas canarias con intención de saquear todo lo que encontrasen a su paso. Las Canarias estaban bien defendidas por los propios canarios, que combatieron con gran valentía y arrojo los ataques piratas, pero estas expediciones no tenían ni la intención ni la capacidad de arrebatar el archipiélago a la corona española. Para eso hacía falta algo más, había que tomárselo muy en serio y organizar el asalto con gran cuidado. A eso mismo se afanó el Reino Unido entre los siglos XVII y XVIII. Las Canarias, y más concretamente Tenerife, les interesaban mucho por su ubicación geográfica y por la riqueza que ofrecían las islas grandes. El primero de estos asaltos fue el del almirante Robert Blake en 1657 que quiso capturar la flota de Indias que había buscado abrigo en Santa Cruz de Tenerife. El inglés consiguió hundir los navíos españoles, pero ya se había descargado la plata proveniente de América por lo que tuvo que volver con las manos vacías. Medio siglo más tarde, en 1706, durante la guerra de sucesión española, trece navíos al mando de John Jennings se dirigieron a Tenerife con intención de hacerse con ella. Trataron de desembarcar, pero las baterías costeras dispararon, por lo que se vieron obligados a cambiar de táctica. Informaron a los tinerfeños de que Felipe de Anjou había perdido la guerra en la península y que, por lo tanto, debían jurar lealtad al archiduque Carlos de Habsburgo. El corregidor de Tenerife, José de Ayala, se negó enviando un mensaje a Jennings que decía que “si Felipe, nuestro rey, lo hubiera perdido todo en la Península, estas islas le seguirían siendo fieles”. Jennings, cuya escuadra era de pequeño tamaño, decidió no volver a intentarlo y regresó a Europa. El asalto final sobre Tenerife se produjo un siglo más tarde, en julio de 1797, el día de Santiago exactamente. Aprovechando el bloqueo que la armada británica había impuesto a las costas peninsulares, el almirante Horatio Nelson navegó hasta Tenerife para apoderarse de la isla al mando de una gran flota. Al ser avistada por las defensas costeras el general Antonio Gutiérrez de Otero organizó la defensa de la isla. Los ingleses desembarcaron en Santa Cruz, pero fueron rechazados tras un heroico combate por las calles de la ciudad. El propio Nelson perdió el brazo derecho cuando se abría camino en una barca de desembarco para dirigir las operaciones. El fracaso inglés fue absoluto, tras perder un barco y a centenares de hombres tuvieron que rendirse y volver por donde habían venido. Desde entonces la ciudad de Santa Cruz de Tenerife se precia de haber derrotado tres veces a Inglaterra, por eso en su escudo junto a la cruz de Santiago figuran tres cabezas de león en recuerdo de los tres almirantes británicos (Blake, Jennings y Nelson) que intentaron en balde conquistar la ciudad. Pues bien, para hablar sobre estos tres asaltos nos acompaña hoy en La ContraHistoria un viejo amigo del programa, Carlos Pérez Simancas, que es canario y que conoce bien estas tres historias. Bibliografía: - "Inglaterra derrotada" de Álvaro Van den Brule - https://amzn.to/3ApCnsF - "Fortificaciones de la isla de Tenerife" de Miguel Ángel Noriega Agüero - https://amzn.to/3tEBybE - "Héroes y testigos de la derrota de Nelson en Tenerife - Juan Carlos Cardell Cristellys - https://amzn.to/3hFtODw - "Nelson: The Sword of Albion" de John Sugden - https://amzn.to/3EGG4Np · Canal de Telegram: https://t.me/lacontracronica · “La ContraHistoria de España. Auge, caída y vuelta a empezar de un país en 28 episodios”… https://amzn.to/3kXcZ6i · “Lutero, Calvino y Trento, la Reforma que no fue”… https://amzn.to/3shKOlK · “La ContraHistoria del comunismo”… https://amzn.to/39QP2KE Apoya La Contra en: · Patreon... https://www.patreon.com/diazvillanueva · iVoox... https://www.ivoox.com/podcast-contracronica_sq_f1267769_1.html · Paypal... https://www.paypal.me/diazvillanueva Sígueme en: · Web... https://diazvillanueva.com · Twitter... https://twitter.com/diazvillanueva · Facebook... https://www.facebook.com/fernandodiazvillanueva1/ · Instagram... https://www.instagram.com/diazvillanueva · Linkedin… https://www.linkedin.com/in/fernando-d%C3%ADaz-villanueva-7303865/ · Flickr... https://www.flickr.com/photos/147276463@N05/?/ · Pinterest... https://www.pinterest.com/fernandodiazvillanueva Encuentra mis libros en: · Amazon... https://www.amazon.es/Fernando-Diaz-Villanueva/e/B00J2ASBXM #FernandoDiazVillanueva #Tenerife #Nelson Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

Indian Independence history has been a result of blood and sweat of millions of Indias, unfortunately our history has been skewed in the favor of a select few. Many people who actually were the reasons why India gained its freedom have been maliciously sidelined. But now it's high time that they all receive the respect and attention they deserve and rightly so.

