Podcasts about Johnny Mandel

durée : 01:58:31 - Johnny Mandel, légende californienne - par : Thierry Jousse, Laurent Valero - Né le 23 novembre 1925 - il y a cent ans donc -, Johnny Mandel fut un compositeur, arrangeur et chef d'orchestre de grande classe. À travers un programme qui mélange jazz West Coast, musiques de film et vocalistes de haut vol, nous rendons justice à une personnalité majeure, méconnue en France. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

DJ Madmam and Jonathan Gilchrist discuss the Song Suicide is Painless by Johnny Mandel

It's fun to talk about TV theme songs, so that's what Kirk and special guest Leigh Sales did. Does this episode need any more introduction than that? Probably not.Check out Leigh's wonderful podcast Chat 10 Looks 3A YouTube Playlist of many of the themes discussed (and some they didn't get to)DISCUSSED/REFERENCED:The Office Theme - “Handbags and Gladrags” - 1967 by Mike D'Abo, perf. Big George Webley -US theme 2005 by Jay FergusonParks & Recreation - 2009, by Gaby Moreno and Vincent JonesWelcome Back Kotter - by John Sebastian (1974 - 1979)“Suicide is Painless” by Johnny Mandel, from MA_S_HThe Nanny Theme by Ann Hampton CallawayThe Brady Bunch theme by Frank De Vol & Sherwood SchwartzGilligan's Island theme by Sherwood Schwartz (lyrics) & George Wyle (music)Beverley Hillbillies theme by Paul Hennig feat. Lester Flatt & Earl ScruggsMoney For Nothing/Beverley Hillbillies by Weird Al Yankovic from UHF, 1988"Money For Nothing" by Dire Straits from Brothers in Arms, 1985The Americans theme by Nathan Barr"Do Ya Wanna Taste It" by Wig Wam from Peacemaker, 2021The Pi Song from AsapSCIENCESymphony No. 8 in B Minor, D. 759 by Franz Schubert“Green Acres Theme” by Vic Mizzy“Woke Up This Morning” by Alabama 3, from The Sopranos"A Beautiful Mine" from Mad Men by RJD2“Sex and the City Theme” by Douglas J. CuomoSix Feet Under theme by Thomas NewmanBreaking Bad theme by Dave PorterHouse of Cards Theme by Jeff BealTank! by Yoko Kanno and SeatbeltsLEIGH'S MUSIC PICKS:Frank Sinatra Live at the Sands, ‘66 with the Count Basie Orchestra conducted by Quincy JonesINXS - Kick, 1987The Villagers - Becoming a Jackal, 2010----LINKS-----

KENNY WERNER “CHURCH ON MARS” New York, October 8, 2018Superfluous, Think of oneDavid Liebman (ts,sop) Kenny Werner (p) James Genus (b) Terri Lyne Carrington (d) Vivienne Aerts (vcl) RALPH TOWNER “BATIK” Oslo, January, 1978Waterwheel, BatikRalph Towner (g,12-string-g,p) Eddie Gomez (b) Jack DeJohnette (d GERRY MULLIGAN AND THE CONCERT JAZZ BAND LIVE “VILLAGE VANGUARD” New York, December 11, 1960Blueport, Body and soulClark Terry, Don Ferrara, Nick Travis (tp) Bob Brookmeyer (v-tb,arr) Willie Dennis (tb) Alan Raph (b-tb) Gene Quill (as,cl) Bob Donovan (as) Jim Reider (ts) Gerry Mulligan (bar,p-1) Gene Allen (bar,b-cl) Bill Crow (b) Mel Lewis (d) Al Cohn, Johnny Mandel (arr) Continue reading Puro Jazz 02 de septiembre, 2025 at PuroJazz.

KENNY WERNER “CHURCH ON MARS” New York, October 8, 2018Superfluous, Think of oneDavid Liebman (ts,sop) Kenny Werner (p) James Genus (b) Terri Lyne Carrington (d) Vivienne Aerts (vcl) RALPH TOWNER “BATIK” Oslo, January, 1978Waterwheel, BatikRalph Towner (g,12-string-g,p) Eddie Gomez (b) Jack DeJohnette (d GERRY MULLIGAN AND THE CONCERT JAZZ BAND LIVE “VILLAGE VANGUARD” New York, December 11, 1960Blueport, Body and soulClark Terry, Don Ferrara, Nick Travis (tp) Bob Brookmeyer (v-tb,arr) Willie Dennis (tb) Alan Raph (b-tb) Gene Quill (as,cl) Bob Donovan (as) Jim Reider (ts) Gerry Mulligan (bar,p-1) Gene Allen (bar,b-cl) Bill Crow (b) Mel Lewis (d) Al Cohn, Johnny Mandel (arr) Continue reading Puro Jazz 02 de septiembre, 2025 at PuroJazz.

This week's show, after a 1969 Beatles bray: brand new Red Lorry Yellow Lorry, No Joy, Sea Lemon, The Beths, Jeffrey Runnings, Paul Collins, Roach Squad, and Girl Tones, plus The Beatles, Bo Diddley, Dave Robinson, Jim Reeves, Johnny Mandel, Sam the Sh...

En películas de Pedro Almodóvar suenan canciones como 'Ne me quitte pas' en la grabación de la cantante brasileña Maysa Matarzazzo ('La ley del deseo'), 'Tonada de luna llena' por Caetano Veloso ('La flor de mi secreto') y 'Cucurrucucú paloma' también por Caetano ('Hable con ella'), 'Por toda minha vida' grabación de Elis Regina & Tom Jobim ('Hable con ella'), 'Raquel' del caboverdiano Baú ('Hable con ella') y 'Tajabone' del senegalés Ismaël Lò ('Todo sobre mi madre' ). Ryuichi Sakamoto con Everton Nelson y Jaques Morelenbaum tocando 'High heels' (de la película de Almodóvar 'Tacones lejanos'), 'The sheltering sky' (de la película de Bernardo Bertolucci 'El cielo protector') y 'Merry Xmas Mr.Lawrence' (de la película de Nagisa Oshima 'Feliz navidad Mr. Lawrence'). David Bowie canta con el Pat Metheny Group 'This is not America' en la película de John Schlessinger 'The falcon and the snowman' y el pianista Bill Evans toca en trío el tema de la película de Robert Altman M.A.S.H. Abre la orquesta de Maria Schneider ('Love theme from Spartacus' que Johnny Mandel escribió para la película de Kubrick 'Espartaco') y lo cierran el pianista Giovanni Ceccarelli, el bajista Ferruccio Spinetti y la cantante Chiara Civello ('Chanson de maxence' que Michel Legrand compuso para 'Les demoiselles de Rochefort').Escuchar audio

durée : 00:58:30 - "Emily" (Johnny Mandel) (1964) / 15e Démarquage composé et interprété par Makoto Ozone au piano - par : Laurent Valero - "La beauté et la délicatesse de ce thème qui tient en 3 notes, très prisé des grands musiciens, et comme chaque dernier dimanche du mois, nous soumettons ce standard à la pratique du démarquage qui consiste à réinventer une autre mélodie sur la trame harmonique du morceau original !" laurent Valero Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:58:30 - "Emily" (Johnny Mandel) (1964) / 15e Démarquage composé et interprété par Makoto Ozone au piano - par : Laurent Valero - "La beauté et la délicatesse de ce thème qui tient en 3 notes, très prisé des grands musiciens, et comme chaque dernier dimanche du mois, nous soumettons ce standard à la pratique du démarquage qui consiste à réinventer une autre mélodie sur la trame harmonique du morceau original !" laurent Valero Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

