Podcast appearances and mentions of Christopher Tin

Two-time Grammy winning composer Christopher Tin joins Lexie to discuss the evolution of film music, particularly the transition from lush orchestral scores of the past to the more atmospheric and synth-driven scores of contemporary composers, his experiences scoring for the Civilization game series and Old World, and the intersection of music, history, & creativity. So tuck in your togas and hop aboard Trireme Transit for this week's exciting odyssey! Don't forget to follow us on Twitter, Facebook & Instagram or visit our website www.theozymandiasproject.com! Learn more about Christopher:  https://christophertin.com/Listen to “Baba Yetu” the main title to Civilization IV: https://www.youtube.com/watch?v=IJiHDmyhE1A Listen to “Live Gloriously” the main title to Civilization VII: https://www.youtube.com/watch?v=jOF9v-W6kdc Support us on Patreon: https://www.patreon.com/TheOzymandiasProject Custom music by Brent Arehart of Arehart Sounds and edited by Dan Maday.  Get exclusive bonus content (ad free episodes, early releases, and experimental content) on Patreon! Hosted on Acast. See acast.com/privacy for more information.

Quatrième émission de la saison 2024-2025, avec Gomeisa, médiateur numérique et culturel autour du jeu vidéo, et à l'initiative de Fuulido qui rapproche les écologies et les jeux vidéo. Émission diffusée le 22 mars 2025 sur Radio Campus Paris. Au programme :– La chronique de Tizona qui aborde le speedrun comme célébration du jeu alternatif.– La chronique de Calypso qui nous interroge la représentation du care dans les jeux et à quoi ça sert.– La chronique de Léa qui continue d'aborder la narration dans le jeu vidéo, cette fois en détricotant la relation entre læ joueur·euse et les PNJ.– 1ère pause musicale : Quartz Quadrant "G" mix composée par Masafumi Ogata pour l'OST de Sonic CD.– L'entretien avec Gomeisa, et la 2ème pause musicale : Love composé par Retro Family & Adam Hagstrand pour l'OST de Shelter 2.– La chronique d'Anna qui tente de redéfinir le concept de speedrun.– Le jeu "Top 10" par Ache.– Musique de clôture : Sogno di Volare composée par Christopher Tin pour l'OST de Civilization VI. Gomeisa recommande une autre initiative autour des écologies et du jeu vidéo, Yahaha, médias audio et vidéo en ligne. Casting :– Anna Rivière, chroniqueuse– Calypso, chroniqueuse– Lazare Jolly, réalisateur, monteur et responsable technique– Léa Talbot, chroniqueuse– Mehdi Magueur, chargé des entretiens avec l'invité·e– Tizona, chroniqueuse– Vincent Boutin, programmateur musical Discord : https://discord.gg/68zqVXkfCyBluesky : https://bsky.app/profile/assopixelup.bsky.socialKo-Fi : https://ko-fi.com/associationpixelup Production : Pixel Up! en partenariat avec Radio Campus Paris.

Christopher Tin is an award-winning and genre-bending classical composer whose work has been featured in a variety of settings and media, from august concert halls to the world of video games. His orchestral piece “Baba Yetu,” which Christopher originally composed for the game “Civilization IV,” was the first ever musical work written for a video game to win a Grammy Award. It has since become a staple in choral and orchestral venues. He received his second Grammy for his debut album, “Calling All Dawns,” a multilingual song cycle. Christopher has been as adventurous in his producing as he has been in his composing. He turned to Kickstarter to help him create his subsequent two albums, “To Shiver the Sky” and “The Lost Birds,” both of which explored ecological themes. Through his crowdfunding, he not only raised all the funds necessary to pull off both expensive projects but also deepened his relationship with his many ardent fans while making new ones, bringing them along on intimate tours through his entire creative and production process. “The Lost Birds,” which features the acclaimed British vocal ensemble VOCES8, was nominated for a 2023 Grammy and has been performed all over the world. This past spring at the Kennedy Center, the Washington National Opera premiered Puccini's unfinished masterpiece “Turandot” with a new ending composed by Christopher and written by Susan Soo He Stanton. The production and its new ending was a hit with critics and audiences alike.In this interview, Christopher reveals how after decades of experimentation and success he's finally stopped worrying whether his work was too popular to please the classical-music establishment, and he explains how he's cultivated a legion of fans who encourage him to take ever bigger risks.https://christophertin.com/

From games like 'Civilisation VI', films such as 'Crazy Rich Asians', and albums including 'The Lost Birds', Christopher Tin's body of work is as inspiring as it is expansive. Today we are joined by the composer himself, who spoke to us about the creative process behind some of his most iconic pieces of music including 'Baba Yetu', and his new take on completing Puccini's 'Turandot'.

[@ 2 min] FOS Francesca Zambello and composer Christopher Tin recently changed the ending of "Turandot" at the Kennedy Center. We're taking a page from their book to see what problematic productions might also be in need of a refreshed finale... [@ 20 min] And then... PJ files two ecstatic field reports from the Met: one is a rock concert and the other is all about the Boy... [@ 24 min] Plus, in the ‘Two Minute Drill'… stories about Beethoven's hair and Yannick Nézet-Séguin's heart... GET YOUR VOICE HEARD operaboxscore.com facebook.com/obschi1 @operaboxscore IG operaboxscore

The Phoenix Chorale presents two contrasting yet complementary works for voices and orchestra Saturday & Sunday, March 9 & 10 in Scottsdale:...

"The question I had to ask myself was, 'Do you want to change who you are as a composer just so can match a particular sound that is in fashion or is expected of you in the concert hall world or do you want to say true to yourself as an artist?'" Time and time again, whenever this question pops up, it's always you turn towards yourself and ask yourself who you are and you stay true to who you are. You don't change your sound based on what is in vogue in the music world. Be true to yourself. Be the best version of yourself and don't try to be a second-rate version of anyone else."Christopher Tin is a two-time Grammy-winning composer of concert and media music. His music has been performed and premiered in many of the world's most prestigious venues: Lincoln Center, Kennedy Center, Hollywood Bowl, the United Nations, and Carnegie Hall, where he had an entire concert devoted to his music. He has also been performed by ensembles diverse as the Royal Philharmonic Orchestra, National Symphony Orchestra, Metropole Orkest, and US Air Force Band.His song "Baba Yetu", originally written for the video game Civilization IV, is a modern choral standard, and the first piece of music written for a video game ever to win a Grammy Award. His debut album, the multi-lingual song cycle Calling All Dawns, won him a second Grammy in 2011 for Best Classical Crossover Album, and his follow-up release The Drop That Contained the Sea debuted at #1 on Billboard's classical charts, and premiered to a sold-out audience at Carnegie Hall's Stern Auditorium. His third album To Shiver the Sky also debuted at #1, and was funded by a record-breaking Kickstarter campaign that raised $221,415, smashing all previous classical music crowdfunding records. His fourth album, The Lost Birds, is a collaboration with acclaimed British vocal ensemble VOCES8 and was nominated for a Grammy Award in 2023.Tin is signed to an exclusive record deal with Universal under their legendary Decca label, published by Concord and Boosey & Hawkes, and is a Yamaha artist. He works out of his own custom-built studio in Santa Monica, CA.To get in touch with Chris, you can visit his website, christophertin.com, or find him on Instagram (@christophertinmusic) or Facebook (@christophertinmusic).Choir Fam wants to hear from you! Check out the Minisode Intro Part 2 episode from May 22, 2023, to hear how to share your story with us.Email choirfampodcast@gmail.com to contact our hosts.Podcast music from Podcast.coPhoto in episode artwork by Trace Hudson

Hailed a “stirring voice” by the New York Times, Roopa Mahadevan is a leading second-generation Indian classical and crossover vocalist in the American diaspora known for her collaborative spirit. She leads the crossover ensemble Roopa in Flux, where she works with musicians in jazz, soul/R&B, and various global traditions, directs the innovative choir Navatman Music Collective, and sings for leading Bharathanatyam and modern dancers around the world. She has performed at Carnegie Hall, Lincoln Center,  MET Museum, Kennedy Millenium Stage and is a soloist on Christopher Tin's Grammy Award-winning Calling All Dawns.She and Emma discuss how to find your ‘flow' in improv, the influence of her gurus and why Bulgarian choir is the perfect match with classical Indian music!Roopa's websiteRoopa's Album, Roopa in Six YardsThe three questions:Was there a piece of art that changed everything for you?A class by artist and activist Daniel Valdez collegeIs there a piece of art that you respect, but don't like necessarily?"Confessional art"Give us a recommendation!Maria Popova's The Marginalia  website/newsletter (formerly known as Brain Pickings)

This episode I am joined by composer Christopher Tin. We talk about his history in music, how he approaches his work and so much more.  https://christophertin.com https://twitter.com/christophertin For more Beyond the Playlist https://twitter.com/JHammondC https://www.facebook.com/groups/Beyondtheplaylist/ Theme music by MFTJ Featuring MIke Keneally and Scott Schorr - to find more of MFTJ go to https://www.lazybones.com/ https://mftj.bandcamp.com/music http://www.keneally.com/ To support the show with patreon go to:  https://www.patreon.com/jhammondc

Welkom terug bij een nieuwe aflevering van Kalm met Klassiek, dé podcastserie voor je dagelijkse momentje rust. We vieren deze week het behalen van 2 miljoen plays! Daarom vroeg Ab jullie om jullie favoriete Kalm met Klassiek-muziek te delen. Voor Marlies Leeflang is dat Hope Is the Thing With Feathers uit de lenteweek van dit jaar. Die prachtige koormuziek laat Ab graag nog eens horen. Blijf lekker luisteren, want aan het eind van deze aflevering zit nog een leuke verassing! 

Welkom terug bij een nieuwe aflevering van Kalm met Klassiek, dé podcastserie voor je dagelijkse momentje rust. Deze week luisteren we naar muziek passend bij het thema 'Lente', Abs favoriete tijd van het jaar. En daar heeft hij prachtige koormuziek bij gevonden, genaamd Hope Is the Thing With Feathers. Christopher Tin schreef deze zetting van een gelijknamig gedicht van Emily Dickinson. De melodie ontleende Tin aan een stuk dat hij eerder schreef voor strijkorkest. Hope Is the Thing With Feathers gaat over de kwetsbaarheid van de natuur. Laat je meevoeren door de lyrische, maar ook weemoedige lijnen en ontspan…

The first ever video game song to receive a Grammy was the song Baba Yetu composed by Christopher Tin as the theme for Civilization 4 on 2011, though that was before there was an official category for video game music. I'm glad to see who gets nominated next year. Because of the Grammy cut-off window being the end of September, Bear McCreary received his nomination for Call of Duty, but I expect to see another for God of War next year. Oh, and news!

Christopher Tin is a two-time Grammy-winning composer who is up for two more at this weekend's ceremony. The first is for Best Classical Compendium, for his piece, The Lost Birds. The second is in the brand-new category of Best Score Soundtrack for Video Games and Other Interactive Media. Tin is nominated for his work on the game, "Old World." Tin joins us to discuss both nominated projects.

