Podcasts about Johnny Mandel

You can't deliver a performance like Shirley Horn's “Here's to Life” unless you've lived a little – or a lot. It's an album only an artist with decades of love, loss, and resilience could create. In this episode, we break down Horn's unmatched ability to accompany herself, the elegance of Johnny Mandel's string arrangements, and the quiet confidence that defines every track. Whether you're discovering Shirley Horn for the first time or revisiting a favorite, this episode will leave you hearing her – and your own life – a little differently.Listen to your favorite YHI jams, original tunes and more: https://osjazz.link/musicJoin Open Studio for ALLLLL your jazz lesson needs: https://osjazz.link/yhiABOUT OPEN STUDIO------------------------------------------------------------------------------------------------------------------------------------------------------------As the premier online jazz education platform, with an ever-expanding course library and 20,000+ members, Open Studio (OS) has everything you need to excel and thrive on your jazz journey.Featuring everything from beginner to advanced lessons, engaging courses from A-list instructors, step-by-step curriculum, real-time classes and a thriving and incredibly supportive community, OS is the perfect platform to level up your jazz playing, whether you're a total beginner, or an advanced pro-level improvisor.

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Dana and Tom with returning guest, Joe Boukhari (Instagram - I'll Get to It When I Get to It; Letterboxd Film Commentator - @bagodonuts) revisit Caddyshack (1980): written and directed by Harold Ramis with Douglas Kenney and Brian Doyle Murray, music by Johnny Mandel, cinematography by Stevan Larner, starring Chevy Chase, Ted Knight, Rodney Dangerfield, and Bill Murray.Plot Summary: Bushwood Country Club: an opulent haven for the wealthy, where life revolves around pristine greens, exclusivity, and egos so inflated they could double as golf carts. But underneath the facade of luxury lies a clash of worlds—working-class caddies and eccentric groundskeepers versus snobby elites—and it's about to get hilariously out of control.Danny Noonan (Michael O'Keefe), a young caddy striving to secure his future, finds himself entangled in the club's tangled hierarchy, navigating manipulative judges, raucous millionaires, and life lessons from Ty Webb (Chevy Chase), a laid-back golfer with pearls of wisdom that sound like they came from a Zen koan written by Groucho Marx. Meanwhile, Carl Spackler (Bill Murray), the quirky groundskeeper, engages in an escalating war with a gopher so cunning it could win a philosophy debate.Add in Al Czervik (Rodney Dangerfield), whose outlandish behavior becomes a catalyst for chaos, and Bushwood transforms into the backdrop for a wild satire of class division, absurd ambition, and the universal search for meaning—through golf, naturally. The result? A comedy that skewers pretense and celebrates the unpredictability of life, all while leaving the audience wondering how a gopher became the most unstoppable force in the universe.Chapters:00:00 Introduction and Welcome Back, Joe Boukhari02:42 Cast and Background for Caddyshack06:19 Relationship(s) with Caddyshack09:12 What is Caddyshack About?13:54 Status of Comedy in Film24:48 Plot Summary for Caddyshack26:36 Did You Know?28:29 First Break29:26 What's Up with Joe Boukhari?32:02 The Stanley Rubric - Legacy45:03 The Stanley Rubric - Impact/Significance50:33 The Stanley Rubric - Novelty57:52 Second Break58:33 The Stanley Rubric - Classicness01:04:54 The Stanley Rubric - Rewatchability01:09:27 The Stanley Rubric - Audience Score and Final Total01:11:28 Remaining Questions for Caddyshack01:14:44 Thank You to Joe Boukhari and Remaining Thoughts01:18:17 CreditsGuest:Joe BoukhariInstagram - I'll Get to It When I Get to ItLetterboxd Film Commentator - @bagodonutsYou can also find this episode in full video on YouTube.You can now follow us on Instagram, Twitter, YouTube, or TikTok (@gmoatpodcast).For more on the original episode, go to: https://www.ronnyduncanstudios.com/post/caddyshack-1980For more on the episode, go to:

Speaking about Bill Charlap's trio, the legendary songwriter Johnny Mandel said "It Don't Get No Better Than That." Bill Charlap's quiet and humble demeanor belies the fact he is one the reigning modern modern masters of jazz piano. In this conversation with Jazz88's Peter Solomon, he discusses his musical influences, his current trio, and his profound admiration for his spouse, pianist Renee Rosnes. Charlap is appearing at the Dakota on Saturday, March 22.

Speaking about Bill Charlap's trio, the legendary songwriter Johnny Mandel said "It Don't Get No Better Than That." Bill Charlap's quiet and humble demeanor belies the fact he is one the reigning modern modern masters of jazz piano. In this conversation with Jazz88's Peter Solomon, he discusses his musical influences, his current trio, and his profound admiration for his spouse, pianist Renee Rosnes. Charlap is appearing at the Dakota on Saturday, March 22.

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Dana and Tom with returning guest, Adam Vanderwerff, discuss M*A*S*H (1970): directed by Robert Altman, written by Ring Lardner, Jr., music by Johnny Mandel, starring Donald Sutherland, Elliott Gould, Tom Skerritt, and Robert Duvall.Plot Summary: M*A*S*H is a sharp, irreverent satire that reimagines the war film as a chaotic and darkly comedic theater of absurdity. Set in a mobile army surgical hospital during the Korean War, the film follows the misadventures of surgeons Hawkeye Pierce (Donald Sutherland) and Trapper John McIntyre (Elliott Gould), whose antics clash with the rigid military hierarchy.The film's freewheeling ensemble style captures the camaraderie and anarchy of a unit forced to find humor amidst the horrors of war. With its anti-authoritarian ethos and whip-smart dialogue, the film critiques the machinery of war and conformity without sermonizing. The overlapping conversations, naturalistic performances, and subversive tone make M*A*S*H both a product of its era and a timeless commentary on the absurdities of human conflict.Guest:Adam Vanderwerff (Duncan Disability Law)Previous Episodes: Office Space (1999), Ghostbusters (1984)Chapters:00:00 Introduction to MASH and Its Legacy03:56 Relationship(s) with M*A*S*H08:02 What is M*A*S*H About?12:42 Cultural Impact of M*A*S*H18:57 Impact of First F-Bomb in Cinema History?21:09 Plot Summary for M*A*S*H22:22 Did You Know?24:51 First Break26:22 Best Performance(s)32:50 Best/Favorite/Indelible Scene(s)38:43 Second Break39:53 In Memoriam42:08 Best/Funniest Lines43:47 The Stanley Rubric - Legacy48:19 The Stanley Rubric - Impact/Significance49:01 The Stanley Rubric - Novelty52:57 The Stanley Rubric - Classicness58:57 The Stanley Rubric - Rewatchability01:01:59 The Stanley Rubric - Audience Score and Final Total01:03:12 Remaining Questions for M*A*S*H01:10:45 Thank You to Our Guest and Final Thoughts01:15:42 CreditsYou can also find this episode in full video on YouTube.You can now follow us on Instagram, Twitter, YouTube, or TikTok (@gmoatpodcast).For more on the episode, go to: https://www.ronnyduncanstudios.com/post/m-a-s-h-1970-ft-adam-vanderwerffFor the entire rankings list so far, go to: https://www.ronnyduncanstudios.com/post/greatest-movie-of-all-time-listKeywords:MASH, film analysis, cultural impact, legacy, comedy, war film, character performances, podcast, movie review, Donald Sutherland, Robert Altman, Robert Duvall, Elliot Gould, Tom SkerittRonny Duncan Studios

'You are there' (Tú estás ahí), es una canción de Dave Frishberg y Johnny Mandel, que da título al disco que grabaron a dúo, una tarde de septiembre de 2005, la cantante italiana Roberta Gambarini y el pianista estadounidense de jazz Hank Jones con clásicos como 'Then I´ll be tired of you?', 'Something to live for' o 'Lush life'. Hace unos días que se ha editado 'Sweet caress', disco del trompetista suizo Franco Ambrosetti orquestado por Alan Broadbent para 29 cuerdas y vientos, y con la violinista Sara Caswell, el guitarrista John Scofield, el bajista Scott Colley y el baterista Peter Erskine ('Soul eyes', 'Portrait of Jennie', 'Sweet caress', 'Habanera'). Youn Sun Nah, la cantante coreana residente en París, ha incluído en su reciente 'Elles' canciones como 'Feeling good' y 'Sometimes I feel like a motherless child'. Despiden The Ipanemas con 'Samba pra mim mesmo'.Escuchar audio

Breaking some eggs, it's time to start smoking, another nugget from the psych hospital, some of the latest gnews, the undeniably awesome Shelley Duvall, suicide isn't painless, a screenwriting master, Alice doesn't live here anymore, screw the Kennedys, Charles Darwin and his natural selection of mail, hoping for another act, the mind-blowing Rubik's cube, the masterful Brian Eno, a forgotten horror movie, and long walks with the dearly missed Chris Cornell. Stuff mentioned: Billy Joel "I Go to Extremes" (1989), Billy Joel Storm Front (1989), Happy Days "Hollywood: Part 3" (Season 5/Episode 3, September 20, 1977 https://www.youtube.com/watch?v=QO0D0jF83lc), Detour (1945), The Great Space Coaster (1981-1986), Brewster McCloud (1970), M*A*S*H (1970), Johnny Mandel (music) and Michael Altman (lyrics) "Suicide is Painless/Theme from M*A*S*H" (1970), Popeye (1980), Popeye Village Malta (https://popeyemalta.com), The Shining (1980), Chinatown (1974), Shampoo (1975), The Two Jakes (1990), Sam Wasson The Big Goodbye: Chinatown and the Last Years of Hollywood (2020), Maureen Callahan Ask Not: The Kennedys and the Women They Destroyed (2024), Elizabeth Beller Once Upon a Time: The Captivating Life of Carolyn Bessette-Kennedy (2024), Brian Eno Here Come the Warm Jets (1974), Eno (2024), Alcatraz East Crime Museum (https://www.alcatrazeast.com), Bad Dreams (1988), The Chambers Brothers "Time Has Come Today" (1967), The Electric Prunes "I Had Too Much to Dream Last Night" (1966), Sid Vicious "My Way" (1978), Andrew Wyeth "Christina's World" (1948 https://www.moma.org/collection/works/78455), Chris Cornell "Follow My Way" (1999), Chris Cornell Euphoria Morning (1999), Soundgarden "The Day I Tried To Live" (1994), and Soundgarden Superunknown (1994).

DIANA KRALL – WHEN I LOOK IN YOUR EYES New York, 1998Do it again (1), I've got you under my skin (2,3,4), Let's face the music and dance (jm arr,1)Larry Bunker (vib-3) Diana Krall (p,vcl,small ensemble arr) Russell Malone (g) John Clayton (b-1) Ben Wolfe (b-2) Jeff Hamilton (d-1) or Lewis Nash (d-4) + orchestra and strings, Johnny Mandel (arr) ANAT COHEN TENTET TRIPLE HELIX New York, January, 2019Milonga del angel, Footsteps & smiles, La lloronaNadje Noordhuis (tp,flhrn) Nick Finzer (tb) Anat Cohen (cl) Owen Broder (bar) James Shipp (vib,perc) Vitor Goncalves (p,accor) Sheryl Bailey (g) Christopher Hoffman (cello) Tal Mashlach (b) Anthony Pinciotti (d) Oded Lev-Ari (dir) ERIC ALEXANDER CHICAGO FIRE Englewood Cliffs, NJ, November 26, 2013Save your love for me (1), Just one of those things, Blueski for VonskiJeremy Pelt (tp-1) Eric Alexander (ts) Harold Mabern (p) John Webber (b) Joe Farnsworth (d) Continue reading Puro Jazz 08 de Julio 2024 at PuroJazz.

