Podcasts about corsino

4 DE FEBRERO - SAN ANDRÉS CORSINO, OBISPO CARMELITA

Entrevistador: Edwin López (fundador Enfoque Juventud)  Invitado: Yan Corsino Edad: 28 años Pueblo: Naguabo, PR Se destaca como artista. Cuenta con varios temas de su autoría entre ellos "La oportunidad", "Historia de un café", entre otros. Contacto: Instagram: https://www.instagram.com/yan_corsino/ YouTube: https://www.youtube.com/channel/UC-XDF1cNmBHBj2Gef0qfPyA -----------------------  Contacto Enfoque Juventud:  Facebook: https://www.facebook.com/enfoquejuventudpr  Instagram: https://www.instagram.com/enfoquejuventud/  YouTube: https://www.youtube.com/channel/UCPfeRFbhD3jJkHeBva06Wrw  E-mail: enfoquejuventudpr@gmail.com  Programa de Radio: WUPR Exitos 1530 AM Utuado & 98.3 FM Arecibo / sábados 11:00 AM  WKUM Cumbre 1470 AM Orocovis, 106.3 FM Corozal / sábados 5:00 PM  Escucha el programa en internet por:  www.exitos1530.com, www.cumbre1470am.com, y por la aplicación móvil TuneIn Radio

Creating Impactful Video Content with Kelly CorsinoAre you a real estate agent struggling to get on camera and create video content? Learning how to get on camera and be of service to others is easy and will allow you to leverage this powerful tool to reach and connect authentically with your audience.  . Authenticity is the key to connecting with people. Being yourself and showing up as your true self is essential for building relationships and trust. People are drawn to those willing to try. Showing your vulnerability can be difficult, but it makes you human. Being human allows you to create meaningful connections with others, thus, more sales.Join the conversation with Kelly Corsino as he shares how you can get started and create video content that brings results. Kelly Corsino is a real estate agent, and she loves educating people so that they can make decisions that are good for them in regard to real estate while making it super easy and fun. She also teaches other agents how to shine on camera and crash it on camera!Tune in!What You Will Learn:[00:01] Intro and what in for you in today's show[01:19] Kelly's background in entertainment [03:29] How Kelly is helping real estate agents get on camera [04:21] Kelly's experience rehabbing houses with her parents at age 10[05:50] Kelly's transition during the pandemic and how she generates business [08:03] How to get started if you want to be on video[09:36] Authenticity; reframing your ego and getting out there to serve [12:57] The best way to do a batch shooting for your video content  [16:28] Where to get content when you're getting started  [21:13] What Kelly uses for lighting and her recommendations [27:25] How often and when to post your content[29:30] Different platform demographics and how to organize content[32:06] How Kelly does her real estate business differently [33:59] What Kelly knows now and would tell her newer agent self [32:41] Some of the big goals that Kelly has coming up [32:41] How to overcome doubts that you may have in your career[38:38] Wrap up and call to action Standout Quotes:“Having some accountability and guidance can help you reduce the fear factor, the fear of the Unknown.” - [08:15] “Courage is really the willingness to try.”- [08:35] “Being afraid to be seen is an ego thing; If you want to serve, you need to check your ego. Your audience is waiting for you to show them something useful. Be of service and leave your ego to the side.”- [09:36]“You have to get creative and find the unique signature that is really authentic to you, and you never learn out content.”- [19:34]“Overcoming fear and doubt is about recognizing that you have two choices;  you can either lead with love or fear. Choose to lead with love.”- [19:34]Let's Connect Kelly Corsino Website: https://retirementrealestateplan.com/Instagram: https://www.instagram.com/coastallivingbykelly/YouTube: https://www.youtube.com/c/CoastalLivingbyKellyJoin our Private Facebook Group: http://bit.ly/3Y1tTSd Ask Tristen Anything: https://bit.ly/3HJQV9s YouTube: http://bit.ly/3DBwvy8 Instagram: http://bit.ly/3HwbFBC

