Podcast appearances and mentions of lucia di lammermoor

DescriptionJoan Sutherland aka La Stupenda in 60 Seconds. Take a minute to get the scoop!Fun FactJoan Sutherland's first major performance was as Dido in Purcell's "Dido and Aeneas" in 1947 at the Sydney University Musical Society. This debut showcased her burgeoning talent and marked the beginning of her illustrious career. Sutherland's powerful voice and emotive interpretation quickly garnered attention, setting the stage for her future successes on the world's most prestigious opera stages. This early performance was a critical stepping stone in her journey to becoming an operatic legend.__________________________________________________________________About Steven, HostSteven is a Canadian composer & actor living in Toronto. Through his music, he creates a range of works, with an emphasis on the short-form genre—his muse being to offer the listener both the darker and more satiric shades of human existence. If you're interested, please check out his music website for more. Member of the Canadian League Of Composers.__________________________________________________________________You can FOLLOW ME on Instagram.

DescriptionDonizetti: One of Opera's Brightest Stars in 60 Seconds. Take a minute to get the scoop!Fun FactGaetano Donizetti's first opera, "Il Pigmalione," was composed in 1816 when he was only 19 years old. This one-act opera, based on the myth of Pygmalion, showcases his early talent and promise as a composer. Though not as famous as his later works, "Il Pigmalione" is notable for its lyrical melodies and set the stage for Donizetti's prolific career in opera, including masterpieces like "Lucia di Lammermoor" and "L'elisir d'amore."__________________________________________________________________About Steven, HostSteven is a Canadian composer & actor living in Toronto. Through his music, he creates a range of works, with an emphasis on the short-form genre—his muse being to offer the listener both the darker and more satiric shades of human existence. If you're interested, please check out his music website for more. Member of the Canadian League Of Composers.__________________________________________________________________You can FOLLOW ME on Instagram.

Suzanne Chaundy is one of Australia's most in-demand directors of opera. Last year, she had the triumph of a lifetime with her direction of opera's most daunting challenge: Wagner's Ring Cycle. Now she's back with another big opera, Lucia di Lammermoor at the Melbourne Opera. So, what does it take to direct an opera?Also, in Lose to Win, which opens soon at Belvoir Street Theatre, Mandela Mathias recounts his extraordinary journey from displacement in war-torn South Sudan to becoming an Australian and an accomplished actor, and opera singer David Hobson and comedian Colin Lane hit the road for a six-month tour of their show, In Tails.

Heute geht es etwas drunter und drüber. Aber so ist das Leben ja auch. Also was soll's...! Hört selbst: Vorschlag Hammer: In den Zoo in Leipzig mit der Family gehen (Alleine ist auch erlaubt) + Lucia Di Lammermoor in der Oper Leipzig schauen. Lohnt sich richtig! Der hochoffizielle D&G Instagram Channel: @distanzundgloria Städts Instagram: @staedt_tc Roberts Instagram: @tenorpohlers

A cura di Paolo PellegriniG. Donizetti “Lucia di Lammermoor”Lucia, Anna MoffoEdgardo, Carlo BergonziEnrico, Mario SereniRaimondo, Ezio FlagelloArturo, Pierre DuvalRCA Italiana Opera OrchestraGeorges Prêtre, direttore

Análisis de Regnava nel silenzio de Lucia di Lammermoor de Donizetti. Siguiendo explicaciones de la propia soprano se analizan la cavatina Regnava nel silencio y la cabaletta Quando rapito in stasi. Explicaciones extraídas de las históricas lecciones impartidas por ella durante una de sus clases en la Juilliard School de Nueva York. Se emplea como base la interpretación de la ópera en Berlín, año 1955, bajo la dirección de Karajan. Se escucha asimismo una recreación anterior de la misma artista fechada en 1953. El programa queda cerrado con el aria de la locura extraída de la representación berlinesa.Escuchar audio

El de Lucia

Donizetti mal anders: Die italienische Regisseurin Iliaria Lanzino macht am Staatstheater Nürnberg aus Lucia di Lammermoor, der schottischen Hochland-Heldin einen jungen schwulen Mann. Luca hängt mit seiner Party-Crowd ab, aber seine große Liebe scheitert am politischen Ehrgeiz seines älteren Bruders. Das ist so ungewöhnlich wie fesselnd und auf der Höhe der Zeit - auch musikalisch.