DIANA KRALL – WHEN I LOOK IN YOUR EYES New York, 1998Do it again (1), I've got you under my skin (2,3,4), Let's face the music and dance (jm arr,1)Larry Bunker (vib-3) Diana Krall (p,vcl,small ensemble arr) Russell Malone (g) John Clayton (b-1) Ben Wolfe (b-2) Jeff Hamilton (d-1) or Lewis Nash (d-4) + orchestra and strings, Johnny Mandel (arr) ANAT COHEN TENTET TRIPLE HELIX New York, January, 2019Milonga del angel, Footsteps & smiles, La lloronaNadje Noordhuis (tp,flhrn) Nick Finzer (tb) Anat Cohen (cl) Owen Broder (bar) James Shipp (vib,perc) Vitor Goncalves (p,accor) Sheryl Bailey (g) Christopher Hoffman (cello) Tal Mashlach (b) Anthony Pinciotti (d) Oded Lev-Ari (dir) ERIC ALEXANDER CHICAGO FIRE Englewood Cliffs, NJ, November 26, 2013Save your love for me (1), Just one of those things, Blueski for VonskiJeremy Pelt (tp-1) Eric Alexander (ts) Harold Mabern (p) John Webber (b) Joe Farnsworth (d) Continue reading Puro Jazz 08 de Julio 2024 at PuroJazz.

This week's show, after a 1994 GBV gutting: brand new Chime School, Bob Mould, Royal Headache, Black Watch, Beachwood Sparks, Trans-Canada Highwaymen, and Mary Timony, plus Valentinos, 1965 Bee Gees, T. Rex, Kitty Wells, Johnny Mandel, Lighthouse, and ...

Diese Sendung hat Andreas Pasternack zusammengestellt. Das LIVE Anspiel ist diesmal: „The Shadow of your Smile” – 1965 komponiert von Johnny Mandel. Folgende Titel sind zu hören: 1. Tea for two – Ella Fitzgerald 3:18 2. Metropolis Blues – Vincent Herring 3:43 3. The Shadow of your Smile – Aaron Neville 3:38 4. Tico! Tico! – Paquito d‘Rivera 5:31 5. Mercy mercy me – Everette Harp 3:01 6. Summertime – Charlie Parker with Strings 2:49 7. I've been waiting – Incognito 4:29 8. Work Song – Nat Adderley Sextet 4:16 9. Samba de Orly – Tania Maria 4:12 Bei Titelwünsche und Anregungen schreiben Sie gern an: jazztime.mv@ndr.de Keep Swingin' !!!

Welcome to Episode #112 of "The Other Side of the Bell", a podcast brought to you by Bob Reeves Brass. In this episode, John talks with Wayne Bergeron and Jeff Bunnell about their recently released album called "Homage" by the Los Angeles Trumpet Ensemble.  We hope you'll enjoy their conversation as well as the album. Join us at Dillon Music, November 9-11 for valve alignments and mouthpiece consultations. Email sales@dillonmusic to schedule an appointment! About the Los Angeles Trumpet Ensemble Album "Homage"  The recording scene in Los Angeles has a long history of great and highly versatile trumpet playing. For the most part, though, these trumpet players rarely get a chance to be featured. In 1957, Tutti Camarata arranged and produced a record called Tutti's Trumpets that featured some of the top session trumpet players in Los Angeles at that time. That was over 60 years ago. Wayne Bergeron and Jeff Bunnell started talking about doing another recording that would feature some of the current session trumpet players here in Los Angeles. Wayne suggested recording a trumpet ensemble CD to Jeff and they loved the idea and thought a choir of trumpets would work well. With that, the Los Angeles Trumpet Ensemble came into being. In choosing the music Jeff arranged for this CD, he wanted to pay tribute to some of the film composers who are part of the Los Angeles recording scene (and who write so well for the trumpet), and also pay tribute to some of the great trumpet players of the past and present.  Jerry Hey graciously wrote the arrangment for the last track, the iconic Al Jarreau tune "Roof Garden". Los Angeles Trumpet Ensemble Members Jeff Bunnell Wayne Bergeron Jon Lewis Dan Fornero Marissa Benedict Dan Rosenboom Rob Schaer Larry Hall Dan Savant About Wayne Bergeron Wayne Bergeron is enjoying a career as one of the most sought-after musicians in the world. Studio sessions, film dates, international touring, jazz concerts, guest appearances, and clinics keep him busy not only in his hometown of Los Angeles but worldwide. Born in Hartford, Connecticut in 1958, Bergeron came to California at age one. He originally started on French horn but switched to trumpet in seventh grade where he found a natural upper register ability. Bergeron credits his junior high and high school teachers, Ron Savitt and Bob Smith, for molding his talent into practical working skills. Bergeron first caught the ear of many when he landed the lead trumpet chair with Maynard Ferguson's band in 1986. Bergeron can be heard on Maynard's recordings of Body and Soul, Big Bop Nouveau, Brass Attitude, and The One and Only Maynard Ferguson.  Bergeron demonstrates daily why Maynard remarked, “Wayne is the most musical lead trumpet player I've had on my band.” As a sideman, Bergeron's list of recording credits reads like a “who's who” in contemporary jazz and pop, running the stylistic gamut from Ray Charles to Green Day. Other names include Katy Perry, Beyoncé, Barbra Streisand, Michael Buble, Indina Menzel, Leslie Oden Jr., Herb Alpert, The Jonas Brothers, Burt Bacharach, The Dirty Loops, Seth MacFarlane, Natalie Cole, Celine Dion, Seal, Diana Krall, Tito Puente, Christina Aguilera, Dianne Reeves, Michael Bolton, Earth Wind & Fire, The Pussy Cat Dolls, My Chemical Romance, The Mars Volta, Chicago, Rosemary Cloony, Diane Schuur, Barry Manilow, Lee Ann Womack, Lou Rawls, Eric Marienthal, Kenny G., and David Benoit. Bergeron has worked on over 500 TV & motion picture soundtracks. A partial list of film credits includes Red Notice, Turning Red, Soul, Bob's Burgers, Ford vs. Ferrari, Toy Story 4, Frozen 1 & 2, The Lion King (2019), The Secret Life of Pets, Wreck it Ralph 2, Crazy Rich Asians, Sing 1&2, Moana, Frozen 1 & 2, Get On Up, Toy Story 3, Monsters University, High School Musical 3, Get Smart, Superman Returns, The Simpson's Movie, Dreamgirls, Hairspray, Mission Impossible 3, Ice Age 2, Spiderman 1 & 2, Team America and South Park. Bergeron's featured trumpet solos can be heard on the motion pictures West Side Story (2021 Steven Spielberg), La La Land, Sing, The Incredibles 1 & 2, Rocky Balboa, The Secret Life of Pets 2, Rough Night, Jazzman's Blues, Vacation Friends, Ted 2, Minions, Minions 2:The Rise of Gru, Spies in Disguise, Jersey Boys, The Green Hornet, The Interview, Despicable Me 1, 2 & 3, Duplicity, Princess & the Frog, The Perfect Game,, Hey Arnold (the movie), The Rat Pack, Child Star, Aladdin King of Thieves and High Crimes and  many others. Numerous TV credits include Academy Awards, Golden Globe Awards, SAG Awards, NBC, ESPN & TNT sports themes, American Idol (2001-02), Emmy Awards, Grammy Awards, Animaniacs Reboot, Family Guy, American Dad, Simpson's, Wonderful World of Mickey Mouse, The Cleveland Show, Green Eggs and Ham,  Jeopardy, America's Funniest Home Videos, Will and Grace, Phineas & Ferb, Emperor's New School, Mouse Works, Have a Laugh, House of Mouse, King of the Hill, Futurama, Buzz Lightyear, Hercules, and Hey Arnold. Bergeron's greatest love is playing lead in big bands. He has recorded and played with some of Los Angeles' most respected bands including Gordon Goodwin, Arturo Sandoval, Pat Williams, Sammy Nestico, Jack Sheldon, Chris Walden, Tom Kubis, John La Barbara, Bob Florence, Joey Sellers, Ray Anthony, Bill Watrous, Bob Curnow, and Quincy Jones. After being behind the scene for so many years, Bergeron stepped out on his own with his first solo effort, You Call This a Living?  This debut project earned him a Grammy nomination in 2004 for Best Large Jazz Ensemble, as well as rave reviews from fans and press worldwide. Bergeron's second CD, Plays Well With Others, released on the Concord Jazz label in 2007, was met with the same acclaim. Bergeron's most current (and personal favorite) CD, Full Circle, was released in January of 2016.  Bergeron performs various events for the Hollywood Bowl summer season. He has done guest appearances with the L.A. Philharmonic, The New York Philharmonic, Cleveland Orchestra, Dallas Symphony, Taiwan Symphony, and Tokyo Philharmonic. Bergeron is a National Artist for the Yamaha Corporation of America and is co-designer of the YTR-8335LA trumpet and YFH-8315G Flugelhorn. Bergeron also designed a series of trumpet mouthpieces with Gary Radtke of GR Technologies that are available through Bergeron's website. Bergeron was mentored by legends Uan Rasey, Bobby Shew, Warren Luening, Gary Grant, Rick Baptist, and George Graham. Bergeron hopes to inspire a new generation of young players and enjoys his work as a clinician and educator. “Nothing makes me feel more accomplished than hearing a young musician say that I inspired them or had a positive influence on their life. For me, that's the real payday.” Bergeron is currently on faculty at California State University Northridge. Perhaps Grammy winning composer and bandleader, Gordon Goodwin said it best, “Wayne is a once in a lifetime lead trumpet player.” About Jeff Bunnell Trumpeter Jeff Bunnell has enjoyed a successful career in many musically diverse settings. He is an active member of the Los Angeles freelance performing and recording community, and has been for over four decades. The many artists Jeff has worked and recorded with include Mel Torme, Ray Charles, Bob Dylan, Natalie Cole, Michel Legrand, Johnny Mathis, Tony Bennett, Robbie Williams, Paul McCartney, Seth MacFarlane, Rosemary Clooney, Paul Anka, Lou Rawls, Barry Manilow, Dianna Krall, Frank Sinatra Jr., David Sanborn, Diane Schuur, Brian Wilson, Tom Harrell, Steve Lawrence, Maroon 5, Michael Feinstein, Debby Boone, Andy Williams, Patti Austin, Brian Setzer, Jack Sheldon, Steve Allen, Marilyn McCoo, Engelbert Humperdink and Shirley Bassey. Jeff has toured with Ray Charles, Horace Silver and Poncho Sanchez. He has performed with many of the top big bands in Los Angeles including Tom Kubis, Bill Watrous, Alf Clausen, Johnny Mandel, Bill Holman, Arturo Sandoval, Gordon Goodwin's Phat Band, Les Hooper, Pete Christlieb, Pat Williams, Wayne Bergeron, Steve Spiegl, Carl Saunders and Bernie Dresel. He has recorded with many of these big bands including Ray Charles, Tom Kubis, Bill Watrous, Les Hooper, Pete Christlieb, Jack Sheldon, Brian Setzer, Wayne Bergeron, Steve Spiegl and Bernie Dresel. Jeff played the lead trumpet chair with the Carl Saunders Big Band, the Pete Christlieb Tall and Smail Band, and the Steve Spiegl Big Band. Currently Jeff plays one of the solo chairs with both The Tom Kubis Big Band and Bernie Dresel's BBB. Jeff has worked with many of the orchestras in Southern California including The Hollywood Symphony Orchestra, The Hollywood Bowl Orchestra, The Long Beach Symphony, The New West Symphony, The Pacific Symphony and The Pasadena Pops Orchestra. As a session player Jeff has played on hundreds of feature film and television soundtracks. His film credits of note include “Star Trek Beyond”, “Jurassic World”, “The Incredibles”, UP (Oscar winner for Best Soundtrack), and “O.J. Simpson: Made in America” – where Jeff is a featured soloist throughout the film (Oscar winner for Best Documentary Feature). His television credits include “Pennyworth”, “The Simpsons”, “Family Guy”, “Why Women Kill”, “American Dad”, “Parks and Recreation”, “Alias”, and “The Clone Wars” animated series. He has also played on hundreds of television and radio commercials, as well as the Academy Awards and the SAG Awards. As a musical theater pit musician, Jeff has played on more than 60 Broadway shows including “West Side Story”, “Phantom Of The Opera”, “Dream Girls”, “Into the Woods”, “Sophisticated Ladies”, “Jesus Christ Superstar” and “Titanic”. He has studied trumpet privately with Joe Alessi Sr., Boyde Hood, Bobby Shew, Claude Gordon and Uan Rasey. Jeff is currently a faculty trumpet and jazz instructor at The Master's University. Jeff is also a Bach Artist & Clinician. In addition to playing the trumpet, Jeff also works as an arranger, orchestrator, and conductor. He has orchestrated for film and television, as well as other areas of music such as Broadway Shows, cruise ship music and theme park music. His original big band charts can be found in the books of Arturo Sandoval, Bill Watrous, Jack Sheldon, Ron Jones, Emil Richards, Steve Spiegl and Bernie Dresel. He has published three transcribed jazz trumpet solo books through Aebersold Jazz. Links Listen to this episode online: https://bobreeves.com/blog/la-trumpet-ensemble/ Watch the video of this episode on YouTube: https://youtu.be/H2-vc5QQLpk    

