Podcast appearances and mentions of ted koehler

"Envuelve tus problemas en sueños" es una canción popular escrita por Harry Barris con letra de Ted Koehler y Billy Moll, publicada en 1931.La grabación del popular éxito original de 1931 fue realizada por Bing Crosby con la Orquesta Gus Arnheim el 2 de marzo de 1931 para Victor Records, pero la canción se ha convertido en un estándar, grabada por muchos otros artistas desde entonces. Escuchemos a las grandes divas del jazz y múltiples excelentes versiones instrumentales. Hosted on Acast. See acast.com/privacy for more information.

Sinatra's epic comeback. From 1953, this is Harold Arlen and Ted Koehler's I've Got the World on a String. Arranged and conducted by Nelson Riddle. Credits: Theme music by Erik Blicker and Glenn SchlossEdited by Katie CaliMixing and mastering by Amit Zangi Send comments to sinatramatters@gmail.com

Don't Worry 'bout Me. Here is Frank Sinatra's marvelous 1953 recording of the Rube Bloom and Ted Koehler classic. Arranged and conducted by Nelson Riddle. Credits: Theme music by Erik Blicker and Glenn Schloss Edited by Katie Cali Mixing and mastering by Amit Zangi Send comments to sinatramatters@gmail.com

durée : 00:59:04 - "Let's Fall in Love" (Harold Arlen / Ted Koehler) (1933) - par : Laurent Valero - "Composé par Harold Arlen un des plus grands compositeurs américain, auteur de plus de 400 chansons : Over the Rainbow, Stormy Weather, Come Rain or Come Shine, Blues in the Night ... Ted Koehler auteur des paroles signa avec Harold Arlen un grand nombre de succès entre 1920-1940." Laurent Valero - réalisé par : Adrien Landivier

“Over the Rainbow”, “Get Happy”, “Come Rain or Come Shine”. These are the songs you have been singing your whole life, and now is your chance to learn about who wrote them! In this week's episode, travel somewhere over the rainbow into the singular mind of renowned composer Harold Arlen, a key contributor to the American Songbook whose hundreds of pop tunes became runaway hits during the 1930s, ‘40s, and ‘50s. Arlen collaborated with the greatest of the Tin Pan Alley lyricists, including E.Y. "Yip" Harburg, Johnny Mercer, Ted Koehler, Ira Gershwin, Dorothy Fields, and Truman Capote. While any number of Arlen's compositions assured his prominent place in musical history, the RIAA (Recording Industry Association of America) deemed “Over the Rainbow” to be the 20th century's greatest song. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Silence brought saints, in quest with ancestors. When a song with a message, pops right into focus, as you listen and ask spirit, for more. __________ NOTES: 11 20 22. Ep 94 - Saints ""When the Saints Go Marching In", often referred to as simply "The Saints", is a black spiritual.[1] It originated as a Christian hymn and is often played by jazz bands. This song was famously recorded on May 13, 1938, by Louis Armstrong and his orchestra.[2]" https://en.wikipedia.org/wiki/When_the_Saints_Go_Marching_In ____________ ""Get Happy" is a song composed by Harold Arlen, with lyrics written by Ted Koehler. It echoes themes of a Christian evangelical revivalist meeting song. " [Judy Garland popularized] https://en.wikipedia.org/wiki/Get_Happy_(song) ______ National Suicide Prevention Lifeline, Hours: Available 24 hours. Languages: English, Spanish. 1-800-273-8255 ____ National Sexual Assault Hotline Hours: Available 24 hours 1-800-656-4673 _____ POD DESCRIPTION: This is The House on Valencia Street. This is a place where ghosts & psychics, with PTSD, exist, & I'm talking about it. Share time with a rare survivor, walking back to haunted rooms and space being claimed from long ago. This is from the survivor's perspective, communicated as I see fit, in a way that feels right, for me. I do not offer advice here, I share what worked for me. I am not a professional therapist, this is just one case study, one perspective. Please seek professional help, if mental health issues need attention. This podcast is intended for entertainment purposes only, and I am a commentator. USE YOUR DISCERNMENT. Language is explicit. Names may or may not be changed, to protect some. Content Warning: ghosts, psychic ability, rape, incest, foster care, murder, emancipation, BDSM, therapy, lightning strikes, personal responsibility, Buddhism, LGBTQIA+, recovery, codependency, comedy, domestic violence - and inappropriate humor, most likely. Picture inset: This is me, so many years ago, standing in front of my mother's Impala, and the House on Valencia Street. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/mohmah/support

Unleashed musical imagination from Frank Sinatra. Here is Harold Arlen and Ted Koehler's Let's Fall in Love from Sinatra's 1961 album Ring-a-Ding-Ding!. Arranged and conducted by Johnny Mandel. Credits: Theme music by Erik Blicker and Glenn Schloss Edited by Katie Cali Mixing and mastering by Amit Zangi Send comments to sinatramatters@gmail.com

On Friday 10 June 2022, Judy Garland celebrates her 100th birthday. My Pride 2022 series kicks off with a close examination of Judy's status as gay icon, as well as my claim that Garland was, is, and remains the world's greatest entertainer of all time. As always with Countermelody, the proof is in the performances, and I share a generous sampling of recordings, primarily from the final years of Judy's life, that bolster that claim. Included are performances of songs by Harold Arlen, Yip Harburg, Ted Koehler, Ira Gershwin, Rodgers and Hart, Jule Styne, Burton Lane, Alan Jay Lerner, Cole Porter, Cy Coleman, Carolyn Leigh, Gilbert Bécaud, Wright and Forrest, Schwartz and Dietz, Charles Chaplin, and others, in live recordings from The Judy Garland Show, which ran for a single season in 1963-64; live concert performances from New York, Amsterdam, London, Paris, Philadelphia, and Copenhagen; and a smattering of rare studio recordings. I also discuss the impact of Judy's enormous talent impact on my own life, as well as her still-substantial numbers of worldwide fans. Vocal guest stars include two other classic gay icons, Barbra Streisand, and Judy's own daughter, Liza Minnelli. Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly support at whatever level you can afford. Bonus episodes available exclusively to Patreon supporters are currently available and further bonus content including interviews and livestreams is planned for the upcoming season.