Morse code transcription: vvv vvv Not a tweep anymore. Twitter layoffs likely to exact an emotional toll. Jordan Bardella French National Rally has new leader to replace Le Pen Iran says it shipped drones to Russia before Ukraine war Twitter launches 8 monthly subscription with blue checkmark Biden, Obama and Trump converge on Pennsylvania Powerball Lotto fever grips US for 1.6bn world record prize Aaron Carter Singer, rapper and brother of Backstreet Boys Nick dies aged 34 WATCH Multiple Tornadoes hit southern US states COP27 Rishi Sunak urges world to move faster on renewable energy Itaewon crush South Korea demands justice for young as thousands protest The Crown Seven takeaways from the latest series of Netflixs royal drama Jack Dorsey Twitter co founder breaks silence on Elon Musk takeover At least 38 were injured in a Manhattan apartment building blaze that was caused by a lithium ion battery, officials said Biden rejects claims Democrats in midterms trouble Details emerge in Paul Pelosi attack A break in, conversation, 911 call, then violence Breaking down Senate, House, governor races that could flip in midterms Shyam Saran Negi Man dubbed Indias first voter dies aged 105

En una época en que las especias eran productos muy codiciados, España quiso encontrar un camino alternativo para llegar a las Molucas, el archipiélago de las especias, desde las costas de Nueva España (México) evitando de esta forma el territorio adjudicado a Portugal en 1494 por el Tratado de Tordesillas. Documentos RNE muestra la historia de El Galeón de Manila. Una espacie de ruta naviera que, durante 250 años, desde 1573 hasta 1815, cruzó el Océano Pacífico, desde Filipinas a Acapulco; una ruta que luego continuaba por tierra hasta Veracruz, en la costa del Caribe, desde donde embarcaba en la Flota de Indias para finalizar en Sevilla, puerto de entrada en Europa de las mercancías del lejano Oriente. Varias expediciones lo intentaron. El problema no estaba en llegar desde la costa mexicana del Pacífico hasta Filipinas, sino que lo complicado era cómo hacer el viaje de vuelta ya que las corrientes empujaban a los barcos en sentido contrario. Sería un español, el cosmógrafo y religioso agustino, Andrés de Urdaneta, quien encontró el camino de vuelta, el denominado tornaviaje. En 1565 Urdaneta viajó en una expedición a Filipinas, comandada por el almirante Miguel López de Legazpi, que hizo el viaje de vuelta navegando hacia el norte, hasta Japón, para encontrar las corrientes favorables y cruzar el Pacífico rumbo a América. Ese hito tuvo importantes consecuencias económicas porque Manila se terminó convirtiendo en el centro de todo el comercio asiático. A la ciudad filipina llegaban las mercancías, principalmente de China, que después serían transportadas en el Galeón de Manila a la América hispana, y desde allí a Europa. La seda y la porcelana serán los principales productos, pero no los únicos que se embarcaban en el Galeón. Todo este comercio fue posible gracias a la abundante plata extraída de las minas americanas de Zacatecas y Potosí, metal que China necesitaba y que había impuesto como medio de pago para sus mercancías. Durante dos siglos y medio, el Galeón de Manila dará lugar a cambios económicos, sobre todo, pero también culturales y religiosos, lo que para algunos constituyó una especie de primera globalización. El documental El Galeón de Manila y la primera globalización, con guion de Modesta Cruz, cuenta con la participación de Manel Ollé, especialista de cultura china de la universidad Pompeu Fabra; con Juan José Morales, investigador de las relaciones Europa-China y residente en Hong-Kong desde hace treinta años; con Agustín Rodríguez, historiador y biógrafo de Andrés de Urdaneta; y con Ana Ruiz, especialista en artes decorativas novo hispanas de la Universidad de Granada. Escuchar audio

