Podcasts about fort dodge

Readings from the Mason City Globe Gazette and Fort Dodge Messenger. The volunteer Voices of IRIS read newspapers aloud to keep over 11,000 blind and print disabled listeners informed and connected to their communities. Learn more at IowaRadioReading.org

Readings from the Mason City Globe Gazette and Fort Dodge Messenger. The volunteer Voices of IRIS read newspapers aloud to keep over 11,000 blind and print disabled listeners informed and connected to their communities. Learn more at IowaRadioReading.org

Readings from the Mason City Globe Gazette and Fort Dodge Messenger. The volunteer Voices of IRIS read newspapers aloud to keep over 11,000 blind and print disabled listeners informed and connected to their communities. Learn more at IowaRadioReading.org

Readings from the Mason City Globe Gazette and Fort Dodge Messenger. The volunteer Voices of IRIS read newspapers aloud to keep over 11,000 blind and print disabled listeners informed and connected to their communities. Learn more at IowaRadioReading.org

Readings from the Mason City Globe Gazette and Fort Dodge Messenger. The volunteer Voices of IRIS read newspapers aloud to keep over 11,000 blind and print disabled listeners informed and connected to their communities. Learn more at IowaRadioReading.org

Readings from the Mason City Globe Gazette and Fort Dodge Messenger. The volunteer Voices of IRIS read newspapers aloud to keep over 11,000 blind and print disabled listeners informed and connected to their communities. Learn more at IowaRadioReading.org

Readings from the Mason City Globe Gazette and Fort Dodge Messenger. The volunteer Voices of IRIS read newspapers aloud to keep over 11,000 blind and print disabled listeners informed and connected to their communities. Learn more at IowaRadioReading.org

Readings from the Mason City Globe Gazette and Fort Dodge Messenger. The volunteer Voices of IRIS read newspapers aloud to keep over 11,000 blind and print disabled listeners informed and connected to their communities. Learn more at IowaRadioReading.org

Readings from the Mason City Globe Gazette and Fort Dodge Messenger. The volunteer Voices of IRIS read newspapers aloud to keep over 11,000 blind and print disabled listeners informed and connected to their communities. Learn more at IowaRadioReading.org

Readings from the Mason City Globe Gazette and Fort Dodge Messenger. The volunteer Voices of IRIS read newspapers aloud to keep over 11,000 blind and print disabled listeners informed and connected to their communities. Learn more at IowaRadioReading.org

Readings from the Mason City Globe Gazette and Fort Dodge Messenger. The volunteer Voices of IRIS read newspapers aloud to keep over 11,000 blind and print disabled listeners informed and connected to their communities. Learn more at IowaRadioReading.org

Readings from the Mason City Globe Gazette and Fort Dodge Messenger. The volunteer Voices of IRIS read newspapers aloud to keep over 11,000 blind and print disabled listeners informed and connected to their communities. Learn more at IowaRadioReading.org

Readings from the Mason City Globe Gazette and Fort Dodge Messenger. The volunteer Voices of IRIS read newspapers aloud to keep over 11,000 blind and print disabled listeners informed and connected to their communities. Learn more at IowaRadioReading.org

Readings from the Mason City Globe Gazette and Fort Dodge Messenger. The volunteer Voices of IRIS read newspapers aloud to keep over 11,000 blind and print disabled listeners informed and connected to their communities. Learn more at IowaRadioReading.org

Readings from the Mason City Globe Gazette and Fort Dodge Messenger. The volunteer Voices of IRIS read newspapers aloud to keep over 11,000 blind and print disabled listeners informed and connected to their communities. Learn more at IowaRadioReading.org

Readings from the Mason City Globe Gazette and Fort Dodge Messenger. The volunteer Voices of IRIS read newspapers aloud to keep over 11,000 blind and print disabled listeners informed and connected to their communities. Learn more at IowaRadioReading.org

Readings from the Mason City Globe Gazette and Fort Dodge Messenger. The volunteer Voices of IRIS read newspapers aloud to keep over 11,000 blind and print disabled listeners informed and connected to their communities. Learn more at IowaRadioReading.org

Readings from the Mason City Globe Gazette and Fort Dodge Messenger. The volunteer Voices of IRIS read newspapers aloud to keep over 11,000 blind and print disabled listeners informed and connected to their communities. Learn more at IowaRadioReading.org