Following up our last show on CANYON.MID, we're joined by the artist that closed out the show, Austin Green. Austin is a guitarist and leader of the band WASD. We're going all in on PC game music today with a mix of Austin's favorites as well as PC game music covers from his recently released album Escape. For more info about Austin and WASD, check out the following links: Linktree | Bandcamp Don't forget to catch WASD live at MAGFest 2023 January 5-8, 2023 (Thursday to Sunday) Episode Track List: 0:00:00 Jazz Be Damned - Jazz Jackrabbit 2 (1998) - Alexander Brandon 0:05:33 Welcome to Fyrestone - Borderlands (2009) - Jesper Kyd 0:15:03 Fyrestone (WASD cover) - Borderlands (2009) - Jesper Kyd 0:21:37 Progressive - The Incredible Machine 3 (1995) - Chris Stevens, Tim Clarke, Jan Paul Moorhead 0:25:30 Programmable Rock (WASD cover) - The Incredible Machine 3 (1995) - Chris Stevens, Tim Clarke, Jan Paul Moorhead 0:36:23 Brain Freeze - Command and Conquer: Yuri's Revenge (2001) - Frank Klepacki 0:42:29 Buy Mode 1 - The Sims (2000) - Jerry Martin, Marc Russo 0:47:02 Goin' Down the Fast Way - Rise of the Triad (Christmas 1994) - Lee Jackson, Bobby Prince 0:54:16 The Cathedral - Heretic (1994) - Kevin Schilder 0:57:56 Blighted Sanctuary (WASD cover) - Heretic (1994) - Kevin Schilder 1:07:55 Baba Yetu - Civilization IV (2005) - Christopher Tin 1:14:51 Stand the Test of Time (WASD cover) - Civilization IV (2005) - Christopher Tin

To cap off Season 5, Christopher Tin joins Moveable Do to talk about growing up in California, living with immigrant parents, and, of course, his work with film and video game music. Find out about Christopher's fascination with language and how it connects with singing styles. Pieces featured on this episode: "Baba Yetu," "Sogno di Volare," "Waiting for Your Return" (from Crazy Rich Asians), and "Hope is the Thing With Feathers." For more information about Christopher Tin and his music, visit https://christophertin.com. For more information about this podcast and a full archive of episodes, visit https://sdcompose.com/moveabledo. Connect with us! Email: moveabledo@gmail.com Facebook Group: Moveable Do Listeners Instagram @Moveable_do_podcast Twitter @MoveableDo YouTube @MoveableDoPodcast We'd love to hear from you! Send and email or leave a voice message at anchor.fm/moveabledo. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/moveabledo/message Support this podcast: https://anchor.fm/moveabledo/support

Humans aren't capable of completely original ideas. Everything is borrowed.

Christopher Tin/Voces 8 — The Lost Birds (Decca) Jump to giveaway form New Classical Tracks - Christopher Tin by Composer Christopher Tin and the British vocal ensemble Voces8 were introduced to one another by their recording engineer about a decade ago. Ever since that first meeting, Tin has been looking for an opportunity to collaborate with the singers. They were finally able to come together on a project called The Lost Birds. “The main overture of The Lost Birds is actually a melody that I'd written years ago for a documentary about bird extinctions,” Tin said. “This subject has been on my mind for more than ten years. This one little tune that I wrote 11 years ago has stayed as something that I wanted to expand upon in a choral requiem format. I finally got the chance to do that with Voces8 during the pandemic.” Why is the loss of birds important to you? “I've been very captivated by the metaphor of the canary in the coal mine, which you may know comes from the 19th century practice where miners used to bring a canary down to the coal mines with them. If the canary died it meant there was a buildup of poisonous gases in the coal mine and the miners would be next. I thought there was no better metaphor for the impending change in the climate and what it could mean for our own civilization. I took this metaphor and I essentially made an entire choral piece out of it. “We talk about birds and celebrate their beauty in the first half. But over the course of the second half, the birds vanish and the texts become more suggestive of humans going extinct along with the birds. It's a soft activist message about where these extinctions are leading us.”  Why did you decide to adopt a 19th-century musical vocabulary? “I immersed myself in the vernacular of the 19th century, both musically and poetically. The four poets that I chose to set to music are Emily Dickinson, Sara Teasdale, Edna St. Vincent Millay and Christina Rossetti. I really wanted to create a time capsule that was reflecting on where we are now.” What were you going for with the piece “Thus in the Winter”? “The way I think of writing choral parts is almost like the way that birds fly in a flock. The different voices are individual birds and they all have their own motion, but collectively they have a group motion to them. It's directional and it's made up of all these individual threads. A piece like ‘Thus in the Winter' is a realization of that movement. It is a lot of individual lines weaving around, sometimes coming together with big cries, but often diverging and doing their own things.” VOCES8 & Jack Liebeck: The Lark Ascending - Ralph Vaughan Williams (arr. Paul Drayton) To hear the rest of my conversation, click on the extended interview above, or download the extended podcast on iTunes or wherever you get your podcasts. More on Christopher Tin New Classical Tracks Christopher Tin's 'To Shiver the Sky' encourages listeners to take flight Composer Christopher Tin has a funky message for APA Heritage Month Giveaway Time For Three New Classical Tracks Giveaway You must be 13 or older to submit any information to American Public Media/Minnesota Public Radio. The personally identifying information you provide will not be sold, shared, or used for purposes other than to communicate with you about things like our programs, products and services. See Terms of Use and Privacy. This giveaway is subject to the Official Giveaway Rules. Resources Christopher Tin/Voces8 — The Lost Birds (Christopher Tin official store) Christopher Tin/Voces8 — The Lost Birds (Center Stage store) Christopher Tin/Voces8 — The Lost Birds (Amazon) Christopher Tin (official site) Voces8 (official site)

A Conversation with Christopher Tin about extinction elegies, species loss, hope, and his new album with choral group Voces8.

In the Studio follows Grammy-winning American composer Christopher Tin as he embarks on the creation of an ambitious new work. Based on poetry and inspired by folk music, The Lost Birds is a musical memorial to bird species driven to extinction by humankind. Edwina Pitman follows Christopher through his composition process, his collaboration with the prolific British vocal ensemble VOCES8 and the Royal Philharmonic Orchestra. The Lost Birds is an elegiac response to the noise of our times and a haunting tribute to those soaring flocks that once filled our skies, but whose songs have since been silenced.

Meena Shamaly is a singer, an instrumentalist, a composer, a radio host and a performance poet. While not a definitive list of his artistic talents, it's a list relevant to our conversation we had at the end of July. So, we talk about how he sang, played oud and served as an Arabic music and language consultant for Christopher Tin on Old World. We discuss his one-hour radio show on Australia's ABC called Game Show, where he talks about and plays video game music. We also talk about his poetry - he is a performance/spoken-word poet. It was great chatting with him! You can find a playlist and support Level with Emily on Patreon. Join us on Discord for free. Find us on YouTube and Twitter. Patrons have access to special Discord events and special guest playlists.

You probably all know who tyDi is. Through his extensive discography, which includes five full-length albums, countless singles and remixes, and numerous EPs across diverse genres on various labels from Republic to Armada, tyDi has topped global charts, toured the world and made an indelible mark on the music world. The prolific Australian producer/DJ made waves with his acclaimed collaboration with Grammy-winning composer Christopher Tin, resulting in the epic album Collide. The album also received accolades in DJMag, The LA Times, as well as placement on Friday Cratediggers and New Music Friday USA Spotify playlists, and hit both the Billboard dance and classical charts. tyDi has also collaborated with the Grammy-nominated singer JES, trance music legend Andy Moor, producer Matt Fax and many more.On this episode he discusses with Johny Walker his recent health troubles as well as the important issue of how lack of freedom in scientific and medical discourse has affected his professional career. In addition to that, and that should rejoice his numerous fans worldwide, he discusses his future plans.Listen to his latest single https://beyourselfplay.nl/bymds192.CUSW (Artist): ⁠www.tyDi.com⁠  W (Composer) ⁠www.tyDicomposer.com⁠F: tyDi.com/facebook | YT: tyDi.com/youtube | T: tyDi.com/twitter  | I: ⁠instagram.com/tyDi⁠A talking podcast about EDM with an attitude and opinion! You like electronic dance music and don't know what's lit or douce? We've got you covered. We are bringing you news, reviews, and gossip that matter. Come and say Hi ! Or even better subscribe to our podcast now.Listen to our podcast on all major platforms https://fanlink.to/bHNZ | Watch our videos and streams on http://bit.ly/2NyIEgv | Follow our Tweets - https://twitter.com/Freakbeats_cast | Listen to our playlists on https://sptfy.be/edmfreaks | Read our words on Substack https://bit.ly/36kUqUY and https://bit.ly/3MXpriy This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit freakbeatsedm.substack.com

You probably all know who TyDi is. Through his extensive discography, which includes five full-length albums, countless singles and remixes, and numerous EPs across diverse genres on various labels from Republic to Armada, TyDi has topped global charts, toured the world and made an indelible mark on the music world. The prolific Australian producer/DJ made waves with his acclaimed collaboration with Grammy-winning composer Christopher Tin, resulting in the epic album Collide. The album also received accolades in DJMag, The LA Times, as well as placement on Friday Cratediggers and New Music Friday USA Spotify playlists, and hit both the Billboard dance and classical charts. TyDi has also collaborated with the Grammy-nominated singer JES, trance music legend Andy Moor, producer Matt Fax and many more. On this episode he discusses with Johny Walker his recent health troubles as well as the important issue of how lack of freedom in scientific and medical discourse has affected his professional career. In addition to that, and that should rejoice his numerous fans worldwide, he discusses his future plans. Listen to his latest single https://beyourselfplay.nl/bymds192.CUS W (Artist): www.tyDi.com W (Composer) www.tyDicomposer.com F: tyDi.com/facebook | YT: tyDi.com/youtube | T: tyDi.com/twitter | I: instagram.com/tyDi A talking podcast about EDM with an attitude and opinion! You like electronic dance music and don't know what's lit or douce? We've got you covered. We are bringing you news, reviews, and gossip that matter. Come and say Hi ! Or even better subscribe to our podcast now. Listen to our podcast on all major platforms https://fanlink.to/bHNZ | Watch our videos and streams on http://bit.ly/2NyIEgv | Follow our Tweets - https://twitter.com/Freakbeats_cast | Listen to our playlists on https://sptfy.be/edmfreaks | Read our words on Substack https://bit.ly/36kUqUY and https://bit.ly/3MXpriy --- Send in a voice message: https://anchor.fm/freakbeats-edm-podcast/message

On Sunday, June 12, our choir and orchestra will take us on a journey that's both deep and wide. We'll celebrate the human spirit as it moves through struggle and sadness to healing and hope. It's a journey of discovery, it's a story of resilience, and it's an offering to (and from) our community of faith.  All music performed by First Universalist Choir and Orchestra, conducted by Dr. Randal Buikema Words of Welcome- Rev. Kate Tucker (:19) Duel of the Fates by John Williams, arr. Keith Christopher and Eric Anderson (6:40) Hymn for Hurting by Amanda Gorman- Lisa Weiland (10:42) More Love by Jan Richardson- Nancy Gaschott (12:06) Ein Deutsches Requiem, mvt. 1 by Johannes Brahms (12:35) The Thing Is by Ellen Bass- Shelley Des Islets (22:07) Prayer and Cycle of Life- Rev. Kate Tucker (23:14) Why I Wake Early by Mary Oliver- LouAnn Lanning (26:26) May I Reach by George Elliot- Gail Griffin (27:15) Sogno di Volare by Christopher Tin (27:51) High Flight by John Gillespie Maggie, Jr.- Ray Dillon (32:02) Sure On This Shining Night by Morten Lauridsen (33:09) I Believe by Alok Menon- Libby Crawford (37:57)  

WTOP Entertainment Reporter Jason Fraley chats with Grammy-winning composer Christopher Tin, who presents the world premiere of "To Shiver the Sky" tomorrow at The Anthem in Washington D.C. He'll also perform "Baba Yetu," which made him the first composer to win a Grammy Award for scoring a video game in "Civilization IV."

