Podcasts about bp40

Legends Of S.H.I.E.L.D. Agent Fumbles, Agent Dribbles, Agent Chris, and Producer of the show Director SP discuss and review the 1992 Marvel Entertainment Group X-Men The Animated Series season five Disney+ reordered episodes S5E9 and S5E10 “Decent” and “Graduation Day.” The Agents also discuss the weekly Marvel Studio news including a new The Marvel's release date, that Superbowl 57 Guardians Of The Galaxy Vol 3 Trailer, where you can catch Marvel's Moon Girl and Devil Dinosaur premiere and how Kang became Marvel's next Supervillain and why Phase 4 sets it all up! Stick around after the outro credits for some bonus audio!   THIS TIME ON LEGENDS OF S.H.I.E.L.D.:   ·          Marvel Entertainment's X-Men The Animated Series As Shown On Disney+ o    Discuss the 1992 X-Men Animated Series season 5 §   S5E9 “Decent” §   S5E10 “Graduation Day” ·          Weekly Marvel Studio News o    The Marvels Bumps Its Release Date Back to Late 2023 o    Marvel Studios' Guardians of the Galaxy Vol. 3 | New Trailer o    Marvel's Moon Girl and Devil Dinosaur Releases Its First Episode Online for Free o    How Kang Became Marvel's Next Supervillain and Why Phase 4 Sets It All Up   X-MEN THE ANIMATED SERIES S5E9 AND S5E10 [5:48]   PREVIOUSLY ON LEGENDS OF S.H.I.E.L.D. … [5:54]   X-Men The Animated Series Season 5 Episodes 1 and 2 Premiered on “Fox Kids” ·          (Episode Order As Shown On Disney+, Premiere Dates As Shown On Fox) o    S5E9 “Descent” Saturday, September 6, 1997 o    S5E10 “Graduation Day” Saturday, September 20, 1997 MARVEL STUDIOS WEEKLY NEWS [34:35]   MCU – MARVEL STUDIOS   Marvel Studios' Guardians of the Galaxy Vol. 3 | New Trailer https://www.youtube.com/watch?v=JqcncLPi9zw Marvel Studios' Guardians of the Galaxy Vol. 3 gets an emotional new trailer. An official trailer for the third Guardians of the Galaxy film was released during Super Bowl LVII on Feb. 12 and featured new footage of the team as they prepare for "one last ride," in what will be their final entry together in the Marvel Cinematic Universe. The trailer shows Will Poulter's Adam Warlock, Rocket Raccoon's origin story -- including his girlfriend, Lylla -- Zoe Saldana's Gamora and more. Written and directed by James Gunn, Guardians of the Galaxy Vol. 3 will be the last appearance from this group of Guardians in the MCU.   Kevin Feige opens up about Phase 5, Kang, and the future of the MCU https://ew.com/movies/kevin-feige-marvel-phase-5-exclusive-interview/ Marvel Studios president Kevin Feige has revealed that fans will see Oscar Isaac's Moon Knight again in the Marvel Cinematic Universe. Feige brought up Moon Knight's MCU future during a conversation with Entertainment Weekly about the initial wave of Marvel-produced Disney+ series, which included the six-episode Moon Knight series. "The fun thing about streaming is they are there forever, and people can keep re-exploring them," Feige said. "Moon Knight, same thing. I think there's a future for that character as we move forward." Marvel Studios president Kevin Feige has provided an update on Spider-Man 4. During a chat with Entertainment Weekly, Feige was asked if there were any updates on Spider-Man 4, following the massive success of Spider-Man: No Way Home. While his response was short, he did indicate the story is already settled for Peter Parker's next adventure. Feige said, "All I will say is that we have the story. We have big ideas for that, and our writers are just putting pen to paper now." Marvel Studios President and Chief Creative Officer Kevin Feige "reveals" which character from The Marvels steals the upcoming film. Speaking with Entertainment Weekly, Feige discussed what the major takeaways were for Marvel Studios during Phase 4, which introduced several new characters to the Marvel Cinematic Universe in a variety of films and television shows. "I hope we learn something on every project," he said. "I was very pleased with everything that we did. Kamala Khan, for instance, is a great new character in the pantheon. I'm very proud of the Ms. Marvel show. I also know — and this is a spoiler — she essentially steals The Marvels, which is coming out [July 28]. It makes me excited that people will, I hope, see that movie and then go back and revisit those shows on Disney+." The Marvel Cinematic Universe reboot of Blade, starring Mahershala Ali as the famous vampire hunter, will shoot in about two and a half months, according to Marvel Studios head Kevin Feige. Feige was interviewed by Entertainment Weekly about the MCU's Phase Five, which begins with Ant-Man and the Wasp: Quantumania and ends with an all new Blade in late 2024. When asked if he had any updates on Blade, Feige didn't disclose many details but confirmed that the film is moving along smoothly. "It's going well," Feige said. "Our director Yann [Demange] is down in Atlanta right now. Cameras roll in, like, the next 10 weeks or so." Insider reports previously claimed that Blade wouldn't begin shooting until July, but Feige's projected start date of 10 weeks means the movie will begin shooting this spring. Marvel Studios President Kevin Feige recently confirmed that Harrison Ford's Thunderbolt Ross is the Marvel Cinematic Universe's new U.S. President. Feige confirmed that Ross will move into the Oval Office in Captain America: New World Order in an interview with Entertainment Weekly. "[Ross is] the President of the United States in the film," he said. "And with Harrison, you think about Air Force One, and you think about some of his confrontations with the president in Clear and Present Danger. There's a dynamic between President Ross and Sam Wilson. They have a history together, but in this film, we'll be seeing the dynamic between Captain America and the President of the United States in a way that is just incredible." Marvel Studios president Kevin Feige addressed the ever-expanding scope of the Marvel Cinematic Universe, pointing out that it was necessary to release a wide variety of films and television shows while noting that not everything would necessarily appeal to everyone. "If there's a Marvel Studios method -- like there was a Marvel method in publishing -- it's trying to do both," Feige told Entertainment Weekly when asked about balancing ongoing MCU story threads with capturing new audiences. "I've talked about this for years: If you want to dip in and out and just go to the movies on a Friday night or watch a streaming series, you can do that. And if you want to follow along, there's certainly much more to be discovered. But we don't ever want it to seem exclusive or that you need to have done your homework before watching something. Now, I've also realized that a lot of people like to do the homework. A lot of people find the fun in the homework and the continuity and the connectivity. But it is a balance of always trying to do both." Marvel Studios president Kevin Feige confirmed that Sebastian Stan's Bucky Barnes will play an essential role in the highly-anticipated Thunderbolts movie. Speaking with EW, Feige teased that Bucky Barnes will become the de facto leader of this group of complicated individuals who don't even consider themselves heroes. "What's fun about that [Thunderbolts film], and I sort of said this at D23, is that they are barely heroes," Feige said. "None of them would consider themselves heroes. When your de facto leader is Bucky Barnes, that's sort of all you need to know. That's the trickle down." According to Kevin Feige, the 'Previously On' recap could be less important for upcoming Marvel TV shows as they might experiment with more traditional episodic structures. Talking to Entertainment Weekly, Feige stated that "[w]e want to do shows that can only be shows. I want to continue to make them even more episodic, which may seem counterintuitive. But I do think there is something fun about leaning back and watching an episode that can be relatively self-contained." He pointed to watching episodes of Star Trek: The Next Generation to illustrate the pleasures of less overarching TV storytelling: "I still find it soothing to watch an episode of Next Gen with a beginning and an end. So, I think we're going to keep experimenting with that going forward." When it comes to upcoming projects in the Marvel Cinematic Universe, Marvel Studios president Kevin Feige has one, in particular, he's most looking forward to. "...We talked a little bit about Secret Wars. We talked about Kang Dynasty as related to Quantumania," Feige told Entertainment Weekly, referencing the MCU's current storylines and reflecting on future projects. "The only other one in terms of me personally and my 23-year history is the Fantastic Four. We sort of talked about mutants and that whole aspect to the Marvel world, but Fantastic Four is the foundation for everything that came after in the comics. There's certainly been versions of it [on screen], but never inhabiting the storytelling of the MCU. And that's something that is really exciting for us."   