Podcasts about night must fall

Choice Classic Radio presents Suspense, which aired from 1940 to 1962. Today we bring to you the episode titled “Night Must Fall.” Please consider supporting our show by becoming a patron at http://choiceclassicradio.com We hope you enjoy the show!

EPISODE 45 - “Forgotten B-Leading Men of the Golden Age of Hollywood” - 07/22/2024 ** This episode is sponsored brought to you by BetterHelp. Give online therapy a try at betterhelp.com/BENEATH and get on your way to being your best self.” ** Sometimes, there is nothing quite like a good old B-movie. Maybe the production values aren't the best, and maybe the story is grittier than most, but these little gems have provided hours of viewing pleasure to so many. These films also had great leading men in them. Studly, sturdy, reliable actors who might not be GARY COOPER or CARY GRANT or CLARK GABLE, but were handsome and talented and knew how to beat up the bad guys and win over the lovely leading lady. As an homage to the leading men of the B's, this week, we'll take a look at the lives an careers of five of our favorites. SHOW NOTES:  Sources: Screen World Presents the Encyclopedia of Film Actors (1965); “Successor To Gable,” by Robbin Coons, September 30, 1943, Big Spring Daily Herald;  "John Hodiak Dies Suddenly of Heart Attack,” October 20, 1955, Los Angeles Times; “The Story of Bob Cummings,” September 2, 1950, Voice; “Skip E. Lowe 1987 interview with Robert Cummings,” December 17, 2016, by Alan Eicler, Youtube.com; “Robert Cummings on Honesty,” May 1959, by Bob Cummings, Guideposts; “Robert Cummings Is Dead at 82; Debonair Actor in TV and Film,” December 4, 1990, by Peter B. Flint, The New York Times;  “Dennis O'Keefe, Son of Vaudeville Performers Knows The Theatre,” July 7, 1939, The Times (Muncie Indiana); "O'Keefe Achieves Stardom; Seeks Director's Post,” October 12, 1944, Los Angeles Times. “Dennis O'Keefe, Screen Veteran, Is Dead at 60,” September 2, 1968, The Marion (Ohio) Star; “Bill Lundigan's Success Recipe,” March 29, 1942, The Brooklyn Daily Eagle; “The Life Story of William Lundigan,” March 24, 1951, Picture Show; “Actor William Lundigan Dies; Began Career in 1937,” December 22, 1975m by Ted Thackery, Jr. Los Angeles Times; "The Life Story of Alan Marshal,” January 11, 1941, Picture Show;  “Alan Marshal, Actor, 52, Dead; Stage and Film Performers Appeared in ‘Wagon Train',” July 10, 1961, The New York Times; Alan.kitmarshal.site; IMDBPro.com; IBDB.com; Wikipedia.com; Movies Mentioned:  JOHN HODIAK: Maisie Goes To Rio (1944); Marriage Is a Private Affair (1944); Life Boat (1944); Sunday Dinner For A Soldier (1944); A Bell For Adano (1945;) The Harvey Girls (1946); Somewhere In The Night (1946); Desert Fury (1947); ROBERT CUMMINGS: The Virginia Judge (1935); Hollywood Boulevard (1936); So Red The Rose (1935); King's Row (1941); Saboteur (1942); Dial M For Murder (1954); DENNIS O'KEEFE: T-Men (1947); Raw Deal (1948); Saratoga (1937); Topper Returns (1941); The Story of Dr. Wassel (1944); Up In Mabel's Room (1944); Doll Face (1945); Brewster's Millions (1945); Cover Up (1949); The Lady Wants Mink (1953); WILLIAM LUNDIGAN: The Lady Fights Back (1937); Three Smart Girls Grow Up (1939); The Old Maid (1939); Dodge City (1939); Santa Fe Trail (1940); A Shot In The Dark (1941); Apache Trail (1942); The Fabulous Dorseys (1947); The Inside Story (1947); Pinky (1949); Mother Didn't Tell Me (1950); I'll Get By (1950); Love Nest (1951); I'd Climb The Highest Mountain (1951); The House on Telegraph Hill (1951); ALAN MARSHAL: The Garden of Allah (1936);  After The Thin Man (1936); Night Must Fall (1937); Parnell (1937);  Conquest (1937);  Dramatic School (1939);  Four Girls in White (1939); The Hunchback of Notre Dame (1939);  Irene (1940);  He Stayed For Breakfast (1940);  Lydia (1941);  The White Cliff's of Dover (1944); Bride By Mistake (1944); The Opposite Sex (1956);  House On Haunted Hill (1959); Day of the Outlaw (1959); --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

Get full-length pulp audiobooks, pulp eBooks, and old-time radio shows ABSOLUTELY FREE FOR IMMEDIATE DOWNLOAD by emailing WeirdDarkness@RadioArchives.com! Get the commercial-free version by joining the Darkness Syndicate at https://weirddarkness.com/syndicate!When the dramatic anthology series "Suspense" premiered over CBS Radio on June 17, 1942, it did so as both a summer series and as a sustaining program. The network had no idea how well the series would perform - its only previous showcase was as an hour-long audition on the 1940 series "Forecast" - so running out and getting a sponsor didn't seem to be important at that particular stage. Besides, in the show's salad days, the guest stars that did appear were of considerably low wattage. But as "Suspense" grew in popularity and began to attract a more upscale acting clientele anxious to participate in “radio's outstanding theater of thrills,” finding someone to pick up the weekly tab became a top priority for CBS. Luckily, in December 2, 1943, the series found its 'angel' in the sponsorship of Roma Wines. "Suspense's" long association with Roma (and co-branded Cresta Blanca) was good for both the series and the company; a bigger budget attracted bigger guest stars and, as the program began to climb in the ratings, the company began to enjoy substantial profits. This fruitful arrangement came to an end on November 20, 1947. Roma had been admittedly seeing other programs behind "Suspense's" back and the bright array of top Hollywood talent began to dim a bit as many of the stars began to tire of the program. CBS rolled the dice and took one heck of a chance in keeping "Suspense" on the air; the network still felt that the series was popular with audiences and they agreed to sustain the program until another sponsor could be found. How serious was CBS about keeping its prestige show? Beginning January 3, 1948, "Suspense" was moved to Saturday nights and was broadcast from 8:00 to 9:00 PM Eastern Standard Time. That's right: a full hour of “Suspense.” Hour-long dramatic shows were a gamble at best; many stars tended to shun these programs - a half-hour show was grueling enough to get through - and only a few, "The Lux Radio Theater" being the best example, managed to continue on the air for very long. But Lux had a sponsor all too willing to write checks on a weekly basis...while CBS, without a sponsor to back them up, was still the sole support of "Suspense." What's more, the network learned soon enough that by doubling the show from half-hour to hour-long status, they had to double the pay of the individuals working on the show as well. (Networks, as a rule, cringe at the thought of giving money away.) To jazz up "Suspense," CBS hired actor Robert Montgomery to be the host and occasional performer, figuring that on the weeks when they had to resort to a less-than "A" list of guest stars, at least Montgomery would be around to provide a certain degree of glitter. Montgomery, at it turned out, made appearances in quite a few of the hour-long shows, including both the premiere, “The Black Curtain”, and most notably in “Night Must Fall”, which allowed him to reprise the role he had created in the 1937 Metro-Goldwyn-Mayer motion picture of the same name. "Suspense's" hour-long experiment closed up shop on May 15, 1948 and the show moved back to Thursday night in its familiar half-hour form through September 1962.00:00:00.000 = INTRODUCTION00:01:54.350 = The Lucky Lady (February 14, 1946)00:32:10.863 = Consequences (February 21, 1946)01:02:27.676 = Black Path of Fear (March 07, 1946)01:28:53.720 = No More Alice (March 14, 1946)01:59:25.121 = The Lonely Road (March 21, 1946)02:30:10.968 = Out Of Control (March 28, 1946)03:00:17.665 = Post Mortem (April 04, 1946)03:30:40.306 = The Name of the Beast (April 11, 1946)04:01:08.422 = The Night Reveals (April 18, 1946)04:31:23.782 = Dark Journey (April 25, 1946)SOURCES AND ESSENTIAL WEB LINKS…This episode is sponsored by http://RadioArchives.comWeird Darkness Retro Radio theme by Storyblocks.= = = = = = = = = = = = = = = = = = = = = = = = = = = = = ="I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46WeirdDarkness® - is a registered trademark. Copyright, Weird Darkness, 2024.CUSTOM WEBPAGE: https://weirddarkness.com/suspense-marathon-013