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! +++++ Hazte con nuestras camisetas en https://www.bhmshop.app +++++ “Y has de saber que todo su pronóstico viene sobre nuestros reinos, sobre los cuales ha de haber cosas espantosas y de admiración grande; habrá en todas nuestras tierras y señoríos grandes calamidades y desventuras; no quedará cosa con cosa; habrá muertes innumerables; perderse han todos nuestros reinos, y esto será por permisión del señor de las alturas, del día y de la noche y del aire; de lo cual todo has de ser testigo y lo has de ver y en tu tiempo ha de suceder” (Historia de las Indias de Nueva España e islas de Tierra Firme, Fray Diego Durán, c.1587). El proceso de conquista y colonización del actual México fue, como ya sabemos, tortuoso. Y no solo porque no podemos hablar de “conquista” per se, si no de un mosaico multiforme con muchos actores principales (españoles e indígenas), periodos y zonas muy diferenciadas. “Las Conquistas de México” reflexionará sobre el conjunto del proceso, desde el plano militar, social, económico o religioso. Nos acompañará en este programa el maestro Eric G. Cárdenas, creador e impulsor del canal de divulgación “México antes de México”. -------------------------------------------------------------------------------------------------------------- “La Conquista” es el podcast sobre el descubrimiento, conquista y colonización de la América Hispana. Presentado por David Nievas para Bellumartis. https://www.ivoox.com/conquista_bk_list_9703568_1.html Si queréis apoyar a Bellumartis Historia Militar e invitarnos a un café o u una cerveza virtual por nuestro trabajo, podéis visitar nuestro PATREON https://www.patreon.com/bellumartis -------------------------------------------------------------------------------------------------------------- Bibliografía recomendada -”El Quinto Sol: una historia diferente de los Aztecas” de Camilla Townsend. https://amzn.to/3uIPm65 -”Mitos mexicanos” de Enrique Florescano https://amzn.to/3yrun8E -”La Conquista de América: el problema del otro” de Tzvetan Todorov. https://amzn.to/3O4bX3E -”El indio y la sociedad colonial norteña” de Salvador Álvarez. Ilustración de cabecera amablemente cedida por Luis Armando Alarcón a través del proyecto "Tlacuilo, historia del México Antiguo" https://www.facebook.com/Tlacuilo-Historia-del-M%C3%A9xico-antiguo-1056402501225243 Créditos musicales: “Andina” por cortesía de Carlos Carty (CC BY 3.0 Adaptada) https://soundbetter.com/profiles/91984-carlos-carty locución cortesía de Jorge Tejedor "Crusade" Kevin MacLeod (incompetech.com) (Adapted) Licensed under Creative Commons: By Attribution 3.0 License https://creativecommons.org/licenses/by/3.0/ No olvidéis suscribiros al canal, si aún no lo habéis hecho. Si queréis ayudarnos, dadle a “me gusta” (el corazón a la derecha de Ivoox) y también dejadnos comentarios. De esta forma ayudaréis a que los programas sean conocidos por más gente. Y compartidnos con vuestros amigos y conocidos. SIGUENOS EN TODAS LAS REDES SOCIALES ¿Queréis contactar con nosotros? Puedes escribirnos a bellumartishistoriamilitar@gmail.com Nuestra página principal es: https://bellumartishistoriamilitar.blogspot.com/Escucha este episodio completo y accede a todo el contenido exclusivo de BELLUMARTIS PODCAST. Descubre antes que nadie los nuevos episodios, y participa en la comunidad exclusiva de oyentes en https://go.ivoox.com/sq/618669

Hoy, en este episodio… Te voy a explicar algunas cosas relacionadas con un importante día que se celebra en España, el 12 de octubre.  A continuación, un pequeño ejercicio de preguntas y respuestas para practicar la fluidez. Muy bien. Primero de todo, muchas gracias por escuchar y por seguirme. Recibo mensajes todas las semanas de todas partes del mundo. En algunos de estos mensajes me explican que escuchan cada día por la mañana. Otros cuando van al trabajo. Dicen que les resulta muy efectivo. ¡Es cierto! Mantener una rutina diaria para escuchar es muy importante, así que te animo a ello. Si quieres ayudarme, por favor deja una reseña (una review) en iTunes o el sistema que utilices.  Para esta semana he preparado una pequeña explicación de lo que es El Día de la Hispanidad. Es una fecha importante que se celebra el 12 de octubre en España. Este día está declarado como la Fiesta Nacional de España. Es un poco como el Cuatro de Julio en Estados Unidos. Para entender un poco más la importancia de El Día de la Hispanidad, hay una ley de 1987 que lo describe. Aquí un extracto. “La conmemoración de la Fiesta Nacional […] tiene como finalidad recordar solemnemente momentos de la historia colectiva que forman parte del patrimonio histórico, cultural y social común, asumido como tal por la gran mayoría de los ciudadanos”. ¡Vaya lenguaje que se utiliza en las leyes! Es posible que sepas que el 12 de octubre es también conocido por el descubrimiento de América. Cristóbal Colón, a bordo de una de las carabelas, que es un tipo de barco, pisó tierra en el nuevo continente. Bueno, en realidad llegó a la isla de Guaraní, que pertenece a las Bahamas.  Curiosamente, Colón murió pensando que había llegado a las Indias sin sospechar que había descubierto un nuevo continente. Creo que voy a hacer un episodio sobre ello porque el viaje de Colón me parece interesante. Como ves, de alguna manera se ha querido integrar el descubrimiento de América con el Día de la Hispanidad. Entonces, ¿qué tipo de actos se realizan durante este día? El más conocido es el desfile de las Fuerzas Armadas en la capital, Madrid, donde acude el Rey. En el desfile participan tropas, vehículos militares y aeronaves.  Por otra parte, en Latinoamérica este día se vive un poco diferente. Para algunos esta fecha supone recordar el colonialismo español en el continente. Por ejemplo, en la Ciudad de México se ha abierto el debate sobre la permanencia o no de la estatua de Cristóbal Colón. El mismo presidente del país, López Obrador, ha insistido en que España debe pedir disculpas por los abusos durante la conquista de América. Fíjate aquí, que utilizan la palabra “conquista”, en vez de “descubrimiento”. En otros países pasa algo similar. Muchos han cambiado el nombre y el tipo de celebración. Aquí algunos ejemplos: En Argentina se celebra el “Día de la Diversidad Cultural Americana”. En Bolivia, el 12 de octubre se llama “Día de la Descolonización en el Estado Plurinacional de Bolivia”. En Costa Rica, “Día de las Culturas”. En Guatemala, “Día de la Resistencia Indígena”.  Como ves, el denominado “Día de la Hispanidad” no está exento de polémica. Incluso algunos partidos políticos de España están en contra de este día tal y como se propone. Como conclusión, utilizaré una frase hecha típica española: “nunca llueve a gusto de todos”. Esto quiere decir que lo que resulta positivo o correcto para un grupo de gente, no lo es para otro. Creo que esta frase, “nunca llueve a gusto de todos”, se puede aplicar en esta situación. El Día de la Hispanidad gusta a unos, pero no gusta a otros. Esperemos que en el futuro las diferencias entre pueblos y países se minimicen o incluso desaparezcan.  Consigue el Texto en mi web: unlimitedspanish.com/podcasts/