The 16:9 PODCAST IS SPONSORED BY SCREENFEED – DIGITAL SIGNAGE CONTENT Nanolumens was an early player in the LED display space - known mainly in its first few years for innovative  display products that were super-light, thin and flexible ... at a time when just about everything else on the market was heavy, thick and solid. The Atlanta-based company was still pretty much known for that kind of product when Ney Corsino was hired on as CEO, at the start of 2020. Experienced as a business transformation and turnaround guy, Corsino has evolved Nanolumens from a company with an interesting niche product to one that has a full range of display options - from conventional video wall set-ups and all-in-ones to transparent mesh displays and the thin, flexible units that first gained attention. Nanolumens has also got more focused on some key vertical markets - arguably the biggest ones being airports and public spaces. Several new air terminals that have been built or renovated in the last couple of years have featured Nanolumens product in its signature public art, messaging and experiential installations. Corsino and I chatted about how he has also put in the hours with his team to clarify how it goes to market, and how it specifically works with integrators and solutions providers. Subscribe to this podcast: iTunes * Google Play * RSS TRANSCRIPT Ney, thank you for joining me. You joined the company from Barco, so you would've already been well-versed in LED displays. What attracted you to Nanolumens?  Ney Corsino: Thanks for having me. Yes, I came from Barco before Barco, and before that, I was at Phillips, Philips Electronics, a European company, and Barco, also a European company, and now at Nanolumens, a US-based company. But to be honest with you, at Barco we paid little attention to LEDs. We have a deep engineering base in projection there and we venture with click share.  LEDs have been up and down at Barco and at Nanolumens, all we do is LED, so we are pretty much focused here.  Because you knew the business, was there something in particular that attracted you to Nanolumens? Because they're relatively small and US-focused as opposed to a big global entity like Barco. What was your perspective on all that? Why join them?   Ney Corsino: I think for good or bad, I developed my career in improving businesses, transforming and improving turnaround, and I felt that the impact I could continue to do would be more valuable in companies like Nanolumens. So I think it was a good encounter between a company that needed this kind of action and someone that had experience in doing this at a corporate level in many different business units. So now I could come, and exercise all I have learned all by myself and I'm very glad I did that.   When I first got to know Nanolumens, let's say 10 years ago, their calling card, so to speak, was these flexible, almost rug-like displays with removable modules, they called them nixels at the time, and I think they still do.  It was very unique on the market at that point, and those were the early days anyways for LED displays. I wouldn't say they're not still unique, but I don't get the sense that's the kind of the main growth driver for Nanolumens these days.  Ney Corsino: The company has run for about 17 years. It has been one of the pioneers in the LED display market, has been involved in many innovations, and has almost a hundred IPs, but most notably, like you just said, it is the invention of the flex module, which is still called nixel where you can basically do smooth curve wall. So we hold IPs on that. But since then, it has evolved quite a bit especially in the last three years, we continue to do of course very well on the curve. But we have re-engineered and extended the portfolio for cabinet-based modular units, also mesh, all in one. So we now have a very extensive portfolio. Now if you ask about the sales, it's almost half of it. It is still customized, which includes the curved modules, and the other half is more on the standard flat solution. Why do you think it's played out that way?  Ney Corsino: I believe that the brand commands that customization aspect, the DNA of creativity, wow effect, doing things that are let's say complex and difficult, but we engineer to make it possible. So I think that's the inheritance of the brand and continues to be. What we have tried to do, part of my arrival here is to continue that, but create us not a next segment that gives the possibility of of scaling up the business, and that's why, as I mentioned before, re-engineer the flat segment all in one mesh outdoor if it is more on the architecture. It's the one step in the direction of extending the portfolio to scale the business and find a consistent regular growth path for the business.  So if you stayed primarily with these lightweight flex products as your main product line, that would restrict you to being a niche manufacturer as opposed to broadening it and becoming a general manufacturer that would give you scale? Ney Corsino: Exactly. It is very architectural, customized, and therefore you could call it niche. It's a good portion of the market. We do very well there, but if we have bigger ambitions and big plans, then we need to play in other fields as well.  In paying attention to projects that come on stream, and knowing that in many cases the customer doesn't allow the manufacturer to say who it is that's providing some of the technology, I still get a sense that Nanolumens is doing a lot of airports in particular, and I'm curious why that's played out like that.  Why are you guys winning so much of the business in airports? Apart from that, I'm sure you're gonna say because we have great products, but, there have to be other reasons. Ney Corsino: Yeah, that's a very good question and probably not easy to answer. The product definitely makes an important play there. But I would say, Dave, that the airport is one of the most complex and demanding environments. You have the airport itself, you have the airlines, and you have the advertising agencies or companies. There are a lot of things going on in an airport. You have very tight schedules where you can work and when you can't. We have security aspects to it.  I think over the years the company just got to understand how all these cards are played, and then more importantly, we learn and we learn to adapt and not fight the system, but work with the system, right? Whatever the constraints are, wherever the demands are, we translate that into a workable plan that involves product, involves people, involves a process, and there we go.  How much of it does Nanolumens take on versus channel partners and integration partners?  Ney Corsino: I think about the past of the company and then I have seen not only Nanolumens, but also in my past, there is confusion within the company as far as the go-to-market is concerned, and that's not a good thing. It was no different here. Nanolumens from its past behavior has confused the market in terms of whether it is going directly, is it going through the channel partner. So one of the things that I've done since my arrival is basically to clarify that and commit to a go-to-market plan, and it is my strong belief and that's where the company is settled now. We go to market through channel partners. So that's our approach. So there is no more to it. So you don't do direct sales?  Ney Corsino: No, we do have some house accounts, legacy ones but less than a handful, and whenever we have a company that wants to do direct business, we sit with them and we explain all the risks associated with taking a technology company that is focused on creating things and trying to make it a turnkey company that will be distracted with many other things. And through that dialogue, we always introduce channel partners that work with us very well, and I think, I think 99% of the time we end up in a good alignment that we will play through the channel to the end user, and everybody will be satisfied.  One of the things that have come up in LED manufacturers for marketing is because a lot of the “channels” didn't really have a lot of background and experience in deploying LED displays, they didn't know how to specify it, they didn't really know how to sell it or anything else. So a lot of the manufacturers came up with these all-in-one finished displays with fixed sizes and they would come in a kit and everything's there and you just open it up and deploy, and it's a 186-inch big ass TV that sort of thing. I'm suspecting that the channel partners you're working with are beyond that because they're doing mega walls and airports and so on.  Ney Corsino: We do also have these big-ass TVs as you call them. It's part of the working out distribution model for the company. Our channel partners work with them from a very early stage where we train their designers, we train their salespeople of course if they are open and welcoming to it, and most of the time they are. So we actually work together to make them more comfortable with the technology and entertain the prospect of their business, but ultimately that will come back to us and we will engineer the solution as a final project anyways for them.  So it sounds like this is more about getting the right channel partners as opposed to getting lots of channel partners. Ney Corsino: Oh, definitely I mean there are thousands of them out there. We work very well with many, but I think there is a right balance and we try to be very cautious of it.  The marketplace seems to be inexorably moving towards increasingly fine-pitch displays. Are you seeing that or are you still experiencing some customers who understand that the dynamics of the environment we're in 4 millimeters is fine or even 6 millimeters?  Ney Corsino: I would say that the answer is: Yes. For the most part, every two-three years, the volume goes into the next narrow pitch size, right? It used to be the 2.5, and then it went to the, let's say 1.5, and to the 1.2. So it feels like it moves, 3-3+ years, and that is not changing.  However, I think that's very interesting for the LED marketing industry. LED is going in places where nobody would have a screen before. That's number one. So it is growing into something new areas, new applications. The Second is also replacing some of the projection technology, and the third is also replacing some of the old LCD solutions. So it's a market that keeps growing, and I say that because, with that kind of penetration in so many applications, you end up with a need of almost any pitch size, any fine pitch, meaning, the 4mm might be very good for certain applications and the 6mm from some others if it is outdoor or indoor.  I will give you an example. In airports, there are a lot of 2.5 millimeters going, and they say, why is that? Why don't they go finer? It's because terminals and lobbies are usually very big in airports, so the screens are far from the person and therefore you don't need a super fine pitch, a 2.5 does an excellent job.  