Podcast appearances and mentions of Charles Gounod

In deze week van Kalm met Klassiek is het tijd om ons weer eens heerlijk in de natuur te begeven, en ons te laten inspireren door: de vogels! De vaste luisteraar van deze podcast heeft dit thema al vaker voorbij horen komen, en dat is niet voor niets, want er is ontzettend veel mooie, ontspannende muziek geschreven rondom die vrolijke fladderaars met hun gouden keeltjes. We beginnen de week met de zangvogel der zangvogels: de nachtegaal, ofwel "le rossignol" in het Frans. Luister naar het lied 'Au rossignol' van componist Charles Gounod. Wil je meer Kalm met Klassiek? Ga naar npoklassiek.nl/kalmmetklassiek (https://www.npoklassiek.nl/thema/kalm-met-klassiek). Alle muziek uit de podcast vind je terug in de bijbehorende speellijst (https://open.spotify.com/playlist/6YgSfm1Sux7CroiJvzeUdx?si=be36463468d84e37). 

Sie hat dem Stück seinen Namen gegeben und tritt kein einziges Mal auf: das Mädchen aus Arles – L'Arlesienne. Kein Wunder, dass die männliche Hauptfigur im Liebeskummer ertrinkt. Georges Bizet steuert den Soundtrack für dieses Schauspiel bei. An seinen Durchbruch glaubt niemand ... Von Michael Lohse.

Marie-Madeleine, Suzanne, Jeanne, Marie mère de Jacques… Qui sont-elles ? Que font-elles ? Pourquoi sont-elles si importantes tout au long de la vie de Jésus ? Que raconte l'évangile de Luc à leur sujet ?Réponse avec Patrick Juvet, Julie Pietri, Ginette Garçin, Charles Gounod, Franz Liszt et Dalida !Bonne écoute !!Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Today I offer three different recordings of excerpts, sung in German, from Charles Gounod's opera Faust, which was known in the day in Germany as Margarethe. The Germans have always regarded this work with more than a little scorn because it has so little to do with Goethe's towering masterpiece upon which it is based. The earliest of today's excerpts is from a complete 1908 recording on the Berlin branch of the Grammophon label (when such a thing as a complete operatic recording was virtually unheard of), featuring Emmy Destinn, Karl Jörn and Paul Knüpfer under the baton of Bruno Seidler-Winkler. Much later came two recordings of excerpts in German: the first released on Deutsche Grammophon in 1958 with stalwart recording artist Maria Stader; nonpareil Kavalierbariton Eberhard Wächter; fierce Finnish bass Kim Borg; and the late German lyric tenor Heinz Hoppe under Ferdinand Leitner. The latter was released on Philips in 1963 with Ernst Kozub (recently featured on a “rehabilitational” Countermelody episode; the extraordinary German bass Franz Crass, and Swiss mega-soprano Colette Lorand (soon to be featured in her own Countermelody episode) under Marcel Couraud. As a bonus, I also feature a very young Sylvia Sass in one of her very first recordings from 1975 singing Marguerite's Jewel Song in Hungarian. Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly or yearly support at whatever level you can afford.

DescriptionGounod's Divine Remix: A Heavenly Twist on Bach in 60 Seconds. Take a minute to get the scoop!Fun FactGounod's Ave Maria wasn't originally intended as a standalone work. It began as an improvisation over Bach's 1722 prelude, and the Latin prayer was added later. Today, it's often mistakenly credited to Bach alone, despite Gounod's soaring melody being the emotional centerpiece that transformed it into a sacred favorite.__________________________________________________________________About Steven, HostSteven is a Canadian composer & actor living in Toronto. Through his music, he creates a range of works, with an emphasis on the short-form genre—his muse being to offer the listener both the darker and more satiric shades of human existence. If you're interested, please check out his music website for more. Member of the Canadian League Of Composers.__________________________________________________________________You can FOLLOW ME on Instagram.

THE MUSIC OF EASTER—with its traditional themes of death and rebirth—touches the extremes of the emotional spectrum, from deepest anguish to radiant joy. Over the past 40 years, Hearts of Space has often celebrated this special holiday with the help of our longtime guest producer for classical and sacred music, ELLEN HOLMES. This year, once again, Ellen brings us a collection of sublime choral and instrumental music for Easter, on a program she calls “OF SOUND AND SPIRIT.” “Traditionally,” she says, “on Easter Sunday and during the week before Easter—concerts of majestic music are performed all over the world…celebrating the miracle…of life's eternal renewal. This special Easter program follows that tradition, featuring exceptionally beautiful pieces and performances from ancient to contemporary.” With music by FRANZ SCHUBERT, HENRIK ØDEGAARD, JORDI SAVALL, J.S. BACH, SIGVALDI KALDALÓNS, GUSTAVE MAHLER, MAX RICHTER, CHARLES GOUNOD, and others. [ view playlist ] [ view Flickr image gallery ] [ play 30 second MP3 promo ]