The Marvels Bumps Its Release Date Back to Late 2023 https://www.cbr.com/the-marvels-release-date-late-2023/ Marvel Studios has delayed its upcoming Phase 5 title The Marvels from summer 2023 to late 2023.   Announced alongside a brand-new teaser poster for the upcoming Marvel Cinematic Universe sequel, The Marvels is now scheduled to open in theaters on Nov. 10. This is the fifth release date for The Marvels, which was originally scheduled to open back in July 2022. However, due to the COVID-19 pandemic, the film was delayed to November 2022 and then February 2023. Marvel Studios had previously had the film set to open on July 28 for this latest delay.   No reason was given by Marvel Studios for the film's delay; however, a recent report has claimed that Marvel is looking at having more breathing room between MCU projects to prevent audience fatigue as well as allow the creative times more time in post-production. The report mentions that the Disney+ series Echo and Ironheart are no longer guaranteed to debut in 2023 because of these changes and that development on other projects -- like the rumored Nova series -- will slow down. However, the insiders did not mention if the MCU films would be affected by this decision, so it is impossible to say if that is the reason for The Marvels' delay until Marvel Studios confirms the report, which it has yet to do at the time of writing.   REPORT: Kevin Feige Is Eyeing Disney's Top Creative Position https://www.cbr.com/kevin-feige-walt-disney-studios-chairman-promotion While Marvel Studios boss Kevin Feige's presence has been ubiquitous for fans following news about the Marvel Cinematic Universe since its 2008 inception, he's reportedly vying for a higher position.   Feige, according to The Hot Mic podcast's Jeff Sneider, is looking to ascend the leadership ladder at Disney, specifically for the position of Walt Disney Studios Chairman. The position in question, currently occupied by Alan Bergman, is essentially the second-highest in the entire Disney corporate structure, just below the #1 spot of the recently reinstated CEO Bob Iger. Feige has long-coveted the position, and "wants to be the #2 at Disney," according to Sneider, who said that he has designs for "being the creative absolute head of a studio who can put his fingerprints on everything and leave maybe the business stuff to someone in the Iger-type of seat, who has to oversee parks, resorts and cruise ships." Indeed, he adds that the longtime Marvel Studios overseer "aspires to be more than the head of a label."   How Kang Became Marvel's Next Supervillain and Why Phase 4 Sets It All Up https://gizmodo.com/kang-the-conqueror-mcu-marvel-phase-5-stephen-broussard-1850094830 While Tony Stark/Iron Man started the Marvel Cinematic Universe, Marvel Studios executive Stephen Broussard recently shared disappointing news about MCU veteran Robert Downey Jr. possibly returning to the franchise. While speaking to io9, Broussard said that he thought one of Phase 4's meta-narratives centered on new characters and mantles taken up by the latest heroes. "If you look at, like, Cassie [Lang in Quantumania] getting a suit and Kate Bishop [in Hawkeye], new characters being introduced like Jack in Werewolf by Night," he explained. "After these first 10 years of Marvel storytelling, torches are being passed, like with Robert Downey Jr. no longer being [on the] table and stuff like that. So it was kind of like a new generation stepping to the forefront which, again, has always happened in the comics."     DISNEY+   Marvel's Moon Girl and Devil Dinosaur Releases Its First Episode Online for Free https://www.cbr.com/marvel-moon-girl-devil-dinosaur-episode-free/ The double-length premiere episode of Marvel's Moon Girl and Devil Dinosaur is available to stream online for free. The premiere, titled "Moon Girl Landing," was released on YouTube the same day it aired on Disney Channel. The show follows Lunella Lafayette (Diamond White), a 13-year-old super-genius living in Manhattan, whose portal experiment accidentally summons a cherry-red Tyrannosaurus rex (Fred Tatasciore). Encouraged by her new friend and manager Casey (Libe Barer), Lunella dons a costume and an arsenal of homemade gadgets to protect the Lower East Side alongside the beast as the duo Moon Girl and Devil Dinosaur. However, when the two come across a genuine supervillain in the form of the electrically-powered Aftershock (Alison Brie), Lunella fears she may not actually have what it takes to be a hero.   Disney+'s X-Men Season 2 Gets Announcement Video https://thedirect.com/article/disney-x-men-season-2-announcement-video Wolverine voice actor Cal Dodd has confirmed that he is already working on the second season of the Disney+ animated series X-Men '97, Marvel Studios' upcoming follow-up to the beloved X-Men: The Animated Series.   Per The Direct, Dodd announced that he had begun recording lines for X-Men '97 Season 2 in a now-deleted Twitter post. "Yesterday. Studio. Season 2. GREAT session!" Dodd wrote. In the accompanying video, the voice actor added, "Cal Dodd, voice of Wolverine from X-Men '97. The beginning of Season 2, I say, just the beginning. Strap your seatbelts on, bub. Later."   OUTRO AND BONUS AUDIO [51:51]   Join Legends Of S.H.I.E.L.D. next time as the Agents discuss the Marvel Studio's 2023 film: Ant-Man and The Wasp Quantumania. You can usually listen in live when we record Saturday Mornings at 10:00 AM Eastern Time at on YouTube or Twitch. Contact Info: Please see http://www.legendsofshield.com for all of our contact information or call our voicemail line at 1-844-THE-BUS1 or 844-843-2871   Legends Of S.H.I.E.L.D. Is a Proud Member Of The GonnaGeek Network (gonnageek.com).   This podcast was recorded on Saturday February 25th, 2023.   Standby for your S.H.I.E.L.D. debriefing ---   Audio and Video Production by SP Rupert of GonnaGeek.com.   YouTube Video Version: https://www.youtube.com/watch?v=Jxo63mvJ7ks   Discord Server: http://www.gonnageek.com/discord   Legends Of SHIELD Podcast Theme: "Hitman" by Kevin MacLoed https://incompetech.com/music/royalty-free/index.html?isrc=USUAN1300013   Strange New Worlds Fancast Picard Edition: https://strangenewworlds.podbean.com/e/strange-new-worlds-fancast-p3-edition-s3e1-the-next-generation/   Smoking And Drinking In Capes The Avengers Episode: https://smokinganddrinkingincapes.com/2023/02/17/episode-56-the-avengers/   Capes On The Couch Issue 168 – Kang the Conqueror: https://capesonthecouch.com/issue-168-kang-the-conqueror/   Better Podcasting #270 – Overhauling Your Podcast https://www.youtube.com/watch?v=zAPWl7nVy-k   Better Podcasting Live Chat #042 – Stephen Returns to the BP40 https://www.youtube.com/watch?v=aZzUesG7ZUA   Alexander Dahl: Podcaster And Musician (Manifest Brutality) - BPCWSP027 https://www.youtube.com/watch?v=vZGjXk3UrYE   Playcomics Podcast https://playcomics.com   Michelle on Twitter https://twitter.com/Chelle_Game   Lauren's Voice Services: http://www.lwsalinas.com Lauren on Twitter: https://twitter.com/sithwitch   SP On Mastodon: @StargatePioneer@universeodon.com