Get full-length pulp audiobooks, pulp eBooks, and old-time radio shows ABSOLUTELY FREE FOR IMMEDIATE DOWNLOAD by emailing WeirdDarkness@RadioArchives.com!When the dramatic anthology series "Suspense" premiered over CBS Radio on June 17, 1942, it did so as both a summer series and as a sustaining program. The network had no idea how well the series would perform - its only previous showcase was as an hour-long audition on the 1940 series "Forecast" - so running out and getting a sponsor didn't seem to be important at that particular stage. Besides, in the show's salad days, the guest stars that did appear were of considerably low wattage. But as "Suspense" grew in popularity and began to attract a more upscale acting clientele anxious to participate in “radio's outstanding theater of thrills,” finding someone to pick up the weekly tab became a top priority for CBS. Luckily, in December 2, 1943, the series found its 'angel' in the sponsorship of Roma Wines. "Suspense's" long association with Roma (and co-branded Cresta Blanca) was good for both the series and the company; a bigger budget attracted bigger guest stars and, as the program began to climb in the ratings, the company began to enjoy substantial profits. This fruitful arrangement came to an end on November 20, 1947. Roma had been admittedly seeing other programs behind "Suspense's" back and the bright array of top Hollywood talent began to dim a bit as many of the stars began to tire of the program. CBS rolled the dice and took one heck of a chance in keeping "Suspense" on the air; the network still felt that the series was popular with audiences and they agreed to sustain the program until another sponsor could be found. How serious was CBS about keeping its prestige show? Beginning January 3, 1948, "Suspense" was moved to Saturday nights and was broadcast from 8:00 to 9:00 PM Eastern Standard Time. That's right: a full hour of “Suspense.” Hour-long dramatic shows were a gamble at best; many stars tended to shun these programs - a half-hour show was grueling enough to get through - and only a few, "The Lux Radio Theater" being the best example, managed to continue on the air for very long. But Lux had a sponsor all too willing to write checks on a weekly basis...while CBS, without a sponsor to back them up, was still the sole support of "Suspense." What's more, the network learned soon enough that by doubling the show from half-hour to hour-long status, they had to double the pay of the individuals working on the show as well. (Networks, as a rule, cringe at the thought of giving money away.) To jazz up "Suspense," CBS hired actor Robert Montgomery to be the host and occasional performer, figuring that on the weeks when they had to resort to a less-than "A" list of guest stars, at least Montgomery would be around to provide a certain degree of glitter. Montgomery, at it turned out, made appearances in quite a few of the hour-long shows, including both the premiere, “The Black Curtain”, and most notably in “Night Must Fall”, which allowed him to reprise the role he had created in the 1937 Metro-Goldwyn-Mayer motion picture of the same name. "Suspense's" hour-long experiment closed up shop on May 15, 1948 and the show moved back to Thursday night in its familiar half-hour form through September 1962.00:00:00.000 = INTRODUCTION00:01:54.350 = The Bluebeard Of Bellac (September 21, 1944)00:31:24.702 = Drury's Bones (January 25, 1945)01:00:50.179 = A Tale Of Two Sisters (February 08, 1945)01:30:19.574 = Sell Me Your Life (February 15, 1945)01:59:40.041 = John Barbey And Son (February 22, 1945)02:29:09.451 = My Wife Geraldine (March 01, 1945)02:58:27.676 = Love's Lovely Counterfeit (March 08, 1945)03:27:59.046 = Cricket (March 15, 1945)03:57:28.431 = Hearts Desire (March 22, 1945)04:26:57.668 = The Taming Of The Beast (March 29, 1945)SOURCES AND ESSENTIAL WEB LINKS…This episode is sponsored by http://RadioArchives.comWeird Darkness Retro Radio theme by Storyblocks.= = = = = = = = = = = = = = = = = = = = = = = = = = = = = ="I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46WeirdDarkness® - is a registered trademark. Copyright, Weird Darkness, 2024.CUSTOM WEBPAGE: https://weirddarkness.com/suspense-marathon-012

Get full-length pulp audiobooks, pulp eBooks, and old-time radio shows ABSOLUTELY FREE FOR IMMEDIATE DOWNLOAD by emailing WeirdDarkness@RadioArchives.com!When the dramatic anthology series "Suspense" premiered over CBS Radio on June 17, 1942, it did so as both a summer series and as a sustaining program. The network had no idea how well the series would perform - its only previous showcase was as an hour-long audition on the 1940 series "Forecast" - so running out and getting a sponsor didn't seem to be important at that particular stage. Besides, in the show's salad days, the guest stars that did appear were of considerably low wattage. But as "Suspense" grew in popularity and began to attract a more upscale acting clientele anxious to participate in “radio's outstanding theater of thrills,” finding someone to pick up the weekly tab became a top priority for CBS. Luckily, in December 2, 1943, the series found its 'angel' in the sponsorship of Roma Wines. "Suspense's" long association with Roma (and co-branded Cresta Blanca) was good for both the series and the company; a bigger budget attracted bigger guest stars and, as the program began to climb in the ratings, the company began to enjoy substantial profits. This fruitful arrangement came to an end on November 20, 1947. Roma had been admittedly seeing other programs behind "Suspense's" back and the bright array of top Hollywood talent began to dim a bit as many of the stars began to tire of the program. CBS rolled the dice and took one heck of a chance in keeping "Suspense" on the air; the network still felt that the series was popular with audiences and they agreed to sustain the program until another sponsor could be found.How serious was CBS about keeping its prestige show? Beginning January 3, 1948, "Suspense" was moved to Saturday nights and was broadcast from 8:00 to 9:00 PM Eastern Standard Time. That's right: a full hour of “Suspense.” Hour-long dramatic shows were a gamble at best; many stars tended to shun these programs - a half-hour show was grueling enough to get through - and only a few, "The Lux Radio Theater" being the best example, managed to continue on the air for very long. But Lux had a sponsor all too willing to write checks on a weekly basis...while CBS, without a sponsor to back them up, was still the sole support of "Suspense." What's more, the network learned soon enough that by doubling the show from half-hour to hour-long status, they had to double the pay of the individuals working on the show as well. (Networks, as a rule, cringe at the thought of giving money away.) To jazz up "Suspense," CBS hired actor Robert Montgomery to be the host and occasional performer, figuring that on the weeks when they had to resort to a less-than "A" list of guest stars, at least Montgomery would be around to provide a certain degree of glitter. Montgomery, at it turned out, made appearances in quite a few of the hour-long shows, including both the premiere, “The Black Curtain”, and most notably in “Night Must Fall”, which allowed him to reprise the role he had created in the 1937 Metro-Goldwyn-Mayer motion picture of the same name. "Suspense's" hour-long experiment closed up shop on May 15, 1948 and the show moved back to Thursday night in its familiar half-hour form through September 1962.00:00:00.000 = INTRODUCTION00:01:54.350 = The Ten Grand (June 22, 1944)00:31:15.744 = The Walls Came Tumbling Down (June 29, 1944)01:00:28.813 = The Search For Henri LeFevre (July 06, 1044)01:30:02.526 = The Beast Must Die (July 13, 1944)01:59:29.689 = The Black Shawl (July 27, 1944)02:28:49.817 = Banquo's Chair (August 03, 1944)02:58:17.500 = The Diary of Saphronia Winters (August 17, 1944)03:27:47.412 = Black Path Of Fear (August 31, 1944)03:57:20.238 = Voyage Through Darkness (September 07, 1944)04:26:51.081 = You'll Never See Me Again (September 14, 1944)SOURCES AND ESSENTIAL WEB LINKS…This episode is sponsored by http://RadioArchives.comWeird Darkness Retro Radio theme by Storyblocks.= = = = = = = = = = = = = = = = = = = = = = = = = = = = = ="I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46WeirdDarkness® - is a registered trademark. Copyright, Weird Darkness, 2024.CUSTOM WEBPAGE: https://weirddarkness.com/suspense-marathon-011

