Podcasts about Trouble Will Find Me

Light, fire, water, fruit, and worms; “just the basics”, are Matt Berninger's recurring themes, and these emerge again on his second solo album Get Sunk. One of life's sponges, Berninger is constantly observing and recording the world around him - on paper scraps, whiteboards, garageband files, notes-to-self via text messages and even on baseballs. The sketches of songs ideas, lyrics and poems are transcribed from his brain to his fingertips, ready to go when the songwriting process gets underway. Once you understand this, it's easier to see just how the man has become prolific. Having written lyrics for not one but two albums with his band The National in 2023, his catalogue of solo works is fast developing, first album Serpentine Prison arrived in 2021 (a substantial achievement given that Berninger had some debilitating bouts of depression around the COVID period). After the exercise in traditional, classic song making that was Serpentine Prison, new album Get Sunk is much more an indie pop record not a million miles from The National. It even contains a surefire hit (in the parallel universe where good songs become hits), in the form of drivetime indie single Bonnet Of Pins, destined to become a firm fan favourite. Coming in at 10 tracks, Get Sunk is a lean, mean machine of well-crafted, mid-paced indie and easy on the ear ballads. It's a consistently engaging listen, but some songs, Frozen Oranges, Little By Little, Nowhere Special really showcase Berninger's powers. If this was the 80s, Matt Berninger would have a solo hit record on his hands and a parallel successful career as rock band frontman and solo artist. But, given this is the 21st century streaming era, he'll have to make do with a modestly successful outlet for his prolific creativity - some half-million listeners on his Spotify profile as validation. It's a worthwhile endeavour. Besides, having extra-curricular projects is critical to longevity - very much one of our underlying themes. Berninger's core project, The National, are a rare exception to the rule of a band's career as the proverbial rollercoaster ride. No stratospheric rise as such, more a steady climb. No ‘disintegration' or crash to the bottom for this band, who continue to go from strength to strength it seems. They've never been dropped, now having made 10 albums over 25 years - all of them on the ultra-cool indie label 4AD. The band now is the original line up since the beginning and since The National is Berninger plus two sets of twins, any alternative seems unthinkable. If every band wants the career of Radiohead, then the career of The National can't be too far behind in the dreams of young friends forming indie bands in every small corner of the world. Still, it took a minute. As Berninger quips “longevity takes a long time”...before elaborating on the early days:“We were ignored for the first couple of records, nobody paid attention to us until Alligator and Boxer. Those records were hard fought, but by then, we had four records and so you couldn't pin us down. Then Annie Clark (St. Vincent) and Sufjan Stephens started helping us and we grew this community in Brooklyn that became a really healthy thing for all of us”. Creating a body of work of some four albums before registering on the radar is the way to go, if you can get away with it. By the time High Violet came around in 2010 (and its highly successful successors Trouble Will Find Me, Sleep Well Beast), The National were a bona fide transatlantic success. More than that, however, they represent (probably along with Arctic Monkeys) how a band of the 21st century can achieve a kind of success that is, in essence, a throwback to the old world. Despite this and maybe becauSupport the showGet more related content at: https://www.songsommelier.com/

Jack and George from the band Arliston are the guests for this episode as they talk about The National's "Trouble Will Find Me" and how it influences them as a band, and how they each get different things from it...Host: Matt LathamGuests: Jack and George (Arliston)------------Listen to The Spotify Hall of Fame PlaylistEmail: Pick A DiscFollow us on:Bluesky | Instagram | FacebookPick A Disc(Ord) Discord ServerListen to We Dig Podcasts Shows: @wedigpodcasts | LinktreeLogo designed by: Dan Owen

Lucía Taboada nos cuenta cómo fueron los inicios de la banda estadounidense.Este reportaje fue parte del programa dedicado a Trouble Will Find Me. Puedes escuchar el programa completo aquí. 

Welcome back, everyone. It's been a minute, but it looks like that minute is up—the tenth season of The Anhedonic Headphones Podcast is upon us. It's the 54th episode overall since the show began, and in the first episode of the new season, Kevin welcomes his first in person guest in three years, Anastasia Stier.  The two talk about poor mental health, how you never grow out of being an emo kid, and fixating on Julien Baker. For additional information about Anhedonic Headphones, please click here; or follow Kevin on Instagram and on Twitter. And please give the podcast he co-hosts with Alyssa Savino, A Reasonable Day, a listen.  Intro Music: “6 Underground,” written by John Barry, Chris Corner, Liam Howe, and Ian Pickering; performed by Sneaker Pimps. Becoming X, Clean Up, 1997. Closing Music: “Numb,” written by Beth Gibbons, Geoff Barrow, and Adrian Utley; performed by Portishead. Dummy, Go Disc, 1994.  Music Credits: “I Won't Stay Long,” written by Sam Nash; performed by Sixpence None The Richer. Sixpence None The Richer, Squint, 1997. “Telethon,” written by Emily Haines; performed by Emily Haines and The Soft Skeleton. What Is Free to A Good Home?, Last Gang, 2007. “Reckless” written and performed by Tilly and The Wall. Wild Like Children, Team Love, 2004.  “This Is Our Emergency,” written and performed by Pretty Girls Make Graves. The New Romance, Matador, 2003. “Empty,” written and performed by Metric. Live It Out, Last Gang, 2005. “Sea of Love” written by Philip Baptiste and George Khoury; performed by Cat Power. The Covers Record, Matador, 2000. “Buttoned Down,” written and  performed by Straylight Run. The Needles The Space, Universal, 2007. “This is The Last Time,” written by Aaron Dessner, Bryce Dessner, and Matt Berninger; performed by The National. Trouble Will Find Me, 4AD, 2013. “Hurt Less,” written and performed by Julien Baker. Turn Out The Lights, Matador, 2017 “I'll Never Smile Again,” written by Ruth Lowe; performed by Tommy Dorsey and His Orchestra and Frank Sinatra. Victor, 1940.  