BoF's founder and editor-in-chief Imran Amed speaks with the BoF 500 cover star about the ups and downs of her personal and professional trajectory and what the West needs to understand about India and its rich, diverse culture.  Background: Deepika Padukone, one of Bollywood's highest-paid actors, started her career as a former professional badminton player before appearing in her first film, “Om Shanti Om,” in 2007, for which she won the Filmfare Award for Best Female Debut. In 2017, she crossed over to Hollywood with the action film “XXX: Return of Xander Cage.” More recently, she's become a force in fashion as a global brand ambassador for Louis Vuitton, Adidas, Levi's and Cartier. Padukone grew up far from the limelight and was an outsider to both the film and fashion industries. Setting herself up on the global stage as a young Indian woman, she had to combat preconceptions at every corner, she said.  “Of course, the hustle is much harder [as an outsider]. You've got to wait much longer for the right opportunities,” she says. “But also, from my perspective, the gratification is so much more.” This week on The BoF Podcast, BoF's founder and editor-in-chief Imran Amed speaks with the actor and BoF 500 cover star about the highs and lows of her career and why India needs more recognition from the West on the global stage.     Key Insights: Padukone said her heritage is fundamental to who she is and how she represents herself on the global stage. “I just feel like India has so much to offer and I've been able to do everything that I do, just being Indian and being based out here,” she says. “In a way that feels authentic to me and to who I am.” Padukone says Indians are still stereotyped — especially in Hollywood. “You are the scientist. You are the computer geek. You are the taxi driver. You are the therapist. You are the owner of a convenience store,” she says. “I've had my fans ask me why I've not done more [global] movies. But that's not what I'm settling for, because I am — and we are — so much more than that.” Padukone says fashion brands need to understand more about India's rich heritage. . “It's extremely diverse. It's not one India, it's many Indias,” she says. “And as Indians, we're also extremely proud of our history, our culture and our heritage.” After being diagnosed with clinical depression, Padukone felt the need to open up conversations about mental illness in India. “No one in India had spoken about it like this before, and it felt to me that there was this huge burden on our country's shoulders that everyone was dealing with, but dealing with silently,” Padukone says. Padukone advises having  patience for people who want to achieve their dreams. “I think the one thing that isn't given enough importance to me is the power of patience,” she says. “Everything is instant gratification, but if there's one thing that has worked for me it has been to be patient.” Additional Resources: Deepika Padukone: The Bollywood Star That Fashion's Megabrands Are Betting On: With India set to become the world's third-largest fashion market, Bollywood's most-popular actress has become a global brand ambassador for the likes of Levi's, Adidas, Louis Vuitton and now, Cartier. In an exclusive interview with Imran Amed, she opens up about her global ambitions — and what the fashion world needs to understand about India. Deepika Padukone Is Cartier's Newest Ambassador: The Bollywood actress and BoF 500 cover star signals the French jewellery house's ambitions to broaden its reach among Indian consumers, both domestically and abroad. To subscribe to the BoF Podcast, please follow this link.

Family Life Ministry Is reaching the nation of India, Dr. Massey tells how he has a heart for Jesus and reaching India. Dr. Vikkas explains why all Indias must learn to be disciples of Jesus Christ. Get free alerts at http://PrayInJesusName.org (c) 2021, Chaplain Gordon James Klingenschmitt, PhD. Airs on NRB TV, Direct TV Ch.378, Roku, AppleTV, Amazon FireTV, AndroidTV, GoogleTV, Smart TV, iTunes and www.PrayInJesusName.org

El 47º programa de H2 Intereconomía nos lleva a Cartagena de Indias, en Colombia. Allí se está celebrando el Congreso de Hidrógeno para América Latina y el Caribe que es el mayor encuentro de la industria emergente del Hidrógeno en aquella parte del mundo. Con los protagonistas del evento ha hablado África Castro de H2B2, como Francisca Salas que es la organizadora de H2LAC y al viceministro de energía de Uruguay. Además Antonio Diaz Morales, miembro de la directiva de la Cámara de Comercio de España en Colombia, nos ha contado la posición del país latinoamericano su apuesta por el hidrógeno y el apoyo que están dando en esta carrera las autoridades encabezadas por el nuevo Gobierno de Gustavo Petro.

