Podcast appearances and mentions of Sarah Sze

This episode is a conversation between the artist Ana Vaz and the curator Damian Lentini. It was recorded on 7 March, 2025 in the context of the exhibition: Ana Vaz Meteoro  8.4. – 18.5.2025 In her film-poems artist and filmmaker Ana Vaz collages images and sounds that revolve around violence and repression, the impact of ecological ruin and the continued colonization of the earth. The deconstruction of the grand narrative of Western modernity that imposes itself across vast territories on this planet lies at the heart of her filmography. In her exhibition at the Secession, Vaz showcases her new film series Meteoro (2023–). Predominantly focusing on Paris and Porto, European cities are depicted as on the verge of collapse or on the path to extinction. More Ana Vaz is an artist and filmmaker born in the Brazilian midwest inhabited by the ghosts buried by its modernist capital: Brasília. Originally from the cerrado and wanderer by choice, Ana has lived in the arid lands of central Brazil and southern Australia, in the mangroves of northern France and in the northeastern shores of the Atlantic. Her filmography activates and questions cinema as an art of the (in)visible and instrument capable of transforming human perception, expanding its connections with forms of life — other than human or spectral. Her film-poems are marked by a constant experimental defiance to the poetic forms of contemporary cinema, highlighting the profound contradictions of our time and questioning, above all, the destructive practices of colonial modernity. Consequences or expansion of her cinematography, her activities are also embodied in writing, critical pedagogy, installations or collective walks. Damian Lentini is a curator at the Vienna Secession. He obtained his doctoral degree in 2009 at the University of Melbourne and has realised major projects with artists such as El Anatsui, Phyllida Barlow, Kapwani Kiwanga, Sarah Sze, Sung Tieu, Raqs Media Collective, Harun Farocki, Dumb Type, Khvay Samnang, Lina Lapelytė and the Karrabing Film Collective amongst others. Secession Podcast: Artists features artists exhibiting at the Secession. The Dorotheum is the exclusive sponsor of the Secession Podcast. Programmed by the board of the Secession. Jingle: Hui Ye with an excerpt from Combat of dreams for string quartet and audio feed (2016, Christine Lavant Quartett) by Alexander J. Eberhard Audio Editor: Paul Macheck Production: Damian Lentini, Jeanette Pacher

This episode is a conversation between the artist Rochelle Feinstein and the curator Damian Lentini. It was recorded on 3 December, 2024 in the context of the exhibition: Rochelle Feinstein The Today Show 6.12.2024 – 23.2.2025 For over forty years, the American painter Rochelle Feinstein has developed an oeuvre that infiltrates abstract painting with political, social and environmental concerns. Throughout a series of diverse yet thematically interwoven groups of works, Feinstein cuts, flips, and rearranges printed gestural marks that are then collaged into paintings; she also makes sculptures and prints out of everyday materials. The Today Show presents a range of newly created works that circulate around the question of how to connect canvas, color and gesture with the specific personal and public conditions of our time. More Rochelle Feinstein is a painter navigating the terrain of abstract painting as it unfolds across diverse and thematically interwoven bodies of work. Geometric forms—the modernist trope of the grid is a regular presence—and vibrant chroma become tools to explore notions of artistic value and production, societal structures, and feminist idioms. Though it takes myriad forms, her singular project always centers painting within culture at large. While drawing upon the conventions embedded in painting practices as much those of contemporary culture, her works incorporate drawing, photography, printmaking, sculpture, and video. Damian Lentini is a curator at the Vienna Secession. He obtained his doctoral degree in 2009 at the University of Melbourne and has realised major projects with artists such as El Anatsui, Phyllida Barlow, Kapwani Kiwanga, Sarah Sze, Sung Tieu, Raqs Media Collective, Harun Farocki, Dumb Type, Khvay Samnang, Lina Lapelytė and the Karrabing Film Collective amongst others. Secession Podcast: Artists features artists exhibiting at the Secession. The Dorotheum is the exclusive sponsor of the Secession Podcast. Programmed by the board of the Secession. Jingle: Hui Ye with an excerpt from Combat of dreams for string quartet and audio feed (2016, Christine Lavant Quartett) by Alexander J. Eberhard Audio Editor: Paul Macheck Production: Damian Lentini, Bettina Spörr