Is there a kind of a sweet spot, like I was hearing in the last couple of years that seems like the market has settled a lot on, as you were just saying, 2mm to 2.5mm works for most applications if you're getting away from really close end things in retail or museums. Ney Corsino: Yeah. That is right, and I think there is a second trend toward volume on the 1.2mm, especially in applications where people don't want to have a tile LCD solution. They want to have a more smooth, seamless, and large screen. So therefore you also see in that particular part of the segment where people are closer to the screen, the market's moving very fast for the 1.2mm. I was walking around Integrated Systems Europe about a month ago, and looking at displays that were R&D products at that point, or R&D efforts but I saw 0.4 millimeters and I didn't see it personally, but I saw the PR after a Chinese manufacturer saying they had 0.39. So just a hair thinner even and I wonder, are they just marketing, trade shows, eye candy kinds of things? Is there really a demand for the LED to be that tight in pitch?  Ney Corsino: Technology-wise, there is a pursuit for that, that's correct. I think one of the reasons is that you need that kind of super-duper fine pitch to reproduce what LCDs or OLEDs are doing nowadays in the market. Now for the consumer-based screens, you will need to go that low. So technology tips, pushing the boundaries, pursuing that route, no. When you look at the business side of it, the business is run in 0.9mm to above pitch size. Even when you say 0.7mm, many companies are now displaying 0.7mm, is it doable? Yes. Is it expensive? Yes. Are there volumes? No. There will be very, very selected products or screens being made on a 0.7mm at this point.  So I just try to give you a relative situation between a technology that pursues eventually to be in a consumer kind of demand but still is in a professional kind of market.  We've seen in the last few years the emergence of mini LED and then micro LED. Is most of what Nanolumens is doing still for, to simplify the description, conventional SMD or four-in-one LED?  Ney Corsino: Yeah, so we do conventional. Nowadays also moving to COB and therefore going to mini LED. That's where we play. I think the term micro LED is a little bit overused in applications that are not micro LED. I'm trying to be polite, but there is a big marketing push on the use of micro LED at this point.  Do you see your company going to that? If some of the mass transfer challenges and production challenges get overcome, because I keep hearing that when those get figured out, that's really gonna greatly reduce the cost of micro LED and make it something that you could use for something other than just super premium applications. Ney Corsino: Yeah. At that point, it is almost like a process industry. If you don't control the yield it cannot be cost-effective. So they will have to operate at a very high yield. I think the company will go with the market. As part of the transformation from the early days of Nanolumens, we are now very market-centric and we will respond to the market demands in the short, mid, and long-term. So when you say you're market centric, you mean you're focused on certain verticals like airports?  Ney Corsino: Exactly, yeah. We try to translate unique aspects of those segments into the portfolio, and into the design that we will provide. Does that kind of apply to going after larger public spaces, that sort of thing?  Ney Corsino: Yes. So let me also give you a little bit of insight into the business. The largest portion of the revenue mix was on the airport and also in theme parks, so large projects that come every other year. But since then we are now having a very evenly distributed mix where we operate in airports for sure, theme entertainment for sure. But now we also do lots of business with corporate, large venues, but also, especially their lobby and briefing centers. Higher-ed has been investing nicely, Sportsbook, and last but not least, the golf segment. I think those segments are all growing for us, and that gives us a more evenly spread mix in the top line. Why are all these different segments now investing in LED versus 2-3 years ago? Is this just a function of price and awareness?  Ney Corsino: I think so. I think the product became more affordable. The product became better, therefore it can be applied in different ways, on different surfaces, and I think the previous solutions they had has already depreciated, and LED becomes the next technology that's future-proof that provides a more immersive experience. And I think not to overplay the word immersively, but there's an enormous trend in an immersive experience, and when can you achieve that? And I think LED from a screen technology is very capable of doing that.  Yeah I've certainly seen this emergence, particularly of these experiential venues where they're using projection, and I love what some of them do. I've got a good friend who has one in Montreal, but I just wonder if that's a technology that's gonna be taken over by LED with time, because you've got more flexibility, it doesn't have to be a darkened room and you're not confronted by some of the environmental issues. Ney Corsino: True. I think my belief is that no, the technologies will coexist. One technology opens up a new application like those new kinds of museums u or experiential centers that you mentioned. Eventually, some of them will move to LED when they find it is appropriate to have an application to do so. Projection will still stay there. So I think they will coexist, but they will find a new balance in terms of sharing the market.  One thing I believe your company has expanded into in terms of broadening the product line, is some of the mesh LED products that are both for indoor and outdoor use. Are you seeing a lot of activity there? Ney Corsino: Yeah, we started that more than a year ago. We installed the big landscape here in Atlanta, the TKE building. I think that got a lot of media exposure. It's a large surface up high in the building.  It's an elevator test facility, right? Ney Corsino: That's a test and showroom facility. So there's a lot of elevators going up and down. The building has a glass facade so people could go into the elevator and yet see the stadium down there and see the city, and they didn't want to block that view so we engineered a match solution where you go through the elevator and you still see through and enjoy the same view. However, if you are on the road, in the stadium and you look back at the building, you have this beautiful branding screen there, and that was designed about two to three years ago. It was delivered about a year plus ago, and since then we have seen the pipeline increase. People became aware of it and the possibilities of it, especially the architects and consultants are very interested to see what the new possibilities are, and we've been engaging more and more in those conversations, and with that, the pipeline keeps growing.  I assume that one of the reasons there's a lot of interest in that is because it's pretty lightweight, and as you say, it doesn't block light coming in, in the way that a solid kind of cabinet-based system would do. Is that a big attraction? Ney Corsino: Yeah You mentioned earlier working with the channel and with integrators. Are you also trying to circulate and drive awareness amongst the design and architectural communities because I kind of see LEDs becoming a building material.  Ney Corsino: Yeah, we have a separate group within the company here that deals exclusively with the AUC group and we have lots of certified material for training. We do lots of hands-on learning, and we find out that, although we are a very known and improved and growing brand, there are still a lot of people that need to know us better. So that's definitely one aspect of importance for us and we enjoy it because it's not a sale conversation. It's more of a solution conversation in many cases.  You're based in Atlanta, you do your design, all the specifications, and everything in Atlanta and like everybody else, you get some of the manufacturing done overseas. You're competing with a hell of a lot of companies that have sales offices here and maybe some degree of support, but most of what they do is on the other side of the Pacific. Is that a kind of a key marketing plank that you are based in the US and somewhat designed and assembled in the US versus the others?  Ney Corsino: A hundred percent. We are very proud of it, and let me quote a customer the other day. The customer, it's a new engagement channel partner and he asked, “When we deal with your company, we actually don't need to use Google Translator. Is that right?” I replied, “No, we don't need Google translator. We are here. We have the full skills here. We are very easy to do business with. We respond very quickly, and we are very adaptive.” At the end of the day, if you put everything into Excel or into the papers it is more cost-effective to have it this way.  And are you finding just generally that the people you're working with, they are familiar or they've had enough experience in the marketplace to understand that you can have a Chinese manufacturer that has a sales office over here, but support everything else is overseas and that becomes problematic? Ney Corsino: True, and Chinese manufacturers knock on my door every single, and they offer me, and of course, they offer many other people out there. So then the question is, what's the value proposition? What's the uniqueness?  So we are very tied with our supply chain. We have made improvements in the last two years. They are paying off nicely, and our channel partners working with us have appreciated all the value that we have been bringing to the table, and once we go through that experience, a hundred percent of the time, it's becoming repeatable and the repeatability of it gives me the comfort that we are adding value to their business, and we can do that in a profitable way for the industry, including ourselves.  Where are you at as a company in terms of headcount and are you public or private? Ney Corsino: We're a privately owned company. Therefore we don't share business metrics.  But do you have 50 employees, 100 employees, or 5k employees?  Ney Corsino: Around a hundred.  Okay, and is most of that in Atlanta?  Ney Corsino: I would say 70 to 80% in Atlanta, and the remaining part spread. For your manufacturing, do you have people over in China or wherever you get some of your product made or components made?  Ney Corsino: Yeah, so we work with a contract manufacturer but we have R&D and a supply base in China.  If people wanna know more about your company, where would they find you online? Ney Corsino: Nnanolumens.com. We have refreshed the website and brought a lot of tools into it, making the experience a lot more user-friendly and that's where we'll find us.  Great. All right, thank you for spending some time with me.  Ney Corsino: It was my pleasure. Dave.