Joy talks with two time Grammy Award winning artist Christopher Tin about synecdoche, video games, the moon landing, Pink Floyd, and why music delights us.

Christopher Tin Old World podcast

If you enjoy this podcast, consider buying me a coffee: https://adamstoner.com/support His body blue, no blood pressure to speak of, and no pulse to find, artist Andy Warhol was declared dead on arrival at Columbus Hospital in New York City – 4:51pm on June 3rd 1968 – having just been shot by a former colleague at his workshop, The Factory. Bleeding on the gurney, a senior doctor took a fleeting look at the corpse, peeling back an eyelid and watched as its pupil contracted in the bright emergency room lights. Andy Warhol wasn't dead. More culturally relevant to modern day, materialistic Christmases than Jesus himself, disciples of the king of consumerism gathered outside the hospital that night, Andy's resurrection happening within. A cardiac arrest on the operating table and 12 pints of blood later, Warhol's scarified body walked from the hospital alive. I tell you this because I've just finished reading The Andy Warhol Diaries and am about to finish Year of Wonder: Classical Music for Every Day by ex-BBC Radio 3 presenter Clemency Burton-Hill. Clemency's got a sequel out this December, Another Year of Wonder, which I've pre-ordered. On the subject of music, Paul McCartney's new double-volume coffee-table book – The Lyrics – is an intimate self-portrait in 154 songs, a fascinating trawl through the handwritten notes of the UK's greatest songwriter. I got that at the start of the month when I saw his Q&A at the Southbank Centre in London. Spread over pages 48 and 49 of the most recent edition of Science and Nature magazine, I write about something that world leaders overwhelmingly failed to grasp at COP26: the fragility of planet Earth. Despite their failure, it was lovely to see my writing published and now exist in the hands and homes of people across the country. That edition is still on newsstands if you've not been able to pick up your copy yet. On Audible I've been listening to Conscious: A Brief Guide to the Fundamental Mystery of the Mind by Annaka Harris, Your Brain Is a Time Machine: The Neuroscience and Physics of Time by Dean Buonomano, and Transcend by Scott Barry Kaufman. I've also been listening to the tonnes of great music that's come out this month. HalfNoise's new album, Motif, is a blend of classical and jazz and a perfect easy evening listen. ABBA's new album shot straight to number one and it's no surprise why. Adele's new album is undoubtedly fantastic too. I was gifted a gorgeous Voyager Golden Record three-LP box-set from Ozma Records and also received a signed copy of Christopher Tin's Calling All Dawns on vinyl this month. For me, albums are a snapshot of the time in which they were recorded, something the Voyager record captures so poignantly and Adele clearly feels too; why else would you title each album your age? That's why I feel strongly about Taylor Swift's re-recording of her albums. Red (Taylor's Version) came out earlier in the month and although I sympathise with the reasons behind its re-release, there's something wholly inauthentic about a soon-to-be 32 year old re-releasing songs written by a 22 year old Swift. As she catches up with her present day work, I daresay I'll feel differently. That said, the album is just as fantastic as the first time around and like Paul McCartney's book, I love gems from the archive. I've had such a lovely month getting out-and-about too. Working on a big project I'll be able to tell you more about in the new year, I was at the Royal Observatory Greenwich in mid-November. I also visited We The Curious in Bristol yesterday for more of the same. Either my taste in films is terrible or critics are stuffy people whose self-importance impedes their judgement. The reviews for House of Gucci are terrible; I saw it in the cinema on Friday and thoroughly enjoyed it. I reckon it's the second of those two things. I was invited to hear the Cotswold Male Voice Choir perform in Cheltenham on Saturday and even took a walk around Westonbirt Arboretum a few days ago on a press preview of their Enchanted Christmas trail. I was also invited to the Tewkesbury Festival of Lights at the start of the month, a beautiful sound and light show telling the story of Tewkesbury through the lens of its 900 year old Abbey. That's sort of what I'm trying to do with these updates; place my story – what I've been doing, reading, watching, and listening to – within the much wider context in which we all live our otherwise individual lives. I think that's also what makes religion so fascinating, I'm not a religious person (though I did have tea with the Bishop of Tewkesbury in the Reverend's home) but I do love the theatrics of it; cathedrals and churches and choirs and the feeling of belonging to something bigger than yourself, a grander story. Today's the first day of December and the countdown to Christmas and the New Year is on. Assisting me are advent calendars from Yankee Candles and T2 Tea. It won't be long before we pop up our tree also; we've decorated ours in basically the same style for as long as I can remember, only ever replacing and adding ornaments here-and-there. I've also got a smaller tree from Bloom & Wild. It comes through your letterbox, is taking pride of place atop a locker I got from Mustard, and with its roots still intact, you can even plant it on afterwards! I did so last in 2019; it's still growing strong. In 1964, a few years prior to Andy's shooting, he had his photo taken in front of a bare Christmas tree, a blue spruce, stripped of all decoration. The image is anathema to everything we know about Warhol his colourful pop art so I emailed the The Andy Warhol Museum on a quest to find out more about it. Matt Gray, manager of the archives, replied. The photo is a design submission for an exhibit at the headquarters of Hallmark Cards. His decision to submit an empty tree wasn't a publicity stunt or a critical read on culture but was a very subversive and deliberate artistic decision. […] He was very aware that the other participants in the show were stuffy and traditional and this was a chance to emphasize his new and rebellious image. […] The fact that he was given the largest tree and a prominent location [in the show] confirms he was on to something. Warhol's tree was left out of the cheery full-colour spread that filled Ladies' Home Journal that year and became known as his ‘anti-Christmas tree', but neither Matt or I think that was his intention… Warhol's tree captures precisely what makes Christmas so special because whether you're a fan of the theatrics of religion or of commercialism, this time is a blank canvas to decorate as you see fit. There is no right or wrong way to celebrate the holidays. Whether you spend this time surrounded by family, binge-eating food or in quiet contemplation of the year just gone, I hope you enjoy it. Here's how Warhol spent his final Christmas in 1986: I went to the church of Heavenly Rest to pass out Interviews [his magazine] and feed the poor. Got a lot of calls to go to Christmas parties but I just decided to stay in and I loved it. Merry Christmas. You'll next hear from me on December 31st 2021.

No te rindas de Benedetti, nos da pie a reflexionar, que facil es rendirnos pero que tenemos todas las capacidades para salir adelante. Baba Yetu, una interpretación en Swahilli del Padre Nuestro por Christopher Tin. ¡¡¡Gracias por escuchar y compartir!!!. --- Send in a voice message: https://anchor.fm/carlos-foulkes/message

Welcome to this special episode of the Mohawk Games Podcast. Leyla Johnson, our CEO and Creative Director, talks to Christopher Tin, a two-time Grammy Award winner, about the making of Old World's Soundtrack. From the podcast: Meena Shamaly GCAP 2021 Presentation : https://www.youtube.com/watch?v=sUUB_xA9rMA Angel City Chorale Choir Golden Buzzer Winner: https://www.youtube.com/watch?v=B1cjW3rGSvg Leyla Johnson: @LeylaCatJ http://www.mohawkgames.com Christopher Tin: @christophertin https://www.christophertin.com Soren Johnson @SorenJohnson http://www.mohawkgames.com

光荣特库摩：日本游戏公司，由1978年成立的株式会社光荣和1967年成立的株式会社特库摩合并而成，《三国志》系列游戏的出品方。自1983年以来，光荣已经出品了14代《三国志》游戏和15代《信长之野望》游戏。Paradox Interactive：瑞典游戏公司，自1999年成立，《钢铁雄心》系列游戏的出品方，被大陆玩家称为P社。旗下“P社四萌”为四个王牌系列游戏《钢铁雄心》《欧陆风云》《维多利亚》《十字军之王》。本期节目中，我们就要聊一聊，这两个公司的游戏如何改变了中国众多网民们学习、理解历史的方法。主持人：姚天宜、鬼王橙常驻嘉宾：竹溪（公众号：Vault_of_Kris）00:00:41—00:02:50 本期内容介绍00:02:50—00:11:07 光荣的“三国”系列00:11:07—00:19:28 玩游戏怎么学历史？00:19:28—00:28:50 P社游戏的历史科普作用 00:29:04—00:37:52 历史游戏中的粗暴方法论00:37:52—00:46:18 “精德”与历史的扁平化 00:46:18—00:58:06 “精日”与道德判断的缺失 00:58:06—01:05:48 玩游戏的魔怔人01:05:48—01:06:00 结尾参考书目：《高堡奇人》，作者：菲利普·K·迪克《临高启明》，作者：吹牛者结尾音乐：“Baba Yetu”（《文明IV》主题曲），音乐人： Christopher Tin若对我们的节目感兴趣，可以在“湖岸”微信公众号后台、“巴别塔词典编辑部”微信群，以及新浪微博“@巴别塔词典”联系我们！

Daedalus and Icarus To the Stars We Choose to Go to the Moon Purchase the music (without talk) at:http://www.classicalsavings.com/store/p1381/Christopher_Tin%3A_The_Orchestral_Sessions_%28Vol._1%29.htmlYour purchase helps to support our show! Classical Music Discoveries is sponsored by La Musica International Chamber Music Festival and Uber. @khedgecock#ClassicalMusicDiscoveries #KeepClassicalMusicAlive#LaMusicaFestival #CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans#CMDGermanOperaCompanyofBerlin#CMDGrandOperaCompanyofBarcelonaSpain#ClassicalMusicLivesOn#Uber Please consider supporting our show, thank you!http://www.classicalsavings.com/donate.html staff@classicalmusicdiscoveries.com This album is broadcasted with the permission of Katy Solomon from Morahana Arts and Media.