Get full-length pulp audiobooks, pulp eBooks, and old-time radio shows ABSOLUTELY FREE FOR IMMEDIATE DOWNLOAD by emailing WeirdDarkness@RadioArchives.com!When the dramatic anthology series "Suspense" premiered over CBS Radio on June 17, 1942, it did so as both a summer series and as a sustaining program. The network had no idea how well the series would perform - its only previous showcase was as an hour-long audition on the 1940 series "Forecast" - so running out and getting a sponsor didn't seem to be important at that particular stage. Besides, in the show's salad days, the guest stars that did appear were of considerably low wattage. But as "Suspense" grew in popularity and began to attract a more upscale acting clientele anxious to participate in “radio's outstanding theater of thrills,” finding someone to pick up the weekly tab became a top priority for CBS. Luckily, in December 2, 1943, the series found its 'angel' in the sponsorship of Roma Wines. "Suspense's" long association with Roma (and co-branded Cresta Blanca) was good for both the series and the company; a bigger budget attracted bigger guest stars and, as the program began to climb in the ratings, the company began to enjoy substantial profits. This fruitful arrangement came to an end on November 20, 1947. Roma had been admittedly seeing other programs behind "Suspense's" back and the bright array of top Hollywood talent began to dim a bit as many of the stars began to tire of the program. CBS rolled the dice and took one heck of a chance in keeping "Suspense" on the air; the network still felt that the series was popular with audiences and they agreed to sustain the program until another sponsor could be found.How serious was CBS about keeping its prestige show? Beginning January 3, 1948, "Suspense" was moved to Saturday nights and was broadcast from 8:00 to 9:00 PM Eastern Standard Time. That's right: a full hour of “Suspense.” Hour-long dramatic shows were a gamble at best; many stars tended to shun these programs - a half-hour show was grueling enough to get through - and only a few, "The Lux Radio Theater" being the best example, managed to continue on the air for very long. But Lux had a sponsor all too willing to write checks on a weekly basis...while CBS, without a sponsor to back them up, was still the sole support of "Suspense." What's more, the network learned soon enough that by doubling the show from half-hour to hour-long status, they had to double the pay of the individuals working on the show as well. (Networks, as a rule, cringe at the thought of giving money away.) To jazz up "Suspense," CBS hired actor Robert Montgomery to be the host and occasional performer, figuring that on the weeks when they had to resort to a less-than "A" list of guest stars, at least Montgomery would be around to provide a certain degree of glitter. Montgomery, at it turned out, made appearances in quite a few of the hour-long shows, including both the premiere, “The Black Curtain”, and most notably in “Night Must Fall”, which allowed him to reprise the role he had created in the 1937 Metro-Goldwyn-Mayer motion picture of the same name. "Suspense's" hour-long experiment closed up shop on May 15, 1948 and the show moved back to Thursday night in its familiar half-hour form through September 1962.00:00:00.000 = INTRODUCTION00:01:54.350 = You Were Wonderful (November 09, 1944)00:31:35.737 = The Dead Of The Night (November 16, 1944)01:01:04.638 = The Fountain Plays (November 23, 1944)01:30:44.758 = The Black Curtain (November 30, 1944)02:00:14.326 = The Lodger (December 14, 1944)02:29:43.507 = The Brighton Strangler (December 21, 1944)02:59:12.634 = A Thing of Beauty (December 28, 1944)03:28:39.963 = I Had An Alibi (January 04, 1945)03:57:57.876 = Drive-In (January 11, 1945)04:27:27.459 = Death Went Along For The Ride (April 27, 1944)SOURCES AND ESSENTIAL WEB LINKS…This episode is sponsored by http://RadioArchives.comWeird Darkness Retro Radio theme by Storyblocks.= = = = = = = = = = = = = = = = = = = = = = = = = = = = = ="I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46WeirdDarkness® - is a registered trademark. Copyright, Weird Darkness, 2024.CUSTOM WEBPAGE: https://weirddarkness.com/suspense-marathon-010

Get full-length pulp audiobooks, pulp eBooks, and old-time radio shows ABSOLUTELY FREE FOR IMMEDIATE DOWNLOAD by emailing WeirdDarkness@RadioArchives.com!When the dramatic anthology series "Suspense" premiered over CBS Radio on June 17, 1942, it did so as both a summer series and as a sustaining program. The network had no idea how well the series would perform - its only previous showcase was as an hour-long audition on the 1940 series "Forecast" - so running out and getting a sponsor didn't seem to be important at that particular stage. Besides, in the show's salad days, the guest stars that did appear were of considerably low wattage. But as "Suspense" grew in popularity and began to attract a more upscale acting clientele anxious to participate in “radio's outstanding theater of thrills,” finding someone to pick up the weekly tab became a top priority for CBS. Luckily, in December 2, 1943, the series found its 'angel' in the sponsorship of Roma Wines. "Suspense's" long association with Roma (and co-branded Cresta Blanca) was good for both the series and the company; a bigger budget attracted bigger guest stars and, as the program began to climb in the ratings, the company began to enjoy substantial profits. This fruitful arrangement came to an end on November 20, 1947. Roma had been admittedly seeing other programs behind "Suspense's" back and the bright array of top Hollywood talent began to dim a bit as many of the stars began to tire of the program. CBS rolled the dice and took one heck of a chance in keeping "Suspense" on the air; the network still felt that the series was popular with audiences and they agreed to sustain the program until another sponsor could be found.How serious was CBS about keeping its prestige show? Beginning January 3, 1948, "Suspense" was moved to Saturday nights and was broadcast from 8:00 to 9:00 PM Eastern Standard Time. That's right: a full hour of “Suspense.” Hour-long dramatic shows were a gamble at best; many stars tended to shun these programs - a half-hour show was grueling enough to get through - and only a few, "The Lux Radio Theater" being the best example, managed to continue on the air for very long. But Lux had a sponsor all too willing to write checks on a weekly basis...while CBS, without a sponsor to back them up, was still the sole support of "Suspense." What's more, the network learned soon enough that by doubling the show from half-hour to hour-long status, they had to double the pay of the individuals working on the show as well. (Networks, as a rule, cringe at the thought of giving money away.) To jazz up "Suspense," CBS hired actor Robert Montgomery to be the host and occasional performer, figuring that on the weeks when they had to resort to a less-than "A" list of guest stars, at least Montgomery would be around to provide a certain degree of glitter. Montgomery, at it turned out, made appearances in quite a few of the hour-long shows, including both the premiere, “The Black Curtain”, and most notably in “Night Must Fall”, which allowed him to reprise the role he had created in the 1937 Metro-Goldwyn-Mayer motion picture of the same name. "Suspense's" hour-long experiment closed up shop on May 15, 1948 and the show moved back to Thursday night in its familiar half-hour form through September 1962.00:00:00.000 = INTRODUCTION00:01:54.350 = A Woman in Red (April 06, 1944)00:31:11.151 = The Marvelous Barastro (April 13, 1944)01:00:30.680 = The Palmer Method (April 20, 1944)01:29:58.301 = The Dark Tower (May 04, 1944)01:59:26.669 = Fugue in C-Minor (June 01, 1944)02:28:42.004 = The Case History of Edgar Lowndes (June 08, 1944)02:58:04.269 = A Friend to Alexander (June 15, 1944)03:24:24.987 = The Man Who Couldn't Lose (September 28, 1944)03:53:53.720 = Dateline Lisbon (October 05, 1944)04:23:30.825 = Eve (October 19, 1944)SOURCES AND ESSENTIAL WEB LINKS…This episode is sponsored by http://RadioArchives.comWeird Darkness Retro Radio theme by Storyblocks.= = = = = = = = = = = = = = = = = = = = = = = = = = = = = ="I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46WeirdDarkness® - is a registered trademark. Copyright, Weird Darkness, 2024.CUSTOM WEBPAGE: https://weirddarkness.com/suspense-marathon-009