Jonathan narrows down all his favorite records from the 2010's. Who made the cut? Deep Cuts fans can probably guess... Tame Impala's Currents, Vulfpeck's Thrill of the Arts, The National's Trouble Will Find Me and High Violet, Beck's Morning Phase, plus highlights from Jim James, Vampire Weekend, Kurt Vile, Chromatics, and Calexico.

Introducing the Band:Your hosts Scot Bertram (@ScotBertram) and Jeff Blehar (@EsotericCD) are with guest Phil Wegmann. Phil is White House reporter for RealClearNews and RealClearPolitics. Check him out on Twitter at @PhilipWegmann.Phil's Music Pick: The NationalLet us tell you, we have had *a bunch* of listeners ask us for an episode on The National, and we are nothing if not responsive to our fans. Neither one of your hosts previously was extremely familiar with the band, which is why we called in our ringer, Phil Wegmann, who earlier helped to lead our path through the Creedence Clearwater Revival show.Looking at Wiki's description of The National -- “The National has been compared to Joy Division, Leonard Cohen, Interpol, Wilco, Depeche Mode and Nick Cave & the Bad Seeds” -- you could be forgiven for thinking this already was one of Jeff's favorite bands. And that doesn't even take into account the fact there's a lot of Arcade Fire in this music, as well.Much of your opinion of The National could hinge on how you feel about lead singer/lyricist Matt Berninger and his classic baritone voice. There's not a ton of vocal modulation on these tracks! That, of course, makes for a distinctive sound and separates the band from many of its peers.The band's self-titled debut is a bit of an outlier – there are sounds there they never quite would return t0 – but after that, a fantastic string of albums begins with Sad Songs For Dirty Lovers, one Scot argues actually is among their best. Alligator, Boxer, and High Violet make the case for The National becoming one of the most consistent acts of the decade while continuing to tweak their songwriting and performance at each stage. 2013's Trouble Will Find Me ends up as a top choice of all three of your hosts.Maybe you're new to the band, too! Don't worry. Jump in and experience The National through the eyes of a superfan and two other hosts who were in the same position you're in. And if you already love The National, well, there's a decent chance our takes will somehow manage to irk each and every one of you in some way. We can't all be “Mr. November,” after all.

Welcome to Indexed.On this episode we dive into the discography of The National. Some folks think this band is a real snoozer, but we disagree.Don't like our rankings? Think we nailed it? Reach out on social media to let us know where you stand.Instagram: @indexed_podFacebook: IndexedShow Email: indexedpodcast@gmail.comIntro / Outro Music by VHX (https://soundcloud.com/djvhx)

Today, Californian singer-songwriter Charlie Hickey joins me to celebrate the National's 2013 album ‘Trouble Will Find Me'. We delve into Charlie's childhood relationship with the band, the simple and sparse lyrics and how their affect lets them get away with potentially cheesy earnestness, coming back to the record as an adult, songs about feeling like shit and more. Plus, we talk about Charlie's fantastic new record ‘Nervous at Night', recording at producer Marshall Vore's home studio, how you know when a record is finished and more.

On this week's episode our co-hosts dive into The National's album Trouble Will Find Me, track by track. Is this an all-time top 100 album? Hear why the guys think it is, as they argue that some of the greatest rock music of all time is being made in the 21st century. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

Roland Orzabal, Jan Philipp Eißfeldt und Matt Berninger - das sind die (bürgerlichen) Namen, die hinter den Alben der heutigen Folge #31 stecken.  Im Plattenladen findet man die Werke der drei Herren unter Tears for Fears (hier mit dem Album "Songs From The Big Chair"), Jan Delay (mit "Earth, Wind und Feiern") und The National (mit "Trouble Will Find Me").  Die heutige Folge bringt uns also einen bunten Mix aus New Wave, funky Hip-Hop und sonor-emotionalem Indie-Rock. Wie immer gibt es nicht bei allen Alben Einigkeit, das beginnt beim letzte Woche bereits diskutierten Thema "Intros" und Ende beim so oft bemängelten "ausfaden" von Songs, in einem Fall sogar einer Kombination aus beidem! Hört rein um zu erfahren welcher Mega-Hit es nicht auf unsere Playlist schafft und wie wir uns bei der Wahl der Hausaufgaben mühelos ins Spannungsfeld zwischen Punk, und GZSZ bewegen! Abonniert uns überall wo es Podcasts gibt und schreibt dort gerne auch wenn möglich eine Bewertung.

