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What's the difference between a bundle, a box set, an anthology, and a collection? How can being part of an anthology be creatively interesting and useful for marketing? With Jamie Ferguson In the intro, Amazon Kindle increases the 70% royalty share; audiobook marketing tips (Voices by InAudio); The Builder's Creed [Seth Godin]; Future Vision XPrize; Researching the dark side of travel [Anna Sayburn Lane]; Photos from Bruges @jfpennauthor; Bones of the Deep: A Thriller – J.F. Penn. Today's show is sponsored by Bookfunnel, the essential tool for your author business. Whether it's delivering your reader magnet, sending out advanced copies of your book, handing out ebooks at a conference, or fulfilling your digital sales to readers, BookFunnel does it all. Check it out at bookfunnel.com/thecreativepenn This show is also supported by my Patrons. Join my Community at Patreon.com/thecreativepenn Jamie Ferguson is a fiction and short story author, editor, and publisher, with over 20 anthologies and multiple ebook bundles through her own press. Her latest book for authors is Bundle Up! A Practical Guide to Anthologies and Box Sets That Sell. You can listen above or on your favorite podcast app or read the notes and links below. Here are the highlights and the full transcript is below. Show Notes The difference between bundles, box sets, anthologies, and collections Why a multi-author project means lots of people promoting the same book, not just you How to find and pitch for anthology opportunities, and what editors look for in a contributor Contracts, rights, and royalty splits explained for short fiction Why Kickstarter and special print editions are changing the anthology game Inkwren, the publishing management tool Jamie built for backlists and anthologies You can find Jamie at JamieFerguson.com. Transcript of the interview ith Jamie Ferguson Jo: Jamie Ferguson is a fiction and short story author, editor, and publisher, with over 20 anthologies and multiple ebook bundles through her own press. Her latest book for authors is Bundle Up! A Practical Guide to Anthologies and Box Sets That Sell. Just for context too, one of my short stories, “The Dark Queen”, is in the Amazing Monster Tales: Into the Briny Deep anthology. So I'm excited to talk about this today. Welcome to the show, Jamie. Jamie: Thanks for having me, Jo. Jo: Lots to talk about. But first up— Tell us a bit more about you and how you got into writing and self-publishing. Jamie: Well, I wanted to be a writer since I was at least six, maybe before then. So it was just something I always wanted to do, but I always did it on the side. I had a year, many years ago, where I was really busy with work, and I just felt like I didn't write anything the entire year, and I thought, “I'm going to give it up.” Then the next year—that was 2011—I started seeing more about self-publishing, and that really invigorated me and made me feel like, “No, why am I giving up something I've wanted to do since before I went to school?” So I got back into a novel I had worked on years before. I went to a writing workshop with Dean Wesley Smith up in Oregon, back in the day, and then I had my energy back. I've been writing ever since. Still on the side, unfortunately, but someday. Jo: Hopefully! Tell us a bit more about what kind of genres you write. Because balancing your own books with also doing these anthologies and things is quite difficult. Jamie: Yes, it definitely is. I'd say I primarily write contemporary fantasy, but I'll write anything in any genre if I'm really excited about it. I also have a soft spot for Westerns. They take a little more time because I like to research all the facts, but those are really fun to write. Creating anthologies on your own is actually quite a bit of work. One of the things I also do is work with two other authors, DeAnna Knippling and Tami Veldura, and create more anthologies with them. That's really fun because then we can each take a different piece. There's also always somebody to talk to, as opposed to doing it on your own. Jo: Let's start with the terminology, because I definitely struggled with this, and I think people still do. We've got bundles, we've got box sets, we've got anthologies, we've got collections—and are these in ebook, audiobook, or print? Can you start by explaining what all of these words actually mean? Jamie: Yes. In my book I actually use the term “multi-author collection” or “multi-author project”, because there are so many different permutations and it does get confusing. From my perspective, I think of a bundle as a collection. It could be a collection of ebooks. Technically it could be a collection of print books, although people generally use “box set” for that—but then a box set can also be a box set that's all ebooks. An anthology, I usually use for something that's a collection of short stories where there's an editor who's actually edited all the stories. I have had stories in anthologies where somebody didn't edit them, and they would technically be called a curator. So it is definitely confusing. I have not done anything with audio collections, but that certainly is another area that I actually think is pretty interesting. Jo: I also think that a single author… so I've done a short story collection, but an anthology is multiple authors. Is that right? Jamie: Yes. Jo: I think when I came into the indie space, there were a lot more multi-author… we all called them box sets back in the day, when it was just ebooks, right? And now we can actually do boxed sets with boxes through things like BookVault. So it feels like the term “box set” has also gone out of fashion. So if people listening are thinking of doing any of this, you do have to figure out what is the thing you might be signing up for. So let's talk about the multi-author projects, as that's where you specialise. What are the benefits for an author to be involved in a multi-author anthology project? Jamie: The biggest benefit is that you are one of multiple people promoting the same project, whether it's print or ebook or whatever. If I put out a short story collection on my own, I'm the one promoting it, and maybe I can get a couple of other people to write about it, but it's really just me. If I'm part of an anthology with 15 other authors, that's 15 other people who are promoting the same project. That's more newsletters, more Facebook posts, maybe something on their Patreons, whatever it is. You get more synergy, and you get more touch points with potential readers. Then hopefully that translates into sales as well. So that's definitely the biggest part of it—the promotion. Then I also personally really enjoy these types of collections because it's just fun to work with other people. There's a nice energy when everybody's like, “Oh, I put this in my newsletter, and I put this here, and I put this here,” and you feel like you're part of something bigger than just your own piece. Jo: What about the creative benefits? Especially with short stories, often people will write them for a collection or for an anthology project. Jamie: Yes. I've definitely written some stories that I never would have thought I'd write, because somebody I knew asked if I would be interested in being in their collection—whether it's an ebook bundle or a print anthology. So at least for me, that's been really fun. One of the ones that stands out is that I was asked to be in a dinosaur collection once, and I was like, “I don't write dinosaur stories.” And then I did. I set a dinosaur story in London, and it was really fun to write, and I never would have come up with that in a million years. Jo: Let's say we've got 12 authors. They've all written short stories, and now it's in this anthology. But what is the market for these kinds of things? Have you found that there is a readership for short story anthologies that carries over to the author's longer work? Jamie: There is. I like to think of it as: if I have a story in a collection or an anthology—whether it's one I'm editing or somebody else is editing—that's one more place for people to find me. A lot of times anthologies will take reprints as well, like your story. “The Dark Queen”—that was a reprint. We asked if you'd be interested in participating in the Amazing Monster Tales series. And I actually really like printing stories again that have already been published, because there are a lot of stories out there that can be hard to find. Or if it's an older book. I have one author I've known for, like, 30 years. I reprinted one of her stories that was originally published in, I think, 1999, and the anthology it was in was out of print. You couldn't find it, and it was a fantastic story. So it's fun to be able to give new life to those stories and give them more opportunities, and also just have more ways for people to find you. Jo: Yes, I definitely think it's a long game. I don't think appearing in a short story anthology in one particular month is going to mean that your whole back collection just sells, right? Jamie: No, definitely not. It's more about avenues to be found. I know there have been some anthologies that have made quite a bit of money, but in general you're probably not going to make as much money, but you will have those extra places for people to find you. Jo: I always feel like yes, there is maybe a small amount of money, but it is more about almost a marketing thing in itself. So let's say an author is listening and they're like, “Do you know, this sounds like a great idea.” How can they pitch for things like this? How do they find out about opportunities, or get noticed to be asked? And what are the expectations for them? Jamie: The biggest thing is networking. There used to be a couple of opportunities where you could make people aware that you had stories that you were interested in potentially having picked up for something. I'm not aware of anything like that now. When I create a collection, I have a mailing list that I send out, and it includes authors I've published before. It includes a couple of extra people who somehow found my mailing list. And I'll publish, like, “Here's what I'm doing.” There are also authors I've met at writing workshops. I've been able to read some of their work, I'll approach them and say, “Hey, I really liked such and such a story. Would you be interested in writing for this?” Then there are a couple of other websites, like Duotrope, and places that advertise markets and calls for submissions. Jo: Yes, I've found them also on small presses that do these kinds of projects. They often put up one call for submission a month or something, and you can write for their particular thing. In general, the short story markets are the places to keep an eye on. Jamie: Yes, definitely. Jo: If an author wants to pitch to have their story as part of an anthology, do you want to know things like platform, or is it just the story itself? Jamie: I personally look at the author's platform. I do make exceptions—there are actually two authors I've worked with a couple of times who don't have websites. They are people I know personally and they are very, very good writers, so I'll make an exception for things like that. But otherwise, if somebody submitted a story to me and I didn't know that person, I would check out their website, I would check out their social media, I would see what else they had done. Part of what you're doing when you're creating a collection is thinking not just about how you, as the person organising this, will promote the collection, but how the authors who are participating will help promote it as well. If it's somebody who has a lot of fans, even if they're not very active on social media, that can help a lot too. There are a lot of different factors, though. Jo: So then talk us through the project timeline. How long do things take, and what sort of involvement do the authors have along the way? Because it's a lot to juggle. Jamie: Yes, it is a lot to juggle. I can give you an example with the Monster Tales series. We'll come up with an idea, and we also like to try to get the artwork done early on in the process. We don't need it that soon, but it's really great to have that taken care of. We'll contact authors. I think for this one we used my mailing list, but we've also contacted a number of people individually that we know who write the style of stories we like. Then, as the submissions come in, we usually wait until we have a nice chunk of them to start going through, and then we'll pick some right away. Sometimes it'll be like, “Oh my gosh, of course we want this story,” and we'll wait to fill out the other slots. Then we'll negotiate sometimes. Sometimes it's like, “I want this story.” “Well, I want this other story.” And we have to figure out how the word count works. Once we finalise the stories, then usually what happens with that anthology is that DeAnna—who is a very, very good editor—will make the first editing pass, and then I'll make the second. And now Tami's involved, so Tami will make the third, and then we'll iterate. Once all three of us have gone through the first time, then we'll send the story back to the author for edits. So the most the author has to do for most of the process is just wait for us to edit their story, and then work on their edits and get them back. Then, once we get closer to launch, we'll give them information about what we're going to do. For example, we're going to launch the next issue with a Kickstarter. So our authors know that we have a Kickstarter coming, and we'll give them more information as we get closer to the actual launch date. Jo: So how long might an author expect before their work is out there? Jamie: It really varies. I've had some collections published very quickly—let's say a couple of months. Some have taken longer just because somebody ends up having some life issue and things get delayed. So I'd say ideally it would be more like three to nine months. Jo: Yes, I think… depending on the— Jamie: —collection and the complexity. Jo: Yes, exactly. Jo: And you did mention word count there. Just give us a range of what word count you like to get. Jamie: So these days I'm shooting for between 75,000 and 80,000 for the total word count for a collection. That includes the stories, but it also includes the opening, the introduction. For one we're working on now, we're going to have some interstitials, where we have little bits of things we're going to write in between each story. So that's the overall size of the collection. I'll keep track of the word count as the stories come in, and then as we edit the stories, sometimes they grow, sometimes they shrink. Sometimes that's a big enough difference where we're like, “Okay, we need one more story to fill it in.” But that's the target. Jo: And how much for each individual story? Jamie: That varies. I've done a bunch of different things. These days, what I'm advertising is between 3,000 and 8,000 words. I also always tell people: if you're outside this range on either side, just check with me, and if it's something that's really an excellent fit for the book, I'll make an exception. The one that's coming out, I think we have a 1,500- or 2,000-word story that was just amazingly perfect for what we wanted. There was another story, actually I think it was the issue that you were in, that was at least 12,000 words, but it also was a perfect fit for the theme. So I will make exceptions, but within reason. I wouldn't put a novella inside an anthology, because then you'd have a 22,000-word story next to a 3,000-word story, and I personally feel like that's really jarring for the reader. You don't want to go from something super short to something super long. It just doesn't feel like it flows well to me. Jo: No, absolutely. Jo: We'll come back to the making of it because you mentioned some really interesting things there. But just on the contractual side—a lot of indie authors don't necessarily do any publishing contracts for their work, unless it's signing the terms and conditions when uploading on Amazon or Kobo. So tell us a bit about the contract side. What rights are we talking about here? Any red lines in contracts around this kind of thing? Jamie: For contracts, I would recommend people read Kristine Kathryn Rusch's posts on this. She is way more informed about this than I ever will be, so when I have questions, I'll look at her posts. I've asked her a couple of questions. What we're doing for the Amazing Monster Tales… this is the first time that I've actually had authors sign contracts. Prior to this, I've used PubShare, which handles royalty splits and all of that, and that was really great. We want to do direct sales and Kickstarters and have lots of other options. So we did put together a contract this time. I'd have to pull it up, but I think we asked for first worldwide rights in English—I'm getting the terminology wrong here—but that was basically it. Jo: Or, I guess, reprint rights if the story's already been licensed. Jamie: Correct. We have two contract templates, one for original stories and one for reprints. We made sure to make that distinction, because it is definitely a distinction. In the book by Kristine Kathryn Rusch—it's called Closing the Deal… on Your Terms—I highly recommend that for anybody interested in learning more about contracts. Jo: Yes, that's great. And just for people listening: when you said you didn't have contracts before, you just used PubShare. So in that way, the author still retained the rights and you just split the royalties—it was more of a co-writing thing. Jamie: Correct. When you publish stories through PubShare, the author signs an agreement with PubShare, and then I, as the editor or organiser, would also sign a separate agreement. So each of us has an agreement with PubShare. We don't have agreements with each other, if that makes sense. Jo: Yes, so it's very different to move into Kickstarter. So tell us about what you're now moving into. Jamie: Well, Kickstarters are a new world for me personally. I have many friends who have had Kickstarters. I've supported Kickstarters. I watch them. But it's something where I'm very happy to have two partners who have done Kickstarters before. I'm not sure how many Tami's done—I think Tami's done the most at this point. So this is all new to me. But it's very exciting. At this point we have a backlist, so part of the plan, for the Monster series, is to offer issues one through four as part of the rewards when we launch issue number five. That's really exciting, because I never had a backlist like that before. Jo: Yes, and in fact the money is in the backlist, as ever, and those add-ons or bundles as part of Kickstarter are great. So are you going to do special print editions, or is it digital only? Jamie: We are talking about special print editions. You mentioned BookVault earlier—we've been looking at BookVault. Our other anthology series that hasn't come out yet will also launch with a Kickstarter. It's dragon-themed, and Tami actually did the cover work, which is beautiful. BookVault just gives you so many options that we never had before, so I'm very excited about that. Jo: Yes, I think it's a really good idea. I did gorgeous hardbacks for my solo author collection, so I think it's a great idea. So from the publisher side, let's