Podcasts about KIR

See the full Kir people group profile here https://joshuaproject.net/people_groups/17193/IN 

Majd hirtelen ott állt az ösvényen egy fekete medve Több színész is megszólalt az Alföldi Róbertet ért vádakkal kapcsolatban Hazatért a kórházból Rubint Réka: elárulta, mivel várták otthon, és mi volt az első dolga Elküldi az anyjába a Királynőt, mégsem lehet rá haragudni Könyvhét – Több mint 200 stand, 100 program és 540 új kötet várja a közönséget Budapesten Újabb gyönyörű, ikonikus ruhában jelent meg Forsthoffer Ágnes, ami kiváltotta a kommentelők csodálatát Ki a legsármosabb férfi politikus az új parlamentben? Most ön dönthet! "Nem hinném, hogy a Tisza áradna felém" - nem lesz zökkentőmentes Nagy Feró karrierje a kormányváltás után Örülhetnek A mi kis falunk nézői Kabát Peti: "Soha nem gondoltam volna, hogy földet fogok művelni" Változást hoz magával az újhold A további adásainkat keresd a podcast.hirstart.hu oldalunkon. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Majd hirtelen ott állt az ösvényen egy fekete medve Több színész is megszólalt az Alföldi Róbertet ért vádakkal kapcsolatban Hazatért a kórházból Rubint Réka: elárulta, mivel várták otthon, és mi volt az első dolga Elküldi az anyjába a Királynőt, mégsem lehet rá haragudni Könyvhét – Több mint 200 stand, 100 program és 540 új kötet várja a közönséget Budapesten Újabb gyönyörű, ikonikus ruhában jelent meg Forsthoffer Ágnes, ami kiváltotta a kommentelők csodálatát Ki a legsármosabb férfi politikus az új parlamentben? Most ön dönthet! "Nem hinném, hogy a Tisza áradna felém" - nem lesz zökkentőmentes Nagy Feró karrierje a kormányváltás után Örülhetnek A mi kis falunk nézői Kabát Peti: "Soha nem gondoltam volna, hogy földet fogok művelni" Változást hoz magával az újhold A további adásainkat keresd a podcast.hirstart.hu oldalunkon. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Júliustól 873 ezer forinttal csökkenhet az országgyűlési képviselők fizetése – itt a Tisza Párt új javaslata Szijjártó sógorának cége nagy nyertese volt az elmúlt éveknek Fordulat Romanowski ügyében: már a magyar titkosszolgálat is segítheti a lengyeleket Visszaszólt a végrehajtói kar: szerintük igazságtalan a "maffiázás" Idea: Nem Magyar a legkedveltebb politikus az országban Most már biztos: a Fidesz meghívta Tusnádfürdőre a tiszásokat 174 km/óráig taposta a japán SUV-nak! Jókora bírság lett a vége! Utolsó fillérig kiürítették a kasszát: irdatlan osztalékot kaptak a Groupama Aréna és az MVM Dome külföldi üzemeltetői Fizetésképtelen a BL-döntő hazai szervezőcége: most közölte Ruff Bálint minisztériuma, mentőövet dob a kormány Friedrich Merz leváltásáról suttognak Király Gábor szerint a kupagyőzelem mindent feledtet A világbajnokság után visszavonulhat a profi futballtól az aranylabdás Luka Modric Ezúttal nem lesz egyhangú a hétvége időjárása A további adásainkat keresd a podcast.hirstart.hu oldalunkon. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Júliustól 873 ezer forinttal csökkenhet az országgyűlési képviselők fizetése – itt a Tisza Párt új javaslata Szijjártó sógorának cége nagy nyertese volt az elmúlt éveknek Fordulat Romanowski ügyében: már a magyar titkosszolgálat is segítheti a lengyeleket Visszaszólt a végrehajtói kar: szerintük igazságtalan a "maffiázás" Idea: Nem Magyar a legkedveltebb politikus az országban Most már biztos: a Fidesz meghívta Tusnádfürdőre a tiszásokat 174 km/óráig taposta a japán SUV-nak! Jókora bírság lett a vége! Utolsó fillérig kiürítették a kasszát: irdatlan osztalékot kaptak a Groupama Aréna és az MVM Dome külföldi üzemeltetői Fizetésképtelen a BL-döntő hazai szervezőcége: most közölte Ruff Bálint minisztériuma, mentőövet dob a kormány Friedrich Merz leváltásáról suttognak Király Gábor szerint a kupagyőzelem mindent feledtet A világbajnokság után visszavonulhat a profi futballtól az aranylabdás Luka Modric Ezúttal nem lesz egyhangú a hétvége időjárása A további adásainkat keresd a podcast.hirstart.hu oldalunkon. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Summer is notoriously known for lower engagement, but not after you've listened to this podcast.Kir: https://www.instagram.com/xokirgrace/Instants post: https://www.instagram.com/p/DYXN3IvG4Pl/?utm_source=ig_web_copy_link&igsh=MzRlODBiNWFlZA==

Orsós Jánossal beszélgettünk bejárt útról, tanulságokról, reményekről, esélyegyenlőségről.Barcza Ági IzraelDerdák András FranciaországKerényi Tamás Egyesült KirályságVarga Lukács NémetországVendég: Orsós János MiskolcHangmérnök: Barcza Gergely

Elon Musk bukta az OpenAI elleni pert Lovász László szerint érthető, hogy a kormány felmondta az Élvonal Alapítvány szerződését Kibervédelem a gyakorlatban: a Széchenyi István Egyetem öt hallgatója is tagja volt a dobogós magyar csapatnak Megfejtették az óriási laoszi kőkorsók rejtélyét Kiderülhetett, miért vannak többen a jobbkezesek Új dizájnt kaptak a Google ikonjai – nem mindenki elégedett Király áron érkeznek hazánkba a Huawei hosszú üzemidejű okos órái Aktívan kihasznált zero-day Exchange sérülékenységre figyelmeztet a Microsoft Végre kikapcsolhatóvá teszi a Copilot gombot a billentyűzeten a Microsoft Elindult Tihany első turisztikai AI-chatbotja A további adásainkat keresd a podcast.hirstart.hu oldalunkon. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Elon Musk bukta az OpenAI elleni pert Lovász László szerint érthető, hogy a kormány felmondta az Élvonal Alapítvány szerződését Kibervédelem a gyakorlatban: a Széchenyi István Egyetem öt hallgatója is tagja volt a dobogós magyar csapatnak Megfejtették az óriási laoszi kőkorsók rejtélyét Kiderülhetett, miért vannak többen a jobbkezesek Új dizájnt kaptak a Google ikonjai – nem mindenki elégedett Király áron érkeznek hazánkba a Huawei hosszú üzemidejű okos órái Aktívan kihasznált zero-day Exchange sérülékenységre figyelmeztet a Microsoft Végre kikapcsolhatóvá teszi a Copilot gombot a billentyűzeten a Microsoft Elindult Tihany első turisztikai AI-chatbotja A további adásainkat keresd a podcast.hirstart.hu oldalunkon. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Az előfizetők (de csak a Belső kör és Közösség csomagok tulajdonosai!) már szombat hajnalban hozzájutnak legfrissebb epizódunk teljes verziójához. A hétfőn publikált, ingyen meghallgatható verzió tíz perccel rövidebb. Itt írtunk arról, hogy tudod meghallgatni a teljes adást. Ki épített stadiont Azahriahnak? Ne támogasson az állam semmit! De Gómezt és Mágát semmiképpen. Versenyképes sonkákat! Lázár János megalázása. Mikor mehetünk a Karmelitába? A túlértékelt zuhanyrózsa. 00:00 Tartalomjegyzék. Köszönjük, ha a 444-nek adod adód 1 százalékát! 02:18 Mi lesz itt az üzleti modell? Nemzeti sajtóalap. A hivatkozott médiaügyi podcast. Ki rakja le a talpfákat a GYSEV vonatainak? Ki épített stadiont Azahriahnak? 08:26 Kifelé az állammal az élsportból és a mezőgazdaságból! Az ibérico sertés és a pármai sonka versenyképessége. Nem kérünk minőségi hangjátékokat! 13:30 Kösz, nem kérjük a közvetítési jogokat. Az állami pénz káros hatása a magyar sportra. Lehet írni az internetre honorárium nélkül is. Gómezre, kultúrára vagy vécépapírra költsünk? Mága Zoltán 3,3 milliárdja. 18:31 Járadékvadászati világkiállítás. Robert Fico feltámadása. Hány párt a Tisza? Az Orbánban maradt ütés. Dopemanizálódás ás gyurcsányosodás. 22:46 Gazdasági ciklusok és Orbán visszatérései. Roubini, aki a múltkorit megjósolta. A Kapitány-Hegedüs-összecsapás. A maga alá gyűrés veszélyei. Malthus, Schmitt, Burke, Gramsci, Kohn. 28:13 A kormányt a háttérből irányító három erő. Kirándulás a parlamentbe. Meddig lehet nézni az abszolút filmszínházat? 32:34 Lázár János megalázása. Mikor mehetünk a Karmelitába? Hatvanpusztával mi legyen? Hodász atya, az asszertivitáskócs. Gianni, a fideszes nyertes. A türkizes arc Orbán elé borul. 37:04 Winkler Róbert tovább oktatja az irakiakat a gasztronómiájukra, majd a Tiszától visszakapja a motorja kulcsát. 42:16 Magyar-fasizmus az inmerzív cirkuszművészet ellen. A vadállatok miniszteri betiltása. Amikor a fél Nyugatit a bohócoknak akarták adni. Várjuk a miniszteri interjúkat.46:46 A túlértékelt zuhanyrózsa. Donald Trump a demokrata zuhanyrózsák ellen. 49:06 Miből tudott kilépni Niedermüller Péter? Gyurcsány Ferenc, a rendszerváltás nyertese, de nyomorog. Amikor Gyurcsány lemondta a 444-előfizetését. See omnystudio.com/listener for privacy information.

A Petőfi Irodalmi Múzeum Belív című, havonta jelentkező új irodalmi podcastjében nem állunk meg a borítónál. A sorozat célja, hogy betekintést adjon a legérdekesebb friss kiadványok világába és a mögöttük rejlő szerzői szándékokba. A májusi adásban Kollár Árpádot kérdeztük Nád című verseskötetéről. A kötet kapcsán megvizsgáljuk, hogyan lehet megszólalni a határkerítés mellől, hogy a periférialétből milyen költői attitűd következik, hogy a trieszti szlovénok élete és egy bácskai település valósága között miként húzhatunk párhuzamot, valamint az is kiderül, hogyan lehet megküzdeni Tolnai Ottó, Domonkos István vagy Kovács András Ferenc szellemével, milyen, ha az irodalmi apák valósággal „kitépik a nyelvünket”, végül arra is választ kapunk, hogy miért rossz kertész a költő. Következő, rendhagyó adásunkban Pintér Józseffel és Visnyai Zoltánnal fogunk beszélgetni a hazai könyvtervezésről, a könyvek vizualitásáról és a tárgykultúráról.Host: Modor Bálint és Szántó TiborVágó, szerkesztő: Modor BálintHangmérnök: Szabó Attila, Király PéterProdukciós vezető: Mezei KristófGrafika: Rimanóczy AndreaZene: Tanos Márton

Király Nóra szerint Orbánnak nem Dopemannel kellene értékelnie a kialakult helyzetet, és ebben a fideszes közösség egyetért vele Fico: Személyesen még nem ismerem Magyar Pétert, de arra kell törekednem, hogy megértsük egymást Orosz–ukrán tűzszünet? Legfeljebb papíron Valverde megtörte a csendet – mi történt valójában a Real Madrid botrányos edzésén? Háromnapos tűzszünetet jelentett be Trump Ukrajna és Oroszország között Gáspár Evelin 6 012 882 forintért kezelte Szijjártó Péter közösségi oldalait Amerika nyilvánosságra hozta az "UFO-aktákat" Tűzszünet: a Kreml is reagált Trump bejelentésére Vezetőváltás történt Magyar Péter cége élén Varga Zs. András: a törvény, az alkotmány betartása a jogállamiság próbája A Fradi vagy a Zte nyert legutóbb kupát? Ismét nyert a MÁV Előre otthonában és egy sikerre került a bajnoki címtől a Kaposvár Az esernyőkre csak néhol lehet szükség, a napszemüvegre viszont mindenhol A további adásainkat keresd a podcast.hirstart.hu oldalunkon. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Király Nóra szerint Orbánnak nem Dopemannel kellene értékelnie a kialakult helyzetet, és ebben a fideszes közösség egyetért vele Fico: Személyesen még nem ismerem Magyar Pétert, de arra kell törekednem, hogy megértsük egymást Orosz–ukrán tűzszünet? Legfeljebb papíron Valverde megtörte a csendet – mi történt valójában a Real Madrid botrányos edzésén? Háromnapos tűzszünetet jelentett be Trump Ukrajna és Oroszország között Gáspár Evelin 6 012 882 forintért kezelte Szijjártó Péter közösségi oldalait Amerika nyilvánosságra hozta az "UFO-aktákat" Tűzszünet: a Kreml is reagált Trump bejelentésére Vezetőváltás történt Magyar Péter cége élén Varga Zs. András: a törvény, az alkotmány betartása a jogállamiság próbája A Fradi vagy a Zte nyert legutóbb kupát? Ismét nyert a MÁV Előre otthonában és egy sikerre került a bajnoki címtől a Kaposvár Az esernyőkre csak néhol lehet szükség, a napszemüvegre viszont mindenhol A további adásainkat keresd a podcast.hirstart.hu oldalunkon. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Allâh (c.c.)'u zikretmek makbûl bir ibâdet olduğu gibi, zikir halkalarında oturmak da makbûl bir ibâdettir. Böyle olduğuna dâir pek çok delil vardır. Abdullah ibni Ömer (r.a.)'den rivayet edildiğine göre, Resûlullâh (s.a.v.) şöyle buyurdu: "Cennet bahçelerine uğradığınız zaman oradan faydalanmaya bakın!" Ashâb-ı Kirâm (r.a.e.): "Yâ Resûlullâh! Cennet bahçeleri nedir, neresidir?" diye sordular. Allâh'ın Elçisi (s.a.v.) şöyle buyurdu: "Cennet bahçeleri zikir meclislerdir. Allâhü Teâlâ'nın yeryüzünde dolaşıp zikir meclislerini araştıran melekleri vardır. Onlar zikir meclislerini buldukları zaman, zikredenlerin yanına varıp aralarına katılırlar." Hz. Muâviye bin Ebû Süfyân (r.a.) şöyle dedi: "Bir gün Resûl-i Ekrem (s.a.v.) halka şeklinde oturan sahâbîlerinin yanına geldi ve onlara: "Burada niçin oturuyorsunuz?" diye sordu. Onlar da: "Allâhü Teâlâ bize İslâmiyet'i nasip ederek büyük bir lütufta bulundu, biz de bu sebeple O'nu zikretmek ve O'na hamd etmek için toplandık" diye cevap verdiler. Resûlullâh (s.a.v.): "Allâh aşkına söyleyin, siz buraya sadece Allâh'ı zikretmek için mi toplandınız?" diye sordu. Onlar da: "Evet, vallâhi sadece bunun için toplandık" dediler. Bunun üzerine Allâh'ın Resûlü (s.a.v.) şöyle buyurdu: "Ben size inanmadığım için yemin vermiş değilim. Fakat bana Cebrâil geldi ve Allâhü Teâlâ'nın, meleklere sizinle iftihar ettiğini haber verdi; onun için böyle söyledim." Ebû Saîd el-Hudrî ile Ebû Hüreyre (r.a.e.), Resûlullâh (s.a.v.)'in şöyle buyurduğuna şâhit oldular: "Bir topluluk oturup Allâhü Teâlâ'yı zikrederse, onları melekler kuşatır, Allâh'ın rahmeti kaplar, üzerlerine mânevî huzûr (sekînet) iner ve Allâhü Teâlâ da onları kendi huzûrunda bulunanların arasında anar." (İmâm Nevevî, el-Ezkâr, c.1, s.26-28)

Árnyék 6/16Perlusz Andrea gyógypedagógus, egyetemi oktató vendégünkkel az oktatásról beszélgettünk. Optimista jövőképünket, realista jelennel árnyaltuk. Barcza Ági IzraelDerdák András FranciaországKerényi Tamás Egyesült KirályságVarga Lukács NémetországVendég: Perlusz AndreaHangmérnök: Barcza Gergely