The guys (and frequent guest co-host Jeff Frame) welcome Lydia Luce to talk about The National’s “Trouble Will Find Me.” Plenty of other discussion including Lydia’s latest record “Dark River,” Mt. St. Helens, living in Florida, dealing with anxiety, arranging strings, being big in Belgium, songs that make us cry, being consumed on clicks, and drinking Pink Rabbits or, for Ben, drinking Strawberry Quik. Check out Lydia Luce at: https://www.lydialuce.com/ Check out The National at: https://americanmary.com/ Check out other episodes at RecordsRevisitedPodcast.com, Apple Podcasts, Stitcher, Castbox, iHeartMedia, Google Podcasts and Spotify. Additional content is found at: Facebook.com/recordsrevisitedpodcast or twitter @podcastrecords or IG at instagram.com/recordsrevisitedpodcast/ or join our Patreon at patreon.com/RecordsRevisitedPodcast

They're back! It's been a minute, but Bravid finally made it through the school year and are fully vaxxed. That means they are back in the studio to avoid any more ZOOM burnout. Brandon and David each issued a challenge album for the other to listen to that they, for whatever reason, would not necessarily listen to in their own musical journies. David slaps Brandon with the gauntlet of MF Doom's lyrical genius and genre-responsive Mm...Food while Brandon puts a message of The National's Trouble Will Find Me in a bottle and tosses it into the ocean of David's stubbornness. That all makes sense right? Hear David fail to be articulate at any given moment and Bradon at his most professorial, shaming David with his brilliance. --- Send in a voice message: https://anchor.fm/latetotheparty1989/message

Fresh off releasing the greatest album of 2021, Middle Kids frontwoman Hannah Joy makes a welcome return to the show to talk about The National’s seminal 2013 album ‘Trouble Will Find Me’. We talk about The National’s reputation as a band who make ‘grower’ albums, how this album represents the culmination of the band’s career to that time, the use of rhythm, space and texture and how that influenced the new Middle Kids album, integrating family dynamics into a band, how to age gracefully as a rock band and the cocktail bar in Portland where the drinks are inspired by National songs. Plus Hannah reveals the most contentions albums each Middle Kids member has tried to play in the band van while on tour.

We had a wonderful chat with Tiffanie DeBartolo in this episode. She is an author and record label owner and we were so glad to be able to talk to her about her latest novel, Sorrow. We loved chatting with her about about art, music, writing, and living a creative life. Show Notes: Tiffanie's film is called Dream for an Insomniac. She teaches at the Jackson Hole Writing Conference every year. Listen to Jeff Buckley's album Grace. Check out Tiffanie's record label Bright Antenna. Tiffanie's book recommendation: Shantaram by Gregory David Roberts Tiffanie's album recommendations: High Violet and Trouble Will Find Me, both by The National "Pink Rabbits" is on Trouble Will Find Me and was Tiffanie's initial inspiration for Sorrow. You can find Tiffanie on Instagram @tiffaniedebartolo and on her website tiffaniedebartolo.com You can also find her dogs on Instagram @dipsea.and.kazoo Tiffanie's Other Books: How to Kill A Rock Star God-Shaped Hole Grace: The Jeff Buckley Story Sorrow Spotify playlist Don’t forget to follow us on Instagram, TikTok, Twitter, and Facebook or email us at hello@anotherbookontheshelf.com. We’d love to hear from you! Sign up for our newsletter and add us to Pinterest!

On today’s podcast, Ryan talks to the lead singer of indie rock band The National about the false glamour of the rock n’ roll lifestyle, staying creative during the pandemic, and how he has sustained a successful career in the music industry.After quitting a career in advertising in his thirties, Berninger went on to form The National in 1999. The band has released several critically acclaimed albums, including Boxer and the Grammy-nominated Trouble Will Find Me. In October he released his debut solo album, Serpentine Prison.This episode is brought to you by GiveWell, the best site for figuring out how and where to donate your money to have the greatest impact. GiveWell’s team of researchers works countless hours to determine which charities make the most effective dollar-for-dollar contributions to the causes they support. Since 2010, GiveWell has helped over 50,000 donors donate over 500 million dollars to the most effective charities, leading to over 75,000 lives saved and millions more improved. Visit GiveWell.org/stoic and your first donation will be matched up to 100 dollars.This episode is also brought to you by LinkedIn Jobs. LinkedIn Jobs is the best platform for finding the right candidate to join your business this fall. It’s the largest marketplace for job seekers in the world, and it has great search features so that you can find candidates with any hard or soft skills that you need. Visit http://linkedin.com/stoic to get fifty dollars off your first job post.This episode is also brought to you by HelloFresh, the meal-kit subscription that gets you healthy and delicious home-cooked meals, right to your doorstep. HelloFresh sends you meal kits in a way that fits in with your schedule and dietary preferences. Meals are seasonal and delicious, and save you and your family time and money on grocery shopping. Visit HelloFresh.com/stoic90 and use code STOIC90 to get $90 off, including free shipping.***If you enjoyed this week’s podcast, we’d love for you to leave a review on Apple Podcasts. It helps with our visibility, and the more people listen to the podcast, the more we can invest into it and make it even better.Sign up for the Daily Stoic email: http://DailyStoic.com/signupFollow Daily Stoic:Twitter: https://twitter.com/dailystoicInstagram: https://www.instagram.com/dailystoic/Facebook: http://facebook.com/dailystoicYouTube: https://www.youtube.com/dailystoicFollow Matt Berninger:Homepage: https://mattberningerswebsite.com/Twitter: https://twitter.com/MattberningerInstagram: https://www.instagram.com/greengloves777Facebook: https://www.facebook.com/mattberningerYouTube: https://www.youtube.com/channel/UCvGEf-PuZsubcWHzDzchxiw

