Podcasts about southwest asia

It has been a bit more than six years since then Commandant of the Marine Corps, General David Berger, USMC, initiated what became known as Force Design 2030 (now just known as Force Design). What followed was a controversial change to the structure of the United States Marine Corps intended to address the challenge posed by the People's Republic of China in the western Pacific.Now more than halfway to the original 2030 target, and informed by events from Ukraine and Southwest Asia since 2020, both long-standing critics of the design and other voices are readdressing the changes—and the critique—to see if it remains the right path.Joining the Midrats Podcast is General Anthony Zinni, USMC (Ret.).SummaryIn this episode, retired General Anthony Zinny discusses the evolution of Marine Corps force design, its strategic implications, and the importance of a flexible, well-analyzed approach to military modernization.Show LinksGeneral Anthony Zinni, USMC (Ret.) full bioForce Design 2030Marine leaders drop ‘2030' from name of ambitious overhaul planUSMC Force Design Update from 2023The Marines Must Think Bigger Than Small Units, Real Clear Defense, December 09, 2025, Anthony Zinni & Jerry McAbee , Timothy WellsMore funding for the wrong programs won't fix the Marine Corps, Washington Times, July 10, 2025, by Gen. Charles Krulak and Gen. Anthony ZinniOn the Future of the Marine Corps: Assessing Force Design 2030, CSIS, May 16, 2022What is the role of the Marine Corps in today's global security environment?, Task & Purpose, Apr 19, 2022, Anthony ZinniGeneral Anthony Zinni (ret.) on Wargaming Iraq, Millennium Challenge, and Competition, CIMSEC, October 18, 2021, by Mie Augier and Major Sean F. X. BarrettUSNA lecture: The Obligation to tell the truthChapters00:00: Introduction to Force Design 203003:28: General Zinni's Perspective on Force Design17:33: Critique of Current Military Strategy24:08: Cultural Dynamics within the Marine Corps32:25: Logistics and Equipment Considerations35:40: Strategic Military Logistics38:01: Challenges in the Strait of Hormuz40:37: Marine Corps Littoral Regiments43:21: Logistics and Mobility in Modern Warfare46:49: Lessons from Military History: The 70s and 90s49:11: Innovation in Military Strategy52:32: The Importance of a Structured Development Process56:14: Future Threats and Military PreparednessGeneral Zinni's record of 35 years of service in uniform covers the breadth of service from the Vietnam War to his tour as Commander of U.S. Central Command (CENTCOM) from 1997 to 2000. Following his retirement from active duty, General Zinni continued to serve in senior diplomatic roles, including as the U.S. Special Envoy to Israel and the Palestinian Authority (2001–2003) and later as Special Envoy to Qatar (2017–2019). He is the author of several books, including the New York Times bestsellers Battle Ready (with Tom Clancy) and The Battle for Peace, as well as Leading the Charge and Before the First Shots Are Fired. Additionally, he continues working in academic positions and as a speaker on geopolitics, ethical leadership, and America's role in the world.

This bonus content is a reading from Platypus, the CASTAC Blog. The full post by Aylar Abdolahzadeh can be read at https://blog.castac.org/2026/06/tracing-the-legacy-of-human-resilience-in-the-debris-of-ancient-campfires/. About the post: Have you ever made fire from scratch, without matches or charcoal? In the summer of 2015, I tried to recreate fire using flint, pyrite, and tinder. It quickly became clear that making fire is a learned skill that requires patience, observation, and practice but igniting fire was only the beginning because keeping that fire alive took even more effort. As an archaeologist, this experience led me to ask how our ancestors used, made, and maintained fire as a skill or catalyst. I began collecting, analyzing, and experimentally studying ancient fire traces, such as heat-altered stone tools, from sites across Europe and Southwest Asia. What I found was unexpected: despite the remarkable adaptability of our ancestors across time and space, fire use was far less consistent than I had assumed. Instead, it varied depending on where people lived and what their environments offered in terms of clima (This episode is available in additional languages on Platypus, The CASTAC Blog.)

Guest host Joe Cirincione interviews David Rothkopf. Rothkopf is the host of the Deep State Radio podcast. He is also Chief Global Affairs Columnist at the Daily Beast and was formerly the editor-in-chief of Foreign Policy magazine. He has taught at Columbia, Georgetown and Johns Hopkins universities. He was the Deputy Undersecretary of Commerce in the Clinton Administration and is the author of ten books including, most recently, Traitor: A History of Betraying America from Benedict Arnold to Donald Trump. His newsletter "Need to Know" is available at davidrothkopf.substack.com. Cirincione talks with Rothkopf about what he calls the unfolding catastrophe of Trump's war on Iran, arguing the U.S. has repeatedly failed in Southwest Asia and that this conflict has achieved neither tactical nor strategic objectives, while causing greater-than-reported damage to U.S. bases and eroding trust in military and government accounts. Rothkopf says the war has weakened U.S. alliances, empowered Iran, Russia, and China, and further damaged America's global standing, while also tying U.S. policy to an increasingly destabilizing Israeli government. The conversation then shifts to domestic consequences, with Rothkopf alleging Trump has monetized the presidency through pervasive corruption, including favors, pardons, and an IRS-related settlement he calls theft from the Treasury. Rothkopf remains hopeful but warns against complacency, argues accountability and progress are linked, and urges resistance ahead of 2026 elections.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Hello Interactors,Neuroscience research on narrative shows that stories sharpen attention, improve recall, and recruit shared brain networks that help us organize events into a coherent arc. The trouble, for anyone who works with spatial data, is that the reality on the ground refuses to cooperate with clean narratives despite this inherent bias. Today I look at how the popular telling of how Homo sapiens came to contemplate such things — to become ‘modern' — is not the story the evidence keeps telling.THE LURE OF THE LEAPWe like our origin stories well defined. The popular telling — the Israeli historian Yuval Noah Harari's Sapiens is the bestselling version — locates a moment when archaic humans crossed a threshold and became modern, transformed by some neurological windfall in Africa. But a recent paper by anthropologist Huw Groucutt on Homo sapiens dispersal argues this says more about Homo sapiens' neurological bias toward clean narratives than about the evidence we have.This ‘revolution into modern' frame has traceable historical roots. In the 1960s and 70s, the only deeply excavated record was in a western sliver of the Eurasian landmass called Europe. There, the transition from Neanderthal to Homo sapiens congregations did look abrupt. It was reasonable, given what was known at the time, to read this regional shift as a species-wide threshold — a sudden flowering of cognition and culture. But that reading was a misinterpretation. What Europe records is not a transformation but a replacement where one population arrived as another receded. The arc of change was migration, not metamorphosis.That correction took hold, but the ‘revolution' story, like the species, simply relocated. There would be a coastal revolution in southern Africa, a cognitive revolution in the Rift Valley, a technological revolution in the Levant. The plot survived even as the setting changed.The deeper trouble lies with the word “modern” itself. It is a relic of mid-twentieth-century thinking that anchors humanity to an imagined ethnographic checklist: symbolic art, refined toolkits, complex burials, linguistic competence. These traits are taken to constitute a package, and the package is taken to arrive together. But the evidence keeps refusing this neatness. The traits show up in pulses across regions and disappear again. They appear in populations we have been trained to call “archaic.” They fail to coordinate the way the model demands, and as Groucutt says, provide just“another way of separating ‘us' and ‘them'.”For example at Panga ya Saidi in coastal Kenya, excavators recovered the burial of a child known as Mtoto dated to around 78,000 years ago. It is among the oldest deliberate burials known from Africa, and the kind of behavior usually slotted under “modernity.” Yet there is no continent-wide adoption of similar mortuary practice that follows from it. Burial complexity at Panga ya Saidi appears, then thins, then reappears elsewhere on different terms. It looks less like the leading edge of a wave and more like a local response to local conditions.A second example pulls in the opposite direction. The Iho Eleru skull, recovered in 1965 from a rock shelter in Nigeria, is roughly 13,000 years old — geologically yesterday — yet preserves features that morphologists have long called “archaic.” It refuses to sit in the bin its date implies. The bone is doing something the category cannot absorb.The cost of the revolution model, then, is not that it tells a tidy story. It is that the tidiness encourages researchers to treat their categories as facts of nature rather than instruments of description. Evidence that does not fit the frame gets explained away or quietly set aside. When you stop asking when our ancestors became human and start asking how, across thousands of generations and a shifting climate, particular behaviors were assembled and reassembled in particular places, the data reads very differently.This point is not new. In 2000, Sally McBrearty and Alison Brooks published a paper titled “The revolution that wasn't,” arguing that the complex behaviors taken to define modernity in Europe had appeared in Africa tens of thousands of years earlier, and gradually rather than in a single burst. That correction is over twenty-five years old. The fact that revolution thinking has persisted despite it — and persisted most loudly in popular accounts that sell in the tens of millions — is itself worth taking seriously. Models, like fossils, accumulate where the conditions are right for preservation.The trait-list at the heart of “modernity” is a fragile instrument in its own right. Many of the behaviors taken to mark our species are anchored to ethnographic data on recent hunter-gatherer societies, assumed to provide a baseline for what fully human cultural life looks like. Those datasets have well-known problems; when the archaeologist Robert Kelly examined a portion of Lewis Binford's widely used hunter-gatherer compilation in 2021, he was able to confirm the accuracy of only one percent of the entries. The benchmark we have been measuring the deep past against is, in places, made of sand.PATHS, NOT PIVOTSFor anyone who works with spatial data, the revolution model has a second problem. It ignores the terrain. A revolution, mapped, would look like an expanding circle radiating from a source — like a wildfire expanding from a single ignition point. Human dispersal looks nothing like that. It moves along corridors, hesitates at barriers, doubles back, fragments around resources. It is shaped by climate cycles that open and close routes on millennial timescales. The footprint is irregular because the ground is irregular.Groucutt's argument benefits from a concept that geographers and geomorphologists know well: equifinality. The same observed outcome can result from different processes. A bowl-shaped depression on a hillside can be carved by a glacier, scooped by a landslide, or eroded by a spring undercutting from below. The shape alone does not tell you which. Read the depression as a single signature of a single cause, and you will misjudge its history.The same caution applies to the deep human past. A scatter of similar tool types across regions does not necessarily document a single dispersing population with a shared cognitive package. It may document several populations independently arriving at similar solutions to similar pressures. A flicker of symbolic behavior in two distant places does not imply continuous transmission between them. The archaeological record is dense with cases where the simplest explanation — one cause, one origin — turns out to be the wrong one.A telling example of how revolution thinking distorts spatial evidence comes from a long-running argument about the Levantine sites occupied by Homo sapiens between roughly 130,000 and 75,000 years ago — Skhul, Qafzeh, and others. Did these represent a genuine out-of-Africa dispersal, or were they merely an extension of African ecology into Southwest Asia? In the latter view, our species was so tightly coupled to its native biome that early presence beyond Africa was a kind of optical illusion. One prominent researcher has argued that Israel is outside Africa “only by modern political convention.”But the Levantine mammal fauna of this period is dominated by Palearctic species — deer, gazelle, boar — and has been since at least the Middle Pleistocene. The supposed African flourish at Qafzeh shrinks under examination to a few rare elements, some of them present in the region long before Homo sapiens arrived. “Africa grew” is what the revolution model looks like when biogeography becomes inconvenient. Rather than accept that early Homo sapiens dispersed beyond the continent before achieving full “modernity,” the frame extends the boundary of “Africa” to wherever the species happens to be. The terrain bends to match the model.This is where genomic evidence becomes interesting and dangerous in roughly equal measure. Ancient DNA has transformed what can be reconstructed about population structure, and the resolution is genuinely impressive. But the analytic culture around that data has often defaulted to event-style narratives: a bottleneck here, a split there, a discrete mixture of pulses at a specific date. These tidy events, plotted on a tree, recover the satisfactions of the revolution at a different scale. They imply that the past has crisp joints, making“claims for events which never actually occurred.”The caution Groucutt raises is that population structure across the deep African past was probably continuous, regionally varied, and persistently interconnected — closer to a braided river than a branching tree. Apparent “events” in the genetic record may be artifacts of how the analysis is framed rather than discrete moments in time. Treating them as facts encourages claims of historical specificity the underlying signal cannot bear. Equifinality applies to genomes too. Different histories of structure and gene flow can produce overlapping statistical signatures.What follows, methodologically, is a shift in what models are expected to do. Instead of identifying the moment, the route, or the founding population, the task becomes mapping a field of overlapping processes whose visibility varies by region, by preservation, and by the history of where archaeologists have chosen to dig. That is a less satisfying answer than a date and a place, but it's closer to what the evidence supports.MANY CLOCKS, MANY PASTS, MANY THREADSThe physicist Carlo Rovelli, in The Order of Time, makes an observation that time is not a universal river running at one rate everywhere. It is local and relational. This is not intuitive but matches reality. Atomic clocks at different elevations tick at measurably different rates because gravity dilates time. There is no master clock against which “now” is defined for the whole universe.The revolution model assumes the opposite. It imagines a master clock striking modernity for the species at a particular moment — perhaps in East Africa, perhaps a hundred thousand years ago, perhaps fifty — after which a transformed humanity disperses outward. The image is compelling because it is simple. It is also, as a model of history, incongruent with reality. The record Groucutt reviews shows differently timed histories running in parallel across Africa, Arabia, Eurasia, and Sahul, with regional sequences that do not synchronize. There is no single instant at which the species, taken as a whole, became what it now is. There are only many local trajectories that we have, in retrospect, gathered under one name.One sign that the revolution frame is still doing harm is that the three main streams of evidence — fossil morphology, archaeology, and ancient DNA — currently tell stories that do not align. The dispersal chronology reconstructed from genetic data alone is not the dispersal chronology of the lithic archaeology of northern Eurasia, and neither matches the fossil record of Asia and Sahul. These are not minor discrepancies at the margins. They are different shapes of history. The temptation, encountering this, is to declare one stream definitive and explain the others away. The harder course is to take the disagreement as evidence. What it is telling us is that the histories these methods recover are partial, regionally weighted, and pitched at different temporal resolutions. There is no master clock available to bring them into sync because there was never a master event for them to be synchronized to.This is closer to what might be called emplacement than to revolution. Homo sapiens did not arrive in time as a finished product and then unfold into space. The species emerged through space — through specific landscapes, specific corridors, specific neighbors — and continued to be shaped by them long after any putative threshold. Cognition, technology, and social practice were not delivered together and then carried outward. They were assembled, lost, and reassembled in different combinations under different pressures. Whatever it is that we now point to as the human condition is the cumulative residue of that long, polycentric making. In Groucutt's terms, they are“polycentric and mosaic.”Letting go of the revolution story is uncomfortable because it removes the heroic frame that has organized so much storytelling about ourselves. There is no founding spark, no anointed lineage, no first true human. What remains is harder to compress into a sentence. It is also more honest, and more interesting. The work ahead — for archaeologists, geneticists, geographers, and anyone who builds models of the deep past — is to map the complexity of the terrain rather than identify a single point. To trace the connections that hold the picture together rather than the moment at which the picture was supposedly painted.The mosaic is no runner-up to the revolution. It is the record itself — rough, regional, and real. We need only learn to read it.References:Groucutt, H. S. (2026). Revolution, modernity, and the dispersal of Homo sapiens beyond Africa. Quaternary Science Reviews. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit interplace.io