You can't deliver a performance like Shirley Horn's “Here's to Life” unless you've lived a little – or a lot. It's an album only an artist with decades of love, loss, and resilience could create. In this episode, we break down Horn's unmatched ability to accompany herself, the elegance of Johnny Mandel's string arrangements, and the quiet confidence that defines every track. Whether you're discovering Shirley Horn for the first time or revisiting a favorite, this episode will leave you hearing her – and your own life – a little differently.Listen to your favorite YHI jams, original tunes and more: https://osjazz.link/musicJoin Open Studio for ALLLLL your jazz lesson needs: https://osjazz.link/yhiABOUT OPEN STUDIO------------------------------------------------------------------------------------------------------------------------------------------------------------As the premier online jazz education platform, with an ever-expanding course library and 20,000+ members, Open Studio (OS) has everything you need to excel and thrive on your jazz journey.Featuring everything from beginner to advanced lessons, engaging courses from A-list instructors, step-by-step curriculum, real-time classes and a thriving and incredibly supportive community, OS is the perfect platform to level up your jazz playing, whether you're a total beginner, or an advanced pro-level improvisor.

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Dana and Tom with returning guest, Joe Boukhari (Instagram - I'll Get to It When I Get to It; Letterboxd Film Commentator - @bagodonuts) revisit Caddyshack (1980): written and directed by Harold Ramis with Douglas Kenney and Brian Doyle Murray, music by Johnny Mandel, cinematography by Stevan Larner, starring Chevy Chase, Ted Knight, Rodney Dangerfield, and Bill Murray.Plot Summary: Bushwood Country Club: an opulent haven for the wealthy, where life revolves around pristine greens, exclusivity, and egos so inflated they could double as golf carts. But underneath the facade of luxury lies a clash of worlds—working-class caddies and eccentric groundskeepers versus snobby elites—and it's about to get hilariously out of control.Danny Noonan (Michael O'Keefe), a young caddy striving to secure his future, finds himself entangled in the club's tangled hierarchy, navigating manipulative judges, raucous millionaires, and life lessons from Ty Webb (Chevy Chase), a laid-back golfer with pearls of wisdom that sound like they came from a Zen koan written by Groucho Marx. Meanwhile, Carl Spackler (Bill Murray), the quirky groundskeeper, engages in an escalating war with a gopher so cunning it could win a philosophy debate.Add in Al Czervik (Rodney Dangerfield), whose outlandish behavior becomes a catalyst for chaos, and Bushwood transforms into the backdrop for a wild satire of class division, absurd ambition, and the universal search for meaning—through golf, naturally. The result? A comedy that skewers pretense and celebrates the unpredictability of life, all while leaving the audience wondering how a gopher became the most unstoppable force in the universe.Chapters:00:00 Introduction and Welcome Back, Joe Boukhari02:42 Cast and Background for Caddyshack06:19 Relationship(s) with Caddyshack09:12 What is Caddyshack About?13:54 Status of Comedy in Film24:48 Plot Summary for Caddyshack26:36 Did You Know?28:29 First Break29:26 What's Up with Joe Boukhari?32:02 The Stanley Rubric - Legacy45:03 The Stanley Rubric - Impact/Significance50:33 The Stanley Rubric - Novelty57:52 Second Break58:33 The Stanley Rubric - Classicness01:04:54 The Stanley Rubric - Rewatchability01:09:27 The Stanley Rubric - Audience Score and Final Total01:11:28 Remaining Questions for Caddyshack01:14:44 Thank You to Joe Boukhari and Remaining Thoughts01:18:17 CreditsGuest:Joe BoukhariInstagram - I'll Get to It When I Get to ItLetterboxd Film Commentator - @bagodonutsYou can also find this episode in full video on YouTube.You can now follow us on Instagram, Twitter, YouTube, or TikTok (@gmoatpodcast).For more on the original episode, go to: https://www.ronnyduncanstudios.com/post/caddyshack-1980For more on the episode, go to:

Speaking about Bill Charlap's trio, the legendary songwriter Johnny Mandel said "It Don't Get No Better Than That." Bill Charlap's quiet and humble demeanor belies the fact he is one the reigning modern modern masters of jazz piano. In this conversation with Jazz88's Peter Solomon, he discusses his musical influences, his current trio, and his profound admiration for his spouse, pianist Renee Rosnes. Charlap is appearing at the Dakota on Saturday, March 22.

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Speaking about Bill Charlap's trio, the legendary songwriter Johnny Mandel said "It Don't Get No Better Than That." Bill Charlap's quiet and humble demeanor belies the fact he is one the reigning modern modern masters of jazz piano. In this conversation with Jazz88's Peter Solomon, he discusses his musical influences, his current trio, and his profound admiration for his spouse, pianist Renee Rosnes. Charlap is appearing at the Dakota on Saturday, March 22.

Dana and Tom with returning guest, Adam Vanderwerff, discuss M*A*S*H (1970): directed by Robert Altman, written by Ring Lardner, Jr., music by Johnny Mandel, starring Donald Sutherland, Elliott Gould, Tom Skerritt, and Robert Duvall.Plot Summary: M*A*S*H is a sharp, irreverent satire that reimagines the war film as a chaotic and darkly comedic theater of absurdity. Set in a mobile army surgical hospital during the Korean War, the film follows the misadventures of surgeons Hawkeye Pierce (Donald Sutherland) and Trapper John McIntyre (Elliott Gould), whose antics clash with the rigid military hierarchy.The film's freewheeling ensemble style captures the camaraderie and anarchy of a unit forced to find humor amidst the horrors of war. With its anti-authoritarian ethos and whip-smart dialogue, the film critiques the machinery of war and conformity without sermonizing. The overlapping conversations, naturalistic performances, and subversive tone make M*A*S*H both a product of its era and a timeless commentary on the absurdities of human conflict.Guest:Adam Vanderwerff (Duncan Disability Law)Previous Episodes: Office Space (1999), Ghostbusters (1984)Chapters:00:00 Introduction to MASH and Its Legacy03:56 Relationship(s) with M*A*S*H08:02 What is M*A*S*H About?12:42 Cultural Impact of M*A*S*H18:57 Impact of First F-Bomb in Cinema History?21:09 Plot Summary for M*A*S*H22:22 Did You Know?24:51 First Break26:22 Best Performance(s)32:50 Best/Favorite/Indelible Scene(s)38:43 Second Break39:53 In Memoriam42:08 Best/Funniest Lines43:47 The Stanley Rubric - Legacy48:19 The Stanley Rubric - Impact/Significance49:01 The Stanley Rubric - Novelty52:57 The Stanley Rubric - Classicness58:57 The Stanley Rubric - Rewatchability01:01:59 The Stanley Rubric - Audience Score and Final Total01:03:12 Remaining Questions for M*A*S*H01:10:45 Thank You to Our Guest and Final Thoughts01:15:42 CreditsYou can also find this episode in full video on YouTube.You can now follow us on Instagram, Twitter, YouTube, or TikTok (@gmoatpodcast).For more on the episode, go to: https://www.ronnyduncanstudios.com/post/m-a-s-h-1970-ft-adam-vanderwerffFor the entire rankings list so far, go to: https://www.ronnyduncanstudios.com/post/greatest-movie-of-all-time-listKeywords:MASH, film analysis, cultural impact, legacy, comedy, war film, character performances, podcast, movie review, Donald Sutherland, Robert Altman, Robert Duvall, Elliot Gould, Tom SkerittRonny Duncan Studios

