Podcasts about Like Clockwork

Episode 417 of the Everybody ESL podcast is a mini episode that teaches you the interesting phrase “like clockwork.” Send your questions about English and your comments and suggestions to EverybodyESL@gmail.com. (And let me know if you'd like to record the introduction to a future episode.)

Dive into the extraordinary story of Marie and Mildred Maier, the original Doublemint Twins, whose encounter with an alien signal shook Chicago and exposed a shadowy government cover-up. On November 28, 1954, during a live WGN radio broadcast, the sisters recorded eerie, high-speed tones—described as a coded message resembling Jingle Bells—after host Jim Mills invited extraterrestrials to respond. What followed was a web of deception involving the CIA, fake Air Force officers, and a relentless UFO skeptic, Dr. Leon Davidson, who uncovered the truth.Explore the Maier's journey from advertising fame as Wrigley's Doublemint Twins to accidental UFO hunters.  Their WGN recording, detailed in a rare 1955 Journal of Space Flight article, caught the CIA's attention, leading to a covert operation to seize the tape. Posing as Air Force officers, CIA agents George O. Forrest and Dewelt Walker visited the sisters, claiming the signal was mere Morse code from a U.S. radio station. Was it?Enter Dr. Leon Davidson, a Los Alamos scientist who believed UFOs were a CIA-orchestrated psychological warfare tactic. In 1957, Davidson contacted the Maiers, exposing inconsistencies in the CIA's story and accusing the agency of fabricating UFO sightings to manipulate public perception during the Cold War. His dogged pursuit revealed a deeper conspiracy. The CIA's 1997 report, The CIA's Role in the Study of UFOs, 1947-90, later admitted mishandling the case, confirming Davidson's suspicions of agency involvement.Set against the backdrop of 1954's UFO frenzy, this episode uncovers a time when Cold War paranoia, public obsession with flying saucers, and government secrecy collided.  The Maier sisters' story is a microcosm of a nation grappling with the unknown. Why did the CIA go to such lengths to bury a single tape? Was the sisters' recording evidence of extraterrestrial contact, or part of a larger psychological operation?https://www.mydarkpath.com/73-doublemint-twins-vs-the-ciaRead MF Thomas' novels Like Clockwork https://amzn.to/417lOzyArcade https://amzn.to/4aTpisxA Sickness in Time https://amzn.to/41apSPKSeeing by Moonlight ...

Nate's Business Case Template Nate Nasralla shares how to craft a one-page business case that your champion can run with. By presenting it early, keeping it simple, and making it feel like an internal doc that earns buy-in from decision-makers.

This hour, Mike and Cullen discuss Tulane Baseball making hay in the AAC Tournament, Tulane Football continues building a strong roster, Charles Woodson entering a new phase in his NFL career as he steps into an ownership role with the Browns, before welcoming in Mike Triplett, writer covering the Saints for New Orleans dot football, to break down the latest on the Saints roster as OTAs get underway, and founder and CEO of the Are You Serious sports network, Blake Ruffino, on the Jay Johnson and how the Tigers are looking as the SEC Tourney gets underway!

Can you really write the script of your own success story in the pet business world? What would happen if you planned a whole 12 months ahead instead of just 12 days? And how much progress (and profit) are you leaving on the table by winging it month-to-month? In this solo episode, Dom reflects on his time at the Pet Boarding and Daycare Expo in Las Vegas and shares a behind-the-scenes look at how he plans his own success across his multiple pet business ventures. Using real examples from his own journey, Dom lays out how he's engineered growth and lasting profits with clarity, confidence, and zero guesswork. You'll also hear how Dom's 90-day fix-and-focus model has shaped real results. He shares how one facility owner actually tripled solo dog prices by launching with a plan instead of a panic, and how batching tasks frees up headspace (and desk space) for more breakthroughs. This isn't a motivational hustle or an easy way to paper over cracks—it's a methodical, tried and tested system that anyone can apply. Key Takeaways: • Plan Like a Pro – Why scripting your year in advance leads to more control, better results, and less stress. • Fix First, Grow Fast – You can't scale with holes in the boat—Dom explains why fixing is your first priority. • 90 Days to Done – How to make exponential progress with focused, quarterly sprints. • Remove the Guesswork – Stop hoping and start engineering your marketing around events and income goals. • Success Loves Structure – Dom's personal system for aligning content, coaching, and CRM across three businesses. Want help from Dom to help you move forward faster? If you're ready to attract better clients, increase your profits, and grow with confidence, then you should apply to join Dom's Diamond Coaching Program click here to start now If you want more help and advice from me then you should grab a copy of my brand new book, How to Disnify Your Pet Business, click here to get your copy now

Welly, welly, welly, welly, welly, welly, well. To what do we owe the extreme pleasure of this surprising visit? But of course, it's the release of a new episode of “The Diner.”

► If you enjoyed the episode, please leave us a good review!► More from PIF: https://linktr.ee/practicalislamicfinanceLike Clockwork!In this episode, we will cover:Intro & Market OverviewEconomic Outlook and GDP SkewMarket Index & Stock Updates (Tesla, MicroStrategy, Bitdeer)Bitcoin, Dogecoin & Altcoin Season PredictionsImpact of Global Money Supply on CryptoInflation Trends & Fed Rate Cut OutlookWhy Dogecoin Might OutperformDoge ETF PotentialViewer Q&A (BTC, Doge, Ethereum, Solana, Litecoin)CONTACT USsalam@practicalislamicfinance.comABOUT OUR PODCASTOur podcast is about helping people ethically build wealth. We cover a broad range of topics, including stock and crypto investing, product reviews, and general financial well-being.DISCLAIMERAnything you hear in this video is an opinion. It is not personalized financial advice. Make sure you do your due diligence before making any investment decisions.

Send us a textOlga Schultz, born in South Dakota in 1913 to Russian immigrants, grew into a stunning, nature-loving woman. Her love for outdoor adventures was profound. In 1934, Olga married Carl Mauger, a carpenter in the oil industry, after a whirlwind romance. The newlyweds went elk hunting in Wyoming for their honeymoon. However, Olga disappeared under mysterious circumstances during the trip, leaving no trace despite an extensive search. Suspicions arose around Carl, but no conclusive evidence was found. Theories about her fate ranged from murder to a voluntary disappearance to start a new life, reflecting societal views on divorce at the time. Olga's case remains unsolved, the oldest cold case in Wyoming, with her story lingering as a blend of mystery and tragedy.https://www.mydarkpath.com/72-olga-maugerRead MF Thomas' novels Like Clockwork https://amzn.to/417lOzyArcade https://amzn.to/4aTpisxA Sickness in Time https://amzn.to/41apSPKSeeing by Moonlight ...

In this episode of Barca Talk, Troy discusses the breaking news about the issues with Barca's VIP seating revenue, post match comments about Girona and previews the second leg in the Copa del Rey vs. Atleti. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Send us a textImagine being forced to run a race where losing means death. That's exactly what happened to Grand Vizier Haci Salih Pasha in 1822, a dramatic and little-known chapter from the annals of the Ottoman Empire. The Ottoman Empire, one of history's most formidable powers, spanned over 600 years, commanding vast territories across Europe, Asia, and Africa. Renowned for its rich culture, breathtaking architecture, and intricate political system, it was a world where power and peril walked hand in hand—especially for the Grand Vizier, the Sultan's second-in-command.Haci Salih Pasha hailed from Izmir, a bustling port city in the Ottoman realm. His journey to power began modestly—serving as master of the barley and minister of powdermills—before his administrative prowess and loyalty propelled him to deputy grand vizier. In 1821, he ascended to the coveted role of Grand Vizier. Yet, this prestigious position came with a deadly catch: the Grand Vizier was often the fall guy for the empire's troubles.During Salih Pasha's tenure, the Ottoman Empire grappled with the Greek War of Independence. For centuries, the Greeks had lived under Ottoman rule, but now they fought fiercely for freedom. The conflict was brutal, marked by atrocities on both sides. Despite Salih Pasha's efforts, the Ottoman forces faltered, and Sultan Mahmud II grew increasingly displeased. In 1822, the Sultan summoned Salih Pasha to Topkapi Palace in Istanbul, a sprawling complex that served as the sultans' residence for over four centuries. Within its walls lay the Sultan's garden—a serene oasis of lush greenery and elegant fountains, soon to become the stage for a life-or-death ordeal.Upon arrival, Salih Pasha faced a chilling ritual: he was handed a cup of sherbet. White sherbet signaled safety; red meant death. When he received the red sherbet, his fate seemed sealed. But there was one last chance—the “Death Race.” In this extraordinary ritual, the condemned Grand Vizier had to outrun the chief executioner through the garden to the Fish Market Gate. Victory meant exile and survival; defeat meant immediate execution.The odds were stacked against Salih Pasha. At 50 years old, clad in a long ceremonial tunic unsuited for sprinting, he faced a young, agiRead MF Thomas' novels Like Clockwork https://amzn.to/417lOzyArcade https://amzn.to/4aTpisxA Sickness in Time https://amzn.to/41apSPKSeeing by Moonlight ...

Join Lil' Lo and Big Shot Shae as they discuss boycotting big stores, their favorite television shows and the man who was arrested for sending his ex's kids explicit photos of her post breakup. The conversation also delves into personal routines, including the balance between structure and flexibility in daily life. They explore the significance of morning and nighttime rituals, the impact of diet on health, and transformative changes that can enhance well-being. The conversation also touches on community building and the importance of making the podcast a part of listeners' routines.Email for advice / to be featured: LetMeStayFocused@gmail.com Follow Our Hosts:@lilloworldwide@bigshotshae**DISCLAIMER: THIS IS A COMEDIC PODCAST** Scenarios and responses from this show should be taken with a grain of salt. In other words, this is all a joke. Unless otherwise noted, any similarity to actual persons, living or dead, or actual events, is purely coincidental.

For two decades, a shadowy figure haunted the forests of Maules, Switzerland. Clad in a tattered military-style coat and an eerie gas mask, Le Loyon—also known as The Ghost of Maules—became a living legend. Who was this silent wanderer, and what compelled him to stalk the woods in obscurity?In this chilling episode of My Dark Path, host MF Thomas embarks on a journey to uncover the truth behind one of Europe's strangest modern mysteries. From eerie first-hand accounts to a haunting photograph that ignited a media frenzy, the tale of Le Loyon blurs the line between folklore, paranoia, and the unknown. Was he merely an eccentric recluse? A fugitive in disguise? Or something far more unsettling?Through gripping historical parallels—including the bizarre disguises of fugitive Robert Durst, the decades-long isolation of WWII holdout Hiroo Onoda, and the outlandish stunts of Timothy Dexter—this episode explores the psychology of those who vanish into the shadows.And then, there's the final revelation—the cryptic farewell letter from Le Loyon himself. Did he truly disappear, or was he forced into the darkness by those who knew more than they admitted?Step into the mist-shrouded woods and walk a dark path as we unravel the legend of Switzerland's most enigmatic phantom.https://www.mydarkpath.com/70-le-loyonRead MF Thomas' novels Like Clockwork https://amzn.to/417lOzyArcade https://amzn.to/4aTpisxA Sickness in Time https://amzn.to/41apSPKSeeing by Moonlight ...

Start Dreaming Up YOUR Barndominium: https://www.thebarndominiumco.comThis Week TJ breaks down how when building your business, you need the systems with which into work. He also goes into how Barndo implements this to help clients have a better experienceFollow TJ on all socials:@iamtjnorris______________________________________________________________________The Barndo Co builds custom Barndos all around the Southeast US. If you are considering building a barndominium, schedule a call with us today - https://thebarndominiumco.com/contact/Connect with us at:https://www.facebook.com/thebarndominiumco/https://www.instagram.com/barndoco/https://soundcloud.com/thebarndocohttps://www.crunchbase.com/organization/barndo-cohttps://maps.apple.com/place?auid=15697825905394762793https://www.inc.com/profile/the-barndo-cohttps://www.pinterest.com/barndoco/https://www.linkedin.com/company/barndominium/#barndominiums #barndo #podcast

Get your own copy of 'Clockwork' by Mike Michalowicz here

Mark Barlo and Joe Wallace found each other musically through DIM Art House leading to the formation of Illinois Department of Sound. The result plays in a unique genre of music that has them seeking collaborative art partners.