This is a (mostly) un-edited posting of our live podcasting Q&A and podcast discussion that streams on Wednesdays. Topics this week include: Stephen uses the RE320, Rode Procaster and Audio-Technica BP40 SP uses the ZDM-1 Stephen might want a new scissor arm SP concedes to the Rodecaster RMA A new StreamYard feature Twitter API changes might have an impact on podcast promo Stephen got an even bigger-screen Google changing podcast indexing Podmic vs ZDM-1 Follow-Up The back catalog of Better Podcasting: Live Chat episodes can be found at http://livechat.betterpodcasting.com. You can check out the regular episodes of Better Podcasting at http://main.betterpodcasting.com. If you want to follow us elsewhere, you can find us on Facebook at http://www.facebook.com/betterpodcasting, you can follow us on Twitter at http://www.twitter.com/betterpod or email podcast@betterpodcasting.com. The full back catalog can be found at https://www.betterpodcasting.com. Want to join in to some geeky chatter? Check out the GonnaGeek Discord Server at http://www.betterpodcasting.com/discord/ This podcast was recorded on Wednesday, February 8, 2023 - Streamed Live to Geeks.Live.  Audio/Video Production by Stephen Jondrew of GonnaGeek Productions, proudly Canadian.

Manche Dinge dauern ein bisschen länger. Das gilt — offensichtlich hin und wieder — für die Veröffentlichung neuer biophon-Folgen, wie auch für die Dinge, die in dieser Folge besprochen werden. Um aus einem Wolf einen Hund zu machen benötigt die Menschheit zum Beispiel zwischen etwa 15.000 und 135.000 Jahren, je nachdem, wen man fragt. Aber was passiert dabei eigentlich? Wie wird ein wildes Tier, welches dem Menschen nicht wirklich nahesteht zum „besten Freund“ des Menschen? Der Prozess, der dazu führt, wird Domestikation genannt und hat alle diejenigen Tiere und Pflanzen hervorgebracht, die wir heutzutage als Haustiere und Kulturpflanzen bezeichnen. Mit ihren wilden Vorfahren haben diese Arten meist nicht mehr viel zu tun. Wir schauen uns in dieser Folge einmal genauer an, was passiert, wenn Teosinte zu Mais, Wolf (oder Fuchs) zu Hund und Hund zu Dingo wird. Dabei unternehmen wir — neben den üblichen Ausflügen in die Molekularbiologie — auch einige Exkursionen in die Verhaltensbiologie und lernen sibirische Langzeitexperimente kennen und diskutieren, was historische Päpste mit Kaninchenföten zu tun haben, oder aber auch nicht.QuellenNatanaelsson, Christian, et al. (2006). „Dog Y chromosomal DNA sequence: identification, sequencing and SNP discovery." BMC genetics. https://doi.org/10.1186/1471-2156-7-45 Parker, Heidi G., et al. (2004). „Genetic structure of the purebred domestic dog." Science. https://doi.org/10.1126/science.1097406Pang, Jun-Feng, et al. (2009). „mtDNA data indicate a single origin for dogs south of Yangtze River, less than 16,300 years ago, from numerous wolves." Molecular biology and evolution. https://doi.org/10.1093/molbev/msp195Savolainen, Peter, et al. (2002). „Genetic evidence for an East Asian origin of domestic dogs." Science. https://doi.org/10.1126/science.1073906Druzhkova, Anna S., et al. (2013). „Ancient DNA analysis affirms the canid from Altai as a primitive dog." PloS one. https://doi.org/10.1371/journal.pone.0057754Irving-Pease, Evan K., et al. (2018). „Rabbits and the specious origins of domestication." Trends in ecology & evolution. https://doi.org/10.1016/j.tree.2017.12.009https://www.spiegel.de/wissenschaft/natur/domestizierung-forscher-zuechten-zahme-fuechse-a-1209235.htmlField, Matt A., et al. (2022). „The Australian dingo is an early offshoot of modern breed dogs." Science Advances. https://doi.org/10.1126/sciadv.abm5944Support the show--------------Wer uns unterstützen möchte (Danke!), hat hier die Möglichkeit dazu: support.biophonpodcast.de