Genaro[nb 1] Anthony Sirico Jr. (/sɪˈriːkoʊ/ sih-REE-koh; July 24, 1942 – July 8, 2022)[nb 2] was an American actor. Often cast as a mobster, he is known for portraying Paulie Gualtieri in The Sopranos.Born in Brooklyn to an Italian-American family, Sirico had a tumultuous early life marked by multiple arrests and periods of imprisonment for crimes including robbery, assault, and extortion. His interest in acting was sparked during a prison sentence, following a visit by an acting troupe of ex-convicts. Sirico's acting career began with minor roles in films such as Crazy Joe. Eventually, it led to significant roles in movies including Goodfellas and Mighty Aphrodite, as well as appearances in six other Woody Allen films.Aside from his film career, Sirico made notable contributions to television and animation, voicing characters in The Fairly OddParents and Family Guy. His role in The Sopranos earned him acclaim. Sirico's life off-screen was marked by his service in the United States Army, and his philanthropic efforts, including USO visits to Southwest Asia. He died in 2022, aged 79.PICTURE: By Peabody Awards - The Sopranos, CC BY 2.0, https://commons.wikimedia.org/w/index.php?curid=146280385

The series of follies in Iran continue. The usual suspects are gearing up for another round of peace talks in Pakistan, yet a true long term solution for the conflict still seems far out of reach. Is a real long term solution even possible, or is this a quagmire that America can't escape from? Daniel Benaim, Kenneth Pollack, and Dan Shapiro join David Rothkopf to assess the intractable problems at the center of this conflict and why this administration is out of its depth.  Learn more about your ad choices. Visit megaphone.fm/adchoices

The series of follies in Iran continue. The usual suspects are gearing up for another round of peace talks in Pakistan, yet a true long term solution for the conflict still seems far out of reach. Is a real long term solution even possible, or is this a quagmire that America can't escape from? Daniel Benaim, Kenneth Pollack, and Dan Shapiro join David Rothkopf to assess the intractable problems at the center of this conflict and why this administration is out of its depth.  Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode of Counterpunch Radio, Rebecca Maria Goldschmidt speaks with Emanuel Ovadia, a researcher and educator on radical Jewish traditions in the Southwest Asia and North Africa (SWANA) region. Emanuel shares stories of Muslim-Jewish relations, the politics of language, and the Jewish radical traditions outside of the typical “Ashkenormative” European or American Jewish left. We discuss how the multi-lingual, transnational, and transcultural history of the region debunks zionist myths of Jewish supremacy, and the importance of uplifting the cultural memory of ancestors who may have been assimilated into “Israeli” or other colonial identities across the SWANA region. You can find Emanuel’s quarterly zine, Gazoz De Frambuaz, and his Instagram at https://linktr.ee/gdframbuaz. The post Jewish Radical Traditions of the SWANA Region w/ Emanuel Ovadia appeared first on CounterPunch.org.

Extractivism—exploiting the earth for resources—has long driven racial capitalism and colonialism. And yet, how does extractivism operate in a world where ecological and humanitarian sensibilities are unprecedentedly widespread? Eray Çaylı argues it does so by mobilizing these sensibilities in new ways. Extractivism is no longer only about moving the earth—displacing peoples, fossils, minerals, and waters—but also leaving those who witness this violent displacement sentimentally moved. Earthmoving: Extractivism, War, and Visuality in Northern Kurdistan (U Texas Press, 2025) conceptualizes this duality. Derived from Çaylı's years-long work in Northern Kurdistan, home to the world's largest stateless nation—rendered stateless by colonial policies since the nineteenth century—Earthmoving focuses on the 2010s, a decade that began with peace talks between Turkey and the Kurdish liberation movement but ended with war. The decade saw extractivism intensify in the region and images of its harm proliferate across art and media. Together with contemporary artists, Çaylı shows that images challenge extractivism both by making its harm visible and by fostering self-reflexive and reciprocal collaboration that breaks with its valuation of the colonized and the racialized only in quantifiable and marketable terms. Host: Ronay Bakan is a Max Weber Postdoctoral Fellow at European University Institute, in Italy. Her research interests include political geography, mobilization, and counterinsurgency in Southwest Asia and North Africa with a special focus on Northern Kurdistan. She is currently working on her book titled “Counterinsurgent Urbanism: Weaponizing Land and Heritage in Northern Kurdistan.” Email: ronay.bakan@eui.eu Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Yasmine Nachabe Taan interviews American-Lebanese illustrator and designer Sarah Saroufim. They start the conversation by taking us through her educational journey first in graphic design at the American University of Beirut (AUB), and how this led to her interest in illustration; then to her postgraduate studies in product design at Parsons School of Design in New York.Sarah discusses candidly her interests, struggles and doubts. She shares the fact that she has been interested in art and passionate about drawing since high school, but not until the end of her college years did she finally feel better at it and found her own voice in illustration. She discusses her creative process and how she needs the time to experiment and plan extensively before starting her drawings. She also discusses the dot-pattern illustrations and Arabic lettering that she created for a book published by Snoubar Bayrout Bookshop, entitled Dammeh [hug], among other meaningful projects she enjoyed working on. She elaborates on her mainly black and white color palette, and her fascination with drawing patterns using her ballpoint pen that she always carried with her. Recently she started integrating grays, and other vivid colors in her design work. She mentions a course she took at AUB with Lebanese graphic artist and illustrator, Mazen Kerbaj, from which she learned the importance of drawing every day (though she fails to apply this), as well as the importance of drawing every detail from scratch no matter how often it may be repeated in a composition. In her work she takes the hard way in order to feel that the outcome is of any worth.Sarah discusses the economic reasons behind her switching from being a freelance illustrator to working in a design agency on full-time basis. Her studying product design was in the same vein: namely her need to learn something different and practical that she can earn money through. To compensate for her struggle with ideas and the discipline of drawing every day, she designed an app  called Drop for the iPad about daily drawing for her capstone project at Parsons. She shares her disillusionment with AI developments and the way the world is becoming less authentic. She reveals the very personal motivation behind her work and its importance for her wellbeing, and concludes by saying: "No matter how low or insecure you may be feeling, just draw, it's possible to improve and change." Sarah Saroufim is one the visual artists and graphic women featured in the book, Revealing Recording Reflecting: Graphic Women from Southwest Asia and North Africa (Amsterdam: Khatt Books, 2024). FOLLOW & RATE KHATT CHRONICLES:» Apple Podcasts: https://podcasts.apple.com/us/podcast/khatt-chronicles-stories-on-design-from-the-arab-world/id1472975206» Spotify: https://open.spotify.com/show/3ATH0MwO1tIlBvQfahSLrB» Anghami: https://play.anghami.com/podcast/1014374489THIS SERIES IS PART OF THE AFIKRA PODCAST NETWORK Explore all episodes in this series: https://www.youtube.com/playlist?list=PLfYG40bwRKl5mMJ782dhW6yvfq0E0_HhAABOUT AFIKRAafikra | عفكرة is a movement to convert passive interest in the Arab world to active intellectual curiosity. We aim to collectively reframe the dominant narrative of the region by exploring the histories and cultures of the region – past, present and future – through conversations driven by curiosity.