Ha pasado de ser en poco tiempo una de las frutas tropicales más desconocidas de nuestro país a copar las mesas en desayunos y ensaladas, pero ¿cuánto dinero mueve el negocio del aguacate?

En 1741, una imponente armada británica se lanzó a la conquista de una de las principales plazas del Imperio español en América. El enfrentamiento se preveía muy desequilibrado, pues los españoles eran muy inferiores en número. Pero ¿cómo consiguieron detener a los británicos? ¿Quiénes fueron los protagonistas de esta batalla? Puedes escuchar el podcast entero y disfrutar de 3 meses gratis en PODIMO entrando en https://go.podimo.com/es/curiosidades

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! **** VIDEO EN NUESTRO CANAL DE YOUTUBE **** 📺 https://youtu.be/caohBxAV3Ro 📺 +++++ Hazte con nuestras camisetas en https://www.bhmshop.app +++++ #Historia #España #América #Conquista Pedro Menéndez de Avilés fue algo más que conquistador y colonizador de la Florida, como ya sabemos. Fue varias veces capitán general de los buques que protegían las flotas que hacían la Carrera de Indias de regreso desde América a la Península y azote de los piratas y corsarios que infestaban las aguas del Cantábrico. Su fama y experiencia le valieron ser nombrado Señor del Mar Océano. Gracias a Ignacio Mollá, conoceremos al “dueño y señor del mar Caribe” y como un joven huérfano asturiano pasó de ser un grumete en la lucha contra los ingleses a Adelantado de la Florida. OS INVITO A VER “MORIR EN LA MAR” https://youtu.be/KVQOHzTXJWU Y “EXPEDICIÓN MAGALLANES - ELCANO” https://youtu.be/6lhULoCwL_8 -------------------------------------------------------------------------------------------------------------- Si queréis apoyar a Bellumartis Historia Militar e invitarnos a un café o u una cerveza virtual por nuestro trabajo, podéis visitar nuestro PATREON https://www.patreon.com/bellumartis -------------------------------------------------------------------------------------------------------------- ALGUNOS LIBROS SOBRE PEDRO MENÉNDEZ DE AVILÉS ** https://amzn.to/3OLeOAa ** No olvidéis suscribiros al canal, si aún no lo habéis hecho. Si queréis ayudarnos, dadle a “me gusta” y también dejadnos comentarios. De esta forma ayudaréis a que los programas sean conocidos por más gente. Y compartidnos con vuestros amigos y conocidos. SIGUENOS EN TODAS LAS REDES SOCIALES ¿Queréis contactar con nosotros? Puedes escribirnos a bellumartishistoriamilitar@gmail.com Nuestra página principal es: https://bellumartishistoriamilitar.blogspot.comEscucha este episodio completo y accede a todo el contenido exclusivo de BELLUMARTIS PODCAST. Descubre antes que nadie los nuevos episodios, y participa en la comunidad exclusiva de oyentes en https://go.ivoox.com/sq/618669

En este episodio entrevistamos a Maria Soledad, experta en psicomagia, astrología, tarot evolutivo y meditación theta y gamma, para descubrir qué es realmente la magia y cómo puede ayudarnos a romper patrones de conducta y ayudarnos a conseguir equilibrio y bienestar. Formada con Alejandro Jodorowsky entrar en su mundo es una experiencia fascinante que te empodera y te da herramientas para superar bloqueos y traumas que te impiden desarrollarte. Olvídate de charlatanería y adivinaciones, esta magia no va de eso, sino de aprender que la magia esta dentro de ti y puedes aprender a usarla con la guía adecuada para conectar con tu verdadero ser. Nacida en Cartagena de Indias, después de muchos años en Nueva York vive en Madrid donde imparte cursos, recibe consultas online y presenciales y no hay evento chic en la ciudad que no cuente con ella y con su menu fabuloso de lecturas magicas. Me ha encantado hablar con ella y descubrir un mundo nuevo y sobretodo aprender que el temido mercurio retrógrado no es tan malo como parece. Y si, puedo decir que sus técnicas funcionan. Tuve la suerte de tener una sesión con ella y pude desbloquear patrones genealógicos de una manera rápida y efectiva. Si crees en las energías y en la magia que todos tenemos no te pierdas este episodio.web: https://maria-soledad.com/MARIA SOLEDAD EN SUS PROPIAS PALABRAS"¿Qué sentirías si pudieras darte cuenta, experimentar, saborear tu potencial infinito?De acuerdo con la metagenealogía, lo que llamamos nuestra identidad o incluso nosotros mismos es el resultado de un conjunto complejo de sistemas de creencias, condicionamientos impresos, una historia multigeneracional de patrones, bucles repetitivos y una pizca de decisiones tomadas inconscientemente en nuestra infancia basadas en la interpretación que hacemos. dio a las experiencias que tuvimos. Por lo tanto, si traemos nuestra experiencia inconsciente a nuestro yo consciente y crecemos desde allí, abrazando cada pedacito de nuestro sentido del yo, podemos liberar nuestro ego, domarlo y permitirnos, trabajando con él, crear la asociación más asombrosa que seguramente nos puede conducir. ¡en la esencia divina más verdadera que somos y la obra maestra de la vida que viene con ella! El viaje hacia la libertad comienza cuando, al asumir la responsabilidad de nuestra creación, decidimos ir a la caza de todos los aspectos dispersos de nosotros mismos.Maria Soledad formada en psicomagia y metagenealogía, examina la herencia psicológica de la familia para integrar los patrones limitantes de comportamiento heredados de su ascendencia y los que creó inconscientemente cuando era niño. Esta metodología se utiliza para reconocer todo el condicionamiento enterrado profundamente en su mente inconsciente. Su propósito es detener la transmisión de patrones familiares, salir conscientemente del piloto automático y eliminar los bloqueos que te impiden crear y experimentar tus deseos más verdaderos y profundos. Es hora de dejar de perseguir. Deja ir la lucha. Mantén el ideal y sé el amor y la abundancia que ya eres".Maria Soledad

