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What happens when you combine a chatterbox cook with an Improv pro? This week, we're talking about finding the funny with Laura Stark of the improv troupe That's What She Said! The conversations bobs and weaves through pronouns, yoga, bread baking, and why improv for the empty nest ladies is a great (and fun!) idea!You can find tickets to the That's What She Said May 31, 2024 improv performance in Frederick, MD here.Find Christine at:FB: @emptynestkitchenIG: @TheEmptyNestKitchenWeb: EmptyNestKitchen.com
Laura Stark is an associate professor at the Center for Medicine, Health, and Society at Vanderbilt University. Stephen Morrissey, the interviewer, is the Executive Managing Editor of the Journal. L. Stark. Medicine's Lessons for AI Regulation. N Engl J Med 2023;389:2213-2215.
Laura Stark is a historical sociologist and Associate Professor at Vanderbilt University. Her second book project, The Normals: A People's History, explores how a global market for healthy civilian “human subjects” emerged in law, science, and everyday imagination over the past century. The Normals shows how logics of racialized citizenship were built into American clinical science in the post-World War II period—and how scientists and their human subjects worked for change. The George Sarton Memorial Lecture in the History and Philosophy of Science, named after a founding member of the History of Science Society (HSS), was first awarded in 1960. The lecture is given annually at the AAAS Annual Meeting by a distinguished practitioner in the history of science. Recorded March 4, 2023 at the annual meeting of the American Association for the Advancement of Science. For more information on this topic, please see https://www.chstm.org/video/170
Laura Stark is your go-to guru when you are looking to improve your form and speed. We talk about her program and what she provides as a service to your player. Website https://starkstrongperformance.com/explore-our-programs/ Sneak peek https://starkstrongperformance.com/sneak-peek-example-week-program/# Instagram https://instagram.com/stark.strong.performance?igshid=Y2IzZGU1MTFhOQ== Facebook https://www.facebook.com/starkstrongperformance?mibextid=LQQJ4d #starkstrong #sportsperformance #speedcoach #soccertrainer #strongerfaster --- Send in a voice message: https://podcasters.spotify.com/pod/show/chatbythepitch/message
Laura Stark is an athlete, a survivor, an advocate, and a board member of Women's World on Wheels. Laura is a true inspiration to women everywhere and she joins The 1 Girl Revolution Podcast to share her incredible story of resilience, how she got involved in Women's World on Wheels, and how their work is transforming the lives of women in wheelchairs. In the summer of 2016, Laura was a part of a cross-country bike mission trip called “Bike & Build.” Bike & Build engages young adults in service-oriented cycling trips to raise awareness for the affordable housing cause. During her summer ride, Laura and another rider, Anne, were hit by a distracted driver. Anne died in the accident and Laura fought for her life. Laura's life was forever changed that day as she suffered a spinal cord injury that would leave her paralyzed and in a wheelchair. But instead of letting her injury define her, she is using her life and experience as an opportunity to build community with others and to advocate for women in wheelchairs. With only 20% of the wheelchair community being women, there is a clear need for more resources, community, and support for women in similar situations. Through her advocacy work, Laura has become a voice for change and she continues to raise awareness about the unique challenges faced by women in wheelchairs through Women's World on Wheels. Women's World on Wheels provides programming, resources, and events as a catalyst for female wheelchair users' physical, professional, and personal success. Laura is truly an inspiration to women everywhere. You don't want to miss this incredible episode! In this episode, you'll hear: Laura's inspiring life story; About the summer that changed Laura's life - for so many reasons - and how she got involved in Bike & Build; The story of how Laura was hit by a distracted driver and was left with a spinal cord injury and in a wheelchair; How Laura's life changed after the accident, how she found courage and resilience, and how she found community and support; The struggles that face those in wheelchairs, specifically women; How Laura got involved in Women's World on Wheels and about their incredible world-changing work; And so much more. The 1 Girl Revolution Podcast is available on Apple Podcasts, Spotify, Stitcher, iHeartRadio, YouTube, and everywhere you listen to podcasts. For more information about Laura and Women's World on Wheels, please visit: www.1GirlRevolution.com/laurastark
It's time for another visit with Midday's theater critic, J. Wynn Rousuck, who joins us each week with her reviews of Maryland's regional stage. Today, Judy tells us about Maryland Ensemble Theatre's new production of The Lifespan of a Fact. The 2018 stageplay, written by Jeremy Kareken, David Murrell and Gordon Farrell, is an adaptation of a book by John D'Agata and Jim Fingal that explores the complexity of sorting truth from fiction in writing and in public narratives. Gené Fouché directs the three-person cast, featuring Sean Byrne, Jack Evans and Laura Stark. The play contains adult themes and is recommended for mature audiences. The Lifetime of a Fact continues at MET in Frederick, Maryland, through October 30. Click the links above for showtimes and ticketing information.See omnystudio.com/listener for privacy information.
Coach Laura talks to us about her company, Stark Strong Performance. She tells us about her career as an athlete and what ultimately lead her to focus on sports performance. On the goalkeeping side of things, we go over what we can control and how to measure our improvement. Featured Coach: Laura Stark Stark Strong Performance (@stark.strong.performance) • Instagram photos and videos Visit our Website: www.unitedgkalliance.com/ Don't miss our content, follow our social media and YouTube channel: www.instagram.com/unitedgkalliance/ twitter.com/ugkalliance www.youtube.com/channel/UCsDmFbMVW-Ycp12PajgamCA
The important new book by Alicia Puglionesi, In Whose Ruins: Power, Possession and the Landscapes of American Empire (Scribner, 2022), is a fat sampler of episodes that show how origin stories get made, what happens when white-supremacist origin stories are mistaken for empirical fact, and how the political impacts persist. The book is decidedly anti-capitalist; resoundingly anti-colonial. It is an invitation not to jettison story-work, but to imagine, collectively, origin stories of the present that might bring into being a more just future. In Whose Ruins could easily be categorized as Environmental History or Native Studies. But Puglionesi forges a book that is more than either field could accomplish alone. The “power” of the book's subtitle has a double meeting: political power and the energy sources of a capitalist economy (oil, hydropower, and nuclear energy). The book is organized into four sections, or “sites,” that visit four evocative land features: a hulking, conical earth mound in present-day West Virginia adjacent to a decommissioned state prison; wells dug into the ground in smalltown Pennsylvania; rocks that tell stories (they're etched with petroglyphs) along the Susquehanna River with kin fragmented elsewhere; the Sonoran Desert rich with pottery, uranium, and physicists, both white and Native. In each of these sites, people with different political projects—some announced, some implicit—have generated multiple accounts of the landscapes and ideas of value. Within a context of shifting political power, white-settler stories about each site displaced empirical knowledge of Native labor, skill, presence, and endurance with harmful fables of white origins and of Native communities' need for white “rescue.” Into the present day, the effect has been to justify white theft of Native land and deadly violence against tribal communities for the purposes of resource extraction. In the end, even the false white origin stories became a resource to commodify. Puglionesi is a writer of poetry, fiction, academic scholarship, and, now, In Whose Ruins, a mass-market trade publication. She holds a PhD in History of Medicine and is a lecturer in Medicine, Science and Humanities at The Johns Hopkins University. On the page, Puglionesi has a friendly, funny, quiet presence—an affable Where's Waldo that centers the relationships of historical actors (including spirits) and the work of scholars such as Kim TallBear, Zoe Todd, and Eve Tuck. This conversation explores ways of living in good relation via writing; the status of truth; the relevance of singer-songwriter Prince for labor studies; and many other themes. It discusses the important book by Chadwick Allen, Earthworks Rising (Minnesota, 2022). In an unrecorded snippet, we also swap names of our favorite local indie bookstores. So check out Red Emma's the next time you're in Baltimore, MD (or on Bookshop.org) and Symposium, Riff Raff, and Paper Nautilus when your compass points to Providence, RI. Laura Stark is Associate Professor at Vanderbilt University's Center for Medicine, Health, and Society. Learn more about your ad choices. Visit megaphone.fm/adchoices
The important new book by Alicia Puglionesi, In Whose Ruins: Power, Possession and the Landscapes of American Empire (Scribner, 2022), is a fat sampler of episodes that show how origin stories get made, what happens when white-supremacist origin stories are mistaken for empirical fact, and how the political impacts persist. The book is decidedly anti-capitalist; resoundingly anti-colonial. It is an invitation not to jettison story-work, but to imagine, collectively, origin stories of the present that might bring into being a more just future. In Whose Ruins could easily be categorized as Environmental History or Native Studies. But Puglionesi forges a book that is more than either field could accomplish alone. The “power” of the book's subtitle has a double meeting: political power and the energy sources of a capitalist economy (oil, hydropower, and nuclear energy). The book is organized into four sections, or “sites,” that visit four evocative land features: a hulking, conical earth mound in present-day West Virginia adjacent to a decommissioned state prison; wells dug into the ground in smalltown Pennsylvania; rocks that tell stories (they're etched with petroglyphs) along the Susquehanna River with kin fragmented elsewhere; the Sonoran Desert rich with pottery, uranium, and physicists, both white and Native. In each of these sites, people with different political projects—some announced, some implicit—have generated multiple accounts of the landscapes and ideas of value. Within a context of shifting political power, white-settler stories about each site displaced empirical knowledge of Native labor, skill, presence, and endurance with harmful fables of white origins and of Native communities' need for white “rescue.” Into the present day, the effect has been to justify white theft of Native land and deadly violence against tribal communities for the purposes of resource extraction. In the end, even the false white origin stories became a resource to commodify. Puglionesi is a writer of poetry, fiction, academic scholarship, and, now, In Whose Ruins, a mass-market trade publication. She holds a PhD in History of Medicine and is a lecturer in Medicine, Science and Humanities at The Johns Hopkins University. On the page, Puglionesi has a friendly, funny, quiet presence—an affable Where's Waldo that centers the relationships of historical actors (including spirits) and the work of scholars such as Kim TallBear, Zoe Todd, and Eve Tuck. This conversation explores ways of living in good relation via writing; the status of truth; the relevance of singer-songwriter Prince for labor studies; and many other themes. It discusses the important book by Chadwick Allen, Earthworks Rising (Minnesota, 2022). In an unrecorded snippet, we also swap names of our favorite local indie bookstores. So check out Red Emma's the next time you're in Baltimore, MD (or on Bookshop.org) and Symposium, Riff Raff, and Paper Nautilus when your compass points to Providence, RI. Laura Stark is Associate Professor at Vanderbilt University's Center for Medicine, Health, and Society. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/politics-and-polemics
The important new book by Alicia Puglionesi, In Whose Ruins: Power, Possession and the Landscapes of American Empire (Scribner, 2022), is a fat sampler of episodes that show how origin stories get made, what happens when white-supremacist origin stories are mistaken for empirical fact, and how the political impacts persist. The book is decidedly anti-capitalist; resoundingly anti-colonial. It is an invitation not to jettison story-work, but to imagine, collectively, origin stories of the present that might bring into being a more just future. In Whose Ruins could easily be categorized as Environmental History or Native Studies. But Puglionesi forges a book that is more than either field could accomplish alone. The “power” of the book's subtitle has a double meeting: political power and the energy sources of a capitalist economy (oil, hydropower, and nuclear energy). The book is organized into four sections, or “sites,” that visit four evocative land features: a hulking, conical earth mound in present-day West Virginia adjacent to a decommissioned state prison; wells dug into the ground in smalltown Pennsylvania; rocks that tell stories (they're etched with petroglyphs) along the Susquehanna River with kin fragmented elsewhere; the Sonoran Desert rich with pottery, uranium, and physicists, both white and Native. In each of these sites, people with different political projects—some announced, some implicit—have generated multiple accounts of the landscapes and ideas of value. Within a context of shifting political power, white-settler stories about each site displaced empirical knowledge of Native labor, skill, presence, and endurance with harmful fables of white origins and of Native communities' need for white “rescue.” Into the present day, the effect has been to justify white theft of Native land and deadly violence against tribal communities for the purposes of resource extraction. In the end, even the false white origin stories became a resource to commodify. Puglionesi is a writer of poetry, fiction, academic scholarship, and, now, In Whose Ruins, a mass-market trade publication. She holds a PhD in History of Medicine and is a lecturer in Medicine, Science and Humanities at The Johns Hopkins University. On the page, Puglionesi has a friendly, funny, quiet presence—an affable Where's Waldo that centers the relationships of historical actors (including spirits) and the work of scholars such as Kim TallBear, Zoe Todd, and Eve Tuck. This conversation explores ways of living in good relation via writing; the status of truth; the relevance of singer-songwriter Prince for labor studies; and many other themes. It discusses the important book by Chadwick Allen, Earthworks Rising (Minnesota, 2022). In an unrecorded snippet, we also swap names of our favorite local indie bookstores. So check out Red Emma's the next time you're in Baltimore, MD (or on Bookshop.org) and Symposium, Riff Raff, and Paper Nautilus when your compass points to Providence, RI. Laura Stark is Associate Professor at Vanderbilt University's Center for Medicine, Health, and Society. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
The important new book by Alicia Puglionesi, In Whose Ruins: Power, Possession and the Landscapes of American Empire (Scribner, 2022), is a fat sampler of episodes that show how origin stories get made, what happens when white-supremacist origin stories are mistaken for empirical fact, and how the political impacts persist. The book is decidedly anti-capitalist; resoundingly anti-colonial. It is an invitation not to jettison story-work, but to imagine, collectively, origin stories of the present that might bring into being a more just future. In Whose Ruins could easily be categorized as Environmental History or Native Studies. But Puglionesi forges a book that is more than either field could accomplish alone. The “power” of the book's subtitle has a double meeting: political power and the energy sources of a capitalist economy (oil, hydropower, and nuclear energy). The book is organized into four sections, or “sites,” that visit four evocative land features: a hulking, conical earth mound in present-day West Virginia adjacent to a decommissioned state prison; wells dug into the ground in smalltown Pennsylvania; rocks that tell stories (they're etched with petroglyphs) along the Susquehanna River with kin fragmented elsewhere; the Sonoran Desert rich with pottery, uranium, and physicists, both white and Native. In each of these sites, people with different political projects—some announced, some implicit—have generated multiple accounts of the landscapes and ideas of value. Within a context of shifting political power, white-settler stories about each site displaced empirical knowledge of Native labor, skill, presence, and endurance with harmful fables of white origins and of Native communities' need for white “rescue.” Into the present day, the effect has been to justify white theft of Native land and deadly violence against tribal communities for the purposes of resource extraction. In the end, even the false white origin stories became a resource to commodify. Puglionesi is a writer of poetry, fiction, academic scholarship, and, now, In Whose Ruins, a mass-market trade publication. She holds a PhD in History of Medicine and is a lecturer in Medicine, Science and Humanities at The Johns Hopkins University. On the page, Puglionesi has a friendly, funny, quiet presence—an affable Where's Waldo that centers the relationships of historical actors (including spirits) and the work of scholars such as Kim TallBear, Zoe Todd, and Eve Tuck. This conversation explores ways of living in good relation via writing; the status of truth; the relevance of singer-songwriter Prince for labor studies; and many other themes. It discusses the important book by Chadwick Allen, Earthworks Rising (Minnesota, 2022). In an unrecorded snippet, we also swap names of our favorite local indie bookstores. So check out Red Emma's the next time you're in Baltimore, MD (or on Bookshop.org) and Symposium, Riff Raff, and Paper Nautilus when your compass points to Providence, RI. Laura Stark is Associate Professor at Vanderbilt University's Center for Medicine, Health, and Society. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies
The important new book by Alicia Puglionesi, In Whose Ruins: Power, Possession and the Landscapes of American Empire (Scribner, 2022), is a fat sampler of episodes that show how origin stories get made, what happens when white-supremacist origin stories are mistaken for empirical fact, and how the political impacts persist. The book is decidedly anti-capitalist; resoundingly anti-colonial. It is an invitation not to jettison story-work, but to imagine, collectively, origin stories of the present that might bring into being a more just future. In Whose Ruins could easily be categorized as Environmental History or Native Studies. But Puglionesi forges a book that is more than either field could accomplish alone. The “power” of the book's subtitle has a double meeting: political power and the energy sources of a capitalist economy (oil, hydropower, and nuclear energy). The book is organized into four sections, or “sites,” that visit four evocative land features: a hulking, conical earth mound in present-day West Virginia adjacent to a decommissioned state prison; wells dug into the ground in smalltown Pennsylvania; rocks that tell stories (they're etched with petroglyphs) along the Susquehanna River with kin fragmented elsewhere; the Sonoran Desert rich with pottery, uranium, and physicists, both white and Native. In each of these sites, people with different political projects—some announced, some implicit—have generated multiple accounts of the landscapes and ideas of value. Within a context of shifting political power, white-settler stories about each site displaced empirical knowledge of Native labor, skill, presence, and endurance with harmful fables of white origins and of Native communities' need for white “rescue.” Into the present day, the effect has been to justify white theft of Native land and deadly violence against tribal communities for the purposes of resource extraction. In the end, even the false white origin stories became a resource to commodify. Puglionesi is a writer of poetry, fiction, academic scholarship, and, now, In Whose Ruins, a mass-market trade publication. She holds a PhD in History of Medicine and is a lecturer in Medicine, Science and Humanities at The Johns Hopkins University. On the page, Puglionesi has a friendly, funny, quiet presence—an affable Where's Waldo that centers the relationships of historical actors (including spirits) and the work of scholars such as Kim TallBear, Zoe Todd, and Eve Tuck. This conversation explores ways of living in good relation via writing; the status of truth; the relevance of singer-songwriter Prince for labor studies; and many other themes. It discusses the important book by Chadwick Allen, Earthworks Rising (Minnesota, 2022). In an unrecorded snippet, we also swap names of our favorite local indie bookstores. So check out Red Emma's the next time you're in Baltimore, MD (or on Bookshop.org) and Symposium, Riff Raff, and Paper Nautilus when your compass points to Providence, RI. Laura Stark is Associate Professor at Vanderbilt University's Center for Medicine, Health, and Society. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/environmental-studies
The important new book by Alicia Puglionesi, In Whose Ruins: Power, Possession and the Landscapes of American Empire (Scribner, 2022), is a fat sampler of episodes that show how origin stories get made, what happens when white-supremacist origin stories are mistaken for empirical fact, and how the political impacts persist. The book is decidedly anti-capitalist; resoundingly anti-colonial. It is an invitation not to jettison story-work, but to imagine, collectively, origin stories of the present that might bring into being a more just future. In Whose Ruins could easily be categorized as Environmental History or Native Studies. But Puglionesi forges a book that is more than either field could accomplish alone. The “power” of the book's subtitle has a double meeting: political power and the energy sources of a capitalist economy (oil, hydropower, and nuclear energy). The book is organized into four sections, or “sites,” that visit four evocative land features: a hulking, conical earth mound in present-day West Virginia adjacent to a decommissioned state prison; wells dug into the ground in smalltown Pennsylvania; rocks that tell stories (they're etched with petroglyphs) along the Susquehanna River with kin fragmented elsewhere; the Sonoran Desert rich with pottery, uranium, and physicists, both white and Native. In each of these sites, people with different political projects—some announced, some implicit—have generated multiple accounts of the landscapes and ideas of value. Within a context of shifting political power, white-settler stories about each site displaced empirical knowledge of Native labor, skill, presence, and endurance with harmful fables of white origins and of Native communities' need for white “rescue.” Into the present day, the effect has been to justify white theft of Native land and deadly violence against tribal communities for the purposes of resource extraction. In the end, even the false white origin stories became a resource to commodify. Puglionesi is a writer of poetry, fiction, academic scholarship, and, now, In Whose Ruins, a mass-market trade publication. She holds a PhD in History of Medicine and is a lecturer in Medicine, Science and Humanities at The Johns Hopkins University. On the page, Puglionesi has a friendly, funny, quiet presence—an affable Where's Waldo that centers the relationships of historical actors (including spirits) and the work of scholars such as Kim TallBear, Zoe Todd, and Eve Tuck. This conversation explores ways of living in good relation via writing; the status of truth; the relevance of singer-songwriter Prince for labor studies; and many other themes. It discusses the important book by Chadwick Allen, Earthworks Rising (Minnesota, 2022). In an unrecorded snippet, we also swap names of our favorite local indie bookstores. So check out Red Emma's the next time you're in Baltimore, MD (or on Bookshop.org) and Symposium, Riff Raff, and Paper Nautilus when your compass points to Providence, RI. Laura Stark is Associate Professor at Vanderbilt University's Center for Medicine, Health, and Society. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory
The important new book by Alicia Puglionesi, In Whose Ruins: Power, Possession and the Landscapes of American Empire (Scribner, 2022), is a fat sampler of episodes that show how origin stories get made, what happens when white-supremacist origin stories are mistaken for empirical fact, and how the political impacts persist. The book is decidedly anti-capitalist; resoundingly anti-colonial. It is an invitation not to jettison story-work, but to imagine, collectively, origin stories of the present that might bring into being a more just future. In Whose Ruins could easily be categorized as Environmental History or Native Studies. But Puglionesi forges a book that is more than either field could accomplish alone. The “power” of the book's subtitle has a double meeting: political power and the energy sources of a capitalist economy (oil, hydropower, and nuclear energy). The book is organized into four sections, or “sites,” that visit four evocative land features: a hulking, conical earth mound in present-day West Virginia adjacent to a decommissioned state prison; wells dug into the ground in smalltown Pennsylvania; rocks that tell stories (they're etched with petroglyphs) along the Susquehanna River with kin fragmented elsewhere; the Sonoran Desert rich with pottery, uranium, and physicists, both white and Native. In each of these sites, people with different political projects—some announced, some implicit—have generated multiple accounts of the landscapes and ideas of value. Within a context of shifting political power, white-settler stories about each site displaced empirical knowledge of Native labor, skill, presence, and endurance with harmful fables of white origins and of Native communities' need for white “rescue.” Into the present day, the effect has been to justify white theft of Native land and deadly violence against tribal communities for the purposes of resource extraction. In the end, even the false white origin stories became a resource to commodify. Puglionesi is a writer of poetry, fiction, academic scholarship, and, now, In Whose Ruins, a mass-market trade publication. She holds a PhD in History of Medicine and is a lecturer in Medicine, Science and Humanities at The Johns Hopkins University. On the page, Puglionesi has a friendly, funny, quiet presence—an affable Where's Waldo that centers the relationships of historical actors (including spirits) and the work of scholars such as Kim TallBear, Zoe Todd, and Eve Tuck. This conversation explores ways of living in good relation via writing; the status of truth; the relevance of singer-songwriter Prince for labor studies; and many other themes. It discusses the important book by Chadwick Allen, Earthworks Rising (Minnesota, 2022). In an unrecorded snippet, we also swap names of our favorite local indie bookstores. So check out Red Emma's the next time you're in Baltimore, MD (or on Bookshop.org) and Symposium, Riff Raff, and Paper Nautilus when your compass points to Providence, RI. Laura Stark is Associate Professor at Vanderbilt University's Center for Medicine, Health, and Society. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/geography
The important new book by Alicia Puglionesi, In Whose Ruins: Power, Possession and the Landscapes of American Empire (Scribner, 2022), is a fat sampler of episodes that show how origin stories get made, what happens when white-supremacist origin stories are mistaken for empirical fact, and how the political impacts persist. The book is decidedly anti-capitalist; resoundingly anti-colonial. It is an invitation not to jettison story-work, but to imagine, collectively, origin stories of the present that might bring into being a more just future. In Whose Ruins could easily be categorized as Environmental History or Native Studies. But Puglionesi forges a book that is more than either field could accomplish alone. The “power” of the book's subtitle has a double meeting: political power and the energy sources of a capitalist economy (oil, hydropower, and nuclear energy). The book is organized into four sections, or “sites,” that visit four evocative land features: a hulking, conical earth mound in present-day West Virginia adjacent to a decommissioned state prison; wells dug into the ground in smalltown Pennsylvania; rocks that tell stories (they're etched with petroglyphs) along the Susquehanna River with kin fragmented elsewhere; the Sonoran Desert rich with pottery, uranium, and physicists, both white and Native. In each of these sites, people with different political projects—some announced, some implicit—have generated multiple accounts of the landscapes and ideas of value. Within a context of shifting political power, white-settler stories about each site displaced empirical knowledge of Native labor, skill, presence, and endurance with harmful fables of white origins and of Native communities' need for white “rescue.” Into the present day, the effect has been to justify white theft of Native land and deadly violence against tribal communities for the purposes of resource extraction. In the end, even the false white origin stories became a resource to commodify. Puglionesi is a writer of poetry, fiction, academic scholarship, and, now, In Whose Ruins, a mass-market trade publication. She holds a PhD in History of Medicine and is a lecturer in Medicine, Science and Humanities at The Johns Hopkins University. On the page, Puglionesi has a friendly, funny, quiet presence—an affable Where's Waldo that centers the relationships of historical actors (including spirits) and the work of scholars such as Kim TallBear, Zoe Todd, and Eve Tuck. This conversation explores ways of living in good relation via writing; the status of truth; the relevance of singer-songwriter Prince for labor studies; and many other themes. It discusses the important book by Chadwick Allen, Earthworks Rising (Minnesota, 2022). In an unrecorded snippet, we also swap names of our favorite local indie bookstores. So check out Red Emma's the next time you're in Baltimore, MD (or on Bookshop.org) and Symposium, Riff Raff, and Paper Nautilus when your compass points to Providence, RI. Laura Stark is Associate Professor at Vanderbilt University's Center for Medicine, Health, and Society. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/native-american-studies
Laura Stark is one of Floridas top Speed Coaches, Listen how she navigated the last few years and made business model changes that took her company to the next level. Her energy, her will to succeed and her desire to make sure her Athletes succeed is why she was such an amazing guest. She can be found at http://www.starkstrongperformance.com
On this episode, Laura Stark, CEO and Founder of Stark Strong Performance joins to share her passion and focus on helping athletes train, view themselves critically, and build the base for the future. Laura talks about her NFL training experience as well as her own background of being a track and pole vaulting college athlete at Truman State. Follow Laura on Instagram and Twitter @stark.strong.performance or visit www.starkstrongperformance.com.