come back to that. You've mentioned you have to write things like an introduction and interstitials, and you're trying to balance the stories. What are some of the other things that people might think about if they want to organise their own anthologies? Jamie: Oh gosh, where to start? There's the basic setting up of the anthology, so you have to define the table of contents. You might get a bunch of stories that are really awesome, and you might have to tell somebody who has a wonderful story—and maybe even who's a good friend of yours—that you're going to pass on it because their story doesn't fit with all the other stories. Every time I have to do that, I feel kind of bad. But being on this side, it's really interesting to see how you can tell which stories fit together and which don't. There's also the editing process, which can be a lot of work. Part of what I like about working with Tami and DeAnna is that DeAnna really loves editing. I feel like I'm a good editor, and I can do it, but for me it's more of a job. For DeAnna, she loves it, so she does the bulk of the editing, which is great. When I do it on my own, I feel like it's a task I have to do. There's lots of cat-herding. Sometimes people take a while to get their edits back. Sometimes they have life events, and you have to delay things because you're waiting on them. There are all the little tiny pieces of organising things—like, if you're reprinting stories, you need to make sure you get the copyright attribution correct. A lot of times I'll have to go and look up where something was originally published. An author might say, “Oh, it was published in this year,” and I'm like, “Okay, actually it was published in this other year, by this other publication first.” So I'm trying to be organised there. henT one of the things that very infrequently—I think it's only happened to me twice—every once in a while, you're in the middle of editing a story and you have to pass on it, even though you've already accepted it, because the editorial vision and the author vision for the story are not the same, and you can't reconcile that. Jo: I think that's really interesting, because so much of what you're talking about there—you mentioned vision—it's almost taste. You're saying which stories fit. It's not just a case of, I don't know, a pirate anthology and then picking 10 stories about pirates, right? You seem to be thinking about this in a more artistic way. So can you talk a bit more about that? How do you decide on a theme, and then how do you know that a story doesn't fit? Jamie: In the beginning, I was not this selective. In the beginning I'd say, for example, “Hey, I'm putting out a collection about fairies. Give me a fairy story,” and that was it. As I've edited the stories, it's become easier to see how things fit. So, for example, if I have 10 stories in an anthology and I have an 11th story, and they have different tones—let's say the 11th story is really funny and all the other stories are very serious—then that would be a fit thing. That's not necessarily taste; it's just that you don't want one funny story if everything else is really dark and scary or serious. As far as picking a theme, the theme could be very broad. With this dragon anthology we're working on, we decided we wanted it to be called A Hoard of Books. So the theme was: has to have dragons, has to have books, and that's pretty much it. And then we were like, “Let's just see what we get.” We were very surprised at what we got. We thought we'd have more serious stories, and it turned out most of them were very light-hearted and really fun. And we're like, “You know what? That actually changes the way we're looking at the whole series,” because we did not expect that. With the monster series, we'll pick a theme. So, for example, the next issue is Monsters in Love, and for those it's more like, let's just see what happens. Sometimes I'll have a more specific theme. The next anthology I'm publishing on my own is called Fairy Bargains, and I wanted people to obviously have fairies, but I wanted there to be something related to the mythology and lore of having a bargain with a fairy—and there's a lot of stuff about that. So for some things like that, when I put out a call, I'll provide information. I might say, “Here's a link to a Wikipedia article. Here's some mythology that might be helpful for you,” just because I want things to stick a little bit more to the theme itself. Whereas with Monsters in Love, there's a very wide range of stories, and that was very fun to work through. Jo: Oh, yes. There's a lot of monster, on the spicy side as well. But were you doing a clean Monsters in Love, as opposed to in lust? Jamie: Yes, this is a clean one. That's pretty funny. But boy, when you give authors the room for these types of things, you get all kinds of stories, and it is super fun to work with those collections. Jo: As you're talking, I definitely want to do more short stories. It's really interesting, because you can actually generally get paid more for a first print—first print rights on a short story—but I often want to just publish it myself. Then I was really happy to be in yours, because it was a reprint anyway. So I was like, well, there's absolutely nothing to lose if it goes in as a reprint. So these things can be really interesting. Talking of the finance from your side of things: you have a small press and you're doing this publishing yourself, but you're paying all these authors and doing a lot of work. So how does it work as the publisher, in terms of these anthologies, financially? Jamie: With the ones we've published so far, because we've gone through PubShare, it's been a royalty split. As the editors, we would take a percentage, and then we pay for the artwork, and of course all of our time. I think what we were doing there was saying 70% of the royalties would be split equally between all of the authors and the stories. So, for example, if I had a story as well, I would get part of the author split—the same percentage as everybody else in the collection—in addition to the editor split. For what we're doing now, we've changed this a little bit, and I believe we said 60% goes to the authors, and then we're going to keep a share of the proceeds for the business because we want to be able to pay for the artwork out of the business account. We want to pay for advertising, whatever we need to do—like setting up our store, or if we wanted to invest in anything, we want to be able to do that as the business, as opposed to it just being us doing this on our own. We're just trying to treat it a little bit differently. Jo: And I know it's so much work—a crazy amount of work. How many anthologies and books do you have to do in a year to make it worthwhile financially? Jamie: Oh, I don't know. I would say, unless you get an opportunity—like, for example, to have an anthology in a story bundle or something like that—you may not break even. But if you're going to do this, do it more for the marketing, do it more because you enjoy it. Now, going forward, I think that will change, because we are looking at Kickstarters, we are looking at direct sales. We're very motivated to try to make this more of a business thing than a fun side project. So, ask me in a year. Jo: Yes, hopefully more. I do think Kickstarter is great for short stories. I actually buy quite a few collections on Kickstarter. I think they're actually really hard to discover through, say, Amazon—it's a place that is quite hard to identify short stories. Whereas I've found I've bought collections on Kickstarter because there's so much more of a sales page—there's so much more rich media that tells me how I'm going to feel about the stuff. I've bought short story anthologies and collections from people I don't know. So I think it's a really good thing to do. There is an audience there. Jamie: Yes, definitely. And it does feel like the anthologies on Amazon don't sell as well—you don't make as much as you used to. I've been doing this for, well, gosh, 10 years now, and I feel like the sales numbers on Amazon in the past year were noticeably lower than they would have been six or eight years ago. So I am very excited about Kickstarter. Plus, Kickstarter just feels really fun. You're not just throwing your book up; you also have all the extra stuff with the page, you have the rewards, and it just feels really exciting. Jo: No, I agree. I really love it. I didn't do it for a long time, and now I just love it. Jo: So, staying with the publisher side of things— Any practical formatting and production tips? Because in these types of projects, all kinds of people just send you different stuff. Jamie: I have a style guide. So whether it's me or it's the group project, once all the edits are complete, I'll do a formatting pass, and I'll make sure I use curly quotes and the same em dash format and everything, just so everything in the book is formatted the same way. Every once in a while there's an author who has something particular that they want, and I can work around that, and that's fine. I also work with a lot of Canadian authors, and I'll let them keep their Canadian spellings. I don't think everybody does that, but I feel like that's their voice in a way, so I don't correct those. I might check some things there. I think the formatting is important—it makes things look better if everything has the same style. Then I use Vellum, which makes things really easy. I love Vellum. Because I publish so many authors at this point, I have a Vellum file where I store their biographies and their links, so when I publish a new anthology I'll just go grab, say, Jo's “about the author” page from that collection and put it into the new file. Then I also track when the last time was that I checked with the author about their biography. If it's been more than a year, I'll check in with them and say, “Hey, do you have an updated biography you want me to use? Here are your links—do you have any different links now?” So that makes it a lot easier from the formatting standpoint. Jo: And you mentioned Vellum—having done box sets on Vellum, you can just drag a whole book in there if you want to do a three-book box set, or three short stories, whatever. It's much easier to just drag things in, and it makes it easier to format. So I would say to people: you don't need to worry too much about that. There are lots of things that can help you. But even with doing the print stuff for the Kickstarter—people have opinions, don't they? So in terms of authors' opinions and managing—you mentioned herding cats—how do you manage all of that side of things? Jamie: I haven't actually had a lot of trouble with that. The authors I've worked with seem to feel like they gave me their story, and then once the edits are out of the way… I haven't had anybody have any issues with the covers. Usually they love the covers, especially for the Monster series. So, no problems there. Jo: Oh, that's good. Well, I would say a tip would be to make sure you're communicating, if you're somebody who's organising. So talk a bit about communication. Jamie: Communication is very important. What I try to do is send regular updates, especially if I'm in the middle of edits or working on something and I'm not ready to launch. I'll send an update email out to the authors and just say, “Here's what's going on, here's what the plan is.” Or if the plan has to change, if the launch date has to change for some reason, I'll let the authors know about that. Actually, with the upcoming Monsters in Love issue, we were originally not going to do a Kickstarter. That was a late decision, so I contacted all the authors and said, “We've changed our plans. We're going to launch this with a Kickstarter. Please confirm that you're okay with this.” One author was not comfortable with the Kickstarter idea, so he pulled his story, and then we found a replacement story for that. But I just feel like the communication piece is really essential. It's really important for the authors to know what's going on. Jo: Yes, absolutely. So, we've talked about how marketing is a good thing, in terms of there being lots of people marketing. How are you effectively marketing these kinds of books, as the premise is quite different to a single author project? Jamie: Right. There's the usual—write a release post, write posts on social. I do additional things, so I'll publish what I call a story spotlight for each story in the anthology. That's just where I talk a little bit about the story, I provide an excerpt, and then I provide the author's bio and links to find them. Those are really great, because they're very quick to put together. The hardest part is getting a short excerpt that shows enough about the story to be engaging. But that really isn't that much time, either. Then those are also nicely evergreen. I've actually searched for authors before, when I'm trying to research them for an interview, and I've found my own spotlight posts and my own interview posts with authors come up at the top of the list, which is kind of funny. I also do interviews with as many of the authors in a collection as are willing to participate. Sometimes people just don't have the time—I don't make this required—but I usually get 80 to 90% of the authors participating. So, for example, this year I'm in a couple of bundles on StoryBundle, and I'm doing interviews for people there. It's also really fun, and you're not paying for advertising—you're just creating something that the authors are excited about and they want to share. So it promotes the collection, but it also promotes the author, which I find really nice. It's a nice networking thing too, and I'm happy if someone wants to interview me. It's like free publicity for each person, in addition to the collection. Jo: I love that you've used the word “fun” quite a lot, which I find amazing. You're obviously a super collaborative person. I've co-written a number of books— I've been part of some collections, and I really think that there are two personalities. One is like me, where we really love the creation stuff and the publishing stuff, but we're hyper-controlling. And then someone like you—you're very collaborative, and you're doing such a great job. To people listening, I would say: if you're more like me, don't organise an anthology. What you want is Jamie, or somebody who actually finds it fun to organise a big group of authors. Jamie: Yes. It is definitely interesting working with other partners in this, because when I publish an anthology on my own, I make all the decisions. I pick the artwork, I pick the theme, I do everything, I decide the table of contents. But when you're working with other people, you do need to negotiate. So we've had a couple of times where it's like, “I want this story.” “Well, I want this other story, I don't like the story that you want.” And so we have to barter, in a way. Aside from that, it is nice, because you get to split up the tasks. I could focus on things like the organising—I do the Vellum files, I do the final cover and everything. For the Kickstarters, actually, Tami's got more expertise, so Tami's going to be working on the Kickstarters for our collections together. If I had to do all this on my own, it's a ton of work. It's a ton of work. So it is nice to split it up. Jo: And of course, one of the things is managing so many moving parts—and you've actually built a tool to manage all this. So tell us a bit about that tool, and how it might be useful for people with big backlists as well as anthologies. Jamie: I built what I think of as a publishing management application. The original idea is that, for years and years, I wanted a software tool that would do catalogue management, because I was managing my own catalogue, and I was also managing—at this point I've published at least 20 anthologies, so that's a lot of authors. Then last summer, I had an author who I'd published a number of times, who was going to, I think, WorldCon, and she asked if I could give her covers for five anthologies she'd been in, so that she could make some promotional material. I was like, “Oh, sure, I can do that.” And then I was like, “Well, wait a second—is this in Notion?”—because I started trying to use Notion last year—”or is it in a spreadsheet?” It turned out her information was in, like, three different places, and I had to work to pull it together. And then I was like, “You know what? That's it. I'm just going to finally write this application.” So Inkwren manages your stories. As an author, I can manage my stories—I can track which are published, which are drafts, which are just ideas. I can track my publications. From the publisher standpoint, it's really helpful, because I can track each anthology I've published and what I'm working on. I can track the edits, I can track the contracts. I can upload contract templates—so we talked earlier about the original and reprint contract templates that I use. I upload those, and they have placeholders in them. When I generate the actual contract, the author's name will replace the placeholder—I'll have the text “author name” in the contract template, and it'll get replaced by, like, “Joanna Penn” or whatever. So that saves a lot of time. Then I also added in task tracking, because I started to feel like, well, now all my stuff is in one place, but my tasks are somewhere else. So now I can associate tasks with a publication. For example, for the book I'm working on right now, I know which tasks I need to do for the cover, and which for the interior, and everything. I have a template of tasks. Then I can also track tasks related to promotions. For example, the story bundle I'm promoting right now, I have a task for each interview I'm doing with the authors, and I have a calendar view. I can see when I'm going to publish them and know that they're all spread out. It saves me so much time, and it's so much easier. Jo: I do think building tools when you actually need the tool yourself is very useful. Just say the name again, and spell it out for people. Jamie: It's Inkwren. My own personal publishing company is Blackbird Publishing, and I wanted something related to birds and writing. So I came up with Inkwren, which is I-N-K-W-R-E-N, and it's just inkwren.com. Jo: And it is available for other people to potentially buy and use? Jamie: Yes, it is. Jo: Well, I think that's super useful, because it's very hard when people are starting out and they think, “Oh, I've only got one book—why would I need any kind of tool to manage it?” But over the years, your backlist grows, especially with short stories. So I love that you've built this, and there's probably more that you can add over time as you expand the business yourself. So much potential. So we are at the end. Where can people find you and your books and everything you do online? Jamie: My author website is JamieFerguson.com. And then, obviously, I mentioned Inkwren earlier. My publishing company is BlackbirdPublishing.com. And then the projects I'm doing with Tami and DeAnna—we have a couple of websites, but the easiest way to find us is our press, which is BorogrovePress.com. Jo: Fantastic. Well, thanks so much for your time, Jamie. That was great. Jamie: Thanks, Joanna.The post Bundles, Box Sets and Anthologies With Jamie Ferguson first appeared on The Creative Penn.