Following a conversation with guest curator Sunjung Kim, this podcast series now focuses on the individual artists in the exhibition, alongside their works. Recorded on 19 September 2024, this episode focuses on the filmic work of the Danish/Korean artist Jane Jin Kaisen and her operatic multichannel work Burial of this Order – on display in the Gallery of the Secession – as well as her wider practice. At the end of the discussion, four brief audio clips from the film will be played to engage the listener in the artist's seductive and operatic world. Forms of the Shadow Curated by Sunjung Kim 20.9. – 17.11.2024 With Nilbar Güreş; Ramin Haerizadeh, Rokni Haerizadeh and Hesam Rahmanian; Kyungah Ham; Young In Hong; ikkibawiKrrr; Jane Jin Kaisen; Joon Kim; Lee Bul; Lee Kit; Mikael Levin; Minouk Lim; Moon Kyungwon & Jeon Joonho; Adrián Villar Rojas; Ramiro Wong; Haegue Yang; Tomoko Yoneda; Jin-me Yoon; Min Yoon Damian Lentini is a curator at the Vienna Secession. He obtained his doctoral degree in 2009 at the University of Melbourne and has realised major projects with artists such as El Anatsui, Phyllida Barlow, Kapwani Kiwanga, Sarah Sze, Sung Tieu, Raqs Media Collective, Harun Farocki, Dumb Type, Khvay Samnang, Lina Lapelytė and the Karrabing Film Collective amongst others.   The Dorotheum is the exclusive sponsor of the Secession Podcast. Jingle: Hui Ye with an excerpt from Combat of dreams for string quartet and audio feed (2016, Christine Lavant Quartett) by Alexander J. Eberhard Programmed by the board of the Secession Audio Editor: Paul Macheck Executive Producer: Bettina Spörr

Zhou Siwei translates the contradictions of living and working in contemporary China into playful, personally fragmented and nonlinear works on canvas and painted objects. This podcast was recorded on 19 June 2024 in the context of the exhibition: Zhou Siwei I Sold What I Grow 21.6. – 8.9.2024 Probing the ambivalence of digital technologies, the unceasing global traffic in goods, and the sleeplessness of the late-capitalist era, Zhou interweaves diverse visual and cultural influences in ways that make everyday items and signs feel at once familiar and alien, accommodating a wide range of interpretations. More Zhou Siwei is an artist whose work focuses on the interrelation between people's understanding of culture and the effects of culture on people. Zhou completed a BA in Oil Painting from Sichuan Fine Arts Institute in 2005 and currently lives and works in Shanghai. Damian Lentini is a curator at the Vienna Secession. He obtained his doctoral degree in 2009 at the University of Melbourne and has realised major projects with artists such as El Anatsui, Phyllida Barlow, Kapwani Kiwanga, Sarah Sze, Sung Tieu, Raqs Media Collective, Harun Farocki, Dumb Type, Khvay Samnang, Lina Lapelytė and the Karrabing Film Collective amongst others. Secession Podcast: Artists features artists exhibiting at the Secession. The Dorotheum is the exclusive sponsor of the Secession Podcast. Programmed by the board of the Secession. Jingle: Hui Ye with an excerpt from Combat of dreams for string quartet and audio feed (2016, Christine Lavant Quartett) by Alexander J. EberhardEditor: Paul Macheck Production: Damian Lentini, Bettina Spörr

Installationskunst er en spøjs størrelse: Noget af det må du røre, noget må du absolut ikke røre; noget af det er småt, noget er gigantisk og fylder et helt rum. På kunstmuseet ARoS har de lige nu værket Metronome af kunstneren Sarah Sze til at fylde et helt lokale; et kæmpemæssigt værk, der består af projektorer, lyde, stålwirer, afrevne papirer, der alt sammen står i et helt mørkt lokale. Men hvorfor er dét kunst? Med til at fortælle om Metronome og andre af ARoS' installationer er museumsinspektør Maria Blegvad, der blandt andet har været med til at sætte Metronome op på museet. Medvirkende: Museumsinspektør Maria Blegvad. Gæstevært: Andrew DavidsonSee omnystudio.com/listener for privacy information.

Episode No. 662 features artists Sarah Sze and Zoë Charlton. The Nasher Sculpture Center in Dallas is showing "Sarah Sze," a presentation of new works that explore how memory marks time and space, and how art negotiates image and object. The exxhibition is on view through August 18. Sze represented the United States at the 2013 Venice Biennale. Other -ennials at which her work has been featured include the Whitney (2000), Carnegie (1999), Berlin (1998), Guangzhou (2015), Liverpool (2008), and Lyon (2009). She has made public artworks for sites such as LaGuardia Airport in New York, and Storm King Art Center. Charlton is included in "A Movement in Every Direction: Legacies of the Great Migration" at the Berkeley Art Museum and Pacific Film Archive, University of California, Berkeley. The exhibition presents impressions of the Great Migration as considered by a dozen contemporary artists. The exhibition, which was co-curated by Ryan N. Dennis and Jessica Bell Brown, was organized for Berkeley by Anthony Graham with Matthew Villar Miranda. It's on view through September 22. Charlton's work often addresses culturally loaded landscapes and histories. It has been included in exhibitions at museums such as the Studio Museum in Harlem and Crystal Bridges Museum of American Art, Bentonville, Ark. Her work is in the collection of museums such as The Phillips Collection, Washington, DC, the Birmingham (Ala.) Museum of Art, and the Baltimore Museum of Art. Instagram: Zoe Charlton, Tyler Green.