Get full-length pulp audiobooks, pulp eBooks, and old-time radio shows ABSOLUTELY FREE FOR IMMEDIATE DOWNLOAD by emailing WeirdDarkness@RadioArchives.com!When the dramatic anthology series "Suspense" premiered over CBS Radio on June 17, 1942, it did so as both a summer series and as a sustaining program. The network had no idea how well the series would perform - its only previous showcase was as an hour-long audition on the 1940 series "Forecast" - so running out and getting a sponsor didn't seem to be important at that particular stage. Besides, in the show's salad days, the guest stars that did appear were of considerably low wattage. But as "Suspense" grew in popularity and began to attract a more upscale acting clientele anxious to participate in “radio's outstanding theater of thrills,” finding someone to pick up the weekly tab became a top priority for CBS. Luckily, in December 2, 1943, the series found its 'angel' in the sponsorship of Roma Wines. "Suspense's" long association with Roma (and co-branded Cresta Blanca) was good for both the series and the company; a bigger budget attracted bigger guest stars and, as the program began to climb in the ratings, the company began to enjoy substantial profits. This fruitful arrangement came to an end on November 20, 1947. Roma had been admittedly seeing other programs behind "Suspense's" back and the bright array of top Hollywood talent began to dim a bit as many of the stars began to tire of the program. CBS rolled the dice and took one heck of a chance in keeping "Suspense" on the air; the network still felt that the series was popular with audiences and they agreed to sustain the program until another sponsor could be found.How serious was CBS about keeping its prestige show? Beginning January 3, 1948, "Suspense" was moved to Saturday nights and was broadcast from 8:00 to 9:00 PM Eastern Standard Time. That's right: a full hour of “Suspense.” Hour-long dramatic shows were a gamble at best; many stars tended to shun these programs - a half-hour show was grueling enough to get through - and only a few, "The Lux Radio Theater" being the best example, managed to continue on the air for very long. But Lux had a sponsor all too willing to write checks on a weekly basis...while CBS, without a sponsor to back them up, was still the sole support of "Suspense." What's more, the network learned soon enough that by doubling the show from half-hour to hour-long status, they had to double the pay of the individuals working on the show as well. (Networks, as a rule, cringe at the thought of giving money away.) To jazz up "Suspense," CBS hired actor Robert Montgomery to be the host and occasional performer, figuring that on the weeks when they had to resort to a less-than "A" list of guest stars, at least Montgomery would be around to provide a certain degree of glitter. Montgomery, at it turned out, made appearances in quite a few of the hour-long shows, including both the premiere, “The Black Curtain”, and most notably in “Night Must Fall”, which allowed him to reprise the role he had created in the 1937 Metro-Goldwyn-Mayer motion picture of the same name. "Suspense's" hour-long experiment closed up shop on May 15, 1948 and the show moved back to Thursday night in its familiar half-hour form through September 1962.00:00:00.000 = INTRODUCTION00:01:54.350 = Donovan's Brain, Part 1 (May 18, 1944)00:31:24.931 = Donovan's Brain, Part 2 (May 25, 1944)01:00:41.205 = The Singing Walls (September 02, 1943)01:30:09.809 = The Cross-Eyed Bear (September 16, 1943)01:59:41.078 = Suspicion (February 10, 1944)02:29:12.972 = Life Ends at Midnight (February 17, 1944)02:58:42.004 = The Defense Rests (March 09, 1944)03:28:11.465 = Narrative About Clarence (March 16, 1944)03:57:28.775 = Sneak Preview (March 23, 1944)04:27:05.414 = Cat and Mouse (March 30, 1944)SOURCES AND ESSENTIAL WEB LINKS…This episode is sponsored by http://RadioArchives.comWeird Darkness Retro Radio theme by Storyblocks.= = = = = = = = = = = = = = = = = = = = = = = = = = = = = ="I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46WeirdDarkness® - is a registered trademark. Copyright, Weird Darkness, 2024.CUSTOM WEBPAGE: https://weirddarkness.com/suspense-marathon-008

Get full-length pulp audiobooks, pulp eBooks, and old-time radio shows ABSOLUTELY FREE FOR IMMEDIATE DOWNLOAD by emailing WeirdDarkness@RadioArchives.com!When the dramatic anthology series "Suspense" premiered over CBS Radio on June 17, 1942, it did so as both a summer series and as a sustaining program. The network had no idea how well the series would perform - its only previous showcase was as an hour-long audition on the 1940 series "Forecast" - so running out and getting a sponsor didn't seem to be important at that particular stage. Besides, in the show's salad days, the guest stars that did appear were of considerably low wattage. But as "Suspense" grew in popularity and began to attract a more upscale acting clientele anxious to participate in “radio's outstanding theater of thrills,” finding someone to pick up the weekly tab became a top priority for CBS. Luckily, in December 2, 1943, the series found its 'angel' in the sponsorship of Roma Wines. "Suspense's" long association with Roma (and co-branded Cresta Blanca) was good for both the series and the company; a bigger budget attracted bigger guest stars and, as the program began to climb in the ratings, the company began to enjoy substantial profits. This fruitful arrangement came to an end on November 20, 1947. Roma had been admittedly seeing other programs behind "Suspense's" back and the bright array of top Hollywood talent began to dim a bit as many of the stars began to tire of the program. CBS rolled the dice and took one heck of a chance in keeping "Suspense" on the air; the network still felt that the series was popular with audiences and they agreed to sustain the program until another sponsor could be found.How serious was CBS about keeping its prestige show? Beginning January 3, 1948, "Suspense" was moved to Saturday nights and was broadcast from 8:00 to 9:00 PM Eastern Standard Time. That's right: a full hour of “Suspense.” Hour-long dramatic shows were a gamble at best; many stars tended to shun these programs - a half-hour show was grueling enough to get through - and only a few, "The Lux Radio Theater" being the best example, managed to continue on the air for very long. But Lux had a sponsor all too willing to write checks on a weekly basis...while CBS, without a sponsor to back them up, was still the sole support of "Suspense." What's more, the network learned soon enough that by doubling the show from half-hour to hour-long status, they had to double the pay of the individuals working on the show as well. (Networks, as a rule, cringe at the thought of giving money away.) To jazz up "Suspense," CBS hired actor Robert Montgomery to be the host and occasional performer, figuring that on the weeks when they had to resort to a less-than "A" list of guest stars, at least Montgomery would be around to provide a certain degree of glitter. Montgomery, at it turned out, made appearances in quite a few of the hour-long shows, including both the premiere, “The Black Curtain”, and most notably in “Night Must Fall”, which allowed him to reprise the role he had created in the 1937 Metro-Goldwyn-Mayer motion picture of the same name. Many of the hour-long "Suspense" shows were movie adaptations in the "Lux Radio Theater" mold, including “Deadline at Dawn,” “Crossfire” and “Nightmare” -- the last of which was filmed in 1947 as “Fear in the Night”. There were even two productions that, it could be said, acted as previews of coming attractions: the series' 1948 productions of “In a Lonely Place” and “The House by the River” were brought to the silver screen in 1950. Several of "Suspense's" celebrated classics were also repeated during the hour-long experiment, having been lengthened to fit the new format. "Suspense's" hour-long experiment closed up shop on May 15, 1948 and, close to two months later, the show moved back to its cozy Thursday night berth in its familiar half-hour form through September 1962.00:00:00.000 = INTRODUCTION00:01:54.350 = “The Burning Court” (June 17, 1942)00:31:24.029 = The Devil In The Summer House (November 03, 1942)01:00:53.552 = The Bride Vanishes (December 01, 1942)01:30:31.934 = Till Death Do Us Part (December 15, 1942)02:00:00.615 = Nothing Up My Sleeve (January 05, 1943)02:29:24.419 = The Devil's Saint (January 19, 1943)02:58:52.578 = Last Night (March 06, 1943)03:28:25.102 = Uncle Henry's Rose Bush (June 29, 1943)03:57:52.047 = The White Rose Murders (July 06, 1943)04:27:08.240 = The Fountain Plays (August 10, 1943)SOURCES AND ESSENTIAL WEB LINKS…This episode is sponsored by http://RadioArchives.comWeird Darkness Retro Radio theme by Storyblocks.= = = = = = = = = = = = = = = = = = = = = = = = = = = = = ="I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46WeirdDarkness® - is a registered trademark. Copyright, Weird Darkness, 2024.CUSTOM WEBPAGE: https://weirddarkness.com/suspense-marathon-007

