Podcasts about yetu

Karibu usikilize Kipindi kipya cha IMANI YETU kama kinavyoletwa kwako na Padri Wojciech Adam, Mhifadhi wa Kituo cha kitaifa cha Hija ya Huruma ya Mungu Kiabakari Jimbo Katoliki Musoma. Katika Kipindi hiki ambacho kinaruka hewani kila siku ya Ijumaa Saa 12:30 jioni, utasikiliza utangulizi wa awali kuhusu yaliyomo kwenye imani yetu. Mtangzaji ni Agatha Kisimba. L'articolo Ufahamu uzuri na upekee wa Imani yetu Katoliki. proviene da Radio Maria.

Karibu tena msikilizaji katika Kipindi chetu kizuri cha IMANI YETU ambacho hukujia kila siku ya Ijumaa Saa 12:30 jioni hapa hapa Radio Maria Tanzania. Katika Kipindi cha leo, mwezeshaji Padri Wojciech Adam, Mhifadhi wa Kituo cha kitaifa cha Hija ya Huruma ya Mungu Kiabakari Jimbo Katoliki Musoma, anakamilisha sehemu ya pili ya utangulizi kuhusu mada […] L'articolo Ufahamu uzuri na upekee wa imani yetu Katoliki. proviene da Radio Maria.

Kila siku ya Ijumaa una uhuru wa kuchangia mada mbalimbali kwenye makala ya Habari Rafiki, ndani ya rfi kiswahili. Haya hapa maoni ya baadhi yenu.

Kila siku ya Ijumaa una uhuru wa kuchangia mada mbalimbali kwenye makala ya Habari Rafiki, ndani ya rfi kiswahili. Haya hapa maoni ya baadhi yenu.

Die Wajinru, ein mythisches Meeresvolk, leben unter Wasser. Ihre Vorfahren waren schwangere Frauen, die während des transatlantischen Sklavenhandels über Board geworfen wurden und deren Kinder überlebten. Doch an diese traumatische Vergangenheit erinnert sich nur eine von ihnen: die “Historian” (Geschichtsträgerin) namens Yetu. Für sie wiegt die Last des Erinnerns jedoch zu schwer - sie flieht vor ihrem Volk an die Meeresoberfläche…  Doch ist es eine Befreiung, sich von der eigenen Vergangenheit zu lösen? Diese Frage stellt Rivers Solomon in “The Deep” (Sage, Gallery Press, 2019). Die Geschichte knüpft am transatlantischen Sklavenhandel an, stellt jedoch grundsätzlich Fragen zur Kultur des Erinnerns. Anders als die Wajinru, deren Geschichte von nur einer Person getragen wird, ist das Buch "The Deep" selbst ein kollektives Projekt. Den Song zum Buch findet ihr hier: https://www.youtube.com/watch?v=5EnPFsk4lOo

Karibu usikilize sehemu ya kwanza ya utangulizi wa Kipindi kipya cha IMANI YETU kinachokujia kila siku ya Ijumaa Saa 12:30 jioni, ambapo katika sehemu hii ya kwanza, Padri Wojciech Adam, Mhifadhi wa Kituo Cha Kitaifa cha Hija ya Huruma ya Mungu Kiabakari Jimbo Katoliki Musoma, amegusia kwa ujumla Sakramenti za Kanisa Katoliki. Mtangazaji ni Agatha […] L'articolo Yafahamu mafundisho ya Imani yetu Katoliki. proviene da Radio Maria.

Karibu usikilize sehemu ya pili ya utangulizi wa mada ya Sakramenti za Kanisa Katoliki, katika Kipindi kipya cha Imani yetu, ambacho kinaruka kila siku ya Ijumaa Saa 12:30 jioni kupitia Radio Maria Tanzania. Mwezeshaji ni Padri Wojciech Adam, Mhifadhi wa Kituo cha Kitaifa cha Hija ya Huruma ya Mungu Kiabakari, Jimbo Katoliki Musoma. Nami ni […] L'articolo Yafahamu mafundisho ya Imani yetu Katoliki proviene da Radio Maria.

Lou Yetu fait scandale en 2020 quand le compte Instagram, Balance Ta Startup, révèle des pratiques toxiques et non éthiques. Lou Yetu est une marque de bijoux lancée par Camille Riou en 2015, centrée sur des valeurs de qualité, de durabilité et de savoir-faire français. La marque a réussi à se construire une communauté engagée autour de son image moderne et cool grâce à une communication efficace sur les réseaux sociaux, en particulier sur Instagram. Cependant, le 19 janvier 2021, la marque est confrontée à un scandale lorsque le compte Instagram "Balance ta startup" dénonce les pratiques abusives au sein de certaines entreprises, dont Lou Yetu. D'anciennes salariées témoignent du management toxique de Camille Riou, incluant le harcèlement moral, la charge de travail excessive et les licenciements abusifs. De plus, les témoignages révèlent que la fabrication des bijoux, présentée comme étant en France, proviendrait en réalité d'Asie ou de grossistes du Sentier. La fondatrice de Lou Yetu réagit en attaquant le compte Balance ta Startup, mais les critiques s'intensifient. La marque perd de nombreux abonnés sur Instagram, tandis que le compte Balance ta Startup gagne en popularité. Depuis le scandale, Lou Yetu tente de se racheter en misant sur la transparence concernant sa chaîne de production, en mettant en avant les savoir-faire et les matériaux utilisés sur son site e-commerce. Cependant, le sort de Camille Riou et ses pratiques managériales restent inconnus. L'affaire a laissé des traces pour la marque et sa fondatrice, remettant en question ses valeurs et son image publique. Retrouvez les notes et l'épisode => Nous aidons les entreprises à lancer leur podcast=> https://inspire-media.fr/lancer-son-podcast-b2b/

Akiwa katika ziara yake ya kwanza nchini Burundi hivi karibuni, Naibu Kamishna Mkuu wa shirika la Umoja wa Mataifa la kuhudumia wakimbizi duniani, UNHCR Kelly Clements ameihi jamii ya kimataifa iongeze msaada kwa maeneo na jamii ambako wakimbizi wa Burundi wameamua kurejea nyumbani kwa hiari. Tangu mwaka 2017, zaidi ya wakimbizi 200,000 wa Burundi wamerejea nyumbani kutoka nchi jirani kama vile Tanzania. Tayari UNHCR imekuwa ikisihi hatua zaidi zifanyike ili kuboresha mazingira kwenye maeneo ambako wakimbizi wanarejea Burundi ili urejeaji wao uwe endelevu. Ni katika ziara yake Bi.Clements ameshuhudia wakimbizi zaidi wakirejea kutoka Tanzania na kuzungumza nao, huku wale waliorejea siku nyingi nao wakitoa wito wao na wakimbizi kutoka Jamhuri ya Kidemokrasia ya Congo, DRC nao wakipaza sauti zao. Kwa kina fuatana na Assumpta Massoi kwenye Makala hii kutoka UNHCR. 