Résumé : La carrière de Robert Altman se place sous le signe de la provocation, de l'iconoclasme, du défi. Surfant sur le vent de liberté apporté par le Nouvel Hollywood, il se lança dans une série d'aventures audacieuses, ne se pliant jamais ni aux diktats commerciaux ni à la mode. Réputé colérique et irascible, son attitude et son anticonformisme vont le faire bannir des studios avant un spectaculaire come-back au début des années 90. À l'occasion d'une rétrospective de son œuvre au festival Lumière à Lyon, Antoine Jullien vous replonge dans le monde de Robert Altman que le critique Robert Benayoun avait justement appelé « le chaos fertile ». Musiques : Bande originale du film Docteur T. et les femmes composée par Lyle Lovett Bande originale du film Le Privé composée par John Williams "Suicide in Painless" par Johnny Mandel "It Don't Worry Me" par Keith Carradine Bande originale du film The Player composée par Thomas Newman

Doug Stone talks to jazz musicians about life, music, recent and upcoming performances, equipment and current events on this Tenor Talk Podcast recording. A different jazz musician is featured in each episode.  This episode features Kirsten Edkins and was recorded February 13, 2020. Kirsten Edkins is an American saxophonist, composer and educator. A graduate of the Eastman School of music, Edkins became the first woman to perform in Bill Holman's Big Band. She has also been a member of several Grammy- award winning bands: John Beasley's MONK'estra, the Claire Fischer Band, Big Phat Band and the late composer Johnny Mandel's band. She's performed on many television shows, such as “American Idol”, “the Late, Late Show”, “Tonight Show” and “The Voice” where she's worked with artists like Pharrell Williams, Katherine McPhee, Kelly Clarkson, Adam Levine and Blake Shelton. She has a private studio in Southern California, has taught at the Pasadena Conservatory of Music, Bill Green Mentorship for the LA Jazz Institute, Monterey Jazz Camp,  Stanford Jazz Camp, and Idyllwild Performing Arts. She is a proud  D'Addario Winds Artist and plays Retro Revival mouthpieces.Learn more about Kirsten here: https://www.kirstenedkinsmusic.com https://youtube.com/playlist?list=PL7kMuikSH6hb4DCdI4KDTasHJftaAPcrU Let's connect: Website: https://www.dougstonejazz.com/ Instagram: https://www.instagram.com/dougstonejazzsaxophone/ Facebook: https://www.facebook.com/profile.php?id=100089874145057 If you want to learn more about jazz improvisation and be part of the Doug Stone Jazz community get on our email list! https://www.dougstonejazz.com/about Head over to the Doug Stone Jazz Shop for some fun jazz merch: https://www.dougstonejazz.com/product-page/just-play-the-changes-long-sleeved-shirt #dougstonejazz #jazz #podcast #musicianlife #musicians #tenorsaxophone #jazzmusicians #jazzinterview #musicianlife

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Sinatra swings the Cole Porter classic, In the Still of the Night.  From the 1961 album Ring-a-Ding-Ding!. Arranged and conducted by Johnny Mandel. Credits:Theme music by Erik Blicker and Glenn SchlossEdited by Katie CaliMixing and mastering by Amit Zangi Send comments to sinatramatters@gmail.com

Del disco 'Migrants', del caboverdiano Mário Lúcio, 'Migrants (Shakespearience)', 'Querença', 'Canto a Yemanjá' y 'Clave de fé'. El francés Baptiste Trotignon toca 'Emily', de Johnny Mandel, 'So in love', de Cole Porter, y 'Chega de saudade', de Jobim, en su disco de piano solo 'Body and soul'. Del disco del brasileño Lucas Santtana 'O paraíso' la canción que le da título, 'What´s life', 'Errare humanum est', de Jorge Ben, 'The fool on the hill', de The Beatles, y 'A transmissão'. Despide el también brasileño Fabiano do Nascimento con 'Solo as onze (Noite suite)' de su disco 'Lendas'. Escuchar audio

Harvey Brownstone conducts an in-depth interview with Angela Hagenbach, Acclaimed Jazz Vocalist About Harvey's guest: Today's guest, Angela Hagenbach, is one of America's most popular jazz singers, whose extraordinary 3-octave vocal range, unique phrasing and ebullient singing style make every song she sings truly her own – and very memorable.    With her sultry contralto voice, she sings everything from swinging, straightforward jazz and blues to sensual, rhythmic Latin Jazz with effortless agility.  She's recorded 6 albums entitled, “Come Fly With Me”, “Feel the Magic”, “Weaver of Dreams”, “Poetry of Love”, “Musa Nova”, and her latest album, “The Way They Make Me Feel”, beautifully produced by the brilliant George Klabin of Resonance Records, who selected some classic songs by Michel Legrand, Henry Mancini and Johnny Mandel.  It's been said by more than one music critic – and I agree – that when this woman sings, she has the uncanny ability to turn jazz into a spiritual experience.   In 2015 she finished as 1st runner-up at the Sarah Vaughan Jazz Vocal Competition.  That same year, she wrote the acclaimed “Jazz Alice: An Adventure in Wonderland”, a musical theatre production based on Lewis Carroll's classic book, set to the music of John Coltrane.   She performs regularly at jazz clubs and concert venues in her home town of Kansas City, as well as around the country, and internationally.   The renowned jazz historian Scott Yanow listed our guest as one of the greatest jazz singers of all time in his book, “The Great Jazz Singers: The Ultimate Guide”.   And if that weren't enough, our guest was TWICE chosen by the US State Department to represent the United States as a Cultural Jazz Ambassador in TWO world tours, starting at the Kennedy Center and performing in 17 countries. For more interviews and podcasts go to: https://www.harveybrownstoneinterviews.com/https://angelahagenbach.co/https://www.facebook.com/angela.hagenbach.1https://www.instagram.com/angelahagenbach/https://angelahagenbach.bandcamp.com/album/the-way-they-make-me-feelhttps://music.apple.com/us/artist/angela-hagenbach/4582211https://resonancerecords.org/artists/angela-hagenbach/ #AngelaHagenbach   #harveybrownstoneinterviews

Words & music by Johnny Mandel & Mike Altman Scott Kuchler - vocals, guitar

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 In honour of what would be the composer's 97th birthday this past week, Mondo Hollywood celebrates Johnny Mandel's career in soundtracks in this rebroadcast from 2020.Music from the films such as MASH, The Sandpiper, Point Blank, and much more!Set lists available at www.mondohollywood.ca 

Unleashed musical imagination from Frank Sinatra. Here is Harold Arlen and Ted Koehler's Let's Fall in Love from Sinatra's 1961 album Ring-a-Ding-Ding!. Arranged and conducted by Johnny Mandel. Credits: Theme music by Erik Blicker and Glenn Schloss Edited by Katie Cali Mixing and mastering by Amit Zangi Send comments to sinatramatters@gmail.com

durée : 00:58:16 - « A Time for Love » musique Johnny Mandel & paroles Paul Francis Webster (1966) - par : Laurent Valero - "Ballade écrite pour le film de Robert Gist, An American Dream, signée Johnny Mandel compositeur, arrangeur, dans le monde du jazz et du cinéma, co-écrite avec le parolier Paul Francis Webster spécialisé dans le théâtre & le cinéma, qui remporta 3 fois l'Oscar de la meilleure chanson" Laurent Valero - réalisé par : Antoine Courtin

durée : 00:58:16 - « A Time for Love » musique Johnny Mandel & paroles Paul Francis Webster (1966) - par : Laurent Valero - "Ballade écrite pour le film de Robert Gist, An American Dream, signée Johnny Mandel compositeur, arrangeur, dans le monde du jazz et du cinéma, co-écrite avec le parolier Paul Francis Webster spécialisé dans le théâtre & le cinéma, qui remporta 3 fois l'Oscar de la meilleure chanson" Laurent Valero - réalisé par : Antoine Courtin

durée : 01:56:06 - Retour de plage du mercredi 03 août 2022 - par : Laurent Valero - C'est la tradition dans Retour de plage, le mercredi est consacré à la musique de film sous toutes ses formes. Entre BO et reprises sans oublier la chanson … Au programme Johnny Mandel, Ennio Morricone, Herbert Pagani, Roy Budd, Francis Lai, Dave Grusin... - réalisé par : Yassine Bouzar

De Amerikaanse filmcomponist en muzikant Johnny Mandel is Dood maar niet vergeten. Hij overleed op 29 juni 2020 op 94-jarige leeftijd. Johnny Mandel werd in 1925 in New York geboren. Hij was de zoon van Hannah en Alfred Mandel. Zijn vader was een kledingfabrikant en zijn moeder operazangeres. Zijn moeder ontdekte dat hij een absoluut gehoor had. […]

A song I wish Frank Sinatra had recorded . . . but we do have Tony Bennett. Here is Johnny Mercer's I Remember You from Tony Bennett's 2004 Grammy Award winning album, The Art of Romance. With a wonderful Johnny Mandel arrangement. Credits: Theme music by Erik Blicker and Glenn Schloss Edited by Katie Cali Send comments to sinatramatters@gmail.com

CLICK TO SUBSCRIBE ON YOUR FAVORITE PODCATCHER CONTENT WARNING: Discussion of vegetative states, ambulance chasing, right-to-die laws, sexual harassment, lying, manipulation. Our final film of this series takes us into the courtroom in a way few films rarely do. The courtroom drama can be wild, fantastic, and even a bit haughty. But this movie dares to go into the grit and grime of medical malpractice and expose the cost of justice. There's no frills on this movie, no wasted moments, and while the story's missing a little bit of context, it's a masterclass in courtroom storytelling. And then there's the cast, with a murderer's row of performances from some of the best in the business, giving nuanced, crafted performances that take a very good story and make it incredibly grounded and real. We discuss The Verdict this week on Macintosh & Maud Haven't Seen What?! You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on Instagram, Twitter and Facebook. Also please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive. Excerpt taken from the score the motion picture The Verdict. Composed by Johnny Mandel. © 1982 Twentieth Century Fox Film Corporation. Excerpt from the motion picture The Verdict are © 1982 Twentieth Century Fox Film Corporation. Excerpt taken from the telecast of the 55th Academy Awards Ceremony, broadcast by ABC on April 11, 1983. Music arranged and conducted by Bill Conti.