Hello and welcome to the ZimmCast. In this episode I'm going to share stories from Syngenta since they were at all of the events I attended in the last few weeks. We really appreciate Syngenta's support which helps make what we do at ZimmComm possible. So let's get started. At the NAFB Trade Talk we heard about Syngenta's sustainability efforts from Caydee Savinelli and Steven Wall. Next, it was on to the Farm Journal MILK Business Conference where Enogen was in the spotlight to help dairy producers. Describing this are Todd Lunde, Ted Koehler, Liz Novotny, Katie Edmunds and from Penn State, Dr. Alexander Hristov. Last but not least, Syngenta was a major sponsor at the ASTA CSS & Seed Trade Expo where I spoke with Eric Boeck and Mary Kay Thatcher. Want to sponsor the ZimmCast? Just let me know and we can talk through ideas for your company. I'm AgriBlogger on Twitter or just email me at chuck@zimmcomm.biz. That's the ZimmCast for this week. I hope you enjoyed it and thank you for listening.    

“Classic-Pop Standards” is a one-hour program inspired by the Great American Songbook. This series of podcasts features the singers, the lyricists, and the composers of the music we call “American Standards.” Come along with us as we honor the great songwriters by never forgetting their music. These are songs with not only a history, but with a future; Songs born along Tin Pan Alley, on 42nd Street, at the Brill building, and down Broadway. Danny Lane brings new life to the Great American Songbook on “Classic-Pop Standards”. Comments to: dannymemorylane@gmail.com In this episode, you'll hear:1)     I've Got The World On A String by Celine Dion / Harold Arlen (music) & Ted Koehler (lyrics) [1932]2)     I Could Have Danced All Night by Jamie Cullum / Alan Jay Lerner (lyrics) & Frederick Loewe (music) [1956]3)     Straighten Up And Fly Right by Linda Ronstadt (with Nelson Riddle & His Orchestra) / Nat King Cole & Irving Mills (words and music) [1943]4)     Night And Day by Frank Sinatra / Cole Porter (words & music) [1932]5)     Where Do I Go From You by Nancy Wilson / Diane Warren (words & music) [1994]6)     The Music Of The Night by Michael Crawford & Barbra Streisand / Andrew Lloyd Webber (music) & Charles Hart and Richard Stilgoe (lyrics) [1986]7)     I Could Write A Book by Harry Connick, Jr. / Richard Rodgers & Lorenz Hart [1940]8)     Buttons And Bows by Dinah Shore / Jay Livingston (music) & Ray Evans (lyrics) [1947]9)     Don't Get Around Much Anymore by Rod Stewart / Duke Ellington (music) & Bob Russell (lyrics) [1940]10) I Got Rhythm by Ella Fitzgerald (with Nelson Riddle's Orchestra) / George Gershwin (music) & Ira Gershwin (lyrics) [1930]11) Gee Baby, Ain't I Good To You by Sammy Davis Jr. / Don Redman (music) & Andy Razaf (lyrics) [1929]12) Let's Do It by Eydie Gormé / Cole Porter (music & lyrics) [1928]13) Dream (When You're Feeling Blue) by Roy Orbison / Johnny Mercer (words & music) [1944]14) Time After Time by Deana Martin (duet with Jerry Lewis) / Sammy Cahn (lyrics) & Jule Styne (music) [1947]15) Love Theme from St. Elmo's Fire (Subtitled "For Just A Moment") by Donny Gerrard & Amy Holland / David Foster (music) & Cynthia Weil (lyrics) [1984]16) Maybe This Time by Tony Bennett / John Kander (music) & Fred Ebb (lyrics) [1964] 17) True Love by Elvis Presley / Cole Porter [1956]18) It Had to Be You by Benny Goodman & His Orchestra / Isham Jones (music) & Gus Kahn (lyrics) [1924]

