Podcast appearances and mentions of Charles Hart

Trong số các bản tình ca của Elvis Presley, nhạc phẩm « Are you lonesome tonight » có lẽ là giai điệu buồn và đẹp nhất. Vào đầu những năm 1960, sau hai năm thi hành nghĩa vụ quân sự, nam danh ca Elvis đã ghi âm lại bài hát này theo gợi ý của nhà quản lý Colonel Parker, đơn giản là vì vợ ông (bà Marie Mott) rất thích nghe bản nhạc này (phiên bản của Al Jolson), từng ăn khách nhiều năm trước đó  Mặc dù đã được hoàn tất vào mùa xuân năm 1960, nhưng bản ghi âm « Are You Lonesome Tonight » của Elvis Presley lại bị hãng đĩa RCA « cầm chân », trì hoãn thời điểm phát hành đến hơn 6 tháng. Chủ yếu cũng vì ban giám đốc điều hành thời bấy giờ nghĩ rằng bản ballad này không phù hợp với hình ảnh và phong cách của Elvis, họ muốn anh hát nhạc rock để thu hút giới trẻ thay vì hát nhạc tình theo kiểu crooner, hợp hơn với lứa tuổi trung niên.Bất ngờ thay, khi được phát hành vào tháng 11 năm 1960, bài hát này thành công ngay lập tức trên thị trường Mỹ, đứng đầu bảng xếp hạng nhạc pop của Billboard, về hạng ba trong hạng mục R&B. Một tháng sau khi chinh phục Hoa Kỳ giai điệu này lại giành luôn ngôi vị quán quân tại vương quốc Anh và hạng đầu thị trường châu Âu.Có thể nói là « Are You Lonesome Tonight » là một bản nhạc xưa. Được nhóm sáng tác Tin Pan Alley (gồm các nhạc sĩ Roy Turk và Lou Handman) viết vào năm 1926, bản nhạc này đã thành công vang dội lần đầu tiên vào năm 1927 với bản ghi âm của Charles Hart. Hai thập niên sau, bài hát « Are You Lonesome Tonight » ăn khách một lần nữa với Harry Freidman, ca sĩ chính của dàn nhạc Blue Barron và nhất là phiên bản của nam danh ca Al Jolson, với giọng đọc khá truyền cảm thay vì giọng hát ở trong đoạn giữa.Khi cover lại bài hát này, Elvis có lẽ đã muốn chiều ý nhà quản lý của anh là Colonel Parker. Lúc đầu, ông chỉ yêu cầu anh hát thử, nếu không thích thì không cần phải thu thanh, nào ngờ lối hát thần sầu của Elvis lại nâng bản nhạc này lên một tầm cao mới, có phần vượt trội so với các phiên bản trước. Đoạn khó nhất đối với Elvis là phần độc thoại khi anh mô tả mối tình như một vở kịch ba màn, yêu nhau trong màn đầu, bẽ bàng khổ đau trong màn hai, để rồi chia tay nhau trong màn cuối. Khi vở kịch buông màn, cũng là lúc tình yêu đã đi vào hồi kết, sân khấu cô đơn trống rỗng để lại trong màn đêm một dấu chấm hết. Tuy không phải là sở trường so với giọng hát, nhưng giọng nói của Elvis trong phần thoại lại đầy sức thuyết phục.Ông hoàng Elvis đã ghi âm bản nhạc này tại Studio B ở Nashville vào đầu tháng 04/1960. Tuy nổi tiếng là một ca sĩ nhạc rock, nhưng vào thời bất giờ anh đang chuyển sang ghi âm những bài hát xưa, điển hình là bài hát rất ăn khách của anh trước đó « It's Now Or Never » được phóng tác từ giai điệu « O Sole Mio », và sau đó đến bài « Surender » (Torna a Surriento/Trở về mái nhà xưa trong tiếng Việt) cũng như bài « No more », chuyển thể từ « La Paloma », khúc đàn Tây Ban Nha nổi tiếng trong làng nhạc cổ điển.Bản thân danh ca Elvis thích sự chuyển hướng này trong sự nghiệp của mình, xem đó là cơ hội để mở rộng tầm nhìn, thử hát nhiều thể loại âm nhạc khác nhau. Điều mà ban giám đốc điều hành hãng đĩa RCA lo ngại, rốt cuộc đã không xảy ra. Dù bị dời lại hơn nửa năm, nhưng đến khi được phát hành, « Are You Lonesome Tonight » lại giúp cho Elvis chinh phục được thêm nhiều thành phần người hâm mộ mới (thế hệ trên 35 tuổi), mà vẫn giữ lại hầu hết những người yêu mến chất giọng của Elvis (chủ yếu là giới trẻ) luôn trung thành với giọng ca này từ lúc anh mới vào nghề.Cũng như bài hát « Will you still love me tomorrow » (Mai có còn yêu em) của Carole King đã cho ra đời nhiều bản nhạc hồi âm như « Tomorrow & Always  » (Yêu đến ngàn sau), phiên bản của Elvis « Are You Lonesome Tonight » sau khi thành công, đã có ít nhất 5 ca khúc đối đáp của những giọng ca nữ khác nhau được tung ra thị trường. Đó là trường hợp của Dodie Stevens, Linda Lee, Ricky Page, Thelma Carpenter và Jeanne Black.Các giọng ca nữ này đã hồi âm Elvis khi cho phát hành nhạc phẩm mang tựa đề « Yes, I'm lonesome tonight » (Vâng em cô đơn đêm nay) giữ nguyên giai điệu nhưng thay đổi lời hát. Ngoài ra, cũng có một bài hát thứ nhì với góc nhìn khác mang tên là « Oh, how I miss you tonight » (Đêm nay sao quá nhớ anh).Tuy được đề cử đi tranh giải Grammy trong hạng mục bản ghi âm xuất sắc nhất, nhưng bài hát của Elvis rốt cuộc lại nhường hạng đầu cho nhạc phẩm « Georgia On My Mind » của Ray Charles. Dù vậy bài hát này lại rất thành công trên thị trường và sau Elvis, đến phiên nhiều nghệ sĩ quốc tế ghi âm lại bài này như Frank Sinatra, Connie Francis, Doris Day, Bobby Solo …Gần một thế kỷ sau ngày ra đời, giai điệu « Are You Lonesome Tonight » tính đến nay đã có gần cả ngàn phiên bản trong 16 thứ tiếng. Trong tiếng Việt, bài này có nhiều lời khác nhau. Lời đầu tiên « Tình bơ vơ » của tác giả Trầm Tử Thiêng do Elvis Phương ghi âm. Lời thứ nhì « Đêm Buồn » của tác giả Nguyễn Hoàng Đô qua phần trình bày của các nghệ sĩ Thanh Duyên hay Quỳnh Dao, lời thứ ba « Em còn cô đơn tối nay » được nhiều nguồn ghi chép là do Trung Hành tự đặt lời và ghi âm.« Are You Lonesome Tonight » là một trong những bài hát buồn và đẹp nhất từng được viết. Theo bảng xếp hạng (năm 2008) của tạp chí Billboard, bản nhạc này đứng hạng thứ 81 trên danh sách 100 bài hát hay nhất mọi thời đại. Tưởng chừng nhân vật trong bài hát thầm hỏi người yêu, nhưng thực ra lại tự hỏi lòng : có ai nào ngờ đâu, tấn trò đời sân khấu. Yêu ngay từ lúc đầu, trao ánh mắt cho nhau. Nhưng không hiểu vì sao, tình lạc lối đêm thâu. Cho cô đơn buông màn, tim ngập tràn nỗi đau.