Maggie and extraordinary pianist and arranger,  Alan Broadbent discuss the 30th Anniversary of Unforgettable… with Love, the legendary singer and songwriter Natalie Cole's biggest album to date. Since its initial release in 1991, it has sold over seven million copies and also won Cole seven GRAMMY© Awards. The album features Cole singing several songs her father Nat King Cole recorded, nearly 20 years after she initially refused to cover her father's songs during live concerts. Cole produced vocal arrangements for the songs, with piano accompaniment by her uncle Ike Cole and many other first rate pianists and arrangers. The album's title track, an interactive duet with her father, would go on to be one of her most memorable recordings.Alan Broadbent was born in Auckland, New Zealand and in 1966, at the age of 19, received a Downbeat Magazine scholarship to attend Berklee College of Music in Boston. In 1969 he was asked to join Woody Herman's band as his pianist and arranger for 3 years. In 1972 he settled in Los Angeles, beginning a musical relationship with the legendary singer Irene Kral (no relation to Diana Krall). Soon he was also invited into the studio scene as a pianist for the great Nelson Riddle, David Rose and Johnny Mandel. In the early 90s he was asked to be a part of Natalie Cole's famous “Unforgettable” cd, at which time he toured as her pianist and, a little while later, as her conductor. At this time he wrote an orchestral arrangement for her second video with her dad, “When I Fall In Love”, which won him his first Grammy Award for “best orchestral arrangement accompanying a vocal”.Turning PointsShortly after, he became a member of Charlie Haden's Quartet West, touring the festivals of Europe, UK and the USA. It was while with this group that he won his second Grammy, an orchestral accompaniment written for Shirley Horn of Leonard Bernstein's “Lonely Town”.As a soloist and with his jazz trio, Broadbent has been nominated for Grammys twice for best instrumental performance, in the company of such artists as Herbie Hancock, Sonny Rollins and Keith Jarrett. In 2007 he was awarded the New Zealand Order of Merit, an honor he holds in high regard.The NowBroadbent is Diana Krall's conductor for her occasional orchestra concerts and is the conductor on her “Live in Paris” DVD. Recently he has been the arranger on Glenn Frey's cd with strings, “After Hours”, and wrote six string arrangements for Sir Paul McCartney's “Kisses On The Bottom” with the London Symphony. He has just returned from solo piano concerts in the UK, Poland and France.It has been his lifelong goal, through his orchestral arrangements and jazz improvisations, to discover, in popular music and standard songs, deeper feelings of communication and love.Source: https://craftrecordings.com/products/natalie-cole-unforgettable-with-love-30th-anniversary-edition-cdSource: https://www.alanbroadbent.comThis episode is from an archive from the KPFK program Profiles adapted for podcast. Host Maggie LePique, a radio veteran since the 1980's at NPR in Kansas City Mo. She began her radio career in Los Angeles in the early 1990's and has worked for Pacifica station KPFK Radio in Los Angeles since 1994. Support the show

CLICK TO SUBSCRIBE ON YOUR FAVORITE PODCATCHER CONTENT WARNING: Discussion of the Holocaust, death of a child, genocide, concentration camps, Auschwitz, mental illness, antisemitism, fascism, war. This week's film has been seared into the collective moviegoing memory based on a single, powerful, heartbreaking scene. And yet that scene is meant solely as the culmination of what is, in all honesty, a soap opera romance. In fact, if it weren't for some incredible acting, this movie would be pure pulp trash because it actively avoids the point at all turns. It's strange, too, because a few simple structural changes would make this story into a near masterpiece, tying together the trauma of the past with the tragedy of the present. But instead we're left with an incredibly well-acted mess, and a handful of incredibly powerful moments that don't add up to a full story. We discuss Sophie's Choice this week on Macintosh & Maud Haven't Seen What?! You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on Instagram, Twitter and Facebook. Also please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive. Excerpt taken from “Love Theme” from the motion picture soundtrack to Sophie's Choice. Composed by Marvin Hamlisch. © 1983 Fifth Continent Music Classics, successor in interest Southern Cross Records, Inc. Excerpt taken from the score the motion picture The Verdict. Composed by Johnny Mandel. © 1982 Twentieth Century Fox Film Corporation.

In a show with real Seoul, Ryan reveals who Jack ‘O Lantern was, and how he managed to find his way to South Korea. He also takes Pete on a tour of South Korea's spooky characters and shares some great news for those of you who enjoy farming on your mobile phones. History Happened Everywhere!   Thanks: MASH Theme (https://www.youtube.com/watch?v=PlkxcC79LA8); The Hollywood Prime Time Orchestra; Johnny Mandel; [Merlin] IDOL Distribution (on behalf of Playtime); UNIAO BRASILEIRA DE EDITORAS DE MUSICA - UBEM, Warner Chappell, LatinAutor - Warner Chappell, LatinAutorPerf, and 4 music rights societies South Korea National Anthem Instrumental (https://www.youtube.com/watch?v=zN3wzPR0O7I) 강남스타일 (Gangnam Style), Psy (https://www.youtube.com/watch?v=9bZkp7q19f0); YG Entertainment Inc. (Music) (on behalf of Universal Republic Records); LatinAutor - UMPG, LatinAutor - SonyATV, Sony ATV Publishing, UMPG Publishing, UMPI, ASCAP, UNIAO BRASILEIRA DE EDITORAS DE MUSICA - UBEM, CMRRA, LatinAutorPerf, and 23 music rights societies    Contact us: hhepodcast.com hhepodcast@gmail.com instagram.com/hhepodcast https://vm.tiktok.com/ZMegovGJ6/ twitter.com/HHEPodcast facebook.com/HHEPod Reddit.com/r/hhepodcast

"Fronted by the husband-and-wife team of Win Butler and Régine Chassagne, the Arcade Fire's emotional debut -- rendered even more poignant by the dedications to recently departed family members contained in its liner notes -- is brave, empowering, and dusted with something that many of the indie rock genre's more contrived acts desperately lack: an element of real danger. Funeral's mourners -- specifically Butler and Chassagne -- inhabit the same post-apocalyptic world as London Suede's Dog Man Star; they are broken, beaten, and ferociously romantic, reveling in the brutal beauty of their surroundings like a heathen Adam & Eve. "Neighborhood #1 (Tunnels)," the first of four metaphorical forays into the geography of the soul, follows a pair of young lovers who meet in the middle of the town through tunnels that connect to their bedrooms. Over a soaring piano lead that's effectively doubled by distorted guitar, they reach a Lord of the Flies-tinged utopia where they can't even remember their names or the faces of their weeping parents. Butler sings like a lion-tamer whose whip grows shorter with each and every lash. He can barely contain himself, and when he lets loose it's both melodic and primal, like Berlin-era Bowie. "Neighborhood #2 (Laïka)" examines suicidal desperation through an angular Gang of Four prism; the hypnotic wash of strings and subtle meter changes of "Neighborhood #4 (7 Kettles)" winsomely capture the mundane doings of day-to-day existence; and "Neighborhood #3 (Power Out)," Funeral's victorious soul-thumping core, is a goose bump-inducing rallying cry centered around the notion that "the power's out in the heart of man, take it from your heart and put it in your hand." Arcade Fire are not bereft of whimsy. "Crown of Love" is like a wedding cake dropped in slow motion, utilizing a Johnny Mandel-style string section and a sweet, soda-pop-stand chorus to provide solace to a jilted lover yearning for a way back into the fold, and "Haiti" relies on a sunny island melody to explore the complexities of Chassagne's mercurial homeland. However, it's the sheer power and scope of cuts like "Wake Up" -- featuring all 15 musicians singing in unison -- and the mesmerizing, early-Roxy Music pulse of "Rebellion (Lies)" that make Funeral the remarkable achievement that it is. These are songs that pump blood back into the heart as fast and furiously as it's draining from the sleeve on which it beats, and by the time Chassagne dissects her love of riding "In the Backseat" with the radio on, despite her desperate fear of driving, Funeral's singular thread is finally revealed; love does conquer all, especially love for the cathartic power of music." - James Christopher Monger, All MusicSupport this podcast at — https://redcircle.com/polyphonic-press1229/donations

Today's guest is Jake Reed. Jake is a Los Angeles-based session player / educator and the host of an incredible YouTube Channel breaking down recording techniques….(also, I must give a big shoutout to Blair Sinta for inspiring me to reach out to Jake after hearing him as a guest on the “Recording Drums with Blair Sinta” podcast). On top of knowing how to explain things in an extremely approachable way, Jake is simply an amazing drummer. He's performed / recorded with trioKAIT, Bill Holman, Johnny Mandel, Bill Cunliffe, Bruce Forman, Cow Bop, Seth MacFarlane, the Baltimore Symphony Orchestra, the Los Angeles Philharmonic, Matt Forbes, Larry Goldings, Anthony Wilson, Adam Levy, Bob Mintzer, Les McCann, Freda Payne, the Long Beach Symphony Orchestra, Andrew Synowiec, Mako, Ellis Hall, Tommy Torres, and Frenship.  He's even been asked to sub for Peter Erskine soooooo there's that. I love his overall energy and perspective on this often-too-serious world of drumming and I knew his choices would expand my own palate and (since I'm recording this after our conversion) I can confidently say I was rightt…just like always! Anyways….I have a feeling Jake will be a recurring guest on this podcast in many facets…so I hope you like this one. If you don't. Just push PLAY while your phone is on mute because it's all about those numbers baby. Cheers.   Check out Jake's online store HERE Check out trioKAIT's online store HERE Podcast Artwork by Trevin Frame For more information on Big Fat Snare Drum, check out www.bigfatsnaredrum.com and follow us on Instagram, Facebook, Twitter, and TikTok