“Classic-Pop Standards” is a one-hour program inspired by the Great American Songbook. This series of podcasts features the singers, the lyricists, and the composers of the music we call “American Standards.” Come along with us as we honor the great songwriters by never forgetting their music. These are songs with not only a history, but with a future; Songs born along Tin Pan Alley, on 42nd Street, at the Brill building, and down Broadway. Danny Lane brings new life to the Great American Songbook on “Classic-Pop Standards”. Comments to: dannymemorylane@gmail.com In this episode, you’ll hear: 1) Between The Devil And The Deep Blue Sea [Excerpt] by Benny Goodman / Harold Arlen (music) [1932] 2) This Could Be The Start Of Something Big by Steve Lawrence & Eydie Gormé / Steve Allen (music & lyrics) [1956] 3) Once In Love With Amy by Sammy Davis Jr. / Frank Loesser (music & lyrics) [1948] 4) Keepin' Out of Mischief Now by Dinah Washington (w/ Ernie Wilkins and His Orch.) / Fats Waller & Andy Razaf [1932] 5) Come Fly With Me by Frank Sinatra & Luis Miguel / Jimmy Van Heusen (music) & Sammy Cahn (lyrics) [1957] 6) Out of This World by Freda Payne / Harold Arlen (music) & Johnny Mercer (lyrics) [1944] 7) A Kiss To Build A Dream On by Louis Armstrong / Composed by Burt Kalmer/Harry Ruby/Oscar Hammerstein II [1935] 8) Between The Devil And The Deep Blue Sea by Mel Tormé / Harold Arlen (music) & Ted Koehler (lyrics) [1932] 9) I Remember You by Ella Fitzgerald (w/ Nelson Riddle's Orch) / Victor Schertzinger (music) & Johnny Mercer (lyrics) [1941] 10) The Way You Look Tonight by Michael Bublé / Dorothy Fields (lyrics) & Jerome Kern (music) [1936] 11) True Love by Patsy Cline / Cole Porter [1956] 12) Begin The Beguine by Andy Williams / Cole Porter [1935] 13) Maybe This Time by Liza Minnelli / John Kander (music) & Fred Ebb (lyrics) [1964] 14) It's Only A Paper Moon by Bobby Darin / Harold Arlen (music) & Yip Harburg and Billy Rose (lyrics) [1933] 15) It Had To Be You by Harry Connick, Jr. / Isham Jones (music) & Gus Kahn (lyrics) [1924] 16) The Night We Called It a Day by Doris Day / Matt Dennis (music) & Tom Adair (lyrics) [1941] 17) On The Sunny Side Of The Street by Tony Bennett & Willie Nelson / Dorothy Fields (lyrics) & Jimmy McHugh (music) [1930] 18) Evergreen by Barbra Streisand / Barbra Streisand (music) & Paul Williams (lyrics) [1976] 19) Tonight by Johnny Mathis / Stephen Sondheim (lyrics) & Leonard Bernstein (music) [1956] 20) Blue Eyes by The American Patrol Orchestra / Jerome Kern (music) [1928]

durée : 00:58:24 - "Stormy Weather (Keeps Rainin' All the Time) " (Harold Arlen/Ted Koehler) (1933) - par : Laurent Valero - "Harold Arlen qui fut l’un des plus importants contributeurs de la musique populaire américaine, avait écrit cette chanson un peu à la va-vite dans un hôtel sur un coin de table et c’est son ami George Gershwin qui lui confirma que la chanson était particulièrement bien construite." Laurent Valero - réalisé par : Vivian Lecuivre

durée : 00:58:24 - "Stormy Weather (Keeps Rainin' All the Time) " (Harold Arlen/Ted Koehler) (1933) - par : Laurent Valero - "Harold Arlen qui fut l’un des plus importants contributeurs de la musique populaire américaine, avait écrit cette chanson un peu à la va-vite dans un hôtel sur un coin de table et c’est son ami George Gershwin qui lui confirma que la chanson était particulièrement bien construite." Laurent Valero - réalisé par : Vivian Lecuivre

Mi más sincero deseo de felicidad y bienestar para todos en este año 2021 que iniciamos. Hemos dejado atrás nuestro particular “annus horribilis” y sería interesante que éste, si no es mucho pedir, fuera un poquito mejor. No es tan difícil, digo yo. Por nuestra parte lo vamos a iniciar de la mejor manera posible, con música, con buena música, y lo haremos de la mano de una de las divas del jazz del momento, la pianista y cantante canadiense Diana Krall. Para ello, nos vamos a centrar en su primer álbum en directo, “Live in Paris”, un trabajo que fue lanzado el 1 de octubre de 2002 por Verve Records y grabado durante varios conciertos que la artista dio en el Olimpia de París entre los días 29 de noviembre y 2 de diciembre de 2001. Lógicamente, a lo largo de estos conciertos la artista ofreció a su público canciones de todos sus álbumes anteriores, lo que nos permite una visión amplia del conjunto de su obra. Se inicia el concierto con I love being here with you, una canción de Peggy Lee, también compositora y cantante que siempre ha sido reconocida como una de las personalidades musicales más influyentes en la historia de la música popular. Gente como Frank Sinatra, Ella Fitzgerald, Judy Garland, Dean Martin y el mismísimo Louis Armstrong la citaron siempre como una de sus cantantes favoritas. Let’s fall in love, el corte que escucharemos a continuación, es una canción escrita por Harold Arlen, que compuso la música y por Ted Koehler que escribió la letra. Esta canción era el leitmotiv de la película del mismo nombre y se publicó en 1933. Se trata de un estándar de jazz que juega, en las manos de Diana Krall, con un precioso ritmo de swing. “The look of love” es una canción compuesta por Burt Bacharach y lanzada por el cantante de pop inglés Dusty Springfield en la película de James Bond de 1967. Se han grabado numerosas versiones de esta canción pero la más conocida es la de Sergio Mendes y su Brasil 66 en el año 1968. Esta es la de Diana Krall. ‘S Wonderful es una canción de 1927 compuesta por Gerge Gershwin, con letra de Ira Gershwin. El tema formaba parte de la banda sonora del musical de Broadway “Funny Face”, estrenado también en 1927. Esta es una canción muy famosa que también ha conocido versiones de todos los colores, especialmente, por su armadura, en tiempo de jazz. Fue incluida en la película de 1951 “Un americano en Paris”, interpretada por Gene Kelly, así como en la versión para el cine de la obra de Broadway, “Funny Face”, interpretada en esta ocasión por Audrey Hepburn y Fred Astaire. Y de esta manera la ve Diana Krall. Nos vamos a despedir de este excelente trabajo con un auténtico clásico, “Fly me to dhe moon” (lit. Llévame volando a la luna), una canción escrita en 1954 por Bart Howard. Curiosamente, la canción fue titulada originalmente “In Other Words” (lit. En otras palabras) y fue un éxito inmediato. Pero todo el mundo la titulaba “Fly me to the Moon”, por su primera estrofa, y tuvieron que transcurrir algunos años para aue los editores cambiaran el título oficialmente. Desde entonces, se ha convertido en un estándar del jazz, grabado hasta la saciedad. Frank Sinatra lo hizo en 1964 y su versión estuvo estrechamente ligada a las misiones Apolo de la NASA hacia la luna. Nosotros escucharemos la de Diana Krall. Bueno pues… esto ha sido todo por hoy. Volveremos a revisar, más adelante, algún otro disco de Diana Krall, seguro que nos merece la pena. Por mi parte, me despido hasta la próxima semana en la que volveremos a empaparnos con la música y la historia de otro músico. Hasta entonces… ¡¡¡Buenas Vibraciones!!!.