Magyar Péter közölte, amint lehet végleg megszüntetik az Orbán-rendszer egyik ikonikus hivatalát Király Júlia: Matolcsyék megrövidítették az adófizetőket, sorozatosak voltak a zsarolások Volt helyettes államtitkárt igazolt a Tisza minisztere "A pofádat be fogom verni, öcsém!" – kiabálta Tasó László az őt közpénztolvajnak nevezőnek Megnevezte a Fidesz-frakció hét szóvivőjét Gulyás Gergely Trump háborúja odacsapott a magyar alapkamatnak Kemény lépésre szánta el magát az unió: hatalmas árat fizethet Oroszország az ukrajnai háborúért Eldőlhetett a sokmilliárdos kérdés: sajtóhírek szerint Donald Trump a blokád folytatására készül Hormuznál Vizsgálat indult a szegedi BYD-beruházás ügyében az Európai Parlamentben Mol-Ina-ügy: már csaknem 290 millió dollárral tartozik Horvátország a magyar olajvállalatnak – Zágráb hirtelen nagyon barátságos lett, mindent újrakezdenének A világbajnokságon már piros lap jár a vitatkozás közben a száját eltakaró játékosnak Az NB I rekordere segédmunkásként sittet cipelt, Lipcsei Péter nem reagál a vádra Fagyos búcsút vesz az április A további adásainkat keresd a podcast.hirstart.hu oldalunkon. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Magyar Péter közölte, amint lehet végleg megszüntetik az Orbán-rendszer egyik ikonikus hivatalát Király Júlia: Matolcsyék megrövidítették az adófizetőket, sorozatosak voltak a zsarolások Volt helyettes államtitkárt igazolt a Tisza minisztere "A pofádat be fogom verni, öcsém!" – kiabálta Tasó László az őt közpénztolvajnak nevezőnek Megnevezte a Fidesz-frakció hét szóvivőjét Gulyás Gergely Trump háborúja odacsapott a magyar alapkamatnak Kemény lépésre szánta el magát az unió: hatalmas árat fizethet Oroszország az ukrajnai háborúért Eldőlhetett a sokmilliárdos kérdés: sajtóhírek szerint Donald Trump a blokád folytatására készül Hormuznál Vizsgálat indult a szegedi BYD-beruházás ügyében az Európai Parlamentben Mol-Ina-ügy: már csaknem 290 millió dollárral tartozik Horvátország a magyar olajvállalatnak – Zágráb hirtelen nagyon barátságos lett, mindent újrakezdenének A világbajnokságon már piros lap jár a vitatkozás közben a száját eltakaró játékosnak Az NB I rekordere segédmunkásként sittet cipelt, Lipcsei Péter nem reagál a vádra Fagyos búcsút vesz az április A további adásainkat keresd a podcast.hirstart.hu oldalunkon. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Pál Bianka az Eurocine 2026 kiállításigazgatója, akivel egy olyan premier apropóján beszélgetek, amelyre eddig nem volt példa a térségben. Május 8-án és 9-én a Hungexpo Budapest Kongresszusi és Kiállítási Központ ad otthont az Eurocine 2026 nemzetközi filmipari szakkiállításnak, amelyet a brit SCS Concepts and Exhibitions Ltd. és a HUNGEXPO közös együttműködésben hoz Budapestre. A kétnapos esemény valódi hiánypótló vállalás, hiszen Kelet-Közép-Európában eddig nem létezett ehhez fogható platform, ahol a mozgóképes szakma ennyire széles körben és ennyire koncentrált formában találkozhatott volna. A beszélgetésből kiderül, hogyan lett Budapest a befutó Rómával szemben, és miért fontos mérföldkő ez a hazai filmszakma számára. Az Eurocine 2026 egyszerre technológiai szakkiállítás és nemzetközi szakmai fórum. Több mint nyolcvan kiállító érkezik a Hungexpóra, köztük az Egyesült Államokból, Kínából, az Egyesült Királyságból, Németországból és más meghatározó piacokról. A látogatók élőben is megismerhetik a legújabb fejlesztésű kamerákat, objektíveket és grip eszközöket, miközben a magyar stúdióipar, a gyártási szolgáltatások, a látványtervezés, az utómunka, a hospitality és a filmes háttérszakmák képviselői is bemutatkoznak. A szakmai konferencia programja a jelen legfontosabb kérdéseire reagál. Szó lesz a magyar filmfinanszírozás helyzetéről, a közép-európai gyártási lehetőségekről, az adózási és koprodukciós környezetről, a fenntartható filmkészítésről, a női alkotók szerepéről, valamint a mesterséges intelligencia filmes hatásairól is. Az Eurocine 2026 egyik nagy értéke, hogy egyszerre szól a tapasztalt szakemberekhez és azokhoz is, akik még csak most keresik a helyüket ebben a világban. Operatőrök, producerek, vágók, VFX-szakemberek, látványtervezők, kosztümösök, pályakezdők és hallgatók ugyanazon a helyen találkozhatnak azokkal, akik már alakítják az iparágat. A szervezők az oktatásra is nagy hangsúlyt fektetnek, ezért az utánpótlás és a jövő tehetségei külön figyelmet kapnak, a kapcsolódó tudásanyag pedig az Eurocine Akadémia online felületén később is elérhető marad. A Sláger FM-en minden este 22 órakor a kultúráé a főszerep S. Miller András az egyik oldalon, a másikon pedig a térség kiemelkedő színházi kulturális, zenei szcena résztvevői Egy óra Budapest és Pest megye aktuális kult történeteivel. Sláger KULT – A természetes emberi hangok műsora

Százkilencvenedik - Tűz és Dohányfüst - EpizódAmelyben Hamuvá vállnak a Britt teenagerek cigaretta iránti álmai, csak úgy, mint a prérifarkas gyalogkakukk ebédje.Témák:Bevezető Hírek: Lemondott Tim Cook az Apple vezérigazgatója https://www.theguardian.com/technology/2026/apr/20/tim-cook-apple-ceo-replacement A 2009 január 1 után születettek soha nem vehetnek legálisan dohányterméket az Egyesült Királyságban https://www.bbc.com/news/articles/cn08jy6w0l5o Május 20-án az Amazon lekapcsolja a régi Kindle eszközök Store hozzáférését https://www.techlicious.com/blog/older-kindles-losing-amazon-support/ Érdekesség / hír: 2 hét hülyéje https://edition.cnn.com/2021/02/08/us/gorilla-glue-girl-scli-intl Technológia: Technológia Anycubic Kobra X 3D nyomtato https://anycubic.com/en/kobra-x Játék: Starfield - Terran Armada review https://www.youtube.com/watch?v=UkXkI-ql-cI Játék Vampire Crawler https://store.steampowered.com/app/3265700/Vampire_Crawlers_The_Turbo_Wildcard_from_Vampire_Survivors/?snr=1_4_4__118 Játék Pragmata https://store.steampowered.com/app/3357650/PRAGMATA/ Sorozat: Star Wars: Maul - Shadow Lord 2026 D+ https://www.rottentomatoes.com/tv/star_wars_maul_shadow_lord The Boys S05 https://www.rottentomatoes.com/tv/the_boys_2019/s05 Film: Film Greenland 2: Migration 2026 https://www.rottentomatoes.com/m/greenland_2_migration Avatar: Fire and Ash 2025 https://www.rottentomatoes.com/m/avatar_fire_and_ash Film Coyote VS Acme - Aug 28 https://www.coyotevsacme.com/

Azután ezt mondta nekik: ,,Menjetek el az egész világra, és hirdessétek az evangéliumot minden teremtménynek. Aki hisz és megkeresztelkedik, az üdvözül; aki pedig nem hisz, elkárhozik. Azokat, akik hisznek, ezek a jelek fogják kísérni: a nevemben ördögöket űznek ki, új nyelveken szólnak, kígyókat vesznek fel, és ha valami halálosat isznak, nem árt nekik; a betegekre teszik kezüket, és azok meggyógyulnak.'' Az Úr Jézus, miután szólt hozzájuk, fölvétetett a mennybe, és ül az Istennek jobbja felől [2 Kir 2,3.11; Zsolt 110,1]. Azok pedig elmentek és prédikáltak mindenütt. Az Úr velük együtt munkálkodott, a tanítást megerősítette, s csodajelekkel kísérte.Olvasmányok, ünnepek a liturgikus naptárban. | Felolvassa: Varga László |

20240424 - 05 Király Gábor by Bochkor

Matolcsy szerint a bőség világa jön – Newscast Szalai Vivient tíz év után menesztik. Kirúgásokba kezdett a DK is. Magyar Péter Hernádi Zsolttal találkozott. Ez a HVG reggeli hírösszefoglalója.

Wir probieren einen Bourgogne Aligoté 2024 für 13 € und klären: - Ist die unterschätzte Rebsorte aus dem Burgund wirklich ein Geheimtipp? - Warum wird Aligoté gerade wieder „hip“? - Wie schmeckt der Wein – frisch, zitrisch oder doch zu dünn? Außerdem sprechen wir über: - den Unterschied zu Chardonnay & Chablis - warum Aligoté perfekt für einen Kir ist - und ob dieser Wein massentauglich oder langweilig ist Am Ende gibt's natürlich wieder unsere Bewertung im Speed-Tasting-Format.

A Petőfi Irodalmi Múzeum Belív című, havonta jelentkező új irodalmi podcastjében nemállunk meg a borítónál. A sorozat célja, hogy betekintést adjon a legérdekesebb friss kiadványok világába és a mögöttük rejlő szerzői szándékokba. Az áprilisi adásban Milbacher Róbertet kérdeztük Variációk a múltra című, két kisregényt összefogó kötetéről. Ebben az adásban megvizsgáljuk, miként hatnak az áltörténetek a kultúránkra és identitásunkra, illetve milyen tétekkel bír, hogyan tud ma is aktuális lenni egy százötven éve játszódó kémregény. Körüljárjuk, mennyire sebezhető az önismeretünk egy képlékeny múlt árnyékában, és miért fontos a hiedelmek és az irracionalitás tisztelete ahelyett, hogy barbárságnak bélyegeznénk. Szó esik a Rákosi- és Kádár-korszak erőszakos modernizációjának kudarcáról, amit Kemény Zsigmond már jó előre megjósolt, végül pedig kiderül: hol van a tudományos értekezés határa, mikor jön el az a pont, amikor az irodalomtörténész nekiül szépprózát írni.Következő adásunkban Kollár Árpáddal fogunk Nád című verseskötetéről.Host: Modor Bálint és Szántó TiborVágó, szerkesztő: Modor BálintKonzultáns: Owaimer OliverHangmérnök: Szabó Attila, Király PéterProdukciós vezető: Mezei KristófGrafika: Rimanóczy AndreaZene: Tanos Márton

Történelmi jelentőségű eredményt hozott az április 12-i magyarországi országgyűlési választás: a TISZA Párt fölényes, kétharmados győzelmet aratott, ezzel véget vetve a Fidesz–KDNP több mint másfél évtizedes kormányzásának. A mai Aktuálisban azt vizsgáljuk, milyen belpolitikai, nemzetpolitikai és regionális következményekkel járhat a választás végeredménye, és mit jelent mindez a határon túli magyar közösségek – köztük a muravidéki magyarság – számára. Vendégeink: Király Meszelics Jutka, a Népújság felelős szerkesztője, valamint dr. Göncz László történész, kisebbségkutató, egykori nemzetiségi parlamenti képviselő.

In this special episode of The Sound of Economics, host Rebecca Christie speaks with Bruegel's Zsolt Darvas and Heather Grabbe about the historic Hungarian election of April 2026. Péter Magyar and his TISZA party won in a landslide over the Fidesz party and Prime Minister Viktor Orbán, who has been in power for the past 16 years and changed the course of the European Union. Can Hungary unlock its EU funds and stay within its budget guardrails? What about the energy sector? Will the new government be more transparent about contracts with ties to Chinese and Russian investment? Is Hungary's outlook on Ukraine likely to change? Will Hungary ever join the euro? How will the winners put together a new government to carry out their campaign promises? The discussion covers all this and more after nearly 80% of Hungarian voters went to the polls.  Related research: Darvas, Z. (2026) ‘Hungary's new beginning – under tight fiscal constraints', First Glance,13 April, Bruegel. Darvas, Z. (2019) 'With or without you: are central European countries ready for the euro?', Policy Contribution 12/2019, Bruegel.  Grabbe, H., J. Pisani-Ferry and J. Zettelmeyer (2025) ‘Updated assessment: Memos to the commissioners responsible for EU foreign, enlargement, and partnerships policies', First Glance, 30 January, Bruegel. 'Hungary's revived euro adoption prospects', Finance Focus Event, 06 May 2026 with Júlia Király and Nicolas Véron, Bruegel. 

Nem gondolnád, de ebben a mátrai faluban a házakat szó szerint a sziklába vájták Anne Hathaway levágatta a haját, zseniálisan áll neki az új frizurája "Mi lett azzal a furcsa menyasszonnyal?" A Telihold Színház három évtized után ismét működik A Fehér Ház szerint George Clooney háborús bűnöket követ el a filmvásznon Csobot Adél szerint Istenes Bence az ízig-vérig férfi: "Királylány lettem mellette" Április 9-én sorsfordító kozmikus ajándék vár négy csillagjegyre Aubrey Plaza gyermeket vár Mellőzöttség és méltatlan bánásmód, Szabó Zsófi őszintén az Rtl-es évekről: "Azt mondták, én vagyok a Ner-es trófea" Nemes László következő filmje bekerült a cannes-i filmfesztivál versenyprogramjába Majka elárulta, miért nem lép fel a Rendszerbontó Nagykoncerten A további adásainkat keresd a podcast.hirstart.hu oldalunkon. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Nem gondolnád, de ebben a mátrai faluban a házakat szó szerint a sziklába vájták Anne Hathaway levágatta a haját, zseniálisan áll neki az új frizurája "Mi lett azzal a furcsa menyasszonnyal?" A Telihold Színház három évtized után ismét működik A Fehér Ház szerint George Clooney háborús bűnöket követ el a filmvásznon Csobot Adél szerint Istenes Bence az ízig-vérig férfi: "Királylány lettem mellette" Április 9-én sorsfordító kozmikus ajándék vár négy csillagjegyre Aubrey Plaza gyermeket vár Mellőzöttség és méltatlan bánásmód, Szabó Zsófi őszintén az Rtl-es évekről: "Azt mondták, én vagyok a Ner-es trófea" Nemes László következő filmje bekerült a cannes-i filmfesztivál versenyprogramjába Majka elárulta, miért nem lép fel a Rendszerbontó Nagykoncerten A további adásainkat keresd a podcast.hirstart.hu oldalunkon. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Woher der Gründonnerstag seinen Namen bekommen hat, ist unbekannt. Doch viele Kir-chengemeinden feiern an diesem Tag ein besonderes Abendmahl. Willkommen dazu, sagt Jörg Arndt

Junija 1991 je bil na obrobju Osijeka ubit Josip Reihl Kir, takratni načelnik osiješke policije. Kir je bil tik pred izbruhom vojne v hrvaški Slavoniji eden redkih, ki si je med naraščajočimi trenji med hrvaško in srbsko stranjo na tem območju vse do zadnjega prizadeval za dialog in mir, danes pa se ga uradna zgodovina na Hrvaškem nerada spominja. Film režiserja Ivana Ramljaka z naslovom Mirovnik, ki z več vidikov razmišlja o liku in delu Kira, pa tudi o predvojnih dogodkih na tem območju, je lani na hrvaškem festivalu nacionalnega filma v Pulju prejel veliko zlato areno, obenem pa je del hrvaške politike razburil do te mere, da so morali nekatere projekcije na Hrvaškem odpovedati in da so o filmu razpravljali celo v hrvaškem parlamentu. Pogovarjamo se z Ivanom Ramljakom, režiserjem filma Mirovnik, ki je bil nedavno prikazan na Festivalu dokumentarnega filma v Ljubljani. Foto – vir: Festival dokumentarnega filma

Check out host Bidemi Ologunde's new show: The Work Ethic Podcast, available on Spotify and Apple Podcasts.Email: bidemiologunde@gmail.comIn this episode, host Bidemi Ologunde sits down with Krisztián Király, International Partnership Manager at OptiMonk, to explore how AI is reshaping conversion rate optimization, why the static website is dying, and what today's smartest e-commerce brands are doing instead. How can AI predict when a shopper is about to leave? What does a "living website" actually look like in practice? And for brands without big dev teams, what quick wins can boost conversions, AOV, and revenue per session in just 30 days? Krisztián also shares lessons from building his own agency, coaching agencies internationally, and creating global B2B SaaS partnerships that drive real growth.Sponsors and partners:Promeed: 100% mulberry silk pillowcases and bedding that feel incredibly soft, stay breathable, and are naturally gentle on hair and skin.SurviveX: professional-grade FSA/HSA eligible first aid and preparedness kits designed in Virginia, USA and produced in an FDA-registered facility.Alison US CA: Alison is the world's largest free online learning and skills-training platform, helping more than 50 million learners in 193+ countries build career-ready skills with 6,000+ free courses, certificates, and diplomas.eSign (iOS only): eSign is a clean, privacy-first document-signing app that works entirely on your device, letting you sign PDFs, DOCX files, images, and scans, edit and assemble pages, and export crisp 300 DPI PDFs in seconds, without accounts, cloud uploads, or compromising sensitive documents.Support the show