Extractivism—exploiting the earth for resources—has long driven racial capitalism and colonialism. And yet, how does extractivism operate in a world where ecological and humanitarian sensibilities are unprecedentedly widespread? Eray Çaylı argues it does so by mobilizing these sensibilities in new ways. Extractivism is no longer only about moving the earth—displacing peoples, fossils, minerals, and waters—but also leaving those who witness this violent displacement sentimentally moved. Earthmoving: Extractivism, War, and Visuality in Northern Kurdistan (U Texas Press, 2025) conceptualizes this duality. Derived from Çaylı's years-long work in Northern Kurdistan, home to the world's largest stateless nation—rendered stateless by colonial policies since the nineteenth century—Earthmoving focuses on the 2010s, a decade that began with peace talks between Turkey and the Kurdish liberation movement but ended with war. The decade saw extractivism intensify in the region and images of its harm proliferate across art and media. Together with contemporary artists, Çaylı shows that images challenge extractivism both by making its harm visible and by fostering self-reflexive and reciprocal collaboration that breaks with its valuation of the colonized and the racialized only in quantifiable and marketable terms. Host: Ronay Bakan is a Max Weber Postdoctoral Fellow at European University Institute, in Italy. Her research interests include political geography, mobilization, and counterinsurgency in Southwest Asia and North Africa with a special focus on Northern Kurdistan. She is currently working on her book titled “Counterinsurgent Urbanism: Weaponizing Land and Heritage in Northern Kurdistan.” Email: ronay.bakan@eui.eu Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/middle-eastern-studies

Extractivism—exploiting the earth for resources—has long driven racial capitalism and colonialism. And yet, how does extractivism operate in a world where ecological and humanitarian sensibilities are unprecedentedly widespread? Eray Çaylı argues it does so by mobilizing these sensibilities in new ways. Extractivism is no longer only about moving the earth—displacing peoples, fossils, minerals, and waters—but also leaving those who witness this violent displacement sentimentally moved. Earthmoving: Extractivism, War, and Visuality in Northern Kurdistan (U Texas Press, 2025) conceptualizes this duality. Derived from Çaylı's years-long work in Northern Kurdistan, home to the world's largest stateless nation—rendered stateless by colonial policies since the nineteenth century—Earthmoving focuses on the 2010s, a decade that began with peace talks between Turkey and the Kurdish liberation movement but ended with war. The decade saw extractivism intensify in the region and images of its harm proliferate across art and media. Together with contemporary artists, Çaylı shows that images challenge extractivism both by making its harm visible and by fostering self-reflexive and reciprocal collaboration that breaks with its valuation of the colonized and the racialized only in quantifiable and marketable terms. Host: Ronay Bakan is a Max Weber Postdoctoral Fellow at European University Institute, in Italy. Her research interests include political geography, mobilization, and counterinsurgency in Southwest Asia and North Africa with a special focus on Northern Kurdistan. She is currently working on her book titled “Counterinsurgent Urbanism: Weaponizing Land and Heritage in Northern Kurdistan.” Email: ronay.bakan@eui.eu Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Extractivism—exploiting the earth for resources—has long driven racial capitalism and colonialism. And yet, how does extractivism operate in a world where ecological and humanitarian sensibilities are unprecedentedly widespread? Eray Çaylı argues it does so by mobilizing these sensibilities in new ways. Extractivism is no longer only about moving the earth—displacing peoples, fossils, minerals, and waters—but also leaving those who witness this violent displacement sentimentally moved. Earthmoving: Extractivism, War, and Visuality in Northern Kurdistan (U Texas Press, 2025) conceptualizes this duality. Derived from Çaylı's years-long work in Northern Kurdistan, home to the world's largest stateless nation—rendered stateless by colonial policies since the nineteenth century—Earthmoving focuses on the 2010s, a decade that began with peace talks between Turkey and the Kurdish liberation movement but ended with war. The decade saw extractivism intensify in the region and images of its harm proliferate across art and media. Together with contemporary artists, Çaylı shows that images challenge extractivism both by making its harm visible and by fostering self-reflexive and reciprocal collaboration that breaks with its valuation of the colonized and the racialized only in quantifiable and marketable terms. Host: Ronay Bakan is a Max Weber Postdoctoral Fellow at European University Institute, in Italy. Her research interests include political geography, mobilization, and counterinsurgency in Southwest Asia and North Africa with a special focus on Northern Kurdistan. She is currently working on her book titled “Counterinsurgent Urbanism: Weaponizing Land and Heritage in Northern Kurdistan.” Email: ronay.bakan@eui.eu Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/environmental-studies

Extractivism—exploiting the earth for resources—has long driven racial capitalism and colonialism. And yet, how does extractivism operate in a world where ecological and humanitarian sensibilities are unprecedentedly widespread? Eray Çaylı argues it does so by mobilizing these sensibilities in new ways. Extractivism is no longer only about moving the earth—displacing peoples, fossils, minerals, and waters—but also leaving those who witness this violent displacement sentimentally moved. Earthmoving: Extractivism, War, and Visuality in Northern Kurdistan (U Texas Press, 2025) conceptualizes this duality. Derived from Çaylı's years-long work in Northern Kurdistan, home to the world's largest stateless nation—rendered stateless by colonial policies since the nineteenth century—Earthmoving focuses on the 2010s, a decade that began with peace talks between Turkey and the Kurdish liberation movement but ended with war. The decade saw extractivism intensify in the region and images of its harm proliferate across art and media. Together with contemporary artists, Çaylı shows that images challenge extractivism both by making its harm visible and by fostering self-reflexive and reciprocal collaboration that breaks with its valuation of the colonized and the racialized only in quantifiable and marketable terms. Host: Ronay Bakan is a Max Weber Postdoctoral Fellow at European University Institute, in Italy. Her research interests include political geography, mobilization, and counterinsurgency in Southwest Asia and North Africa with a special focus on Northern Kurdistan. She is currently working on her book titled “Counterinsurgent Urbanism: Weaponizing Land and Heritage in Northern Kurdistan.” Email: ronay.bakan@eui.eu Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/geography

Extractivism—exploiting the earth for resources—has long driven racial capitalism and colonialism. And yet, how does extractivism operate in a world where ecological and humanitarian sensibilities are unprecedentedly widespread? Eray Çaylı argues it does so by mobilizing these sensibilities in new ways. Extractivism is no longer only about moving the earth—displacing peoples, fossils, minerals, and waters—but also leaving those who witness this violent displacement sentimentally moved. Earthmoving: Extractivism, War, and Visuality in Northern Kurdistan (U Texas Press, 2025) conceptualizes this duality. Derived from Çaylı's years-long work in Northern Kurdistan, home to the world's largest stateless nation—rendered stateless by colonial policies since the nineteenth century—Earthmoving focuses on the 2010s, a decade that began with peace talks between Turkey and the Kurdish liberation movement but ended with war. The decade saw extractivism intensify in the region and images of its harm proliferate across art and media. Together with contemporary artists, Çaylı shows that images challenge extractivism both by making its harm visible and by fostering self-reflexive and reciprocal collaboration that breaks with its valuation of the colonized and the racialized only in quantifiable and marketable terms. Host: Ronay Bakan is a Max Weber Postdoctoral Fellow at European University Institute, in Italy. Her research interests include political geography, mobilization, and counterinsurgency in Southwest Asia and North Africa with a special focus on Northern Kurdistan. She is currently working on her book titled “Counterinsurgent Urbanism: Weaponizing Land and Heritage in Northern Kurdistan.” Email: ronay.bakan@eui.eu Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/book-of-the-day

Huda Smitshuijzen AbiFarès interviews Iranian visual artist Golnaz Fathi, who starts by sharing her educational journey from her initial training as graphic designer and classical calligrapher, to reaching her her final goal of becoming a painter and visual artist. Golnaz explains her love for all kinds of written scripts; her fascination with their shapes, their ways of carrying meaning and emotions. She describes how she managed to merge all her learned creative skills and passions (scripts and painting) into the type of written art she has been creating for decades. She challenged herself to break the rules of calligraphy and write along musical rhythms, like a performer, capturing the essence of writing — writing the "unwritten" that expressed pure emotion. She talks about pushing boundaries, creating cultural bridges and inviting viewers to respond in individual and imaginative ways to her work. She describes her inspirations acquired through art books, and how certain abstract expressionist artists that have had an impact on her way of creating art. She candidly relays the challenges she faced in Iran in having access to modern and international art, and her joy the first time she encountered those artworks physically in a museum. She discusses how music, poetry, and dance are core elements in her work citing as example an exhibition centered around the poetry of the renown Syrian poet Nizar Kabbani. The conversation concludes with talking about her other passions for cooking, enjoying food, hosting friends, and much more. Golnaz Fathi is one the visual artists and graphic women featured in the book "Revealing Recording Reflecting: Graphic Women from Southwest Asia and North Africa" (Amsterdam: Khatt Books, 2024). FOLLOW & RATE KHATT CHRONICLES:» Apple Podcasts: https://podcasts.apple.com/us/podcast/khatt-chronicles-stories-on-design-from-the-arab-world/id1472975206» Spotify: https://open.spotify.com/show/3ATH0MwO1tIlBvQfahSLrB» Anghami: https://play.anghami.com/podcast/1014374489THIS SERIES IS PART OF THE AFIKRA PODCAST NETWORK Explore all episodes in this series: https://www.youtube.com/playlist?list=PLfYG40bwRKl5mMJ782dhW6yvfq0E0_HhAABOUT AFIKRAafikra | عفكرة is a movement to convert passive interest in the Arab world to active intellectual curiosity. We aim to collectively reframe the dominant narrative of the region by exploring the histories and cultures of the region – past, present and future – through conversations driven by curiosity.

Yasmine Nachabe Taan interviews Lebanese illustrator Hanane Kai who shares her journey from studying and working as a graphic designer to the moment she decided to concentrate on illustration work. They discuss her illustration career that began with sketching in the park, to online blogs and social media, eventually leading to award-winning commissioned work. They unpack issues related to her response to upsetting events, through personal political posters, some in collaboration with type designer Kristyan Sarkis. They also discuss her passion for children's books that she collects, diving into her work for children and young adults books. Hanane speaks about the challenges of illustrating children's books especially those addressing difficult social topics and mental health issues. Through the conversation they talk about the Bologna Children's Book Fair and the impact of a visit to this fair on her work as an illustrator, inspiring one of her most experimental and playful illustrated children's book. Hanane explains her process and the importance of research, as well as letting the content dictate the media and style of image-making. Hanane also talks about her latest project, an Arabic erotic dictionary, where she combines the human hand with Arabic letters, collaborating with dancers to capture the right gestures. She concludes this conversation by talking about her need for her projects to be challenging—projects that give her "something to push against" and make her "brain hurt a little." Hanane is one the visual artists and graphic women featured in the book "Revealing Recording Reflecting: Graphic Women from Southwest Asia and North Africa" (Amsterdam: Khatt Books, 2024). FOLLOW & RATE KHATT CHRONICLES:» Apple Podcasts: https://podcasts.apple.com/us/podcast/khatt-chronicles-stories-on-design-from-the-arab-world/id1472975206» Spotify: https://open.spotify.com/show/3ATH0MwO1tIlBvQfahSLrB» Anghami: https://play.anghami.com/podcast/1014374489THIS SERIES IS PART OF THE AFIKRA PODCAST NETWORK Explore all episodes in this series: https://www.youtube.com/playlist?list=PLfYG40bwRKl5mMJ782dhW6yvfq0E0_HhAABOUT AFIKRAafikra | عفكرة is a movement to convert passive interest in the Arab world to active intellectual curiosity. We aim to collectively reframe the dominant narrative of the region by exploring the histories and cultures of the region – past, present and future – through conversations driven by curiosity.