'You are there' (Tú estás ahí), es una canción de Dave Frishberg y Johnny Mandel, que da título al disco que grabaron a dúo, una tarde de septiembre de 2005, la cantante italiana Roberta Gambarini y el pianista estadounidense de jazz Hank Jones con clásicos como 'Then I´ll be tired of you?', 'Something to live for' o 'Lush life'. Hace unos días que se ha editado 'Sweet caress', disco del trompetista suizo Franco Ambrosetti orquestado por Alan Broadbent para 29 cuerdas y vientos, y con la violinista Sara Caswell, el guitarrista John Scofield, el bajista Scott Colley y el baterista Peter Erskine ('Soul eyes', 'Portrait of Jennie', 'Sweet caress', 'Habanera'). Youn Sun Nah, la cantante coreana residente en París, ha incluído en su reciente 'Elles' canciones como 'Feeling good' y 'Sometimes I feel like a motherless child'. Despiden The Ipanemas con 'Samba pra mim mesmo'.Escuchar audio

Breaking some eggs, it's time to start smoking, another nugget from the psych hospital, some of the latest gnews, the undeniably awesome Shelley Duvall, suicide isn't painless, a screenwriting master, Alice doesn't live here anymore, screw the Kennedys, Charles Darwin and his natural selection of mail, hoping for another act, the mind-blowing Rubik's cube, the masterful Brian Eno, a forgotten horror movie, and long walks with the dearly missed Chris Cornell. Stuff mentioned: Billy Joel "I Go to Extremes" (1989), Billy Joel Storm Front (1989), Happy Days "Hollywood: Part 3" (Season 5/Episode 3, September 20, 1977 https://www.youtube.com/watch?v=QO0D0jF83lc), Detour (1945), The Great Space Coaster (1981-1986), Brewster McCloud (1970), M*A*S*H (1970), Johnny Mandel (music) and Michael Altman (lyrics) "Suicide is Painless/Theme from M*A*S*H" (1970), Popeye (1980), Popeye Village Malta (https://popeyemalta.com), The Shining (1980), Chinatown (1974), Shampoo (1975), The Two Jakes (1990), Sam Wasson The Big Goodbye: Chinatown and the Last Years of Hollywood (2020), Maureen Callahan Ask Not: The Kennedys and the Women They Destroyed (2024), Elizabeth Beller Once Upon a Time: The Captivating Life of Carolyn Bessette-Kennedy (2024), Brian Eno Here Come the Warm Jets (1974), Eno (2024), Alcatraz East Crime Museum (https://www.alcatrazeast.com), Bad Dreams (1988), The Chambers Brothers "Time Has Come Today" (1967), The Electric Prunes "I Had Too Much to Dream Last Night" (1966), Sid Vicious "My Way" (1978), Andrew Wyeth "Christina's World" (1948 https://www.moma.org/collection/works/78455), Chris Cornell "Follow My Way" (1999), Chris Cornell Euphoria Morning (1999), Soundgarden "The Day I Tried To Live" (1994), and Soundgarden Superunknown (1994).

DIANA KRALL – WHEN I LOOK IN YOUR EYES New York, 1998Do it again (1), I've got you under my skin (2,3,4), Let's face the music and dance (jm arr,1)Larry Bunker (vib-3) Diana Krall (p,vcl,small ensemble arr) Russell Malone (g) John Clayton (b-1) Ben Wolfe (b-2) Jeff Hamilton (d-1) or Lewis Nash (d-4) + orchestra and strings, Johnny Mandel (arr) ANAT COHEN TENTET TRIPLE HELIX New York, January, 2019Milonga del angel, Footsteps & smiles, La lloronaNadje Noordhuis (tp,flhrn) Nick Finzer (tb) Anat Cohen (cl) Owen Broder (bar) James Shipp (vib,perc) Vitor Goncalves (p,accor) Sheryl Bailey (g) Christopher Hoffman (cello) Tal Mashlach (b) Anthony Pinciotti (d) Oded Lev-Ari (dir) ERIC ALEXANDER CHICAGO FIRE Englewood Cliffs, NJ, November 26, 2013Save your love for me (1), Just one of those things, Blueski for VonskiJeremy Pelt (tp-1) Eric Alexander (ts) Harold Mabern (p) John Webber (b) Joe Farnsworth (d) Continue reading Puro Jazz 08 de Julio 2024 at PuroJazz.

DIANA KRALL – WHEN I LOOK IN YOUR EYES New York, 1998Do it again (1), I've got you under my skin (2,3,4), Let's face the music and dance (jm arr,1)Larry Bunker (vib-3) Diana Krall (p,vcl,small ensemble arr) Russell Malone (g) John Clayton (b-1) Ben Wolfe (b-2) Jeff Hamilton (d-1) or Lewis Nash (d-4) + orchestra and strings, Johnny Mandel (arr) ANAT COHEN TENTET TRIPLE HELIX New York, January, 2019Milonga del angel, Footsteps & smiles, La lloronaNadje Noordhuis (tp,flhrn) Nick Finzer (tb) Anat Cohen (cl) Owen Broder (bar) James Shipp (vib,perc) Vitor Goncalves (p,accor) Sheryl Bailey (g) Christopher Hoffman (cello) Tal Mashlach (b) Anthony Pinciotti (d) Oded Lev-Ari (dir) ERIC ALEXANDER CHICAGO FIRE Englewood Cliffs, NJ, November 26, 2013Save your love for me (1), Just one of those things, Blueski for VonskiJeremy Pelt (tp-1) Eric Alexander (ts) Harold Mabern (p) John Webber (b) Joe Farnsworth (d) Continue reading Puro Jazz 08 de Julio 2024 at PuroJazz.

This week's show, after a 1994 GBV gutting: brand new Chime School, Bob Mould, Royal Headache, Black Watch, Beachwood Sparks, Trans-Canada Highwaymen, and Mary Timony, plus Valentinos, 1965 Bee Gees, T. Rex, Kitty Wells, Johnny Mandel, Lighthouse, and ...

Diese Sendung hat Andreas Pasternack zusammengestellt. Das LIVE Anspiel ist diesmal: „The Shadow of your Smile” – 1965 komponiert von Johnny Mandel. Folgende Titel sind zu hören: 1. Tea for two – Ella Fitzgerald 3:18 2. Metropolis Blues – Vincent Herring 3:43 3. The Shadow of your Smile – Aaron Neville 3:38 4. Tico! Tico! – Paquito d‘Rivera 5:31 5. Mercy mercy me – Everette Harp 3:01 6. Summertime – Charlie Parker with Strings 2:49 7. I've been waiting – Incognito 4:29 8. Work Song – Nat Adderley Sextet 4:16 9. Samba de Orly – Tania Maria 4:12 Bei Titelwünsche und Anregungen schreiben Sie gern an: jazztime.mv@ndr.de Keep Swingin' !!!