The theme song of humanity.Audio sources: Baba Yetu at Cadogan Hall Official music video Baba Yetu at Llangollen Lyrics“Baba Yetu” is essentially the Lord's Prayer sung in Swahili. The title translated means “Our Father”.Baba yetu, yetu uliyeMbinguni yetu, yetu amina!Baba yetu yetu uliyeJina lako e litukuzwe.Utupe leo chakula chetuTunachohitaji, utusameheMakosa yetu, hey!Kama nasi tunavyowasameheWaliotukosea usitutieKatika majaribu, lakiniUtuokoe, na yule, muovu e milele!Ufalme wako ufike utakaloLifanyike duniani kama mbinguni.(Amina)Our Father, who artin Heaven. Amen!Our Father,Hallowed be thy name.Give us this day our daily bread,Forgive us ofour trespasses,As we forgive othersWho trespass against usLead us not into temptation, butdeliver us from the evil one forever.Thy kingdom come, thy will be doneOn Earth as it is in Heaven.(Amen)TranscriptOn Fridays we feature music on this podcast and today i'm sharing one of my favorite songs - Baba Yetu. If all of humanity ever had a theme song, this would be my pick.This first clip was from a performance with the Royal Philharmonic in London at Cadogan Hall.Baba Yetu was the theme song for the game Civilization 4 and it was the first video game song to ever win a Grammy award. If you watch the official music video that comes with the game, linked in the show notes, you can imagine how it celebrates the crowning achievements of civilization from the taming of fire all the way through to the space race and the information age. But the renditions I feature here are not from the game, they are live performances conducted by Christopher himself. I really prefer the live performances because you get to see how passionate Christopher is about this song, and how much it lifts up the entire chorus and orchestra. As one youtube commenter said, "this is a song composed by an asian guy in an african language sung by white people from a game about the rise of humanity. Now if that isn't awesome I don't know what is."Baba Yetu is the Lords Prayer in Swahili - so literally you are saying "give us this day our daily bread, forgive us of our trespasses as we forgive others" as you sing this song. To close out, here's another rendition I like with a more diverse cast and I love appreciating how a different soloist interprets it.If you have the time, I recommend watching both performances on youtube. 

In today’s episode, Mr. Henry and Mr. Fite talk with two-time Grammy-Award winning composer Christopher Tin.  Learn how he got started in music and the story behind how he wrote the theme song for Civilization IV. Be sure to leave a review wherever you get your podcasts. Thanks so much for listening! To learn more about Christopher Tin, visit his website christophertin.com Subscribe to Christopher Tin’s YouTube channel: https://www.youtube.com/channel/UCLtA9_lHZUPRSJcFKmCxYUA Check out our YouTube channel: Remember to Share and Subscribe! https://www.youtube.com/channel/UCdGhqK_DWpRIKS45ICqN3eQ ***Classroom and Homeschool Teachers***  Find our digital resource to help enhance your classroom HERE! Like us on Facebook!  Mr. Fite Check out original fun and educational music from Mr. Fite at  https://brucefite.com/music and subscribe to Mr. Fite’s YouTube Channel   Mr. Henry Learn music and the piano with Mr. Henry by subscribing to his YouTube channel:  Mr. Henry’s Music World Hey there Music Podcast for Kids listeners! This is Mr. Henry and we want to thank you so much for listening to the show. We absolutely love educating the world all about music and you know what's pretty cool? You can be a part of our mission as well. If you leave a review, more people can listen to the show. So, you can help us with the journey of educating the world all about music. So if you could take a moment to leave a review of the show we would greatly appreciate it. Thanks so much!  Let the music begin in 3, 2, 1... Learning music, having fun. That’s what we’re gonna do. Mr. Henry, Mr. Fite, exploring along with you. Learning music, having fun. That’s what we’re gonna do. Mr. Henry, Mr. Fite love hanging out with you. The Music Podcast for Kids! Hello and welcome to The Music Podcast for Kids we're your hosts Mr. Henry and Mr. Fite - Music educators extraordinaire! The Music Podcast for Kids is a fun and educational podcast where we learn and explore the best subject ever -  music!   And now, the music joke of the day. We love jokes, so if you have a joke, please visit our website themusicpodcastforkids.com to submit your joke. And guess what? It doesn't even have to be a music joke; it can be any joke. We will read and enjoy your joke on the podcast and also let everyone know who it came from and where you are in this great big wonderful music world.  Our joke of the day is: This joke comes from Ethan, a listener of the show. Why does a golfer wear two pairs of pants? In case he gets a hole in one. This joke comes from Zenni, a listener of the show. Why did the chicken cross the playground? To get to the other slide.  Make sure to send in your jokes by visiting our website themusicpodcastforkids.com a link to the website can be found in the show notes.  Thank you so much for listening. We hope you are enjoying the show so far. Please subscribe to the podcast to receive the latest episodes and leave a review through iTunes or wherever you get your podcasts. Also get updates on what we are up to through Facebook and Instagram by finding us at Music Podcast for Kids. Links will be found in the show notes. On to the show! Just Chattin’: Christopher Tin is a two-time Grammy-winning composer of concert and media music. His music has been performed and premiered in many of the world's most prestigious venues: Carnegie Hall, the Lincoln Center, and the Hollywood Bowl. Mr. Tin’s music can be found in video games such as Civilization and films such as Lilo and Stitch 2 and X-Men United to name a few. He also has incredible classical crossover albums which we learn more about in this interview! Be sure to visit christophertin.com for more information.  We have a very special guest with us today on The Music Podcast for Kids! Christopher Tin, thanks for being on the show! Glad to be here.  Since we are a music podcast for kids, we always like to ask our special guests how they got started with music. Can you tell us how old you were when you got started? Did you take private lessons? And where your musical journey took you through your growing up years?  I started music when I was 5. My parents enrolled me in piano lessons, and you know that's kind of like what you did right? Put your kids into music school at that age. I really enjoyed it and I found that as I got older my curiosity with other instruments sort of expanded. So I started playing trumpet maybe in third grade or something like that.  I started playing guitar in high school and bass in high school, started singing in high school. And writing music. And all these other things in high school. And it just kind of blossomed form there. So from an early age I was exposed. So you've received many awards including two Grammy Awards which is amazing but I first would like to ask you about the Guinness Book of World Records award that you received. Could you tell us more about that? That was for winning the very first Grammy award for a piece of music written for a video game. That was my song Baba Yetu which was written for the game Civilization IV. It became kind of a hit. And when I re-released it at the opening track on my debut album it won a Grammy. And the album also won a Grammy so that's what my claim to fame is. Yeah cool. So speaking of that, an album you wrote called Calling All Dawns in 2011 that won the Grammy for the best classical crossover album. First of all can you educate us about what a crossover album is and then when you were creating the album were you specifically trying to have your music cross over to another genre? Well I was absolutely trying to make my music cross over to another genre. I mean that it is essentially what a crossover album is,  it's a piece of music that brings together two different genres of music. And in this case Calling All Dawns was an album that fused various World music traditions with sort of a classical sensibility. So it was just a crossover between you know non-western folk music and classical music, hence,  classical crossover. That's great. So alongside composing music, you’re a conductor, artistic director. I’d like to learn more about your conductor director role in two different scenarios. So first, responsibilities for like a live concert and what you would tackle within a recording session with studio musicians. Would you say those scenarios have a big difference as to like what a conductor would do or is it kind of the same thing? Yeah could you elaborate on that? Well the only real similarity they share is the mechanics of conducting. You know your baton technique, where the orchestra is placed around you. But beyond that they are very different tasks. When you're conducting a concert for one thing your rehearsal time is very limited. Everyone is watching you, you're giving feedback because you're, you know, you're the person in charge of the sound that is coming at you. And then you try to figure out the balance issues as best you can on the podium. But when you're in the recording studio it’s a completely different story because a lot of times everyone's wearing headphones you know they're trying to hear each other. Sometimes there's a click track sometimes there isn’t. Sometimes you have to record the orchestra separate from the choir and in fact usually you do. you record the orchestra separate from the soloist and the choir and other special ensembles. And frankly when you're in a recording studio with an orchestra around you can't really hear everything the same way the people in the control room can hear everything.  So a lot of times your main task in that recording session is just to get an inspired performance out of performers. But it's hard to really know if that was a good take or not because frankly I can't hear everything because the way everything is baffled off, like screened off right. That's when you rely on your producer who is sitting in the control room to help tell you whether that was a good take or not. That's cool. And does  that feel different too? I imagine when you're not responding to the having all of hearing all of the sounds do you have to kind of creative almost a pseudo inspiration to you know to to keep the emotions there throughout throughout the pieces when you're in the studio or do you have enough information to go for a measure as you're conducting to to keep it real and what was the feeling that you you want to get from it? I think your thoughts are on very different things. I mean when I'm in a recording studio I know there whatever is being performed is being captured for posterity and so my mind is actually less on trying to Inspire an emotional performance and more on listening to what's coming back at me as best I can. Right? And I'm trying to decide whether this is good or not.  Whereas in performance you know that whatever they play that's it you know what to do with it is done with your moving on. So you’re actually thinking ahead in the piece a little more in performance. You’re thinking about what  is coming up and I know that this is a tricky temple change and the harp really needs to stay with me. So I need to know to look at the harpist and and and you know get a good performance out of them. So in a way in live performance I'm a little less aware of what's actually going on. My mind is sort of thinking ahead and trying to steer the performance as best I can. So we’re always really interested in the process a composer takes when getting started and working through their own process.  We spoke with Eric Whitacre a while back, a choral composer and he was telling us that he draws sketches that eventually will be represented by the music he creates. So what kind of process do you have to get started as you're piecing your music together? I think I have the complete opposite process as Eric. I have never warmed to the draw a sketch of your piece and then sort of fill-in-the-blank later. I have more of a general sense we are going to end but start and then start writing from the beginning and move forward and try to end up there. I’m really more that person because that’s how we experience music. We experience music from the start to the end right? And so if I write the first 30 seconds of a piece of music I want to be able to sit back and reflect on how those 30 seconds make me feel before I tackle the next 30 seconds and calibrate those next 30 seconds accordingly. So I’m very much a start from the beginning and more forward sort of person. And when you’re doing that are you typically at the piano kind of coming up with an arrangement on the piano and then adding orchestration to it or just straight writing it down or how do you tackle that? In recent years I've started staying on the piano as long as I can and sketching things out and then tackling the orchestration. I think that comes from a bit of a position of self confidence and experience. Because I know that as I'm sketching things out on piano I already have a sense of what the orchestration is. I don’t really feel the need to go down and notate it. I'm not going to forget what the orchestration is going to be. I also like to stay unencumbered by minuscule decisions for as long as possible. Orchestration is one of these very bogged down with like how am I going to to bow this and like is this the right notation for this. I would much rather kind of sketch a  really sloppy piano sketch out from start to finish and then go in and refine it. And in the process of refining, actually ideas get revisited and revised and you know you throw out some ideas that maybe you sketched out on piano. relaxing idea that maybe you expand certain sections you know a way to have a second pass at your material having already had the benefit of sketching everything out. Going back and saying now that I know how I’m filling in the blanks, now that I know how the whole thing is going to be laid out, how can we adjust knowing that we’re going to do this later on. So that's sort of the way I like these days. So you’ve written many pieces of music for video games. First is writing for video games something that you were always interested in like as a kid growing up like I want to write for video games? I hear kids saying that all the time. Is that something that you were looking to do? No not at all. If you asked me as a kid what I wanted to do with my life it wasn’t that. I wouldn’t want to write music for video games, it’s totally to play video games. Truth be told the video game thing sort of stumbled across my desk randomly. I went to my college reunion and I bumped into my old roommate who was now a celebrated video game designer and then we connected and just  talked about his next video game. And that next video game turned out to be Civilization 4 which I wrote the song Baba Yetu for. That was the first piece of music I ever wrote for a video game actually. It was never a lifelong dream of mine.  I love it. I love writing for games and I love the industry. I think there’s really great talented, smart people in the business. But I like doing a lot of things musical. Like recording albums. I like you know scoring films. I like conducting my music. I like teaching. I like a lot of different things. It’s never been you know I want to be a video game designer. That’s just one component of the whole thing. The piece Baba Yetu recently celebrated its 15th year anniversary. And this piece also won a Grammy in 2011 which is incredible. And to give some context to the audience Baba Yetu was the theme song for a popular game released in 2005 called civilization 4.  You were just talking about that. Could you explain the characteristics of the piece and how it translated so well to that game civilization 4? The piece itself is a bit of a crossover piece like we talked about before. It's a fusion of African Gospel vocals, Orchestra, and big cinematic percussion. And these are actually three different areas of music that I have a lot of familiarity with. In college I directed an a cappella group that specialized in African and African-American music. And then I studied composition orchestration. You know the classical way right. And then I also played Japanese Taiko in college. The giant Japanese drums that you see. That was I played in an ensemble and I typically played the largest drum. It’s the o-daiko drum that you play sideways like this. So these are things I very much know about already. I was given the chance to sort of synthesize them all into one piece for this video game. Yeah that's kind of a sound of Baba Yetu this fusion. And why it works so well for Civilization, this particular video game. Civilization is a video game about founding a civilization from the earliest days to modernity, right. And sort of this world music but classical sweep of the piece just lends itself very well to this idea of fusing cultures across history. So you recently released an oratorio about the history of flight called To Shiver the Sky. And first can you educate the audience a little bit about an oratorio? So oratorio is a  large-scale work, uses of the orchestra and voices focusing on a particular theme but no costumes and production acting that kind of stuff. Can you tell us more about To Shiver the Sky? Well, yes like you mentioned oratorio. I call it an oratorio. Oratorios typically deal with sacred subjects. I like to bend definitions a little. So Handel's Messiah for example is the most well known oratorio. It is with soloists and choir and different vocal groups. And tells the story of Aviation from the earliest days from Leonardo da Vinci sketching in his notebooks about a flying machine all the way up through Jules Verne writing fantastical stories about exploring space. To Amelia Earhart and her solo flight across the Atlantic to Yuri Gagarin being the first man launched into outer space. And finally when John F. Kennedy in 1962 said we choose to go to the moon before the end of the decade. We’re going to put a man on the moon and return him safely to Earth. And in my mind that is one of the greatest achievements of mankind. The fact that we were able to pull together and say you know what we're going to do this crazy thing. We're going to put a man on the moon within 8 years and by the way we have no idea how we’re going to do this. The technology, the science had not been invented yet. We don’t know anything about this. But we’re going to do it. This is just an amazing sort of example of leadership and vision right. Beside that and the entire nation pulled together behind this visionary president and we made it happen. And it was an amazing story. And I think it's an amazing story to reflect on, especially in this world we live in now where we still have lost a bit of our confidence as a people to do the big difficult amazing things. It’s a nice reminder that you know what? We’re still those people and really do the great things. The piece is just great. I've been listening to it and just such a cool idea. I love the idea and I love how people can be educated and learn about all these different you know all these different examples of the progression of flight to of course getting to the moon so just think it's just fabulous. Well, thank you I appreciate that. So many of our listeners are kids. What advice our bit of wisdom would you share with our listeners as they explore music around them? My advice to young musicians is to stay curious about music and to foster that curiosity. And you know explore the world of music around you because as we all know there are so many different types of music genres, of music instruments that you can play, pieces that you can write, formats that you can write in. You can be a recording artist. You can write musical theater. You could score films, you could score video games, you can do anything right? It's an amazing playground in a world to live in. And the way you stay happy living in that world is to always foster this lifelong excitement about discovering and doing new things in music.  So I would say soak it all up you know like practice being a hungry musician and devouring all the music around you. You know, cultivate this curiosity. I think and that'll keep you engaged and excited about music for the rest of your life. That's great Christopher Tin, we want to thank you again for your great music and for taking time out to chat with us on the music podcast for kids and wish you all the best as you continue inspiring, entertaining and educating the music world. Thanks so much. Thank you for having me. 