Deze week hoor je in NRC Vandaag onze serie Wilde eeuwen, het begin. Een van de verhalende series die we dit jaar maakten: perfect voor tijdens de dagen rond Kerst.Het is 12.000 jaar geleden. Sjamaan Slata wandelt naar Göbleki Tepe, bakt brood en hallucineert op beschimmelde rogge. Zullen zijn visioenen de landbouw vooruit helpen?Heeft u vragen, suggesties of ideeën over onze journalistiek? Mail dan naar onze redactie via podcast@nrc.nl.Voor deze aflevering is onder meer gebruikt gemaakt van deze literatuur:Oliver Dietrich ‘Shamanism at Early Neolithic Göbekli Tepe, southeastern Turkey. Methodological contributions to an archaeology of belief' in Praehistorische Zeitschrift, in mei 2024. Steven Mithen ‘Shamanism at the transition from foraging to farming in Southwest Asia: sacra, ritual, and performance at Neolithic WF16 (southern Jordan)' in The Journal of the Council for British Research in the Levant, in September 2022.David Graeber en David Wengrow. ‘The Dawn of Everything, A New History of Humanity', bij Penguin in 2022. Li Liu e.a. ‘Fermented beverage and food storage in 13,000 y-old stone mortars at Raqefet Cave, Israel: Investigating Natufian ritual feasting' in in oktober 2018. Amaia Arranz-Otaeguia e.a. ‘Archaeobotanical evidence reveals the origins of bread 14,400 years ago in northeastern Jordan' in PNAS, op 13 juli 2018.Leore Grosman e.a. ‘A Natufian Ritual Event' in Current Anthropology, in juni 2016.Marion Benz ‘Symbols of Power - Symbols of Crisis? A Psycho-Social Approach to Early Neolithic Symbol Systems', Neo-Lithics, in januari 2014. Leore Grosman e.a. ‘A 12,000-year-old Shaman burial from the southern Levant (Israel)' in PNAS, op 18 november 2008. Zohar Kerem e.a. ‘Chickpea domestication in the Neolithic Levant through the nutritional perspective' in Journal of Archaeological Science, in augustus 2007.Tekst en presentatie: Hendrik SpieringRedactie en regie: Mirjam van ZuidamMuziek, montage en mixage: Rufus van BaardwijkBeeld: Jeen BertingVormgeving: Yannick MortierZie het privacybeleid op https://art19.com/privacy en de privacyverklaring van Californië op https://art19.com/privacy#do-not-sell-my-info.

Huda Smitshuijzen AbiFarès interviews Iranian-American visual artist Golnar Adili on her journey from architecture to teaching and practicing visual arts. They discuss her work that transgresses borders and definition and how she uses the Perso-Arabic script and language as material for artistic exploration. Golnar talks about her love for science and art and how architecture brought these two passions together. She also discusses her first research trip to Tehran to investigate (free)inside/(controlled)outside spaces and what these notions represent in that particular cultural context, which was her starting point into becoming an artist. The research is concluded with a book of photographs entitled: "Tehran, A Landscape of Compressed Freedoms." Through the discussion, they unpack the relation between her work, her personal family history and experiences of living in diaspora, and her work as an artist and designer. They further explore these concepts in her other projects delving into her collage techniques and books arts projects. Golnar explains how her heart-language, Persian, plays a central role in her work, taking lyrical Persian poetry and making it contemporary through the design of the letterforms and the use of material. She discusses how gender has informed her work and how it compelled her to express small intimate stories of women (in her family) in her work. In her work she formally manipulates physical and visual material to convey emotions going by the Persian saying: "What comes from the heart, sits on the heart." The conversation is concluded with a brief talk about her teaching at both the Parsons School of Design (with college students) on one hand and children middle-schoolers on the other, and how her teaching assignments relate to her own work and explorations: straddling two and three dimensions, and exploring materials and techniques of image-making. Golnar Adili is one the visual artists and graphic women featured in the book, Revealing Recording Reflecting: Graphic Women from Southwest Asia and North Africa (Amsterdam: Khatt Books, 2024). FOLLOW & RATE KHATT CHRONICLES:» Apple Podcasts: https://podcasts.apple.com/us/podcast/khatt-chronicles-stories-on-design-from-the-arab-world/id1472975206» Spotify: https://open.spotify.com/show/3ATH0MwO1tIlBvQfahSLrB» Anghami: https://play.anghami.com/podcast/1014374489THIS SERIES IS PART OF THE AFIKRA PODCAST NETWORK Explore all episodes in this series: https://www.youtube.com/playlist?list=PLfYG40bwRKl5mMJ782dhW6yvfq0E0_HhAABOUT AFIKRAafikra | عفكرة is a movement to convert passive interest in the Arab world to active intellectual curiosity. We aim to collectively reframe the dominant narrative of the region by exploring the histories and cultures of the region – past, present and future – through conversations driven by curiosity.

Episode Summary: Chris Lettman of Imperial Star Solar, an American-made solar module manufacturer, joins Benoy on the Solar Maverick Podcast to unpack how projects truly qualify for the 10% domestic content adder, why U.S. cells and traceability drive eligibility, and what U.S. manufacturing looks like at Imperial Star's Houston facility. They also discuss supply realities, Tier 1 vs. bankability, and practical insights for developers and EPCs when procuring panels. Biographies Benoy Thanjan Benoy Thanjan is the Founder and CEO of Reneu Energy, solar developer and consulting firm, and a strategic advisor to multiple cleantech startups. Over his career, Benoy has developed over 100 MWs of solar projects across the U.S., helped launch the first residential solar tax equity funds at Tesla, and brokered $45 million in Renewable Energy Credits (“REC”) transactions. Prior to founding Reneu Energy, Benoy was the Environmental Commodities Trader in Tesla's Project Finance Group, where he managed one of the largest environmental commodities portfolios. He originated REC trades and co-developed a monetization and hedging strategy with senior leadership to enter the East Coast market. As Vice President at Vanguard Energy Partners, Benoy crafted project finance solutions for commercial-scale solar portfolios. His role at Ridgewood Renewable Power, a private equity fund with 125 MWs of U.S. renewable assets, involved evaluating investment opportunities and maximizing returns. He also played a key role in the sale of the firm's renewable portfolio. Earlier in his career, Benoy worked in Energy Structured Finance at Deloitte & Touche and Financial Advisory Services at Ernst & Young, following an internship on the trading floor at D.E. Shaw & Co., a multi billion dollar hedge fund. Benoy holds an MBA in Finance from Rutgers University and a BS in Finance and Economics from NYU Stern, where he was an Alumni Scholar. Chris Lettman Sales Manager Chris serves as the Sales Manager of the US office at Imperial Star with a primary focus on Utility Scale and C&I clients. He started his solar energy career in 2009 selling turnkey systems to residential and mid-size commercial properties. Since that time, he has been involved in the development, acquisition and construction of numerous large utility scale and commercial scale solar projects throughout the United States. Chris has extensive experience and knowledge in the areas of project development, project finance and equipment sales. Prior to starting his career in the solar industry, Chris was a marketing manager for a publicly held pharmaceutical company in the United States. He is a U.S. Marine Corps veteran and served in Southwest Asia during Operation Desert Shield/Desert Storm. He holds an MBA in Business from the University of Redlands California and currently lives in Southern California.   Stay Connected: Benoy Thanjan Email: info@reneuenergy.com  LinkedIn: Benoy Thanjan Website: https://www.reneuenergy.com   Chris Lettman Linkedin: https://www.linkedin.com/in/chrislettman/ Website:  https://www.imperialstar.com/

Habibi Festival returns this week, featuring musicians from across the Southwest Asia and North Africa region performing at Joe's Pub. Palestinian artist Rasha Nahas previews her second show on Saturday, and plays some music live in the studio.

Roshanak Keyghobadi interviews Iranian California-based graphic designer and illustrator Ghazal Foroutan. They discuss Ghazal's journey as a designer, her educational stages, and her impactful first professional experience at Studio Shizaru in Tehran. Ghazal discusses her interest in design research and design history that developed during her postgraduate studies in the US. She mentions that her design history education (both in Iran and the U.S.) was male-centric, and expresses her gratitude to contemporary platforms, such as Khatt Chronicles and Women Iranian Designers, for broadening her knowledge and providing information about women role models. As a woman growing up in Iran, she experienced challenges that made her want to work on projects that advocated for (Iranian) women's rights and equality. She discusses her cultural engagement and political activism through her personal design projects. Ghazal discusses her design process and her passion for the risography technique and how she employs it for her "passion projects"—personal prints, editorial work, and publications. She shares her challenges of balancing teaching, personal project, and paid design commissions. The conversation ends with a discussion about the future of design: AI and responsible innovation, and adaptability to the complex media and communications landscape. Ghazal believes that we need to see design not just as a service but rather as a way to shape culture and create a culture of solidarity. Ghazal Foroutan is one the designers featured in the book, Revealing Recording Reflecting: Graphic Women from Southwest Asia and North Africa (Amsterdam: Khatt Books, 2024). FOLLOW & RATE KHATT CHRONICLES:» Apple Podcasts: https://podcasts.apple.com/us/podcast/khatt-chronicles-stories-on-design-from-the-arab-world/id1472975206» Spotify: https://open.spotify.com/show/3ATH0MwO1tIlBvQfahSLrB» Anghami: https://play.anghami.com/podcast/1014374489THIS SERIES IS PART OF THE AFIKRA PODCAST NETWORK Explore all episodes in this series: https://www.youtube.com/playlist?list=PLfYG40bwRKl5mMJ782dhW6yvfq0E0_HhAABOUT AFIKRAafikra | عفكرة is a movement to convert passive interest in the Arab world to active intellectual curiosity. We aim to collectively reframe the dominant narrative of the region by exploring the histories and cultures of the region – past, present and future – through conversations driven by curiosity.

A film festival highlighting the work and culture of Arab and SWANA people, or those with roots in Southwest Asia and North Africa, is happening this week. Wednesday kicks off the 19th Twin Cities Arab Film Festival put on by the local organization Mizna. Michelle Baroody, Mizna's film programming curator, joins MPR News host Nina Moini to talk about the festival.

Yara Khoury Nammour interviews Cairo-based Lebanese designer and visual artist Bahia Shehab. They discuss Shehab's motivation and journey as a designer and educator. Shehab delves into political engagement, the importance of portraying an authentic image of Arab/Islamic visual heritage in order to decolonize design history discourse. They discuss her influences and how her educational development has shaped her perspective on design. Shehab elaborates on her artistic practice, her academic research, and her publications: A Thousand Times No, Art the Corner of a Dream, You Can Crush the Flowers, History of Arab Graphic Design, Revealing Recording Reflecting, and an upcoming publication on vernacular culture and advertising. They discuss the challenges for knowledge creation and dissemination in the Arab world: starting with the obstacles that hinder collection, documentation, and preservation of material. They conclude the conversation with the idea that change comes in a collective effort of certain generation and time period, and that maybe this is the moment to establish an Arab graphic design museum in the region.Bahia Shehab was co-editor of the book, Revealing Recording Reflecting: Graphic Women from Southwest Asia and North Africa (Amsterdam: Khatt Books, 2024), and her work is also featured in it. FOLLOW & RATE KHATT CHRONICLES:» Apple Podcasts: https://podcasts.apple.com/us/podcast/khatt-chronicles-stories-on-design-from-the-arab-world/id1472975206» Spotify: https://open.spotify.com/show/3ATH0MwO1tIlBvQfahSLrB» Anghami: https://play.anghami.com/podcast/1014374489THIS SERIES IS PART OF THE AFIKRA PODCAST NETWORK Explore all episodes in this series: https://www.youtube.com/playlist?list=PLfYG40bwRKl5mMJ782dhW6yvfq0E0_HhAABOUT AFIKRAafikra | عفكرة is a movement to convert passive interest in the Arab world to active intellectual curiosity. We aim to collectively reframe the dominant narrative of the region by exploring the histories and cultures of the region – past, present and future – through conversations driven by curiosity.