A nivel gastronómico, el mundo puede dividirse entre los que les gusta el picante y los que no lo quieren ver ni en pintura. Con Leo Harlem y nuestro chef, Robin Food, hablamos ese alimento que nos da una sensación de bienestar y dolor a la vez, pero que engancha. Entrevistamos a Nadeem Siraj, chef del restaurante indio Namak, a Juan Matías, chef del restaurante mexicano Iztac y a Nieves Ye, dueña del restaurante chino Don Lay, que nos cuentan todo acerca del picante y los usos en sus respectivas gastronomías. 

ANDICOM 2022, es el congreso internacional de TIC, una oportunidad para generar grandes negocios a través de networking. Se celebró en el Centro de Convenciones de Cartagena de Indias del 31 agosto al  2 septiembre de 2022, presentando las novedades de empresas de Colombia e internacionales relacionadas con los sectores de Tecnologías de la información y la comunicación, Tecnología. ¿Cómo desde las tecnologías se puede aportar al desarrollo del país?En este episodio, los Amigos TIC, tuvieron la oportunidad de asistir al congreso y conversar con Mario Castaño, director técnico de CINTEL, una entidad que promueve el uso y apropiación de TIC con el fin de incentivar la competitividad y eficiencia de las organizaciones. Si quieres conocer más sobre él desarrolló del evento y cuáles fueron las principales temas de interés, ¡quédate para conocer los detalles!.00:00     MARIO CASTAÑO02:30     Mario Castaño: Director de CINTEL04:42     ¿Había insertidumbre por la mismistra que propndía el nuevo gobierno?08:12     Adeás de blockchange ¿Qué otras técnologias son tendencia en la agenda de ANDICOM2022?11:54     ¿Cómo ha sido la evolución de  la ANDICOM?14:48     ¿Qué es lo que más llama la atención de la ANDICOM2022?20:03     ¿Qué retos hay para ANDICOM el año entrante?23:56     ¡Ojo al dato! con Victor Solano25:06     ¿Cuál es la sensación que deja el mensaje de Gustavo Petro en ANDICOM?Caracol Pódcast en redes sociales:- Facebook: https://www.facebook.com/CaracolPodcast- Instagram: https://www.instagram.com/caracolpodcast- Twitter: https://twitter.com/CaracolPodcast

Dr. Nalini Iyer rereads South Indian and diasporic experiences of Partition, through Balachandra Rajan's 1958 novel, The Dark Dancer. Born in British India but educated at Cambridge University, V. S. Krishnan finally returns to his home country on the eve of its independence in 1947. But after many years cut off from his family and culture, this South Indian civil servant has become a typical colonial product - the 'brown-skinned Englishman' and bureaucrat idealised by the likes of Lord Macauley. Krishnan's relationships with women reveal other Indias - of Gandhian independence and Hindu nationalism - that he has never known. Witnessing the bewilderment and gendered violence of the Long Partition through the eyes of the civil servant, writer Balachandra Rajan explores how the colonial experience caused existential identity crises. Drawing from his indirect experience, Rajan's novel platforms the perspectives of those diasporic South Indians, seemingly unaffected by the civil conflict, and how Britain too was irrevocably changed by the imperial experience. Part of EMPIRE LINES' Partition Season, marking the 75 year anniversary of the Partition of British India in August 1947, which led to the formation of India and Pakistan. Listen to the other episode with Dr. Sonal Khullar. PRESENTER: Dr. Nalini Iyer, Professor of English at Seattle University and Editor-in-Chief of South Asian Review. ART: The Dark Dancer, Balachandra Rajan (1958). IMAGE: 'Balachandra Rajan'. SOUNDS: G. Las. PRODUCER: Jelena Sofronijevic. Follow EMPIRE LINES at: twitter.com/jelsofron/status/1306563558063271936 Support EMPIRE LINES on Patreon: patreon.com/empirelines