Wanawake na wasichana wanao ishi mjini Sydney, kwa muda mrefu walikuwa wakiomba kujumuishwa katika michuano ya kombe la Afrika.

Mkutano wa ngazi ya juu wa Umoja wa Mataifa kuhusu marekebisho ya mfumo wa elimu leo unakunja jamvi kwenye makao makuu ya Umoja huo jijini New York Marekani. Mkutano huo wa siku tatu umeitishwa ili kukabiliana na changamoto ya kimataifa ya elimu hasa kwa kuzingatia suala la usawa na ujumuishwaji, ubora wa elimu na umuhimu.   Wadau mbalimbali wakiwemo wakuu wa nchi na serikali, mashirika ya kimataifa na makundi mbalimbali katika jamii wamepata fursa ya kupaza sauti zao, miongoni mwao ni vijana walioshiriki kuwawakilisha mamilioni ya wanafunzi kote duniani.   Emmanuel Cosmas Msoka mchechemuzi kijana wa shirika la Umoja wa Mataifa la kuhudumia watoto UNICEF kutoka nchini Tanzania ni moja wa vijana waliozungumza akiwachagiza viongozi wa dunia kuwashirikisha vijana kwa hali na mali . “Moja ya mchango ambao niliweza kuutoa ni ushirikishwaji wa vijana katika mambo yote ambayo yanaathiri mabadiliko ya kiuchumi kwa sasa na kwa baadaye , katika hilo lengo langu kubwa ni kuhakikisha kwamba vijana wanashirikishwa kuanzia katika ngazi ya chini kabisa katika kuanzishwa sheria, katika kuanzishwa kwa mitaala ya elimu, washirikishwe vijana hata katika utekelezaji pia , kwani katika nchi nyingi au katika mazingira ambayo tumetokea ni kwamba vijana wanashirikishwa katika sherehe zile ambazo ni za kuhitimisha baada ya sera au sheria kutengenezwa. Ushirikishwaji ambao mi naungalia ni kuanzia kwenye mipango, kuanzia watu wanaposema kwamba kuna kitu Fulani tunataka tukibadilishe , vilevile unapoanza kukusanya maoni tu vijana washirikishwe , katika utekelezaji wa ile mipangopia tuwashirikishe vijana na mwishoni kabisa katika kusherehekea kwamba lengo tulilojiwekea tumeweza kufanikiwa vijana pia washirikishwe. Ushirikishwaji wao ni kuanzia ngazio yaw azo mpaka kwenye kutengeneza sheria na sera na katika kusherehekea mafanikio ya sera ambazo zimetengenezwa katika nchi.”  Na kwa Tanzania anakotoka Emmanuel anasema ni wakati wa kujifunza kutoka kwa wengine  “Nimejifunza kutoka kwa vijana ambao wametokea katika nchi nyingine hapa wameweza kunielezea kwamba katika nchi zao kuna mabaraza ya vijana, mashirika ya kimataifa katika nchi zao yana mabaraza ya vijana , nchi kama nchi ina baraza la vijana . Tanzania sasa ni muda wa kurejesha lile baraza la vijana ambalo lilikuwepo na kikapotea. Ni muda ambao tunahitaji kuwashirikisha vijana  wakati dunia inawahitaji vijana. Kama nchi tunatakiwa tuonyeshe kabisa kuwa tunaelekea katika mwelekeo huo. Na katika hilo tunaamini na watu wengi sio wanasiasa viongozi tunaweza tukasema wamekuwa pia wakisema viojana ni taifa la kesho lakini ushirikishwaji huo uko wapi? Tufanye hivi vitu kwa vitendo , leo nimeweza kusema kwamba maneno yanaonekana ni bei nafuu sana lakini vitendo ni bei ghali sana kwa hiyo ni muda sasa tuweze kuvifanyiakazi tunavyovizungumzia.”   

The Deep is about mermaids, basically, that are descendants of pregnant African slave women that were tossed overboard during the Transatlantic Slave Trade. The pregnant women were thrown overboard because they were in labor, and I guess that wasn't worth the effort for the slave traders. Somehow, maybe it was magic or maybe it was the ocean, the babies that were born could breathe underwater. Once they found more of one another, they coalesced into a group of people called the wajinru. At one point, the first “strange fish” decides that there is too much trauma in their history for everyone to remember and takes on the entirety of the wajinru's memories, becoming their first historian. From their death, one individual is chosen to be the historian at a time. This story picks up with the current historian, Yetu, who is particularly affected by the rememberings. Unable to accept it, she unleashes the memories on her people and swims away from home, toward the surface. This book is a journey of self-acceptance that gives a lot of The Giver vibes, while maintaining a unique, creative, and moving narrative.What do you think about the role of Historian in the wajinru society? Why is it critical that everyone but the Historian forget the history? Did the original Historian's decision help or hinder the growth of their community? Join us as we discuss these questions and more in episode 16 of our spoiler-filled podcast.Questions: The questions discussed in this episode are a part of the Reader's Guide in the back of the book, which was written by the publisher (Saga Press). You can also find them on the Brooklyn Public Library website. → https://www.bklynlibrary.org/sites/default/files/documents/BOOK CLUB KITS/THE DEEP_BKLYN BOOK CLUB KIT_FINAL.pdfGreat music huh?! The music for the intro and outro are segments from a song titled "Busy City" by TrackTribe, which was accessed through the YouTube audio library.Coming up next: All the Missing Girls by Megan MirandaInterested in starting your own podcast? Sign up with Buzzsprout using our referral code and we'll both get a $20 amazon gift card! https://www.buzzsprout.com/?referrer_id=1894341

Kundi la vijana kutoka jamii yenye asili ya Jamhuri yakidemokrasia ya Congo wanao ishi mjini Sydney, lina ongeza kasi ya maandalizi kwa mashindano ya mchezo wa mpira wa miguu ya mwisho wa mwaka.

JE! UNAFAHAMU NAMNA YA KUHIFADHI TAKATAKA? Ungana na Erick Paschal Jnr na Mhadhiri Ngogo M. Ngogo wa Chuo Kikuu cha Mt.Augustino (SAUT) Mwanza katika kipindi cha Mazingira yetu.

Na Mafarteri wa Seminari Kuu ya Mt.Paulo Mtume wa Jimbo Kuu la Tabora.

-JE!UNAZIFAHAMU ATHARI ZA UHARIBIFU WA MAZINGIRA? -Jumuika na Mtangazaji Erick Paschal akiwa na Dkt. Noah Makula wa Chuo Kikuu cha Dar es Salaam wakitazama athari za uharibifu wa mazingira kwa kina na upana wake

Je! nini Maana ya Mazingira katika muktadha wa Sheria,Sera na Waraka wa Baba Mtakatifu wa Laudato Si?