We sit down with special guest Christopher Tin, composer of the GRAMMY award winning Baba Yetu, which is also the title song for Sid Meier's Civilization IV. Chris has also written the title song for Civilization VI titled, Sogno Di Volare. VOTE FOR YOUR FAVOURITE CIVS HERE: https://forms.gle/JMDVymtFaskxDjTz7 The Civ Give 2020 ExtraLife Team Page: https://www.extra-life.org/team/TheCivGive - Twitter: https://twitter.com/TheCivShow Twitch: https://twitch.tv/TheCivShow YouTube: https://www.youtube.com/channel/UCls2Y1bV03i61ItsCZMzNng Spotify: https://open.spotify.com/show/65cv794dJaOE1aIwWGniS0?si=MhS3Fx3VQR6PJJ913ON5NA --- Send in a voice message: https://anchor.fm/thecivshow/message

Jugendchor Oldesloe & Band, Ltg. Henning Münther; Solo: Christopher Brackebusch & Lennart Meinßen

The history of flight is full of trial errors; from the stories of Daedalus and Icarus planning escape with wax and feathers, to The Wright Brothers' first successful airplane, human flight has been a dream for humanity for many years. That's what composer Christopher Tin's latest album, To Shiver the Sky, is all about. An "oratorio about the history of flight and mankind's quest to conquer the heavens," ...Sky tells a story of the evolution of this quest for flight, to reach higher than the earthbound. Throughout this album (featuring guest artists such as the Royal Philharmonic Orchestra, Royal Opera Chorus, Danielle de Niese and more), the evolution of flight is paired with the evolution of Western classical music. The album's story is told through the perspective of eleven historical figures, a "who's who" of "astronomers, inventors, visionaries and pilots." Classiclectic host Kurt Hauswirth spoke with Christopher about his album, and how it relates to humanity's efforts to keep

This week on New Classical Tracks, Christopher Tin talks about his collaboration with the Royal Philharmonic Orchestra, 'To Shiver the Sky,' that ethereally outlines the history of mankind's quest to fly.

Uur 1 1. Dream a little dream of me – Ella Fitzgerald 2. Vanaf vandaag – Elisah 3. Brindisi – Ennio Morricone 4. Schade dass Du gehen musst – Reinhard Mey 5. The last great love song – Finbar Furey 6. Will the circle be unbroken – Johnny Cash & Friends 7. Ave Maria – Maria Bethania 8. Wonderlijk – Simone Kleinsma 9. Sand and water – Beth Nielsen Chapman 10. Just a closer walk with thee – Patsy Cline 11. Ballonnetje – Toon Hermans 12. Burgundy Street blues – George Lewis 13. Adje zbogom – Oliver Dragojevic Uur 2 1. I remember everything – John Prine 2. Niet klaar – Claudia de Breij 3. Abide with me – Audrey Assad 4. Baba yetu – Christopher Tin & Soweto Gospel Choir 5. Alsof er niets is gebeurd – Maarten van Roozendaal 6. All my mistakes (have become masterpieces) – Teitur 7. Graveyard angel – Louise Tucker 8. Rapture – Antony & The Johnsons 9. Memories – Maroon 5 10. O gente de minha terra – Mariza 11. Hold on to let go – Danny Vera 12. Pijp uit – Kommil Foo 13. Emmenez-moi – Charles Aznavour 14. Emmenez-moi – La Banda Rillauds

Christopher Tin is a two-time Grammy-winning concert, film, and video game composer.  His works have been performed at Carnegie Hall, the Lincoln Center, Kennedy Center, Disney Concert Hall, and many other venues.  His recent Kickstarter campaign became the highest grossing Classical Music campaign of Kickstarter history.  His albums have peaked at #1 on the Billboard Classical Charts, and he was collaborated with a wide range of artists from numerous genres, from Lang Lang to BT.   This episode is sponsored by Dorico by Steinberg, the future of scoring. Visit www.steinberg.net/tpc for a free 30-day trial version. Join The Portfolio Composer community and support the creation of the platform on Patreon. Just $1/month to enable the creation of more great content to help you build your career!   Part Three of the Kickstarter Miniseries: Christopher discusses having a team, rolling out rewards, booking Abbey Road, and the bottom line.   Websites: christophertin.com Help composers find the podcast by giving The Portfolio Composer a review on iTunes!   This episode was edited by Studio184.

Composer Christopher Tin is the first artist ever to win a Grammy for music written for a video game. Now, he has a new album on sale called To Shiver the Sky, which explores the history of flight. He talks with WQED-FM about the album, collaborating with the Royal Philharmonic and the Royal Opera Chorus, his career in composition, and more.

Christopher Tin's latest album, To Shiver The Sky , tells the history of humanity's dream of flight and space exploration. The seed that grew this epic work is his setting of Leonardo's writings about flight, Sogno di Volare, which was used in the game Civilization VI. Christopher says that sparked the idea of creating a multi-movement work that takes us on a journey from the Middle Ages to modern times, with texts by such diverse writers as Hildegard von Bingen, Copernicus, Amelia Earhart and John F. Kennedy. Chris's Kickstarter campaign to fund the project set a record for the most successful funding ever for a classical music project. The funds allowed Chris to hire outstanding ensembles including the Royal Philharmonic, the Royal Opera Chorus, and super-star soloists soprano Danielle De Niese and tenor Pene Pati. along with other incredible smaller ensembles. With the success of To Shiver the Sky assured, two-time Grammy Award-winning Chris is already planning his next album, which

Hosts on Deck: Al, Nick What's up all?!  This week we talk about Wasteland 3, Microsoft Flight Simulator, Man in the High Castle, and the release of To Shiver The Sky, by Christopher Tin. We talked about this in our "Abbey Road" episode, where Nick, as part of a Patron campaign, backed the project and got see it recorded live in Abbey Road Studios! We also chat about the incredible Netflix produced video game history documentary, High Score. This is an absolute MUST watch for anyone with even a slight interest in the history of Video Gaming.   Upcoming Releases: All the gamescom craziness. Crusader Kings 3!   Contact us! VOICEMAIL LINE! 610-810-1654 Facebook (tiny.cc/savepoint) @TheRetroRents, theretrorents@gmail.com Al - @RetroRentsAl on twitter, twitch.tv/retrorentsal Nick - @BlackEagleOps on twitter, twitch.tv/BlackEagleOps Kyle - find Kyle on The Savepoint! tiny.cc/Savepoint

The composer Christopher Tin, on the occasion of his latest release — To Shiver The Sky (Decca Gold) — speaks to keeping your music in listeners’ ears.

Christopher Tin is a two-time Grammy-winning concert, film, and video game composer.  His works have been performed at Carnegie Hall, the Lincoln Center, Kennedy Center, Disney Concert Hall, and many other venues.  His recent Kickstarter campaign became the highest grossing Classical Music campaign of Kickstarter history.  His albums have peaked at #1 on the Billboard Classical Charts, and he was collaborated with a wide range of artists from numerous genres, from Lang Lang to BT.     This episode is sponsored by Dorico by Steinberg, the future of scoring. Visit www.steinberg.net/tpc for a free 30-day trial version.   Join The Portfolio Composer community and support the creation of the platform on Patreon. Just $1/month to enable the creation of more great content to help you build your career!   Part Two of the Kickstarter Miniseries: Christopher discusses money, his target fundraising amount, and choosing the appropriate rewards. For information regarding the FREE digital world premiere of To Shiver The Sky on Saturday, August 29, 2020. visit this Washington Performing Arts page. Websites: christophertin.com Help composers find the podcast by giving The Portfolio Composer a review on iTunes!   This episode was edited by Studio184.