Get full-length pulp audiobooks, pulp eBooks, and old-time radio shows ABSOLUTELY FREE FOR IMMEDIATE DOWNLOAD by emailing WeirdDarkness@RadioArchives.com!When the dramatic anthology series "Suspense" premiered over CBS Radio on June 17, 1942, it did so as both a summer series and as a sustaining program. The network had no idea how well the series would perform - its only previous showcase was as an hour-long audition on the 1940 series "Forecast" - so running out and getting a sponsor didn't seem to be important at that particular stage. Besides, in the show's salad days, the guest stars that did appear were of considerably low wattage.But as "Suspense" grew in popularity and began to attract a more upscale acting clientele anxious to participate in “radio's outstanding theater of thrills,” finding someone to pick up the weekly tab became a top priority for CBS. Luckily, in December 2, 1943, the series found its 'angel' in the sponsorship of Roma Wines. "Suspense's" long association with Roma (and co-branded Cresta Blanca) was good for both the series and the company; a bigger budget attracted bigger guest stars and, as the program began to climb in the ratings, the company began to enjoy substantial profits.This fruitful arrangement came to an end on November 20, 1947. Roma had been admittedly seeing other programs behind "Suspense's" back and the bright array of top Hollywood talent began to dim a bit as many of the stars began to tire of the program. CBS rolled the dice and took one heck of a chance in keeping "Suspense" on the air; the network still felt that the series was popular with audiences and they agreed to sustain the program until another sponsor could be found.How serious was CBS about keeping its prestige show? Beginning January 3, 1948, "Suspense" was moved to Saturday nights and was broadcast from 8:00 to 9:00 PM Eastern Standard Time. That's right: a full hour of “Suspense.” Hour-long dramatic shows were a gamble at best; many stars tended to shun these programs - a half-hour show was grueling enough to get through - and only a few, "The Lux Radio Theater" being the best example, managed to continue on the air for very long. But Lux had a sponsor all too willing to write checks on a weekly basis...while CBS, without a sponsor to back them up, was still the sole support of "Suspense." What's more, the network learned soon enough that by doubling the show from half-hour to hour-long status, they had to double the pay of the individuals working on the show as well. (Networks, as a rule, cringe at the thought of giving money away.)To jazz up "Suspense," CBS hired actor Robert Montgomery to be the host and occasional performer, figuring that on the weeks when they had to resort to a less-than "A" list of guest stars, at least Montgomery would be around to provide a certain degree of glitter. Montgomery, at it turned out, made appearances in quite a few of the hour-long shows, including both the premiere, “The Black Curtain”, and most notably in “Night Must Fall”, which allowed him to reprise the role he had created in the 1937 Metro-Goldwyn-Mayer motion picture of the same name.Many of the hour-long "Suspense" shows were movie adaptations in the "Lux Radio Theater" mold, including “Deadline at Dawn,” “Crossfire” and “Nightmare” -- the last of which was filmed in 1947 as “Fear in the Night”. There were even two productions that, it could be said, acted as previews of coming attractions: the series' 1948 productions of “In a Lonely Place” and “The House by the River” were brought to the silver screen in 1950. Several of "Suspense's" celebrated classics were also repeated during the hour-long experiment, having been lengthened to fit the new format. They included such audience favorites as “The Lodger,” “Donovan's Brain,” and “Love's Lovely Counterfeit.”"Suspense's" hour-long experiment closed up shop on May 15, 1948 and, close to two months later, the show moved back to its cozy Thursday night berth in its familiar half-hour form with a new sponsor, Autolite. The show experienced a re-emergence in popularity and, while the merits of the hour-long broadcasts must ultimately be decided upon by the listener, the decision by CBS to keep the series in production certainly seems in retrospect to have been the right call; "Suspense" would continue to be heard on the network for the next fourteen years, closing the curtain for the last time in September 1962.00:00:00.000 = INTRODUCTION00:01:54.350 = The ABC Murders (May 18, 1943)00:31:23.679 = Banquo's Chair (June 01, 1943)01:00:04.798 = Five Canaries in the Room (June 08, 1943)01:27:43.968 = Lazarus Walks (October 19, 1943)01:57:13.761 = Cabin B13 (November 09, 1943)02:26:43.972 = The Black Curtain (December 02, 1943)02:56:12.566 = The Night Reveals (December 09, 1943)03:25:40.443 = Wet Saturday (December 16, 1943)03:55:02.322 = Back For Christmas (December 23, 1943)04:23:52.863 = Finishing School (December 30, 1943)04:53:12.480 = The Sisters (February 03, 1944)SOURCES AND ESSENTIAL WEB LINKS…This episode is sponsored by http://RadioArchives.comWeird Darkness Retro Radio theme by Storyblocks.= = = = = = = = = = = = = = = = = = = = = = = = = = = = = ="I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46Find out how to escape eternal darkness at https://weirddarkness.com/eternaldarknessWeirdDarkness® - is a registered trademark. Copyright, Weird Darkness, 2024.= = = = = = = = = = = = = = = = = = = = = = = = = = = = = =CUSTOM WEBPAGE: https://weirddarkness.com/suspense-marathon-006

Two + hours of  DramaFirst a look at this day in History.Then Suspense, originally broadcast March 27, 1948, 76 years ago, Night Must Fall starring Robert Montgomery.  The story of the rise and fall of a very clever British murderer and arsonist.Followed by Mr President starring Edward Arnold, originally broadcast March 27, 1949, 75 years ago, To the Victor Go the Spoils.  Which president is being dramatized?Then Theatre Royal, originally broadcast March 27, 1954, 70 years ago, A Tale of Two Cities starring Sir Laurence Olivier.  The drama is based on a leading character in "A Tale Of Two Cities."Finally Lum and Abner, originally broadcast March 27, 1942, 82 years ago, Detective Mousy Gray.  Mousey reports that "Operator XW9 is ready" to Fremont by way of Squire Skimp. However, Operator XW9 doesn't know much!Thanks to Richard for supporting our podcast by using the Buy Me a Coffee function at http://classicradio.streamIf you like what we do here, visit our friend Jay at http://radio.macinmind.com for great old time radio shows 24 hours a day. 