Mark Rankin is an English record producer and audio engineer. He has won two Grammy Awards for his work with Adele and has multiple nominations for his work with other artists including Queens of the Stone Age, Iggy Pop, Weezer, Florence and the Machine, and Foster the People. Rankin started his studio career in the London Exchange Mastering Studios, with his first session being with electronic duo Basement Jaxx.Rankin won The Music Producers Guild Award for Breakthrough Engineer of the Year in 2010.In 2012, Rankin won two Grammy Awards: in the Album of the Year category with Adele's 21, and Record of the Year category with "Rolling in the Deep".In 2014, he was nominated for The Music Producers Guild Award for Engineer of the Year. He also received two Grammy nominations for the Queens of the Stone Age album ...Like Clockwork, in categories Best Rock Album and Best Engineered Album, Non-Classical.IN THIS EPISODE YOU'LL LEARN:Starting audio engineering by learning to masterThe benefits of working in a mastering studioBuilding a consoleMaking the transition from learning engineering/mixing after focusing on masteringThe challenges of tracking and working in the same roomMaking instruments sound like they do in a roomTracking drums for Queens Of The Stone AgeMinimal micing techniques for drumsRecording impulse responses of roomsHow to organize your sessionsAdding “color” to your tracksReferencing on different monitorsGetting your mixes to translateTo learn more about Mark Rankin, visit: https://www.markrankin.co.uk/Looking for 1-on-1 feedback and training to help you create pro-quality mixes?Check out my coaching program Amplitude and apply to join: https://masteryourmix.com/amplitude/Want additional help with your music productions?For tips on how to improve your mixes, visit https://masteryourmix.com/Download your FREE copy of the Ultimate Mixing Blueprint: https://masteryourmix.com/blueprint/Get your copy of my Amazon #1 bestselling books:The Recording Mindset: A Step-By-Step Guide to Creating Pro Recordings From Your Home Studio: https://therecordingmindset.comThe Mixing Mindset: The Step-By-Step Formula For Creating Professional Rock Mixes From Your Home Studio: https://masteryourmix.com/mixingmindsetbook/ Check out our Sponsors:Download Waves Plugins here: https://waves.alzt.net/EK3G2K Subscribe to the show:Apple Podcasts: https://podcasts.apple.com/us/podcast/master-your-mix-podcast/id1240842781Spotify: https://open.spotify.com/show/5V4xtrWSnpA5e9L67QcJej Have questions you'd like answered on the show?Send them to...

The Psychology of the 5 Types of Non-Player Characters - How to Fix Them and Be a Main Character Thinker. The same story plays out online every day. The same people are getting outraged about the same things again and again. Like Clockwork. The human brain is highly optimised to rely on heuristics and simplistic decisions. Modern media hijacks this system to control our beliefs and emotions based on the agenda of other people. This episode helps listeners build autonomy over their beliefs and emotions by learning the different types of Non-Player-Character: The Conformist NPC - Believes the consensus politically correct ideas The Contrarian NPC - Believes the opposite of the consensus and seeks conspiracy The Disciple NPC - Believes their preferred leader The Tribalist NPC - Follows the tribe and us vs them mentality The Averager NPC - Seeks the middle ground without understanding the merits of an argument. Learn the psychology of the processes behind each NPC type and how different types of critical thinking systems or defence systems get turned on and off based simply on who delivers the message. Building your own worldview is one of the most important things you can do in an increasingly confusing and polarised world. Sources: Gurwinder - Why You Are Probably An NPC People Shot to Death by US Police By Race FBI Crime Data USA National Suicide Data Journal Review: Health of Vaccinated vs Unvaccinated Children Vaccine Research Overview: The Vaccine Question Upgrade to Premium:

How do you create a highly efficient agency without losing flexibility or quality?In this episode, Harv Nagra sits down with Jinny Mitchell-Kent, Joint Managing Director at Great State. With nearly 20 years of experience at agencies big and small—including global powerhouse AKQA—Jinny shares how she's applying lessons from her big-agency days to a 100-person team.Here's what you'll hear:How moving from COO to MD changed her focus from internal projects to building client relationships, while maintaining her focus on performance and excellence.The strategies Great State uses to compete with much larger agencies by staying lean and adaptable – from scaling up the team quickly when required, to creating a flexible delivery framework.Practical tips on managing costs, tracking profitability, and keeping teams running smoothly.How Jinny is championing inclusivity with initiatives like the Great Women's Network.If you want to learn how to streamline your operations and scale smarter, this episode is packed with insights you can put to work right away. Give it a listen!Follow Jinny on LinkedIn. Follow Harv on LinkedIn.Stay up to date with regular ops insights. Subscribe to The Handbook: The Operations Newsletter.This podcast is brought to you by Scoro, where you can manage your projects, resources and finances in a single system.

We are not machines. We are humans. And that's messy. We have all sorts of struggles doing the right thing. We are influenced by a myriad of impulses, inclinations, and predispositions. We don't operate like clockwork. There are other things that always follow a prescribed pattern: The sun always rises in the East and sets […]

We are not machines. We are humans. And that's messy. We have all sorts of struggles doing the right thing. We are influenced by a myriad of impulses, inclinations, and predispositions. We don't operate like clockwork. There are other things that always follow a prescribed pattern: The sun always rises in the East and sets in the West. The sun's reliability is unfailing. The Earth is also completely predictable: It sprouts what you plant. None of us would ever compare fickle humans to the Sun or the heavens or the Earth. But Moshe does. In this profound Parsha podcast, we explore a fascinating and apparently inexplicable demand that Moshe places before us prior to his passing.– – – – – – – – – – – – – – – – – – – – – –DONATE to TORCH: Please consider supporting the podcasts by making a donation to help fund our Jewish outreach and educational efforts at https://www.torchweb.org/support.php. Thank you!– – – – – – – – – – – – – – – – – – – – – –Email me with questions, comments, and feedback: rabbiwolbe@gmail.com– – – – – – – – – – – – – – – – – – – – – –SUBSCRIBE to my Newsletterrabbiwolbe.com/newsletter– – – – – – – – – – – – – – – – – – – – – –SUBSCRIBE to Rabbi Yaakov Wolbe's PodcastsThe Parsha PodcastThe Jewish History PodcastThe Mitzvah Podcast This Jewish LifeThe Ethics PodcastTORAH 101 ★ Support this podcast ★

Join The “Now” Newsletter: https://now.katierichardson.com/newsletterAbout Katie Richardson:Katie, once a girl who just liked to have fun, transformed into a globally recognized designer and entrepreneur. With expertise in woodworking, welding, drawing, and sewing, she crafted her own path. Despite initial doubts and imposter syndrome, Katie defied expectations by establishing Puj, a business that now boasts its products in 2,000 US stores and 26 countries, delighting over 1 million customers worldwide. Her greatest aspiration is to inspire women across the globe. Renowned shows like the Ellen Degeneres Show, Rachael Ray Show, Today Show, and Entrepreneur Magazine have featured her, while influential figures like Martha Stewart, Matt Damon, Camilla Alves, Mario Lopez, Robert Downey Jr., Kourtney Kardashian, Bill & Giuliana Rancic, and Pam Beesley have embraced her products. Today, Katie is a coach, mother of four, wife, author, and powerful speaker.Connect with Katie:Website: https://katierichardson.com/CASE STUDIES: https://now.katierichardson.com/casestudyLinkedIn: https://www.linkedin.com/in/katie-richardson-creatorApple Podcasts: https://podcasts.apple.com/us/podcast/whats-working-now/id1515291698BuzzSprout: https://www.buzzsprout.com/1847280Spotify: https://open.spotify.com/show/2kV8cL7eTZ70UAXMOtcBbrNewsletter: https://now.katierichardson.com/newsletter

Do you remember what you were doing at 14? You likely weren't a bona fide real estate investor like today's guest. At just 14 years old, Joshua Smith has already closed wholesale deals and is eyeing a lot more. He joins Brent Daniels to discuss how he got started so young, how he is able to pull off negotiating and closing deals, as well as his big ambitions for the future.Joshua is living proof that folks of any background and of any age can start in real estate today. But, as Joshua did, you can accelerate your growth by learning from someone who has the experience. Consider investing in yourself by applying to Brent's TTP training program today.---------Show notes:(0:54) Beginning of today's episode(1:55) How Joshua discovered wholesaling(3:53) Finding and negotiating deals as a 14-year-old(14:30) Joshua breaks down his first deal(18:08) Joshua's real estate dreams----------Resources:Want to learn more? Check out our TTP training program.To speak with Brent or one of our other expert coaches call tel:(281) 835-4201 or schedule your free discovery call here to learn about our mentorship programs and become part of the TribeGo to Wholesalingincgroup.com to become part of one of the fastest growing Facebook communities in the Wholesaling space. Get all of your burning Wholesaling questions answered, gain access to JV partnerships, and connect with other "success minded" Rhinos in the community.It's 100% free to join. The opportunities in this community are endless, what are you waiting for?

Welcome to the What's Next! Podcast with Tiffani Bova.     This week, I'm bringing us back to a conversation with Mike Michalowicz.    Mike is an entrepreneur and author who launched three multimillion-dollar companies before his 35th birthday and was awarded New Jersey's SBA Young Entrepreneur of the Year award at the age of 26. He is the author of The Toilet Paper Entrepreneur, The Pumpkin Plan, Profit First, and now his latest boo, Clockwork.     THIS EPISODE IS PERFECT FOR… entrepreneurs who want to identify and amplify the seeds that make them unique, connect with a community that wants what they have to offer, and who wants to systematize their business to run like clockwork and scale to any size.     TODAY'S MAIN MESSAGE… this episode is all about the “Pumpkin Plan” and finding the seeds that will bring you colossal growth, as well as starting to put profit first and flipping your business plan on its head. Mike talks about focusing your passion and identifying the customer base that will keep you growing.    WHAT  I  LOVE  MOST… Mike's book Clockwork, which is all about designing your business and your career in such a way that you can remove yourself from the business system and trust that the cogs will continue to spin like clockwork.    Running time: 36:30   Subscribe on iTunes   Find Tiffani Online: Facebook Twitter LinkedIn   Find Mike Online: Website  LinkedIn    Mike's Book:   Clockwork

To get your free copy of Zach's Ebook “Handmade Business Secrets”, Please click here - https://www.zachvaught.com/handmadebusinesssecretsbook   If you're trying to grow to $5-10k/mo with your woodworking or handmade business- steal all the same strategies & systems Zach used to break the $10k/mo barrier - Please click here - https://www.zachvaught.com/HHA   If you're a woodworker doing at least $8k/mo consistently in sales and you're ready to scale to $20k/mo+, you need to apply for the Woodworking Accelerator Program. Please click here - https://www.zachvaught.com/WWBAP   All Zach's top choices that power his business   SHOPIFY - Launch your new woodworking or handmade website today for just $1! It's easy to get started. https://shopify.pxf.io/c/2544769/1061744/13624   INCFILE - Setup your business the right way & in minutes! Be sure to use this link for your discount! - https://incfile.grsm.io/c6ymnwkoo5hv   QUICKBOOKS - Save 30% For 6 Months & Finally Get Your Business Finances In Order - https://quickbooks.intuit.com/partners/qbba/?cid=par_qbppnr_zachvaught9472&gspk=emFjaHZhdWdodDk0NzI&gsxid=YZeRn3iY57Ni   PIPEDRIVE - Follow up with leads, keep track of clients, and close more sales! Try for free for 30 days! - https://aff.trypipedrive.com/fh34hhfppt9k   SIMPLETEXTING - Implement SMS & Text Messaging Marketing Into Your Business Today To Sell More, Make More, & Grow More! Get started for free today. - https://simpletexting.stptnr.net/bvgs1y2ouqwn   LUCID CHARTS - Get Strategic & Plan For Growth. Use These Charts To Map Out Marketing Strategies, Org Charts, Shop Flows, & More! Sign up for free today. - https://try.lucid.co/rhuf1awoigan   

To say that the Atlanta Braves' bats have been scuffling this season may be putting it too lightly. Through the first month of the season, the Braves' starting pitching carried them to a first place lead in the NL East, but after a horrible May, the Braves succumbed the lead to the Philadelphia Phillies. On top of the Braves' bats being cold, losing Spencer Strider and Ronald Acuña Jr for the season has not helped one bit. Now the Braves have lost Michael Harris II for what it looks like to be about a month with a grade two hamstring strain. The Braves lost Harris on  Friday night, as he was advancing to third base on a base hit, and was placed on the IL the following day. Filling in for Harris for the rest of the weekend, though, was Jared Kelenic, and he did not disappoint. Kelenic homered in the 5th inning on Saturday, then led Sunday's game off with a home run. Also over the weekend, Austin Riley made some great strides by homering in three straight games. With Matt Olson continuing to find gaps and hit home runs, it seems that the Braves offense, along with the weather, is heating up. The last two seasons, the Braves bats started heating up in June, with them chasing down the Mets in 2022 to eventually win the NL East. Headed in to the Monday series with the Detroit Tigers, the Braves find themselves eight games back of the Philadelphia Phillies for the lead in the NL East. Could this weekend be a taste of things to come? We certainly hope so, but this offense is simply too good to be held down for long. Andy Bunker and Randy McMichael discuss the Braves most recent offensive surge, and what could be coming for the rest of the season. 