Welcome to Episode #112 of "The Other Side of the Bell", a podcast brought to you by Bob Reeves Brass. In this episode, John talks with Wayne Bergeron and Jeff Bunnell about their recently released album called "Homage" by the Los Angeles Trumpet Ensemble.  We hope you'll enjoy their conversation as well as the album. Join us at Dillon Music, November 9-11 for valve alignments and mouthpiece consultations. Email sales@dillonmusic to schedule an appointment! About the Los Angeles Trumpet Ensemble Album "Homage"  The recording scene in Los Angeles has a long history of great and highly versatile trumpet playing. For the most part, though, these trumpet players rarely get a chance to be featured. In 1957, Tutti Camarata arranged and produced a record called Tutti's Trumpets that featured some of the top session trumpet players in Los Angeles at that time. That was over 60 years ago. Wayne Bergeron and Jeff Bunnell started talking about doing another recording that would feature some of the current session trumpet players here in Los Angeles. Wayne suggested recording a trumpet ensemble CD to Jeff and they loved the idea and thought a choir of trumpets would work well. With that, the Los Angeles Trumpet Ensemble came into being. In choosing the music Jeff arranged for this CD, he wanted to pay tribute to some of the film composers who are part of the Los Angeles recording scene (and who write so well for the trumpet), and also pay tribute to some of the great trumpet players of the past and present.  Jerry Hey graciously wrote the arrangment for the last track, the iconic Al Jarreau tune "Roof Garden". Los Angeles Trumpet Ensemble Members Jeff Bunnell Wayne Bergeron Jon Lewis Dan Fornero Marissa Benedict Dan Rosenboom Rob Schaer Larry Hall Dan Savant About Wayne Bergeron Wayne Bergeron is enjoying a career as one of the most sought-after musicians in the world. Studio sessions, film dates, international touring, jazz concerts, guest appearances, and clinics keep him busy not only in his hometown of Los Angeles but worldwide. Born in Hartford, Connecticut in 1958, Bergeron came to California at age one. He originally started on French horn but switched to trumpet in seventh grade where he found a natural upper register ability. Bergeron credits his junior high and high school teachers, Ron Savitt and Bob Smith, for molding his talent into practical working skills. Bergeron first caught the ear of many when he landed the lead trumpet chair with Maynard Ferguson's band in 1986. Bergeron can be heard on Maynard's recordings of Body and Soul, Big Bop Nouveau, Brass Attitude, and The One and Only Maynard Ferguson.  Bergeron demonstrates daily why Maynard remarked, “Wayne is the most musical lead trumpet player I've had on my band.” As a sideman, Bergeron's list of recording credits reads like a “who's who” in contemporary jazz and pop, running the stylistic gamut from Ray Charles to Green Day. Other names include Katy Perry, Beyoncé, Barbra Streisand, Michael Buble, Indina Menzel, Leslie Oden Jr., Herb Alpert, The Jonas Brothers, Burt Bacharach, The Dirty Loops, Seth MacFarlane, Natalie Cole, Celine Dion, Seal, Diana Krall, Tito Puente, Christina Aguilera, Dianne Reeves, Michael Bolton, Earth Wind & Fire, The Pussy Cat Dolls, My Chemical Romance, The Mars Volta, Chicago, Rosemary Cloony, Diane Schuur, Barry Manilow, Lee Ann Womack, Lou Rawls, Eric Marienthal, Kenny G., and David Benoit. Bergeron has worked on over 500 TV & motion picture soundtracks. A partial list of film credits includes Red Notice, Turning Red, Soul, Bob's Burgers, Ford vs. Ferrari, Toy Story 4, Frozen 1 & 2, The Lion King (2019), The Secret Life of Pets, Wreck it Ralph 2, Crazy Rich Asians, Sing 1&2, Moana, Frozen 1 & 2, Get On Up, Toy Story 3, Monsters University, High School Musical 3, Get Smart, Superman Returns, The Simpson's Movie, Dreamgirls, Hairspray, Mission Impossible 3, Ice Age 2, Spiderman 1 & 2, Team America and South Park. Bergeron's featured trumpet solos can be heard on the motion pictures West Side Story (2021 Steven Spielberg), La La Land, Sing, The Incredibles 1 & 2, Rocky Balboa, The Secret Life of Pets 2, Rough Night, Jazzman's Blues, Vacation Friends, Ted 2, Minions, Minions 2:The Rise of Gru, Spies in Disguise, Jersey Boys, The Green Hornet, The Interview, Despicable Me 1, 2 & 3, Duplicity, Princess & the Frog, The Perfect Game,, Hey Arnold (the movie), The Rat Pack, Child Star, Aladdin King of Thieves and High Crimes and  many others. Numerous TV credits include Academy Awards, Golden Globe Awards, SAG Awards, NBC, ESPN & TNT sports themes, American Idol (2001-02), Emmy Awards, Grammy Awards, Animaniacs Reboot, Family Guy, American Dad, Simpson's, Wonderful World of Mickey Mouse, The Cleveland Show, Green Eggs and Ham,  Jeopardy, America's Funniest Home Videos, Will and Grace, Phineas & Ferb, Emperor's New School, Mouse Works, Have a Laugh, House of Mouse, King of the Hill, Futurama, Buzz Lightyear, Hercules, and Hey Arnold. Bergeron's greatest love is playing lead in big bands. He has recorded and played with some of Los Angeles' most respected bands including Gordon Goodwin, Arturo Sandoval, Pat Williams, Sammy Nestico, Jack Sheldon, Chris Walden, Tom Kubis, John La Barbara, Bob Florence, Joey Sellers, Ray Anthony, Bill Watrous, Bob Curnow, and Quincy Jones. After being behind the scene for so many years, Bergeron stepped out on his own with his first solo effort, You Call This a Living?  This debut project earned him a Grammy nomination in 2004 for Best Large Jazz Ensemble, as well as rave reviews from fans and press worldwide. Bergeron's second CD, Plays Well With Others, released on the Concord Jazz label in 2007, was met with the same acclaim. Bergeron's most current (and personal favorite) CD, Full Circle, was released in January of 2016.  Bergeron performs various events for the Hollywood Bowl summer season. He has done guest appearances with the L.A. Philharmonic, The New York Philharmonic, Cleveland Orchestra, Dallas Symphony, Taiwan Symphony, and Tokyo Philharmonic. Bergeron is a National Artist for the Yamaha Corporation of America and is co-designer of the YTR-8335LA trumpet and YFH-8315G Flugelhorn. Bergeron also designed a series of trumpet mouthpieces with Gary Radtke of GR Technologies that are available through Bergeron's website. Bergeron was mentored by legends Uan Rasey, Bobby Shew, Warren Luening, Gary Grant, Rick Baptist, and George Graham. Bergeron hopes to inspire a new generation of young players and enjoys his work as a clinician and educator. “Nothing makes me feel more accomplished than hearing a young musician say that I inspired them or had a positive influence on their life. For me, that's the real payday.” Bergeron is currently on faculty at California State University Northridge. Perhaps Grammy winning composer and bandleader, Gordon Goodwin said it best, “Wayne is a once in a lifetime lead trumpet player.” About Jeff Bunnell Trumpeter Jeff Bunnell has enjoyed a successful career in many musically diverse settings. He is an active member of the Los Angeles freelance performing and recording community, and has been for over four decades. The many artists Jeff has worked and recorded with include Mel Torme, Ray Charles, Bob Dylan, Natalie Cole, Michel Legrand, Johnny Mathis, Tony Bennett, Robbie Williams, Paul McCartney, Seth MacFarlane, Rosemary Clooney, Paul Anka, Lou Rawls, Barry Manilow, Dianna Krall, Frank Sinatra Jr., David Sanborn, Diane Schuur, Brian Wilson, Tom Harrell, Steve Lawrence, Maroon 5, Michael Feinstein, Debby Boone, Andy Williams, Patti Austin, Brian Setzer, Jack Sheldon, Steve Allen, Marilyn McCoo, Engelbert Humperdink and Shirley Bassey. Jeff has toured with Ray Charles, Horace Silver and Poncho Sanchez. He has performed with many of the top big bands in Los Angeles including Tom Kubis, Bill Watrous, Alf Clausen, Johnny Mandel, Bill Holman, Arturo Sandoval, Gordon Goodwin's Phat Band, Les Hooper, Pete Christlieb, Pat Williams, Wayne Bergeron, Steve Spiegl, Carl Saunders and Bernie Dresel. He has recorded with many of these big bands including Ray Charles, Tom Kubis, Bill Watrous, Les Hooper, Pete Christlieb, Jack Sheldon, Brian Setzer, Wayne Bergeron, Steve Spiegl and Bernie Dresel. Jeff played the lead trumpet chair with the Carl Saunders Big Band, the Pete Christlieb Tall and Smail Band, and the Steve Spiegl Big Band. Currently Jeff plays one of the solo chairs with both The Tom Kubis Big Band and Bernie Dresel's BBB. Jeff has worked with many of the orchestras in Southern California including The Hollywood Symphony Orchestra, The Hollywood Bowl Orchestra, The Long Beach Symphony, The New West Symphony, The Pacific Symphony and The Pasadena Pops Orchestra. As a session player Jeff has played on hundreds of feature film and television soundtracks. His film credits of note include “Star Trek Beyond”, “Jurassic World”, “The Incredibles”, UP (Oscar winner for Best Soundtrack), and “O.J. Simpson: Made in America” – where Jeff is a featured soloist throughout the film (Oscar winner for Best Documentary Feature). His television credits include “Pennyworth”, “The Simpsons”, “Family Guy”, “Why Women Kill”, “American Dad”, “Parks and Recreation”, “Alias”, and “The Clone Wars” animated series. He has also played on hundreds of television and radio commercials, as well as the Academy Awards and the SAG Awards. As a musical theater pit musician, Jeff has played on more than 60 Broadway shows including “West Side Story”, “Phantom Of The Opera”, “Dream Girls”, “Into the Woods”, “Sophisticated Ladies”, “Jesus Christ Superstar” and “Titanic”. He has studied trumpet privately with Joe Alessi Sr., Boyde Hood, Bobby Shew, Claude Gordon and Uan Rasey. Jeff is currently a faculty trumpet and jazz instructor at The Master's University. Jeff is also a Bach Artist & Clinician. In addition to playing the trumpet, Jeff also works as an arranger, orchestrator, and conductor. He has orchestrated for film and television, as well as other areas of music such as Broadway Shows, cruise ship music and theme park music. His original big band charts can be found in the books of Arturo Sandoval, Bill Watrous, Jack Sheldon, Ron Jones, Emil Richards, Steve Spiegl and Bernie Dresel. He has published three transcribed jazz trumpet solo books through Aebersold Jazz. Links Listen to this episode online: https://bobreeves.com/blog/la-trumpet-ensemble/ Watch the video of this episode on YouTube: https://youtu.be/H2-vc5QQLpk    