The Discographers Podcast gives an in-depth look into the works of a particular music artist. This special covers Trouble Will Find Me by The National from 2013. Brian's Album Pick: Serpentine Prison by Matt BernigerTyler's Album Pick: Things Falling Apart by Nine Inch NailsDiscographers@gmail.comfacebook.com/Discographershttps://twitter.com/Discogpodpatreon.com/TheDiscographershttps://soundcloud.com/the-discographershttps://teespring.com/stores/club-failCreditsHosted by: Brian Matthews & Tyler CardwellProduced by Artur Pokusin, Brian Matthews, & Tyler CardwellEdited by Tyler CardwellSound Design & Theme Song by Brian Matthews & Tyler CardwellArt Direction by Artur Pokusin  This episode's outro music is "LIMBUS" By Gran Purismohttp://www.granpurismo.com/ Thanks to: Club FailPatreon Supporters: Ben Hustis, Micah Pearce, Ben Lee, Allison Terrano, Chris Thomsen, Justine MacDonald, Matthew Aguirre, Zachary Havrilla, & Jonathan Petruccelli

Hay bandas que alcanzan el cielo con el primer salto, hemos visto varios de esos casos en estos programas, discos de debut legendarios que catapultaron a sus autores. Desde Pearl Jam a Arcade Fire pasando por Radiohead.Otros, sin embargo, han recorrido largos desiertos rEl extraño viaje al éxito de The Nationalepletos de dudas, zancadillas y noches en las que te preguntas si no hay algo mejor que hacer con tu vida. The National es una de esas bandas a las que les ha costado alcanzar el éxito. Esta semana dedicamos el programa a recordar Trouble Will Find Me, su álbum de 2013, de la mano de Carlos Cano y Lucía Taboada.

Hay bandas que alcanzan el cielo con el primer salto, hemos visto varios de esos casos en estos programas, discos de debut legendarios que catapultaron a sus autores. Desde Pearl Jam a Arcade Fire pasando por Radiohead.Otros, sin embargo, han recorrido largos desiertos rEl extraño viaje al éxito de The Nationalepletos de dudas, zancadillas y noches en las que te preguntas si no hay algo mejor que hacer con tu vida. The National es una de esas bandas a las que les ha costado alcanzar el éxito. Esta semana dedicamos el programa a recordar Trouble Will Find Me, su álbum de 2013, de la mano de Carlos Cano y Lucía Taboada.

This week we get all emotional with you to Trouble Will Find Me by The National! Next up: The Wall - Pink Floyd Instagram: @listentothisthepodcast Email: ListenToThisThePodcast@gmail.com Special Thank you to Ryan Warr for our intro/outro music. You can find him on SoundCloud at @warrskiprod

On this new episode of Cosmic America, we take a listen to Sleep Well Beast, the four-years-in-the-making follow-up to Trouble Will Find Me. There's a definite evolution of sound here from earlier in the decade, including guitar solos(!) and a more antiseptic, distant mix. How do these sonic shifts affect the songs? Galen and Alex go track-by-track through the whole album, as we continue our evaluation of the entire catalogue of The National.

Cosmic America continues on with the latest installment of The National. On this episode, we step back to 2013 for Trouble Will Find Me. This album finds the band trying to balance rhythm with atmosphere, with sometimes amazing results. How does this album hold up seven years later? Can it hope to compete with the giant artistic accomplishments of the previous three records? We discuss the album track-by-track and some to some split-decision conclusions. Katie Metz joins us once again for this episode.

The sloppy second episode. Wyndy the Witch and Glenn with Three Ns go over their favorite songs off of The National's album Trouble Will Find Me. In their greed and arrogance the rebellious duo decide that one beer will not quench their insatiable thirst and choose to quadruple their beer intake with four imperial stouts. Can the rebels hold out against the imperials? What do the three Ns in Glenn with Three Ns stand for? Will Episode IX make up for the train wreck that was Episode VIII? One of those questions don't have anything to do with this podcast. Tune in to figure out which one it is.