4 DE FEBRERO - SAN ANDRÉS CORSINO, OBISPO

Arrancamos el programa de hoy acercandonos a la huelga en Correos, huelga que se celebra hoy lunes en todo el estado en defensa de este servicio público y las condiciones de trabajo de sus currelas. Lo hacemos de la mano y voz de CGT. A mitad de programa reponemos por petición popular un capítulo del ... Leer más

Arianna Corsino has been collecting and creating affirmations for over 10 years. And in 2016 she became a Hypnotherapist who utilizes Dolores Cannon's Quantum Healing Hypnosis Technique, amongst other modalities. In addition to being a hypnotherapist, Arianna is a past life regressionist, a teacher of metaphysics, and Youtuber. As a Hypnosis Practitioner, she has helped hundreds of clients communicate with their infinite creator being in order to help them find healing and empowerment. She created the channel The Realm of Prosperity on YouTube to inspire viewers to look within for answers when addressing life's questions. https://www.therealmofprosperity.com/ Support the show

Arianna Corsino – The Realm of ProsperityAir Date: Wednesday, 11 May 2022 at 4:00 PM ET/1:00 PM ETArianna Corsino has been collecting and creating affirmations for over 10 years. And in 2016 she became a Hypnotherapist who utilizes Dolores Cannon's Quantum Healing Hypnosis Technique, amongst other modalities. In addition to being a hypnotherapist, Arianna is a past life regressionist, a teacher of metaphysics, and Youtuber. As a Hypnosis Practitioner, she has helped hundreds of clients communicate with their infinite creator being in order to help them find healing and empowerment. She created the channel The Realm of Prosperity on YouTube to inspire viewers to look within for answers when addressing life's questions.Connect with Arianna at https://www.therealmofprosperity.com/#AriannaCorsino #TheRealmOfProsperity #PostcardsToTheUniverse #MelisaCaprioVisit the Show Page at https://omtimes.com/iom/shows/postcards-to-the-universeConnect with Melisa Caprio at https://www.postcardstotheuniverse.com/Subscribe to our Newsletter https://omtimes.com/subscribe-omtimes-magazine/Connect with OMTimes on Facebook https://www.facebook.com/Omtimes.Magazine/ and OMTimes Radio https://www.facebook.com/ConsciousRadiowebtv.OMTimes/Twitter: https://twitter.com/OmTimes/Instagram: https://www.instagram.com/omtimes/Linkedin: https://www.linkedin.com/company/2798417/Pinterest: https://www.pinterest.com/omtimes/

KC Armstrong Interviews Katarina Corsino Owner and Founder of Thunder Heals and Thunder Dyes

KC Armstrong Interviews Katarina Corsino Owner and Founder of Thunder Heals and Thunder Dyes

KC Armstrong Interviews Katarina Corsino Owner and Founder of Thunder Heals and Thunder Dyes

KC Armstrong Interviews Katarina Corsino Owner and Founder of Thunder Heals and Thunder Dyes

Comenzamos la 3ª Temporada del Podcast de Asturias Power con un programa muy especial en el que entrevistamos a Elvira Suárez + Corsino Martinez - Uniovi eTechRacing.Hola a todos y a todas, buenos días, buenas tardes o buenas noches en función del momento del día en el que escuchéis este programa. Hoy es un día especial por muchos motivos, el primero es que empezamos la temporada número 3 de este podcast. Algo que comenzó como una manera de aprender y de adentrarse en este maravilloso mundo de la comunicación y que poco a poco se ha convertido en una gran aventura que nos ha permitido y nos permitirá conocer y seguir conociendo a profesionales asturianos tanto aquí en Asturias como en cualquier parte del mundo. Pero sobre todo es un día especial ya que vamos a conversar con dos estudiantes universitarios ya cursando sus respectivos masters que están pasando un momento complicado ya que ayer día 3 de septiembre el coche eléctrico de Uniovi eTech Racing diseñado y construido por estudiantes de la Escuela Politécnica de Ingeniería de Gijón para competir en “Formula Student” se incendió y ha quedado destrozado al igual que el taller de la Universidad en el que desarrollaban sus trabajos.Sin investigación, sin formación, sin pruebas, sin errores, sin ilusión, sin esfuerzo, sin frustración, sin unión,… no seremos nada, no tendremos futuro y estos estudiantes y otros muchos necesitan tener la posibilidad de crecer, de ser útiles para la sociedad en la que viven.Así que desde Asturias Power vamos a intentar poner nuestro granito de arena junto a otros profesionales y organizaciones que quieran sumarse y ayudar en la reconstrucción del vehículo para conseguir que vuelva al box de la investigación y la competición lo antes posible. ¡Empezamos!