Trong số các bản tình ca của Elvis Presley, nhạc phẩm « Are you lonesome tonight » có lẽ là giai điệu buồn và đẹp nhất. Vào đầu những năm 1960, sau hai năm thi hành nghĩa vụ quân sự, nam danh ca Elvis đã ghi âm lại bài hát này theo gợi ý của nhà quản lý Colonel Parker, đơn giản là vì vợ ông (bà Marie Mott) rất thích nghe bản nhạc này (phiên bản của Al Jolson), từng ăn khách nhiều năm trước đó  Mặc dù đã được hoàn tất vào mùa xuân năm 1960, nhưng bản ghi âm « Are You Lonesome Tonight » của Elvis Presley lại bị hãng đĩa RCA « cầm chân », trì hoãn thời điểm phát hành đến hơn 6 tháng. Chủ yếu cũng vì ban giám đốc điều hành thời bấy giờ nghĩ rằng bản ballad này không phù hợp với hình ảnh và phong cách của Elvis, họ muốn anh hát nhạc rock để thu hút giới trẻ thay vì hát nhạc tình theo kiểu crooner, hợp hơn với lứa tuổi trung niên.Bất ngờ thay, khi được phát hành vào tháng 11 năm 1960, bài hát này thành công ngay lập tức trên thị trường Mỹ, đứng đầu bảng xếp hạng nhạc pop của Billboard, về hạng ba trong hạng mục R&B. Một tháng sau khi chinh phục Hoa Kỳ giai điệu này lại giành luôn ngôi vị quán quân tại vương quốc Anh và hạng đầu thị trường châu Âu.Có thể nói là « Are You Lonesome Tonight » là một bản nhạc xưa. Được nhóm sáng tác Tin Pan Alley (gồm các nhạc sĩ Roy Turk và Lou Handman) viết vào năm 1926, bản nhạc này đã thành công vang dội lần đầu tiên vào năm 1927 với bản ghi âm của Charles Hart. Hai thập niên sau, bài hát « Are You Lonesome Tonight » ăn khách một lần nữa với Harry Freidman, ca sĩ chính của dàn nhạc Blue Barron và nhất là phiên bản của nam danh ca Al Jolson, với giọng đọc khá truyền cảm thay vì giọng hát ở trong đoạn giữa.Khi cover lại bài hát này, Elvis có lẽ đã muốn chiều ý nhà quản lý của anh là Colonel Parker. Lúc đầu, ông chỉ yêu cầu anh hát thử, nếu không thích thì không cần phải thu thanh, nào ngờ lối hát thần sầu của Elvis lại nâng bản nhạc này lên một tầm cao mới, có phần vượt trội so với các phiên bản trước. Đoạn khó nhất đối với Elvis là phần độc thoại khi anh mô tả mối tình như một vở kịch ba màn, yêu nhau trong màn đầu, bẽ bàng khổ đau trong màn hai, để rồi chia tay nhau trong màn cuối. Khi vở kịch buông màn, cũng là lúc tình yêu đã đi vào hồi kết, sân khấu cô đơn trống rỗng để lại trong màn đêm một dấu chấm hết. Tuy không phải là sở trường so với giọng hát, nhưng giọng nói của Elvis trong phần thoại lại đầy sức thuyết phục.Ông hoàng Elvis đã ghi âm bản nhạc này tại Studio B ở Nashville vào đầu tháng 04/1960. Tuy nổi tiếng là một ca sĩ nhạc rock, nhưng vào thời bất giờ anh đang chuyển sang ghi âm những bài hát xưa, điển hình là bài hát rất ăn khách của anh trước đó « It's Now Or Never » được phóng tác từ giai điệu « O Sole Mio », và sau đó đến bài « Surender » (Torna a Surriento/Trở về mái nhà xưa trong tiếng Việt) cũng như bài « No more », chuyển thể từ « La Paloma », khúc đàn Tây Ban Nha nổi tiếng trong làng nhạc cổ điển.Bản thân danh ca Elvis thích sự chuyển hướng này trong sự nghiệp của mình, xem đó là cơ hội để mở rộng tầm nhìn, thử hát nhiều thể loại âm nhạc khác nhau. Điều mà ban giám đốc điều hành hãng đĩa RCA lo ngại, rốt cuộc đã không xảy ra. Dù bị dời lại hơn nửa năm, nhưng đến khi được phát hành, « Are You Lonesome Tonight » lại giúp cho Elvis chinh phục được thêm nhiều thành phần người hâm mộ mới (thế hệ trên 35 tuổi), mà vẫn giữ lại hầu hết những người yêu mến chất giọng của Elvis (chủ yếu là giới trẻ) luôn trung thành với giọng ca này từ lúc anh mới vào nghề.Cũng như bài hát « Will you still love me tomorrow » (Mai có còn yêu em) của Carole King đã cho ra đời nhiều bản nhạc hồi âm như « Tomorrow & Always  » (Yêu đến ngàn sau), phiên bản của Elvis « Are You Lonesome Tonight » sau khi thành công, đã có ít nhất 5 ca khúc đối đáp của những giọng ca nữ khác nhau được tung ra thị trường. Đó là trường hợp của Dodie Stevens, Linda Lee, Ricky Page, Thelma Carpenter và Jeanne Black.Các giọng ca nữ này đã hồi âm Elvis khi cho phát hành nhạc phẩm mang tựa đề « Yes, I'm lonesome tonight » (Vâng em cô đơn đêm nay) giữ nguyên giai điệu nhưng thay đổi lời hát. Ngoài ra, cũng có một bài hát thứ nhì với góc nhìn khác mang tên là « Oh, how I miss you tonight » (Đêm nay sao quá nhớ anh).Tuy được đề cử đi tranh giải Grammy trong hạng mục bản ghi âm xuất sắc nhất, nhưng bài hát của Elvis rốt cuộc lại nhường hạng đầu cho nhạc phẩm « Georgia On My Mind » của Ray Charles. Dù vậy bài hát này lại rất thành công trên thị trường và sau Elvis, đến phiên nhiều nghệ sĩ quốc tế ghi âm lại bài này như Frank Sinatra, Connie Francis, Doris Day, Bobby Solo …Gần một thế kỷ sau ngày ra đời, giai điệu « Are You Lonesome Tonight » tính đến nay đã có gần cả ngàn phiên bản trong 16 thứ tiếng. Trong tiếng Việt, bài này có nhiều lời khác nhau. Lời đầu tiên « Tình bơ vơ » của tác giả Trầm Tử Thiêng do Elvis Phương ghi âm. Lời thứ nhì « Đêm Buồn » của tác giả Nguyễn Hoàng Đô qua phần trình bày của các nghệ sĩ Thanh Duyên hay Quỳnh Dao, lời thứ ba « Em còn cô đơn tối nay » được nhiều nguồn ghi chép là do Trung Hành tự đặt lời và ghi âm.« Are You Lonesome Tonight » là một trong những bài hát buồn và đẹp nhất từng được viết. Theo bảng xếp hạng (năm 2008) của tạp chí Billboard, bản nhạc này đứng hạng thứ 81 trên danh sách 100 bài hát hay nhất mọi thời đại. Tưởng chừng nhân vật trong bài hát thầm hỏi người yêu, nhưng thực ra lại tự hỏi lòng : có ai nào ngờ đâu, tấn trò đời sân khấu. Yêu ngay từ lúc đầu, trao ánh mắt cho nhau. Nhưng không hiểu vì sao, tình lạc lối đêm thâu. Cho cô đơn buông màn, tim ngập tràn nỗi đau.

A new MP3 sermon from Cornerstone Church is now available on SermonAudio with the following details: Title: Anger and Reconciliation Subtitle: Matthew Speaker: Charles Hart Broadcaster: Cornerstone Church Event: Sunday Service Date: 8/18/2024 Bible: Matthew 5:21-26 Length: 43 min.

A new MP3 sermon from Cornerstone Church is now available on SermonAudio with the following details: Title: Fulfilling the Law and Prophets Subtitle: Matthew Speaker: Charles Hart Broadcaster: Cornerstone Church Event: Sunday Service Date: 7/28/2024 Bible: Matthew 5:17-20 Length: 38 min.

A new MP3 sermon from Cornerstone Church is now available on SermonAudio with the following details: Title: Salt and Light Subtitle: Matthew Speaker: Charles Hart Broadcaster: Cornerstone Church Event: Sunday Service Date: 7/7/2024 Bible: Matthew 5:13-16 Length: 38 min.

G T Bynum responds to Boeing buying Spirit AeroSystems. He also remembers the work the late Charles Hart did for the city.

A new MP3 sermon from Cornerstone Church is now available on SermonAudio with the following details: Title: The Good Life, Part 4 Subtitle: Matthew Speaker: Charles Hart Broadcaster: Cornerstone Church Event: Sunday Service Date: 5/19/2024 Bible: Matthew 5:8-11 Length: 36 min.

A new MP3 sermon from Cornerstone Church is now available on SermonAudio with the following details: Title: The Good Life - Part 2 Subtitle: Matthew Speaker: Charles Hart Broadcaster: Cornerstone Church Event: Sunday Service Date: 4/15/2024 Bible: Matthew 5:4-5 Length: 37 min.

A new MP3 sermon from Cornerstone Church is now available on SermonAudio with the following details: Title: The Good Life - Part 1 Subtitle: Matthew Speaker: Charles Hart Broadcaster: Cornerstone Church Event: Sunday Service Date: 4/7/2024 Bible: Matthew 5:1-5 Length: 43 min.

A new MP3 sermon from Cornerstone Church is now available on SermonAudio with the following details: Title: The Genealogy Subtitle: Matthew Speaker: Charles Hart Broadcaster: Cornerstone Church Event: Sunday Service Date: 10/22/2023 Bible: Matthew 1:2-17 Length: 41 min.

A new MP3 sermon from Cornerstone Church is now available on SermonAudio with the following details: Title: Humility, Vigilance and Faith in Affliction Subtitle: 1 Peter Speaker: Charles Hart Broadcaster: Cornerstone Church Event: Sunday Service Date: 7/16/2023 Bible: 1 Peter 5:6-11 Length: 44 min.

A new MP3 sermon from Cornerstone Church is now available on SermonAudio with the following details: Title: Humility, Vigilance and Faith in Affliction Subtitle: 1 Peter Speaker: Charles Hart Broadcaster: Cornerstone Church Event: Sunday Service Date: 7/16/2023 Bible: 1 Peter 5:6-11 Length: 44 min.