Glenn and Wyndy the Witch pair IPA's with The National's Trouble Will Find Me

Tricks to survive? It's Episode 65! Join our hosts for another fun adventure! Stephen reviews Trouble Will Find Me by The National while trying the Tailgate Brewing Bat Building Hazy IPA. Jesse reviews Louder Now by Taking Back Sunday while sipping the Blackberry Farm Boundary Tree Belgian Ale. This is indeed a recipe for success!

​Originally from the UK, Karl discusses how he found himself in Denmark, the experiences of his first year and how music helped him to feel at home in his adopted country. He chose The National's “Trouble Will Find Me” album from 2013 as a jumping off point to discuss the ups and downs of his transition into expat life in Denmark. In the interview Karl briefly mentions his current studies and internship at Sleeknote,which “helps small e-commerce shops and big online retails engage website visitors—without hurting the user experience” and he wanted to share this Sleeknote scholarship with all of you. Thank you for spreading the word about this wonderful opportunity.More info: https://www.stephfuccio.com/geopatsreflections/11Support this podcast at — https://redcircle.com/geopats/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacyCheck it out: https://www.getrevue.co/profile/stephfuccio

Last week, I wrote a piece for Uproxx weighing the strengths of 2007's "Boxer" against the other albums in The National's formidable catalog. In spite of strong contenders like 2005's "Alligator," 2010's "High Violet", and 2013's "Trouble Will Find Me," I ultimately decided that "Boxer" is the best album The National has yet made. I had so much fun delving into the minutia of The National's career that I decided to call up another super-fan, Chris DeVille of Stereogum, in order to discuss what exactly makes "Boxer" so special, as well as its ultimate place in the pantheon of National records and 21st century indie-rock overall. Join us as we walk through this album, and measure it against the other albums in the band's discography.

This week, we circle back to this past year's Best Picture Nominee "The Revenant" (2015) and take a look back at a film that paved the way for Alejangro G. Inarrritu's survival epic when we dive into Werner Herzog's "Aguirre, the Wrath of God" (1972). Our featured music this week is by The National off of their newest release "Trouble Will Find Me".~ THE RUNDOWN ~00:01 - 11:02 The Warmup11:03 - 30:04 "The Revenant""Graceless" by The National31:28 - 46:18 "Aguirre, the Wrath of God""Sea of Love" by The National48:19 - 51:19 Mike and Ben Recommend51:20 - 52:43 This Week's Music52:44 - 53:58 Opening This Week STAY CONNECTED FacebookTwitterBen Hemphill LetterboxdMichael Hoffman Letterboxd

Knowing how a piece of classical music came to be is often a bit of a guessing game. What inspired Bach to write the Goldberg Variations, or Beethoven to write his 9th Symphony? Context clues, letters, composers’ notes help us put the story together; we fill in the rest with our imaginations and mythology. But no more! In this episode of Classical Classroom, you’ll hear the entire story of a piece of modern classical music, Music for Wood and Strings, from commission to performance. Even the instruments on which the piece is played didn’t exist before this story began. You’ll meet composer Bryce Dessner (The National), instrument maker Aron Sanchez (Buke and Gase), and the members of So Percussion. You’ll hear a lot of awesome music. You’ll laugh! You’ll cry. Your life will be affirmed. But seriously, it’s a compelling (and thoroughly American) story about ingenuity, modernist music, and most importantly, joy.          Music in this episode: Music for Wood and Strings. Bryce Dessner. Played by So Percussion. “Don’t Swallow the Cap.” The National, from the album Trouble Will Find Me. “Seam Esteem.” Buke and Gase. So-Called Laws of Nature. David Lang. Played by So Percussion. Appalachian Grove I. Laurie Spiegel. Audio production by Todd “Tex” Hulslander with giddyups from Dacia Clay and editing by Mark DiClaudio. For more So Percussion: www.sopercussion.com For more Bryce Dessner: www.brycedessner.com For more Aron Sanchez (and great pics of the chordsticks and other instruments he’s made): www.polyphonicworkshop.com Thanks to Emily Motherwell, Stuart Wolferman, Da Camera of Houston, and the people at Brassland for their help with this episode. 

The National formed in 1999. They've released six albums, and have been nominated for a grammy. Their music is everywhere from Game of Thrones, to Bob's Burgers, to Barack Obama's presidential campaign. In 2013 they released their sixth album, Trouble Will Find Me, which debuted at #3 on the Billboard charts. The band is made up of singer Matt Berninger along with two sets of brothers: guitarists Bryce and Aaron Dessner, who are twins, and Brian and Scott Devendorf, who play drums and bass, respectively. In this episode, Matt Berninger and Aaron Dessner break down "Sea of Love," a song that they co-wrote. You'll hear how it went from Aaron's original guitar demo to a densely layered recording with contributions from their bandmates and others, and they'll talk about how collaboration is an intrinsic part of their process and their band identity. songexploder.net/the-national

My buddy Michael Knight‘s on the show this week! He's one of my favorite bartenders, a constant fantasy hockey nemesis, and an all-around good dude. We're talking about The National's "Trouble Will Find Me", and why such a recent album is already one of his favorites. We recorded the episode on location at Barcelona Bar, but alas, no Harry Potter shots were consumed.