During the times of Corona, successful people pivot, and Laura Stark is no different. The month of January has been full of guests that truly embody the "What if it Did Work" mentality and we're ending it with one more expert on helping amateur athletes get faster. Laura Stark is the owner of Stark Strong Performance where they specialize in speed development and injury prevention for middle and high school athletes. In this episode, Omar and Laura discuss:- Is speed all based on genetics? - How to move faster- Entrepreneurship- How Laura pivoted her coaching business during COVID- Handling difficult situations and people- Social Media Promotion- Being mentored by NFL coaches- Building Relationships builds Businesses- How Speed and Movement Impact Sport Performance- Favorite Business Books- Continuing EducationLaura completed her college career as a 4 year Track and Field athlete and earned her B.S. in Exercise Science from Truman State University in May of 2015. Taking the tools she learned from her college career, intership, and various high level coaches in the NFL, MLB, NHL, and Sports Performance fields she started Stark Strong Performance, LLC in August of 2016. While continuing to learn under her mentor at the NFL level and hone in on speed development and injury prevention with NFL Combine, she developed a program to take the tools only seen at the pro level and share them with middle and high school age athletes. The Speed Enhancement Mentorship was founded in October of 2020 to not only share these high level tools, but to also create a lifestyle change sustainable beyond our athletes time with us. "There's always going to be a failure when trying to do new things, but if you don't try, nobody else is going to...nobody else has your ideas" - Laura Stark
Fugitive Science: Empiricism and Freedom in Early African American Culture (NYU Press, 2017), by Professor Britt Rusert (UMass-Amherst), has already earned accolades from the American Studies Association and the MLA following its publication in 2017. Now book is also getting traction in the fields of STS, history of science, and history of medicine. It's easy to see why. At the level of documentation, the book chronicles the empirical work, rhetorical strategies, and material worlds of Black and African American scientists (avant la lettre) during the US antebellum period. The book connects a lineage of Black naturalists, ethnologist, and physicians who were creating and circulating empirical evidence of the moral and political equality of Black Americans relative to White people to argue against the institution of slavery, racist discrimination and violent dispossession. And they were pursuing their own empirical research questions—not only working in response to White racist science—about the pasts and potential emancipatory futures of Black Americans. The documentary work of the book is indispensable it its own right. For scholars in STS and in history of science and medicine the book is important for anyone interested in speculative methods and speculative histories; anyone who takes seriously theories of history and wants to—or already is—practicing transformative justice through their own narrative craft. The book models one way of creating an anticolonial, antiracist “counter-archive” through an intentionally magpie accrual of material culture and through the rigorous use of imagination as interpretive method. In the interview we also talk about Saidiya Hartman's method of critical fabulation, Donna Haraway's method of critical speculation, and Marissa Fuentes' technique of “reading with the archive bias” – as well as why HBCUs are the places where transformative fugitive science is happening in the present day. Rusert also published with Whitney Battle-Baptiste W. E. B. Du Bois's Data Portraits: Visualizing Black America – another important book for STS scholars and historians of science and medicine, enthusiastically reviewed in the New York Review of Books (Aug 2021). This interview was a collaborative effort among Professor Laura Stark and STS scholars at Vanderbilt University: Kaelee Belleto, Hannah Crook, Aaron Hunt, Will Krause, Dionne Lucas, Esther Park, Grace Smith, McKenzie Yates, and Jaehyeong Yu. Please email Laura Stark with any feedback on the interview or questions about the collaborative interview process. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-technology-and-society
What is “capacity”? In science research and health interventions, it typically refers to the relative availability of equipment, infrastructure, personnel, and skills needed to get a job done. Noémi Tousignant's book, Edges of Exposure: Toxicology and the Problem of Capacity in Postcolonial Senegal (Duke UP, 2018), feels its way into the experience of capacity to observe a crucial characteristic. Capacity has “temporal qualities.” Waiting, interrupting, prolonging, repairing: these processes show that the elements of lab science and public health called “capacity” operate with different rhythms that often fail to synchronize or to be formally acknowledged. Yet the material world of capacity also implies a direction, which orients scientists to (im)possibilities for better futures, “to moral imaginations of responsibility and commitment.” The book won the 2020 Ludwik Fleck prize for outstanding book from the Society for the Social Studies of Science. The award signals the book's broad relevance for anyone interested in critical studies of science, technology, and health; intrigued by the phenomenology of time; keen to combine training in history with ethnographic methods; or interested in postcolonial studies, especially Africa. The book is based on Tousignant's field work in Senegal from in 2010 and 2011 studying professional toxicologists across three institutions as they “improvised and imagined a more capacious and protective toxicology.” In terms of empirical content, this work is important for anyone interested in environmental contamination and the politics of poisoning lands, waters, and bodies. The interview also refers to the work of Gabrielle Hecht on exposure and imaginaries of Africa, Julie Livingstone on improvisation and slow risks, Joanna Crane on commodification of global health, and Monika Krause on how NGOs perform worthy projects. This interview was a collaborative effort among Professor Laura Stark and students at Vanderbilt University in the course “American Medicine & the World.” Please email Laura with any feedback on the interview or questions about the collaborative interview process. Laura Stark is Associate Professor at Vanderbilt University's Center for Medicine, Health, and Society, and Associate Editor of the journal History & Theory. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-technology-and-society
What is “capacity”? In science research and health interventions, it typically refers to the relative availability of equipment, infrastructure, personnel, and skills needed to get a job done. Noémi Tousignant's book, Edges of Exposure: Toxicology and the Problem of Capacity in Postcolonial Senegal (Duke UP, 2018), feels its way into the experience of capacity to observe a crucial characteristic. Capacity has “temporal qualities.” Waiting, interrupting, prolonging, repairing: these processes show that the elements of lab science and public health called “capacity” operate with different rhythms that often fail to synchronize or to be formally acknowledged. Yet the material world of capacity also implies a direction, which orients scientists to (im)possibilities for better futures, “to moral imaginations of responsibility and commitment.” The book won the 2020 Ludwik Fleck prize for outstanding book from the Society for the Social Studies of Science. The award signals the book's broad relevance for anyone interested in critical studies of science, technology, and health; intrigued by the phenomenology of time; keen to combine training in history with ethnographic methods; or interested in postcolonial studies, especially Africa. The book is based on Tousignant's field work in Senegal from in 2010 and 2011 studying professional toxicologists across three institutions as they “improvised and imagined a more capacious and protective toxicology.” In terms of empirical content, this work is important for anyone interested in environmental contamination and the politics of poisoning lands, waters, and bodies. The interview also refers to the work of Gabrielle Hecht on exposure and imaginaries of Africa, Julie Livingstone on improvisation and slow risks, Joanna Crane on commodification of global health, and Monika Krause on how NGOs perform worthy projects. This interview was a collaborative effort among Professor Laura Stark and students at Vanderbilt University in the course “American Medicine & the World.” Please email Laura with any feedback on the interview or questions about the collaborative interview process. Laura Stark is Associate Professor at Vanderbilt University's Center for Medicine, Health, and Society, and Associate Editor of the journal History & Theory. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
What is “capacity”? In science research and health interventions, it typically refers to the relative availability of equipment, infrastructure, personnel, and skills needed to get a job done. Noémi Tousignant's book, Edges of Exposure: Toxicology and the Problem of Capacity in Postcolonial Senegal (Duke UP, 2018), feels its way into the experience of capacity to observe a crucial characteristic. Capacity has “temporal qualities.” Waiting, interrupting, prolonging, repairing: these processes show that the elements of lab science and public health called “capacity” operate with different rhythms that often fail to synchronize or to be formally acknowledged. Yet the material world of capacity also implies a direction, which orients scientists to (im)possibilities for better futures, “to moral imaginations of responsibility and commitment.” The book won the 2020 Ludwik Fleck prize for outstanding book from the Society for the Social Studies of Science. The award signals the book's broad relevance for anyone interested in critical studies of science, technology, and health; intrigued by the phenomenology of time; keen to combine training in history with ethnographic methods; or interested in postcolonial studies, especially Africa. The book is based on Tousignant's field work in Senegal from in 2010 and 2011 studying professional toxicologists across three institutions as they “improvised and imagined a more capacious and protective toxicology.” In terms of empirical content, this work is important for anyone interested in environmental contamination and the politics of poisoning lands, waters, and bodies. The interview also refers to the work of Gabrielle Hecht on exposure and imaginaries of Africa, Julie Livingstone on improvisation and slow risks, Joanna Crane on commodification of global health, and Monika Krause on how NGOs perform worthy projects. This interview was a collaborative effort among Professor Laura Stark and students at Vanderbilt University in the course “American Medicine & the World.” Please email Laura with any feedback on the interview or questions about the collaborative interview process. Laura Stark is Associate Professor at Vanderbilt University's Center for Medicine, Health, and Society, and Associate Editor of the journal History & Theory. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-studies
Fugitive Science: Empiricism and Freedom in Early African American Culture (NYU Press, 2017), by Professor Britt Rusert (UMass-Amherst), [Insert link] has already earned accolades from the American Studies Association and the MLA following its publication in 2017. Now book is also getting traction in the fields of STS, history of science, and history of medicine. It's easy to see why. At the level of documentation, the book chronicles the empirical work, rhetorical strategies, and material worlds of Black and African American scientists (avant la lettre) during the US antebellum period. The book connects a lineage of Black naturalists, ethnologist, and physicians who were creating and circulating empirical evidence of the moral and political equality of Black Americans relative to White people to argue against the institution of slavery, racist discrimination and violent dispossession. And they were pursuing their own empirical research questions—not only working in response to White racist science—about the pasts and potential emancipatory futures of Black Americans. The documentary work of the book is indispensable it its own right. For scholars in STS and in history of science and medicine the book is important for anyone interested in speculative methods and speculative histories; anyone who takes seriously theories of history and wants to—or already is—practicing transformative justice through their own narrative craft. The book models one way of creating an anticolonial, antiracist “counter-archive” through an intentionally magpie accrual of material culture and through the rigorous use of imagination as interpretive method. In the interview we also talk about Saidiya Hartman's method of critical fabulation, Donna Haraway's method of critical speculation, and Marissa Fuentes' technique of “reading with the archive bias” – as well as why HBCUs are the places where transformative fugitive science is happening in the present day. Rusert also published with Whitney Battle-Baptiste W. E. B. Du Bois's Data Portraits: Visualizing Black America – another important book for STS scholars and historians of science and medicine, enthusiastically reviewed in the New York Review of Books (Aug 2021). This interview was a collaborative effort among Professor Laura Stark and STS scholars at Vanderbilt University: Kaelee Belleto, Hannah Crook, Aaron Hunt, Will Krause, Dionne Lucas, Esther Park, Grace Smith, McKenzie Yates, and Jaehyeong Yu. Please email Laura Stark with any feedback on the interview or questions about the collaborative interview process. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies
Fugitive Science: Empiricism and Freedom in Early African American Culture (NYU Press, 2017), by Professor Britt Rusert (UMass-Amherst), [Insert link] has already earned accolades from the American Studies Association and the MLA following its publication in 2017. Now book is also getting traction in the fields of STS, history of science, and history of medicine. It's easy to see why. At the level of documentation, the book chronicles the empirical work, rhetorical strategies, and material worlds of Black and African American scientists (avant la lettre) during the US antebellum period. The book connects a lineage of Black naturalists, ethnologist, and physicians who were creating and circulating empirical evidence of the moral and political equality of Black Americans relative to White people to argue against the institution of slavery, racist discrimination and violent dispossession. And they were pursuing their own empirical research questions—not only working in response to White racist science—about the pasts and potential emancipatory futures of Black Americans. The documentary work of the book is indispensable it its own right. For scholars in STS and in history of science and medicine the book is important for anyone interested in speculative methods and speculative histories; anyone who takes seriously theories of history and wants to—or already is—practicing transformative justice through their own narrative craft. The book models one way of creating an anticolonial, antiracist “counter-archive” through an intentionally magpie accrual of material culture and through the rigorous use of imagination as interpretive method. In the interview we also talk about Saidiya Hartman's method of critical fabulation, Donna Haraway's method of critical speculation, and Marissa Fuentes' technique of “reading with the archive bias” – as well as why HBCUs are the places where transformative fugitive science is happening in the present day. Rusert also published with Whitney Battle-Baptiste W. E. B. Du Bois's Data Portraits: Visualizing Black America – another important book for STS scholars and historians of science and medicine, enthusiastically reviewed in the New York Review of Books (Aug 2021). This interview was a collaborative effort among Professor Laura Stark and STS scholars at Vanderbilt University: Kaelee Belleto, Hannah Crook, Aaron Hunt, Will Krause, Dionne Lucas, Esther Park, Grace Smith, McKenzie Yates, and Jaehyeong Yu. Please email Laura Stark with any feedback on the interview or questions about the collaborative interview process. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history
What is “capacity”? In science research and health interventions, it typically refers to the relative availability of equipment, infrastructure, personnel, and skills needed to get a job done. Noémi Tousignant's book, Edges of Exposure: Toxicology and the Problem of Capacity in Postcolonial Senegal (Duke UP, 2018), feels its way into the experience of capacity to observe a crucial characteristic. Capacity has “temporal qualities.” Waiting, interrupting, prolonging, repairing: these processes show that the elements of lab science and public health called “capacity” operate with different rhythms that often fail to synchronize or to be formally acknowledged. Yet the material world of capacity also implies a direction, which orients scientists to (im)possibilities for better futures, “to moral imaginations of responsibility and commitment.” The book won the 2020 Ludwik Fleck prize for outstanding book from the Society for the Social Studies of Science. The award signals the book's broad relevance for anyone interested in critical studies of science, technology, and health; intrigued by the phenomenology of time; keen to combine training in history with ethnographic methods; or interested in postcolonial studies, especially Africa. The book is based on Tousignant's field work in Senegal from in 2010 and 2011 studying professional toxicologists across three institutions as they “improvised and imagined a more capacious and protective toxicology.” In terms of empirical content, this work is important for anyone interested in environmental contamination and the politics of poisoning lands, waters, and bodies. The interview also refers to the work of Gabrielle Hecht on exposure and imaginaries of Africa, Julie Livingstone on improvisation and slow risks, Joanna Crane on commodification of global health, and Monika Krause on how NGOs perform worthy projects. This interview was a collaborative effort among Professor Laura Stark and students at Vanderbilt University in the course “American Medicine & the World.” Please email Laura with any feedback on the interview or questions about the collaborative interview process. Laura Stark is Associate Professor at Vanderbilt University's Center for Medicine, Health, and Society, and Associate Editor of the journal History & Theory. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory
What is “capacity”? In science research and health interventions, it typically refers to the relative availability of equipment, infrastructure, personnel, and skills needed to get a job done. Noémi Tousignant's book, Edges of Exposure: Toxicology and the Problem of Capacity in Postcolonial Senegal (Duke UP, 2018), feels its way into the experience of capacity to observe a crucial characteristic. Capacity has “temporal qualities.” Waiting, interrupting, prolonging, repairing: these processes show that the elements of lab science and public health called “capacity” operate with different rhythms that often fail to synchronize or to be formally acknowledged. Yet the material world of capacity also implies a direction, which orients scientists to (im)possibilities for better futures, “to moral imaginations of responsibility and commitment.” The book won the 2020 Ludwik Fleck prize for outstanding book from the Society for the Social Studies of Science. The award signals the book's broad relevance for anyone interested in critical studies of science, technology, and health; intrigued by the phenomenology of time; keen to combine training in history with ethnographic methods; or interested in postcolonial studies, especially Africa. The book is based on Tousignant's field work in Senegal from in 2010 and 2011 studying professional toxicologists across three institutions as they “improvised and imagined a more capacious and protective toxicology.” In terms of empirical content, this work is important for anyone interested in environmental contamination and the politics of poisoning lands, waters, and bodies. The interview also refers to the work of Gabrielle Hecht on exposure and imaginaries of Africa, Julie Livingstone on improvisation and slow risks, Joanna Crane on commodification of global health, and Monika Krause on how NGOs perform worthy projects. This interview was a collaborative effort among Professor Laura Stark and students at Vanderbilt University in the course “American Medicine & the World.” Please email Laura with any feedback on the interview or questions about the collaborative interview process. Laura Stark is Associate Professor at Vanderbilt University's Center for Medicine, Health, and Society, and Associate Editor of the journal History & Theory. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/public-policy
What is “capacity”? In science research and health interventions, it typically refers to the relative availability of equipment, infrastructure, personnel, and skills needed to get a job done. Noémi Tousignant's book, Edges of Exposure: Toxicology and the Problem of Capacity in Postcolonial Senegal (Duke UP, 2018), feels its way into the experience of capacity to observe a crucial characteristic. Capacity has “temporal qualities.” Waiting, interrupting, prolonging, repairing: these processes show that the elements of lab science and public health called “capacity” operate with different rhythms that often fail to synchronize or to be formally acknowledged. Yet the material world of capacity also implies a direction, which orients scientists to (im)possibilities for better futures, “to moral imaginations of responsibility and commitment.” The book won the 2020 Ludwik Fleck prize for outstanding book from the Society for the Social Studies of Science. The award signals the book's broad relevance for anyone interested in critical studies of science, technology, and health; intrigued by the phenomenology of time; keen to combine training in history with ethnographic methods; or interested in postcolonial studies, especially Africa. The book is based on Tousignant's field work in Senegal from in 2010 and 2011 studying professional toxicologists across three institutions as they “improvised and imagined a more capacious and protective toxicology.” In terms of empirical content, this work is important for anyone interested in environmental contamination and the politics of poisoning lands, waters, and bodies. The interview also refers to the work of Gabrielle Hecht on exposure and imaginaries of Africa, Julie Livingstone on improvisation and slow risks, Joanna Crane on commodification of global health, and Monika Krause on how NGOs perform worthy projects. This interview was a collaborative effort among Professor Laura Stark and students at Vanderbilt University in the course “American Medicine & the World.” Please email Laura with any feedback on the interview or questions about the collaborative interview process. Laura Stark is Associate Professor at Vanderbilt University's Center for Medicine, Health, and Society, and Associate Editor of the journal History & Theory. Learn more about your ad choices. Visit megaphone.fm/adchoices