Christopher Tin is a two-time Grammy-winning concert, film, and video game composer.  His works have been performed at Carnegie Hall, the Lincoln Center, Kennedy Center, Disney Concert Hall, and many other venues.  His recent Kickstarter campaign became the highest grossing Classical Music campaign of Kickstarter history.  His albums have peaked at #1 on the Billboard Classical Charts, and he was collaborated with a wide range of artists from numerous genres, from Lang Lang to BT.   This episode is sponsored by Dorico by Steinberg, the future of scoring. Visit www.steinberg.net/tpc for a free 30-day trial version.   Part One of the Kickstarter Minisieris: Christopher discusses why he chose Kickstarter, the importance of placing your audience first, and what funding and audience support looks like in our current music economy. For information regarding the FREE digital world premiere of To Shiver The Sky on Saturday, August 29, 2020. visit this Washington Performing Arts page.   Help composers find the podcast by giving The Portfolio Composer a review on iTunes!   This episode was edited by Studio184.

A new version of our popular podcast remastered with original score by multiple grammy award winning composer Christopher Tin and the brilliant  Alex Williamson. "400 years in the future, the Solar System is being overrun by a mysterious armada. The outer colonies fall in a matter of months, killing millions of pure gene Terrans and genetically modified Genen colonists. EarthCorp's Sentinel fleet, under the command of Admiral Katherine Shepard, must make a brave last stand at SaturnSys.  But the centuries old prejudices held by the pure gene Sentinel officers make it difficult to fight along the Genens the all powerful Transplanatary Corporations have inducted as emergency reserve forces." Series content warnings: Warfare, violence, mature content, body horror  

Video game composer Christopher Tin joins us to talk about Calling All Dawns, his upcoming work, and what it's like to write for video games! --- Support this podcast: https://podcasters.spotify.com/pod/show/musicast-podcast/support

Hosts on Deck: Al, Nick Games Discussed: Witcher 3, Final Fantasy 14, Star Citizen Summary:  Nick has returned from Abbey Road, where he actually got to attend the recording sessions for Christopher Tin's (composer of Civ 5 Baba Yetu themesong) latest project. Awesome stories abound, and it's a great peek into the process of how game and movie orchestral scores are made. We talk about PAX, coronavirus fears, and how to stay healthy at big conventions and avoid the infamous con cold from an expert (Nick...who's gone a few years in a row and not gotten sick!) News:  Nick returns from Abbey Road (we discuss the trip, where he got to see composer Christopher Tin and the Royal Philharmonic record his latest project. (Composer behind Civ 5's Baba Yetu theme song) Sony and Square Enix (FF14) pull out of PAX The SavePoint game of the month:  The Witcher 3 - Al - I BEAT IT (main story, anyway) Question of the bi-week: What game would you like us to check out at PAX and get more info on? Contact us! VOICEMAIL LINE! 610-810-1654 Facebook (tiny.ccsavepoint) @TheRetroRents, theretrorents@gmail.com Al - @RetroRentsAl on twitter, twitch.tv/retrorentsal Nick - @BlackEagleOps on twitter, twitch.tv/BlackEagleOps Kyle - find Kyle on The Savepoint! tiny.cc/Savepoint

Si continua anche in questa puntata con il tema: Critica giornalistica sugli eSports (rubrica "Videogioco nel sociale"). Parliamo nuovamente della questione "Hong Kong", soprattutto della risposta della Blizzard in merito a quanto successo riguardo il caso dei giocatori della Hearthstone Cup e di Magic the Gathering. Proseguiamo con il menzionare la prima donna al mondo a vincere un torneo eSport targato Blizzard (Hearthstone) e con il dibattere sulle norme politiche indotte dalla Cina sui videogiocatori cinesi minori di 18 anni. Nella seconda parte della puntata trattiamo di ulteriori temi caldi della settimana, come il presidente americano Trump che ha creato un account su Twitch e sulla questione di Call of Duty: Modern Warfare riguardante la scelta problematica dell'uccisione di un neonato. Concludiamo parlando della finale dei mondiali di League of Legends, che si è tenuta domenica 10 novembre a Parigi e che ha visto vittorioso il team cinese FunPlus Phoenix. Conducono Mario Andrea de Fazio, Marco Cusenza e Maura Saccà (con la partecipazione di Tommaso Morelli). Canzoni mandate in onda: - “Stanza Singola" - Franco 126 - “Baba Yetu” - Christopher Tin - “Awaken” - Valerie Broussard - “Jump In The Fire” - Metallica Seguici su Instagram e su Facebook 🕹

This month on Ear Snacks, we're talking about Pajamas and everything that comes with them. Rest, snuggles and coziness - and lullabies! Our awesome music pals Lucy Kalantari, Secret Agent 23 Skidoo, Christopher Tin, Tatiana DeMaria, Kaitlin McGaw share the sweet, soft and special songs they sing to their loved ones - and yours! This is a great episode for helping little ones in calming their bodies down and getting ready for rest.

I första delen av Musik och klimat möter Birgitta Tollan tonsättare som skriver musik utifrån klimatkrisen och den globala uppvärmningen. "Förlåt Moder jord." Droppen och havet. Bland smältande isberg, stigande havsnivåer, svår torka och orkaners och cykloners härjningar, kommer vatten att utforma våra kartor. Även tonsättare har berörts av klimatkrisen och den globala uppvärmningen och skrivit musik utifrån den känslan. Och tonsättare har i alla tider skrivit musik inspirerad av naturen. Möt Christopher Tin i Los Angeles. Hans cd The Drop that Contained the Sea Droppen som innehöll havet är sprungen ur en Sufi-tanke: På samma sätt som en vattendroppe innehåller oceanernas innersta, finns i varje människa hela mänsklighetens väsen. I den inledande satsen Water Prelude sjunger kören på det hypotetiska indoeuropeiska urspråket. Katarina Leyman växte upp i Bohuslän, på ön Orust, omgärdad av havet. Hennes senaste orkesterverk handlar om vatten och hav och det uruppfördes av Sveriges Radios Symfoniorkester. Titeln är Undulating Blue - Böljande blå. Maria Lithell Flyg ber Moder Jord om förlåtelse i Mother Earth. Titeln på hennes sång Avaritia betyder Girighet, vilken är en av dödssynderna. Det handlar om girigheten på jordens resurser. I operan Kassandra ser huvudpersonen framtida översvämningar. Dödssynden högmod - att inte lyssna på forskarnas varningar om klimatförändringarna, får förödande konsekvenser. Ylva Lund Bergner fick 2017 Järnåkerstipendiet på 100 000 kronor för sitt stycket Achenar. Hon minns fruktträdgården som gav en undanskymd plats där hon kunde vara sig själv och njuta. Men trädgården skövlades och nu står där radhus. Elin Kanhov doktorerar vid Musikvetenskapen i Stockholm. Hon skriver om hur nutida konstmusiktonsättare gestaltar naturen på ett annorlunda sätt än de historiska tonsättarna, som till exempel Beethoven. Manus, regi och produktion: Birgitta Tollan. Låtlista: WATER PRELUDE Christopher Tin, Christopher Tin/ Angel City Chorale/ Soweto Gospel Choir/ Royal Philharmonic Orchestra (London)/ Shoji Kameda TIN WORKS 063935, TW 004 WATER PRELUDE Christopher Tin, Christopher Tin/ Angel City Chorale/ Soweto Gospel Choir/ Royal Philharmonic Orchestra (London)/ Shoji Kameda TIN WORKS 063935, TW 004 WATER PRELUDE Christopher Tin, Christopher Tin/ Angel City Chorale/ Soweto Gospel Choir/ Royal Philharmonic Orchestra (London)/ Shoji Kameda TIN WORKS 063935, TW 004 BABA YETU Christopher Tin, Trad Soweto Gospel Choir/ Lucas Richman/ Royal Philharmonic Orchestra (London) TIN WORKS 042337, BABA YETU SYMFONI NR 6 F-DUR OP 68 Ludwig Van Beethoven, Simon Rattle/ Berliner Philharmoniker BERLIN PHIL MEDIA 058870, BPHR 160091-4 SYMFONI NR 6 F-DUR OP 68 Ludwig Van Beethoven, Simon Rattle/ Berliner Philharmoniker BERLIN PHIL MEDIA 058870, BPHR 160091-4 LACONISME DE L'AILE Kaija Saariaho, Saint-John Perse Lesley Olson/ Thomas Neuhaus KAIROS PRODUCTION 24056, 0012412 KAI Undulating Blue Katarina Leyman, Sveriges Radios Symfoniorkester Avaritia - Greed Maria Lithell Flyg, Vindla String Quartet & Fredrik Hermansson Seven Deadly Sins Little by Lithell Music Production Kassandras aria Maria Lithell Flyg, Åsa Thyllman, Thomas Sepp, Håkan Starkenberg Mother Earth - Forgiveness Maria Lithell, Vindla String Quartet & Fredrik Hermansson Seven Deadly Sins Little by Lithell Music Production Mother Earth - Forgiveness Maria Lithell, Vindla String Quartet & Fredrik Hermansson Seven Deadly Sins Little by Lithell Music Production DEVIPRAVAHA Christopher Tin, Adi Shankara Roopa Mahadevan/ Christopher Tin/ Royal Philharmonic Orchestra (London)/ Jon Sterckx TIN WORKS 063935, TW 004 DEVIPRAVAHA Christopher Tin, Adi Shankara Roopa Mahadevan/ Christopher Tin/ Royal Philharmonic Orchestra (London)/ Jon Sterckx TIN WORKS 063935, TW 004 WALOYO YAMONI Christopher Tin, Trad Från Uganda Soweto Gospel Choir Royal Philharmonic Orchestra (London) TIN WORKS 063935, TW 004

I första delen av Musik och klimat möter Birgitta Tollan tonsättare som skriver musik utifrån klimatkrisen och den globala uppvärmningen. "Förlåt Moder jord." Droppen och havet. Bland smältande isberg, stigande havsnivåer, svår torka och orkaners och cykloners härjningar, kommer vatten att forma våra kartor Även tonsättare har berörts av klimatkrisen och den globala uppvärmningen och skrivit musik utifrån den känslan. Och tonsättare har i alla tider skrivit musik inspirerad av naturen. Möt Christopher Tin i Los Angeles. Hans cd The Drop that Contained the Sea Droppen som innehöll havet är sprungen ur en Sufi-tanke: På samma sätt som en vattendroppe innehåller oceanernas innersta, finns i varje människa hela mänsklighetens väsen. I den inledande satsen Water Preludesjunger kören på det hypotetiska indoeuropeiska urspråket. Katarina Leyman växte upp i Bohuslän, på ön Orust, omgärdad av havet. Hennes senaste orkesterverk handlar om vatten och hav och det uruppfördes av Sveriges Radios Symfoniorkester. Titeln är Undulating Blue - Böljande blå. Maria Lithell Flyg ber Moder Jord om förlåtelse i Mother Earth. Titeln på hennes sång Avaritia betyder Girighet, vilken är en av dödssynderna. Det handlar om girigheten på jordens resurser. I operan Kassandra ser huvudpersonen framtida översvämningar. Dödssynden högmod - att inte lyssna på forskarnas varningar om klimatförändringarna, får förödande konsekvenser. Ylva Lund Bergner fick 2017 Järnåkerstipendiet på 100 000 kronor för sitt stycket Achenar. Hon minns fruktträdgården som gav en undanskymd plats där hon kunde vara sig själv och njuta. Men trädgården skövlades och nu står där radhus. Elin Kanhov doktorerar vid Musikvetenskapen i Stockholm. Hon skriver om hur nutida konstmusiktonsättare gestaltar naturen på ett annorlunda sätt än de historiska tonsättarna, som till exempel Beethoven. Manus, regi och produktion: Birgitta Tollan.