Today's guest is Jake Reed. Jake is a Los Angeles-based session player / educator and the host of an incredible YouTube Channel breaking down recording techniques….(also, I must give a big shoutout to Blair Sinta for inspiring me to reach out to Jake after hearing him as a guest on the “Recording Drums with Blair Sinta” podcast). On top of knowing how to explain things in an extremely approachable way, Jake is simply an amazing drummer. He's performed / recorded with trioKAIT, Bill Holman, Johnny Mandel, Bill Cunliffe, Bruce Forman, Cow Bop, Seth MacFarlane, the Baltimore Symphony Orchestra, the Los Angeles Philharmonic, Matt Forbes, Larry Goldings, Anthony Wilson, Adam Levy, Bob Mintzer, Les McCann, Freda Payne, the Long Beach Symphony Orchestra, Andrew Synowiec, Mako, Ellis Hall, Tommy Torres, and Frenship.  He's even been asked to sub for Peter Erskine soooooo there's that. I love his overall energy and perspective on this often-too-serious world of drumming and I knew his choices would expand my own palate and (since I'm recording this after our conversion) I can confidently say I was rightt…just like always! Anyways….I have a feeling Jake will be a recurring guest on this podcast in many facets…so I hope you like this one. If you don't. Just push PLAY while your phone is on mute because it's all about those numbers baby. Cheers.   Check out Jake's online store HERE Check out trioKAIT's online store HERE Podcast Artwork by Trevin Frame For more information on Big Fat Snare Drum, check out www.bigfatsnaredrum.com and follow us on Instagram, Facebook, Twitter, and TikTok Learn more about your ad choices. Visit megaphone.fm/adchoices

Jack Wilson is sadly not a household name but should be better known. He was a very fine pianist who reflected the influences of Hank jones and Tommy Flanagan...in other words a pianist with a light lyrical touch. He was also a fine composer. He was born in Chicago on Aug. 3,1936 and died at age 71 on Oct.5,2007. He recorded for Atlantic records and then did 3 albums for Blue Note and tonight's Jazz feature is the very best of the Blue Note three. It features a hand-picked band by Mr. Wilson that includes Lee Morgan on trumpet, Jackie McLean on alto saxophone, Garnett Brown on trombone, Bob Cranshaw on bass and Billy Higgins on drums. Wilson wrote 4 of the six compositions and arranged them all. A trio track with just bass and drums has Jack Wilson interpreting Johnny Mandel's beautiful tune, "A Time For Love". The other non Wilson tune played by the full band is by saxophonist Frank Strozier and called appropriately enough "Frank's Tune". ""Easterly Winds" is a minor classic and should be better known and tonight it is The Jazz Show's Jazz Feature.

Jake Reed is a professional drummer based in Los Angeles, who is quickly gaining a reputation for his ability to fit into a variety of musical situations. He has performed/recorded with trioKAIT, Bill Holman, Johnny Mandel, Bill Cunliffe, Bruce Forman, Cow Bop, Seth MacFarlane, the Baltimore Symphony Orchestra, the Los Angeles Philharmonic, Matt Forbes, Larry Goldings, Anthony Wilson, Adam Levy, Bob Mintzer, Les McCann, Freda Payne, the Long Beach Symphony Orchestra, Andrew Synowiec, Mako, Ellis Hall, Tommy Torres, and Frenship. - https://jakereedmusic.com/ --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/blair-sinta/support

Jake Reed is a professional drummer based in Los Angeles, who is quickly gaining a reputation for his ability to fit into a variety of musical situations. He has performed/recorded with trioKAIT, Bill Holman, Johnny Mandel, Bill Cunliffe, Bruce Forman, Cow Bop, Seth MacFarlane, the Baltimore Symphony Orchestra, the Los Angeles Philharmonic, Matt Forbes, Larry Goldings, Anthony Wilson, Adam Levy, Bob Mintzer, Les McCann, Freda Payne, the Long Beach Symphony Orchestra, Andrew Synowiec, Mako, Ellis Hall, Tommy Torres, and Frenship. - https://jakereedmusic.com/ --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/blair-sinta/support