How can humanities and the arts flourish as artificial intelligence continues to grow and evolve? Contemporary artist Sarah Sze joins the podcast to talk about the relationship between art and technology. Reid, Aria, and Sarah discuss her recent exhibit at the Guggenheim Museum in New York City, the relationship between the physical and the digital, and the importance of taking art off its pedestal. Plus, Sarah takes a look at AI-generated art inspired by her body of work and offers her thoughts on AI, art, and ownership.  Read the transcript of this episode here. View AI-generated art in the style of Sarah Sze here. For more info on the podcast and transcripts of all of the episodes, visit www.possible.fm/podcast.    Learn about Sarah's spring 2023 Guggenheim exhibition, Timelapse, here. Topics: Intros and hellos - 4:21 9:28 - Dichotomies: physical vs. digital and chaos vs. order 11:54 - How AI impacts the intrinsic value of objects 14:54 - Does AI democratize art? 16:55 - Can AI exhibit creativity? 24:35 - Sarah reacts to AI-art inspired by her work 29:44 - How AI can enhance an artist's work 34:56 - How Sarah incorporates the digital into her art 38:47 - What different mediums do best 41:49 - How technology has previously transformed art 44:10 - Where Sarah's work is headed  48:31 - Rapidfire questions The award-winning Possible podcast is back with a new season that sketches out the brightest version of the future—and what it will take to get there. Most of all, it asks: what if, in the future, everything breaks humanity's way? Tune in for grounded and speculative takes on how technology—and, in particular, AI—is inspiring change and transforming the future.  This season, hosts Reid Hoffman and Aria Finger, are speaking with a new set of ambitious builders and deep thinkers about everything from art to geopolitics and from healthcare to education. These conversations also showcase another kind of guest: AI. Whether it's Inflection's Pi, OpenAI's ChatGPT or other AI tools, each episode will use AI to enhance and advance our discussion.  Possible is produced by Wonder Media Network and hosted by Reid Hoffman and Aria Finger. Our showrunner is Shaun Young. Possible is produced by Edie Allard, Sara Schleede, and Paloma Moreno Jiménez. Jenny Kaplan is our Executive Producer and Editor. Special thanks to Surya Yalamanchili, Saida Sapieva, Ian Alas, Greg Beato, Ben Relles, Christin Graham, and Little Monster Media Company.

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Since its inception in 1977, Public Art Fund has presented more than 500 artists' exhibitions and projects at sites throughout New York City.  In this episode, Susan K. Freedman, the president of Public Art Fund, presents current exhibitions including Nicholas Galanin's impressive new sculpture “In Every Language There Is Land/En cada lengua hay una Tierra” at Brooklyn Bridge Park, art installations at La Guardia Airport Terminal B by Jeppe Hein. Sabine Hornig, Laura Owens and Sarah Sze, at Newark Liberty International Airport Terminal A by Karyn Oliver and Layqa Nuna Yawar, as well as art installations at the Moynihan Train Hall by Stan Douglas, Elmgreen & Dragset, and Kehinde Wiley. Public Art Fund is also behind the late Phyllida Barlow's final series of large-scale sculptures, PRANK, in City Hall Park, that opened in the beginning of June. Public Art Fund believes in free access to great contemporary art for all, that artists are an essential part of our civic dialogue, and that art has the power to ignite conversation among different people, to open hearts and minds, and to help shape our collective future.   Freedman currently serves on the board of the Municipal Art Society, and as vice chair of the board for the City Parks Foundation. She is a recipient of the 1999 Associates of the Art Commission Annual Award and was honored with the 2005 Municipal Art Society's Evangeline Blashfield Award for her contributions to New York City's urban landscape. Photo by Kelly Taub  

Shortlisted for the Independent Podcast Awards 2023. This episode is about our perception of time, how memories get lodged in our minds, and how important purposeful distraction is to creativity. I discuss the exploration of time in the work of the performance artist Marina Abramovic. Plus a jarring sculpture by the American artist Henry Taylor, which brings memories crashing into the present. And I consider the latest installation by the New York-based artist Sarah Sze in a disused space in a Victorian railway station in South London. Wise words and inspiration from the renowned music producer Rick Rubin and the historian of timekeeping and antiquarian horologist Dr Rebecca Struthers.The Gallery Companion is hosted by writer and historian Dr Victoria Powell. It's a thought-provoking dive into the interesting questions and messy stuff about our lives that art explores and represents.To see the images and watch the videos discussed in the podcast visit www.thegallerycompanion.com. This is where you can subscribe to The Gallery Companion email list, which goes out every fortnight to accompany each new podcast episode, and is packed full of links to more info. That's where you can share your thoughts and join the conversation too. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.thegallerycompanion.com/subscribe