KC Armstrong Interviews Katarina Corsino Owner and Founder of Thunder Heals and Thunder Dyes

KC Armstrong Interviews Katarina Corsino Owner and Founder of Thunder Heals and Thunder Dyes

Quantum Healing Hypnotherapist Arianna Corsino of The Realm of Prosperity joins us on Edge of the Rabbit Hole to discuss past life regression, reincarnation, quantum healing, hypnotherapy, and more!

Arrancamos el programa conociendo de la mano de CGT/LKN la actual situación en Correos. Cargas de trabajo cada vez mayores, falta de contrataciones y financiación pública,… Todo ello ha llevado a la convocatoria de huelga en Correos de Iruñea. En la segunda parte del programa cerramos por este curso la sección con Corsino Vela, hacemos ... Leer más

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En el programa de hoy nos acercamos a la huelga del profesorado interino en Nafarroa, así como del personal administrativo de la UPNA. Charlamos con ellos sobre la situación de abuso de temporalidad de miles de trabajadores de lo público y la no fijeza de sus empleos. Nos hacemos eco de su huelga y las ... Leer más

GUEST'S NAME: Derek CorsinoCULINARY SCHOOL AFFILIATION: Culinary Institute of America, Hyde Park, NYBIO: Pastry Chef & Educator Derek Corsino has been a chef, creator, and foodie loving traveler for over twenty years. As a graduate of The Culinary Institute of America in Hyde Park, New York, Derek has achieved delectable successes most pastry chefs have yet to perfect the recipes for. As a four-time Food Network competitor, he has baked himself a place in the national spotlight. Formerly, Derek put the icing on the cake in his niche business venture as a master cake designer, elevating the meaning of specialty cakes in the Hudson Valley, New York.For the past eight years Derek has pursued his passion as an educator, working in higher education with Stratford University, Santa Rosa Junior College, Napa Valley College, and his alma mater The Culinary Institute of America, in addition to his most recent position at Healdsburg High School in Northern California (Healdsburg High School (schoolloop.com). From baking and pastry and the culinary arts, to hospitality management, business and finance, Chef Derek Corsino's knowledge spans a wide range of academic curriculum and expertise. SOCIAL MEDIA:Website: www.derekcorsino.comInstagram: @professorcake Sign up for our email list / newsletter: https://chefroche.com/contact RATINGS / REVIEW: If you enjoy this episode or the podcast overall, please consider leaving a short review and ratings on Apple Podcasts / iTunes if you have an iPhone or iPad. It takes less than 30 seconds, and it really makes a difference in spreading the word, getting new listeners and guests, as well as sponsors!To do so, click HERE and then scroll down to the “Ratings & Reviews”; tap the amount of stars you want to give; tap on “Write a Review”; create a headline; write your review; click “Send”. SPONSORSHIP / SUPPORT:If you like the show, this episode, and/or the video clips, why not show your support by buying us a cup or two of coffee to help defray some of the out-of-pocket expenses at: https://www.buymeacoffee.com/chefroche. We truly appreciate the gesture!Individuals can also donate through Patreon! Please support the show at: https://www.patreon.com/DrProfessorChef. If you contribute just the price of a cup of coffee a week, you will be helping to support the hosting, purchasing, creation and production of our episodes and shows that we produce and give away for free.Companies & Businesses interested in advertising or sponsoring the podcast, please contact us at: culinaryschoolstories@gmail.comABOUT THE SHOW: Culinary SchoolStories is a weekly podcast with engaging interviews that shares the stories of people from around the world that have an association with a culinary school insome way. Each episode we bring you the best stories from people around the food service world whose lives have been influenced, impacted, touched and/or enriched, for good or for bad, from their culinary school experience. And this Podcast is dedicated to telling their story!From current students and alumni, to faculty and administrators, this interview style podcast allows for longer, more in-depth, open discussions about issues, stories and tales surrounding culinary school. We hope you will listen in and learn what each of our guests has to say as we talk to them about their relationship to culinary school, as well as their journey, the people who helped them, and their goals and dreams for the future. Join us as we ask and discover, “What's your culinary school story?”RESOURCES:Audience Response Hotline: (207) 835-1275 {Comments, Suggestions or Questions)Link Tree: https://linktr.ee/FoodMediaNetworkCSS Podcast Website: http://www.culinaryschoolstories.comChef Educator Podcast Website: http://www.chefeducator.comMain Website: https://www.chefroche.comYouTube: https://www.youtube.com/user/DrChefColinFacebook: https://www.facebook.com/DrProfessorChefTwitter: https://twitter.com/ChefRocheInstagram: https://www.instagram.com/CulinarySchoolStoriesNOTE: If you want to share your culinary school story in a future episode, all you have to do is go to http://www.culinaryschoolstories.com and download the guest questionnaire at the bottom of that page. Once you fill it out, email it back to us. After we review it, we will be back in touch to set up a date and time to talk!MUSIC: "Family Montage" by Biz Baz Studio, YouTube Audio LibraryCulinary School Stories is a proud member of the Food Media Network!Copyright 2021Support this podcast at — https://redcircle.com/culinaryschoolstories/donations

Corsino António Fortes foi um escritor e político cabo-verdiano. Usou a escrita para lutar contra o domínio colonialista. Suas obras expressam uma nova consciência da realidade cabo-verdiana e uma nova leitura da tradição cultural daquele arquipélago. Nasceu em 1933 e faleceu em 2015, aos 82 anos. >> Por 5,99 você aceita um adicional de Soneto para acompanhar? Apoie o projeto! =P https://www.amazon.com.br/dp/B08DJ61J4R/ Poema: Proposição Poeta: Corsino Fortes Voz: Jéssica Iancoski | @euiancoski Use #tomaaiumpoema Siga @tomaaiumpoema "Ano a ano crânio a crânio Rostos contornam o olho da ilha Com poços de pedra abertos no olho da cabra E membros de terra Explodem Na boca das ruas Estátua de pão s6 Estátuas de pão sol Ano a ano crânio a crânio Tambores rompem a promessa da terra Com pedras Devolvendo às bocas As suas veias De muitos remos" Descubra mais em www.jessicaiancoski.com Está servido? Fique! Que tal mais um poeminha? ___ >> Quer ter um poema seu aqui? É só preencher o formulário! Após o preenchimento, nossa equipe entrará em contato para informar a data agendada. https://forms.gle/nAEHJgd9u8B9zS3u7 CONTRIBUA! =P >> Formulário para Indicação de Autores, contribuição com declames, sugestões (...)! https://forms.gle/itY59kREnXhZpqjq7