You're listening to Danny, on WHAT : DE HEK podcast. This is the place where I share my experience, knowledge and skills.[00:00:25] Hello, I'm Danny de Hek. And this is WHAT : DE HEK podcast. I'm facilitating my own meeting today and this is what I call one of my personal rant podcasts. Now, I don't know if you subscribe to my channel, but you may have noticed I haven't actually done any podcasts in for quite some time. I discovered an app called clubhouse and I learned so much about podcasting.[00:00:25] I had to upgrade my gear and go through a whole learning process once again. And I want to share the journey of becoming a podcaster with you. So if you were like me, you probably have a laptop and you're probably thinking I could become a podcaster. I can just get a microphone and start recording. Wow.[00:00:45] Have I got news for you? Now my journey started by listening to other podcasts and finding the right gear. So today what I'd like to do is just run through some of the gear that I've had, um, that I recommend that I have found good for me. First thing you would probably need, if you were getting into podcasting is maybe a microphone.[00:01:11] Now what I'm going to do, I'm just going to flip into a web browser and I'm going to show you the microphones that I use. This is what you call an auto auto microphone, which is a BP40. Now I stumbled across these microphones because originally when I was getting into podcasts, I was trying to record a group of 15 people in a room.[00:01:36] And I got a blue Yeti mic. If you ever have one of those and this you're a musician, well, you've got yourself set up in a perfectly sound balanced room. Do not use a blue Yeti mic, just my opinion. Fall on your feet and get yourself a dynamic microphone, diabetes. I actually got two of these microphones and I'll just get my head out of it.[00:01:55] Uh, and I had them in a room that was shaped like a horseshoe and I put two, these one each end of the room and it did capture the sound pretty good. However, it probably, um, wasn't even the right title of area was space to be able to record a podcast COVID Cape. And I cut it all my gear back home. And at the time I was using an app.[00:02:21] Six by zoom, which is a recording device, and that was adequate for myself. But when I started wanting to record other people who were online, like, um, recording things over zoom or river, Riverside.fm, or, um, Zencastr, or, uh, stream labs or stream yard at the camera, a whole different complicated stuff.[00:02:46] Sorry. First of all, what I did is I went out and got myself a RØDECaster Pro, and I'm just going to get the ball. Ooh, the box. Okay. Yeah, I wrote RØDECasters are absolutely awesome. Now the theory, first, one of these I've got, we'll just put it back on the floor. I got up home from the shop and I put it on the counter and it was buckled and every time I pushed the button.See Full TXT Script at https://www.dehek.com/general/podcast/podcasting-equipment-and-software-for-the-beginner-podcaster/Who is DANNY : DE HEK? – In short I'm a connector, podcaster, blogger a person of influence, I'm that guy who knows everybody and I've put together my website to show what I'm passionate about. I'm a firm believer of omnipresence!I'm on @buymeacoffee. If you like my work, you can buy me a coffee and share your thoughts

En este episodio te cuento cómo uso las áreas que propone Things, los proyectos, cuál es el uso que le doy a las etiquetas, cómo manejo mis siguientes acciones, el uso que le doy a las distintas vistas que te ofrece la aplicación y, en definitiva, mi flujo de trabajo diario que hace que Things sea la comuna vertebral de mi sistema productivo.

Do you want to start a podcast and don’t know where to begin?I’m an active Podcaster and I asked the very same question when I wanted to start. I’ve been in the Internet marketing space since 1995. Setting up a Podcast is one of the most easiest things I have done.First thing I would do would be to buy a high-quality recording device. The one I got was a bit of an overkill, but still very affordable. My recommendation is the ‘ZOOM H6 Handy Recorder‘ they range from NZ$500-$700 as it all depends on where you shop, make sure you get a genuine one from one of their approved suppliers.Six interchangeable input capsules make the ZOOM H6 the ultimate recorder for film, video, podcast and music. Its advanced preamps make it the best-sounding one, too. Unmatched abilities. Award-winning quality.You may not need any additional microphones with the ZOOM H6, however if you do an ideal studio microphone would be the Audio-Technica BP40 broadcast vocal microphone offers a rich, natural, condenser-like sound from a large-diaphragm dynamic design. I also use the Blue Yeti Pro USB Microphone because I wanted a mike where I can record multiple people in a room at the same time, the Yeti Pro provides three custom condenser capsules with four distinct recording patterns and you need that to record multiple people.Not a necessity, however it’s good to have some audio editing software, As I like to bookend my podcast with an intro and outro. I have been using Camtasia you can use it to get the best sound out of your recordings.Next, you need a podcast hosting service. I joined a Podcasting Facebook group that had over 26,000 members, and I asked the person who ran the group what one he would recommend, and he gave me a link to Buzzsprout.The real exciting thing for me was that I wanted my podcast to appear in Apple Podcasts, Spotify, Google Podcasts, and more. Buzzsprout provides this service and you can start free and you can upgrade at anytime as your podcast grows. Basically you pay as your podcast hours increase.BuzzsproutThe best way to launch a professional podcast.Today is a great day to start your own podcast. Whether you’re looking for a new marketing channel, have a message you want to share with the world, or just think it would be fun to have your own talk show… podcasting is an easy, inexpensive, and fun way to expand your reach online.Buzzsprout is hands down the easiest and best way to launch, promote, and track your podcast. Your show can be online and listed in all the major podcast directories (like Apple Podcasts, Spotify, Google Podcasts, and more) within minutes of finishing your recording.Podcasting isn’t hard when you have the right partners, and the team at Buzzsprout is passionate about helping you succeed. Join over a hundred thousand podcasters already using Buzzsprout to get their message out to the world.You’ll get a great looking podcast website, audio players that you can drop into other websites, detailed analytics to see how people are listening, tools to promote your episodes, and more.Podcasting isn’t hard when you have the right partners.

En NotiPod Hoy Los Obama tienen una división de producción de audio y se unen a Spotify para producirles podcasts. La Asociación Podcast de España ha informado sobre la suspensión de las Jornadas de Podcasting de este año. La compañía de audio RME ha presentado un paquete para producir podcasts de alta calidad el cual incluye la interfaz Babyface Pro, el software TotalMix FX y el micrófono condensador BP40 de Audio-Technica y un curso de grabación y edición de audio. Convoca.pe lanza la nueva aplicación ‘Convoca Podcast’ con más de 80 podcasts sobre conflictos sociales, casos de corrupción, derechos humanos, temas ambientales, entre otros. Desde el portal inglés Standard analizan el trabajo de Michael Bárbaro en el podcasting y cómo es el cambiante mundo del periodismo. ¿Se puede usar un RØDE SC6-L con un micrófono XLR? Allan Tépper explica cómo combinar estas dos herramientas para sacarle provecho al momento de grabar un audio. En el portal Podiant podrás encontrar la lista detallada de las nuevas categorías agregadas por Apple, así como las que han sido eliminadas y las que han cambiado de nombre. Spotify ha puesto en marcha nuevamente su programa acelerador Sound Up de cinco días creado para educar y apoyar a las mujeres de color en el desarrollo de nuevos podcasts. Magellan analiza los anunciantes de podcasts más frecuentes durante el primer trimestre de 2019 y descubre que Procter & Gamble anunció 15 de sus marcas en podcasts pertenecientes a categorías como Sociedad y Cultura, Comedia, y Noticias y Política. Podcast recomendado: Embarcados Digital. Es un podcast de la Marina de Guerra del Perú en el que podrás enterarte sobre todo el acontecer naval, escuchar entrevistas a personal destacado y conocer sobre historia, noticias y otros temas de interés. Más detalles y otros episodios y contenidos sobre Podcasting en ViaPodcast.FM