İmâm-ı Âzam (r.a.) şöyle söylerdi: "Herhangi bir meselede Resûl-i Ekrem (s.a.v.)'den bir hadis gelirse "baş ve gözümüz üzerinde" deriz. Ashâb-ı Kirâm (r.a.)'den birkaç söz gelse Kitap ve Sünnet'e daha uygun bulduğumuzu seçeriz. Ama bir meselede hadis ya da sahâbe sözü bulamazsak, tâbiîleri taklit edemeyiz, belki biz de onlar gibi ictihat etmek durumundayız." Her şeyden önce Hz. İmâm (r.a.), gece ibâdetini (teheccüd) ihmâl etmezdi. Bu onun güzel hasletlerindendir. Bir gün yolda yürürken: "İşte bütün geceyi ibâdetle değerlendiren Ebû Hanîfe (r.a.) geçiyor" diyen bir kişiyle karşılaştıktan sonra gecelerini tamamen ibâdet ve tâatle geçirmeye başladı. "Bende bulunmayan güzel bir hasletle nitelendirildiğim için Râbbim'den hayâ ederim" dedi. Nadr b. Şümeyl (r.âleyh) demiştir ki: "İnsanlar fıkhın gerçekliğini unutup uyku hâlinde idiler. Ebû Hanîfe (r.a.) bu ilmin yöntemini belirleyip düzene koyarak halkı güçlükle uyandırdı." Bazı selef âlimleri: "Mekke-i Mükerreme'de bulunduğumuz sırada hem Mescid-i Haram'da namaz kılıp tavâf etmek hem de insanların bütün meselelerini hâllederek fetva vermek konusunda Ebû Hanîfe (r.a.) gibi sabırlı ve gayretli bir kimse görmedik" demişlerdir. Müçtehit imâm ve büyük âlimlerden sayılan birçok kişinin İmâm-ı Âzam (r.a.)'den ders alması da büyük bir şeref ve fazîlettir. Büyüklük ve üstünlükleri herkesçe kâbul edilen Abdullah b. Mübârek, Mâlik b. Enes, Leys b. Sa‘d, Mis‘ar b. Kidâm ile Ebû Yûsuf, Muhammed b. el-Hasan, İmâm-ı Züfer (rh.a) gibi pek çok kimse İmâm-ı Âzam (r.a.)'den ilim öğrenmiştir. (İbn Hacer el-Heytemî, İmâm-ı Azam Ebû Hanîfe (r.a.) Hayatından Râbbânî Esintiler, s.54-55)

Gyászol Farkasházy Tivadar: meghalt a felesége, Benedek Noémi Csak ámulunk Charlène monacói hercegné megjelenésén, Albert herceg felesége nem akárhol lopta el a show-t Rengeteg pénzedbe kerülhet, ha nem figyelsz erre repülőjegy-foglaláskor Minden lejátszásnak örülünk – kommentálta a Hősök tagja, hogy a ValMarral közös dalukat fideszes rendezvényeken használják Molnár Áron kiosztotta Szijjártó Pétert Bongor, a Hősök és az Elefánt is fellép a Rendszerbontó Nagykoncerten Nagyot nőtt Iszak Eszter és Gyurta Dani kislánya "Vannak csodák" – Ronaldo-mez maradt az édesanya után, Svábyék álmot váltottak valóra Most már teljes valójában láthatjuk Dwayne Johnsont félistenként az élőszereplős Vaiana új előzetesében "Teljesen elveszítettem a kontrollt" – Király Viktor drámai vallomása a mélypontról, amikor minden összedőlt körülötte "A születése óta ismerem és nagyon szeretem" – Várkonyi Andrea nagyon izgul Gesztesi Pankáért A Nagy Duettben A további adásainkat keresd a podcast.hirstart.hu oldalunkon. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Gyászol Farkasházy Tivadar: meghalt a felesége, Benedek Noémi Csak ámulunk Charlène monacói hercegné megjelenésén, Albert herceg felesége nem akárhol lopta el a show-t Rengeteg pénzedbe kerülhet, ha nem figyelsz erre repülőjegy-foglaláskor Minden lejátszásnak örülünk – kommentálta a Hősök tagja, hogy a ValMarral közös dalukat fideszes rendezvényeken használják Molnár Áron kiosztotta Szijjártó Pétert Bongor, a Hősök és az Elefánt is fellép a Rendszerbontó Nagykoncerten Nagyot nőtt Iszak Eszter és Gyurta Dani kislánya "Vannak csodák" – Ronaldo-mez maradt az édesanya után, Svábyék álmot váltottak valóra Most már teljes valójában láthatjuk Dwayne Johnsont félistenként az élőszereplős Vaiana új előzetesében "Teljesen elveszítettem a kontrollt" – Király Viktor drámai vallomása a mélypontról, amikor minden összedőlt körülötte "A születése óta ismerem és nagyon szeretem" – Várkonyi Andrea nagyon izgul Gesztesi Pankáért A Nagy Duettben A további adásainkat keresd a podcast.hirstart.hu oldalunkon. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Send us Fan MailBurgundy: The Food Capital of France You Need to KnowBurgundy. Most people think of wine. But the food story of this region is one of the most extraordinary in all of France — and most people have never heard it properly told.In this episode I'm taking you deep into the heart of Burgundy — through the dishes, the ingredients, the cheeses, the drinks, the sweet things, and the remarkable people who have shaped this region's culinary identity across the centuries.We're talking Boeuf Bourguignon and the surprising history behind the dish the whole world thinks it knows. Coq au Vin and the two-thousand-year-old victory meal legend that may or may not involve Julius Caesar. Oeufs en Meurette — one of the most quietly perfect things you will ever eat. Gougères fresh from the oven. Jambon Persillé. And a chicken dish born entirely from a kitchen accident that a quick-thinking woman turned into something magnificent.We're covering the ingredients that make this landscape so special — Charolais beef, Bresse chicken, Burgundy truffles that most people don't know exist, and a Dijon mustard story that takes a surprising detour into hip hop.There are cheeses — including Époisses, the king of cheeses that nearly ceased to exist and was saved by one farming couple in 1956. Blackcurrants and the medicinal brochure that started it all. Crème de Cassis, the Kir, and Marc de Bourgogne. Pain d'Épices, Nonnettes, and the tiny anise candy that has been made the same way since 1591.And there are the chefs. A man born in Dijon in 1618 who single-handedly invented modern French cuisine. A farm girl from the edge of Bresse who became the most decorated chef in the world. The largely forgotten godfather of Burgundian fine dining. And the brilliant, charismatic three-star chef whose story of ambition, pressure and tragedy quietly inspired one of the most beloved films ever made.Burgundy doesn't announce itself. It just quietly produces some of the most extraordinary food in the world and waits for you to pay attention. This episode is your invitation.My book Paris: A Fabulous Food Guide to the World's Most Delicious City is your ultimate companion. This is a new 2026 update for the book and you'll find hand-picked recommendations for the best boulangeries, patisseries, wine bars, cafés, and restaurants that truly capture the flavor of Paris. You can order it online at andrewpriorfabulously.com For those who want to take things further, why not come cook with me here in Montmorillon, in the heart of France's Vienne region? Combine hands-on French cooking classes with exploring charming markets, tasting regional specialties, and soaking up the slow, beautiful pace of French countryside life. Find all the details at andrewpriorfabulously.comYou can help keep the show thriving by becoming a paid subscriber on substack where you'll also get fabulous extra content. Every contribution makes a huge difference. Join here at Substack , Merci beaucoup!Newsletter Youtube Instagram Facebook ...

Burgundy is home to some of the most expensive wines in the world. Bottles of Domaine de la Romanée-Conti can sell for more than $30,000, yet in this episode of Got Somme we're tasting a Burgundy white wine for under $100.How is that possible?The answer lies in one of Burgundy's most underrated grape varieties: Aligoté.In this episode, Angus and Master Sommelier Carlos Santos take a deep dive into the forgotten sibling of Chardonnay and Pinot Noir. While Burgundy is famous for its iconic Grand Cru wines, Aligoté has quietly existed in the region for centuries, often overlooked despite producing bright, mineral-driven wines with incredible value.Carlos explains why Aligoté is having a quiet renaissance among sommeliers and wine lovers around the world, and why this historic Burgundian grape could be your gateway into Burgundy without the Burgundy price tag.Along the way, we unpack the fascinating history of the grape, how it compares to Chardonnay and Chablis, and the surprising role Aligoté played in one of France's most famous cocktails.If you've ever wondered whether there's a hidden gem in Burgundy, this episode might change the way you buy wine.In this episode• Why Burgundy prices have exploded and what that means for wine lovers• The forgotten Burgundy grape most people overlook• The family tree of Burgundy grapes including Pinot Noir, Chardonnay and Aligoté• Why Aligoté can offer incredible value compared with Chardonnay• The surprising story behind the famous Kir cocktail• How Aligoté compares to Chablis and Chenin Blanc• The tasting profile you should expect from a great Aligoté• Why sommeliers are rediscovering this grape• The foods that pair perfectly with AligotéWhat does Aligoté taste like?According to Master Sommelier Carlos Santos, great Aligoté wines typically show:• Bright citrus and tangerine peel• Crisp acidity• Green apple and mineral notes• A subtle saline character• Fresh, food-friendly structureIt often sits stylistically between Chablis and Chenin Blanc, making it an incredibly versatile wine at the table.Where is Aligoté grown?Aligoté is native to Burgundy, France, where it shares the same genetic roots as:• Chardonnay• Pinot Noir• GamayThe grape is traditionally grown across Burgundy, with the appellation Bouzeron dedicated entirely to Aligoté production.Food pairings for AligotéThanks to its high acidity and freshness, Aligoté pairs beautifully with:• Oysters• Lobster• Shellfish• White fish• Light butter sauces• Fresh seafood dishesBIG thanks to The French Wine Centre for providing the bottle

Ez most a legnézettebb film a magyarok körében: lesöpörte a teljes mezőnyt az HBO Max-on "Én négy filmet csináltam vele, ő csak egyet" - Fonda szerint Streisand nem érdemelte meg, hogy ő búcsúztassa Redfordot Lakatos Márk és kubai férje minden közös fotót töröltek: vége a kapcsolatnak? Három népszerű olasz úti célon is új korlátozásokra számíthatsz turistaként 48 órán át semmit sem evett Wossala Rozina: elárulta, szerinte miért jó a "fasting" Berobbant a Dűne harmadik részének első előzetese 75 éves lett Kurt Russell, Hollywood ikonja Afrikában indult az új korszak: így debütált Vörös Attila a Tankcsapdában Király Linda szerelmét a szülei is befogadták Meglepő vád: Polgár Árpád és Tünde azt állítja, Gombos Edina csúnyán beszélt róluk a kamerák előtt A várandós Antónia kórházba került: vajon folytatja a Határtalan szerelmet? A további adásainkat keresd a podcast.hirstart.hu oldalunkon. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Ez most a legnézettebb film a magyarok körében: lesöpörte a teljes mezőnyt az HBO Max-on "Én négy filmet csináltam vele, ő csak egyet" - Fonda szerint Streisand nem érdemelte meg, hogy ő búcsúztassa Redfordot Lakatos Márk és kubai férje minden közös fotót töröltek: vége a kapcsolatnak? Három népszerű olasz úti célon is új korlátozásokra számíthatsz turistaként 48 órán át semmit sem evett Wossala Rozina: elárulta, szerinte miért jó a "fasting" Berobbant a Dűne harmadik részének első előzetese 75 éves lett Kurt Russell, Hollywood ikonja Afrikában indult az új korszak: így debütált Vörös Attila a Tankcsapdában Király Linda szerelmét a szülei is befogadták Meglepő vád: Polgár Árpád és Tünde azt állítja, Gombos Edina csúnyán beszélt róluk a kamerák előtt A várandós Antónia kórházba került: vajon folytatja a Határtalan szerelmet? A további adásainkat keresd a podcast.hirstart.hu oldalunkon. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Királyok, varégok és táltosok kora, ahol nemcsak az emberek, de az istenek is szemben állnak egymással... A Viking vér - Vazul fiai című történelmi regény a Libri Talent-felfedezett Reggő Dániel könyve. A történetben Endre és Levente, a két Árpád-házi herceg hosszú száműzetés után hazatérnek, hogy visszaköveteljék a trónt a családjuknak. Vikingek, varégok, ruszok és besenyők jönnek velük az országba, köztük Zotmund, bizánci császár gárdájának egykori katonája, akit később Búvár Kund néven ismer meg a világ. A viking harcos belecsöppen a pogánylázadások és trónviszályok forgatagába... A podcast vendége a Libri Talent program egyik mentora, a népszerű Hunyadi-sorozat szerzője Bán Mór - azaz Bán János - és a fiatal szerző, Reggő Dániel.

Before we step into the fire of Amos's oracles, we step back into the story.From the beginning, God's vision has always been the advancement and maturation of human nature, drawing humanity into deeper participation in His own life. Within that grand design, Israel is called God's “firstborn son” (Exod. 4:22), chosen not for privilege alone but for responsibility. Israel is meant to be the older brother among the nations - a covenant partner with God who models maturity, justice, and communion so that the nations, too, might flourish. But Israel struggles to embody that calling.Into that tension walks Amos. Amos is not a professional prophet. He is not part of the “sons of the prophets.” He was not trained in a prophetic guild or raised in a school of ecstatic spirituality. He was a shepherd and dresser of sycamore figs - summoned unexpectedly by God from ordinary life. And when Amos speaks, he does so with startling intimacy. His oracles often shift into the first person - as though God Himself is speaking directly through him. The prophetic word becomes intensely personal. Nowhere is this clearer than in the refrain of chapter 4: “Yet you did not return to Me…” This is not merely a critique of social injustice or religious hypocrisy. It is the lament of a Father calling His son back into relationship. The issue is not behavior management. It is relational rupture. Israel's failure is not simply ethical - it is filial.Amos is also unique among prophets in the way he addresses the surrounding nations. He does not speak only to Israel. But to all the nations surrounding Israel. And then, in chapter 9, something remarkable happens. Amos reminds Israel that the Lord who delivered them from Egypt also acted among other peoples — bringing the Philistines from Caphtor and the Arameans from Kir. God's mighty acts are not exclusive. His redemptive concern has always extended beyond Israel. The nations have never been an afterthought.This is where the story bends forward. Jesus carries Israel's vocation faithfully. Where Israel failed as firstborn, Jesus fulfills the role of true Son. And just as Amos revealed God's concern for the nations, Jesus embodies it - delivering not merely from political oppression but from the deeper powers of sin and death. His resurrection becomes the decisive act of liberation for all peoples.And now, astonishingly, He calls the church to participate. We are invited to partner with Him in the advancement of human life — to embody justice, mercy, and relational fidelity in a fractured world. The nations are still on God's heart. Key Passages: Amos 7:10-17Amos 9:7-8Explainer⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Video⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ on how to use ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.biblehub.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.blueletterbible.org⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Leave us a question or comment at our ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠website podcast page⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.

Dr. Peter Attia az örökélet guru - vagy mifene mocskos kis kapcsolatától eljutunk egészen a Király utcáig, meg a retkes Steve Bannon-hoz és Urbán izé Orbán Viktor-hoz is....