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This week: the Frieze art fair and spring auctions in New York. As the Frieze Art Fair returns to The Shed in Manhattan, coinciding with the season's big auctions, The Art Newspaper's live editor, Aimee Dawson, and our contributing editor Anny Shaw take the temperature of the market in New York. Just as we completed the episode, the US Supreme Court ruled that Andy Warhol infringed on the photographer Lynn Goldstein's copyright when he created a series of silkscreens based on her photograph of the late rock singer Prince. Coincidentally, we had already recorded an interview with our New York correspondent Laura Gilbert about the fact that a Manhattan judge last week refused to throw out two photographers' long-running copyright lawsuits against the artist Richard Prince, for his New Portraits series, which appropriated their original images. The case is bound to be affected by the Supreme Court's decision, as Laura tells us. And this episode's Work of the Week is Metronome by Sarah Sze, a new site-specific work made for a former first class waiting room at Peckham Rye station in south London, which until recently had been almost derelict. We speak to Sarah about her new installation.Frieze New York continues until Sunday, 21 May.Listen to an interview with Virginia Rutledge, the art historian and lawyer, about the Andy Warhol/Lynn Goldsmith case in The Week in Art episode from 24 June 2022.Sarah Sze: The Waiting Room, Artangel at Peckham Rye Station, London, until 17 September. Sarah Sze: Timelapse, Solomon R. Guggenheim Museum, New York, until 10 September. Listen to the podcast A brush with… Sarah Sze, from 29 September 2021. Hosted on Acast. See acast.com/privacy for more information.

THIS WEEK on the GWA Podcast, we interview one of the most renowned artists working today, SARAH SZE! Working across sculpture, painting, drawing, printmaking, video, and installation – and the culmination of them – Sze's creations often take the form of a planetarium, a colosseum, a work-in-progress laboratory. Often held up by precarious stick-like structures and formed around everyday objects (and, more recently, moving images), her works behave – for me – as the greatest visual microcosm for the information and images inundating today's fast moving, internet-filled world. In dialogue with art historical predecessors who worked with the readymade at the start of the 20th century – as well as challenging traditions in genres, such as the still life – Sze borrows from everyday materials. These include wire, congealed paint, tape measures, scissors, newspapers – as well as images and films taken on her iPhone as if to give prominence to mundane, mass-produced objects. Born in Boston, Sze earned a BA from Yale University and an MFA from the School of Visual Arts. Already when she was just in graduate school, an exhibition at MoMA PS1 saw her transform both the museum and sculpture itself. This quickly progressed to Sze working with projections and objects – from plastic water bottles to razor blades, q-tips and ladders – and work on an immersive scale that activated the viewer to be part of the time-based work, as well as challenging the notions that everything in her artworks is actually what is used to require to make the piece itself. In 2003, she was awarded a MacArthur Fellowship; in 2012 she took over New York's High Line; in 2013 she represented the US at the Venice Biennale; in 2017, her permanent mural “Blueprint for a Landscape” opened at the 96th Street station of the Second Avenue subway in Manhattan. Last month she opened a monumental exhibition titled “Timelapse” at the Guggenheim, and next month will transform a disused Victorian waiting room at Peckham Rye station in London into an installation commissioned by Artangel. FURTHER LINKS! https://www.guggenheim.org/exhibition/sarah-sze-timelapse https://www.victoria-miro.com/artists/33-sarah-sze/ https://gagosian.com/artists/sarah-sze/ https://www.artangel.org.uk/project/sarah-sze/ https://www.ted.com/talks/sarah_sze_how_we_experience_time_and_memory_through_art#t-542032 Follow us: Katy Hessel: @thegreatwomenartists / @katy.hessel Research assistant: Viva Ruggi Sound editing by Mikaela Carmichael Artwork by @thisisaliceskinner Music by Ben Wetherfield https://www.thegreatwomenartists.com/ THIS EPISODE IS GENEROUSLY SUPPORTED BY OCULA: https://ocula.com/

This episode is also available as a blog post: https://thecitylife.org/2023/03/19/the-guggenheim-museum-presents-sarah-sze-timelapse-opening-march-31-2023/ --- Send in a voice message: https://podcasters.spotify.com/pod/show/citylifeorg/message Support this podcast: https://podcasters.spotify.com/pod/show/citylifeorg/support