-Je! una ufahamu gani juu ya Sheria ya uhifadhi wa Mazingira ya Nchini Tanzania?  ungana  na Mtangazaji Erick Paschal & Lilian Kapakala Afisa Mazingira Mwandamizi kutoka Baraza la Mazingira (NEMC) wakizungumzia kwa upana Sheria ya Mazingira ya nchini Tanzania.

“Kwa kuharibu ulimwengu wa asili, tunatishia ustawi wetu wenyewe.” Amesema Katibu Mkuu wa Umoja wa Mataifa Antonio Guterres kupitia ujumbe wake wa siku ya wanyamapori inayoadhimishwa leo. Anold Kayanda anasimulia zaidi. Katibu Mkuu Guterres ameuanza ujumbe wake akisema kwamba kila mwaka, Siku ya Wanyamapori Ulimwenguni, tunasherehekea uzuri na maajabu ya mimea na wanyama pori wa sayari yetu. Kwa nini tunajali wanyamapori? Zaidi ya wajibu wa kimaadili wa kudumisha dunia, ubinadamu hutegemea bidhaa na huduma muhimu ambazo asili hutoa, kuanzia kwa chakula na maji safi hadi udhibiti wa uchafuzi wa mazingira na uhifadhi wa kaboni au ukaa.  “Leo, kote ulimwenguni, wanyamapori wako hatarini.” Amesema Bwana Guterres akiongeza kuwa, “Robo ya aina zawanyama zinakabiliwa na tishio la kutoweka, kwa sehemu kubwa kwa sababu tumeharibu karibu nusu ya ikolojia wanyama wanamoishi. Ni lazima tuchukue hatua sasa kubadili mwelekeo huu.”  Siku ya Wanyamapori Duniani ya mwaka huu inaangazia umuhimu wa Muongo wa Umoja wa Mataifa wa Urejeshaji wa Mfumo wa Ikolojia yaani kuanzia mwaka 2021-2030. Ndio maana Katibu Mkuu Guterres anahitimisha ujumbe wake akisema, “ikolojia ni nzuri tu wakati aina mbalimbali zinazoiunda zinapostawi.  Ikiwa moja tu aina moja muhimu itatoweka, mfumo mzima wa ikolojia unaweza kuanza kupungua na kufa. Hii ndiyo sababu hatua za kulinda aina moja moja lazima ziendane na kurejesha mfumo mzima wa ikolojia. Katika Siku hii ya Wanyamapori Duniani tujitolee kuwahifadhi wanyamapori wetu wa thamani na wa kipekee kwa manufaa na furaha ya vizazi vya sasa na vijavyo.” 

Makundi ya wahalifu nchini Honduras yalibadili kabisa maisha ya familia ya Daina na kusababisha kuikimbia nchi hiyo kwenda kuomba hifadhi nchini Mexico.  Kauli moja ambayo ni maarufu sana mdomoni mwa wakimbizi kutoka kila kona ya dunia ni kuwa hawakutarajia kama wangeweza kuikimbia nchi yao ili kuokoa maisha lakini kufumba na kufumbua walijikuta wakiacha kila kitu na kukimbia kunusuru maisha yao. Na kauli hiyo ndio hasa kilichoikuta familia hii ya Dania ambaye miaka 4 iliyopita yeye na mumewake pamoja na watoto wao wawili wakiwa sebuleni ghafla wakashituka nyumba yao ikimimiwa risasi na genge la wahalifu. Akisimulia anasema walilala chini na kuanza kutambaa sakafuni ili waweze kujificha kuoka maisha yao lakini bahati mbaya risasi moja ilimpata mtoto wakiume wa Dania mguuni.  Waliweza kuwatoroka watu hao waliowashambulia nyumbani kwao na kumkimbiza mtoto huyo hospitali. “Mara tu tulipofika hospitalini na mtoto wetu, madaktari walimtoa risasi kwenye mguu wake. Na wakati huo huo, nikaona magari yao yakiwasili. Ilibidi nimkimbize mtoto wangu aliyejeruhiwa nje ya hospitali. Kwa sababu nia ya genge lile ilikuwa ni kuua familia nzima. Sikuwahi kufikiria ningeondoka nyumbani kwangu. Kwa sababu hatukuwa matajiri, lakini tulikuwa na maisha mazuri, tuliishi kwa amani.” Na hapo ndio maisha yao yakabadilika na kuwa wakimbizi. Miaka minne baada ya kutoroka Honduras, familia hiyo iko imara, yenye furaha, na amani nchini Mexico. Watoto wake sasa wanasoma shule.  "Tunajenga maisha na mustakabali bora wa baadae wa watoto. Furaha yangu ni kuwaona wakiwa na furaha. Hakuna zawadi kubwa kwa mama kuliko kuwaona watoto wake wakiwa na furaha.” Si watoto pekee walio katika maisha bora kwa sasa, César ambaye ni mume wa Dania naye amepata kazi katika kiwanda cha samani na hapo anajipatia ujira wa kumuwezesha kuihudumia familia yake.  "Wakati mtu akiwa na ndoto, hamu, mapenzi ya dhati, na matumaini, ninaamini kuwa hakuna kitu kinachoweza kukuzuia. Naishukuru UNHCR, huwa naitaja, kwa sababu imekuwa msaada muhimu kwa familia yetu.” Uraia wa nchi ya Mexico Afisa programu mkuu wa Shirika la Umoja wa Mataifa la kuhudumia wakimbizi UNHCR nchini Mexico Diego Morales anasema furaha na matarajio haya ya wakimbizi kama Dania yamewezekana kutokana na juhudi za miaka kadhaa za kimapinduzi zilizofanywa na shirika hilo kupitia programu maalum inayofuatilia wakimbizi na waomba hifadhi tangu hatua ya mwanzo ya kuomba hifadhi mpaka mwisho kabisa wanapojumuisha kikamilifu katika nchi waliyohifadhiwa.  Familia ya Dania na wakimbizi wengine takriban 500 kwasasa wanasubiri kufunguliwa upya kwa mchakato wa kupata uraia kwakuwa sheria za nchi hiyo zinaruhusu wakimbizi waliotambuliwa rasmi na kuishi ndani ya nchi hiyo kwa miaka 2 kupata uraia . Mchakato huo ulisitishwa kutokana na janga la COVID-19 lakini Cesar kifikra yeye na familia yake sasa ni raia wa Mexico wanaosubiri tuu kukabidhiwa rasmi udhibitisho "Timu ya taifa  ya mpira wa miguu inapocheza, mimi hushangilia Mexico. Lengo letu ni kupata uraia. Tukiweza kufikia hilo kutatufurahi sana. Iitakuwa jambo nzuri sana kwetu.” Kauli yake inaungwa mkono na mkewake Dania “ Naamini tutakwenda kujivunia wenyewe. Ninajua mwanangu ataniambia: ‘Mama, yaliyotupata huko nyuma yamekwisha. Sasa nina matarajio makubwa ya baadae maishani, naamini siku moja nitamuona mwanangu akiwa na familia yake hapa.” Mexico ni moja kati ya nchi 24 duniani zinazotekeleza mpango wa kuwahudumia vyema wakimbizi na waomba hifadhi unaolenga kutafuta suluhu na ushirikiano chini ya UNHCR. 