Corsino António Fortes foi um escritor e político cabo-verdiano. Usou a escrita para lutar contra o domínio colonialista. Suas obras expressam uma nova consciência da realidade cabo-verdiana e uma nova leitura da tradição cultural daquele arquipélago. Nasceu em 1933 e faleceu em 2015, aos 82 anos. >> Por 5,99 você aceita um adicional de Soneto para acompanhar? Apoie o projeto! =P https://www.amazon.com.br/dp/B08DJ61J4R/ Poema: Pecado Original Poeta: Corsino Fortes Voz: Jéssica Iancoski | @euiancoski Use #tomaaiumpoema Siga @tomaaiumpoema "Passo pelos dias E deixo-os negros Mais negros Do que a noute brumosa. Olho para as coisas E torno-as velhas Tão velhas A cair de carunchos. Só charcos imundos Atestam no solo As pegadas do meu pisar E fica sempre rubro vermelho Todo o rio por onde me lavo. E não poder fugir Não poder fugir nunca A este destino De dinamitar rochas Dentro do peito..." (Claridade. 1960) Descubra mais em www.jessicaiancoski.com Está servido? Fique! Que tal mais um poeminha? ___ >> Quer ter um poema seu aqui? É só preencher o formulário! Após o preenchimento, nossa equipe entrará em contato para informar a data agendada. https://forms.gle/nAEHJgd9u8B9zS3u7 CONTRIBUA! =P >> Formulário para Indicação de Autores, contribuição com declames, sugestões (...)! https://forms.gle/itY59kREnXhZpqjq7

Tres contenidos muy interesantes para el programa de hoy. Nos vamos a los extremos del sistema conociendo en primer lugar la situación de las empleadas de hogar, hablamos después de los fondos de la UE. y terminamos hablando con Corsino Vela sobre la lucha y como dirigirla contra el sistema en forma de soluciones. Arrancamos  ... Leer más

Corsino António Fortes foi um escritor e político cabo-verdiano. Usou a escrita para lutar contra o domínio colonialista. Suas obras expressam uma nova consciência da realidade cabo-verdiana e uma nova leitura da tradição cultural daquele arquipélago. Nasceu em 1933 e faleceu em 2015, aos 82 anos. >> Por 5,99 você aceita um adicional de Soneto para acompanhar? Apoie o projeto! =P https://www.amazon.com.br/dp/B08DJ61J4R/ Poema: Girassol Poeta: Corsino Fortes Voz: Jéssica Iancoski | @euiancoski Use #tomaaiumpoema Siga @tomaaiumpoema "Girassol Rasga a tua indecisão E liberta-te. Vem colar O teu destino Ao suspiro Deste hirto jasmim Que foge ao vento Como Pensamento perdido. Aderido Aos teus flancos Singram navios. Navios sem mares Sem rumos De velas rotas. Amanheceu! Orça o teu leme E entra em mim Antes que o Sol Te desoriente Girassol!" Descubra mais em www.jessicaiancoski.com Está servido? Fique! Que tal mais um poeminha? ___ >> Quer ter um poema seu aqui? É só preencher o formulário! Após o preenchimento, nossa equipe entrará em contato para informar a data agendada. https://forms.gle/nAEHJgd9u8B9zS3u7 CONTRIBUA! =P >> Formulário para Indicação de Autores, contribuição com declames, sugestões (...)! https://forms.gle/itY59kREnXhZpqjq7

Corsino António Fortes foi um escritor e político cabo-verdiano. Usou a escrita para lutar contra o domínio colonialista. Suas obras expressam uma nova consciência da realidade cabo-verdiana e uma nova leitura da tradição cultural daquele arquipélago. Nasceu em 1933 e faleceu em 2015, aos 82 anos. >> Por 5,99 você aceita um adicional de Soneto para acompanhar? Apoie o projeto! =P https://www.amazon.com.br/dp/B08DJ61J4R/ Poema: De pé nu sobre o pão da manhã Poeta: Corsino Fortes Voz: Jéssica Iancoski | @euiancoski Use #tomaaiumpoema Siga @tomaaiumpoema "Desde a manhã os pés Estão nus ao redor da ilha, Nus de árvore nus de tambor Joelhos de sol E volutas de poeira Nos tornozelos Em movimento Desde o início O tambor dos dedos Sob o pão das pedras O cão das artérias preso na voragem Dos calcanhares Que agitam Na terra polvorenta o ponteiro dos membros sobre a testa do mundo Os membros o mundo o meridiano de permeio O sarilho dos corvos na falésia Anuncia-nos À boca do povoado Ao vento gordo sabor a fiambre hálito de pão novo À beira-mar erguemos as nossas costelas À promessa pública do mar E À beira-mar navegamos Com mãos menos mãos Com pés menos pés De proteínas" Descubra mais em www.jessicaiancoski.com Está servido? Fique! Que tal mais um poeminha? ___ >> Quer ter um poema seu aqui? É só preencher o formulário! Após o preenchimento, nossa equipe entrará em contato para informar a data agendada. https://forms.gle/nAEHJgd9u8B9zS3u7 CONTRIBUA! =P >> Formulário para Indicação de Autores, contribuição com declames, sugestões (...)! https://forms.gle/itY59kREnXhZpqjq7

Palestra do Rafael Corsino

En el programa de hoy charlamos con las gentes de la red de autodefensa laboral de Iruñerria, con ellos conocemos el nuevo espacio de lucha que han creado con la idea de llegar y activar a mas gente en torno a la defensa de sus derechos laborales. En la segunda entrevista retomamos nuestra charla con ... Leer más