Australian writer Michelle Law has an ear for the humour found when cultures meet. Her new play Miss Peony takes us into the world of Chinese-Australian pageants in which young women compete to be the one who most embodies Chinese values. But who decides what those values are?Also, we meet the organisers of Club Broadway, a pop-up party that features nothing but show tunes, and we discuss 'mad scenes' in 19th century opera with the Australian soprano Jessica Pratt. What do they tell us about the attitudes and the politics of the time? Mad Scenes with Jessica Pratt is coming to the Sydney Opera House.

Australian writer Michelle Law has an ear for the humour found when cultures meet. Her new play Miss Peony takes us into the world of Chinese-Australian pageants in which young women compete to be the one who most embodies Chinese values. But who decides what those values are? Also, we meet the organisers of Club Broadway, a pop-up party that features nothing but show tunes, and we discuss 'mad scenes' in 19th century opera with the Australian soprano Jessica Pratt. What do they tell us about the attitudes and the politics of the time? Mad Scenes with Jessica Pratt is coming to the Sydney Opera House.

A cura di Paolo PellegriniG. Donizetti – Lucia di LammermoorLucia, Maria CallasEdgardo, Ferruccio TagliaviniEnrico, Piero CappuccilliRaimondo, Bernard LadyszArturo, Leonard Del FerroAlisa, Margreta ElkinsNormanno, Renzo CasellatoOrchestra – Philharmonia OrchestraDirettore Tullio Serafin

Wellington Opera presents Lucia di Lammermoor. It takes to the stage from Saturday with an all New Zealand cast The romantic tragedy is set in the stark beauty of New Zealand's deep south. Performed for the first time in Wellington in 12 years, and is being accompanied by Orchestra Wellington in the pit Soprano Emma Pearson joins me in the Wellington Mornings studio. LISTEN ABOVE See omnystudio.com/listener for privacy information.

Acclaimed Kiwi opera singer Phillip Rhodes (Ngati Awa and Ngati Kahungunu) has been appointed the first Kiri Te Kanawa Foundation Laureate in recognition of his outstanding achievements as a classical singer, both in New Zealand and overseas. Phillip joins Kathryn to talk about his new award, his career and what lies ahead.

durée : 00:03:22 - Classic & Co - par : Anna Sigalevitch - Maria Callas aurait eu 100 ans en 2023. Nous célébrons l'immense soprano toute la semaine à travers ses plus grands rôles.

In this episode, Dr. Kristi Brown-Montesano, Chair of Music History and Literature at the Colburn Conservatory of Music explores Donizetti's Lucia di Lammermoor in this pre-recorded pre-performance talk. Showing now through October 9th tickets are available at LAOpera.org.

En este episodio, la presidenta de Hispanos por LA Opera, Mónica Gutiérrez Roper, comparte la sinopsis de Lucia di Lammermoor de Donizetti. Vea esta fascinante historia de matrimonio y locura, dirigida por la nueva directora residente de LA Opera, Lina González-Granados. Las entradas ya están disponibles en LAOpera.org.

In this episode, LA Opera CEO Christopher Koelsch and LA Opera Connects Director Andrea Fuentes discuss the importance of updating our beloved art form and what makes Simon Stone's modern-day staging of Lucia di Lammermoor so exciting. Tickets to Lucia are available now at LAOpera.org

In this episode, tenor Arturo Chacón-Cruz shares the synopsis for Donizetti's Lucia di Lammermoor. Showing September 17th through October 9th , see Arturo play Edgardo - Lucia's beloved - in this spellbinding tale of marriage, madness and murder conducted by LA Opera's new Resident Conductor Lina González-Granados. Tickets to Lucia are available now at LAOpera.org.

En este episodio de Detrás del telón, el crítico Gerardo Kleinburg habla sobre Lucia di Lammermoor. Las funciones en el Dorothy Chandler Pavilion serán del 17 de septiembre al 9 de octubre. Las entradas ya están disponibles en LAOpera.org On this episode of Behind the Curtain, music critic Gerardo Kleinburg discusses Lucia di Lammermoor. Performances at the Dorothy Chandler Pavilion will run from September 17 through October 9. Tickets are available now at LAOpera.org.

In this episode, LA Opera's Richard Seaver Music Director, James Conlon explores Lucia di Lammermoor - the story, its history, and of course, the music. See LA Opera's Lucia di Lammermoor at the Dorothy Chandler Pavilion from September 17 through October 9. Tickets are available now at LAOpera.org.

Donizettis Oper "Lucia di Lammermoor" ist ein Gipfelwerk des Belcanto-Zeitalter. Jetzt war die Oper zum ersten Mal in der Geschichte der Salzburger Festspiele dort zu erleben - wenn auch nur in einer konzertanten Aufführung am 25. August. BR-KLASSIK-Kritiker Volkmar Fischer war dabei.