No te rindas de Benedetti, nos da pie a reflexionar, que facil es rendirnos pero que tenemos todas las capacidades para salir adelante. Baba Yetu, una interpretación en Swahilli del Padre Nuestro por Christopher Tin. ¡¡¡Gracias por escuchar y compartir!!!. --- Send in a voice message: https://anchor.fm/carlos-foulkes/message

The theme song of humanity.Audio sources: Baba Yetu at Cadogan Hall Official music video Baba Yetu at Llangollen Lyrics“Baba Yetu” is essentially the Lord's Prayer sung in Swahili. The title translated means “Our Father”.Baba yetu, yetu uliyeMbinguni yetu, yetu amina!Baba yetu yetu uliyeJina lako e litukuzwe.Utupe leo chakula chetuTunachohitaji, utusameheMakosa yetu, hey!Kama nasi tunavyowasameheWaliotukosea usitutieKatika majaribu, lakiniUtuokoe, na yule, muovu e milele!Ufalme wako ufike utakaloLifanyike duniani kama mbinguni.(Amina)Our Father, who artin Heaven. Amen!Our Father,Hallowed be thy name.Give us this day our daily bread,Forgive us ofour trespasses,As we forgive othersWho trespass against usLead us not into temptation, butdeliver us from the evil one forever.Thy kingdom come, thy will be doneOn Earth as it is in Heaven.(Amen)TranscriptOn Fridays we feature music on this podcast and today i'm sharing one of my favorite songs - Baba Yetu. If all of humanity ever had a theme song, this would be my pick.This first clip was from a performance with the Royal Philharmonic in London at Cadogan Hall.Baba Yetu was the theme song for the game Civilization 4 and it was the first video game song to ever win a Grammy award. If you watch the official music video that comes with the game, linked in the show notes, you can imagine how it celebrates the crowning achievements of civilization from the taming of fire all the way through to the space race and the information age. But the renditions I feature here are not from the game, they are live performances conducted by Christopher himself. I really prefer the live performances because you get to see how passionate Christopher is about this song, and how much it lifts up the entire chorus and orchestra. As one youtube commenter said, "this is a song composed by an asian guy in an african language sung by white people from a game about the rise of humanity. Now if that isn't awesome I don't know what is."Baba Yetu is the Lords Prayer in Swahili - so literally you are saying "give us this day our daily bread, forgive us of our trespasses as we forgive others" as you sing this song. To close out, here's another rendition I like with a more diverse cast and I love appreciating how a different soloist interprets it.If you have the time, I recommend watching both performances on youtube. 

Remaining in Shadows | Parliament & Accountability in East Africa --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/patrick-nhigula/support

Katika chapisho la mapema mwaka huu la UNESCO kuhusu usawa wa jinsia kwenye utafiti, inaonesha kuwa ijapokuwa idadi ya wanawake kwenye utafiti wa sayansi imeongezeka, bado ni wachache katika nyanja za hesabu, sayansi ya kompyuta, uhandisi na akili bandia. 