Get full-length pulp audiobooks, pulp eBooks, and old-time radio shows ABSOLUTELY FREE FOR IMMEDIATE DOWNLOAD by emailing WeirdDarkness@RadioArchives.com!When the dramatic anthology series "Suspense" premiered over CBS Radio on June 17, 1942, it did so as both a summer series and as a sustaining program. The network had no idea how well the series would perform - its only previous showcase was as an hour-long audition on the 1940 series "Forecast" - so running out and getting a sponsor didn't seem to be important at that particular stage. Besides, in the show's salad days, the guest stars that did appear were of considerably low wattage.But as "Suspense" grew in popularity and began to attract a more upscale acting clientele anxious to participate in “radio's outstanding theater of thrills,” finding someone to pick up the weekly tab became a top priority for CBS. Luckily, in December 2, 1943, the series found its 'angel' in the sponsorship of Roma Wines. "Suspense's" long association with Roma (and co-branded Cresta Blanca) was good for both the series and the company; a bigger budget attracted bigger guest stars and, as the program began to climb in the ratings, the company began to enjoy substantial profits.This fruitful arrangement came to an end on November 20, 1947. Roma had been admittedly seeing other programs behind "Suspense's" back and the bright array of top Hollywood talent began to dim a bit as many of the stars began to tire of the program. CBS rolled the dice and took one heck of a chance in keeping "Suspense" on the air; the network still felt that the series was popular with audiences and they agreed to sustain the program until another sponsor could be found.How serious was CBS about keeping its prestige show? Beginning January 3, 1948, "Suspense" was moved to Saturday nights and was broadcast from 8:00 to 9:00 PM Eastern Standard Time. That's right: a full hour of “Suspense.” Hour-long dramatic shows were a gamble at best; many stars tended to shun these programs - a half-hour show was grueling enough to get through - and only a few, "The Lux Radio Theater" being the best example, managed to continue on the air for very long. But Lux had a sponsor all too willing to write checks on a weekly basis...while CBS, without a sponsor to back them up, was still the sole support of "Suspense." What's more, the network learned soon enough that by doubling the show from half-hour to hour-long status, they had to double the pay of the individuals working on the show as well. (Networks, as a rule, cringe at the thought of giving money away.)To jazz up "Suspense," CBS hired actor Robert Montgomery to be the host and occasional performer, figuring that on the weeks when they had to resort to a less-than "A" list of guest stars, at least Montgomery would be around to provide a certain degree of glitter. Montgomery, at it turned out, made appearances in quite a few of the hour-long shows, including both the premiere, “The Black Curtain”, and most notably in “Night Must Fall”, which allowed him to reprise the role he had created in the 1937 Metro-Goldwyn-Mayer motion picture of the same name.Many of the hour-long "Suspense" shows were movie adaptations in the "Lux Radio Theater" mold, including “Deadline at Dawn,” “Crossfire” and “Nightmare” -- the last of which was filmed in 1947 as “Fear in the Night”. There were even two productions that, it could be said, acted as previews of coming attractions: the series' 1948 productions of “In a Lonely Place” and “The House by the River” were brought to the silver screen in 1950. Several of "Suspense's" celebrated classics were also repeated during the hour-long experiment, having been lengthened to fit the new format. They included such audience favorites as “The Lodger,” “Donovan's Brain,” and “Love's Lovely Counterfeit.”"Suspense's" hour-long experiment closed up shop on May 15, 1948 and, close to two months later, the show moved back to its cozy Thursday night berth in its familiar half-hour form with a new sponsor, Autolite. The show experienced a re-emergence in popularity and, while the merits of the hour-long broadcasts must ultimately be decided upon by the listener, the decision by CBS to keep the series in production certainly seems in retrospect to have been the right call; "Suspense" would continue to be heard on the network for the next fourteen years, closing the curtain for the last time in September 1962.00:00:00.000 = INTRODUCTION00:01:54.350 = Fire Burn And Cauldron Bubble (April 06, 1943)00:31:20.444 = Two Sharp Knives (December 22, 1942)01:00:31.904 = The Pit And The Pendulum (January 12, 1943)01:30:01.398 = The Customers Like Murder (March 23, 1943)02:29:01.530 = Fear Paints a Picture (April 13, 1943)02:58:26.411 = The Moment of Darkness (April 20, 1943)03:27:50.753 = The Diary of Saphronia Winters (April 27, 1943)03:57:19.454 = Death Flies Blind (May 04, 1943)04:26:46.300 = Mr Markheim, Antique Dealer (May 11, 1943)SOURCES AND ESSENTIAL WEB LINKS…This episode is sponsored by http://RadioArchives.comWeird Darkness Retro Radio theme by Storyblocks.= = = = = = = = = = = = = = = = = = = = = = = = = = = = = ="I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46Find out how to escape eternal darkness at https://weirddarkness.com/eternaldarknessWeirdDarkness® - is a registered trademark. Copyright, Weird Darkness, 2024.= = = = = = = = = = = = = = = = = = = = = = = = = = = = = =CUSTOM WEBPAGE: https://weirddarkness.com/suspense-marathon-005

On this episode of the Old Time Radiocast we present you with two stories from the classic radio program Mollé Mystery Theatre. Check out all of our podcasts at CrypticCountyPodcasts.com where you'll find shows like Let's Not Meet: A True Horror Podcast and Odd Trails.      

J. Smith-Cameron is an Emmy and Tony-nominated stage, film, and television actress who most recently starred as “Gerri Kellman” on HBO's SUCCESSION. She can be seen starring in the Peacock film THE YEAR BETWEEN, as well as the miniseries WACO: THE AFTERMATH on Showtime. Her film credits include VENGEANCE, 84 CHARING CROSS ROAD, HARRIET THE SPY, YOU CAN COUNT ON ME and MARGARET. On tv she's had recurring roles on RECTIFY, TRUE BLOOD and DIVORCE and has appeared in countless others. Her Broadway credits include Lend Me a Tenor, Our Country's Good, Night Must Fall and After the Night and the Music. Her extensive Off-Broadway work includes As Bees in Honey Drown, for which she won an Obie Award, Fuddy Meers, The Starry Messenger, Sorry, Juno and the Paycock and Peace for Mary Frances. I LOVE this chat! J shares her journey from childhood through the season finale of SUCCESSION. It's a master class in acting and a truly fun-filled conversation with fascinating insights, funny anecdotes and inside tidbits from one of the most beloved, successful television shows of all-time. Got somethin' to say?! Email us at BackroomAndy@gmail.com Leave us a message: 845-307-7446 Twitter: @AndyOstroy Produced by Andy Ostroy and Matty Rosenberg @ Radio Free Rhiniecliff Associate producer Jennifer Hammoud Music by Andrew Hollander Design by Cricket Lengyel

In this episode Neil Callin chats with David Dawson and Rachel Martin from The Service Players ahead of their 80th Anniversary production of 'Night Must Fall' by Emlyn Williams, which runs at the Gaiety Theatre from the 10th to 12th November 2022.

Last week we did the prequels but this week we take it back to where Star Wars Started... THE ORIGINAL TRILOGY!!. Once again we talk about our views on the films and our memories which the OG trilogy. if you are from that era what our your memories of the movies, what was your first experience? we would love to know!! We finish the episode with the troopers of the week, ship of the week and finally Star Wars Characters ranking. troopers of the week: @chosenpumpkin/Kimmie L (2 time) @daphnedtle If you want contact Will or Rory about this week episode or give feedback email us at the501stcomchatter@gmail.com and make sure to give us a follow on twitter @501stcomchatter. Don't forget to follow our TikTok @the501stcomchatter as well. We thank you guys in advance but here is our link for buy me a coffee- https://www.buymeacoffee.com/501stcomchatter May the force be with you.

Suspense "Night Must Fall" March 27, 1948 CBS starring Robert Montgomery and Dame May Whitty

Matthew Broderick is currently appearing opposite his wife, Sarah Jessica Parker, in the hit Broadway revival of Neil Simon's Plaza Suite. He made his stage debut at 17 in Horton Foote's On Valentine's Day (opposite his father, James Broderick), and quickly became one of the most respected and beloved actors of his generation.  Broadway credits include Brighton Beach Memoirs (Tony, OCC, Theatre World awards), Biloxi Blues, How to Succeed in Business... (Tony, DD, OCC awards), Night Must Fall, Taller Than a Dwarf, The Producers (Tony, DD, OCC nominations) The Foreigner, The Philanthropist, The Odd Couple, Nice Work If You Can Get It, Sylvia and It's Only a Play. Off-Broadway, Mr. Broderick has appeared in The Seafarer, The Closet, Evening at the Talk House, Shining City (Obie Award), Torch Song Trilogy (OCC, Villager awards), The Widow Claire, and in the recent London production of The Starry Messenger. Selected film and television credits include: Max Dugan Returns, WarGames, 'Master Harold'...and the Boys, Ladyhawke, On Valentine's Day, Ferris Bueller's Day Off, Biloxi Blues, Glory, The Freshman, A Life in the Theater, The Lion King, The Cable Guy, Infinity, Election, You Can Count on Me, Wonderful World, The Music Man, Margaret, Tower Heist, Rules Don't Apply, Manchester by the Sea and To Dust. Mr Broderick will next be seen in Painkiller for Netflix. Photo credit: Tawni Bannister

Hosted by John Chapman, Best Plays was an NBC Radio program that aired from 1952 - 1953. It featured some of the best plays of the time, including both dramatic and comedic offerings. GSMC Classics presents some of the greatest classic radio broadcasts, classic novels, dramas, comedies, mysteries, and theatrical presentations from a bygone era. The GSMC Classics collection is the embodiment of the best of the golden age of radio. Let Golden State Media Concepts take you on a ride through the classic age of radio, with this compiled collection of episodes from a wide variety of old programs. ***PLEASE NOTE*** GSMC Podcast Network presents these shows as historical content and have brought them to you unedited. Remember that times have changed and some shows might not reflect the standards of today's politically correct society. The shows do not necessarily reflect the views, standards, or beliefs of Golden State Media Concepts or the GSMC Podcast Network. Our goal is to entertain, educate give you a glimpse into the past.