Storytime  I want to take you back, back in time to a hot June night in 1980 and tell you a story about that time. [cue sound effect] I'm 11 years old and I'm recovering from a third spinal surgery after two previous cervical fusions failed.  I'm feeling terrible.  I'm in a dark, cold hospital room in a university hospital, just out of post-op and back on the pediatric unit 104 miles from home, immobilized in a full body cast and halo brace, recovering from puking from the general anesthetic, afraid that this surgery failed like the other two.  My confidence in surgeons is at a low ebb.  The room smells of antiseptic and isolation.   Back in those unenlightened days, visiting hours were really limited, so my parents aren't there.  But I'm not alone.  My sick toddler roommate is lying face down in his crib, sobbing inconsolably.   No one comes for him.  “Nothing can be done for him -- this will pass,” the professionals had told me when I pressed the call button for him.   So I don't bother with the call button anymore.  I can't think of anything to do for him either.  I feel like he does.  We're both miserable.  I am in the darkest hour of my life to that point.  I'm beginning to wonder if the rest of my life will be a series of horrible, painful, failed surgeries, nighttime isolation and helplessness.   So what does little Petey Guy do at the point?  My aunt Marlene always used to call me Petey Guy when I was that age.  Petey Guy starts to sing.  Yes, that's right, I start singing.  Do you know what I was singing?  Was the 1959 Julie Andrews version of "My Favorite Things" from The Sound of Music?  No it wasn't.   The Beatles" 1969 classic "Here comes the Sun" by George Harrison?  It was not.   Was it the 1977 show tune "The Sun will Come out Tomorrow" from the musical Annie?  Nope.  Guess again.   Gloria Gaynor's smash hit in 1977 "I will survive"?  Wrong.   "Don't Stop" by Fleetwood Mac, also in 1977?  No.   How about "Don't Stop Believin" by Journey -- that was it, right.  Come on, people.  "Don't Stop Believin" came out in 1981.  We're in 1980. So chronologically, that wouldn't make sense.    No, I was singing a different song, a darker song than any of those,  a 1970 song with lyrics written by 14 year old Michael Altman, put to music by his father Robert Altman and sung by Johnny Mandel.  A song written for the 1970 movie MASH.  Some of you may be following this now.  I was singing a song called Suicide is Painless.   You're probably familiar with the tune.  After the surprise success of the movie, Robert Altman chose it to be the instrumental opening for the hugely popular MASH comedy-drama series that ran on CBS from 1972 to 1983.  So even though you know the tune, you might not be familiar with the gaunt, haunting, despairing lyrics.  Here's the opening stanza: Through early morning fog I see   Visions of the things to beThe pains that are withheld for meI realize and I can seeThat suicide is painlessIt brings on many changesAnd I can take or leave it if I please So a little backstory.  My Grandpa Roberts had a magnus chord organ  1960's very popular, lots on the second hand market.  Chords press a button with left hand, keyboard with the right.  We had one too.   Grandpa Roberts had a songbook of popular tune to play on the Magnus Chord Organ --- including Suicide is Painless   I recognized the theme from MASH, and it was one of very few songs I learned to play on the Magnus Chord Organ, and I sang the lyrics as I played.  But they didn't particularly resonate with me until that post-surgical night in 1980, in the dark, sick, and alone with the crying toddler when my 11 year old heart was so burdened and breaking.   Nobody noticed my singing about suicide in the night -- my toddler roommate didn't seem to care.  And it wasn't until almost 40 years later that I ever told anyone about it.   Intro Welcome to the podcast Interior Integration for Catholics, thank you for being here with me.   I no longer go by "Petey Guy," I am better known as clinical psychologist Peter Malinoski  The reason this Interior Integration for Catholics podcasts exists is to help you toward  loving God, neighbor and yourself in an ordered, healthy, holy way. -- It's about tolerating being loved, and about loving about living out the two great commandments to the hilt, with all of our being, it's about overcoming the natural obstacles to reaching more of our potential, both in the natural and the spiritual realms.   Because we take on the tough topics in this podcast, today we are getting into the difficult and complex topic of suicide/  Suicide.  Even the word can send shivers up the spine.   This episode is titled IIC 76  The Black of Suicide -- What Do the Secular Experts Say? and it's released on July 12, 2021  Today we are looking at the best of current psychological and sociological research --  Episode 73.  St. Augustine De Doctrina Christiana. Chapter 40   is a theological text on how to interpret and teach the Scriptures. Moreover, if those who are called philosophers, and especially the Platonists, have said anything that is true and in harmony with our faith, we are not only not to shrink from it, but to claim it for our own use.  all branches of heathen learning have not only false and superstitious fancies and heavy burdens of unnecessary toil, which we ought to abhor and avoid; but they contain also liberal instruction which is better adapted to the use of the truth, and some most excellent precepts of morality; and some truths in regard even to the worship of the One God are found among them. Now these are, so to speak, their gold and silver, which they did not create themselves, but dug out of the mines of God's providence which are everywhere scattered abroad   In future episode, we will bring in a lot more of the wisdom of the Catholic Church . And in future episodes, we will bring in more Internal Family Systems thinking about our parts and suicide, fascinating stuff there And in future episodes we will be discussing the impact of suicide on parents, spouses, siblings, children and friends who experienced suicide through the death of a loved one.   So we are at the beginning of a series of episodes on suicide.  This is a critical topic -- A 2017 Rasmussen Reports national telephone and online survey of 1000 American Adults finds that 55%  know someone who has committed suicide. One from my 8th grade graduating class  One for two classes behind me in high school     Let's do an etymological analysis of the word suicide -- you know how much I like to break down words on this podcast, so it's Time for Word Lore [cue sound effect]  Where does the English word Suicide come from? "deliberate killing of oneself," 1650s, from Modern Latin suicidium "suicide," from Latin sui "of oneself" (genitive of se "self") + -cidium "a killing," from caedere "to slay" or to strike oneself.   How serious is suicide?  Lets look the research, let's look at suicide this by the numbers [cue sound effect]  Fast Facts How many suicides worldwide each year?  About 800,000.   About 10 in 100,000 people die each year from suicide Worldwide, suicide accounts for 1.4% of all deaths.   Wide range of suicide rates.  98.3 per 100,000 in Greenland, 1.56 per 100,000 in Jamaica.  63X higher.   How many suicides in the US?  Drawing from CDC and NIMH According to the Center for Disease Control in 2020 -- 44.834 recorded suicides  14.5 deaths per 100,000 population  US Men more than 3X as likely as US women to suicide  Women 1.4X likely as men to attempt suicide -- use less lethal means  Long trend up from 1999 to 2017, leveled off and trending down over last three years.   How do people suicide Just a hair over 50% use a firearm  29% are by suffocation  13% are by poisoning   Catholics and suicide  Data from over the last century consistently reveal that Catholics have a lower suicide rate than Protestants.  Not a huge effect, but a persistent one, going all the way back to early social science measurement efforts in 1897 -- Emile Durkheim's work..  Even when controlling for a lot of variables, the denominational effect persisted.  Various factors proposed Fear of Hell, mortal sin -- Protestants more accepting of suicide  More communitarian approach than individualistic approach to religion and faith   Types of Suicide  Emile Durkheim -- French philosopher and early sociologist in the late 19 and early 20th Century -- principal architect, along with Max Weber of modern social sciences.  He created a normative theory of suicide focusing on the conditions of group life. Proposing four different types of suicide, which include egoistic, altruistic, anomic, and fatalistic, Durkheim began his theory by plotting social regulation on the x-axis of his chart, and social integration on the y-axis. Drawing from a blog post on the Management Development Institute of Singapore website by Dr Amir Singh from March 30, 2020  Egoistic suicide corresponds to a low level of social integration. When one is not well integrated into a social group it can lead to a feeling that they have not made a difference in anyone's lives.  when a man becomes socially isolated or feels that he has no place in the society he destroys himself. This is the suicide of self-centered person who lacks altruistic feelings and is usually cut off from main stream of the society. It is committed by individuals who are social outcast and see themselves as being alone or an outsider. These individuals are unable to find their own place in society and have problems adjusting to groups. They received little and no social care. Suicide is seen as a solution for them to free themselves from loneliness or excessive individuation.   Altruistic suicide corresponds to too much social integration. This occurs when a group dominates the life of an individual to a degree where they feel meaningless to society.  Altruistic suicide occurs when social group involvement is too high. Individuals are so well integrated into the group that they are willing to sacrifice their own life in order to fulfil some obligation for the group. Individuals kill themselves for the collective benefit of the group or for the cause that the group believes in. An example is someone who commits suicide for the sake of a religious or political cause, such as the infamous Japanese Kamikaze pilots of World War II, or the hijackers that crashed the airplanes into the World Trade Centre, the Pentagon, and a field in Pennsylvania in 2001. During World War II, Japanese Kamikaze pilots were willing to lay down their own lives for their countries in the hope that they will win the war. These pilots believed in their nation's cause and were willing to sacrifice their lives. Similarly, suicide bombers around the world were willing to give up their lives in order to make a political or religious statement because they firmly believed in their group's cause.   Anomic suicide occurs when one has an insufficient amount of social regulation. This stems from the sociological term anomie, meaning a sense of aimlessness or despair that arises from the inability to reasonably expect life to be predictable.  This type of suicide is due to certain breakdown of social equilibrium, such as, suicide after bankruptcy or after winning a lottery. In other words, anomic suicide takes place in a situation which has cropped up suddenly.  Anomic suicide is caused by the lack of social regulation and it occurs during high levels of stress and frustration. Anomic suicide stems from sudden and unexpected changes in situations. For example, when individuals suffer extreme financial loss, the disappointment and stress that individuals face may drive them towards committing suicide as a means of escape.   Fatalistic suicide results from too much social regulation. An example of this would be when one follows the same routine day after day. This leads to a belief that there is nothing good to look forward to. Durkheim suggested this was the most popular form of suicide for prisoners.  This type of suicide is due to overregulation in society. Under the overregulation of a society, when a servant or slave commits suicide, when a barren woman commits suicide, it is the example of fatalistic suicide.  Fatalistic suicide occurs when individuals are kept under tight regulation. These individuals are placed under extreme rules or high expectations are set upon them, which removes a person's sense of self or individuality. Slavery and persecution are examples of fatalistic suicide where individuals may feel that they are destined by fate to be in such conditions and choose suicide as the only means of escaping such conditions. In South Korea, celebrities are being put under strict regulations. There was a case where, a singer committed suicide due to exhaustion to keep up with society's rules and regulations. In 2017, celebrity Kim Jonghyun ended his life due to severe depression and the pressure of being in the spotlight as he felt that he  could not fulfil the society's expectations  of his performance (Lee, 2018).   Inadvertent or accidental Suicide  Example -- the Choking Game AKA Pass out challenge, flatlining, space monkey -- people strangle themselves to experience a euphoric high -- autoerotic asphyxiation.  Discussed this briefly in Episode 69.   Example -- drug overdose, heroine laced with fentanyl.   Example -- Driving while impaired with alcohol   Indirect Suicide -- not taking care of oneself -- poor health habits Smoking  Poor diabetes management  Risky driving  Excessive alcohol or drug use   Assisted Suicide -- also known as Mercy killing Risk Factors for Suicide  Commonly cited risk factors  VeryWell Mind By Nancy Schimelpfening reviewing recent research findings February 19, 2021  Mental Illness Most common -- severe depression -- blue deepening into black  Bipolar disorder -- the orange  Borderline Personality Disorder  Eating Disorders  Schizophrenia  I have a very different understanding of what's going with these conditions.   Traumatic Stress  Substance Use and Impulsivity   Loss or a fear of Loss Academic failure  Being arrested or imprisoned  Bullying, shaming, or humiliation, including cyberbullying   Financial problems  End of a close friendship or romantic relationship  Job loss  Loss of friends or family acceptance due to revealing your sexual orientation  Loss of social status   Hopelessness  Chronic Pain or Medical Illness  Feeling like a burden to others  Social Isolation  A Cry for Help -- not a cry for attention  Accidental Suicide   From Suicide Prevention Resource Center website Prior suicide attempt(s)   Misuse and abuse of alcohol or other drugs   Mental disorders, particularly depression and other mood disorders  Access to lethal means  Knowing someone who died by suicide, particularly a family member  Social isolation  Chronic disease and disability  Lack of access to behavioral health care   Precipitating factors are stressful events that can trigger a suicidal crisis in a vulnerable person.  Examples include: End of a relationship or marriage  Death of a loved one   An arrest    Serious financial problems Robin Hood investor   Nevada Division of Public and Behavioral Health (DPBH) Office of Suicide Prevention  -- Myths and Facts of Youth Suicide Sources    National Mental Health Association    Youth Suicide Prevention Education Program    The Trevor Project MYTH: Talking about suicide or asking someone if they feel suicidal will encourage suicide attempts. FACT: Talking about suicide provides the opportunity for communication. Fears shared are more likely to diminish. The first step in encouraging a person with thoughts of suicide to live comes from talking about those feelings. A simple inquiry about whether or not the person is intending to end their life can start the conversation. However, talking about suicide should be carefully managed. MYTH: Young people who talk about suicide never attempt or die by suicide. FACT: Talking about suicide can be a plea for help and it can be a late sign in the progression towards a suicide attempt. Those who are most at risk will show other signs apart from talking about suicide. If you have concerns about a young person who talks about suicide:     Encourage him/her to talk further and help them to find appropriate counseling assistance.    Ask if the person are thinking about making a suicide attempt.    Ask if the person has a plan.    Think about the completeness of the plan and how dangerous it is. Do not trivialise plans that seem less complete or less dangerous. All suicidal intentions are serious and must be acknowledged as such.    Encourage the young person to develop a personal safety plan. This can include time spent with others, check-in points with significant adults/ plans for the future. MYTH: A promise to keep a note unopened and unread should always be kept. FACT: Where the potential for harm, or actual harm, is disclosed then confidentiality cannot be maintained. A sealed note with the request for the note not to be opened is a very strong indicator that something is seriously amiss. A sealed note is a late sign in the progression towards suicide. MYTH: Suicide attempts or deaths happen without warning. FACT: The survivors of a suicide often say that the intention was hidden from them. It is more likely that the intention was just not recognized. These warning signs include:  These are really important     The recent suicide, or death by other means, of a friend or relative.    Previous suicide attempts.    Preoccupation with themes of death or expressing suicidal thoughts.    Depression, conduct disorder and problems with adjustment such as substance abuse, particularly when two or more of these are present.    Giving away prized possessions/ making a will or other final arrangements.    Major changes in sleep patterns - too much or too little.    Sudden and extreme changes in eating habits/ losing or gaining weight.    Withdrawal from friends/ family or other major behavioral changes.    Dropping out of group activities.    Personality changes such as nervousness, outbursts of anger, impulsive or reckless behavior, or apathy about appearance or health.    Frequent irritability or unexplained crying.     Lingering expressions of unworthiness or failure.    Lack of interest in the future.    A sudden lifting of spirits, when there have been other indicators, may point to a decision to end the pain of life through suicide. MYTH: If a person attempts suicide and survives, they will never make a further attempt.FACT: A suicide attempt is regarded as an indicator of further attempts. It is likely that the level of danger will increase with each further suicide attempt. MYTH: Once a person is intent on suicide, there is no way of stopping them.FACT: Suicides can be prevented. People can be helped. Suicidal crises can be relatively short-lived. Immediate practical help such as staying with the person, encouraging them to talk and helping them build plans for the future, can avert the intention to attempt or die by suicide. Such immediate help is valuable at a time of crisis, but appropriate counseling will then be required. MYTH: People who threaten suicide are just seeking attention.FACT: All suicide attempts must be treated as though the person has the intent to die. Do not dismiss a suicide attempt as simply being an attention-gaining device. It is likely the young person has tried to gain attention and, therefore, this attention is needed. The attention they get may well save their lives. -- Thinking of it as calling out for help.  Pejorative -- drama queen.   MYTH: Suicide is hereditary.FACT: Although suicide can be over-represented in families, attempts are not genetically inherited. Members of families share the same emotional environment, and the death by suicide of one family member may well raise the awareness of suicide as an option for other family members. MYTH: Only certain types of people become suicidal. -- My exampleFACT: Everyone has the potential for suicide. The evidence shows disposing conditions may lead to either suicide attempts or deaths. It is unlikely those who do not have the predisposing conditions (for example, depression, conduct disorder, substance abuse, feeling of rejection, rage, emotional pain and anger) will die by suicide. MYTH: Suicide is painless.  -- Remember the Song? FACT: Many suicide methods are very painful. Fictional portrayals of suicide do not usually include the reality of the pain.  Maybe 14 year old Michael Altman wasn't entirely correct. MYTH: Depression and self-destructive behavior are rare in young people.FACT: Both forms of behavior are common in adolescents. Depression may manifest itself in ways which are different from its manifestation in adults but it is prevalent in children and adolescents. Self-destructive behavior is most likely to be shown for the first time in adolescence and its incidence is on the rise. MYTH: All young people with thoughts of suicide are depressed.FACT: While depression is a contributory factor in most suicides, it need not be present for a person to attempt or die by suicide. MYTH: Marked and sudden improvement in the mental state of an attempter following a suicidal crisis or depressive period signifies the suicide risk is over.FACT: The opposite may be true. In the three months following an attempt, a young person is at most risk of dying by suicide. The apparent lifting of the problems could mean the person has made a firm decision to die by suicide and feels better because of this decision. MYTH: Once a young person thinks about suicide, they will forever think about suicide.FACT: Most young people who are considering suicide will only be that way for a limited period of their lives. Given proper assistance and support, they will probably recover and continue to lead meaningful and happy lives unhindered by suicidal concerns. MYTH: Young persons thinking about suicide cannot help themselves.FACT: While contemplating suicide, young people may have a distorted perception of their actual life situation and what solutions are appropriate for them to take. However, with support and constructive assistance from caring and informed people around them, young people can gain full self-direction and self-management in their lives. MYTH: The only effective intervention for suicide comes from professional psychotherapists with extensive experience in the area.FACT: All people who interact with adolescents in crisis can help them by way of emotional support and encouragement. Psychotherapeutic interventions also rely heavily on family, and friends providing a network of support. MYTH: Most young people thinking about suicide never seek or ask for help with their problems.FACT: Evidence shows that they often tell their school peers of their thoughts and plans. Most adults with thoughts of suicide visit a medical doctor during the three months prior to killing themselves. Adolescents are more likely to 'ask' for help through non-verbal gestures than to express their situation verbally to others. MYTH: Young people thinking about suicide are always angry when someone intervenes and they will resent that person afterwards.FACT: While it is common for young people to be defensive and resist help at first, these behaviors are often barriers imposed to test how much people care and are prepared to help. For most adolescents considering suicide, it is a relief to have someone genuinely care about them and to be able to share the emotional burden of their plight with another person. When questioned some time later, the vast majority express gratitude for the intervention. MYTH: Break-ups in relationships happen so frequently, they do not cause suicide.FACT: Suicide can be precipitated by the loss of a relationship. MYTH: Young people thinking about suicide are insane or mentally ill.FACT: Although adolescents thinking about suicide are likely to be extremely unhappy and may be classified as having a mood disorder, such as depression, most are not legally insane. However, there are small numbers of individuals whose mental state meets psychiatric criteria for mental illness and who need psychiatric help. MYTH: Most suicides occur in winter months when the weather is poor.FACT: Seasonal variation data are essentially based on adult suicides, with limited adolescent data available. However, it seems adolescent suicidal behavior is most common during the spring and early summer months. MYTH: Suicide is much more common in young people from higher (or lower) socioeconomic status (SES) areas.FACT: The causes of suicidal behavior cut across SES boundaries. While the literature in the area is incomplete, there is no definitive link between SES and suicide. This does not preclude localized tendencies nor trends in a population during a certain period of time. MYTH: Some people are always suicidal.FACT: Nobody is suicidal at all times. The risk of suicide for any individual varies across time, as circumstances change. This is why it is important for regular assessments of the level of risk in individuals who are 'at risk'. MYTH: Every death is preventable.FACT: No matter how well intentioned, alert and diligent people's efforts may be, there is no way of preventing all suicides from occurring. MYTH: The main problem with preventive efforts is trying to implement strategies in an extremely grey area.FACT: The problem is that we lack a complete understanding of youth suicide and know more about what is not known than what is fact.  Going deeper: The reaction trio -- these do not just spring up spontaneously-- in the middle of a causal chain.  Recognize their impact -- but also see what causes them.    Despair -- failure of hope This is an effect and a cause -- what caused the despair   Desperation --  Rage -- rage is a reaction -- can lead to  Seeking to Punish God Seeking to punish others Other Reason -- these are the core reasons.  Attachment needs not met -- Episode 62 A felt sense of safety and protection, deep sense of security felt in the bones  Feeling seen and known heard and understood -- felt attunement  Felt comfort, reassurance  Feeling valued, delighted in, cherished by the attachment figure  Felt support for the best self   Integrity Needs not met All of the above.  Each one of us needs help to develop our sense of self, our identity  I exist  my existence is separate from others --  I exist in my own right, a separate personIs bounded, has boundaries  My identity is stable over time and across different situations -- there is a continuity  I can regulate myself -- I have some self-control.   Is integrated -- coherent interconnections inside between aspects of experience -- self-cohesion  Is active, with agency, can effectively function in the world  Is morally good -- ontologically or essentially good and thus has intrinsic value and worth, apart from others' opinions.   I can make sense of my experience and the world around me  Mission and Purpose in life  We also need to make good choices -- seek what is good, true and beautiful in life   Suicide Prevention Current secular "wisdom" and teaching on the topic  Protective factors are personal or environmental characteristics that help protect people from suicide  VeryWell mind article By Nancy Schimelpfening reviewing recent research findings February 19, 2021 Effective behavioral health care  Connectedness to individuals, family, community, and social institutions  Life skills (including problem solving skills and coping skills, ability to adapt to change)  Self-esteem and a sense of purpose or meaning in life  Cultural, religious, or personal beliefs that discourage suicide   Here's what I think: Let's start way back in the causal chain.   Attachment needs met  -- see episode 62 Unmet Attachment Needs and Unmet Integrity Need Integrity Needs Met Future focus We really looked at the secular literature in this episode  In the next episode -- looking at the juncture of the psychological and the spiritual What does the wisdom of the Catholic Church say about suicide.  How does that fit with what the secular experts are saying   And what's really exciting we will get into suicide from a parts perspective.   The role of exiled parts in suicide, the role of firefighter parts, the role of manager parts.  Seeing in more dimension. Most of the conceptualizations we discussed today assume a homogenous personality.  One personality.   We will also get into Others' Experience of Suicide -- parents, spouses, friends.  Intense reactions  Came from the blue Very understandable -- especially with the impulsive kind.   Pain, shame guilt  It was my fault  Really natural -- we have parts that want to hold on to the fantasy that we can make everything ok if we just always do the right thing Jesus could not prevent Judas' suicide without violating his free will.   Action Items If you are having suicidal thoughts or know of someone who is, contact the National Suicide Prevention Lifeline at 1-800-273-8255 for support and assistance from a trained counselor. If you or a loved one are in immediate danger, call 911.  Catholic's Guide to Choosing a Therapist  Let people know about this episode -- many of you know other Catholics who have experienced loss of loved ones through suicide -- may benefit.  Take the chance, reach out.  Episodes 76, 77 and 78.  Interior Integration for Catholics  All the major platforms Soulandhearts.com/iic -- initials for Interior Integration for Catholics This episode can help equip you to have those conversations, to be able to reach out.   Waiting list soulsandhearts.com/rcc -- benefits -- email once per month, free gifts  Conversation hours T, R  Pray for me and for the other listeners   Patronness and patron Blurb for Transistor:  Through stories and examples, Dr. Peter reviews the best of secular approaches to understanding suicide.  He discusses suicide statistics, the different kinds of suicide, the risk factors for suicide, the warning signs for suicide and myths about suicide.  He covers the "reaction trio" and then the deep roots of suicide, the first causes.  