Bear Claw Billie will say and do an awful lot of things for money! On today's episode of Fix My Carcast, they have to talk about the album Like Clockwork (thanks, Tarra!) while lying about the topic!Submit topics for the podcast (attached to your donation) at the show's GoFundMe: https://www.gofundme.com/f/fixable-auto-donate-3000Vote on episode gimmicks (and access bonus episodes & behind-the-scenes content) by signing up for Billie's Patreon: https://www.patreon.com/bearclawbillieIf you're already signed up, you can find the next episode's poll right here:https://www.patreon.com/posts/fmc-ep-126-poll-104977390Get FMC shirts, mugs, and other merch over on Billie's TeePublic: https://www.teepublic.com/t-shirt/33636950-fix-my-carcastContact Bear Claw Billie thusly!bearclawbillie@gmail.comtwitter.com/bearclawbillieinstagram.com/bearclawbillie

On this episode of the Mastery Unleashed podcast, host Christie Ruffino introduces Angie Engstrom, a former colleague from 2017. Angie, once known for her plank challenges, has since evolved into an expert in helping entrepreneurs with high-ticket offers. Angie shares her journey from feeling invisible and reluctant to speak to becoming a confident communicator. She credits a transformative networking event and Toastmasters for her growth, leading her to embrace a more visible role in business and public speaking. Angie and Christie discuss the power of virtual events for transforming an audience and promoting high-ticket offers. Angie details a four-pillar process for successful virtual events: deciding on the event's details, filling the event, hosting it effectively, and following up post-event. She emphasizes the importance of each step in creating a transformational experience for participants, aiming to convert attendees into clients efficiently. Angie's approach is not just about speaking skills but leveraging those skills to grow a business through strategic, impactful events. The podcast session concludes with Angie offering a toolkit for hosting sold-out masterclasses, providing listeners with practical tools to fill their events and grow their businesses. This episode highlights the importance of clear communication and structured events in business growth and client conversion.   ABOUT ANGIE Angie is a Virtual Event Consultant who, for the past 25 years, has spoken on live and virtual stages of various sizes, teaching and mentoring entrepreneurs. She is also a published author, including two best-selling books. You know how business owners get to a certain point as they grow their business where they seem to hit an invisible glass ceiling on their income and they can't seem to break through to the next level of income? Well, what Angie does is help business owners break through that invisible glass ceiling and create 6-figure or 7-figure DAYS. Angie believes that you, as a business owner, shouldn't have to work so much and instead have lots of free time to do the things that are most important to you – like your family, your clients, and time just for you. She does that by hosting transformational virtual masterclasses using her “7 Figure Framework.” It's the same framework Russell Brunson uses to do 9-figure days. Angie and her team do most of the heavy lifting so that her clients just show up, shine on their virtual stage, and create a transformational experience for their audience.   GET ANGIE'S GENEROUS GIFT Sold Out Masterclass Toolkit Get your hands on this exclusive report and learn how to skyrocket your sales by leveraging the most powerful tactics to generate high-ticket sales effortlessly. ACCESS THIS GIFT AND MANY MORE   LINKS SHARED ON THE SHOW www.elitevirtualstages.com www.facebook.com/EliteVirtualStages https://anchor.fm/momentum-makers www.facebook.com/awesomeangieengstrom/ www.youtube.com/@AwesomeAngie   ABOUT OUR SHOW Mastery Unleashed (formerly Overcoming Mediocrity) is a podcast for success-driven women who want to empower their thoughts, design their dream businesses, and build beautiful lives that are aligned with their destinies—hosted by Bestselling Author and Business Strategist Christie Ruffino. Each episode features today's top influencers and entrepreneurs on the rise as they share empowering stories and ninja tips meant to become the FUEL that will ignite a positive change in YOUR life and the lives of others.   ABOUT OUR FREE GIFT VAULT GET THIS GIFT AND MANY MORE HERE: https://masteryunleashedpodcast.com/gift-signup/     

In Part One of TikTok, Like Clockwork, O and Zee reviewed the TikTok bill, which is an attempt by the US elite to snatch control of speech away from any platform they deem to be aiding foreign interests seeking to destroy our “democracy”.  Prior to FDR, in order to prohibit the use of alcohol, an amendment to the Constitution was required, and to reverse that act another amendment was needed.  Using the Interstate Commerce Law, the federal government has since justified innumerable regulations.  Banning TikTok while encouraging the CCP to build and operate factories seems to be a dangerous contradiction that is readily ignored.In Part Two, O asks why does Dominion Voting Systems, founded in Toronto, Canada with a development team in Yugoslavia, have access to our most critical of operations, voting?  Zee reviews the Antrim county Michigan lawsuit involving the Dominion voting machines where Alex Halerdman, an auditor appointed by Secretary of State Jocelyn Benson, acknowledges Antrim's exposed computer network.  With intrusion detection disabled, shared administrator passwords, and unpatched operating systems, Halderman concurs that the networks would not be certified for use.  O and Zee then relay Sheriff Dar Leaf's evidence that Serbian nationals had access to our voting data.In Part One of TikTok, Like Clockwork, O and Zee delve into the TikTok bill, which is an attempt by the US elite to snatch control of speech away from any platform they deem to be aiding foreign interests who seek to destroy our “democracy”. The original video broadcast for this episode can be found here: https://rumble.com/v4jzacb-oz-fest-morning-mission-tiktok-like-clockworks.htmlOur show notes from this episode are here: https://www.studiohumanzee.com/2024/03/18/show-notes-tiktok-like-clockwork/

Like Clockwork, an oppositional voice has been raised for the Arizona Coyotes' new arena plan in Phoenix. Once again, the opposition comes from another city. Much like how Phoenix / Sky Harbor opposed the former Tempe Entertainment District Plan, Scottsdale Mayor David Ortega has voiced his concern about the Phoenix arena plan. Does he have any legitimate claim? PLUS, Robyn and Matt rant about the rate by which misinformation spreads.   Follow & Subscribe on all Podcast platforms…

What type of Controlled Environment are you willing to settle for?  In Severed Conscience we described how technology like AI is used to maintain a state of mind where your thinking is shuttered, and that the operating environment of social media is monitored and tightly controlled.  TikTok, the Chinese based mobile app that allows users to share short videos, is a prime example of a controlled environment that warps thinking.  But what kind of thinking is demonstrated when the federal government wants to herd you into another type of controlled environment?  TikTok, a foreign entity controlled by the CCP will be regulated at the expense of freedom of other companies operations, yet our foreign companies like Dominion are given free reign with one of our most important endeavors in our society, management of our vote.In Part One of TikTok, Like Clockwork, O and Zee delve into the TikTok bill, which is an attempt by the US elite to snatch control of speech away from any platform they deem to be aiding foreign interests who seek to destroy our “democracy”. The original video broadcast for this episode can be found here: https://rumble.com/v4jzacb-oz-fest-morning-mission-tiktok-like-clockworks.htmlOur show notes from this episode are here: https://www.studiohumanzee.com/2024/03/18/show-notes-tiktok-like-clockwork/

We talk about each song off the albums Eras Vulgaris, ...Like Clockwork, Villains, and In Times New Roman

Ready to explode your sales? Then buckle up for the conclusion of the GUTS sales system with Claude Diamond! This episode unlocks the 3 game-changing secrets that propelled Claude's income to a staggering $10,000 (and more) per month.Dive deep into the art of qualification and learn to identify your dream clients, and steering tire kickers off the lot. Claude tackles the hidden hurdle to success – ego – and teaches you how to transform it into your greatest weapon. No more salesy tactics! Claude reveals proven strategies to effortlessly attract high-quality leads in your coaching business. —————Key Takeaways:[1:29] Qualification is important in the sales process[4:32] How ego plays an important role in your business[5:17] Increasing your organic leads[14:47] How to approach if your client is breaking your framework[16:06] How Claude earned 10,000 a month[17:18] You have to put a value in your time, knowledge and energy—————Resources:•FREE GUTS Sales Training Book•The Guts Traction System •Contact Claude at: (619) 206-5960Check out www.coachinginc.com and turn your coaching passion into a thriving business! If you would like Tom's help in building/scaling your coaching business, go to www.coachinginc.com and fill out an application for your opportunity to work with him personally.

Struggling to close those big deals? Tom Krol's got your back! He sits down with sales guru Claude Diamond to unveil the Guts System.This isn't theory - it's battle-tested strategies from a sales pro. Learn how to land those dream clients with a step-by-step approach that gets results.Tune in to discover:Simple secrets to closing deals with confidence.A proven framework for high-ticket sales success.Insider tips to leave the competition behind.Stop the sales struggle in your coaching business! This episode is your shortcut to closing deals like a champ.—————Key Takeaways:[0:51] Guest Introduction[5:19] The guts sales method[8:36] The "salesperson" always comes "first"[11:56] What is guts 6.0?[12:59] Conversational hypnosis [15:11] The value of emotional selling and how it can lead you to a million dollar business[16:21] The guts system allows you to be direct and be in your "space of truth"—————Resources:•DocuSignCheck out www.coachinginc.com and turn your coaching passion into a thriving business! If you would like Tom's help in building/scaling your coaching business, go to www.coachinginc.com and fill out an application for your opportunity to work with him personally.

"Rockin' and rollin' like the myth of Sisyphus..." - Anthony Cruz More than any other month in the year, February is the one where we remember some of the greats that have passed on; as such, this mix includes tracks from J Dilla, De La Soul (RIP Dave), Big L, and Big Pun. The average ruggedness level is high, and we start off with a classic sample being used on a remix you might not know...volume up! Mastodon : @airadam@mastodon.me.uk Twitch : @airadam13

#232During pregnancy the brain undergoes profound changes – almost every part of the cortex thins out and loses volume by the third trimester. It's such a big change that you can tell if someone's pregnant just by looking at a scan of their brain. How researchers discovered these changes and why they might be occurring.A massive, ancient group of cities has been discovered in the Amazon rainforest using lasers. It's the biggest pre-Columbian urban area ever found in the Amazon and parts of it date back further than any other settlement too. So why have we only just found it and why was it abandoned?Where does stuff go when it's sucked into a black hole? Based on Stephen Hawking's theory that black holes slowly evaporate, most of it just disappears. But in physics, information about that matter can't just disappear – so what's going on? Many teams have tried to solve this paradox, but an intriguing new idea may bring us closer to an answer. Once we develop a whole range of groundbreaking new spacecraft technology, that is.Every single year, hammer corals change their sex, swapping between male and female. While many animals, including corals, change their sex across their lifetimes, this clockwork, routine schedule is quite unusual. But it turns out a habit of change might be useful to help ensure successful reproduction in the ocean. Plus: Making lithium-ion batteries with 70 per cent less lithium – with help from AI; staving off the amphibian apocalypse with fungus-resistant frogs; and the discovery of the oldest known fossil skin.Hosts Timothy Revell and Christie Taylor discuss with guests Alex Wilkins, Grace Wade, Michael Le Page and Sophie Bushwick. To read more about these stories, visit newscientist.com. Hosted on Acast. See acast.com/privacy for more information.

Merry Christmas, Knicks fans! That was a nice little appetizer this afternoon, no? The Knicks were schooled against Milwaukee at The Garden 130-111 in a no-defense showing. Thibs stuck with drop coverage and it burnt the Knicks. Brunson & Randle had little help. All that and more. Let's talk. NYY-NYK-MMA Question of the Day: What year was it the last time the Knicks won two straight games against the Milwaukee Bucks? 0:00 Intro 2:05 Game Recap & Thoughts 5:31 Size, Scheme, & Boards! 17:19 Brunson & Randle Need Help! 24:59 Remaining In The Middle 31:46 Bing Bong Game Ball (Starters): Brunson 32:58 Bing Bong Game Ball (Reserves): IQ 33:56 NYY-NYK-MMA Question Of The Day 34:42 Merry Christmas!! 35:43 Outro *SUPPORT THE POD* https://account.venmo.com/u/Robert-Carbone-Jr-28 Audio

Welcome to our third Halloween One-Shot, where the group plays Blades in the Dark by Evil Hat Productions!In the sunless streets of Duskvol, a group of scoundrels try and pull a dangerous job to earn enough money to eat a hot meal and keep themselves afloat just one more day. Join the crew of Limited Liability Purveyance--Junker, Pluck, Silk, Weaver, and XIII--as they seek profitable work in a haunted city without sunlight.Content Warning: Drug use; alcohol use; addiction; violence; sex; death; loss of bodily autonomy; sex work; poverty; prolonged hunger; gambling; tentacle sex; theft; criminal activity; language; CastGame Master: Erika WebbJunker: Tim DavisPluck: Rebecca SteigelfestSilk: Garrett GabbeyWeaver:  Lex LopezXIII: Erika WebbBlades in the DarkDesigner: John HarperPublisher: Evil Hat ProductionsRecordingRebecca SteigelfestEditingRebecca SteigelfestMusicBehind the Curtain of Deceit by StudioKolomna, pixabay.comArtLogo: Rob MuirheadKo-Fi: ko-fi.com/pathofnightYouTube: YouTube.com/@pathofnightFacebook: Facebook.com/PathofNightPodcastTwitter: @PathofNightPodBluesky: pathofnight.bsky.socialEmail: pathofnightpodcast@gmail.com

Around this time of year, the Tiwi Islands in northern Australia can start counting on pretty much the same thunderstorm showing up at the same time every day. It's so reliable, they even named it. Plus: this weekend in Newport, Indiana, it's the annual Antique Auto Hill Climb. Hector arrives promptly at 3pm. But Hector isn't a person (CNN)  Newport Antique Auto Hill Climb Help us show up at the same time every day as a backer on Patreon --- Send in a voice message: https://podcasters.spotify.com/pod/show/coolweirdawesome/message Support this podcast: https://podcasters.spotify.com/pod/show/coolweirdawesome/support

Unity is absolutely essential in the work of evangelization, otherwise we can be like a broken clock which, for all its fine parts, does not work. If we don't work together, we won't work effectively. Let us heed Christ's call to evangelize confident in the power of God, without exaggerating possible obstacles or our own limitations.