Résumé : La carrière de Robert Altman se place sous le signe de la provocation, de l'iconoclasme, du défi. Surfant sur le vent de liberté apporté par le Nouvel Hollywood, il se lança dans une série d'aventures audacieuses, ne se pliant jamais ni aux diktats commerciaux ni à la mode. Réputé colérique et irascible, son attitude et son anticonformisme vont le faire bannir des studios avant un spectaculaire come-back au début des années 90. À l'occasion d'une rétrospective de son œuvre au festival Lumière à Lyon, Antoine Jullien vous replonge dans le monde de Robert Altman que le critique Robert Benayoun avait justement appelé « le chaos fertile ». Musiques : Bande originale du film Docteur T. et les femmes composée par Lyle Lovett Bande originale du film Le Privé composée par John Williams "Suicide in Painless" par Johnny Mandel "It Don't Worry Me" par Keith Carradine Bande originale du film The Player composée par Thomas Newman

Doug Stone talks to jazz musicians about life, music, recent and upcoming performances, equipment and current events on this Tenor Talk Podcast recording. A different jazz musician is featured in each episode.  This episode features Kirsten Edkins and was recorded February 13, 2020. Kirsten Edkins is an American saxophonist, composer and educator. A graduate of the Eastman School of music, Edkins became the first woman to perform in Bill Holman's Big Band. She has also been a member of several Grammy- award winning bands: John Beasley's MONK'estra, the Claire Fischer Band, Big Phat Band and the late composer Johnny Mandel's band. She's performed on many television shows, such as “American Idol”, “the Late, Late Show”, “Tonight Show” and “The Voice” where she's worked with artists like Pharrell Williams, Katherine McPhee, Kelly Clarkson, Adam Levine and Blake Shelton. She has a private studio in Southern California, has taught at the Pasadena Conservatory of Music, Bill Green Mentorship for the LA Jazz Institute, Monterey Jazz Camp,  Stanford Jazz Camp, and Idyllwild Performing Arts. She is a proud  D'Addario Winds Artist and plays Retro Revival mouthpieces.Learn more about Kirsten here: https://www.kirstenedkinsmusic.com https://youtube.com/playlist?list=PL7kMuikSH6hb4DCdI4KDTasHJftaAPcrU Let's connect: Website: https://www.dougstonejazz.com/ Instagram: https://www.instagram.com/dougstonejazzsaxophone/ Facebook: https://www.facebook.com/profile.php?id=100089874145057 If you want to learn more about jazz improvisation and be part of the Doug Stone Jazz community get on our email list! https://www.dougstonejazz.com/about Head over to the Doug Stone Jazz Shop for some fun jazz merch: https://www.dougstonejazz.com/product-page/just-play-the-changes-long-sleeved-shirt #dougstonejazz #jazz #podcast #musicianlife #musicians #tenorsaxophone #jazzmusicians #jazzinterview #musicianlife

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Sinatra swings the Cole Porter classic, In the Still of the Night.  From the 1961 album Ring-a-Ding-Ding!. Arranged and conducted by Johnny Mandel. Credits:Theme music by Erik Blicker and Glenn SchlossEdited by Katie CaliMixing and mastering by Amit Zangi Send comments to sinatramatters@gmail.com

Del disco 'Migrants', del caboverdiano Mário Lúcio, 'Migrants (Shakespearience)', 'Querença', 'Canto a Yemanjá' y 'Clave de fé'. El francés Baptiste Trotignon toca 'Emily', de Johnny Mandel, 'So in love', de Cole Porter, y 'Chega de saudade', de Jobim, en su disco de piano solo 'Body and soul'. Del disco del brasileño Lucas Santtana 'O paraíso' la canción que le da título, 'What´s life', 'Errare humanum est', de Jorge Ben, 'The fool on the hill', de The Beatles, y 'A transmissão'. Despide el también brasileño Fabiano do Nascimento con 'Solo as onze (Noite suite)' de su disco 'Lendas'. Escuchar audio