De Paris à Rome, des salons aristocratiques à l'opéra, retour sur la jeunesse du compositeur Jules Massenet, considéré comme l'héritier de Charles Gounod. Mention légales : Vos données de connexion, dont votre adresse IP, sont traités par Radio Classique, responsable de traitement, sur la base de son intérêt légitime, par l'intermédiaire de son sous-traitant Ausha, à des fins de réalisation de statistiques agréées et de lutte contre la fraude. Ces données sont supprimées en temps réel pour la finalité statistique et sous cinq mois à compter de la collecte à des fins de lutte contre la fraude. Pour plus d'informations sur les traitements réalisés par Radio Classique et exercer vos droits, consultez notre Politique de confidentialité.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Charles Gounod (1818 – 1893) – Sinfonia n. 1 in re maggiore1.       Allegro molto 0:002.       Allegretto moderato 6:153.       Scherzo & Trio. Non troppo presto 12:304.       Finale. Adagio - Allegro vivace 19:50 Orchestra of St. John's John Lubbock, conductor

La Viardot va ser una int

durée : 00:03:04 - Le Bach du matin du jeudi 10 octobre 2024 - Notre Bach du matin est un Bach transformé par Charles Gounod. Roberto Alagna interprète le Ave Maria avec le chœur du Capitole et l'Orchestre national du Capitol de Toulouse.

Charles Gounod - Funeral March of a MarionetteSlovak Radio Symphony Orchestra Peter Breiner, conductorMore info about today's track: Naxos 9.70146Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.

Of all the love stories ever told, none quite compare to the enduring power of Romeo and Juliet. Over four centuries ago, English playwright William Shakespeare crafted a timeless story harnessing both the powers of profound love and deep hatred, and his tale of “star-crossed lovers” has become an inspiration to countless artists.  Two and a half centuries later, French composer Charles Gounod and his librettists took Shakespeare's play as a starting point, and crafted it into an exquisitely beautiful and heart-rending opera.  Join us for an in-depth discussion of how this story plays out as a French grand opéra. Hosted by Pat and Kathleen For more cultural and arts commentary by Kathleen Van De Wille, visit Constructive Criticism on Substack.

Walpurgisnacht 2024 19th-20th Centuries We hear works by Felix Mendelssohn, Hector Berlioz, Alexander Dargomyzhsky, Charles Gounod, Modest Mussorgsky, Arrigo Boito, Sir Granville Bantock, Eugen Suchoň, and High Priest Peter H. Gilmore. 142 Minutes – Week of 2024 April 29

Welcome to Season 03 Episode 13 - the "Ostara" edition - of Notes from the Aisle Seat, the podcast featuring news and information about the arts in northern Chautauqua County NY, sponsored by the 1891 Fredonia Opera House. Your host is Tom Loughlin, SUNY Distinguished Teaching Professor and Chair Emeritus of Theatre and Dance at SUNY Fredonia. Guests on this episode include: Mr. Donald Marrazzo, voice faculty member at the SUNY Fredonia School of Music; Ms. Laylah Ali, visual artist and professor of art at William College; and Mr. Rick Davis, Executive Director, 1891 Fredonia Opera House. Notes from the Aisle Seat is available from most of your favorite podcast sites, including Apple Podcast, Google Podcast, Stitcher, Spotify, and Amazon Prime Music, as well as on the Opera House YouTube Channel. If you enjoy this podcast, please spread the word through your social media feeds, give us a link on your website, and consider becoming a follower by clicking the "Follow" button in the upper right-hand corner of our home page. If you have an arts event you'd like to publicize, hit us up at operahouse@fredopera.org and let us know what you have! Please give us at least one month's notice to facilitate timely scheduling. Thanks for listening! Time Stamps Don Marrazzo/Live at the Met  02:06 Laylah Ali/Is Anything The Matter?  22:18 Arts Calendar 42:58 Rick Davis/Bach and Beyond  47:40 Media "Swingtime in Springtime," composed and performed by Django Reinhardt, 1947, from a collection entitled Django Reinhardt: Best of the Radio Sessions, Cleopatra Records, 2009. "Ah! Je veux vivre", from the opera Roméo et Juliette; Charles Gounod, composer; Jules Barbier and Michal Carré, libretto, 1867; performed by Nadine Sierra, soprano, from the 2024 Metropolitan produuction "Some Other Spring," Arthur Herzog Jr. and Irene Kitchings, composers, performed by Ben Webster, saxophone; from a 1971 recording produced by Tim der Bals. Four Seasons: Spring: Antonio Vivaldi, composer (1718-20); performed by Voices of Music, Feb. 8, 2020 "Voices of Spring" Opus 410, Johann Strauss II, composer, 1882. Artist Links Donald Marrazzo Metropolitan Opera House Laylah Ali Rick Davis BECOME AN OPERA HOUSE MEMBER!      