The elves argue about how to handle the serum and dragon. And then they move on to stop some crazed humans attacking the city. Originally published on 11/28/22. Theme Music: Lonely Mountain  by Rafael Krux. Free download: https://filmmusic.io/song/5318-lonely-mountain. Art by: Hannah Gallaher Our Discord server, The Actual Playce: https://discord.gg/NwcsRwVeej. Check out our flagship show, Thornvale. Become a member on Patreon https://www.patreon.com/thornvale. Find out how to support us: https://www.thornvalepodcast.com/support-us. Other sounds and music: Music: Lonely Mountain  by Rafael Krux Free download: https://filmmusic.io/song/5318-lonely-mountain License (CC BY 4.0): https://filmmusic.io/standard-license Artist website: https://www.orchestralis.net/ Music: Morning Rhythm  by Rafael Krux Free download: https://filmmusic.io/song/5338-morning-rhythm License (CC BY 4.0): https://filmmusic.io/standard-license Artist website: https://www.orchestralis.net/ Music: Fólkvangr by Alexander Nakarada Free download: https://filmmusic.io/song/4762-folkvangr License (CC BY 4.0): https://filmmusic.io/standard-license Artist website: https://www.serpentsoundstudios.com/ Music: Assassins, Like Clockwork [loop] by Troyificus Free download: https://filmmusic.io/song/9578-assassins-like-clockwork-loop License (CC BY 4.0): https://filmmusic.io/standard-license Artist on Twitter: https://twitter.com/Troyificus Music: Traveler's Notebook  by Rafael Krux Free download: https://filmmusic.io/song/5316-travelers-notebook License (CC BY 4.0): https://filmmusic.io/standard-license Artist website: https://www.orchestralis.net/ Music: Blood Eagle by Alexander Nakarada Free download: https://filmmusic.io/song/4757-blood-eagle License (CC BY 4.0): https://filmmusic.io/standard-license Artist website: https://www.serpentsoundstudios.com/ Music: Crossing the Chasm by Kevin MacLeod Free download: https://filmmusic.io/song/3562-crossing-the-chasm License (CC BY 4.0): https://filmmusic.io/standard-license Artist website: https://incompetech.com Music: Ready To Die  by Rafael Krux Free download: https://filmmusic.io/song/5377-ready-to-die License (CC BY 4.0): https://filmmusic.io/standard-license Artist website: https://www.orchestralis.net/ Music: High Altitude  by Rafael Krux Free download: https://filmmusic.io/song/5336-high-altitude License (CC BY 4.0): https://filmmusic.io/standard-license Artist website: https://www.orchestralis.net/ Music: Novus Initium by Alexander Nakarada Free download: https://filmmusic.io/song/4891-novus-initium License (CC BY 4.0): https://filmmusic.io/standard-license Artist website: https://www.serpentsoundstudios.com/ Music: Fantasy Ambience by Alexander Nakarada Free download: https://filmmusic.io/song/4953-fantasy-ambience License (CC BY 4.0): https://filmmusic.io/standard-license Artist website: https://www.serpentsoundstudios.com/

https://youtu.be/bK9d2uwhjRM why does your hearth beat? #2023 #art #music #movies #poetry #poem #photooftheday #volcano #news #money #food #weather #climate #monkeys #horse #puppy #fyp #love #instagood #onelove #eyes #getyoked #horsie #gotmilk #book #shecomin #getready 