For this episode we are back in the conservation lab, visiting with Carol Mancusi-Ungaro, Melva Bucksbaum Associate Director for Conservation and Research at the Whitney Museum of American Art. If you were to visit the Whitney today and see the lab and the department that Carol leads, you might find it hard to believe that none of it existed back when she joined the Whitney. In 2001 Carol not only became the museum's first director of conservation, but also its first staff conservator. In our chat we hear all about the incredible work that Carol has done over the past 20+ years at the Whitney, but the story goes much further back, prior to arriving at the Whitney, Carol spent a prior 20+ stint as the first conservator at the Menil Collection in Houston. Having originally trained and studied art that was centuries old, at the Menil Carol suddenly found herself dealing with modern and contemporary art and all the special and unique challenges that emerge when a conservator is faced with art where the paint has barley just dried. Carol found that talking directly to artists and their collaborators about the practical and technical aspects of their work was crucial in her work as a conservator — long before this was a common thing for conservators to do. This interview practice was eventually formalized and became the Artist Documentation Program, generating hours upon hours of footage of Carol and her former colleagues chatting with artists like Ann Hamilton, Ed Ruscha, Sarah Sze, Josh Kline, just to name a few. Today artist interviews have become a central part of conservation practice, so I was very excited to sit down with Carol, to interview the interviewer and hear what she has learned over decades as a leader the field of conservation.Links from the conversation with Carol> Artist Documentation Project: https://adp.menil.org/> The Whitney Replication Committee: https://www.newyorker.com/magazine/2016/01/11/the-custodians-onward-and-upward-with-the-arts-ben-lernerGet access to exlusive content - join us on Patreon!> https://patreon.com/artobsolescenceJoin the conversation:https://www.instagram.com/artobsolescence/Support artistsArt and Obsolescence is a non-profit podcast, sponsored by the New York Foundation for the Arts, and we are committed to equitably supporting artists that come on the show. Help support our work by making a tax deductible gift through NYFA here: https://www.artandobsolescence.com/donate

“Fallen Sky,” a work of installation art at New York's Storm King Art Center, is like a moon map etched into a hillside. On this episode, Tamar Avishai explores how Sarah Sze's striking sculpture helps visitors pay attention to the world around us — and the world inside our heads. This is a guest episode from The Lonely Palette, a podcast that returns art history to the masses, one object at a time. NEW KIDS' PODCAST: Once Upon a Meadow is set to launch in February 2023 SUPPORT OUT THERE: Become a patron Out There is a proud member of Hub & Spoke.

In this special episode produced and hosted by the painter Lisa Yuskavage, six artists—Joe Bradley, Carroll Dunham, Rashid Johnson, David Reed, Sarah Sze, and Charline von Heyl—give Ann Temkin, Chief Curator of Painting and Sculpture at the Museum of Modern Art in New York, their insights on Matisse's Red Studio (1911) and the elusive nature of creativity. It was inspired by the recent exhibition Matisse: The Red Studio at MoMA, now on view at the SMK Denmark through February 26, 2023. Dialogues is returning soon with new episodes hosted by the writer and curator Helen Molesworth, please stay tuned to this feed.

Marianne Boesky established her eponymous gallery in New York in 1996. Since its inception, the gallery has represented and supported the work of emerging and established contemporary artists of all media and genres. In its first decade, the gallery was instrumental in launching the careers of major artists including Barnaby Furnas, Takashi Murakami, Yoshitomo Nara, Sarah Sze, and Lisa Yuskavage. The gallery currently represents many significant international artists, including Ghada Amer, Jennifer Bartlett, Sanford Biggers, Pier Paolo Calzolari, Donald Moffett, and Frank Stella. Boesky relocated her flagship gallery from SoHo to Chelsea in 2001, and in 2016, the gallery expanded its flagship location to include its adjacent space on West 24th Street. In 2017, Boesky opened a location in Aspen, Colorado; she has organized temporary exhibition spaces in Europe and in cities across the United States. She and Zuckerman discuss family legacy, audacity, learning from artists, bank loans, consiglieres, vision, looking at everything, being a mom in the artworld, mentoring, and not rushing!

What goes up into the sky must come down into the earth, and fortunately for us we've got Sarah Sze, mistress of materials, memory, and meaning, helming the journey. This episode was produced with support from Storm King Art Center. See the images: https://bit.ly/3NRnGmr Music used: Django Reinhardt, “Django's Tiger” The Andrews Sisters, "Bei Mir Bist Du Schoen" The Blue Dot Sessions, “Plate Glass,” “Leatherbound,” “The Onyx,” “Silent Ocean,” “ZigZag Heart,” “Curious Case,” “On Top of It” Evan Blanch, “Where The Streets Have No Name (Instrumental)” (U2 cover) Episode sponsor: www.visualartspassage.com Support the show: www.patreon.com/lonelypalette

Sarah Sze talks to Ben Luke about ​​the art, literature, music and film that have influenced her and continue to inspire her today, and the cultural experiences that have shaped her life and work. Sze, who was born in 1969 in Boston and studied at Yale University and the School of Visual Arts, New York, takes objects and images and gathers them into intricate, uncanny assemblages which often envelop and overwhelm the viewer. Her works are often categorised as sculptural installations but exist on the boundary between many different disciplines, with painting, printmaking, drawing and video alongside found and made sculptural elements. A first encounter with Sze's work is never forgotten: she has an extraordinary knack of making her works directly embody a gallery space, seeming to grow from it and extend into it in surprising, even magical ways. In the podcast she talks about the remarkable sense of scale, light and space in Vermeer, about the prints of Hokusai, Emily Dickinson's preoccupation with death, the profound effect of seeing Chris Marker's La Jetée and her transformative experiences of historic Indian architecture. And, of course, she answers our regular questions about what images she has around her in the studio, the rituals of her working life, and what, ultimately, art is for. This episode is sponsored by Bloomberg Connects. See acast.com/privacy for privacy and opt-out information.