Fugitive Science: Empiricism and Freedom in Early African American Culture (NYU Press, 2017), by Professor Britt Rusert (UMass-Amherst), [Insert link] has already earned accolades from the American Studies Association and the MLA following its publication in 2017. Now book is also getting traction in the fields of STS, history of science, and history of medicine. It's easy to see why. At the level of documentation, the book chronicles the empirical work, rhetorical strategies, and material worlds of Black and African American scientists (avant la lettre) during the US antebellum period. The book connects a lineage of Black naturalists, ethnologist, and physicians who were creating and circulating empirical evidence of the moral and political equality of Black Americans relative to White people to argue against the institution of slavery, racist discrimination and violent dispossession. And they were pursuing their own empirical research questions—not only working in response to White racist science—about the pasts and potential emancipatory futures of Black Americans. The documentary work of the book is indispensable it its own right. For scholars in STS and in history of science and medicine the book is important for anyone interested in speculative methods and speculative histories; anyone who takes seriously theories of history and wants to—or already is—practicing transformative justice through their own narrative craft. The book models one way of creating an anticolonial, antiracist “counter-archive” through an intentionally magpie accrual of material culture and through the rigorous use of imagination as interpretive method. In the interview we also talk about Saidiya Hartman's method of critical fabulation, Donna Haraway's method of critical speculation, and Marissa Fuentes' technique of “reading with the archive bias” – as well as why HBCUs are the places where transformative fugitive science is happening in the present day. Rusert also published with Whitney Battle-Baptiste W. E. B. Du Bois's Data Portraits: Visualizing Black America – another important book for STS scholars and historians of science and medicine, enthusiastically reviewed in the New York Review of Books (Aug 2021). This interview was a collaborative effort among Professor Laura Stark and STS scholars at Vanderbilt University: Kaelee Belleto, Hannah Crook, Aaron Hunt, Will Krause, Dionne Lucas, Esther Park, Grace Smith, McKenzie Yates, and Jaehyeong Yu. Please email Laura Stark with any feedback on the interview or questions about the collaborative interview process. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/medicine
What is “capacity”? In science research and health interventions, it typically refers to the relative availability of equipment, infrastructure, personnel, and skills needed to get a job done. Noémi Tousignant's book, Edges of Exposure: Toxicology and the Problem of Capacity in Postcolonial Senegal (Duke UP, 2018), feels its way into the experience of capacity to observe a crucial characteristic. Capacity has “temporal qualities.” Waiting, interrupting, prolonging, repairing: these processes show that the elements of lab science and public health called “capacity” operate with different rhythms that often fail to synchronize or to be formally acknowledged. Yet the material world of capacity also implies a direction, which orients scientists to (im)possibilities for better futures, “to moral imaginations of responsibility and commitment.” The book won the 2020 Ludwik Fleck prize for outstanding book from the Society for the Social Studies of Science. The award signals the book's broad relevance for anyone interested in critical studies of science, technology, and health; intrigued by the phenomenology of time; keen to combine training in history with ethnographic methods; or interested in postcolonial studies, especially Africa. The book is based on Tousignant's field work in Senegal from in 2010 and 2011 studying professional toxicologists across three institutions as they “improvised and imagined a more capacious and protective toxicology.” In terms of empirical content, this work is important for anyone interested in environmental contamination and the politics of poisoning lands, waters, and bodies. The interview also refers to the work of Gabrielle Hecht on exposure and imaginaries of Africa, Julie Livingstone on improvisation and slow risks, Joanna Crane on commodification of global health, and Monika Krause on how NGOs perform worthy projects. This interview was a collaborative effort among Professor Laura Stark and students at Vanderbilt University in the course “American Medicine & the World.” Please email Laura with any feedback on the interview or questions about the collaborative interview process. Laura Stark is Associate Professor at Vanderbilt University's Center for Medicine, Health, and Society, and Associate Editor of the journal History & Theory. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sociology
What is “capacity”? In science research and health interventions, it typically refers to the relative availability of equipment, infrastructure, personnel, and skills needed to get a job done. Noémi Tousignant's book, Edges of Exposure: Toxicology and the Problem of Capacity in Postcolonial Senegal (Duke UP, 2018), feels its way into the experience of capacity to observe a crucial characteristic. Capacity has “temporal qualities.” Waiting, interrupting, prolonging, repairing: these processes show that the elements of lab science and public health called “capacity” operate with different rhythms that often fail to synchronize or to be formally acknowledged. Yet the material world of capacity also implies a direction, which orients scientists to (im)possibilities for better futures, “to moral imaginations of responsibility and commitment.” The book won the 2020 Ludwik Fleck prize for outstanding book from the Society for the Social Studies of Science. The award signals the book's broad relevance for anyone interested in critical studies of science, technology, and health; intrigued by the phenomenology of time; keen to combine training in history with ethnographic methods; or interested in postcolonial studies, especially Africa. The book is based on Tousignant's field work in Senegal from in 2010 and 2011 studying professional toxicologists across three institutions as they “improvised and imagined a more capacious and protective toxicology.” In terms of empirical content, this work is important for anyone interested in environmental contamination and the politics of poisoning lands, waters, and bodies. The interview also refers to the work of Gabrielle Hecht on exposure and imaginaries of Africa, Julie Livingstone on improvisation and slow risks, Joanna Crane on commodification of global health, and Monika Krause on how NGOs perform worthy projects. This interview was a collaborative effort among Professor Laura Stark and students at Vanderbilt University in the course “American Medicine & the World.” Please email Laura with any feedback on the interview or questions about the collaborative interview process. Laura Stark is Associate Professor at Vanderbilt University's Center for Medicine, Health, and Society, and Associate Editor of the journal History & Theory. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/medicine
Fugitive Science: Empiricism and Freedom in Early African American Culture (NYU Press, 2017), by Professor Britt Rusert (UMass-Amherst), [Insert link] has already earned accolades from the American Studies Association and the MLA following its publication in 2017. Now book is also getting traction in the fields of STS, history of science, and history of medicine. It's easy to see why. At the level of documentation, the book chronicles the empirical work, rhetorical strategies, and material worlds of Black and African American scientists (avant la lettre) during the US antebellum period. The book connects a lineage of Black naturalists, ethnologist, and physicians who were creating and circulating empirical evidence of the moral and political equality of Black Americans relative to White people to argue against the institution of slavery, racist discrimination and violent dispossession. And they were pursuing their own empirical research questions—not only working in response to White racist science—about the pasts and potential emancipatory futures of Black Americans. The documentary work of the book is indispensable it its own right. For scholars in STS and in history of science and medicine the book is important for anyone interested in speculative methods and speculative histories; anyone who takes seriously theories of history and wants to—or already is—practicing transformative justice through their own narrative craft. The book models one way of creating an anticolonial, antiracist “counter-archive” through an intentionally magpie accrual of material culture and through the rigorous use of imagination as interpretive method. In the interview we also talk about Saidiya Hartman's method of critical fabulation, Donna Haraway's method of critical speculation, and Marissa Fuentes' technique of “reading with the archive bias” – as well as why HBCUs are the places where transformative fugitive science is happening in the present day. Rusert also published with Whitney Battle-Baptiste W. E. B. Du Bois's Data Portraits: Visualizing Black America – another important book for STS scholars and historians of science and medicine, enthusiastically reviewed in the New York Review of Books (Aug 2021). This interview was a collaborative effort among Professor Laura Stark and STS scholars at Vanderbilt University: Kaelee Belleto, Hannah Crook, Aaron Hunt, Will Krause, Dionne Lucas, Esther Park, Grace Smith, McKenzie Yates, and Jaehyeong Yu. Please email Laura Stark with any feedback on the interview or questions about the collaborative interview process. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies
Fugitive Science: Empiricism and Freedom in Early African American Culture (NYU Press, 2017), by Professor Britt Rusert (UMass-Amherst), [Insert link] has already earned accolades from the American Studies Association and the MLA following its publication in 2017. Now book is also getting traction in the fields of STS, history of science, and history of medicine. It's easy to see why. At the level of documentation, the book chronicles the empirical work, rhetorical strategies, and material worlds of Black and African American scientists (avant la lettre) during the US antebellum period. The book connects a lineage of Black naturalists, ethnologist, and physicians who were creating and circulating empirical evidence of the moral and political equality of Black Americans relative to White people to argue against the institution of slavery, racist discrimination and violent dispossession. And they were pursuing their own empirical research questions—not only working in response to White racist science—about the pasts and potential emancipatory futures of Black Americans. The documentary work of the book is indispensable it its own right. For scholars in STS and in history of science and medicine the book is important for anyone interested in speculative methods and speculative histories; anyone who takes seriously theories of history and wants to—or already is—practicing transformative justice through their own narrative craft. The book models one way of creating an anticolonial, antiracist “counter-archive” through an intentionally magpie accrual of material culture and through the rigorous use of imagination as interpretive method. In the interview we also talk about Saidiya Hartman's method of critical fabulation, Donna Haraway's method of critical speculation, and Marissa Fuentes' technique of “reading with the archive bias” – as well as why HBCUs are the places where transformative fugitive science is happening in the present day. Rusert also published with Whitney Battle-Baptiste W. E. B. Du Bois's Data Portraits: Visualizing Black America – another important book for STS scholars and historians of science and medicine, enthusiastically reviewed in the New York Review of Books (Aug 2021). This interview was a collaborative effort among Professor Laura Stark and STS scholars at Vanderbilt University: Kaelee Belleto, Hannah Crook, Aaron Hunt, Will Krause, Dionne Lucas, Esther Park, Grace Smith, McKenzie Yates, and Jaehyeong Yu. Please email Laura Stark with any feedback on the interview or questions about the collaborative interview process. Learn more about your ad choices. Visit megaphone.fm/adchoices
What is “capacity”? In science research and health interventions, it typically refers to the relative availability of equipment, infrastructure, personnel, and skills needed to get a job done. Noémi Tousignant's book, Edges of Exposure: Toxicology and the Problem of Capacity in Postcolonial Senegal (Duke UP, 2018), feels its way into the experience of capacity to observe a crucial characteristic. Capacity has “temporal qualities.” Waiting, interrupting, prolonging, repairing: these processes show that the elements of lab science and public health called “capacity” operate with different rhythms that often fail to synchronize or to be formally acknowledged. Yet the material world of capacity also implies a direction, which orients scientists to (im)possibilities for better futures, “to moral imaginations of responsibility and commitment.” The book won the 2020 Ludwik Fleck prize for outstanding book from the Society for the Social Studies of Science. The award signals the book's broad relevance for anyone interested in critical studies of science, technology, and health; intrigued by the phenomenology of time; keen to combine training in history with ethnographic methods; or interested in postcolonial studies, especially Africa. The book is based on Tousignant's field work in Senegal from in 2010 and 2011 studying professional toxicologists across three institutions as they “improvised and imagined a more capacious and protective toxicology.” In terms of empirical content, this work is important for anyone interested in environmental contamination and the politics of poisoning lands, waters, and bodies. The interview also refers to the work of Gabrielle Hecht on exposure and imaginaries of Africa, Julie Livingstone on improvisation and slow risks, Joanna Crane on commodification of global health, and Monika Krause on how NGOs perform worthy projects. This interview was a collaborative effort among Professor Laura Stark and students at Vanderbilt University in the course “American Medicine & the World.” Please email Laura with any feedback on the interview or questions about the collaborative interview process. Laura Stark is Associate Professor at Vanderbilt University's Center for Medicine, Health, and Society, and Associate Editor of the journal History & Theory. Learn more about your ad choices. Visit megaphone.fm/adchoices
Fugitive Science: Empiricism and Freedom in Early African American Culture (NYU Press, 2017), by Professor Britt Rusert (UMass-Amherst), [Insert link] has already earned accolades from the American Studies Association and the MLA following its publication in 2017. Now book is also getting traction in the fields of STS, history of science, and history of medicine. It's easy to see why. At the level of documentation, the book chronicles the empirical work, rhetorical strategies, and material worlds of Black and African American scientists (avant la lettre) during the US antebellum period. The book connects a lineage of Black naturalists, ethnologist, and physicians who were creating and circulating empirical evidence of the moral and political equality of Black Americans relative to White people to argue against the institution of slavery, racist discrimination and violent dispossession. And they were pursuing their own empirical research questions—not only working in response to White racist science—about the pasts and potential emancipatory futures of Black Americans. The documentary work of the book is indispensable it its own right. For scholars in STS and in history of science and medicine the book is important for anyone interested in speculative methods and speculative histories; anyone who takes seriously theories of history and wants to—or already is—practicing transformative justice through their own narrative craft. The book models one way of creating an anticolonial, antiracist “counter-archive” through an intentionally magpie accrual of material culture and through the rigorous use of imagination as interpretive method. In the interview we also talk about Saidiya Hartman's method of critical fabulation, Donna Haraway's method of critical speculation, and Marissa Fuentes' technique of “reading with the archive bias” – as well as why HBCUs are the places where transformative fugitive science is happening in the present day. Rusert also published with Whitney Battle-Baptiste W. E. B. Du Bois's Data Portraits: Visualizing Black America – another important book for STS scholars and historians of science and medicine, enthusiastically reviewed in the New York Review of Books (Aug 2021). This interview was a collaborative effort among Professor Laura Stark and STS scholars at Vanderbilt University: Kaelee Belleto, Hannah Crook, Aaron Hunt, Will Krause, Dionne Lucas, Esther Park, Grace Smith, McKenzie Yates, and Jaehyeong Yu. Please email Laura Stark with any feedback on the interview or questions about the collaborative interview process. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Mary Brazelton's new book, Mass Vaccination: Citizens' Bodies and State Power in Modern China (Cornell UP, 2019) could hardly be more timely. During the Covid-19 pandemic, China was in the headlines of Euro-American media as the site of the first cases of the disease. China is also centerstage in Brazelton's insightful, antiracist book—not as a source of disease but as the source of an effective and pervasive global public health strategy that other nations during the Covid-19 pandemic have strained to implement: mass vaccination. As a historian of modern China and a historian of medicine, Brazelton offers a trustworthy and well-documented account of the National Epidemic Prevention Board and its successor agencies during the republic's war-torn twentieth century. The location—and relocation—of the Board and its refugee scientists was decisive, Brazelton argues. During World War II and Japanese occupation (1937-45), the Board's labs and scientists decamped from China's coastal cities to the mountainous southwest borderland of Yunnan—exactly because the area was rugged, sparsely populated, and far from China's urban hubs. In Yunnan, scientists were not isolated, but rather set within an idiosyncratic health infrastructure and network of longstanding political rivals vying for sway in the region—including France to the south, UK to the east, the League of Nations in the capital, and everywhere indigenous rulers, who retained local authority as the Nationalist Party struggled to consolidate power in the early years of the republic. The distinctive geography, epidemiology, and communities of health knowledge in Yunnan channeled the Board's research and strategies. This regional system, developed under the banner of the national Board, became the blueprint for public health interventions for the People's Republic of China after the Communist Revolution (1949). In the 1970s because of its repressive practices, China was officially excluded from the global health community, which was dominated by Europe and the US under the World Health Organization. Yet, China's program of mass vaccination and strategy of universal primary care directly informed practices of new and nonaligned countries. Brazelton's important new book addresses a classic puzzle of biopolitics in the history of science and medicine: when and why did governing regimes build public health programs that prioritized changing people's behaviors and values (sanitation, hygiene; mask wearing, social distancing) rather than changing people's health with quick technical fixes—such as vaccination. The interview refers to the image on the book's cover (also p130) and to the important, related work of Alicia Altorfer-Ong, Ruth Rogawski, and the Connecting Three Worlds project. The conversation was a collective interview by Vanderbilt students in Laura Stark's course, American Medicine & the World. Laura Stark is Associate Professor at Vanderbilt University's Center for Medicine, Health, and Society, and Associate Editor of the journal History & Theory. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/medicine
Mary Brazelton’s new book, Mass Vaccination: Citizens’ Bodies and State Power in Modern China (Cornell UP, 2019) could hardly be more timely. During the Covid-19 pandemic, China was in the headlines of Euro-American media as the site of the first cases of the disease. China is also centerstage in Brazelton’s insightful, antiracist book—not as a source of disease but as the source of an effective and pervasive global public health strategy that other nations during the Covid-19 pandemic have strained to implement: mass vaccination. As a historian of modern China and a historian of medicine, Brazelton offers a trustworthy and well-documented account of the National Epidemic Prevention Board and its successor agencies during the republic’s war-torn twentieth century. The location—and relocation—of the Board and its refugee scientists was decisive, Brazelton argues. During World War II and Japanese occupation (1937-45), the Board’s labs and scientists decamped from China’s coastal cities to the mountainous southwest borderland of Yunnan—exactly because the area was rugged, sparsely populated, and far from China’s urban hubs. In Yunnan, scientists were not isolated, but rather set within an idiosyncratic health infrastructure and network of longstanding political rivals vying for sway in the region—including France to the south, UK to the east, the League of Nations in the capital, and everywhere indigenous rulers, who retained local authority as the Nationalist Party struggled to consolidate power in the early years of the republic. The distinctive geography, epidemiology, and communities of health knowledge in Yunnan channeled the Board’s research and strategies. This regional system, developed under the banner of the national Board, became the blueprint for public health interventions for the People’s Republic of China after the Communist Revolution (1949). In the 1970s because of its repressive practices, China was officially excluded from the global health community, which was dominated by Europe and the US under the World Health Organization. Yet, China’s program of mass vaccination and strategy of universal primary care directly informed practices of new and nonaligned countries. Brazelton’s important new book addresses a classic puzzle of biopolitics in the history of science and medicine: when and why did governing regimes build public health programs that prioritized changing people’s behaviors and values (sanitation, hygiene; mask wearing, social distancing) rather than changing people’s health with quick technical fixes—such as vaccination. The interview refers to the image on the book’s cover (also p130) and to the important, related work of Alicia Altorfer-Ong, Ruth Rogawski, and the Connecting Three Worlds project. The conversation was a collective interview by Vanderbilt students in Laura Stark’s course, American Medicine & the World. Laura Stark is Associate Professor at Vanderbilt University’s Center for Medicine, Health, and Society, and Associate Editor of the journal History & Theory. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-technology-and-society
Mary Brazelton’s new book, Mass Vaccination: Citizens’ Bodies and State Power in Modern China (Cornell UP, 2019) could hardly be more timely. During the Covid-19 pandemic, China was in the headlines of Euro-American media as the site of the first cases of the disease. China is also centerstage in Brazelton’s insightful, antiracist book—not as a source of disease but as the source of an effective and pervasive global public health strategy that other nations during the Covid-19 pandemic have strained to implement: mass vaccination. As a historian of modern China and a historian of medicine, Brazelton offers a trustworthy and well-documented account of the National Epidemic Prevention Board and its successor agencies during the republic’s war-torn twentieth century. The location—and relocation—of the Board and its refugee scientists was decisive, Brazelton argues. During World War II and Japanese occupation (1937-45), the Board’s labs and scientists decamped from China’s coastal cities to the mountainous southwest borderland of Yunnan—exactly because the area was rugged, sparsely populated, and far from China’s urban hubs. In Yunnan, scientists were not isolated, but rather set within an idiosyncratic health infrastructure and network of longstanding political rivals vying for sway in the region—including France to the south, UK to the east, the League of Nations in the capital, and everywhere indigenous rulers, who retained local authority as the Nationalist Party struggled to consolidate power in the early years of the republic. The distinctive geography, epidemiology, and communities of health knowledge in Yunnan channeled the Board’s research and strategies. This regional system, developed under the banner of the national Board, became the blueprint for public health interventions for the People’s Republic of China after the Communist Revolution (1949). In the 1970s because of its repressive practices, China was officially excluded from the global health community, which was dominated by Europe and the US under the World Health Organization. Yet, China’s program of mass vaccination and strategy of universal primary care directly informed practices of new and nonaligned countries. Brazelton’s important new book addresses a classic puzzle of biopolitics in the history of science and medicine: when and why did governing regimes build public health programs that prioritized changing people’s behaviors and values (sanitation, hygiene; mask wearing, social distancing) rather than changing people’s health with quick technical fixes—such as vaccination. The interview refers to the image on the book’s cover (also p130) and to the important, related work of Alicia Altorfer-Ong, Ruth Rogawski, and the Connecting Three Worlds project. The conversation was a collective interview by Vanderbilt students in Laura Stark’s course, American Medicine & the World. Laura Stark is Associate Professor at Vanderbilt University’s Center for Medicine, Health, and Society, and Associate Editor of the journal History & Theory. Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/chinese-studies