In this episode, nine guests from the past five seasons return to talk about Scene to Song episodes we have loved and if the discussions have changed our thoughts on musical theater in any way. We also talk about the late lyricist Sheldon Harnick and the song “Telephone Wire” from Jeanine Tesori and Lisa Kron's Fun Home. This discussion was held live on Scene to Song's Facebook page on June 25, 2023, and was recorded for this podcast almost in its entirety. Scene to Song is now going back on summer hiatus and will return in early fall. In the meantime, you can write to scenetosong@gmail.com with a comment or question about an episode or about musical theater, or if you'd like to be a podcast guest. Follow us on Instagram at @ScenetoSong, on Twitter at @SceneSong, and on Facebook at “Scene to Song with Shoshana Greenberg Podcast.” And be sure to sign up for the new monthly e-newsletter at scenetosong.substack.com. And contribute to the new Patreon. The theme music you are hearing is by Julia Meinwald. Music played in this episode: "Telephone Wire" from Fun Home Guests: Victoria Gordon (Episode 37: Stephen Sondheim and James Goldman's Evening Primrose Deborah Blumenthal (Episode 57: Stephen Sondheim and George Furth's Company Tammy Tuckey (Episode 75: Marvin Hamlisch, David Zippel, and Neil Simon's The Goodbye Girl) Jessica Fleitman (Episode 15: The Musical My Fair Lady Victoria Myers (Episode 67: The Musical Roles of Bernadette Peters) Orian Israelsohn (Episode 81: Andrew Lloyd Webber, Charles Hart, and Richard Stilgoe's The Phantom of the Opera, Episode 28: The Bock and Harnick Musicals Fiddler on the Roof and The Rothschilds) Seth Christenfeld (Episode 5: Adaptations in Musical Theater BethAnn Cohen (Episode 66: Stephen Sondheim and James Lapine‘s Into the Woods, Episode 43: TV Musical Episodes, Episode 22: Representations of Judaism in Musical Theater Robert Lee (Episode 65: Artist Characters in Musical Theater)  

Yesterday brought the shocking news that the West End revival of ASPECTS OF LOVE would close earlier than originally planned. The show, which features a score by Andrew Lloyd Webber, Charles Hart and Don Black, currently stars Michael Ball, Laura Pitt-Pulford, Jamie Bogyo, and Danielle de Niese. Mickey-Jo discusses why this might be happening and what it means for the show, the West End and Sir Andrew Lloyd Webber... • • About Mickey-Jo: As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: ⁠⁠⁠⁠⁠⁠⁠MickeyJoTheatre⁠⁠⁠⁠⁠⁠⁠ is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 60,000 subscribers. Since establishing himself as a theatre critic he has been able to work internationally. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows both in New York, London, Hamburg, and Paris. He has also twice received accreditation from the world renowned Edinburgh Fringe Festival. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK and LondonTheatre.co.uk. He has been invited to speak to private tour groups, at the BEAM 2023 new musical theatre conference at Oxford Playhouse, and on a panel of critics at an event for young people considering a career in the arts courtesy of Go Live Theatre Projects. Instagram/TikTok/X: @MickeyJoTheatre

Last week Mickey-Jo was invited to attend the opening night of the new revival of ASPECTS OF LOVE at the Lyric Theatre in the West End. The show, which features a score by Andrew Lloyd Webber, Charles Hart and Don Black, currently stars Michael Ball, Laura Pitt-Pulford, Jamie Bogyo, and Danielle de Niese. Check out the new review for all of Mickey-Jo's thoughts on this polarising new production... • About Mickey-Jo: As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: ⁠⁠⁠⁠⁠⁠⁠MickeyJoTheatre⁠⁠⁠⁠⁠⁠⁠ is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 60,000 subscribers. Since establishing himself as a theatre critic he has been able to work internationally. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows both in New York, London, Hamburg, and Paris. He has also twice received accreditation from the world renowned Edinburgh Fringe Festival. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK and LondonTheatre.co.uk. He has been invited to speak to private tour groups, at the BEAM 2023 new musical theatre conference at Oxford Playhouse, and on a panel of critics at an event for young people considering a career in the arts courtesy of Go Live Theatre Projects. Instagram/TikTok/X: @MickeyJoTheatre

On this week's "very special episode" of John and John (overdramatic title provided courtesy of John N.), the pair discuss the longest-running musical in Broadway history, "The Phantom of the Opera". The Johns talk about the cultural impact of the show, their thoughts on the (lack of) character arcs for most of the show's characters, the legacy of Andrew Lloyd Webber, and so much more. Music by Andrew Lloyd Webber Lyrics by Charles Hart and Richard Stilgoe Book by Richard Stilgoe and Andrew Lloyd Webber Based on the 1909 novel "The Phantom of the Opera" by Gaston Leroux Find the episode on your favorite podcast app or by going to https://anchor.fm/musicalminutes Intro and outro music ("BeBop 25") provided under Creative Commons Attribution 4.0 International License by Jason Shaw on Audionautix.com Have a question for John or John? Want to leave feedback or tell us how wrong we are? Email us at musicalminutespodcast@gmail.com For more info on our hosts - please visit https://norine62.wixsite.com/musicalminutes

THE PHANTOM OF THE OPERA  Music by Andrew Lloyd Webber | Lyrics by Charles Hart | Additional Lyrics by Richard Stilgoe | Book by Richard Stilgoe & Andrew Lloyd Webber | Based on the novel Le Fantome de  l'Opera by Gaston Leroux | Originally Directed by Harold Prince | Orchestrations by David Cullen & Andrew Lloyd Webber | Original Production by Cameron Mackintosh Ltd. and The Really Useful Group Ltd. Works Consulted & Reference :The Phantom of the Opera (Original Libretto) by Andrew Lloyd Webber, Charles Hart, and Richard StilgoeSense of Occasion by Harold PrinceUnmasked by Andrew Lloyd WebberRazzle Dazzle by Michael ReidelThe Complete Phantom of the Opera by George PerryMusic Credits:"Overture" from Dear World (Original Broadway Cast Recording)  | Music by Jerry Herman | Performed by Dear World Orchestra & Donald Pippin"The Speed Test" from Thoroughly Modern Millie  (Original Broadway Cast Recording) | Music by Jeanine Tesori, Lyrics by Dick Scanlan | Performed by Marc Kudisch, Sutton Foster, Anne L. Nathan & Ensemble"Why God Why" from Miss Saigon: The Definitive Live Recording  (Original Cast Recording  / Deluxe)  | Music by Claude-Michel Schönberg, Lyrics by Alain Boublil & Richard Maltby Jr.  | Performed by Alistair Brammer"Back to Before" from Ragtime: The Musical (Original Broadway Cast Recording)  | Music by Stephen Flaherty, Lyrics by Lynn Ahrens | Performed by Marin Mazzie"Chromolume #7 / Putting It Together" from Sunday in the Park with George (Original Broadway Cast Recording)  | Music & Lyrics by Stephen Sondheim | Performed by Mandy Patinkin, Bernadette Peters, Judith Moore, Cris Groenendaal, Charles Kimbrough, William Parry, Nancy Opel, Robert Westenberg, Dana Ivey, Kurt Knudson, Barbara Bryne"What's Inside" from Waitress (Original Broadway Cast Recording)  | Music & Lyrics by Sara Bareilles | Performed by Jessie Mueller & Ensemble"The Music of the Night” from  The Phantom of the Opera (Original London Cast Recording) | Music by Andrew Lloyd Webber | Lyrics by Charles Hart | Additional Lyrics by Richard Stilgoe | Performed by Andrew Lloyd Webber, Phantom of the Opera Original London Cast, Michael Crawford"Maria" from The Sound of Music (Original Soundtrack Recording)  | Music by Richard Rodgers, Lyrics by Oscar Hammerstein II | Performed by Evadne Baker, Anna Lee, Portia Nelson, Marni Nixon"My Favorite Things" from The Sound of Music (Original Soundtrack Recording) | Music by Richard Rodgers, Lyrics by Oscar Hammerstein II | Performed by Julie Andrews"Corner of the Sky" from Pippin (New Broadway Cast Recording) | Music & Lyrics by Stephen Schwartz | Performed by Matthew James Thomas“What Comes Next?” from Hamilton (Original Broadway Cast Recording) | Music & Lyrics by Lin-Manuel Miranda | Performed by Jonathan Groff

In this episode, eight of this season's guests--Eric Matthew Richardson (Episode 72: Disney Parks Music as Musical Theater), Emel Greer (Episode 73: Evil Characters in Musical Theater), Tammy Tuckey (Episode 75: Marvin Hamlisch, David Zippel, and Neil Simon's The Goodbye Girl), David Armstrong (Episode 79: Marc Shaiman, Scott Wittman, Mark O'Donnell, and Thomas Meehan's Hairspray), Ilana Kresch (Episode 80: Jule Styne, Bob Merrill, and Isobel Lennart's Funny Girl), Orian Israelsohn (Episode 81: Andrew Lloyd Webber, Charles Hart, and Richard Stilgoe's The Phantom of the Opera), Marc Eliot Stein (Episode 82: John O'Hara, Lorenz Hart, and Richard Rodgers's Pal Joey), and Rose Ginsberg (Episode 84: Abolition in Musical Theater), as well as BethAnn Cohen--return to discuss the topics from the season and listener questions and comments. We also discuss the song "Inner White Girl" from the 2022 Michael R. Jackson musical A Strange Loop. This discussion was held live on Sunday, December 18th on Scene to Song's Facebook page, and was recorded for this podcast almost in its entirety. Scene to Song will be going on a brief hiatus to prepare for Season six and will return in early 2023. In the meantime, you can write to scenetosong@gmail.com with a comment or question about an episode or about musical theater, or if you'd like to be a podcast guest. Follow us on Instagram at @ScenetoSong, on Twitter at @SceneSong, and on Facebook at “Scene to Song with Shoshana Greenberg Podcast.”  And be sure to sign up for the new monthly e-newsletter at scenetosong.substack.com. Contribute to the new Patreon. The theme music you are hearing is by Julia Meinwald. Music played in this episode: "Inner White Girl" from A Strange Loop

A new MP3 sermon from Cornerstone Church is now available on SermonAudio with the following details: Title: Love and Unity Subtitle: 1 Peter Speaker: Charles Hart Broadcaster: Cornerstone Church Event: Sunday Service Date: 10/2/2022 Bible: 1 Peter 3:8 Length: 41 min.