0:00 - 0:10: Welcome & Overview: 0:10 - 1:09: Wednesday & Thursday Forecast: Cool Temps, Lake Breeze Chill 1:09 - 1:45: Afternoon Showers & Graupel: Late April Surprises 1:45 - 2:13: Nighttime Chill & Frost Alert for Gardeners 2:13 - 2:48: Friday's Deep Chill: Widespread Frost Warning 2:48 - 3:15: Weekend Outlook: Moderation & Shower Chances 3:15 - 3:39: Extended Outlook: Cool Pattern Persists into May 3:39 - 3:56: Aviation Weather Briefing 3:56 - 4:16: Recap & Sign-off: Bundle Up, Chicago! #ChicagoWeather #WindyCityWeather #SpringForecast #AprilShowers #FrostWarning #ChillyNights #LakeBreeze #MidwestWeather #GardenAlert #UnseasonablyCold #WeatherUpdate #ChicagoLife #StayWarm #WeatherReport #Meteorology #Graupel #ColdFront #BigShoulders #OutdoorLiving #PrepareForFrostBecome a supporter of this podcast: https://www.spreaker.com/podcast/weather-with-enthusiasm--4911017/support.

Hey weather warriors! Dustin Breeze here, your AI meteorological maestro bringing you the hottest - or in this case, coldest - forecast with lightning-fast computational precision!Welcome to today's weather breakdown. As an AI, I process data faster than you can say "atmospheric pressure," which means you're getting the most accurate forecast possible!Let's dive into today's New York City weather. We've got a chilly situation brewing! Currently, it's sunny but cold, with temperatures hovering near 30 degrees Fahrenheit. The wind chill is making it feel like zero to 10 degrees, so bundle up like a human burrito out there!Speaking of being cold, here's a weather pun for you: Why did the snowman call for a meteorologist? Because he was feeling a bit "flakey" today! A northwest wind is blowing at 8 to 10 miles per hour, which means you'll want that extra layer. Tonight, expect mostly cloudy skies with temperatures dropping to around 21 degrees.Now, let's talk meteorology! Today's Weather Playbook segment is all about wind chill. Wind chill is how cold it actually feels when wind speed combines with temperature. It's like nature's own brutal math equation that makes you want to stay indoors with hot cocoa.Three-day forecast, quick and clean:Tuesday: Slight chance of snow, high near 37 degreesWednesday: Partly sunny, high near 39 degreesThursday: Mostly sunny, high near 35 degreesRemember, New Yorkers, this is classic winter weather - crisp, cold, and perfect for showing off those stylish winter coats!Hey, don't forget to subscribe to our podcast and stay ahead of the weather curve! Thanks for listening, and this has been a Quiet Please production. Learn more at quietplease.ai!Stay warm out there!This content was created in partnership and with the help of Artificial Intelligence AI

(Jan 30, 2026) Snowshoes and skis needed wherever you go. Over four feet of snow at Lake Colden. Nearly all snowmobile trails open in the Adirondacks.

Send us a textThe storm outside isn't the real threat—it's the storm inside for our attention. Today I invite you to see winter as a built-in reset, a rare chance to step off the Matrix merry-go-round and remember how to breathe, focus, and choose. We unpack how fear cycles get manufactured days in advance, why empty shelves feel inevitable, and how AI-polished outrage reels keep our nervous systems on a drip of adrenaline. I offer a roadmap: 1. Understand the mechanics of focus, 2. Reclaim the observer, and  3.  Build simple habits that make you the driver of your mind again.If you're ready to stop feeding fear and start directing your attention toward presence, purpose, and connection, press play. Subscribe, leave a review, and pass this to a friend who needs a calm voice in noisy weather. And as always, I pray for your great health, vibrant energy and PEACE!Support the show

Send us a textThe storm outside isn't the real threat—it's the storm inside for our attention. Today I invite you to see winter as a built-in reset, a rare chance to step off the Matrix merry-go-round and remember how to breathe, focus, and choose. We unpack how fear cycles get manufactured days in advance, why empty shelves feel inevitable, and how AI-polished outrage reels keep our nervous systems on a drip of adrenaline. I offer a roadmap: 1. Understand the mechanics of focus, 2. Reclaim the observer, and  3.  Build simple habits that make you the driver of your mind again.If you're ready to stop feeding fear and start directing your attention toward presence, purpose, and connection, press play. Subscribe, leave a review, and pass this to a friend who needs a calm voice in noisy weather. And as always, I pray for your great health, vibrant energy and PEACE!Support the show

Send us a textThe storm outside isn't the real threat—it's the storm inside for our attention. Today I invite you to see winter as a built-in reset, a rare chance to step off the Matrix merry-go-round and remember how to breathe, focus, and choose. We unpack how fear cycles get manufactured days in advance, why empty shelves feel inevitable, and how AI-polished outrage reels keep our nervous systems on a drip of adrenaline. I offer a roadmap: 1. Understand the mechanics of focus, 2. Reclaim the observer, and  3.  Build simple habits that make you the driver of your mind again.If you're ready to stop feeding fear and start directing your attention toward presence, purpose, and connection, press play. Subscribe, leave a review, and pass this to a friend who needs a calm voice in noisy weather. And as always, I pray for your great health, vibrant energy and PEACE!Support the show

Joshua and Jason discuss something SCN don't do too often: run a promotion on singlecasknation.com. Tune in as the duo discuss their "Bundle Up with SCN" promotion which will run from Jan 26 through to Feb 6th.  Add to this, J&J taste through the new Bruichladdich Rye 7yo and discuss the growing number of Scottish distilleries dipping their toes into the world of Rye Whisky. It's an exciting time to be a lover of rye whisky. What's more is Jason shares his Black Manhattan recipe using the Bruichladdich rye below: Black Manhattan 2 Oz The Laddie Rye 1 Oz Amaro 1 dash Angostura bitters 1 dash Orange bitters Method: Stir with ice, strain over ice cube, garnish with brandied cherry. ...as usual, have a seat, have a pour, and listen in. Unless you're driving. If you're driving, be smart and stay sober but be sure to listen into the conversation! Special thanks to: - Weigh Down for allowing us to use their song "Wooden Monsters" as our theme song - Moana McAuliffe for designing our Podcast Logo - RØDE for making *really* great microphones - Focusrite for making awesome USB receivers - Olympus and Tascam for making fine mobile recording devices - Joshua Hatton for producing and editing

AP's Lisa Dwyer reports there's likely to be an unwelcome guest at this year's Rose Parade.