Readings from the Mason City Globe Gazette and Fort Dodge Messenger. The volunteer Voices of IRIS read newspapers aloud to keep over 11,000 blind and print disabled listeners informed and connected to their communities. Learn more at IowaRadioReading.org

Readings from the Mason City Globe Gazette and Fort Dodge Messenger. The volunteer Voices of IRIS read newspapers aloud to keep over 11,000 blind and print disabled listeners informed and connected to their communities. Learn more at IowaRadioReading.org

Readings from the Mason City Globe Gazette and Fort Dodge Messenger. The volunteer Voices of IRIS read newspapers aloud to keep over 11,000 blind and print disabled listeners informed and connected to their communities. Learn more at IowaRadioReading.org

Readings from the Mason City Globe Gazette and Fort Dodge Messenger.  The volunteer Voices of IRIS read newspapers aloud to keep over 11,000 blind and print disabled listeners informed and connected to their communities. Learn more at IowaRadioReading.org

Readings from the Mason City Globe Gazette and Fort Dodge Messenger. The volunteer Voices of IRIS read newspapers aloud to keep over 11,000 blind and print disabled listeners informed and connected to their communities. Learn more at IowaRadioReading.org

Readings from the Mason City Globe Gazette and Fort Dodge Messenger. The volunteer Voices of IRIS read newspapers aloud to keep over 11,000 blind and print disabled listeners informed and connected to their communities. Learn more at IowaRadioReading.org

Readings from the Mason City Globe Gazette and Fort Dodge Messenger. The volunteer Voices of IRIS read newspapers aloud to keep over 11,000 blind and print disabled listeners informed and connected to their communities. Learn more at IowaRadioReading.org

Readings from the Mason City Globe Gazette and Fort Dodge Messenger. The volunteer Voices of IRIS read newspapers aloud to keep over 11,000 blind and print disabled listeners informed and connected to their communities. Learn more at IowaRadioReading.org

Readings from the Mason City Globe Gazette and Fort Dodge Messenger. The volunteer Voices of IRIS read newspapers aloud to keep over 11,000 blind and print disabled listeners informed and connected to their communities. Learn more at IowaRadioReading.org

Readings from the Mason City Globe Gazette and Fort Dodge Messenger. The volunteer Voices of IRIS read newspapers aloud to keep over 11,000 blind and print disabled listeners informed and connected to their communities. Learn more at IowaRadioReading.org

Readings from the Mason City Globe Gazette and Fort Dodge Messenger. The volunteer Voices of IRIS read newspapers aloud to keep over 11,000 blind and print disabled listeners informed and connected to their communities. Learn more at IowaRadioReading.org

Readings from the Mason City Globe Gazette and Fort Dodge Messenger. The volunteer Voices of IRIS read newspapers aloud to keep over 11,000 blind and print disabled listeners informed and connected to their communities. Learn more at IowaRadioReading.org

Readings from the Mason City Globe Gazette and Fort Dodge Messenger. The volunteer Voices of IRIS read newspapers aloud to keep over 11,000 blind and print disabled listeners informed and connected to their communities. Learn more at IowaRadioReading.org

Readings from the Mason City Globe Gazette and Fort Dodge Messenger. The volunteer Voices of IRIS read newspapers aloud to keep over 11,000 blind and print disabled listeners informed and connected to their communities. Learn more at IowaRadioReading.org

Readings from the Mason City Globe Gazette and Fort Dodge Messenger. The volunteer Voices of IRIS read newspapers aloud to keep over 11,000 blind and print disabled listeners informed and connected to their communities. Learn more at IowaRadioReading.org

Readings from the Mason City Globe Gazette and Fort Dodge Messenger. The volunteer Voices of IRIS read newspapers aloud to keep over 11,000 blind and print disabled listeners informed and connected to their communities. Learn more at IowaRadioReading.org

Readings from the Mason City Globe Gazette and Fort Dodge Messenger. The volunteer Voices of IRIS read newspapers aloud to keep over 11,000 blind and print disabled listeners informed and connected to their communities. Learn more at IowaRadioReading.org