Mi más sincero deseo de felicidad y bienestar para todos en este año 2021 que iniciamos. Hemos dejado atrás nuestro particular “annus horribilis” y sería interesante que éste, si no es mucho pedir, fuera un poquito mejor. No es tan difícil, digo yo. Por nuestra parte lo vamos a iniciar de la mejor manera posible, con música, con buena música, y lo haremos de la mano de una de las divas del jazz del momento, la pianista y cantante canadiense Diana Krall. Para ello, nos vamos a centrar en su primer álbum en directo, “Live in Paris”, un trabajo que fue lanzado el 1 de octubre de 2002 por Verve Records y grabado durante varios conciertos que la artista dio en el Olimpia de París entre los días 29 de noviembre y 2 de diciembre de 2001. Lógicamente, a lo largo de estos conciertos la artista ofreció a su público canciones de todos sus álbumes anteriores, lo que nos permite una visión amplia del conjunto de su obra. Se inicia el concierto con I love being here with you, una canción de Peggy Lee, también compositora y cantante que siempre ha sido reconocida como una de las personalidades musicales más influyentes en la historia de la música popular. Gente como Frank Sinatra, Ella Fitzgerald, Judy Garland, Dean Martin y el mismísimo Louis Armstrong la citaron siempre como una de sus cantantes favoritas. Let’s fall in love, el corte que escucharemos a continuación, es una canción escrita por Harold Arlen, que compuso la música y por Ted Koehler que escribió la letra. Esta canción era el leitmotiv de la película del mismo nombre y se publicó en 1933. Se trata de un estándar de jazz que juega, en las manos de Diana Krall, con un precioso ritmo de swing. “The look of love” es una canción compuesta por Burt Bacharach y lanzada por el cantante de pop inglés Dusty Springfield en la película de James Bond de 1967. Se han grabado numerosas versiones de esta canción pero la más conocida es la de Sergio Mendes y su Brasil 66 en el año 1968. Esta es la de Diana Krall. ‘S Wonderful es una canción de 1927 compuesta por Gerge Gershwin, con letra de Ira Gershwin. El tema formaba parte de la banda sonora del musical de Broadway “Funny Face”, estrenado también en 1927. Esta es una canción muy famosa que también ha conocido versiones de todos los colores, especialmente, por su armadura, en tiempo de jazz. Fue incluida en la película de 1951 “Un americano en Paris”, interpretada por Gene Kelly, así como en la versión para el cine de la obra de Broadway, “Funny Face”, interpretada en esta ocasión por Audrey Hepburn y Fred Astaire. Y de esta manera la ve Diana Krall. Nos vamos a despedir de este excelente trabajo con un auténtico clásico, “Fly me to dhe moon” (lit. Llévame volando a la luna), una canción escrita en 1954 por Bart Howard. Curiosamente, la canción fue titulada originalmente “In Other Words” (lit. En otras palabras) y fue un éxito inmediato. Pero todo el mundo la titulaba “Fly me to the Moon”, por su primera estrofa, y tuvieron que transcurrir algunos años para aue los editores cambiaran el título oficialmente. Desde entonces, se ha convertido en un estándar del jazz, grabado hasta la saciedad. Frank Sinatra lo hizo en 1964 y su versión estuvo estrechamente ligada a las misiones Apolo de la NASA hacia la luna. Nosotros escucharemos la de Diana Krall. Bueno pues… esto ha sido todo por hoy. Volveremos a revisar, más adelante, algún otro disco de Diana Krall, seguro que nos merece la pena. Por mi parte, me despido hasta la próxima semana en la que volveremos a empaparnos con la música y la historia de otro músico. Hasta entonces… ¡¡¡Buenas Vibraciones!!!.

This week the bad piano player takes a suggestion from his fanbase and learns about lyricist Ted Koehler, who wrote many of the hits behind Shirley Temple films. 