A weekly magazine-style radio show featuring the voices and stories of Asians and Pacific Islanders from all corners of our community. The show is produced by a collective of media makers, deejays, and activists. Envisioning Hopeful Futures Host Miko Lee speaks with two Bay Area artists, activists, and social change makers: Tara Dorabji and Cece Carpio. Both of these powerful people have been kicking it up in the bay for a minute. They worked in arts administration as community organizers and as artist activists.   LINKS TO OUR GUESTS WORK Tara Dorabji Author's website New book Call Her Freedom Find more information about what is happening in Kashmir Stand With Kashmir Cece Carpio  Tabi Tabi Po running at Somarts   SHOW Transcript Opening Music: Apex Express Asian Pacific expression. Community and cultural coverage, music and calendar, new visions and voices, coming to you with an Asian Pacific Islander point of view. It's time to get on board the Apex Express. Miko Lee: Good evening. I'm your host Miko Lee, and tonight I have the pleasure of speaking with two Bay Area local artists, activists, and social change makers, Tara Dorabji and Cece Carpio. Both of these powerful people have been kicking it up in the bay for a minute. They worked in arts administration as community organizers and as artist activists. I so love aligning with these multi hyphenated women whose works you can catch right now. First up, I talk with my longtime colleague, Tara Dorabji Tara is an award-winning writer whose first book Call Her Freedom just came out in paperback. And I just wanna give a little background that over a decade ago I met Tara at a workshop with the Great Marshall Gantz, and we were both asked to share our stories with the crowd. During a break, Tara came up to me and said, Hey, are you interested in joining our radio show, Apex Express? And that began my time with Apex and the broader Asian Americans for Civil Rights and Equality community. So if you hear a tinge of familiarity and warmth in the interview, that's because it's real and the book is so great. Please check it out and go to a local bookstore and listen next to my chat with Tara. Welcome Tara Dorabji to Apex Express.  Tara Dorabji: Thank you so much for having me. It's wonderful to be with you, Miko. Miko Lee: And you're actually the person who pulled me into Apex Express many a moon ago, and so now times have changed and I'm here interviewing you about your book Call Her Freedom, which just was released in paperback, right? Tara Dorabji: Yep. It's the one year book-anniversary. Miko Lee: Happy book anniversary. Let's go back and start with a little bit for our audience. They may have heard you, if they've been a long time Apex listener, but you as an artist, as a creator, as a change maker tell me who are your people and what legacy do you carry with you? Tara Dorabji: Who are my people? My people I would say are those who really align with truth. Truth in the heart. That's like at the very core of it. And I'm from the Bay Area. I've been organizing in the Bay a long time. I started out organizing around contaminated sites from nuclear weapons. I've moved into organizing with young people and supporting storytelling. So arts and culture has been a huge part of it. Of course, KPFA has been a big part of my journey, amplifying stories that have been silenced, and I think in terms of legacy, I've been thinking about this more and more. I think it goes into two categories for me. One are the relationships and who remembers you and and those deep heart connections. So that's one part. And then for my artistry, it's the artists that come and can create. On the work that I've done and from that create things that I couldn't even imagine. And so I really think that's the deepest gift is not the art that you're able to make, but what you create so that others can continue to create. Miko Lee: Thank you so much for sharing the deep kind of legacy and sense of collaboration that you've had with all these different artists that you've worked with and it's, your work is very powerful. I read it a year ago when it first came out, and I love that it's out in paper back now. Can you tell our audience what inspired Call her Freedom. Tara Dorabji: Call Her Freedom is very much inspired by the independence movement in Indian occupied Kashmir. And for me it was during the summer uprisings when, and this was way back in, In 2010-2009, after the Arab Spring and for the entire summer, Kashmir would be striking. It would shut down from mothers, grandmothers, women, children in the street. This huge nonviolent uprising, and I was really drawn to how it's both one of the most militarized zones on earth. And how there was this huge nonviolent uprising happening and questions about what it could look like, even like liberation beyond the nation state. And so I was really drawn to that. My dad's from Bombay, from Mumbai, that's the occupying side of it, and ethnically we're Parsi. So from Persia a thousand years ago. And so I think for me, at a personal level, there's this question of, okay, my people have been welcomed and assimilated for generations, and yet you have indigenous folks to the region that are under a complete seizure and occupation as part of the post-colonial legacy. And so I went and when I went to Kashmir for the first time was in 2011, and I was there. Right when the state was verifying mass graves and was able to meet with human rights workers and defenders, and there was a woman whose husband had disappeared and she talked to me about going to the graves and she told me, she said I wanted to crawl in and hug those bones. Those are the lost and stolen brothers, sons, uncles, those are our people. And another woman I spoke to talked about how it gave her hope for the stories to carry beyond the region and for other people to hear them. And so that became a real core part of my work and really what call her freedom is born from. Miko Lee: Thank you for sharing and I know that you did a film series and I wonder if you could about Kashmir and about what's going on, and I think that's great because so many times we in American media don't really hear what's going on in these occupied lands. Can you talk a little bit about how the interconnectedness of your film series and the book and was that part of your research? Was it woven together? How did you utilize those two art forms?  Tara Dorabji: I think we're both accidental filmmakers. That might be another way that our cross, our paths cross. In terms of medium. So for me, I was actually working with Youth Speaks the Brave New Voices Network at that time and doing a lot of short form. So video content, three minutes, 10 minutes, six minutes. And it was playing really well and what I was seeing coming outta kir by local filmmakers was beautiful, gorgeous, highly repressed work generally, longer form, and not always immediately accessible to an audience that didn't have context, that hadn't been, didn't understand. And my thinking was this was a gap I could fill. I had experience, not as a filmmaker, but like overseeing film teams doing the work, right? And then here are some of the most silent stories of our time. So when I went back to do book research in 2018, I was like, Hey, why don't I make some short form films now? I didn't even know what I was getting into. And also I think. When you go in as a novelist, you're absorbing your hearing and it takes time. There's no clock. It was, it's been the hardest project to get from start to finish. And I couldn't be like, okay, Miko, like I've done it once. Now this is how you do it. And when people trust you with their story, there's an urgency. So throughout the whole project, I was always seeking form. So my first trip went straight to KPFA radio. Took the stories, project sensor, took the stories, and so I wanted to build on that. And so the documentary films provided a more some are, I'm still working on, but there was some immediacy that I could release, at least the first film and the second film, and also I could talk about how can this work dovetail with campaigns happening on the ground and how can my work accelerate what human rights defenders are doing? So the first film here still was released with the first comprehensive report on torture from the region. And so it gave that report a whole different dimension in terms of conversation and accessibility. It was a difficult film but necessary, and because I had to spend so much time with. It was a difficult film but necessary, and because I had to spend so much time with transcribing, watching the footage over and over again, it really did inform my research from the B-roll to sitting and hearing the content and also for what people were willing to share. I think people shared in a different way during video interviews than when I was there for novel research. So it worked really well. And what I am, I think most proud of is that the work was able to serve what people were doing in a really good way, even though it's really difficult work.  Miko Lee: It built on the communication strategies of those issues like the torture report and others that you're working on.  Tara Dorabji: Exactly. And in that way I wasn't just coming and taking stories, I was applying storytelling to the legal advocacy strategies that were underway. And, you make mistakes, so it's not like there weren't difficulties in the production and all of that. And then also being able to work with creatives on the ground and at times it just. You, it became increasingly difficult, like any type of money going out was too heavily scrutinized. But for a time you could work with creatives as part of the projects in the region and then that's also super exciting.    [00:11:18] Miko Lee: Yeah. Can you talk a little bit more, I heard you say something about how the, when people are telling your story for the novel versus telling the story for the video that the cadence changes. Can you share a little bit more about what you mean by that?    Tara Dorabji: Yeah, I think when I'm doing novel research, it's very expansive, so I'm dealing with these really big questions like, what is freedom? How do you live in it? How do you, how do you choose freedom when your rights are being eroded? And so that conversation, you could take me in so many different directions, but if I am focused on a very specific, okay, I'm doing a short documentary film around torture, we're gonna go into those narratives. Or if I'm coming with a film medium, like people just see it differently and they'll speak and tell their stories differently than with a novel. It's gonna be fictionalized. Some of it might get in there or not. And also with a novel, I don't ever, I don't take people and apply them to fiction. I have characters that like, I guess come to me and then they're threaded through with reality. So one character may hold anecdotes from like dozens of different people and are threaded through. And so in that way you're just taking like bits and pieces become part of it, but. You don't get to see yourself in the same way that you do with the film. So in some ways. It can be safer when the security environment is as extreme as is as it is right now. But there's also this real important part of documentary film where it's people are expressing themselves in their own words, and I'm just curating the container.  Miko Lee: Was there an issue like getting film out during the time that you were doing the documentary work? Because I've heard from other folks that were in Kashmir that were talking about smuggling film, trying to upload it and finding different, did you have to deal with any of that, or was that before the hardest crackdown? Tara Dorabji: I mean there were, there's been series, so 2019 was abrogation where there was a six month media blockade. And so just your ability to upload and download. And so that was after I had been there. The environment was there was challenges to the environment. I was there for a short time and you just come and you go. You just do what you're gonna do and you be discreet. Miko Lee: And what is going on in Kashmir now?  Tara Dorabji: The situation is really difficult. One of the lead leads of the report on torture and coordinator from the human rights group that put, that helped put out that report has been incarcerated for four years Koran Perve. Miko Lee: Based on what?  Tara Dorabji: His human rights work. So they've just been detaining him and the United Nations keeps calling for his release.  Miko Lee: And what do they give a reason even?  Tara Dorabji: They, it's yeah, they give all kinds of trumped up charges about the state and terrorism and this and that. And also. One of the journalists and storyteller and artists in the first film that I released, Iran Raj, he's been incarcerated for two years. He was taken shortly after he was married, the press, the media has been dismantled. So there was, prolific local press. Now it's very few and it's all Indian State sponsored narrative propaganda coming through. ] Miko Lee: How are concerned folks here in the US able to get any news about what's happening in Kashmere, what's really going down?  ara Dorabji: It's really hard. Stand with cashmere is a really good source. That's one. There's cashmere awareness. There's a few different outlets that cover what happens, but it's very difficult to be getting the information and there's a huge amount of repression. So I definitely think the more instagram orgs, like the organizations that go straight to the ground and then are having reels and short information and stories on Instagram is some of the most accurate information because the longer form journalism. It is just not happening right now. In that way people are being locked up and the press is being dismantled and people running, the papers are being charged. It's just horrendous. Entire archives are being pulled and destroyed. So hard. Really hard. So those, Stand With Kashmir is my go-to source, and then I see where else they're looking.  Miko Lee: So your book Call Her Freedom is a fictionalized version, but it's based around the real situation of what's been going on in Kashmir. Can you share a little bit more about your book, about what people should expect and about what you want them to walk away with understanding.  Tara Dorabji: It's a mother daughter story. It's a love story. It's about love and loss and families, how you find home when it's taken. And the mom is no Johan. She's a healer. She's a midwife. She has a complex relationship with her daughter and she haunts the book. So the story told from multiple points of view, we never get and ignore the mom's head, but. She comes back as she has a lot to say. And I think it's interesting too because in this village that's largely run by men, you have these two women living by themselves and really determining their own fate. And a lot of it has to do with both nors ability to look at ancient healing practices, but also a commitment that her daughter gets educated. And so she really like positions her daughter in between the worlds and all the while you have increasing militarization. And Aisha starts as a young girl just starting school. And then at the end of the story, she's a grandmother. We get to see her relationships evolve, her relationship with love evolve, and a lot of the imperfections in it. And one of the things in writing this is when you're dealing. Living in occupation, there's still the day-to-day challenges that so many of us endure. And you have these other layers that are horrific.  Miko Lee: Yeah. And I'm wondering how much of yourself as a mother you embedded into the book as a mother, as an activist, as a mother of daughters, how much of yourself do you feel like you put into the book?  Tara Dorabji: A ton. It's my heart and spirit in there. And there were some really, there's this scene where the mom does die, and I actually wrote that before my mom passed away. And I do remember like after my mom died, going through and editing that part. And it was just like. It was really, it was super intense and yeah, I mean it definitely made me cry and it was also like the emotion was already there, which was interesting for me to have written it before but then have it come back and a full circle, I think.  Miko Lee: So did you change it after you experienced your own mom dying?  Tara Dorabji: It was soft edits. In my second novel, there's a scene and it, that one completely changed 'cause I didn't hit the emotion. Emotional tenor, right? It's funny, but in this one it was pretty good. I was like, I did pretty good on that one. But yeah, so it was just like tinkering with it a little. I think also my daughters were about four when I started.  Miko Lee: Oh, wow.  Tara Dorabji: And it came out as, when they're 18. So the other part was I was able to use their age references constantly throughout it because. I could just map to what it's like being a mom of a kid that age. So I did ob yeah, definitely used my own. So it's an amalgam and also it's fictionalized. So in the book, it's not Kashmir, it's Poshkarbal there's right a village. And so trying to take people out of something that they can identify as reality, but then at the same time, you can see the threads of reality and create a new experience. Miko Lee: So since you brought that up, tell us about the next book that you're working on right now.  Tara Dorabji: Yes, it's still very much in a draft form, but takes place here in the Bay Area. Similar themes around militarization, family secret love, lineage loss, and part of it's in Livermore Home to one of the world's nuclear weapons lab. Mm-hmm. Part of it's in San Francisco, so exploring into the future tech, AI, and. There's an underpinning around humans' relationship to technology, and I think at this point. We know that technology isn't gonna solve the crisis of technology. And so also looking at our relationship to land and culture and lineage. So there's, it's about, now I'm looking at about a hundred year span in it.  Miko Lee: Wow. Really?  Tara Dorabji: Yeah. Contained with the geography of the Bay Area  Miko Lee: Toward the future. Toward the past? Tara Dorabji: both past and future Miko Lee: Whoa. Interesting.  Tara Dorabji: Yeah.  Miko Lee: I'm reading Empire of AI right now. I don't know if you're familiar with that, but, oh, the AI stuff is so deeply disturbing about humanity. You're really thinking about where we're going, so I'm curious to find out your fictionalized versions of the impact.  Tara Dorabji: It's a major change we're going through. Yeah, and you and I grew up in a time when we didn't have cell phones and we used maps, and Yeah. If I was gonna meet you, I had to be there and we'd have to make a plan in advance and yeah. It's just shifting so rapidly. So we went  Miko Lee: through that. Even how to read a, how to read a clock like my girls, I had to show them as adults how to read a clock. Wow, I didn't realize these things. Our world is so digitized that even the most basic, that concepts ha how are shifting and even fine motor skills. Like most young people do not have good, fine motor skills.  Tara Dorabji: Yeah.  Miko Lee: Because they're just used to being on their phone all the time.  Tara Dorabji: Yes, and the, and I would give it is during the rain over the holidays, there is just always a family out with a small child in their yellow rain boots. And the kid like reaching into the tree, grabbing, smelling it dad or mom holding them. And so there are these anchors.  Miko Lee: Yeah.  Tara Dorabji: And even though humanity is accelerating in this one way, that's very scary and digitize. It's like the anchor of the earth in our community and our relationships still is holding us. Some of, you know, there's still that pull. And so I think that how people form their communities in the future and the way that. The choices that are gonna be made are just gonna become increasingly difficult. We faced it in our generation, parenting around cell phones, social media. We're seeing that impact of the suicidality, all of those things coming up. And that's gonna accelerate. So I do think it's, definitely a major change in transition some dark times, but also some really beautiful possibilities still rooting in our communities and in the world.  Miko Lee: And because we both work in movement spaces, I'm really curious I heard you talk a lot about connection and land and I'm just curious in your book. I got this vibe and I know a lot of the work that we do in the community. I'm wondering if you could speak a little bit on the land back movement internationally. In so many of those spaces, women are at the forefront of that. I wonder if you could talk a little bit about that.  Tara Dorabji: That's one of the most exciting things happening right now is the land back movement. In my younger days when I was studying what determines a woman's quality of life internationally at a scale, it's, it was really came down to land ownership. So in societies where land ownership went to women, they were able, and it was like. Outpaced by far, education and those other things is like that access to the land and the resource in that way. And land back is an acceleration of that, and I think particularly when we're looking at a lot of questions around philanthropy, spun downs, how it's done. When you transition an asset back into the community as land and land stewardship, right? Because then there's like the ownership for the stewardship and yeah, the different ways that it's done. But that is a lasting impact for that community. And so often when you're investing in women. Then it goes not just in terms of their quality of life, but the children, right? And the whole community tends to benefit from that. And I think even looking at Kir in the, one of the things that always has fascinated me is Kashmir during, it was independence was a carve up by the British, so that's a post-colonial strategy to keep people fighting. That has been very successful in the subcontinent. Kashmir had  Miko Lee: all over the world.  Tara Dorabji: Exactly. And Kashmir had a semi-autonomous status. That's what was really stripped in 2019, was that article from the Constitution. And so in the very early days when their autonomy was stronger, they started some pretty revolutionary land reforms. And so there was actually clauses where the people that were working the land could have it. And people Kashmiris were transferring land. To two other cashmeres. And so it was this radical re resource redistribution and you have a really strong legacy of feminism and women protesting and leading in Kashmir and I think that part from my perspective is that was a threat. This fear of redistribution of resources, land distribution other areas started to follow suit and the nation state didn't want that to happen. They wanted a certain type of concentration of wealth. And so I think that was one of the factors that. There were many, but I do think that was one that contributed to it. So I do think this idea of land backed land reform is extraordinarily important, and particularly looking at our own relationship with it. How do we steward it? How do we stop stripping the land? Of its resources and start realigning our relationship to it where humans are supposed to be the caretakers. Not the ones taking from.  Miko Lee: Thank you for sharing. I was thinking so much about your book, but also about the movement that we live in and the more positive visions of the future. Because right now it's devastating all the things that are happening in our communities. So I'm trying to be a bit hopeful and honestly just to keep through it make sure that we get through each day. Given so many of our brothers and sisters are at risk right now I'm wondering what gives you hope these days?  Tara Dorabji: Yeah, a lot of things do, I think like when I do try to take the breaths for the grief and the devastation because that loss of life is deep and it's heavy and it's real and it's mounting. So one, not to shy away from feeling it. Obviously not, it's hard. You don't want to 24 7, but when it comes in to let it come in and move through. And for me it's also this idea of not. It's just like living in hope. How do you live each moment and hope? And so a big part of it for me is natural beauty, like just noticing the beauty around me and filling myself up in it because that can never be taken away. And I think also in some of the most violent acts that are being committed right now, the way people are meeting them with a pure heart.  Miko Lee: Yeah.  Tara Dorabji: It's like you can't stop, like that's unstoppable is like that beauty and that purity and that love. And so to try to live in love, to try to ground in hope and to try to really take in the beauty. And then also like how do we treat each other day to day, and really take the time to be kind to one another. To slow it down and connect. So there are, these are tremendously difficult times. I think that reality of instability, political violence, assassination, disappearances, paramilitary have come visibly. They've been in the country, but at a, in the US at a more quiet pace, and now it's so visible and visceral  Miko Lee: And blatant. Yeah. It's just out there. There's no, they're not hiding about it. They're just out there saying out there, roaming the streets of Minnesota right now and other states to come. It's pretty wild.  Tara Dorabji: Yeah. And I think that the practice is not to move in fear. The grief is there, the rage and outrage can be there. But the love and the beauty exists in our communities and and in the young people. Miko Lee: Yeah.  Tara Dorabji: And our elders too. There's so much wisdom in our, in the elders. So really soaking up those lessons as much as possible.  Miko Lee: Thank you so much for chatting with me and I hope everybody that checks out your book call Her Freedom, which has gotten some acclaim, won some awards, been out there, people can have access to it in Paper Book. We'll put a link in our show notes so people can have access to buy it from an independent bookstore.  Tara Dorabji: Thank you so much. Wonderful to catch up and thank you for all your work on Apex as well.  Miko Lee: Thank you. Next up, take a listen to “Live It Up” by Bay Area's Power Struggle.    MUSIC “Live It Up” by Bay Area's Power Struggle.  Next up I chat with Visual artist, cultural strategist and Dream Weaver, Cece Carpio about her solo exhibition that is up and running right now at SOMArts through March. Welcome, Cece Carpio to Apex Express.   [00:33:37] Cece Carpio: Thank you for having me here.   [00:33:39] Miko Lee: I am so excited to talk with you, and I wanna start with my very first question that I ask all of my guests, which is, who are your people and what legacy do you carry with you? [00:33:52] Cece Carpio: That's a packed question and something I love. just in terms of where I come from, I was born and raised in the Philippines, small little farming village town, and migrated as my first so ground in the United States here in San Francisco. So my peoples consists of many different beings in all track of. The world whom I met, who I've loved and fought with, and, relate with and connect with and vision the world with. So that includes my family, both blood and extended, and the people who are here claiming the streets and claiming. Claiming our nation and claiming our world to make sure that we live in the world, that we wanna envision, that we are visioning, that we are creating. I track along indigenous immigrant folks in diaspora. black, indigenous people of color, community, queer folks, and those are folks that resonate in, identify and relate, and live, and pray and play and create art with.  [00:35:11] Miko Lee: Thank you so much. And do you wanna talk, chat a little bit about the legacy that you carry with you? [00:35:16] Cece Carpio: I carry a legacy of. Lovers and fighters, who are moving and shaking things, who are creating things, who are the healers, the teachers, the artists and it's a lot of load to carry in some extent, but something I'm very proud of, and those are the folks I'm also rocking with right now. I think we're still continuing and we're still making that legacy. And those are the people that are constantly breathing on my neck to make sure that I'm doing and walking the path. And it's a responsibility I don't take lightly, but it's also a responsibility I take proudly. [00:35:58] Miko Lee: Thank you for sharing. We are talking today because you have an exhibit that's at SOMArts Space, your first solo exhibit, and it's running all the way through March 29th, and it's called Tabi Tabi Po: Come Out With the Spirits! You Are Welcome Here First, tell me about the title and what that evokes for you. [00:36:18] Cece Carpio: Yes, so Tabi Tabi Po is a saying from the Philippines that essentially. Acknowledge, like it's most often used when you walk in the forest. And I think collectively acknowledge that there are other beings and spirits there beyond ourselves. So it's asking for permission. It's almost kind of like, excuse me, we're walking your territory right now. And, acknowledging that they're there and acknowledging that we're here or present and that, we're about to. Coexist in that space for that moment. So can we please come through? I think this is also not just like my open idea and choosing this title is not that we're only just coming through, but we're actually coming out to hang out for a little while and see what's happening here and kick it. Opening up space and welcoming folks who wants to come out and play with us and who wants to come and share the space.  [00:37:15] Miko Lee: Ooh. I really love that. I feel that when I walk in the forest to this ancestors that are with us. That's beautiful. This is your first solo exhibit, so I'm wondering what that feels like. You have been a cultural bearer for a really long time, and also an arts administrator. So what does it feel like to have your first solo exhibit and see so much of all of your work all around?  [00:37:36] Cece Carpio: Well, I'm a public artist. Most of the stuff that I've been doing the last decade has been out in public, creating murals and installations and activations, in different public spaces, and went somewhere. Specifically Carolina, who is the curator at SOMA have asked me to do this. To be honest, I was a little bit hesitant because I'm like, oh, it's a big space. I don't know. 'cause I've done group exhibitions in different parts of the years, but most of the stuff I do are affordable housing to like public activations to support the movement. Then I kind of retracted back and it's like, maybe this is the next step that I wanna explore. And it was a beautiful and amazing decision to work alongside so Mars and Carolina to make this happen 'cause I don't think it would've happened the way we did it in any other space, and it was amazing. Stressful that moments because I was still doing other projects and as I tried to conceive of a 2000 square footage gallery and so my district in San Francisco. But it was also the perfect opportunity. 'cause my community, my folks are here and. We are saying that it's a solo exhibition, but it really did take the village to make it all happen, and, which was one of my favorite part because I've been tracking this stem for so long and he is like folks on my back and I wanted to tell both my stories and our stories together. It was very opening, very humbling. Very vulnerable and exciting. All at the same time, I was able to talk or explore other mediums within the show. I've never really put out my writing out into public and is a big part and component of the exhibition as well as creating installations in the space. Alongside, what I do, which is painting mostly. But to be honest, the painting part is probably just half of the show. So it was beautiful to play and explore those different parts of me that was also playing with the notion of private and public, like sharing some of my own stories is something as I'm still trying to find ease and comfort in. Because as a public artist, I'm mostly translating our collective stories out, to be a visual language for folks to see. So this time around I was challenged a little bit to be like, what is it that you wanna share? What is it that you wanna tell? And that part was both scary and exciting. And, and he was, it was wonderful. It was great. I thought he was received well. And also, it was actually very relieving to share parts and pieces of me out with my community who have known for a long time. There were still different parts of that there were just now still learning. [00:40:39] Miko Lee: What did you discover about yourself as you're kind of grappling with this public versus private presentation? [00:40:45] Cece Carpio: What I learned about myself through this process is I can actually pretty shy. I mean, I might be, you know, um, contrary to like popular belief, but it was definitely, I'm like, Ooh, I don't know. I don't know. My folks who had been standing close with me, just like, this is dope. And also just in the whole notion that, the more personal it is, the more universal it becomes and learning that, being able to share those part of me in a way of just for the pure sake of sharing, actually allows more people to resonate and relate, and connect, which at this moment in time is I thing very necessary for all of us to know who our peoples are when this tyranny, trying to go and divide us and trying to go and separate us and trying to go and erase us. So I think there's something really beautiful in being able to find those connections with folks and spaces and places that otherwise wouldn't have opened up if you weren't sharing parts and pieces of each other.   [00:42:00] Miko Lee: That's so interesting. The more personal, kind of vulnerable you make yourself, the more it resonates with folks around the world. I think that's such a powerful sentiment because the, even just having a gallery, any piece of artwork is like a piece of yourself. So opening up a huge space like Somar, it's, that's like, come on in people. Thank you for sharing with us. To your point about the shocking, horrible, challenging, awful times that we live in. As we talk right now, which is Saturday, January 31st, there protests going on all around the country. I'm wondering if you can talk a little bit about what it means to be a visual artist, a cultural bearer in a time of fascism and in a time of struggle. [00:42:43] Cece Carpio: Well, if you go and see the exhibition, that's actually very much intertwined. My practice has always been intertwined with, creating a vision in solidarity with our communities who are believing and fighting for another world that's possible. My practice of this work has been embedded and rooted with the movement and with organizations and people who have the same goals and dreams to, bring in presence and existence of just us regular, everyday people who are still fighting to just be here to exist. So just to your question of, but what it means to do this work at this time. I think it is the imagination. It is the creativity that allow us to imagine something different. It is the imagination, it is the dreams that allow us to create that. Other world that we wanna envision when, everything else around us is telling us another way that's not really the best for ourselves and for our peoples and for the future generations that's gonna be carrying this load for us. And with this. In so many ways, a lot of my. my creating process, my making process has always carried that, and even myself, immigrating to this place that was once foreign is figuring out where I can belong. My art practice has not only been a way in which I express myself, but it has been the way in which I navigate the world. That's how I relate to people. That's how I am able to be part of different groups and community. And it's also how I communicate. , And that's always been, and still is a very big portion of my own practice.   [00:44:37] Miko Lee: Can you share a little bit more about your arts practice, especially when we're living in times where, people are trying to get a paycheck and then go to the rally, and then maybe phone banking and organizing and there's so many outside pressures for us to just continue to move on and be in community and be in movement work. I'm wondering how do you do it? Do you carve out times? Is it in your dreams? Where and how do you put yourself in your arts practice. [00:45:04] Cece Carpio: I don't think there is a wrong or right way of doing this. I think being an artist, it is not only about being creative on what, a paint on the walls, it is about being creative on how you live your life. I don't know if there's a formula and it's also been something that, to be honest, it's a real conversation. I mean, most of us artists. We're asking each other that, you know, like You do it. How do you figure out, like how do you add hours in your day? How do you continue doing what it is that you love and still fall in love with it when we're under capitalism trying to survive, all these different things. Everyone has a different answer and everyone has different ways of doing it. I'm just kind of figuring it out as I go, you know? I'm an independent artist. It is the center of the work that I do, both as a livelihood and as a creative practice, as a spiritual practice, as a connective practice. This is what I do. For me it is just like finding my peoples who wants to come and trek along. Finding folks who wants to support and make it happen. Beyond painting on walls, I'm also an educator. I've taught and pretty much most of the different levels of, what this nation's education system is like and still do that in practice, in both workshops, , sometimes classrooms, community group workshops and folks who wants to learn stern, both technical and also like conceptual skills. I consider myself also a cultural strategist, within a lot of my public activation and how I can support the movement is not just, creating banners or like little cards, but actually how to strategize how we utilize art. To speak of those things unspoken. But to gather folks together in order to create gateways for, other everyday folks who might not be as involved with, doesn't have time or availability or access to be involved to make our revolution irresistible. Many different cultural strategist comes together and we produce public art activations to make it both irresistible, but also to provide access, to folks who otherwise probably would just walk by and have to go to their everyday grind to just make it on this work. As long as I see it aligned within kind of divisions that we have together to consistently rise up and get our stories known and become. Both a visual translator but also a visual communicator in spaces and places sometimes, you know, unexpected, like for example, within the protest when protest is over, like what are left behind within those spaces where we can create memories. And not just like a moment in time, but actually how do we mark. The space and places we share and that we learn from and that we do actions with. We can make a mark and let it be seen.   [00:48:05] Miko Lee: Thank you for that. I'm wondering, as you're talking about your profound work, and how you move through the world, I'm wondering who are some of the artists that inspire you right now?  [00:48:17] Cece Carpio: So many, so many folks. Artists at this moment have been becoming vital because of the intensity of our political climate that's happening. There's so many artists right now who are. doing a lot of amazing, amazing things. I definitely always have to give shout out to my mama, Esra, which is one Alicia, who's just consistently and prolifically still creating things. And she, I've been doing and collaborating with her for many, many years. What I think I really love and enjoy is that she's continuously doing it and like it gives us more hunger to like, all right, we gotta catch up. it's amazing and  [00:48:58] Miko Lee: beautiful. Amazing work.  [00:49:00] Cece Carpio: Yes, and I've been very fortunate and been very lucky to be part of an artist Has been such an inspiration , and a collaborator and in the many process of the different works that we do. So some of the crew members definitely shout out to my brother Miguel to, folks like Frankie and Sean Sacramento. Then we have span over in New York, like we've, we're now spreading like Voltron. ‘ve been very lucky to have some amazing people around me that love doing the same things who are my family. We're continuing to do that. So many more. It's really countless. I feel like I definitely have learned my craft and this trait by. Both being out there and making happen and then meeting folks along the way who actually are in the same path. And it's such a beautiful meeting and connection when that happens. Not only just in path of creating work, but, and path of we down to do something together. There's so many, there's so many. It's so nameless.  [00:50:05] Miko Lee: Thank you for sharing some of them, some of the artists that helped to feed you, and I'm sure you feed them. You just have finished up an artist in residence with the Ohlone people. I'm wondering if you could talk a little bit about what that experience was like being an artist in residence there. [00:50:21] Cece Carpio: It has been an amazing, and the relationship continues. Karina actually gave the spirit plate on the opening, which is such a big honor because I consider her, both a mentor and a comrade and, and  [00:50:34] Miko Lee: Karina Gold, the Chair of the Ohlone tribe.  [00:50:38] Cece Carpio: Yes. And who I have such admiration for, because if. Both integrity and also the knowledge that she carries and the work that she's doing and how she opens it up for different folks. How she walks is such a big part of how that collaboration started in the first place. As an indigenous immigrant that's been consistent. Like what does even mean to be indigenous in the land that's not yours, you know? Just the notion of what is our responsibility as stewards of this land to live on stolen land? I had this specific skill that I wanted to share, and they were more than willing, and open to dream together of what that could look like and was able to do. Many different projects and different sites , of land that's been returned to indigenous hands. It was such an honor to be part of that. Creating visual markers and visual acknowledgement in spaces that, you know, kind of telling the autobiographical stories of those spaces and how it was returned, what our divisions, and to work alongside the young people, the various different communities she believes and wanted to take part of the movement. I learned as much or if not more. I share my knowledge of like how to paint a mural or all the different skills. So it was very much a reciprocal relationship and it's still a continuous relationship that we're building. It's gonna be an ongoing fight, an ongoing resistance, but an ongoing victory. They've already have shared and won and have shown and shared with us the experiences of that. It's been very rejuvenating, regenerating, revitalizing, and in all those different ways, being able to bear witness to that, but taking small part in pieces, and certain projects to uplift and support that and also just to learn from the many different folks, and people from both Sego and the communities that they've able to like. Create and build through the time, I mean through the young time actually that they've been here, but definitely still growing.  [00:52:46] Miko Lee: Thank you. Your show is up until the end of March. What do you want folks to feel after they go see Tabi Tabi Po  [00:52:55] Cece Carpio: Mostly are gonna feel whatever they wanna feel. I'm kind of curious to know actually, what is it that people are feeling and thinking, but I think Enchantment, I wanna recapture that feeling of Enchantment in a time and moment where. It can be very frustrating. It can be very, depressing. Seeing the series of event in this nation and just uncaring, and like the pickable violence that's imposed to our peoples. I wanna be able to give folks a little bit of glimpse of like, why we are fighting and why we were doing this for and even see the magic in the fight. I think that's a big part of the story that's being told and that the, knowing that we're still writing a story as we go. Within this exhibition, there's a lot of spaces of me sharing parts of my story, but a big part of that is also spaces for folks to share theirs. That exchange of magic is something that we can use as ammunitions, we can use as tools to keep us going in times that is very, very trying.  [00:53:59] Miko Lee: The magical exchange to make the revolution irresistible.  [00:54:03] Cece Carpio: Let's do it. Let's go.  [00:54:05] Miko Lee: Sounds great. We're gonna put links to the show at SoMarts we'll put them on our Apex Express, um, page, and I'm wondering what's next for you? [00:54:14] Cece Carpio: We will also have programs that coincides alongside the various stories that we're telling with this exhibition to welcome for other community members, other artists, other cultural bearers, other fighters to come and join us, and be part of it and tell stories, heal time. Imagine a magical future to celebrate the victories and wins as big and small as they come. So that is gonna be happening. What's nice for me is, actually it's going simultaneously is I'm still painting. I'm going to be in support of painting a new space opening for a Palestinian owned bakery. They're opening up a new space back in their hometown right here in Oakland. And Reem is a close friend, but also a very frontline fighter. 'cause you know, genocide is still happening right now. I wanna be able to support that and also support her. Another public art installation is actually gonna be unveiling within next month over at soma. In the district of Soma Filipino with the Jean Friend Recreation Center. I'm actually trying to carve out more time to write. I'm still exploring, definitely like in the infants stages of exploring it, but falling in love with it. At some point in time within this show, . Wanna be able to actually get it published, in a written form where both the images can accompany some of the written work , and wanna see like its duration last beyond the exhibition show. There's always the streets to come and protest to happen and contributing to that work that we do to reclaim what is ours, the world that is ours.  [00:55:53] Miko Lee: Thank you so much. You're doing so many things so powerfully, so beautifully, so articulately and I guess the best way for folks to follow up is on your Instagram. [00:56:04] Cece Carpio: Yeah, I'm still actually operating in myself.  [00:56:06] Miko Lee: Okay. Okay. Well thank you so much for your work, everything that you do in the community, so powerful, and thanks so much for speaking with us today. Thank you. Thanks so much for listening to our show tonight. Please go check out Cece's exhibition Tabi Tabi Po at SoMarts and go to a local bookstore to get the paperback version of Tara's Call Her Freedom. Support artists who are paving the way towards a vision for a new future. They are working to make the revolution irresistible. Join us. [00:56:41] Closing Music: Please check out our website, kpfa.org/program/apex Express to find out more about our show and our guests tonight. We thank all of you listeners out there. Keep resisting, keep organizing, keep creating, and sharing your visions with the world because your voices are important. Apex Express is produced by Ayame Keane-Lee, Anuj Vaidya, Cheryl Truong, Isabel Li, Jalena Keane-Lee, Miko Lee, Miata Tan, Preeti Mangala Shekar and Swati Rayasam. Tonight's show was produced by me Miko Lee, and edited by Ayame Keane- Lee. Have a great night.     The post APEX Express – 2.5.26-Envisioning Hopeful Futures appeared first on KPFA.