This episode is also available as a blog post: https://thecitylife.org/2022/08/23/new-york-city-opera-lucia-di-lammermoor-free-on-september-2-at-bryant-park-picnic-performances/ --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/citylifeorg/message Support this podcast: https://anchor.fm/citylifeorg/support

Gaetano Donizetti “Lucia di Lammermoor”Lucia – Renata ScottoEdgardo – Giuseppe di StefanoEnrico – Ettore BastianiniRaimondo – Ivo VincoArturo – Franco RicciardiAlisa – Stefania MalagùOrchestra e coro del Teatro alla ScalaNino Sanzogno, direttore

Now that Anna's recovered from the 'rona, the ladies are back to talk about Donizetti's tale of ill-fated love, Lucia di Lammermoor. Anna and Krista saw Simon Stone's Met production, and they talk about how it shows how opera can be modern. They also get angy at Arena di Verona, congratulate Bruce Springsteen's entry into the Grandpa Club, cheer on Monet X Change and give kudos to the Royal Opera House. Also, quicksand is mentioned.

From the vocal fireworks featured in the famous “mad scene” to the popularized sextet Lucia continues to fascinate audiences today. Many sopranos have taken the role, including, Maria Callas, Joan Sutherland, Renata Scotto, Lisette Oropesa and the current Lucia, Nadine Sierra. On today's episode of The Metropolitan Opera Guild Podcast, we have lecturer Tanisha Mitchell discussing the inner workings of this operatic staple.

durée : 00:24:59 - Donizetti, Lucia di Lammermoor - par : Anne-Charlotte Rémond - Dans cet épisode de Musicopolis, Anne-Charlotte Rémond revient sur la création de l'opéra "Lucia di Lammermoor" du compositeur Gaetano Donizetti (1797-1848). - réalisé par : Claire Lagarde

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Fullkomlig kärlek, svek, ränksmideri, galenskap och djup sorg Gaetano Donizettis opera Lucia di Lammermoor innehåller alla ingredienser för att hålla publiken i ett fast grepp. Sam Jakobsson, välkänd P2-medarbetare och Britta Svanholm Maniette, producent och programledare för Operaguiden, pratar om ödesdigra missförstånd, vad brist på kommunikation kan få för konsekvenser, galenskap kontra stor sorg och fäller en tår över den stackars Lucia. Dessutom hörs operans absoluta musikaliska höjdpunkter: sextetten och vansinnesscenen. 

Fullkomlig kärlek, svek, ränksmideri, galenskap och djup sorg Gaetano Donizettis opera Lucia di Lammermoor innehåller alla ingredienser för att hålla publiken i ett fast grepp. Lyssna på alla avsnitt i Sveriges Radio Play. Sam Jakobsson, välkänd P2-medarbetare och Britta Svanholm Maniette, producent och programledare för Operaguiden, pratar om ödesdigra missförstånd, vad brist på kommunikation kan få för konsekvenser, galenskap kontra stor sorg och fäller en tår över den stackars Lucia. Dessutom hörs operans absoluta musikaliska höjdpunkter: sextetten och vansinnesscenen.

Fullkomlig kärlek, svek, ränksmideri, galenskap och djup sorg Gaetano Donizettis opera Lucia di Lammermoor innehåller alla ingredienser för att hålla publiken i ett fast grepp. Sam Jakobsson, välkänd P2-medarbetare och Britta Svanholm Maniette, producent och programledare för Operaguiden, pratar om ödesdigra missförstånd, vad brist på kommunikation kan få för konsekvenser, galenskap kontra stor sorg och fäller en tår över den stackars Lucia. Dessutom hörs operans absoluta musikaliska höjdpunkter: sextetten och vansinnesscenen.

Segundo programa de nuestro ciclo dedicado a la ópera. En esta ocasión, una lectura de la bellísima Lucia de Donizetti. Esperamos sus comentarios y aportes. Fuentes originales de los fragmentos: Sexteto del Acto Segundo: https://www.youtube.com/watch?v=NPoFJ... Aria de la Locura de Lucia: https://www.youtube.com/watch?v=U3_8w... Aria "Tu che a Dio spiegasti l'ali" https://www.youtube.com/watch?v=VtxnX... --- Send in a voice message: https://podcasters.spotify.com/pod/show/adehtv/message