“Classic-Pop Standards” is inspired by the Great American Songbook. This series of podcasts features the singers, the lyricists, and the composers of the music we call “American Standards.” Come along with us as we honor the great songwriters by never forgetting their music. These are songs with not only a history, but with a future; Songs born along Tin Pan Alley, on 42nd Street, at the Brill building, and down Broadway. We bring new life to the Great American Songbook on “Classic-Pop Standards”. ***** In this episode, you’ll hear: 1) Oh, Lady Be Good [Excerpt] by Benny Goodman Quintet / George Gershwin (music) & Ira Gershwin (lyrics) [1924] 2) I Got Rhythm by Bobby Darin / George Gershwin (music) & Ira Gershwin (lyrics) [1930] 3) September In The Rain by Dinah Washington / Harry Warren (music) & Al Dubin (lyrics) [1937] 4) I Can't Give You Anything But Love by Mel Tormé / Jimmy McHugh (music) & Dorothy Fields (lyrics) [1928] 5) Lover, Come Back To Me by Barbra Streisand / Sigmund Romberg (music) & Oscar Hammerstein II (lyrics) [1928] 6) I Get A Kick Out Of You by Frank Sinatra / Cole Porter (music & lyrics) [1934] 7) Blues In The Night by Eva Cassidy / Johnny Mercer (words) & Harold Arlen (music) [1941] 8) Thank Heaven for Little Girls by Maurice Chevalier / Alan Jay Lerner (lyrics) & Frederick Loewe (music) [1957] 9) It's De-Lovely by Ella Fitzgerald / Cole Porter (music & lyrics) [1936] 10) Once In Love With Amy by Dean Martin / Frank Loesser (music & lyrics) [1948] 11) Without A Memory by Judy Garland / Bob Hilliard (lyricist) & Milton De Lugg (composer) 12) Lulu's Back in Town by Dick Haymes / Al Dubin (lyrics) and Harry Warren (music) [1935] 13) My Heart Belongs To Daddy by Eartha Kitt / Cole Porter [1938] 14) A Foggy Day (In London Town) by Michael Bublé / George Gershwin (music) & Ira Gershwin (lyrics) [1937] 15) I've Got the World On a String by Julie Budd / Harold Arlen (music) & Ted Koehler (lyrics) [1932] 16) My One And Only Love by Louis Armstrong / Guy Wood (music) & Robert Mellin (lyrics) [1952] 17) I Got It Bad (And That Ain't Good) by Carly Simon / Duke Ellington (music) & Paul Francis Webster (lyrics) [1941] 18) Come To Me, Bend To Me by Andy Williams / Alan Jay Lerner (lyrics) & Frederick Loewe (music) 19) Spring, Spring, Spring by JaLaLa / Johnny Mercer (lyrics) & Gene dePaul and Saul Chaplin (music) [1954] 20) Bewitched, Bothered & Bewildered by Frank Sinatra & Patti LaBelle / Richard Rodgers (music) & Lorenz Hart (lyrics) [1940] 21) I've Got My Love To Keep Me Warm by Les Brown / Irving Berlin (music & lyrics) [1937]

“Classic-Pop Standards” is a one-hour program inspired by the Great American Songbook. This series of podcasts features the singers, the lyricists, and the composers of the music we call “American Standards.” Come along with us as we honor the great songwriters by never forgetting their music. These are songs with not only a history, but with a future; Songs born along Tin Pan Alley, on 42nd Street, at the Brill building, and down Broadway. Danny Lane brings new life to the Great American Songbook on “Classic-Pop Standards”. ****** In this episode, you’ll hear: 1) Between The Devil And The Deep Blue Sea [Excerpt] by Benny Goodman / Harold Arlen (music) & Ted Koehler (lyrics) [1932] 2) The Best Is Yet To Come by Tony Bennett & Diana Krall / Cy Coleman (music) & Carolyn Leigh (lyrics) [1959] 3) Sit Down, You're Rockin' the Boat by Sammy Davis Jr. / Frank Loesser [1950] 4) Big Spender by Shirley Bassey / Cy Coleman (music) & Dorothy Fields (lyrics) [1966] 5) I've Got You Under My Skin by Peggy Lee / Cole Porter (1936) 6) Ain't Misbehavin' by Peter Cincotti / Thomas "Fats" Waller & Harry Brooks (music) Andy Razaf (lyrics) 7) I Won't Dance by Jane Monheit & Michael Buble / Dorothy Fields & Jimmy McHugh (lyrics) and Jerome Kern (music) 8) Body And Soul by Carly Simon / Johnny Green (music) & Edward Heyman, Robert Sour, and Frank Eyton (lyrics) [1930] 9) The Song Is Ended (But the Melody Lingers On) by Nat King Cole / Irving Berlin (music) & Beda Loehner (lyrics) [1927] 10) 'Deed I Do by Sue Raney / Fred Rose (music) & Walter Hirsch (lyrics) [1926] 11) Long Ago And Far Away by Rod Stewart / Jerome Kern (music) & Ira Gershwin (lyrics) [1944] 12) Only Love by Linda Eder / Frank Wildhorn (music) & Nan Knighton (lyrics) 13) Am I Blue? By Vic Damone / Harry Akst and Grant Clarke (1929) 14) Something's Got To Give by Rosemary Clooney / Johnny Mercer (words & music) [1954] 15) Good Thing Going (Going Gone) by Frank Sinatra / Stephen Sondheim (words & music) [1981] 16) I Wish I Didn't Love You So by k. d. lang / Frank Loesser (1947) 17) They Can't Take That Away From Me by Diana Krall / George Gershwin (music) & Ira Gershwin (lyrics) [1937] 18) In A Sentimental Mood by Doc Severinsen & His Big Band / Duke Ellinton (music) [1935]

durée : 00:58:40 - "I've got the World on a string" (Harold Arlen / Ted Koelher) (1932) - par : Laurent Valero - "Ils écriront les chansons du célèbre Cotton Club de New-York sur Lennox Avenue, et parmi celles-ci "I've Got The World On A String". Cette chanson résolument joyeuse et optimiste, sera crée en 1932 par Cab Calloway, l’année même de l’ouverture de ce Club Mythique des années 30..." Laurent Valero - réalisé par : Patrick Lérisset

durée : 00:58:40 - "I've got the World on a string" (Harold Arlen / Ted Koelher) (1932) - par : Laurent Valero - "Ils écriront les chansons du célèbre Cotton Club de New-York sur Lennox Avenue, et parmi celles-ci "I've Got The World On A String". Cette chanson résolument joyeuse et optimiste, sera crée en 1932 par Cab Calloway, l’année même de l’ouverture de ce Club Mythique des années 30..." Laurent Valero - réalisé par : Patrick Lérisset