In today’s episode, Mr. Henry and Mr. Fite talk with two-time Grammy-Award winning composer Christopher Tin.  Learn how he got started in music and the story behind how he wrote the theme song for Civilization IV. Be sure to leave a review wherever you get your podcasts. Thanks so much for listening! To learn more about Christopher Tin, visit his website christophertin.com Subscribe to Christopher Tin’s YouTube channel: https://www.youtube.com/channel/UCLtA9_lHZUPRSJcFKmCxYUA Check out our YouTube channel: Remember to Share and Subscribe! https://www.youtube.com/channel/UCdGhqK_DWpRIKS45ICqN3eQ ***Classroom and Homeschool Teachers***  Find our digital resource to help enhance your classroom HERE! Like us on Facebook!  Mr. Fite Check out original fun and educational music from Mr. Fite at  https://brucefite.com/music and subscribe to Mr. Fite’s YouTube Channel   Mr. Henry Learn music and the piano with Mr. Henry by subscribing to his YouTube channel:  Mr. Henry’s Music World Hey there Music Podcast for Kids listeners! This is Mr. Henry and we want to thank you so much for listening to the show. We absolutely love educating the world all about music and you know what's pretty cool? You can be a part of our mission as well. If you leave a review, more people can listen to the show. So, you can help us with the journey of educating the world all about music. So if you could take a moment to leave a review of the show we would greatly appreciate it. Thanks so much!  Let the music begin in 3, 2, 1... Learning music, having fun. That’s what we’re gonna do. Mr. Henry, Mr. Fite, exploring along with you. Learning music, having fun. That’s what we’re gonna do. Mr. Henry, Mr. Fite love hanging out with you. The Music Podcast for Kids! Hello and welcome to The Music Podcast for Kids we're your hosts Mr. Henry and Mr. Fite - Music educators extraordinaire! The Music Podcast for Kids is a fun and educational podcast where we learn and explore the best subject ever -  music!   And now, the music joke of the day. We love jokes, so if you have a joke, please visit our website themusicpodcastforkids.com to submit your joke. And guess what? It doesn't even have to be a music joke; it can be any joke. We will read and enjoy your joke on the podcast and also let everyone know who it came from and where you are in this great big wonderful music world.  Our joke of the day is: This joke comes from Ethan, a listener of the show. Why does a golfer wear two pairs of pants? In case he gets a hole in one. This joke comes from Zenni, a listener of the show. Why did the chicken cross the playground? To get to the other slide.  Make sure to send in your jokes by visiting our website themusicpodcastforkids.com a link to the website can be found in the show notes.  Thank you so much for listening. We hope you are enjoying the show so far. Please subscribe to the podcast to receive the latest episodes and leave a review through iTunes or wherever you get your podcasts. Also get updates on what we are up to through Facebook and Instagram by finding us at Music Podcast for Kids. Links will be found in the show notes. On to the show! Just Chattin’: Christopher Tin is a two-time Grammy-winning composer of concert and media music. His music has been performed and premiered in many of the world's most prestigious venues: Carnegie Hall, the Lincoln Center, and the Hollywood Bowl. Mr. Tin’s music can be found in video games such as Civilization and films such as Lilo and Stitch 2 and X-Men United to name a few. He also has incredible classical crossover albums which we learn more about in this interview! Be sure to visit christophertin.com for more information.  We have a very special guest with us today on The Music Podcast for Kids! Christopher Tin, thanks for being on the show! Glad to be here.  Since we are a music podcast for kids, we always like to ask our special guests how they got started with music. Can you tell us how old you were when you got started? Did you take private lessons? And where your musical journey took you through your growing up years?  I started music when I was 5. My parents enrolled me in piano lessons, and you know that's kind of like what you did right? Put your kids into music school at that age. I really enjoyed it and I found that as I got older my curiosity with other instruments sort of expanded. So I started playing trumpet maybe in third grade or something like that.  I started playing guitar in high school and bass in high school, started singing in high school. And writing music. And all these other things in high school. And it just kind of blossomed form there. So from an early age I was exposed. So you've received many awards including two Grammy Awards which is amazing but I first would like to ask you about the Guinness Book of World Records award that you received. Could you tell us more about that? That was for winning the very first Grammy award for a piece of music written for a video game. That was my song Baba Yetu which was written for the game Civilization IV. It became kind of a hit. And when I re-released it at the opening track on my debut album it won a Grammy. And the album also won a Grammy so that's what my claim to fame is. Yeah cool. So speaking of that, an album you wrote called Calling All Dawns in 2011 that won the Grammy for the best classical crossover album. First of all can you educate us about what a crossover album is and then when you were creating the album were you specifically trying to have your music cross over to another genre? Well I was absolutely trying to make my music cross over to another genre. I mean that it is essentially what a crossover album is,  it's a piece of music that brings together two different genres of music. And in this case Calling All Dawns was an album that fused various World music traditions with sort of a classical sensibility. So it was just a crossover between you know non-western folk music and classical music, hence,  classical crossover. That's great. So alongside composing music, you’re a conductor, artistic director. I’d like to learn more about your conductor director role in two different scenarios. So first, responsibilities for like a live concert and what you would tackle within a recording session with studio musicians. Would you say those scenarios have a big difference as to like what a conductor would do or is it kind of the same thing? Yeah could you elaborate on that? Well the only real similarity they share is the mechanics of conducting. You know your baton technique, where the orchestra is placed around you. But beyond that they are very different tasks. When you're conducting a concert for one thing your rehearsal time is very limited. Everyone is watching you, you're giving feedback because you're, you know, you're the person in charge of the sound that is coming at you. And then you try to figure out the balance issues as best you can on the podium. But when you're in the recording studio it’s a completely different story because a lot of times everyone's wearing headphones you know they're trying to hear each other. Sometimes there's a click track sometimes there isn’t. Sometimes you have to record the orchestra separate from the choir and in fact usually you do. you record the orchestra separate from the soloist and the choir and other special ensembles. And frankly when you're in a recording studio with an orchestra around you can't really hear everything the same way the people in the control room can hear everything.  So a lot of times your main task in that recording session is just to get an inspired performance out of performers. But it's hard to really know if that was a good take or not because frankly I can't hear everything because the way everything is baffled off, like screened off right. That's when you rely on your producer who is sitting in the control room to help tell you whether that was a good take or not. That's cool. And does  that feel different too? I imagine when you're not responding to the having all of hearing all of the sounds do you have to kind of creative almost a pseudo inspiration to you know to to keep the emotions there throughout throughout the pieces when you're in the studio or do you have enough information to go for a measure as you're conducting to to keep it real and what was the feeling that you you want to get from it? I think your thoughts are on very different things. I mean when I'm in a recording studio I know there whatever is being performed is being captured for posterity and so my mind is actually less on trying to Inspire an emotional performance and more on listening to what's coming back at me as best I can. Right? And I'm trying to decide whether this is good or not.  Whereas in performance you know that whatever they play that's it you know what to do with it is done with your moving on. So you’re actually thinking ahead in the piece a little more in performance. You’re thinking about what  is coming up and I know that this is a tricky temple change and the harp really needs to stay with me. So I need to know to look at the harpist and and and you know get a good performance out of them. So in a way in live performance I'm a little less aware of what's actually going on. My mind is sort of thinking ahead and trying to steer the performance as best I can. So we’re always really interested in the process a composer takes when getting started and working through their own process.  We spoke with Eric Whitacre a while back, a choral composer and he was telling us that he draws sketches that eventually will be represented by the music he creates. So what kind of process do you have to get started as you're piecing your music together? I think I have the complete opposite process as Eric. I have never warmed to the draw a sketch of your piece and then sort of fill-in-the-blank later. I have more of a general sense we are going to end but start and then start writing from the beginning and move forward and try to end up there. I’m really more that person because that’s how we experience music. We experience music from the start to the end right? And so if I write the first 30 seconds of a piece of music I want to be able to sit back and reflect on how those 30 seconds make me feel before I tackle the next 30 seconds and calibrate those next 30 seconds accordingly. So I’m very much a start from the beginning and more forward sort of person. And when you’re doing that are you typically at the piano kind of coming up with an arrangement on the piano and then adding orchestration to it or just straight writing it down or how do you tackle that? In recent years I've started staying on the piano as long as I can and sketching things out and then tackling the orchestration. I think that comes from a bit of a position of self confidence and experience. Because I know that as I'm sketching things out on piano I already have a sense of what the orchestration is. I don’t really feel the need to go down and notate it. I'm not going to forget what the orchestration is going to be. I also like to stay unencumbered by minuscule decisions for as long as possible. Orchestration is one of these very bogged down with like how am I going to to bow this and like is this the right notation for this. I would much rather kind of sketch a  really sloppy piano sketch out from start to finish and then go in and refine it. And in the process of refining, actually ideas get revisited and revised and you know you throw out some ideas that maybe you sketched out on piano. relaxing idea that maybe you expand certain sections you know a way to have a second pass at your material having already had the benefit of sketching everything out. Going back and saying now that I know how I’m filling in the blanks, now that I know how the whole thing is going to be laid out, how can we adjust knowing that we’re going to do this later on. So that's sort of the way I like these days. So you’ve written many pieces of music for video games. First is writing for video games something that you were always interested in like as a kid growing up like I want to write for video games? I hear kids saying that all the time. Is that something that you were looking to do? No not at all. If you asked me as a kid what I wanted to do with my life it wasn’t that. I wouldn’t want to write music for video games, it’s totally to play video games. Truth be told the video game thing sort of stumbled across my desk randomly. I went to my college reunion and I bumped into my old roommate who was now a celebrated video game designer and then we connected and just  talked about his next video game. And that next video game turned out to be Civilization 4 which I wrote the song Baba Yetu for. That was the first piece of music I ever wrote for a video game actually. It was never a lifelong dream of mine.  I love it. I love writing for games and I love the industry. I think there’s really great talented, smart people in the business. But I like doing a lot of things musical. Like recording albums. I like you know scoring films. I like conducting my music. I like teaching. I like a lot of different things. It’s never been you know I want to be a video game designer. That’s just one component of the whole thing. The piece Baba Yetu recently celebrated its 15th year anniversary. And this piece also won a Grammy in 2011 which is incredible. And to give some context to the audience Baba Yetu was the theme song for a popular game released in 2005 called civilization 4.  You were just talking about that. Could you explain the characteristics of the piece and how it translated so well to that game civilization 4? The piece itself is a bit of a crossover piece like we talked about before. It's a fusion of African Gospel vocals, Orchestra, and big cinematic percussion. And these are actually three different areas of music that I have a lot of familiarity with. In college I directed an a cappella group that specialized in African and African-American music. And then I studied composition orchestration. You know the classical way right. And then I also played Japanese Taiko in college. The giant Japanese drums that you see. That was I played in an ensemble and I typically played the largest drum. It’s the o-daiko drum that you play sideways like this. So these are things I very much know about already. I was given the chance to sort of synthesize them all into one piece for this video game. Yeah that's kind of a sound of Baba Yetu this fusion. And why it works so well for Civilization, this particular video game. Civilization is a video game about founding a civilization from the earliest days to modernity, right. And sort of this world music but classical sweep of the piece just lends itself very well to this idea of fusing cultures across history. So you recently released an oratorio about the history of flight called To Shiver the Sky. And first can you educate the audience a little bit about an oratorio? So oratorio is a  large-scale work, uses of the orchestra and voices focusing on a particular theme but no costumes and production acting that kind of stuff. Can you tell us more about To Shiver the Sky? Well, yes like you mentioned oratorio. I call it an oratorio. Oratorios typically deal with sacred subjects. I like to bend definitions a little. So Handel's Messiah for example is the most well known oratorio. It is with soloists and choir and different vocal groups. And tells the story of Aviation from the earliest days from Leonardo da Vinci sketching in his notebooks about a flying machine all the way up through Jules Verne writing fantastical stories about exploring space. To Amelia Earhart and her solo flight across the Atlantic to Yuri Gagarin being the first man launched into outer space. And finally when John F. Kennedy in 1962 said we choose to go to the moon before the end of the decade. We’re going to put a man on the moon and return him safely to Earth. And in my mind that is one of the greatest achievements of mankind. The fact that we were able to pull together and say you know what we're going to do this crazy thing. We're going to put a man on the moon within 8 years and by the way we have no idea how we’re going to do this. The technology, the science had not been invented yet. We don’t know anything about this. But we’re going to do it. This is just an amazing sort of example of leadership and vision right. Beside that and the entire nation pulled together behind this visionary president and we made it happen. And it was an amazing story. And I think it's an amazing story to reflect on, especially in this world we live in now where we still have lost a bit of our confidence as a people to do the big difficult amazing things. It’s a nice reminder that you know what? We’re still those people and really do the great things. The piece is just great. I've been listening to it and just such a cool idea. I love the idea and I love how people can be educated and learn about all these different you know all these different examples of the progression of flight to of course getting to the moon so just think it's just fabulous. Well, thank you I appreciate that. So many of our listeners are kids. What advice our bit of wisdom would you share with our listeners as they explore music around them? My advice to young musicians is to stay curious about music and to foster that curiosity. And you know explore the world of music around you because as we all know there are so many different types of music genres, of music instruments that you can play, pieces that you can write, formats that you can write in. You can be a recording artist. You can write musical theater. You could score films, you could score video games, you can do anything right? It's an amazing playground in a world to live in. And the way you stay happy living in that world is to always foster this lifelong excitement about discovering and doing new things in music.  So I would say soak it all up you know like practice being a hungry musician and devouring all the music around you. You know, cultivate this curiosity. I think and that'll keep you engaged and excited about music for the rest of your life. That's great Christopher Tin, we want to thank you again for your great music and for taking time out to chat with us on the music podcast for kids and wish you all the best as you continue inspiring, entertaining and educating the music world. Thanks so much. Thank you for having me. 