People who go to see Gaetano Donizetti's Lucia di Lammermoor spend the entire evening waiting for the famous Mad Scene, to hear the soprano's incredible acrobatics, and to feel her intense emotional changes over the course of the lengthy showstopper. But the Mad Scene is more than a vocal showpiece: it's a window into what it means to lose touch with reality and the ways women's real-life challenges can go ignored or, even worse, pathologized as illness. In the opera, Lucia has no control of her life; her brother betrays her and forces her to marry a man she doesn't love. Alone and out of options, Lucia escapes in the only way she can: she murders her new husband and descends into madness. But how do we understand her crimes and hallucinations? And what can Lucia teach us about how we diagnose and treat mental health conditions today? Host Rhiannon Giddens and her guests dive into the history of women and madness, as well as the story of a woman living with bipolar disorder today. Soprano Natalie Dessay had a thriving career as a coloratura soprano before cashing in her opera chips and turning her talents to theater and jazz. When she sang the role of Lucia at the Met in 2011, she approached it a bit like a circus performer, adding physical challenges to match the vocal ones. Dr. Mary Ann Smart is a professor of music at UC Berkeley. As a grad student, she wrote her dissertation on mad scenes in 19th century opera, and she has since authored multiple books, including Siren Songs: Representations of Gender and Sexuality in Opera. One of the things that she finds most poignant about Lucia's Mad Scene is the fact that Donizetti spent the end of his life being treated for physical and mental illness.  Activist and writer Dr. Phyllis Chesler has written more than 20 books, including the seminal work, Women and Madness. Her work deals with freedom of speech and freedom of thought. Her recent books include Requiem for a Female Serial Killer, and her memoir An American Bride in Kabul. She believes writing is most definitely a form of madness. Author and attorney Melody Moezzi wrote Haldol and Hyacinths: A Bipolar Life in order to capture her experiences as an Iranian-American Muslim woman with bipolar disorder, and to help others with this condition feel less alone. She is an advocate for destigmatizing mental health conditions, and she believes that sometimes, what looks like madness can actually be a rational response to an irrational world.

Hailed by the New York Times as a soprano of “gleaming sound, free and easy high notes, agile coloratura runs and lyrical grace,” Jessica Pratt is considered one of today's foremost interpreters of some of bel canto's most challenging repertoire.Since her European debut in 2007 as Lucia di Lammermoor, Ms Pratt's schedule has included performances at opera theatres and festivals such as the Teatro alla Scala of Milan, Zurich Opera, Deutsche Oper Berlin, the Vienna State Opera and the Royal Opera House Covent Garden, working with conductors such as Daniel Oren, Nello Santi, Kent Nagano, Sir Colin Davis, Christian Thielemann, Donato Renzetti, Pier Giorgio Morandi, Carlo Rizzi, Antonino Fogliani, Wayne Marshall and David Parry.The 2012/13 season brought several acclaimed debuts at Festival Verdi in Parma, including Gilda to Leo Nucci's Rigoletto, at Deutsche Oper Berlin as Lucia, at Vlaamse Opera in New Year's Eve Concert, at Teatro de la Maestranza in Sevilla (Gilda, once more next to Leo Nucci), in the role of Matilde in Guillaume Tell next to Juan Diego Florez interpreting Arnold in Lima, Giulietta in I Capuleti e i Montecchi in Reims, in the role of Lisinga in Demetrio e Polibio of Rossini in Neaples, and in the role of the protagonist in Giovanna d'Arco at Festival della Valle d'Itria in Martina Franca.In the 2013/14 season Ms Pratt could be heard in new productions of Lucia di Lammermoor at La Scala and in Amsterdam, as Amina in La sonnambula in Bari, Gilda in Padova, in the season opening of La Fenice as Inès in Meyerbeer's L'Africaine, as Musetta in La Bohème in Salerno, in her role debut as Violetta in La Traviata in Melbourne, as Zenobia in Aureliano in Palmira at the Pesaro Rossini Opera Festival as well as in recitals in Tokyo and Florence with Vincenzo Scalera.In 2014/15 the soprano made her role debuts as Cleopatra in Handel's Giulio Cesare at the Teatro Regio in Turin and as Amenaide in Rossini's Tancredi at the Opéra de Lausanne. Other performances included Donna Anna in Don Giovanni and Giulietta in I Capuleti e i Montecchi at the Teatro La Fenice in Venice; Elvira in I Puritani in Florence and in Melbourne; Lucia di Lammermoor at the Rome Opera House and at the Festival Granda in Lima; her role and festival debut as Rosina in Il barbiere di Siviglia at the Arena di Verona, where she could also be heard as soprano soloist in Carmina Burana; the soprano solo in Rossini's Messa di Gloria alongside Juan Diego Florez and La morte di Didone at the Rossini Opera Festival; as well asconcerts in Milan, Bonn, and London.Performances of the 2015/16 season included Jessica Pratt's returns to Florence, Turin and Melbourne as Lucia di Lammermoor, her debuts at the Gran Teatre del Liceu Barcelona as Desdemona in Rossini's Otello, at the Palau de les Arts Reina Sofia Valencia in Mozart's Davidde penitente and at the ABAO Bilbao as Amina in La sonnambula, her role debuts as Semiramide at the Opéra de Marseille and later at the Washington Concert Opera and as Linda di Chamounix at the Rome Opera House; and concerts in Oviedo and Moscow.More recently, Semiramide and Rosmonda d'Inghilterra at the Florence Opera House, a concert with the Queensland Symphony Orchestra, Rosmonda d'Inghilterra at the Donizetti Festival Bergamo, her debut at the Metropolitan Opera House New York as Queen of the Night in The Magic Flute, and Rigoletto in Oviedo.The STAGES podcast is available from Apple podcasts, Spotify and Whooshkaa. Also where you find your favourite podcasts. www.stagespodcast.com.au