 Originally Released 12/23/19It's the 2019 Christmas episode - Happy Holidays!Here's the Playlist:West Coast The Connection A Christmas Gift ForChristmastide The Fall LevitateSuggested by SteveBundle Up Replacements Sessions anthologyBlue Christma...

“ Beards & Bottles” Podcast Is Real life interactions cultivated with great conversations over even better drinks TUNE IN EP. 192. “YOU BETTER BUNDLE UP” W/ BUNDLES FVG As We Talk Loosing Close Friends Music Father being A Gangbanger and going to jail for a gun charge (FULL EPISODE ON PATREON)Amazon Affiliates:Aomllute Womens Hair:https://amzn.to/4kRrpliScotch Porter Smooth Beard Oilhttps://amzn.to/425NWUaSAVAGE BY DIORhttps://amzn.to/4kL5ufzHost:https://www.instagram.com/pbm_louie/?hl=en Host: https://www.instagram.com/thehomiegl/?hl=en Patreon: https://patreon.com/user?u=75143961&utm_medium=clipboard_copy&utm_source=copyLink&utm_campaign=creatorshare_creator&utm_content=join_link Apple Pod: https://podcasts.apple.com/us/podcast/beards-and-bottles-podcast/id1619306178 Spotify: https://open.spotify.com/show/43c9ZFoYuQBXr2FzthVPZ3?si=yYM2l2zFReC2rdRGrmG3Pw Amazon: https://music.amazon.com/podcasts/7746be2a-2bd7-4903-882d-8a6191193a6a/beards-and-bottles-podcast?ref=dm_sh_LuV3rpp59HbQdugNrOCfTOto#podcast #reality #beardsnbottles #truecrimes #comedy #jbppodcastInstagram: @beardsnbottlesHost:Instagram:@pbm_louieInstagram: @thehomiegl#podcast #reality #beardsnbottles #truecrimes #comedy #jbppodcastAomllute Womens Hair:https://amzn.to/4kRrpliScotch Porter Smooth Beard Oilhttps://amzn.to/425NWUaSAVAGE BY DIORhttps://amzn.to/4kL5ufzHost:https://www.instagram.com/pbm_louie/?hl=en Host: https://www.instagram.com/thehomiegl/?hl=en Patreon: https://patreon.com/user?u=75143961&utm_medium=clipboard_copy&utm_source=copyLink&utm_campaign=creatorshare_creator&utm_content=join_link Apple Pod: https://podcasts.apple.com/us/podcast/beards-and-bottles-podcast/id1619306178 Spotify: https://open.spotify.com/show/43c9ZFoYuQBXr2FzthVPZ3?si=yYM2l2zFReC2rdRGrmG3Pw Amazon: https://music.amazon.com/podcasts/7746be2a-2bd7-4903-882d-8a6191193a6a/beards-and-bottles-podcast?ref=dm_sh_LuV3rpp59HbQdugNrOCfTOto#podcast #reality #beardsnbottles #truecrimes #comedy #jbppodcastInstagram: @beardsnbottlesHost:Instagram:@pbm_louieInstagram: @thehomiegl#podcast #reality #beardsnbottles #truecrimes #comedy #jbppodcast

This Life Outdoors update from WDFW highlights winter adventures across Washington, from waterfowl hunting and razor clam digging to First Day Hikes, trout fishing on lowland lakes, and wildlife viewing on snow-dusted trails, with tips on where to find more stories, regional updates, and recreation resources. https://www.clarkcountytoday.com/sports/life-outdoors-bundle-up-for-winter-adventures/ #WashingtonState #WDFW #LifeOutdoors #WinterRecreation #Fishing #Hunting

Weather Forecast & Outlook: Alberta Clipper brings nose dive in temperatures with wind chills in negative teens to negative 20s Quiet storm track ahead with possible flurries Saturday night December outlook: below normal temperatures for entire state, slightly below normal precipitation for southern/western Iowa Recent Weather Highlights: Recent snowstorm (8.5" statewide average) makes November rank as 5th snowiest on record  Fort Dodge recorded up to 16.5 inches of snow November and fall 2025 both ran about 3-4°F above average 7th warmest fall in 153 years of record Specialty Crop Impacts: Managing overwintered greens in high tunnels during frigid temperatures - use supplemental heat, and internal covers When growing greens for overwintering in warm fall weather, aggressively vent tunnel warmth to slow crop growth. Strawberry mulching timing and techniques - wait for dormancy (several nights around 20°F) before applying straw or row cover This Day in Weather History: December 2-3, 1990: Major snowstorm dropped 6-15" across Iowa with blizzard conditions Winds gusted to 69 mph at Cresco University of Iowa bubble dome collapsed under heavy snow, causing $2 million in damage Other Topics: Iowa corn and soybean yields hit record highs (215 bu/acre corn, 65 bu/acre soybeans) Discussion of July cloudiness and potential impacts on melon yields in southeast Iowa

Greg Brady spoke to Ross Hull, Global News Meteorologist about La Niña and the polar vortex set to deliver a truly Canadian winter Learn more about your ad choices. Visit megaphone.fm/adchoices

Greg Brady spoke to Ross Hull, Global News Meteorologist about La Niña and the polar vortex set to deliver a truly Canadian winter Learn more about your ad choices. Visit megaphone.fm/adchoices

Get my training and advanced episodes: https://www.patreon.com/listeningtimeUS Conversations: https://www.patreon.com/USConversationsTranscript: https://drive.google.com/file/d/1xtOPqq8eEaPymRt2F0Gslv2YO3hfs25S/view?usp=sharing