durée : 01:28:23 - En pistes ! du lundi 05 février 2024 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Au programme de ce lundi matin aux côtés d'Emilie et Rodolphe : les œuvres de Benjamin Britten, Joseph Haydn, Edvard Grieg, Marin Marais, ou encore Charles Gounod, Franz Schubert et Georg Friedrich Haendel. En pistes !

Excuses. Billy Graham Classic Sermon and Song: O Divine Redeemer. ACU Sunday Series. https://youtu.be/vhTs8OgNuVU?si=5EdLATY1hFE6KA5n Billy Graham Evangelistic Association 874K subscribers 236,912 views Premiered Feb 14, 2022 #MondayNightClassics Will you miss out on eternity because you made excuses? In this 1986 message from Tallahassee, Florida, Billy Graham talks about the danger of waiting to make a decision for Christ. Watch more #MondayNightClassics every Monday at 8 p.m. Eastern. Do you want Christ to be your friend? Visit https://bit.ly/StepsToPeaceWithGod CONNECT with the Billy Graham Evangelistic Association: on Facebook:   / billygrahamevangelisticassociation   on Instagram:   / bgea   on Twitter:   / bgea   on Pinterest:   / bgea   on YouTube:    / billygraham   on TikTok:   / bgeaofficial     O Divine Redeemer (2017) | The Tabernacle Choir Watch this video at: https://youtu.be/bkVAPm5x2tM?si=j8wv3zBePOp0GNWg The Tabernacle Choir at Temple Square 788K subscribers 63,017 views Aug 30, 2021 The Tabernacle Choir, with conductor Mack Wilberg, and organist Andrew Unsworth, perform "O Divine Redeemer" by Charles Gounod. Lyrics: Ah! turn me not away, receive me tho' unworthy; Hear Thou my cry, hear Thou my cry, behold, Lord, my distress.   Answer me from Thy throne. Haste Thee, Lord to mine aid. Thy pity shew in my deep anguish Let not the sword of vengeance smite me, Though righteous Thine anger, O Lord. Shield me in danger! O regard me, on Thee, Lord alone will I call.   O Divine Redeemer! I pray Thee, grant me pardon, and remember not my sins Forgive me O Divine Redeemer!   Night gathers round my soul. Fearful I cry, to Thee! Come to my aid, O Lord! Haste Thee, Lord, haste to help me. Hear my cry, Save me, Lord in Thy mercy Come and save me, O Lord!   O Divine Redeemer! I pray Thee, grant me pardon, and remember not, remember not, O Lord, my sins.   Save in the day of retribution; from Death shield Thou me, O my God! O Divine Redeemer! have mercy help me, my Savior. ------------------------------------------------------------------------------------------------   HELP ACU SPREAD THE WORD!  Please go to Apple Podcasts and give ACU a 5 star rating. Apple canceled us and now we are clawing our way back to the top. Don't let the Leftist win. Do it now! Thanks. Also Rate us on any platform you follow us on. It helps a lot. Forward this show to friends. 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durée : 01:27:40 - En pistes ! du jeudi 14 décembre 2023 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Georges Bizet, Charles Gounod, Claude Debussy, Ludwig van Beethoven ou encore le compositeur français Etienne Nicolas Méhul, voilà le programme que vous ont concocté Emilie et Rodolphe pour ce jeudi matin. En pistes !