Bedétlen ünnepi különkiadás, számozatlan, fríííííí: 00:30 A „Nőtlen tiszti” spontán formátum és az olvasónő. Hugo Johnson. Ál-marokkói AI-psychrock. 03:30 Kvíz 1, és a Zambia elleni diadal. Vitár Róbert emlékezete. 05:20: El Kaabi elkábította a rabati stadion közönségét. 10:00 Horgoló reality a Channel 4-n. 11:00 A Lumumba-imitátor. Kutyaherényi marokkói szappan. 14.00 Hogy énekelte föl a csordavokált három szólamban Winkler a második Moby Dick-lemezen? 15:00 Michael Monroe, Hanoi Rocks. Az igazi neve: Matti Antero Kristian Fagerholm, 18:00 Nigériából kéne hozni egy Orbánt. 20:00 Orbán országában már hiánycikk a Kinder Joy. A lakosság harácsol. Stranger Things. 23:00 Patria. (Másfél évvel ezelőtt már volt róla szó.) Nem hat rész valójában, hanem nyolc. Bede Márton cikke. 27:15 Espelette-i paprika, Capsicum annnum Baszkföldön 28:30 A Winkler-féle chiliszósz titka. 31:00 Miről érkezett a legtöbb olvasói levél 2025-ben? 32:15: A WD-40 törvény. 35:15 Kvíz: király csehül. (Csak az ország neve nem hangzik el. Egyébként – szpojler!!! – : Kambodzsa. 37:45 Amikor Bruno Cuccinelli a Sex Actionben basszgitározott… 42:00 A kanadai olimpikon droglord luxusmotorgyűjteménye, 45:00 VV Aurélió, az orbánista, rendpárti exdrogdealer, aki aranyköpéseiről lett híres, aztán összetűzésbe került a törvénnyel, édeasapja szerepét is élvezi. 47:50 A történelmi faszhelikoterezés. 50:00 Belső sávban ragadt tötymörgők az Egyesült Királyságban. 52:45 Tóth-Hódi Pamela és a gépi falvakolás. 63:00 Kézben tartott mobil. 65:00 Idegösszeroppanás sok kurvaanyáddal. 70:00 Vízkiöntésre alkalmatlan edények. 72:00 Szomjasak a madarak. 82:00 Ki indul Újlipótban? 85:00 Új kamupárt és sminkfilc. 86:00 Winkler újraéleszti az SZDSZ-t: Szédületes Dudák Szegeden. Egy kulcstartónk már van. 90:00 Milyen motorja van Seres Máriának? Kitelepítés. 94:00 Torxkulcs a kormányban. See omnystudio.com/listener for privacy information.