Ripoti mpya iliyotolewa leo na shirika la Umoja wa Mataifa la mazingira UNEP inatoa muongozo wa jinsi ya kushughulikia changamoto kubwa tatu za dharura zinazoikumba dunia ambazo ni mabadiliko ya tabianchi, kuishi vyema na mazingira na ufikiaji wa malengo ya maendeleo endelevu SDGs. Jason Nyakundi na maelezo zaidi.

[7]. Swahili Gospel Song- "Siteketei" (Angel Benard)- It's a song of declaration of God's promises in our lives, and the assurance of our safety in Him.

☕ Episode #068 du #podcast 100% news #ecommerce, #digital et #socialmedia ! 

We sit down with special guest Christopher Tin, composer of the GRAMMY award winning Baba Yetu, which is also the title song for Sid Meier's Civilization IV. Chris has also written the title song for Civilization VI titled, Sogno Di Volare. VOTE FOR YOUR FAVOURITE CIVS HERE: https://forms.gle/JMDVymtFaskxDjTz7 The Civ Give 2020 ExtraLife Team Page: https://www.extra-life.org/team/TheCivGive - Twitter: https://twitter.com/TheCivShow Twitch: https://twitch.tv/TheCivShow YouTube: https://www.youtube.com/channel/UCls2Y1bV03i61ItsCZMzNng Spotify: https://open.spotify.com/show/65cv794dJaOE1aIwWGniS0?si=MhS3Fx3VQR6PJJ913ON5NA --- Send in a voice message: https://anchor.fm/thecivshow/message

Jugendchor Oldesloe & Band, Ltg. Henning Münther; Solo: Christopher Brackebusch & Lennart Meinßen

Leo ni siku ya watoto duniani maudhui yakiwa "kutafakari dunia bora kwa kila mtoto", na watoto kutoka kila kona ya dunia kupitia shirika la Umoja wa Mataifa la kuhudumia watoto UNICEF, wameandika shairi kufikisha ujumbe muhimu kwa viongozi wa dunia hii, wazazi na jamii wakitaka sauti zao zisikike na hatua zichukuliwe kulinda kizazi hiki na vijavyo.

sez education Yetu ya Leo tumeweka wazi athari baada ya kijana omar kusema anapenda sana tendo hili. Je unajua kuna athari gani waweza Pata kiafya sababu ya kunyonyana?

Karibu kwenye episode Yetu hii mpya, Kwenye session 3 ya The power of music beyond entertainment, kwenye session hii tumeongelea kwa undani sana nguvu ya muziki nje ya burudani, kwa kuangazia upande wa siasa. --- Send in a voice message: https://anchor.fm/martine945/message

Karibu kwenye episode Yetu hii mpya, Kwenye session ya pili ya The power of music beyond entertainment, kwenye session hii tumeongelea kwa undani sana nguvu ya muziki nje ya burudani, kwa kuangazia upande wa mahusiano, Hapa tumeongelea jinsi mziki umekuwa nguzo muhimu na chombo muhimu kwenye mahusiano, ya kimapenzi , kiundugu pia na kuwa kiunganishi bora chenye kuleta maelewano mazuri baina ya wahusika. Pia tumeenda mbali zaidi na kuona mziki huu ukitumika vizuri unavyoweza kuwa dawa , hapa utasikia ni kwanamna gani mziki unaondoa stress, kutumika kuwa moja ya sehemu ya kufanya secretion of dopamine Hormone kuzalishwa na kuweza kukuondolea kabisa stress, pia utasikia kuwa mziki unatumika kama Tiba kwa maana kwamba kuna operation ma hospitalini mpaka zifanyike kuna mziki au chombo cha mziki lazima kitumike na kumfanya mgonjwa ajisikie yupo kwenye utulivu mkubwa sana , tunasema concentration process ,  kwa haya na mengi ungana nasi kwenye episode hii na session hii Ya Pili uweze kuwa mmoja ya mwanafamilia wa NMU PODCAST Karibu. Tupate mitandaoni @nextmusicuniverse      --- Send in a voice message: https://anchor.fm/martine945/message