I recap my experience at NAB last week, including our Mic Test Drive Booth and lots more including: BIG thanks to my booth brothers: Michael Helms, Josh Wade, and Landen Hardy! Our 10 mics, Mackie 1642VLZ4, MixPre-6 borrowed from Sound Devices, and a BP40 borrowed from Steve Savanyu at Audio-Technica. Sennheiser’s upcoming wireless clip on mic, and the Neumann U67 at their booth! My birthday gift - a Neewer mini microphone! Watch Bandrew Scott's video on this mic here. The Venue was HUGE - Las Vegas Convention Center. Booth traffic was OK. And I was interviewed twice - one audio and one video. I also mentioned my drive out there - TO Vegas via New Mexico and Arizona, FROM Vegas via Utah and Colorado. And it was great to hang out with: Rob Walch - Libsyn Todd Cochrane, Mike Dell, MacKenzie - Blubrry Jennifer Crawford and Vernon Ross - Podbean Rob Greenlee - Voxnest Eric Larsen - Tascam Sean and Ira - Samson Podfest guys - Chris Krimitsos, John Dennis Podcast Movement guys - Jared Easley, Dan Franks Allan Tepper Emma Victoria Austin Dillman - REV Angela Copeland Other stuff: Skype Has a Big Announcement for Content Creators: Skype was proud to announce the new Skype for Content Creators, which looks to be what podcasters have been asking for, for years. The new feature is available in preview form now (at NAB) and should be widely available in the summer for both Mac and Windows 10 users. Skype for Content Creators records calls directly through NDI-capable software like Wirecast, Xsplit, and Vmix. The feature provides "clean" copies of all call participants that you can quickly drop into audio and video production apps, so you can focus more on the content and publishing of your show, and less on double-checking everyone's recordings. I detail how I mixed an episode using the wrong Sonarworks profile, and then had to correct it. Because I had already done many edits, it wasn’t an option to go back to the mix and adjust the individual tracks. Lastly: Congrats to the current students enrolled in PES! Next semester starts June 26th and super-early-bird pricing still available. DID YOU KNOW........We exist for the purpose of helping you, so please comment below with any questions or remarks. Thanks for listening! Want to Start a Business or Have a Career as a Podcast Producer/Engineer? Listen and Subscribe in Apple Podcasts, Google Play, iHeart Radio, Stitcher, TuneIn Radio, Android, RSS

Today I want to share what I do to put together an episode.  My example will be the the latest episode of the Logical Weight Loss Podcast. I also do a podcast microphone shootout with microphones in the $300 range (last week we did a shootout with microphones that are under $100) This Week's Sponsor: Emerald City Productions This week's show is sponsored by Emerald City Productions. Get your podcast edited and sounding great with this awesome special. Your first four episodes will be $15 each (after that they go to the regular price of $40). Check them out at www.emeraldcitypro.com/sop Because of My Podcast I Got A New Job: Super Joe Pardo Joe Pardo is the man behind the Dreamers Podcast, and also the organizer of Podcast MidAtlantic. Today Joe shares how his podcast got him invited to an event. At that event he got to meet some influencial people. Those people got to know Joe, and through his podcast they knew what his credentials were, and offered him a job. Find Joe at SuperJoePardo.com Being the Scenes Of Making a Podcast Episode So I had someone who was surprised at the amount of work that might go into a podcast. So this week as I prepared to publish an episode of the Logical Weight Loss Podcast, I took notes. There is one key point here. Length of time spent on and episode does NOT equal more downloads. You can spend all day working on content that doesn't connect with you audience. So here is what I did. First based on the ideas in the book [easyazon_link identifier="0849921902" locale="US" tag="sop2-20"]Secrets of Dynamic Communications: Prepare with Focus, Deliver with Clarity, Speak with Power[/easyazon_link] I came up with my main idea. Which is, "Based on mainstream media, it is easy to feel out of place if you are alone for the holidays. This along with the numerous activities of the holidays can lead to stress, and stress can lead to emotional eating."  That is where I started. Here is a little confession. Last year I was "Alone" for the holidays. It turned out it wasn't that bad. Different? Sure. Bad? Nope. I wanted to help anyone who might be feeling down for the holidays. So I set out for strategies and insights for those who are alone on the holidays. I started with Google. I looked through about 10 articles, and ended up reading five. I pulled from my own experiences. I looked into resources for people who really were in a bad place and then made sure they were legit. I then went down a rabbit hole, when I found iPrevail. A pretty cool website that offers live chat for those who need to talk, and for those who want to go deeper, the offer some online courses. Intrigued, I signed up and took one. Note: This wasn't needed to complete the episode, but I always go with the thought "If it interests me, it probably interests my audience." I then looked at the holidays, and tried to find things that might be entertaining. I injected some humor to stop the episode from being so dark. I found examples I thought people could relate to (overly gushy Jewelry commercials), decorating a Christmas Tree, and weird family members. All of these to point out that the holidays are not a world of splendor filled with Rainbows and Lollipops. I took some time to figure out what topics I wanted to hit first. In other words,  I tried to take the smattering of ideas and organize them into a stream of ideas that flowed nicely. I also through in a quick segment on an egg cooker I recently purchased. Finally I recorded it. My show notes were pretty done as I now make my show notes first to organize my thoughts. I recorded directly into my [easyazon_link identifier="B00KCXMBES" locale="US" tag="sop2-20"]Zoom H5 Four-Track Portable Recorder[/easyazon_link] , and then took that recording and put it into Hindenburg Journalist ,and added the intro and outro music along with some transition music. If you need music check out podcastingresources.com. I uploaded the file to Libsyn.com and copied and pasted the file into my Wordpress (as this is an old site, I'm still using the PowerPress plugin, if this was a new show I would use the Libsyn plugin). Use the coupon sopfree when signing up at Libsyn.com to get a free month (in addition to the current month) . Podcast Microphone Shootout $300 Range All prices are based on Amazon. Audio Techncia BP40 (Full Loaded $547) Microphone #1 Was [easyazon_link identifier="B00VXSVF6G" locale="US" tag="sop2-20"]Audio Technica BP40 Large-Diaphragm Dynamic Broadcast Microphone[/easyazon_link] is $349. The [easyazon_link identifier="B011VJOU8Q" locale="US" tag="sop2-20"]Audio-Technica AT8484 Shockmount for BP40[/easyazon_link] is an additional $99. I would recommend the Rode PSA1 Arm ($99) Heil PR40 ( Fully Loaded $495) Microphone #2 Was the [easyazon_link identifier="B000SOYOTQ" locale="US" tag="sop2-20"]Heil PR-40 Dynamic Studio Recording Microphone[/easyazon_link]. There is a nice bundle with a boom arm and shock mount [easyazon_link identifier="B00T6JBAUA" locale="US" tag="sop2-20"]Heil Sound PR 40 Dynamic Cardioid Studio Microphone Bundle with PRSM Shock Mount, PL2T Overhead Studio and Broadcast Boom Mount and Microphone Cable[/easyazon_link] for $479. You would still need a pop filter or Wind Screen I had set the volume the same for all microphones and found them all were about the same. You might want to pick up a Fet head to boost the signal of the PR40 Electrovoice RE320 ( fully Loaded $507) Microphone #3 is the [easyazon_link identifier="B00KCN83VI" locale="US" tag="sop2-20"]EV RE320 Variable-D Dynamic Vocal and Instrument Microphone[/easyazon_link] which costs $294. The [easyazon_link identifier="B003BQ2DKK" locale="US" tag="sop2-20"]Electro-Voice 309A Suspension Shockmount (for RE20 or RE27ND)[/easyazon_link] is $99. Here again you need a pop filter, or a Windscreen and a  Rode PSA1 boom arm. Why Did We Hear Microphone #3 Twice? (the RE320) because it has a bass roll off switch, and for me (my opinion) I thought that was the best of the tree. The first two (to my ear) sounded almost identical. I love the shock mount for the BP40 (it is specially made fpr the microphone and makes getting the mic in and out super easy. According to my kitchen food scale, the RE320 was the heaviest at 1.7 lbs, the BP40 was 1.66 lbs, and the PR40 was only 13.7 oz. Here again, there is no bad choice. I use the Eletrovoice RE320, and none of the other microphones moved me to lose this mic. In the end the difference between the three was minimal in my non "audio snob" ears. How Podcasting Helped My First TV Appearance I was interviewed on the Golden Opportunities show this week (it will air at 11:30 AM EST on Channel 3 in Cleveland on December 11). Here was the process: The goal was to explain podcasting to people over 55. I had a phone call with the show runner and we talked for 10 minutes. From that the show runner picked the parts that she liked, and explained the answers that I provided that fit their audience. I didn't have to memorize the answers (but I more or less did). The segment would be four questions. I practiced the night before, and I practiced the morning before. On the way up to Cleveland, I kept botching at least one answer. I wasn't blowing it, but it wasn't smooth. I came up with words that would trigger a response that would help me remember the answers. I had a feeling I might "mess up" a little bit. In the end I did slightly have a flub, but because of podcasting I caught it, clarified and continue. I didn't freak out. All those "Ask the Podcast Coach" live sessions on Saturday helped me keep my cool. Podcast Glossary "F" Feed A feed is a file that contains all the details of a podcast. The feed is often generated by your media host, or plugin, and is read by apps that then use that details to show the details on a screen (computer, phone, or tablet). FeedburnerFeed burner is tool from Google that can take an RSS feed and add additional items to the feed. You also get stats on how many people are subscribed. Feedburner is deemed by many experts to be out of date and a prime cause for many trouble tickets for podcasting hosting providers (it often stops updating your feed and has been shown to scramble the show description and the episode descriptions). While it was once recommended in 2006, most podcast consultants tell their customers to steer clear of this now outdated tool. FetHead Fethead is a microphone amplifier that delivers 22 DB of clean gain to your microphone. So if you are using a microphone that needs a “push” to be louder, then you might try plugging your microphone into the Fethead. FTP FTP stands for file transfer protocol. In a nutshell, there are two ways to upload files. Http stands for hypertext transfer protocol. Of those two ftp is faster. It requires a separate program to upload files.   Start Podcasting Today Go to www.schoolofpodcasting.com/start 30 Day Guarantee Step by Step Tutorials Priority Email Support Private Facebook Group Live Group Coaching Calls Go to www.schoolofpodcasting.com/start