Yasmine Nachabe Taan interviews Beirut-based Syrian visual storyteller and illustrator Dima Nachawi. They discuss her professional journey, education, and projects. Dima shares her passion for making people laugh, clowning, drawing, singing, performing, shadow puppetry, and street theater. Her multidisciplinary practice is connected to her Syrian roots through which she documents and advocates for social causes and injustices. Together they unpack some of the political narratives behind her projects, and discuss how humor can help circumvent censorship and oppression. They also discuss the importance of female figures with long flowing hair in her illustrations; how they symbolize homelands, freedom, strength, and resilience; and how they are often a part of the cityscape or of trees, rooted in nature, and holding their ground. Dima Nachawi's work is featured in the book, Revealing Recording Reflecting: Graphic Women from Southwest Asia and North Africa (Amsterdam: Khatt Books, 2024). FOLLOW & RATE KHATT CHRONICLES:» Apple Podcasts: https://podcasts.apple.com/us/podcast/khatt-chronicles-stories-on-design-from-the-arab-world/id1472975206» Spotify: https://open.spotify.com/show/3ATH0MwO1tIlBvQfahSLrB» Anghami: https://play.anghami.com/podcast/1014374489THIS SERIES IS PART OF THE AFIKRA PODCAST NETWORK Explore all episodes in this series: https://www.youtube.com/playlist?list=PLfYG40bwRKl5mMJ782dhW6yvfq0E0_HhAABOUT AFIKRAafikra | عفكرة is a movement to convert passive interest in the Arab world to active intellectual curiosity. We aim to collectively reframe the dominant narrative of the region by exploring the histories and cultures of the region – past, present and future – through conversations driven by curiosity.

About Ryan Jenkins Mr. Kevin “Ryan” Jenkins has more than two decades of field experience in logistics, base life support, training, maintenance, and facilities management supporting United States and Allied Army, Navy, Air Force and Marine services in the most remote and austere locations in the world. Specific expertise in Portfolio Management, Federal Contracts, Finance and Business Development. Mr. Jenkins contracting career began with Engility (now Sincerus) supporting Vectrus (now V2X) in the Kuwait Base Operations Service Support Security (KBOSSS) contract. From 2011 – 2015, he managed all U.S. Army Training Support in Southwest Asia comprising range maintenance and logistics support across 23 countries and overseeing the maintenance and upkeep of one of the largest U.S. Army training areas. In 2016, Mr. Jenkins was sent to Afghanistan as the Program Manager providing oversight management of the Afghan Air Force (AAF) in the functional areas of Finance/Budget, Operations, Engineering Projects/Facilities Maintenance, IT infrastructure, Human Resources, Intelligence, Logistics and Maintenance. Later that year, Mr. Jenkins was asked to become the Senior Finance Advisor to the Ministry of Finance (MoF) advising the senior executives on treasury oversight, budget formulation and execution of the $5.5B budget. In 2017, Mr. Jenkins joined Constellis (Centerra group) as the Program Manager of the Bahrain Base Operations Support contract (BBOS) at the US Naval Base that hosts the 5th Naval Fleet and 3 other military sites. He executed close out operations of this $20M annual revenue contract with 550 employees. In 2020, Mr. Jenkins became Amentum's Senior Business Manager over one of the largest contracts in Afghanistan consisting of 1100 employees and $118M in annual revenue. The contract provided theater-wide support of all US maintenance, transportation, and property management. He led the Business Management Directorate with five reporting sections: Financial Planning & Analysis, Payroll/Cash management, Contracts, Travel and IT. Notably this contract was tasked with the full retrograde mission of all US vehicles, equipment and property from Afghanistan. Upon leaving Afghanistan he has held SVP and Director level postions in DoD Business Development and Capture Management in firms such as Palladium International, Taylors International Services and J&J Worldwide Services. Currently serving as a US Army Reservist, Lieutenant Colonel Jenkins is the 403rd Civil Affairs Battalion Commander. He has also had previous roles as: Aviation Officer (UH-60 Blackhawk Helicopter pilot), Logistics Officer, Strategic Plans Officer, Information Operations Officer, and Trade & Commerce Officer. Episode Notes 11:46  Lesson 1: Early to bed, early to rise makes a man healthy, wealthy and wise 16:34 Lesson 2: Discipline is freedom 21:08 Lesson 3: Choose the hard path - it's the only one worth walking 23:43 Lesson 4: You are not a victim ever 28:53 Lesson 5: Pay life's tuition 34:19 Lesson 6: Sometimes you must draw a line in the sand, step over and never look back 38:19 Lesson 7: If you want to be the 1%, you must do what the 1% do 42:56 Lesson 8: Avoid addictions 48:00 Lesson 9: You are a composite average of the five people you spend the most time with 51:47 Lesson 10: Seek out leadership opportunities

Het is 12.000 jaar geleden. Sjamaan Slata wandelt naar Göbleki Tepe, bakt brood en hallucineert op beschimmelde rogge. Zullen zijn visioenen de landbouw vooruit helpen? Wilde Eeuwen, het begin. Iedere vrijdag een nieuwe aflevering. Meer informatie: nrc.nl/wilde-eeuwenHeeft u vragen, suggesties of ideeën over onze journalistiek? Mail dan naar onze redactie via podcast@nrc.nl.Tekst en presentatie: Hendrik SpieringRedactie en regie: Mirjam van ZuidamMuziek, montage en mixage: Rufus van BaardwijkBeeld: Jeen BertingVormgeving: Yannick MortierVoor deze aflevering is onder meer gebruikt gemaakt van deze literatuur:Oliver Dietrich ‘Shamanism at Early Neolithic Göbekli Tepe, southeastern Turkey. Methodological contributions to an archaeology of belief' in Praehistorische Zeitschrift, in mei 2024. Steven Mithen ‘Shamanism at the transition from foraging to farming in Southwest Asia: sacra, ritual, and performance at Neolithic WF16 (southern Jordan)' in The Journal of the Council for British Research in the Levant, in September 2022.David Graeber en David Wengrow. 'The Dawn of Everything, A New History of Humanity', bij Penguin in 2022. Li Liu e.a. ‘Fermented beverage and food storage in 13,000 y-old stone mortars at Raqefet Cave, Israel: Investigating Natufian ritual feasting' in Journal of Archaeological Science: Reports, in oktober 2018. Amaia Arranz-Otaeguia e.a. ‘Archaeobotanical evidence reveals the origins of bread 14,400 years ago in northeastern Jordan' in PNAS, op 13 juli 2018.Leore Grosman e.a. ‘A Natufian Ritual Event' in Current Anthropology, in juni 2016. Marion Benz ‘Symbols of Power - Symbols of Crisis? A Psycho-Social Approach to Early Neolithic Symbol Systems', Neo-Lithics, in januari 2014. Leore Grosman e.a. ‘A 12,000-year-old Shaman burial from the southern Levant (Israel)' in PNAS, op 18 november 2008. Zohar Kerem e.a. ‘Chickpea domestication in the Neolithic Levant through the nutritional perspective' in Journal of Archaeological Science, in augustus 2007.Zie het privacybeleid op https://art19.com/privacy en de privacyverklaring van Californië op https://art19.com/privacy#do-not-sell-my-info.

In this Legacy Series episode of NucleCast, Adam speaks with General Paul Tibbets IV, the grandson of the pilot who dropped the atomic bomb on Hiroshima. They discuss the historical significance of the event, the life and legacy of General Tibbets, the preparation and execution of the mission, and the impact of nuclear weapons on warfare. The conversation also touches on the importance of educating future generations about World War II and the necessity of a strong nuclear deterrent. Paul W. Tibbets IV received his commission through the U.S. Air Force Academy in 1989. Following graduation, he served in a variety of operational assignments as a B-1 and B-2 pilot. The general commanded the 393rd Bomb Squadron and 509th Bomb Wing, both commanded by his grandfather during World War II. He flew combat missions in support of operations in Southwest Asia, the Balkans and Afghanistan and was awarded the Bronze Star and Distinguished Flying Cross. Paul retired from the U.S. Air Force as a Brigadier General with more than 4,000 flying hours after nearly 30 years of service. Paul is currently the President and Owner of Strike Advanced Solutions, LLC, as an Independent Consultant. He also works for KBR Corporation as a Senior Manager and Portfolio Lead for Global Strike, based at Barksdale AFB in Bossier City, LA. Additionally, Paul is a First Officer for FedEx Express, flying the B-777.Chapters00:00 Introduction to the Legacy of Hiroshima02:34 The Life and Legacy of General Paul Tibbets05:37 The Preparation for the Mission08:15 Challenges and Innovations in Training11:14 The Day of the Mission13:51 The Execution of the Bombing16:36 Reflections on the Aftermath19:40 The Second Bombing Mission22:16 The Impact of Nuclear Weapons on Warfare24:56 Final Thoughts and Wishes for the FutureSocials:Follow on Twitter at @NucleCastFollow on LinkedIn: https://linkedin.com/company/nuclecastpodcastSubscribe RSS Feed: https://rss.com/podcasts/nuclecast-podcast/Rate: https://podcasts.apple.com/us/podcast/nuclecast/id1644921278Email comments and topic/guest suggestions to NucleCast@anwadeter.org

Today, Ceri is joined by Dr Livia Alexander a Brooklyn based curator, writer and professor of Visual Studies at Montclair State University whose curatorial work bridges continents, disciplines and philosophies. Her work lives at the intersection of contemporary art, film and expanded media with a focus on artists and practices from Southwest Asia and North Africa. She is co-founder of Arte East and has contributed to and supported curatorial programmes for the Museum of Modern Art, Tate Modern, the Brooklyn Museum and the digital screen programme at Moynihan train station in New York. Livia reminds us that visionary work often happens out of sight, slow, durational and deeply relational.  This episode is a master class in curating as care infrastructure and expansive thinking. KEY TAKEAWAYS Livia´s use of diverse mediums and explorative, nuanced approach uncovers the quietly radical and overlooked perspectives. By prioritizing  thoughtful exploration over spectacle, Livia enables us to engage more meaningfully with the world and its challenges. Be true to your values but know when to let go. Have humility, recognise that your perspective is just one of many, and be open to other possibilities. Explore interactive media and gaming, they have great potential and allow audiences to interact with stories in new ways. BEST MOMENTS “We need to create those spaces to have conversations between unusual suspects - between the banker and the artist.” “Creativity isn't just about output. It's about asking better questions, slower ones, ones that resist spectacle and lean into complexity.” “Livia´s work makes space for friction, for paradox, for multiplicity. She invites us to listen across disciplines, across cultures, across power structures, without rushing to resolution.” RESOURCES https://www.livalex.net @liviajalexander PODCAST HOST BIO With over 35 years in the art world, Ceri has worked closely with leading artists and arts professionals, managed public and private galleries and charities, and curated more than 250 exhibitions and events. She sold artworks to major museums and private collectors and commissioned thousands of works across diverse media, from renowned artists such as John Akomfrah, Pipilotti Rist, Rafael Lozano-Hemmer and Vito Acconci. Now, she wants to share her extensive knowledge with you, so you can excel and achieve your goals. **** The Artist Mastermind Circle: Ready to stop second-guessing and start building momentum in your art career? Applications are now open for the next Artist Mastermind Circle—a six-month coaching programme for mid-career artists who are serious about growing their confidence, income, and opportunities. Apply by September 15th 2025 at https://cerihand.com/artist-mastermind-circle/ and take the next bold step. Ceri Hand Coaching Membership: Group coaching, live art surgeries, exclusive masterclasses, portfolio reviews, weekly challenges. Access our library of content and resource hub anytime and enjoy special discounts within a vibrant community of peers and professionals. Ready to transform your art career? Join today! https://cerihand.com/membership/ **** Unlock Your Artworld Network Self Study Course Our self-study video course, "Unlock Your Artworld Network," offers a straightforward 5-step framework to help you build valuable relationships effortlessly. Gain the tools and confidence you need to create new opportunities and thrive in the art world today. https://cerihand.com/courses/unlock_your_artworld_network/ **** Book a Discovery Call Today To schedule a personalised 1-2-1 coaching session with Ceri or explore our group coaching options, simply email us at hello@cerihand.com **** Discover Your Extraordinary Creativity Visit www.cerihand.com to learn how we can help you become an extraordinary creative. This Podcast has been brought to you by Disruptive Media. https://disruptivemedia.co.uk/

W. J. Lundy is a still serving Veteran of the U.S. Military with service in Afghanistan. He has over 12 years of combined service with the Army and Navy in Europe, the Balkans and Southwest Asia. W.J. is an avid athlete, writer, backpacker and shooting enthusiast. He currently resides with his wife and daughter in Central Michigan.