Harpist to Queen Victoria, the Welsh composer John Thomas (1826–1913) also wrote prolifically for his own instrument, both for solo harp and for duos of two harps or harp and piano – a combination where the different sounds of the two instruments enhance the clarity of the texture. Thomas' original works use the elegant Romantic style of his own day, but he also left a generous legacy of transcriptions, especially of operatic favorites. Although some of his music was intended for the Victorian drawing room, other pieces require a virtuoso technique – and all of it has a thoroughly engaging melodic appeal.TracksCharles Gounod, arr. John Thomas Soldiers' Chorus from Gounod's Faust (2:48)Charles Gounod, arr. John Thomas and Julius Benedict Duet on Subjects from Gounod's Faust (1869) (8:41)Giuseppe Verdi arr. John ThomasSix Gems from Verdi's Operas (publ. 1857) (32:41) No. 1 ‘Miserere' and ‘Tu vedrai che amore in terra' from Il trovatore (7:24) No. 2 ‘Il balen' and ‘Di tale amor' from Il trovatore (4:25) No. 3 ‘Or co' dadi', ‘Squilli, echeggi la tromba' and ‘Sì, la stanchezza m'opprime' from Il trovatore (6:19) No. 4 ‘D'amor sull'alo rosee' and ‘Di quella pira' from Il trovatore (5:36) No. 5 ‘Un dì, se ben rammentomi' (Quartet) from Rigoletto (5:16) No. 6 La Sicilienne (Boléro) from Les vêpres siciliennes (3:41) Gioachino Rossini arr. John Thomas Prayer from Mosè in Egitto (arr. 1884) (5:22)John Thomas Le Désir. Rhapsody (1892) (4:41) Coronation March (1902) (3:57) Luigi Venzano arr. John Thomas La Gassier Valse (arr. 1858) (2:45)First RecordingsHelp support our show by purchasing this album  at:Downloads (classicalmusicdiscoveries.store) Classical Music Discoveries is sponsored by Uber. @CMDHedgecock#ClassicalMusicDiscoveries #KeepClassicalMusicAlive#CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans#CMDGermanOperaCompanyofBerlin#CMDGrandOperaCompanyofBarcelonaSpain#ClassicalMusicLivesOn#Uber#AppleClassical Please consider supporting our show, thank you!Donate (classicalmusicdiscoveries.store) staff@classicalmusicdiscoveries.com This album is broadcast with the permission of Sean Dacy from Rosebrook Media.

L'inoxydable héros de bande dessinée créé par Hergé va être décliné dans un jeu vidéo à paraître en novembre. Dans « La Story », le podcast d'actualité des « Echos », Pierrick Fay et ses invités parlent, à l'occasion d'une visite dans son musée à Bruxelles, des clés du succès renouvelé d'un personnage mondialisé.La Story est un podcast des « Echos » présenté par Pierrick Fay. Cet épisode a été enregistré en septembre 2023. Rédaction en chef : Clémence Lemaistre. Invité : Dominique Maricq auteur du coffret « Les Trésors de Tintin » chez Casterman et de « Hergé par lui-même » chez Moulinsart). Réalisation : Willy Ganne. Musique : Théo Boulenger. Identité graphique : Upian. Photo : Hergé/Tintinimaginatio 2023 – Microids 2023. Sons : « Faust » de Charles Gounod, « Les Aventures de Tintin » (1991), Gameplay, Dey's Entertainment Ventures, Tintinomania, Microids. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Philharmonic, conducted by Yannick Nézet-Séguin with Mezzo-soprano Elina Garanca as soloist. The Summer Night Concert was performed this year on June 8th, 2023. It is an annual open-air event, which has been held since 2008. The park of Schönbrunn Palace in Vienna/Austria is the magical setting for the concert. The illustrious conductors who have previously led the orchestra at this event are Georges Prêtre, Daniel Barenboim, Franz Welser-Möst, Lorin Maazel, Christoph Eschenbach, Zubin Mehta, Semyon Bychkov, Gustavo Dudamel, Daniel Harding, and Andris Nelsons.1. Georges Bizet, Suite Nr. 1 aus der Oper Carmen (Arrangement Ernest Guiraud 1885)             Nr. 5. Les Toréadors (Vorspiel zum 1. Akt)             Nr. 2. Intermezzo (Vorspiel zum 3. Akt)             Nr. 1a. Aragonaise (Vorspiel zum 4. Akt) 2. Georges Bizet, Habanera aus der Oper Carmen3. Lili Boulanger, D‘un matin de printemps. Fassung für Orchester 19184. Hector Berlioz, Ouvertüre zur Oper Le Corsaire op. 215. Charles Gounod, „O ma lyre immortelle“ Arie aus der Oper Sapho6. Maurice Ravel, Daphnis et Cloé. Suite Nr. 27. Camille Saint-Saëns, „Mon cœur s'ouvre à ta voix” Arie aus der Oper Samson et Dalila8. Maurice Ravel, BoleroHelp support our show by purchasing this album  at:Downloads (classicalmusicdiscoveries.store) Classical Music Discoveries is sponsored by Uber and Apple Classical. @CMDHedgecock#ClassicalMusicDiscoveries #KeepClassicalMusicAlive#CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans#CMDGermanOperaCompanyofBerlin#CMDGrandOperaCompanyofBarcelonaSpain#ClassicalMusicLivesOn#Uber#AppleClassical Please consider supporting our show, thank you!Donate (classicalmusicdiscoveries.store) staff@classicalmusicdiscoveries.com This album is broadcasted with the permission of Crossover Media Music Promotion (Zachary Swanson and Amanda Bloom).