"The Turing test is the idea that... It's basically a test to see whether a machine can behave in a manner indistinguishable from a normal human being, at least in a verbal conversation over, say, text messaging and the like. And Turing thought that eventually, we'll have machines that pass this test, that is they're indistinguishable from, say, another human interlocutor over hours of conversational testing. Then he didn't say at that point then machines can think. What he said was, at that point, the question of whether machines can think becomes basically meaningless and I've provided an operational definition to substitute for it. So, once they pass this test, he says, 'That's good enough for me.' " - David Chalmers, On Consciousness, The Hard Problem, And Living In A Simulation TRACKLIST || 01. Rolo Green - Sol's Theme [Anjunabeats] || 02. Luigi Di Mare - Moonstone [Intricate] || 03. NUA - Nepenthe (Lezcano Remix) [3xA] || vs Djsiksika - Mo More [Mystic Carousel] || 04. Michael Milov - Eternity [Suanda Base] || 05. Focal & Mariion Christiian - Crisis (fZ mix) [Base Industry] || 06. Aelyn - Water & Fire (fZ mix) [Suanda] || 07. tyDi & Christopher Tin ft. London Thor - Did You Know? [Global Soundsystem ] || 08. Mino Safy - Gravitation [Suanda Base] || 09. Sheridan Grout - Protocol [In Sessions] || 10. Airborn, Bogdan Vix & KeyPlayer - Syndrome [Suanda] || 11. Future People - Dawn Of Sanity [Blue Tunes] || 12. John Dopping - Shady [Ayra] || 13. Liquid Soul - Valley of Peace (Audiodact Remix) [Iboga] || 14. Ptinium - By My Side (Under This Remix) [Blacked Out] || 15. Stereodots - Certainly Crazy (Frequency Less Remix) [VIM] Never miss an episode! Subscribe to the Full Spectrum podcast, find the latest releases at https://ffaze.com

"The Turing test is the idea that... It’s basically a test to see whether a machine can behave in a manner indistinguishable from a normal human being, at least in a verbal conversation over, say, text messaging and the like. And Turing thought that eventually, we’ll have machines that pass this test, that is they’re indistinguishable from, say, another human interlocutor over hours of conversational testing. Then he didn’t say at that point then machines can think. What he said was, at that point, the question of whether machines can think becomes basically meaningless and I’ve provided an operational definition to substitute for it. So, once they pass this test, he says, 'That’s good enough for me.' " - David Chalmers, On Consciousness, The Hard Problem, And Living In A Simulation TRACKLIST || 01. Rolo Green - Sol's Theme [Anjunabeats] || 02. Luigi Di Mare - Moonstone [Intricate] || 03. NUA - Nepenthe (Lezcano Remix) [3xA] || vs Djsiksika - Mo More [Mystic Carousel] || 04. Michael Milov - Eternity [Suanda Base] || 05. Focal & Mariion Christiian - Crisis (fZ mix) [Base Industry] || 06. Aelyn - Water & Fire (fZ mix) [Suanda] || 07. tyDi & Christopher Tin ft. London Thor - Did You Know? [Global Soundsystem ] || 08. Mino Safy - Gravitation [Suanda Base] || 09. Sheridan Grout - Protocol [In Sessions] || 10. Airborn, Bogdan Vix & KeyPlayer - Syndrome [Suanda] || 11. Future People - Dawn Of Sanity [Blue Tunes] || 12. John Dopping - Shady [Ayra] || 13. Liquid Soul - Valley of Peace (Audiodact Remix) [Iboga] || 14. Ptinium - By My Side (Under This Remix) [Blacked Out] || 15. Stereodots - Certainly Crazy (Frequency Less Remix) [VIM] Never miss an episode! Subscribe to the Full Spectrum podcast, find the latest releases at http://ffaze.com, or join us on facebook at http://www.facebook.com/frequenZphaZe

The Rev. Victoria Hart Gaskell, Minister for Visitation, preaches a sermon entitled "The Hospitality of Strangers". In Choro Novo sings “Ubi Caritas” by Ola Gjeilo and “”Baba Yet (The Lord’s Prayer” by Christopher Tin along with service music and hymns.

The Rev. Victoria Hart Gaskell, Minister for Visitation, preaches a sermon entitled "The Hospitality of Strangers". In Choro Novo sings “Ubi Caritas” by Ola Gjeilo and “”Baba Yet (The Lord’s Prayer” by Christopher Tin along with service music and hymns.

Playlist 1. Tydi & Christopher Tin ft. London Thor - Did You KNow (Matt Fax Remix) 2. Alex Sonata feat Dean Chalmers - Bridges 3. D-Mad - Don’t Be A Prisoner 4. Chris Bekker & Farius - TXL 5. Wrechiski - Fervour 6. Maor Levi Feat Mangal Suvaman - Brave 7. Arcanum - Hybrid 8. XavierF - Thinker 9. Karanda & Fischer - Gone 10. Frainbreeze & Emma Horan - We Still Have Each Other 11. Super8 & Tab & Tom Fall - Osaka 12. Frog lord - Maze 13. Estiva & Dezza - Hero Don't forget to check out this weeks third hour of Tecktonics which is only available on soundcloud along with a free download. This week we have a full hour of the lastest uplifting trance music out today. Make sure you go by to check it out. https://soundcloud.com/tecktonics www.instagram.com/tecktonicsshow/ https://twitter.com/TecktonicsShow

01 Mike Shiver - Ahh (Club Mix) 02 Farius - Ellipse (Extended Mix) 03 Zonderling ft. Mingue - Remedy (Extended Mix) 04 Cosmic Gate ft. Jennifer Cooke - This Will Be Your Happyness (Steve Brian Remix) 05 Andy Tau - Into The Void (BlackWhyte Remix) 06 Thomas Mengel - Meridian (Extended Mix) 07 Jason Ross ft. Lauren Ray - I Will Be There 08 Armin van Buuren ft. Conrad Sewell - Sex, Love & Water (Extended Club Mix) 09 Sheridan Grout - Puma 10 Dan Thompson - Lucid (Extended Mix) 11 Husman - Heroic (Extended Mix) 12 Ben Gold x Omnia - The Gateway (Extended Mix) 13 tyDi - Closing In with Christopher Tin ft. Dia Frampton (Shane 54 Remix) 14 Chris Bekker, Farius -Cmyk (Extended Mix) 15 Ashley Wallbridge - Vision (Juventa Remix) 16 Andrew Bayer, Asbjorn - Super Human (Original Mix)

California-born, British-educated Christopher Tin is a two-time Grammy-winning composer whose music has been performed and premiered in many of the world's most prestigious venues. From feature films to concerts to video games - Christopher introduces new perspectives in the creation of compelling music across an eclectic spectrum of visual mediums.

On this episode, Dave and Sol combine two of their biggest passions (video games and music) and run through each of their top five favorite video game music tracks. Ranging from the days of the NES all the way to the PC in 2015, their selections definitely run the gamut. Some you may recognize. Others... probably not so much, but hopefully you'll enjoy the guys taking a trip down Nostalgia Lane so you too can enjoy some of their favorite songs from video games of all time!Art by https://www.danihuvaere.com/You can find the full version of our awesome intro/outro music here: https://soundcloud.com/ocremix/02-where-the-wild-things-are-new-super-mario-bros-wii-robkta-feat-xprtnovice?in=ocremix/sets/super-cartography-brosSpecial thanks to the following for our music:https://ocremix.org/RobKTA: https://www.youtube.com/user/RoBKTAXPRTNovice: http://ocremix.org/artist/12064/xprtnovice

Свежий выпуск радиошоу с новинками клубной музыки. В середине часа рубрика "Золотая эра транса". В конце рубрика "Заевшая пластинка". Каждую пятницу в 21:00 на Отличном радио . А также слушайте каждую субботу в 18:00 по мск на радио Электрон, радио Брянск FM и на радио ЧЁ в Спб. В 00:00 субботы на QRadio в Ярославле. Также слушайте шоу на радио LumixFM в 14:00 сб.Public VK: vk.com/steelyga_premium_selection Instagram: instagram.com/steelyga_shop Bananastreet: https://bananastreet.ru/steelygapremiumselection Хэштеги: #steelyga #steelyga_premium_selection #stpresel117 01:58 Dada Life - We Want Your Soul 05:55 Ilan Bluestone feat. Koven - Another Lover 09:46 Jessie Ware - Alone (R3hab Remix) 12:51 Natalie Gioia and Eximinds - Saving Me From Night 16:23 Pegboard Nerds and Krewella - Another Round 19:40 Рубрика «Золотая эра транса» Ronski Speed ft. Aruna – All The Way 29:24 Robbie Rivera and Paige feat. Crystal Waters - Without You 33:03 Steve Angello - Break Me Down 37:17 Steve Aoki x Lauren Jauregui - All Night 40:59 Tiesto and KSHMR feat. Talay Riley - Harder (Yoel Lewis Remix) 44:47 TyDi and Christopher Tin feat. London Thor - Did You Know 49:11 Рубрика «Заевшая пластинка» Will Sparks – What I Do

Свежий выпуск радиошоу с новинками клубной музыки. В середине часа рубрика "Золотая эра транса". В конце рубрика "Заевшая пластинка". Каждую пятницу в 21:00 на Отличном радио . А также слушайте каждую субботу в 18:00 по мск на радио Электрон, радио Брянск FM и на радио ЧЁ в Спб. В 00:00 субботы на QRadio в Ярославле. Также слушайте шоу на радио LumixFM в 14:00 сб.Public VK: vk.com/steelyga_premium_selection Instagram: instagram.com/steelyga_shop Bananastreet: https://bananastreet.ru/steelygapremiumselection Хэштеги: #steelyga #steelyga_premium_selection #stpresel117 01:58 Dada Life - We Want Your Soul 05:55 Ilan Bluestone feat. Koven - Another Lover 09:46 Jessie Ware - Alone (R3hab Remix) 12:51 Natalie Gioia and Eximinds - Saving Me From Night 16:23 Pegboard Nerds and Krewella - Another Round 19:40 Рубрика «Золотая эра транса» Ronski Speed ft. Aruna – All The Way 29:24 Robbie Rivera and Paige feat. Crystal Waters - Without You 33:03 Steve Angello - Break Me Down 37:17 Steve Aoki x Lauren Jauregui - All Night 40:59 Tiesto and KSHMR feat. Talay Riley - Harder (Yoel Lewis Remix) 44:47 TyDi and Christopher Tin feat. London Thor - Did You Know 49:11 Рубрика «Заевшая пластинка» Will Sparks – What I Do