Spreaker Live Show #58 for May 18th, 2016Our Topic This Week: We dive into and discuss all the major Podcast Listening Apps and platforms. This is another new "Spreaker How-To" episode with co-host Alex Exum @AlexExum and he is based in LA and hosts "The Exum Experience" and the "Spreaker Studio Review" show. Show Duration: 44 minutesHost: Rob Greenlee, Head of Content, Spreaker @robgreenlee - rob(at)spreaker(dotcom)Co-Host: Alex Exum, Spreaker Host of "The Exum Experience" and the "Spreaker Studio Review" shows at @AlexExumSpreaker Blog Posts at http://Blog.Spreaker.com:- How to schedule an episode on Spreaker Studio for Desktop- Interview: Daniel J. Lewis, Speaker at the Podcast Movement- Towards Podcast Movement!- How to Create Your Perfect Podcast Intro- Spreaker is sponsoring New Media Europe! London June 18-19thIn our comment and question segment: Tamara Ford wrote:I think Google is sort of copying Spotify. They've also recently added a Podcast section to their service. SLS55: Google Play Podcast Launch, Mobile Recording:American Liberty Radio wrote:Thank you, Rob. I appreciate all the information and I'm looking to upgrade some of my equipment. This was a great show and it helped. - SLS57: All About Microphones and How-To Use Them:From Allan Tépper - Director, TecnoTur LLC and CapicúaF, Contributor, ProVideo Coalition magazineRob - I hope everything is well. I heard your Microphone episode today and would like to add some comments and additional relevant data to the valuable information you already presented.Everything you said about dynamic versus condenser microphones is absolutely true. However, each time you apparently were trying to say the word “cardioid”, it sounded to me as if you were saying the word “cardio”. They are similar words and both are connected with the English word “heart”. With physical exercise, we talk about cardio (as in cardiovascular) and with microphones, we talk about cardioid. I must further clarify that cardioid (with microphones) is a type of a heart-shaped pickup pattern which is somewhat directional. Cardioid patterns exist with both condenser and dynamic microphones. In fact, each dynamic microphone you mentioned on the show today has a cardioid pattern, including the ATR2100 and the SM7B. The AT2005USB (which is the black version of the ATR2100, and I currently own a couple of AT2005USB) also has a cardioid pattern. The main microphone I currently use in my studio is a BP40 (also dynamic and from Audio-Technica, which I reviewed here) has a supercardioid pattern, which means that it rejects sounds from the sides even more than a typical cardioid pattern, but also means that the person speaking into it must be that more careful to be on-mic as opposed to off-mic. I like the sound of both the BP40 and the SM7B. Both the BP40 that I use and the SM7B that you use are black in color, which I happen to like. Detailed Show Notes:Let’s Dive into “Podcast Distribution Listening Apps”, below is a blend of hosting and listening platforms Major Listening Platforms You Need to Submit Your Show RSS Feed To:- Apple - iTunesConnect.Apple.com - Submit for Apple Podcasts/iTunes - 250K - Google Play Music Podcasts - Google account + https://play.google.com/music/podcasts/publish- Stitcher/Deezer - Submission Form - http://www.stitcher.com/content-providers- TuneIn - Email Submission to Web http://help.tunein.com/customer/portal/emails/new?ticket[labels_new]=podcast&t=641867- Most Smaller Podcast Listening Mobile Apps on iOS and Android pull catalog from iTunes podcast catalog API (scrapes)- Blubrry.com Large Podcast Agreggator - Search to check the catalog - 200K- Overcast iOS listening app - To add a podcast to the directory search, add its URL manually to an Overcast account. If it’s also in iTunes, it will show up within a day. - Spreaker Podcast Radio Apps on iOS/Android/WebLarge Redistribution Platforms: - SoundCloud - Hosts, but has 175M users- iHeartRadio - Get in through Spreaker Pro plan- Google Play Music Podcasts - Cache episodes/RSS feed- Spreaker Listening Apps - iOS/Android - Pass-Through/Cache episodes/RSS feeds- Spotify is slowly adding podcasts - Cache episodes/hostingDistribution Destinations for SLS:Spreaker, Website 19.8%iPhone16%Others14.7%Spreaker, Android 12.8%iTunes10%Spreaker, iPhone 6.1%iPad 5.4%Overcast 5.3%Android 2.6%Pocket Casts 1.8%Spreaker, iPad1.6%adore.fm 1.1%Windows Media Player 0.8%twitter.com 0.6%Spreaker, iPod Touch 0.3%iHeartRadio 0.3%iPod touch 0.2%Zune 0.2%Radioline 0.2%poddvr.com 0.2%Stitcher 0.1% Spreaker Links:http://Adore.fmhttp://blog.spreaker.comhttp://SpreakerLiveShow.comhttps://Spreaker.comSend Questions and Comments to:Twitter: http://twitter.com/spreaker using #SpreakerLiveTwitter: http://twitter.com/robgreenleeTwitter: http://twitter.com/alexeum Tech Support: support at spreaker.com