Mary Brazelton’s new book, Mass Vaccination: Citizens’ Bodies and State Power in Modern China (Cornell UP, 2019) could hardly be more timely. During the Covid-19 pandemic, China was in the headlines of Euro-American media as the site of the first cases of the disease. China is also centerstage in Brazelton’s insightful, antiracist book—not as a source of disease but as the source of an effective and pervasive global public health strategy that other nations during the Covid-19 pandemic have strained to implement: mass vaccination. As a historian of modern China and a historian of medicine, Brazelton offers a trustworthy and well-documented account of the National Epidemic Prevention Board and its successor agencies during the republic’s war-torn twentieth century. The location—and relocation—of the Board and its refugee scientists was decisive, Brazelton argues. During World War II and Japanese occupation (1937-45), the Board’s labs and scientists decamped from China’s coastal cities to the mountainous southwest borderland of Yunnan—exactly because the area was rugged, sparsely populated, and far from China’s urban hubs. In Yunnan, scientists were not isolated, but rather set within an idiosyncratic health infrastructure and network of longstanding political rivals vying for sway in the region—including France to the south, UK to the east, the League of Nations in the capital, and everywhere indigenous rulers, who retained local authority as the Nationalist Party struggled to consolidate power in the early years of the republic. The distinctive geography, epidemiology, and communities of health knowledge in Yunnan channeled the Board’s research and strategies. This regional system, developed under the banner of the national Board, became the blueprint for public health interventions for the People’s Republic of China after the Communist Revolution (1949). In the 1970s because of its repressive practices, China was officially excluded from the global health community, which was dominated by Europe and the US under the World Health Organization. Yet, China’s program of mass vaccination and strategy of universal primary care directly informed practices of new and nonaligned countries. Brazelton’s important new book addresses a classic puzzle of biopolitics in the history of science and medicine: when and why did governing regimes build public health programs that prioritized changing people’s behaviors and values (sanitation, hygiene; mask wearing, social distancing) rather than changing people’s health with quick technical fixes—such as vaccination. The interview refers to the image on the book’s cover (also p130) and to the important, related work of Alicia Altorfer-Ong, Ruth Rogawski, and the Connecting Three Worlds project. The conversation was a collective interview by Vanderbilt students in Laura Stark’s course, American Medicine & the World. Laura Stark is Associate Professor at Vanderbilt University’s Center for Medicine, Health, and Society, and Associate Editor of the journal History & Theory. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history
Mary Brazelton’s new book, Mass Vaccination: Citizens’ Bodies and State Power in Modern China (Cornell UP, 2019) could hardly be more timely. During the Covid-19 pandemic, China was in the headlines of Euro-American media as the site of the first cases of the disease. China is also centerstage in Brazelton’s insightful, antiracist book—not as a source of disease but as the source of an effective and pervasive global public health strategy that other nations during the Covid-19 pandemic have strained to implement: mass vaccination. As a historian of modern China and a historian of medicine, Brazelton offers a trustworthy and well-documented account of the National Epidemic Prevention Board and its successor agencies during the republic’s war-torn twentieth century. The location—and relocation—of the Board and its refugee scientists was decisive, Brazelton argues. During World War II and Japanese occupation (1937-45), the Board’s labs and scientists decamped from China’s coastal cities to the mountainous southwest borderland of Yunnan—exactly because the area was rugged, sparsely populated, and far from China’s urban hubs. In Yunnan, scientists were not isolated, but rather set within an idiosyncratic health infrastructure and network of longstanding political rivals vying for sway in the region—including France to the south, UK to the east, the League of Nations in the capital, and everywhere indigenous rulers, who retained local authority as the Nationalist Party struggled to consolidate power in the early years of the republic. The distinctive geography, epidemiology, and communities of health knowledge in Yunnan channeled the Board’s research and strategies. This regional system, developed under the banner of the national Board, became the blueprint for public health interventions for the People’s Republic of China after the Communist Revolution (1949). In the 1970s because of its repressive practices, China was officially excluded from the global health community, which was dominated by Europe and the US under the World Health Organization. Yet, China’s program of mass vaccination and strategy of universal primary care directly informed practices of new and nonaligned countries. Brazelton’s important new book addresses a classic puzzle of biopolitics in the history of science and medicine: when and why did governing regimes build public health programs that prioritized changing people’s behaviors and values (sanitation, hygiene; mask wearing, social distancing) rather than changing people’s health with quick technical fixes—such as vaccination. The interview refers to the image on the book’s cover (also p130) and to the important, related work of Alicia Altorfer-Ong, Ruth Rogawski, and the Connecting Three Worlds project. The conversation was a collective interview by Vanderbilt students in Laura Stark’s course, American Medicine & the World. Laura Stark is Associate Professor at Vanderbilt University’s Center for Medicine, Health, and Society, and Associate Editor of the journal History & Theory. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies
Mary Brazelton’s new book, Mass Vaccination: Citizens’ Bodies and State Power in Modern China (Cornell UP, 2019) could hardly be more timely. During the Covid-19 pandemic, China was in the headlines of Euro-American media as the site of the first cases of the disease. China is also centerstage in Brazelton’s insightful, antiracist book—not as a source of disease but as the source of an effective and pervasive global public health strategy that other nations during the Covid-19 pandemic have strained to implement: mass vaccination. As a historian of modern China and a historian of medicine, Brazelton offers a trustworthy and well-documented account of the National Epidemic Prevention Board and its successor agencies during the republic’s war-torn twentieth century. The location—and relocation—of the Board and its refugee scientists was decisive, Brazelton argues. During World War II and Japanese occupation (1937-45), the Board’s labs and scientists decamped from China’s coastal cities to the mountainous southwest borderland of Yunnan—exactly because the area was rugged, sparsely populated, and far from China’s urban hubs. In Yunnan, scientists were not isolated, but rather set within an idiosyncratic health infrastructure and network of longstanding political rivals vying for sway in the region—including France to the south, UK to the east, the League of Nations in the capital, and everywhere indigenous rulers, who retained local authority as the Nationalist Party struggled to consolidate power in the early years of the republic. The distinctive geography, epidemiology, and communities of health knowledge in Yunnan channeled the Board’s research and strategies. This regional system, developed under the banner of the national Board, became the blueprint for public health interventions for the People’s Republic of China after the Communist Revolution (1949). In the 1970s because of its repressive practices, China was officially excluded from the global health community, which was dominated by Europe and the US under the World Health Organization. Yet, China’s program of mass vaccination and strategy of universal primary care directly informed practices of new and nonaligned countries. Brazelton’s important new book addresses a classic puzzle of biopolitics in the history of science and medicine: when and why did governing regimes build public health programs that prioritized changing people’s behaviors and values (sanitation, hygiene; mask wearing, social distancing) rather than changing people’s health with quick technical fixes—such as vaccination. The interview refers to the image on the book’s cover (also p130) and to the important, related work of Alicia Altorfer-Ong, Ruth Rogawski, and the Connecting Three Worlds project. The conversation was a collective interview by Vanderbilt students in Laura Stark’s course, American Medicine & the World. Laura Stark is Associate Professor at Vanderbilt University’s Center for Medicine, Health, and Society, and Associate Editor of the journal History & Theory. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Mary Brazelton's new book, Mass Vaccination: Citizens' Bodies and State Power in Modern China (Cornell UP, 2019) could hardly be more timely. During the Covid-19 pandemic, China was in the headlines of Euro-American media as the site of the first cases of the disease. China is also centerstage in Brazelton's insightful, antiracist book—not as a source of disease but as the source of an effective and pervasive global public health strategy that other nations during the Covid-19 pandemic have strained to implement: mass vaccination. As a historian of modern China and a historian of medicine, Brazelton offers a trustworthy and well-documented account of the National Epidemic Prevention Board and its successor agencies during the republic's war-torn twentieth century. The location—and relocation—of the Board and its refugee scientists was decisive, Brazelton argues. During World War II and Japanese occupation (1937-45), the Board's labs and scientists decamped from China's coastal cities to the mountainous southwest borderland of Yunnan—exactly because the area was rugged, sparsely populated, and far from China's urban hubs. In Yunnan, scientists were not isolated, but rather set within an idiosyncratic health infrastructure and network of longstanding political rivals vying for sway in the region—including France to the south, UK to the east, the League of Nations in the capital, and everywhere indigenous rulers, who retained local authority as the Nationalist Party struggled to consolidate power in the early years of the republic. The distinctive geography, epidemiology, and communities of health knowledge in Yunnan channeled the Board's research and strategies. This regional system, developed under the banner of the national Board, became the blueprint for public health interventions for the People's Republic of China after the Communist Revolution (1949). In the 1970s because of its repressive practices, China was officially excluded from the global health community, which was dominated by Europe and the US under the World Health Organization. Yet, China's program of mass vaccination and strategy of universal primary care directly informed practices of new and nonaligned countries. Brazelton's important new book addresses a classic puzzle of biopolitics in the history of science and medicine: when and why did governing regimes build public health programs that prioritized changing people's behaviors and values (sanitation, hygiene; mask wearing, social distancing) rather than changing people's health with quick technical fixes—such as vaccination. The interview refers to the image on the book's cover (also p130) and to the important, related work of Alicia Altorfer-Ong, Ruth Rogawski, and the Connecting Three Worlds project. The conversation was a collective interview by Vanderbilt students in Laura Stark's course, American Medicine & the World. Laura Stark is Associate Professor at Vanderbilt University's Center for Medicine, Health, and Society, and Associate Editor of the journal History & Theory. Learn more about your ad choices. Visit megaphone.fm/adchoices
Elise K. Burton's important book, Genetic Crossroads: The Middle East and the Science of Human Heredity (Stanford University Press, 2021), documents how race and nation became fused in concept and in political practice. Over the past century, nation-building and race-making became interdependent through the sciences of heredity and their uses during wartimes and their aftermaths. The book provincializes Euro-American histories of science by centering the intrepid and non-innocent scientists from land along the eastern coastline of the Mediterranean Sea (often called by the imperial name of “Middle East”)—and their transnational networks. The book tracks how scientists' reputations, access to resources, and interpretations of data shifted from the dissolution of the Ottoman Empire, the repackaged race science around World War II, the 1967 Six-Day War, and the lingering state-backed violence of the present day. The sciences of heredity—including physical anthropology and medical genetics—have continued to be used to justify violence and territorial occupation, as much as humanitarian “resettlement” programs, storage of biospecimen, and building of research infrastructures for a cosmopolitan science. Today, “the anti-racist, progressive discourses surrounding contemporary human genome projects have so far been unable to overcome the territorial regimes and ethnic concepts produced by a century of conflict,” Burton writes, because “nationalism is sustained by particular practices of human genetics research—specifically, the need to describe human populations according to geography and ancestral history, coinciding with the two major constituent elements of the nation-state paradigm.” The interview refers to the important, related work of Jenny Bangham, Emma Kowal, Joanna Radin, Gayle Rubin, and Kim TallBear. The conversation was a collective interview by Vanderbilt Master's students in Laura Stark's seminar, Critical Bioethics: Jazmyn Ayers, Kell Coney, Anyssa Francis, Caroline Goodman, Lily Jaremski, Natalie Jones, Ashley Mullen, Enna Pehadzic, Olivia Post, Karrie Raymond, Christina Rosca, Cecile Sahel, Chad Smith, and McKenzie Yates. Learn more about your ad choices. Visit megaphone.fm/adchoices
Reducing harm or shrinking the likelihood of accidental death are remarkably contentions projects—in areas from sex education, to pandemic management, to drug use. Nancy Campbell's important new book, OD: Naloxone and the Politics of Overdose (MIT Press, 2020) explores how a therapy that can stop an accidental drug overdose, called Naloxone, emerged in the American mainstream in the early years of the new millennium—despite existing in some form for nearly a century. What are now called “opioid antagonists” were used, not to save lives, but deployed by the carceral state to police drug users in the early twentieth century; sequestered within bioscience laboratories to build molecular theories of how the brain worked at midcentury; approved by the FDA in 1971 for the treatment of overdose only by physicians; and illicitly administered and widely shared in the 1980s and 1990s among drug-user-led activist organizations and communities, who created their own troves of training protocols, peer-education networks, and experiential evidence of its effectiveness. In the twenty-first century, Naloxone appeared on public policy agendas around harm reduction and arrived legally in the hands of the people best situated to intervene when an overdose was underway—but only in some US states and some countries. Campbell tunes readers' ears to the politics of evidence, the health effects of stigma, and the racism of false medical claims as she listens, amid a century of contention, to the quietness of “undone science.” As evidence, this intrepid book uses visual culture, vernacular documents, oral histories, and (expertly explained) scientific publications. It connects American histories at federal and local levels with the UK and especially Scotland. And it relates medical communities and activist networks without imposing false divides or drawing caricatures of either. The book builds on Campbell's four previous books on the history of addiction, gendering knowledge, and social theory from the position of Science and Technology Studies. The interview was a collaborative project among participants in the Vanderbilt University course, American Medicine & the World. For information about using NBN interviews as part of pedagogical practice, please email Laura Stark or see the essay “Can New Media Save the Book?” in Contexts (2015). Laura Stark is Associate Professor at Vanderbilt University's Center for Medicine, Health, and Society, and Associate Editor of the journal History & Theory. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/medicine
Reducing harm or shrinking the likelihood of accidental death are remarkably contentions projects—in areas from sex education, to pandemic management, to drug use. Nancy Campbell's important new book, OD: Naloxone and the Politics of Overdose (MIT Press, 2020) explores how a therapy that can stop an accidental drug overdose, called Naloxone, emerged in the American mainstream in the early years of the new millennium—despite existing in some form for nearly a century. What are now called “opioid antagonists” were used, not to save lives, but deployed by the carceral state to police drug users in the early twentieth century; sequestered within bioscience laboratories to build molecular theories of how the brain worked at midcentury; approved by the FDA in 1971 for the treatment of overdose only by physicians; and illicitly administered and widely shared in the 1980s and 1990s among drug-user-led activist organizations and communities, who created their own troves of training protocols, peer-education networks, and experiential evidence of its effectiveness. In the twenty-first century, Naloxone appeared on public policy agendas around harm reduction and arrived legally in the hands of the people best situated to intervene when an overdose was underway—but only in some US states and some countries. Campbell tunes readers' ears to the politics of evidence, the health effects of stigma, and the racism of false medical claims as she listens, amid a century of contention, to the quietness of “undone science.” As evidence, this intrepid book uses visual culture, vernacular documents, oral histories, and (expertly explained) scientific publications. It connects American histories at federal and local levels with the UK and especially Scotland. And it relates medical communities and activist networks without imposing false divides or drawing caricatures of either. The book builds on Campbell's four previous books on the history of addiction, gendering knowledge, and social theory from the position of Science and Technology Studies. The interview was a collaborative project among participants in the Vanderbilt University course, American Medicine & the World. For information about using NBN interviews as part of pedagogical practice, please email Laura Stark or see the essay “Can New Media Save the Book?” in Contexts (2015). Laura Stark is Associate Professor at Vanderbilt University's Center for Medicine, Health, and Society, and Associate Editor of the journal History & Theory. Learn more about your ad choices. Visit megaphone.fm/adchoices
Reducing harm or shrinking the likelihood of accidental death are remarkably contentions projects—in areas from sex education, to pandemic management, to drug use. Nancy Campbell's important new book, OD: Naloxone and the Politics of Overdose (MIT Press, 2020) explores how a therapy that can stop an accidental drug overdose, called Naloxone, emerged in the American mainstream in the early years of the new millennium—despite existing in some form for nearly a century. What are now called “opioid antagonists” were used, not to save lives, but deployed by the carceral state to police drug users in the early twentieth century; sequestered within bioscience laboratories to build molecular theories of how the brain worked at midcentury; approved by the FDA in 1971 for the treatment of overdose only by physicians; and illicitly administered and widely shared in the 1980s and 1990s among drug-user-led activist organizations and communities, who created their own troves of training protocols, peer-education networks, and experiential evidence of its effectiveness. In the twenty-first century, Naloxone appeared on public policy agendas around harm reduction and arrived legally in the hands of the people best situated to intervene when an overdose was underway—but only in some US states and some countries. Campbell tunes readers' ears to the politics of evidence, the health effects of stigma, and the racism of false medical claims as she listens, amid a century of contention, to the quietness of “undone science.” As evidence, this intrepid book uses visual culture, vernacular documents, oral histories, and (expertly explained) scientific publications. It connects American histories at federal and local levels with the UK and especially Scotland. And it relates medical communities and activist networks without imposing false divides or drawing caricatures of either. The book builds on Campbell's four previous books on the history of addiction, gendering knowledge, and social theory from the position of Science and Technology Studies. The interview was a collaborative project among participants in the Vanderbilt University course, American Medicine & the World. For information about using NBN interviews as part of pedagogical practice, please email Laura Stark or see the essay “Can New Media Save the Book?” in Contexts (2015). Laura Stark is Associate Professor at Vanderbilt University's Center for Medicine, Health, and Society, and Associate Editor of the journal History & Theory. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/neuroscience
Reducing harm or shrinking the likelihood of accidental death are remarkably contentions projects—in areas from sex education, to pandemic management, to drug use. Nancy Campbell's important new book, OD: Naloxone and the Politics of Overdose (MIT Press, 2020) explores how a therapy that can stop an accidental drug overdose, called Naloxone, emerged in the American mainstream in the early years of the new millennium—despite existing in some form for nearly a century. What are now called “opioid antagonists” were used, not to save lives, but deployed by the carceral state to police drug users in the early twentieth century; sequestered within bioscience laboratories to build molecular theories of how the brain worked at midcentury; approved by the FDA in 1971 for the treatment of overdose only by physicians; and illicitly administered and widely shared in the 1980s and 1990s among drug-user-led activist organizations and communities, who created their own troves of training protocols, peer-education networks, and experiential evidence of its effectiveness. In the twenty-first century, Naloxone appeared on public policy agendas around harm reduction and arrived legally in the hands of the people best situated to intervene when an overdose was underway—but only in some US states and some countries. Campbell tunes readers' ears to the politics of evidence, the health effects of stigma, and the racism of false medical claims as she listens, amid a century of contention, to the quietness of “undone science.” As evidence, this intrepid book uses visual culture, vernacular documents, oral histories, and (expertly explained) scientific publications. It connects American histories at federal and local levels with the UK and especially Scotland. And it relates medical communities and activist networks without imposing false divides or drawing caricatures of either. The book builds on Campbell's four previous books on the history of addiction, gendering knowledge, and social theory from the position of Science and Technology Studies. The interview was a collaborative project among participants in the Vanderbilt University course, American Medicine & the World. For information about using NBN interviews as part of pedagogical practice, please email Laura Stark or see the essay “Can New Media Save the Book?” in Contexts (2015). Laura Stark is Associate Professor at Vanderbilt University's Center for Medicine, Health, and Society, and Associate Editor of the journal History & Theory. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/drugs-addiction-and-recovery