Harvey Brownstone conducts an in-depth interview with Angela Hagenbach, Acclaimed Jazz Vocalist About Harvey's guest: Today's guest, Angela Hagenbach, is one of America's most popular jazz singers, whose extraordinary 3-octave vocal range, unique phrasing and ebullient singing style make every song she sings truly her own – and very memorable.    With her sultry contralto voice, she sings everything from swinging, straightforward jazz and blues to sensual, rhythmic Latin Jazz with effortless agility.  She's recorded 6 albums entitled, “Come Fly With Me”, “Feel the Magic”, “Weaver of Dreams”, “Poetry of Love”, “Musa Nova”, and her latest album, “The Way They Make Me Feel”, beautifully produced by the brilliant George Klabin of Resonance Records, who selected some classic songs by Michel Legrand, Henry Mancini and Johnny Mandel.  It's been said by more than one music critic – and I agree – that when this woman sings, she has the uncanny ability to turn jazz into a spiritual experience.   In 2015 she finished as 1st runner-up at the Sarah Vaughan Jazz Vocal Competition.  That same year, she wrote the acclaimed “Jazz Alice: An Adventure in Wonderland”, a musical theatre production based on Lewis Carroll's classic book, set to the music of John Coltrane.   She performs regularly at jazz clubs and concert venues in her home town of Kansas City, as well as around the country, and internationally.   The renowned jazz historian Scott Yanow listed our guest as one of the greatest jazz singers of all time in his book, “The Great Jazz Singers: The Ultimate Guide”.   And if that weren't enough, our guest was TWICE chosen by the US State Department to represent the United States as a Cultural Jazz Ambassador in TWO world tours, starting at the Kennedy Center and performing in 17 countries. For more interviews and podcasts go to: https://www.harveybrownstoneinterviews.com/https://angelahagenbach.co/https://www.facebook.com/angela.hagenbach.1https://www.instagram.com/angelahagenbach/https://angelahagenbach.bandcamp.com/album/the-way-they-make-me-feelhttps://music.apple.com/us/artist/angela-hagenbach/4582211https://resonancerecords.org/artists/angela-hagenbach/ #AngelaHagenbach   #harveybrownstoneinterviews

Words & music by Johnny Mandel & Mike Altman Scott Kuchler - vocals, guitar

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 In honour of what would be the composer's 97th birthday this past week, Mondo Hollywood celebrates Johnny Mandel's career in soundtracks in this rebroadcast from 2020.Music from the films such as MASH, The Sandpiper, Point Blank, and much more!Set lists available at www.mondohollywood.ca 

Unleashed musical imagination from Frank Sinatra. Here is Harold Arlen and Ted Koehler's Let's Fall in Love from Sinatra's 1961 album Ring-a-Ding-Ding!. Arranged and conducted by Johnny Mandel. Credits: Theme music by Erik Blicker and Glenn Schloss Edited by Katie Cali Mixing and mastering by Amit Zangi Send comments to sinatramatters@gmail.com

durée : 00:58:16 - « A Time for Love » musique Johnny Mandel & paroles Paul Francis Webster (1966) - par : Laurent Valero - "Ballade écrite pour le film de Robert Gist, An American Dream, signée Johnny Mandel compositeur, arrangeur, dans le monde du jazz et du cinéma, co-écrite avec le parolier Paul Francis Webster spécialisé dans le théâtre & le cinéma, qui remporta 3 fois l'Oscar de la meilleure chanson" Laurent Valero - réalisé par : Antoine Courtin

durée : 00:58:16 - « A Time for Love » musique Johnny Mandel & paroles Paul Francis Webster (1966) - par : Laurent Valero - "Ballade écrite pour le film de Robert Gist, An American Dream, signée Johnny Mandel compositeur, arrangeur, dans le monde du jazz et du cinéma, co-écrite avec le parolier Paul Francis Webster spécialisé dans le théâtre & le cinéma, qui remporta 3 fois l'Oscar de la meilleure chanson" Laurent Valero - réalisé par : Antoine Courtin

durée : 01:56:06 - Retour de plage du mercredi 03 août 2022 - par : Laurent Valero - C'est la tradition dans Retour de plage, le mercredi est consacré à la musique de film sous toutes ses formes. Entre BO et reprises sans oublier la chanson … Au programme Johnny Mandel, Ennio Morricone, Herbert Pagani, Roy Budd, Francis Lai, Dave Grusin... - réalisé par : Yassine Bouzar

De Amerikaanse filmcomponist en muzikant Johnny Mandel is Dood maar niet vergeten. Hij overleed op 29 juni 2020 op 94-jarige leeftijd. Johnny Mandel werd in 1925 in New York geboren. Hij was de zoon van Hannah en Alfred Mandel. Zijn vader was een kledingfabrikant en zijn moeder operazangeres. Zijn moeder ontdekte dat hij een absoluut gehoor had. […]

A song I wish Frank Sinatra had recorded . . . but we do have Tony Bennett. Here is Johnny Mercer's I Remember You from Tony Bennett's 2004 Grammy Award winning album, The Art of Romance. With a wonderful Johnny Mandel arrangement. Credits: Theme music by Erik Blicker and Glenn Schloss Edited by Katie Cali Send comments to sinatramatters@gmail.com

CLICK TO SUBSCRIBE ON YOUR FAVORITE PODCATCHER CONTENT WARNING: Discussion of vegetative states, ambulance chasing, right-to-die laws, sexual harassment, lying, manipulation. Our final film of this series takes us into the courtroom in a way few films rarely do. The courtroom drama can be wild, fantastic, and even a bit haughty. But this movie dares to go into the grit and grime of medical malpractice and expose the cost of justice. There's no frills on this movie, no wasted moments, and while the story's missing a little bit of context, it's a masterclass in courtroom storytelling. And then there's the cast, with a murderer's row of performances from some of the best in the business, giving nuanced, crafted performances that take a very good story and make it incredibly grounded and real. We discuss The Verdict this week on Macintosh & Maud Haven't Seen What?! You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on Instagram, Twitter and Facebook. Also please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive. Excerpt taken from the score the motion picture The Verdict. Composed by Johnny Mandel. © 1982 Twentieth Century Fox Film Corporation. Excerpt from the motion picture The Verdict are © 1982 Twentieth Century Fox Film Corporation. Excerpt taken from the telecast of the 55th Academy Awards Ceremony, broadcast by ABC on April 11, 1983. Music arranged and conducted by Bill Conti.