#НовыйМикс #NewMix #RemightOnAir Всем привет! Наступила новая неделя, а значит самое время для нового выпуска Remight On Air! ;) На этой неделе вас ждет смесь из нежных и расслабляющих треков в стиле deep house и tropical house, которые со временем уступят место моему любимому progressive house!!! Я очень соскучился по музыке в этом стиле и о, Господи, как же сильно я его люблю )))) Затем все это смениться мощным зарядом hardstyle, который перерастет в завершающую trance-секцию! Вы бы видели как я танцевал, пока записывал этот микс для вас... ;))) Я очень надеюсь, что вам понравится! Любите хорошую музыку и отличной вам рабочей недели и скорейшего наступления выходных! ;) Приятного прослушивания! =) Пишите в комментариях свое мнение о миксе, а также в каких стилях электронной музыки вы хотели бы услышать миксы в дальнейшем! Буду очень вам благодарен за репост! И помните! Музыка и есть ответ! ;) Также подписывайтесь на мои страницы в других социальных сетях! Найти меня можно на просторах: ITunes: https://itunes.apple.com/podcast/remight/id1249810777 PromoDJ: https://promodj.com/Remight Facebook: https://www.facebook.com/Remight123 Twitter: https://twitter.com/RemightMusic Instagram: https://www.instagram.com/RemightMusic MixCloud: https://www.mixcloud.com/Remight/ Вконтакте: https://vk.com/RemightMusic Трек-лист: 01 Jai Wolf - The World is Ours (VIRTU Remix) 02 William Black - I Wish (feat. SKYLR) 03 Miles Away - Way Out West 04 Sultan + Shepard - Bloom (Intro Mix) 05 Jai Wolf - Gravity (feat. JMR) (Hotel Garuda Remix) 06 Yves V & Matt Hill ft. Betsy Blue - Stay (Extended Mix) 07 The Chainsmokers - Young (Nicky Romero Remix) 08 LUC ONE - The End (Extended Mix) 09 Vigiland - Another Shot (ESL One New York Edit) (Acapella: Armin Van Buuren Feat. Angel Taylor - Make It Right (Extended Mix)) 10 Nicky Romero & Navarra - Crossroads (Extended Mix) 11 Radiology & TripL - Alive (Extended Mix) 12 Axwanging & Roone - Vertigo (Extended Mix) 13 Hardwell feat. Chris Jones - Young Again (Extended Mix) 14 Galantis - In My Head (Matisse & Sadko Remix) 15 Spenz - Crimes (Extended Mix) 16 Clean Bandit feat. Zara Larsson - Symphony (feat. Zara Larsson) (Dash Berlin Remix) 17 WildVibes & VARGENTA feat. Arild Aas - Our Time (Original Mix) 18 Marshmello - Silence (Tiesto Extended Remix) 19 Firelite - World Of Magic (Extended Mix) 20 Jay Reeve - Voice Of Silence (Original Mix) 21 Dr Phunk - Safe House (Extended Mix) 22 Andrew Rayel feat. Jonathan Mendelsohn - Home (Vigel Extended Remix) 23 Tydi - Did You Know? (with Christopher Tin ft. London Thor) #Mix #PromoMix #Remight #Ремайт #RemightMusic #EDM #DJ #ProgressiveHouse #BigRoomHouse #DeepHouse #TropicalHouse #Midtempo #Trance #Hardstyle #Sultan #Shepard #Hardwell #Revealed #NickyRomero #YvesV #Galantis #ArminVanBuuren #Matisse #Sadko #CleanBandit #Marshmello #AndrewRayel

Новый выпуск Dimension Trance!Dimension Trance - это другое измерение, другой мир, в котором царит исключительно Trance музыка. Эта музыка подарит вам незабываемые эмоции, которые не может дать любое другое направление музыки. Где находиться это измерение? В Нашем с Вами Мире!В подкастах звучат треки не зависимо от их даты издания. Так же будут появляться эксклюзивные релизы, которые ещё не изданы.Трансляции каждый понедельник в 14:00 (По МСК), на gtiradio.ru 1. PROFF & 8Kays - Arcology [Zerothree] 2. Monoverse - Painting Shadows [FSOE Parallels] 3. TyDi with Christopher Tin, ft. London Thor - Did You Know [Global Soundsystem] 4. Roman Messer Feat. Vito Fognini - Ambition (Club Mix) [Suanda] 5. Mark Sixma & Emma Hewitt - Missing (Andrew Rayel & Mark Sixma Remix) [inHarmony] 6. Roman Messer feat. Roxanne Emery - Lullaby [Suanda] 7. Make One - Reborn [Interstate] 8. Illitheas & Terry Gaters - Aestas [Abora] 9. Moonsouls & Marjan - Until The End [DS-R] 10. Mohammed El Alami - Journey To Heaven [FSOE Fables] 11. Shinovi - Lory's Mansion [WAO138] 12. Shinovi - Run Or Stay [WAO138] 13. Armin van Buuren - Be In The Moment [ASOT] 14. Mike van Fabio & Alex van ReeVe - Skyliner (Mike Sanders Remix) [Monster Force]

6e émission de la 31e session... Cette semaine c'est assez éclaté avec le retour de Marie-Eve Boulanger et ses découvertes, électro-jazz et finale free ! En musique: Christian Scott sur l'album Stretch Music (Ropeadope, 2015); Nano Stern sur l'album Mil 500 Vueltas (Chilevisión Música, 2015); Karin & Mike Kelleher sur l'album Mélange (Indépendant, 2015); Christopher Tin sur l'album The Drop That Contained the Sea (Tin Works, 2014); Brian Ellis Group sur l'album Escondido Sessions (El Paraiso, 2015); Dikeman Noble Serries sur l'album Obscure Fluctuations (Trost, 2015)...

6e émission de la 31e session... Cette semaine c'est assez éclaté avec le retour de Marie-Eve Boulanger et ses découvertes, électro-jazz et finale free ! En musique: Christian Scott sur l'album Stretch Music (Ropeadope, 2015); Nano Stern sur l'album Mil 500 Vueltas (Chilevisión Música, 2015); Karin & Mike Kelleher sur l'album Mélange (Indépendant, 2015); Christopher Tin sur l'album The Drop That Contained the Sea (Tin Works, 2014); Brian Ellis Group sur l'album Escondido Sessions (El Paraiso, 2015); Dikeman Noble Serries sur l'album Obscure Fluctuations (Trost, 2015)...

Film Director & Podcast extraordinaire, Kevin Smith joins me to discuss the inspiration behind his latest film “Tusk”. About Tusk:  When podcaster Wallace Bryton The post 'Tusk' Director Kevin Smith, 'The King & I' Actor Greg Zane & Composer Christopher Tin first appeared on Pop Culture Tonight.

Film Director & Podcast extraordinaire, Kevin Smith joins me to discuss the inspiration behind his latest film “Tusk”. About Tusk:  When podcaster Wallace Bryton

Laura Intravia does a lot of musical things. She composes, performs, teaches, tours with Video Games Live-- you know, the usual. She also guests on podcasts, apparently, because here she is for a fun-filled episode of Train Station at 8! We talk about Banjo-Kazooie, Shadow of the Colossus, Super Mario World, The Legend of Zelda... all the good stuff. So don't be a square; be a square wave and tune in! (I promise that isn't our new catchphrase.)Where can you find Laura on the internet? Try her website and/or Facebook, and don't forget to read her blog. You'll learn stuff, you will!This week's Open Question: "What are some of your best video game musical memories?"How did you like this episode? If the answer is "lots" then consider following Train Station at 8 on Twitter, subscribing on iTunes, or maybe sending an email to TrainStationAt8@gmail.com. Hearing from you would make our day and then some!Music used in this episode:Chilling with the Monkey Porter (Train Station at 8 Season 2 Theme) - Bryan KellyHigh School Love - Laura Intravia, Nicole Intravia, Joe Popson, Omar NajmiThe Spirit Tree (feat. Aeralie Brighton) - Gareth Coker feat. Aeralie BrightonNow or Never (Final Stage) - Super Marcato Bros.Seirines - "Sirens" (feat. Anonymous 4) - Christopher TinYoshi's Woolly World (Remix) - Taku InoueSeven Songs for Seventh Saga: II. Water - Sebastian FreijSuper Mario Galaxy 2 (Trailer Arrangement) - Mahito Yokota You've Got to Eat Your Vegetables - Bobby PrinceCastle/Fortress (Super Mario World) - Koji KondoA Violent Encounter - Kow OtaniRevived Power - Kow OtaniNerevar Rising - Jeremy SouleClick Clock Wood (Spring) - Grant KirkhopeSong of the Ancients (NieR) - Jillian Aversa, Doug PerryItem Catch (The Legend of Zelda) - Koji KondoItem Catch (A Link Between Worlds) -  Ryo NagamatsuItem Catch (Link's Awakening) - Yoshiaki KoizumiItem Catch (Ocarina of Time) - Koji KondoItem Catch (The Adventure of Link) - Takashi TezekuItem Catch (Wind Waker) - Kenta Nagata, Hajime Wakai, Toru Minegishi, Koji KondoItem Catch (Twilight Princess) - Toru Minegishi, Asuka Ohta

In which I play some great excerpts from the game music festival that happened right here in Dublin, the iDIG Music Festival. Baba Yetu performed by the Triforce Quartet, composed by Christopher Tin from Civilisation IV by Firaxis Games; Interview with Grammy award winning game music composer Christopher Tin; and Blizzard composer Russell Brower talks about an emotional encounter with a fan after being asked what his favourite composition is.

In which I prepare everyone for the iDIG Music Festival. Baba Yetu (feat. Soweto Gospel Choir) and Hamsafar (feat. Sussan Deyhim) by Christopher Tin, Baba Yetu originally from Civilisation IV by Firaxis Games; Tetris Opera, based on the poem "Korobeiniki" by Nikolay Nekrasov, arranged by Greg Cox, from Video Games Live (Level 3), popularised by Tetris by Bullet Proof Software; Zelda 25th Anniversary Overture composed by Koji Kondo, Arranged by Laura Intravia from the Zelda series by Nintendo performed in from Video Games Live (Level 3).

We focus on vocal music for episode 13! This includes a wide variety of tracks, some cheesy, some donuty. Vocals in VGM can be a divisive topic, so hopefully this will be enjoyable to the vocals lovers and enlightening to the vocals haters!Download MP3 Tracklist (full info here):

Christopher Tin just finished his second song cycle, 'The Drop That Contained the Sea'. He stopped by Top Score to discuss it.

Christopher Tin kindly sent us five signed copies of "Calling All Dawns". Enter today for your chance to win a copy!

Composer Christopher Tin is the featured guest on the new episode of Top Score from Classical Minnesota Public Radio.

In which I talk about another Humble Bundle, this one being a music bundle! Ending credits music originally 'Mall Music' by Hideki Okugawa and Marika Suzuki from Dead Rising 2: Off the Record by Capcom Vancouver [Formerly Blue Castle Games]; Dao Zai Fan Ye (feat. Jia Ruhan) by Christopher Tin from Civilisation IV by Firaxis Games; Dr. Mario fever theme by Hirokazu Tanaka from Dr. Mario by Nintendo, redone version for Super Smash Bros. Melee also by Nintendo; and Angry Birds theme by Ari Pulkkinenfrom Angry Birds by Rovio; performed by London Philharmonic Orchestra and Andrew Skeet.