Spreaker Live Show #58 for May 18th, 2016Our Topic This Week: We dive into and discuss all the major Podcast Listening Apps and platforms. This is another new "Spreaker How-To" episode with co-host Alex Exum @AlexExum and he is based in LA and hosts "The Exum Experience" and the "Spreaker Studio Review" show. Show Duration: 44 minutesHost: Rob Greenlee, Head of Content, Spreaker @robgreenlee - rob(at)spreaker(dotcom)Co-Host: Alex Exum, Spreaker Host of "The Exum Experience" and the "Spreaker Studio Review" shows at @AlexExumSpreaker Blog Posts at http://Blog.Spreaker.com:- How to schedule an episode on Spreaker Studio for Desktop- Interview: Daniel J. Lewis, Speaker at the Podcast Movement- Towards Podcast Movement!- How to Create Your Perfect Podcast Intro- Spreaker is sponsoring New Media Europe! London June 18-19thIn our comment and question segment: Tamara Ford wrote:I think Google is sort of copying Spotify. They've also recently added a Podcast section to their service. SLS55: Google Play Podcast Launch, Mobile Recording:American Liberty Radio wrote:Thank you, Rob. I appreciate all the information and I'm looking to upgrade some of my equipment. This was a great show and it helped. - SLS57: All About Microphones and How-To Use Them:From Allan Tépper - Director, TecnoTur LLC and CapicúaF, Contributor, ProVideo Coalition magazineRob - I hope everything is well. I heard your Microphone episode today and would like to add some comments and additional relevant data to the valuable information you already presented.Everything you said about dynamic versus condenser microphones is absolutely true. However, each time you apparently were trying to say the word “cardioid”, it sounded to me as if you were saying the word “cardio”. They are similar words and both are connected with the English word “heart”. With physical exercise, we talk about cardio (as in cardiovascular) and with microphones, we talk about cardioid. I must further clarify that cardioid (with microphones) is a type of a heart-shaped pickup pattern which is somewhat directional. Cardioid patterns exist with both condenser and dynamic microphones. In fact, each dynamic microphone you mentioned on the show today has a cardioid pattern, including the ATR2100 and the SM7B. The AT2005USB (which is the black version of the ATR2100, and I currently own a couple of AT2005USB) also has a cardioid pattern. The main microphone I currently use in my studio is a BP40 (also dynamic and from Audio-Technica, which I reviewed here) has a supercardioid pattern, which means that it rejects sounds from the sides even more than a typical cardioid pattern, but also means that the person speaking into it must be that more careful to be on-mic as opposed to off-mic. I like the sound of both the BP40 and the SM7B. Both the BP40 that I use and the SM7B that you use are black in color, which I happen to like. Detailed Show Notes:Let’s Dive into “Podcast Distribution Listening Apps”, below is a blend of hosting and listening platforms Major Listening Platforms You Need to Submit Your Show RSS Feed To:- Apple - iTunesConnect.Apple.com - Submit for Apple Podcasts/iTunes - 250K - Google Play Music Podcasts - Google account + https://play.google.com/music/podcasts/publish- Stitcher/Deezer - Submission Form - http://www.stitcher.com/content-providers- TuneIn - Email Submission to Web http://help.tunein.com/customer/portal/emails/new?ticket[labels_new]=podcast&t=641867- Most Smaller Podcast Listening Mobile Apps on iOS and Android pull catalog from iTunes podcast catalog API (scrapes)- Blubrry.com Large Podcast Agreggator - Search to check the catalog - 200K- Overcast iOS listening app - To add a podcast to the directory search, add its URL manually to an Overcast account. If it’s also in iTunes, it will show up within a day. - Spreaker Podcast Radio Apps on iOS/Android/WebLarge Redistribution Platforms: - SoundCloud - Hosts, but has 175M users- iHeartRadio - Get in through Spreaker Pro plan- Google Play Music Podcasts - Cache episodes/RSS feed- Spreaker Listening Apps - iOS/Android - Pass-Through/Cache episodes/RSS feeds- Spotify is slowly adding podcasts - Cache episodes/hostingDistribution Destinations for SLS:Spreaker, Website 19.8%iPhone16%Others14.7%Spreaker, Android 12.8%iTunes10%Spreaker, iPhone 6.1%iPad 5.4%Overcast 5.3%Android 2.6%Pocket Casts 1.8%Spreaker, iPad1.6%adore.fm 1.1%Windows Media Player 0.8%twitter.com 0.6%Spreaker, iPod Touch 0.3%iHeartRadio 0.3%iPod touch 0.2%Zune 0.2%Radioline 0.2%poddvr.com 0.2%Stitcher 0.1% Spreaker Links:http://Adore.fmhttp://blog.spreaker.comhttp://SpreakerLiveShow.comhttps://Spreaker.comSend Questions and Comments to:Twitter: http://twitter.com/spreaker using #SpreakerLiveTwitter: http://twitter.com/robgreenleeTwitter: http://twitter.com/alexeum Tech Support: support at spreaker.com