MJ’s guest this week is Bruno Almeida. Born and raised in Lisbon, Portugal, this rock drummer turned sommelier has worked at legendary NYC restaurants such as Gusto Ristorante, Pao, Inoteca, Corsino, Balaboosta, Locanda Verde and Dirty French. Until the pandemic, he was the Wine Director and Sommelier at iconic Tocqueville. MJ and Bruno discuss the history of colonization and its effect on Portuguese wine over the centuries. He brings in two delicious Portuguese bottles that blow MJ away. And before the show is over they get deep into another of Bruno’s favorites = Georgian wine. Get ready, there is a lot to geek out on in this episode. A huge thank you to Bruno Almeida!Follow and learn a ton from him on IG @drummelierThis episode’s in studio wines:NV Vadio Espumante Brut, Bairrada2018 Azores Wine Company Branco Vulcanico, Azores Islands _____________________________________________________________Until next time, cheers to the mavericks, philosophers, deep thinkers and wine drinkers! Don’t forget to subscribe and be sure to give The Black Wine Guy Experience a five-star review on whichever platform you listen to.For insider info from MJ and exclusive content from the show sign up at Blackwineguy.comFollow MJ @blackwineguy Thank you to our sponsor Wine Spies! Get a discount for being a listener of the show by going to: www.winespies.com/blackwineguy Love this podcast? Love the cool content? Get a producer like mine by reaching out to the badass team at Necessary Media. www.necessarymediaproductions.com@necessary_media_From our supporter: The Conaway Fund (a component fund of The Prosperity Foundation) supports cultural and heritage events, scholarships, mentoring programs and more. Go to https://www.theconawayfund.org/ and see how you can donate and make a difference in underserved communities. See acast.com/privacy for privacy and opt-out information.

En el programa de hoy hemos charlado con Banatu Taldea sobre su propuesta encaminada al reparto del trabajo como una manera de salir de la actual crisis sanitaria, social y laboral. Una propuesta de reparto para combatir la crisis y poner en la picota al capitalismo. 4º debate de coyuntura política con Corsino Vela, en ... Leer más

Arrancamos el último programa del año poniendo el foco en la victoria de los y las currelas de intervención social. Su lucha sostenida en el tiempo ha cristalizado en forma de convenio colectivo que mejora sustancialmente sus condiciones de trabajo y salario. Zorionak !! Cerramos el año charlando con Corsino Vela sobre las vulnerabilidades del ... Leer más

Arrancamos el programa de hoy charlando con las gentes de la CNT en Iruñea sobre la dinámica de solidaridad que arrancaron el viernes pasado con las currelas del textil en la India. Solidaridad con las currelas de la fábrica Dragon Sweater en forma de piquete ante LIDL, empresa que vende ropa fabricada por esta empresa. ... Leer más

Arrancamos el programa poniendo voz a la lucha, el día a día, y las reivindicaciones de las trabajadoras de hogar y cuidados. Lo hacemos aprovechando unos encuentros que celebraron a mitades de octubre en Barcelona. Estrenamos sección mensual en Taupadak de la mano de CORSINO VELA, con el analizamos la situación actual del sistema capitalista. ... Leer más

Rafael Corsino, presidente da Anapa, é o entrevistado do CB.Poder - 28/8

Robert Brzezinski and Jeanne Kataoka visit with Kelly Corsino...Listen in to this unique exploration of Kelly's music and the stories behind her songs.

Um papo com Alex Corsino, sobre, Resiliência, Transformação, Meditação, Espiritualidade. O despertar em busca do autoconhecimento.

This week’s poem is by Corsino Fortes from Cape Verde. The poem is read first in English translation by Sean O'Brien and then in Portuguese by Corsino Fortes.  This is part of our new rebranded weekly release: the Dual Poetry Podcast, one poem in two languages from the Poetry Translation Centre. As ever we will be releasing a translated poem each week. Please take a moment to rate and review this podcast on iTunes or wherever you download.

¿Qué es el coaching? ¿Qué rol cumple en la vida en este siglo XXI? ¿Quién puede acceder a una sesión de coaching? ¿Qué diferencia hay entre visitar al psicólogo e ir al encuentro de un coach?Recibimos a la Lic. Victoria Corsino para hablar sobre conceptos básicos que pueden ayudarnos a comprender el rol del coaching y sus posibilidades. Si tienes alguna consulta sobre este episodio o consulta para nuestra entrevistada, puedes escribir a contacto@juntosenlaexperiencia.com Recuerda compartir el episodio para que llegue a más y más personas. Democraticemos la información. Compartamos conocimiento para estar más Juntos en la Experiencia.Estamos en:INSTAGRAM: @alelabragaINSTAGRAM: @juntosenlaexperienciaFACEBOOK: www.facebook.com/juntosenlaexperiencia.comTWITTER: www.twitter.com/juntosenlaexpe1WEB: www.juntosenlaexperiencia.comE-mail: contacto@juntosenlaexperiencia.com¡Gracias por acompañarnos y ayudarnos a seguir creciendo!Banda sonora: Forever Believe - Audionatix.com

This week's poem is by Corsino Fortes from Cape Verde. The poem is read first in English translation by Sean O'Brien and then in Portuguese by Corsino Fortes. Corsino Fortes's first book Pão & Fonema [Bread & Phoneme] which appeared in 1974 made an immediate impact. 1974 was a momentous year for Portugal and its African colonies as it was the year in which Portugal's dictator Salazar was overthrown, an act which began the process that led to the decolonisation of the Cape Verde Islands in 1975. You can buy a copy of our Corsino Fortes Chapbook from the PTC website:https://www.poetrytranslation.org/shop/corsino-fortes-chapbook This is part of our new rebranded weekly release: the Dual Poetry Podcast, one poem in two languages from the Poetry Translation Centre. As ever we will be releasing a translated poem each week. Please take a moment to rate and review this podcast on iTunes or wherever you download.

Annette Corsino-Blair is the owner of The Knitting Tree L.A. and the Branch Gallery. Annette is known not only for the great selection of yarns in her store but for fostering a growing community of knitting enthusiasts. Find out more about her at TheKnittingTreeLA.com. Read more about The Passionistas Project at The Passionistas Project Podcast.

Michael Plays his favourite video game, Fantasy Quest.