In this episode, co-host Liza Sokolovskaya talks about work by one of her favorite artists, Sarah Sze. Sarah Sze is a painter, sculptor, and installation artist born in 1969. She is known for her large scale installations using everyday objects to create multimedia landscapes. Music in the episode is by Kevin MacLeod. George Street Shuffle Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 License http://creativecommons.org/licenses/by/3.0/ --- Support this podcast: https://anchor.fm/the-artist-confluence/support

Art critic Alastair Sooke, in the company of some of the leading creatives of our age, continues his deep dive into the stunning works in the Museum of Modern Art's collection, whilst exploring what it really means “to see” art. Today's edition features the choice of husband and wife Sarah Sze and Siddhartha Mukherjee. Sarah is an award-winning sculptor and Siddhartha Mukherjee is a Pulitzer Prize winning oncologist. Will the artist and the scientist see Louise Bourgeois's "Quarantania, I" sculpture differently? Main Image: Louise Bourgeois, Quarantania, I, 1947-53. Painted wood on wood base, 6' 9 1/4" (206.4 cm) high, including base 6 x 27 1/4 x 27" (15.2 x 69.1 x 68.6 cm). Gift of Ruth Stephan Franklin. Museum of Modern Art, NY, 1076.1969. © The Easton Foundation/VAGA at ARS, NY Producer: Paul Kobrak

Artist Sarah Sze takes us on a kaleidoscopic journey through her work: immersive installations as tall as buildings, splashed across walls, orbiting through galleries -- blurring the lines between time, memory and space. Explore how we give meaning to objects in this beautiful tour of Sze's experiential, multimedia art.

Episode 138: Today I chat with Julia Debski. She’s the gallery assistant at the Tanya Bonakdar gallery in New York City. We talk about Charlotte, Starbucks, New York, and the Sarah Sze exhibition which goes until October 19, 2019. All images used with permission. This episode is brought to you by: The post Sarah Sze exhibition: Chat with Julia Debski of the Tanya Bonakdar Gallery appeared first on Let's Talk Art With Brooke.

La artista Sarah Sze nos lleva a un viaje caleidoscópico a través de su trabajo: instalaciones envolventes tan altas como edificios, distribuidas en las paredes, orbitando por galerías, difuminando las líneas entre el tiempo, la memoria y el espacio. Explora cómo damos sentido a los objetos en esta bella revisión del arte experimental y multimedia de Sze.

L'artiste Sarah Sze nous entraîne dans un voyage kaléidoscopique à travers son œuvre : des installations immersives aussi hautes que des immeubles, étalées sur des murs, en orbite dans des galeries, qui estompent les frontières entre le temps, la mémoire et l'espace. Découvrez comment nous donnons sens aux objets grâce cette merveilleuse excursion dans son œuvre multimédia expérimentale.

A artista Sarah Sze nos conduz em uma jornada caleidoscópica por seu trabalho: instalações envolventes tão altas quando edifícios, salpicadas pelas paredes, orbitando pelas galerias, desfazendo os limites entre tempo, memória e arte. Explore como damos significado aos objetos nesta bela incursão pela arte multimídia e experimental de Sze.

설치미술 작가 사라 제(Sarah Sze)의 작업은 만화경처럼 다채로운 경험으로 관객을 인도합니다. 건물처럼 높고 벽면을 알록달록하게 수놓으며 미술관을 빙빙 도는 그녀의 작품은 관객을 몰입시켜 시간과 기억 그리고 공간의 경계를 흐립니다. 사라 제의 실험적인 멀티미디어 미술 작품을 여행하며 우리가 사물에 의미를 부여하는 방식에 대해 탐험해봅시다.

Artist Sarah Sze takes us on a kaleidoscopic journey through her work: immersive installations as tall as buildings, splashed across walls, orbiting through galleries -- blurring the lines between time, memory and space. Explore how we give meaning to objects in this beautiful tour of Sze's experiential, multimedia art.

Video interview with artist Sarah Sze

Sarah Sze is an internationally acclaimed artist, whose signature visual language challenges the static nature of sculpture and questions the value society places on objects. She joined NYPL's Paul Holdengraber this spring for a conversation spanning her body of work and what it says about space, architecture, art, and most importantly, how humans relate to all three.