Follow Maren on Instagram: @supermarenAnd on Facebook: https://facebook.com/maren.montalbanoDr. Kass's article about La Traviata in the time of COVID: https://www.operaphila.org/virtual-learning/dress-rehearsal-program/la-traviata/public-health/Sign up for the Bodice Ripper Project newsletter and get exclusive behind-the-scenes content: http://www.bodiceripperproject.com/Purchase Maren's debut book, Pandemic Passion: A COVID-19 novella on Kindle: https://amzn.to/3guGck0Transcript and Show Notes: http://www.bodiceripperproject.com/e027/

Unsere Dramaturgin Beate Breidenbach gibt einen Einblick in die Produktion «Lucia di Lammermoor».

On this episode, I talk to my friend Chris (he/him) about Gaetano Donizetti's opera Lucia di Lammermoor. It's the tragic story of a woman mentally strained by grief, heartbreak, and arranged marriage and the unfortunate outcome of these growing pressures. We talk about the uniqueness of the emotional male character, understanding how each of the characters portrays their grief, and the notion of marriage as a financial transaction. To hear more from Chris (less about opera and more about Star Wars), you can find him at the Serially Hooked podcast.  Let me know what you thought by emailing hello@operaapero.com or on social media: on Instagram @opera.apero and on Twitter @OperaApero. If you like this show, please consider supporting me through Buy Me a Coffee.   Chapters Act 1  - 6:12 Act 2  - 17:30 Act 3 - 26:34 Discussion - 33:22

Glass Armonica: https://www.youtube.com/watch?v=eEKlRUvk9zcThe Mad Scene with glass armonica: https://www.youtube.com/watch?v=VtUcTREkLFo

May 18, 1934 - Jack Benny takes a taxi to the studio where Frank Parker invited him to dinner with his very musical family. References include General Pershing, boxer Primo Carnera, Harry Lauder, "The Rise of the Goldbergs" radio show, Gretta Garbo, William Powell, Clark Gable, Boris karloff, Frank Buck's "Wild Cargo", the song "Smoke Gets In Your Eyes", Franz Liszt's Hungarian Rhapsody No 2, the opera "Lucia Di Lammermoor", and the singer Enrico Coruso.

Después de una larga espera, por fin sabremos el final de la ópera que comenzamos en el primer episodio del podcast. Así que tómate 10 minutos y acompáñame a descubrir la historia del amor de Lucia y Edgardo, te prometo que será épico.

Personaggi ed InterpretiLucia - Joan Sutherland Edgardo - Luciano PavarottiEnrico - Sherrill Milnes Raimondo - Nicolai GhiaurovOrchestra e Coro the Royal Opera House, Covent Garden Direttore - Richard Bonynge

durée : 00:21:11 - Disques de légende du lundi 16 novembre 2020 - En 1972, la soprano australienne Joan Sutherland enregistre l'opéra "Lucia di Lammermoor" de Donizetti pour Decca. Le disque réunit aussi Luciano Pavarotti, Sherill Milnes, Nikolaï Ghiaurov, le chœur et l'Orchestre du Covent Garden de Londres, tous placés sous la direction de Richard Bonynge.