Prophetic Christmas Judgment? (audio) David Eells 12/24/25 Christmas 2025 Alison Pound - 12/21/25 (David's note in red) It's worth noting that I received the following word just 14 days out from Christmas Day. He previously said that we are right in the season for some specific events He has been warning about for some years now, to come to pass. This is the time of sorrows. Increasing magnitude and occurrence of earthquakes, of wars, deaths, mourning, floods, fires, hurricanes, tornadoes……. As I was preparing to post this, the Lord said read Psalm 68 [1] Let God arise, let his enemies be scattered: let them also that hate him flee before him. [2] As smoke is driven away, so drive them away: as wax melteth before the fire, so let the wicked perish at the presence of God. The Psalm also says “LET THE RIGHTEOUS BE GLAD”. We are to PRAISE HIM, BECAUSE HE IS A GOOD GOD. ALL HIS JUDGMENTS ARE RIGHTEOUS! The whole chapter can be read below. This is what the Lord said to me on December 11. “That Christmas I told you about, where it would not be celebrated as in other years, this is the one. This year of 2025, Christmas will not be at all like other Christmases. All around the earth, every household will be affected by what I Am doing in the earth. Remember that My judgments are now in the earth and are upon its people. I Am dealing with believers. My people. Those who claim to know Me. I Am about to test all believers in the hardest test they have ever had to endure. Many will not make it. They will be taken away and the next time they awaken they will be standing in front of Me, being asked to account for themselves. This is a very serious time. All of heaven has paused. They take this time very seriously. Most of those on earth are completely unaware of what goes on in heaven, and what I Am about to do on the earth. But this Christmas, they will be right in the midst of My judgments. You know of what I speak. (He has warned of imminent earthquakes, volcanic eruptions, floods in various places, and wars.) Many this year will have no home. Many homes, whole communities have (already) been destroyed by flooding. Lives have been lost. I speak of the fires also. (lives have been lost) And there will be more of both flood and fire.” Psa 68:1-35 For the Chief Musician; A Psalm of David, a Song. Let God arise, let his enemies be scattered; Let them also that hate him flee before him. (2) As smoke is driven away, so drive them away: As wax melteth before the fire, So let the wicked perish at the presence of God. (3) But let the righteous be glad; let them exult before God: Yea, let them rejoice with gladness. (4) Sing unto God, sing praises to his name: Cast up a highway for him that rideth through the deserts; His name is Jehovah; and exult ye before him. (5) A father of the fatherless, and a judge of the widows, Is God in his holy habitation. (6) God setteth the solitary in families: He bringeth out the prisoners into prosperity; But the rebellious dwell in a parched land. (7) O God, when thou wentest forth before thy people, When thou didst march through the wilderness; Selah. (8) The earth trembled, The heavens also dropped rain at the presence of God: Yon Sinai trembled at the presence of God, the God of Israel. (9) Thou, O God, didst send a plentiful rain, Thou didst confirm thine inheritance, when it was weary. (10) Thy congregation dwelt therein: Thou, O God, didst prepare of thy goodness for the poor. (11) The Lord giveth the word: The women that publish the tidings are a great host. (12) Kings of armies flee, they flee; And she that tarrieth at home divideth the spoil. (13) When ye lie among the sheepfolds, It is as the wings of a dove covered with silver, And her pinions with yellow gold. (14) When the Almighty scattered kings therein, It was as when it snoweth in Zalmon. (15) A mountain of God is the mountain of Bashan; A high mountain is the mountain of Bashan. (16) Why look ye askance, ye high mountains, At the mountain which God hath desired for his abode? Yea, Jehovah will dwell in it for ever. (17) The chariots of God are twenty thousand, even thousands upon thousands: The Lord is among them, as in Sinai, in the sanctuary. (18) Thou hast ascended on high, thou hast led away captives; Thou hast received gifts among men, Yea, among the rebellious also, that Jehovah God might dwell with them. (19) Blessed be the Lord, who daily beareth our burden, Even the God who is our salvation. Selah. (20) God is unto us a God of deliverances; And unto Jehovah the Lord belongeth escape from death. (21) But God will smite through the head of his enemies, The hairy scalp of such a one as goeth on still in his guiltiness. (22) The Lord said, I will bring again from Bashan, I will bring them again from the depths of the sea; (23) That thou mayest crush them, dipping thy foot in blood, That the tongue of thy dogs may have its portion from thine enemies. (24) They have seen thy goings, O God, Even the goings of my God, my King, into the sanctuary. (25) The singers went before, the minstrels followed after, In the midst of the damsels playing with timbrels. (26) Bless ye God in the congregations, Even the Lord, ye that are of the fountain of Israel. (27) There is little Benjamin their ruler, The princes of Judah and their council, The princes of Zebulun, the princes of Naphtali. (28) Thy God hath commanded thy strength: Strengthen, O God, that which thou hast wrought for us. (29) Because of thy temple at Jerusalem Kings shall bring presents unto thee. (30) Rebuke the wild beast of the reeds, The multitude of the bulls, with the calves of the peoples, Trampling under foot the pieces of silver: He hath scattered the peoples that delight in war. (31) Princes shall come out of Egypt; Ethiopia shall haste to stretch out her hands unto God. (32) Sing unto God, ye kingdoms of the earth; Oh sing praises unto the Lord; Selah. (33) To him that rideth upon the heaven of heavens, which are of old; Lo, he uttereth his voice, a mighty voice. (34) Ascribe ye strength unto God: His excellency is over Israel, And his strength is in the skies. (35) O God, thou art terrible out of thy holy places: The God of Israel, he giveth strength and power unto his people. Blessed be God.   Tragedy is Coming Just Praise Him – Glynda Lomax October 25, 2016 (David's note in red) A tragedy is coming that is so immense, so widespread in its effect that all the world will mourn with America. This tragedy will bring about a financial crisis like nothing before it. The shock will cause all to take an inventory of their lives. Many lost will run to Me then, to know more of Me, and you must be ready for this time. You must be ready to answer their inquiries about Me. You must be walking in My ways to model Me before them. I will begin soon to call more of my aging saints home to Me. I do not desire they to see this tragedy. These are the ones who have served Me long and well, and their rewards are great in heaven. The scope of this tragedy will be shocking. Many souls will be lost in what is going to happen. This is My last judgment call to the world to turn away from their sins, to turn to Me, to give Me their hearts. At the same time, many who know Me shall turn away, blaming Me for this tragedy, and laying down their faith. Satan will enter their hearts then and their end shall be far worse than their beginning. Hold tight to your faith, My precious children, do not let the enemy have your souls. Remain steadfast, for I have not forsaken you, and the end of all things is near. NOTE: I had been praying for days about why I keep feeling there will be no Christmas celebrations this year when I got this word. (It seems she had some reluctance. However many prophetic utterances don't come to pass the year they are spoken, but later so many can take warning. Many are just hearing this warning now when others are getting the same warning. Joseph taught that when a revelation is doubled it will come to pass.) I know it would take something huge to stop Christmas in America. Suddenly, I heard rumbling, and what came to my mind was an earthquake. I cannot say it is one, because He did not say that. I cannot say for sure that this (earthquake) will happen before Christmas, because the Lord did not say that. I was concerned about the term “judgment call” as it generally means a summary judgment based on known facts, but then I realized “call” could mean “calling” the lost to Himself. Hebrews 10:23 Let us hold fast the profession of our faith without wavering; (for he is faithful that promised;) 2 Peter 2:20-21 For if after they have escaped the pollutions of the world through the knowledge of the Lord and Saviour Jesus Christ, they are again entangled therein, and overcome, the latter end is worse with them than the beginning. 21For it had been better for them not to have known the way of righteousness, than, after they have known it, to turn from the holy commandment delivered unto them. 2 Thessalonians 2:2-3 That ye be not soon shaken in mind, or be troubled, neither by spirit, nor by word, nor by letter as from us, as that the day of Christ is at hand. 3 Let no man deceive you by any means: for that day shall not come, except there come a falling away first, and that man of sin be revealed, the son of perdition; (We have certainly seen this sign.) Matthew 28:19-20 Go ye therefore, and teach all nations, baptizing them in the name of the Father, and of the Son, and of the Holy Ghost: 20 Teaching them to observe all things whatsoever I have commanded you: and, lo, I am with you always, even unto the end of the world. Amen. What we see in these revelations below is the faction in Church and state are trying to take down the righteous, but God is directing their wrath to take them down instead, just as Pharaoh at the Red Sea, or Sennacherib at Jerusalem, or the 3 armies against Jehoshaphat at Jerusalem, etc. The glory of the Lord is going to be seen by the whole world at our Red Sea. The fear and respect of the Lord will be on many from among the nations. A common timing theme in these dreams is Christmas time, which symbolizes the time of the Man-child's birth. The day cannot be ruled out either. Individuals in these dreams represent corporate bodies of people around the world.   Coming Attack and Man-child Provision  Eve Brast - 11/27/18 (David's notes in Red) I had a dream where I was in my paternal grandparents' house in Highland Park in Dallas, Texas. I was in the living room and decided to go down to the basement (in real life there was no basement) to check on my three sons. As I went down the basement stairs, I saw my husband moving large containers of some sort from outside the house through the left brick wall of the basement, as if the wall was an illusion of some kind. (The breaching of a wall on the left symbolizes breaking with our sanctification, or separation from the world.) My sons were all younger in the dream: Noah was 9, Elijah was 6, and Josiah was 4. I called out to my husband over the commotion and asked if I could spend some time with the boys. He never stopped what he was so busily doing, only replied, “They are busy helping me. We don't have time for that.” (The left has always hindered the fellowship of the Bride with the children and this actually came to pass.) Then I heard and felt a shaking sound (I wrote this interpretation in 2018 before the recent revelations: This could represent the shaking coming at Christmas time, OR the time of the Man-child Body's birth, or both? - Even though the timing of Christmas and its traditions are false, it can represent the time of the Man-child's birth, whenever that comes. Why Christmas? We will see.) coming from behind me and I could see a large red CGI dragon in the spirit coming for me. (A realistic 3D animated dragon. The dragon in Revelation 12 is the beast of the first 3 1/2 years, who fails to devour the Man-child and then seeks to devour the Woman Church. From other dreams, we know that we are NOW in the time of the immature dragon, hence a cartoon dragon. I had a dream where this exact dragon was sneaking in a back window of our assembly to devour us. It came and failed.) I then hurried down the stairs and went around the stack of containers that he had brought into the basement, and turned around to see the dragon coming down the stairs. It had yellow eyes. (It looked just like the dragon Smaug from The Lord of the Rings movies.) It said, “I'm coming for you.” I hid behind the containers as it stomped past. Once it was past where I was, I noticed a Christmas tree over to the side of the basement. (Another Christmas time/Man-child birth revelation) So I hurried over and knelt down behind the tree and was praying and telling myself, “If I'm very still, he won't be able to see me.” Noah came over and began to ask me, “What are you doing, Mom?” I told him, “If I'm very still, he won't see me.” Noah laughed and said, “You mean him?”, pointing to the dragon. I said, “Yes.” He then started pushing on me and making me move. The dragon saw me and narrowed his eyes and said, “I see you!” He began to lumber over towards me as I woke up. (Children who are temporarily in the camp of the Left do not understand the true nature of the Dragon. The Woman escaped the Dragon in the dream here by waking up.) I asked Father for a couple of words by faith at random concerning this dream, and my finger was on “I have broken Moab” in Jeremiah 48:38 (Moab was the Children of Lot who factioned away as leftists from their brethren of Israel as a type of the Church) Jer 48:35-46 Moreover I will cause to cease in Moab, saith Jehovah, him that offereth in the high place, and him that burneth incense to his gods. 36 Therefore my heart soundeth for Moab like pipes, and my heart soundeth like pipes for the men of Kir-heres: therefore the abundance that he hath gotten is perished. 37 For every head is bald, and every beard clipped: upon all the hands are cuttings, and upon the loins sackcloth. 38 On all the housetops of Moab and in the streets thereof there is lamentation every where; for I have broken Moab like a vessel wherein none delighteth, saith Jehovah. 39 How is it broken down! how do they wail! how hath Moab turned the back with shame! so shall Moab become a derision and a terror to all that are round about him. 40 For thus saith Jehovah: Behold, he shall fly as an eagle and shall spread out his wings against Moab (the factious in Church and state). 41 Kerioth is taken, and the strongholds are seized, and the heart of the mighty men of Moab at that day shall be as the heart of a woman in her pangs. 42 And Moab shall be destroyed from being a people, because he hath magnified himself against Jehovah. 43 Fear, and the pit, and the snare, are upon thee, O inhabitant of Moab, saith Jehovah. 44 He that fleeth from the fear shall fall into the pit; and he that getteth up out of the pit shall be taken in the snare: for I will bring upon him, even upon Moab, the year of their visitation, saith Jehovah. 45 They that fled stand without strength under the shadow of Heshbon; for a fire is gone forth out of Heshbon, and a flame from the midst of Sihon, and hath devoured the corner of Moab, and the crown of the head of the tumultuous ones. 46 Woe unto thee, O Moab! the people of Chemosh is undone; for thy sons are taken away captive, and thy daughters into captivity. (Both of these texts involve a visitation of the Lord to punish the wicked and reward the righteous. The Lord is coming, manifested in the Man-child body ministry by Word and Spirit. Jesus was first born as a baby and later was anointed to Minister. These two stages happen to the Man-child body of our day also.) The second one I received by faith at random, my finger was on “he will carry them in his bosom” in Isa.40:11 (The right and righteous will escape)  In context Isa 40:1-11 Comfort ye, comfort ye my people, saith your God. 2 Speak ye comfortably to Jerusalem (the Bride); and cry unto her, that her warfare is accomplished, that her iniquity is pardoned, that she hath received of Jehovah's hand double for all her sins. 3 The voice of one that crieth, Prepare ye in the wilderness the way of Jehovah; make level in the desert a highway for our God. 4 Every valley shall be exalted, and every mountain and hill shall be made low (The humble will be exalted and the proud humbled); and the uneven shall be made level, and the rough places a plain: 5 and the glory of Jehovah shall be revealed, and all flesh shall see it together; for the mouth of Jehovah hath spoken it. 6 The voice of one saying, Cry. And one said, What shall I cry? All flesh is grass, and all the goodliness thereof is as the flower of the field. 7 The grass withereth, the flower fadeth, because the breath of Jehovah bloweth upon it; surely the people is grass. 8 The grass withereth, the flower fadeth; but the word of our God shall stand forever. 9 O thou that tellest good tidings to Zion (the Bride), get thee up on a high mountain; O thou that tellest good tidings to Jerusalem, lift up thy voice with strength; lift it up, be not afraid; say unto the cities of Judah, Behold, your God! 10 Behold, the Lord Jehovah will come as a mighty one, and his arm (Jesus in the Man-child) will rule for him: Behold, his reward is with him, and his recompense before him. (Judgment on the Factious Edomites just before He rewards the Righteous) 11 He will feed his flock like a shepherd, he will gather the lambs in his arm, and carry them in his bosom, and will gently lead those that have their young. Notice the same words “his reward is with him, and his recompense before him” when God saved the Bride from the factious Edomites. And here it is in Isa 62:11-63:3 Behold, Jehovah hath proclaimed unto the end of the earth, Say ye to the daughter of Zion, Behold, thy salvation cometh; behold, his reward is with him, and his recompense before him. 12 And they shall call them the holy people, The redeemed of Jehovah: and thou shalt be called Sought out, A city not forsaken. 63:1 Who is this that cometh from Edom, with dyed garments from Bozrah? this that is glorious in his apparel, marching in the greatness of his strength? I that speak in righteousness, mighty to save. 2 Wherefore art thou red in thine apparel, and thy garments like him that treadeth in the winevat? 3 I have trodden the winepress alone; and of the peoples there was no man with me: yea, I trod them in mine anger, and trampled them in my wrath; and their lifeblood is sprinkled upon my garments, and I have stained all my raiment. When the Lord separates the factious spirits from some of the factious people, they will return to righteousness, although they will have missed the Bride. Others will die in their sins.   A Remnant of the Faction Begins to Return Around the Birth of the Soloman Man-child Body Eve Brast - 08/08/18 (David's notes in Red) I dreamed this morning that our local UBM assembly was meeting on an upper floor of an apartment building (An apartment represents a body of houses built together into a holy temple in the Lord, as Ephesians says.). The living room was smaller than the Shaw's and there was a small room to the right of the long entry way that was a kitchenette (Where the spiritual food is prepared). We were all sitting in a large circle singing acapella praises to the Lord. David was sitting along the wall where the entryway led into the living room. Michael was on his left, and I was on his right. I (As a type of the last Adam's Bride, Eve) was wearing a beautiful dress with a floral pattern on it. (A symbol of Fruit and beauty being born as in Springtime, by the corporate Bride body.). But I was very weak and thin from fighting a long illness. (Representing the corporate Bride fighting off the faction infection. Faction is division through unforgiveness, criticism, slander, etc. We fought it off in the Church and we saw the same spirits in the government. At this time, Eve actually was fighting off this infirmity, which the medical Journal says comes from an abusive relationship that she has been through. When she had this dream, she wasn't suffering from this, and we wondered what this dream spoke of. This shows us the timing is near for these things. (I believe I represent a corporate body sick of faction. But once the factious leader below was born again and he and others came back into an inferior fold, I was recovering as a body of people. Part of the text was good concerning those Father knows and will bring them back to Him, and the other part is concerning those in the dream who were too fearful to enter the door again.) I couldn't stand or move around for long before I had to sit down and rest. David and Michael had to help me by each holding my arms for support when I needed to stand or walk. But I was slowly regaining my strength day by day. (At that time, there were factious people returning.) Suddenly, the factious leader came through the front door and was encouraging others who had factioned away to enter also. The others had followed him to the door but wouldn't enter. (This represents the outer court of God's house) A couple of men came right inside the door, but were fearful to come any further. (Content to be in the holy place but not the Holy of Holies.) The factious leader himself came all the way up to the threshold of the entryway where the living room began, but wasn't interested in joining our praise and worship. (Not going to return to the Bride in the Holy of Holies, but to a lesser degree, the holy place) He was concerned more about undoing some of the damage he'd caused by factioning some away from the truth. He was trying to get them to come through the door. (The door being Jesus). He kept gesturing to the two men with an inviting motion to come into the entryway further. But they only stood right inside the door. The factious leader was wearing a white Polo shirt and tan shorts. He had an old baby blanket (Infected by memories from childhood), the size of a large shawl, draped around his shoulders. It had a silk edge sewn all the way around it and pink and baby blue stripes. Since it was from the 1970s it was not as white as it used to be and it was faded because of many washings. (He had fallen away from his new birth many times and had many washings so it has faded.) His right hand clutched it at his neck, like he didn't want it to fall off of him. (He didn't want to forget and lose his salvation again) I was shocked to see him with that blanket around his shoulders. I said, “Hey, everyone, the factious leader is here!” And I wanted to go over to give him a hug. So David and Michael helped me over to him. But Brandy was angry and alarmed and said, “He's not for real. He's just here to spy on us all and cause us more damage! Don't touch him!” (We have had dreams and attempts of faction acting as though they are cured to sneak into the body and cause damage. So suspicion is natural.) David and Michael said, “We asked the Lord if it was okay for him to come and got two heads for ‘yes'. But Brandy became incredulous and offended about it. I didn't know what to believe, so I didn't hug him. I decided to go to the kitchenette and wash the dishes. So David and Michael helped me to the counter, and I was able to lean against it for support so I could wash them. After our plates were clean, (Symbolizing the end of faction) I came back out and sat down, R. S., who was sitting at the 12:00 position, was directing the acapella singing and said, “Let's all sing Silver Bells! We'll sing it 6 times.” David was at the 6:00 position. So David and Michael helped me back up and we all held hands and walked in a circular, clockwise direction. (Time going forward) We sang, “Silver bells, Silver Bells, it's Christmas time in the city...” (Symbolizing the time of the Man-child's birth) I became tired and had to go sit down, and I thought, “Christmas time??” Then there was a couch behind the kitchenette in a little room and David was sitting wearing a blue shirt (representing heavenly) and blue socks and he had a baby diaper on. (The birthing of the David Man-child. The anointing could come shortly after, since the Man-child grows up very quickly). Then I woke up. I asked for a general text that covers this dream, and my finger was on Psalm 50:11, “I know all the birds of the mountains” (1-23) 1 A Psalm of Asaph. The Mighty One, God, Jehovah, hath spoken, And called the earth from the rising of the sun unto the going down thereof. 2 Out of Zion, the perfection of beauty, God hath shined forth. 3 Our God cometh, and doth not keep silence (The visitation of the Lord in the Man-child): A fire devoureth before him, And it is very tempestuous round about him. 4 He calleth to the heavens above, And to the earth, that he may judge his people: 5 Gather my saints together unto me, Those that have made a covenant with me by sacrifice. 6 And the heavens shall declare his righteousness; For God is judge himself. [Selah] 7 Hear, O my people, and I will speak; O Israel, and I will testify unto thee: I am God, even thy God. 8 I will not reprove thee for thy sacrifices; And thy burnt-offerings are continually before me. 9 I will take no bullock out of thy house, Nor he-goats out of thy folds. 10 For every beast of the forest is mine, And the cattle upon a thousand hills. 11 I know all the birds of the mountains; And the wild beasts of the field are mine. 12 If I were hungry, I would not tell thee; For the world is mine, and the fulness thereof. 13 Will I eat the flesh of bulls, Or drink the blood of goats? 14 Offer unto God the sacrifice of thanksgiving; And pay thy vows unto the Most High; 15 And call upon me in the day of trouble: I will deliver thee, and thou shalt glorify me. 16 But unto the wicked God saith, What hast thou to do to declare my statutes, And that thou hast taken my covenant in thy mouth, (We have received this text for the faction) 17 Seeing thou hatest instruction, And castest my words behind thee? 18 When thou sawest a thief, thou consentedst with him, And hast been partaker with adulterers. 19 Thou givest thy mouth to evil, And thy tongue frameth deceit. 20 Thou sittest and speakest against thy brother; Thou slanderest thine own mother's son. 21 These things hast thou done, and I kept silence; Thou thoughtest that I was altogether such a one as thyself: But I will reprove thee, and set them in order before thine eyes. 22 Now consider this, ye that forget God, Lest I tear you in pieces, and there be none to deliver: 23 Whoso offereth the sacrifice of thanksgiving glorifieth me; And to him that ordereth his way aright will I show the salvation of God.   Remnant of Faction Returns  Anna Stewart - 12/07/18 (David's notes in Red) I dreamed we arrived at the Shaw's for a Wednesday Bible study and a factious leader had returned and was sitting in his old place against the front wall. Brandy was sitting next to him because Michael had left Brandy to share in the bible study because neither he nor David could make it yet. I had the sense that David knew the factious leader had returned, but I felt very uncomfortable that David and Michael were not there. He was thinner in the dream (less flesh) and wearing dark blue (heavenly, yet still in darkness?) and at one point showed his new guitar to someone. More and more people from our local body kept coming in, even those who normally cannot be there, until every person was there. The house changed at some point with two very large rooms to the back added on (Incoming brethren joining us from other places) and the main room where we were become an upper story (Symbolizing the people from the Upper room receiving the outpouring? Original foundation of people on higher level of leadership) with a sliding glass door opening onto a deck on each side of the house. David and Michael finally showed up and David had told the factious leader he couldn't be in there with us. (In Eve's dream, he also did not come into the assembly but was in an outer room. We believed this was a sign that he would come back, but not be in the Bride or be trusted yet because of falling away into faction.) The factious leader was outside on the deck, sometimes on his knees and forearms, sometimes sitting cross-legged. Everyone inside ignored his presence. Every once in a while, he would tap on the glass as if asking for some compassion from someone to let him in. Several times I saw him sitting out there with a pile of quarters on his knee and each time they were either all heads or all tails. I was wondering if he was asking the Lord questions. Things inside went on as normal, some people had brought food, others were eating a little bit and fellowshipping. David was in the back room working hard and I knew he was very busy and tired. At some point I felt led to look up my niece's name, Natasha, who has come to live here, and found in this dream that it meant something along the line of “to take authority and cast out spirits”. (This may be a sign of timing to begin to cast out the factious demons) In real life Natasha means born on Christmas day; resurrection. [In Eve's dream, this man came back with others when we were singing “Silver Bells, It's Christmas time in the city”. The Man-child is coming to the Bride, Jerusalem.] I felt it was from the Lord concerning this man [and likely a body of people he represents] and that I needed to tell David but I was afraid of getting out of place and doing something I shouldn't. I decided to find David and asked if he had a minute. He looked tired and said, “Not really. I have two seconds.” As quickly as I could, I told him what I felt the Lord told me, “to take authority and cast out spirits”. The scene changed and it was getting late and people began leaving for home until there were just a few of us left. Mostly the morning prayer meeting people remained: Eve, Matthew and me, and a few others. Everyone was sitting down, and things were pretty quiet. I realized that I wasn't doing what I should've been doing all along, and got down on my knees and began to intercede for the factious leader who was still outside. (Amen, it is a good time to pray restoration to a remnant of the faction) Then the dream ended.   The Last Holiday, Christmas  Sandy Shaw - 12/03/18 (David's notes in Red)  In this dream was like a scene from the movie, The Last Holiday (https://en.wikipedia.org/wiki/Last_Holiday_(2006_film). A man was sitting on the very edge of a building's top with a bottle of alcohol, contemplating whether he should jump. The building was old and tall, and like the architecture of the Swiss Alps. It was castle-like. Queen La Tifah walks out and says, “What are you doing here?” He says, “I think I'm going to jump!” She says, “It ain't worth it.” Then she sits down next to him. (The last Holiday is Christmas, symbolizing the time of the Man-child's birth. The Queen here represents the Bride and has a false sentence of death on her, which she later finds out is false. The drunk man committing suicide represents the left-wing, delusional, factious people who are committing spiritual suicide through spiritual drunkenness.)  LL Cool J (Jesus) says, “What are you doing?” She (The Bride) says, “I'm trying to get this guy to back into the hotel.” The guy on the ledge says, “I'm not going!” (Factioned away from the body of Christ built together into a Holy Temple as Ephesians says) LL Cool J says, “Well, you let that fool fall then. And you get back in there!” (I.E., separate yourself from them until they repent. Tit.3:10 A factious man after a first and second admonition refuse; 11 knowing that such a one is perverted, and sinneth, being self-condemned.) LL is reaching for Queen La Tifah. But she is a few inches short and he can't reach her, and I'm standing behind him. I say, “Just grab her.” (I.E., Man-child rescues the Bride from the spiritually drunken faction.)  Then, when I saw that he grabbed her, I got his legs and we fell through the window into the building. (The Bride is rescued from the suicidal faction by Jesus in the Man-child)  As I'm trying to get up, I'm no longer there...I'm in a car, in the back seat. The doors are locked, I can't get out, and I'm in a seatbelt that won't unsnap. A big spider was coming toward me and was going to bite me on the leg. But back in reality, I got shook up because I'm on dialysis. And the nurses are shaking me, one was shaking my leg in the area where the spider was going to bite me. (A warning the Pharmakeia is poison and deadly. Many now know this.) The spider was the size of a golf ball, though oblong, the size of one I saw in our garage. (The Bride is rescued in parallel to the first scene)  I received by faith at random (About the factious in Church and government.) Eze.11:7. (In context, 7-12) 7 Therefore thus saith the Lord Jehovah: Your slain whom ye have laid in the midst of it, they are the flesh, and this city is the caldron; but ye shall be brought forth out of the midst of it. 8 Ye have feared the sword; and I will bring the sword upon you, saith the Lord Jehovah. 9 And I will bring you forth out of the midst thereof, and deliver you into the hands of strangers, and will execute judgments among you. 10 Ye shall fall by the sword; I will judge you in the border of Israel; and ye shall know that I am Jehovah. 11 This city shall not be your caldron, neither shall ye be the flesh in the midst thereof; I will judge you in the border of Israel; 12 and ye shall know that I am Jehovah: for ye have not walked in my statutes, neither have ye executed mine ordinances, but have done after the ordinances of the nations that are round about you. (Judgment on the faction)    Christmas Eve - What is Coming   Winnie Osegueda - 6/8/22 (David's notes in red)  ... I prayed and asked the Lord to show me what was coming and when I fell asleep He gave me the following dream: I dreamt that I was in a very nice suburban area and it was the evening time of Christmas Eve. (Wow Christmas again!  Another confirmation that the baby boy Man-child is coming.) I could see all the houses decorated with colorful Christmas lights throughout this neighborhood on my left. My mother's house was also located on the left side of this suburban neighborhood. (Winnie's mom is being used to represent the apostate church on the left  that all of God's elect are born out of. Many apostates are in idolatry with the world and its traditions of men represented by the celebration of Christmas which is a pagan holiday. There is a connection between the modern day Christmas tree and the ancient symbol for the fertility goddess named Asherah  Jer. 10:1-5 Hear ye the word which Jehovah speaketh unto you, O house of Israel: 2 thus saith Jehovah, Learn not the way of the nations, and be not dismayed at the signs of heaven; for the nations are dismayed at them. 3 For the customs of the peoples are vanity; for one cutteth a tree out of the forest, the work of the hands of the workman with the axe. 4 They deck it with silver and with gold; they fasten it with nails and with hammers, that it move not. 5 They are like a palm-tree, of turned work, and speak not: they must needs be borne, because they cannot go. Be not afraid of them; for they cannot do evil, neither is it in them to do good.) There was a remake of an older movie being made except it wasn't actually a movie; it was really happening. Ecclesiastes 1:9-10 The thing that hath been, it is that which shall be; and that which is done is that which shall be done: and there is no new thing under the sun. 10 Is there any thing whereof it may be said, See, this is new? it hath been already of old time, which was before us.   I recognized and remembered this old movie that they were remaking and it was starring Kiefer Sutherland who is an actor who played a great villain in movies in the 80s and 90s, and he was a villain in the movie in this dream as well). (The meaning of the name “Keifer” is a German nick name for someone who was quarrelsome, from an agent of Middle High German kiben, kiven 'to quarrel'. All of the factious are quarrelsome.) They brought in a new "actor" for the remake of this movie who looked just like a younger, rounder-faced version of Kiefer Sutherland. His haircut was like the one Kiefer Sutherland had in the movie "The Lost Boys," a film in which he played a vampire. ("The life of the flesh is in the blood." The spiritual vampires of the apostate churches who are “lost” children who “bite and devour” and suck the life out of people with their contentious and slanderous ways.) Because I had already seen and knew this movie very well, I knew that this Kiefer Sutherland look-alike had a plan to enter into each suburban home in this neighborhood and kill every family. I could see him lurking in the shadows of his brick house spying on the neighborhood through his window on the top floor. (Their leaders are stalkers and “peeping Tom's”.) These families were not suspicious, as he made himself appear to be trustworthy and friendly…  (Rom 16:17-18  Now I beseech you, brethren, mark them that are causing the divisions and occasions of stumbling, contrary to the doctrine which ye learned: and turn away from them.  18  For they that are such serve not our Lord Christ, but their own belly; and by their smooth and fair speech they beguile the hearts of the innocent. Remember, they are actors.) I was now inside my mother's home... and this new "actor" was there as well. He handed my mother a box of Marlboro Red cigarettes and she accepted them. (She actually smoked these in real life when I was much younger.)  As soon as this actor walked off, I said "NO! NO! Why did you accept them?! Now you're marked!" and she said, "I like Marlboro Reds, so if he gives me Marlboro Reds, I'm going to take them.” (The cigarettes represent receiving bad and false spirits.) (Breath and spirit are the same word in scripture and taking in smoke represents taking in an unclean spirit. If you receive slander from a factious person, you will receive their same spirits.)  She seemed to be very bothered by my objections to her receiving these cigarettes, but I knew how this movie was going to play out, so I was desperately trying to warn her to no avail. (Many in apostasy aren't heeding our warnings currently. They will have to experience judgment before they turn back to righteousness, and still, many won't repent of their wickedness and they will be killed spiritually with an eternal death.) At this point, I knew that this actor was going to come back and kill her because she was marked, and that I had to go. (The mark of the beast) I couldn't stay with her there, or I would be killed as well, as much as it pained me to know what was going to happen. I didn't understand why no one else could see what was happening here. Since this movie was a remake of an old film, it should have been obvious what was going on, but it wasn't to them. (I know people who have seen this happen to others fall into the trap because of disobedience.  John 12:37-40  But though he had done so many signs before them, yet they believed not on him: 38 that the word of Isaiah the prophet might be fulfilled, which he spake, Lord, who hath believed our report? And to whom hath the arm of the Lord been revealed? 39 For this cause they could not believe, for that Isaiah said again, 40 He hath blinded their eyes, and he hardened their heart; Lest they should see with their eyes, and perceive with their heart, And should turn, And I should heal them.) I left this suburban area to find an escape and I entered into the city. I stopped by a clothing store that I used to go to when I was younger. (We should not shrink back represented by visiting the younger clothing store. Heb. 10:39 But we are not of them that shrink back unto perdition; but of them that have faith unto the saving of the soul.)  I recognized one of the women that worked there in the dream, but not in real life. She was an overweight black lady with a fake ponytail. (This represents people who are walking in darkness; who feed the flesh.) She met me outside with a hug and said "Merry Christmas!" I said Merry Christmas as well ... (I don't personally celebrate Christmas, but I believe the Lord is just using this as a parable.) (A parable of judgment on the apostates at the time of the Man-child's birth.)   I noticed that I had a large overweight, gray, striped cat with me and it walked into the store. The cat wanted to stay behind and I agreed that it was best, because I could not escape what was happening with this cat tagging along. (The fat cat represents an abundance of flesh, self will and rebellion. Grey symbolizes lukewarm people, not white or black. These type people will not escape the faction demons because they must be separated from the Bride and ultimately the body itself.) I thought about the verse Hebrews 12:1-2  Therefore let us also, seeing we are compassed about with so great a cloud of witnesses, lay aside every weight, and the sin which doth so easily beset us, and let us run with patience the race that is set before us, 2 looking unto Jesus the author and perfecter of our faith, who for the joy that was set before him endured the cross, despising shame, and hath sat down at the right hand of the throne of God.) (We must leave the weight of our rebellious sin nature behind, represented by the fat, grey cat, if we want to escape the judgment of faction that is coming.) The lady in the store agreed that the cat could remain there in the store, but again, I was sad because I knew what was coming and that they would not be safe if they did not escape. This "actor" would come and kill them too, including the cat. (Psa 37:38 As for transgressors, (or the “rebellious”) they shall be destroyed together; The end of the wicked shall be cut off. And   2Pe 2:12  But these, as creatures without reason, born mere animals to be taken and destroyed, railing in matters whereof they are ignorant, shall in their destroying surely be destroyed.) I left the store and continued up a flight of stairs to leave this area as well, and then I woke up. The dream felt so real that when I woke up I felt like this was still happening, and I was trying to figure out what movie this was that they were trying to remake. (The people who don't learn from His-story are doomed to repeat it.) I asked the Lord for a verse by faith at random and received: Joel 2:19 (15-20 in context)  Blow the trumpet in Zion, sanctify a fast, call a solemn assembly; 16 gather the people, sanctify the assembly, assemble the old men, gather the children, and those that suck the breasts; let the bridegroom go forth from his chamber, and the bride out of her closet. (Notice: At the time of the attempted attack on the Bride she and the Man-child will be revealed and delivered.)  17 Let the priests, the ministers of the Lord, weep between the porch and the altar, and let them say, Spare thy people, O Lord, and give not thy heritage to reproach, that the nations should rule over them: wherefore should they say among the peoples, Where is their God? 18 Then was the Lord jealous for his land, and had pity on his people. 19 And the Lord answered and said unto his people, Behold, I will send you grain, and new wine, and oil, and ye shall be satisfied therewith; and I will no more make you a reproach among the nations; 20 but I will remove far off from you the northern army, and will drive it into a land barren and desolate, its forepart into the eastern sea, and its hinder part into the western sea; and its stench shall come up, and its ill savor shall come up, because it hath done great things. (The northern army is like Pharoah's army at the Red Sea. It is the end of the persecutors and the beginning of the wilderness tribulation.)