Boots Randolph [00:26] "Smoke Gets in Your Eyes" Love Songs for a Late Evening Columbia House 1P 6114 1974 That's right, the man who brought us "Yakety Sax" brings us the Kern and Harbach classic. Swans [03:45] "Love Will Tear Us Apart (Black Version)" Love Will Tear Us Apart Caroline Records CAROL 1454 1988 The Jarboe version of the Joy Division classic, engineered by the excellent Wharton Tiers. Cocteau Twins [07:39] "Love's Easy Tears" Love's Easy Tears 4AD BAD 610 1986 Title track from one of the many Cocteau Twins EPs. The Cure [11:16] "The Love Cats (Extended Version)" The Love Cats Fiction Records ficsx 19 1983 Evidently this was a throw-away song by Smith. Not too shabby if that's the case. Guitar Wolf [16:57] "Loverock" Loverock Narnack Records NCK 7020 2004 The jet-rockers blast off with this title track from their 2004 Narnack release on gold vinyl. New Order [20:11] "Face Up" Low-Life Qwest Records 1-25289 1985 My favorite track from New Order's third studio album. The concert video Pumped Full of Drugs that was made around this time contains an excellent version of this song. Terry Allen [25:12] "Truckload of Art" Lubbock (On Everything) Paradise of Bachelors PoB-27 2016 That'll show them high-falutin' New York artists. Terry is accompanied by such luminaries as Ponty Bone, Joe Ely, and Lloyd Maines. Originally released on Fate Records in 1979. Tim Cohen [30:34] "Bedfellows" Luck Man Sinderlyn LYN-024 2017 Another excellent solo outing from San Francisco's own Tim Cohen Cocteau Twins [34:25] "Feathers-Oar-Blades" Lullabies 4AD BAD 213 1982 Some very angular material from an EP that followed close on the heels of their debut album Garlands. André Kostelantez and his Orchestra [38:51] "Manuel de Falla: Spanish Dance (from La vida breve)" The Lure of Spain Columbia CL 943 1957 A little trip to Spain from the Russian-born American conductor. It makes for a pretty lively number when you accidentally record it at 45rpm! Johnny Mandel & Various [41:07] "Going Home" MAS*H (Original Soundtrack Recording) Columbia Masterworks OS 3520 1970 And that's pretty much how you handle Altman-esque overlapping dialogue for a soundtrack. Ella Fitzgerald with the Paul Smith Quartet [44:41] "Mack the Knife" Mack the Knife - Ella in Berlin Verve MG VS-64041 1960 (1967 repress) Now that is how you improvise. Malcolm McLaren [51:28] "Madam Butterfly" Madam Butterfly Island Records 0-96915 1984 A 12" single from Malcolm's attempt to fuse contemporary R&B with opera. Syd Barrett [57:53] "Gigolo Aunt" The Madcap Laughs/Barrett Capitol Records SABB-11314 1983 Excellent double record compilation of the two solo Barrett albums. Syd is joined by bandmates David Gilmour on bass, and Richard Wright on keys. Music behind the DJ: "My Sweet Lord" by Terry Baxter and his Orchestra

durée : 00:58:16 - « Suicide Is Painless » (Johnny Mandel / Michael Altman) (1970) - par : Laurent Valero - "Johnny Mandel, talentueux musicien, brillant compositeur et arrangeur de jazz signe la musique du film M.A.S.H et l'histoire de la chanson dont le titre "Suicide is Painless - Le suicide est indolore" est cocasse. Altman souhaitait que Mandel écrive la chanson la plus stupide..." Laurent Valero - réalisé par : Antoine Courtin

durée : 00:58:16 - « Suicide Is Painless » (Johnny Mandel / Michael Altman) (1970) - par : Laurent Valero - "Johnny Mandel, talentueux musicien, brillant compositeur et arrangeur de jazz signe la musique du film M.A.S.H et l'histoire de la chanson dont le titre "Suicide is Painless - Le suicide est indolore" est cocasse. Altman souhaitait que Mandel écrive la chanson la plus stupide..." Laurent Valero - réalisé par : Antoine Courtin

Book Vs Movie: “Being There” The 1970 Satirical Novel Vs the 1979 Classic Film The film Being There and its star Peter Sellers was a big deal in 1980 when the film was released. Based on a novella by Jerzy Kosinski (who won an Academy Award and Golden Globe for the screenplay) the story of “Chance”, a simple gardener who grew up on an estate and never experienced the outside world in an engaging way except for television for his whole life.  When his benefactor and/or father dies, he must leave his townhouse and try to forge a life for himself with no identity and no education. Luckily, he is soon being taken care of by elderly businessman Ben Rand and his younger wife Eve who mistakenly almost completely runs him over.  While she calls him “Chauncey Gardner,” we (the audience) know that his name is Chance and he has no idea what is happening in real life. When the President of the U.S. pays a visit to Rand, he is charmed by Chauncey’s lack of guile and a simplistic worldview.  Soon enough, Chauncey Gardner is the hit of Washington DC and the media that seeks his opinion on everything related to inflation and the economy.  The film, directed by Hal Ashby, is a modern classic taking on the shallowness of the media when it comes to uncovering “the truth” and pop culture.  So between the book and the film--which did we prefer? Have a listen and find out!  In this ep the Margos discuss: Author Jerzy Kosinski    The road from the novel to the Hal Ashby-directed film The cast: Peter Sellers (Chance,) Shirley McLaine (Eve Rand,) Melvyn Douglas (Benjamin Rand,) Jack Warden (President Bobby,) Richard Dysart (Dr. Allenby,) Richard Baseheart (Vladamir Skrapinov,) Ruth Attaway (Louise,) David Clennon (Thomas Franklin,) and Fran Brill (Sally Hayes.)  Clips used: Chance meets the President Being There  trailer  Chance meets Thomas Franklin & Sally Hayes. Final scene deciding on whether or not to run him for President Basketball Jones by Cheech & Chong   Being There  theme music by Johnny Mandel    Book Vs Movie is part of the Frolic Podcast Network. Find more podcasts you will love Frolic.Media/podcasts Join our Patreon page to help support the show! https://www.patreon.com/bookversusmovie  Book Vs. Movie podcast https://www.facebook.com/bookversusmovie/ Twitter @bookversusmovie www.bookversusmovie.com Email us at bookversusmoviepodcast@gmail.com Brought to you by Audible.com You can sign up for a FREE 30-day trial here http://www.audible.com/?source_code=PDTGBPD060314004R Margo D. @BrooklynFitChik www.brooklynfitchick.com brooklynfitchick@gmail.com Margo P. @ShesNachoMama https://coloniabook.weebly.com/  Our logo was designed by Madeleine Gainey/Studio 39 Marketing Follow on Instagram @Studio39Marketing & @musicalmadeleine 