Forbidden Love. Weird Older Brothers. A Soprano Losing her Damn Mind.Musical Exceprts provided by Emily Holter (@somedays194) and Rafael Powell II (@powellwoodwinds).

durée : 00:04:15 - Lucia di Lammermoor s'expose à Clermont-Ferrand - par : Suzanne Gervais - Suzanne Gervais invite l'Ecosse brumeuse et venteuse à l'Opéra-Théâtre de Clermont-Ferrand, afin d'apprendre à connaître une très célèbre héroïne d’opéra !

Fr. James McConville explores "Lucia di Lammermoor" in this installment of "The Sacred in Opera". "Lucia" is an opera in three acts by Gaetano Donizetti, loosely based upon Sir Walter Scott's historical novel "The Bride of Lammermoor".

Lucia di Lammermoor is a dramma tragico (tragic opera) in three acts by Gaetano Donizetti. Salvadore Cammarano wrote the Italian-language libretto loosely based upon Sir Walter Scott's historical novel The Bride of Lammermoor. Donizetti wrote Lucia di Lammermoor in 1835, a time when several factors led to the height of his reputation as a composer of opera. Gioachino Rossini had recently retired and Vincenzo Bellini had died shortly before the premiere of Lucia leaving Donizetti as "the sole reigning genius of Italian opera". Not only were conditions ripe for Donizetti's success as a composer, but there was also a European interest in the history and culture of Scotland. The perceived romance of its violent wars and feuds, as well as its folklore and mythology, intrigued 19th-century readers and audiences. Sir Walter Scott dramatized these elements in his novel The Bride of Lammermoor, which inspired several musical works including Lucia. The story concerns the emotionally fragile Lucy Ashton (Lucia) who is caught in a feud between her own family and that of the Ravenswoods. The setting is the Lammermuir Hills of Scotland (Lammermoor) in the 17th century. Classical Music Discoveries is sponsored by La Musica International Chamber Music Festival and Uber. @khedgecock #ClassicalMusicDiscoveries #KeepClassicalMusicAlive #LaMusicaFestival #CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans #CMDGermanOperaCompanyofBerlin #CMDGrandOperaCompanyofBarcelonaSpain #ClassicalMusicLivesOn #Uber Support us on Patreon https://www.patreon.com/user?u=4186107 staff@classicalmusicdiscoveries.com

Opera and Stage Director of LUCIA DI LAMMERMOOR Guest Shawna Lucey joins Michael Hogge on the show!      The post Arts Magazine: LUCIA DI LAMMERMOOR appeared first on KKFI.

Erfahren Sie 3 witzige und interessante Fakten über Gaetano Donizettis Lucia di Lammermoor.   Wenn Sie mehr über Opern wissen wollen, dann bietet Ihnen Opera-Inside alles was Ihr Herz begehrt. Besuchen Sie den Opern-Blog www.opera-inside.com und sie erfahren interessante Fakten zu berühmten Opern. Mit wunderschönen YouTube Videos der besten Interpreten wie zum Beispiel Luciano Pavarotti, Placido Domingo oder Maria Callas.

Hear 3 funny and interesting facts about aetano Donizetti’s opera Lucia di Lammermoor If you want to know more about opera, opera-Inside offers you everything your heart desires. Visit the opera blog WWW.OPERA-INSIDE.COM and learn interesting facts about famous operas. With beautiful YouTube Videos with the best singers like Luciano Pavarotti, Placido Domingo or Maria Callas.

A young woman falls in love with a handsome young man who saves her from a wild beast. This Bel Canto classic is not, however, a simple love story. Based on the Walter Scott novel The Bride of Lammermoor, this opera puts the fragile Lucia at the center of the competing demands of her brother, her spiritual mentor, and her beloved. It’s enough to make anyone crack, and crack she does, in spectacular form, resulting in opera’s most famous “mad scene.” Join us for the spectacular, haunting music of Donizetti’s Lucia di Lammermoor. Hosted by Pat and special guest co-host Kathleen Van de Wille

The most famous Mad Scene in Opera!For marriage of Figaro. Figaro is to married to Susanah, but Count Almaviva wants to bed her first. Can Figaro thwart his master's dastardly intentions?

The most famous Mad Scene in Opera! For marriage of Figaro. Figaro is to married to Susanah, but Count Almaviva wants to bed her first. Can Figaro thwart his master's dastardly intentions?

Over a year ago, the OAD team was in Scotland for the wedding of our very own Elspeth. Of course, when an opera fan hears Scottish wedding only one thing should come to mind: Lucia di Lammermoor. In this episode, recorded the morning after Elspeth's wedding, we discuss the epic story of Lucia and the mad scene that made this opera famous.