Hello there and Happy Stitchmas!It's that time of year again when I take a look back at the past 12 months and choose some of the highlights of my podcasting year. 2025 has been a big year for me, I celebrated 10 years of blogging (Postcard from Gibraltar and then Making Stitches Blog) and 5 years of Making Stitches Podcast.In this episode I share some of the chats I have had this year and you may have heard before as well as some new chats too. Included in this episode are: Christine Perry from Winwick Mum speaking about 10 years of the Winwick Mum sock along.Eleonora Tully from Coastal Crochet talking about 10 years of her blog and our celebration of a decade online with our Let's Celebrate Wreath collaborative crochet pattern.Sara & Sean MacLeod from Crochet in the Glen chatting about the fun they have together and how they love to share their silliness online.Kirstie MacLeod, the artist behind The Red Dress, who I met at Woven in Kirklees on World Stitch Day.Becky Davies-Downes from William & Tilda who appeared a couple of times on the podcast last year. I interviewed her again at Yarndale this September, and this is the first time I've shared our chat.Also at Yarndale, I spoke to Julie Park, a close friend of Amanda Bloom, who sadly died this year. Julie has taken on Amanda's social media accounts after her death and has raised funds to support the Yarndale Start-Up Bursary for fledgling creative businesses at the festival in memory of Amanda and her daughter Jenny.More recently, I was at the Christmas edition of the Crochet Sanctuary Crochet Days just last weekend. While I was there I spoke to Lisa and Lynda-Rose who run the Crochet Sanctuary and, who were my guests on the first ever edition of Making Stitches back in the spring of 2020.I also caught a quick few minutes with Heather from Keep Calm & Crochet On and Jess from Hook & Cwtch.I hope you enjoy listening, and that you have a great Christmas. I'll be back again soon, with the last episode of the current series - and my 100th episode! Thank you for listening to Making Stitches Podcast!For full show notes, please visit https://makingstitchespodcast.com/To join the mailing list for the Making Stitches Newsletter, please click onto this linkThe theme music is Make You Smile by RGMusic from Melody Loops.The Making Stitches logo was designed by Neil Warburton at iamunknown.You can support Making Stitches Podcast with running costs through Ko-fi.Making Stitches  Podcast is supported by the Making Stitches Shop which offers Making Stitches Podcast merchandise for sale as well as Up the Garden Path crochet patterns created by me & illustrated by Emma Jackson.Making Stitches Podcast is presented, recorded and edited by Lindsay Weston.