In this episode of the podcast, Moleskine's director of brand and public relations, Erik Fabian, joins us to talk about how a notebook can serve as a platform your imagination and the pillars of an iconic brand. HIGHLIGHTSErik's early influences from art teachers and theatrical performance Trusting your sense of joyFinding our sense of community as adults Why in-person events create faster bonds than online communitiesThe influence of attending an experimental collegeHow a notebook can serve as a platform for your imagination Infusing the pillars of an iconic brand into your own workWhy pen and paper is still prevalent in a digital worldHow Moleskine notebooks are designed to create an emotional bond with with their ownerErik Fabian is the Director of Brand & PR for Moleskine America where he ensures the core values and narratives of the Moleskine brand are shared with fans across the United States, Canada, and Latin America. Erik leads a team responsible for design, digital, and event partnerships with brands like: Tumblr, the Telluride Film Festival, Dwell.com, the Future of Storytelling Conference, the NYC French Embassy, the School of Visual Arts, Sean Kelly Gallery, and the Instagram based street-art gallery Instagrafite. Design collaborations have included projects with artists: Marina Abramović, Kehinde Willey, and Sarah Sze.Erik is also a long-time impresario and artist/performer. He is a graduate of the Master of Fine Arts program at the School of the Art Institute of Chicago and experimental liberal arts curriculum at the Evergreen State College. Erik is launching a mini-series of interviews on a new YouTube channel: The Grass Is Green. See acast.com/privacy for privacy and opt-out information.

Sarah Sze constructs extraordinary sculptures through an intricate assemblage of household objects. Her site-specific installations defy gravity in towering formations of mixed materials, and the contrast between small objects and large compositions explores the boundaries between art and everyday life. Sze was born in Boston and received her MFA from the School of Visual Arts in New York. Her work has been exhibited internationally for over a decade, and she is the 2003 recipient of the MacArthur "Genius" Award. She currently lives and works in New York.