In this episode, composer, lyricist, performer, and music educator Kay Clark and bookwriter and playwright Orian Israelsohn discuss Andrew Lloyd Webber, Charles Hart, and Richard Stilgoe's 1986 musical The Phantom of the Opera, looking at the Phantom as an incel. We also talk about the songs "What You Feel" from the TV series Buffy the Vampire Slayer and "You Could Drive a Person Crazy" from Company. You can write to scenetosong@gmail.com with a comment or question about an episode or about musical theater, or if you'd like to be a podcast guest. Follow on Instagram at @ScenetoSong, on Twitter at @SceneSong, and on Facebook at “Scene to Song with Shoshana Greenberg Podcast.” And be sure to sign up for the new monthly e-newsletter at scenetosong.substack.com. Contribute to the new Patreon. The theme music is by Julia Meinwald. Music played in this episode: "Music of the Night" from The Phantom of the Opera "The Phantom of the Opera" from The Phantom of the Opera "Think of Me" from The Phantom of the Opera "What You Feel" from the TV series Buffy the Vampire Slayer "You Could Drive a Person Crazy" from Company

India is the largest global exporter of rice. Between 2012 and 2021, India accounted for 29.5% of the world's rice exports by value – in the second-half of that period, its share had risen to 30.7%. But India has recently announced its intention to prohibit the export of 100% broken rice and to impose a 20% duty on the export of several other rice grades. On Money in the Market, Charles Hart, Analyst of Commodities at Fitch Solutions explains what this means now for prices of rice and global food security.   See omnystudio.com/listener for privacy information.

Dr. Charles Hart started his career in family and emergency medicine. Over a three-decade career, Hart became CEO of Regional Health, now Monument Health, the major health care provider within a 300-mile radius centered on Rapid City. We talk with Hart about his induction into the South Dakota Hall of Fame.

A new MP3 sermon from Cornerstone Church is now available on SermonAudio with the following details: Title: Christlike Husbands Subtitle: 1 Peter Speaker: Charles Hart Broadcaster: Cornerstone Church Event: Sunday Service Date: 8/14/2022 Bible: 1 Peter 3:7 Length: 35 min.

A new MP3 sermon from Cornerstone Church is now available on SermonAudio with the following details: Title: Christlike Husbands Subtitle: 1 Peter Speaker: Charles Hart Broadcaster: Cornerstone Church Event: Sunday Service Date: 8/14/2022 Bible: 1 Peter 3:7 Length: 35 min.

# 마음에 찍는 점 하나♪ Free / Deniece Williams # 시간을 달리는 음악 feat. 김경진 음악평론가Elvis Presley 음악의 원곡♪ Are You Lonesome Tonight (3:11) - Charles Hart (1927)♪ Blue Moon Of Kentucky (3:01) - Bill Monroe & The Blue Grass Boys (1947)♪ Hound Dog (2:51) - Big Mama Thornton (1952)♪ Tryin' To Get To You (2:40) - The Eagles (1954)♪ I Got A Woman (2:54) - Ray Charles (1954)♪ Blue Suede Shoes (2:19) - Carl Perkins (1956)ART19 개인정보 정책 및 캘리포니아주의 개인정보 통지는 https://art19.com/privacy & https://art19.com/privacy#do-not-sell-my-info 에서 확인하실 수 있습니다.

Book Vs. Movie “Musicals in March” The 1911 Novel The Phantom of the Opera Vs the 2004 Joel Schumacher FilmThe Margos close out “Musicals in March” with one of the most popular musicals of all time--The Phantom of the Opera. Originally created in 1911 by French journalist and bon vivant Gaston Leroux, the story is based on stories about the Paris Opera in the 1800s which include hauntings aplenty. His creation is about Phantom Erik (!) who is an “Opera Ghost” madly in love with soprano Christine. The complicated tale of Christine, the “Angel of Music,” her childhood friend Raoul, a performance of Faust, and flooding in the basement of the Palais Garnier involves love, intrigue, some objectification, and imprisonment. The 1925 movie starring Lon Chaney just barely scratched the surface so we turn to the unofficial King of Musicals--Andrew Lloyd Weber who along with lyricist Charles Hart created one of the most successful productions in Broadway and West End history. The 2004 film was directed by the late Joel Schumacher. It's lush, gorgeous, and filled with talented actors. So, between the original story and the 2014 musical adaptation--which did we prefer? In this ep the Margos discuss:The author Gaston LerouxParis in the early 20th Century The differences between the novella and musicalThe cast includes Gerard Butler (The Phantom,) Emmy Rossum (Christine,) Patrick Wilson (Raoul,) Minnie Driver (Carlotta,) Simon Callow (Gilles,) and Victor McGuire (Ubaldo.) Clips used:Opening scene of the movieThe Phantom of the Opera (the 2004 trailer)“I Remember Stranger…”“Why So Silent”“All I Ask of You”Carlotta singsMusic by Andrew Lloyd WeberBook Vs. Movie is part of the Frolic Podcast Network. Find more podcasts you will love Frolic.Media/podcasts. Join our Patreon page to help support the show! https://www.patreon.com/bookversusmovie Book Vs. Movie podcast https://www.facebook.com/bookversusmovie/Twitter @bookversusmovie www.bookversusmovie.comEmail us at bookversusmoviepodcast@gmail.com Margo D. @BrooklynFitChik www.brooklynfitchick.com brooklynfitchick@gmail.comMargo P. @ShesNachoMama https://coloniabook.weebly.com/ Our logo was designed by Madeleine Gainey/Studio 39 Marketing Follow on Instagram @Studio39Marketing & @musicalmadeleine

Book Vs. Movie “Musicals in March” The 1911 Novel The Phantom of the Opera Vs the 2004 Joel Schumacher FilmThe Margos close out “Musicals in March” with one of the most popular musicals of all time--The Phantom of the Opera. Originally created in 1911 by French journalist and bon vivant Gaston Leroux, the story is based on stories about the Paris Opera in the 1800s which include hauntings aplenty. His creation is about Phantom Erik (!) who is an “Opera Ghost” madly in love with soprano Christine. The complicated tale of Christine, the “Angel of Music,” her childhood friend Raoul, a performance of Faust, and flooding in the basement of the Palais Garnier involves love, intrigue, some objectification, and imprisonment. The 1925 movie starring Lon Chaney just barely scratched the surface so we turn to the unofficial King of Musicals--Andrew Lloyd Weber who along with lyricist Charles Hart created one of the most successful productions in Broadway and West End history. The 2004 film was directed by the late Joel Schumacher. It's lush, gorgeous, and filled with talented actors. So, between the original story and the 2014 musical adaptation--which did we prefer? In this ep the Margos discuss:The author Gaston LerouxParis in the early 20th Century The differences between the novella and musicalThe cast includes Gerard Butler (The Phantom,) Emmy Rossum (Christine,) Patrick Wilson (Raoul,) Minnie Driver (Carlotta,) Simon Callow (Gilles,) and Victor McGuire (Ubaldo.) Clips used:Opening scene of the movieThe Phantom of the Opera (the 2004 trailer)“I Remember Stranger…”“Why So Silent”“All I Ask of You”Carlotta singsMusic by Andrew Lloyd WeberBook Vs. Movie is part of the Frolic Podcast Network. Find more podcasts you will love Frolic.Media/podcasts. Join our Patreon page to help support the show! https://www.patreon.com/bookversusmovie Book Vs. Movie podcast https://www.facebook.com/bookversusmovie/Twitter @bookversusmovie www.bookversusmovie.comEmail us at bookversusmoviepodcast@gmail.com Margo D. @BrooklynFitChik www.brooklynfitchick.com brooklynfitchick@gmail.comMargo P. @ShesNachoMama https://coloniabook.weebly.com/ Our logo was designed by Madeleine Gainey/Studio 39 Marketing Follow on Instagram @Studio39Marketing & @musicalmadeleine

It's time to celebrate love, both true and tragic, on a brand new Go Fact Yourself!Hari Kondabolu is a comedian. He got a lot of attention for his film The Problem with Apu, where he pointed out the issues he had with the character Apu on “The Simpsons.” Even though he also got a lot of expected negative responses to the film, he'll tell us why some of the reactions left him pretty confused. Hari's standup special “Warn Your Relatives” is available now on Netflix. Sofie Hagen is also a comedian who's worked all over the world. She'll tell us why behavior that that she learned in Denmark led to her being unintentionally rude when she moved to England. Plus, she breaks down why she's such a strong advocate for fat liberation (not to be confused with body positivity). Sofie is also the voice behind the podcasts “Who Hurt You?” and “Bad People”Our guests will answer trivia about foreign languages, foreign audiences and inaccurate portrayals of foreign characters. What's the Difference: Upstairs MaidWhat's the difference, when referring to a building, between a story and a floor?What's the difference between made of and made from?Areas of Expertise:Hari: The film Untamed Heart, the Hindu epic Ramaya, and the band Weezer before the “green album”Sofie: The Danish film Kærlighed På Film, the musical Phantom of the Opera, and the Irish boyband WestlifeAppearing in this episode:J. Keith van StraatenHelen HongHari KondaboluSofie HagenWith guest experts:Tony Bill and Tom Sierchio, director and writer of the film Untamed Heart.Sierra Boggess, Broadway actor and singer, who played Christine in Phantom of the Opera and its sequel.Charles Hart, Lyricist of the musical “Phantom of the Opera” and its sequel.Go Fact Yourself was devised and produced by Jim Newman and J. Keith van Straaten, in collaboration with Maximum Fun. Theme Song by Jonathan Green.Maximum Fun's Senior Producer is Laura Swisher.Associate Producer and Editor is Julian Burrell.Mask-upgrading by YOU.