Want to support the podcast? Join our Patreon or buy us a coffee. As an independent podcast, Shakespeare Anyone? is supported by listeners like you. Did Shakespeare write The Tempest in response to a shipwreck, or was something bigger at play? In this episode, we explore the early modern travel narratives that many scholars believe inspired Shakespeare's final solo play. We begin with lesser-known travel accounts that focus on cultural encounters in Russia, Southwest Asia, Central America, and India—narratives that shaped how early modern England imagined the world beyond Europe. Then we turn to one of the most famous stories of the time: the 1609 Sea Venture shipwreck on the coast of Bermuda, often cited as a direct influence on The Tempest. Along the way, we examine how these texts reflect English perceptions of unfamiliar peoples and cultures—from fascination and admiration to fear and misunderstanding—and how those attitudes echo throughout the world of The Tempest. If you'd like to explore more about Shakespeare's engagement with proto-colonialism and early travel writing, check out these past episodes from our archive: Mini: Shakespeare and the Colonial Imagination Mini: Shakespeare's World: Immigrants, Others, and Foreign Commodities Whether you're encountering The Tempest for the first time or revisiting it with a global lens, this episode offers rich context on how Shakespeare's world was shaped by the stories of travelers, survivors, and empire-builders. Shakespeare Anyone? is created and produced by Kourtney Smith and Elyse Sharp. Music is "Neverending Minute" by Sounds Like Sander. For updates: join our email list, follow us on Instagram at @shakespeareanyonepod or visit our website at shakespeareanyone.com You can support the podcast by becoming a patron at patreon.com/shakespeareanyone, buying us coffee, or by shopping our bookshelves at bookshop.org/shop/shakespeareanyonepod (we earn a small commission when you use our link and shop bookshop.org). Find additional links mentioned in the episode in our Linktree. Works referenced: Judkins, David C. “Travel Literature of the Early Modern Period.” CEA Critic, vol. 64, no. 1, 2001, pp. 47–58. JSTOR, http://www.jstor.org/stable/44378330. Accessed 3 July 2025. Vaughan, Alden T. "William Strachey's "True Reportory" and Shakespeare: A Closer Look at the Evidence." Shakespeare Quarterly, vol. 59 no. 3, 2008, p. 245-273. Project MUSE, https://dx.doi.org/10.1353/shq.0.0017.

Huda Smitshuijzen AbiFarès interviews Brussels-based, Syrian-Polish designer Kinda Ghannoum. They discuss her journey into the field of design, through practical work following her graduation with a degree in architecture from the University of Damascus.Kinda shares her travails as a self-taught graphic designer and her passion for the Arabic script, lettering and typography. The conversation centers around issues of preservation of identity while saddling two nationalities, and of providing educational resources to design students in Syria and preserving Syrian design history, as well as what it means to be practicing in a diasporic context. A number of Kinda's remarkable projects are discussed starting with her seminal archival project, The Syrian Design Archive, that she set up with two friends – Sally Alassafen and Hala Al Afsaa – in 2020 during her postgraduate studies in Belgium. Kinda also discusses some of her other significant projects where cultural advocacy and collaboration was at the core.What transpires from this conversation is an image of a courageous and dedicated woman designer that breaks any stereotypes of women from the Southwest Asia and North Africa (SWANA) region. Kinda's work is featured in the book "Revealing Recording Reflecting: Graphic Women from Southwest Asia and North Africa" (Amsterdam: Khatt Books, 2024). FOLLOW & RATE KHATT CHRONICLES:» Apple Podcasts: https://podcasts.apple.com/us/podcast/khatt-chronicles-stories-on-design-from-the-arab-world/id1472975206» Spotify: https://open.spotify.com/show/3ATH0MwO1tIlBvQfahSLrB» Anghami: https://play.anghami.com/podcast/1014374489THIS SERIES IS PART OF THE AFIKRA PODCAST NETWORK Explore all episodes in this series: https://www.youtube.com/playlist?list=PLfYG40bwRKl5mMJ782dhW6yvfq0E0_HhAABOUT AFIKRAafikra | عفكرة is a movement to convert passive interest in the Arab world to active intellectual curiosity. We aim to collectively reframe the dominant narrative of the region by exploring the histories and cultures of the region – past, present and future – through conversations driven by curiosity.

Join host Carry Kim as she welcomes Neil Douglas-Klotz, a distinguished writer, researcher, and musician, to explore the untamed landscape of spirituality and its ancient roots from 2024. In this episode, Neil shares insights into how Western society has evolved through the cultural and spiritual extraction from the East, particularly focusing on the indigenous spirituality of the Middle East. Discover the profound impact of mistranslations in religious texts and the importance of reclaiming our spiritual heritage. Neil delves into the rich traditions of Southwest Asia, offering a fresh perspective on the teachings of Jesus, the importance of reconnecting with nature, and the wisdom of ancient nomadic cultures. This episode promises to challenge conventional beliefs and inspire a deeper understanding of spirituality in our modern world. For an extended interview and other benefits, become an EcoJustice Radio patron at https://www.patreon.com/ecojusticeradio LINKS Neil Douglas-Klotz, Ph.D. [https://abwoon.org] is a renowned writer, researcher, teacher, and musician in the fields of Middle Eastern spirituality and the translation and interpretation of the ancient Semitic languages of Hebrew, Aramaic, and Arabic. Living in Scotland, he was for many years the co-chair of the Mysticism Group of the American Academy of Religion. A frequent speaker and workshop leader, he is the author of several books on the Aramaic spirituality of Jesus including Prayers of the Cosmos and Revelations of the Aramaic Jesus, as well as books on Native Middle Eastern spirituality and Sufism. Carry Kim, Co-Host of EcoJustice Radio. An advocate for ecosystem restoration, Indigenous lifeways, and a new humanity born of connection and compassion, she is a long-time volunteer for SoCal350, member of Ecosystem Restoration Camps, and a co-founder of the Soil Sponge Collective, a grassroots community organization dedicated to big and small scale regeneration of Mother Earth. Podcast Website: http://ecojusticeradio.org/ Podcast Blog: https://www.wilderutopia.com/category/ecojustice-radio/ Support the Podcast: Patreon https://www.patreon.com/ecojusticeradio PayPal https://www.paypal.com/donate/?hosted_button_id=LBGXTRM292TFC&source=url Executive Producer and Intro: Jack Eidt Hosted by Carry Kim Engineer and Original Music: Blake Quake Beats Episode 240 Photo credit: Neil Douglas-Klotz

Huda Smitshuijzen AbiFarès moderates a conversation between the hosts of season 4 of @khatt_chronicles. The discussion addressed the three main themes that are planned for this season, focusing on the overarching theme of Graphic Women from the SWANA region. The Khatt Foundation's latest research project that culminated in the publication "Revealing Recording Reflecting, Graphic Women from Southwest Asia and North Africa" published by Khatt Books at the end of 2024 will be used to guide the themes and selection of guests. The book is divided around the themes of "By Women About Women," "Engaged Image-Making," "Women of Letters," and "Women Designers in the Diaspora." The hosts Huda Smitshuijzen AbiFarès, Yasmine Nachabe Taan, Yara Khoury Nammour, and Roshanak Keyghobadi, introduce the potential designers they will each be speaking to and themes they will be discussing this season, extending a little further into the next season and more specifically some of the 90 women designers and visual artists featured. FOLLOW & RATE KHATT CHRONICLES:» Apple Podcasts: https://podcasts.apple.com/us/podcast/khatt-chronicles-stories-on-design-from-the-arab-world/id1472975206» Spotify: https://open.spotify.com/show/3ATH0MwO1tIlBvQfahSLrB» Anghami: https://play.anghami.com/podcast/1014374489THIS SERIES IS PART OF THE AFIKRA PODCAST NETWORK Explore all episodes in this series: https://www.youtube.com/playlist?list=PLfYG40bwRKl5mMJ782dhW6yvfq0E0_HhAABOUT AFIKRAafikra | عفكرة is a movement to convert passive interest in the Arab world to active intellectual curiosity. We aim to collectively reframe the dominant narrative of the region by exploring the histories and cultures of the region – past, present and future – through conversations driven by curiosity.

Jamal Sul has been making Irish Arabic electronic music as Moving Still since 2016. His productions link his Arabic heritage, with his love of synthesizers, dance music and buzzy bangers. Moving Still's music is unique in how it brings together styles of music from the  SWANA region (Southwest Asia and North Africa) with European and American club genres like Italo, electro, acid, breakbeats, house and more. Jamal's project has been in the ascendancy with releases on Cooking with Palms Trax, Orange Tree Edits, Dar Disku and his latest Close To The Shams EP on the Bordello A Parigi label. His 2022 Boiler Room set from London is an all-timer for me, and his Ouddy Bangers series has seen him put a club edit spin on pop, disco and dance classics from Lebanon, Egypt, Morocco and Kuwait. I talk to Jamal about all of it: his big gigs, productions, edits, influences, heritage and how Ireland has been slow to catch up on Moving Still until recently. And he picks a selection of songs that has inspired his music (listed below). Up next on the DJ front for Moving Still is the latest edition of Klub Sukar at Yamamori Tengu on Saturday April 19th.  Tracks played: Moving Still - Al Disco Haram Cheick Madani - Laya Habibi Ragheb Alama - El hob al Kabir Marvellous Melodicos - sing oh (zagalo mix) Moving Still -La Titasil Feeya Haruomi Hosono - Laugh Gas Omar Souleyman  - Warni Warni Moving Still - Bang of Luban Ahmed Fakroun - Soleil Soleil Ihsan Al Munzer - Jamilah Ettab - Ghorba Wa Moghtaribin (Exile and Exiled) Chaba Yamina - Sidi Mansour (Moving Still Edit) * Support Nialler9 on Patreon, get event discounts, playlists, ad-free episodes and join our Discord community Listen on Apple | Android  | Patreon | Pocketcasts | CastBox | Stitcher | Spotify | RSS Feed | Pod.Link