Quaranteam-Northwest: Part 6 Lab Results and Quarantines Based on a post by Break The Bar. Listen to the ► Podcast at Explicit Novels.   The Docs signed off, leaving me alone in the little meeting room again. Not knowing when I would be able to leave, I decided to try and fall back on one of my old military instincts; sleep when you can. So I got comfortable in the chair, closed my eyes, and let myself drift into a fitful, not-quite-soothing sleep. "Harri," someone said, and I woke with a start as my shoulder was touched. "Urm," I grunted, and sniffed in a breath as I blinked rapidly and looked around. I was still in the room, and Miriam was smiling at me. She was dressed in fatigues here in the military office complex instead of her service dress blues and her hair was up in a standard military bun hidden beneath the standard issue cap. "Just like a grunt to take any reason for a nap," she grinned at me. "Come on. We can talk in my office." I stood, yawned and stretched, feeling something pop in my back and my shoulder from the uncomfortable position I'd been in. "Lead the way, Lieutenant Colonel," I said. She rolled her eyes at me a little but didn't say anything, just opening the door and walking through. I followed her back into that hallway where Brent had clocked me. He wasn't in the waiting room at the end of the hall. "Is Brent,” I started to ask. "He's waiting on another floor," Miriam said. "Refuses to leave until he sees his daughter is alright. It's making operations slow down over at the construction site, but I can't blame him." "Neither can I," I said, touching the tenderness of my black eye. Miriam led me through several very plain corridors lined with doors. None of them had windows to see in, and most had nameplate mounts but lacked names, and instead were labelled with numbers. It struck me as secretive, and that meant I was probably in the Air Force part of the building and not the Vaccine Test Center part. If they were trying to make people feel at ease joining an experimental program, these plain walls and doors forming a maze were not the way to do it. Confounding an enemy trying to sneak through this part of the building, though? It was perfect. I followed Miriam until she stopped at a seemingly random door and opened it, leading me into a large office. It had a large bank of windows, but extra-heavy curtains had been hung over them and were drawn shut to the point I wondered if they were nailed in place. One wall was entirely covered in a whiteboard with all sorts of coded writing on it. There were two desks in the room; the main desk was scattered with papers and a computer terminal, with a plush office chair tucked in behind it. The second desk had more stuff on it, but in neater piles, and Captain Bloomberg was sitting behind it at work. She glanced up at us as we entered and gave me a slightly judgmental look, before going back to the printout she was reading. The rest of the office space was dominated by file shelving units, a gun safe, and a leather couch that looked uncomfortable but was probably soft as hell. "Captain, could you give us five?" Miriam asked. "Of course, Ma'am," she nodded, set down the papers face-down and stepped around her desk to the door. She shot Miriam a quick look, and Miriam gave her one back, and the Captain left. If I had to guess it was to do with the fact that the office was probably full of classified material and information and the Captain was silently reminding her superior officer not to let me poke around or leave me alone in there. "Sit, please," Miriam sighed once the door was closed and we were alone, gesturing at the couch. I did, instantly sinking into it, and she sat on the other end and turned to me. "So, now that we know it's not life-threatening, you feel ready to get teased yet?" I snorted a little and scratched at my beard. "It's still a little raw," I admitted. "Just like how you fucked her?" Miriam asked with a grin. "Sorry, that's the only one." I shook my head and chuckled. There were few kinds of people who could be as morbidly crude and insulting, and mean it in the best way, as a military friend. "Seriously, Harri," she said. "I got a briefing on it. She's fine, you're fine. No one is in trouble." "Tell that to her father," I said. "And I can't blame him for probably wanting to kill me." "Yeah, well, tough shit for him," Miriam said. "We've expanded his Need to Know status and gave him some more info on the vaccine to calm him down. He's not happy, but he's not worried anymore. Seriously though, did you have to go and fuck my lead civilian contractor's daughter?" "We were friendly with her," I said, and let out a long breath. "Erica said she thought Vanessa might be a little interested. I don't think either of us expected her to show up on our proverbial doorstep and ask for a foursome." "I always did think Erica was a smart woman after we met," Miriam said. "Though I figured you'd lost a few brain cells since you weren't dating her at the time." "There's a whole story behind that," I said, waving her off. "I'm sure there is," Miriam smiled. "Doesn't mean it's a good excuse though." "Well, Vanessa seems to think you have a crush on me after she met you for all of two minutes," I shot back at her. Miriam flushed for a moment but didn't look away from me, still in command in her own office. "Vanessa might have been doing a bit of projecting," she said. "I'm not into hillbillies with bushy beards and big guts." "Ouch," I laughed, holding my stomach. Sure, I wasn't in the peak physical form I'd been in coming out of the military, but I hadn't gone that soft. Miriam and I continued to chat and laugh for a few more minutes until the Captain came back and then Miriam let me borrow some sound-cancelling headphones and hang out on their couch while they were working. They had food ordered in and Miriam and I ate dinner together while Captain Bloomberg ate as she kept working at her desk. It wasn't until I noticed that the faint bit of light leaking around the edges of the curtains was dimming that it had been a long day and I hadn't been able to contact Erica and Ivy. I asked Miriam if I could have my phone back just to update them, and she and the Captain had to discuss it for a long moment before they decided they could probably do the texting for me, but for security protocols I couldn't be given control of the phone. When my phone powered on it took a long moment for it to connect to service, and then it started buzzing like crazy and a bunch of messages came in. Miriam was holding it, and her eyes went a little wide as the message notification scrolled by. "Um," she said. "Well, it looks like you and your partners are... happy together." "Oh no," I groaned. "What did they send?" "Well, you have a whole bunch of messages from Brent Peters chewing you out, so there's that," Miriam said. "But, uh, well, there are photos from your partners." "Sorry," I shrugged, once again finding my face heating up at the exposure of my sex life. "It's fine," Miriam said. "It was my idea to do the texting anyways." She tapped around on the phone for a moment. "Alright, I'll just say 'Harri isn't allowed to use his phone right now. This is Miriam Abarbanel. He is fine, no trouble. Vanessa is also fine and healthy. They will return tomorrow.'" "That's fine," I said with a nod. I would have liked to tell them more, and that I loved them. And that they shouldn't have been trying to send me whatever scandalous photos they had considering I was in military custody at the moment. Miriam hit send and a minute later another text came through and she opened it, immediately rolling her eyes and setting my phone down. "What?" I asked. "Erica sent another photo, and I think it was for me," she said. "What? Really?" I asked. Miriam opened the photo again and turned my phone around to show me. Erica and Ivy were both sunbathing in the chairs, topless. The third Adirondack had a name tag written on a piece of paper and taped to the back of the chair that red 'Vanessa.' Beside it, they had put out another lawn chair and had quickly put another nametag on it that said 'Miriam.' I couldn't help the little snort of laughter that came out of me, and I covered my mouth to try and stop from giggling a bit. "I'm sorry," I said. Miriam laughed once and set my phone down. "You know, Erica is the right kind of trouble for you I think," she said. "You haven't spent enough time with Ivy," I countered. "That girl is mischievous. I bet the Vanessa one was Erica's idea to try and cheer her up, and the other one was Ivy." "If you've got any pictures from that Danielle woman, I wouldn't mind checking those out," Captain Bloomberg said from over at her desk. "Laura," Miriam said, a little shocked. "What? I told you when we first saw her, that woman could turn a bigoted granny gay," Laura said. "That's fair," Miriam said thoughtfully. "Hey, no arguments from me," I said. Miriam and the Captain ended up finishing their work days, though Miriam told me that she was on call 24/7 anyways and they stayed in apartments lower in the building. She offered to try and find me a free one to rest overnight, but I asked her if I could see Vanessa and stay in whatever medical room she was in. I didn't want her to wake up from the process and be alone. This started a silent conversation of sharp looks between Miriam and Laura, until Laura sighed. "She's not alone. Her father hasn't left her side since we let him see her. This is... let's call it a legal grey area at the moment. Technically you're not even extended family, so he would get precedent on deciding who can be there," she said. "But under the circumstances of the Vaccine imprinting, there's been some debate going around the legal circles of what constitutes a civil union. The matter's still up in the air, but there's a case to be made that you and she are now more intimately connected than she and her father. So I guess the question is do you want to push the issue?" "Oh, fuck," I groaned, and had to massage the bridge of my nose. "On the one hand, yes I want to see her. On the other, Brent deserves to be pissed at me and worried about her. Can I just talk to him?" "Honestly, Harri," Miriam said. "I think you should probably leave that whole conversation to Vanessa and how she wants to have it. Doesn't matter how much you defend yourself, you're still the guy that fucked that man's daughter in a pretty... degenerate seems too strong, but pervy is too weak. Anyways, you fucking her like that brought her here, and he's now aware that she's going to be intimately connected to you for a while." I puffed out my cheeks and let the air blow out slowly, unsure of what to do. "I can try talking to him," Laura offered. "But honestly, I don't know if it would do any good." "It's fine," I finally conceded. "He can be there, just find me another room where I can crash, and let me know when she's awake?" "I'll leave a standing order with the nurses," Miriam nodded. So, as Miriam and Laura finished up for the day, they sent for the night sentry who patrolled the floor and let him know I would be in the staff break room and was allowed to eat out of the cupboards and use the washrooms. Once the airman was gone Laura excused herself and left me with Miriam. "It was nice having you around, Harri," she grinned, dropping her command facade again. She put her hand on my upper arm and grinned, giving me a wink. "And I was joking when I called you fat." "Yeah, well, you really hurt my feelings," I fake-cried, making her laugh. "I'll see you tomorrow before you leave, alright? And I still expect that beer next time I'm up at the site," she said and gave me a peck on the cheek. "You got it," I said, and pecked her back. "And thank you for all of this today, by the way." "Happy to help," she said, and then escorted me to the room where I would spend the next seven hours. The sentry woke me up around four in the morning. I had Cheeto dust on my shirt and fingers, the bag I'd found in the staff room cupboard almost empty and crumpled up on my chest. "Sir, I've been asked to bring you down to the medical wing," he said. "Fuck," I said, blinking awake and standing up. "Uh, give me a second." I went into the men's washroom and quickly washed my hands and my face, and tried to get myself straightened out. Looking in the mirror, I could tell that I'd been running on empty for a bit, but I didn't look as bad as I might have if I hadn't been getting in some light napping at least. The airman brought me to the elevator and punched a button for about a dozen floors down, and when we stepped off of it, it was clear that we were in a more public-facing area, though the number of armed airmen on guard was actually higher. The floor was still quiet, this early in the morning, and generally featured a lot more stuff. There were glass panes and windows everywhere and the place looked like what I would picture a medical bay would in a not-too-distant future medical show. There were a few nurses around, but most of the rooms and beds were empty. We passed by one room that was sealed up with a little yellow light near the handle flashing 'Quarantine Active.' That got me gulping and moving. We turned a corner and I saw her. Vanessa was sitting up in a hospital bed, an IV drip hooked in to one arm. She was in a hospital gown and didn't have any of her usual makeup on, so she looked... sick wasn't the right word. She looked different enough that I noticed it, but it was like seeing Erica without her makeup that first time. It was different but I liked seeing the natural her. "Vanessa, I'm,” I started, but then she threw a magazine at my head. "Harri, I swear to God if you try and apologize to me, I'll throw another one," Vanessa said. She had a stack of a few of them on a little rolling bedside stand, where she also had a tray from a shitty cafeteria meal. "You look good, Vee," I said, changing my mind. She blushed and smiled. "No, I don't. Liar." "Okay, you look as good as someone in a hospital bed can," I said. "Come sit, Harri," she said, shifting herself in the bed and patting beside her. I did, and she took my hand in one of hers and lifted the other to brush a finger against my bruised eye. "The night nurse told me what happened when I woke up." I opened my mouth to apologize again but remembered what she'd said and clicked it shut. She smirked and squeezed my fingers. "Good, you're learning." "So you're not pissed off?" I asked. Vanessa leaned her head back on the pillows propping her up, taking a deep breath. "Maybe at the world, a little. But at you? Or Erica and Ivy? No. I went in there knowing what I was asking for, and you told me the risk. I decided getting off with you three was worth it." She broke into a small smile. "And from what I remember, it was pretty fantastic." "It was," I chuckled. "I mean, wild and filthy, but fantastic." She was looking at me, searching my face for something. I couldn't tell if she found it or not. "I spoke to my Dad. He told me he decked you pretty good but I wasn't expecting a full-on shiner." "He definitely got me," I said, touching my eye. "Wasn't as bad as I felt I deserved." "Yeah, well I told him if he does it again I'll deck him," she said. "And that if he tries to take any revenge on you, he's just punishing me." "Does that mean what I think it means?" I asked. She brought my hand up to her chest and put it over her heart. "Harri, I'm stuck with you no matter what at this point, but if you guys will have me I'd like to move into your crammed RV life. I thought you and Erica were cool since we met, and we know we're sexually compatible. The way I see it, I can either fight this thing just for the sake of fighting, or I can get on board the Harrison train and enjoy the ride." "Vanessa, I; God, I wish I had my phone right now," I said. "There's a picture the girls sent that you'll want to see." Vanessa rolled her eyes and her smile grew. "Oh, I got several pictures," Vanessa said. "I've already seen them. Why don't you have your phone?" "I was up on a secure floor," I said. "Lieutenant Colonel Abarbanel was actually the one to see them when she helped me message back that we were Okay." "Then you have some surprises waiting for you I think," Vanessa grinned. "But for now, you're all mine." She pulled me towards her and guided me into a kiss. Then she whispered into my lips as our noses rubbed against each other. "Pull the privacy screen around us." "Here? Really?" I asked. "My nurse actually encouraged it," Vanessa said. "She said we just need to try and keep it down." I stood up and went to the curtain built into the rolling track around Vanessa's bed and pulled it around us, blocking out the rest of the room, and the hallway beyond the glass observation doors. When I turned back to her, Vanessa was shrugging out of her hospital gown, her cute little tits jiggling. I kicked off my shoes and got up on the hospital bed with her, picking her up a bit and sliding her down into a laying position and tucking my head down to suck on one of her nipples. "Oh, Harri," she crooned, her hand running through my hair. Her nipples got hard quickly as I played my tongue over them, feeling the little boob around it tug and pull as I moved around. I popped off and raised my lips to hers again, giving her a kiss. "I didn't get to spend that much time telling you how beautiful and sexy I think you are," I said between kisses. "Harri, you don't need to lie," she said. "My boobs are tiny. I'm used to; Ah, fuck!" I cut her off by grabbing the tit I hadn't sucked on, squeezing it hard enough to make her hiss a little bit. I'd seen she liked a little rough pawing and play during the foursome, so I used it now to make a point. "If you ever tell me these aren't perfect, I'll spank you so hard you'll have my handprint on your ass for a week." "Fuck, Harri; Fuck," she groaned as I let my grip on her tit loosen, and then bent down and took that nipple into my mouth as well. "Fine. You like my tits. I believe you." "Don't just believe me," I said. "Vanessa, you said you thought Erica and I were cool when we first met. Well, I thought you were fascinating. This gorgeous, tough woman who knew how to take charge and make things happen. Beautiful from head to toe even when you were trying to downplay it for work. Now, you're going to lay back so that I can explore every inch of your gorgeous, perfect body." She looked like she was somewhere between beaming happily and crying, but she nodded. I started back up at her lips and kissed around her jaw and down her neck to her collar bone. Then down to her chest, where I teased her nipples some more, rolling one between my fingers while I tongued and lightly nibbled on the other. Once they were both standing proud and weren't about to go down, I helped her pull the hospital gown off until it was hanging from the arm with the IV in it, revealing the rest of her body to me. I kissed down her stomach to her bellybutton and pressed my forehead against her, kissing her fit stomach softly, then moving lower. I got to the point between her belly button and her mound where her scar was, and the Strength tattoo. I took my time there, kissing it, and tracing my finger along the letters of the tattoo. I turned back to look up at her face and she was pensive, staring at me with this worried look like I was going to change my mind about her. "Perfect," I told her again, "And strong as hell." My lips went further, down onto her mound where a smattering of hairs were poking out. She'd obviously shaved herself in the past, but not as recently as I bet she would have liked. But I didn't care, and I kissed along the stubble of her pubic hair, letting it play against my lips as my beard played against her skin. She spread her legs for me, and I slipped around on the bed so I was laying between them on my stomach, looking up at her. "Do you want me to do this here?" I asked her. "Harri, I want your cock inside me like nothing else," she said. "We'll get there," I grinned, and began to explore her cunt with my lips and tongue. I took my time, softly kissing and licking, searching every nook and cranny of her outer and inner labia. Then I did it again, sucking a little harder, nibbling just a touch, finding the sweet spots that made her legs quiver or her breath catch in a hiccup or gasp. Then I went deeper, peeling her open with my fingers to see the soft pink of her hole, and tasted and teased her. She mewled for me, clawing at the bed. I kept needing to move her leg back as it came up and wanted to curl in towards me until I just planted my hand on her thigh and pushed her open, holding her leg wide. Then I did the same to the other leg, pushing them back further, and I slowly licked from her hole up her lips to her clit hood, teasing the tip of my tongue under it before pushing it back with my upper lip and prodding her clit softly. "Making me... ugh!" Vanessa grunted with a girlish tone, gasping for air. I did it again and watched as another little orgasm rolled through her, her cunt flexing as her abdominal muscles clenched. Moving lower I kissed the inner curve of her ass cheek and looked up from between her legs to meet her gaze. She watched me, a little surprised, as I practically buried my nose in her cunt so that I could drive my tongue against her asshole. Her brow