================================================== ==SUSCRIBETEhttps://www.youtube.com/channel/UCNpffyr-7_zP1x1lS89ByaQ?sub_confirmation=1================================================== == DEVOCIÓN MATUTINA PARA ADOLESCENTES 2022“UN SALTO EN EL TIEMPO”Narrado por: DORIANY SÁNCHEZDesde: PERÚUna cortesía de DR'Ministries y Canaan Seventh-Day Adventist Church  03 DE AGOSTOEL NUEVO MUNDO, APARTADO .«Se apareció Jehová a Abram, y le dijo: "A tu descendencia daré esta tierra"» (Génesis 12:7, R195).En 1492, Cristóbal Colón navegó por el océano azul. Partió el 3 de agosto, en busca de una ruta comercial más corta hacia las Indias, en el Oriente, donde se producían numerosas especias. Llevaba una flota de tres barcos: la Niña, la Pinta y la Santa María, patrocinados por los reyes Fernando e Isabel de Castilla. Dos meses y nueve días después, el 12 de octubre, avistó tierra, desembarco y reclamó el lugar para España. Llamó «indios» a los habitantes de aquel lugar, porque pensó que había llegado a las Indias.Colón, como la mayoría de la gente de aquella época, no tenía ni idea de lo grande que es el mundo. Al navegar, cuando vio Cuba, pensó que era la China continental. En realidad, China estaba a 13,729 kilómetros (8,531 millas) de distancia. Colón creyó que La Española (los actuales República Dominicana y Haití) podría ser Japón. Plantó allí la bandera de la Corona de Castilla, fundó una pequeña colonia con treinta y nueve navegantes y volvió a España con oro, especias y cautivos indios. Recibió una bienvenida real y los más altos honores que la corte española podía ofrecer. No porque hubiera descubierto un nuevo mundo (pues no sabían que lo había hecho), sino porque pensaron que había descubierto una nueva ruta comercial hacia las Indias Orientales. No tenían idea de que Colón había descubierto las Américas.Esa es la ironía del asunto. Nadie sabía lo verdaderamente asombroso de su descubrimiento. Había redescubierto el hemisferio occidental, y eso cambiaría la historia del mundo. ¡Qué privilegio! ¡Qué oportunidad! Estaba totalmente equivocado sobre el lugar del planeta en el que se encontró, pero tenía mucha razón al descubrirlo. sin embargo, nunca se benefició de su gran descubrimiento. Murió en 1506, sin saber que había encontrado un nuevo hemisferio, que probablemente no había sido visitado por los europeos desde la época de los vikingos, casi quinientos años antes.Hace miles de años, Dios envió a Abraham en busca de un nuevo país, y al igual que Colón, Abraham no tenía idea de adónde iba. Pero por fe fue de todos modos. ¿Por qué no ser como Abraham? Si le pides a Dios que te acompañe, no puedes equivocarte.

We're baaack, b*tches! Join Georgie & Nia as they reminisce over the hilarious, horny highlights of season 2 - whilst recording in the same room for the first time! Strap in folks... it's going to be hot & steamy (in more ways than one). Do you love our content? Rate, review, subscribe, share to your insta story, send a carrier pigeon- it helps more people find us! Socials: @diaryofahornyt Contact: diaryofahornyteenager@gmail.com https://linktr.ee/Diaryofahornyt Artwork by @Indias_illustration 

Caaaaro ouvinte que nos ouve com seu ouvido! Hoje, Lucas Salles recebe o comunicólogo e historiador Fábio Marquezine para falar do mais importante segmento da televisão brasileira: as novelas!Desde “Malhação” destinada aos jovens até as queridas novelas das 21h, neste episódio nostálgico vamos relembrar os tramas que marcaram a vida de muitos brasileiros. Vem ouvir!Sobretudo é um Original da Pod360Apresentadores: Lucas Salles, Daniel Curi e Fabiana RibeiroDireção Executiva: Marcos Chehab e Tiago BiancoDireção de Conteúdo: Felipe LobãoRoteiro: Lucas SallesProdução: Débora Wajnberg SardelliEdição e sound design: André Assunção

Episode #99 Indias Bowling and Batting in recent Test series with England If you want to see more content like this video, be sure to hit the like button and subscribe so you never miss an episode! Leave a comment on which topic you think we were mostly right or mostly wrong about... and as always, enjoy! Music Credit: Aries Beats Night Ride Follow the channel on Twitter, Instagram, Facebook, Linkedin @crickethuddle if you are interested. Thanks for watching! Enjoy!