Misitu ya asili kote duniani, kwa miaka mingi imekuwa sehemu muhimu ya maisha ya binadamu. Mathalani nchini Uganda, msitu wa Bugoma si tu unatunza historia ya asili ya watu wa eneo hilo, bali pia, wakazi wa eneo hilo wanasema vyanzo vingi vya maji ya mito ya eneo hilo ni katika mstu huo ambao pia unawapa dawa za asili za mitishamba zinazotumika katika tiba ya asili ya kiafrika. Katika makala ifuatayo, John Kibego, mwandishi wetu wa Uganda anapeperusha hewani maoni ya  wenyeji wa msitu wa Bugoma kuhusu tishio la kuchafuliwa kwa kiasi kukubwa cha msitu huo wa akiba.

Hivi karibuni tulikueleza namna ambavyo nzige wavamizi wa jangwani wanavyotishia ustawi wa wakulima wa Kenya hususani eneo katka eneo la Turkana, lakini kwa mujibu wa shirika la chakula na kilimo la Umoja wa mataifa FAO, nzige hao hawaishii tu katika kilimo bali pia wanatishia jamii ya wafugaji kwani wanakula hadi nyasi na miti amayo ingekuwa chakula cha kifugo. John Kibego na maelezo zaidi. 

Katika maeneo ya ndani zaidi ya kaunti ya Lamu, kaskazini mashariki mwa pwani ya Kenya, huduma za afya zinakumbwa na changamoto kubwa. Ni kwa mantiki hiyo kila mwezi madaktari na wafanyakazi wa shirika la kiraia la Safari Doctors hufunga safari kwa boti, wakiwa na shehena za dawa kwa ajili ya kutibu siyo tu binadamu bali pia wanyama. Safari  Doctors imeasisiwa na Umra Omar ambaye pia ndiye Mkurugenzi na pia miongoni mwa mashujaa halisi wa kibinadamu wa Umoja wa Mataifa kwa mwaka huu wa 2020.

Hatua yakufunga mpaka kati yajimbo la Victoria na New South Wales, kwa ajili yakudhibiti usambaaji wa Coronavirus imezua hisia mseto miongoni mwa wakazi wamajimbo hayo mbili.

Katibu Mkuu wa Umoja wa Mataifa Antonio Guterres kupitia ujumbe wake kuhusu siku ya baharia inayoadhimishwa hii leo kama ilivyo ada ya kila tarehe 25 ya mwezi Juni, ametoa wito kwa mataifa, serikali na jamii kwa ujumla kuwapa heshima wanayositahili mabaharia kwani kwa muda mrefu wamekuwa wakifanya kazi ya kishujaa ambayo haikuwa imepewa uzito wa kutosha.

Cette semaine je vous offre 2 heures de Camille Riou, la fondatrice de LOU.YETU, une marque de bijoux qui résistent à la vie et qui plaît à 545k “followers” sur Instagram. Dans cet épisode, tout (ou presque) y passe : parcours, KPIs, recrutement, DA, croissance… Camille a été super généreuse ! À écouter sans plus attendre !Écoutez l’épisode sur Apple Podcast / Spotify / Deezer / Soundcloud.“Plus on me disait que c’était impossible, plus j’avais envie de prouver qu'il y avait quelque chose à faire.”Ce que vous apprendrez dans cet épisode : Son parcours Les tout débuts de LOU.YETUComment fédérer sa première communauté Re-passerait-elle par le salariat en début de carrière ? La question de l’associationFaut-il faire un BP et un plan de trésorerie dès le début de l’aventureComment trouver des “bulldozers” pour se faire accompagner dans son aventureLa plateforme de marque au début et aujourd’huiL'obsession du détail dans l'expérience client Comment elle a construit sa DA, c’est quoi ses codes Comment elle gère ses réseaux sociaux Ses canaux d’acquisition (Ses RP, l’influence) Comment fonctionne la marque de la création des pièces à la livraison clientLa “sustainability” chez LOU.YETUSa relation avec la croissance Les KPIs qu’elle regarde Comment elle s’est entourée au long des années Sa logistique Comment structurerait-elle son business si elle devait reprendre à zéro Comment s'organise-t-elle Est-elle heureuse, qu’est-ce qui fera qu’elle aura réussi sa vie “On a développé ce que j'appelle un “scarcity mindset”, la possibilité de faire énormément de choses avec peu de moyens. Aujourd’hui ça fait partie de la culture d’entreprise.”Écoutez l’épisode sur EDLM / Apple Podcast / Spotify / DeezerSi vous cherchez les notes de l’épisode avec toutes les références, c’est simple : allez sur le blog du podcast, www.entreprendredanslamode.com Aussi, si vous souhaitez me contacter ou me suggérer de nouveaux invités, vous pouvez le faire sur Instagram sous le pseudonyme @entreprendredanslamode Enfin, le plus important : laissez-moi un avis sur Apple Podcast ou iTunes, 5 étoiles de préférence ; cela m’aide à faire connaître le podcast à plus de monde et me motive à faire de meilleures interviews ! Merci de soutenir ce podcast et à bientôt pour un nouvel épisode !

Mazingira Yetu (Our environment) song by Larry and Shamir is highlights how pollution is killing Rivers and the aquatic life inside them. The song warns that if we do nothing then we shall have alot of explaining to the future generations of inaction to protect our Rivers, Lakes and Oceans.

Avec l’épidémie de COVID-19, nous sommes face à une crise sans précédent, une crise majeure qui marquera un tournant dans nos vies et dans notre industrie, et dont personne ne sortira complètement indemne. Cette situation nous fait à juste titre nous poser des milliards de questions : Comment réagir pour limiter la casse, sauver nos emplois et nos entreprises ? Comment s’organiser en interne ? Comment communiquer avec nos clients ? Etc. Dans ce contexte, j’ai décidé de chambouler le calendrier éditorial d’Entreprendre dans la mode pour tenter de vous aider autant que possible à traverser cette tempête. Chaque jour, un acteur majeur de l’industrie vient à mon micro pour partager ses réactions, son ressenti, ses conseils et ses solutions pour survivre à cette crise et aller de l’avant.Je remercie vivement chacun pour son temps et son partage d’expérience dans cette période compliquée, et je vous invite à en faire de même sur leurs réseaux sociaux.