This episode talks about Mr. Garrett Morgan who invented literally everything references:https://youtu.be/Cogws6Q_hAQ --- Send in a voice message: https://podcasters.spotify.com/pod/show/msloveheart/message

“Classic-Pop Standards” is a one-hour program inspired by the Great American Songbook. This series of podcasts features the singers, the lyricists, and the composers of the music we call “American Standards.” Come along with us as we honor the great songwriters by never forgetting their music. These are songs with not only a history, but with a future; Songs born along Tin Pan Alley, on 42nd Street, at the Brill building, and down Broadway. Danny Lane brings new life to the Great American Songbook on “Classic-Pop Standards”. Comments to: dannymemorylane@gmail.com In this episode, you'll hear:1)     I've Got The World On A String by Celine Dion / Harold Arlen (music) & Ted Koehler (lyrics) [1932]2)     I Could Have Danced All Night by Jamie Cullum / Alan Jay Lerner (lyrics) & Frederick Loewe (music) [1956]3)     Straighten Up And Fly Right by Linda Ronstadt (with Nelson Riddle & His Orchestra) / Nat King Cole & Irving Mills (words and music) [1943]4)     Night And Day by Frank Sinatra / Cole Porter (words & music) [1932]5)     Where Do I Go From You by Nancy Wilson / Diane Warren (words & music) [1994]6)     The Music Of The Night by Michael Crawford & Barbra Streisand / Andrew Lloyd Webber (music) & Charles Hart and Richard Stilgoe (lyrics) [1986]7)     I Could Write A Book by Harry Connick, Jr. / Richard Rodgers & Lorenz Hart [1940]8)     Buttons And Bows by Dinah Shore / Jay Livingston (music) & Ray Evans (lyrics) [1947]9)     Don't Get Around Much Anymore by Rod Stewart / Duke Ellington (music) & Bob Russell (lyrics) [1940]10) I Got Rhythm by Ella Fitzgerald (with Nelson Riddle's Orchestra) / George Gershwin (music) & Ira Gershwin (lyrics) [1930]11) Gee Baby, Ain't I Good To You by Sammy Davis Jr. / Don Redman (music) & Andy Razaf (lyrics) [1929]12) Let's Do It by Eydie Gormé / Cole Porter (music & lyrics) [1928]13) Dream (When You're Feeling Blue) by Roy Orbison / Johnny Mercer (words & music) [1944]14) Time After Time by Deana Martin (duet with Jerry Lewis) / Sammy Cahn (lyrics) & Jule Styne (music) [1947]15) Love Theme from St. Elmo's Fire (Subtitled "For Just A Moment") by Donny Gerrard & Amy Holland / David Foster (music) & Cynthia Weil (lyrics) [1984]16) Maybe This Time by Tony Bennett / John Kander (music) & Fred Ebb (lyrics) [1964] 17) True Love by Elvis Presley / Cole Porter [1956]18) It Had to Be You by Benny Goodman & His Orchestra / Isham Jones (music) & Gus Kahn (lyrics) [1924]

A new MP3 sermon from Cornerstone Church is now available on SermonAudio with the following details: Title: Revering Your Redeemer Subtitle: 1 Peter Speaker: Charles Hart Broadcaster: Cornerstone Church Event: Sunday Service Date: 7/11/2021 Bible: 1 Peter 1:14-19 Length: 43 min.

Next up in Mouth-Off, we are featuring our student and longtime collaborator; Mr X. JacsJams is a series brought to you by disabled musician/ songwriter/ filmmaker/ eyegaze artist - Mr X. Mr X is a student at Forget-Me-Not-Productions and as part of our MUSIC-CAN framework, he is learning about the music business, reviewing, broadcasting and podcasting. In this third installment to the JacsJams series, Mr X is critiquing and reviewing 'All Things Alfie Boe and Michael Ball. Happy listening!Disclaimer JacsJams is a nonprofit podcast series created for educational purposes. The music extracts featured in this podcast review are: This is the Greatest Show - lyrics and music by Benj Pasek and Justin Pau lRyan Lewis, performed by Alfie Boe and Michael Ball (taken from YouTube) Love Changes Everything - music by Andrew Lloyd Webber, lyrics by Charles Hart and Don Black, performed Michael Ball (taken from YouTube) Bring him Home - music by Claude-Michel Schönberg, original French lyrics by Alain Boublil and Jean-Marc Nate, English lyrics by Herbert Kretzmer, perfomed by Alfie Boe (taken from YouTube) The Circle of Life - music by Elton John, lyrics by Tim Rice, performed by Alfie Boe and Michael Ball (taken from YouTube) Stars - music by Claude-Michel Schönberg, original French lyrics by Alain Boublil and Jean-Marc Nate, English lyrics by Herbert Kretzmer, perfomed by Michael Ball (taken from YouTube) Empty Chairs at Empty Tables - music by Claude-Michel Schönberg, original French lyrics by Alain Boublil and Jean-Marc Nate, English lyrics by Herbert Kretzmer, perfomed by Michael Ball (taken from YouTube) You'll be Back - music and lyrics by Lin-Manuel Miranda, performed by Alfie Boe and Michael Ball (taken from YouTube) JacsJams does not own the rights to any of the music featured in this episode.

If an emotion is too big for talking, you sing. If it's too big for singing, you dance. And if it's too big for dancing, well, you just gotta podcast! Writer, podcaster, and video essayist Lindsay Ellis knows a thing or two about outsized Broadway emotions—in addition to her many other pursuits, she's created a whole side endeavor talking about them on her musical theater podcast, Musicalsplaining. Ellis guested on last year's Strong Songs episode about Hadestown, and it seemed only natural to have her back for a longer conversation about musical theater. Back in March, she and Kirk hopped on Zoom and chatted about the first musicals they loved, why musicals resonate with teens, how Hadestown's visual design helps tell a story, and just what the deal is with Andrew Lloyd Webber. CHECK OUT LINDSAY'S WORK Lindsay's bestselling debut novel Axiom's End is now available, and her second one is on the way. She's a prolific video essayist, and has made some terrific videos about Lord Andy himself. She's also a co-host on the Musicalsplaining podcast. REFERENCED ON THIS EPISODE: “All I Ask of You (Reprise),” and “Point of No Return” from The Phantom of the Opera (Original London Cast) by Andrew Lloyd Webber and Charles Hart, 1987 “Cool” by Leonard Bernstein and Stephen Sondheim from West Side Story, New Broadway Cast Recording, 2009 “Dead Mom” by Eddie Perfect performed by Sophia Anne Caruso from the Beetlejuice OCR, 2019 "Non-Stop” by Lin-Manuel Miranda from Hamilton, 2015 “Heaven on their Minds” by Andrew Lloyd Webber and Tim Rice from Jesus Christ Superstar, original concept album, 1970 “The Club” by Lin-Manuel Mirands from In The Heights, 2008 “Any Way the Wind Blows,” “Come Home With Me,” “Chant,” and “Wedding Song” by Anäis Mitchell from Hadestown, 2019 An offhand joke about “The Phantom of the Mall” which is an actual 1989 movie “Willkommen” by Kander, Ebb and Masteroff performed by Alan Cumming in the 1998 version of Cabaret "Man of Constant Sorrow,” trad. American Folk first published by Dick Burnett, performed by Dan Tyminski and the Soggy Bottom Boys in O Brother, Where Art Thou, 2000 “Blinding Lights” by The Weeknd from After Hours, 2020 STRONG MERCH Visit the Strong Songs merch store for some cool t-shirts, mugs, totes, and more: store.strongsongspodcast.com KEEP IT SOCIAL You can follow Strong Songs on Twitter @StrongSongs: http://twitter.com/strongsongs And you can find Kirk on Twitter @Kirkhamilton and on Instagram at @Kirk_Hamilton: https://www.instagram.com/kirk_hamilton/ NEWSLETTER/MAILING LIST Sign up for Kirk's mailing list to start getting monthly-ish newsletters with music recommendations, links, news, and extra thoughts on new Strong Songs episodes: https://kirkhamilton.substack.com/subscribe STRONG PLAYLISTS Kirk has condensed his Strong Songs picks into a single list, which you can find on Spotify and Apple Music, and YouTube Music. SUPPORT STRONG SONGS ON PATREON! This bonus episode was made possible by Strong Songs' lovely Patreon backers. For more on how to become a patron and support the show, go here: https://Patreon.com/StrongSongs APRIL 2021 WHOLE-NOTE PATRONS Donald Mackie Liam Keogh Melissa Osborne Per Morten Barstad Christopher Miller Tim Byrne Allison Clift-Jennings Patrick Funston Jamie White Angus McKimm Christopher Kupski Christopher McConnell Joshua Jarvis Rick Klaras Niko Joe Laska Laurie Acreman Ken Hirsh Jez Jenness Gardner Simon Cammell Guinevere Boostrom Narelle Horn Nathaniel Bauernfeind Bill Rosinger Anne Britt David Zahm Erin Aidan Coughlan Jeanneret Manning Family Four Doug Paton Robert Paul R Watson Viki Dun Christer Lindqvist Sami Samhuri Craig J Covell AccessViolation Ryan Torvik Merlin Mann Fraser Glenn CALEB ROTACH Andre Bremer Mark Schechter Dave Florey Dan Apczynski APRIL 2012 HALF-NOTE PATRONS Christopher Michael J. Cunningham Kari Kirk Mark Boggs mino capossela Mary Schoenmaker Sarah David Joske Åshild Margrete Østtveit Odéen Emma Sklar Spencer Stanford Bernard Khoo Andrew Shpall Robert Heuer Matthew Golden Brian Meldrum David Noah Ben Hunt Geraldine Butler Richard Cambier Madeleine Mader Andy Smith Fernando Rodriguez Timothy Dougherty Jason Pratt John Hargis Stewart Oak Caroline Miller Abbie Berg Sam Norton Nicole Schleicher Dermot Crowley Achint Srivastava Ryan Rairigh Michael Berman stephen matthews Bridget Lyons Melody Valdez Olivia Bishop Jeremy Schwartz John Gisselquist Elaine Martin Thomas König Kouroth Belinda Mcgrath-steer Eoin de Burca Kevin Potter M Shane Borders Pete Simm Shawn McCarthy Dallas Hockley Jana J Jason Gerry Rich Roskopf Melissa Gallo Nathan Gouwens Will Dwyer Alethea Lee Lauren Reay Eric Prestemon Erika L Austin Cookies250 Spencer Shirley Damian Brady Angela Livingstone Jeffrey C. Yarnell David Friedman Phillip Dalton Christopher Cudnoski Sarah Sulan Diane Hughes Kenneth Tiong Jo Sutherland David Catlett Michael Casner Michael York Barb Courtney Derek Bender Jen Small Don Hutchison Lowell Meyer Etele Illes Stephen Tsoneff Lorenz Schwarz Becca Sample Wen Jack Sjogren Aparajit Raghavan Benedict Pennington Geoff Golden Robyn Fraser Alexander Geddes Pascal Rueger Randy Souza JC Brendan Jubb Clare Holberton Jake Tinsley Diane Turner Tom Coleman Judy Chapple Mark Perry Malory Dhu Wik Mel Eric Helm Jake Roberts Briony Leo Bill Fuller Jonathan Daniels Steven Maron Michael Flaherty Jarrod Schindler Zoe Little Albukitty Caro Field michael bochner Duncan Dave Sharpe brant brantphillip David Cushman Alexander Jeremy Dawson Gavin Doig Sam Fenn Tanner Morton AJ Schuster Jennifer Bush David Stroud Amanda Furlotti Andrew Baker Chris Brown Juan Carlos Montemayor Elosua Matt Gaskell Jules Bailey Eero Wahlstedt Bill Thornton Brian Amoebas Brett Douville Jeffrey Olson Matt Betzel Mueller Nate from Kalamazoo Melanie Stivers Richard Toller Alexander Polson Tom Lauer Earl Lozada Jon O’Keefe Justin McElroy Arjun Sharma James Johnson Andrew Lee Kevin Morrell Tom Clewer Kevin Pennyfeather Nicholas Schechter Justin Liew Emily Williams