Maggie and extraordinary pianist and arranger,  Alan Broadbent discuss the 30th Anniversary of Unforgettable… with Love, the legendary singer and songwriter Natalie Cole's biggest album to date. Since its initial release in 1991, it has sold over seven million copies and also won Cole seven GRAMMY© Awards. The album features Cole singing several songs her father Nat King Cole recorded, nearly 20 years after she initially refused to cover her father's songs during live concerts. Cole produced vocal arrangements for the songs, with piano accompaniment by her uncle Ike Cole and many other first rate pianists and arrangers. The album's title track, an interactive duet with her father, would go on to be one of her most memorable recordings.Alan Broadbent was born in Auckland, New Zealand and in 1966, at the age of 19, received a Downbeat Magazine scholarship to attend Berklee College of Music in Boston. In 1969 he was asked to join Woody Herman's band as his pianist and arranger for 3 years. In 1972 he settled in Los Angeles, beginning a musical relationship with the legendary singer Irene Kral (no relation to Diana Krall). Soon he was also invited into the studio scene as a pianist for the great Nelson Riddle, David Rose and Johnny Mandel. In the early 90s he was asked to be a part of Natalie Cole's famous “Unforgettable” cd, at which time he toured as her pianist and, a little while later, as her conductor. At this time he wrote an orchestral arrangement for her second video with her dad, “When I Fall In Love”, which won him his first Grammy Award for “best orchestral arrangement accompanying a vocal”.Turning PointsShortly after, he became a member of Charlie Haden's Quartet West, touring the festivals of Europe, UK and the USA. It was while with this group that he won his second Grammy, an orchestral accompaniment written for Shirley Horn of Leonard Bernstein's “Lonely Town”.As a soloist and with his jazz trio, Broadbent has been nominated for Grammys twice for best instrumental performance, in the company of such artists as Herbie Hancock, Sonny Rollins and Keith Jarrett. In 2007 he was awarded the New Zealand Order of Merit, an honor he holds in high regard.The NowBroadbent is Diana Krall's conductor for her occasional orchestra concerts and is the conductor on her “Live in Paris” DVD. Recently he has been the arranger on Glenn Frey's cd with strings, “After Hours”, and wrote six string arrangements for Sir Paul McCartney's “Kisses On The Bottom” with the London Symphony. He has just returned from solo piano concerts in the UK, Poland and France.It has been his lifelong goal, through his orchestral arrangements and jazz improvisations, to discover, in popular music and standard songs, deeper feelings of communication and love.Source: https://craftrecordings.com/products/natalie-cole-unforgettable-with-love-30th-anniversary-edition-cdSource: https://www.alanbroadbent.comThis episode is from an archive from the KPFK program Profiles adapted for podcast. Host Maggie LePique, a radio veteran since the 1980's at NPR in Kansas City Mo. She began her radio career in Los Angeles in the early 1990's and has worked for Pacifica station KPFK Radio in Los Angeles since 1994. Support the show

CLICK TO SUBSCRIBE ON YOUR FAVORITE PODCATCHER CONTENT WARNING: Discussion of the Holocaust, death of a child, genocide, concentration camps, Auschwitz, mental illness, antisemitism, fascism, war. This week's film has been seared into the collective moviegoing memory based on a single, powerful, heartbreaking scene. And yet that scene is meant solely as the culmination of what is, in all honesty, a soap opera romance. In fact, if it weren't for some incredible acting, this movie would be pure pulp trash because it actively avoids the point at all turns. It's strange, too, because a few simple structural changes would make this story into a near masterpiece, tying together the trauma of the past with the tragedy of the present. But instead we're left with an incredibly well-acted mess, and a handful of incredibly powerful moments that don't add up to a full story. We discuss Sophie's Choice this week on Macintosh & Maud Haven't Seen What?! You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on Instagram, Twitter and Facebook. Also please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive. Excerpt taken from “Love Theme” from the motion picture soundtrack to Sophie's Choice. Composed by Marvin Hamlisch. © 1983 Fifth Continent Music Classics, successor in interest Southern Cross Records, Inc. Excerpt taken from the score the motion picture The Verdict. Composed by Johnny Mandel. © 1982 Twentieth Century Fox Film Corporation.

In a show with real Seoul, Ryan reveals who Jack ‘O Lantern was, and how he managed to find his way to South Korea. He also takes Pete on a tour of South Korea's spooky characters and shares some great news for those of you who enjoy farming on your mobile phones. History Happened Everywhere!   Thanks: MASH Theme (https://www.youtube.com/watch?v=PlkxcC79LA8); The Hollywood Prime Time Orchestra; Johnny Mandel; [Merlin] IDOL Distribution (on behalf of Playtime); UNIAO BRASILEIRA DE EDITORAS DE MUSICA - UBEM, Warner Chappell, LatinAutor - Warner Chappell, LatinAutorPerf, and 4 music rights societies South Korea National Anthem Instrumental (https://www.youtube.com/watch?v=zN3wzPR0O7I) 강남스타일 (Gangnam Style), Psy (https://www.youtube.com/watch?v=9bZkp7q19f0); YG Entertainment Inc. (Music) (on behalf of Universal Republic Records); LatinAutor - UMPG, LatinAutor - SonyATV, Sony ATV Publishing, UMPG Publishing, UMPI, ASCAP, UNIAO BRASILEIRA DE EDITORAS DE MUSICA - UBEM, CMRRA, LatinAutorPerf, and 23 music rights societies    Contact us: hhepodcast.com hhepodcast@gmail.com instagram.com/hhepodcast https://vm.tiktok.com/ZMegovGJ6/ twitter.com/HHEPodcast facebook.com/HHEPod Reddit.com/r/hhepodcast

"Fronted by the husband-and-wife team of Win Butler and Régine Chassagne, the Arcade Fire's emotional debut -- rendered even more poignant by the dedications to recently departed family members contained in its liner notes -- is brave, empowering, and dusted with something that many of the indie rock genre's more contrived acts desperately lack: an element of real danger. Funeral's mourners -- specifically Butler and Chassagne -- inhabit the same post-apocalyptic world as London Suede's Dog Man Star; they are broken, beaten, and ferociously romantic, reveling in the brutal beauty of their surroundings like a heathen Adam & Eve. "Neighborhood #1 (Tunnels)," the first of four metaphorical forays into the geography of the soul, follows a pair of young lovers who meet in the middle of the town through tunnels that connect to their bedrooms. Over a soaring piano lead that's effectively doubled by distorted guitar, they reach a Lord of the Flies-tinged utopia where they can't even remember their names or the faces of their weeping parents. Butler sings like a lion-tamer whose whip grows shorter with each and every lash. He can barely contain himself, and when he lets loose it's both melodic and primal, like Berlin-era Bowie. "Neighborhood #2 (Laïka)" examines suicidal desperation through an angular Gang of Four prism; the hypnotic wash of strings and subtle meter changes of "Neighborhood #4 (7 Kettles)" winsomely capture the mundane doings of day-to-day existence; and "Neighborhood #3 (Power Out)," Funeral's victorious soul-thumping core, is a goose bump-inducing rallying cry centered around the notion that "the power's out in the heart of man, take it from your heart and put it in your hand." Arcade Fire are not bereft of whimsy. "Crown of Love" is like a wedding cake dropped in slow motion, utilizing a Johnny Mandel-style string section and a sweet, soda-pop-stand chorus to provide solace to a jilted lover yearning for a way back into the fold, and "Haiti" relies on a sunny island melody to explore the complexities of Chassagne's mercurial homeland. However, it's the sheer power and scope of cuts like "Wake Up" -- featuring all 15 musicians singing in unison -- and the mesmerizing, early-Roxy Music pulse of "Rebellion (Lies)" that make Funeral the remarkable achievement that it is. These are songs that pump blood back into the heart as fast and furiously as it's draining from the sleeve on which it beats, and by the time Chassagne dissects her love of riding "In the Backseat" with the radio on, despite her desperate fear of driving, Funeral's singular thread is finally revealed; love does conquer all, especially love for the cathartic power of music." - James Christopher Monger, All MusicSupport this podcast at — https://redcircle.com/polyphonic-press1229/donations