furrowed as I did it, and one eye twtiched as I teased the outer ring, then centered on it and nudged the tip of my tongue a little deeper. "Not here," she gasped suddenly, and I stopped. "I; not here," she said again. "Okay," I said, moving up from her ass and kissing the crook of her thigh. "Just like that?" she asked. "What kind of guys have you been seeing that don't stop when you say no?" I asked back. She blinked. "The kind who don't eat ass, and rarely eat cunt," she said. "So the wrong kind." "Then let me ask you; what do you want me to do now?" She closed her eyes and blew out a long breath through pursed lips, before opening them. "Get your pants off and fuck me while we make out. I want to feel you on top of me." I grinned and slipped off the bed, undoing my belt and kicking my pants off. I was already hard, and she was wet from my exploratory oral, so I got back up on the bed and got over her in a standard missionary position. "Like this?" I asked her. She reached down and got my cock in position, and wrapped a leg around my waist and ass to pull me into her. "Like this," she said with a grin as I slowly penetrated deeper into her. Vanessa was hot and clenched my cock in a rippling sensation as I drove in, slowly fucking into her until I was buried to my root. She grabbed my beard in her hand and pulled me into a kiss as we stayed still and connected. "Ow," I muttered into the kiss. "Sorry," she laughed, releasing my beard. "It's fine," I said and kissed her deeply. We made out, our tongues doing more work than my cock for a long moment, until we started grinding against each other. The rhythm built up slowly, less a pounding than a sensuous back and forth that felt more like dancing. Well, the best kind of dancing where my cock was inside of a beautiful woman. Our kiss broke as we panted against each other. "More," she gasped. "More what?" "More weight," she said. "I want to feel you." I lowered myself from my elbows, letting my body press down against hers like a too-heavy weighted blanket. "Umm," she groaned somewhere at the back of her throat. Her body felt tense under mine, but slowly loosened. I kissed the side of her neck, and she ran the heel of her foot down my leg and then back up to my butt. The soft whoosh of the glass door opening outside of the privacy curtain made us both stop moving. "Vanessa, you good in there?" asked a woman. "Yep," she said. "So good. Perfect." There was a long moment of silence, and then, "Oh. Sorry for interrupting. If you and Mr. Black can finish up, your Father was hoping to see you. I can stall him for ten minutes?" "Thanks," Vanessa called back, biting her lips. Two soft footsteps and the door whooshed again, settling closed. "Oh my God," Vanessa groaned. "I can do a lot in ten minutes," I said with a grin. "No, we have less than that," she sighed. "I need to get cleaned up and dressed first, and you need to be out of here before he gets here. But first I need you to fuck me hard and fast and give me your cum." So that's what I did. I raised up higher again to gain the leverage I needed and I started pounding into her with hard, steady strokes. Vanessa gasped, and soon we were back in that rolling rhythm of our hips except it was way more fucking than dancing. Our eyes never left each other, and when I went in for another kiss she bit my lip as she started to come. That pushed me towards my own edge, and I got myself there by reaching down and strumming my thumb against her clit just as she was coming down, pushing her right back into a second wave of orgasm as her body clenched and I released. "Fuck," I growled, thrusting my hips forward and emptying my balls into her. "Fuck, Vanessa!" She arched her back, silently screaming before she exhaled hard and released the tension. We both lay there panting for a long moment. "I really want to fuck you again," I said. "Right now. I'm still hard as a rock for you." "I can feel that, you fucking caveman," Vanessa laughed, cock drunk for the moment. "But I need to clean up and you need to go." "One more thing," I said, and kissed her again. I got my clothes on first and then helped her find and put on her pants. She hadn't worn underwear when she had come to visit us the morning before when this whole thing kicked off, so now she was going to be leaking my cum into her jeans. Her shirt was there as well, but she was still hooked up to the IV, which meant I had to leave the room and send a nurse to help her. I stopped at the edge of the privacy curtain, looking back at her. "Go," she motioned to me. "I'm not leaving. You can see my tits any time you want." Maybe I was cunt drunk, but I wanted to tell her I loved her. I just grinned and blew her a kiss and a wink before slipping out. Once she couldn't see me, I shook my head. I thought orgasms were supposed to give you post-nut clarity, I thought. I almost blurted that out, and no matter how compatible we were sexually I knew that wasn't the right thing to say at the moment. I found the nurse, who went to help Vanessa, while another one brought me back to the elevator where I was met by the night sentry again. He brought me back up to the waiting room I'd been in before, and I flopped onto the couch. "Harri. Harri, we need to stop meeting like this," Miriam said, and I blinked awake again as she was standing over me and smirking. "Fuck," I grunted. "What time is it?" "Just past 0600," she said. "We've got a couple of cars ready to drive you back home." "A couple?" I frowned. "Brent left earlier in his own vehicle," Miriam said. "But we're sending you back with two more partners for your friend Leo. I already spoke with Vanessa and she said she wanted to ride with them to try and help them stay calm through their vaccination." I closed my eyes again as I parsed what she was saying. "Okay, hold on. Leo is getting two new partners?" "From what I red they are a bisexual couple who wanted to stay together," Miriam said. I wiped the sleep from my eyes and sucked in a big breath through my nose. "Well, at least mine isn't the only RV that's going to be packed to the gills." Miriam brought me down to the underground garage for the building and handed my phone back to me. Two black SUV were idling, the windows all tinted to the point that I couldn't see a single thing inside including the drivers. I turned back to Miriam. "Just another day?" I asked her. "Hell no," she smirked. "You, Harrison Black, as the biggest pain in my ass since I took this posting." Then she pulled me into a hug. "But I wouldn't change a God damn thing about it. I'll see you once our on-site office is up and running." "I'm looking forward to it," I said, giving her a squeeze back. "Lieutenant Colonel." "That's Miriam to you, soldier," she said, pulling back with a smirk and kissing me on the cheek. The elevator bingled and I was shocked, or really mildly surprised, to see Agent Sourpuss leading two women bundled up in hooded jumpsuits with masks on. Sourpuss took one look at me and sneered, directing the two women to the front SUV and climbing in with them. "What was that about?" I asked. "Oh, she's pissed off because she keeps getting seconded to us for transportation detail," Miriam said. "I have no idea why, but she isn't happy about it." "No; Technically I'm pretty sure that was my fault, actually. But I meant the whole bundled up get up." "First, why am I not surprised you're a pain in the ass for other people as well? And second, it's new protocols coming up from California and the first testing area. I guess there have been some questions around whether vaccinated but unbonded women could contract or become carriers for the virus. It's the latest back and forth between the scientists." "Speaking of which," I said. "I know why I don't need to be all bundled up, but why don't you? Are you imprinted on someone?" "Me? No," Miriam said. "Not yet, anyway. I'll do it when they push the order out, for now we're still technically in the testing phase for a bit longer. Everyone who leaves the building and re-enters without being vaccinated is getting blood tested and quarantined; it sucks, but it leaves us able to work functionally instead of talking to each other through hazmat suits." The elevator bingled again, and this time it was Vanessa who stepped out as a sentry gestured her towards the front SUV. She saw me immediately and veered off course, coming to me. I wrapped her up in a hug and noticed Miriam giving me a hard-to-read look. "Hey," I said to Vanessa. "I hear you're playing therapy animal for Leo's new partners." "They asked me to," Vanessa said. "From what I understand, the nurses don't think the woman who is supposed to be doing it does a very good job at calming nerves." Miriam snorted a little but covered it with a cough, looking at me. "Well, I feel like I'm missing out on some more alone time with you, but I understand why," I said. "Do me a favor and try and feel them out a bit, see what they're like." "I will," she smirked and went on her tiptoes to give me a peck on the lips. "They're going to be our neighbors, after all." "Yes they are," I grinned and patted her butt. "See you at home?" "Fuck. Home," Vanessa said, backing away from me. "I haven't had one of those in a while. It's gonna be weird." She turned and strode to the SUV and got in the back. "That one might be trouble," Miriam said. "They're all trouble," I laughed. "See you sooner than later?" "Sooner than later," she grinned and winked. I went to the back SUV, which was apparently my personal chauffeur for the sole reason that Agent Sourpuss couldn't find an ounce of empathy in her. Hopefully there's a partition between the front and the back, I thought. I can check those pictures Erica and Ivy were sending me. When I opened the back door of the SUV to get in I had to stop. "Ah," I said. "That explains a lot." I slid in and shut the door. "Agent Grierson." The craggy-faced Agent smirked and nodded. "Harrison. When I heard there was an anomalous vaccination issue, I decided to check it out and lo and behold, it's my favorite redneck." "Did you just come to check-in, or are you looking to offload some more government cash on me?" I asked. The SUVs started moving, pulling out of the garage and into downtown Portland. "Kid, you know I don't need to come to see you to check in," he said. "And I don't have the time to just come shoot the shit, no matter how much I'd enjoy a good fuckin' day off once in a while. I'm here to ask a favor." "Well now you're just being coy," I said. "You know that I know you didn't have to let that lease thing through instead of a flat purchase, so you've got me cornered." "Well, the good news is that I'm not asking you to do anything underhanded," Grierson said. "I noticed you've recently taken on a security consulting contract and your clearance has been restored. I'm going to open it up a little bit more here, if that's alright with you." "Playful, then coy, then asking my permission? Jesus fuck, what are you about to ask me to do?" "Alright, kid. Here's the deal," Grierson sighed. "Sometime in the next few days you're going to get a new partner delivered to you. What I need you to do is keep an eye on her. She's the daughter of the Ambassador from the Philippines, and officially we've run her through the Oracle matching system as a diplomatic courtesy. What no one else knows, including people in that building we just left, is that her Oracle results didn't matter. I'm placing her with you, and scattering a few other Filipino nationals in safe little corners of the country, as a deal with the NICA." "Wait, that's the..." I had to wrack my brain going back to my Military Police training. "Isn't that the CIA of the Philippines?" "A much lesser version, yes," Grierson said. "On the official unofficial paperwork, it's a spy deal. We're going to take care of some of their valuable people who are here, and they're going to take care of some of our valuable people who are over there. The unofficial unofficial deal is that we don't have anyone over there, and the government of the Philippines is going to let us stage our latest espionage attempts into China from their shores. There's a fucking information blackout coming out of China right now, and other than satellite images we've got nothing on what's going on in there." "Okay, hold on," I said. "So am I taking in this Ambassador's daughter as payment for the US Government?" "No, you're taking her in because Kyla Bautista is also secretly a spy who just graduated from the University of Southern California with a degree in dance, and while she was there we suspect she turned at least four different Professors and research assistants into assets for NICA for Intellectual Property espionage. I'm scooping her up and putting her with you because you're so far off the radar that no one would think you're keeping an eye on her, and so that the Chinese can't find her if they figure out what's going on and want some revenge. But most of all, I'm putting her with you because, despite your record and stupid career choices after you left the military, you have the mindset to keep an eye on her without her or anyone else knowing that's what's going on." "This is all well and good, Grierson," I said. "But I've got three women imprinted on me already, one of them by mistake. How the hell am I supposed to add a fourth woman into the mix?" Grierson snorted. "Kid, I got news for you. By this time next year, I'd bet all that money I just put into your bank account that you'll look back and think what a naive question that was." I sighed and shook my head slowly. "What does her father think of her getting matched off like that? Does he even know?" "Oh, he was pissed until he got cut in on an early vaccination as well for his wife, along with his long-time second in command who he's been having an affair with, and his additional American mistress who is very black and very formidable, neither of whom the wife knows about. He seems to think it'll be fine." "Jesus," I sighed, shaking my head. "So what, is the OGA offering to pay me for spy sitting?" "No," Grierson said. "But there is an upside." "What's that?" "Like I said, Kyla Bautista graduated with a degree in dance. If I wasn't too fucking busy being ethical, I'd have just put her in my house. The woman is something else." "That's gross," I said, my face twisting in mild disgust. "It's reality, kid. Game it out; people need to fuck to save their lives. Even before this shit show people put a value on beauty over pretty much anything else. What do you think it's going to be like when the entire country is getting matched up?" "I don't know," I sighed. "That's; I don't even want to think about it." "And that's why they pay me and my people the big bucks," Grierson said. He tapped on the glass partition that separated us from the front seat, and the SUV began to pull over. "I'm not asking you to do anything you wouldn't have anyways. Just keep an eye on her for me, alright?" "Fine," I said. "But if she takes one look at me and asks for someone else, I can't do anything about that. I'm not forcing some woman into this." "Won't be a problem," Grierson said. The SUV came to a stop, and he stepped out. "Grierson," I said, and he turned back. "Miriam said someone pulled some strings to get her assigned where she is. Was that you?" "What?" Grierson raised an eyebrow. "You think I like you that much, kid?" "That wasn't an answer," I said. "Well, if it was me, I think maybe you owe me another one still," he said, then shut the door. Another car had pulled up behind us, which he got into, and it pulled a big U-turn in the middle of the empty street and drove back the way we'd come. The driver of my ride pulled back onto the street and sped up to catch the other SUV in our mini convoy, and I was left to my thoughts. I sighed and opened my phone. I didn't want to think about this Grierson thing. If it happened, then it happened and we'd deal with it. I went to my messages and opened the ones from Erica and Ivy. "Fucking hell," I sighed, looking at the lewd pictures and knowing that Miriam had seen them. "What am I going to do with three women?" Or four? Or more? I was going to need a bigger bed, and quickly. I stretched, feeling several somethings in my back and shoulders pop, as I got out of the back of the nondescript black SUV and felt the gravel of the construction site crunch under my boots. The place was bustling since we'd arrived mid-morning, and I saw more than a few of the workers taking looks over at me and starting to talk to each other. The rumor mill must have been burning hard since Vanessa had gotten carted off in a military helicopter and flown away. First things first, however, was to not unload two vaccinated-but-unbonded women into the middle of a construction site. I flashed a quick thumbs up through the passenger side window at whoever my driver had been; I'd never seen a face or heard a voice; and jogged up to the other vehicle and knocked on the passenger window. Agent Sourpuss rolled it down a moment later, scowling at me from the driver's seat. "What?" "I know you haven't been here for a bit," I said. "But if you drive around to the right over there you'll see our RVs and our little compound. Dropping the ladies off there would probably cause less of a, uh, scene." I could tell she wanted to argue with me but knew I was right. Instead of answering she just stabbed her finger down on the window button beside her and closed it in my face, then pulled the SUV around and headed in the direction I'd pointed. I walked along behind, and we rounded the second big bunkhouse building that was looking just about finished now and headed towards our compound. By the time Agent Sourpuss put the vehicle in park Erica and Ivy were already ducking out from behind the sheets hung between the corner of the RV and the storage container that we'd deemed the 'front door.' Leo and Danielle were right behind them. I wanted to go to my women, but I held myself back and instead opened the rear door of the SUV. Inside I saw that Vanessa was sitting in the middle row bucket seat, and I leaned in and kissed her quickly before offering her a hand down. "Don't go getting all chivalrous on me now, Harri," Vanessa grinned as she accepted my hand and swung out onto her feet. She looked back into the vehicle. "Come on, ladies. Leo's out here waiting for you." The two women, practically swimming in their baggy, hooded coveralls and masked up to boot, unbuckled and started climbing between the seats. I, however, was suddenly a little busy as I was hugged from behind by a small form that could only be Ivy. Beside me, Erica was pulling Vanessa into a hug as well. "I'm so sorry, hon," Erica said, squeezing the shorter woman tightly. "If I'd had any reasonable idea that this would happen,” "It's fine, Erica," Vanessa said, squeezing her back and giving her a kiss on the cheek. "Seriously. We'll talk about it, but I'm Okay with it if you are." "Hey you," I said in the meanwhile, turning at the waist to wrap my arm around Ivy's shoulder and hug her to me. "Hello, mon amour," Ivy sighed. "I missed you." "I missed you too, I've," I said, and leaned down and gave the short blonde a quick kiss. The first of the women had reached the door of the car, and Ivy let me go so that I could offer her a hand down. All I could see of her were her eyes and the skin around them; she was white but tanned heavily, and had soft grey eyes that were flicking around. "Let me help, miss," I said. She accepted, her gloved hand taking mine for a moment to step down, and I ushered her directly towards Leo and Dani. "This is Leo, and his better half Danielle." "Hey," Leo scolded me playfully, giving me a little punch on the arm as he grinned. "Hey, hon," Dani said, pulling the woman into a hug that seemed to surprise her. I turned back and Erica was helping the next woman down; she was white and paler than the first, and had dark green eyes. Soon she was getting the same hugging welcome as the first from Dani, as Leo looked both a little bashful and a little excited. "How about we head in and talk?" Erica suggested to everyone. "Ladies, Leo is my brother so I might be biased, but you're in good hands. And if he ends up sucking, then Dani's got you." "Hell yeah I do," Dani chuckled, nudging Leo with an elbow. "I wouldn't mind getting handled by either of you," the tan woman said through her mask. "God damn, girl. Your tits don't quit." "Thanks for noticing," Dani grinned and winked. She took both women by the hand and started leading them into the compound. "Come on, let's get you two fucked and settled." "Now that's one hell of a welcome offer," the other woman laughed. I laughed a little too, hearing the two as Leo quickly jogged ahead to hold the fabric door open for them. "Seriously, those two are gonna be something else," Vanessa said, shaking her head. "You got to talk with them?" Erica asked. "The whole ride here," Vanessa said. "Their names are Aria and India. Aria seems a little sweeter and the more rational one, while India is a hippy kid from hippy parents. They said they've been girlfriends for three years, and up until last year they 'worked' as sugar babies while Aria was finishing up her master's of communications." "Jesus," Erica sighed with a rueful smirk. "They're going to eat Leo alive."