As a lifelong Frank Sinatra fan, today I'm excited to be speaking with Charles Granata. Chuck is the producer and co-host of Nancy Sinatra's weekly radio show on SiriusXM, “Nancy for Frank,” which recently concluded after 14 years and over 500 episodes. “The Best of Nancy for Frank” continues to air every week. He has worked on several Frank Sinatra box sets, including “A Voice on Air: 1935–1955” and “Sinatra in Hollywood: 1940–1964.” Most recently he oversaw the restoration and reissue of the 1950 LP “Sing and Dance with Frank Sinatra” (Impex Records, 2020). Chuck is the author of two acclaimed books, “Sessions with Sinatra: Frank Sinatra and the Art of Recording” and “Wouldn't It Be Nice: Brian Wilson and the Making of the Beach Boys' Pet Sounds.” And he assisted music legends Phil Ramone and Johnny Mandel in writing their memoirs. I loved hearing how Chuck's childhood passion eventually became a fulfilling career, thanks to many serendipitous connections along the way. Near the end of our conversation, he also shares his personal thoughts on spirituality, which I found very moving. Read “Sessions with Sinatra”: amazon.com/dp/B005HF4DGK Follow Chuck on Facebook: facebook.com/chuckgranata Get his latest Sinatra legacy release: impexrecords.com/sing-and-dance-with-frank-sinatra At the end of this episode, instead of the usual closing music, I'm including a track from my own Sinatra-inspired album, “Someone to Watch Over Me,” which is available on most music platforms.

⚠️ Инструментальная медленная музыка ⚠️ Joi Krokodeel - Instrumental Paradise Part 3 (Live in UAE) Slow Movie Its third part of sets Instrumental, Classical, Covers, Piano, Cello, Guitar, Violin, Drums, Saxofone, Sax, Instrumentals songs, mix music. From Dj Joi Krokodeel (Sumy, Ukraine) Podcast Live Work in Abu Dhabi UAE. ▶️ Слушай (Listen): soundcloud.com/joikrokodeel/in… ⚠️ Telegram: t.me/Joi_Krokodeel_Podcast ❗️ ▶️ Скачивай (Download) WAW: pdj.cc/ftWFt ▶️ Слушай2 (Listen2) : www.mixcloud.com/joi_krokodeel ⏏️ For Apple Iphone: podcasts.apple.com/ua/podcast/… ☑️ Artist pages: VKontakte - vk.com/dunadantorn Instagram - instagram.com/Joi_Krokodeel Facebook - facebook.com/JoiKrokodeel LinkedIn - www.linkedin.com/in/joikrokode… ☑️ Whatts app: +971525787407 Приятного музыкально настроения и крепкого здоровья!!! .МИР. PS. There was a small post-processing of the file in which the 5 second cut with the Jingle of the music site was cut 18:38 Author apologizes 00:00:02 Японская инструментальная музыка - Санго 00:03:42 G.Saxon - Only You 00:06:03 красивая инструментальная музыка - музыка 00:08:40 The Shadows - The Lady in Red 00:12:43 Fausto Papetti - саксофон - композиция из к/ф История любви Фрэнсис Лэй (Francis Lai) 00:15:36 Ennio Morricone - Душа 00:18:37 Джо Дассен - индийское лето 00:23:49 музыка и природа - Испанская гитара и шум моря 00:26:23 Инструментальная музыка - Саксофон 00:29:46 Инструментальная музыка - Соло на гитаре 00:32:13 Инструментальная музыка - мелодия зимы 00:34:34 Дидюля - Румба 00:40:17 Fausto Papetti - саксофон The shadow of your smile Johnny Mandel/ Пол Вебстер 00:44:45 Ron Asprey - I will always love you 00:48:40 Adele - Hello 9474 Fingerstyle guitar solo cover 00:53:17 Андрей Повилайтис - Вальс снежинок 00:54:17 Инструментальная музыка - Испанская гитара 01:01:49 Ф. Шопен. Вальс Дождя - Инструментальная музыка (исп. Ярослав Никитин,аранж. Сергей Кузнецов) 01:06:01 Candy Dulfer - Candy Dulfer_Still i love you 01:10:07 V. Mae - Classical Gas 01:13:22 Keiko Matsui - Bridge Over The Stars 01:17:26 Гитара, флейта, виолончель и скрипка (Музыка дарующая вечность в кармашке.) 01:21:14 Чувство - Ночь 01:25:20 The Shadows - The house of the rising sun 01:30:02 ГИТАРА - музыка к к/ф Бандитский Петербург 01:32:41 Виктор Зинчук - гитара - мелодия песни Speak softly, Love" из к/ф Крестный Отец - Нино Рота 01:38:36 Булат Окуджава - Молитва 01:41:49 Ólafur Arnalds - Tomorrow's Song 01:44:54 Giles Lamb - One To One 01:47:19 Инструментальная музыка - саксофон 01:50:45 Nils Frahm - Went Missing 01:55:32 Adriano Chelentano - Пью ке пой (кавер) 01:59:56 Chris Spheeris (Крис Сфирис) -Carino (Милый) 02:04:03 David Nevue - Greensleaves 02:07:31 Ludovico Einaudi - Sarabande 02:11:31 Èíñòðóìåíòàëüíàÿ ìóçûêà - Ôàóñòî Ïàïåòòè;Ýììàíóýëü 02:11:35 Ludovico Einaudi - Sarabande 02:14:48 Kirk Whalum - My All 02:18:42 Doug Maxwell/Media Right Productions - Solo Cello Passion 02:20:49 Isaac Shepard - Following The Footsteps 02:23:37 Brian Crain - At the Ivy Gate 02:28:21 Yann Tiersen - La Corde 02:29:33 Инструментальная музыка (саксофон) - Et si tu n'existais pas... 02:33:15 Самая красивая инструментальная музыка - tt 02:37:27 01 - ﾄⅱ鮻� 01 02:42:03 Edvin Marton & Monte Carlo Orchestra - Love In Venice (мегакрасивая музыка, сыгранная на знаменитейшой скрипке работы Антонио Страдивари) 02:46:03 Joi Krokodeel - My Heart Will Go On (piano instrumental) 02:48:34 Martin Stock - Larissa's Song 02:51:18 Dmitry Evgrafov - Serein 02:53:30 Jef Martens - Matin Dans Le Marais 02:54:41 Minxz - Goya 02:58:32 Max Richter - The Departure 02:59:44 Joi Krokodeel - Jingle

The Shadow of your Smile (La sombra de tu sonrisa) fue compuesta por Johnny Mandel con letra de Paul F. Webster, hecha famosa en la película de 1965 "The sandpiper". Tony Bennett (Antonio di Benedetto) la popularizó y luego entra en el mundo del jazz. Escuchemos versiones de jazzistas clásicos y modernos.   Fe de erratas: en JLSS 12, cuando dijimos Tito Puente y Phil Woods, en el fragmento toca el saxo tenor Mario Rivera.

Mais um episódio de Análises Harmônicas, desta vez destrinchando Tha Shadow of Your Smile, do grande Johnny Mandel e imortalizada por Frank Sinatra, Tony Bennett, Ella Fitzgerald, e até Stevie Wonder e Wilson Simonal, e O Bêbado e a Equilibrista, do grande João Bosco e imortalizada por Elis Regina. www.semibreves.com.br e-mail: semibrevespodcast@gmail.com Facebook: www.facebook.com/semibrevespod Instagram: @semibrevespod Twitter: @semibrevespod Apoie o Semibreves: apoia.se/semibreves picpay.me/semibreves Dicas culturais: Daniel: Disco: Hyldon – Soulsambarock Pedro: Disco/DVD: João Bosco – Obrigado Gente Apresentação: Pedro Janczur e Daniel Lima Produção: Pedro Janczur e Daniel Lima Edição: Pedro Janczur Consultoria Técnica: Marco Bonito Abertura: The Trio – A Seita Demais trilhas – Luka Schwab

"Suicide Is Painless" is a song written by Johnny Mandel (music) and Michael Altman (lyrics). It was the theme song for both the movie and TV series M*A*S*H. YouTube Link: https://www.youtube.com/watch?v=i70_u7T8hq8 "The song was written specifically for Ken Prymus, the actor playing Private Seidman, who sang it during the faux-suicide of Walter "Painless Pole" Waldowski (John Schuck) in the film's "Last Supper" scene. Director Robert Altman had two stipulations about the song for Mandel: it had to be called "Suicide Is Painless" and it had to be the "stupidest song ever written". Altman attempted to write the lyrics himself, but upon finding it too difficult for his 45-year-old brain to write "stupid enough," he gave the task to his 14-year-old-son Michael, who wrote the lyrics in five minutes." Suicide Is Painless Through early morning fog I see Visions of the things to be The pains that are withheld for me I realize and I can see That suicide is painless It brings on many changes And I can take or leave it if I please I try to find a way to make All our little joys relate Without that ever-present hate But now I know that it's too late, and That suicide is painless It brings on many changes And I can take or leave it if I please The game of life is hard to play I'm gonna lose it anyway The losing card I'll someday lay So this is all I have to say That suicide is painless It brings on many changes And I can take or leave it if I please The only way to win is cheat And lay it down before I'm beat And to another give my seat For that's the only painless feat That suicide is painless It brings on many changes And I can take or leave it if I please The sword of time will pierce our skins It doesn't hurt when it begins But as it works its way on in The pain grows stronger watch it grin, but That suicide is painless It brings on many changes And I can take or leave it if I please A brave man once requested me To answer questions that are key Is it to be or not to be And I replied 'Oh, why ask me?' That suicide is painless It brings on many changes And I can take or leave it if I please 'Cause suicide is painless It brings on many changes And I can take or leave it if I please And you can do the same thing if you please --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/chrisabraham/message Support this podcast: https://anchor.fm/chrisabraham/support

Warne Marsh was an uncompromising artist and always stuck to playing only music he believed in. From 1948 on he studied with the great pianist/teacher/guru Lennie Tristano. He appeared on Tristano's ground breaking 1949/50 recordings and many thereafter. Marsh had a unique sound, acerbic and cerebral to be sure but still warm and full. His melodic ideas were all his own and his place since his death in 1987 has been re-evalued and he is now considered one of the great masters of his horn and joins the ranks of John Coltrane, Sonny Rollins, Stan Getz et.al. To celebrate Marsh's Birthday (Oct.26) this evening we present him in a favourite setting. His sole horn backed by a great rhythm section including pianist Lou Levy (one of his favourites), bassist Fred Atwood and drum great Jake Hanna. The tunes are written by Marsh, Levy and lee Konitz. Two great standards appear as well. The beautiful "Easy Livin'" and the latter day classic by Johnny Mandel. Happy Birthday Warne Marsh.....you are "All Music".