If an emotion is too big for talking, you sing. If it's too big for singing, you dance. And if it's too big for dancing, well, you just gotta podcast!Author, podcaster, and video essayist Lindsay Ellis knows a thing or two about outsized Broadway emotions—in addition to her many other pursuits, she's created a whole side endeavor talking about them on her musical theater podcast, Musicalsplaining. Ellis guested on last year's Strong Songs episode about Hadestown, and it seemed only natural to have her back for a longer conversation about musical theater.Back in March, she and Kirk hopped on Zoom and chatted about the first musicals they loved, why musicals resonate with teens, how Hadestown's visual design helps tell a story, and just what the deal is with Andrew Lloyd Webber.CHECK OUT LINDSAY'S WORKLindsay's bestselling debut novel Axiom's End is now available, and her second one is on the way. She's a prolific video essayist, and has made some terrific videos about Lord Andy himself. She's also a co-host on the Musicalsplaining podcast.REFERENCED ON THIS EPISODE:“All I Ask of You (Reprise),” and “Point of No Return” from The Phantom of the Opera (Original London Cast) by Andrew Lloyd Webber and Charles Hart, 1987“Cool” by Leonard Bernstein and Stephen Sondheim from West Side Story, New Broadway Cast Recording, 2009“Dead Mom” by Eddie Perfect performed by Sophia Anne Caruso from the Beetlejuice OCR, 2019"Non-Stop” by Lin-Manuel Miranda from Hamilton, 2015“Heaven on their Minds” by Andrew Lloyd Webber and Tim Rice from Jesus Christ Superstar, original concept album, 1970“The Club” by Lin-Manuel Mirands from In The Heights, 2008“Any Way the Wind Blows,” “Come Home With Me,” “Chant,” and “Wedding Song” by Anäis Mitchell from Hadestown, 2019An offhand joke about “The Phantom of the Mall” which is an actual 1989 movie“Willkommen” by Kander, Ebb and Masteroff performed by Alan Cumming in the 1998 version of Cabaret"Man of Constant Sorrow,” trad. American Folk first published by Dick Burnett, performed by Dan Tyminski and the Soggy Bottom Boys in O Brother, Where Art Thou, 2000“Blinding Lights” by The Weeknd from After Hours, 2020STRONG MERCHVisit the Strong Songs merch store for some cool t-shirts, mugs, totes, and more: store.strongsongspodcast.comKEEP IT SOCIALYou can follow Strong Songs on Twitter @StrongSongs: http://twitter.com/strongsongsAnd you can find Kirk on Twitter @Kirkhamilton and on Instagram at @Kirk_Hamilton: https://www.instagram.com/kirk_hamilton/NEWSLETTER/MAILING LISTSign up for Kirk's mailing list to start getting monthly-ish newsletters with music recommendations, links, news, and extra thoughts on new Strong Songs episodes: https://kirkhamilton.substack.com/subscribeSTRONG PLAYLISTSKirk has condensed his Strong Songs picks into a single list, which you can find on Spotify and Apple Music, and YouTube Music.SUPPORT STRONG SONGS ON PATREON!This bonus episode was made possible by Strong Songs' lovely Patreon backers. For more on how to become a patron and support the show, go here: https://Patreon.com/StrongSongsAPRIL 2021 WHOLE-NOTE PATRONSDonald MackieLiam KeoghMelissa OsbornePer Morten BarstadChristopher MillerTim ByrneAllison Clift-JenningsPatrick FunstonJamie WhiteAngus McKimmChristopher KupskiChristopher McConnellJoshua JarvisRick KlarasNikoJoe LaskaLaurie AcremanKen HirshJezJenness GardnerSimon CammellGuinevere BoostromNarelle HornNathaniel BauernfeindBill RosingerAnne BrittDavid ZahmErinAidan CoughlanJeanneret Manning Family FourDoug PatonRobert PaulR WatsonViki DunChrister LindqvistSami SamhuriCraig J CovellAccessViolationRyan TorvikMerlin MannFraserGlennCALEB ROTACHAndre BremerMark SchechterDave FloreyDan ApczynskiAPRIL 2012 HALF-NOTE PATRONSChristopherMichael J. CunninghamKari KirkMark Boggsmino caposselaMary SchoenmakerSarahDavid JoskeÅshild Margrete Østtveit OdéenEmma SklarSpencer StanfordBernard KhooAndrew ShpallRobert HeuerMatthew GoldenBrian MeldrumDavid NoahBen HuntGeraldine ButlerRichard CambierMadeleine MaderAndy SmithFernando RodriguezTimothy DoughertyJason PrattJohn HargisStewart OakCaroline MillerAbbie BergSam NortonNicole SchleicherDermot CrowleyAchint SrivastavaRyan RairighMichael Bermanstephen matthewsBridget LyonsMelody ValdezOlivia BishopJeremy SchwartzJohn GisselquistElaine MartinThomas KönigKourothBelinda Mcgrath-steerEoin de BurcaKevin PotterM Shane BordersPete SimmShawn McCarthyDallas HockleyJana JJason GerryRich RoskopfMelissa GalloNathan GouwensWill Dwyer Alethea LeeLauren ReayEric PrestemonErika L AustinCookies250Spencer ShirleyDamian BradyAngela LivingstoneJeffrey C. YarnellDavid FriedmanPhillip DaltonChristopher CudnoskiSarah SulanDiane HughesKenneth TiongJo SutherlandDavid CatlettMichael CasnerMichael YorkBarb CourtneyDerek BenderJen SmallDon HutchisonLowell MeyerEtele IllesStephen TsoneffLorenz SchwarzBecca SampleWenJack SjogrenAparajit RaghavanBenedict PenningtonGeoff GoldenRobyn FraserAlexander GeddesPascal RuegerRandy SouzaJCBrendan JubbClare HolbertonJake TinsleyDiane TurnerTom ColemanJudy ChappleMark PerryMaloryDhu WikMelEric HelmJake RobertsBriony LeoBill FullerJonathan DanielsSteven MaronMichael FlahertyJarrod SchindlerZoe LittleAlbukittyCaro Fieldmichael bochnerDuncanDave Sharpebrant brantphillipDavid CushmanAlexanderJeremy DawsonGavin DoigSam FennTanner MortonAJ SchusterJennifer BushDavid StroudAmanda FurlottiAndrew BakerChris BrownJuan Carlos Montemayor ElosuaMatt GaskellJules BaileyEero WahlstedtBill ThorntonBrian AmoebasBrett DouvilleJeffrey OlsonMatt BetzelMuellerNate from KalamazooMelanie StiversRichard TollerAlexander PolsonTom LauerEarl LozadaJon O’KeefeJustin McElroyArjun SharmaJames JohnsonAndrew LeeKevin MorrellTom ClewerKevin PennyfeatherNicholas SchechterJustin LiewEmily Williams

In 1894, searchers in Paulding, Ohio found the gruesome charred and mutilated remains of two children that had gone missing the day before. Within two hours, the sheriff arrested a slow-witted boy who lived near the crime scene. More than a century after his conviction and hanging, some wonder, was he guilty? www.ohiomysteries.com feedback@ohiomysteries.com www.patreon.com/ohiomysteries www.twitter.com/mysteriesohio www.facebook.com/ohiomysteries Music: Pining, by Gretchen Pleuss with Adam Reifsnyder. Find more at https://www.gretchenpleuss.com.