This week: San Francisco checks in with dance legend Anna Halprin!!! Anna Halprin (b. 1920) is a pioneering dancer and choreographer of the post-modern dance movement. She founded the San Francisco Dancer's Workshop in 1955 as a center for movement training, artistic experimentation, and public participatory events open to the local community. Halprin has created 150 full-length dance theater works and is the recipient of numerous awards including the 1997 Samuel H. Scripps Award for Lifetime Achievement in Modern Dance from the American Dance Festival. Her students include Meredith Monk, Trisha Brown, Yvonne Rainer, Simone Forti, Ruth Emmerson, Sally Gross, and many others. Printed Matter Live Benefit Auction Event: March 9, 6-8:30 pm Robert Rauschenberg Project Space 455 West 19th St, New York www.paddle8.com/auctions/printedmatter Printed Matter, Inc, the New York-based non-profit organization committed to the dissemination and appreciation of publications made by artists, will host a Benefit Auction and Selling Exhibition at the Rauschenberg Foundation Project Space to help mitigate damage caused by Hurricane Sandy. As a result of the storm, Printed Matter experienced six feet of flooding to its basement storage and lost upwards of 9,000 books, hundreds of artworks and equipment. Printed Matter's Archive, which has been collected since the organization's founding in 1976 and serves as an important record of its history and the field of artists books as a whole, was also severely damaged. Moreover, the damage sustained by Sandy has made it clear that Printed Matter needs to undertake an urgent capacity-building effort to establish a durable foundation for its mission and services into the future. This is the first fundraising initiative of this scale to be undertaken by the organization in many years, and will feature more than 120 works generously donated from artists and supporters of Printed Matter. The Sandy Relief Benefit for Printed Matter will be held at the Rauschenberg Project Space in Chelsea and will run from February 28 through March 9th. The Benefit has two components: a selling exhibition of rare historical publications and other donated works and an Auction of donated artworks. A special preview and reception will be held February 28th, 6-8 pm, to mark the unveiling of all 120 works and to thank the participating artists and donors. The opening will feature a solo performance by cellist Julia Kent (Antony and the Johnsons), followed by a shared DJ set from Lizzi Bougatsos (Gang Gang Dance) & Kyp Malone (TV on the Radio). The event is free and open to the public. All works will then be available for viewing at the Rauschenberg Project Space March 1 – March 9, gallery hours. All Selling Exhibition works may be purchased during this period and Auction works will be available for bidding online. Bids can be made at www.paddle8.com/auctions/printedmatter. A live Benefit Auction Event will take place March 9, 6-8:30 pm with approximately 20 selected works to be auctioned in a live format. Bidding on these works will commence at 7pm sharp, while silent bids can be made on all other Auction works. Note, highest online bids will be transferred to the room. For absentee bidding of works, please contact Keith Gray (Printed Matter) at 212 925 0325 or keith@printedmatter.org. The evening will feature a performance by Alex Waterman on solo cello with electronics. Admission is $150 and tickets may be pre-purchased here. There will be only limited capacity. Highlighted auction works include an oversize ektacolor photograph from Richard Prince, a woven canvas piece from Tauba Auerbach, an acrylic and newsprint work from Rirkrit Tiravanija, a large-scale Canopy painting from Fredrik Værslev, a rare dye transfer print from Zoe Leonard, a light box by Alfredo Jaar, a book painting by Paul Chan, a carbon on paper work from Frances Stark, a seven-panel plexi-work with spraypainted newsprint from Kerstin Brätsch, a C-print from Hans Haacke, a firefly drawing from Philippe Parreno, a mixed-media NASA wall-piece from Tom Sachs, a unique print from Rachel Harrison, a vintage xerox poem from Carl Andre, an encyclopedia set of hand-made books from Josh Smith, a photograph from Klara Liden, a table-top sculpture from Carol Bove, Ed Ruscha’s Rooftops Portfolio, as well as original works on canvas and linen by Cecily Brown, Cheyney Thompson, Dan Colen, Adam McEwen, RH Quaytman, and many others. These Auction works can be previewed at: www.paddle8.com/auctions/printedmatter In addition to auction works, a vitrine-based exhibition of rare books, artworks and ephemera are available for viewing and purchase. This material includes some truly remarkable items from the personal collection of Robert Rauschenberg, donated by the Robert Rauschenberg Foundation in memory of the late Printed Matter Board Member, bookseller and publisher, John McWhinnie. Among the works available are books and artworks from Marcel Duchamp, Willem de Kooning, Alfred Steiglitz, Joseph Beuys, Brigid Berlin (Polk), as well as a Claes Oldenburg sculpture, a rare William Burroughs manuscript, and the Anthology Film Archive Portfolio (1982). Additional artists’ books have been generously donated by the Sol LeWitt Estate. Works include pristine copies of Autobiography (1980), Four Basic Kinds of Straight Lines (1969), Incomplete Open Cubes (1974), and others. Three Star Books have kindly donated a deluxe set of their Maurizio Cattelan book edition. These works can be viewed and purchased at the space. For inquiries about available works please contact Printed Matter’s Associate Director Max Schumann at 212 925 0325 or mschumann@printedmatter.org. Co-chairs Ethan Wagner & Thea Westreich Wagner and Phil Aarons & Shelley Fox Aarons have guided the event, and Thea Westreich Art Advisory Services has generously lent its expertise and assisted in the production of the auction. In anticipation of the event Printed Matter Executive Director James Jenkin said: “Not only are we hopeful that this event will help us to put Sandy firmly behind us, it is incredibly special for us. To have so many artists and friends associated with our organization over its 36 years come forward and support us in this effort has been truly humbling.“ Auction includes work by: Michele Abeles, Ricci Albenda, Carl Andre, Cory Arcangel, Assume Vivid Astro Focus, Tauba Auerbach, Trisha Baga, John Baldessari, Sebastian Black, Mark Borthwick, Carol Bove, Kerstin Brätsch, Sascha Braunig, Olaf Breuning, Cecily Brown, Sophie Calle, Robin Cameron, Sean Joseph Patrick Carney, Nathan Carter, Paul Chan, Dan Colen, David Kennedy Cutler, Liz Deschenes, Mark Dion, Shannon Ebner, Edie Fake, Matias Faldbakken, Dan Graham, Robert Greene, Hans Haacke, Marc Handelman, Rachel Harrison, Jesse Hlebo, Carsten Höller, David Horvitz, Marc Hundley, Alfredo Jaar, Chris Johanson, Terence Koh, Joseph Kosuth, Louise Lawler, Pierre Le Hors, Leigh Ledare, Zoe Leonard, Sam Lewitt, Klara Liden, Peter Liversidge, Charles Long, Mary Lum, Noah Lyon, McDermott & McGough, Adam McEwen, Ryan McNamara, Christian Marclay, Ari Marcopoulos, Gordon Matta-Clark, Wes Mills, Jonathan Monk, Rick Myers, Laurel Nakadate, Olaf Nicolai, Adam O'Reilly, Philippe Parreno, Jack Pierson, Richard Prince, RH Quaytman, Eileen Quinlan, Sara Greenberger Rafferty, Ed Ruscha, Tom Sachs, David Sandlin, Paul Mpagi Sepuya, Cindy Sherman, Josh Smith, Keith Smith, Buzz Spector, Frances Stark, Emily Sundblad, Andrew Sutherland, Peter Sutherland, Sarah Sze, Panayiotis Terzis, Cheyney Thompson, Rirkrit Tiravanija, Nicola Tyson, Penelope Umbrico, Fredrik Værslev, Visitor, Danh Vo, Dan Walsh and Ofer Wolberger.

Visual artist Sarah Sze and her husband, Pulitzer Prize-winning author Siddhartha Mukherjee, discuss the creative process with Asia Society President Vishakha N. Desai in New York City. In conjunction with the 2012 Asia Society Museum exhibition "Sarah Sze: Infinite Line." (1 hr., 16 min.)

Visual artist Sarah Sze reveals the artistic intent behind her 2011-12 Asia Society Museum exhibition. (3 min., 26 sec.)