“Classic-Pop Standards” is a one-hour program inspired by the Great American Songbook. This new series of podcasts features the singers, the lyricists, and the composers of the music we call “American Standards.” Come along with us as we honor the great songwriters by never forgetting their music. These are songs with not only a history, but with a future. Songs born along Tin Pan Alley, on 42nd Street, down Broadway, and beyond. Danny Lane brings new life to the Great American Songbook on “Classic-Pop Standards”. In this episode, you’ll hear: 1) The Lady Is A Tramp by Lena Horne / Richard Rodgers (music) & Lorenz Hart (lyrics) [1937] 2) I've Got The World On A String by Mel Tormé / Harold Arlen (music) & Ted Koehler (lyrics) [1932] 3) I'm Just Wild About Harry by Judy Garland / Eubie Blake (music) & Noble Sissle (lyrics) [1921] 4) Nancy (With The Laughing Face) by Frank Sinatra / Jimmy Van Heusen (music) & Phil Silvers (lyrics) [1942] 5) I Can't Believe That You're in Love with Me by Dinah Washington / Jimmy McHugh (music) & Clarence Gaskill (lyrics) [1926] 6) Let's Call The Whole Thing Off by Harry Connick, Jr. / George & Ira Gershwin [1937] 7) Ten Cents a Dance by Doris Day / Richard Rodgers (music) & Lorenz Hart (lyrics) [1930] 8) I'll Never Stop Loving You by Andy Williams / Nicholas Brodzsky (music) & Sammy Cahn (lyrics) [1955] 9) Make It Another Old-Fashioned, Please by Julie London / Cole Porter (music and lyrics) [1940] 10) Call Me Irresponsible by Michael Bublé / Jimmy Van Heusen (music) & Sammy Cahn (lyrics) [1962] 11) Let's Take A Walk Around The Block by Ella Fitzgerald / Harold Arlen (music) & Edgar “Yip” Harburg and Ira Gershwin (lyrics) [1934] 12) It Might Be You by Alan Bergman / Marilyn & Alan Bergman (lyrics), Dave Grusin (music) [1982] 13) All The Way by Billie Holiday / Jimmy Van Heusen (music) & Sammy Cahn (lyrics) [1957] 14) Evergreen by Paul Williams / Barbra Streisand & Paul Williams [1976] 15) Isn't It Romantic by Jack Jones / Richard Rodgers (music) & Lorenz Hart (lyrics) [1932] 16) We Have All The Time In The World by Louis Armstrong / John Barry (music) & Hal David (lyrics) [1969] 17) Don't Cry For Me Argentina by Patti LuPone / Andrew Lloyd Webber (music) & Tim Rice (lyrics) [1978] 18) Ain’t Misbehavin’ by Johnny Guarnieri / Thomas "Fats" Waller & Harry Brooks (music) Andy Razaf (lyric) [1929]