“Aujourd’hui, grâce à Instagram, en plus de générer des ventes le jour j, on peut créer des ventes et inscrire son image sur le long-terme parce que l’on aura préalablement fédéré une communauté autour de sa marque.”Invitée du nouvel épisode du Panier, Julie Pellet est responsable du développement de la marque Instagram. Son rôle : aider les marques à se développer sur la plateforme. Créée en 2010, Instagram très rapidement été rachetée par Facebook. Aujourd’hui plus de 140 millions d’entreprises utilisent les applications du groupe Facebook (Instagram, WhatsApp et Facebook) pour développer leur marque. En intégrant peu à peu la vidéo, les stories puis la fonctionnalité shopping, Instagram est devenue une plateforme idéale pour développer son image. Pour approfondir ce sujet, et apprendre de nombreux tips, Julie vient de lancer Instapodcast avec Mélanie Agazzobe.“On ne peut plus penser à Instagram sans penser à la vidéo. La vidéo règne. C’est le format du moment, le format que consomme la génération Z qui sont et seront les nouveaux et futurs clients des marques.”Avec Laurent Kretz, fondateur de CosaVostra, ils abordent différents tips que chacun peut facilement mettre en oeuvre pour déployer sa marque. De l’utilisation du carrousel d’images et des tags photos à IGTV et la création de séries vidéos pour parler de soi, ils reviennent sur tout ce qu’il est possible de faire grâce à la plateforme. Julie explique également la nécessité de mettre en valeur une vraie personnalité au travers de ses posts et ne pas simplement faire de son compte une vitrine de ses produits. Et pour compléter ces tips, Julie Pellet cite les différentes marques comme Glossier, H&M, LOU.YETU, Konbini ou encore Respire qui utilisent le mieux ces fonctionnalités. Pour découvrir tout ça, c’est par ici si vous préférez iTunes, par là si vous préférez Deezer ou encore ici si vous préférez Spotify.Suivez également le podcast sur les réseaux !

Hii ni Episode ya kwanza kutoka kwa mwaka 2020, ambapo Kenedy The Remedy Podcast amefanya mazungumzo machache na Victor George katika kuleta elimu ya maisha na kugusa elimu na maisha yetu kwa Ujumla. Endelea kuifurahia Podcast hii, ikiwa ni mojawapo kati ya Podcast mpya za Kiswahili zinazoshika nafasi kubwa sana kwenye Podcasts. Usisahau Ku-subscribe channel hii ili kupata Eposide nyingi kuhusu vijana na maisha. Asante sana!!!

Sikiliza kisha jifunze hapa kupata madini

Ikiwa tumemaliza uchaguzi wa serikali za mitaa na kutazamia kwenda kwenye uchaguzi mkuu wa mwaka 2020, je kuna mabadiliko tunayoweza kuyarajia? Tume huru ya uchaguzi yaweza kupatikana? --- Send in a voice message: https://anchor.fm/ayubu-chewale/message

This trailer outlines the essence of the Nchi Yetu show in Swahili and allows the young adults to engage in social discussions

The water-breathing descendants of African slave women tossed overboard have built their own underwater society-and must reclaim the memories of their past to shape their future in this brilliantly imaginative novella inspired by the Hugo Award-nominated song "The Deep" from Daveed Diggs's rap group clipping. Yetu holds the memories for her people-water-dwelling descendants of pregnant African slave women thrown overboard by slave owners-who live idyllic lives in the deep. Their past, too traumatic to be remembered regularly, is forgotten by everyone, save one-the historian. This demanding role has been bestowed on Yetu. Yetu remembers for everyone, and the memories, painful and wonderful, traumatic and terrible and miraculous, are destroying her. And so, she flees to the surface, escaping the memories, the expectations, and the responsibilities-and discovers a world her people left behind long ago. Yetu will learn more than she ever expected to about her own past-and about the future of her people. If they are all to survive, they'll need to reclaim the memories, reclaim their identity-and own who they really are. Inspired by a song produced by the rap group Clipping for the This American Life episode "We Are In The Future," The Deep is vividly original and uniquely affecting.

Nguvu za Neno la Mungu pt 1 This is our Kiswahili/Kirundi broadcast. Tune in weekly for the next episode.  

Karibuni kusikiliza sehemu ya 2 ya mahubiri ya "Nguvu za Maneno Yetu." Mbarikiwe!

Dans ce nouvel épisode, nous sommes ravis de recevoir Camille Riou la fondatrice de LÕU.YETU. Après plusieurs années passées en marketing dans de « grands » groupes, Camille se lance et crée sa propre marque de bijoux accessibles et Made in Paris en 2015. Quatre ans après sa création, la startup compte 25 collaborateurs, près de 400 000 abonnés sur instagram et propose de nouvelles collections tous les mois. Retour sur le parcours entrepreneurial de Camille Riou dans ce nouvel épisode des talks du Wagon. Identité sonore & réalisation : yoann.saunier.me Voir Acast.com/privacy pour les informations sur la vie privée et l'opt-out.

I veckans avsnitt träffar vi Dennis, som delar med sig av sin berättelse. Vi samtalar om teater, TV-spel och resor. Programledare: Fredrik Lundberg Producent: Adam Lundberg umea.mittiallt@svenskakyrkan.se

Tumeifanyia nini dini yetu ?

Umuhimu Wa Afya Katika Maisha Yetu

We have a full lineup this week as Lisa joins the gang to talk about Zookeeper. Joel plays with Dangerous High School Girls in Trouble. (no, really.) Dave complains a bit more about AC3, Vick dabbles in some kinect-icking, and Eric beats Karateka.  Because it's a short game. Also our first top ten list: Top 10 most unlikely Karateka sequels which will probably never be made! (Some familiarity with the Hokkien dialect recommended.) After the break, our first video game music special! Guess who likes what, and listen to the full songs below. Also, Joel urges you to check out this link for a good read and more information. The rest of us concur!  Mass Effect 2 - Suicide Mission. Composed by Jack Wall.  Guile Theme (SF2)  by Yoko Shimomura, Isao Abe, and Yoshihiro Sakaguchi (Composers of SF2) Civilisation IV 'Baba Yetu'  By Christopher Tin and performed by the Soweto Gospel Choir Katamari Damacy Theme: "Katamary On the Rocks"  by Yu Miyake and Keita Takahashi Skyrim: Far Horizon  by Jeremy Soule Whale Trail Theme By Gruff Rhys Tristram Theme - Diablo 2  By Matt Uelman Mario Land Ending Theme  by Hirokazu Tanaka Megaman 3 - Magnet Man's theme Original chiptune written and arranged by Yasuaki Fujita Disco Dan - Magnet Man Goes West Bastion 'Build a Wall' Zia's Theme Lyrics by Darren Korb, Vocals by Ashley Barrett Oppa Gangnam Guile - http://youtu.be/GBeoGFvwHEc Screenshot from this seminal piece of work - http://youtu.be/6pDy-CSFsPs OCRemix - http://ocremix.org Send questions and comments to hello@staringatscreens.org! We've heard so many good things about you! Surely everything we've heard is true!