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We were able to enjoy our exciting snow day because we had the right layers. In today's reading, Jesus tells us to prepare for the exciting day of his return by keeping our hearts dressed and ready so that we won't be exposed! Dr.Sarah Hall | January 26, 2025 ----------------------------------------------- We're Incarnation Tallahassee! Visit our website! www.incarnationtallahassee.org/
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Get your bookmarks ready - it's time for the Boston Public Library's Winter Reading Challenge! This year, it's a global affair, with books and authors from all around the world in the spotlight. Anyone who takes on the challenge gets a special prize, too! Veronica Koven-Matasy, the BPL's Reader Services Supervisor, joins Nichole this week with details on the challenge and some recommendations to get started.

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Welcome to the latest episode of the Fantasy Life Podcast, Fantasy Questions edition with your hosts Ian Hartitz and Dwain McFarland!

Andy discusses the Blueshirts recent winning streak, Tyler Pitlick being placed on waivers, Rangers Casino Night and prospect Gabe Perreault leading the NCAA in points. He also gives his take on the Morgan Reilly - Ridley Greig controversy, previews a thursday night tilt with the Canadiens and sets the stage for the NHL Stadium Series against the Islanders!linktr.ee/broadwayboyspodSponsored by Draft Kings!Promo Code: "THPN"

Andy discusses the Blueshirts recent winning streak, Tyler Pitlick being placed on waivers, Rangers Casino Night and prospect Gabe Perreault leading the NCAA in points. He also gives his take on the Morgan Reilly - Ridley Greig controversy, previews a thursday night tilt with the Canadiens and sets the stage for the NHL Stadium Series against the Islanders! linktr.ee/broadwayboyspod Sponsored by Draft Kings! Promo Code: "THPN" Learn more about your ad choices. Visit megaphone.fm/adchoices

Andy discusses the Blueshirts recent winning streak, Tyler Pitlick being placed on waivers, Rangers Casino Night and prospect Gabe Perreault leading the NCAA in points. He also gives his take on the Morgan Reilly - Ridley Greig controversy, previews a thursday night tilt with the Canadiens and sets the stage for the NHL Stadium Series against the Islanders! linktr.ee/broadwayboyspod Sponsored by Draft Kings! Promo Code: "THPN" Learn more about your ad choices. Visit megaphone.fm/adchoices