If it wasn't for America, the traditional music of Ireland might no longer exist. America saved Irish music. That's the premise behind my 2014 album I recorded with Jamie Haeuser, How America Saved Irish Music. I expected more of a backlash when I released the album title that was a parody of the book How the Irish Saved Civilization. I only got one nasty email. I started immersing myself in Irish music in 1999. I learned a lot about Irish culture and music over the years. The Irish were forced out of Ireland. Their music traveled around the globe. It integrated with other cultures. Eventually, it found its way home. When it did, it had changed. Blossomed and grew, yes. But changed as well We all know that the jigs and reels are the backbone of Irish tunes. But underneath it, I heard something fascinating. It was the similarities between Irish and American rhythm. The guitar was the clue. American guitarists changed music around the world. Listen to any guitarist playing Irish music and you will hear American rock-n-roll as its rhythmic backbone. Irish guitar is rock-n-roll guitar underneath a reel and a jig. This makes a little more sense when you think of Irish songs like "Johnny I Hardly Knew Ye". That's the Irish version of the American Civil War song "When Johnny Comes Marching Home". The Irish took a great American melody and gave it their own twist. In a sense, How America Saved Irish Music is nothing new. Jamie Haeuser and I fused American rhythm, jazz, and blues to Irish immigration songs to create our own exploration of the Irish musical diaspora. You'll hear the entire album this episode of the podcast, plus an interview with Jamie Haeuser. Welcome to the Pub Songs Podcast, the virtual Public House for Celts and geeks to share music and celebrate our differences. We're making the world a happier place through conversation, education, and kindness.  If you have comments and want to chat in the pub, email me. Use #PubSongs when talking about this show. Cead mile failte! PubSong.net. WHO'S PLAYING IN THE PUB TODAY? 1:26 A Stor Mo Chroi 3:45 Star of the County Down 7:30 Gypsy Rover 10:50 Men of New Basin Canal 14:04 Bridget's Prayer 16:12 Ais Vis Lo Lop 19:04 Black Velvet Band 22:38 Between the Devil and the Deep Blue Sea 25:22 Streets of Laredo/Bard of Armagh 28:41 Whiskey, You're the Devil 31:08 Who's Gonna Shoe Your Pretty Little Foot 34:11 Mrs. McGraw 37:20 Leaving of Liverpool 40:25 Johnny, I Hardly Knew Ye 44:23 PUB CHAT I want your feedback. What are you doing today while listening to the Pub Songs Podcast? What do you remember most from one of my recent shows? Or from another show you've seen? Send a written comment along with any pictures to marc@marcgunn.com. Use the hashtag #pubsongs in the subject of your email. Or post a comment, along with your review, on Apple Podcasts. grizztopher80 posted a picture on Instagram: "Trying to enjoy the weather despite the pollen." How have I helped you?  How have I inspired you? 45:15 NEWS If you ever thought about playing the autoharp, I have an Autoharp Tutorial that is now on YouTube. 45:29 COMMENTARY: How America Saved Irish Music Marc Gunn plays autoharp and sings. Jamie Haeuser plays bodhran and sings. Violin and manolin by Sick. Katie Haeuser provides background vocals. The albums was recorded by T.J. Barends at Sir-Reel Studios. The Gunns & Drums logo and graphic design were by Charles Davis. Back cover photo by Katie Haeuser at the Irish Hunger Memorial in New York City. 53:26 A Stor Mo Chroi (Brian O'Higgins) 56:07 Star of the County Down (traditional) 1:00:40 Gypsy Rover (Leo Maguire) 1:06:15 Men of New Basin Canal (Jamie Haeuser and Marc Gunn) 1:09:22 INTERVIEW WITH JAMIE HAEUSER 1:29:00 Bridget's Prayer (Jamie Haeuser and Marc Gunn) 1:31:03 Ais Vis Lo Lop (traditional) 1:34:07 Black Velvet Band (traditional) 1:39:18 Between the Devil and the Deep Blue Sea (Harold Arlen, Ted Koehler) 1:43:08 Streets of Laredo/Bard of Armagh (traditional) 1:47:23 Whiskey, You're the Devil (traditional) 1:50:46 Who's Gonna Shoe Your Pretty Little Foot (traditional) 1:55:38 Mrs. McGraw (traditional) 1:58:40 Leaving of Liverpool (traditional) 2:02:51 Johnny, I Hardly Knew Ye (traditional) 2:07:58 UPCOMING SHOWS Coffee with The Celtfather every Wednesday at 11 am Celtfather Live Exclusive on Thurs, February 21. Tickets are $15 per person or free for Heroic Patrons. Brennan's Irish Pub on Saturday, February 23 at 7:30 PM. Cover charge. Join me at The Hangout in Gulf Shores, Alabama on March 17 with Kilted Kings for a St Patrick's Day celebration on the beach. The Pub Songs Podcast is listener-supported. Your generous pledge of as little as $1 or more per month allows me to create music and podcasts for your enjoyment. Special thanks to my new patrons: If you enjoy visiting the pub, please join the Gunn Runners Club on Patreon. You’ll get episodes before regular listeners, free albums, podcasts,  videos and lots more. Go to marcgunn.net to join the Gunn Runners today. 2:10:07 "The Parting Glass" by The Selkie Girls from Parting Glass If you enjoy the music in this show, support the artists. Buy their music and merch. Follow them on Spotify. Let them know how much you love what they are doing. And tell a friend. Pub Songs Podcast was produced by Marc Gunn. To subscribe, go to Apple Podcasts, Spotify or to my website where you can join the Gunn Runners Club on Patreon and support my music and this podcast. I’ll also email regular updates of new videos, podcasts, stories behind the songs, plus 21 songs for free. Welcome to the pub!  www.pubsong.net.

‘Rockhistorier’ forkæler  lytterne med en klynge forgyldte evergreens, skrevet af folk som Cole Porter, Gershwin-brødrene og Irving Berlin, sunget af mesteren selv.Frank Sinatras karriere falder i flere stadier. Efter en periode som refrænsanger i Tommy Dorseys orkester udløste det Sinatramania, at han gik solo i 1942, hvor han blev det store idol for datidens bobby soxers. I starten af 1950’erne faldt populariteten betragteligt, og de færreste fattede, at Capitol Records gad skrive kontrakt med ham i 1953, hvor Columbia Records droppede ham. Men samme år revitaliserede hans rolle i filmen ”Herfra til evigheden” karrieren, og han gik ind i dens kunstnerisk mest frugtbare fase.Frem til 1962 indspillede han 15 mesterlige lp’er for Capitol, heraf over halvdelen i selskab med den kongeniale arrangør og orkesterleder Nelson Riddle, resten med folk som Gordon Jenkins, Billy May og Axel Stordahl. Hvert album slog en tone an, som forfulgtes hele vejen igennem, og i processen skabtes konceptpladen. Sinatra vekslede ligeligt mellem swing-tunes og torch-songs, to genrer, han ubesværet mestrede og resultatet blev det måske fineste og mest slidstærke underholdningsmusik, der nogensinde er blevet indspillet på magnetbånd.Playliste: I Get a Kick Out of You (Cole Porter) (1954) A Foggy Day (George & Ira Gershwin) (1954) Just One of Those Things (Cole Porter) (1954) Get Happy (Harold Arlen, Ted Koehler) (1954) In the Wee Small Hours of the Morning (David Mann, Bob Hilliard) (1955) It Never Entered My Mind (Richard Rodgers, Lorenz Hart) (1955) I’ve Got You under My Skin (Cole Porter) (1956) Old Devil Moon (Burton Lane, E.Y. ”Yip” Harburg (1956) Don’t Like Goodbyes (Harold Arlen, Truman Capote) (1957) I Got It Bad (And That Ain’t Good) (Duke Ellington, Paul Francis Webster) (1957) Autumn Leaves (Jacques Prévert, Johnny Mercer, Joseph Kosma) (1957) Lonely Town (Leonard Bernstein, Betty Comden, Adolph Green) (1957) Come Fly with Me (Sammy Cahn, Jimmy Van Heusen) (1958) Only the Lonely (Sammy Cahn, Jimmy Van Heusen) (1958) One for My Baby (And One More for the Road) (Harold Arlen, Johnny Mercer) (1958) Something’s Gotta Give (Johnny Mercer) (1959) Here’s That Rainy Day (Johnny Burke, Jimmy Van Heusen) (1959) How Deep Is the Ocean (Irving Berlin) (1960) On the Sunny Side of the Street (Jimmy McHugh, Dorothy Fields) (1961) September Song (Kurt Weill, Maxwell Anderson) (1962)Glædelig jul og godt nytår fra ‘Rockhistorier', vi er tilbage tirsdag d. 8.1.2019.