A new MP3 sermon from Cornerstone Church is now available on SermonAudio with the following details: Title: Praising the God of Meekness and Majesty Speaker: Charles Hart Broadcaster: Cornerstone Church Event: Sunday Service Date: 11/29/2020 Bible: Psalm 113 Length: 37 min.

Afternoons Live with Tyler Axness welcomes Charles Hart to the show. See omnystudio.com/listener for privacy information.

This is part 2 of a discussion of how David Hart came to be an advocate for people with intellectual and developmental disabilities. Part 2 details how his brother, Christopher, was given a seat in the Melrose public school system. This seat only was given because of the fierce advocacy of his father, Charles Hart. Charles founded the parent's advocacy group CCMR (Concerned Citizens for the Mentally Retarded) in 1974 after connecting with parents from neighboring towns that also needed services for their children. Christopher lived at home until he was around 11 years old, then went to Hogan Regional Center to live. Hogan was a center of excellence and Christopher received amazing care, love and support. Although Christopher was safely placed, the advocacy for individuals with intellectual and developmental disabilities continued through CCMR, Charles and David Hart.

This podcast chronicles the beginning of a parent's advocacy organization that was incorporated in 1974 as the Concerned Citizens for the Mentally Retarded; now known as "CCMR". CCMR was founded by Charles Hart and a group of parents from the former Hogan Berry Parents Association. Charles was a fierce advocate for individuals with intellectual and developmental disabilities as a result of having a son, Christopher, with profound mental retardation who subsequently became medically fragile. CCMR advocated both locally and nationally for the rights of a segment of the population that is often forgotten. This two part interview is with David Hart who at 19 sat in on an ISP (Individual Service Plan) meeting for his brother Christopher. Christopher was at the time nonverbal, medically fragile and living in Hogan Regional Center in Danvers. David became interested in advocacy as a result of this ISP meeting. Because the representatives from Hogan were talking about Christopher in the first person - explaining to David and his parents what Christopher likes, wants and feels. Which made David ask the pivotal question "When did Christopher start talking"?

Charles Hart, who is an attorney in Orlando, Florida, and chairman of the Republican Party in Orange County joins host Stephen Strang to discuss the significance of Bernie Sanders dropping out of the race for the 2020 Democratic Party presidential nominee and how the coronavirus will affect the election.

It’s a Double Feature Week on Pod Sematary! Chris & Kelsey decide whether or not to check the children in this urban-legend-turned-feature-film combo recommended by listener Alex! The Original: When a Stranger Calls (1979) “A psychopathic killer terrorizes a babysitter, then returns seven years later to menace her again" (IMDb.com). It’s everyone’s favorite UL: The Babysitter and the Man Upstairs! Plus, we talk way too much about gender dynamics and dating. The Remake: When a Stranger Calls (2006) “During a babysitting gig, a high-school student is harassed by an increasingly threatening prank caller" (IMDb.com). In 1979, Fred Walton added about 70 or so minutes of content to a 20-minute concept to make a pretty awesome film; in 2006, Simon West tried to get about the same length without adding ANYTHING. It goes about as well as you could expect. Get more at podsematary.com! Read our afterthoughts for this episode at https://twitter.com/PodSematary/status/1153434017313640448 Audio Sources: "Black Christmas" (1974) produced by Film Funding Ltd. of Canada, et al. "Down Once More/Track Down This Murderer" written by Charles Hart, Richard Stilgoe, & Andrew Lloyd Webber and performed by Michael Crawford, Mary Millar, Steve Barton, and the Original London Cast "Forgetting Sarah Marshall" produced by Universal Pictures & Apatow Productions “Grandma’s Boy” produced by Happy Madison Productions, et al. "New in Town" written and performed by John Mulaney "Old Town Road" written and performed by Lil Nas X "Pet Sematary" written by Dee Dee Ramone & Daniel Rey and performed by The Ramones "The Princess Bride" produced by The Princess Bride Ltd., et al. "S&M Present" (Robot Chicken S01E09) produced by Stoopid Monkey, et al. "Scrooged" produced by Paramount Pictures & Mirage Productions "Split" produced by Universal Pictures, et al. “The Three Caballeros” produced by Walt Disney Pictures & Walt Disney Productions "Urban Legend" produced by Phoenix Pictures, et al. "Weird Satanist Guy" via BowserVids @ www.youtube.com/watch?v=YErFwJX0HKE "When a Stranger Calls" (1979) produced by Melvin Simon Productions "When a Stranger Calls" (2006) produced by Screen Gems & Davis Entertainment "zendaya is meechee" via Gabriel Gundacker @ https://www.youtube.com/watch?v=Xx5YqFKjTCY

N’ayant lu que quelques tomes, je ne suis pas un aficionado du Disque-Monde. Mais j’ai toujours aimé l’homme, l’artiste, l’activiste. Une émission sur Sir Pratchett s’imposait donc, comme on l’avait promis dans le pilote sur Gaiman. C’est chose faite. Vu le nombre de bouquins que compte le cycle, le DM prendra une part majoritaire de ce double-épisode. Ce qui ne nous empêchera pas de d’évoquer toutes les œuvres et tous les engagements de l’auteur, avec un trio d’invités aussi choupi que connaisseurs. Invités : Aude, assistante d’édition, étudiante en Master 2 “Métiers de l’Édition” à l’Université de Strasbourg, autrice du mémoire Voyage à travers la Fantasy | Page d'Aude sur le site du Master Élisa, coach en développement personnel, Maître Reiki et animatrice du podcast DevPerso | www.rayonne.net | Page Facebook Jean-Baptiste, coanimateur du podcast Outrider et ingénieur son et image chez French Wargame Studio | Twitter de JB | Twitter d'Outrider | Facebook d'Outrider | Facebook du French Wargame Studio Liens : Paul E. Francis & David A. Hughes - The Colour of Magic Main Theme Stephen Briggs & Martin Pearson - The Hedgehog Song - From Wyrd Sisters in Canberra, 2012 Clare Rutter & BBC Scottish Symphony Orchestra - We Can Rule You Wholesale, the Ankh-Morpork Anthem Playlist : 01 - Monty Python - The Meaning of Live | Monty Python’s The Meaning of Life Original Soundtrack © 2006 Virgin Records02 - Meat Loaf - You took the words right out of my mouth (Hot Summer Night) | Bat Out of Hell © 1975 Cleveland International / Epic03 - Mike Oldfield - Nuclear | Man on the Rocks © 2014 Virgin EMI04 - Keith Hopwood & Phil Bush - Discworld Main Title Theme | Terry Pratchett’s Discworld : Soul Music Original Soundtrack © 1996 Pluto Music05 - Andrew Lloyd Webber, Charles Hart & The Phantom Of The Opera Original London Cast - Masquarade | The Phantom of the Opera - Original Cast Recording © 2009 Polydor06 - Blue Öyster Cult - (Don’t Fear) The Reaper | Agents of Fortune © 1976 Columbia Records07 - Robert Folk - Main Title / Night Rounds | Police Academy Original Motion Picture Score © 2013 La-La Land Records08 - Johnny Cash - The Beast in Me | American Recordings © 1994 American Recordings / Sony Music09 - Dave Greenslade - Small Gods | From the Discworld © 1994 Virgin Records / EMI Bibliographie / sources : Terry Pratchett, The Spirit of Fantasy m'a été surtout utile pour découvrir tout ce qui précédait la carrière d'auteur du bonhomme. Par la suite, même s'il y a quelques révélations côté coulisses, c'est une succession de petites anecdotes plutôt cools et des réflexions de l'auteur, Craig Cabell (qui connaissait un peu Terry, manifestement). Mais on ne peut pas dire que j'ai trouvé ces dernières très intéressantes. Je regrette pas mal qu'il en fasse des caisses sur Tiphaine Patraque, et qu'il ne dise quasiment rien sur le Guet, par exemple. Si vous êtes fan et que vous lisez l'anglais, ça ne vous prendra pas bien longtemps, le bouquin ne faisant que 250 pages. Mais autant écouter le podcast ! Bien plus utile et bien plus enrichissant,