Andy discusses the Blueshirts recent winning streak, Tyler Pitlick being placed on waivers, Rangers Casino Night and prospect Gabe Perreault leading the NCAA in points. He also gives his take on the Morgan Reilly - Ridley Greig controversy, previews a thursday night tilt with the Canadiens and sets the stage for the NHL Stadium Series against the Islanders!linktr.ee/broadwayboyspodSponsored by Draft Kings!Promo Code: "THPN" Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Dive into the heart of Super Bowl 58 with the latest episode of the Betting Life Show, your premier destination for all things betting, brought to you by Fantasy Life, DraftKings, and CTRL. Yes, you heard that right, the Betting Life Podcast. You can expect to hear this Player Prop episode along with more episodes every week on the Betting Life YouTube channel to make sure you are set up to smash the betting slate ahead! Head there now to subscribe for more ➝ https://www.youtube.com/channel/UCrgr3MNyqqTy_TKJxJpYIMQ?sub_confirmation=1 Don't miss out on all the action THIS WEEK at DraftKings! Download the DraftKings app today! Sign up through our promo code INJURYPOD. Join hosts Matthew Freedman, Geoff Ulrich, and Ian Hartitz as they break down the most thrilling game props, novelty bets, MVP predictions, same-game parlays, and audacious longshots for the ultimate football showdown. In this episode, we dive into a comprehensive analysis of the Chiefs and 49ers, offering our top picks for game props that go beyond player performances. Discover our favorite novelty props, from National Anthem durations to cross-sport comparisons, and get the inside scoop on game leader predictions and head-to-head matchups that could swing your bets in big ways. Don't miss our MVP selections and the strategic same-game parlays designed to maximize your betting success. We also share our favorite longshots, revealing opportunities for high-reward bets that could turn the Super Bowl into a payday you never saw coming. With the game rapidly approaching, we provide essential betting tips, highlight our cutting-edge betting tools like the Fantasy Life bet tracker and prop finder, and remind you that the odds and projections are constantly evolving. This episode is brought to you in part by CTRL, healthier food that tastes good. As you Bundle Up and add more products, you unlock bigger discounts of up to 20% off — and you can get an extra 10% off, on top of the bundle discount, with the promo code: LIFE at https://drinkctrl.com/ Subscribe to the free Fantasy Life Newsletter ➝ https://www.fantasylife.com/ Fantasy Life Socials: Twitter➝ https://bit.ly/3AYVkC3 Tik Tok➝ https://bit.ly/3RqHaQZ Instagram➝ https://bit.ly/3eyda7r Fantasy Life Live on Youtube➝ https://bit.ly/3BmhIqs Fantasy Life on Youtube➝ https://bit.ly/3Koon7y Betting Life on Youtube➝ https://bit.ly/44Ym2rR GAMBLING PROBLEM? CALL 1-800-GAMBLER (1-800-426-2537) (AZ/CO/IA/IL/IN/KS/KY/LA/MD/ME/MI/NJ/OH/OR/PA/TN/VA/WV/WY), (800) 327-5050 or visit gamblinghelplinema.org (MA). Call 877-8-HOPENY/text HOPENY (467369) (NY). Please Gamble Responsibly. Call 1-800-522-4700 (NH), 888-789-7777/visit ccpg.org (CT), or visit www.1800gambler.net (WV). Physically present in AZ/CO/CT/IL/IN/IA/KS/KY/LA(select Parishes) /MA/MD/ME/MI/NJ/NY/OH/PA/TN/VA/WV/WY only. Void in ONT/OR/NH. Eligibility restrictions apply. On behalf of Boot Hill Casino & Resort (KS). Bet $5 Get $200: Valid 1 per new customer. Min. $5 deposit. Min. $5 bet. $200 issued in bonus bets. Void in NH/OR. No Sweat: Opt in req. 1 No Sweat token issued per day. SGP/SGPx bets only. 3+ legs req. Max. wagering limits apply. Must use funds from cash balance. Must select token BEFORE placing bet. Bet must lose after applying Token. Paid as one Bonus Bet based on amount of losing bet. Tokens expire at start of the last game each day when offered. No Sweat cannot be used to redeem Bet $5 Get $200 offer. Rewarded bonus bets expire 7 days (168 hours) after being awarded. Bonus bets must be wagered 1x and stake is not included in winnings. Ends 02/11/24 at 11:59 PM ET. Sponsored by DK. See terms at dkng.co/ftball. TIMESTAMPS 0:00 - Intro 3:34 - Best Bets 10:50 - Novelty Bet 13:15 - Cross-Sport Props 18:22 - Game Props 28:06 - Super Bowl MVPs 33:07 - Same-Game Parlays 39:16 - Favorite Longshots 48:16 - Futures Bets 50:26 - Favorite Super Bowl Bet 52:25 - Outro

It's so cold outside! How cold?!Why are Swifties mad at Eminem?Play Battle of the Sexes!

As the seasons shift, ensuring optimal ventilation becomes a crucial consideration for farmers in maintaining healthy livestock during winter. Just like we bundle up on layers to stay warm, farmers also “bundle up” their cows for the cold. “Ventilation in winter isn't just about keeping animals warm, it's about safeguarding their health," says Nesli Akdeniz, Livestock Controlled Environments Extension Specialist. "Moisture accumulation, ammonia, and pathogens become key concerns." She says to help address these challenges, she encourages farmers to be aware of the different types of ventilation systems and what best fits their needs. From wind-dependent natural systems to mechanically controlled positive or negative pressure vents, each system aims to balance airflow and temperature.See omnystudio.com/listener for privacy information.

It's snowy and getting colder where we're at, but that doesn't mean you shouldn't go outside. Rachel gives a compelling argument as to why winter is the best time of year for birding and gives insight into the Christmas Bird Count: a citizen science project dating back over a hundred years. Learn more about the Christmas Bird Count here. Primary Sources: Gill, F. B., Prum, R. O., & Robinson, S. K. (2019). Ornithology. W.H. Freeman, Macmillan Learning. Sibley, D. (2020). What it's like to be a bird: From flying to nesting, eating to singing -- what birds are doing, and why. Alfred A. Knopf. Affiliate purchase link. Contact: Website Facebook Twitter TikTok info@grasslandgroupies.org Support us: Bonfire Merch Store Or donate: Donorbox CashApp: $GrasslandGroupies

On this week's episode of Down to Business, NHBR editors speak with Eric Hui, founder of Terracea, an all-season outdoor lifestyle apparel company based in Somersworth. With all that New Hampshire offers with outdoor recreation, it's important to dress appropriately for whatever weather comes your way. Learn more about Terracea at terracea.com. This week's episode is brought to you by McLane Middleton, providing trusted legal services to businesses throughout the region for over 100 years. For a complete listing of their practice areas, attorneys, and locations, visit www.mclane.com.

Crash & Mars Podcast - Sep, 18, 2023

In this episode, one of my favorite email marketing experts, Kate Doster, shares valuable insights on using bundles to grow your email list and generate revenue. From deciding whether to offer a free or paid bundle to using monetization strategies, Kate provides practical tips for making your bundle stand out in a crowded marketplace. Kate emphasizes the importance of maintaining personal integrity, building personal connections, and avoiding overwhelming people with too many gifts. Listen in to learn how you can successfully use bundles to grow your email list and generate revenue for your business. Links mentioned in this episode: How to find Kate: Instagram and Website Kate's free gift: Don't Worry About What To Send Your Email List Until 2025... Register for the Subscriber Growth Summit Podcast show notes --- Send in a voice message: https://podcasters.spotify.com/pod/show/destini-copp/message Support this podcast: https://podcasters.spotify.com/pod/show/destini-copp/support

20230203 - Bundle Up & Enjoy Some Ice Cream For Breakfast While On A Circle Line Cruise by Kevin McCullough Radio

Tim and Navi talk about the enjoyment when the temps are low and they have the slopes to themselves and the down sides to it. Navi discusses what to wear on the river when the temps are low. News of the week features elk wandering down from the mountains and who lingers around when wildlife becomes roadkill.See omnystudio.com/listener for privacy information.

FRIDAY HR 3 SPREAD LOVE

 Its the RRWOAS 2022 Christmas Spec-Tak-U-LaaaaaRRRR!!!Here's the Playlist:Santa Claus The Fuzztones Psych-Out ChristmasWe Wish You A Merry Christmas Husker Du We Wish You A Merry Christmas Promo CassetteBundle Up Replacements Pleased To Meet M...

Bundle Up for dem Packers!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Some of us can tolerate the cold better than others, although that doesn't mean you don't need your mittens on! When cold gets into the body, it can cause chronic pain. Listen to this mini-episode for the information you need to stay healthy this winter! For more information, check out THIS ARTICLE. Want that Bone Broth recipe that Rachel mentioned? Just click here, and the deliciousness is all yours. Or visit rachelbrumberger.com/recipe for your copy. Have a healing story to share? Are you a health and wellness expert? Email us at hello@rachelbrumberger.com to be a guest on the podcast. Message us @reallyrachelb to share what you are loving about the show. Rachel can't wait to hear from you!

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Purdue's Big Ten West hopes are still alive, but they first must take care of business as a heavy favorite against the 1-9 Northwestern Wildcats. Join host Jordan Jones for a deep preview of Saturday's matchup in a frozen Ross-Ade Stadium. What does Purdue need to do to survive and move on? Plus, your questions on the football program are answered. Then, after basketball's big win over Marquette, what's standing out about the Boilermaker basketball team? It's a loaded episode that you won't want to miss. If you enjoyed this week's episode, give us a five star review and tell a friend! Give the show a follow on Twitter @BoilersBeyond and send me your feedback on this week's episode. Let me know your thoughts! You can also email the show at boilersandbeyondpod@gmail.com. New episodes are released weekly, so be sure to subscribe wherever you get your podcasts!

After sharing some wise advice on staying warm to keep heating costs down, Monday Morning Minutes host Samuel Lau and guest Eric Dhall, a trader and quantitative analyst on the firm's Cross Asset team who is subbing for Jeffrey Mayberry, review a mixed market bag and the macro news of Halloween week Oct. 31-Nov. 4. Which all serves as prelude to the Topic of the Week: the FOMC meeting and 75-bp rate hike (11:41). Sam and Eric begin by noting the real-time dynamic of this meeting, in which markets reacted as if they had received a dovish statement from the FOMC, only to run into Chair Jerome H. Powell's quickly and consistently presented hawkish stance. The markets seemed to turn worse with each minute that passed, notes Sam. It's the same message, Sam and Eric point out, that Powell has presented for months. Eric turns to “Game of Thrones” to translate Powell's speech: Winter is coming. Sam and Eric go on to spotlight some of the questions fielded by Powell, whose general response was, price stability and whatever it takes (24:45). Sam and Eric cover a down week for equities (2:09) and fixed income (3:28) while commodities received a boost from a weaker dollar (7:33) and bitcoin was up, breaking 21,000 just before the episode was recorded (8:10). On the macro front (9:49), JOLTS numbers beat expectations, denoting a supply-and demand-imbalance, and ISM Manufacturing marked its 29th straight print in expansionary territory. Looking ahead, it's a light week (36:28) aside from the much anticipated CPI print on Thursday. This episode was recorded after market close Nov. 4, 2022.

Big thanks to Nick for stepping in last-minute for our winter-television preview: all the new or returning shows we're psyched for (like The White Lotus), all the shows we should be psyched for but aren't (like Welcome To Chippendales), and a bunch of shows nobody should be psyched for or even in the same room as (didn't we cancel Criss Angel in the aughts?). After Nick tried to get an episode from The Dropout into the Canon's lab, The Watcher won; James Corden lost; and we all called on the power of three for a Game Time sequel. Grab an afghan and your remote: it's an all-new Extra Hot Great! GUESTS

Big thanks to Nick for stepping in last-minute for our winter-television preview: all the new or returning shows we're psyched for (like The White Lotus), all the shows we should be psyched for but aren't (like Welcome To Chippendales), and a bunch of shows nobody should be psyched for or even in the same room as (didn't we cancel Criss Angel in the aughts?). After Nick tried to get an episode from The Dropout into the Canon's lab, The Watcher won; James Corden lost; and we all called on the power of three for a Game Time sequel. Grab an afghan and your remote: it's an all-new Extra Hot Great!Show TopicsWinter TV PreviewThe Canon: The Dropout S01.E04: Old White MenWinner and Loser of the WeekGame Time: Three At Once, Once MoreShow NotesNick Rheinwald-Jones on TwitterSpy Brunch on Twitter#asseenonTV books at Exhibit B. BooksMASTAS/Beats Around The Bush E01, "Hippie Hop Hooray"The Great American Pop Culture Quiz ShowTara endorses Pennyworth at GQ.comTara interviews Cooper Van Grootel at GQ.comDiscussionTweet at us @ExtraHotPodcast on TwitterWe are @ExtraHotGreat on InstagramSupport EHG on PatreonThe EHG gang have been recording this podcast for almost a decade now. In podcasting terms, that makes us positively Methuselahian. Since the start of EHG, our listeners have asked if we had a tip jar or donation system and we'd look at each other and say surely that is a joke, people don't pay other people to do podcasts. We'd email them back "Ha ha ha, good one, Chet" and go about our business. Now we are told this is a real thing that real nice people do. Value for value? In today's topsy turvy world? It's madness but that good kind of madness, like when you wake up at 3:15am and clean your house. Or something. In all seriousness, we are humbled by your continued prodding to get a Patreon page up for EHG and here it is! Extra Hot Great on Patreon Hosted on Acast. See acast.com/privacy for more information.

Hello Ladies in the episode we will be talking about Cuffing Season. My Goodness I can't believe people are still doing this. Thank you for listening I will talk to you soon. Peace If you would like to support the podcast Cash app $keynasmc