Reducing harm or shrinking the likelihood of accidental death are remarkably contentions projects—in areas from sex education, to pandemic management, to drug use. Nancy Campbell’s important new book, OD: Naloxone and the Politics of Overdose (MIT Press, 2020) explores how a therapy that can stop an accidental drug overdose, called Naloxone, emerged in the American mainstream in the early years of the new millennium—despite existing in some form for nearly a century. What are now called “opioid antagonists” were used, not to save lives, but deployed by the carceral state to police drug users in the early twentieth century; sequestered within bioscience laboratories to build molecular theories of how the brain worked at midcentury; approved by the FDA in 1971 for the treatment of overdose only by physicians; and illicitly administered and widely shared in the 1980s and 1990s among drug-user-led activist organizations and communities, who created their own troves of training protocols, peer-education networks, and experiential evidence of its effectiveness. In the twenty-first century, Naloxone appeared on public policy agendas around harm reduction and arrived legally in the hands of the people best situated to intervene when an overdose was underway—but only in some US states and some countries. Campbell tunes readers’ ears to the politics of evidence, the health effects of stigma, and the racism of false medical claims as she listens, amid a century of contention, to the quietness of “undone science.” As evidence, this intrepid book uses visual culture, vernacular documents, oral histories, and (expertly explained) scientific publications. It connects American histories at federal and local levels with the UK and especially Scotland. And it relates medical communities and activist networks without imposing false divides or drawing caricatures of either. The book builds on Campbell’s four previous books on the history of addiction, gendering knowledge, and social theory from the position of Science and Technology Studies. The interview was a collaborative project among participants in the Vanderbilt University course, American Medicine & the World. For information about using NBN interviews as part of pedagogical practice, please email Laura Stark or see the essay “Can New Media Save the Book?” in Contexts (2015). Laura Stark is Associate Professor at Vanderbilt University’s Center for Medicine, Health, and Society, and Associate Editor of the journal History & Theory. Learn more about your ad choices. Visit megaphone.fm/adchoices
Reducing harm or shrinking the likelihood of accidental death are remarkably contentions projects—in areas from sex education, to pandemic management, to drug use. Nancy Campbell’s important new book, OD: Naloxone and the Politics of Overdose (MIT Press, 2020) explores how a therapy that can stop an accidental drug overdose, called Naloxone, emerged in the American mainstream in the early years of the new millennium—despite existing in some form for nearly a century. What are now called “opioid antagonists” were used, not to save lives, but deployed by the carceral state to police drug users in the early twentieth century; sequestered within bioscience laboratories to build molecular theories of how the brain worked at midcentury; approved by the FDA in 1971 for the treatment of overdose only by physicians; and illicitly administered and widely shared in the 1980s and 1990s among drug-user-led activist organizations and communities, who created their own troves of training protocols, peer-education networks, and experiential evidence of its effectiveness. In the twenty-first century, Naloxone appeared on public policy agendas around harm reduction and arrived legally in the hands of the people best situated to intervene when an overdose was underway—but only in some US states and some countries. Campbell tunes readers’ ears to the politics of evidence, the health effects of stigma, and the racism of false medical claims as she listens, amid a century of contention, to the quietness of “undone science.” As evidence, this intrepid book uses visual culture, vernacular documents, oral histories, and (expertly explained) scientific publications. It connects American histories at federal and local levels with the UK and especially Scotland. And it relates medical communities and activist networks without imposing false divides or drawing caricatures of either. The book builds on Campbell’s four previous books on the history of addiction, gendering knowledge, and social theory from the position of Science and Technology Studies. The interview was a collaborative project among participants in the Vanderbilt University course, American Medicine & the World. For information about using NBN interviews as part of pedagogical practice, please email Laura Stark or see the essay “Can New Media Save the Book?” in Contexts (2015). Laura Stark is Associate Professor at Vanderbilt University’s Center for Medicine, Health, and Society, and Associate Editor of the journal History & Theory. Learn more about your ad choices. Visit megaphone.fm/adchoices
Reducing harm or shrinking the likelihood of accidental death are remarkably contentions projects—in areas from sex education, to pandemic management, to drug use. Nancy Campbell’s important new book, OD: Naloxone and the Politics of Overdose (MIT Press, 2020) explores how a therapy that can stop an accidental drug overdose, called Naloxone, emerged in the American mainstream in the early years of the new millennium—despite existing in some form for nearly a century. What are now called “opioid antagonists” were used, not to save lives, but deployed by the carceral state to police drug users in the early twentieth century; sequestered within bioscience laboratories to build molecular theories of how the brain worked at midcentury; approved by the FDA in 1971 for the treatment of overdose only by physicians; and illicitly administered and widely shared in the 1980s and 1990s among drug-user-led activist organizations and communities, who created their own troves of training protocols, peer-education networks, and experiential evidence of its effectiveness. In the twenty-first century, Naloxone appeared on public policy agendas around harm reduction and arrived legally in the hands of the people best situated to intervene when an overdose was underway—but only in some US states and some countries. Campbell tunes readers’ ears to the politics of evidence, the health effects of stigma, and the racism of false medical claims as she listens, amid a century of contention, to the quietness of “undone science.” As evidence, this intrepid book uses visual culture, vernacular documents, oral histories, and (expertly explained) scientific publications. It connects American histories at federal and local levels with the UK and especially Scotland. And it relates medical communities and activist networks without imposing false divides or drawing caricatures of either. The book builds on Campbell’s four previous books on the history of addiction, gendering knowledge, and social theory from the position of Science and Technology Studies. The interview was a collaborative project among participants in the Vanderbilt University course, American Medicine & the World. For information about using NBN interviews as part of pedagogical practice, please email Laura Stark or see the essay “Can New Media Save the Book?” in Contexts (2015). Laura Stark is Associate Professor at Vanderbilt University’s Center for Medicine, Health, and Society, and Associate Editor of the journal History & Theory. Learn more about your ad choices. Visit megaphone.fm/adchoices
Reducing harm or shrinking the likelihood of accidental death are remarkably contentions projects—in areas from sex education, to pandemic management, to drug use. Nancy Campbell’s important new book, OD: Naloxone and the Politics of Overdose (MIT Press, 2020) explores how a therapy that can stop an accidental drug overdose, called Naloxone, emerged in the American mainstream in the early years of the new millennium—despite existing in some form for nearly a century. What are now called “opioid antagonists” were used, not to save lives, but deployed by the carceral state to police drug users in the early twentieth century; sequestered within bioscience laboratories to build molecular theories of how the brain worked at midcentury; approved by the FDA in 1971 for the treatment of overdose only by physicians; and illicitly administered and widely shared in the 1980s and 1990s among drug-user-led activist organizations and communities, who created their own troves of training protocols, peer-education networks, and experiential evidence of its effectiveness. In the twenty-first century, Naloxone appeared on public policy agendas around harm reduction and arrived legally in the hands of the people best situated to intervene when an overdose was underway—but only in some US states and some countries. Campbell tunes readers’ ears to the politics of evidence, the health effects of stigma, and the racism of false medical claims as she listens, amid a century of contention, to the quietness of “undone science.” As evidence, this intrepid book uses visual culture, vernacular documents, oral histories, and (expertly explained) scientific publications. It connects American histories at federal and local levels with the UK and especially Scotland. And it relates medical communities and activist networks without imposing false divides or drawing caricatures of either. The book builds on Campbell’s four previous books on the history of addiction, gendering knowledge, and social theory from the position of Science and Technology Studies. The interview was a collaborative project among participants in the Vanderbilt University course, American Medicine & the World. For information about using NBN interviews as part of pedagogical practice, please email Laura Stark or see the essay “Can New Media Save the Book?” in Contexts (2015). Laura Stark is Associate Professor at Vanderbilt University’s Center for Medicine, Health, and Society, and Associate Editor of the journal History & Theory. Learn more about your ad choices. Visit megaphone.fm/adchoices
In this episode, Shobita and Jack discuss the recent US congressional hearings with the Big Tech CEOs, and the curious role that behavioral scientists have played in the UK's COVID-19 response. They also chat with Jill Fisher, Professor of Social Medicine at University of North Carolina--Chapel Hill and recent author of Adverse Events: Race, Inequality, and the Testing of New Pharmaceuticals, about the "healthy volunteers" who participate in clinical trials--including for COVID-19--and their exploitation.- Jill Fisher (2020). Adverse Events: Race Inequality, and the Testing of New Pharmaceuticals. NYU Press.- Carl Elliott (2020). Review of Adverse Events: Race, Inequality, and the Testing of New Pharmaceuticals. The New York Review of Books.- Carl Elliott (2007). "Guinea-pigging." The New Yorker. December 31.- Laura Stark (2020). Review of Adverse Events: Race, Inequality, and the Testing of New Pharmaceuticals. The New Republic.- BBC Radio 4 Analysis (2020). "Behavioral Science and the Pandemic."- Sonia Sodha (2020). "Bias in ‘the science’ on coronavirus? Britain has been here before." The Guardian. July 23.- Monica Anderson (2020). "Most Americans say social media companies have too much power, influence in politics." Pew Research Center.Transcript available at thereceivedwisdom.org.
Kevin and Laura Stark have traveled around the world in over 85 countries, creatively sharing their faith in Jesus. Their Team Xtreme International Ministry grabs the attention of crowds as they bend steel bars like Superman. They smash bricks and tear phone books in half... The post Kevin & Laura Stark appeared first on ABQ Connect.
Naturopathic cancer practitioner Dr. Laura Stark, president of the Saskatchewan Association of Naturopathic Practitioners and cancer care director at the Clear Health Inn, joins us in this episode. She discusses what lessons can be learned from cancer patients on how to cope with COVID-19. Being chronically immunocompromised, cancer patients are in constant danger of potentially lethal infections. As such, we discuss how they cope, sometimes for years, with such a threat and what the rest of us can learn from them in the face of an infection to which we have no immunity (ie the Corona Virus).
A discussion with Dr. Laura Stark, president of the Saskatchewan Association of Naturopathic Practitioners and cancer care director at Clear Health Inn, on how people should decide on which alternative health treatments to avoid. Dr. Stark explains which factors should be taken into consideration when deciding on which practitioners or treatments to trust and which to avoid. A discussion on how the cancer care program at Clear Health Inn is structured is also had. In addition, the relationship governing medical oncologists, naturopaths, and patients is also explored.
In this episode, we talk to Dr. Laura Stark. She is the president of the Saskatchewan Association of Naturopathic Practitioners and director of the cancer care program at Clear Health Inn. We cover multiple topics related to the nature and effects of the coronavirus pandemic. We also go over how one should react and behave during these times. In addition, we discuss tips on what you can do to optimize your immune system and overall health during this crisis. A particular emphasis is also placed on the consequences of our psychological reaction to the situation and its impact on health and economic outcomes.
In this episode, we talk to Dr. Laura Stark to explore the differences between conventional and alternative medicine. Dr. Stark is a naturopathic doctor specializing in cancer treatments; she is the cancer care program director at Clear Health Inn, an alternative health treatment facility in Canada. In addition, she is also the current president of the Saskatchewan Association of Naturopathic Practitioners. We discuss the tools and approaches that alternative health practitioners employ to treat illnesses and how this contrasts to the traditional medical approach. We also discuss the scientific validity of alternative health techniques compared to the benchmark of conventional medicine.
They were throwing garbage in the streets. Rosalind Fredericks makes sense of the garbage-scape of Dakar, Senegal in the wake of the 2007 trash “revolts” against the city and country’s uneven and failing garbage infrastructure—and puts into readers’ senses the smelly, sticky, full-sensory politics of waste management in the Global South. Garbage Citizenship: Vital Infrastructures of Labor in Dakar, Senegal (Duke University Press, 2018) brings together studies of infrastructure with scholarship on labor to make a case for understanding, not infrastructure and labor, but laboring bodies as infrastructure. The book breaths fresh life into the moribund concept of neoliberalism to show how civic care, like household care, fell unevenly in Dakar on the bodies of women, youths, and economically precarious workers. Their bodies carried the scars, as well as the stigma, of governments’ piecemeal moves over three decades to keep the labor force that was managing waste both flexible and disposable—at times devolving responsibility onto individuals and informal sectors in the name of modernity, community, and Islamic piety. Garbage Citizenship is based on Fredericks’ political ethnography of Senegal and the book includes vivid, beautiful photos of people, machines, and garbage laboring together—and, at times, collaborating in their refusal to be governed. (Just check out the cover image!) With workers always in mind, Fredericks makes space for hope, tells us where she is working now, and, in this generous interview, suggests how we can give breathing room to social justice, too. Fredericks is Associate Professor of Geography and Development Studies at New York University. The interview was conducted collaboratively by Laura Stark and students in her Vanderbilt seminar, History of Global Health: Emma Dahill, Savannah Larkin, Andrew Medland, Hailey Silver, Jesse Pullen, Gavin Yuan and Claudia Vial. For ideas and resources on how to include the New Books Network in your classroom, feel free to email Laura Stark at laura.stark@vanderbilt.edu or see Stark’s essay “Can New Media Save the Book?” in Contexts (2015). Learn more about your ad choices. Visit megaphone.fm/adchoices
“We cannot get answers to questions that cannot be asked.” Lundy Braun’s influential book, Breathing Race into the Machine: The Surprising Career of the Spirometer from Plantation to Genetics (University of Minnesota Press, 2014) documents the history and present-day use of an everyday medical instrument, the spirometer, which measures a person’s lung capacity. The instrument has a long history, but since the 1970s, this common medical device has been built with a switch that forces users to choose: are these the lungs of a person who is Black or a person who is White? In its materiality, the instrument forces racialized and individualized answers to the question: What explains human variation? In doing so, the people who have imagined, built, and refined the instrument have foreclosed structural, political explanations of human difference—and in doing so, foreclosed the possibility of holding governments and corporations accountable, including in recent workers’ compensation lawsuits. Lundy Braun tells the long history of this instrument as it passed between “knowledge networks” in the United Kingdom, United States, and South Africa within the contexts of medicine, law, and education. Admirably, Braun documents how and in what terms experts (unsuccessfully) questioned the spirometer’s epistemic authority and its racialization, as well as how experts partnered with social justice groups to use the spirometer for liberatory ends. The book emphasizes the contexts of war and industrial labor, the importance of standardization, and, above all, the role of the spirometer in creating and maintaining the “white norm” in the body. Lundy Braun is Professor of Medical Science in Pathology and Professor of Africana Studies at Brown University. The interview was conducted collaboratively by Laura Stark [insert www.laura-stark.com] and students in her Vanderbilt seminar, History of Global Health: Omar Amir, Maggie Cox, Bryce Bailey, Donald Fitzgerald, Ashley Hunter, Jillian Jackson, Rohit Kamath, Zoe Mulraine, Liu Lanxi, Madison Noall, Catie O’Reilly, Isabella Schaffer, Katie Swift, Charlotte Whitfield, and Allie Yan. For ideas and resources to use NBN interviews in your classes, please email Laura Stark at laura.stark@vanderbilt.edu or see Stark’s essay “Can New Media Save the Book?” in Contexts (2015). Learn more about your ad choices. Visit megaphone.fm/adchoices
They were throwing garbage in the streets. Rosalind Fredericks makes sense of the garbage-scape of Dakar, Senegal in the wake of the 2007 trash “revolts” against the city and country’s uneven and failing garbage infrastructure—and puts into readers’ senses the smelly, sticky, full-sensory politics of waste management in the Global South. Garbage Citizenship: Vital Infrastructures of Labor in Dakar, Senegal (Duke University Press, 2018) brings together studies of infrastructure with scholarship on labor to make a case for understanding, not infrastructure and labor, but laboring bodies as infrastructure. The book breaths fresh life into the moribund concept of neoliberalism to show how civic care, like household care, fell unevenly in Dakar on the bodies of women, youths, and economically precarious workers. Their bodies carried the scars, as well as the stigma, of governments’ piecemeal moves over three decades to keep the labor force that was managing waste both flexible and disposable—at times devolving responsibility onto individuals and informal sectors in the name of modernity, community, and Islamic piety. Garbage Citizenship is based on Fredericks’ political ethnography of Senegal and the book includes vivid, beautiful photos of people, machines, and garbage laboring together—and, at times, collaborating in their refusal to be governed. (Just check out the cover image!) With workers always in mind, Fredericks makes space for hope, tells us where she is working now, and, in this generous interview, suggests how we can give breathing room to social justice, too. Fredericks is Associate Professor of Geography and Development Studies at New York University. The interview was conducted collaboratively by Laura Stark and students in her Vanderbilt seminar, History of Global Health: Emma Dahill, Savannah Larkin, Andrew Medland, Hailey Silver, Jesse Pullen, Gavin Yuan and Claudia Vial. For ideas and resources on how to include the New Books Network in your classroom, feel free to email Laura Stark at laura.stark@vanderbilt.edu or see Stark’s essay “Can New Media Save the Book?” in Contexts (2015). Learn more about your ad choices. Visit megaphone.fm/adchoices
They were throwing garbage in the streets. Rosalind Fredericks makes sense of the garbage-scape of Dakar, Senegal in the wake of the 2007 trash “revolts” against the city and country’s uneven and failing garbage infrastructure—and puts into readers’ senses the smelly, sticky, full-sensory politics of waste management in the Global South. Garbage Citizenship: Vital Infrastructures of Labor in Dakar, Senegal (Duke University Press, 2018) brings together studies of infrastructure with scholarship on labor to make a case for understanding, not infrastructure and labor, but laboring bodies as infrastructure. The book breaths fresh life into the moribund concept of neoliberalism to show how civic care, like household care, fell unevenly in Dakar on the bodies of women, youths, and economically precarious workers. Their bodies carried the scars, as well as the stigma, of governments’ piecemeal moves over three decades to keep the labor force that was managing waste both flexible and disposable—at times devolving responsibility onto individuals and informal sectors in the name of modernity, community, and Islamic piety. Garbage Citizenship is based on Fredericks’ political ethnography of Senegal and the book includes vivid, beautiful photos of people, machines, and garbage laboring together—and, at times, collaborating in their refusal to be governed. (Just check out the cover image!) With workers always in mind, Fredericks makes space for hope, tells us where she is working now, and, in this generous interview, suggests how we can give breathing room to social justice, too. Fredericks is Associate Professor of Geography and Development Studies at New York University. The interview was conducted collaboratively by Laura Stark and students in her Vanderbilt seminar, History of Global Health: Emma Dahill, Savannah Larkin, Andrew Medland, Hailey Silver, Jesse Pullen, Gavin Yuan and Claudia Vial. For ideas and resources on how to include the New Books Network in your classroom, feel free to email Laura Stark at laura.stark@vanderbilt.edu or see Stark’s essay “Can New Media Save the Book?” in Contexts (2015). Learn more about your ad choices. Visit megaphone.fm/adchoices
“We cannot get answers to questions that cannot be asked.” Lundy Braun’s influential book, Breathing Race into the Machine: The Surprising Career of the Spirometer from Plantation to Genetics (University of Minnesota Press, 2014) documents the history and present-day use of an everyday medical instrument, the spirometer, which measures a person’s lung capacity. The instrument has a long history, but since the 1970s, this common medical device has been built with a switch that forces users to choose: are these the lungs of a person who is Black or a person who is White? In its materiality, the instrument forces racialized and individualized answers to the question: What explains human variation? In doing so, the people who have imagined, built, and refined the instrument have foreclosed structural, political explanations of human difference—and in doing so, foreclosed the possibility of holding governments and corporations accountable, including in recent workers’ compensation lawsuits. Lundy Braun tells the long history of this instrument as it passed between “knowledge networks” in the United Kingdom, United States, and South Africa within the contexts of medicine, law, and education. Admirably, Braun documents how and in what terms experts (unsuccessfully) questioned the spirometer’s epistemic authority and its racialization, as well as how experts partnered with social justice groups to use the spirometer for liberatory ends. The book emphasizes the contexts of war and industrial labor, the importance of standardization, and, above all, the role of the spirometer in creating and maintaining the “white norm” in the body. Lundy Braun is Professor of Medical Science in Pathology and Professor of Africana Studies at Brown University. The interview was conducted collaboratively by Laura Stark [insert www.laura-stark.com] and students in her Vanderbilt seminar, History of Global Health: Omar Amir, Maggie Cox, Bryce Bailey, Donald Fitzgerald, Ashley Hunter, Jillian Jackson, Rohit Kamath, Zoe Mulraine, Liu Lanxi, Madison Noall, Catie O’Reilly, Isabella Schaffer, Katie Swift, Charlotte Whitfield, and Allie Yan. For ideas and resources to use NBN interviews in your classes, please email Laura Stark at laura.stark@vanderbilt.edu or see Stark’s essay “Can New Media Save the Book?” in Contexts (2015). Learn more about your ad choices. Visit megaphone.fm/adchoices