Today, we debut the maDCap tour company. Please sign in with our meeter/greeter Jill Holbrook, and find your seat in the CRV (Certified Recording Vehicle) for a trip into the heart of the nation's capital. Your guides for today are David Ross & Dan Bloom, and our featured guest is Tom Berninger, director of the film "Mistaken for Strangers." His story goes like this... Two creative brothers, the elder of whom is wildly successful, looms large over the younger's creative ambitions. Matt Berninger is lead singer of 'The National,' they have six acclaimed albums and sold-out world tours. His younger brother Tom is trained as a filmmaker and while looking for his next step in life, jumped at the chance to serve as assistant tour manager on one of Matt's tours. Although the gig didn't exactly go as planned, Tom made the fortuitous decision to bring his camera along for the ride. After his unceremonious exit from his job on tour, Tom retreated first to the family home in Cincinnati, and then decamped at Matt's Brooklyn abode to craft the film 'Mistaken for Strangers.' Matt's wife Carin Besser deserves no small part of the credit. She's a former fiction editor at The New Yorker and lent an expert hand to Tom in shaping his melange of footage into a cohesive and compelling narrative. 'Mistaken for Strangers' is worth your time and it's out in theaters, On Demand and iTunes today. -- For more information on the film, visit http://MistakenForStrangersMovie.com Tom Berninger tweets at http://twitter.com/TomBerninger The film's twitter account is http://twitter.com/NationalMovie -- Meanwhile, 'The National' is going on tour in support of their sixth studio album "Trouble Will Find Me." Find more information about the tour and the new record at their website http://AmericanMary.com. The band's twitter account is http://twitter.com/The_National -- We met with Matt Berninger during AFI Docs festival (http://afidocs.com), and special thanks must go to Lauren Selman (http://twitter.com/seelaurentweet) and her merry men and women. We also genuflect in appreciation to Jill Holbrook (http://twitter.com/jillholbrook) for being the heart & soul of the maDCap tour company, and to Dana Gold for traipsing through the streets of DC with us. -- http://madcapdc.org http://twitter.com/madcapdc

Today, we debut the maDCap tour company. Please sign in with our meeter/greeter Jill Holbrook, and find your seat in the CRV (Certified Recording Vehicle) for a trip into the heart of the nation's capital. Your guides for today are David Ross & Dan Bloom, and our featured guest is Tom Berninger, director of the film "Mistaken for Strangers." His story goes like this... Two creative brothers, the elder of whom is wildly successful, looms large over the younger's creative ambitions. Matt Berninger is lead singer of 'The National,' they have six acclaimed albums and sold-out world tours. His younger brother Tom is trained as a filmmaker and while looking for his next step in life, jumped at the chance to serve as assistant tour manager on one of Matt's tours. Although the gig didn't exactly go as planned, Tom made the fortuitous decision to bring his camera along for the ride. After his unceremonious exit from his job on tour, Tom retreated first to the family home in Cincinnati, and then decamped at Matt's Brooklyn abode to craft the film 'Mistaken for Strangers.' Matt's wife Carin Besser deserves no small part of the credit. She's a former fiction editor at The New Yorker and lent an expert hand to Tom in shaping his melange of footage into a cohesive and compelling narrative. 'Mistaken for Strangers' is worth your time and it's out in theaters, On Demand and iTunes today. -- For more information on the film, visit http://MistakenForStrangersMovie.com Tom Berninger tweets at http://twitter.com/TomBerninger The film's twitter account is http://twitter.com/NationalMovie -- Meanwhile, 'The National' is going on tour in support of their sixth studio album "Trouble Will Find Me." Find more information about the tour and the new record at their website http://AmericanMary.com. The band's twitter account is http://twitter.com/The_National -- We met with Matt Berninger during AFI Docs festival (http://afidocs.com), and special thanks must go to Lauren Selman (http://twitter.com/seelaurentweet) and her merry men and women. We also genuflect in appreciation to Jill Holbrook (http://twitter.com/jillholbrook) for being the heart & soul of the maDCap tour company, and to Dana Gold for traipsing through the streets of DC with us. -- http://madcapdc.org http://twitter.com/madcapdc

Review of “Trouble Will Find Me” by The National.    Grades: Music           A- Lyrics           B+ Production   A-  Overall         A- Email your comments and album suggestions to Feedback@FiveMinuteMusicReviews.com If you’d like to purchase this album, please click here: Email your comments and [...]