In today's VINYL VIBRATIONS podcast, I tour some early vinyl records that showcase PIANIST AND ORGANIST GREAT FATS WALLER. There are some 360 original compositions credited to Fats Waller, so where does one start in an attempt to represent his most imortant works? These recording you will hear in this podcast are found on a vinyl LP Record compilation that were collected by my father. During my childhood, these LPs were a frequent favorite on the house Hi-Fidelity record player. FATS WALLER PART 1 Ain’t Misbehavin’ (Music by Fats Waller, Harry Brooks), ‘Ain’t Misbehavin, Fat’s’ Waller and His Rhythm’ 1956, RCA Victor Records. rec 8/2/1929, original version of the song released 1929. Piano solo. Baby Oh Where Can You Be (Music by Ted Koehler and Frank Magine), The Rarest Fats Waller Volume 2 RFW-2, Organ solo. Recorded 8/24/1929. Tanglewood, (composed by Fats Waller and Sidney Easton) The Rarest Fats Waller Volume 2 RFW-2, organ solo, recorded 8/24/1929.Handful of Keys, Handful of Keys, Fats Waller and His Rhythm, RCA Victor LPM-1502, 1957. Recorded March 1, 1929.ZSz Piano solo. Tea for Two (Music by Vincent Youmans) ’Fat’s’ Waller and His Rhythm/Ain’t Misbehavin’, recorded June, 1937 from the 1924 musical “No, No Nanette” 1956, RCA Victor Records Then You’ll Remember Me (Music by Michael William Balfe), Fats Waller Plays, Sings and Talks , 1956, Jazz Treasury JT-1001. From Balfe’s opera, The Bohemian Girl c1861-1865) recorded Nov 30, 1939. Piano solo. Electrical Transcription (ET). Sextet Fats Waller Plays, Sings and Talks, 1956, Jazz Treasury JT-1001. from Lucia Di Lammermoor. Recorded Nov 20, 1939. Piano solo. Electrical Transcription (ET). MY HEART AT THY SWEET VOICE Fats Waller Plays, Sings and Talks, 1956, Jazz Treasury JT-1001. Recorded Nov 20, 1939. Piano solo. Electrical Transcription (ET). Today in Part 1, I will canvass solo performances of Fats Waller of his recordings between 1929 and 1939, when he was between the ages of 25 and 35. Today’s show is called Fats Waller Piano and Organ Solos. . . . THOMAS WRIGHT WALLER was born May 21, 1904 in NYC, the youngest of 11 children. He started pl aying piano at age six. His father was the Reverend Edward Martin Waller . By the time Thomas was 10, he had learned how to play the organ at his father’s church. At age 14, he was playing the organ at Harlem Lincoln’s Theater. Fats Waller is best known for his stride piano style. At age 15 Fats was a professional pianist and worked the local cabarets and theatres. Some of his original compositions are well known standards today, like Honeysuckle Rose, Ain’t Misbehavin’, Handful of Keys, Squeeze Me, Blue Turnin Grey Over You. Recordings of Fats Waller were inducted into the Grammy Hall of Fame, first in 1984, the song Honeysuckle Rose, and again in 1998 the song Ain’t Misbehavin’. Thomas Waller earned the nickname “Fats” at an early age, because as a Harlem ten year old boy, he was very heavy, over 250 pounds, and for the remainder of his life, his weight would stay between 280 and 300. Fats Waller was hard-working and trained in music theory and in the piano classics. He was prolific and there are some 360 songs credited to him during his short lifetime of 39 years. In terms of music performance, he preferred small groups to big bands, and preferred to lead groups of 6-8 men. ` We will hear piano and organ solo performances by Fats Waller from 1929, during the time of the Great Depression, and 1939, the start of WW II in Europe, the invasion by Nazi Germany into Poland. PLUG - VINYL VIBRATIONS - - M1 Ain’t Misbehavin’ (Music by Fats Waller, Harry Brooks), ‘Ain’t Misbehavin, Fat’s’ Waller and His Rhythm’ 1956, RCA Victor Records. rec 8/2/1929, original version of the song released 1929. Piano solo. In our first segment, we listen to Ain’t Misbehavin’. Music is composed by Fats Waller and Harry Brooks. This is one of the earliest solo recordings of Fats Waller.

Have you heard of the Mary Celeste? If you've heard of a ghost ship, this is probably the one.  In 1872 it was found under sail in the Atlantic Ocean but with absolutely no one on board.  What gives? And was this completely unique?  It wasn't, but it is certainly the most famous case and we wanted to know more! Also featuring and original performance of one of our favorite songs "Devil and the Deep Blue Sea," written by Harold Arlen and Ted Koehler in 1932.  Mick Sullivan plays mandolin, guitar, banjo, washboard, bass harmonica and probably some other stuff too.

The life  and music of song lyricist, Ted Koehler. Songs include: Stormy Weather, Animal Crackers, I've Gotta Right to Sing the Blues, Get Happy, Love For Love and Let's Fall In Love. Artists include: Cab Calloway, Eddie Duchin, Pearl Bailey, Ethyl Waters, Shirley Temple, Thomas "Fats" Waller and Louis Armstrong.