Get ready for a journey back in time, as we pull back the curtain on the ninth studio record by The Hip - 'In Between Evolution'. We'll bring you face-to-face with the record's unique evolution, the masterful production by the iconic Adam Kasper, and the first impression this album left on us. We also promise to share our thoughts on what sets this record apart - from Gord's powerful vocals and the band's rhythmic arrangements to the irrefutable political undertones.We'll further dissect the elements of this extraordinary record, including the band's focus on rhythm guitar and the magnetic chorus that simply pulls you in. Our discussion explores the influence of Neil Young on this album, the importance of the first single 'Vaccination Scar', and how it resonates politically, even in today's world. We'll also touch upon the story of Gus, the polar bear from Central Park, and how it adds a unique dimension to the album.Last but not least, we'll delve deep into the legacy of Gordon Downie and his indelible impact on music and society. We'll reflect on the loss of his unique perspective in the current global scenario. So, brace yourself for an enlightening conversation about this remarkable record and the creators who brought it to life. We promise a captivating experience that will leave you with a renewed appreciation for The Hip's musical brilliance. Let's embark on this journey together, shall we?Track ListingSummer's Killing Us - Studio VersionGus: The Polar Bear from Central Park - Live from Chicago 2012Makeshift We Are - Live from Toronto 2004Are We Family - Live Detroit 2009TranscriptTrack 1:[0:00] Well, welcome back guys. How are you doing this week? Track 2:[0:02] Fantastic. Couldn't be better. Yeah. Life couldn't be better. Track 3:[0:09] Pretty good. Pretty good. Excited to be back. And so it's my birthday. Track 1:[0:15] It's July 24th. Track 3:[0:16] Holy shit. Track 2:[0:18] Today's your birthday. Holy shit. Track 3:[0:20] Wow. Track 1:[0:21] July 24th, man. Yeah. Track 2:[0:24] Happy birthday, man. Track 1:[0:26] Thanks. Track 3:[0:27] I'm going to blame the time change on me forgetting. Track 1:[0:30] No, it's July 24th. Get it? Wink wink? Yeah. Track 2:[0:39] It's your birthday, man. Cuantos anos? Oh. Tienes. Track 1:[0:44] Awesome. What's the last part mean? Track 2:[0:48] How old are you? How many years do you have? Yeah. Is the literal translation. Track 3:[0:53] Countless. I mean, change. Track 1:[0:54] 49, baby. 49. Track 2:[0:55] Oh, knock, knock, knockin' on 50 years. Track 3:[1:02] Let's do this. You know, when we entered our 40s, we were like, 40s are gonna be awesome. This is the decade. And we got to our 50s, we're like, maybe 50s will be awesome. Yeah.Yeah. Oh, it's all awesome. It's all awesome. Track 2:[1:16] Did you ever see the movie City Slickers? Track 3:[1:18] Yeah. Track 1:[1:19] Yeah, years ago. Track 2:[1:19] There's a great, the great monologue by Billy Crystal in the beginning of that. He's like, your 20s are a blur. Your 30s, you make a little money, raise a wife, have a couple of kids, buy a house. Your 40s, you wake up one day and you think to yourself, what happened to my 30s? He goes on to every decade and then he's like, your 80s, you end up like, you eat breakfast at, or whatever, you eat dinner at five, lunch at 10, breakfast the night before. Track 3:[1:52] It's just like, dinner's at four. Track 1:[1:55] Yeah, exactly. Track 3:[1:56] Dinner's at four. Track 2:[1:56] Oh, it's so good. Track 1:[1:58] They're taking all Tim's happy hour seats. Yeah. All the octogenarians. Track 3:[2:03] My father's in a retirement home and when I talk to him, he says, they're coming for me for dinner earlier every day. It's three o'clock. It's coming for dinner. Track 1:[2:20] Like, dude, just call a happy hour. Fuck it. Yeah. So in 2004, we got the ninth studio record by The Hip, In Between Evolution. This is a, you know. Like Clockwork, every two years we've got a record from this band, you know, and they were still touring their brains out. I think it's a staggering feat, you know, that a band with their original lineup can put out a record every two years, you know, guided by voices or bands like that, notwithstanding, thosesongwriters are, you know, Bob Puller, it's just so prolific. It's, it's unreal. But in terms of band work, bands that tour extensively, I don't know of many other bands that have had this kind of halcyon run. But here we are, talking about it. And as we always do, I want to find out environmentally what you thought of the record, where you listened to it, where you first heard it and what your overall general thoughts are onthis 9th record produced by Adam Kasper. What do you think? Track 2:[3:45] I think the name is very fitting, In Between Evolution, because I feel like this record is a bit in between. And I say that, you know, when you're in elementary school, you see the monkey going, you know, to like Croag Magnon Man and then like getting up through the ages to get to the likemodern day man, modern day human. I feel like this record is maybe not any of those, but something like in between that we sort of haven't seen before, you know. It's certainly an evolved version of the hip, but I can't really attribute it to anything they've ever done before or anything I think they will do. It's very different in a lot of ways. Track 1:[4:38] Where do you listen to this one? Track 2:[4:41] I listen to it everywhere. I listen to it out and about. I listen to it in my office, working. Probably best place was in the car, you know. The car really, this record was, I feel like, made for driving, you know, like a lot of their records, you know. So I would say if I had to pick any environment, definitely my car, I mean, I don't know if it's everybody's car, I have a bit of a bias, given that, you know, I've got a pretty solid soundsystem in my car, like a premium. But yeah, I enjoyed it in the car. Track 3:[5:23] We need a soundbite that's like, that's like, premium sound system. Track 2:[5:31] We can drop that in post. Track 3:[5:32] Yeah. Well, I, you know, I'll disagree with Pete. I, to me, this felt more hip, right out the gates and you know I think Pete and I differed a little bit on the last album and I'm really liking our, you know, compare and contrast. I'll just quickly add Pete's haircuts throwing me off a little bit today, but I can deal. I can deal. But anyways, that looks good. [6:06] I thought In Violet Light, the last album, what we reviewed was a little bit of a departure and super polished and, you know, made for like, I don't know, an award stage or something.Maybe have the Oscars on the mind. but I thought in Between Evolution, I looked at the title wondering if that meant they were coming back to their own production type, style, soundrecording. You know, I didn't really understand the title for this one because it felt more like a hip album to me. [6:43] The producer, you know, I looked up to see who did this one. Adam Kasper, he did all kinds of bands in Seattle. Mudhoney, Nirvana, you know, the Foo Fighters, he worked with REM. I don't know if it was all in Seattle, but Soundgarden. He even did some work with Cat Power, who Amy and I adore. One of our favorite singer-songwriters. Just, you know, you worked with amazing musicians. And all these musicians I just listed, maybe except for kind of Aerosmith, I'm not exactly a fan of. But, you know, these are bands, maybe Aerosmith, who wear their hearts on their sleeve and really are just going for it. And almost achieving a status where they have a following and they have their shit down and they can kind of do what they want, you know? And I felt like this album went back to the band a little bit more doing what they want. So I was pretty excited, pretty excited by it. Track 1:[7:43] Can you describe that a little bit more? Like, what do you mean by what they want? Track 3:[7:49] Well, the last album I thought was overproduced. I thought it was... Track 1:[7:52] Right, right. Track 3:[7:53] I thought it was too scripted, you know, I thought it was too, like, ha, here we go back to food metaphors. It's like showing up at a restaurant with a preset menu. That's what I felt the last album was, and I felt like this one was a little bit more carefree. It was a little bit more back to experimental. The lyrics, the themes behind all the songs were, in certain ways, like what I've experienced from other albums past themes, with variation and variety. I don't know, this felt more hip to me. This just felt more like the first handful of albums that got me excited about where the band was going. So in that regard, it's like, yeah, fuck. Let's do this every two years. We're going on 10 years. Or this was the ninth album, right? So it's over 10 years. And that, that to me, as Pete knows, as someone who has recorded, that is such a... [8:58] Heroic work with Yeah with touring to as much as these guys toured I mean It's remarkable that they're all still digging each other so much, you know Yeah, but from also from acouple of things that I read during this tour Is when Gord at one point commented about, even if there's differences going on behind the scenes or Or there was some tour manager issues, Iguess, that once they got on stage and started playing, that they just were a band. They were like NSYNC and just super, super in the groove. Track 2:[9:41] Not like NSYNC. Track 3:[9:42] Yeah, they were very much NSYNC. Just super in the groove, which means they're like this fucking locomotive still. So I think it's still super impressive. Even with a band that I'm not as impressed with or fond of, it's still an impressive feat to go this far with recording, producing, touring, everything. Track 1:[10:05] Yeah. Track 2:[10:07] Yes. Track 3:[10:08] Hands down. Absolutely. Track 2:[10:09] Kudos. Track 1:[10:11] And in terms of environments for you? Track 3:[10:14] Yeah, so it was a lot of car. I listened to it pretty quick after our last review. There's a lot of car time and some home time. I don't play their music much at home over my home systems. So it's a lot of car, a lot of headphones. It's a little more intimate for me to do it that way and I also really enjoy when bands geek out on recording, and you can hear things with headphones on that you wouldn't normally reallybe in tune with if you're just walking around the house playing it through your ear. Track 2:[10:56] There's a few of those on this record. Track 3:[10:57] Yeah, there's a few of those on this record, and I love that stuff. I mean, that to me shows that a band is really caring about their listeners and their fans and their art. There's a few of that. Track 1:[11:14] Well let's dig in then. Heaven is a better place today. Track 3:[11:21] So, yeah, this one, you know, there's been a few albums where... My first listen to the first song. I've never done a random listen first try, you know, and that's the way so many people experience music these days. I hear a song from an artist. So I might have to try that as an experiment on some album. But you know, first listen to Heaven is a Better Place Today in the car. It was like, yes, here we go. Like, Pete, you mentioned a great road trip soundtrack or whatever. This is totally it. It felt like a good, fun, solid opener with a drive and the carry of the drums and the bass really throughout this album seemed a little more...I mean they're always solid butthis one just even seemed more gelled, which is kind of hard to even imagine these guys doing. I loved Gord's singing. He's kind of at an elevated pitch with this one and, you know, from what I understand, it's...well. [12:33] My first take was like, this feels like a memorial song, like this is a tribute to somebody and Of course later learned that it's in part about Dan Snyder. I mean, I'm not a hockey guy I mean even I couldn't even tell you who Atlanta's team is or was Atlanta thrashers. That's probably my favorite hockey team name though so, you know read a little bit about Danny Heatley, did I just say his name wrong? No, don't sorry Dan Snyder Snyder Um, he was killed when is with his teammate Danny Healy. Track 1:[13:08] That's right. Track 3:[13:09] They're the ones who were Wrecked some sports car, which is such a tragic story, you know to hear about somebody famous wrecking in a sports car. It's just It's kind of an awesome way to go. But anyways, you know, I thought it was good solid Opener really really easy ending. It was like, okay, let's keep going How about you Pete I dug it. Track 2:[13:32] I mean, I echo a lot of what Tim said. I mean, I feel like a great opening track. I really got some some some cure vibes here. I really felt like this song had, Yeah, just I heard a lot of the cure in here. I think Gord's vocals, clearly this is a record and we'll kind of get into it with more songs and stuff. Not just, I feel like there's so many songs that probably killed it live on this record, but that Gord's vocals really just keep evolving into something new. I mean, I feel like every member of the band grows a lot, but he's just, it's like everybody takes three steps forward and Gord takes like nine. You know, he skips where everybody just takes steps. It's crazy, man. Track 3:[14:36] Completely. Track 2:[14:37] That's not like a diss on anybody in the band. It's just, I think he thinks differently, or he thought differently, either way, I dug this song. I thought it was a great opener. The second track, Summer's Killing Us, yeah, this is another one where the vocals really do it for me. Um, there's a, there's a part, well, during the chorus, when Gord's singing, um, Summer is Killing Us, like his voice is cracking. You can hear it breaking on the recording. And it's just like, it doesn't crack. Like it's, it just fits. It's perfect. And you're like, this guy's, this guy's, he's redlining the engine and the car is still going. you, You know what I mean? Track 3:[15:33] Like, and the car, I think, has like, 300,000 kilometers on it, you know? Yeah, and it's just like, go, go, go, who cares? Track 1:[15:43] Yeah, they could sing, sing, sing all day. Track 2:[15:47] Yeah, it's I mean, it's had its oil changes and services, I'm sure. Track 3:[15:51] Exactly. Track 2:[15:52] The drums, another thing about the drums on this, I watched some, well, you guys know, I'll talk about a little more later songs, but the drums on this song, A song that just seemslike it's probably so much fun to play for Jonny Faye. Just the stops, the fills, just, it just seemed like if anybody's having a blast, it's him and Gord Downie are just fucking having a ball to this song. Track 3:[16:20] I think you've commented on that before, too. And this one, this one I noticed, you know, first listen was like, oh, he's having fun. There's some fills in there, and that made me think this one live, you know, probably varied a little bit, but probably just kicked ass, too. Yeah, I think. Track 2:[16:39] Yeah, and I gotta say, this is gonna sound really bad, so I want to frame it right. I just want to throw this in because I feel like if I didn't throw it in, I'd be... My initial thought... So this is 2004, right? Yeah. 2003, 2004. 2004 you think when they're recording writing this song I got just Gord's vocals and his phrasing very much got some like early 2000s emo vibes to it. I actually heard and I don't mean this in a disrespectful way So no, no do not give away my address JD. I don't I mean Canada's a far away from Spain, but I got getting hip to the hip calm. Yeah for for comments Emo my ass No, but I really heard I heard a dashboard confessional song Yes pretty mind-blowing, you know Yeah, okay. You hear me? Track 3:[17:41] Okay, I do. I do. I would a million times rather listen to this band. No, 100%. Track 2:[17:48] But I hear you. Track 3:[17:50] But I hear you. Track 2:[17:51] And no, no offense, because I think that I think the guy I can't remember his, his name, the guy. Track 3:[17:56] That's okay. Track 2:[17:57] No, I know. No, just respect him as a musician. I think he's a good musician. I just don't fancy his music much. Anyway. Track 3:[18:08] You know, I was shouting this chorus in the car. Like, first listen, you could sing along to this one. If you know the band, you're like, fucking hyped. Hell yeah, it's a song about summer. Who doesn't like a song about summer? Track 1:[18:19] That's right. Track 3:[18:20] That band always sings about summer, said no one ever. So this one, you could just go. There's awesome stops, there's a good bridge, there's... A few times on this album I think there's more of a focus on just I don't know how to say it Pete but just a better rhythm guitar less riffy like the feel like this album has riff sections thatare a little bit more defined or declared maybe yeah yeah yeah this one gourds at like the three-minute He's like, whoo, you know when he left that it is so good I love that. I love that. Track 1:[19:05] I mean I like exhausted slash. Track 3:[19:06] I'm awesome slash I don't even know what the other slash would be but it's like it's great Yeah, if you're having a moment and you stop and you can actually breathe and do thatwhoo I mean you're having a good day like something's going on something's going on that you're enjoying or you're relieved But I also thought this song was like a song about being tiredand touring and working. Also, you know, maybe some of the research I did, that maybe there were some references again to the South, or slavery, or prison life, you know, that's just like, summer's killing us, youknow? It's amazing and beautiful and tough at the same time. That's kind of what I thought about this song. It's, it felt, this is a few times I have had this happen where the song feels long, but it's like measured in a good way. It's like, it's just, there's enough verses, enough choruses. Track 1:[20:12] I think this is one of the longer songs on the record. Track 3:[20:15] Yeah, yeah. This was, this was fun. Track 2:[20:19] This song, this song also, I just wanted to throw this in too, because I kind of forgot to mention it, one of the cool things about it is that it just goes from this, the chorus is sofucking, but then when it goes back into like the verse, it just, it brings it down again. It just, it just, it flattens it like a, like a compressor. It just flattens it really quick and just makes it even again. You're like, whoo, like the dynamic of the band recordings. It's really cool. That's a hard thing to pull off, man. Track 1:[20:53] I really regret not seeing this tour. Like, really. I have so much regret not seeing this tour. Because this is the first tour that I missed since the beginning. This is the first one that I didn't go see a show. And listening to the record now, it's like, oh man, it's again, so much of it seems to be written to be live, you know? Track 3:[21:18] She must have been really cute, JD. Pardon me? Your girlfriend at the time, I guess. You were busy. Track 1:[21:29] Oh, yeah. Track 2:[21:30] Yeah. Track 3:[21:31] Dude, the next song, you know, Gus, I faintly remember hearing about this. Track 1:[21:35] Yes. Track 3:[21:37] Back then. I mean, if we go back to 2004, you know, this is like the era, politics aside, because we'll probably get into that, but this is like the era when shit online started to take off,you know? Everybody's looked at YouTube. Some of your friends might be listening to Pandora, which at that time had the best radio feature. You could like mix stations and you know There's a lot there's a lot going on electronically The zeros are ones then i'm pretty sure i heard about this song and um, I was telling amy wifeamy yesterday this story about gus This polar bear from central park and uh how they they just deduced that, He was depressed And amy's like no shit polar bear and Activity it was likeyeah, I mean a polar bear's life is what? [22:39] Sleeping, drinking, killing, eating, fucking. I mean, let's put a polar bear in captivity and see how hyped he is. I mean, that's just terrible. So this is amazing that they, I guess, Gord, I don't know who exactly picked up on the story and wrote this one. And, you know, this is also where there was some, maybe the beginning of this album with some political under things here as well but there's this first guitar riff at the beginning of thissong Pete I'm sure you heard it but there's like this there's this weird guitar kind of distortion distortion yeah like that that attack at the beginning is like I wish also I mean live it wouldprobably been so fun to hear that I'm sure it varied a little bit but that's like that outro that outro live must have been so yeah banging yeah drums are huge in this one you know and i'vejust i dug this song it was it was fun there's i could go on and on about it but you know just this poor guy gus he's staring at food all day at the zoo i mean he would eat all these people yesgawking at him so of course he's suffering from depression this is like during this era, scientists were like, he might be depressed. [24:06] Bears, animals can have sentiments of depression. [24:11] It's fucking hilarious. Terrible. Track 2:[24:16] I mean, where do I put down my fucking flag here with this one, dude? First of all, if I was going to start a bar fight, this would be the fucking song I'd put on the J-box right before I picked up the neck of a Labatt Blue, fucking break it over somebody's headand just start a melee. Track 3:[24:41] Shit. Track 2:[24:42] Okay. Track 3:[24:43] Watch out, Hamilton. Yeah. Track 2:[24:49] So, Tim, you're telling the story of the polar bear from Central Park, right? And now that you're telling the story, I remember it. Yeah. Track 3:[24:57] Yeah, me too. Track 2:[24:58] But during listening to this, I didn't remember it because that was a long time ago. And I drank a lot of beer and done a lot of shit since then. And so it didn't register. And so I pictured like a bearded homeless man, a giant bear of a man who was depressed and an alcoholic sitting and fucking with people in Central Park. That's who I heard when I heard this song. I didn't, I didn't at all have any correlation with the actual story of Costa Polar Bear. But this is the now this this album, and then some subsequent YouTube videos that I explored this week, really got me digging into the vibe that is Paul Langlois, because you could Youcan just hear this thumping, it's a thumping vibe that he has with this Les Paul that he's playing and it just fucking rips. This song is the tiger, the lion of this record. Track 3:[26:13] I had the same sentiment for sure. Track 2:[26:17] It's the fucking tiger, the lion of this record. What else? I would say I literally, I literally wrote, I literally wrote that, that, that, that I would be cracking balls a little bit blue, a little bit blue over people's heads. But no, it's the tiger, the lion of this record. And I feel like Neil Young is a lot of guitar on this this record is very Neil Young focused. Track 1:[26:50] I can hear Crazy Horse in this. Track 2:[26:53] Yeah, there's another song that's undoubtedly Crazy Horse. But the end, the solo, Rob Baker proceeds, and I'm going to read this verbatim. The solo, Rob Baker proceeds to melt your fucking face off with a complete and utter disregard for human life. Track 3:[27:10] And that he does. Track 2:[27:13] He starts off that way. He just, well, it just, the solo towards the end is just, it's just fucking, fuck me, man. Track 1:[27:25] Yeah, very good. Track 2:[27:26] Great fucking tune. Probably, yeah, this is, this may end up on the, for my pick, who knows. Track 1:[27:33] All right, we roll into the first single from the record. So this would be the song that introduced most people to this record and it's it's a song called vaccination scar First of all before we get into vaccination scar to either you guys have avaccination scar Nope. No, my cousin has one and she's a year younger than me And I don't understand how she has one and I don't like expired shit. Track 3:[27:59] They put in her arm, I guess maybe it's all my ears on your arm no it's on my calf oh wow okay it's on my calf well it's almost gone now but it was pretty prominent um almost untili turned 20 or something around there i mean my my brain with this one went just went to you know Pfizer and all the all the crazy bullshit oh no oh no i mean that's where i went i readthe song Title and I know okay. This is probably about the booster the the cigar look bird Vaccination scar on my sister's left arm. She's got right here. She's like three years older than me So she's got it. But you know and that's like why the fuck did that thing scar like that? I don't know. Could you imagine I mean, why didn't they build that into the the Johnson Johnson? Johnson and Johnson could have had like, they have that trippy logo. Have you ever seen their actual brand logo? Track 1:[28:59] No. Track 3:[28:59] Oh, people say it has like Satan in it, basically. Oh, of course. It's hilarious. Pete, you would like that research. It's too bad. Track 1:[29:08] But I'll tell you, this song would be a completely different song if the band still existed and they released a song called Vaccination Scar now. Oh, big time. Wonder what the fuck it would be about. Track 3:[29:21] Yeah They might lose listeners and gain listeners at the same. Track 1:[29:25] Yeah, it's true Well, this one a throwback to a throwback, you know We've got the slide guitar again that we haven't really rolled out for a couple records. I don't think What you guys think? Track 3:[29:37] I You know the whole when they get into the slide guitar and kind of go back to So, you know the southern belt of the US kind of sound of rock and that's it's not my favorite thatthey do but right yeah I was a little surprised to hear this is the most listened song song on Spotify I look at that at those that I know I look at that data at the end of kind of my listening Idon't look at that at the beginning. Track 1:[30:09] It does blow my mind because I get it that it's a single. Track 3:[30:11] Yeah why? Is it because it has vaccination in the name? Track 1:[30:15] It might be, because the fact that it's a single shouldn't factor into Spotify at this point. Yeah, yeah. Unless they do, unless they sort of do. Track 2:[30:27] No, they don't retroactive, they don't retroactive shit like that. No. Track 3:[30:32] Yeah, I wouldn't think so either. Yeah, but I thought, you know, this is really, It's the second song. With political references to George Bush, the Iraq invasion, the WMDs that didn't exist, like this, there's references in the song about all of that. And that in and of itself is like a time capsule of sorts. Track 1:[30:57] Yeah, and we were thinking the world was a pretty bad place then. Track 3:[31:00] Yeah, it's basically an anti-war song, even though like during that era, I don't