HABLANDO ACELERAO, EN ESTE PODCAST TE PONDRAS AL DIA DE TODO LO QUE ESTÁ SUCEDIENDO EN LA FÓRMULA 1 Y MOTORSPORTS. BUSCA NUESTRA TIENDA www.prracingsports.com Contenido adicional www.patreon.com/prracingsports Anani www.ananipharma.com Anani instagram @ananipr --- Support this podcast: https://anchor.fm/prracingsports/support

Morse code transcription: vvv vvv Afghanistan quake Taliban appeal for international aid 6 killed after helicopter crashes onto road in Logan County, West Virginia US artistic swimmer rescued after fainting in pool Uvalde school police chief placed on administrative leave as criticism grows over response to shooting Judge delays Proud Boys trial in fallout from House Jan. 6 hearings Ukraine war Russia aiming to destroy Donbas, Zelensky says Uvalde school shooting Embattled police chief is put on leave Rupert Murdoch and Jerry Hall reportedly to divorce What to watch for in Thursdays January 6 committee hearing Afghanistan reels from earthquake that killed more than 1,000 President Biden urges petrol tax holiday as fuel prices bite Fears for US womans life as abortion denied in Malta Gunman at large after shooting 2 people, 1 fatally, on San Francisco train As Biden touts gas tax pause, even some of his own officials balk Gavin Newsom should be Democrats replacement for Biden, top Dem strategist suggests Germany takes step closer to gas rationing Train strike Second national walkout expected to bring mass disruption Maharashtra The political crisis brewing in Indias richest state European leaders expected to formally accept Ukraine as a candidate to join the EU

Morse code transcription: vvv vvv Ukraine war Russia aiming to destroy Donbas, Zelensky says Rupert Murdoch and Jerry Hall reportedly to divorce Judge delays Proud Boys trial in fallout from House Jan. 6 hearings Uvalde school police chief placed on administrative leave as criticism grows over response to shooting Gunman at large after shooting 2 people, 1 fatally, on San Francisco train President Biden urges petrol tax holiday as fuel prices bite Fears for US womans life as abortion denied in Malta Gavin Newsom should be Democrats replacement for Biden, top Dem strategist suggests US artistic swimmer rescued after fainting in pool European leaders expected to formally accept Ukraine as a candidate to join the EU Afghanistan quake Taliban appeal for international aid Train strike Second national walkout expected to bring mass disruption 6 killed after helicopter crashes onto road in Logan County, West Virginia Afghanistan reels from earthquake that killed more than 1,000 Germany takes step closer to gas rationing Maharashtra The political crisis brewing in Indias richest state As Biden touts gas tax pause, even some of his own officials balk What to watch for in Thursdays January 6 committee hearing Uvalde school shooting Embattled police chief is put on leave

Morse code transcription: vvv vvv Rupert Murdoch and Jerry Hall reportedly to divorce European leaders expected to formally accept Ukraine as a candidate to join the EU Germany takes step closer to gas rationing Gavin Newsom should be Democrats replacement for Biden, top Dem strategist suggests Uvalde school police chief placed on administrative leave as criticism grows over response to shooting Fears for US womans life as abortion denied in Malta Train strike Second national walkout expected to bring mass disruption Gunman at large after shooting 2 people, 1 fatally, on San Francisco train Judge delays Proud Boys trial in fallout from House Jan. 6 hearings Uvalde school shooting Embattled police chief is put on leave What to watch for in Thursdays January 6 committee hearing Afghanistan quake Taliban appeal for international aid President Biden urges petrol tax holiday as fuel prices bite 6 killed after helicopter crashes onto road in Logan County, West Virginia Afghanistan reels from earthquake that killed more than 1,000 As Biden touts gas tax pause, even some of his own officials balk Maharashtra The political crisis brewing in Indias richest state US artistic swimmer rescued after fainting in pool Ukraine war Russia aiming to destroy Donbas, Zelensky says

Morse code transcription: vvv vvv Ukraine latest news Russia says 900 Mariupol defenders sent to prison colony Baby formula shortage Experts urge parents not to make homebrews Biden invokes Defense Production Act for formula shortage George W Bushs speech gaffe over Iraq invasion Markets fall as retailers ring alarm over US economy 911 Dispatcher May Be Fired Over Handling of Buffalo Shooting Call Russia says its sent 900 Ukrainian soldiers to prison camp Moscow dismissing top commanders, UK says Does Erdogans Turkey Belong in NATO Sri Lanka defaults on debt for first time in its history Analysis Donald Trump never learns his lesson Met Police end Partygate inquiry with more fines Oregon romance writers alleged slip up confession to husbands killing never happened, former bunkmate says Ratan Tata Tycoons ride in Indias cheapest car wins internet Mission Critical Suicides aboard the USS George Washington WAVY TV 10 The worlds hidden pandemic Monkeypox cases investigated in US, Canada and Europe China in Talks With Russia to Buy Oil for Strategic Reserves Bloomberg Trump urges Oz to declare victory in cliffhanger Senate vote Ukraine invasion could cause global food crisis, UN warns