Eine junges, aber spektakuläres Sängerteam begeisterte am 30. Juni bei der Premiere von Gaetano Donizettis Belcanto-Oper. Regisseurin Brigitte Fassbaender verlegte in ihrer Inszenierung für das Theater Regensburg die Handlung in die Zeit um 1900 - als Frauen noch keine Wahlfreiheit hatten, sondern irre wurden.

Nie hat der Wahnsinn schöner ausgesehen als in der gleichnamigen Arie von Gaetano Donizetti in "Lucia di Lammermoor". Was die in Neapel uraufgeführte Oper mit Schottland zu tun hat, erklärt Autor Dominik Mercks.

Opera Philadelphia presents "Lucia di Lammermoor", September 21st - 30th.KYW Newsradio's RJ McKay spoke with Troy Cook who plays Enrico about the opera.

In today's VINYL VIBRATIONS podcast, I tour some early vinyl records that showcase PIANIST AND ORGANIST GREAT FATS WALLER. There are some 360 original compositions credited to Fats Waller, so where does one start in an attempt to represent his most imortant works? These recording you will hear in this podcast are found on a vinyl LP Record compilation that were collected by my father. During my childhood, these LPs were a frequent favorite on the house Hi-Fidelity record player. FATS WALLER PART 1 Ain’t Misbehavin’ (Music by Fats Waller, Harry Brooks), ‘Ain’t Misbehavin, Fat’s’ Waller and His Rhythm’ 1956, RCA Victor Records. rec 8/2/1929, original version of the song released 1929. Piano solo. Baby Oh Where Can You Be (Music by Ted Koehler and Frank Magine), The Rarest Fats Waller Volume 2 RFW-2, Organ solo. Recorded 8/24/1929. Tanglewood, (composed by Fats Waller and Sidney Easton) The Rarest Fats Waller Volume 2 RFW-2, organ solo, recorded 8/24/1929.Handful of Keys, Handful of Keys, Fats Waller and His Rhythm, RCA Victor LPM-1502, 1957. Recorded March 1, 1929.ZSz Piano solo. Tea for Two (Music by Vincent Youmans) ’Fat’s’ Waller and His Rhythm/Ain’t Misbehavin’, recorded June, 1937 from the 1924 musical “No, No Nanette” 1956, RCA Victor Records Then You’ll Remember Me (Music by Michael William Balfe), Fats Waller Plays, Sings and Talks , 1956, Jazz Treasury JT-1001. From Balfe’s opera, The Bohemian Girl c1861-1865) recorded Nov 30, 1939. Piano solo. Electrical Transcription (ET). Sextet Fats Waller Plays, Sings and Talks, 1956, Jazz Treasury JT-1001. from Lucia Di Lammermoor. Recorded Nov 20, 1939. Piano solo. Electrical Transcription (ET). MY HEART AT THY SWEET VOICE Fats Waller Plays, Sings and Talks, 1956, Jazz Treasury JT-1001. Recorded Nov 20, 1939. Piano solo. Electrical Transcription (ET). Today in Part 1, I will canvass solo performances of Fats Waller of his recordings between 1929 and 1939, when he was between the ages of 25 and 35. Today’s show is called Fats Waller Piano and Organ Solos. . . . THOMAS WRIGHT WALLER was born May 21, 1904 in NYC, the youngest of 11 children. He started pl aying piano at age six. His father was the Reverend Edward Martin Waller . By the time Thomas was 10, he had learned how to play the organ at his father’s church. At age 14, he was playing the organ at Harlem Lincoln’s Theater. Fats Waller is best known for his stride piano style. At age 15 Fats was a professional pianist and worked the local cabarets and theatres. Some of his original compositions are well known standards today, like Honeysuckle Rose, Ain’t Misbehavin’, Handful of Keys, Squeeze Me, Blue Turnin Grey Over You. Recordings of Fats Waller were inducted into the Grammy Hall of Fame, first in 1984, the song Honeysuckle Rose, and again in 1998 the song Ain’t Misbehavin’. Thomas Waller earned the nickname “Fats” at an early age, because as a Harlem ten year old boy, he was very heavy, over 250 pounds, and for the remainder of his life, his weight would stay between 280 and 300. Fats Waller was hard-working and trained in music theory and in the piano classics. He was prolific and there are some 360 songs credited to him during his short lifetime of 39 years. In terms of music performance, he preferred small groups to big bands, and preferred to lead groups of 6-8 men. ` We will hear piano and organ solo performances by Fats Waller from 1929, during the time of the Great Depression, and 1939, the start of WW II in Europe, the invasion by Nazi Germany into Poland. PLUG - VINYL VIBRATIONS - - M1 Ain’t Misbehavin’ (Music by Fats Waller, Harry Brooks), ‘Ain’t Misbehavin, Fat’s’ Waller and His Rhythm’ 1956, RCA Victor Records. rec 8/2/1929, original version of the song released 1929. Piano solo. In our first segment, we listen to Ain’t Misbehavin’. Music is composed by Fats Waller and Harry Brooks. This is one of the earliest solo recordings of Fats Waller.