Do not adjust your displays, this is not a drill. Yes, you read correct. It's back! The ....andeveryonesadj podcast returns from what feels like an eternity. I can only offer my most heartfelt apologies for the gap in transmission. Moving house sucked the life out of me, and the lack of internet in the new house only compounded my misery. But all is well, the light has been walked into and normal service will resume shortly. Until then, please accept this crumb of consolation, 10 tracks taken from my 10 favourite albums of the year. In no particular order. (that's such a fucking cop-out). Anyway have a great New Years Eve, and speak to you again in 2014. Oh an I didn't mention it on the show, but anyone who did email or tweet me to make sure I wasn't dead, thank you! :-) 1. Biffy Clyro - Different People (14th Floor Records) 2013 | From the album Opposites. 2. Kanye West - Black Skinhead (Island Records) 2013 | From the album Yeezus. 3. John Grant - GMF (Bella Union) 2013 | From the album Pale Green Ghosts. 4. The National - Pink Rabbits (4AD) 2013 | From the album Trouble Will Find Me. 5. Los Campesinos! - Avocado Baby (Turnstile Music) 2013 | From the album No Blues. 6. Jagwar Ma - Let Her Go (Future Classics) 2013 | From the album Howlin'. 7. Hookworms - Since We Had Changed (Gringo Records) 2013 | From the album Pearl Mystic. 8. Hooded Fang - Graves (Full Time Hobby) 2013 | From the album Gravez. 9. Bill Ryder-Jones - You're Getting Like Your Sister (Domino Recordings) 2013 | From the album A Bad Wind Blows In My Heart. 10. Arctic Monkeys - Knee Socks (Domino Recordings) 2013 | From the album AM.

The Best Songs in Odd Time IIThis week we are revisiting that juicy, albeit nerdy, topic of odd time signatures in popular music. Our first podcast on this topic, back in April, demonstrated that we were only scratching the surface - so we're back now to show off 10 more songs that effectively utilize odd time signatures in rock. Enjoy! 1. "5-4=Unity" - Pavement, Crooked Rain, Crooked Rain (5/4)2. "15 Step" - Radiohead, In Rainbows (5/4)3. "Moon" - Bjork, Biophilia (17/8)4. "Wuthering Heights" - Kate Bush, The Kick Inside (Chorus is 4/4, 2/4,3/4)5. "Blockhead" - Devo, Duty Now For The Future (11/8)6. "I Say A Little Prayer" - Aretha Franklin, Aretha Now (10/4 verse, 11/ 4 chorus)7. "Demons" - The National, Trouble Will Find Me (7/4)8. "Cygnus, Vismund Cygnus" - The Mars Volta, Frances The Mute (3/4, 4/4, 23/8, 16/8... )9. "Modern Man" - Arcade Fire, The Suburbs (9/8)10. "Strange Reuninons" - Yeasayer, Odd Blood (5/4, 6/4, 5/4, 4/4)

Part 2 of my conversation with guest Brian Salvatore as we discuss music we've outgrown. I've also got the Bonehead of the Week and music from Queens of the Stone Age, The National, Superchunk and Eleanor Friedberger. Show notes: - Recorded via Skype - Check out Brian's comics podcast The Hour Cosmic - Jay: U2 was favorite band from late '80s to early '90s - Diminishing returns over last 20 years; sick of Bono - Brian: R.E.M. was approaching that territory when they quit - Brian: Done with Metallica - Jay: Musically, haven't dug them since The Black Album - Brian: Want to get back into old (non-Metallica) thrash - Not loving the Cookie Monster vocals - Jay: Once liked Don Henley's solo work, now hate him - Brian: Second incarnation of Aerosmith from 1985-on is terrible - Music got dumb, started working with outside writers - The curse of '80s production techniques - Brian: Not a good time for hard rock recording now; too much compression - Jay: Hair metal lost its appeal quickly - Saw many hair metal shows in mid-80s: Ratt, Motley Crue, Dokken - Brian: Mall punk and ska have lost their luster - Bands specialized in terrible covers - Blink 182, Goldfinger, Less Than Jake, Save Ferris - Jay: Clapton is NOT God - Brian: Not a fan of the blues; too samey - Jay: Still like the blues, but don't listen much anymore - Bonehead of the Week Music: Queens of the Stone Age - My God is the Sun The National - Don't Swallow the Cap Superchunk - FOH Eleanor Friedberger - Stare at the Sun Completely Conspicuous is available through the iTunes podcast directory. Subscribe and write a review! The Queens of the Stone Age song is on the album ...Like Clockwork on Matador Records. Download the song for free as part of the Matador Intended Play 2013 sampler on Amazon. The National song is on the album Trouble Will Find Me on 4AD. Download the song for free as part of the 4AD Sampler on Amazon. The Superchunk song is on the forthcoming album I Hate Music on Merge Records. Download the song for free as part of the Merge Records Summer Sampler 2013 on Amazon. The Eleanor Friedberger song is on the album Personal Record on Merge Records. Download the song for free as part of the Merge Records Summer Sampler 2013 on Amazon. The opening and closing theme of Completely Conspicuous is "Theme to Big F'in Pants" by Jay Breitling. Find out more about Senor Breitling at his fine music blog Clicky Clicky. Voiceover work is courtesy of James Gralian.