In this episode of The afikra Podcast, host Mikey Muhanna chats with Dr Taous Dahmani, a London-based art historian, writer, and curator. She discusses her career, her ties to Tunis, and curating the exhibitions Unstable Point and Assembly at Jaou Tunis. She explores the socio-political themes in these works, the challenges of political expression in art, and fostering dialogue among artists from Africa and Southwest Asia, reflecting on their impact amid global issues.00:00 Introduction 02:01 Connection to Tunis and Curatorial Challenges04:02 Unstable Point Exhibition06:40 Curatorial Process and Artist Selection20:35 Political Context and Art27:21 Emotional and Political Dimensions of Art35:16 Featured Artists at Jaou Tunis and Their Work48:31 Upcoming Projects and Final ThoughtsDr Taous R. Dahmani is a historian of photography, researcher, and writer, who divides her time between London and Marseille. Her PhD focused on the intersection of political actions and photographic practices. She is also editor and content advisor at The Eyes, a trustee of the Photo Oxford Festival, and is on the editorial board of MAI: Visual Culture and Feminism.Connect with Taous

Today's guest is Kit Turner. Kit has worked as an anthropologist and archeologist in the U. S., Polynesia, and Southwest Asia. He later joined the Central Intelligence Agency where he spent 25 years working in East Asia, South Asia, and Europe, running sensitive operations against high priority objectives. He's been awarded the Intelligence Star, a commendation for valor after a dangerous deployment. He's also the author of a nonfiction book, four novels, and has published articles on intelligence activities which have appeared in The Journal of Intelligence, Propaganda, and Security Studies and The Cypher Brief. He's even been featured in an article from Watches of Espionage, one of my own favorite newsletters.  I invited Kit onto the podcast to discuss his career along with his newest novel on the Cuban revolution.Connect with Kit:Check out his latest book, The Children of Outer Darkness, here.https://amzn.to/3WsDe6PConnect with Spycraft 101:Get Justin's latest book, Murder, Intrigue, and Conspiracy: Stories from the Cold War and Beyond, here.spycraft101.comIG: @spycraft101Shop: shop.spycraft101.comPatreon: Spycraft 101Find Justin's first book, Spyshots: Volume One, here.Check out Justin's second book, Covert Arms, here.Download the free eBook, The Clandestine Operative's Sidearm of Choice, here.A podcast from SPYSCAPE.A History of the World in Spy Objects Incredible tools and devices and their real-world use.Support the show

As a senior Navy Chaplain, Bob Evan's calling has always been to serve and care for others, whether it was his troops, fellow service members, or the wounded warriors he encountered. When his fiancée, Gretchen, was severely injured by a mortar round in Afghanistan, Bob's role shifted from chaplain to devoted caregiver.Despite his extensive training and experience as a pastoral counselor, Bob candidly admits that he struggled at times to provide the proper support and care for Gretchen as she navigated life-changing injuries, including deafness. However, Bob's unwavering love and commitment to Gretchen never wavered. He made it clear that he would accompany her on this new journey, no matter the challenges. Bob's journey as a caregiver is one of resilience, compassion, and a deep understanding that true caregiving requires listening, learning, and loving the person you are caring for.As Bob shares his insights and lessons learned, it's clear that his role as a caregiver has profoundly impacted his own spiritual and personal growth. He has become an advocate for greater support and resources for military caregivers, recognizing the vital importance of self-care and finding respite to be an effective, loving caregiver.About Bob:Bob Evans, a graduate of Bowdoin College (A.B. - 1976), Princeton Theological Seminary (M.Div. - 1979), Candler School of Theology (Th.M. - 1992), and the Naval War College (M.A. - 2003), served over 25 years in the United States Navy. He retired as a Captain in 2008 after entering the Navy by direct commission in December 1982.During his tenure, he served as a Senior Leader for the U.S. Fleet Forces, U.S. Atlantic Fleet, Joint Forces Command, Combined Forces Command-Afghanistan, and Naval Forces Europe, Africa, and Southwest Asia. He received the Bronze Star for his service in Afghanistan.Bob began his career with the Department of Veterans Affairs (VA) in May 2011 as Chief of Chaplain Services at Aleda E. Lutz VA Medical Center in Saginaw, MI. He joined the Atlanta VA in January 2013 as Chief of Chaplain Services and later also served as Acting Assistant Director. In February 2014, he was appointed Assistant Director of the Atlanta VA Health Care System. He then served as Interim Associate Director/Chief Operating Officer of the Dorn VA Health Care System in Columbia, SC, for six months before being selected as Associate Director/Chief Operating Officer for the Western North Carolina VA Health Care System in Asheville, NC. He held this role from January 2017 until his retirement from Federal Service in December 2019.Now retired, he is a devoted caregiver to his wife, who lost her hearing in combat, and a strong advocate for veterans, their families, and all who serve the common good. He actively listens to others, helps them discover their passions, and supports them in turning their dreams into purposeful lives.Support the showConfessions of a Reluctant Caregiver Sisterhood of Care, LLC Website: www.confessionsofareluctantcaregiver.com Like us on Facebook! Tweet with us on Twitter! Follow us on Instagram! Watch us on Youtube! Pin us on Pinterest! Link us on LinkedIn!Tune in on Whole Care Network

Meet Dr. Robert R. Cargill, the Roger A. Hornsby Associate Professor in the Classics at The University of Iowa. He is a devout scholar of Jewish and biblical studies and an archaeologist, author, and digital humanist. In this episode, he joins us to unveil how our scholarly capacity and critical thinking can lead us to unravel some of history's most perplexing mysteries… Dr. Cargill's research interests are vast, including second temple Judaism, literary criticism of the Hebrew Bible and New Testament, Qumran and the Dead Sea Scrolls, Pseudepigrapha and Apocrypha, and the archaeology of Southwest Asia. He is also the author of Melchizedek, King of Sodom: How Scribes Invented the Biblical Priest-King and The Cities That Built the Bible – and has appeared on CNN, History, Discovery, Nat Geo, and other networks. Jump in to discover:  Must-know facts about the Old Testament.  The importance of reading the Bible critically.  How Biblical history is infused with other ancient cultures.  How to resolve faith-based contradictions with scientific methods. To learn more about Dr. Cargill and his work, click here now! Episode also available on Apple Podcasts: https://apple.co/30PvU9C

Since 2019, Marwan Kaabour has been collecting Arabic slang words used by and about queer people, first for the online community Takweer, and now the newly published Queer Arab Glossary. "When researching for this book, I discovered so much of the sociopolitical, cultural, linguistic, and historical layers that make up the words," he says. He also discovered quite a lot about frying, white beans and worms (metaphorical ones). Find the episode's transcript, plus more information and links to Marwan's work, at theallusionist.org/queerarabglossary. NEWSLUSIONIST: The new Allusionist live show Souvenirs is going on tour in the UK in August and September! That's so soon! Rush to theallusionist.org/events for tickets and dates. And if you fancy concocting a quiz question for the imminent 200th episode, go to theallusionist.org/quiz to submit it; your deadline is 6 September 2024. To help fund this independent podcast, take yourself to theallusionist.org/donate and become a member of the Allusioverse. You get regular livestreams with me and my collection of reference books, inside scoops into the making of this show, watchalong parties, and the company of your fellow Allusionauts in our delightful Discord community.  This episode was produced by me, Helen Zaltzman, with music and editorial assistance from Martin Austwick of palebirdmusic.com. Our ad partner is Multitude. If you want me to talk about your product or thing on the show, sponsor an episode: contact Multitude at multitude.productions/ads. This episode is sponsored by: •  Babbel, the language-learning app designed by real people for real conversations. Get up to 60% off your Babbel subscription at Babbel.com/allusionist.• Home Chef, meal kits that fit your needs. For a limited time, Home Chef is offering Allusionist listeners eighteen free meals, plus free shipping on your first box, and free dessert for life, at HomeChef.com/allusionist.• Squarespace, your one-stop shop for building and running your online empire/new home for your cryptic puzzle that takes months to solve. Go to squarespace.com/allusionist for a free 2-week trial, and get 10 percent off your first purchase of a website or domain with the code allusionist. • Bombas, whose mission is to make the comfiest clothing essentials, and match every item sold with an equal item donated. Go to bombas.com/allusionist to get 20% off your first purchase.  Support the show: http://patreon.com/allusionistSee omnystudio.com/listener for privacy information.

https://invictusleo.com/invictus-blog/f/who-owns-jiu-jitsu-a-trend-toward-proprietary-claims?fbclid=IwZXh0bgNhZW0CMTAAAR32eIRfBojscx13J0EOx_XEE6dHZSxkWOhCt37Lr79kLq0e55hZsNJoN70_aem_Z-JRFRN_gnLeUZ7vJgf8eA   Buy the book! https://www.amazon.com/Honed-Finding-Your-Edge-Over-ebook/dp/B09C11QYR4/ref=sr_1_1?crid=1L3GKMD0L3Z1H&dchild=1&keywords=honed+finding+your+edge+as+a+man+over+40&qid=1630362562&sprefix=honed%2Caps%2C210&sr=8-1   Greybeard Performance: https://greybeardperformance.com Mike Simpson has served over three decades in the military as an Airborne Ranger, a Special Forces Operator, and finally as a Doctor of Emergency Medicine assigned to the Joint Special Operations Command (JSOC). Throughout his career, Mike has deployed to 17 different countries, from counter-narcotics operations in the jungles of South America, to the Global War on Terror (GWOT) in Southwest Asia and North Africa. Along the way, Mike has been trained as a demolitions expert, SWAT Sniper, High Altitude Low Opening (HALO) parachutist, civilian paramedic, Special Forces Medic, Operations and intelligence Sergeant, and finally, a board certified Emergency Medicine Physician. Mike is also a martial arts enthusiast, who trains in Brazilian Jiu Jitsu and Muay Thai. His passion for martial arts motivated him to become a practicing fight doctor. As one of the foremost experts in both tactical trauma medicine and combat sports medicine, Mike is highly sought after as a lecturer and instructor, working extensively with Mixed Martial Arts (MMA) fighters, law enforcement, and military organizations providing medical care and training. He co-stars on Hunting Hitler on the History Channel. Email: doc@drmikesimpson.com

Buy the book! https://www.amazon.com/Honed-Finding-Your-Edge-Over-ebook/dp/B09C11QYR4/ref=sr_1_1?crid=1L3GKMD0L3Z1H&dchild=1&keywords=honed+finding+your+edge+as+a+man+over+40&qid=1630362562&sprefix=honed%2Caps%2C210&sr=8-1   Greybeard Performance: https://greybeardperformance.com Mike Simpson has served over three decades in the military as an Airborne Ranger, a Special Forces Operator, and finally as a Doctor of Emergency Medicine assigned to the Joint Special Operations Command (JSOC). Throughout his career, Mike has deployed to 17 different countries, from counter-narcotics operations in the jungles of South America, to the Global War on Terror (GWOT) in Southwest Asia and North Africa. Along the way, Mike has been trained as a demolitions expert, SWAT Sniper, High Altitude Low Opening (HALO) parachutist, civilian paramedic, Special Forces Medic, Operations and intelligence Sergeant, and finally, a board certified Emergency Medicine Physician. Mike is also a martial arts enthusiast, who trains in Brazilian Jiu Jitsu and Muay Thai. His passion for martial arts motivated him to become a practicing fight doctor. As one of the foremost experts in both tactical trauma medicine and combat sports medicine, Mike is highly sought after as a lecturer and instructor, working extensively with Mixed Martial Arts (MMA) fighters, law enforcement, and military organizations providing medical care and training. He co-stars on Hunting Hitler on the History Channel. Email: doc@drmikesimpson.com