“We cannot get answers to questions that cannot be asked.” Lundy Braun’s influential book, Breathing Race into the Machine: The Surprising Career of the Spirometer from Plantation to Genetics (University of Minnesota Press, 2014) documents the history and present-day use of an everyday medical instrument, the spirometer, which measures a person’s lung capacity. The instrument has a long history, but since the 1970s, this common medical device has been built with a switch that forces users to choose: are these the lungs of a person who is Black or a person who is White? In its materiality, the instrument forces racialized and individualized answers to the question: What explains human variation? In doing so, the people who have imagined, built, and refined the instrument have foreclosed structural, political explanations of human difference—and in doing so, foreclosed the possibility of holding governments and corporations accountable, including in recent workers’ compensation lawsuits. Lundy Braun tells the long history of this instrument as it passed between “knowledge networks” in the United Kingdom, United States, and South Africa within the contexts of medicine, law, and education. Admirably, Braun documents how and in what terms experts (unsuccessfully) questioned the spirometer’s epistemic authority and its racialization, as well as how experts partnered with social justice groups to use the spirometer for liberatory ends. The book emphasizes the contexts of war and industrial labor, the importance of standardization, and, above all, the role of the spirometer in creating and maintaining the “white norm” in the body. Lundy Braun is Professor of Medical Science in Pathology and Professor of Africana Studies at Brown University. The interview was conducted collaboratively by Laura Stark [insert www.laura-stark.com] and students in her Vanderbilt seminar, History of Global Health: Omar Amir, Maggie Cox, Bryce Bailey, Donald Fitzgerald, Ashley Hunter, Jillian Jackson, Rohit Kamath, Zoe Mulraine, Liu Lanxi, Madison Noall, Catie O’Reilly, Isabella Schaffer, Katie Swift, Charlotte Whitfield, and Allie Yan. For ideas and resources to use NBN interviews in your classes, please email Laura Stark at laura.stark@vanderbilt.edu or see Stark’s essay “Can New Media Save the Book?” in Contexts (2015). Learn more about your ad choices. Visit megaphone.fm/adchoices
“We cannot get answers to questions that cannot be asked.” Lundy Braun’s influential book, Breathing Race into the Machine: The Surprising Career of the Spirometer from Plantation to Genetics (University of Minnesota Press, 2014) documents the history and present-day use of an everyday medical instrument, the spirometer, which measures a person’s lung capacity. The instrument has a long history, but since the 1970s, this common medical device has been built with a switch that forces users to choose: are these the lungs of a person who is Black or a person who is White? In its materiality, the instrument forces racialized and individualized answers to the question: What explains human variation? In doing so, the people who have imagined, built, and refined the instrument have foreclosed structural, political explanations of human difference—and in doing so, foreclosed the possibility of holding governments and corporations accountable, including in recent workers’ compensation lawsuits. Lundy Braun tells the long history of this instrument as it passed between “knowledge networks” in the United Kingdom, United States, and South Africa within the contexts of medicine, law, and education. Admirably, Braun documents how and in what terms experts (unsuccessfully) questioned the spirometer’s epistemic authority and its racialization, as well as how experts partnered with social justice groups to use the spirometer for liberatory ends. The book emphasizes the contexts of war and industrial labor, the importance of standardization, and, above all, the role of the spirometer in creating and maintaining the “white norm” in the body. Lundy Braun is Professor of Medical Science in Pathology and Professor of Africana Studies at Brown University. The interview was conducted collaboratively by Laura Stark [insert www.laura-stark.com] and students in her Vanderbilt seminar, History of Global Health: Omar Amir, Maggie Cox, Bryce Bailey, Donald Fitzgerald, Ashley Hunter, Jillian Jackson, Rohit Kamath, Zoe Mulraine, Liu Lanxi, Madison Noall, Catie O’Reilly, Isabella Schaffer, Katie Swift, Charlotte Whitfield, and Allie Yan. For ideas and resources to use NBN interviews in your classes, please email Laura Stark at laura.stark@vanderbilt.edu or see Stark’s essay “Can New Media Save the Book?” in Contexts (2015). Learn more about your ad choices. Visit megaphone.fm/adchoices
“We cannot get answers to questions that cannot be asked.” Lundy Braun’s influential book, Breathing Race into the Machine: The Surprising Career of the Spirometer from Plantation to Genetics (University of Minnesota Press, 2014) documents the history and present-day use of an everyday medical instrument, the spirometer, which measures a person’s lung capacity. The instrument has a long history, but since the 1970s, this common medical device has been built with a switch that forces users to choose: are these the lungs of a person who is Black or a person who is White? In its materiality, the instrument forces racialized and individualized answers to the question: What explains human variation? In doing so, the people who have imagined, built, and refined the instrument have foreclosed structural, political explanations of human difference—and in doing so, foreclosed the possibility of holding governments and corporations accountable, including in recent workers’ compensation lawsuits. Lundy Braun tells the long history of this instrument as it passed between “knowledge networks” in the United Kingdom, United States, and South Africa within the contexts of medicine, law, and education. Admirably, Braun documents how and in what terms experts (unsuccessfully) questioned the spirometer’s epistemic authority and its racialization, as well as how experts partnered with social justice groups to use the spirometer for liberatory ends. The book emphasizes the contexts of war and industrial labor, the importance of standardization, and, above all, the role of the spirometer in creating and maintaining the “white norm” in the body. Lundy Braun is Professor of Medical Science in Pathology and Professor of Africana Studies at Brown University. The interview was conducted collaboratively by Laura Stark [insert www.laura-stark.com] and students in her Vanderbilt seminar, History of Global Health: Omar Amir, Maggie Cox, Bryce Bailey, Donald Fitzgerald, Ashley Hunter, Jillian Jackson, Rohit Kamath, Zoe Mulraine, Liu Lanxi, Madison Noall, Catie O’Reilly, Isabella Schaffer, Katie Swift, Charlotte Whitfield, and Allie Yan. For ideas and resources to use NBN interviews in your classes, please email Laura Stark at laura.stark@vanderbilt.edu or see Stark’s essay “Can New Media Save the Book?” in Contexts (2015). Learn more about your ad choices. Visit megaphone.fm/adchoices
They were throwing garbage in the streets. Rosalind Fredericks makes sense of the garbage-scape of Dakar, Senegal in the wake of the 2007 trash “revolts” against the city and country’s uneven and failing garbage infrastructure—and puts into readers’ senses the smelly, sticky, full-sensory politics of waste management in the Global South. Garbage Citizenship: Vital Infrastructures of Labor in Dakar, Senegal (Duke University Press, 2018) brings together studies of infrastructure with scholarship on labor to make a case for understanding, not infrastructure and labor, but laboring bodies as infrastructure. The book breaths fresh life into the moribund concept of neoliberalism to show how civic care, like household care, fell unevenly in Dakar on the bodies of women, youths, and economically precarious workers. Their bodies carried the scars, as well as the stigma, of governments’ piecemeal moves over three decades to keep the labor force that was managing waste both flexible and disposable—at times devolving responsibility onto individuals and informal sectors in the name of modernity, community, and Islamic piety. Garbage Citizenship is based on Fredericks’ political ethnography of Senegal and the book includes vivid, beautiful photos of people, machines, and garbage laboring together—and, at times, collaborating in their refusal to be governed. (Just check out the cover image!) With workers always in mind, Fredericks makes space for hope, tells us where she is working now, and, in this generous interview, suggests how we can give breathing room to social justice, too. Fredericks is Associate Professor of Geography and Development Studies at New York University. The interview was conducted collaboratively by Laura Stark and students in her Vanderbilt seminar, History of Global Health: Emma Dahill, Savannah Larkin, Andrew Medland, Hailey Silver, Jesse Pullen, Gavin Yuan and Claudia Vial. For ideas and resources on how to include the New Books Network in your classroom, feel free to email Laura Stark at laura.stark@vanderbilt.edu or see Stark’s essay “Can New Media Save the Book?” in Contexts (2015). Learn more about your ad choices. Visit megaphone.fm/adchoices
“We cannot get answers to questions that cannot be asked.” Lundy Braun's influential book, Breathing Race into the Machine: The Surprising Career of the Spirometer from Plantation to Genetics (University of Minnesota Press, 2014) documents the history and present-day use of an everyday medical instrument, the spirometer, which measures a person's lung capacity. The instrument has a long history, but since the 1970s, this common medical device has been built with a switch that forces users to choose: are these the lungs of a person who is Black or a person who is White? In its materiality, the instrument forces racialized and individualized answers to the question: What explains human variation? In doing so, the people who have imagined, built, and refined the instrument have foreclosed structural, political explanations of human difference—and in doing so, foreclosed the possibility of holding governments and corporations accountable, including in recent workers' compensation lawsuits. Lundy Braun tells the long history of this instrument as it passed between “knowledge networks” in the United Kingdom, United States, and South Africa within the contexts of medicine, law, and education. Admirably, Braun documents how and in what terms experts (unsuccessfully) questioned the spirometer's epistemic authority and its racialization, as well as how experts partnered with social justice groups to use the spirometer for liberatory ends. The book emphasizes the contexts of war and industrial labor, the importance of standardization, and, above all, the role of the spirometer in creating and maintaining the “white norm” in the body. Lundy Braun is Professor of Medical Science in Pathology and Professor of Africana Studies at Brown University. The interview was conducted collaboratively by Laura Stark [insert www.laura-stark.com] and students in her Vanderbilt seminar, History of Global Health: Omar Amir, Maggie Cox, Bryce Bailey, Donald Fitzgerald, Ashley Hunter, Jillian Jackson, Rohit Kamath, Zoe Mulraine, Liu Lanxi, Madison Noall, Catie O'Reilly, Isabella Schaffer, Katie Swift, Charlotte Whitfield, and Allie Yan. For ideas and resources to use NBN interviews in your classes, please email Laura Stark at laura.stark@vanderbilt.edu or see Stark's essay “Can New Media Save the Book?” in Contexts (2015). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/medicine
They were throwing garbage in the streets. Rosalind Fredericks makes sense of the garbage-scape of Dakar, Senegal in the wake of the 2007 trash “revolts” against the city and country's uneven and failing garbage infrastructure—and puts into readers' senses the smelly, sticky, full-sensory politics of waste management in the Global South. Garbage Citizenship: Vital Infrastructures of Labor in Dakar, Senegal (Duke University Press, 2018) brings together studies of infrastructure with scholarship on labor to make a case for understanding, not infrastructure and labor, but laboring bodies as infrastructure. The book breaths fresh life into the moribund concept of neoliberalism to show how civic care, like household care, fell unevenly in Dakar on the bodies of women, youths, and economically precarious workers. Their bodies carried the scars, as well as the stigma, of governments' piecemeal moves over three decades to keep the labor force that was managing waste both flexible and disposable—at times devolving responsibility onto individuals and informal sectors in the name of modernity, community, and Islamic piety. Garbage Citizenship is based on Fredericks' political ethnography of Senegal and the book includes vivid, beautiful photos of people, machines, and garbage laboring together—and, at times, collaborating in their refusal to be governed. (Just check out the cover image!) With workers always in mind, Fredericks makes space for hope, tells us where she is working now, and, in this generous interview, suggests how we can give breathing room to social justice, too. Fredericks is Associate Professor of Geography and Development Studies at New York University. The interview was conducted collaboratively by Laura Stark and students in her Vanderbilt seminar, History of Global Health: Emma Dahill, Savannah Larkin, Andrew Medland, Hailey Silver, Jesse Pullen, Gavin Yuan and Claudia Vial. For ideas and resources on how to include the New Books Network in your classroom, feel free to email Laura Stark at laura.stark@vanderbilt.edu or see Stark's essay “Can New Media Save the Book?” in Contexts (2015). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/medicine
“We cannot get answers to questions that cannot be asked.” Lundy Braun's influential book, Breathing Race into the Machine: The Surprising Career of the Spirometer from Plantation to Genetics (University of Minnesota Press, 2014) documents the history and present-day use of an everyday medical instrument, the spirometer, which measures a person's lung capacity. The instrument has a long history, but since the 1970s, this common medical device has been built with a switch that forces users to choose: are these the lungs of a person who is Black or a person who is White? In its materiality, the instrument forces racialized and individualized answers to the question: What explains human variation? In doing so, the people who have imagined, built, and refined the instrument have foreclosed structural, political explanations of human difference—and in doing so, foreclosed the possibility of holding governments and corporations accountable, including in recent workers' compensation lawsuits. Lundy Braun tells the long history of this instrument as it passed between “knowledge networks” in the United Kingdom, United States, and South Africa within the contexts of medicine, law, and education. Admirably, Braun documents how and in what terms experts (unsuccessfully) questioned the spirometer's epistemic authority and its racialization, as well as how experts partnered with social justice groups to use the spirometer for liberatory ends. The book emphasizes the contexts of war and industrial labor, the importance of standardization, and, above all, the role of the spirometer in creating and maintaining the “white norm” in the body. Lundy Braun is Professor of Medical Science in Pathology and Professor of Africana Studies at Brown University. The interview was conducted collaboratively by Laura Stark [insert www.laura-stark.com] and students in her Vanderbilt seminar, History of Global Health: Omar Amir, Maggie Cox, Bryce Bailey, Donald Fitzgerald, Ashley Hunter, Jillian Jackson, Rohit Kamath, Zoe Mulraine, Liu Lanxi, Madison Noall, Catie O'Reilly, Isabella Schaffer, Katie Swift, Charlotte Whitfield, and Allie Yan. For ideas and resources to use NBN interviews in your classes, please email Laura Stark at laura.stark@vanderbilt.edu or see Stark's essay “Can New Media Save the Book?” in Contexts (2015). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies
“We cannot get answers to questions that cannot be asked.” Lundy Braun’s influential book, Breathing Race into the Machine: The Surprising Career of the Spirometer from Plantation to Genetics (University of Minnesota Press, 2014) documents the history and present-day use of an everyday medical instrument, the spirometer, which measures a person’s lung capacity. The instrument has a long history, but since the 1970s, this common medical device has been built with a switch that forces users to choose: are these the lungs of a person who is Black or a person who is White? In its materiality, the instrument forces racialized and individualized answers to the question: What explains human variation? In doing so, the people who have imagined, built, and refined the instrument have foreclosed structural, political explanations of human difference—and in doing so, foreclosed the possibility of holding governments and corporations accountable, including in recent workers’ compensation lawsuits. Lundy Braun tells the long history of this instrument as it passed between “knowledge networks” in the United Kingdom, United States, and South Africa within the contexts of medicine, law, and education. Admirably, Braun documents how and in what terms experts (unsuccessfully) questioned the spirometer’s epistemic authority and its racialization, as well as how experts partnered with social justice groups to use the spirometer for liberatory ends. The book emphasizes the contexts of war and industrial labor, the importance of standardization, and, above all, the role of the spirometer in creating and maintaining the “white norm” in the body. Lundy Braun is Professor of Medical Science in Pathology and Professor of Africana Studies at Brown University. The interview was conducted collaboratively by Laura Stark [insert www.laura-stark.com] and students in her Vanderbilt seminar, History of Global Health: Omar Amir, Maggie Cox, Bryce Bailey, Donald Fitzgerald, Ashley Hunter, Jillian Jackson, Rohit Kamath, Zoe Mulraine, Liu Lanxi, Madison Noall, Catie O’Reilly, Isabella Schaffer, Katie Swift, Charlotte Whitfield, and Allie Yan. For ideas and resources to use NBN interviews in your classes, please email Laura Stark at laura.stark@vanderbilt.edu or see Stark’s essay “Can New Media Save the Book?” in Contexts (2015). Learn more about your ad choices. Visit megaphone.fm/adchoices
The Americans with Disability Act passed in 1990, but it was just one moment in ongoing efforts to craft the meaning and practice of “good design” that put people with disabilities at the center. In their new book, Building Access: Universal Design and the Politics of Disability (University of Minnesota Press, 2017), Aimi Hamraie takes a “sledgehammer to history” in the spirit of one guerrilla activist group that they track in the archives—among many other people, objects, and historical contexts. Hamraie focuses on work around “access-knowledge”—that is, the forms of expertise that were considered legitimate ways of knowing and responding to disability through design. What has counted as legitimate access-knowledge, Hamraie argues, indicates designers’ goals: Was the aim of design to make productive workers, liberal consumers, or structures that materialized a commitment to spacial belonging? Who were the imagined users and how could new political priorities materialize in worlds already built? Answers to these questions made—and continue to remake—our material world and its frictions. Hamraie brings their training in feminist epistemology to never-before-accessed archival materials, along with an array of historical images and documents. The result is a persuasive, beautiful, and intrepidly researched book. Building Access torques received wisdom in disability studies, history of science, and architectural design, and models how to attend to research, writing, and publishing as a material practice. Hamraie is Assistant Professor at Vanderbilt University’s Center for Medicine, Health & Society, and Director of Vanderbilt’s Critical Design Lab. This interview was a collective effort among Vanderbilt faculty and graduate students in the course New Approaches to STS. For more information about using NBN interviews as part of pedagogical practice, please email Laura Stark or see the essay “Can New Media Save the Book?” in Contexts (2015). Learn more about your ad choices. Visit megaphone.fm/adchoices
The Americans with Disability Act passed in 1990, but it was just one moment in ongoing efforts to craft the meaning and practice of “good design” that put people with disabilities at the center. In their new book, Building Access: Universal Design and the Politics of Disability (University of Minnesota Press, 2017), Aimi Hamraie takes a “sledgehammer to history” in the spirit of one guerrilla activist group that they track in the archives—among many other people, objects, and historical contexts. Hamraie focuses on work around “access-knowledge”—that is, the forms of expertise that were considered legitimate ways of knowing and responding to disability through design. What has counted as legitimate access-knowledge, Hamraie argues, indicates designers’ goals: Was the aim of design to make productive workers, liberal consumers, or structures that materialized a commitment to spacial belonging? Who were the imagined users and how could new political priorities materialize in worlds already built? Answers to these questions made—and continue to remake—our material world and its frictions. Hamraie brings their training in feminist epistemology to never-before-accessed archival materials, along with an array of historical images and documents. The result is a persuasive, beautiful, and intrepidly researched book. Building Access torques received wisdom in disability studies, history of science, and architectural design, and models how to attend to research, writing, and publishing as a material practice. Hamraie is Assistant Professor at Vanderbilt University’s Center for Medicine, Health & Society, and Director of Vanderbilt’s Critical Design Lab. This interview was a collective effort among Vanderbilt faculty and graduate students in the course New Approaches to STS. For more information about using NBN interviews as part of pedagogical practice, please email Laura Stark or see the essay “Can New Media Save the Book?” in Contexts (2015). Learn more about your ad choices. Visit megaphone.fm/adchoices
The Americans with Disability Act passed in 1990, but it was just one moment in ongoing efforts to craft the meaning and practice of “good design” that put people with disabilities at the center. In their new book, Building Access: Universal Design and the Politics of Disability (University of Minnesota Press, 2017), Aimi Hamraie takes a “sledgehammer to history” in the spirit of one guerrilla activist group that they track in the archives—among many other people, objects, and historical contexts. Hamraie focuses on work around “access-knowledge”—that is, the forms of expertise that were considered legitimate ways of knowing and responding to disability through design. What has counted as legitimate access-knowledge, Hamraie argues, indicates designers' goals: Was the aim of design to make productive workers, liberal consumers, or structures that materialized a commitment to spacial belonging? Who were the imagined users and how could new political priorities materialize in worlds already built? Answers to these questions made—and continue to remake—our material world and its frictions. Hamraie brings their training in feminist epistemology to never-before-accessed archival materials, along with an array of historical images and documents. The result is a persuasive, beautiful, and intrepidly researched book. Building Access torques received wisdom in disability studies, history of science, and architectural design, and models how to attend to research, writing, and publishing as a material practice. Hamraie is Assistant Professor at Vanderbilt University's Center for Medicine, Health & Society, and Director of Vanderbilt's Critical Design Lab. This interview was a collective effort among Vanderbilt faculty and graduate students in the course New Approaches to STS. For more information about using NBN interviews as part of pedagogical practice, please email Laura Stark or see the essay “Can New Media Save the Book?” in Contexts (2015). Learn more about your ad choices. Visit megaphone.fm/adchoices