Duodécimo programa de A Altas Horas, trayendo como cada semana el mejor indie nacional e internacional, o el que más nos gusta... Esta semana escuchamos "Sea of Love", del nuevo disco de The National, "Trouble Will Find Me", Portugal. The Man desde Portland, con su tema "Atomic Man", Pyyramids y su "Paper Doll", Correos nos presenta "Incendiario", bailamos con Joe Crepúsculo y su "Fábrica de Baile", desde Australia nos llega Van She con su tema "Jamaica", y nos arrancamos con el famenco-indie de Los Evangelistas en su homenaje a Enrique Morente con su "En un Sueño Viniste". Además, nuestras secciones habituales, con "Desire Lines" de Camera Obscura como disco de la semana, The Sounds of Arrows y su "Magic" en la sección "+ke followers", la agenda de conciertos con El Perfil de la Tostada, que también nos trajo "Ser Brigada", de León Benavente, y para finalizar, nuestro clásico, "Mi rulot and I", de El Hombre Burbuja, banda sonora de nuestras vidas. ¡Échanos un oído!

Duodécimo programa de A Altas Horas, trayendo como cada semana el mejor indie nacional e internacional, o el que más nos gusta... Esta semana escuchamos "Sea of Love", del nuevo disco de The National, "Trouble Will Find Me", Portugal. The Man desde Portland, con su tema "Atomic Man", Pyyramids y su "Paper Doll", Correos nos presenta "Incendiario", bailamos con Joe Crepúsculo y su "Fábrica de Baile", desde Australia nos llega Van She con su tema "Jamaica", y nos arrancamos con el famenco-indie de Los Evangelistas en su homenaje a Enrique Morente con su "En un Sueño Viniste". Además, nuestras secciones habituales, con "Desire Lines" de Camera Obscura como disco de la semana, The Sounds of Arrows y su "Magic" en la sección "+ke followers", la agenda de conciertos con El Perfil de la Tostada, que también nos trajo "Ser Brigada", de León Benavente, y para finalizar, nuestro clásico, "Mi rulot and I", de El Hombre Burbuja, banda sonora de nuestras vidas. ¡Échanos un oído!

This British sounding American band bring their tradeMark doom and gloom sound to a level of artistic expression on their sixth album Trouble Will Find Me .

Episode 43 of Trick or Treat Radio is Rated R for Racism, Sexism, Strong Language, Sexual Situations, Heavy Use of Alcohol and Monkey Mayhem. Wolfenstein, Dynamo, Tiny, Ares, Ravenshadow and MonsterZero are joined by Jim Smith of Teeel to review his movie pick from last weeks show, Behind the Mask: The Rise of Leslie Vernon. We also drink, make bad jokes, whisper sweet nerdy nothings into your ears. It's a good time (If you're into that)Topics discussed: Dynamo propositions Jim Smith, Trick or Treat Radio on Outside the Cinema, Behind the Mask: The Rise of Leslie Vernon, Robert Englund, psycho killers, thumb wars, the international sign of magic, the old Cabin in the Woods argument, Scream's impact on the horror genre, paying homage to the classics, the definition of trick or treat, Nicholas Winding Refn, Werner Herzog, Mercy's ASSets, The Romeroverse, Paranorman, Versus, reverb impulses from underground lairs, demands by murderous supervillains, hot dog mugs, Vibe #4 review, Anaria/Polkadot Cadaver ticket giveaway, Jushin "Thunder" Lager, Iron Maiden's Trooper Ale, Smallville, Dawson's Creep starring Koop, Jothhh Whedon, Choose Your Own Double Tap, Godfather, Dunston Checks In, Being Michael Madsen, Z'Dary of Anne Frankenstein, The National's new album "Trouble Will Find Me", Alkaline Trio's "My Shame is True", Tucker and Dale vs. Evil, breaking the 3rd wall, Kung Fu Zombie, Tron: Uprising, Daft Punk, Polkadot Cadaver's "Last Call in Jonestown", Dog Fashion Disco, El-Creepo, Constantine, "a touch of bungle", XBOX One's big reveal, new Man of Steel trailer, Star Trek: Into Darkness, Star Wars: Rebels, Batman: Arkham Origins, and Dynamo Driver FloridiansSupport the show (https://www.patreon.com/trickortreatradio)

​Originally from the UK, Karl discusses how he found himself in Denmark, the experiences of his first year and how music helped him to feel at home in his adopted country. He chose The National's “Trouble Will Find Me” album from 2013 as a jumping off point to discuss the ups and downs of his transition into expat life in Denmark. In the interview Karl briefly mentions his current studies and internship at Sleeknote,which “helps small e-commerce shops and big online retails engage website visitors—without hurting the user experience” and he wanted to share this Sleeknote scholarship with all of you. Thank you for spreading the word about this wonderful opportunity.More info: https://www.stephfuccio.com/geopatsreflections/11Support this podcast at — https://redcircle.com/geopats/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

​Originally from the UK, Karl discusses how he found himself in Denmark, the experiences of his first year and how music helped him to feel at home in his adopted country. He chose The National's “Trouble Will Find Me” album from 2013 as a jumping off point to discuss the ups and downs of his transition into expat life in Denmark. In the interview Karl briefly mentions his current studies and internship at Sleeknote,which “helps small e-commerce shops and big online retails engage website visitors—without hurting the user experience” and he wanted to share this Sleeknote scholarship with all of you. Thank you for spreading the word about this wonderful opportunity.More info: https://www.stephfuccio.com/geopatsreflections/11