know, there were like six or eight other countries that were on board with this whole attack, you know,I believe Spain was one of them. Track 2:[31:13] So it's for everyone. Yeah. Right. States. Track 3:[31:19] So, you know, I, I hate to say it, but I enjoy like hearing something political referencing the times and, you know, it becomes a time capsule type of song with, with those themesduring, let's see, I guess late 80s, in which these guys would have been totally in tune with. You know, that's when the Bushes were really rising to power and going after mega weapons developments. And a buddy of mine grew up in the Carolinas during those George Bush senior years and knew the family, and they have crazy stories about shit they were doing. I don't need the FBI chasing me, but like, a lot of bullshit activity that involves war and weapons in the corporate aspect of America's machine and economy running on just. The war machine. So that's where I feel like Gord's really tapping into in this album. And it keeps going. He's kind of in it in this album. Track 1:[32:27] It was a tough environment to not be in it. And it rips my heart right out of my ribcage and throws it on the ground to think that this band isn't around anymore. Because I would love to know what Gord's thinking about... Track 2:[32:41] You're burying my fucking lead, JD. Track 1:[32:43] Sorry, buddy. Go ahead. Track 2:[32:44] No, no, dude, no, run with it, run with it. Track 3:[32:47] They'd be the Pussy Riot of Canada, I'll tell you that. Track 2:[32:49] JD, please, please continue, I'm sorry. Track 1:[32:51] I just, I just, you know, I just, I would just love to hear his take on what's been going on the last five or six years, you know? And we really missed out on that. And that's like, fuck cancer, you know? Fuck cancer. Yeah, yeah. Some of the lyrics in this, I think they just roll. I think the way he sings in this song He's he's into that lower register, you know Like you said the with the side guitar like it's it's almost anolder version of the band and he's singing again in that older Version voice but man some of the lyrics that he strings together like even the chorus. There's one thing I remember is the tear and the there's one thing I remember is this tear on your bare shoulder this little silver boulder the slowly falling star we're rolling so what nevergetting older where the moon shock curtains part to the start of enough a teardrop then a vaccination scar like holy shit I don't know how I get all that out imagine that writing moment inpen in hand and, you're just like it's just yeah it's incredible yeah well yeah I mean, I echo everything that you guys have said. Track 2:[34:09] Funny point. Just I don't want to leave it out because you made me think of it, Tim, when you were talking about George Bush. This is not unknown, but a great George H.W. Bush fact, Bush number one, our first Bush president, doesn't remember where he was the day Kennedy was shot. What? Track 1:[34:34] Yeah, yeah. Track 2:[34:35] Look that up. That's a total fact. And he was actually in Dallas because there's There's like evidence of it, but you know, everybody's like, I mean, I remember where I was in thechallenge of blew up I remember where I was when Kobe Bryant died when I remember when yeah 9-11 out. Sorry Yeah, Kobe Bryant was you know, now that was a big bit bigger. No offense to Kobe fans But yeah, and he was asked where were you when Kennedy was shot? He's like, I don't remember like what? Track 1:[35:05] Yeah Everybody of that generation, my mom knew where she was and she was a Canadian in Waterford. Track 3:[35:10] You know, they're so detached. The, the, the, the, that whole section of political history just lived on. Track 2:[35:17] If by detached, you mean culpable, Tim, then yes. Track 3:[35:21] Yeah, yeah, completely. I mean, like just not relatable. They just, honestly, like my, my buddy and his family in the late eighties, early 90s, used to meet up at one of their homes. This is the story. Used to meet up at one of their homes on the coast, Bush's homes. And like, oh, our new whatever jet boat is going to come by. Can't wait to show you guys. We'll go for a ride. Like just completely alternative, horrible reality of life and what's appropriate. Track 2:[35:59] Yeah, I mean, that family's, I mean, what more could you say without getting too political? Track 3:[36:04] There was a moment when, we'll get off of politics here, there was a moment during the Trump administration where I was like, damn, I would take Mr. Bush Jr. any moment, bring him back right now, let's swap him out. And I never would have thought that when he was in office. You know? Track 2:[36:22] Well, yeah, it's pretty sad. Track 1:[36:24] For sure, I feel the same way. Track 2:[36:26] It's pretty sad, though, that we're at, that stage, I mean, to bring it back to the record and sort of to not bring it back to the record, because musically, I feel like this song, you guyssummed it up. But in terms of what JD said about the one thing I thought about this song, I kept thinking about was Gord and if he was alive today and this band was alive today. And I say that because he was such a unifying icon for Canada and the band was, I mean, the guy could bring people together completely. And I think America's been divided for a long time. Tim and I both know that pretty well and anybody from the outside who's windowed… That's like his West Coasters, right? You guys really have felt it. Track 3:[37:26] Yeah, yeah, yeah. Track 2:[37:29] But I think that in terms of Canada and everything that went on during the whole COVID lockdown and stuff, I feel like Gord would have had a really interesting take on it. Because I feel like there was the... You know, it's, there's always three sides of every story. And the way we kind of, most people experience COVID, most people, you either were fucking hardcore on the left, or you'rehardcore on the right. But there's one thing I've learned in life. There's the way you think it happened. It's the way the other person thought it was happened. And then there's the way it really happened. Track 1:[38:06] Look at you dropping extreme references, three sides to every story. Track 2:[38:10] I'm just saying, I feel like Gordon would bring a fucking take, and the band would bring a take to, you know, what's going on in life at this time. That just would open people's eyes. And a lot of people on both the right and the left would shut the fuck up and listen to A Voice of Reason, which- I think you're right. Would have been Gord Downie, had it not been for his untimely death. Track 3:[38:35] But I mean, we have that in this day and age, but it's just spread out. And I don't know, less, it's smaller, smaller doses more widely spread out through music today. Well, there's plenty of bands doing it, but like, I don't know. Track 2:[38:53] I agree sort of, Tim, but I think musically, it's one thing to do it musically, but Gord was more than a musician. Track 3:[39:00] Yeah, yeah. Track 2:[39:01] From what I've seen, he's a guy that would get up and make a fucking statement, like outside of music and nowadays I feel like when people make a statement that it's against, thecommon narrative of whatever, They're tarred and feathered as either. You're a racist fuck or you're a liberal Nancy or whatever it is. And the funny thing about Gord is you couldn't do that to him because he was Canada's fucking golden boy. So I would have loved to have seen anybody in Canada try to throw shade onthat motherfucker when he was... Had he been here to dispel the truth like he always liked to do. Anyway, I digress. How about... Track 3:[39:43] I have a feeling like only rednecks in the South were throwing shade at him, you know. Track 1:[39:49] There's a reference in this song about singing Life is Forgetting, and Life is Forgetting is in quotes. I looked it up, I can't find a song called Life is Forgetting. Is that something that rings the bell for you guys? Or is that just, you know, the narrator basically saying that that's a song that somebody's singing that's made up? Track 3:[40:12] Not sure. Track 2:[40:15] No. I'm not sure either. But if I take it into context of what we're talking about, I think people forget, life is forgetting. Tim made the reference earlier about wanting George Bush over Donald Trump at the height of whatever. And I think people forget, you know, I am not Not a Donald Trump fan, didn't vote for the guy, but you can take all the shit that's said and everything, and I'm not carrying water foranybody, let me make this fucking clear, but it's mind boggling to me how we can think that, and I thought it at times too Tim, you're not alone in that, I think a lot of people thought it, buthow we could, be like, I'd rather have a guy who started a war, an illegal war on lies that killed upwards of a million people. In the White House right now, rather than a guy who's just a total piece of shit scumbag who shouldn't be there in the first place. Like we forget that there's a guy who is literally responsible for killing a million people and starting multiple illegal wars. And we'd rather have that person. So life is forgetting, JD. I think that line belongs in that song. If we're talking about politics. Track 1:[41:41] Well, he said fuck this and fuck that and this guy's the diplomat. It can't be Nashville every night. Track 3:[41:52] I love the simplicity of this one. It's quick. You know, what we are is what we lack. That song was just like, if anything's going to make you think about oneself and what you're portraying and working on, or I don't know, that statement just slapped me. There's Gord, I think, is faintly doing his own backup singing in this one, if you really crank it in your headphones, and it's fucking awesome, and it was even kind of cute. I just dug it. The chorus, or maybe it's a verse, I don't know, the la-la-oh-oh-yas, you know, just simple, good rock and roll. Apparently, he's poking fun at Toby Keith with this song. Track 1:[42:41] Oh, did not know that. Track 3:[42:42] He was a country music singer who was pro-America, pro-military, pro-goat. Track 2:[42:51] He was Tarn and Feather the Dixie Chicks, man. He was one of the guys that went against the grain on that and threw them out to try. Track 3:[42:59] Yeah, I also think this is like a song that's, Trying to let artists know that there's more to life than producing a single, you know? This is a time of this era, fucking Maroon 5, Nickelback, you know? This is a little bit later Lenny Kravitz, but when Lenny Kravitz is just like glossed up and just everyone knows the chorus, you know? But nobody has bought the album, maybe. I don't know. I'm not dissing Lenny Kravitz too much. You can diss Lenny Kravitz. He's his own... Well, he's the institution. I mean, I saw him play live and he was incredible. Track 1:[43:37] I did too. That first record was really good with the cab driver on it. Track 3:[43:42] Yep. I saw Blind Melon open for them. Me too! Track 1:[43:46] Oh, shit. Track 3:[43:47] Dude, okay, just to digress. Blind Melon kicked Lenny and his band's ass. Like, Blind Melon, they were so good then. You know, they... Track 2:[43:59] Yeah, we've had this conversation, Jake. Track 3:[44:00] Yeah, so good. So good. So anyways, you know, the song I thought was short and great. And it's just, it's got some good quick statements. It was, I don't know, it just fit for where it was at and everything. That's about it. Track 2:[44:17] Cool. I dug this tune. Real quick, just to my Lenny Kravitz comment, not dissing the guy, I like the music. I think his daughter is a great actress. Track 3:[44:30] Gorgeous. Track 2:[44:31] Just never trust a guy who only plays a flying V. Track 3:[44:33] Never. Track 2:[44:38] It's a fucking red flag, ladies. Track 3:[44:40] At the beginning of COVID, he was apparently stuck on his island in the Caribbean, or like a island with just a handful of other people living there. And he's just like, just living off coconuts and pineapples and avocados, bro. I was like, fuck you. That sounds perfect. Yeah, I would have killed for that. Track 2:[45:03] Yeah, I dug the song. I thought, I thought this is another one that would have been awesome live. The groove was just fantastic. There's a line that he delivers that I'm sure you guys all noticed, but I love the the way it's, one is stares into the blur, stares into the glare, stares into the queer. And it's just fucking, like the way he delivers it, I was like, what is he saying there? And I had to look up the lyrics, cause it was so cool. Cool. Johnny Faye, literally, I don't know what it is, man. But like, this is when he's around early 2000. He started like getting like destroying crash cymbals. And I know I pointed out to you guys this week as I was watching the video, like there's a, there's a concert they were playing, maybe it was at the Fillmore where he just broke a fuckingcymbal, because the motherfucker hit it so hard. And you can see a guy replacing the cymbal like just coming in. Track 3:[46:04] He has a drum tech, you know? Track 2:[46:06] Oh, yeah, I know. Well, I mean, he's got something to come in and do it. But like, middle of the song, guy's got to come in and replace the cymbal. I love it. Track 3:[46:14] So cool. Track 2:[46:14] So cool. This is this song and a number of others to point out at the end of the song, if you're wearing headphones, you can hear a couple drumsticks click. Mm hmm. Oh, so this is this is one of the many Easter eggs on this record. Track 3:[46:31] Yeah, I heard that too at first. I was like, is he hitting the rim? But it really sounded like sticks. Track 2:[46:36] There is one that he does. Track 3:[46:37] He does. Track 1:[46:38] He's just putting them down, though, right? He's just putting the sticks down kind of thing? Track 3:[46:41] I mean, in general, yeah. You hear a little more drum nuggets on this album. Track 2:[46:47] But I feel like these songs are like, it's just a signal to like, that was Johnny's song. Like, all the ones that have those, this is Johnny's song. Because he just fucking ripped on these ones. Track 3:[46:59] Yeah, I feel like when a drummer does that, when a drummer just slaps down the sticks, It's like at the end of a good meal, and you just set your knife and fork down, and you'relike, fuck. Just nailed it. And drummers do that with drummers that care. When bands nail it, you can't. I wish I could produce, because I would love to just yell at musicians, and tell them they're awesome, and tell them they're terrible. Track 2:[47:26] Just kidding. Track 3:[47:28] Just kidding. But that's that sound. That's like that triumphant sound of just killing it. Track 1:[47:34] I win. Yeah, touchdown. We move next to Back, in fact. Back to New Orleans. This is the second geographical song on the record of three, which is interesting. But it's also a trip back to New Orleans. And I can't think of many other bands that would have a song as iconic as New Orleans is sinking, which would still be so heavy in the tourrotation and then they release another song with the same name in it. I know that sounds like really trivial but it's interesting to me. It's really interesting. And this is a very different look at New Orleans and a very different sound but I dig this song. Track 3:[48:23] Did they play there? Chady? They played like a small clubs there, right? Track 1:[48:29] Yeah, likely. Yeah down in the down in the south. They weren't you know quite as As big as they were on the west coast and across the border for sure there was yeah They always but they always played like I mean they would do like au.s. Track 3:[48:45] Tour that would be like 40 dates probably, you know, like they they were fairly thorough There was some reference it with this one about him him going back to New Orleans withfriends or something, just for vacation. And I guess maybe in part this is about that visit, because he found places he wanted to go to that were closed, or... Track 1:[49:08] Oh, okay. It's post-Katrina? Track 3:[49:11] I mean, it's 2004. Track 2:[49:11] No, it's pre-Katrina. Track 1:[49:13] Yeah. Track 3:[49:13] Pre-Katrina. Track 1:[49:14] Okay. Track 3:[49:16] I thought this, you know, it's probably the most beautiful song on the album. It's just serene. I don't know, it's love, it's death, it's fading, you know, rashing away the smiles. It's like, fuck, that's just like storing up in your heart for the future, you know, it's just gorgeous guitar during the chorus. It's just, this is a great one. Track 2:[49:39] Yeah, I thought that, I think this probably might be one of the better, if not one of the best hip songs. And I say that, I don't say that lightly. I think it's a really good song and yeah, JD, I mean, I wrote the notes like, what's the deal with New Orleans? You know, why? Just the song was beautiful. There's the lead in to it and then throughout the song, Rob Baker's using what I think by that time was probably pretty dialed in. He was using an Ebo on his guitar, which is like one of those. You ever seen one of those before? No. I've never been able to use it. I'm not a good enough guitar player to be able to use it. Track 1:[50:27] You stop. Track 2:[50:27] No, dude, they're fucking hard to use. Track 1:[50:29] Everybody go out and buy the record, Marchika, and the first one is out. The second one is in production? Track 2:[50:39] So the the the ebow is like a light it's like a ultraviolet light on this thing and you hold it over the guitar string and it it vibrates the string so it makes it sound like a violin bow henceebow electric bow. Oh okay I had no idea. Track 3:[50:57] Me neither. Track 2:[50:58] It's an amazing effect and it's really cool um some guys can pull it off with like volume and sustain but like he's not He's using an EBO on this shit. And it's fucking, it's just a testament to the, like how talented these guys are. how you can. Take what we've heard for the first five songs of this record and then bring it to this and just you're like transported to New Orleans and just you just I thought I kept thinking I saw NewOrleans in this and then hearing this song I felt like God I wish I could have heard this live at like Red Rocks. Track 3:[51:35] Hell yeah yeah oh man. Track 2:[51:39] Clear sky completely pitch black No lights, just drop the lights. Give me a spotlight on Gordon, nothing else. And Rob Baker during the EBO, but other than that. Track 1:[51:49] **Matt Stauffer** Of course. Track 3:[51:51] You have to be on psychedelics to use that thing or what? That sounds difficult. Track 2:[51:54] **Robert Walsh** Dude, it's hard. Track 3:[51:54] **Matt Stauffer** That sounds, yeah. Track 2:[51:56] **Robert Walsh** It looks easy and everybody's like, yeah, it's not easy. It's not easy. Track 1:[52:04] **Matt Stauffer** All right, let's go to to You're Everywhere and Reel Our Irish In. Track 2:[52:12] The, I dug this song. The fucking melody in this song is just, it's wild. I dug it. I dug it. It has a cool, it straps you in a little bit, like kind of soft and easy, but it just builds. I feel like the lyrics to this song are scathing. I didn't dig much into the meaning. But like reading them, just reading them once, I think when I had listened to it a number of times, I was like, Whoa, whoever or whatever this ismaking reference to is a tense subject. Track 3:[53:00] Yeah, so to speak. Gord's angry. Track 1:[53:03] Can you guys be more specific? Track 2:[53:08] If I'd brought up lyrics, I could've. Track 3:[53:10] I mean, on that note, I heard this song and I knew these guys were recording in Seattle and I figure that probably at this point in their career, probably not everything is writtenbefore recording, you know, like ahead of time, weeks or anything. And I imagine these guys, you know, what are they doing, staying in some hotel in Seattle near this recording studio? And the fucking news during this era is nonstop all the time. You know, it's just like, bad news all the time about the war and GWB. And I mean, I wrote, you know, the heaviness of this song, I wrote, we're bombarded by by fear, we were then and now, fear and despair, and then driven out to be sold by hope, tarnishedby soldiers dying, or not having proper access to healthcare, or being addicts, or suicide rates, you know, when vets return from all of our glorious wars, and it's just kind of like the bandfeeling. That the only way that anyone can attack this kind of corporate war machine that's happening is Is to sing about it, you know produce art about it there's a line in there that it keeps theeconomy alive it's like This song is the fuck that bullshit song, you know, you're everywhere point of the war man smedley butler's War is a racket. Track 2:[54:38] Yeah, you haven't read it. It's pretty it's pretty quick read Yeah. Fuck, yeah, I got a lot of what was going on during this time in this record. It felt very like, if I closed my eyes and listened to this record and I had no idea when it was made, I would have been like, 2003, 2005, somewhere in there. And not just because of the music itself, but yeah, because the content of it was just But this is another one that has drumsticks sound, putting down the drumsticks at the end. So this is another one. Yeah. This is the second song that uses a slide too, so I'm not a big fan of the slide, but It's hard to not enjoy it when it's placed properly. And a song, if it's done well. So I think this song does a good job. Track 3:[55:43] I mean, sometimes there's a time and a place. I don't know. It's more of a historical feature to guitar playing for me. I can't imagine some new song that would really enjoy that's featuring a slide. Track 1:[55:58] Well, that's why I was so strange that Vaccination Scar was the first single. Especially when Heaven is a Better Place Today is such a banger to open the record. Yeah, why yeah Don't know. Don't know. I mean it wasn't it wasn't having this place better place today Wasn't a single at all. The singles were vaccination scar. It can't be Nashville every night and then Gus Was the third single which is like pretty ambitious for a band to release that as a, single Yeah are gonna get that. That's right, that's right. Sothey're well past giving a fuck about trying to use singles to bring people in. Yeah, yeah. Track 3:[56:46] Which, how wonderful. Track 1:[56:48] How wonderful, right? Track 3:[56:49] How wonderful. Track 1:[56:50] They're just doing it for art's sake. Track 2:[56:51] Freeing. Track 1:[56:53] Yeah. Track 3:[56:54] I mean, I have a close cousin of mine who plays in a band here in Portland, I'll give him a quick plug, 40 feet tall. And they're super fun. And they just hit it so hard and they have a few total fuck it songs and they do covers every once in a while. They're courageous in their art, which I love, but it's one of those things also that not everybody gets. Sometimes I think maybe the hip missed some listeners in the USA because fucking half Half the countries are dipshits. Track 2:[57:35] You know what, and Tim, I don't disagree with you on there too, but I will say one thing too, just being from America and now not living there, and I know you've lived in Russiafor for some time too, Tim, but. I think the difference with Russia and the United States, and this is somebody who hasn't lived in Russia, but there's somebody who's also lived outside the United States. I think America is the most, probably the most propagandized country in the world that doesn't know it's being propagandized. Like at least in Russia, you're like, yeah, this is all bullshit, but we just kind of go along with it anyway. The United States, like people actually believe like when they watch like FoxNews or MSNBC, They actually believe the shit they're seeing on TV. And so when I think about, like both the left and the right, when I think about a band like this, I think like Americans attention span is like that of a fucking housefly. They couldn't appreciate this fucking band if they had a gun to their head. Could be. Most couldn't, dude. They just couldn't. Track 3:[58:42] Could be. Track 2:[58:42] It's just like, and so I think the hip probably just got like, fucking, why are we going to waste our time on these fucking dickheads this was like i said this was a fucking era ofmaroon five and britney spears you know yeah i mean jenny do you have to put explicit lyrics or explicit content on all of these because i just realize i'm dropping a few f-bombs oh yeahyeah okay okay yeah it's and on the old podcast on fully and completely we got a few comments that we swore too much oh really yeah yeah Yeah, Greg and I were like, oh, what thefuck. It was Sam Elliott, and he was drinking a beer, and he was like, do you have to swear so much, dude? Track 3:[59:23] It was all the Toby Keith fans who were like, yeah, I still don't like the hip. Track 1:[59:29] Well, we move next into a real banger, coming out of that moody section with New Orleans is beat and you're everywhere. And we go into as makeshift as you are, or as makeshift as we are. What did you vibe on that one, Pete? Track 2:[59:49] So this song comes on right when I put the quarters into the pool table and I push the slide in and those balls drop and I'm just racking it up. Racking up a game of pool. That's what this song is for me. Track 3:[1:00:06] That's fucking beautiful. Track 2:[1:00:08] Popping a cold Coors Light. There's some really low tone. This is another song and this record really opened up my eyes because I feel like I've been a bit of a fucking Rob Baker fanboy. I'll cop to that. Track 1:[1:00:26] No. Track 2:[1:00:27] Last couple of pods, but Paul Langlois is a fucking solid guitar player, dude. You don't notice it unless you look to it. As a matter of fact, one of the things I was thinking of on this song... And also this week and I was watching some live hit videos and I challenge anybody in the community to do this. Listen to a song or and or watch a live recording a live, you know, performance. Watch it five times and each time focus on the instrument of the person you're focusing on and listen to them play their instrument. It is fucking cool. And I did that a number of times with Paul Aigloire. I've done it many times with Rob Baker more than I care to admit. Track 3:[1:01:25] But no, Paul- Are you having dreams about him? Track 2:[1:01:29] No, no, no, I'm making wisecracks. But it's easy to, it's easy to, the focus to just go right to gourd when the chorus hits or he does some fucking amazing shit. But if you really focus on the individual instruments, you will see how fucking polished these musicians are. Track 3:[1:01:48] Yeah, super pro. Track 2:[1:01:49] And then one line that stuck out to me, I love the bridge in the song. I love the harmonies when they all come in together because it 