The Americans with Disability Act passed in 1990, but it was just one moment in ongoing efforts to craft the meaning and practice of “good design” that put people with disabilities at the center. In their new book, Building Access: Universal Design and the Politics of Disability (University of Minnesota Press, 2017), Aimi Hamraie takes a “sledgehammer to history” in the spirit of one guerrilla activist group that they track in the archives—among many other people, objects, and historical contexts. Hamraie focuses on work around “access-knowledge”—that is, the forms of expertise that were considered legitimate ways of knowing and responding to disability through design. What has counted as legitimate access-knowledge, Hamraie argues, indicates designers’ goals: Was the aim of design to make productive workers, liberal consumers, or structures that materialized a commitment to spacial belonging? Who were the imagined users and how could new political priorities materialize in worlds already built? Answers to these questions made—and continue to remake—our material world and its frictions. Hamraie brings their training in feminist epistemology to never-before-accessed archival materials, along with an array of historical images and documents. The result is a persuasive, beautiful, and intrepidly researched book. Building Access torques received wisdom in disability studies, history of science, and architectural design, and models how to attend to research, writing, and publishing as a material practice. Hamraie is Assistant Professor at Vanderbilt University’s Center for Medicine, Health & Society, and Director of Vanderbilt’s Critical Design Lab. This interview was a collective effort among Vanderbilt faculty and graduate students in the course New Approaches to STS. For more information about using NBN interviews as part of pedagogical practice, please email Laura Stark or see the essay “Can New Media Save the Book?” in Contexts (2015). Learn more about your ad choices. Visit megaphone.fm/adchoices
The Americans with Disability Act passed in 1990, but it was just one moment in ongoing efforts to craft the meaning and practice of “good design” that put people with disabilities at the center. In their new book, Building Access: Universal Design and the Politics of Disability (University of Minnesota Press, 2017), Aimi Hamraie takes a “sledgehammer to history” in the spirit of one guerrilla activist group that they track in the archives—among many other people, objects, and historical contexts. Hamraie focuses on work around “access-knowledge”—that is, the forms of expertise that were considered legitimate ways of knowing and responding to disability through design. What has counted as legitimate access-knowledge, Hamraie argues, indicates designers' goals: Was the aim of design to make productive workers, liberal consumers, or structures that materialized a commitment to spacial belonging? Who were the imagined users and how could new political priorities materialize in worlds already built? Answers to these questions made—and continue to remake—our material world and its frictions. Hamraie brings their training in feminist epistemology to never-before-accessed archival materials, along with an array of historical images and documents. The result is a persuasive, beautiful, and intrepidly researched book. Building Access torques received wisdom in disability studies, history of science, and architectural design, and models how to attend to research, writing, and publishing as a material practice. Hamraie is Assistant Professor at Vanderbilt University's Center for Medicine, Health & Society, and Director of Vanderbilt's Critical Design Lab. This interview was a collective effort among Vanderbilt faculty and graduate students in the course New Approaches to STS. For more information about using NBN interviews as part of pedagogical practice, please email Laura Stark or see the essay “Can New Media Save the Book?” in Contexts (2015). Learn more about your ad choices. Visit megaphone.fm/adchoices
The Americans with Disability Act passed in 1990, but it was just one moment in ongoing efforts to craft the meaning and practice of “good design” that put people with disabilities at the center. In their new book, Building Access: Universal Design and the Politics of Disability (University of Minnesota Press, 2017), Aimi Hamraie takes a “sledgehammer to history” in the spirit of one guerrilla activist group that they track in the archives—among many other people, objects, and historical contexts. Hamraie focuses on work around “access-knowledge”—that is, the forms of expertise that were considered legitimate ways of knowing and responding to disability through design. What has counted as legitimate access-knowledge, Hamraie argues, indicates designers’ goals: Was the aim of design to make productive workers, liberal consumers, or structures that materialized a commitment to spacial belonging? Who were the imagined users and how could new political priorities materialize in worlds already built? Answers to these questions made—and continue to remake—our material world and its frictions. Hamraie brings their training in feminist epistemology to never-before-accessed archival materials, along with an array of historical images and documents. The result is a persuasive, beautiful, and intrepidly researched book. Building Access torques received wisdom in disability studies, history of science, and architectural design, and models how to attend to research, writing, and publishing as a material practice. Hamraie is Assistant Professor at Vanderbilt University’s Center for Medicine, Health & Society, and Director of Vanderbilt’s Critical Design Lab. This interview was a collective effort among Vanderbilt faculty and graduate students in the course New Approaches to STS. For more information about using NBN interviews as part of pedagogical practice, please email Laura Stark or see the essay “Can New Media Save the Book?” in Contexts (2015). Learn more about your ad choices. Visit megaphone.fm/adchoices
The Americans with Disability Act passed in 1990, but it was just one moment in ongoing efforts to craft the meaning and practice of “good design” that put people with disabilities at the center. In their new book, Building Access: Universal Design and the Politics of Disability (University of Minnesota Press, 2017), Aimi Hamraie takes a “sledgehammer to history” in the spirit of one guerrilla activist group that they track in the archives—among many other people, objects, and historical contexts. Hamraie focuses on work around “access-knowledge”—that is, the forms of expertise that were considered legitimate ways of knowing and responding to disability through design. What has counted as legitimate access-knowledge, Hamraie argues, indicates designers’ goals: Was the aim of design to make productive workers, liberal consumers, or structures that materialized a commitment to spacial belonging? Who were the imagined users and how could new political priorities materialize in worlds already built? Answers to these questions made—and continue to remake—our material world and its frictions. Hamraie brings their training in feminist epistemology to never-before-accessed archival materials, along with an array of historical images and documents. The result is a persuasive, beautiful, and intrepidly researched book. Building Access torques received wisdom in disability studies, history of science, and architectural design, and models how to attend to research, writing, and publishing as a material practice. Hamraie is Assistant Professor at Vanderbilt University’s Center for Medicine, Health & Society, and Director of Vanderbilt’s Critical Design Lab. This interview was a collective effort among Vanderbilt faculty and graduate students in the course New Approaches to STS. For more information about using NBN interviews as part of pedagogical practice, please email Laura Stark or see the essay “Can New Media Save the Book?” in Contexts (2015). Learn more about your ad choices. Visit megaphone.fm/adchoices
Susan M. Squier’s book, Epigenetic Landscapes: Drawings as Metaphor (Duke University Press, 2017) is about development— biological and ecological. It explores how the media (paintings, films, graphics) that experts have created to understand development and to communicate without verbal language has shaped—and continues to affect—the worlds in which we live. Squier’s book takes its title from a set of images from the embryologist C.H. Waddington, all meant to demonstrate his theory of how life developed—as a dynamic process emerging within multiple scales of time and space. The first Epigenetic Landscape was, literally, a landscape painting—thick and confounding—that Waddington commissioned from the artist John Piper. Over the next twenty years, Waddington created two additional images that suggested a less contextual, more individually focused conception of development. In her creative and persuasive book, Susan Squier follows iterations of the Epigenetic Landscape to spotlight moments of contingency in the new field of epigenetics in the 1960s and 1970s, when scientists had opportunities to follow interdisciplinary approaches, to emphasize multiple scales of time and space, and to take seriously process-oriented knowledge that defied orthodoxies of molecular genetics. Squier argues that attending to visual rhetoric of scientific fields, especially development, is an inroad both to understanding the history of those fields, and to imagining possible, more feminist, futures. In doing so, Squier shows that ways of knowing that have been separated as either “art” or “science” interact more often than is appreciated, and those lines of connection serve as important creative resources. Heeding her own call for transdisciplinary approaches, three chapters document how the Epigenetic Landscape has been used not only into embryology but also landscape design and bioArt. Squier is Brill Professor Emeritus of English and Women’s, Gender, and Sexuality Studies at Penn State University. Her previous books include Liminal Lives and The Graphic Medicine Manifesto. This interview was a collaborative effort among participants in the Vanderbilt graduate seminar, Social Studies of Science & Medicine. For information about using NBN interviews as part of pedagogical practice, please email Laura Stark or see the essay “Can New Media Save the Book?” in Contexts (2015). Learn more about your ad choices. Visit megaphone.fm/adchoices
Susan M. Squier's book, Epigenetic Landscapes: Drawings as Metaphor (Duke University Press, 2017) is about development— biological and ecological. It explores how the media (paintings, films, graphics) that experts have created to understand development and to communicate without verbal language has shaped—and continues to affect—the worlds in which we live. Squier's book takes its title from a set of images from the embryologist C.H. Waddington, all meant to demonstrate his theory of how life developed—as a dynamic process emerging within multiple scales of time and space. The first Epigenetic Landscape was, literally, a landscape painting—thick and confounding—that Waddington commissioned from the artist John Piper. Over the next twenty years, Waddington created two additional images that suggested a less contextual, more individually focused conception of development. In her creative and persuasive book, Susan Squier follows iterations of the Epigenetic Landscape to spotlight moments of contingency in the new field of epigenetics in the 1960s and 1970s, when scientists had opportunities to follow interdisciplinary approaches, to emphasize multiple scales of time and space, and to take seriously process-oriented knowledge that defied orthodoxies of molecular genetics. Squier argues that attending to visual rhetoric of scientific fields, especially development, is an inroad both to understanding the history of those fields, and to imagining possible, more feminist, futures. In doing so, Squier shows that ways of knowing that have been separated as either “art” or “science” interact more often than is appreciated, and those lines of connection serve as important creative resources. Heeding her own call for transdisciplinary approaches, three chapters document how the Epigenetic Landscape has been used not only into embryology but also landscape design and bioArt. Squier is Brill Professor Emeritus of English and Women's, Gender, and Sexuality Studies at Penn State University. Her previous books include Liminal Lives and The Graphic Medicine Manifesto. This interview was a collaborative effort among participants in the Vanderbilt graduate seminar, Social Studies of Science & Medicine. For information about using NBN interviews as part of pedagogical practice, please email Laura Stark or see the essay “Can New Media Save the Book?” in Contexts (2015). Learn more about your ad choices. Visit megaphone.fm/adchoices
Susan M. Squier’s book, Epigenetic Landscapes: Drawings as Metaphor (Duke University Press, 2017) is about development— biological and ecological. It explores how the media (paintings, films, graphics) that experts have created to understand development and to communicate without verbal language has shaped—and continues to affect—the worlds in which we live. Squier’s book takes its title from a set of images from the embryologist C.H. Waddington, all meant to demonstrate his theory of how life developed—as a dynamic process emerging within multiple scales of time and space. The first Epigenetic Landscape was, literally, a landscape painting—thick and confounding—that Waddington commissioned from the artist John Piper. Over the next twenty years, Waddington created two additional images that suggested a less contextual, more individually focused conception of development. In her creative and persuasive book, Susan Squier follows iterations of the Epigenetic Landscape to spotlight moments of contingency in the new field of epigenetics in the 1960s and 1970s, when scientists had opportunities to follow interdisciplinary approaches, to emphasize multiple scales of time and space, and to take seriously process-oriented knowledge that defied orthodoxies of molecular genetics. Squier argues that attending to visual rhetoric of scientific fields, especially development, is an inroad both to understanding the history of those fields, and to imagining possible, more feminist, futures. In doing so, Squier shows that ways of knowing that have been separated as either “art” or “science” interact more often than is appreciated, and those lines of connection serve as important creative resources. Heeding her own call for transdisciplinary approaches, three chapters document how the Epigenetic Landscape has been used not only into embryology but also landscape design and bioArt. Squier is Brill Professor Emeritus of English and Women’s, Gender, and Sexuality Studies at Penn State University. Her previous books include Liminal Lives and The Graphic Medicine Manifesto. This interview was a collaborative effort among participants in the Vanderbilt graduate seminar, Social Studies of Science & Medicine. For information about using NBN interviews as part of pedagogical practice, please email Laura Stark or see the essay “Can New Media Save the Book?” in Contexts (2015). Learn more about your ad choices. Visit megaphone.fm/adchoices
Susan M. Squier’s book, Epigenetic Landscapes: Drawings as Metaphor (Duke University Press, 2017) is about development— biological and ecological. It explores how the media (paintings, films, graphics) that experts have created to understand development and to communicate without verbal language has shaped—and continues to affect—the worlds in which we live. Squier’s book takes its title from a set of images from the embryologist C.H. Waddington, all meant to demonstrate his theory of how life developed—as a dynamic process emerging within multiple scales of time and space. The first Epigenetic Landscape was, literally, a landscape painting—thick and confounding—that Waddington commissioned from the artist John Piper. Over the next twenty years, Waddington created two additional images that suggested a less contextual, more individually focused conception of development. In her creative and persuasive book, Susan Squier follows iterations of the Epigenetic Landscape to spotlight moments of contingency in the new field of epigenetics in the 1960s and 1970s, when scientists had opportunities to follow interdisciplinary approaches, to emphasize multiple scales of time and space, and to take seriously process-oriented knowledge that defied orthodoxies of molecular genetics. Squier argues that attending to visual rhetoric of scientific fields, especially development, is an inroad both to understanding the history of those fields, and to imagining possible, more feminist, futures. In doing so, Squier shows that ways of knowing that have been separated as either “art” or “science” interact more often than is appreciated, and those lines of connection serve as important creative resources. Heeding her own call for transdisciplinary approaches, three chapters document how the Epigenetic Landscape has been used not only into embryology but also landscape design and bioArt. Squier is Brill Professor Emeritus of English and Women’s, Gender, and Sexuality Studies at Penn State University. Her previous books include Liminal Lives and The Graphic Medicine Manifesto. This interview was a collaborative effort among participants in the Vanderbilt graduate seminar, Social Studies of Science & Medicine. For information about using NBN interviews as part of pedagogical practice, please email Laura Stark or see the essay “Can New Media Save the Book?” in Contexts (2015). Learn more about your ad choices. Visit megaphone.fm/adchoices
Susan M. Squier's book, Epigenetic Landscapes: Drawings as Metaphor (Duke University Press, 2017) is about development— biological and ecological. It explores how the media (paintings, films, graphics) that experts have created to understand development and to communicate without verbal language has shaped—and continues to affect—the worlds in which we live. Squier's book takes its title from a set of images from the embryologist C.H. Waddington, all meant to demonstrate his theory of how life developed—as a dynamic process emerging within multiple scales of time and space. The first Epigenetic Landscape was, literally, a landscape painting—thick and confounding—that Waddington commissioned from the artist John Piper. Over the next twenty years, Waddington created two additional images that suggested a less contextual, more individually focused conception of development. In her creative and persuasive book, Susan Squier follows iterations of the Epigenetic Landscape to spotlight moments of contingency in the new field of epigenetics in the 1960s and 1970s, when scientists had opportunities to follow interdisciplinary approaches, to emphasize multiple scales of time and space, and to take seriously process-oriented knowledge that defied orthodoxies of molecular genetics. Squier argues that attending to visual rhetoric of scientific fields, especially development, is an inroad both to understanding the history of those fields, and to imagining possible, more feminist, futures. In doing so, Squier shows that ways of knowing that have been separated as either “art” or “science” interact more often than is appreciated, and those lines of connection serve as important creative resources. Heeding her own call for transdisciplinary approaches, three chapters document how the Epigenetic Landscape has been used not only into embryology but also landscape design and bioArt. Squier is Brill Professor Emeritus of English and Women's, Gender, and Sexuality Studies at Penn State University. Her previous books include Liminal Lives and The Graphic Medicine Manifesto. This interview was a collaborative effort among participants in the Vanderbilt graduate seminar, Social Studies of Science & Medicine. For information about using NBN interviews as part of pedagogical practice, please email Laura Stark or see the essay “Can New Media Save the Book?” in Contexts (2015). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/medicine
Susan M. Squier’s book, Epigenetic Landscapes: Drawings as Metaphor (Duke University Press, 2017) is about development— biological and ecological. It explores how the media (paintings, films, graphics) that experts have created to understand development and to communicate without verbal language has shaped—and continues to affect—the worlds in which we live. Squier’s book takes its title from a set of images from the embryologist C.H. Waddington, all meant to demonstrate his theory of how life developed—as a dynamic process emerging within multiple scales of time and space. The first Epigenetic Landscape was, literally, a landscape painting—thick and confounding—that Waddington commissioned from the artist John Piper. Over the next twenty years, Waddington created two additional images that suggested a less contextual, more individually focused conception of development. In her creative and persuasive book, Susan Squier follows iterations of the Epigenetic Landscape to spotlight moments of contingency in the new field of epigenetics in the 1960s and 1970s, when scientists had opportunities to follow interdisciplinary approaches, to emphasize multiple scales of time and space, and to take seriously process-oriented knowledge that defied orthodoxies of molecular genetics. Squier argues that attending to visual rhetoric of scientific fields, especially development, is an inroad both to understanding the history of those fields, and to imagining possible, more feminist, futures. In doing so, Squier shows that ways of knowing that have been separated as either “art” or “science” interact more often than is appreciated, and those lines of connection serve as important creative resources. Heeding her own call for transdisciplinary approaches, three chapters document how the Epigenetic Landscape has been used not only into embryology but also landscape design and bioArt. Squier is Brill Professor Emeritus of English and Women’s, Gender, and Sexuality Studies at Penn State University. Her previous books include Liminal Lives and The Graphic Medicine Manifesto. This interview was a collaborative effort among participants in the Vanderbilt graduate seminar, Social Studies of Science & Medicine. For information about using NBN interviews as part of pedagogical practice, please email Laura Stark or see the essay “Can New Media Save the Book?” in Contexts (2015). Learn more about your ad choices. Visit megaphone.fm/adchoices
It's Thursday, and that means we welcome to the studio Midday's far-ranging theater critic, J. Wynn Rousuck, back from our western frontier and an evening at Frederick's Maryland Ensemble Theater, which is currently staging a new production of playwright Gina Gionfriddo's feminist comedy, Rapture, Blister, Burn -- a finalist for the 2013 Pulitzer Prize in Drama.MET's program describes it as ----an intensely smart, immensely funny play that asks the question, 'What makes us happy in life?' After graduate school, Catherine and Gwen chose polar opposite paths. Catherine built a career as a rock star academic, while Gwen built a home with her husband and children. Decades later each woman covets the other’s life, commencing a dangerous game of musical chairs.----Playwright Gionfriddo, in her program notes for Playwrights Horizons' 2012 world premiere of Rapture, Blister, Burn in New York, wrote, ----I don't want to say too much about what happens in this play, but age and generation loom large. My play, Becky Shaw, feels to me a play about years 30-35; it's still possible to launch a career or start a family, but you need to hurry up. Rapture, Blister, Burn feels like a play about years 40-45. Big, unfulfilled dreams are still possible, but they're statistically less likely. If you're going to take a big leap and remake yourself, you have to do it now.----The production at MET is directed by Suzanne Beale, and the cast includes Genu233u Fouchu233u, Carol Randolph, Madeline Reinhold, Laura Stark, and Ron Ward.Rapture, Blister, Burn continues at Maryland Ensemble Theatre in Frederick through April 29.