On the 1937 edition of the Supporting Actress Smackdown we discuss Best Picture nominated classics Stage Door and Dead End, plus the blockbuster disaster epic In Old Chicago and acting nominated mysteries and melodramas with Night Must Fall and Stella Dallas. Thanks to Chelsea Eichholz, Pamela Hutchinson, Boyd Van Hoeij, and Tim Robey for being fabulous and very funny guests.

Going on-air from 1952 to 1953, the Best Plays was an NBC Radio program that featured some of the most excellent theatric plays ever created. Some of the best ones featured were dramatic or comedic plays. John Chapman, New York Daily News' drama critic, served as the program's host.   --------------------------------------------------------------------------- Entertainment Radio Stations Live 24/7 Sherlock Holmes/CBS Radio Mystery Theater https://live365.com/station/Sherlock-Holmes-Classic-Radio--a91441 https://live365.com/station/CBS-Radio-Mystery-Theater-a57491 ----------------------------------------------------------------------------

For her final visit to Suspense, Dame May Whitty recreated a performance she'd memorably played on stage and screen. In this hour-long adaptation of Emlyn Williams' play Night Must Fall (originally aired on CBS on March 27, 1948), Whitty reprises her Oscar-nominated role opposite Robert Montgomery.

Molle' Mystery Theater was NBC's iteration of a popular series which aired additionally on ABC and CBS from 1943 through 1952 under several different names. It was narrated-or rather 'annotated'- by amateur criminologist Geoffrey Barnes (played by Bernard Lenlow, pictured) who helped the listener understand what was going on. Molle' (moe-lay') brand shaving cream sponsored the program.---------------------------------------------------------------------------Entertainment Radio Stations Live 24/7 Sherlock Holmes/CBS Radio Mystery Theaterhttps://live365.com/station/Sherlock-Holmes-Classic-Radio--a91441https://live365.com/station/CBS-Radio-Mystery-Theater-a57491----------------------------------------------------------------------------Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Suspense is a radio drama series broadcast on CBS Radio from 1942 through 1962. One of the premier drama programs of the Golden Age of Radio, was subtitled "radio's outstanding theater of thrills" and focused on suspense thriller-type scripts, usually featuring leading Hollywood actors of the era. Approximately 945 episodes were broadcast during its long run---------------------------------------------------------------------------Sherlock Holmes Radio Station Live 24/7 Click Here to Listenhttps://live365.com/station/Sherlock-Holmes-Classic-Radio--a91441----------------------------------------------------------------------------Support this podcast at — https://redcircle.com/suspense/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

The arrival of a mysterious stranger (Joseph Cotten) disrupts the world where an unhappy young woman (Angela Lansbury) works as a caretaker for her cruel and tyra Read more ...

Today, we have an hour long play from Suspense, starring Robert Montgomery and Dame May Whitty! 

Christian and Ian remember when they could talk about horror movies and the Oscars at the same time.  For our new release review we discuss the sci-fi comedy, repeated day sequel, HAPPY DEATH DAY 2U. For our Dead Teenager Movies segment we talk about some more Psycho aftermath for the Albert Finney remake of NIGHT MUST FALL. We also discuss Pretty Little Liars, TubiTV, and throwing paint against the wall.  We'd love to hear your thoughts, questions, or any requests you have. You can contact us at: ItsOnlyFeedback@gmail.com and on Facebook, Twitter, Instagram, and Letterboxd. 

In his second and final appearance on Suspense, Jimmy Cagney stars in "No Escape," a cautionary tale of distracted (and deadly) driving (originally aired on CBS on December 16, 1948). Then we'll hear the star of Angels with Dirty Faces and Yankee Doodle Dandy in an adaptation of "Night Must Fall" from the Lady Esther Screen Guild Theater (originally aired on CBS on July 24, 1944).

In celebration of 100 episodes Matthew Broderick joined Ilana for a live podcast event with  proceeds from ticket sales going to The Trevor Project. Listeners will feel like they are  part of the conversation between  old friends catching up. Broderick is a two-time Tony award-winning stage actor and instantly recognizable film presence, Matthew Broderick was most recently on screen in Rules Don’t Apply opposite Warren Beatty, Annette Bening and Lily Collins. He will next star in Look Away alongside Chloe Sevigny and Aidan Turner set for a 2016 release. On stage, Broderick most recently starred in A. R. Gurney’s comedy Sylvia alongside Annaleigh Ashford. Previously he starred in the smash Broadway hit It’s Only a Play opposite his frequent co-star Nathan Lane, as well as the award-winning Broadway run of Nice Work If You Can Get It. Additionally, he starred in the Broadway production of Neil Simon’s The Odd Couple and The Foreigner at the Roundabout Theatre. In 2005, he starred in the feature film version of The Producers, reprising the Tony-nominated performance he gave on Broadway in this smash hit musical. A New York native, he made his professional stage debut opposite his father, James Broderick, at age 17 in the production of On Valentine’s Day.  His performance in Harvey Fierstein’s Torch Song Trilogy, won him the Outer Critic’s Circle Award for Best Supporting Actor. Broderick won his first Tony Award for Neil Simon’s Brighton Beach Memoirs, and starred in the play’s sequel, Biloxi Blues.  He won his second Tony for his role as J. Pierrepont Finch, in the Broadway revival of How to Succeed in Business Without Really Trying. Broderick also starred in the record-breaking production of The Producers for which he was nominated for a Tony Award and a Drama Desk Award for his role as Leo Bloom. Additional theater credits include Night Must Fall and Taller Than a Dwarf. On screen, Broderick starred in the critically acclaimed You Can Count on Me opposite Laura Linney.  He also earned considerable acclaim starring opposite Reese Witherspoon in the Independent Spirit Award winning political satire Election, directed by Alexander Payne.  Broderick has also starred in such blockbuster movies as Ferris Bueller’s Day Off, Glory, War Games, and Disney’s The Lion King, as the adult voice of Simba. Additional credits include Dirty Weekend, Tower Heist, Margaret, Bee Movie, Then She Found Me, Deck the Halls, The Last Shot, The Stepford Wives, Inspector Gadget, Godzilla, Addicted to Love, The Cable Guy, Mrs. Parker and the Vicious Circle, The Night We Never Met, The Freshman, Family Business and Max Dugan Returns.In addition to his stage, screen and Broadway credits, he has also appeared on Modern Family, 30 Rock, the Showtime film Master Harold…and the Boys and received an Emmy nomination for the TNT production of David Mamet’s A Life in the Theater in which he starred opposite Jack Lemmon.

Close your eyes and open your minds it's time for 2 episodes of the classic series Suspense.

Gwen Taylor chatted to Ian about the national tour of Night Must Fall and Monty Python's Life of Brian. Barry Dodds was back and sang Erasure's A Little Respect live on air. Ian and Producer Nat chatted about Star Wars, Rome, The Addams Family and much more!