This week Julie, Miranda, and Zane will chat with Geena Schwartz about which of life's truths can be gleaned from one of the longest running musicals of all time - The Phantom of the Opera!- FURTHER READING -Wiki - Musical, Novel,IMDbiTunesSpotifywww.thephantomoftheopera.com- CELEBRITY SHOUTOUTS -Joel Schumacher, Gerard Butler, Emmy Rossum, Patrick Wilson, Minnie Driver, Miranda Richardson, Andrew Lloyd Webber, Charles Hart. Richard Stilgoe, Gaston Leroux, Michael Crawford, Sarah Brightman, Steve Barton, Ramin Karimloo, Sierra Boggess, Hadley Fraser, John Barrowman, Norm LewisLike us on Facebook! Follow us on Twitter! Support us on Patreon!Email us: musicalstaughtmepodcast@gmail.comVisit our home on the web thatsnotcanonproductions.comOur theme song and interstitial music all by the one and only Benedict Braxton Smith. Find out more about him at www.benedictbraxtonsmith.com

The PHANNNNTOM OF THE OPERA IS HERE inside our mics *organ theme*...we know you sang it. Join the Broadway Babies in part two of the MEGA musical that everyone thinks is an opera! In this segment, Alex and Daisha talk about how Phantom of the Opera uses elements of actual opera on the stage and in the music, and we discuss our favorite elements of the musical. We also chat about the lucrativeness of the franchise and wrap it up with our pros and cons. Podcast cover art: David Taylor Twitter: @bwaybabies Facebook: Facebook.com/broadwaybabiespodcast Cast recording: Amazon | iTunes Video recording: iTunes | Amazon Songs: "The Point of No Return," performed by Sierra Boggess and Ramin Karimloo “Wishing You Were Somehow Here Again,” by Sierra Boggess  Music by Andrew Lloyd Webber and lyrics by Charles Hart and Richard Stilgoe.  Released by Really Useful Group Ltd. Show Notes: Learn about the Palais Garnier — the real Parisian opera house that inspired “Phantom of the Opera” and that Hal Prince visited Lindsey Ellis’ history lesson about the character of the Phantom post-ALW Another session of the infernal court in Musical Hell: the movie version of “Phantom of the Opera” “Home” from “Phantom” by Maury Yeston and Arthur Kopit Snippets of opera ALW probably drew inspiration from: Hannibal seems to be based on Aida’s extra-ness. General exoticism and grand staging and costumes in opera. The Il Muto scenes Laughing choruses in opera such as Verdi’s Falstaff and Mein Herr Marquis from Die Fledermaus. A young girl dressed as a cheeky boy or young man is pretty standard. A pretty standard example this scene was taken from is The Marriage of Figaro, and opera by Mozart with a silly and smitten young man named Cherubino and the cunning Countess he is in love with. Phantom sort of combines Susanna and Cherubino and makes it his own.  

Listeners, we have gone past the point of no return in this TWO-PART, MEGA MUSICAL EPISODE!!! Masks will be ripped off, costumes will be grand, and chandeliers will swing in this musical spectacular. This week, the Broadway Babies jump in, lassos spinning, to rein in the king of MEGA musicals: The Phantom of the Opera. Join Alex and Daisha as they discuss the 25th Anniversary, Royal Albert Hall performance starring Sierra Boggess, Ramin Karimloo and Hadley Fraser. Phantom of the Opera is glamorously basic, captivatingly simple, and addictively charming, but why? Let us know what you think after listening!  Podcast cover art: David Taylor Twitter: @bwaybabies Facebook: Facebook.com/broadwaybabiespodcast Cast recording: Amazon | iTunes Video recording: iTunes | Amazon Songs: “The Phantom of the Opera,” performed by Sierra Boggess and Ramin Karimloo ”Think of Me,” by Wendy Ferguson and Sierra Boggess “Notes.../Prima Donna,” by Wendy Ferguson, Hadley Fraser, Barry James, Gareth Shook, etc. Music by Andrew Lloyd Webber and lyrics by Charles Hart and Richard Stilgoe.  Released by Really Useful Group Ltd. Show Notes: Frank Rich’s 1988 New York Times review of the original production had some shade to throw Lloyd Webber’s way … and especially about his wife, y’all The unmasking scene is so much scarier in the silent Lon Chaney film; the 2004 movie’s unmasking scene, on the other hand The really great book “Razzle Dazzle” by Michael Riedel, among other stories, details the history of both Les Mis and Phantom when they came to the West End and then Broadway — and some of the Drama that ensued when the Shubert Group tried to book it into the Majestic in New York Ben Lewis singing "Till I Hear You Sing" from Love Never Dies An article about a TV show about how sleazy Times Square used to be. There are cool pictures!  

Hosts Briana Phipps, Timothy Rodriguez and James Lott Jr. discuss the theatre show of The Phantom Of The Opera. The Phantom of the Opera is a musical with music by Andrew Lloyd Webber and lyrics by Charles Hart with additions from Richard Stilgoe. Lloyd Webber and Stilgoe also wrote the musical's book together. Based on the French novel Le Fantôme de l'Opéra by Gaston Leroux, its central plot revolves around a beautiful soprano, Christine Daaé, who becomes the obsession of a mysterious, disfigured musical genius living in the subterranean labyrinth beneath the Palais Garnier. The musical opened in London's West End in 1986, and on Broadway in 1988. It won the 1986 Olivier Award and the 1988 Tony Award for Best Musical, and Michael Crawford (in the title role) won the Olivier and Tony Awards for Best Actor in a Musical. It is the longest running show in Broadway history by a wide margin, and celebrated its 10,000th Broadway performance on 11 February 2012, the

Shellac Stack No. 39 features a half-dozen songs in “period” recordings, coupled with later 78-era revivals. With performances from Charles Hart and Elliott Shaw to Isham Jones, Leo Reisman, Pat Flowers, Burt Farber, and more, we remember some famous (and not-so-famous) songs that were good enough to enjoy a second life!

In this interview, we talk to Charles Hart, the lyricist of the most successful entertainment of all time, Andrew Lloyd Webber’s Phantom of the Opera. I spoke to Charles shortly after the Royal Albert Hall extravaganza celebrating Phantom’s twenty-fifth anniversary. Click this link to see George Orwell’s rules for effective writing, cited in the interview. […]

Almost as soon as there were radio stations, there were college radio stations. In 1948, to popularize FM radio, the FCC introduced class D non commercial education licenses for low-watt college radio stations. By 1967, 326 FM radio signals in the United States operated as “educational radio,” 220 of which were owned and operated by colleges and universities. The type of programming that these stations offered varied widely, from lectures and sporting events, to various kinds of musical shows, but toward the late 1970s, a new genre of college rock appeared on the scene. Record labels took note as college DJs discovered up-and-coming new artists, although they sometimes stopped playing those artists once they made it big.Joining this week's episode is historian Dr. Katherine Rye Jewell, a Professor at Fitchburg State University and author of Live from the Underground: A History of College Radio.Our theme song is Frogs Legs Rag, composed by James Scott and performed by Kevin MacLeod, licensed under Creative Commons. The mid-episode music is “College Days by Charles Hart, et al., 1919, in the public domain and retrieved from the Library of Congress. The episode image is “Don Jackson, a senior, delivering a news broadcast at the Iowa State College radio station,” photographed by Jack Delano at Iowa State College in Ames, Iowa in May 1942; photograph in the public domain and available via the Library of Congress, Prints & Photographs Division, Farm Security Administration/Office of War Information. Additional Sources:“The Development of Radio,” PBS American Experience.“Marconi's First Wireless Transmission,” by Kath Bates, Oxford Open Learning Trust, November 28, 2018.“Marconi's first radio broadcast made 125 years ago,” by Jonathan Holmes, BBC News, May 13, 2022.“Radio's First Voice...Canadian!” by Mervyn C. Fry, The Cat's Whisker - Official Voice of the Canadian Vintage Wireless Association Vol. 3, No. 1 - March 1973.“History of Commercial Radio,” Federal Communications Commission.“Which college radio station was the first in the United States?,” About College Radio, Radio Survivor, Updated March 14, 2023.“About WRUC 89.7,” WRUC.union.edu.“Celebrating 90 Years of Broadcasting at Curry College,” Curry College.“What Is "College" Rock?” by Shawn Persinger, Premier Guitar, July 15, 2023.“When college radio went mainstream—and 20 bands that came with it,” by Matthew Everett, Yardbarker, November 7, 2017.“10 Legendary Bands that Wouldn't Be Legendary without College Radio,” by Dave Sarkies, College Radio Foundation, September 21, 2020.“U2 Rock Fordham University: On the Ground at the ‘Secret' Set,” by Jenn Pelly, Rolling Stone, March 6, 2009.“All that is left is R.E.M. Steeple – Celebrating the beginning of Athens' legendary band,” by Joe Vitale, UGA Wire, April 5, 2020.“‘60 Songs That Explain the '90s': R.E.M. and the Leap From College-Rock Gods to Mainstream Icons,” by Rob Harvilla, The Ringer, September 29, 2021.“REM: The band that defined, then eclipsed college rock,” by Mark Savage, BBC, September 21, 2011.“History Timeline,” Corporation for Public Broadcasting.“History,” NPR.“Left of the dial: College radio days,” by Daniel de Vise, The Washington Post, June 26, 2011.“Technology and the Soul of College Radio,” by Jennifer Waits, Pop Matters, April 19, 2010.“The Enduring Relevance of College Radio,” SPIN, November 10, 2020.“College Radio Maintains Its Mojo,” by Ben Sisario, The New York Times, December 5, 2008.