QOTSA, aka QUEENS OF THE STONE AGE, began back in the late “Nineteen Hundreds” in Seattle, Washington following the breakup of Josh Homme's former band, desert metal legends Kyuss. With a wide array of sonic textures, layers, and sound design sorcery ingrained within their music, as with Kyuss, QOTSA is another prime example of a band whose albums should be listened to and enjoyed via headphones (and if we're being honest, since “this show is about honesty”, a healthy infusion of relaxers will help to further enhance this experience). It's time to realize which nationality's coitus “sounds delicious” and understand that the pain of regret from a disappointing high gravity brew rivals the pain of regret that comes from copping a squat “on your balls”.  Prepare to bear witness to one of the greatest alcohol “collabs” ever imagined and discover the powerful allure of food truck fare when you JOIN US as we get outside the desert and go inside the metal with none other than QUEENS OF THE STONE AGE.   Visit www.metalnerdery.com/podcast for more on this episode Leave us a Voicemail to be played on a future episode: 980-666-8182 Metal Nerdery Tees and Hoodies – metalnerdery.com/merch and kindly leave us a review and/or rating on the iTunes/Apple Podcasts - Spotify or your favorite Podcast app Listen on iTunes, Spotify, Podbean, Google Podcasts or wherever you get your Podcasts. Follow us on the Socials: Facebook - Instagram - Twitter   Email: metalnerdery@gmail.com Can't be LOUD Enough Playlist on Spotify Metal Nerdery Munchies on YouTube @metalnerderypodcast QOTSA on the Interwebs: https://qotsa.com/   Show Notes: (00:01): “You guys missed a BUNCH of stuff…” / #moneyshot / “There's a #DallasTexasBased #ACDCTributeBand #BackInBlack (Wait, Axl Rose!? Seriously!?) / “He can do BOLTH voices perfectly!” / “If I was Mr. AC/DC…” / “That's when all the cool shows happened…” / “He sat on his balls…” / #happyfourth / ***WARNING:  #listenerdiscretionisadvised *** / ***WELCOME BACK TO THE METAL NERDERY PODCAST!!!*** #tothelandoftheyeah #bunkerpoonunlimited #inthebunker / #thisepisodesbeeroftheepisode (“I'm still trying to power through mine…”) / “That's what this show's about…it's about honesty…and metal.” / #hihoneyASMR / #thisepisodesbeeroftheepisode / #SweetwaterGummiesIPA #ninepointfivepercentABV (“that's the only thing…”) #onmicburp (“tastes like #badcoughmedicine sans narcotics”) / “This is not one of them…” / #markthetime / #GoldenGreyGoose (“Dude, they should have a #collab!”) / #GoldenGoose / #ASMR / “I can never go to a camera store again ever…” / #businessplanning and #jokecollabs and #tshirts / #tourshirts #withdates #tshirtdesignASMR (“Did they just play that album?”)    (09:25): #Pantera on tour…good turnouts & favorable reviews / #No / “I think the only way I would have loved that…” / #GeritolTheater (“Do they show tits at #TheCureConcerts?”) / “Dude, Italian intercourse sounds delicious…” / #scampi #gahlic #spicygahlicscampi / #foodtrucks / #bakedpotatoes (“You can do so much…and they're good for you…”) / #potatobomb #ChernobylFarms #massivepotatoes #yuge (“I've got #foodbone right now… I can't stand it…”) / #runningoutofboner / “The whole #nipflashing thing…” / #thesnaps / #markthetime / #RussellsReflections #TheCureInConcert #TheCureASMR #SadMusicForSadPeopleASMR #ExpensiveVices (“…for 2 drinks, this size!”) / “What kind of fucking shit is that!?” / #dontworryaboutit (“I've seen #TheGodfather” …)    (20:00): #secretmenu #realmexicanpizza (“Not that fuckin' fake bullshit…”) / #TheDocket / METAL NERDERY PRESENTS:  QUEENS OF THE STONE AGE – INSIDE THE METAL (#QOTSA) / Exceptionally good with #relaxers / “Lots of desert, stoner stuff…” / “It's basically 90's metal.” / #hugepubes #yugepubes #corporationarena (“I thought that she was…”)    (23:32): Queens of the Stone Age (1998) / “I like the way he says #boobs (and/or #bewbs)” / #killeropener #firstnewalbum REGULAR JOHN #crooningASMR IF ONLY (“A little before it's time…”) / The perspective of time and 23 years:  1977 to 2000 vs 2000 to 2023. / Seeing the passage of time (“In the 1900's…”)    (29:43): #bunkerpoonthememusic Rated R (2000) / FEEL GOOD HIT OF THE SUMMER (“I think I'm like 6 for 7 on that list…”) / “Nobody could ever tell me…” / #euphorichallucinogenic #yes / THE LOST ART OF KEEPING A SECRET / QUICK AND TO THE POINTLESS (“I don't even know…what…I'm doin' here…”) / BETTER LIVING THROUGH CHEMISTRY (“This is creepy…”)    (36:54): “It came out of nowhere…” / #phenomenon #breakoutalbum Songs for the Deaf (2002) / GO WITH THE FLOW / #screenoftits (“that's the name of our first album, dude…”) / A SONG FOR THE DEAF / “Go to about the ½ way mark…” / #darkandcreepyASMR / “#youguys #ericcartmanASMR / “You could basically imagine it with that…” / “Have you noticed…?”    (43:38): Lullabies to Paralyze (2005) / “I know it sounds petty…” / LITTLE SISTER (“Hello Doro…”) / “was it #thehotcarlsonreview?” / “If I've gotta talk you through it…the moment's ruined.” / BURN THE WITCH #fuzzybass / “I gotta request, man…” / YOU GOT A KILLER SCENE THERE, MAN… / How to improve your blunts…   (48:45): Era Vulgaris (2007) / #retrovibe SICK, SICK, SICK / MAKE IT WIT CHU / TURNIN' OF THE SCREW #veryfuzzy / …Like Clockwork (2013) /Great Fauci impression… #DanaCarveyASMR (“He's like our generations' #RichLittle”) / I SAT BY THE OCEAN (“Remember your training…”) / MY GOD IS THE SUN / “Wait…wasn't “Villains” somewhere in there?”   (56:46): “that was when I was still working & functioning and…gobbling those things down like #PEZ” / “Eyeballs in the fists…” / Villains (2017) / #killeropener (“Excellent buildup…”)  FEET DON'T FAIL ME #greatatmosphere / Regular lights vs black lights / THE WAY YOU USED TO DO #seventeenASMR / “He was straddlin' it…” / FORTRESS #relaxersASMR (“Definitely has a 70's thing going on…”)   (1:04:56): “Is it fucked up that I wanna order a pizza and THEN go do the #foodtruck thing?” / In Times New Roman… (2023) / PAPER MACHETE #leadoffsingle / “That one looks good…” CARNAVOYEUR (80% of the #cokelines) / “You have to listen to the whole album…” / “My balls are very full…and my stomach is very empty…” / #QueensOfTheMomScrewin and/or #QueensOfTheStoneAge #QOTSA / #ohmy / ***THANK YOU FOR JOINING US FOR THIS EPISODE OF METAL NERDERY PODCAST!!!*** #untilthenext ***VISIT THE BUNKERPOON GIFTSHOPPE AT metalnerdery.com/merch AND PURCHANDISE SOME MERCHANDISE!!!*** / #outroreel