Latest episode of Suspense | Old Time Radio --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/otr-suspense/message Support this podcast: https://anchor.fm/otr-suspense/support

Family Hour Of Stars Night Must Fall 2-5-50 http://oldtimeradiodvd.com

Best Plays Night Must Fall 12-21-52 http://oldtimeradiodvd.com

Best Plays Night Must Fall 12-21-52 http://oldtimeradiodvd.com

A two-time Tony award-winning stage actor and instantly recognizable film presence, Matthew Broderick will next be seen on screen in Rules Don’t Apply opposite Warren Beatty, Annette Bening and Lily Collins. He will next star in Look Away alongside Chloe Sevigny and Aidan Turner set for a 2016 release.  On stage, Broderick most recently starred in A. R. Gurney’s comedy Sylvia alongside Annaleigh Ashford. Previously he starred in the smash Broadway hit It’s Only a Play opposite his frequent co-star Nathan Lane, as well as the award-winning Broadway run of Nice Work If You Can Get It. Additionally, he starred in the Broadway production of Neil Simon’s The Odd Couple and The Foreigner at the Roundabout Theatre. In 2005, he starred in the feature film version of The Producers, reprising the Tony-nominated performance he gave on Broadway in this smash hit musical.   A New York native, he made his professional stage debut opposite his father, James Broderick, at age 17 in the production of On Valentine’s Day.  His performance in Harvey Fierstein’s Torch Song Trilogy, won him the Outer Critic’s Circle Award for Best Supporting Actor. Broderick won his first Tony Award for Neil Simon’s Brighton Beach Memoirs, and starred in the play’s sequel, Biloxi Blues.  He won his second Tony for his role as J. Pierrepont Finch, in the Broadway revival of How to Succeed in Business Without Really Trying. Broderick also starred in the record-breaking production of The Producers for which he was nominated for a Tony Award and a Drama Desk Award for his role as Leo Bloom. Additional theater credits include Night Must Fall and Taller Than a Dwarf.  On screen, Broderick starred in the critically acclaimed You Can Count on Me opposite Laura Linney.  He also earned considerable acclaim starring opposite Reese Witherspoon in the Independent Spirit Award winning political satire Election, directed by Alexander Payne.   Broderick has also starred in such blockbuster movies as Ferris Bueller’s Day Off, Glory, War Games, and Disney’s The Lion King, as the adult voice of Simba.  Additional credits include Dirty Weekend, Tower Heist, Margaret, Bee Movie, Then She Found Me, Deck the Halls, The Last Shot, The Stepford Wives, Inspector Gadget, Godzilla, Addicted to Love, The Cable Guy, Mrs. Parker and the Vicious Circle, The Night We Never Met, The Freshman, Family Business and Max Dugan Returns. In addition to his stage, screen and Broadway credits, he has also appeared on Modern Family, 30 Rock, the Showtime film Master Harold…and the Boys and received an Emmy nomination for the TNT production of David Mamet’s A Life in the Theater in which he starred opposite Jack Lemmon. Broderick resides in New York with his wife Sarah Jessica Parker and their three children. 

Gwen Taylor chatted to Ian about the national tour of Night Must Fall and Monty Python’s Life of Brian. Barry Dodds was back and sang Erasure’s A Little Respect live on air. Ian and Producer Nat chatted about Star Wars, Rome, The Addams Family and much more!

On this episode of the show it's a man haunted by his past, a family haunted by spirits and a hero haunted by his mistakes.  To start the show I talk about the series finale of Fringe and how I think should get an Emmy this year.  First up for reviews is screen veteran Danny Glover in one of his finest preformances to date in the blu-ray review of Donovan's Echo (courtesy of Anchor Bay Entertainment) co-starring Bruce Greenwood.  Then we meet the supernatural of the raunchy kind in the DVD review of 30 NIghts of Paranormal Activity With The Devil Inside The Girl With The Dragon Tattoo (courtesy of Fox Home Video).  Frank Miller's Epic tale of Batman comes to life with the blu-ray review of Batman : The Dark Knight Returns Part 1 as the Caped Crusader fights to take back Gotham City.  Music for this episode features the songs Night Must Fall by Micahael Martin and Lady of the Dark by The Quintessentials, both can all be found at www.famemusic.com. Other instrumental music is by the band Mr. Burns (www.mrburnsmusic.com). As always your comments and suggestions are welcome and encouraged.

This week I continue my reviews of the horror kind.  First up before any of the reviews I give you a little rant on some very bad vehicular behaviour that I saw on my local roadways.  It's a twisted tale of child abduction and murder with the blu-ray review of  the prequel to 2004's Malevolence, Bereavement (courtesy of Anchor Bay Entertainment) starring Michael Biehn and Alexandra Daddario in this indie horror flick.  It's time for a Disney calssic on 3D blu-ray with the review of Tim Burton's The Nightmare Before Christmas (Courtesy of Walt Disney Pictures) where Jack Skeleton runs Christmas in this stop-motion film.  Then it's a trip into cyber-mayhem with my dvd review of VLOG (Courtesy of Anchor Bay Entertainment) whre a female vlogger gets in over her head in this cinema verite picture.  It's another trip to the zombiepocalypse with the dvd review of Zombie Diaries 2 : World of The Dead (courtesy of eONe Entertainment)  where a small band soldiers in the UK fight to survive the world gone mad.  Music for this episode features the songs Night Must Fall by Michael Martin, Blood Red Roses by Michael Martin & Dead or Alive by Hiroshi, they can all be found at www.famemusic.com. Other instrumental music is by the band Mr. Burns (www.mrburnsmusic.com). As always your comments and suggestions are welcome and encouraged.

ComicWeb.com sells comics, old time radio programs and more

ComicWeb.com sells comics, old time radio programs and more

ComicWeb.com sells comics, old time radio programs and more

"The Light and Trails" by U.S. Christmas from Eat the Low Dogs; "Secret Handshake, Hidden Hand" by Number None from Urmerica; "Torchlight" by the Valerie Project from their self titled CD; "My Childer Next Sleep" by Padded Cell from Night Must Fall; "Uamanas" by Bulbs from Light Ships; "Crowned" by Apse from Spirit; "La Vida es Llena de Cables" by Los Samplers from Descargas; "Lawncare" by Women from the self titled CD; "Indo" by Studio from West Coast; "Clear Stream" by Jesu from their split CD with Battle of Mice; "I Wanna Feel Better" by Dino Felipe from No Fun Demos; "Crests and Watersheds" by Stringss of Consciousness from Fantomastique Acoustica

"The Light and Trails" by U.S. Christmas from Eat the Low Dogs; "Secret Handshake, Hidden Hand" by Number None from Urmerica; "Torchlight" by the Valerie Project from their self titled CD; "My Childer Next Sleep" by Padded Cell from Night Must Fall; "Uamanas" by Bulbs from Light Ships; "Crowned" by Apse from Spirit; "La Vida es Llena de Cables" by Los Samplers from Descargas; "Lawncare" by Women from the self titled CD; "Indo" by Studio from West Coast; "Clear Stream" by Jesu from their split CD with Battle of Mice; "I Wanna Feel Better" by Dino Felipe from No Fun Demos; "Crests and Watersheds" by Stringss of Consciousness from Fantomastique Acoustica

Although Molle Mystery Theatre was initially sponsored by Molle Shaving Cream, other sponsors (such as Bayer Aspirin, Ironized Yeast, Phillips Milk of Magnesia) also sponsored the program. Sometimes, when it was not sponsored by Molle, the program was called "Mystery Theater". The show was first heard on NBC, on 9/7/43. Time slot was originally Sunday nights at 9:00 PM, but was later moved to Tuesday at 9:00 PM, and Friday at 10:00 PM. In 1948, the show moved to CBS (Tues, 8:00 PM), and in 1951, it moved to ABC, where it was called "Mark Sabre", and heard on Wednesdays at either 8:00 PM or 9:30 PM. The shows were tight and tension filled, with a fine orchestra score and solid production values. Classic tales from well-known authors, as well as modern unknowns were presented, and the endings were often twists or shockers.