Buy the book! https://www.amazon.com/Honed-Finding-Your-Edge-Over-ebook/dp/B09C11QYR4/ref=sr_1_1?crid=1L3GKMD0L3Z1H&dchild=1&keywords=honed+finding+your+edge+as+a+man+over+40&qid=1630362562&sprefix=honed%2Caps%2C210&sr=8-1   Greybeard Performance: https://greybeardperformance.com Mike Simpson has served over three decades in the military as an Airborne Ranger, a Special Forces Operator, and finally as a Doctor of Emergency Medicine assigned to the Joint Special Operations Command (JSOC). Throughout his career, Mike has deployed to 17 different countries, from counter-narcotics operations in the jungles of South America, to the Global War on Terror (GWOT) in Southwest Asia and North Africa. Along the way, Mike has been trained as a demolitions expert, SWAT Sniper, High Altitude Low Opening (HALO) parachutist, civilian paramedic, Special Forces Medic, Operations and intelligence Sergeant, and finally, a board certified Emergency Medicine Physician. Mike is also a martial arts enthusiast, who trains in Brazilian Jiu Jitsu and Muay Thai. His passion for martial arts motivated him to become a practicing fight doctor. As one of the foremost experts in both tactical trauma medicine and combat sports medicine, Mike is highly sought after as a lecturer and instructor, working extensively with Mixed Martial Arts (MMA) fighters, law enforcement, and military organizations providing medical care and training. He co-stars on Hunting Hitler on the History Channel. Email: doc@drmikesimpson.com

Buy the book! https://www.amazon.com/Honed-Finding-Your-Edge-Over-ebook/dp/B09C11QYR4/ref=sr_1_1?crid=1L3GKMD0L3Z1H&dchild=1&keywords=honed+finding+your+edge+as+a+man+over+40&qid=1630362562&sprefix=honed%2Caps%2C210&sr=8-1   Greybeard Performance: https://greybeardperformance.com Mike Simpson has served over three decades in the military as an Airborne Ranger, a Special Forces Operator, and finally as a Doctor of Emergency Medicine assigned to the Joint Special Operations Command (JSOC). Throughout his career, Mike has deployed to 17 different countries, from counter-narcotics operations in the jungles of South America, to the Global War on Terror (GWOT) in Southwest Asia and North Africa. Along the way, Mike has been trained as a demolitions expert, SWAT Sniper, High Altitude Low Opening (HALO) parachutist, civilian paramedic, Special Forces Medic, Operations and intelligence Sergeant, and finally, a board certified Emergency Medicine Physician. Mike is also a martial arts enthusiast, who trains in Brazilian Jiu Jitsu and Muay Thai. His passion for martial arts motivated him to become a practicing fight doctor. As one of the foremost experts in both tactical trauma medicine and combat sports medicine, Mike is highly sought after as a lecturer and instructor, working extensively with Mixed Martial Arts (MMA) fighters, law enforcement, and military organizations providing medical care and training. He co-stars on Hunting Hitler on the History Channel. Email: doc@drmikesimpson.com

Buy the book! https://www.amazon.com/Honed-Finding-Your-Edge-Over-ebook/dp/B09C11QYR4/ref=sr_1_1?crid=1L3GKMD0L3Z1H&dchild=1&keywords=honed+finding+your+edge+as+a+man+over+40&qid=1630362562&sprefix=honed%2Caps%2C210&sr=8-1   Greybeard Performance: https://greybeardperformance.com Mike Simpson has served over three decades in the military as an Airborne Ranger, a Special Forces Operator, and finally as a Doctor of Emergency Medicine assigned to the Joint Special Operations Command (JSOC). Throughout his career, Mike has deployed to 17 different countries, from counter-narcotics operations in the jungles of South America, to the Global War on Terror (GWOT) in Southwest Asia and North Africa. Along the way, Mike has been trained as a demolitions expert, SWAT Sniper, High Altitude Low Opening (HALO) parachutist, civilian paramedic, Special Forces Medic, Operations and intelligence Sergeant, and finally, a board certified Emergency Medicine Physician. Mike is also a martial arts enthusiast, who trains in Brazilian Jiu Jitsu and Muay Thai. His passion for martial arts motivated him to become a practicing fight doctor. As one of the foremost experts in both tactical trauma medicine and combat sports medicine, Mike is highly sought after as a lecturer and instructor, working extensively with Mixed Martial Arts (MMA) fighters, law enforcement, and military organizations providing medical care and training. He co-stars on Hunting Hitler on the History Channel. Email: doc@drmikesimpson.com

Buy the book! https://www.amazon.com/Honed-Finding-Your-Edge-Over-ebook/dp/B09C11QYR4/ref=sr_1_1?crid=1L3GKMD0L3Z1H&dchild=1&keywords=honed+finding+your+edge+as+a+man+over+40&qid=1630362562&sprefix=honed%2Caps%2C210&sr=8-1   Greybeard Performance: https://greybeardperformance.com Mike Simpson has served over three decades in the military as an Airborne Ranger, a Special Forces Operator, and finally as a Doctor of Emergency Medicine assigned to the Joint Special Operations Command (JSOC). Throughout his career, Mike has deployed to 17 different countries, from counter-narcotics operations in the jungles of South America, to the Global War on Terror (GWOT) in Southwest Asia and North Africa. Along the way, Mike has been trained as a demolitions expert, SWAT Sniper, High Altitude Low Opening (HALO) parachutist, civilian paramedic, Special Forces Medic, Operations and intelligence Sergeant, and finally, a board certified Emergency Medicine Physician. Mike is also a martial arts enthusiast, who trains in Brazilian Jiu Jitsu and Muay Thai. His passion for martial arts motivated him to become a practicing fight doctor. As one of the foremost experts in both tactical trauma medicine and combat sports medicine, Mike is highly sought after as a lecturer and instructor, working extensively with Mixed Martial Arts (MMA) fighters, law enforcement, and military organizations providing medical care and training. He co-stars on Hunting Hitler on the History Channel. Email: doc@drmikesimpson.com

Buy the book! https://www.amazon.com/Honed-Finding-Your-Edge-Over-ebook/dp/B09C11QYR4/ref=sr_1_1?crid=1L3GKMD0L3Z1H&dchild=1&keywords=honed+finding+your+edge+as+a+man+over+40&qid=1630362562&sprefix=honed%2Caps%2C210&sr=8-1   Greybeard Performance: https://greybeardperformance.com Mike Simpson has served over three decades in the military as an Airborne Ranger, a Special Forces Operator, and finally as a Doctor of Emergency Medicine assigned to the Joint Special Operations Command (JSOC). Throughout his career, Mike has deployed to 17 different countries, from counter-narcotics operations in the jungles of South America, to the Global War on Terror (GWOT) in Southwest Asia and North Africa. Along the way, Mike has been trained as a demolitions expert, SWAT Sniper, High Altitude Low Opening (HALO) parachutist, civilian paramedic, Special Forces Medic, Operations and intelligence Sergeant, and finally, a board certified Emergency Medicine Physician. Mike is also a martial arts enthusiast, who trains in Brazilian Jiu Jitsu and Muay Thai. His passion for martial arts motivated him to become a practicing fight doctor. As one of the foremost experts in both tactical trauma medicine and combat sports medicine, Mike is highly sought after as a lecturer and instructor, working extensively with Mixed Martial Arts (MMA) fighters, law enforcement, and military organizations providing medical care and training. He co-stars on Hunting Hitler on the History Channel. Email: doc@drmikesimpson.com

Buy the book! https://www.amazon.com/Honed-Finding-Your-Edge-Over-ebook/dp/B09C11QYR4/ref=sr_1_1?crid=1L3GKMD0L3Z1H&dchild=1&keywords=honed+finding+your+edge+as+a+man+over+40&qid=1630362562&sprefix=honed%2Caps%2C210&sr=8-1   Greybeard Performance: https://greybeardperformance.com Mike Simpson has served over three decades in the military as an Airborne Ranger, a Special Forces Operator, and finally as a Doctor of Emergency Medicine assigned to the Joint Special Operations Command (JSOC). Throughout his career, Mike has deployed to 17 different countries, from counter-narcotics operations in the jungles of South America, to the Global War on Terror (GWOT) in Southwest Asia and North Africa. Along the way, Mike has been trained as a demolitions expert, SWAT Sniper, High Altitude Low Opening (HALO) parachutist, civilian paramedic, Special Forces Medic, Operations and intelligence Sergeant, and finally, a board certified Emergency Medicine Physician. Mike is also a martial arts enthusiast, who trains in Brazilian Jiu Jitsu and Muay Thai. His passion for martial arts motivated him to become a practicing fight doctor. As one of the foremost experts in both tactical trauma medicine and combat sports medicine, Mike is highly sought after as a lecturer and instructor, working extensively with Mixed Martial Arts (MMA) fighters, law enforcement, and military organizations providing medical care and training. He co-stars on Hunting Hitler on the History Channel. Email: doc@drmikesimpson.com

Buy the book! https://www.amazon.com/Honed-Finding-Your-Edge-Over-ebook/dp/B09C11QYR4/ref=sr_1_1?crid=1L3GKMD0L3Z1H&dchild=1&keywords=honed+finding+your+edge+as+a+man+over+40&qid=1630362562&sprefix=honed%2Caps%2C210&sr=8-1   Greybeard Performance: https://greybeardperformance.com Mike Simpson has served over three decades in the military as an Airborne Ranger, a Special Forces Operator, and finally as a Doctor of Emergency Medicine assigned to the Joint Special Operations Command (JSOC). Throughout his career, Mike has deployed to 17 different countries, from counter-narcotics operations in the jungles of South America, to the Global War on Terror (GWOT) in Southwest Asia and North Africa. Along the way, Mike has been trained as a demolitions expert, SWAT Sniper, High Altitude Low Opening (HALO) parachutist, civilian paramedic, Special Forces Medic, Operations and intelligence Sergeant, and finally, a board certified Emergency Medicine Physician. Mike is also a martial arts enthusiast, who trains in Brazilian Jiu Jitsu and Muay Thai. His passion for martial arts motivated him to become a practicing fight doctor. As one of the foremost experts in both tactical trauma medicine and combat sports medicine, Mike is highly sought after as a lecturer and instructor, working extensively with Mixed Martial Arts (MMA) fighters, law enforcement, and military organizations providing medical care and training. He co-stars on Hunting Hitler on the History Channel. Email: doc@drmikesimpson.com

https://www.uspreventiveservicestaskforce.org/uspstf/recommendation-topics Buy the book! https://www.amazon.com/Honed-Finding-Your-Edge-Over-ebook/dp/B09C11QYR4/ref=sr_1_1?crid=1L3GKMD0L3Z1H&dchild=1&keywords=honed+finding+your+edge+as+a+man+over+40&qid=1630362562&sprefix=honed%2Caps%2C210&sr=8-1   Greybeard Performance: https://greybeardperformance.com Mike Simpson has served over three decades in the military as an Airborne Ranger, a Special Forces Operator, and finally as a Doctor of Emergency Medicine assigned to the Joint Special Operations Command (JSOC). Throughout his career, Mike has deployed to 17 different countries, from counter-narcotics operations in the jungles of South America, to the Global War on Terror (GWOT) in Southwest Asia and North Africa. Along the way, Mike has been trained as a demolitions expert, SWAT Sniper, High Altitude Low Opening (HALO) parachutist, civilian paramedic, Special Forces Medic, Operations and intelligence Sergeant, and finally, a board certified Emergency Medicine Physician. Mike is also a martial arts enthusiast, who trains in Brazilian Jiu Jitsu and Muay Thai. His passion for martial arts motivated him to become a practicing fight doctor. As one of the foremost experts in both tactical trauma medicine and combat sports medicine, Mike is highly sought after as a lecturer and instructor, working extensively with Mixed Martial Arts (MMA) fighters, law enforcement, and military organizations providing medical care and training. He co-stars on Hunting Hitler on the History Channel. Email: doc@drmikesimpson.com