Suscribite a QUP con este link: linktr.ee/olmedogus Grabé este episodio hace miles de años. Fue, entonces, un obsequio especial para suscriptores. Solamente estuvo disponible en el canal de Telegrrxm. Hasta ahora. Aprovechando que el maestro Josh Homme acaba de regresar a la actividad y habrá disco nuevo de Queens Of The Stone Age, acá les dejo este repaso por la obra de un auténtico creador de sonidos y canciones. No recuerdo mucho qué magias contiene este capítulo, apenas lo suficiente como para decir que Like Clockwork es mi disco fav. Con Gustavo Olmedo.

This week we will be reviewing Like Clockwork by Queens of the Stone Age. What is your favorite track off the album?

Looking to set up a virtual system that runs without you? That runs like clockwork? Listen to today's episode with Regina Edwards, as we share her 2022 MaxLawCon presentation about the automation you can set up to qualify your leads, create a smooth client journey and to maximize your time wherever you are in the world. Regina walks through the basics setup and intentionality behind her automation system. And while there is work in the set up, as Regina said, if you don't execute — it doesn't matter what your plan was. So get your note taking app out as she dives into her intake and litigation automation processes. 01:50 Virtual lawyering!02:55 High Level overview of intake06:10 Streamline your intake with a CRM 10:30 Declining potential clients that are not a good fit an easy way 11:33 After the intake call, what do you do?13:07 How do you enforce team consistency? 14:27 Litigation workflow 16:19 What can you automate? 19:35  Creating a discovery workflow Tune in to today's episode and checkout the full show notes here.

This year we lost four remarkable men who made their mark on motorsport: "Quick Vic" Elford, the fearless British driver with humble beginnings who made his mark in the Porsche 911 and 917; Mauro Forghieri, longtime technical director of Scuderia Ferrari; Nicola Materazzi, turbocharging guru and brilliant designer of the Ferrari 288 GTO and the F40; and Alain DeCadenet, gentleman racer, constructor, journalist and television presenter.  These are their stories.SUPPORT THE POD:https://www.buymeacoffee.com/hpheritageSUPPORT OUR SPONSORS:http://modelcitizendiecast.comhttps://drivetowardacure.orgFIND US ON THE WEB:https://www.horsepowerheritage.comInstagram: @horsepowerheritageMUSIC CREDITS:"Wild Strawberries" by Lilo Soundhttps://filmmusic.io/song/6097-wildstrawberries"Luzia" by Lilo Soundhttps://filmmusic.io/song/6184-luzia"Cinematic Building Strings" by Tim Kulighttps://filmmusic.io/song/8723-cinematic-building-strings-fast-130"Fanfare X"  by Alexander Nakaradahttps://filmmusic.io/song/4874-fanfare-x-slow-version"Epic" by Ramolhttps://filmmusic.io/song/7073-epic"The Great Lydian Journey" by German Tretyakovhttps://filmmusic.io/song/9794-the-great-lydian-journey-original"Assassins, Like Clockwork" by Troyificushttps://filmmusic.io/song/9579-assassins-like-clockwork"Ether Disco" by Kevin MacLeodhttps://filmmusic.io/song/3719-ether-disco"Inspire Me" by Tim Kulighttps://filmmusic.io/song/8726-inspire-me"Mediterranean" by MusicLFileshttps://filmmusic.io/song/6128-mediterranean"Flying 3" by Frank Schroeterhttps://filmmusic.io/song/10173-flying-3"Time Travel" by Frank Schroeterhttps://filmmusic.io/song/6784-time-travel"Busman's Holiday" by Lilo Soundhttps://filmmusic.io/song/7398-busmansholiday"Rush" by Alexander Nakaradahttps://filmmusic.io/song/4820-rush"Reunited" by Kevin MacLeod https://filmmusic.io/song/4282-reunitedSupport the show

The lifeblood of any business is predictable cash flow. Join Mike Micholowicz as we talk about what makes predictable cash possible. We're going to take a dive into his updated book, Clockwork where you'll learn about why systems are so important when it comes to creating cash in your business.

Every business owner who needs to take their life back needs a business that allows them to spend less energy, resources, and money. A business that runs like clockwork gives you freedom and time to focus on your people first. That's why it's worth thinking about the steps you can take to have a business that runs like clockwork. Today's guest is Mike Michalowicz, founder of multiple multi-million dollar businesses and a best-selling author of Clockwork: Design Your Business to Run Itself. The book explains how entrepreneurs can grow their enterprises without sacrificing their sanity. In this episode, Mike talks about having a business that runs like clockwork, systems and productivity. He also talks about the role the queen bee has in your business. Listen in for game-changing concepts that may change the way you run your business.   Get the show notes for Having a Business that Runs Like Clockwork with Mike Michalowicz Click to Tweet: Listening to a fantastic episode on Growth Think Tank featuring #MikeMichalowicz with your host @GeneHammett https://bit.ly/gttMikeMichalowicz   #ABusinessthatRunsLikeClockwork #GeneHammettPodcast #GHepisode943 #ProfitFirst #Clockwork #ThePumpkinPlan #FixThisNext Give Growth Think Tank a review on iTunes!

As a special offer to My Dark Path listeners, sign up for a free Advance Readers Copy of Like Clockwork at www.mfthomas.net.Like Clockwork will be released in print and ebook form in late August 2022.