This is the raw, unedited footage of an interview with Corsino Fernandez Garcia, conducted by Alicia Pozo-Gutierrez, of the University of Southampton, on 3rd July, 2008. It is in English and is in three parts. It features Corsino talking about his early life and experiences as a child refugee during and after the Spanish civil war. Included are a transcription in Spanish and a photo of Corsino. This work is licensed under the Creative Commons Attribution Non Commercial License http://creativecommons.org/licenses/by-nc/3.0/. This means that you may download and adapt the work for non-commercial purposes but you must credit the original author. All use and versions of this material should be attributed. Please cite this work as: OpenLIVES project (2012). An open collection of research data and teaching materials relating to Spanish migrant stories. JISC

This is the raw, unedited footage of an interview with Corsino Fernandez Garcia, conducted by Alicia Pozo-Gutierrez, of the University of Southampton, on 3rd July, 2008. It is in English and is in three parts. It features Corsino talking about his early life and experiences as a child refugee during and after the Spanish civil war. Included are a transcription in Spanish and a photo of Corsino. This work is licensed under the Creative Commons Attribution Non Commercial License http://creativecommons.org/licenses/by-nc/3.0/. This means that you may download and adapt the work for non-commercial purposes but you must credit the original author. All use and versions of this material should be attributed. Please cite this work as: OpenLIVES project (2012). An open collection of research data and teaching materials relating to Spanish migrant stories. JISC

This is the raw, unedited footage of an interview with Corsino Fernandez Garcia, conducted by Alicia Pozo-Gutierrez, of the University of Southampton, on 3rd July, 2008. It is in English and is in three parts. It features Corsino talking about his early life and experiences as a child refugee during and after the Spanish civil war. Included are a transcription in Spanish and a photo of Corsino. This work is licensed under the Creative Commons Attribution Non Commercial License http://creativecommons.org/licenses/by-nc/3.0/. This means that you may download and adapt the work for non-commercial purposes but you must credit the original author. All use and versions of this material should be attributed. Please cite this work as: OpenLIVES project (2012). An open collection of research data and teaching materials relating to Spanish migrant stories. JISC

Italian food is every food. This week on The Main Course, Patrick Martins is joined in the studio by Tomas Curi, chef at Corsino in The West Village. Learn why Tomas decided to go into food and hospitality, and hear what chefs instilled him with kitchen skills and ideals. Patrick and Tomas chat about home cooking in New York City, and why Tomas' hometown of Houston, Texas is the epitome of the American melting pot. Tomas talks about his time learning to cook in Italy, and why Italian food is so universal. Why is eating horse an acceptable practice in Italy? Hear some of the parallels between cooking and jazz! Later, Patrick calls up Allan Benton to talk about the history of American curing. Find out why Allan began using quality pork for his bacon and hams instead of feedlot animals. This episode has been sponsored by S. Wallace Edwards & Sons. “Nothing can prepare your for cooking in a restaurant other than cooking in a restaurant.” [7:50] “There's a way to get every flavor profile with what Saxelby has, so why not (use American cheeses)?” [23:45] “Jazz is kind of like food; you have to start with basics. You need to know your scales, but from there, you can open it up.” [29:10] — Tomas Curi on The Main Course

This is the raw, unedited footage of an interview with Corsino Fernandez Garcia, conducted by Alicia Pozo-Gutierrez, of the University of Southampton, on 3rd July, 2008. It is in English and is in three parts. It features Corsino talking about his early life and experiences as a child refugee during and after the Spanish civil war. Included are a transcription in Spanish and a photo of Corsino. This work is licensed under the Creative Commons Attribution Non Commercial License http://creativecommons.org/licenses/by-nc/3.0/. This means that you may download and adapt the work for non-commercial purposes but you must credit the original author. All use and versions of this material should be attributed. Please cite this work as: OpenLIVES project (2012). An open collection of research data and teaching materials relating to Spanish migrant stories. JISC

This is the raw, unedited footage of an interview with Corsino Fernandez Garcia, conducted by Alicia Pozo-Gutierrez, of the University of Southampton, on 3rd July, 2008. It is in English and is in three parts. It features Corsino talking about his early life and experiences as a child refugee during and after the Spanish civil war. Included are a transcription in Spanish and a photo of Corsino. This work is licensed under the Creative Commons Attribution Non Commercial License http://creativecommons.org/licenses/by-nc/3.0/. This means that you may download and adapt the work for non-commercial purposes but you must credit the original author. All use and versions of this material should be attributed. Please cite this work as: OpenLIVES project (2012). An open collection of research data and teaching materials relating to Spanish migrant stories. JISC

This is the raw, unedited footage of an interview with Corsino Fernandez Garcia, conducted by Alicia Pozo-Gutierrez, of the University of Southampton, on 3rd July, 2008. It is in English and is in three parts. It features Corsino talking about his early life and experiences as a child refugee during and after the Spanish civil war. Included are a transcription in Spanish and a photo of Corsino. This work is licensed under the Creative Commons Attribution Non Commercial License http://creativecommons.org/licenses/by-nc/3.0/. This means that you may download and adapt the work for non-commercial purposes but you must credit the original author. All use and versions of this material should be attributed. Please cite this work as: OpenLIVES project (2012). An open collection of research data and teaching materials relating to Spanish migrant stories. JISC

This is the raw, unedited footage of an interview with Corsino Fernandez Garcia, conducted by Alicia Pozo-Gutierrez, of the University of Southampton, on 3rd July, 2008. It is in English and is in three parts. It features Corsino talking about his early life and experiences as a child refugee during and after the Spanish civil war. Included are a transcription in Spanish and a photo of Corsino. This work is licensed under the Creative Commons Attribution Non Commercial License http://creativecommons.org/licenses/by-nc/3.0/. This means that you may download and adapt the work for non-commercial purposes but you must credit the original author. All use and versions of this material should be attributed. Please cite this work as: OpenLIVES project (2012). An open collection of research data and teaching materials relating to Spanish migrant stories. JISC

This is the raw, unedited footage of an interview with Corsino Fernandez Garcia, conducted by Alicia Pozo-Gutierrez, of the University of Southampton, on 3rd July, 2008. It is in English and is in three parts. It features Corsino talking about his early life and experiences as a child refugee during and after the Spanish civil war. This work is licensed under the Creative Commons Attribution Non Commercial License http://creativecommons.org/licenses/by-nc/3.0/. This means that you may download and adapt the work for non-commercial purposes but you must credit the original author. All use and versions of this material should be attributed. Please cite this work as: OpenLIVES project (2012). An open collection of research data and teaching materials relating to Spanish migrant stories. JISC

Nesse episódio: Entrevista com Danielle Corsino.