Readings from the Mason City Globe Gazette and Fort Dodge Messenger. The volunteer Voices of IRIS read newspapers aloud to keep over 11,000 blind and print disabled listeners informed and connected to their communities. Learn more at IowaRadioReading.org

Readings from the Mason City Globe Gazette and Fort Dodge Messenger. The volunteer Voices of IRIS read newspapers aloud to keep over 11,000 blind and print disabled listeners informed and connected to their communities. Learn more at IowaRadioReading.org

Readings from the Mason City Globe Gazette and Fort Dodge Messenger. The volunteer Voices of IRIS read newspapers aloud to keep over 11,000 blind and print disabled listeners informed and connected to their communities. Learn more at IowaRadioReading.org

Artists Tommy Riefe and Lexa Walsh join me to discuss the New Museum expansion and show, New Humans: Memories of the Future curated by Massimiliano Gioni and Gary Carrion-Murayari. We discuss the success of the building itself and then move onto the show's major themes—the history of the human body as mediated by technology.    Additional Resources:  Tommy Riefe Lexa Walsh  The New Museum, New Humans: Memories of the Future Jeffrey Deitch, Post Human, 1992   Boris Groys, Art Power, 2008 Jason Farago, The New Museum Reopens Asking: “What is Human?”, 2026, The New York Times   Artist guests:  Tommy Riefe  Riefe earned his BFA in Art History and Sculpture from the University of Northern Iowa in 2014, and later received his MFA from the Sam Fox School of Design and Visual Arts at Washington University in St. Louis in 2017. He has been in numerous group exhibitions and has public sculptures in the collections of Howard Hughes Medical Institute in Ashburn, VA (2022) Fort Dodge, IA (2021) Lakewood, MN (2019), Iowa State University (2018), Minnesota State University (2018), Laneken, Belgium (2018), Cedar Falls, IA (2017) Rock Island, IL (2016), and Sioux City, IA (2016).   Lexa Walsh Lexa Walsh is an artist, cultural worker and experience maker.  With a background in both sculpture and social practice, Walsh makes site specific projects, exhibitions, publications and objects, using an array of materials including ceramics and textiles, employing social engagement, institutional critique, and radical hospitality to question hierarchies, power and value.   Walsh founded the experimental music and performance venue the Heinz Afterworld Lounge, and co-founded and conceived of the all women, all toy instrument ensemble Toychestra.  Walsh worked for many years as a curator and administrator at CESTA, an international art center in Czech republic, whose team created radical curatorial projects to foster cross-cultural understanding. She founded Oakland Stock & Soup for Social & Racial Justice, and the Bay Area Contemporary Art Archive. She is a graduate of Portland State Universitys Art & Social Practice MFA program and was Social Practice Artist in Residence in Portland Art Museums Education department. She was a recipient of Southern Exposures Alternative Exposure Award, the CEC Artslink Award, the Gunk Grant and was a de Young Artist Fellow. Walsh has participated in projects, exhibitions and performances at Apexart, di Rosa Center for Contemporary Art, FOR-SITE, Grand Central Art Center, Kala Art Institute, Marin Museum of Contemporary Art, NIAD, Oakland Museum of California, SFMOMA, Smack Mellon, Walker Art Center, Williams College Museum of Art, Yerba Buena Center for the Arts, and has done several international artist residencies, tours and projects in Europe and Asia.

Readings from the Mason City Globe Gazette and Fort Dodge Messenger. The volunteer Voices of IRIS read newspapers aloud to keep over 11,000 blind and print disabled listeners informed and connected to their communities. Learn more at IowaRadioReading.org

Readings from the Mason City Globe Gazette and Fort Dodge Messenger. The volunteer Voices of IRIS read newspapers aloud to keep over 11,000 blind and print disabled listeners informed and connected to their communities. Learn more at IowaRadioReading.org