Az ünnepek idején a meghittség, az együttlét és a hagyományok kerülnek előtérbe – de mit jelentenek ezek a fogalmak a 21. század embere számára? Miért vált a karácsony sokak számára inkább a megfelelési kényszerek, belső feszültségek és túlzott elvárások időszakává? És vajon hogyan tudnánk visszatalálni az ünnep eredeti, mélyebb jelentéséhez?A nyilvános előadás más világvallások Jézus-képével, valamint Nyugaton a karácsonyhoz való hozzáállásukkal foglalkozik, külön kitérve a fogyasztói társadalom adventi szokásaira is. Emellett középpontba állítja a karácsonyi népi hagyományokat, és azok pszichológiai, társadalmi hatásait. Az előadók közösen keresik a választ arra, hogyan élhetjük meg az ünnepet hitelesen, lélektanilag is felszabadultan, a modern világ kihívásai között.Az esemény nyitott minden érdeklődő számára – szeretettel várunk mindenkit, akit foglalkoztat, hogyan találhat vissza az ünnep a szívhez, az ember pedig önmagához.Előadó(k):- Dr. Nagypál Szabolcs, az MCC Jog és Társadalom Műhelyének vezetője, jogász, teológus- Fenyves Krisztián, az MCC Jog és Társadalom Műhelyének kutatója, teológus- Horvát Ákos, plébániai kormányzó a gombosi Szent László Király plébánián és a doroszlói Szent Imre plébánián, valamint a doroszlói Mária, Keresztények Segítsége Egyházmegyei Kegyhely igazgatójaAz MCC Podcast adásaiban érdekes emberekkel izgalmas témákról beszélgetünk. Feldolgozzuk a közélet, a gazdaság, a társadalom fontosabb aktuális történéseit, de olyan kérdéseket is napirendre veszünk, mint például a művészet, a család vagy a vallás. Vendégeink között oktatóink, kutatóink, vendégelőadóink kapnak helyet. Mindenkinek kellemes időtöltést és szellemi feltöltődést kívánunk.

In this powerful client interview, Kir opens up about what it's like to feel overwhelmed by life—and still move forward. With guidance from a mentor, Kir learned to slow down, reflect, and recognize real progress, even when it didn't feel obvious day to day. We dig into practical mindset shifts for self-awareness, reflection, and celebrating small wins, plus how support and accountability can fast-track personal growth. You'll hear how Kir reframed "I'm not doing enough" into evidence-based progress, why acknowledging small victories fuels motivation, and simple strategies to spot momentum when life is loud. If you've been grinding without seeing results, this episode will help you zoom out, own your growth, and keep going. APPLY FOR COACHING: https://www.lvltncoaching.com/1-1-coaching SDE Method app: https://www.lvltncoaching.com/sde-method-app The Fitness League Waiting List https://u3rwk.share.hsforms.com/2rkAwsFntTAeZ__PxwXdr4Q Macros Guide https://www.lvltncoaching.com/free-resources/calculate-your-macros Join the Facebook Community: https://www.facebook.com/groups/lvltncoaching FREE TOOLS to start your health and fitness journey: https://www.lvltncoaching.com/resources/freebies Alessandra's Instagram: http://instagram.com/alessandrascutnik Joelle's Instagram: https://www.instagram.com/joellesamantha?igsh=ZnVhZjFjczN0OTdn Josh's Instagram: http://instagram.com/joshscutnik Chapters: 00:00 Introduction to the Fitness Journey 01:59 Discovering Deeper Growth Beyond Fat Loss 05:54 The Shift from Perfectionism to Flexibility 10:05 Navigating Life's Challenges with Grace 13:55 Honesty in Relationships with Food and Alcohol 17:57 The Power of Tracking and Awareness 23:16 The Journey of Macro Tracking 29:05 Finding Balance: Grit and Grace 30:47 Building a Support System 38:10 Transformative Mindset Shifts 39:31 Beyond the Scale: True Progress

Tegnap éjjel kigyulladt a Mol egyik alapanyag-feldolgozó üzeme Százhalombattán. Vendégünk Pletser Tamás, az Erste Befektetési Zrt. olaj- és gázipari elemzője arra válaszolt, hogy − noha a tüzet időközben eloltották −, mégis, mekkora a baj és milyen hatásokkal kell számolni akár ellátásbiztonság, akár árak tekintetében. A műsor második részében arról lesz szó, hogy az Eurostat legfrissebb adatai szerint euróban számolva tovább nőttek a magyar háztartások likvid megtakarításai, amelyek eloszlása az EU-ban kirívóan egyenlőtlen. A témáról Süle-Szigeti Bulcsúval, a Portfolio elemzőjével beszélgettünk. Hasonló kérdésekkel is foglalkozunk következő befektetési konferenciánkon: november 18-án jön a Portfolio Investment Day, ahol a piac legjobb szakértői segítenek eligazodni a befektetések világában. Jelentkezés itt. Főbb részek: Intro − (00:00) Mol-incidens: veszélyben az üzemanyag-ellátás? − (01:31) Kirívó vagyonkoncentráció Magyarországon − (08:08) Kép forrása: MTI Fotó/Hegedüs RóbertSee omnystudio.com/listener for privacy information.

CONTENT WARNING: topics of death, mental health, and suicide are discussed, which may be upsetting to some listeners. The most concentrated discussion of these subjects is from 34:00-37:57min.♥️ If you or someone you love is struggling, call or text 988 to talk to someone today.Special Guest: Kir Grace joins Christine and Renee to discuss what it's like being a spiritual business entrepreneur, how we learn more about ourselves as any type of business owner, and why Kundalini can be the cheat code to creating the life we want. Our hosts always encourage the listener to follow their passions; in this episode we dive deeper into why that's so important. Listen to the end because Kir treats us to a mini-Kundalini meditation you'll want to come back to