In The Economization of Life (Duke University Press, 2017), Michelle Murphy pulls apart the late modern concept of “population” to show the lives this concept has produced and continues to produce, and, importantly, the lives it has failed to allow under the banner of postwar development projects. In the post-WWII period of decolonization, experts and state planners in the Global North tested in the real-world the hypotheses of Demographic Transition Theory (industrialization leads to few births which leads to “better” lives). In doing so, they repackaged the racist logic of earlier eugenicist definitions of population in the postwar period by harnessing the concept of population, not to environmental limits, but to economic optimization. Murphy show how this postwar “regime of valuation” played out on the ground through an extended study of population management and family planning projects in Bangladesh. Murphy’s work—which combines a new history of the population concept with an original study of lives lived (and not lived) in Bangladesh—demonstrates her broader point: namely that seemingly abstract, large scale elements of late-capitalist infrastructures of industrial production depend upon emotional, affective sensibilities about sex and reproduction. By telling a history of expert concepts of population, the infrastructures that perform it, the affects that pulse through it, and forms of life it continues to produce and prevent, Michelle Murphy invites readers to speculate towards other worlds—and other words. Murphy teaches us why population is an “intolerable concept” and she does the work of imagining other, more just, more apt words we might use in place of “population.” She suggests that her term “distributed reproduction” might help shift our attention, our thinking, and our practices towards more emancipatory collective responses and responsibilities—given our own existence as part of infrastructures of racism and violence. Laura Stark is Associate Professor at Vanderbilt University and is Associate Editor of the journal History & Theory. Laura’s first book, Behind Closed Doors: IRBs and the Making of Ethical Research, was published in 2012 by University of Chicago Press. Her current research explores how a market for healthy civilian “human subjects” emerged in law, science, and popular imagination in the post-World War Two period. It is based on a vernacular archive she created with more than 100 “normal control” research subjects and scientists who took part in postwar experiments at the US National Institutes of Health, now archived at Countway Library for the History of Medicine. Overall, Stark’s work uses social theory to map the intersections of science, morality and the modern state in a global context. Learn more about your ad choices. Visit megaphone.fm/adchoices
In The Economization of Life (Duke University Press, 2017), Michelle Murphy pulls apart the late modern concept of “population” to show the lives this concept has produced and continues to produce, and, importantly, the lives it has failed to allow under the banner of postwar development projects. In the post-WWII period of decolonization, experts and state planners in the Global North tested in the real-world the hypotheses of Demographic Transition Theory (industrialization leads to few births which leads to “better” lives). In doing so, they repackaged the racist logic of earlier eugenicist definitions of population in the postwar period by harnessing the concept of population, not to environmental limits, but to economic optimization. Murphy show how this postwar “regime of valuation” played out on the ground through an extended study of population management and family planning projects in Bangladesh. Murphy’s work—which combines a new history of the population concept with an original study of lives lived (and not lived) in Bangladesh—demonstrates her broader point: namely that seemingly abstract, large scale elements of late-capitalist infrastructures of industrial production depend upon emotional, affective sensibilities about sex and reproduction. By telling a history of expert concepts of population, the infrastructures that perform it, the affects that pulse through it, and forms of life it continues to produce and prevent, Michelle Murphy invites readers to speculate towards other worlds—and other words. Murphy teaches us why population is an “intolerable concept” and she does the work of imagining other, more just, more apt words we might use in place of “population.” She suggests that her term “distributed reproduction” might help shift our attention, our thinking, and our practices towards more emancipatory collective responses and responsibilities—given our own existence as part of infrastructures of racism and violence. Laura Stark is Associate Professor at Vanderbilt University and is Associate Editor of the journal History & Theory. Laura’s first book, Behind Closed Doors: IRBs and the Making of Ethical Research, was published in 2012 by University of Chicago Press. Her current research explores how a market for healthy civilian “human subjects” emerged in law, science, and popular imagination in the post-World War Two period. It is based on a vernacular archive she created with more than 100 “normal control” research subjects and scientists who took part in postwar experiments at the US National Institutes of Health, now archived at Countway Library for the History of Medicine. Overall, Stark’s work uses social theory to map the intersections of science, morality and the modern state in a global context. Learn more about your ad choices. Visit megaphone.fm/adchoices
In The Economization of Life (Duke University Press, 2017), Michelle Murphy pulls apart the late modern concept of “population” to show the lives this concept has produced and continues to produce, and, importantly, the lives it has failed to allow under the banner of postwar development projects. In the post-WWII period of decolonization, experts and state planners in the Global North tested in the real-world the hypotheses of Demographic Transition Theory (industrialization leads to few births which leads to “better” lives). In doing so, they repackaged the racist logic of earlier eugenicist definitions of population in the postwar period by harnessing the concept of population, not to environmental limits, but to economic optimization. Murphy show how this postwar “regime of valuation” played out on the ground through an extended study of population management and family planning projects in Bangladesh. Murphy’s work—which combines a new history of the population concept with an original study of lives lived (and not lived) in Bangladesh—demonstrates her broader point: namely that seemingly abstract, large scale elements of late-capitalist infrastructures of industrial production depend upon emotional, affective sensibilities about sex and reproduction. By telling a history of expert concepts of population, the infrastructures that perform it, the affects that pulse through it, and forms of life it continues to produce and prevent, Michelle Murphy invites readers to speculate towards other worlds—and other words. Murphy teaches us why population is an “intolerable concept” and she does the work of imagining other, more just, more apt words we might use in place of “population.” She suggests that her term “distributed reproduction” might help shift our attention, our thinking, and our practices towards more emancipatory collective responses and responsibilities—given our own existence as part of infrastructures of racism and violence. Laura Stark is Associate Professor at Vanderbilt University and is Associate Editor of the journal History & Theory. Laura’s first book, Behind Closed Doors: IRBs and the Making of Ethical Research, was published in 2012 by University of Chicago Press. Her current research explores how a market for healthy civilian “human subjects” emerged in law, science, and popular imagination in the post-World War Two period. It is based on a vernacular archive she created with more than 100 “normal control” research subjects and scientists who took part in postwar experiments at the US National Institutes of Health, now archived at Countway Library for the History of Medicine. Overall, Stark’s work uses social theory to map the intersections of science, morality and the modern state in a global context. Learn more about your ad choices. Visit megaphone.fm/adchoices
In The Economization of Life (Duke University Press, 2017), Michelle Murphy pulls apart the late modern concept of “population” to show the lives this concept has produced and continues to produce, and, importantly, the lives it has failed to allow under the banner of postwar development projects. In the post-WWII period of decolonization, experts and state planners in the Global North tested in the real-world the hypotheses of Demographic Transition Theory (industrialization leads to few births which leads to “better” lives). In doing so, they repackaged the racist logic of earlier eugenicist definitions of population in the postwar period by harnessing the concept of population, not to environmental limits, but to economic optimization. Murphy show how this postwar “regime of valuation” played out on the ground through an extended study of population management and family planning projects in Bangladesh. Murphy’s work—which combines a new history of the population concept with an original study of lives lived (and not lived) in Bangladesh—demonstrates her broader point: namely that seemingly abstract, large scale elements of late-capitalist infrastructures of industrial production depend upon emotional, affective sensibilities about sex and reproduction. By telling a history of expert concepts of population, the infrastructures that perform it, the affects that pulse through it, and forms of life it continues to produce and prevent, Michelle Murphy invites readers to speculate towards other worlds—and other words. Murphy teaches us why population is an “intolerable concept” and she does the work of imagining other, more just, more apt words we might use in place of “population.” She suggests that her term “distributed reproduction” might help shift our attention, our thinking, and our practices towards more emancipatory collective responses and responsibilities—given our own existence as part of infrastructures of racism and violence. Laura Stark is Associate Professor at Vanderbilt University and is Associate Editor of the journal History & Theory. Laura’s first book, Behind Closed Doors: IRBs and the Making of Ethical Research, was published in 2012 by University of Chicago Press. Her current research explores how a market for healthy civilian “human subjects” emerged in law, science, and popular imagination in the post-World War Two period. It is based on a vernacular archive she created with more than 100 “normal control” research subjects and scientists who took part in postwar experiments at the US National Institutes of Health, now archived at Countway Library for the History of Medicine. Overall, Stark’s work uses social theory to map the intersections of science, morality and the modern state in a global context. Learn more about your ad choices. Visit megaphone.fm/adchoices
In The Economization of Life (Duke University Press, 2017), Michelle Murphy pulls apart the late modern concept of “population” to show the lives this concept has produced and continues to produce, and, importantly, the lives it has failed to allow under the banner of postwar development projects. In the post-WWII period of decolonization, experts and state planners in the Global North tested in the real-world the hypotheses of Demographic Transition Theory (industrialization leads to few births which leads to “better” lives). In doing so, they repackaged the racist logic of earlier eugenicist definitions of population in the postwar period by harnessing the concept of population, not to environmental limits, but to economic optimization. Murphy show how this postwar “regime of valuation” played out on the ground through an extended study of population management and family planning projects in Bangladesh. Murphy’s work—which combines a new history of the population concept with an original study of lives lived (and not lived) in Bangladesh—demonstrates her broader point: namely that seemingly abstract, large scale elements of late-capitalist infrastructures of industrial production depend upon emotional, affective sensibilities about sex and reproduction. By telling a history of expert concepts of population, the infrastructures that perform it, the affects that pulse through it, and forms of life it continues to produce and prevent, Michelle Murphy invites readers to speculate towards other worlds—and other words. Murphy teaches us why population is an “intolerable concept” and she does the work of imagining other, more just, more apt words we might use in place of “population.” She suggests that her term “distributed reproduction” might help shift our attention, our thinking, and our practices towards more emancipatory collective responses and responsibilities—given our own existence as part of infrastructures of racism and violence. Laura Stark is Associate Professor at Vanderbilt University and is Associate Editor of the journal History & Theory. Laura’s first book, Behind Closed Doors: IRBs and the Making of Ethical Research, was published in 2012 by University of Chicago Press. Her current research explores how a market for healthy civilian “human subjects” emerged in law, science, and popular imagination in the post-World War Two period. It is based on a vernacular archive she created with more than 100 “normal control” research subjects and scientists who took part in postwar experiments at the US National Institutes of Health, now archived at Countway Library for the History of Medicine. Overall, Stark’s work uses social theory to map the intersections of science, morality and the modern state in a global context. Learn more about your ad choices. Visit megaphone.fm/adchoices
More than Meets the IRB: A joint initiative of Washington University in St. Louis and PRIM&R
In this episode of More than Meets the IRB: A Joint Initiative of Washington University in St. Louis and PRIM&R, we speak with Dr. Robert Klitzman about transparency and consistency of IRBs in addition to their sometimes-fraught relationship with investigators. Dr. Klitzman is Professor of Clinical Psychiatry in the College of Physicians and Surgeons and Director of the Masters of Bioethics Program at Columbia University. He is the author of The Ethics Police?: The Struggle to Make Human Research Safe, which constituted some of the first broad, qualitative research on “how IRBs actually make decisions.” In a conversation at PRIM&R’s 2016 Advancing Ethical Research Conference, Dr. Klitzman talks about the factors that generate tension between IRBs and researchers, including the structural incentives researchers face and internal inconsistencies in decision-making by IRBs that “send a confusing message to the research community.” We discuss what’s missing in the world of IRBs that can bridge the gap with researchers, and new developments in the field that have the potential to facilitate (or hinder) the achievement of that goal. We discuss a previous episode of More than Meets the IRB, with Dr. Laura Stark, which can be found here: http://digitalcommons.wustl.edu/hrpopods/6/
Since it was published in 2004, Ruth Rogaski’s Hygienic Modernity: Meanings of Health and Disease in Treaty-Port China (University of California Press, 2014 reprint) has won four major prizes in fields ranging from history of medicine to East Asian history. It is easy to see why. Set in the Chinese treaty port of Tianjin, the book follows Chinese elites over the tumultuous decades that spanned the middle of the nineteenth century to World War Two. Chinese elites in Tianjin engaged British, French, and, importantly, Japanese imperialists and traders in their midst, creating what Rogaski thinks is best called a “hypercolony.” Simultaneously, Chinese elites pressed their own nation-building projects, working to distinguish themselves both from the foreigners and also from the masses they ruled. To do so, they adopted, adapted, and cultivated particular ways of building a modern nation in the final years of the Qing dynasty, which hung, importantly, on practices of hygiene. These ideal ways of being hygienic, thus modern, fundamentally rearranged the urban landscape of Tianjin and the practice of everyday life. Rogaski writes wonderfully and leads the way through tricky historical evidence, pointing out how Chinese elites modernizing projects were apparent in the changed meaning of weisheng. In the early nineteenth century, the term referred to individual ways of guarding health and a century later had come explicitly to refer to government-directed public hygiene measures–“hygienic modernity”–without ever shedding its earlier inflections. The book shows that modernity is not so much a time period, but an aspiration and a process–always incomplete, seemingly right around the washroom corner. Creatively designed and insightfully analyzed, this study defies any simple binaries of colonizer and colonized, or of indigenous and scientific medicine. Rogaski wears her theory lightly and has plenty new to show–not least to historians of medicine who may be most familiar with the stories of colonial medicine from Africa and India. Ruth Rogaski is Associate Professor of History at Vanderbilt University and generously agreed to a live faculty-student interview as part of a collaborative final project for Laura Starks course History of Global Health. To learn more about using the New Books Network for classroom projects, see Laura Stark’s essay “Can new media save the book?” in the Fall 2015 issue of Contexts. Learn more about your ad choices. Visit megaphone.fm/adchoices
Since it was published in 2004, Ruth Rogaski’s Hygienic Modernity: Meanings of Health and Disease in Treaty-Port China (University of California Press, 2014 reprint) has won four major prizes in fields ranging from history of medicine to East Asian history. It is easy to see why. Set in the Chinese treaty port of Tianjin, the book follows Chinese elites over the tumultuous decades that spanned the middle of the nineteenth century to World War Two. Chinese elites in Tianjin engaged British, French, and, importantly, Japanese imperialists and traders in their midst, creating what Rogaski thinks is best called a “hypercolony.” Simultaneously, Chinese elites pressed their own nation-building projects, working to distinguish themselves both from the foreigners and also from the masses they ruled. To do so, they adopted, adapted, and cultivated particular ways of building a modern nation in the final years of the Qing dynasty, which hung, importantly, on practices of hygiene. These ideal ways of being hygienic, thus modern, fundamentally rearranged the urban landscape of Tianjin and the practice of everyday life. Rogaski writes wonderfully and leads the way through tricky historical evidence, pointing out how Chinese elites modernizing projects were apparent in the changed meaning of weisheng. In the early nineteenth century, the term referred to individual ways of guarding health and a century later had come explicitly to refer to government-directed public hygiene measures–“hygienic modernity”–without ever shedding its earlier inflections. The book shows that modernity is not so much a time period, but an aspiration and a process–always incomplete, seemingly right around the washroom corner. Creatively designed and insightfully analyzed, this study defies any simple binaries of colonizer and colonized, or of indigenous and scientific medicine. Rogaski wears her theory lightly and has plenty new to show–not least to historians of medicine who may be most familiar with the stories of colonial medicine from Africa and India. Ruth Rogaski is Associate Professor of History at Vanderbilt University and generously agreed to a live faculty-student interview as part of a collaborative final project for Laura Starks course History of Global Health. To learn more about using the New Books Network for classroom projects, see Laura Stark’s essay “Can new media save the book?” in the Fall 2015 issue of Contexts. Learn more about your ad choices. Visit megaphone.fm/adchoices
Since it was published in 2004, Ruth Rogaski’s Hygienic Modernity: Meanings of Health and Disease in Treaty-Port China (University of California Press, 2014 reprint) has won four major prizes in fields ranging from history of medicine to East Asian history. It is easy to see why. Set in the Chinese treaty port of Tianjin, the book follows Chinese elites over the tumultuous decades that spanned the middle of the nineteenth century to World War Two. Chinese elites in Tianjin engaged British, French, and, importantly, Japanese imperialists and traders in their midst, creating what Rogaski thinks is best called a “hypercolony.” Simultaneously, Chinese elites pressed their own nation-building projects, working to distinguish themselves both from the foreigners and also from the masses they ruled. To do so, they adopted, adapted, and cultivated particular ways of building a modern nation in the final years of the Qing dynasty, which hung, importantly, on practices of hygiene. These ideal ways of being hygienic, thus modern, fundamentally rearranged the urban landscape of Tianjin and the practice of everyday life. Rogaski writes wonderfully and leads the way through tricky historical evidence, pointing out how Chinese elites modernizing projects were apparent in the changed meaning of weisheng. In the early nineteenth century, the term referred to individual ways of guarding health and a century later had come explicitly to refer to government-directed public hygiene measures–“hygienic modernity”–without ever shedding its earlier inflections. The book shows that modernity is not so much a time period, but an aspiration and a process–always incomplete, seemingly right around the washroom corner. Creatively designed and insightfully analyzed, this study defies any simple binaries of colonizer and colonized, or of indigenous and scientific medicine. Rogaski wears her theory lightly and has plenty new to show–not least to historians of medicine who may be most familiar with the stories of colonial medicine from Africa and India. Ruth Rogaski is Associate Professor of History at Vanderbilt University and generously agreed to a live faculty-student interview as part of a collaborative final project for Laura Starks course History of Global Health. To learn more about using the New Books Network for classroom projects, see Laura Stark’s essay “Can new media save the book?” in the Fall 2015 issue of Contexts. Learn more about your ad choices. Visit megaphone.fm/adchoices
Since it was published in 2004, Ruth Rogaski's Hygienic Modernity: Meanings of Health and Disease in Treaty-Port China (University of California Press, 2014 reprint) has won four major prizes in fields ranging from history of medicine to East Asian history. It is easy to see why. Set in the Chinese treaty port of Tianjin, the book follows Chinese elites over the tumultuous decades that spanned the middle of the nineteenth century to World War Two. Chinese elites in Tianjin engaged British, French, and, importantly, Japanese imperialists and traders in their midst, creating what Rogaski thinks is best called a “hypercolony.” Simultaneously, Chinese elites pressed their own nation-building projects, working to distinguish themselves both from the foreigners and also from the masses they ruled. To do so, they adopted, adapted, and cultivated particular ways of building a modern nation in the final years of the Qing dynasty, which hung, importantly, on practices of hygiene. These ideal ways of being hygienic, thus modern, fundamentally rearranged the urban landscape of Tianjin and the practice of everyday life. Rogaski writes wonderfully and leads the way through tricky historical evidence, pointing out how Chinese elites modernizing projects were apparent in the changed meaning of weisheng. In the early nineteenth century, the term referred to individual ways of guarding health and a century later had come explicitly to refer to government-directed public hygiene measures–“hygienic modernity”–without ever shedding its earlier inflections. The book shows that modernity is not so much a time period, but an aspiration and a process–always incomplete, seemingly right around the washroom corner. Creatively designed and insightfully analyzed, this study defies any simple binaries of colonizer and colonized, or of indigenous and scientific medicine. Rogaski wears her theory lightly and has plenty new to show–not least to historians of medicine who may be most familiar with the stories of colonial medicine from Africa and India. Ruth Rogaski is Associate Professor of History at Vanderbilt University and generously agreed to a live faculty-student interview as part of a collaborative final project for Laura Starks course History of Global Health. To learn more about using the New Books Network for classroom projects, see Laura Stark's essay “Can new media save the book?” in the Fall 2015 issue of Contexts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/medicine
Since it was published in 2004, Ruth Rogaski’s Hygienic Modernity: Meanings of Health and Disease in Treaty-Port China (University of California Press, 2014 reprint) has won four major prizes in fields ranging from history of medicine to East Asian history. It is easy to see why. Set in the Chinese treaty port of Tianjin, the book follows Chinese elites over the tumultuous decades that spanned the middle of the nineteenth century to World War Two. Chinese elites in Tianjin engaged British, French, and, importantly, Japanese imperialists and traders in their midst, creating what Rogaski thinks is best called a “hypercolony.” Simultaneously, Chinese elites pressed their own nation-building projects, working to distinguish themselves both from the foreigners and also from the masses they ruled. To do so, they adopted, adapted, and cultivated particular ways of building a modern nation in the final years of the Qing dynasty, which hung, importantly, on practices of hygiene. These ideal ways of being hygienic, thus modern, fundamentally rearranged the urban landscape of Tianjin and the practice of everyday life. Rogaski writes wonderfully and leads the way through tricky historical evidence, pointing out how Chinese elites modernizing projects were apparent in the changed meaning of weisheng. In the early nineteenth century, the term referred to individual ways of guarding health and a century later had come explicitly to refer to government-directed public hygiene measures–“hygienic modernity”–without ever shedding its earlier inflections. The book shows that modernity is not so much a time period, but an aspiration and a process–always incomplete, seemingly right around the washroom corner. Creatively designed and insightfully analyzed, this study defies any simple binaries of colonizer and colonized, or of indigenous and scientific medicine. Rogaski wears her theory lightly and has plenty new to show–not least to historians of medicine who may be most familiar with the stories of colonial medicine from Africa and India. Ruth Rogaski is Associate Professor of History at Vanderbilt University and generously agreed to a live faculty-student interview as part of a collaborative final project for Laura Starks course History of Global Health. To learn more about using the New Books Network for classroom projects, see Laura Stark’s essay “Can new media save the book?” in the Fall 2015 issue of Contexts. Learn more about your ad choices. Visit megaphone.fm/adchoices
Laura Stark‘s lucid and engaging new book explores the making and enacting of the rules that govern human subjects research in the US. Using a thoughtfully conceived combination of ethnographic and archival work, Behind Closed Doors: IRBs and the Making of Ethical Research (University of Chicago Press, 2012) locates the emergence of a system of “governing with experts” by Institutional Review Boards (IRBs) in the middle of the twentieth century. Stark shows how the features that now characterize the IRB deliberations that consider whether research on people can proceed in institutional contexts emerged in the particular context of the NIH Clinical Research Committee in 1950s and 1960s, and she explains how they managed to spread thereafter across the US and the globe. Behind Closed Doors draws from a wide and transdisciplinary set of methodological resources in articulating the power of performative language in shaping negotiations around human subjects research, suggesting innovative ways to read documentary evidence as a narrative of voices in time. True to its title, Stark’s story takes us behind the closed doors of occasionally heated IRB deliberations. It also introduces us to some of the spirited and disruptive “healthy patients” of the Clinical Center at the National Institutes of Health (NIH), prisoners and conscientious objectors among them, as they were dosed with LSD or infected with malaria and influenza, making a kind of home in the Center or cleverly escaping from it. It’s a wonderfully stimulating book that should be widely read and included on the syllabi of many graduate seminars to come. Learn more about your ad choices. Visit megaphone.fm/adchoices
Laura Stark‘s lucid and engaging new book explores the making and enacting of the rules that govern human subjects research in the US. Using a thoughtfully conceived combination of ethnographic and archival work, Behind Closed Doors: IRBs and the Making of Ethical Research (University of Chicago Press, 2012) locates the emergence of a system of “governing with experts” by Institutional Review Boards (IRBs) in the middle of the twentieth century. Stark shows how the features that now characterize the IRB deliberations that consider whether research on people can proceed in institutional contexts emerged in the particular context of the NIH Clinical Research Committee in 1950s and 1960s, and she explains how they managed to spread thereafter across the US and the globe. Behind Closed Doors draws from a wide and transdisciplinary set of methodological resources in articulating the power of performative language in shaping negotiations around human subjects research, suggesting innovative ways to read documentary evidence as a narrative of voices in time. True to its title, Stark’s story takes us behind the closed doors of occasionally heated IRB deliberations. It also introduces us to some of the spirited and disruptive “healthy patients” of the Clinical Center at the National Institutes of Health (NIH), prisoners and conscientious objectors among them, as they were dosed with LSD or infected with malaria and influenza, making a kind of home in the Center or cleverly escaping from it. It’s a wonderfully stimulating book that should be widely read and included on the syllabi of many graduate seminars to come. Learn more about your ad choices. Visit megaphone.fm/adchoices
Laura Stark‘s lucid and engaging new book explores the making and enacting of the rules that govern human subjects research in the US. Using a thoughtfully conceived combination of ethnographic and archival work, Behind Closed Doors: IRBs and the Making of Ethical Research (University of Chicago Press, 2012) locates the emergence of a system of “governing with experts” by Institutional Review Boards (IRBs) in the middle of the twentieth century. Stark shows how the features that now characterize the IRB deliberations that consider whether research on people can proceed in institutional contexts emerged in the particular context of the NIH Clinical Research Committee in 1950s and 1960s, and she explains how they managed to spread thereafter across the US and the globe. Behind Closed Doors draws from a wide and transdisciplinary set of methodological resources in articulating the power of performative language in shaping negotiations around human subjects research, suggesting innovative ways to read documentary evidence as a narrative of voices in time. True to its title, Stark’s story takes us behind the closed doors of occasionally heated IRB deliberations. It also introduces us to some of the spirited and disruptive “healthy patients” of the Clinical Center at the National Institutes of Health (NIH), prisoners and conscientious objectors among them, as they were dosed with LSD or infected with malaria and influenza, making a kind of home in the Center or cleverly escaping from it. It’s a wonderfully stimulating book that should be widely read and included on the syllabi of many graduate seminars to come. Learn more about your ad choices. Visit megaphone.fm/adchoices
Laura Stark‘s lucid and engaging new book explores the making and enacting of the rules that govern human subjects research in the US. Using a thoughtfully conceived combination of ethnographic and archival work, Behind Closed Doors: IRBs and the Making of Ethical Research (University of Chicago Press, 2012) locates the emergence of a system of “governing with experts” by Institutional Review Boards (IRBs) in the middle of the twentieth century. Stark shows how the features that now characterize the IRB deliberations that consider whether research on people can proceed in institutional contexts emerged in the particular context of the NIH Clinical Research Committee in 1950s and 1960s, and she explains how they managed to spread thereafter across the US and the globe. Behind Closed Doors draws from a wide and transdisciplinary set of methodological resources in articulating the power of performative language in shaping negotiations around human subjects research, suggesting innovative ways to read documentary evidence as a narrative of voices in time. True to its title, Stark’s story takes us behind the closed doors of occasionally heated IRB deliberations. It also introduces us to some of the spirited and disruptive “healthy patients” of the Clinical Center at the National Institutes of Health (NIH), prisoners and conscientious objectors among them, as they were dosed with LSD or infected with malaria and influenza, making a kind of home in the Center or cleverly escaping from it. It’s a wonderfully stimulating book that should be widely read and included on the syllabi of many graduate seminars to come. Learn more about your ad choices. Visit megaphone.fm/adchoices