Send us Fan MailMud, rain, and a riverbank so soft every step sinks, that's where Fort Dodge begins. We rewind to April 10, 1865, and follow Captain Henry Pearce and a tired group of soldiers as they plant a military post on the Arkansas River while most of the country's attention is fixed on the war's end in Virginia. This is Kansas frontier history at ground level, where “progress” sounds like shovels scraping clay and feels like cold water pooling on the floor.We talk through what the earliest Fort Dodge actually looks like: no stone walls, no neat pine barracks, not even easy access to wood. Instead, survival means digging shelters into the high riverbanks, creating cramped, damp rooms that smell of wet earth and wool. With spring storms rolling in, sickness and exhaustion become part of the daily routine, yet the garrison keeps watch because the stakes are bigger than any one soldier's comfort.The real power of this story is the geography. Fort Dodge sits where the Santa Fe Trail splits, one route tracking the river and another cutting into the uplands. That crossroads turns a miserable patch of mud into a strategic gateway to the Southwest, protecting wagon trains, supporting mail routes, and giving settlers a safer shot at moving west. We also connect these early choices to the long-term arc of the Great Plains, including the transportation networks and economic forces that help fuel the American cattle industry.If you care about Kansas history, the Santa Fe Trail, frontier military posts, or how the American West was built in small, gritty steps, this one's for you. Subscribe for more, share it with a history-loving friend, and leave a review telling us what detail stuck with you most.Support the showIf you'd like to buy one or more of our fully illustrated dime novel publications, you can click the link I've included. 

Send a textBoot Hill gets talked about like a legend, but legends get lazy. We wanted the names, the dates, and the ugly little details that show how Dodge City earned its reputation before the “classic” era of Wyatt Earp and Bat Masterson even settles in.We walk through the earliest Boot Hill burials starting in 1872, when the railroad, soldiers from Fort Dodge, gamblers, buffalo hunters, and nonstop drinking turn a new town into a combustible mix. Stories like Jack Reynolds, the man remembered as Blackjack or Tex, the killing of hotel owner Carpenter J. M. Essington, and the violence in Tom Sherman's dance hall make it clear that these were not neat Western showdowns. They were crowded, impulsive, and often senseless.Then the episode turns to vigilante justice, the executions of Ed Williams and Charles “Texas” Hill, and the return of McGill, a buffalo hunter whose behavior becomes infamous. The real pivot point comes with the murder of William Taylor, a Black man and the private cook for Colonel Richard Dodge, and the military response that follows. That single killing helps push Dodge City toward formal law enforcement, the election of Sheriff Charlie Bassett, and a clearer divide in how ordinances are enforced north and south of the tracks.If you're into Dodge City history, Boot Hill history, or the truth behind Wild West myths, this is the ground-level story of how reputation is made and why a town eventually tries to bury it. Subscribe, share with a fellow Western history fan, and leave a review with the one Boot Hill story you think more people should know.Gretel le Maître Ponders Beauty, with Bede & other guestsGretel le Maître likes to look for the beauty and curiosities in life, one day at a...Listen on: Apple Podcasts SpotifySupport the showIf you'd like to buy one or more of our fully illustrated dime novel publications, you can click the link I've included.

Send a textA county can be born without a single shot fired. We travel back to February 26, 1867, when lawmakers in Topeka drew the first boundaries of Ford County and set a quiet revolution in motion. Out on the wind-cut Kansas prairie, the scene looked unchanged—buffalo grass, open sky, no fences—but a pen stroke had already begun to rearrange lives, routes, and destinies.We unpack why the county took the name of Colonel James H. Ford, a 2nd Colorado Cavalry veteran whose influence stretched beyond the Civil War. The story pivots on Fort Dodge, the hard-won foothold guarding the Santa Fe Trail. That fort didn't just symbolize order; it created the conditions for settlement, trade, and a sense of safety that maps alone could not provide. For years, Ford County existed in a strange in-between—boundaries on paper, no functioning local government—until growth and grit pushed the region toward structure.Everything changes in 1873 when Governor Thomas Osborne formally organizes the county and Dodge City becomes the seat. Overnight, a rough hunting camp begins its transformation into an administrative and judicial hub. We explore how that shift redefined power from rifles and rumors to records and rulings—and how lines drawn in quiet rooms can ripple into courthouses, classrooms, and communities. Along the way, we reflect on the hidden engines of the American West: boundary-making, fort-building, and the steady work of turning space into a place.If stories like this spark your curiosity, subscribe, share the show with a history-loving friend, and leave a quick review to help more listeners find our deep dives into Ford County's past.Support the showIf you'd like to buy one or more of our fully illustrated dime novel publications, you can click the link I've included.