We can’t let this opera season end without spending some time with LUCIA DI LAMMERMOOR, a Met Opera favorite. Gaetano Donizetti’s 1835 tragic opera returns to the stage in a production by Mary Zimmerman, including all the heart-breaking turns that make for a dramatic night of theatre. On today’s episode, Guild lecturer and podcast co-host Naomi Barrettara brings a fresh approach to talking about one of the most beloved tragic operas of the bel canto period.

Dwight Davis talks with Rachele Gilmore, who is singing the title role in Donizetti’s masterpiece.

In questa puntata parliamo della Lucia di Lammeroor opera scritta da Gaetano Donizzetti, analizzando alcuni dei brani più famosi interpretati da diversi grandi dell'opera.In questa puntata sarà presente anche Aron Milani che tratterà tematiche artistiche concernenti il periodo dell'opera ed in particolare i preraffaeliti e la pittura vittoriana.

Terminamos esta primera temporada de Abrimos la ópera con un buen melodrama: Lucia di Lammermoor. El libreto es del italiano Salvatore Cammarano y la música compuesta por un hombre cuyo nombre ya debería resultar familiar: Gaetano Donizetti.Compuesta en 1835 y dividida en tres actos esta ópera que abrimos y desmenuzamos es una obra imprescindible y todo un placer para los oídos. Nos encontramos en la Escocia del siglo XVIII: La familia de los Ashton y la de los Ravenswood se han enfrentado durante años y la victoria ha parado finalmente para los Ashton. Lucia, nuestra protagonista, pertenece a la familia de los Ashton y está enamorada del joven Edgardo el cual, como ya supondréis pertenece a la familia... sí, de los Ravenswood. El hermano de Lucia está dispuesto a romper ese amor casando a la joven con el poderoso Arturo Bucklaw.Contamos con la participación y sabiduría del musicólogo Gabriel Menéndez profesor sobre del "Curso monográfico Lucia di Lammermoor" que tendrá lugar en junio en el Teatro Real con motivo de la representación de la ópera. Además, la soprano española Saioa Hernández nos habla sobre Lucia, personaje que ha interpretado en numerosas ocasiones.Cerramos las puertas con la confianza de poder abrirlas de nuevo pronto.  Pero, por favor, no dejen de escuchar ópera. 

Die Titelpartie sitzt im Rollstuhl und Regisseurin Katharina Thalbach wandelt als böser Geist auf der Bühne: Das Leipziger Publikum erlebte vor prächtiger Schottland-Kulisse eine höchst ereignisreiche Premiere von Donizettis Belcanto-Klassiker "Lucia di Lammermoor".

Diana Damrau (Lucia), Joseph Calleja (Edgardo), Ludovic Tézier (Enrico), Nicolas Testé (Raimondo), David Lee (Arturo), Marie McLaughlin (Alisa), Andrew Lepri Meyer (Normanno), Sascha Reckert (Glasharmonika) | Münchener Opernchor, Münchener Opernorchester | Leitung: Jesús López-Cobos

Bob Wilcox and Gerry Kowarsky review (1) WE WILL ROCK YOU, by Queen & Ben Elton, at the Fox; (3) SOUPS, STEWS AND CASSEROLES: 1976, by Rebecca Gilman, at the Repertory Theatre of St. Louis; (3) RED LIGHT WINTER, by Adam Rapp, at HotCity Theatre; (4) RENT, by Jonathan Larson, at New Line Theatre; (5) THE AWAKENING, by Kate Chopin, adapted by Henry I. Schvey, at St. Louis Actors' Studio; (6) LUCIA Di LAMMERMOOR, by Donizetti, at Winter Opera St. Louis; (7) MUSICAL COMEDY MURDERS OF 1940, by J. Bishop, at Kirkwood Theatre Guild; THE CEMETERY CLUB, by I. Menchell, at Alpha Players; and ANGEL STREET, by P. Hamilton, at Theatre Guild of Webster Groves; and (8) PETER AND THE STARCATCHER, by Rick Elice & Wayne Barker, at the Peabody Opera House.