Episode 40 of Bonus Points features Haley Augello, 2016 U.S.Olympic Team member at 48 kg/105.5 lbs. in women's freestylewrestlingAugello won the 2016 U.S. Olympic Team Trials held in Iowa City,Iowa on April 10 with wins over Candace Workman, Erin Golston,Alyssa Lampe and Victoria Anthony. The 48 kg weight class was notqualified for the U.S. to compete at the Olympic Games at the timeof Augello's victory in Iowa City.In order to qualify for the Olympic Games Augello needed to placein the top two at the 1st World Olympic Games Qualifier held inUlaanbaatar, Mongolia on April 23. She posted a 3-1 record inMongolia to finish in second place and accomplish her qualifyinggoal.Augello is currently a two-time WCWA national champion for KingUniversity with two years of eligibilty remaining. She was a 2011Cadet World champion and a two-time Junior World Team member.Topics of discussion include electing to compete at 48 kg, thejourney to an Olympic berth, her life journey on and off thewrestling mat and much more.Follow USA Wrestling Bonus Points Ep. 40 guest Haley Augello onTwitter at @hayaugello and follow show host Richard Immelat @Richard_Immel.Listen to previous episodes of the show on the USA Wrestling Bonus Points Archives or bysubscribing on your favorite podcast listening application.

Hi Listeners! We are thrilled to have co-host Dave back in the studio! He has returned from China and is back in the studio to make us all happy. In the first segment, Ryan and Dave talk about music distribution options for artists and Ryan is thankful for his dear friend Josh's contribution of a brand new BP40 microphone from AudioTechnica. Thanks Josh, you are the best! In the second segment, CD Baby's Director of Marketing Kevin Breuner stops by. He gives great insight into major label life through his experience as a member of the Grammy nominated band Smalltown Poets. He also gives useful advice on how artists can promote themselves. Be sure to check out Kevin's DIY Musician Podcast. It is great! In the final segment, Ryan and Dave debut a new segment, "Dave's Metal Minute," hosted by Metal Dave. Metal Dave is the greatest (Yeeaaaaah!!!). After the Minute Minute, R & D play a very high-stakes game with the Grammys coming up next week. They randomly pick Grammy winners. Whoever picks the fewest winners has to write an ode to the other host that they read on the air. Follow @ryankair and Dave @dkaye1027. E-mail show questions and propose show topics to breakthebusiness@gmail.com and rate/review/subscribe to us on iTunes and SoundCloud. The book “Break the Business: Declaring your Independence and Achieving True Success in the Music Industry” is now available on Amazon for Kindle and paperback. Check it out!

Podcasting News: Midroll Purchased by Scripps - Another shot of legitimacy for podcasting? Ask the Double Rainbow Guy The article mentions CPM (the amount you make per 1000 downloads) of $100. This seems unrealistic to what I typically hear ($15 - $30 CPM). Honda's 2016 Accord will have the ability to have Apple Car Play, and Android Auto. Full Story Podcast Rewind: I recently was asked back on the Coachzing Show  talking why podcasting is here to stay. I did a webinar with Steve Stewart on Podcast Workflow for his Audacity Workshop its only available for a limited time I started listening to the Tim Ferriss show, and the one thing that he us just AWESOME at is follow up questions. When he interviewed Rick Rubin he asked how Rick got into the 99 Problems video by Jay Z. At the end of the answer Rick says, "He is one of my favorite people." To this Tim instantly asks, "Why do you say that?". Later when he interviews Glenn Beck he asks about Glenn's dilema of having to hire a large amount of people to build his Blaze network. Glen explains who he hired first. He said he knew within the first three minutes of their initial meeting that this woman was going to be hired. To this Tim instantly asked, "What did she say to make such an impression on you." It's an interesting show, and he has interviewed so many big names, that you can "cherry pick" episodes of just those people you like. Podcast Microphone Shoot Out Audio Technica 2020 (condensor XLR/USB $99) Audio Technica 2100 (Dynamic XLR/USB $59) Audio Technica BP40 (Dynamic XLR $349) Electrovoice RE320 (Dynamic XLR $299). You will hear that all these microphones sound great. I recommend podcasters NOT use a condensor microphone (2020). In listening to the 2005 vs the BP40. The 2100 seemed to carry more bass (odd as they have the same bass frequency). There is a low cut switch on the BP40 if you want to cut frequencies below 100 (these are so low, these are almost frequencies you feel more than hear). The one thing that hit me right out of the gate is this microphone can double as a weapon. Its super solid, looks good, and just seem heavy duty. I really liked the AT8484 shock mount that is designed to be used with the microphone. It has a super slick lock that allows you to slide it in and out with ease (not that most of us will be switching microphones, but it is cool). As the shock mount is designed for the unit, it holds it well. I have a "off the shelf" shock mount for the RE320 and it seems a little strained to hold it (so here again sticking with factory stuff, even though slightly more expensive might be the way to go). Test One: Gain How much gain is coming out of the microphone? All of the microphones seemed to need the same amount of gain. It seemed like the BP40 did provide a little more (and needed less gain). Test Two: Tone The ATR2100 (for me) had the most pleasing tone. Plenty of low and high end. The RE320 was the clearest, and the BP40 had a smooth sound (but didn't have the hi end of the RE20) What is my first impression? I love the look of the BP40. It's super rugged. It's super solid. I LOVE the shock mount that is an accessory as it is SUPER EASY to snap the microphone in and out. Test Three: How much room noise does it pick up? I put a fan on in the background and turned the radio on lightly. None of the microphones (accept the 2020) would pick up a noticeable amount of room noise. Can you hear it? Yes, but only if you are in a quiet room listening through headphones. Of the 2100, the bp40, and the RE320, it seemed the BP40 seemed to pick up the most room noise (but again, the amount of noise was something you would really have to strain to hear). For me, for the money and the flexibility I still like the Audio Technica 2100. Now, the ATR2100 is not as durable as the BP40 or the RE320. These are microphones designed to be in a broadcast booth. They (the BP40 and the RE320) definitely have different tones (the RE320 is more clear). Keep mind you want your voice to not be abrasive or distracting. So having too much high end, or too much low end can ruin your tone.  The more I use the BP40, it's really growing on me especially when I run it through my DBX 286 microphone preamp. Bottom Line: I couldn't really pick one that was miles above the others. I liked all the microphones, and when run through a mixer where you can boost and cut the EQ I was able to pull out any tone I wanted. None of them had any major proximity effect issues.  I like the look for the BP40 more then the RE320. As always tone is a very subjective, and in the end it depends on how the microphone works with your voice. Which one did you like? Ready to Podcast check out www.theschoolofpodcasting.com

Audio-Technica makes two great entry-level microphones for starting podcasters: the ATR2100-USB and the AT2005USB. Now, they're entering the higher end range with the BP40 broadcast dynamic microphone.