Send a textA county's name hides a better story than any barroom legend. We pull back the curtain on Colonel James Hobart Ford—the Union officer whose grit, speed, and stubborn discipline shaped the ground beneath Dodge City long before gunfighters made it famous. From Ohio roots to the Colorado Territory, Ford rose fast, helped raise the 2nd Colorado Infantry, and proved himself at Glorieta Pass, where Union forces stopped Confederate designs on the Southwest. Then came the crucible: the Kansas–Missouri border, where guerrilla raids and burned homes defined the fight and where Ford's aggressive command went head-to-head with bushwhackers like Quantrill.We follow Ford into the decisive sweep of 1864, where his leadership mattered at the Battle of Westport and across the pursuit of Sterling Price, driving Confederate hopes out of Kansas and back into Arkansas. As the Civil War shifted to the plains, Ford took command of the District of the Upper Arkansas, often working from a tent under open sky. Here the mission changed: protect the Santa Fe Trail, balance settler pressure against Cheyenne, Arapaho, and Kiowa resistance, and hold a fragile peace along a corridor that powered trade and migration. Out of this work rose a modest sod outpost that later became Fort Dodge, a linchpin for the region and a seed for Dodge City's explosive future.Ford died at 38, never seeing the cowboy capital take shape. Yet five years later, Kansas named Ford County in his honor—a recognition not of legend, but of logistics, patrols, and hard choices made along a dangerous border. We share archival insights from the Ford County Historical Society and the Ford County Legacy Center to bring his story to life: a portrait of a commander who traded romance for results and left a county that still bears his name. If you're ready to rethink Dodge City's origin story through the eyes of the soldier who secured it, press play, subscribe for more frontier deep dives, and leave a review sharing the detail that surprised you most.Support the showIf you'd like to buy one or more of our fully illustrated dime novel publications, you can click the link I've included.

On this Legislative Day episode, we talk with the House Higher Education Committee chair and ranking member, Rep. Taylor Collins, R-Mediapolis, and Rep. Timi Brown-Powers, D-Waterloo, about bills that would allow some community colleges to offer four-year degrees, place a tax on large endowments at colleges and universities, and more. Then, we talk with a former student regent Jenny Connolly about proposed legislation that would change student representation of the Board of Regents. We also hear from the presidents of Iowa Central Community College in Fort Dodge and Northwestern College in Orange City on their views of the four-year degree proposal.

Ladies & gentlemen — Howdy & Aloha! We are HERE, you are THERE, and you're now rockin' with the best!

Nick hates Fort Dodge, Ia.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

We're heading back to Lincroft, New Jersey with Coach Mike Tursi, head cross country coach at Brookdale Community College, fresh off a Top-10 finish at the 2025 NJCAA DIII National Championships in Fort Dodge, Iowa.

Mary Kelly talks to Ben Luke about her influences—from writers to musicians, film-makers and, of course, other artists—and the cultural experiences that have shaped her life and work.Kelly was born in Fort Dodge, Iowa, US, in 1941 and lives today in Los Angeles. She has played a fundamental role in the history and ongoing development of conceptual and feminist art, with works that have explored sexuality and women's experience, wider issues of identity, the spectacle and trauma of war, and the nature of memory in relation to history and geopolitics. Informed by a range of thought, including critical theory, psychoanalysis and literature, her work takes diverse physical forms, but often manifests in multimedia installations, involving a rich materiality that includes text and documents, photography and printmaking, sculpture, sound and film. She reflects on her groundbreaking projects like Post-Partum Document (1973-77) and Interim (1984-89), and the way that her use of autobiography has shifted in her work over time. She discusses the dramatic shift in her life following her move to Beirut in the 1960s and the events of May 1968. She recalls the moment she encountered Franz Kline's work aged 15 and how it confirmed a lifelong pursuit of non-figurative work. She reflects on her role within Conceptualism and her esteem for her peers in that movement. She discusses the importance of writers as diverse as Simone de Beauvoir, Jean Genet, William Carlos Williams and Jacques Lacan. Plus, she gives insight into her life in the studio and answers our usual questions, including a moving answer to the ultimate question: what is art for?Mary Kelly: We don't want to set the world on fire, Pippy Houldsworth Gallery, London, until 17 January 2026 Hosted on Acast. See acast.com/privacy for more information.