Today's guest is Jake Reed. Jake is a Los Angeles-based session player / educator and the host of an incredible YouTube Channel breaking down recording techniques….(also, I must give a big shoutout to Blair Sinta for inspiring me to reach out to Jake after hearing him as a guest on the “Recording Drums with Blair Sinta” podcast). On top of knowing how to explain things in an extremely approachable way, Jake is simply an amazing drummer. He's performed / recorded with trioKAIT, Bill Holman, Johnny Mandel, Bill Cunliffe, Bruce Forman, Cow Bop, Seth MacFarlane, the Baltimore Symphony Orchestra, the Los Angeles Philharmonic, Matt Forbes, Larry Goldings, Anthony Wilson, Adam Levy, Bob Mintzer, Les McCann, Freda Payne, the Long Beach Symphony Orchestra, Andrew Synowiec, Mako, Ellis Hall, Tommy Torres, and Frenship.  He's even been asked to sub for Peter Erskine soooooo there's that. I love his overall energy and perspective on this often-too-serious world of drumming and I knew his choices would expand my own palate and (since I'm recording this after our conversion) I can confidently say I was rightt…just like always! Anyways….I have a feeling Jake will be a recurring guest on this podcast in many facets…so I hope you like this one. If you don't. Just push PLAY while your phone is on mute because it's all about those numbers baby. Cheers.   Check out Jake's online store HERE Check out trioKAIT's online store HERE Podcast Artwork by Trevin Frame For more information on Big Fat Snare Drum, check out www.bigfatsnaredrum.com and follow us on Instagram, Facebook, Twitter, and TikTok

Today's guest is Jake Reed. Jake is a Los Angeles-based session player / educator and the host of an incredible YouTube Channel breaking down recording techniques….(also, I must give a big shoutout to Blair Sinta for inspiring me to reach out to Jake after hearing him as a guest on the “Recording Drums with Blair Sinta” podcast). On top of knowing how to explain things in an extremely approachable way, Jake is simply an amazing drummer. He's performed / recorded with trioKAIT, Bill Holman, Johnny Mandel, Bill Cunliffe, Bruce Forman, Cow Bop, Seth MacFarlane, the Baltimore Symphony Orchestra, the Los Angeles Philharmonic, Matt Forbes, Larry Goldings, Anthony Wilson, Adam Levy, Bob Mintzer, Les McCann, Freda Payne, the Long Beach Symphony Orchestra, Andrew Synowiec, Mako, Ellis Hall, Tommy Torres, and Frenship.  He's even been asked to sub for Peter Erskine soooooo there's that. I love his overall energy and perspective on this often-too-serious world of drumming and I knew his choices would expand my own palate and (since I'm recording this after our conversion) I can confidently say I was rightt…just like always! Anyways….I have a feeling Jake will be a recurring guest on this podcast in many facets…so I hope you like this one. If you don't. Just push PLAY while your phone is on mute because it's all about those numbers baby. Cheers.   Check out Jake's online store HERE Check out trioKAIT's online store HERE Podcast Artwork by Trevin Frame For more information on Big Fat Snare Drum, check out www.bigfatsnaredrum.com and follow us on Instagram, Facebook, Twitter, and TikTok Learn more about your ad choices. Visit megaphone.fm/adchoices

Jack Wilson is sadly not a household name but should be better known. He was a very fine pianist who reflected the influences of Hank jones and Tommy Flanagan...in other words a pianist with a light lyrical touch. He was also a fine composer. He was born in Chicago on Aug. 3,1936 and died at age 71 on Oct.5,2007. He recorded for Atlantic records and then did 3 albums for Blue Note and tonight's Jazz feature is the very best of the Blue Note three. It features a hand-picked band by Mr. Wilson that includes Lee Morgan on trumpet, Jackie McLean on alto saxophone, Garnett Brown on trombone, Bob Cranshaw on bass and Billy Higgins on drums. Wilson wrote 4 of the six compositions and arranged them all. A trio track with just bass and drums has Jack Wilson interpreting Johnny Mandel's beautiful tune, "A Time For Love". The other non Wilson tune played by the full band is by saxophonist Frank Strozier and called appropriately enough "Frank's Tune". ""Easterly Winds" is a minor classic and should be better known and tonight it is The Jazz Show's Jazz Feature.

Jake Reed is a professional drummer based in Los Angeles, who is quickly gaining a reputation for his ability to fit into a variety of musical situations. He has performed/recorded with trioKAIT, Bill Holman, Johnny Mandel, Bill Cunliffe, Bruce Forman, Cow Bop, Seth MacFarlane, the Baltimore Symphony Orchestra, the Los Angeles Philharmonic, Matt Forbes, Larry Goldings, Anthony Wilson, Adam Levy, Bob Mintzer, Les McCann, Freda Payne, the Long Beach Symphony Orchestra, Andrew Synowiec, Mako, Ellis Hall, Tommy Torres, and Frenship. - https://jakereedmusic.com/ --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/blair-sinta/support

Jake Reed is a professional drummer based in Los Angeles, who is quickly gaining a reputation for his ability to fit into a variety of musical situations. He has performed/recorded with trioKAIT, Bill Holman, Johnny Mandel, Bill Cunliffe, Bruce Forman, Cow Bop, Seth MacFarlane, the Baltimore Symphony Orchestra, the Los Angeles Philharmonic, Matt Forbes, Larry Goldings, Anthony Wilson, Adam Levy, Bob Mintzer, Les McCann, Freda Payne, the Long Beach Symphony Orchestra, Andrew Synowiec, Mako, Ellis Hall, Tommy Torres, and Frenship. - https://jakereedmusic.com/ --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/blair-sinta/support

As a lifelong Frank Sinatra fan, today I'm excited to be speaking with Charles Granata. Chuck is the producer and co-host of Nancy Sinatra's weekly radio show on SiriusXM, “Nancy for Frank,” which recently concluded after 14 years and over 500 episodes. “The Best of Nancy for Frank” continues to air every week. He has worked on several Frank Sinatra box sets, including “A Voice on Air: 1935–1955” and “Sinatra in Hollywood: 1940–1964.” Most recently he oversaw the restoration and reissue of the 1950 LP “Sing and Dance with Frank Sinatra” (Impex Records, 2020). Chuck is the author of two acclaimed books, “Sessions with Sinatra: Frank Sinatra and the Art of Recording” and “Wouldn't It Be Nice: Brian Wilson and the Making of the Beach Boys' Pet Sounds.” And he assisted music legends Phil Ramone and Johnny Mandel in writing their memoirs. I loved hearing how Chuck's childhood passion eventually became a fulfilling career, thanks to many serendipitous connections along the way. Near the end of our conversation, he also shares his personal thoughts on spirituality, which I found very moving. Read “Sessions with Sinatra”: amazon.com/dp/B005HF4DGK Follow Chuck on Facebook: facebook.com/chuckgranata Get his latest Sinatra legacy release: impexrecords.com/sing-and-dance-with-frank-sinatra At the end of this episode, instead of the usual closing music, I'm including a track from my own Sinatra-inspired album, “Someone to Watch Over Me,” which is available on most music platforms.

Warne Marsh was an uncompromising artist and always stuck to playing only music he believed in. From 1948 on he studied with the great pianist/teacher/guru Lennie Tristano. He appeared on Tristano's ground breaking 1949/50 recordings and many thereafter. Marsh had a unique sound, acerbic and cerebral to be sure but still warm and full. His melodic ideas were all his own and his place since his death in 1987 has been re-evalued and he is now considered one of the great masters of his horn and joins the ranks of John Coltrane, Sonny Rollins, Stan Getz et.al. To celebrate Marsh's Birthday (Oct.26) this evening we present him in a favourite setting. His sole horn backed by a great rhythm section including pianist Lou Levy (one of his favourites), bassist Fred Atwood and drum great Jake Hanna. The tunes are written by Marsh, Levy and lee Konitz. Two great standards appear as well. The beautiful "Easy Livin'" and the latter day classic by Johnny Mandel. Happy Birthday Warne Marsh.....you are "All Music".